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1 line
59 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Loud as a Whisper
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#40272-132
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Written by
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Jackie Zambrano
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Directed by
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Larry Shaw
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1988 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "Loud as a Whisper" - draft 11/4/88 CAST
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STAR TREK: THE NEXT GENERATION
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"Loud as a Whisper"
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CAST
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PICARD RIVA
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RIKER 1ST LEADER/WARRIOR
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TROI SCHOLAR/ARTIST
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WORF WARRIOR/ADONIS/PERSON
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DATA CULTURED WOMAN
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GEORDI 2ND LEADER/WARRIOR
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PULASKI
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WESLEY
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TRANSPORTER CHIEF
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Non-Speaking Non-Speaking
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CREWMEMBERS BOY
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SOLDIERS/COMBATANTS
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STAR TREK: "Loud as a Whisper" - DRAFT 11/10/88 - SETS
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STAR TREK: THE NEXT GENERATION
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"Loud as a Whisper"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM PLANET RAMATIS 3
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TURBOLIFT
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TRANSPORTER ROOM PLANET SOLAIS 5
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GUEST QUARTERS MOUNTAIN TOP
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OBSERVATION LOUNGE
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SICKBAY
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MAIN ENGINEERING
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CORRIDOR
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PLANET RAMATIS
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ANTEROOM
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LARGER ROOM
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STAR TREK: "Loud as a Whisper" - 11/10/88 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Loud as a Whisper"
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PRONUNCIATION GUIDE
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RIVA REE-va
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SOLAIS So-LAY-is
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RAMATIS RAH-mah-tis
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Loud as a Whisper"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship glides through space, planets and stars.
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PICARD (V.O.)
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Captain's log, Stardate 42411.2.
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The Enterprise has been
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unexpectedly diverted to the
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Ramatis star system. The two
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sides of a bitter little planetary
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conflict have petitioned Starfleet
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to transport to their world a
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mediator they have mutually
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selected. Our orders are
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transportation only -- no
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interference, no responsibilities.
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It is a mission much to my
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liking.
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2 INT. MAIN BRIDGE
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RIKER has the Command position. WESLEY has the Conn,
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DATA is at Ops, n.d. CREWMEMBER at Tactical. The other
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positions are occupied by n.d. crewmembers.
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RIKER
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Reduce to half impulse.
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WESLEY
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Reducing velocity to one-half
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impulse.
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Riker walks to the captain's Ready Room door.
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The CHIME signals Riker's presence. From inside,
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CAPTAIN PICARD calls out.
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PICARD (O.S.)
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Come.
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The door opens.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 2.
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3 INT. CAPTAIN'S READY ROOM (OPTICAL)
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Riker enters. Spread across and above Picard's desk is
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a complicated arrangement of three-dimensional shapes -- some
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on the surface, others seemingly suspended in
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air.
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PICARD
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Ah, Number One. Look at this.
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Ever since we left the Lima-Sierra
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system, I have been puzzling over
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how the third planet could
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maintain such an orbit, when it
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is theoretically impossible, but
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consider this.
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Riker moves closer, whereupon Picard activates the
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display. The shapes GO INTO MOTION. They then STOP.
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RIKER
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There's no degeneration?
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PICARD
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Exactly!
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RIKER
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Why?
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PICARD
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I haven't got that worked out.
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RIKER
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Perhaps this facsimile lacks mass.
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PICARD
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Yes, somewhat, but if this is an
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accurate representation -- would
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it not explain what happened in
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that system?
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Riker moves closer.
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RIKER
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(as he studies the
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display)
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Perhaps.
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Picard comes back to business.
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PICARD
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Well, not a matter of great moment -- just
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a knot I had to untie.
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Now... What was it you wanted to
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see me about?
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 3.
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3 CONTINUED:
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RIKER
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Captain, we have arrived at
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Ramatis Three.
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Picard gets to his feet as he speaks:
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PICARD
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Ah -- well -- time to leave.
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4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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entering orbit near the silver and blue planet of
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Ramatis Three.
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5 INT. MAIN BRIDGE
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as before. Picard and Riker come onto the bridge.
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RIKER
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Standard orbit, Mister Crusher.
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WESLEY
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Standard orbit.
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Together they head for the turbolift.
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RIKER
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Data, you have the bridge.
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Data leaves Ops and is immediately replaced by an n.d.
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FEMALE CREWMEMBER. He takes the Command position.
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6 ANOTHER ANGLE
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as Riker and Picard enter the turbolift, the doors
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close.
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7 INT. TURBOLIFT
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RIKER
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I am still uncomfortable about
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your leading this away team.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 4.
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7 CONTINUED:
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PICARD
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This is not an away team in the
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strictest sense. I consider this
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more of a ceremonial function.
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For me not to go, could be
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construed a lack of respect, or
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that I do not regard the mission
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as significant. Transporter Room
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Five.
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The turbolift heads for Deck Seventeen.
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RIKER
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Considering the importance of this
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mission and the lives which are
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at stake... I don't want to do
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anything which would have a
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negative affect on this
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negotiation, however...
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PICARD
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I appreciate your concern, Number
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One, but, I'm sure it will go
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quite smoothly.
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RIKER
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We have come a great distance for
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this mediator.
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PICARD
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They asked for the best and that
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person, from all reports, is Riva.
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The turbolift arrives. Riker and Picard step off.
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7A INT. CORRIDOR
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as they walk along.
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RIKER
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I've never heard of him.
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PICARD
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I'm not surprised, he hasn't
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mediated for several decades.
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RIKER
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That's a long time to be out of
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the saddle. Let's hope he's not
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rusty.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 5.
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7A CONTINUED:
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PICARD
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Yes, for all our sakes... let's
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hope Riva is at the top of his
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game.
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They turn and enter the Transporter Room.
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8 INT. TRANSPORTER ROOM (OPTICAL)
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TROI and WORF are waiting. They step onto the
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platform.
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TRANSPORTER CHIEF
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Coordinates have been input.
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PICARD
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Very good, Lieutenant. Worry not,
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Number One -- this will be a simple
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ceremonial greeting, and right
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back to the Enterprise.
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RIKER
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I'm sure.
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PICARD
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Energize.
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And the away team -- with Picard as their leader -- VANISHES.
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9 INT. RAMATIS - ANTEROOM (OPTICAL)
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as the away team STACKS UP.
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10 ANOTHER ANGLE - INT. RAMATIS - ANTEROOM
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A handsome BOY greets the away team, and motions for
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them to follow him.
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11 ANOTHER ANGLE
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as they reach a vestibule which leads to a larger room.
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The boy leads them toward a larger room.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - TEASER 6.
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12 INT. LARGER ROOM
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They enter. There is no one in the room. At the far
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end is a raised dais. The design of the room is
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geometric -- the decorations eclectic. As the away team
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looks around, they realize their young guide has
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disappeared and they are all alone:
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Off their reactions:
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FADE OUT.
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END OF TEASER
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 7.
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ACT ONE
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FADE IN:
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13 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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in orbit around the planet Ramatis.
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14 INT. MAIN BRIDGE
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Riker once again has the Command position.
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RIKER
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Captain, this is the Enterprise.
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PICARD'S COM VOICE
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We have arrived safely, Number
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One, and for the most part, we've
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been ignored... ah...
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15
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thru OMITTED
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16
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17 INT. RAMATIS - LARGER ROOM
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The away team in the larger room.
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PICARD
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... some of the local citizenry
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are beginning to assemble. I'll
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keep you informed.
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RIKER'S COM VOICE
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I would appreciate it.
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18 ANOTHER ANGLE - LARGER ROOM
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Slowly, without any apparent signal, HUMANOIDS begin to
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casually assemble. They enter the room from portals,
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scattered along the walls, talking quietly among
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themselves in an unrecognizable, and mostly unheard,
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language.
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19 ANOTHER ANGLE
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There are three of them... each a distinctive
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personality and physical archetype -- the
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SCHOLAR/ARTIST, the WARRIOR/ADONIS, a CULTURED WOMAN.
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These "types" show no emotion, and if they are aware of
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the away team, they do not acknowledge them.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 8.
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20 ANOTHER ANGLE
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a MAN enters from behind the away team. By his dress,
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his carriage and his presence he is someone in
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authority. This is RIVA -- he appears to be around
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thirty earth years, pleasant looking, with an open
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friendly countenance.
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21 PICARD AND TROI
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as Riva passes them. He pauses, studying first Picard -- his
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appraisal is open, his gaze penetrating. Because
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of his vast experience in different and unusual
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situations, Picard has the wisdom to wait for Riva to
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make the first move. Riva then turns his attention
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on Worf, then to Troi, then leaves her with a warm
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flirtatious smile.
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TROI
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(she responds with a
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smile, and a nod)
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Riva.
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22 ANOTHER ANGLE - ROOM
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Riva walks onto the dais, those he passes offer a
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greeting.
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WARRIOR/ADONIS
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eeennniYOO.
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It is obviously a term of respect as well as a
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greeting. Riva responds with a slight wave of his
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hand.
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TROI
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He is a well-liked leader. Their
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affection is genuine, as is his.
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PICARD
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Well, if they respect him on
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Solais, as much as they do here -- we
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could be looking forward to
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a successful mission.
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23 ANOTHER ANGLE
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Riva takes his place on the dais, the CHORUS gathers in
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front of him. Riva pauses, comfortable -- relaxed -- very
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pleasant. His expression is bemused -- as though
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he is expecting good news.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 9.
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23 CONTINUED:
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PICARD
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Counselor?
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TROI
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I've never seen anything like this
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before and I'm a little uncertain
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about how to proceed.
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(smiles)
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There is a wonderful feeling of
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well being, emanating from here.
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The man on the dais, makes a very slight motion --
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(through all this the Chorus never turns to face Riva.
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Their method of communication we do not understand and
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will never understand. It is part of their long
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history.)
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WOMAN
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Please -- come closer.
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The away team takes a couple of steps closer.
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WOMAN
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(continuing)
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Before I start, is there anything
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you need? Refreshments, food.
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PICARD
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No. But thank you for asking.
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SCHOLAR/ARTIST
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Then --
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(with a gesture to
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Picard)
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Proceed.
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Picard hesitates - then...
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PICARD
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Greetings from the United
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Federation of Planets. I am
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Captain Jean-Luc Picard, of the
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USS Enterprise. This is Counselor
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Troi, and Lieutenant Worf.
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Riva remains impassive. He again studies the away
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team. Then he makes a slight MOVE with HIS HANDS. And
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the Chorus SPEAKS.
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WARRIOR/ADONIS
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GREETINGS!
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 10.
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23 CONTINUED: (2)
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SCHOLAR/ARTIST
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Welcome to Ramatis.
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WOMAN
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I have been expecting you.
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The away team is surprised.
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The Warrior/Adonis member of the Chorus, takes a step
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closer to Troi, and gives her a blinding smile.
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WARRIOR/ADONIS
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You're empathic.
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TROI
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Yes.
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WARRIOR/ADONIS
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Then, although you already know
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my feelings toward you, allow
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me to put them into words. I
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am looking forward to this
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journey, now more than ever,
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because it gives me the chance
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to spend time in your company.
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Warrior/Adonis smiles, then all expression leaves his
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face.
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TROI
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(she speaks to Riva,
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not Warrior/Adonis)
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I am flattered. And I too, look
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forward to learning more about
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you.
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24 PICARD
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He looks the Chorus over, then turns to Troi for
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advice.
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TROI
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(quietly to Picard)
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There's a very different kind of
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communication here, Captain.
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PICARD
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Yes, so I see. I think there are
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facets to Riva about which we were
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not informed.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 11.
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24 CONTINUED:
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WOMAN
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Precisely. It is a process which
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has developed over the centuries
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and one I find quite harmonious.
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PICARD
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So Riva the famous mediator is... ?
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WARRIOR/ADONIS
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Deaf.
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(with great conviction)
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Born, and hope to die.
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PICARD
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(indicating Chorus)
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And you all speak for Riva?
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CHORUS
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Yes.
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SCHOLAR/ARTIST
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I not only convey his words, but
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his emotional intent as well.
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TROI
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The members of the Chorus, serve
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as "translators," and each
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represents the archetypes of man's
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personality.
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SCHOLAR/ARTIST
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I am the scholar. I represent
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the intellect. I speak in
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matters of judgment -- philosophy -- logic.
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Also, I am -- the dreamer.
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The part which longs to see the
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beauty beyond the truth which is
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always the first duty of art.
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I am the poet...
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Riva makes a slight movement and the Scholar/Artist --
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shuts up and steps back.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 12.
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24 CONTINUED: (2)
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WARRIOR/ADONIS
|
|
Artists tend to ramble, they live
|
|
too much in the future, they
|
|
neglect the moment. I am Riva's
|
|
libido. I am his passion. I am
|
|
the anarchy of lust. The romantic -- the
|
|
(with a little
|
|
self-deprecating nod
|
|
to Troi)
|
|
... lover. Also, I am as he.
|
|
(indicates Worf)
|
|
The definition of Riva's honor...
|
|
the perfect line which never
|
|
wavers.
|
|
|
|
PICARD
|
|
(to the Woman)
|
|
And you...
|
|
|
|
WOMAN
|
|
I represent that part of Riva
|
|
which binds all the others
|
|
together. I am harmony -- wisdom -- balance.
|
|
|
|
PICARD
|
|
(to the Woman)
|
|
Remarkable. How did this...
|
|
|
|
Riva flashes anger.
|
|
|
|
WARRIOR/ADONIS
|
|
Speak to me!
|
|
|
|
The away team is surprised by the outburst. Worf
|
|
instinctively steps forward.
|
|
|
|
PICARD
|
|
What?!
|
|
|
|
Again Riva gestures aggressively.
|
|
|
|
WARRIOR/ADONIS
|
|
Speak directly to me!
|
|
|
|
TROI
|
|
(so Riva cannot read
|
|
her lips)
|
|
He's prodding you to get a
|
|
reaction.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 13.
|
|
|
|
24 CONTINUED: (3)
|
|
|
|
PICARD
|
|
(to Riva)
|
|
The uniqueness of this
|
|
presentation provoked my
|
|
inadvertent breach in protocol.
|
|
No insult was intended.
|
|
|
|
SCHOLAR/ARTIST
|
|
Then... none is perceived.
|
|
|
|
PICARD
|
|
I was curious about how this
|
|
unique form of communication came
|
|
about.
|
|
|
|
WOMAN
|
|
The gene for hearing is not
|
|
present in our planet's ruling
|
|
line.
|
|
|
|
SCHOLAR/ARTIST
|
|
Not that unusual, indeed it is
|
|
similar to the English Tudor
|
|
monarchs of your planet Earth,
|
|
all who had hemophilia. Or the
|
|
leaders of Fendaus Five, who were
|
|
without limbs.
|
|
|
|
WARRIOR/ADONIS
|
|
Throughout time, many of the
|
|
galaxy's greatest contributors
|
|
have been similarly "special."
|
|
|
|
PICARD
|
|
(to Riva)
|
|
Your ability to read lips -- is
|
|
very impressive.
|
|
|
|
WOMAN
|
|
Thank you.
|
|
|
|
PICARD
|
|
Your "translators" do not see you,
|
|
yet they are able to accurately
|
|
convey your thoughts.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 14.
|
|
|
|
24 CONTINUED: (4)
|
|
|
|
SCHOLAR/ARTIST
|
|
My Chorus is so attuned -- they
|
|
can "hear" my hands and translate
|
|
to you. It is a relationship
|
|
which has developed over centuries -- their
|
|
ancestors provided the
|
|
same service to my ancestors.
|
|
|
|
TROI
|
|
Your way of communication is most
|
|
distinctive, Riva.
|
|
|
|
The Warrior/Adonis shifts his place on the steps,
|
|
closer to her.
|
|
|
|
WARRIOR/ADONIS
|
|
It takes a fine mind to appreciate
|
|
that, Counselor Troi.
|
|
|
|
TROI
|
|
(indicates
|
|
Warrior/Adonis)
|
|
This part of you does not seem
|
|
to speak very often.
|
|
|
|
Riva's eyes dance in flirtation.
|
|
|
|
WARRIOR/ADONIS
|
|
Only when the spirit moves me.
|
|
|
|
His gaze is intense, very male. Troi lowers her eyes.
|
|
|
|
PICARD
|
|
Riva -- if you are ready -- the
|
|
situation at Solais Five is very
|
|
critical. We should not delay.
|
|
|
|
SCHOLAR/ARTIST
|
|
I will prepare for departure
|
|
immediately.
|
|
|
|
PICARD
|
|
Are you all -- I mean -- Riva, did
|
|
you plan to take these people with
|
|
you?
|
|
|
|
WARRIOR/ADONIS
|
|
(challenging)
|
|
Is that a problem?
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT ONE 15.
|
|
|
|
24 CONTINUED: (5)
|
|
|
|
PICARD
|
|
No, it's just that we didn't know
|
|
you would all be coming.
|
|
|
|
Riva descends the steps, toward Troi.
|
|
|
|
WARRIOR/ADONIS
|
|
(to Troi)
|
|
How long will my journey to
|
|
Solais take?
|
|
|
|
TROI
|
|
More than two of your days.
|
|
|
|
WARRIOR/ADONIS
|
|
(Riva comes up and
|
|
beside them)
|
|
Then, until duty calls, this will
|
|
indeed be a pleasant trip.
|
|
|
|
25 ANOTHER ANGLE (OPTICAL)
|
|
|
|
The away team, now including Riva and his Chorus, move
|
|
slightly to the side. Worf touches his communicator.
|
|
|
|
WORF
|
|
With your permission, Captain.
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
WORF
|
|
Enterprise, this is the away team,
|
|
seven to beam up.
|
|
|
|
Riva, the Chorus, and the away team BEAM UP to the
|
|
Enterprise.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
26 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Ramatis.
|
|
|
|
27 INT. MAIN BRIDGE
|
|
|
|
Riker has the Command Chair, Data is at Ops, Wesley
|
|
has the Conn. PULASKI and GEORDI are also on the
|
|
bridge. Riker is anxious to get underway, and relieved
|
|
when he hears:
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
The away team, plus four, is on
|
|
board.
|
|
|
|
RIKER
|
|
Acknowledged. Ensign, set your
|
|
course for Solais Five.
|
|
|
|
Wesley inputs the coordinates.
|
|
|
|
WESLEY
|
|
Course is set.
|
|
|
|
RIKER
|
|
Velocity -- warp eight.
|
|
|
|
WESLEY
|
|
Warp eight -- aye.
|
|
|
|
RIKER
|
|
Engage, Mister Crusher.
|
|
|
|
WESLEY
|
|
Yes, sir.
|
|
|
|
28 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
stretches into warp.
|
|
|
|
29 ANOTHER ANGLE - MAIN BRIDGE
|
|
|
|
The turbolift opens, Picard leads the others onto the
|
|
bridge. Worf goes immediately to his position. Riker
|
|
stands, ready to greet his guest.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 17.
|
|
|
|
30 ANGLE ON THE AWAY TEAM AND RIVA
|
|
|
|
They enter, cross to Riker. Picard begins the
|
|
introductions.
|
|
|
|
PICARD
|
|
Riva, may I present--
|
|
|
|
RIKER
|
|
(indicating the Chorus)
|
|
What's this?
|
|
|
|
PICARD
|
|
These three -- speak for Riva.
|
|
|
|
Riker also reacts with surprise.
|
|
|
|
RIKER
|
|
You mean, the most respected
|
|
negotiator in the Federation -- is
|
|
deaf? Amazing.
|
|
|
|
SCHCLAR/ARTIST
|
|
(to Picard)
|
|
First, Captain, let me say that
|
|
it is an honor to be on board such
|
|
a fine vessel.
|
|
(continuing)
|
|
Now... please continue with the
|
|
introductions.
|
|
|
|
PICARD
|
|
This is my first officer,
|
|
Commander Riker.
|
|
|
|
SCHOLAR/ARTIST
|
|
It is an honor to meet you.
|
|
|
|
PICARD
|
|
Lieutenant Commander Data.
|
|
|
|
Riva looks Data up and down. Then smiles.
|
|
|
|
SCHOLAR/ARTIST
|
|
It is a pleasure to meet such a
|
|
unique individual.
|
|
|
|
DATA
|
|
Thank you...
|
|
|
|
Riva responds with a nod.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 18.
|
|
|
|
30 CONTINUED:
|
|
|
|
PICARD
|
|
And our chief medical officer,
|
|
Katherine Pulaski.
|
|
|
|
SCHOLAR/ARTIST
|
|
Doctor.
|
|
|
|
PICARD
|
|
This is Lieutenant La Forge.
|
|
|
|
GEORDI
|
|
Pleased to meet you, sir.
|
|
|
|
Riva touches his VISOR gently.
|
|
|
|
WOMAN
|
|
What is that you're wearing?
|
|
|
|
GEORDI
|
|
A VISOR. It modifies the
|
|
electromagnetic spectrum and
|
|
carries the readings to my brain.
|
|
|
|
WOMAN
|
|
And without it, can you see?
|
|
|
|
GEORDI
|
|
No. Without it I'm as blind as
|
|
a post.
|
|
|
|
WOMAN
|
|
Your VISOR serves the same purpose
|
|
as my Chorus, which "hears" my
|
|
thoughts and translates them into
|
|
sound.
|
|
|
|
GEORDI
|
|
Yes.
|
|
|
|
SCHOLAR/ARTIST
|
|
And you don't resent it?
|
|
|
|
GEORDI
|
|
The VISOR or being blind?
|
|
|
|
SCHOLAR/ARTIST
|
|
Either.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 19.
|
|
|
|
30 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
They are both part of me, and
|
|
since I like who I am, why would
|
|
I resent either being blind or
|
|
wearing the VISOR?
|
|
|
|
SCHOLAR/ARTIST
|
|
What is your position on this
|
|
ship?
|
|
|
|
GEORDI
|
|
Engineering officer, sir.
|
|
|
|
Riva feels a kinship with Geordi and it shows in his
|
|
movements. He puts a friendly hand on Geordi's
|
|
shoulder.
|
|
|
|
WOMAN
|
|
(to Geordi)
|
|
It's a blessing to understand we
|
|
are special...
|
|
(then including
|
|
everyone)
|
|
... each in his own way.
|
|
|
|
GEORDI
|
|
My feeling exactly.
|
|
|
|
WOMAN
|
|
Please call me Riva.
|
|
|
|
GEORDI
|
|
Okay. And you can call me Geordi.
|
|
|
|
PICARD
|
|
I will have you shown to you
|
|
quarters, then at your convenience
|
|
I have prepared a briefing on the
|
|
Solari wars? I offer the
|
|
hospitality of my ship during this
|
|
journey. We will provide whatever
|
|
is necessary to make you
|
|
comfortable or to facilitate your
|
|
mission.
|
|
|
|
WOMAN
|
|
Thank you.
|
|
|
|
Riva turns to Troi.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 20.
|
|
|
|
30 CONTINUED: (3)
|
|
|
|
WARRIOR/ADONIS
|
|
Perhaps, if it is not
|
|
inconvenient, Counselor Troi could
|
|
escort me.
|
|
(then to Picard)
|
|
With your permission.
|
|
|
|
Picard nods his approval.
|
|
|
|
TROI
|
|
This way.
|
|
|
|
They watch as Troi, Riva and the Warrior/Adonis exit.
|
|
|
|
RIKER
|
|
What about you?
|
|
|
|
WOMAN
|
|
At times like this -- we become
|
|
an encumbrance.
|
|
|
|
SCHOLAR/ARTIST
|
|
... so if you have a room for us,
|
|
we'll wait until Riva makes
|
|
contact.
|
|
|
|
PICARD
|
|
Exactly how will he do that?
|
|
|
|
WOMAN
|
|
The headband that he wears -- it
|
|
transmits his thoughts, and
|
|
emotions to us.
|
|
|
|
PICARD
|
|
So that's how it work.
|
|
|
|
SCHOLAR/ARTIST
|
|
No magic -- just technology.
|
|
|
|
PICARD
|
|
Worf, could you provide an escort.
|
|
|
|
Worf nods to an n.d. crewmember. The Woman and the
|
|
Scholar/Artist, follow the crewmember to the turbolift.
|
|
|
|
RIKER
|
|
He's not what I expected.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 21.
|
|
|
|
30 CONTINUED: (4)
|
|
|
|
PULASKI
|
|
Perhaps being "special" is in part
|
|
responsible for his success. He
|
|
has a most disarming quality.
|
|
He doesn't just ask questions
|
|
to be polite -- he actually wants
|
|
to hear the answers.
|
|
|
|
31 INT. GUEST QUARTERS (OPTICAL)
|
|
|
|
The doors open and Troi ushers Riva and the
|
|
Warrior/Adonis in. This should be very interesting -- the
|
|
Warrior/Adonis does all the talking, but the eye
|
|
contact -- the heat -- is totally and completely between
|
|
Riva and Troi. The Warrior/Adonis is there... but his
|
|
presence is not felt.
|
|
|
|
WARRIOR/ADONIS
|
|
Much of what we do is similar.
|
|
|
|
TROI
|
|
Yes -- I suppose in a way it is.
|
|
|
|
WARRIOR/ADONIS
|
|
We have both learned how to allow
|
|
people to examine feelings hidden
|
|
deep within their psyche. In
|
|
fact, being here with you is
|
|
provoking an emotional revelation.
|
|
|
|
TROI
|
|
(lightly)
|
|
You mean something I am doing is
|
|
uncovering an emotion buried in
|
|
your psyche.
|
|
|
|
WARRIOR/ADONIS
|
|
Not that deep.
|
|
|
|
TROI
|
|
Oh, exactly what are you feeling?
|
|
|
|
WARRIOR/ADONIS
|
|
Can't you tell?
|
|
|
|
TROI
|
|
Some of it -- but...
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 22.
|
|
|
|
31 CONTINUED:
|
|
|
|
WARRIOR/ADONIS
|
|
I feel that soon, perhaps after
|
|
the briefing by your captain, you
|
|
will be hungry, and perhaps we
|
|
could dine together and
|
|
compare... experiences.
|
|
|
|
Troi smiles.
|
|
|
|
TROI
|
|
I would like that.
|
|
|
|
WARRIOR/ADONIS
|
|
As will I.
|
|
|
|
They hold the look for a beat -- and the heat between
|
|
them builds.
|
|
|
|
TROI
|
|
Will you...
|
|
(meaning the translator)
|
|
... be with us?
|
|
|
|
WARRIOR/ADONIS
|
|
Until we find our own method of
|
|
communication.
|
|
|
|
TROI
|
|
I look forward to that time.
|
|
|
|
WARRIOR/ADONIS
|
|
As do I.
|
|
|
|
With a look Troi turns and exits.
|
|
|
|
32 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
The members of the Chorus should not be like bumps --
|
|
just standing there waiting for Riva to pull their
|
|
string. They can move. The Warrior/Adonis can get
|
|
a cup of Fagomerian Tea -- the Woman can be busy with
|
|
her hands -- doing some twenty-fourth century needlepoint (she
|
|
could appear disinterested in all of this talk of war).
|
|
The Scholar/Artist can have a PADD and be working out some
|
|
equation which is important only to him. Also it is
|
|
important that the delivery NOT be too stylized or
|
|
stilted.
|
|
|
|
PICARD
|
|
Commander Data, would you please
|
|
update the situation.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 23.
|
|
|
|
32 CONTINUED:
|
|
|
|
DATA
|
|
The factions on Solais Five are
|
|
historical enemies. So many have
|
|
died that both societies are on
|
|
the verge of extinction.
|
|
|
|
WARRIOR/ADONIS
|
|
Enough. Thank you, Captain, but
|
|
there is no need to continue.
|
|
The specific issues of the
|
|
conflict have no relevance.
|
|
|
|
RIKER
|
|
So none of the background we have
|
|
prepared would be helpful in
|
|
understanding why they continue
|
|
to fight?
|
|
|
|
SCHOLAR/ARTIST
|
|
The portfolio will indicate that
|
|
the conflict is over a piece of
|
|
land, or wealth, or some other
|
|
tangible asset. But, we both know
|
|
that is not the case.
|
|
|
|
RIKER
|
|
A war which has been fought for
|
|
this long has become very
|
|
personal.
|
|
|
|
SCHOLAR/ARTIST
|
|
Exactly. The basis for peace must
|
|
also be personal.
|
|
|
|
WARRIOR/ADONIS
|
|
This is an historic confrontation.
|
|
(to Data)
|
|
Correct?
|
|
|
|
DATA
|
|
The factions have been at war for
|
|
fifteen centuries.
|
|
|
|
SCHOLAR/ARTIST
|
|
What's changed?
|
|
|
|
DATA
|
|
I do not know what you mean.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 24.
|
|
|
|
32 CONTINUED: (2)
|
|
|
|
SCHOLAR/ARTIST
|
|
They have been killing each other
|
|
for a long time, now they want
|
|
to talk peace. So something about
|
|
this situation has changed.
|
|
What's the new piece to the
|
|
puzzle?
|
|
|
|
PICARD
|
|
That piece of information could
|
|
be very useful. Data.
|
|
|
|
DATA
|
|
Unknown.
|
|
|
|
RIKER
|
|
Perhaps they are running out of
|
|
people to kill. In any case, for
|
|
whatever reason -- peace is now
|
|
preferred. That should make your
|
|
job easier.
|
|
|
|
SCHOLAR/ARTIST
|
|
Well, if not easier, at least
|
|
possible, because they are
|
|
motivated.
|
|
|
|
WARRIOR/ADONIS
|
|
But it doesn't matter. I'll find
|
|
something. I always do.
|
|
|
|
PICARD
|
|
Always?
|
|
|
|
WARRIOR/ADONIS
|
|
To date, I have never failed.
|
|
Now, unless there is something
|
|
else...
|
|
|
|
PICARD
|
|
No. This is for your benefit.
|
|
|
|
The Woman puts away her "needlework," stands and speaks
|
|
for the first time.
|
|
|
|
WOMAN
|
|
Then... thank you for your time
|
|
and effort... if you'll excuse
|
|
me...
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 25.
|
|
|
|
32 CONTINUED: (3)
|
|
|
|
WARRIOR/ADONIS
|
|
I believe I have to get ready
|
|
for a dinner appointment.
|
|
|
|
PICARD
|
|
Then, by all means, meeting is
|
|
adjourned.
|
|
|
|
As Riva and the others leave, Riker and Picard:
|
|
|
|
RIKER
|
|
Our mediator is very...
|
|
(he pauses to pick the
|
|
correct word)
|
|
... self assured.
|
|
|
|
PICARD
|
|
Cocky is the word I would have
|
|
used.
|
|
|
|
RIKER
|
|
It's all right if he can deliver,
|
|
and we'll know that soon enough.
|
|
|
|
33 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
streaks along at warp speed.
|
|
|
|
34 INT. MAIN BRIDGE
|
|
|
|
Picard sits in his Command Chair. Riker is beside him.
|
|
Data is at Ops, Worf is at Tactical.
|
|
|
|
WESLEY
|
|
We are approaching Solais Five.
|
|
|
|
RIKER
|
|
Half impulse.
|
|
|
|
WESLEY
|
|
Slowing to one-half impulse.
|
|
|
|
35 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
comes out of warp.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 26.
|
|
|
|
35A INT. GUEST QUARTERS
|
|
|
|
Riva and Troi are sharing a meal. The Warrior/Adonis
|
|
is off to one side out of Troi's line of vision.
|
|
|
|
TROI
|
|
We have arrived.
|
|
|
|
WARRIOR/ADONIS
|
|
Then we don't have much time.
|
|
|
|
Troi agrees.
|
|
|
|
TROI
|
|
No.
|
|
|
|
WARRIOR/ADONIS
|
|
This has been very pleasant.
|
|
|
|
TROI
|
|
For me as well. I'm impressed,
|
|
by how you deal with what some
|
|
would consider a handicap.
|
|
|
|
WARRIOR/ADONIS
|
|
It's not a handicap at all.
|
|
Unless you mean having me here.
|
|
|
|
Troi glances from the Warrior/Adonis to Riva.
|
|
|
|
TROI
|
|
I did not mean that specifically,
|
|
but, yes, I would consider you
|
|
a disadvantage.
|
|
|
|
With that the Warrior/Adonis gets to his feet and
|
|
exits. Troi and Riva are now alone. For a beat they
|
|
are quiet.
|
|
|
|
TROI
|
|
(continuing)
|
|
How do we communicate? I can feel
|
|
your emotions, but don't we need
|
|
words?
|
|
|
|
He signs something.
|
|
|
|
TROI
|
|
(continuing)
|
|
I don't understand.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 27.
|
|
|
|
35A CONTINUED:
|
|
|
|
He signs gracefully with his whole being, hands, eyes,
|
|
body. Troi follows along.
|
|
|
|
TROI
|
|
(continuing)
|
|
Is that dream?
|
|
|
|
He crosses his fists over his heart.
|
|
|
|
TROI
|
|
(continuing)
|
|
Love.
|
|
|
|
She does the same, self-conscious with the intimate
|
|
gesture.
|
|
|
|
RIVA
|
|
(signing)
|
|
Stronger. Like you mean it.
|
|
|
|
Repeats the motion, eyes never leaving hers. She
|
|
echoes him, meeting his gaze.
|
|
|
|
RIVA
|
|
(continuing; signing)
|
|
Butterfly.
|
|
|
|
Troi makes the same gesture.
|
|
|
|
TROI
|
|
Is that a butterfly -- or is that
|
|
desire?
|
|
|
|
Together their hands fly in the air. They laugh like
|
|
kids. Riva's hands float, alight on hers.
|
|
|
|
36 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
On the viewscreen is the brown planet of Solais Five.
|
|
|
|
RIKER
|
|
Standard orbit.
|
|
|
|
WORF
|
|
Captain!
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 28.
|
|
|
|
37 ANGLE ON WORF
|
|
|
|
WORF
|
|
I'm reading laser activity in the
|
|
Solari Solar System!
|
|
|
|
Riker jumps to his feet. Picard leans forward,
|
|
intense.
|
|
|
|
RIKER
|
|
How concentrated is the activity?
|
|
|
|
WORF
|
|
It is localized -- and very
|
|
intense.
|
|
|
|
RIKER
|
|
So much for the cease-fire.
|
|
|
|
PICARD
|
|
Open hailing frequencies.
|
|
|
|
WORF
|
|
I can establish voice only.
|
|
|
|
PICARD
|
|
This is Captain Jean-Luc Picard,
|
|
commander of the Federation
|
|
starship USS Enterprise.
|
|
|
|
A CRACKLING VOICE is HEARD, but is unintelligible.
|
|
|
|
PICARD
|
|
(continuing)
|
|
If you continue to violate the
|
|
rules by breaking the cease-fire,
|
|
I will abort this mission.
|
|
|
|
A pause, then:
|
|
|
|
FIRST LEADER'S COM VOICE
|
|
You have no jurisdiction here,
|
|
Picard. Where is Riva?
|
|
|
|
PICARD
|
|
Riva is in charge of the summit.
|
|
I command the ship that brings
|
|
him. I will not endanger my ship
|
|
under any circumstances.
|
|
|
|
SECOND LEADER'S COM VOICE
|
|
Riva gave his word we would speak
|
|
to no one else. Now who breaks
|
|
the rules? Where is Riva?
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 29.
|
|
|
|
37 CONTINUED:
|
|
|
|
PICARD
|
|
(formal)
|
|
I shall summon him for you.
|
|
|
|
Picard turns to Data.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Get Riva now!
|
|
|
|
37A INT. GUEST QUARTERS
|
|
|
|
Riva and Troi are still enjoying each other's company.
|
|
|
|
RIKER'S COM VOICE
|
|
Counselor Troi. Have Riva report
|
|
to the bridge immediately.
|
|
|
|
TROI
|
|
They need you on the bridge.
|
|
Now!
|
|
|
|
38 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
as Riva, his Chorus and Troi enter. Riva's confidence
|
|
now carries a touch of arrogance.
|
|
|
|
PICARD
|
|
The cease-fire has been broken.
|
|
|
|
Riva takes charge of the situation.
|
|
|
|
SCHOLAR/ARTIST
|
|
I'm sure I can resolve that. Put
|
|
them on the viewscreen.
|
|
|
|
He stands in front of the Main Viewer.
|
|
|
|
PICARD
|
|
On viewscreen.
|
|
|
|
Distorted IMAGES of FIRST LEADER and SECOND LEADER appear
|
|
on the viewscreen.
|
|
|
|
WORF
|
|
The quality of the transmission
|
|
is very poor.
|
|
|
|
SCHOLAR/ARTIST
|
|
It is sufficient.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 30.
|
|
|
|
38 CONTINUED:
|
|
|
|
He turns his attention to the viewscreen. The
|
|
spotlight is on him, he clearly relishes his position
|
|
and power.
|
|
|
|
WARRIOR/ADONIS
|
|
(stands right behind
|
|
Riva)
|
|
Brothers! Your bravery as
|
|
fighters is known, now you must
|
|
demonstrate your courage in a new
|
|
way -- cease hostilities -- allow
|
|
us to meet.
|
|
|
|
There is a pause as everyone watches the staticky
|
|
viewscreen, then:
|
|
|
|
WORF
|
|
The laser fire has ceased.
|
|
|
|
RIKER
|
|
But for how long -- these Solari
|
|
don't seem likely candidates for
|
|
peace.
|
|
|
|
SCHOLAR/ARTIST
|
|
(to Picard)
|
|
I will need to see a topographical
|
|
overlay of the battle area in
|
|
order to pick a site for the
|
|
meetings. Then I will need your
|
|
help in creating the proper
|
|
setting.
|
|
|
|
PICARD
|
|
We are here to provide whatever
|
|
service is necessary.
|
|
|
|
39 PICARD, RIVA AND DATA - LATER
|
|
|
|
They are back at Science One looking at a display of
|
|
the planet surface.
|
|
|
|
SCHOLAR/ARTIST
|
|
There -- beam us down to that
|
|
hilltop and inform the factions
|
|
to join us. The time for killing
|
|
has come to an end.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT TWO 31.
|
|
|
|
39 CONTINUED:
|
|
|
|
Riva and his Chorus leave the bridge.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 32.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
40 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Solais Five.
|
|
|
|
41 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Riva is there with his Chorus -- Worf and Riker, both of
|
|
whom are carrying phasers.
|
|
|
|
RIKER
|
|
Set phasers on stun.
|
|
|
|
SCHOLAR/ARTIST
|
|
You won't need those.
|
|
|
|
RIKER
|
|
I'm sure we won't.
|
|
|
|
Worf and Riker check their weapons, then:
|
|
|
|
RIKER
|
|
(continuing)
|
|
Energize.
|
|
|
|
They BEAM OUT.
|
|
|
|
42 EXT. SOLARI PLANET - DUSK (OPTICAL)
|
|
|
|
Riker, Worf, Riva, and his Chorus MATERIALIZE onto a
|
|
flattened mountain top... which is the middle of the
|
|
war zone. The area is battle scarred; devoid of any
|
|
life or vegetation. Riva looks around the area.
|
|
|
|
WARRIOR/ADONIS
|
|
Yes. This will do.
|
|
|
|
SCHOLAR/ARTIST
|
|
It is important that we set this
|
|
up properly.
|
|
|
|
Riva moves to the middle of the flattened area.
|
|
|
|
SCHOLAR/ARTIST
|
|
Commander. If it be possible -- I
|
|
would like torches -- there -- there - there
|
|
-- and there.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 33.
|
|
|
|
42 CONTINUED:
|
|
|
|
RIKER
|
|
(touches his
|
|
communicator)
|
|
Engineering, this is the away
|
|
team.
|
|
|
|
42A INT. MAIN ENGINEERING
|
|
|
|
Geordi has been waiting for this call.
|
|
|
|
GEORDI
|
|
Yes, Commander.
|
|
|
|
RIKER'S COM VOICE
|
|
We are going to need your help.
|
|
|
|
GEORDI
|
|
Yes, I thought you might.
|
|
|
|
42B EXT. PLANET
|
|
|
|
As before.
|
|
|
|
RIKER
|
|
We are going to need torches --
|
|
head high.
|
|
(to Riva)
|
|
... and what else?
|
|
|
|
WARRIOR/ADONIS
|
|
I would like a table and
|
|
chairs --
|
|
(he points)
|
|
... right here.
|
|
|
|
RIKER
|
|
Describe it.
|
|
|
|
WARRIOR/ADONIS
|
|
Round, about three meters in
|
|
diameter, and if possible made
|
|
out of indigenous rock.
|
|
|
|
RIKER
|
|
Did you copy that, Geordi?
|
|
|
|
43 INT. MAIN ENGINEERING
|
|
|
|
As before.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 34.
|
|
|
|
43 CONTINUED:
|
|
|
|
GEORDI
|
|
I did. There should be no problem
|
|
replicating a table like that.
|
|
I have the coordinates -- I'll
|
|
send down the torches, and get
|
|
right on the table.
|
|
|
|
44 EXT. MOUNTAIN TOP (OPTICAL)
|
|
|
|
Riva is very relaxed. His confidence is high. He
|
|
continues his survey of the area.
|
|
|
|
RIKER
|
|
How long before the emissaries
|
|
arrive?
|
|
|
|
SCHOLAR/ARTIST
|
|
It shouldn't be too long.
|
|
|
|
Off to the side, four torches MATERIALIZE. The
|
|
Warrior/Adonis and Worf move to set them up.
|
|
|
|
44A ANGLE WORF
|
|
|
|
as he plants one of the torches in the ground and looks
|
|
out over the battle-scarred land. He scans the
|
|
horizon. Riker comes up behind him.
|
|
|
|
WORF
|
|
They are coming.
|
|
|
|
44B SCENE
|
|
|
|
The Warrior/Adonis and Worf light up the torches. Riva
|
|
has moved to the center of the flattened area.
|
|
|
|
RIKER
|
|
How long will it take for these
|
|
negotiations?
|
|
|
|
Riva has to chuckle.
|
|
|
|
SCHOLAR/ARTIST
|
|
From that question, you must think
|
|
they will go quickly.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 35.
|
|
|
|
44B CONTINUED:
|
|
|
|
RIKER
|
|
Actually, until this moment I
|
|
never thought much about it at
|
|
all.
|
|
|
|
Before Riva can answer.
|
|
|
|
WORF
|
|
Commander.
|
|
|
|
Riker turns. Worf indicates the imminent arrival of
|
|
one GROUP of SOLDIERS.
|
|
|
|
SCHOLAR/ARTIST
|
|
(to Worf and Riker)
|
|
The first few minutes will be very
|
|
tense. Please...
|
|
(the Scholar/Artist
|
|
turns and gives Riva
|
|
a puzzled look, almost
|
|
like they have a bad
|
|
phone connection, then
|
|
turns back and
|
|
continues)
|
|
... ah... stay calm, and do not
|
|
respond even if you are provoked.
|
|
|
|
RIKER
|
|
(with a glance at Worf,
|
|
who can be provoked
|
|
by an ambiguous
|
|
greeting)
|
|
We will do our best.
|
|
|
|
45 SCENE
|
|
|
|
The first group of soldiers appear. They are fearsome
|
|
looking. They come up the rise and pause. One -- the
|
|
leader -- holds his position while the other two ease
|
|
off to either side.
|
|
|
|
FIRST LEADER
|
|
Who is Riva?
|
|
|
|
Riva moves forward. He is the picture of confidence,
|
|
calm, assurance.
|
|
|
|
WOMAN
|
|
I am Riva.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 36.
|
|
|
|
45 CONTINUED:
|
|
|
|
Before the introduction can be completed, the other
|
|
COMBATANTS appear. They enter even more cautiously
|
|
than the first. They have already spread out. Their
|
|
weapons are down but at-the-ready. The second leader
|
|
edges forward.
|
|
|
|
46 WORF
|
|
|
|
Has his hand on his phaser -- ready to take control of
|
|
the situation.
|
|
|
|
47 RIVA
|
|
|
|
He looks at each leader and nods a welcome.
|
|
|
|
48 LEADER ONE
|
|
|
|
He gives Riva a sideways look. His eyes never leave
|
|
the other warrior.
|
|
|
|
49 LEADER TWO
|
|
|
|
For him it is the same.
|
|
|
|
50 SCENE
|
|
|
|
Riker and Worf are on their guard. This is a very
|
|
tense situation. The opposing groups eye each other
|
|
like the natural enemies they are. Each expects the
|
|
other to break the truce.
|
|
|
|
WOMAN
|
|
Be at ease. I commend you both.
|
|
To come here shows not only
|
|
courage, but wisdom. Please -- give
|
|
this conference a chance.
|
|
|
|
SCHOLAR/ARTIST
|
|
(to the leaders)
|
|
I have no magic. You have been
|
|
fighting all your lives. You know
|
|
only...
|
|
|
|
Suddenly the Scholar/Artist stops. His face turns to a
|
|
mask of confusion. He turns to look at Riva.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 37.
|
|
|
|
51 RIVA
|
|
|
|
He is stunned. Something is wrong -- something is very
|
|
wrong!
|
|
|
|
52 SCENE
|
|
|
|
The soldiers, feeling the sudden increase in tension --
|
|
react instinctively.
|
|
|
|
RIKER
|
|
Riva -- what is it?
|
|
|
|
FIRST LEADER
|
|
This is a trap.
|
|
|
|
The soldiers dash to positions of cover. Worf draws
|
|
his phaser and prepares to defend them.
|
|
|
|
RIKER
|
|
(without hesitation)
|
|
Enterprise -- beam us up. Now!
|
|
|
|
53 ANOTHER ANGLE (OPTICAL)
|
|
|
|
As the away team -- Riva and his Chorus are BEAMED back
|
|
onto the Enterprise.
|
|
|
|
54 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around the planet.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log.
|
|
|
|
55 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, and his staff are there with Riva. Picard has
|
|
in his hands the "device" which Riva has been wearing.
|
|
|
|
PICARD
|
|
So... communication between Riva
|
|
and his Chorus was aided by this
|
|
device. Without it...
|
|
|
|
TROI
|
|
Without it, he is mute.
|
|
|
|
Picard turns it over in his hands.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 38.
|
|
|
|
55 CONTINUED:
|
|
|
|
PICARD
|
|
(to Riva)
|
|
Can you fix it?
|
|
|
|
He shakes his head, "no."
|
|
|
|
PICARD
|
|
(continuing)
|
|
Can it be fixed?
|
|
|
|
Riva motions frantically, "I don't know." The
|
|
possibility frightens the hell out of him.
|
|
|
|
56 ANGLE ON TROI
|
|
|
|
She crosses to them, speaks softly to the captain.
|
|
|
|
TROI
|
|
We must calm him.
|
|
|
|
PICARD
|
|
Lieutenant La Forge. See what
|
|
you can learn about this. If it's
|
|
possible to repair it, I need to
|
|
know.
|
|
|
|
Geordi takes the "device."
|
|
|
|
GEORDI
|
|
Right away.
|
|
|
|
Picard follows Geordi out the door.
|
|
|
|
56A INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard is there with the Chorus. They have lost their
|
|
sense of purpose.
|
|
|
|
SCHOLAR/ARTIST
|
|
This is astounding. Nothing like
|
|
this has ever happened.
|
|
|
|
PICARD
|
|
I need your help.
|
|
|
|
WARRIOR/ADONIS
|
|
But what can we do? It's Riva...
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 39.
|
|
|
|
56A CONTINUED:
|
|
|
|
SCHOLAR/ARTIST
|
|
We don't know anything. We just
|
|
say what he tells us.
|
|
|
|
PICARD
|
|
We need to communicate with him.
|
|
|
|
They have no answers.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Surely you know sign language.
|
|
|
|
SCHOLAR/ARTIST
|
|
No.
|
|
|
|
WARRIOR/ADONIS
|
|
We've never needed it.
|
|
|
|
PICARD
|
|
And he neither reads nor writes.
|
|
|
|
WOMAN
|
|
He's never had to.
|
|
|
|
SCHOLAR/ARTIST
|
|
Riva knows sign language. He
|
|
learned it on a mission to the
|
|
Plaeties system. The parties
|
|
there were so paranoid they would
|
|
not allow us to accompany him.
|
|
|
|
WOMAN
|
|
Captain -- what's going to happen?
|
|
I feel so strange. I've never
|
|
been without him before... never.
|
|
I feel like I'm losing my mind.
|
|
|
|
PICARD
|
|
You'll be all right. Stay here.
|
|
I'll send someone to look after
|
|
you. Please... try to stay calm.
|
|
|
|
Picard exits. For a beat we HOLD on these poor lost
|
|
souls.
|
|
|
|
57 INT. OBSERVATION LOUNGE
|
|
|
|
As before.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 40.
|
|
|
|
57 CONTINUED:
|
|
|
|
PULASKI
|
|
Deafness for all intents and
|
|
purposes has been eliminated
|
|
except for a few isolated
|
|
situations like this. If I can
|
|
help you medically -- will you
|
|
allow it?
|
|
|
|
Riva stares at her for a moment. Picard enters. This
|
|
is not an easy decision. Then, probably with his
|
|
duties on his mind, he nods "yes."
|
|
|
|
PICARD
|
|
Riva knows sign language.
|
|
|
|
Riva nods.
|
|
|
|
DATA
|
|
Captain. There are just in the
|
|
Federation, eighty-one different
|
|
variations of signing.
|
|
|
|
PICARD
|
|
(to Data)
|
|
Find a way to communicate with
|
|
him.
|
|
(to Worf)
|
|
Take him to Sickbay. Doctor do
|
|
what you can.
|
|
|
|
The Klingon helps Riva to his feet. Picard sees the
|
|
panic in his face, tries to reassure him.
|
|
|
|
PICARD
|
|
(continuing)
|
|
You are not alone. We will solve
|
|
this together.
|
|
|
|
He seems small and fragile as Worf leads him away.
|
|
|
|
PICARD
|
|
(continuing)
|
|
If Riva does not mediate this
|
|
summit successfully, the Solari
|
|
will destroy each other.
|
|
|
|
RIKER
|
|
But if he can't speak, and can't
|
|
use his Chorus, he's useless.
|
|
Captain, you should mediate.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT THREE 41.
|
|
|
|
57 CONTINUED: (2)
|
|
|
|
PICARD
|
|
It is not me they want. They
|
|
believe in Riva. The problem
|
|
is, he no longer believes in
|
|
himself.
|
|
|
|
Picard gets up, crosses to the door.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Keep me posted of Riva's progress.
|
|
I'll be in my quarters.
|
|
|
|
RIKER
|
|
Yes sir.
|
|
|
|
PICARD
|
|
We have to find a way to talk
|
|
to him.
|
|
|
|
Picard exits. Off Riker's reaction:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 42.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
58 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Solais Five.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, Stardate 42111.8.
|
|
We are monitoring increased
|
|
military activity on Solais Five.
|
|
I fear that we will be unable to
|
|
keep the Solari from destroying
|
|
themselves without Riva and still
|
|
he is silent.
|
|
|
|
59 INT. MAIN BRIDGE - AT SCIENCE ONE (OPTICAL)
|
|
|
|
Data is at a computer terminal running programs which
|
|
depict various forms of signing. Riker comes up behind
|
|
him.
|
|
|
|
RIKER
|
|
How's it going?
|
|
|
|
DATA
|
|
I have eliminated all but five
|
|
distinct forms of signing. I will
|
|
learn them all.
|
|
|
|
60 ANGLE ON DATA (OPTICAL)
|
|
|
|
Eyes on the computer.
|
|
|
|
DATA
|
|
Computer. Show me gestural
|
|
language -- designation M-nine.
|
|
|
|
As information appears on the screen, Data signs, hands
|
|
moving slowly. His hands move slowly as he get the
|
|
hang of it. Worf steps over to watch.
|
|
|
|
WORF
|
|
Interesting. A technique of
|
|
communication which is both silent
|
|
and covert. It could be very
|
|
useful.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 43.
|
|
|
|
60 CONTINUED:
|
|
|
|
Data reads the computer screen and carries on a
|
|
conversation at the same time.
|
|
|
|
DATA
|
|
As a language -- the use of
|
|
gestures and hand signals
|
|
pre-dates the spoken word in most
|
|
cultures. The major exception
|
|
being the Leyrons of Malkus Nine
|
|
who actually developed a written
|
|
language first.
|
|
|
|
Worf grunts. While, Data focuses on the computer,
|
|
phenomenal memory absorbing it all.
|
|
|
|
DATA
|
|
(continuing)
|
|
Computer - continue presentation.
|
|
|
|
The display on the CRT changes.
|
|
|
|
DATA
|
|
(continuing)
|
|
Increase.
|
|
|
|
The information speeds up. So do Data's hands.
|
|
|
|
DATA
|
|
(continuing)
|
|
Increase.
|
|
|
|
Everything moves faster.
|
|
|
|
DATA
|
|
(continuing)
|
|
Increase.
|
|
|
|
And faster.
|
|
|
|
DATA
|
|
(continuing)
|
|
Increase.
|
|
|
|
The screen's a blur. Data's hands are flying. Off
|
|
Worf's reaction:
|
|
|
|
61 INT. SICKBAY
|
|
|
|
Troi watches Pulaski put Riva through a series of
|
|
tests.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 44.
|
|
|
|
61 CONTINUED:
|
|
|
|
TROI
|
|
He's very frightened. All his
|
|
life he's been in control. For
|
|
once, he doesn't have the answers.
|
|
|
|
As Pulaski shakes her head.
|
|
|
|
PULASKI
|
|
Since Riva has never had hearing,
|
|
his brain cannot accept auditory
|
|
information.
|
|
|
|
TROI
|
|
Which means?
|
|
|
|
PULASKI
|
|
There is no immediate medical
|
|
solution available.
|
|
|
|
Riva watches Pulaski, despair on his face.
|
|
|
|
TROI
|
|
(to Riva)
|
|
Let's see how Geordi is coming.
|
|
|
|
62 INT. MAIN ENGINEERING - ANGLE ON GEORDI
|
|
|
|
carefully trying to disassemble the device as Troi and
|
|
Riva enter.
|
|
|
|
GEORDI
|
|
I've never seen anything like this
|
|
before. It transmits Beta waves,
|
|
but I can't figure exactly how.
|
|
I wish I had thought to run a test
|
|
while it was still functioning.
|
|
|
|
TROI
|
|
(to Riva)
|
|
Can you help?
|
|
|
|
Riva makes a powerless gesture: "How?"
|
|
|
|
GEORDI
|
|
If he could tell me anything,
|
|
anything at all.
|
|
|
|
Riva shakes his head, it won't work. Buries his face
|
|
in his hands. The anguish of not being understood.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 45.
|
|
|
|
62 CONTINUED:
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Well, I'll continue to work on
|
|
it.
|
|
|
|
Then responding to Riva's anguish.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I know what you must be going
|
|
through. I can imagine what it
|
|
would be like to lose my VISOR.
|
|
But... we'll find something.
|
|
Don't give up.
|
|
|
|
Troi cocks her head, reading Riva, it makes her sad.
|
|
|
|
TROI
|
|
Too late. I think he already has.
|
|
|
|
No interpretation necessary for the sign Riva makes.
|
|
He has given up.
|
|
|
|
63 INT. CAPTAIN'S READY ROOM
|
|
|
|
The CHIME SOUNDS.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Troi enters.
|
|
|
|
PICARD
|
|
How is our mediator?
|
|
|
|
TROI
|
|
The same. Unreachable.
|
|
|
|
Picard's face is etched with concern.
|
|
|
|
PICARD
|
|
What can we do to help him?
|
|
|
|
TROI
|
|
I can't do anything. It's up to
|
|
him. Confidence is faith in
|
|
oneself, it can't be given by
|
|
another.
|
|
|
|
Picard takes a long moment to absorb this, then nods.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 46.
|
|
|
|
63 CONTINUED:
|
|
|
|
PICARD
|
|
You're right, of course.
|
|
|
|
Troi leans across the table, puts her hand over his.
|
|
The CHIME SOUNDS again.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Come.
|
|
|
|
Data enters.
|
|
|
|
DATA
|
|
Captain, I have reviewed and
|
|
stored five distinct signing
|
|
languages.
|
|
|
|
64 ANGLE ON DATA
|
|
|
|
He turns to demonstrate his new ability.
|
|
|
|
DATA
|
|
This is blue. This is a blue
|
|
ocean. This is a blue ocean at
|
|
sunset. This is two people
|
|
walking along the beach by a blue
|
|
ocean at sunset. This is two
|
|
happy people in love walking along
|
|
the beach by a blue ocean at
|
|
sunset. This is --
|
|
|
|
He'd go on forever if someone didn't say --
|
|
|
|
PICARD
|
|
Enough!
|
|
(beat)
|
|
Let's talk to Riva.
|
|
|
|
65 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Data, Troi, and Riva.
|
|
|
|
PICARD
|
|
Good news. Data has learned your
|
|
language. He can translate for
|
|
you at the summit.
|
|
|
|
Data repeats Riva's signed reply.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 47.
|
|
|
|
65 CONTINUED:
|
|
|
|
DATA
|
|
(translating)
|
|
It will not work. I need my
|
|
words.
|
|
|
|
Riva responds sharply.
|
|
|
|
DATA
|
|
(continuing;
|
|
translating)
|
|
There -- that is what I mean. Your
|
|
translation is literal. You say
|
|
words. I do not need just words -- I
|
|
need nuance, and subtlety...
|
|
the shadings my Chorus enable me
|
|
to communicate.
|
|
|
|
PICARD
|
|
But your ability is unchanged.
|
|
All that's different is the method
|
|
of transmission.
|
|
|
|
Riva's body language says it all.
|
|
|
|
DATA
|
|
(translating)
|
|
No! I cannot!
|
|
|
|
Troi situates herself behind Picard.
|
|
|
|
TROI
|
|
(softly)
|
|
It's not working. Go another
|
|
direction.
|
|
|
|
Picard's expression changes. Body language becomes
|
|
forceful, angry.
|
|
|
|
PICARD
|
|
Data can understand you. Use him
|
|
as your Chorus. Let him express
|
|
your words.
|
|
|
|
DATA
|
|
(translating)
|
|
No -- it is not the same thing.
|
|
Data is unacceptable...
|
|
|
|
PICARD
|
|
You've got to take advantage of
|
|
what you've got...
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 48.
|
|
|
|
65 CONTINUED: (2)
|
|
|
|
Riva looks at him for a moment.
|
|
|
|
DATA
|
|
(translating)
|
|
What I have got. I have got
|
|
nothing. Do you not understand - I
|
|
cannot do it.
|
|
|
|
PICARD
|
|
You're right. Maybe you are all
|
|
show.
|
|
|
|
Riva's eyes flash in anger.
|
|
|
|
PICARD
|
|
(continuing)
|
|
You hide behind your Chorus.
|
|
(in his face)
|
|
You're a fake.
|
|
|
|
66 CLOSER ON PICARD AND RIVA
|
|
|
|
Riva takes a threatening step towards Picard. Catches
|
|
himself, signs with a smirk.
|
|
|
|
DATA
|
|
(translating)
|
|
You are attempting to provoke me.
|
|
|
|
Picard nods, hopeful.
|
|
|
|
DATA
|
|
(continuing;
|
|
translating)
|
|
It is not going to work.
|
|
|
|
67 ANGLE ON PICARD
|
|
|
|
Disappointed.
|
|
|
|
PICARD
|
|
That's too bad. A lot of people
|
|
are going to die.
|
|
|
|
68 ANGLE ON RIVA
|
|
|
|
in complete turmoil. Bolts from the room.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 49.
|
|
|
|
69 PICARD
|
|
|
|
He pauses for a moment. Then gets up:
|
|
|
|
PICARD
|
|
Data.
|
|
|
|
The android rises, then he and Picard exit in pursuit
|
|
of Riva.
|
|
|
|
70 INT. GUEST QUARTERS
|
|
|
|
Picard finds Riva. He gently touches Riva's shoulder.
|
|
Riva turns -- he tries weakly to smile.
|
|
|
|
PICARD
|
|
We will return you to Ramatis.
|
|
|
|
Riva nods -- resigned -- very disappointed.
|
|
|
|
PICARD
|
|
(continuing)
|
|
... but, first I am going to
|
|
attempt to settle the conflict
|
|
on Solais.
|
|
|
|
Riva signs -- Data interprets:
|
|
|
|
DATA
|
|
(translating)
|
|
You.
|
|
|
|
PICARD
|
|
We have come this far -- it would
|
|
be difficult for me personally
|
|
to leave without making the
|
|
attempt.
|
|
|
|
DATA
|
|
(translating)
|
|
It could be dangerous.
|
|
|
|
Picard nods.
|
|
|
|
PICARD
|
|
Help me.
|
|
|
|
Throughout this exchange, Riva's mood will begin to
|
|
lighten. As he communicates with Picard, the very act
|
|
of self-expression slowly restores his self-esteem.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 50.
|
|
|
|
70 CONTINUED:
|
|
|
|
DATA
|
|
(translating)
|
|
How?
|
|
|
|
Picard is driving this in a specific direction.
|
|
|
|
PICARD
|
|
We all earn our reputations.
|
|
Yours is that of a very successful
|
|
negotiator -- a mediator.
|
|
|
|
DATA
|
|
(translating)
|
|
And you want to know the trick.
|
|
|
|
PICARD
|
|
If there is one - yes.
|
|
|
|
DATA
|
|
(translating)
|
|
Captain, there is no secret. What
|
|
I do is help one person -- one
|
|
group -- express themselves to the
|
|
other.
|
|
|
|
PICARD
|
|
Simple enough to say - difficult
|
|
to accomplish.
|
|
|
|
DATA
|
|
(translating)
|
|
The real trick is getting them
|
|
to listen. To understand. To
|
|
turn a disadvantage to an
|
|
advantage.
|
|
|
|
PICARD
|
|
Then why can't you turn your
|
|
disadvantage into an advantage?
|
|
|
|
Riva studies Picard for a long moment. Then a smile
|
|
comes to his face.
|
|
|
|
DATA
|
|
(translating)
|
|
That is an interesting thought...
|
|
(to Picard)
|
|
I do not understand -- what thought
|
|
is he referring to?
|
|
|
|
Riva stands. He reaches out and shakes Picard's hand.
|
|
|
|
STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FOUR 51.
|
|
|
|
70 CONTINUED: (2)
|
|
|
|
DATA
|
|
(continuing,
|
|
translating)
|
|
Thank you.
|
|
|
|
PICARD
|
|
I will contact those down on the
|
|
planet. Tell them to prepare to
|
|
begin discussions immediately.
|
|
|
|
Off Data's reaction:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 52.
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ACT FIVE
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FADE IN:
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71 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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in orbit around Solais Five.
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72 INT. TRANSPORTER ROOM (OPTICAL)
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Riva is there with Picard and Data, both of whom are
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carrying phasers.
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PICARD
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Set phasers on stun.
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Data and Picard check their weapons, then:
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PICARD
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(continuing)
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Energize.
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They BEAM OUT.
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73 EXT. SOLARI PLANET (OPTICAL)
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Picard, Riva, and Data MATERIALIZE onto the flattened
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mountain top... Riva will sign and Data will
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interpret. Data does not have to sign because Riva,
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after all, can read lips.
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Riva looks around the area, then signs to Data.
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DATA
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(speaking for Riva)
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Could you relight the torches,
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to let them know that I am back.
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73A PICARD
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He moves to the nearest torch and relights it. Then
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gazes for a moment out over the battlefield.
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73B SCENE
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Data has lighted another of the torches and is walking
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toward the third. Riva moves to the middle of the
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flattened area.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 53.
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73B CONTINUED:
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DATA
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(continuing to speak
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for Riva)
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I would like the table right here.
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PICARD
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(to Data)
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Make it so.
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DATA
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(touching his
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communicator)
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Main Engineering, this is
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Commander Data.
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74 INT. MAIN ENGINEERING - ANGLE ON GEORDI
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GEORDI
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Go ahead, Data.
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DATA'S COM VOICE
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You can beam the table down now.
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75 EXT. MOUNTAIN TOP (OPTICAL)
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Riva is very relaxed. His confidence is back.
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PICARD
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It could be a while before the
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emissaries arrive. They will be
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more cautious after the last
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incident.
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DATA
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(speaking for Riva)
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You can leave whenever you choose.
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I will get a message out when I
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am ready to leave.
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(to Picard as Data)
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Captain -- I do not understand what
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is going on here? Without his
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interpreters, how can he mediate?
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The table MATERIALIZES while they talk.
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PICARD
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Riva is going to teach them sign
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language.
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Riva steps forward.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 54.
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75 CONTINUED:
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DATA
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(speaking for Riva)
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Yes -- it is turning a disadvantage
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into an advantage. Learning how
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to sign will actually become part
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of the process of them learning
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how to live together in peace.
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PICARD
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As they learn how to communicate
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with Riva, they will be learning
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to communicate with each other.
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DATA
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(speaking for Riva)
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... and that is the first and most
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important step in any
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relationship.
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(to Picard as Data)
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Captain, although it took me only
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moments to learn sign language,
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it will take them months.
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PICARD
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Time well spent.
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DATA
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(speaking for Riva)
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These people have been fighting
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all their lives, they know only
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hatred, suspicion, fear. Even
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with my Chorus -- I could not have
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changed those attitudes in a day.
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We have a chance, and they want
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the talks to be successful or they
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would not have called me.
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Riva steps over to the table and sits down.
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75A PICARD AND DATA (OPTICAL)
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They move off to the side.
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PICARD
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Enterprise -- two to beam up.
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(to Riva)
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Good luck.
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DATA
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(translating for Riva)
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And to you.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 55.
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75A CONTINUED:
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Picard and Data DISAPPEAR in the TRANSPORTER BEAM.
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Leaving Riva all alone on the empty mountain top - waiting.
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76 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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|
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in orbit around Solais Five.
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PICARD (V.O.)
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Captain's log, Stardate 42111.8.
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Personal comment. I am confident
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that Riva can help the Solari
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achieve a lasting peace. We will
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deliver his Chorus to Starbase
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Seven-One-Three so they can be
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returned to Ramatis.
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77 INT. MAIN BRIDGE
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Riker has the Command Chair -- Picard is not on the
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bridge.
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RIKER
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Take us out of orbit.
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78 OMITTED
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78A EXT. SPACE - THE ENTERPRISE (OPTICAL)
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|
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leaving orbit.
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79 INT. CAPTAIN'S READY ROOM
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The CHIME SOUNDS.
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PICARD
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Come.
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Geordi enters.
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GEORDI
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Sir?
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PICARD
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Yes, Mister La Forge, something on
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your mind?
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 56.
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79 CONTINUED:
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Being Geordi, he gets right to the point.
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GEORDI
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Sir, I know my VISOR gives me a
|
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unique way of seeing that's
|
|
valuable to the ship, but if
|
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something happened and I didn't
|
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have it --
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PICARD
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What makes you unique isn't your
|
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blindness or your VISOR --
|
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(searching for the
|
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words)
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To be special we don't need to
|
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do a damned thing. Just be what
|
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we are.
|
|
(beat)
|
|
There's only one Geordi La Forge.
|
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And I wouldn't want to run my ship
|
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without him.
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A big grin spreads across Geordi's face.
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GEORDI
|
|
All right!
|
|
(more controlled)
|
|
I mean, thank you sir.
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PICARD
|
|
Dismissed.
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Picard watches with a bemused, paternal expression as
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Geordi exits.
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80 OMITTED
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81 INT. SICKBAY
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|
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Geordi's in the examining chair.
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PULASKI
|
|
Optic nerve laser welding. A
|
|
difficult operation. It might
|
|
not work. But if it did, it would
|
|
open up a whole world for you.
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STAR TREK: "Loud as a Whisper" - 11/10/88 - ACT FIVE 57.
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|
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82 CLOSE ON GEORDI
|
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|
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He takes off his VISOR. Eyes exposed, face full of
|
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fear and hope.
|
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GEORDI
|
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I'll think about it.
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83 INT. MAIN BRIDGE
|
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The bridge crew in their positions. Business as usual.
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RIKER
|
|
Set course, two-two-four, mark,
|
|
three-nine.
|
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WORF
|
|
What is our destination?
|
|
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PICARD
|
|
Alpha Delta Beta. A routine
|
|
transport mission.
|
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DATA
|
|
I thought this was supposed to
|
|
be a routine transport mission.
|
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|
|
Out of the mouths of babes. Picard and Riker exchange
|
|
a knowing smile.
|
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PICARD
|
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Engage!
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84 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
moving away to another adventure.
|
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|
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FADE OUT.
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END OF ACT FIVE
|
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|
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THE END
|
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