mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 12:02:45 +00:00
why isn't it commiting
This commit is contained in:
663
Data/Friends/ToConvert/The One With The Metaphorical Tunnel.html
Normal file
663
Data/Friends/ToConvert/The One With The Metaphorical Tunnel.html
Normal file
@@ -0,0 +1,663 @@
|
||||
|
||||
<!-- saved from url=(0055)http://www.livesinabox.com/friends/season3/304towmt.htm -->
|
||||
<html><head><meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
|
||||
<title>The One With The Metaphorical Tunnel</title>
|
||||
<style id="holderjs-style" type="text/css"></style><link type="text/css" rel="stylesheet" href="chrome-extension://pioclpoplcdbaefihamjohnefbikjilc/content.css"></head>
|
||||
|
||||
<body bgcolor="white" text="black" link="green" vlink="black" alink="yellow" class=" __plain_text_READY__">
|
||||
|
||||
<h1 align="center">The One With The Metaphorical Tunnel</h1>
|
||||
|
||||
<hr align="center">
|
||||
<i>
|
||||
|
||||
</i><p><i></i>Written by: Alexa Junge<br>
|
||||
Transcribed by: <a href="mailto:Ericaasen1@aol.com">Eric Aasen</a> </p>
|
||||
|
||||
<hr>
|
||||
<font size="3">
|
||||
|
||||
<p align="left">[Scene: Monica and Rachel's: everyone is there and they are watching an
|
||||
info-mercial that stars Joey.]</p>
|
||||
|
||||
<p><i><b>Host:</b> Welcome everybody, welcome to Amazing Discoveries!</i></p><i>
|
||||
|
||||
</i><p><i></i><b>Phoebe:</b> Oh, oh! It's on again!</p>
|
||||
|
||||
<p><b>Joey:</b> You guys, can we please not watch this all right.</p>
|
||||
|
||||
<p><b>All:</b> Shhhh!</p>
|
||||
|
||||
<p><i><b>Host:</b> Folks, has this ever happened to you. You go to the refrigerator to get
|
||||
a nice glass of milk, (Joey is in the background struggling to open a cartoon of milk) and
|
||||
these darn cartons are so flingin'-flangin' hard to open.</i></p><i>
|
||||
|
||||
<p><b>Joey:</b> (on tv) Oh, you said it Mike. (rips open the carton and spills milk on the
|
||||
counter) Aw! There's got to be a better way!</p>
|
||||
|
||||
<p><b>Mike:</b> And there is Kevin.</p>
|
||||
|
||||
</i><p><i></i><b>Joey:</b> Can we please turn this off?</p>
|
||||
|
||||
<p><b>Rachel:</b> Noo way, Kevin.</p>
|
||||
|
||||
<p><i><b>Mike:</b> There is a revolutionary new product that guarantees that you'll never
|
||||
have to open up milk cartons again. Meet the Milk Master 2000.</i></p><i>
|
||||
|
||||
</i><p><i></i><b>Ross:</b> (to Chandler) Are you intrigued?</p>
|
||||
|
||||
<p><b>Chandler:</b> You're flingin'-flangin' right I am!</p>
|
||||
|
||||
<p><i><b>Mike:</b> Keep in mind, he's never used this product before, you're gonna see how
|
||||
easy this is to do. (to Kevin) Go ahead. ('Kevin' starts using the product, it is a spout
|
||||
that you jab into a paper milk carton so that you don't have to rip it open.) This works
|
||||
with any milk carton.</i></p><i>
|
||||
|
||||
<p><b>Joey:</b> (on TV, finishing installing the Milk Master 2000) Wow, it is easy.
|
||||
(starts to poor the milk) Now, I can have milk everyday.</p>
|
||||
|
||||
</i><p><i></i>(They all start laughing at him)</p>
|
||||
|
||||
<p align="center"><b>Opening Credits</b></p>
|
||||
|
||||
<p>[Scene: Central Perk, Chandler, Monica, Janice are sitting on the couch, and Phoebe is
|
||||
sitting next to them in the chair.]</p>
|
||||
|
||||
<p><b>Chandler:</b> Well, it's official there are no good movies.</p>
|
||||
|
||||
<p><b>Janice:</b> Well, let's go to a bad one and make out. (they start to kiss and lean
|
||||
back into Monica.)</p>
|
||||
|
||||
<p><b>Monica:</b> Perhaps, you would like me to turn like this, (turns sideways on the
|
||||
couch) so that you can bunny bump against my back.</p>
|
||||
|
||||
<p><b>Joey:</b> (entering) Hey!</p>
|
||||
|
||||
<p><b>Phoebe:</b> Hey.</p>
|
||||
|
||||
<p><b>Chandler:</b> Hey, man. What's up?</p>
|
||||
|
||||
<p><b>Joey:</b> Maybe you can tell me. My agent would like to know why I didn't show up at
|
||||
the audition I didn't know I had today. The first good thing she gets me in weeks. How
|
||||
could you not give me the message?!</p>
|
||||
|
||||
<p><b>Chandler:</b> Well, I'll tell ya I do enjoy guilt, but, ah, it wasn't me.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yes, it was! It was him! Uh huh! (they all stare at her) Okay, it was
|
||||
me! </p>
|
||||
|
||||
<p><b>Joey:</b> How is it you?</p>
|
||||
|
||||
<p><b>Phoebe:</b> Well, it was just, it was all so crazy, you know. I mean, Chandler was
|
||||
in the closet, counting to 10, and he was up to 7 and I hadn't found a place to hide yet.
|
||||
I-I-I meant to tell you, and I wrote it all down on my hand. See, all of it. (shows him
|
||||
her hand)</p>
|
||||
|
||||
<p><b>Joey:</b> Yep, that's my audition.</p>
|
||||
|
||||
<p><b>Monica:</b> See, now this is why I keep notepads everywhere.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yep, and that's why we don't invite you to play.</p>
|
||||
|
||||
<p><b>Janice:</b> What is the great tragedy here? You go get yourself another appointment.</p>
|
||||
|
||||
<p><b>Joey:</b> Well, Estelle tried, you know. The casting director told her that I missed
|
||||
my chance.</p>
|
||||
|
||||
<p><b>Phoebe:</b> That is unfair. I'll call her and tell her it was totally my fault.</p>
|
||||
|
||||
<p><b>Joey:</b> Pheebs, you can't do that. The casting director doesn't talk to friends,
|
||||
she only talks to agents.</p>
|
||||
|
||||
<p><b>Phoebe:</b> What a sad little life she must lead. Okay, ooh (starts dialing). </p>
|
||||
|
||||
<p><b>Joey:</b> What, what are you doing? What are you doing?</p>
|
||||
|
||||
<p><b>Phoebe:</b> No, no, no, I know, I know, ooh. (on the phone in a different voice)
|
||||
'Hi, this is Katelynn, from Phoebe Buffay's office. Um, is um, Ann there for Phoebe,
|
||||
she'll know what it's about.'</p>
|
||||
|
||||
<p><b>Joey:</b> Hang up, hang up. (reaches with his good arm, but Phoebe grabs it and he
|
||||
tries to reach the phone with his other arm but can't because of the sling.)</p>
|
||||
|
||||
<p><b>Phoebe:</b> (on phone) 'Annie! Hi. Listen we got a problem with Joey Tribbiani,
|
||||
apparently he missed his audition. Who did you speak to in my office? Estelle, no, I don't
|
||||
know what I'm going to do with her. No. All right, so your husband leaves and burns down
|
||||
the apartment, the world does not stop.'</p>
|
||||
|
||||
<p><b>Chandler:</b> Is anybody else scared?</p>
|
||||
|
||||
<p><b>Phoebe:</b> (on phone) 'Right, well look, um, if Joey loses this audition, that is
|
||||
it for Estelle. I don't care! Annie you are a doll, what time can you see him?' (to
|
||||
Monica) I need a pen. (Chandler hands her one, but she needs something to right on, so she
|
||||
tilts Chandler's head over and writes on the back of his neck)</p>
|
||||
|
||||
<p><b>Chandler:</b> Get the woman a pad! Get the woman a pad! A pad! A pad!</p>
|
||||
|
||||
<p><b>Monica:</b> Oh, now you want a pad.</p>
|
||||
|
||||
<p>[Scene: Monica and Rachel's, Carol and Susan are dropping off Ben]</p>
|
||||
|
||||
<p><strong>Carol and </strong><b>Susan:</b> (entering) Hey!!</p>
|
||||
|
||||
<p><b>Ross:</b> There's my boy! Here's my boy! And here's his Barbi (Ben is holding a
|
||||
Barbi doll) What's ah, what's my boy doing with a <em>Barbi</em>?</p>
|
||||
|
||||
<p><b>Carol:</b> He picked it out of the toy store himself, he loves it.</p>
|
||||
|
||||
<p><b>Susan:</b> He carries it everywhere, it's like a security blanket, but with ski
|
||||
boots and a kicky beret.</p>
|
||||
|
||||
<p><b>Ross:</b> Yeah, it's, it's, it's cute. Why, why, why does he have it, again?</p>
|
||||
|
||||
<p><b>Susan:</b> So he's got a doll? So what? Unless you're afraid he's gonna grow up and
|
||||
be in show business.</p>
|
||||
|
||||
<p><b>Carol:</b> This doesn't have anything to do with the fact that he is being raised by
|
||||
two women, does it?</p>
|
||||
|
||||
<p><b>Ross:</b> You know what it's fine. If you're okay with the <em>Barbi</em> thing, so
|
||||
am I.</p>
|
||||
|
||||
<p>(cut to later in the day)</p>
|
||||
|
||||
<p><b>Ross:</b> Give daddy the <em>Barbi</em>! Ben, give, give me the <em>Barbi</em>.
|
||||
Okay, how 'bout, don't you want to play with the monster truck? (makes a monster truck
|
||||
sound) No. Okay, oh, oh, how about a Dino-soilder? (squawks like a dinosaur)</p>
|
||||
|
||||
<p><b>Rachel:</b> Ross, you are so pathetic. Why can't your son just play with his doll?
|
||||
(uses the Milk Master 2000 to pour milk into her cereal)</p>
|
||||
|
||||
<p><b>Monica:</b> (entering from her bedroom) I gotta go to work. Has anybody seen my left
|
||||
boob?</p>
|
||||
|
||||
<p><b>Joey:</b> I love that movie. (Joey is using it as a pillow)</p>
|
||||
|
||||
<p><b>Monica:</b> There it is. Joey, what are you doing?</p>
|
||||
|
||||
<p><b>Joey:</b> I'm sorry, it just felt nice.</p>
|
||||
|
||||
<p><b>Chandler:</b> (entering with his ringing phone) Joe. Joe! Answer the phone.</p>
|
||||
|
||||
<p><b>Joey:</b> Hey, I only got one good arm, you know. You should be doing stuff for me.
|
||||
Go get me a sweater.</p>
|
||||
|
||||
<p><b>Chandler:</b> Just do it! Okay, it's Janice and if I get it I'm going to have to see
|
||||
her tonight. (phone stops ringing) Oh, that's great I'm gonna have to see her tonight.</p>
|
||||
|
||||
<p><b>Rachel:</b> What's the big deal? Why don't you wanna see Janice?</p>
|
||||
|
||||
<p><b>Chandler:</b> Okay, last night at dinner, when the meals came, she put half her
|
||||
chicken piccata on my plate and took my tomatoes.</p>
|
||||
|
||||
<p><b>Ross:</b> And that's bad because..., you hate chicken piccata?</p>
|
||||
|
||||
<p><b>Chandler:</b> Noo.</p>
|
||||
|
||||
<p><b>Ross:</b> You didn't want to share your tomatoes, tomatoes are very important to
|
||||
you.</p>
|
||||
|
||||
<p><b>Chandler:</b> No, it's like all of the sudden, we were this couple. And this alarm
|
||||
started going off in my head: 'Run for your life! Get out of the building!'</p>
|
||||
|
||||
<p><b>Rachel:</b> Men are unbelievable.</p>
|
||||
|
||||
<p><b>Monica:</b> What is it with you people! I mean, the minute you start to feel
|
||||
something, you have to run away?</p>
|
||||
|
||||
<p><b>Chandler:</b> I know, that, (looks at her fake chest, and loses his train of
|
||||
thought, temporarily) that's why I don't want to go tonight, I'm afraid I'm going to say
|
||||
something stupid.</p>
|
||||
|
||||
<p><b>Monica:</b> Oh, you mean like that guy thing where you act mean and distant until
|
||||
you get us to break up with you.</p>
|
||||
|
||||
<p><b>Joey:</b> Hey, you know about that?!</p>
|
||||
|
||||
<p><b>Chandler:</b> Look what do I do? I wanna get past this, I don't wanna be afraid of
|
||||
the commitment thing. I wanna go through the tunnel, to the other side! </p>
|
||||
|
||||
<p>(Joey looks quizzically at Ross)</p>
|
||||
|
||||
<p><b>Ross:</b> (to Joey) Where there is no fear of commitment.</p>
|
||||
|
||||
<p><b>Chandler:</b> Do we have any...(turns around and bumps Monica's fake chest) Do we
|
||||
have any thoughts here?</p>
|
||||
|
||||
<p><b>Joey:</b> Well, I've never been through the tunnel myself, 'cause as I understand
|
||||
it, you're not allowed to go through with more than one girl in the car, right. But, it
|
||||
seems to me it's pretty much like anything else, you know, face your fear. It have a fear
|
||||
of heights, you go to the top of the building! If you're afraid of bugs.....get a bug.
|
||||
Right. In this case, you have a fear of commitment, so I say you go in there and be the
|
||||
most committed guy there ever was.</p>
|
||||
|
||||
<p><b>Rachel:</b> Amazingly, that makes sense.</p>
|
||||
|
||||
<p><b>Chandler:</b> You think?</p>
|
||||
|
||||
<p><b>Joey:</b> Oh, yeah. Go for it man, jump off the high dive, stare down the barrel of
|
||||
the gun, pee into the wind!</p>
|
||||
|
||||
<p><b>Chandler:</b> Yeah, Joe, I assure you if I'm staring down the barrel of a gun, I'm
|
||||
pretty much peeing every which way.</p>
|
||||
|
||||
<p>[Scene: Central Perk, Phoebe's beeper is going off]</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh, it's your audition from this morning. Can I use the phone again?</p>
|
||||
|
||||
<p><b>Rachel:</b> Sure Pheebs, you know, that's what it's there for, emergencies and
|
||||
pretend agents.</p>
|
||||
|
||||
<p><b>Joey:</b> Come on baby, come on!</p>
|
||||
|
||||
<p><b>Phoebe:</b> (on phone, in 'Katelynn's' voice) 'Hi, I have Phoebe Buffay returning a
|
||||
page. Okay, well, um, she's in her car I'll have to patch you through.'</p>
|
||||
|
||||
<p><b>Rachel:</b> Very nice touch.</p>
|
||||
|
||||
<p><b>Phoebe:</b> (in voice, on phone) 'Okay, go ahead.' (in normal voice on phone) Um, hi
|
||||
Annie. (listens) Fantastic! (to Joey) You got it. (on phone) Oh, okay, um, 'Will he work
|
||||
for scale?' you ask me. Well, I don't know about that, (Joey clears his throat to signify
|
||||
yes) except that I do and he will. Great, oh you are such a sweetheart. I would love to
|
||||
have lunch with you, how about we have lunch next....(hangs up phone) Op, went through a
|
||||
tunnel.</p>
|
||||
|
||||
<p><b>Rachel:</b> Unbelievable.</p>
|
||||
|
||||
<p><b>Joey:</b> Thank you so much.</p>
|
||||
|
||||
<p><b>Phoebe:</b> It was really fun, I mean I've never talked on a car phone before.</p>
|
||||
|
||||
<p><b>Joey:</b> You were amazing, could you just do me this huge favor, you see there's
|
||||
this one other audition that I really, really want, and Estelle couldn't get me in.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh, I don't know. I mean it was fun one time.</p>
|
||||
|
||||
<p><b>Joey:</b> Come on, please, it'll be just this one more, well actually it's two.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Two?</p>
|
||||
|
||||
<p><b>Joey:</b> Yeah! Well, well really it's three. Please. You're so good at it. I love
|
||||
you.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Okay, I'll do it, but just these three, right</p>
|
||||
|
||||
<p><b>Joey:</b> Nooo, four.</p>
|
||||
|
||||
<p>[Scene: Chandler and Joey's, Chandler and Janice are having dinner]</p>
|
||||
|
||||
<p><b>Janice:</b> So, how come you wanted to eat in tonight?</p>
|
||||
|
||||
<p><b>Chandler:</b> 'Cause, I wanted to uh, give you this. (hands her a present)</p>
|
||||
|
||||
<p><b>Janice:</b> Ohhh, are you a puppy! (opens it) Contact paper! I never really know
|
||||
what to say when someone you're sleeping with gives you contact paper.</p>
|
||||
|
||||
<p><b>Chandler:</b> Well, wait there's, there's more. See the contact paper is to go into
|
||||
your brand new drawer. (gives her a drawer) See, the drawer actually goes in my dresser.</p>
|
||||
|
||||
<p><b>Janice:</b> Oh, you didn't have to do this.</p>
|
||||
|
||||
<p><b>Chandler:</b> Yes, I did. Yes, I did. Because, you're my girlfriend, and that's what
|
||||
girlfriends should, should get. </p>
|
||||
|
||||
<p><b>Janice:</b> Well, I gotta buy a vowel. Because, oh my Gawd! Who, would've thought
|
||||
that someday, Chandler Bing would buy me a drawer.</p>
|
||||
|
||||
<p><b>Chandler:</b> Well, not me. But that's what's happened, and, ah, and, and there's
|
||||
more. We should take a trip.</p>
|
||||
|
||||
<p><b>Janice:</b> We should?</p>
|
||||
|
||||
<p><b>Chandler:</b> Yep, we're a couple and that's what couples do. And, I wanna meet your
|
||||
parents. We should take a trip with your parents!</p>
|
||||
|
||||
<p><b>Janice:</b> (laughs) I don't think we need to, because you're tripping me out right
|
||||
now! Are you okay?</p>
|
||||
|
||||
<p><b>Chandler:</b> I am, I actually am. I mean this is amazing. My entire life I have
|
||||
feared this place, and now that I'm here it's like what was the big deal. I could probably
|
||||
say 'Let's move in together.' and I'd be okay.</p>
|
||||
|
||||
<p><b>Janice:</b> You probably want us to move in together?</p>
|
||||
|
||||
<p><b>Chandler:</b> It doesn't scare me!</p>
|
||||
|
||||
<p><b>Janice:</b> Yeah, well, it scares me! I mean I not even divorced yet, Chandler. You
|
||||
know, you just invited me over here for pasta, and all of the sudden you're talking about
|
||||
moving in together. And, and I wasn't even that hungry. You know what, it's getting a
|
||||
little late, and I-I should just, um...(starts to leave)</p>
|
||||
|
||||
<p><b>Chandler:</b> Oh, no, no, no, don't go! I've scared ya'! I've said too much! I'm
|
||||
hopeless, and awkward, and desperate for love!! (Janice leaves, Chandler then calls Janice
|
||||
to leave a message on her machine) Hey, Janice! It's me. Um, yeah, I-I-I just wanna
|
||||
apologize in advance for having chased you down the street. (runs out the door)</p>
|
||||
|
||||
<p align="center"><b>Commercial Break</b></p>
|
||||
|
||||
<p>[Scene: Monica and Rachel's, Monica and Rachel are comforting Chandler]</p>
|
||||
|
||||
<p><b>Rachel:</b> Honey, this will help. (hands him a tub of ice cream)</p>
|
||||
|
||||
<p><b>Chandler:</b> So, I finally catch up to her and she says this relationship is going
|
||||
to fast and we have to slow down.</p>
|
||||
|
||||
<p><strong>Rachel and </strong><b>Monica:</b> Uff.</p>
|
||||
|
||||
<p><b>Monica:</b> That is never good.</p>
|
||||
|
||||
<p><b>Chandler:</b> Then I got all needy and clingy.</p>
|
||||
|
||||
<p><b>Rachel:</b> Okay, wait a minute, wait a minute, wait a minute. Maybe it's not so
|
||||
bad. How did you leave it?</p>
|
||||
|
||||
<p><b>Chandler:</b> She said she'd call me.</p>
|
||||
|
||||
<p><strong>Rachel and </strong><b>Monica:</b> Ohh! (both grab there stomachs in pain)</p>
|
||||
|
||||
<p><b>Chandler:</b> Oh God.</p>
|
||||
|
||||
<p><b>Monica:</b> Welcome to our side of the tunnel.</p>
|
||||
|
||||
<p><b>Chandler:</b> This ice cream tastes like crap by the way.</p>
|
||||
|
||||
<p><b>Rachel:</b> Yeah, well that's that lo-cal, non dairy, soy milk junk. We sort of, we
|
||||
save the real stuff for those really terminal cases.</p>
|
||||
|
||||
<p><b>Monica:</b> You know, when you start get screwed over all the time, you gotta switch
|
||||
to low-fat.</p>
|
||||
|
||||
<p><b>Rachel:</b> Yeah, you do.</p>
|
||||
|
||||
<p><b>Chandler:</b> So, you don't think I'm terminal?</p>
|
||||
|
||||
<p><b>Monica:</b> Well, no, not at all, you're not terminal, you just, you just need some
|
||||
damage control.</p>
|
||||
|
||||
<p><b>Chandler:</b> Okay, okay. So, should I call her?</p>
|
||||
|
||||
<p><strong>Rachel and </strong><b>Monica:</b> Nooo!</p>
|
||||
|
||||
<p><b>Rachel:</b> This is a very critical time right now. If you feel yourself reaching
|
||||
for that phone, then you go shoe shopping, you get your butt in a bubble bath. You want
|
||||
her back you have to start acting aloof.</p>
|
||||
|
||||
<p><b>Monica:</b> She has to know that your not ready.</p>
|
||||
|
||||
<p><b>Rachel:</b> Right. So, what you have to do is, you have to accidentally run into her
|
||||
on purpose. And then act aloof.</p>
|
||||
|
||||
<p><b>Chandler:</b> So I'm not, not gonna lose her?</p>
|
||||
|
||||
<p><b>Rachel:</b> Oooh, honey, you're not a total loser.</p>
|
||||
|
||||
<p><b>Chandler:</b> I said, 'So I'm not gonna lose her?'</p>
|
||||
|
||||
<p><b>Rachel:</b> Oh.</p>
|
||||
|
||||
<p>[Scene: Monica and Rachel's, Ross is still trying to get Ben to play with something
|
||||
other than the Barbi doll.]</p>
|
||||
|
||||
<p><b>Ross:</b> Guess who's here. It's the toughest guy in toy land, Ben. (singing) 'A
|
||||
real American hero. I'm <em>G.I. Joe</em>!' Drop the <em>Barbi</em>, drop the <em>Barbi</em>.</p>
|
||||
|
||||
<p><b>Rachel:</b> <em>G.I. Joe</em>? Do you really think he's gonna fall for that?</p>
|
||||
|
||||
<p><b>Joey:</b> (entering) <em>G. I. Joe</em>! Cool! Can I play?</p>
|
||||
|
||||
<p><b>Ross:</b> Look Ben, it's a toy that protects U.S. oil interests overseas!</p>
|
||||
|
||||
<p><strong>Joey and </strong><b>Ross:</b> Go Joe!!!</p>
|
||||
|
||||
<p><b>Phoebe:</b> (entering) Helloo! Oh! (sees Joey and starts to leave)</p>
|
||||
|
||||
<p><b>Joey:</b> Pheebs! There you are!</p>
|
||||
|
||||
<p><b>Phoebe:</b> No it's not, sorry.</p>
|
||||
|
||||
<p><b>Joey:</b> But Phoebe, wait! Wait! Phoebe. Phoebe! (catches her in the hallway)</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh, Joey! Oh, okay, see I didn't recognize you wearing, in
|
||||
those....pants.</p>
|
||||
|
||||
<p><b>Joey:</b> Look listen, that TV movie I went in for? Did you hear anything? I think I
|
||||
got a shot at it.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yes! They called and you didn't get it! Okay, I mean you didn't get it,
|
||||
I'm sorry, I'm sorry.</p>
|
||||
|
||||
<p><b>Joey:</b> It's okay, these things happen.</p>
|
||||
|
||||
<p><b>Phoebe:</b> But they shouldn't happen, you know what, you're, you're in a terrible,
|
||||
terrible business. Oh God, I don't wanna be the person who makes your face look like that.</p>
|
||||
|
||||
<p><b>Joey:</b> I'm, I'm okay. See. (tries to smile, but fails horribly)</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh, now you're sad and creepy, oh. You know what, I, I'm sorry I quit,
|
||||
okay, I just quit.</p>
|
||||
|
||||
<p><b>Joey:</b> No! No, no you can't quit! You're the best agent I ever had! Look Pheebs,
|
||||
rejection is part being an actor, you can't take it personally.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Not personal, really, well they said that they never met an Italian
|
||||
actor with a worse Italian accent.</p>
|
||||
|
||||
<p><b>Joey:</b> They actually said that?</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yeah. Ooh God, there's that face again! See I can't do this job! I...</p>
|
||||
|
||||
<p><b>Joey:</b> No, no, no, see that's why you have to do this job, agents always lie. You
|
||||
know, Estelle just says stuff like 'They went another way', but this, I can use this. (in
|
||||
a very bad Italian accent) I canna work on a new accent.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yeah okay, no if it helps you okay. Yeah.</p>
|
||||
|
||||
<p><b>Ross:</b> (running into the hall, in slow motion) You'll never get me, Joe!!! (he
|
||||
then pretends that he gets shot repeatedly and falls back against Joey and Chandler's
|
||||
door, dead.)</p>
|
||||
|
||||
<p>[Scene: A grocery store that Janice shops in. Chandler is on purpose, accidentally
|
||||
bumping into her.]</p>
|
||||
|
||||
<p><b>Janice:</b> (to butcher) No, thank you. (Chandler makes a sound and she notices him)
|
||||
Chandler!</p>
|
||||
|
||||
<p><b>Chandler:</b> (in a British accent) Hello, Janice.</p>
|
||||
|
||||
<p><b>Janice:</b> What are you doing here?</p>
|
||||
|
||||
<p><b>Chandler:</b> (in accent) Oh, just a bit of shopping. How've you been?</p>
|
||||
|
||||
<p><b>Janice:</b> Are you being British?!</p>
|
||||
|
||||
<p><b>Chandler:</b> (normal voice) No. Not anymore.</p>
|
||||
|
||||
<p><b>Janice:</b> Why are you shopping here? You don't live in this neighborhood. Were you
|
||||
here waiting for me?</p>
|
||||
|
||||
<p><b>Chandler:</b> Yeah, huh. I'm just uh, you know I'm just picking up some things for a
|
||||
party. (grabs a bag off of the shelf)</p>
|
||||
|
||||
<p><b>Janice:</b> Barley? What kind of party serves barley?</p>
|
||||
|
||||
<p><b>Chandler:</b> Well, I'm sorry if my friends aren't as sophisticated as yours.</p>
|
||||
|
||||
<p><b>Janice:</b> Where is this party?</p>
|
||||
|
||||
<p><b>Chandler:</b> Here in Chelsea.</p>
|
||||
|
||||
<p><b>Janice:</b> Who's party is it?</p>
|
||||
|
||||
<p><b>Chandler:</b> A woman's</p>
|
||||
|
||||
<p><b>Janice:</b> What woman?!</p>
|
||||
|
||||
<p><b>Chandler:</b> (shyly) Chelsea.</p>
|
||||
|
||||
<p><b>Janice:</b> Okay, you know, one of two things is happening here. Either you're
|
||||
seeing somebody behind my back, which would make you the biggest jerk on the planet. Or,
|
||||
else you're pretending that you're seeing somebody, which just makes you so pathetic that
|
||||
I could start crying right here in the cereal aisle. So like which of these two guys do
|
||||
you want to be? (another guy walks by)</p>
|
||||
|
||||
<p><b>Chandler:</b> Can I be that guy?</p>
|
||||
|
||||
<p>[Scene: Central Perk, Joey and Phoebe are there]</p>
|
||||
|
||||
<p><b>Phoebe:</b> Okay, so we got some more good rejections, lots of stuff to work on. </p>
|
||||
|
||||
<p><b>Joey:</b> Okay, shoot.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Okay, um, oh, the zoo commercial.</p>
|
||||
|
||||
<p><b>Joey:</b> I didn't get it?</p>
|
||||
|
||||
<p><b>Phoebe:</b> No. They said you 'Weren't believable as a human being.' So, you can
|
||||
work on that. </p>
|
||||
|
||||
<p><b>Joey:</b> Okay, what else?</p>
|
||||
|
||||
<p><b>Phoebe:</b> Um, the off-Broadway play people said 'You were pretty but dumb.'</p>
|
||||
|
||||
<p><b>Joey:</b> Oh.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh no wait, I'm sorry, that's 'pretty dumb.'</p>
|
||||
|
||||
<p><b>Joey:</b> Look, it's okay, no, no, no, really, look um, I really appreciate this
|
||||
Pheebs, but I think I'm gonna have to go back to Estelle.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Oh.</p>
|
||||
|
||||
<p><b>Joey:</b> Yeah, well don't get me wrong, you're a better agent than she is, but at
|
||||
least with her I don't want to blow my pretty dumb brains out.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yeah, no, I understand.</p>
|
||||
|
||||
<p><b>Joey:</b> You do, thanks.</p>
|
||||
|
||||
<p><b>Phoebe:</b> Yeah. Sorry. (she starts to leave)</p>
|
||||
|
||||
<p><b>Joey:</b> Wait a minute.</p>
|
||||
|
||||
<p><b>Phoebe:</b> What?</p>
|
||||
|
||||
<p><b>Joey:</b> Wait a minute, did you just make up all that stuff just to get out of
|
||||
being my agent.</p>
|
||||
|
||||
<p><b>Phoebe:</b> (in a coy tone) Oh, you caught me. I am so busted.</p>
|
||||
|
||||
<p><b>Joey:</b> (in a really, really bad Italian accent) That's-ah what I suspected-ah.</p>
|
||||
|
||||
<p>[Scene: Chandler and Joey's, Chandler is laying on the counter and Rachel and Monica
|
||||
are comforting him again.]</p>
|
||||
|
||||
<p><b>Chandler:</b> ....And then I just, you know, threw the bag of barley at her, and ran
|
||||
out of the store.</p>
|
||||
|
||||
<p><b>Monica:</b> My God! Chandler, we said be 'aloof' not 'a doof'.</p>
|
||||
|
||||
<p><b>Chandler:</b> I've actually ruined this haven't I? It's time for the good ice cream
|
||||
now, right?</p>
|
||||
|
||||
<p><b>Rachel:</b> Yeah, it is.</p>
|
||||
|
||||
<p><b>Monica:</b> You know what, everything's gonna be okay. </p>
|
||||
|
||||
<p>(phone rings)</p>
|
||||
|
||||
<p><b>Chandler:</b> (answering phone) Hello. Hi, Janice! Can you hold on for a second?
|
||||
Okay. (to Monica and Rachel) Okay, what do I do?</p>
|
||||
|
||||
<p><b>Rachel:</b> Shhh...I don't know what to do, this is totally unprecedented.</p>
|
||||
|
||||
<p><b>Monica:</b> If-if-if we ever did what you did a man would never call.</p>
|
||||
|
||||
<p><b>Rachel:</b> Yeah.</p>
|
||||
|
||||
<p><b>Chandler:</b> Hello!</p>
|
||||
|
||||
<p><b>Monica:</b> Oh wait, you know what, I got it, I got it, pretend like you just woke
|
||||
up, okay, that will throw her off. Be sleepy.</p>
|
||||
|
||||
<p><b>Rachel:</b> Yes, and grumpy.</p>
|
||||
|
||||
<p><b>Chandler:</b> What are you, stop naming dwarves! (on phone) Hello, Janice. Hi, I'm
|
||||
so glad that you called, I know I've been acting a really weird lately. And, it's just
|
||||
because I'm crazy about you, and I just got...stupid, and, and scared, and....stupid a
|
||||
couple of more times. I'm sorry. (listens) Really?! (listens) Really?!</p>
|
||||
|
||||
<p><b>Rachel:</b> He's soo lucky, if Janice were a guy, she'd be sleeping with somebody
|
||||
else by now.</p>
|
||||
|
||||
<p><b>Chandler:</b> (on phone) I love you too.</p>
|
||||
|
||||
<p><b>Monica:</b> Aw, it's soo unfair. (they both start digging into the 'good' ice cream)</p>
|
||||
|
||||
<p>[Scene: Monica and Rachel's, Carol and Susan are picking up Ben, while Monica is
|
||||
pouring chocolate syrup, lots of it, into her ice cream.]</p>
|
||||
|
||||
<p><b>Carol:</b> <em>G. I. Joe. G. I. Joe</em>?!</p>
|
||||
|
||||
<p><b>Ross:</b> Hey, I don't know what to tell you guys that's the doll he chose.</p>
|
||||
|
||||
<p><b>Susan:</b> What'd you do, dip it in sugar?</p>
|
||||
|
||||
<p><b>Ross:</b> Look, <em>G. I. Joe</em>'s in, <em>Barbi</em>'s out. And if you guys can't
|
||||
deal with it, that's your 'too bad.'</p>
|
||||
|
||||
<p><b>Monica:</b> What are you being such a weenie for? So he has a Barbi, big deal. You
|
||||
used to dress up like a woman.</p>
|
||||
|
||||
<p><b>Ross:</b> What?</p>
|
||||
|
||||
<p><b>Monica:</b> Well, you used to dress up in Mom's clothes all the time.</p>
|
||||
|
||||
<p><b>Ross:</b> What are you talking about?</p>
|
||||
|
||||
<p><b>Monica:</b> The big hat, the pearls, the little pick handbag.</p>
|
||||
|
||||
<p><b>Ross:</b> Okay, you are totally making this up.</p>
|
||||
|
||||
<p><b>Monica:</b> How can you not remember? You made us call you...Bea. </p>
|
||||
|
||||
<p><b>Ross:</b> (remembering) Oh God.</p>
|
||||
|
||||
<p><b>Susan:</b> I've literally never been this happy.</p>
|
||||
|
||||
<p><b>Monica:</b> Wasn't there a little song?</p>
|
||||
|
||||
<p><b>Carol:</b> Oh please God, let there be a song.</p>
|
||||
|
||||
<p><b>Ross:</b> There was no song. (to Monica) There was no song!</p>
|
||||
|
||||
<p><b>Monica:</b> (singing) '<em>I am Bea.</em>'</p>
|
||||
|
||||
<p><b>Ross:</b> Okay.</p>
|
||||
|
||||
<p><b>Monica:</b> '<em>I drink tea.</em>'</p>
|
||||
|
||||
<p><b>Ross:</b> Okay, that's, that's enough. (retreats to the bathroom)</p>
|
||||
|
||||
<p><b>Monica:</b> '....<em>Won't you, won't you, won't you</em>.... '</p>
|
||||
|
||||
<p><b>Ross:</b> (coming out of the bathroom) Won't you dance around with me. </p>
|
||||
|
||||
<p><b>Monica:</b> A-ha!!! (they all start laughing, as Ross hides in the bathroom)</p>
|
||||
|
||||
<p align="center"><b>Closing Credits</b></p>
|
||||
|
||||
<p>[Scene: It's an old home movie of the Geller's backyard, young Ross is dressed up as
|
||||
Bea, and pouring himself/herself some tea.]</p>
|
||||
|
||||
<p><strong>Young </strong><b>Ross:</b> (singing) 'I am Bea. I drink tea. Won't you dance
|
||||
around with....' (spills some tea and it drips onto his/her dress) Ohhh! (runs away
|
||||
crying)</p>
|
||||
|
||||
<p><strong>Young</strong> <b>Monica:</b> (entering the shot) Ross!!! (starts to wipe up
|
||||
the spill)</p>
|
||||
</font>
|
||||
|
||||
<p align="center"><strong><font size="3">End</font></strong></p>
|
||||
|
||||
|
||||
</body></html>
|
Reference in New Issue
Block a user