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1 line
64 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"When the Bough Breaks"
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#40271-118
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Written by
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Hannah Louise Shearer
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Directed by
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Kim Manners
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1987 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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2ND. REV. FINAL DRAFT
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DECEMBER 11, 1987
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STAR TREK: "When the Bough... " - 12/11/87 - CAST
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STAR TREK: THE NEXT GENERATION
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"When the Bough Breaks"
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CAST
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PICARD ALDEANS
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RIKER RASHELLA
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BEVERLY RADUE
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DATA DUANA
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TROI ACCOLAN
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TASHA LEDA
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WORF MELIAN
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GEORDI
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WESLEY Non-Speaking
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GAREN
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COUPLE
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HARRY THREE ADULTS
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DR. BERNARD
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TOYA Voice-Over
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ALEXANDRA CUSTODIAN'S VOICE
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KATIE
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Non-Speaking
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ROSE
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TARA
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MASON
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CREWMEMBERS
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PARENTS
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CLASSMATES
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Voice-Over
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COMPUTER VOICE
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STAR TREK: "When the Bough... " - 12/10/87 - SETS
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STAR TREK: THE NEXT GENERATION
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"When the Bough Breaks"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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CORRIDORS
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MAIN BRIDGE PLANET - ALDEA
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CLASSROOM
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FAMILY QUARTERS
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KATIE'S BEDROOM (CORNER OF)
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OBSERVATION LOUNGE
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TURBOLIFT
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BEVERLY'S OFFICE
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TRANSPORTER ROOM
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PLANET - ALDEA
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FIRST UNIT CHAMBER
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RASHELLA'S QUARTERS
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FIRST UNIT CHAMBER FOYER
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TELEPORT ARCH
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COMPUTER (CUSTODIAN) ROOM
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ARTISTS' UNIT
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WESLEY'S ROOM
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MELIAN'S MUSIC ROOM
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KATIE'S QUARTERS
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CORRIDORS
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POWER ROOM
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STAR TREK: "When the Bough... " - 12/11/87 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"When the Bough Breaks"
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TEASER
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FADE IN:
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1 INT. ENTERPRISE - CORRIDOR
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Riker ENTERS the corridor as he is PAGED.
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COMPUTER VOICE
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Commander Riker, report to the
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bridge.
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RIKER
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On the way.
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2 INT. ANOTHER CORRIDOR
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as Riker HURRIES to the turbolift. HARRY, a smallish
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ten-year-old boy, runs down the corridor, head down,
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colliding with Riker.
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RIKER
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What's your hurry, Harry?
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Harry looks up at him, not believing what he's done.
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HARRY
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Oops. Sorry, Commander. I was,
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um, just...
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DR. BERNARD
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Harry!
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Harry's father, HARRY BERNARD, SR., APPEARS and is
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furious with his son.
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DR. BERNARD
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I'm sorry if he bothered you.
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RIKER
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No bother, Doctor Bernard.
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Riker limps slightly as he walks toward the turbolift.
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HARRY
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I'm not going back. I hate that
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teacher. And I hate calculus.
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STAR TREK: "When the Bough... " - 12/11/87 - TEASER 2.
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2 CONTINUED:
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DR. BERNARD
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Everyone needs an understanding
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of basic calculus, whether they
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like it or not.
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HARRY
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Why?
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Riker REACTS to Harry's question with a smile.
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3 RIKER'S POV
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From inside the turbolift, Riker watches Dr. Bernard
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take his son by the hand and lead him back down the
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corridor as the turbolift doors CLOSE.
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4 INT. MAIN BRIDGE
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Riker LIMPS OFF the turbolift. PICARD is at the Aft
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Station. The other CREWMEMBERS are at their positions.
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BEVERLY is also at the Aft Station.
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BEVERLY
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You're limping.
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RIKER
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A small run-in with an aspiring
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sprinter.
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PICARD
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Ah, Number One.
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RIKER
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A problem, Captain?
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PICARD
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A curiosity. For the past several
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hours we have been tracking faint
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energy readings in an attempt to
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locate the source. It's been like
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following a trail of bread crumbs.
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Riker steps over to the Aft Station.
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PICARD
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(continuing)
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The path lead here and stopped
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-- which is what I knew would
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interest you.
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STAR TREK: "When the Bough... " - 12/11/87 - TEASER 3.
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4 CONTINUED:
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RIKER
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(to Geordi)
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What's our position?
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GEORDI
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The Epsilon Mynos system.
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RIKER
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(with a look of
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surprise)
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Really? Thank you, Captain;
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you're right... I wouldn't miss
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this for anything.
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TASHA
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What's so interesting about this
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system?
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RIKER
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Aldea.
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Tasha still doesn't get the point.
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RIKER
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(continuing; to Tasha)
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Tasha -- I'm surprised. You mean
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you've never heard the stories
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about Aldea? A wonderous mythical
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world -- like Atlantis on ancient
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earth... or Neinman on Xerxes
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Seven... with an advanced culture,
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centuries old. Self-contained,
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peaceful, with incredible
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technical sophistication which
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provided for every citizen's daily
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needs, allowing them to devote
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themselves to culture and art,
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which was beautiful beyond compare
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and valued beyond price.
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TASHA
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Where is it supposed to be?
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RIKER
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Ahh -- that is the myth -- somehow --
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so the legend goes -- the Aldeans
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were able to cloak their planet
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in darkness and go unseen by
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marauders and other hostile
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passersby who might rob and
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plunder.
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STAR TREK: "When the Bough... " - 12/11/87 - TEASER 4.
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4 CONTINUED: (2)
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Tasha LAUGHS.
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TASHA
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A wonderful fairy tale.
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DATA
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Scanners still show nothing, sir.
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Troi is concentrating, puzzled.
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TROI
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Scanners may show nothing,
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Captain, but I am sensing
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something very strong.
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(a beat)
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Thousands of minds, sir.
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5 VARIOUS SHOTS OF THE CREW
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REACTING with interest and curiosity.
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PICARD
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Where?
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TROI
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Very close.
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6 BACK TO SHOT
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PICARD
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All stop.
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GEORDI
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Answering all stop.
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PICARD
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Anything?
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WORF
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Captain, I am recording a
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distortion in quadrant one, mark
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nine-zero.
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PICARD
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On screen.
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7 INT. MAIN BRIDGE - MAIN VIEWER (OPTICAL)
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There is nothing specifically visible on the Main
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Viewer, except a SLIGHT BLURRING in the center.
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STAR TREK: "When the Bough... " - 12/11/87 - TEASER 5.
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8 REACTIONS
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as the crew puzzles over the unusual effect.
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PICARD
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Shields and deflectors up.
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TASHA
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Aye, sir.
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9 BACK TO SHOT (OPTICAL)
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Suddenly, with a great, low-decibel NOISE like
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BLANKETED THUNDER, which draws everyone's attention, a
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huge planet begins to APPEAR on the viewer, clearing
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until it's visible. It is a LIGHT GREEN, peaceful and
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inviting, necklaced with a LIGHT FILM. Everyone stands
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amazed, in awe.
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RIKER
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(almost breathless)
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Aldea, Captain... It has to be.
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FADE OUT.
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END OF TEASER
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 6.
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ACT ONE
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FADE IN:
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10 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as she maintains orbit around Aldea.
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PICARD (V.O.)
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Captain's log, stardate 41509.1.
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Either by chance or intent, we've
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been led to the mythical planet
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of Aldea, which appeared out of
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nowhere, hidden behind a
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sophisticated shielding device.
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11 INT. MAIN BRIDGE (OPTICAL)
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Everyone is at stations.
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DATA
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Captain, the sensors indicate that
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the shield is electromagnetic. A
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complicated light refracting
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mechanism.
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PICARD
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A cloaking device.
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DATA
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Yes, sir.
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GEORDI
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To hide an entire planet it's
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gotta be pretty sophisticated.
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Picard, Riker and Troi watch the planet.
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WORF
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(from Aft Station)
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We're being scanned, sir.
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PICARD
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Let's let them know our peaceful
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intent. Open hailing frequencies,
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Lieutenant Yar.
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 7.
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11 CONTINUED:
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Before Tasha can comply, a WOMAN'S IMAGE MATERIALIZES
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on the viewscreen, startling everyone. RASHELLA, a
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melancholy beauty with almost translucent skin, is
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shrouded in DIM LIGHT. She emanates a quiet tensile
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strength, her body covered by the simplest utilitarian
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clothes.
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RASHELLA
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I'm Rashella. Welcome to Aldea.
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PICARD
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I am Captain Jean-Luc Picard of
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the USS Enterprise. We come in
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peace.
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RASHELLA
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We know.
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PICARD
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We've heard the stories about
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Aldea, but frankly never thought
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they could possibly be true.
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RASHELLA
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(laughing)
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Our shield has confused outsiders
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for millennia, Captain.
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PICARD
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A very long time to have that kind
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of technology. Why are you
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revealing yourself now?
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RASHELLA
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We're eager to meet in person to
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discuss that, and other subjects
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of mutual interest.
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PICARD
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We're ready anytime.
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RASHELLA
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Excellent!
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Instantly, THREE ALDEANS MATERIALIZE on the bridge.
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The crew is stunned. Rashella; GAREN, a large
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fierce-looking man; and behind them, RADUE, pale,
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older, stately-looking, with great authority and kindly
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eyes, and a squint at the brightness of the bridge.
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They carry baskets filled with fruits and flowers.
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 8.
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12 ANOTHER ANGLE (OPTICAL)
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REACTIONS from the bridge personnel. All are taken
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aback.
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RASHELLA
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(reacting to their
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astonishment)
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Our arrival seems to have startled
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you.
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RADUE
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We mean no harm.
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PICARD
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It was a little sudden
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RADUE
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I'm Radue, First Appointee of Aldea.
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PICARD
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Welcome aboard.
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BEVERLY
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Captain, they haven't been through
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decontamination.
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Picard waves her off.
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PICARD
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It's all right.
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(to the Aldeans)
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Our medical doctor is concerned
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you didn't go through our regular
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transporting procedure.
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RASHELLA
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You couldn't transport us. The
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only way through our shield is
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our way, Captain. Our cloaking
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device may be off, but our shield
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is operating. We've brought you
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small tokens of welcome.
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She hands Picard a basket of flowers and bows her head
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to him slightly, then gestures to Garen, who offers his
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basket of fruit to Tasha.
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RADUE
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And our personal invitation to
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a celebration on Aldea.
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PICARD
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We'd be delighted. Number One,
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assemble your away team.
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 9.
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12 CONTINUED:
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RADUE
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We will prepare for your arrival,
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Commander Riker.
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RIKER
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How did you know...
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RADUE
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... your name? We've been
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monitoring your ship's
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communications. We must return
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now to Aldea. Our eyes are very
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sensitive to bright light.
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Rashella, Garen.
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They use their arm devices and the three DISAPPEAR
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from the bridge. Picard looks at Troi and Riker.
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PICARD
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Amazing. Only to exist in
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mythology and suddenly they're
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here, right in front of us.
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Number One?
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RIKER
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Now you know who placed the
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bread crumbs. We're not here by
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accident.
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PICARD
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Counselor? What do you sense?
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TROI
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Only the obvious. They want
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something from us.
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RADUE'S COM VOICE
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Commander Riker, is your party
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ready?
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The away team, not as normally constituted, DISAPPEARS
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off the bridge. It includes only Riker, Troi and
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Beverly, selected by the Aldeans. Picard looks around
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at who is missing.
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PICARD
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Interesting choices.
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13 INT. ALDEA - FIRST UNIT CHAMBER (OPTICAL)
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The away team MATERIALIZES in a spartan, white-walled
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room with ancient hanging tapestries.
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 10.
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13 CONTINUED:
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(From now on, throughout the script, every room on Aldea
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has a Teleporting Arch which allows the Aldeans to move
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from place to place on their planet simply by stepping
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in and identifying their destination.) Rashella, Radue
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and DUANA, an older woman who is very pale and slight,
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greet them.
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RADUE
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I hope Duana and I know how to
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greet you properly, Commander.
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"May your light shine through the
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ages."
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Radue's hand begins to shake uncontrollably.
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RADUE
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(continuing)
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My apologies. Age has no respect
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for the body.
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Beverly and Troi exchange worried glances.
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14 INT. MAIN BRIDGE (OPTICAL)
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WESLEY has joined Picard on the bridge.
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WESLEY
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How do they cloak the planet?
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DATA
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The theory is simple. The shield
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bends light rays around the
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planet's contour -- similar to the
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Romulan cloaking device -- but the
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implementation is very difficult.
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A BEAM OF ENERGY PENETRATES the bridge at that moment.
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It searches until it finds Wesley, then SURROUNDS him.
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He can't move away from it. He closes his eyes and
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relaxes into it.
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PICARD
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Wesley!
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GEORDI
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Sir, the energy beam is
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originating from Aldea.
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PICARD
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Shields up. La Forge, contact
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Commander Riker. Worf, check
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all other decks.
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STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 11.
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14 CONTINUED:
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DATA
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Shields inoperable, sir. All
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decks are being probed in a
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methodical pattern.
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PICARD
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All decks? Everything? The entire
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ship?
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DATA
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Aye, sir!
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GEORDI
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Captain, I can't get through to
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Commander Riker. We're being
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blocked.
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The ENERGY BEAM STOPS as suddenly as it appeared.
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Wesley shakes his head, as if to brush it off.
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PICARD
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Are you all right, Wesley?
|
|
|
|
WESLEY
|
|
(nodding)
|
|
It was scary at first, but I
|
|
really didn't feel anything.
|
|
|
|
WORF
|
|
Sir, similar incidents, all decks,
|
|
(surprised)
|
|
but only with the children.
|
|
|
|
15 INT. ALDEA - FIRST UNIT CHAMBER (OPTICAL)
|
|
|
|
The hosts are getting down to business as they all sit
|
|
around a table laden with food.
|
|
|
|
RADUE
|
|
Yes, Commander, we are an ancient
|
|
power. But we've suffered for
|
|
it. Our history is littered with
|
|
the deaths of those people who
|
|
craved more and more things.
|
|
Nothing was ever enough. So,
|
|
we've evolved a very simple way
|
|
of living: for whatever is taken,
|
|
something is given in return.
|
|
|
|
RIKER
|
|
It seems an equitable code.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 12.
|
|
|
|
15 CONTINUED:
|
|
|
|
RADUE
|
|
It's given us peace.
|
|
Unfortunately, there are very few
|
|
of us left to enjoy it.
|
|
|
|
TROI
|
|
Why?
|
|
|
|
RADUE
|
|
That is some of what we wish to
|
|
discuss. We need help from the
|
|
Federation to rebuild our
|
|
heritage... we need a younger
|
|
generation, strong and healthy,
|
|
following in the Aldean
|
|
traditions.
|
|
|
|
RIKER
|
|
I don't understand. How can the
|
|
Federation help influence your
|
|
children in your traditions?
|
|
|
|
RADUE
|
|
Because we have no children,
|
|
Commander. Rashella was the last
|
|
child born on this planet.
|
|
|
|
Rashella watches the away team for its reaction. They're
|
|
shocked.
|
|
|
|
BEVERLY
|
|
And your medical community can
|
|
do nothing?
|
|
|
|
RASHELLA
|
|
They've tried, Doctor Crusher.
|
|
And failed.
|
|
|
|
BEVERLY
|
|
Perhaps we can help...
|
|
|
|
Troi senses something ominous and makes a signal to
|
|
Riker who quickly and correctly interprets it.
|
|
|
|
RIKER
|
|
Radue, exactly why have we been
|
|
invited to Aldea?
|
|
|
|
RADUE
|
|
We propose a trade. One which
|
|
will solve our problem and give
|
|
something back to the Federation.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 13.
|
|
|
|
15 CONTINUED: (2)
|
|
|
|
RIKER
|
|
And the nature of this trade?
|
|
|
|
RADUE
|
|
We need some of your children.
|
|
In payment, we will give you the
|
|
kind of knowledge which would take
|
|
you centuries to acquire.
|
|
|
|
16 REACTIONS
|
|
|
|
from Riker, Beverly and Troi.
|
|
|
|
RIKER
|
|
That might be acceptable to some
|
|
other races, but humans are
|
|
unusually attached to their own
|
|
offspring.
|
|
|
|
17 BACK TO SHOT
|
|
|
|
RIKER
|
|
We sympathize with your situation,
|
|
Radue. But what you ask is not
|
|
possible.
|
|
|
|
RADUE
|
|
And that's your final answer?
|
|
|
|
RIKER
|
|
It's my only answer. If we can
|
|
be of help in some other way...
|
|
|
|
RADUE
|
|
I am sorry you are intransigent.
|
|
|
|
Radue nods at Rashella and touches his arm band. The
|
|
three Enterprise officers are immediately GONE from the
|
|
room.
|
|
|
|
18 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard is surprised when the away team abruptly APPEARS
|
|
on the bridge. As Wesley turns in reaction, a BEAM
|
|
ENGULFS him and he DISAPPEARS from the bridge.
|
|
Beverly's anguished face is stunned as she reaches out
|
|
to the empty place where he was standing.
|
|
|
|
BEVERLY
|
|
Wes!
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT ONE 14.
|
|
|
|
19 INT. CLASSROOM (OPTICAL)
|
|
|
|
HARRY BERNARD DISAPPEARS in front of his classmates.
|
|
One by one, TWO other CHILDREN DISAPPEAR: ROSE and
|
|
TARA, eight-year olds.
|
|
|
|
20 INT. CORRIDOR (OPTICAL)
|
|
|
|
MASON, a nine-year old, walking with his parents,
|
|
DISAPPEARS.
|
|
|
|
21 INT. FAMILY QUARTERS (OPTICAL)
|
|
|
|
ALEXANDRA, carrying a stick-em toy in one hand,
|
|
DISAPPEARS in front of TOYA, her terrified mother.
|
|
|
|
22 INT. CORNER OF KATIE'S BEDROOM (OPTICAL)
|
|
|
|
where KATIE, a twelve-year-old, playing something that
|
|
looks like a violin, VANISHES. The instrument she was
|
|
holding FALLS to the floor.
|
|
|
|
23 INT. MAIN BRIDGE
|
|
|
|
Picard sits. Beverly is next to him, like a statue,
|
|
gripping the chair.
|
|
|
|
WORF
|
|
Saucer Section reports six more
|
|
children are gone.
|
|
|
|
RIKER
|
|
It's the children. That's why
|
|
we've been brought here. That's
|
|
what they wanted.
|
|
|
|
PICARD
|
|
And that's what they have.
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
24 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The crew is in turmoil.
|
|
|
|
PICARD
|
|
Status!
|
|
|
|
TASHA
|
|
Aldean shields still up. Hailing
|
|
frequencies open. No response.
|
|
|
|
PICARD
|
|
Keep trying, Lieutenant.
|
|
Counselor, gather the parents.
|
|
|
|
TROI
|
|
They'll need to talk to you as
|
|
well, Captain.
|
|
|
|
Radue's image APPEARS on the Viewscreen.
|
|
|
|
RADUE
|
|
Captain, your children are with
|
|
us.
|
|
|
|
Picard fighting his outrage.
|
|
|
|
PICARD
|
|
... Go on.
|
|
|
|
RADUE
|
|
My word of honor... no harm will
|
|
ever come to them.
|
|
|
|
PICARD
|
|
Harm has already been done.
|
|
|
|
RADUE
|
|
Captain, let us begin discussions
|
|
regarding appropriate
|
|
compensation.
|
|
|
|
PICARD
|
|
(angrily)
|
|
Compensation! You steal our
|
|
children -- from their classrooms
|
|
-- their bedrooms -- and you talk
|
|
about compensation. Return
|
|
them... now!
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 16.
|
|
|
|
24 CONTINUED:
|
|
|
|
RADUE
|
|
We will continue this discussion
|
|
when you've calmed down.
|
|
|
|
The viewscreen GOES BLACK.
|
|
|
|
PICARD
|
|
I shouldn't have lost my temper.
|
|
|
|
He and Beverly exchange looks. Their faces are tight.
|
|
|
|
25 INT. ALDEA - FIRST UNIT CHAMBER
|
|
|
|
Wesley stands in the middle of the room with most of
|
|
the children huddled around him. He watches Harry
|
|
wander around, looking at the tapestries on the wall,
|
|
while Alexandra toddles aimlessly.
|
|
|
|
KATIE
|
|
Wesley, I'm frightened.
|
|
|
|
WESLEY
|
|
I know. We all are, but it's
|
|
going to be all right. Everyone
|
|
knows where we are. No one is
|
|
going to hurt you. I promise.
|
|
(then to the toddler)
|
|
Alexandra, don't go too far!
|
|
|
|
KATIE
|
|
She's not afraid of anything.
|
|
|
|
Harry feels the texture of a magnificent wall-hanging.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Harry, don't touch that!
|
|
|
|
HARRY
|
|
I'm not gonna hurt it.
|
|
|
|
WESLEY
|
|
I know that. But maybe they
|
|
don't.
|
|
|
|
All the children move closer together.
|
|
|
|
KATIE
|
|
Who?
|
|
|
|
Wesley runs after Alexandra. He holds onto her hand.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 17.
|
|
|
|
25 CONTINUED:
|
|
|
|
WESLEY
|
|
I don't know who.
|
|
|
|
HARRY
|
|
Why are we here?
|
|
|
|
WESLEY
|
|
I don't know that either.
|
|
|
|
The children suddenly realize there is someone watching
|
|
them. Radue SWEEPS majestically INTO the room,
|
|
Rashella and Duana FOLLOWING. He stares at the
|
|
children. Wesley steps forward in front of the group
|
|
and stares back at Radue.
|
|
|
|
RADUE
|
|
Greetings, Wesley Crusher.
|
|
|
|
WESLEY
|
|
How did you know my name?
|
|
(realization)
|
|
Oh, through that energy beam.
|
|
|
|
RADUE
|
|
Excellent analysis. The Custodian
|
|
indicated you would be the leader.
|
|
|
|
WESLEY
|
|
The Custodian -- who is the
|
|
Custodian?
|
|
|
|
RADUE
|
|
The Custodian is not a person.
|
|
|
|
RASHELLA
|
|
We have brought you to Aldea as
|
|
our guests. We'll provide
|
|
anything you need or want.
|
|
|
|
WESLEY
|
|
We want to go home.
|
|
|
|
RADUE
|
|
Wesley, all of you have been
|
|
chosen because you are special.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 18.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
DUANA
|
|
Children, we are starting on a
|
|
wonderful adventure.
|
|
|
|
RADUE
|
|
Exactly... Just ask for anything
|
|
you want, and you shall have it.
|
|
|
|
Radue WHISKS OUT of the room, leaving the children more
|
|
confused than they were before. Alexandra follows him
|
|
to the door and waves.
|
|
|
|
ALEXANDRA
|
|
Bye-bye.
|
|
|
|
Rashella looks down at this creature and can't help but
|
|
smile. She reaches out her hand and Alexandra smiles
|
|
and takes it.
|
|
|
|
26 INT. OBSERVATION LOUNGE
|
|
|
|
Picard stands in front of a table where the children's
|
|
tense, hostile parents sit with Troi. TOYA stands
|
|
defiantly, like an Amazon facing the only enemy she can
|
|
find.
|
|
|
|
TOYA
|
|
What happened to Alexandra and
|
|
the other children, Captain? How
|
|
are you getting them back?
|
|
|
|
Beverly gently rebukes Toya.
|
|
|
|
BEVERLY
|
|
Toya, sit down... You're
|
|
reacting out of fear.
|
|
(gently)
|
|
We all knew what the risks were
|
|
when we signed on. And that's
|
|
the choice we made. Captain
|
|
Picard will do everything possible
|
|
to bring our children back.
|
|
|
|
Picard acknowledges Beverly's support.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 19.
|
|
|
|
26 CONTINUED:
|
|
|
|
PICARD
|
|
The Aldeans are anxious to discuss
|
|
"compensation." That will buy
|
|
us time. I've asked Doctor
|
|
Crusher to be involved in the
|
|
negotiations as your
|
|
representative.
|
|
|
|
The parents MURMUR. Picard looks around the table at
|
|
his frightened personnel.
|
|
|
|
DR. BERNARD
|
|
Why were these specific children
|
|
taken?
|
|
|
|
PICARD
|
|
We can't be sure. We do know the
|
|
Aldeans can't have children of
|
|
their own.
|
|
|
|
DR. BERNARD
|
|
Then they won't let them go
|
|
easily.
|
|
|
|
PICARD
|
|
I won't insult you by pretending
|
|
it will be easy. I can only say
|
|
the Enterprise will not leave them
|
|
behind. Be assured of that.
|
|
|
|
DR. BERNARD
|
|
Can we talk with our children?
|
|
Give them some reassurance. Let
|
|
them know that we are here, and
|
|
that they will be safe.
|
|
|
|
PICARD
|
|
I will do my best to arrange it.
|
|
|
|
Toya and the others do their best to believe Picard.
|
|
|
|
DR. BERNARD
|
|
The last time I saw him I yelled
|
|
at him.
|
|
|
|
They all understand his pain.
|
|
|
|
27 INT. ALDEA - RASHELLA'S QUARTERS
|
|
|
|
A spartan area, seemingly empty. Until Alexandra pops
|
|
her head around a corner. Rashella JUMPS OUT of
|
|
hiding.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 20.
|
|
|
|
27 CONTINUED:
|
|
|
|
RASHELLA
|
|
There you are!
|
|
|
|
Alexandra GIGGLES and pretends to run away, letting
|
|
Rashella catch her.
|
|
|
|
RASHELLA
|
|
(continuing)
|
|
I have you now!
|
|
|
|
28 INT. MAIN BRIDGE
|
|
|
|
Picard ENTERS the bridge from the lounge.
|
|
|
|
PICARD
|
|
Any response from Aldea,
|
|
Lieutenant Yar?
|
|
|
|
TASHA
|
|
Not yet, sir.
|
|
|
|
RIKER
|
|
Captain, Data has found something
|
|
interesting. The Aldean shield
|
|
gives evidence of sporadic
|
|
fluctuations, weakening its
|
|
structure in isolated sections.
|
|
|
|
PICARD
|
|
You're saying there are holes in
|
|
their defense system?
|
|
|
|
RIKER
|
|
In essence, yes. It is surprising
|
|
after all these eons that the
|
|
Aldeans' use of their technology
|
|
is not perfect. One would assume
|
|
they would be aware of the
|
|
weakness and repair it.
|
|
|
|
PICARD
|
|
Can we beam down an away team
|
|
through one of these so-called
|
|
holes?
|
|
|
|
RIKER
|
|
It is a possibility. It would
|
|
have to be perfectly timed -- and
|
|
there are no guarantees.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 21.
|
|
|
|
28 CONTINUED:
|
|
|
|
DATA
|
|
We may be more successful in
|
|
deciphering the code they use
|
|
to transport through the magnetic
|
|
shield.
|
|
|
|
PICARD
|
|
Can you do that?
|
|
|
|
DATA
|
|
Eventually, sir. I am working
|
|
on it now but the number of
|
|
permutations is almost endless.
|
|
|
|
PICARD
|
|
Keep trying.
|
|
(turning to Riker)
|
|
Number One, while he's doing that,
|
|
you find a way of getting through
|
|
one of those holes because one way
|
|
or the other we have to get an away
|
|
team on that planet, locate the
|
|
power source of that shield and
|
|
neutralize it.
|
|
|
|
RIKER
|
|
You're certain they'll negotiate?
|
|
|
|
PICARD
|
|
Oh, they'll negotiate, Number One.
|
|
Or call it that. They took what
|
|
they wanted, now they'll
|
|
rationalize it by throwing us some
|
|
sort of bone.
|
|
|
|
Data is puzzled by this.
|
|
|
|
DATA
|
|
A bone, sir? In exchange for the
|
|
children?
|
|
|
|
Picard just looks at him.
|
|
|
|
DATA
|
|
(continuing)
|
|
Oh. A metaphor.
|
|
|
|
RIKER
|
|
And when we don't accept their
|
|
offer?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 22.
|
|
|
|
28 CONTINUED: (2)
|
|
|
|
PICARD
|
|
The minute they believe we will
|
|
accept no compensation for the
|
|
children, they will end all
|
|
discussion and disappear behind
|
|
their shield... locking us out
|
|
and the children in -- forever.
|
|
That's why I have to keep them
|
|
talking.
|
|
|
|
29 INT. ALDEA - FIRST UNIT CHAMBER FOYER
|
|
|
|
Wesley, Katie and Harry are sitting in the hallway,
|
|
waiting. Tara COMES OUT of the room with an ALDEAN
|
|
COUPLE. The woman is holding Tara's hand. Tara looks
|
|
back at the boys, pleadingly.
|
|
|
|
WESLEY
|
|
Excuse me, sir, where are you
|
|
taking Tara?
|
|
|
|
They continue walking down the hall, leaving Wesley
|
|
behind. Harry turns accusingly to Wesley.
|
|
|
|
HARRY
|
|
What's happening? I thought you
|
|
said the captain was going to
|
|
rescue us!
|
|
|
|
WESLEY
|
|
He will. It just might take him
|
|
a little while.
|
|
|
|
Radue opens the door and gestures the boys to enter.
|
|
They hesitate.
|
|
|
|
RADUE
|
|
Come in.
|
|
|
|
30 INT. ALDEA - FIRST UNIT CHAMBER
|
|
|
|
THREE other ADULT ALDEANS are waiting inside. They are
|
|
all extremely pale and thin.
|
|
|
|
RADUE
|
|
Don't be alarmed. The other
|
|
children have been assigned to
|
|
their units.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 23.
|
|
|
|
30 CONTINUED:
|
|
|
|
WESLEY
|
|
Units?
|
|
|
|
RADUE
|
|
A unit is a group where people
|
|
of similar talents and interests
|
|
live together.
|
|
|
|
WESLEY
|
|
Like a family.
|
|
|
|
RADUE
|
|
Yes, you could call it that.
|
|
|
|
WESLEY
|
|
We already have families.
|
|
|
|
Radue gently pulls Harry forward. Harry nervously
|
|
shuffles his feet.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Does Captain Picard know what you
|
|
are doing?
|
|
|
|
RADUE
|
|
We are keeping nothing from him.
|
|
|
|
Accolan and Leda can barely control their happiness as
|
|
they close in on Harry.
|
|
|
|
LEDA
|
|
We have been waiting for you so
|
|
long, Harry. We are artists, just
|
|
like you.
|
|
|
|
HARRY
|
|
I'm not an artist.
|
|
|
|
ACCOLAN
|
|
You will be. And a great one.
|
|
|
|
LEDA
|
|
This way, Harry.
|
|
|
|
31 ANGLE ON TELEPORT ARCH (OPTICAL)
|
|
|
|
Accolan and Leda lead Harry into the Arch.
|
|
|
|
LEDA
|
|
Unit B -- three seven five.
|
|
|
|
And the three DISAPPEAR.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 24.
|
|
|
|
32 BACK TO SHOT
|
|
|
|
RADUE
|
|
Katie.
|
|
|
|
Katie steps forward to meet MELIAN, a middle-aged
|
|
Aldean, very distinguished looking. Melian reaches
|
|
out his arthritic, crippled hand to clasp Katie's.
|
|
|
|
MELIAN
|
|
I am honored.
|
|
|
|
KATIE
|
|
Thank you.
|
|
|
|
RADUE
|
|
Melian is the foremost musician
|
|
on Aldea.
|
|
|
|
MELIAN
|
|
Music speaks its own language...
|
|
I know we'll have much to learn
|
|
from each other.
|
|
|
|
Katie looks at Wesley.
|
|
|
|
MELIAN
|
|
(continuing)
|
|
Don't worry, Katie. You'll be
|
|
seeing Wesley soon.
|
|
|
|
He puts his arm around Katie and takes her OUT OF FRAME.
|
|
Wesley stands alone, almost defiant. He stares at Radue,
|
|
forcing him to speak first.
|
|
|
|
RADUE
|
|
We're the only ones left, Wesley.
|
|
Does that tell you something?
|
|
|
|
WESLEY
|
|
Do you want me to guess?
|
|
|
|
DUANE
|
|
No. You'll be staying with Radue
|
|
and me. As First Unit we require
|
|
someone with innate leadership
|
|
ability -- and a great mind. You
|
|
have both. We need you, Wesley.
|
|
|
|
WESLEY
|
|
What about me? Don't I have a
|
|
say in this?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT TWO 25.
|
|
|
|
32 CONTINUED:
|
|
|
|
RADUE
|
|
Wesley, sometimes things happen
|
|
which we just must accept. You
|
|
and the other children are now
|
|
members of this society. That
|
|
will not change. It's up to you
|
|
to make the transition as easy
|
|
as possible for the others. You
|
|
are their leader. It's your duty.
|
|
Help them accept it -- because
|
|
nothing you, or those on the
|
|
starship can do will change it.
|
|
Because like you, we also have
|
|
no choice.
|
|
|
|
DUANA
|
|
We'll do our best to see you're
|
|
happy here. And I promise you
|
|
one thing: the secrets of Aldea's
|
|
power will one day be yours.
|
|
|
|
Before he can answer, Alexandra BURSTS INTO the room,
|
|
chased by Rashella, who's a little breathless.
|
|
|
|
RADUE
|
|
Where have you been Rashella?
|
|
Zena and Aran are waiting to take
|
|
Alexandra.
|
|
|
|
RASHELLA
|
|
No.
|
|
|
|
Radue shows surprise at her rebellion.
|
|
|
|
RADUE
|
|
No? I told you...
|
|
|
|
RASHELLA
|
|
No, Radue. They can't have her.
|
|
|
|
Rashella picks Alexandra up and holds her tightly.
|
|
|
|
RASHELLA
|
|
(continuing)
|
|
I will never let her go.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 26.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
33 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
still in orbit around Aldea.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. We
|
|
remain in orbit around Aldea.
|
|
It's becoming all too evident that
|
|
talk will not effect the return
|
|
of our children. We must
|
|
neutralize the Aldean shield.
|
|
Until then we are helpless.
|
|
|
|
34 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The crew is at their regular posts.
|
|
|
|
TASHA
|
|
Sir, Radue is hailing us.
|
|
|
|
Radue APPEARS on the Main Viewer.
|
|
|
|
RADUE
|
|
Captain Picard.
|
|
|
|
PICARD
|
|
Doctor Crusher and I are ready,
|
|
Radue.
|
|
|
|
RADUE
|
|
Are you ill, Captain?
|
|
|
|
PICARD
|
|
No. Doctor Crusher is a Staff
|
|
Officer, Radue. Starfleet
|
|
Regulation 6.57 requires at least
|
|
two staff officers to be present
|
|
during any treaty or contract
|
|
negotiations.
|
|
|
|
RADUE
|
|
Very well.
|
|
|
|
Radue's image DISAPPEARS from the Viewscreen.
|
|
|
|
RIKER
|
|
Not much on pleasantries, is he?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 27.
|
|
|
|
34 CONTINUED:
|
|
|
|
DATA
|
|
I am not aware of Regulation 6.57,
|
|
sir.
|
|
|
|
PICARD
|
|
Neither am I, Data.
|
|
|
|
DATA
|
|
Oh. I see.
|
|
|
|
PICARD
|
|
Doctor Crusher, report to the
|
|
bridge... Now we'll see what they
|
|
have in mind.
|
|
|
|
35 INT. ALDEA - COMPUTER (CUSTODIAN) ROOM (OPTICAL)
|
|
|
|
Duana and Wesley APPEAR in the Teleporting Arch, which
|
|
has a DISTINCTIVE SOUND. The room is very simple. It
|
|
doesn't look as advanced as the Enterprise's computer.
|
|
Wesley looks around, unimpressed. He notices a massive
|
|
door at the end of the room that looks as though it's
|
|
never been opened.
|
|
|
|
DUANA
|
|
Over here, Wesley.
|
|
|
|
Wesley moves to a table in the center of the room.
|
|
Duana speaks into a panel.
|
|
|
|
DUANA
|
|
(continuing)
|
|
Custodian, Wesley Crusher's voice
|
|
will be entered into the
|
|
authorized file -- for Third Level
|
|
clearance.
|
|
|
|
CUSTODIAN VOICE
|
|
Proceed, Duana.
|
|
|
|
Wesley listens to the sounds and speed of the
|
|
Custodian.
|
|
|
|
DUANA
|
|
Announce yourself to the
|
|
Custodian.
|
|
|
|
WESLEY
|
|
Hello, Custodian. I'm Wesley
|
|
Crusher.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 28.
|
|
|
|
35 CONTINUED:
|
|
|
|
CUSTODIAN VOICE
|
|
Hello, Wesley. Your voice will
|
|
now activate Third Level
|
|
clearance.
|
|
|
|
WESLEY
|
|
Thank you. What does that mean?
|
|
|
|
CUSTODIAN VOICE
|
|
You may ask any questions you
|
|
wish.
|
|
|
|
WESLEY
|
|
Thank you. Duana, what does the
|
|
Custodian do?
|
|
|
|
DUANA
|
|
It frees us from all burden. It
|
|
takes care of all our needs. It
|
|
regulates our lives.
|
|
|
|
WESLEY
|
|
Who built it?
|
|
|
|
DUANA
|
|
The Progenitors.
|
|
|
|
WESLEY
|
|
When?
|
|
|
|
DUANA
|
|
Before my time. Centuries ago.
|
|
|
|
WESLEY
|
|
... What's its power source?
|
|
|
|
DUANA
|
|
Wesley, why is that important?
|
|
It does what we ask it. It always
|
|
has. What difference does it make
|
|
how it works?
|
|
|
|
WESLEY
|
|
If you don't know how it works,
|
|
how can you repair it?
|
|
|
|
DUANA
|
|
(not understanding the
|
|
concept)
|
|
Why would we want to repair it?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 29.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
From time to time, every computer
|
|
-- I mean Custodian -- requires
|
|
maintainance.
|
|
|
|
DUANA
|
|
(laughing)
|
|
Wesley, Radue is right. You ask
|
|
questions I can't answer. Ask
|
|
the Custodian instead.
|
|
|
|
Wesley leans towards the terminal.
|
|
|
|
WESLEY
|
|
Custodian, can you show me where
|
|
Harry is?
|
|
|
|
CUSTODIAN VOICE
|
|
Yes.
|
|
|
|
WESLEY
|
|
Show me Harry.
|
|
|
|
A small screen ACTIVATES in the center of the console.
|
|
Wesley watches:
|
|
|
|
36 INT. ALDEA - ARTISTS' UNIT
|
|
|
|
A workshop that's an artist's dream. Tools of every
|
|
kind, small and large, ancient and modern. Leda is
|
|
showing Harry the use of an unusual shaped
|
|
wood-sculpting tool. Harry watches her work with awe.
|
|
She hands him the tool, and he repeats what she did
|
|
with only a little difficulty. Leda's pleasure shows
|
|
in her face. She pats Harry on the shoulder as he
|
|
continues working. He looks up at her happily.
|
|
|
|
HARRY
|
|
I never did this before. It's
|
|
fun.
|
|
|
|
37 INT. ALDEA - CUSTODIAN ROOM (OPTICAL)
|
|
|
|
Harry and Leda are still ON THE SCREEN.
|
|
|
|
WESLEY
|
|
You are going to make Harry into
|
|
a sculptor?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 30.
|
|
|
|
37 CONTINUED:
|
|
|
|
DUANA
|
|
He already is. He has just never
|
|
been encouraged properly. The
|
|
tool Leda is giving him will allow
|
|
him to bring out his visions.
|
|
|
|
WESLEY
|
|
It will take years for him to
|
|
learn to do that.
|
|
|
|
DUANA
|
|
Oh, no. It will happen quite
|
|
quickly.
|
|
|
|
He looks at her, wonderingly.
|
|
|
|
WESLEY
|
|
Custodian, show me Alexandra.
|
|
|
|
Wesley watches.
|
|
|
|
38 INT. ALDEA - RASHELLA'S QUARTERS (OPTICAL)
|
|
|
|
Rashella is demonstrating to Alexandra how to use a
|
|
Plexiglas-type multidimensional set of blocks designed
|
|
to enhance her reasoning ability. Rashella is thrilled
|
|
that Alexandra repeats what she's been shown -- and then
|
|
some. She pushes some buttons and the SHAPES AND
|
|
COLORS CHANGE. Alexandra GIGGLES and looks to Rashella
|
|
for approval. Rashella gives her a tight hug, then
|
|
nods to Garen to take over.
|
|
|
|
39 INT. ALDEA - CUSTODIAN ROOM (OPTICAL)
|
|
|
|
Alexandra is still ON THE SCREEN.
|
|
|
|
WESLEY
|
|
Custodian, show me Jason...
|
|
|
|
DUANA
|
|
Stop, Custodian.
|
|
|
|
The screen GOES BLANK as the Custodian obeys Duana.
|
|
|
|
DUANA
|
|
We must work now... there is much
|
|
to learn.
|
|
|
|
Wesley points to the locked door.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 31.
|
|
|
|
39 CONTINUED:
|
|
|
|
WESLEY
|
|
What's in there?
|
|
|
|
Duana's eyes dart towards the fortress-like wall.
|
|
|
|
WESLEY
|
|
It's probably the power source.
|
|
|
|
DUANA
|
|
I don't know. It's forbidden.
|
|
The Custodian allows no one in
|
|
there. There's no one left who's
|
|
authorized.
|
|
|
|
40 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Beverly and Picard are ready to be transported.
|
|
|
|
PICARD
|
|
Open hailing frequency, Lieutenant
|
|
Yar.
|
|
|
|
TASHA
|
|
Open, sir.
|
|
|
|
Radue APPEARS on the Viewscreen.
|
|
|
|
RADUE
|
|
Ah, good. You're ready.
|
|
|
|
Beverly and Picard DISAPPEAR from the bridge.
|
|
|
|
41 INT. ALDEA - FIRST UNIT CHAMBER (OPTICAL)
|
|
|
|
Picard and Beverly MATERIALIZE. Rashella and Radue
|
|
are waiting.
|
|
|
|
PICARD
|
|
I want to see the children before
|
|
we begin.
|
|
|
|
RADUE
|
|
No. We're here to negotiate for
|
|
compensation, not to pander to
|
|
emotions. This way.
|
|
|
|
They follow Radue to the same area where they had their
|
|
celebration. Radue motions them to be seated.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 32.
|
|
|
|
41 CONTINUED:
|
|
|
|
PICARD
|
|
Radue, we do not condone your
|
|
actions. You're attempting to
|
|
salve your conscience by offering
|
|
goods in exchange for our
|
|
children.
|
|
|
|
RADUE
|
|
Why do you want them back so
|
|
badly? You can always make more.
|
|
|
|
PICARD
|
|
We happen to like these particular
|
|
children.
|
|
|
|
RADUE
|
|
Humans have great attachment to
|
|
their offspring. But we're
|
|
digressing. Returning the
|
|
children is non-negotiable.
|
|
|
|
RASHELLA
|
|
I promise you they will have a
|
|
beautiful life with us. And
|
|
they'll be father and mother to
|
|
a new breed born of an ancient
|
|
culture.
|
|
|
|
BEVERLY
|
|
What makes you think they'll be
|
|
able to have children? You can't.
|
|
|
|
RADUE
|
|
But they will. Our inability to
|
|
bear children is a genetic
|
|
dysfunction. It's not contagious.
|
|
|
|
PICARD
|
|
Radue, we do sympathize. But
|
|
surely there is a solution which
|
|
can be mutually satisfactory.
|
|
|
|
RADUE
|
|
For us, the problem is solved.
|
|
We are offering you information
|
|
on areas of the galaxy you don't
|
|
even know exist. What more can
|
|
we offer? What more would you
|
|
want?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 33.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
Picard pretends to be impressed. He waits a moment
|
|
before replying.
|
|
|
|
PICARD
|
|
A significant beginning, I think.
|
|
But first I must ask again that
|
|
Doctor Crusher be allowed to speak
|
|
with her son before we continue.
|
|
|
|
RADUE
|
|
You are a very stubborn people.
|
|
Ah, well, that can be a positive
|
|
trait. You may see him.
|
|
|
|
42 INT. ALDEA - WESLEY'S ROOM
|
|
|
|
Duana is at the door as Beverly is BROUGHT IN to see
|
|
Wesley.
|
|
|
|
WESLEY
|
|
Mom!
|
|
|
|
They hug.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
I knew the captain would get us
|
|
home.
|
|
|
|
Beverly braces herself to tell him.
|
|
|
|
BEVERLY
|
|
Not yet, Wes.
|
|
|
|
Wesley tries to accept this like a man.
|
|
|
|
WESLEY
|
|
Oh. I thought... never mind.
|
|
|
|
BEVERLY
|
|
Are you okay? And the others?
|
|
|
|
WESLEY
|
|
Okay, really okay. Everyone's
|
|
been assigned their own units...
|
|
you know, like families. We're
|
|
being treated, well, almost like
|
|
gods.
|
|
|
|
BEVERLY
|
|
Don't let it go to your head.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 34.
|
|
|
|
42 CONTINUED:
|
|
|
|
WESLEY
|
|
(lightly)
|
|
I won't.
|
|
|
|
Beverly covers her surreptitious tricorder reading of
|
|
Wesley -- and of Duana -- with small talk.
|
|
|
|
BEVERLY
|
|
So, what have you been doing?
|
|
|
|
WESLEY
|
|
I'm learning a lot. They have a
|
|
computer which they call the
|
|
Custodian. It controls
|
|
everything.
|
|
(lowers his voice)
|
|
The captain should know this.
|
|
All their defense systems, the
|
|
city's environment, everything.
|
|
And it's all voice command. So
|
|
simple. But the amazing thing
|
|
is the Aldeans don't know how it
|
|
works. They know how to talk to
|
|
it, but they don't even know what
|
|
its power source is, and they
|
|
didn't do the original
|
|
programming.
|
|
|
|
Wesley looks down at the floor.
|
|
|
|
WESLEY
|
|
(continuing; normal
|
|
voice)
|
|
They said that later on, when I'm
|
|
really an Aldean, I'll know all
|
|
their secrets.
|
|
|
|
Beverly WHISPERS to him.
|
|
|
|
BEVERLY
|
|
That won't happen, Wes. I promise
|
|
I won't let that happen.
|
|
|
|
Duana becomes nervous about all the whispering.
|
|
|
|
DUANA
|
|
You must leave, Doctor Crusher.
|
|
|
|
Duana escorts Beverly to the door. Beverly looks back
|
|
at Wesley.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 35.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Take care of yourself.
|
|
|
|
WESLEY
|
|
I will, Mom.
|
|
|
|
43 INT. ALDEA - FIRST UNIT CHAMBER (OPTICAL)
|
|
|
|
Picard looks at Beverly questioningly when she ENTERS.
|
|
|
|
BEVERLY
|
|
Wes seems fine. He says the other
|
|
children are too.
|
|
|
|
Rashella is insulted by their doubt.
|
|
|
|
RASHELLA
|
|
Of course they're well.
|
|
|
|
RADUE
|
|
Captain Picard, you have our
|
|
offer. It is final. Rashella.
|
|
|
|
Rashella touches the instrument on her belt -- and
|
|
Picard and Beverly DISAPPEAR.
|
|
|
|
44 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard and Beverly MATERIALIZE on the bridge. Radue
|
|
immediately APPEARS on the viewscreen.
|
|
|
|
RADUE
|
|
Captain, we want you to understand
|
|
the nature of your choice. A
|
|
small demonstration of our
|
|
power...
|
|
|
|
45 EXT. ALDEA - THE ENTERPRISE (OPTICAL)
|
|
|
|
is PUSHED OUT OF ORBIT by a great BURST OF VISIBLE
|
|
ENERGY which envelopes the ship.
|
|
|
|
46 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The crewmembers SHUDDER slightly as the Enterprise
|
|
comes to a quick stop.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT THREE 36.
|
|
|
|
46 CONTINUED:
|
|
|
|
PICARD
|
|
What was that?
|
|
|
|
DATA
|
|
I believe it was a repulsor beam,
|
|
sir.
|
|
|
|
PICARD
|
|
Position report.
|
|
|
|
GEORDI
|
|
It's unbelievable, sir. According
|
|
to my calculations, we're three
|
|
days from Aldea -- at warp nine.
|
|
|
|
RIKER
|
|
They call that a "small"
|
|
Demonstration?
|
|
|
|
PICARD
|
|
Geordi, take us back to Aldea
|
|
orbit. Warp factor nine.
|
|
|
|
Radue again APPEARS on the viewscreen.
|
|
|
|
RADUE
|
|
Captain, if you don't accept our
|
|
terms, the Enterprise will be
|
|
pushed so far away, by the time
|
|
you get back, your children will
|
|
be grandparents.
|
|
|
|
Radue DISAPPEARS from the viewscreen. Picard, Riker
|
|
and Troi REACT.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
47 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as she travels back towards Aldea at warp nine.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 41509.45.
|
|
We are twenty hours away from
|
|
Aldea, and no closer to a
|
|
solution. Their deliberate show
|
|
of force pushed us out of orbit
|
|
and could have disintegrated the
|
|
ship. In the face of that power,
|
|
a direct assault on Aldea would
|
|
be disastrous.
|
|
|
|
48 EXT. SPACE - ALDEA (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
49 INT. ALDEA - MELIAN'S MUSIC ROOM
|
|
|
|
As spartan as the rest of the Aldean quarters. Katie
|
|
holds an instrument awkwardly in her hands, while
|
|
Melian uses his pain-ridden hands to show Katie how
|
|
to use it. The instrument is small and circular, about
|
|
a foot in diameter. There's a pad for the thumb, and
|
|
for the fingers. It CHANGES COLORS for each different
|
|
SOUND.
|
|
|
|
MELIAN
|
|
Now, hold it a little bit more
|
|
firmly.
|
|
|
|
Katie moves her fingers around.
|
|
|
|
MELIAN
|
|
(continuing)
|
|
That's it. Perfect. Now...
|
|
think. No, think's not right.
|
|
Feel the notes inside your head.
|
|
|
|
Katie closes her eyes and the instrument SOUNDS A NOTE.
|
|
Katie's so startled she drops it.
|
|
|
|
KATIE
|
|
I'm sorry! Did I break it?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 38.
|
|
|
|
49 CONTINUED:
|
|
|
|
MELIAN
|
|
No. It's all right. You can't
|
|
break it.
|
|
|
|
KATIE
|
|
It did exactly what I thought...
|
|
I mean, felt.
|
|
|
|
MELIAN
|
|
Yes. It's a direct expression
|
|
of the music within. Now we just
|
|
have to teach you to structure
|
|
that feeling...
|
|
|
|
Katie takes the instrument back from Melian and looks
|
|
at it in wonder. Then hands it back. She begins to
|
|
play. A beautiful, melancholy TUNE. Melian listens -
|
|
enchanted. She STOPS.
|
|
|
|
MELIAN
|
|
(continuing)
|
|
That was beautiful. Now play
|
|
something happier.
|
|
|
|
KATIE
|
|
(sadly shaking her
|
|
head)
|
|
That's not how I feel.
|
|
(pause)
|
|
I don't want to do this anymore.
|
|
|
|
Melian smiles sadly at her.
|
|
|
|
50 INT. ALDEA - ARTISTS' UNIT (OPTICAL) 50
|
|
|
|
Accolan is helping Harry with a wood carving. Harry
|
|
pushes the sculpting tool along the block of wood and
|
|
a portion of a dolphin is revealed.
|
|
|
|
ACCOLAN
|
|
You see, Harry, I told you you
|
|
were going to be an artist.
|
|
|
|
HARRY
|
|
Are you sure? Did I really do
|
|
this?
|
|
|
|
ACCOLAN
|
|
Oh, yes. Your talent has always
|
|
been there. The sculpting tool
|
|
is just helping you develop it.
|
|
It's what you were meant to do.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 39.
|
|
|
|
50 CONTINUED:
|
|
|
|
HARRY
|
|
You mean I don't have to do
|
|
calculus anymore?
|
|
|
|
ACCOLAN
|
|
You don't have to do anything you
|
|
don't want to do. What's
|
|
calculus?
|
|
|
|
HARRY
|
|
Nothing important. Can I do some
|
|
more?
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
It COMES out of warp speed.
|
|
|
|
52 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it ENTERS orbit around Aldea.
|
|
|
|
PICARD
|
|
Captain's log, supplemental. It
|
|
has been three days since the
|
|
Aldeans pushed us away. We have
|
|
had no contact with Radue since
|
|
then.
|
|
|
|
53 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The crewmembers are in place.
|
|
|
|
PICARD
|
|
Lieutenant Yar, open hailing
|
|
frequencies.
|
|
|
|
TASHA
|
|
Frequencies open, sir.
|
|
|
|
PICARD
|
|
Radue, this is Captain Picard.
|
|
|
|
Radue APPEARS on the Main Viewer.
|
|
|
|
RADUE
|
|
Welcome back, Captain. What have
|
|
you decided?
|
|
|
|
PICARD
|
|
There is room for discussion,
|
|
Radue.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 40.
|
|
|
|
53 CONTINUED:
|
|
|
|
RADUE
|
|
We will bring you down when we
|
|
are ready.
|
|
|
|
Radue DISAPPEARS from the viewscreen.
|
|
|
|
PICARD
|
|
Data, find a way to defeat that
|
|
shield.
|
|
|
|
DATA
|
|
That may be impossible, sir.
|
|
|
|
PICARD
|
|
Things are impossible, until
|
|
they're not.
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
54 ANGLE ON TURBOLIFT
|
|
|
|
Beverly ENTERS from the turbolift.
|
|
|
|
BEVERLY
|
|
Captain, here's what I've learned.
|
|
(a beat)
|
|
Duana is dying. I have no reason
|
|
to believe the rest of the Aldeans
|
|
are any healthier.
|
|
|
|
PICARD
|
|
We're all dying, Doctor. Can you
|
|
be more specific?
|
|
|
|
BEVERLY
|
|
They're suffering from some kind
|
|
of chromosomal damage. It could
|
|
be genetic, or environmental.
|
|
|
|
PICARD
|
|
Then that's why they can't
|
|
conceive.
|
|
|
|
BEVERLY
|
|
Yes. It also explains their lack
|
|
of appetite, their sensitivity
|
|
to light, and their extreme
|
|
pallor.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 41.
|
|
|
|
54 CONTINUED:
|
|
|
|
PICARD
|
|
An entire civilization that's
|
|
terminally ill... is it
|
|
reversible?
|
|
|
|
BEVERLY
|
|
I won't know until I've found the
|
|
cause... and you don't need to
|
|
tell me time is running out.
|
|
|
|
PICARD
|
|
Good work, Doctor.
|
|
|
|
55 INT. ALDEA - FIRST UNIT CHAMBER
|
|
|
|
Radue and Duana are trying to coax Wesley to eat.
|
|
|
|
DUANA
|
|
I thought growing boys are always
|
|
hungry.
|
|
|
|
WESLEY
|
|
You didn't eat anything.
|
|
|
|
RADUE
|
|
We need very little.
|
|
|
|
DUANA
|
|
I know you miss your family. But
|
|
you will grow accustomed to us.
|
|
I promise. I promise you'll be
|
|
happy.
|
|
|
|
Wesley's clear eyes look at Duana with compassion.
|
|
|
|
WESLEY
|
|
You can keep me here, but you
|
|
can't make me want to stay.
|
|
You'll never be able to make me
|
|
forget. And I'll never be an
|
|
Aldean.
|
|
|
|
56 INT. ALDEA - ARTISTS' UNIT - NIGHT
|
|
|
|
Leda creams her hands with an ointment as Harry bends
|
|
over a table, putting the finishing touches on his
|
|
work.
|
|
|
|
ACCOLAN
|
|
Have the lesions gone?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 42.
|
|
|
|
56 CONTINUED:
|
|
|
|
LEDA
|
|
Yes. The medicine worked again.
|
|
|
|
ACCOLAN
|
|
Good. Come see what Harry's
|
|
doing.
|
|
|
|
Harry's hands polish the last bit on his creation:
|
|
a carved dolphin.
|
|
|
|
ACCOLAN
|
|
(continuing)
|
|
Beautiful!
|
|
|
|
Harry gives Accolan the finished piece. Accolan
|
|
touches it, admiring the workmanship.
|
|
|
|
HARRY
|
|
(surprised)
|
|
It really turned out well.
|
|
|
|
ACCOLAN
|
|
It is so graceful and alive. What
|
|
do you call it?
|
|
|
|
HARRY
|
|
It's a dolphin.
|
|
|
|
LEDA
|
|
Dolphin?
|
|
|
|
HARRY
|
|
You know, it swims in the ocean.
|
|
Like a fish, only it's not a fish.
|
|
|
|
LEDA
|
|
Ah. A fish. We used to have them
|
|
in our oceans. I've never seen
|
|
one before.
|
|
|
|
HARRY
|
|
I used to live near the ocean.
|
|
On Zadar IV. My dad's an
|
|
oceanographer. He says... never
|
|
mind. It doesn't matter.
|
|
|
|
Harry turns away, ambivalent.
|
|
|
|
57 INT. ALDEA - RASHELLA'S QUARTERS - NIGHT
|
|
|
|
She is holding Alexandra, COOING to her. The baby
|
|
falls asleep in her arms.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 43.
|
|
|
|
58 INT. BEVERLY'S OFFICE
|
|
|
|
Beverly is feverishly working the computer, trying to
|
|
make sense out of the disparate information. She
|
|
shakes her head.
|
|
|
|
BEVERLY
|
|
No. That doesn't fit the pattern.
|
|
Give me a list of the appropriate
|
|
medical literature from the
|
|
twenty-second century.
|
|
|
|
The computer shows her a list that's very long.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
There's not enough time!
|
|
|
|
She looks at it and rubs her eyes. Picard WALKS INTO the
|
|
room and sees her. He APPROACHES her carefully and puts
|
|
his hand on her shoulder. Beverly covers his hand with
|
|
hers.
|
|
|
|
PICARD
|
|
Is there anything I can do?
|
|
|
|
BEVERLY
|
|
You just did, Jean-Luc. Now...
|
|
I have to get back to work.
|
|
|
|
She turns back to her desk.
|
|
|
|
59 INT. ALDEA - RASHELLA'S QUARTERS - NIGHT
|
|
|
|
Alexandra is CRYING.
|
|
|
|
ALEXANDRA
|
|
I want Mommy!
|
|
|
|
Rashella tries to hold and comfort her, but there's
|
|
no solace.
|
|
|
|
60 INT. ALDEA - WESLEY'S ROOM - NIGHT (OPTICAL)
|
|
|
|
It's dark. Wesley slips out of his bed and opens the
|
|
door. There's no one around. He steps into the ARCH.
|
|
|
|
WESLEY
|
|
(quietly)
|
|
Custodian's room.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 44.
|
|
|
|
61 INT. ALDEA - CUSTODIAN ROOM - NIGHT (OPTICAL)
|
|
|
|
Wesley APPEARS in the Arch. The room is empty. Wesley
|
|
sits at the console. He WHISPERS his instruction.
|
|
|
|
WESLEY
|
|
(whispers)
|
|
Custodian, this is Wesley Crusher.
|
|
|
|
CUSTODIAN VOICE
|
|
(normal level)
|
|
Proceed, Wesley.
|
|
|
|
Wesley jumps at the sound.
|
|
|
|
WESLEY
|
|
Show me where all the Enterprise
|
|
children are in relation to this
|
|
room.
|
|
|
|
The Custodian FLASHES the children's locations on the
|
|
screen. Wesley stares at it, memorizing the locations.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Thank you.
|
|
|
|
He moves away from the console, then has second
|
|
thoughts.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Custodian, what's your instruction
|
|
set?
|
|
|
|
Wesley is nervous, not sure he's authorized. The
|
|
Custodian ANSWERS WITH a kind of nonelectronic MUSIC.
|
|
Wesley doesn't understand, but goes on.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
How can I command your attention?
|
|
Do you have a non-maskable
|
|
interrupt?
|
|
|
|
CUSTODIAN VOICE
|
|
Yes.
|
|
|
|
WESLEY
|
|
What is its address?
|
|
|
|
CUSTODIAN VOICE
|
|
Zero, twelve, twenty-two,
|
|
twenty-one, twenty-three,
|
|
twenty-six.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FOUR 45.
|
|
|
|
61 CONTINUED:
|
|
|
|
WESLEY
|
|
That doesn't make any sense to
|
|
me.
|
|
|
|
Wesley's puzzled, but pushes ahead anyway. He takes
|
|
a deep breath before he asks the really important
|
|
question.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Custodian, what's in the locked
|
|
room next to this one?
|
|
|
|
CUSTODIAN VOICE
|
|
You are not authorized for that
|
|
information.
|
|
|
|
WESLEY
|
|
Thank you. Good night.
|
|
|
|
CUSTODIAN VOICE
|
|
Good night, Wesley.
|
|
|
|
Wesley sits a moment, deep in thought.
|
|
|
|
62 INT. ALDEA - KATIE'S QUARTERS - NIGHT
|
|
|
|
Katie's asleep. An arm reaches over her and shakes
|
|
her slightly. Katie opens her eyes, startled. Wesley
|
|
leans over her, finger to his mouth. He WHISPERS.
|
|
|
|
WESLEY
|
|
I need your help. I have an idea
|
|
how we can get home.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
63 INT. ALDEA - WESLEY'S ROOM - EARLY MORNING
|
|
|
|
Welsey, Harry, Alexandria and Katie, are gathered in
|
|
Wesley's room. Their VOICES LOW.
|
|
|
|
KATIE
|
|
Why will not talking or eating
|
|
make them send us home?
|
|
|
|
Wesley patiently tries to explain again.
|
|
|
|
WESLEY
|
|
It's called "passive resistance."
|
|
We don't do anything they want
|
|
us to do and then they won't want
|
|
us.
|
|
|
|
KATIE
|
|
Will they get mad at us?
|
|
|
|
WESLEY
|
|
They won't hurt us.
|
|
|
|
HARRY
|
|
But, Wes, I do kind of like them.
|
|
|
|
WESLEY
|
|
So do I, but I don't want to stay
|
|
here forever. Do you?
|
|
|
|
Harry hesitates.
|
|
|
|
HARRY
|
|
(thoughtfully)
|
|
No, but I like working with the
|
|
wood.
|
|
|
|
WESLEY
|
|
Harry, we all have to do this
|
|
together or it won't work.
|
|
|
|
With some reluctance, Harry agrees.
|
|
|
|
HARRY
|
|
Okay. I'll do it.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 47.
|
|
|
|
63 CONTINUED:
|
|
|
|
Rashella RUSHES INTO the room.
|
|
|
|
RASHELLA
|
|
What are you all doing here
|
|
together?
|
|
|
|
There's no answer.
|
|
|
|
RASHELLA
|
|
(continuing)
|
|
What is going on here?
|
|
|
|
Still no answers. She reaches for Alexandra, but
|
|
Wesley picks up the child and shakes his head "no."
|
|
|
|
RASHELLA
|
|
(continuing)
|
|
Garen!
|
|
|
|
Garen RUSHES INTO the room.
|
|
|
|
RASHELLA
|
|
(continuing)
|
|
Take the children back to their
|
|
units.
|
|
|
|
64 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
Beverly STEPS OFF the turbolift. She's exhausted.
|
|
|
|
BEVERLY
|
|
The Aldeans are suffering from
|
|
a form of radiation poisoning.
|
|
|
|
PICARD
|
|
And that's what's made the Aldeans
|
|
sterile?
|
|
|
|
BEVERLY
|
|
Yes.
|
|
|
|
PICARD
|
|
Is it reversible?
|
|
|
|
BEVERLY
|
|
Of course.
|
|
|
|
DATA
|
|
Captain, these permutations are
|
|
going to take a very long time.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 48.
|
|
|
|
64 CONTINUED:
|
|
|
|
PICARD
|
|
How long?
|
|
|
|
DATA
|
|
Weeks.
|
|
|
|
RIKER
|
|
Captain, there is another option.
|
|
We have identified a weakness in
|
|
the shield.
|
|
|
|
GEORDI
|
|
But it's not constant.
|
|
|
|
WORF
|
|
It's a hole.
|
|
|
|
GEORDI
|
|
It's not a hole as much as it is
|
|
a fluctuation.
|
|
|
|
RIKER
|
|
Still, there is a chance.
|
|
Captain, if we can time it exactly
|
|
-- I think we can beam a team
|
|
through the hole and onto the
|
|
planet.
|
|
|
|
PICARD
|
|
Then why can't we beam the
|
|
children up through the hole?
|
|
|
|
RIKER
|
|
The timing would be more
|
|
difficult, and the risk greater.
|
|
|
|
PICARD
|
|
What are you suggesting, Number
|
|
One?
|
|
|
|
RIKER
|
|
Beam through the hole. Locate
|
|
the source of the shield, and
|
|
knock it out.
|
|
|
|
PICARD
|
|
I'll try to delay the Aldeans
|
|
until you're ready.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 49.
|
|
|
|
65 INT. ALDEA - WESLEY'S ROOM
|
|
|
|
The children sit in silence. Leda COMES IN with a tray
|
|
of food for them.
|
|
|
|
LEDA
|
|
Will you at least eat?
|
|
|
|
They do not answer. She sets the tray down and LEAVES
|
|
the room. Alexandra wanders over to the food and looks
|
|
at it. Wesley knows that she's hungry. He goes to
|
|
Alexandra and kneels down.
|
|
|
|
WESLEY
|
|
I know you're hungry. We all are,
|
|
but Alexandra, we are not going
|
|
to eat anything. It's our way
|
|
of telling them that we want to
|
|
go home. Do you understand?
|
|
|
|
The little girl nods. Wesley puts his arm around her.
|
|
Harry comes over, picks up the tray and puts it outside
|
|
the door. Wesley acknowledges the act with a smile.
|
|
|
|
66 INT. - MAIN BRIDGE (OPTICAL)
|
|
|
|
Radue APPEARS on the viewscreen.
|
|
|
|
RADUE
|
|
Captain Picard. You may come down
|
|
now to conclude our discussion,
|
|
or your ship may leave. It is
|
|
your choice.
|
|
|
|
67 INT. TRANSPORTER ROOM
|
|
|
|
where Riker, Tasha and Data wait to beam down.
|
|
|
|
RIKER
|
|
We are ready, Captain.
|
|
|
|
68 INT MAIN BRIDGE (OPTICAL)
|
|
|
|
PICARD
|
|
Doctor Crusher and I are prepared
|
|
to conclude these negotiations.
|
|
|
|
Beverly and Picard DEMATERIALIZE from the bridge.
|
|
|
|
WORF
|
|
Transporter room, now!
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 50.
|
|
|
|
69 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
RIKER
|
|
Energize.
|
|
|
|
Riker, Tasha and Data FADE and DISAPPEAR as the
|
|
transporter activates.
|
|
|
|
70 INT. ALDEA - CORRIDOR (OPTICAL)
|
|
|
|
Tasha, Riker and Data MATERIALIZE. There is no one
|
|
else around. Riker looks around and motions for the
|
|
Team to follow him.
|
|
|
|
71 INT. ALDEA - FIRST UNIT CHAMBER
|
|
|
|
Beverly and Picard are confronted by Radue.
|
|
|
|
RADUE
|
|
Before we begin, Captain, you must
|
|
speak with the children. It seems
|
|
they are on some sort of "strike."
|
|
I don't understand it. You must
|
|
deal with this, Captain. I'm
|
|
not very good with children.
|
|
|
|
Picard is amused for the first time in days.
|
|
|
|
PICARD
|
|
A strike? I'll see what I can
|
|
do.
|
|
|
|
72 INT. ALDEA - WESLEY'S ROOM (OPTICAL)
|
|
|
|
Picard APPEARS in the Teleport Arch to find Wesley and
|
|
the others silent and defiant. The children are
|
|
overjoyed to see the captain.
|
|
|
|
WESLEY
|
|
Sir! We knew you'd come!
|
|
|
|
PICARD
|
|
It's not over yet, Wesley.
|
|
|
|
WESLEY
|
|
Captain, I think I figured out
|
|
their computer controls -- I'm
|
|
not sure, it's a different system
|
|
than ours.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 51.
|
|
|
|
72 CONTINUED:
|
|
|
|
PICARD
|
|
Good, Wesley. Now...
|
|
|
|
HARRY
|
|
(interrupting)
|
|
...Captain.
|
|
|
|
PICARD
|
|
Yes, Harry.
|
|
|
|
HARRY
|
|
If something happens and you have
|
|
to leave us here -- tell my Dad...
|
|
I'm sorry I made him angry... and
|
|
I miss him.
|
|
|
|
PICARD
|
|
I will tell him, Harry, and I will
|
|
tell him how much I admire his
|
|
son.
|
|
|
|
Alexandra waddles over to Picard and raises her arms to
|
|
be picked up. Picard has no choice but to awkwardly
|
|
lift her into his arms. She looks up at him with her
|
|
big eyes.
|
|
|
|
73 OMITTED
|
|
|
|
74 INT. ALDEA - CUSTODIAN ROOM
|
|
|
|
As the three officers ENTER the room.
|
|
|
|
DATA
|
|
This is it, Commander.
|
|
|
|
Data scans the room with his tricorder.
|
|
|
|
DATA
|
|
(continuing)
|
|
It is programmed to accept only
|
|
authorized voice commands.
|
|
|
|
RIKER
|
|
So we can't override.
|
|
|
|
DATA
|
|
No. But I can intermix the input
|
|
so nobody else can.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 52.
|
|
|
|
74 CONTINUED:
|
|
|
|
RIKER
|
|
We must find the power supply for
|
|
the shield.
|
|
|
|
75 INT. ALDEA - FIRST UNIT CHAMBER (OPTICAL)
|
|
|
|
OPEN ON Beverly - then PAN TO Teleport Arch as Picard
|
|
and the children STEP FORWARD. Beverly, Radue and
|
|
Rashella have been joined by Accolan. Beverly looks
|
|
lovingly at her son.
|
|
|
|
RADUE
|
|
What is this?
|
|
|
|
PICARD
|
|
They want to go home.
|
|
|
|
RADUE
|
|
No. They're staying.
|
|
|
|
PICARD
|
|
(his communicator)
|
|
Number One.
|
|
|
|
RIKER'S COM VOICE
|
|
We are in position.
|
|
|
|
PICARD
|
|
Hold for orders.
|
|
|
|
RIKER'S COM VOICE
|
|
Aye, sir.
|
|
|
|
BEVERLY
|
|
(with persuasion)
|
|
The radiation levels on Aldea have
|
|
built up over a long period of
|
|
time. It is similar to what was
|
|
experienced on Earth in the
|
|
twenty-first century, when the
|
|
ozone layer deteriorated and the
|
|
surface of the planet was flooded
|
|
with ultraviolet radiation.
|
|
|
|
PICARD
|
|
The shield that protects your
|
|
world in one way has weakened it
|
|
in another. It's the radiation
|
|
of your own sun which is
|
|
destroying you.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 53.
|
|
|
|
75 CONTINUED:
|
|
|
|
RADUE
|
|
You are trying to confuse the
|
|
issue.
|
|
|
|
BEVERLY
|
|
Please listen. You're all
|
|
suffering from a kind of
|
|
poisoning. Sterility is only the
|
|
latest symptom. If the children
|
|
remain, they will be affected as
|
|
well.
|
|
|
|
RADUE
|
|
It is impossible. Our scientists
|
|
would have known.
|
|
|
|
BEVERLY
|
|
How could they? Your scientists
|
|
have forgotten how everything
|
|
works.
|
|
|
|
RADUE
|
|
No. It's a lie. Send them back
|
|
to their ship.
|
|
|
|
Rashella starts to touch her arm band, then hesitates.
|
|
|
|
RASHELLA
|
|
Wait. No. What if they're right?
|
|
Instead of the children being our
|
|
hope, what if we are just
|
|
condeming them to our fate?
|
|
|
|
RADUE
|
|
They are just protecting their
|
|
own interests.
|
|
|
|
RASHELLA
|
|
As are we. But hear them out.
|
|
The captain and Doctor Crusher
|
|
are saying our entire life is
|
|
based on a misconception, and the
|
|
very thing which has given us this
|
|
wonderful world is the very thing
|
|
which has caused this tragedy?
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 54.
|
|
|
|
75 CONTINUED: (2)
|
|
|
|
PICARD
|
|
That is exactly it. The shield
|
|
that protects you, has weakened
|
|
and your computer has controlled
|
|
your lives so completely you've
|
|
lost the desire to even question
|
|
it.
|
|
|
|
RADUE
|
|
Lies. The discussion is over.
|
|
|
|
Radue hits his arm band to send them back to the ship.
|
|
Nothing happens. Picard touches his communicator.
|
|
|
|
PICARD
|
|
Commander Riker.
|
|
|
|
RIKER'S COM VOICE
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
I assume you have control of the
|
|
computer.
|
|
|
|
RIKER'S COM VOICE
|
|
We've disabled the system
|
|
temporarily and we've found the
|
|
power source to the shield and
|
|
we've neutralized it.
|
|
|
|
PICARD
|
|
Good.
|
|
(using com)
|
|
Enterprise, this is Picard. Beam
|
|
the children up.
|
|
|
|
HARRY
|
|
Wait.
|
|
|
|
Harry goes to Accolan.
|
|
|
|
HARRY
|
|
(continuing)
|
|
Thank you.
|
|
|
|
ACCOLAN
|
|
Let me get the dolphin for you
|
|
to take with you.
|
|
|
|
HARRY
|
|
No. You keep it. I'll make
|
|
another.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 55.
|
|
|
|
75 CONTINUED: (3)
|
|
|
|
Harry joins the others.
|
|
|
|
PICARD
|
|
Beam them up.
|
|
|
|
Harry waves good-bye to Accolan as all the children,
|
|
but Wesley, DEMATERIALIZE.
|
|
|
|
RADUE
|
|
You've destroyed us.
|
|
|
|
PICARD
|
|
We are not here to destroy you,
|
|
Radue. We can help you.
|
|
|
|
76 OMITTED
|
|
|
|
77 INT. ALDEA - POWER ROOM (OPTICAL)
|
|
|
|
They ENTER cautiously. In the center is a shiny black
|
|
box, not very large. It PULSATES with a GLOWING LIGHT.
|
|
|
|
RADUE
|
|
What is it?
|
|
|
|
PICARD
|
|
The legacy your Progenitors left
|
|
you, Radue. The source of your
|
|
power. And your problems.
|
|
|
|
DATA
|
|
It is reading incredible amounts
|
|
of energy, sir. Even more since
|
|
we have taken down the shield.
|
|
|
|
RASHELLA
|
|
What are we going to do with it?
|
|
|
|
RADUE
|
|
Learn all over again... all this
|
|
time we've been destroying
|
|
ourselves. So secure, so sure
|
|
of our technological
|
|
invulnerability. Now...
|
|
|
|
PICARD
|
|
Will you let us help?
|
|
|
|
Radue puts his hand out to Picard.
|
|
|
|
RADUE
|
|
Yes. Please.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 56.
|
|
|
|
78 EXT. SPACE - THE ENTERPRISE AND ALDEA (OPTICAL)
|
|
|
|
The Enterprise uses a wide angle ENERGY BEAM to "sew up
|
|
the hole" in the atmosphere. (To be researched and
|
|
revised.)
|
|
|
|
79 INT. CORRIDOR
|
|
|
|
Harry and his father walk hand in hand to Harry's
|
|
classroom. Harry stops in front of the door.
|
|
|
|
HARRY
|
|
Dad, I want to be an artist. And
|
|
I don't want to take calculus
|
|
anymore.
|
|
|
|
DR. BERNARD
|
|
You can be anything you want,
|
|
Harry. Anything. But you still
|
|
have to take calculus.
|
|
|
|
Harry thinks about it for a moment.
|
|
|
|
HARRY
|
|
Okay. Thanks, Dad.
|
|
|
|
They hug and Harry goes back to school.
|
|
|
|
80 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The Main Viewer SHOWS the ship finishing its job on the
|
|
atmosphere.
|
|
|
|
DATA
|
|
It worked well, sir.
|
|
|
|
Beverly ENTERS from a turbolift.
|
|
|
|
PICARD
|
|
Are you finished?
|
|
|
|
BEVERLY
|
|
Yes. They're responding very well
|
|
to the treatment, but for this
|
|
to work, they can never use their
|
|
shield or be cloaked again.
|
|
|
|
PICARD
|
|
The legend will die, but the
|
|
people will live.
|
|
|
|
STAR TREK: "When the Bough... " - 12/11/87 - ACT FIVE 57.
|
|
|
|
80 CONTINUED:
|
|
|
|
TROI
|
|
And we know they'll make good
|
|
parents.
|
|
|
|
Alexandra WADDLES OFF the turbolift with Wesley. She's
|
|
carrying a flower.
|
|
|
|
PICARD
|
|
Wesley!
|
|
|
|
WESLEY
|
|
Sorry, sir. She just wanted to
|
|
give you a present for bringing
|
|
her back to her mommy.
|
|
|
|
Picard bends down to accept the flower -- and a hug.
|
|
Alexandra waves bye-bye to him and GOES BACK with
|
|
Wesley. The entire bridge crew tries not to snicker.
|
|
Picard gives them a fierce look to cover his
|
|
discomfort.
|
|
|
|
PICARD
|
|
Mister La Forge, out of orbit.
|
|
Warp five.
|
|
|
|
GEORDI
|
|
(coughing)
|
|
Yes, sir. Certainly, sir.
|
|
|
|
Picard turns around and the rest of the crew can see
|
|
the stick-em toy on the back of his uniform.
|
|
|
|
80A EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
at sub-warp speed, it heads for its next adventure.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
THE END
|
|
|
|
|
|
|
|
|