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1 line
65 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Up the Long Ladder"
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"f.k.a. 'Send in the Clones'"
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#40272-144
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Written by
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Melinda M. Snodgrass
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Directed by
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Winrich Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1989 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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4TH REVISED FINAL DRAFT
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MARCH 17, 1989
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STAR TREK: "Send in the Clones" - 3/17/89 - CAST
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STAR TREK: THE NEXT GENERATION
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"Send in the Clones"
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CAST
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PICARD DANILO ODELL
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RIKER BRENNA ODELL
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DATA OLD MAN
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PULASKI
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TROI WILSON GRANGER
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GEORDI (1A, 1B)
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WORF
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O'BRIEN
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Non-Speaking Non-Speaking
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N. D. CREWMEMBERS SMALL CHILD
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TWO SECURITY MEN CROWD OF BRINGLOIDI
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ATHLETIC BLACK MEN
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(2A, 2B, 2C)
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ELIZABETH VALLIS/
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BEAUTIFUL WOMAN
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(3A / 3B & 3C)
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ANOTHER BEAUTIFUL
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WOMAN (4A, 4B)
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AIDES/NURSES
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(5A, 5B)
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STAR TREK: "Send in the Clones" - 3/17/89 - SETS
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STAR TREK: THE NEXT GENERATION
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"Send in the Clones"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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CORRIDOR
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MAIN BRIDGE STARBASE
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TURBOLIFT
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TRANSPORTER ROOM
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OBSERVATION LOUNGE
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CARGO HOLD SEVEN
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SICKBAY/PULASKI'S OFFICE
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RIKER'S QUARTERS
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CAPTAIN'S READY ROOM
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MARIPOSA
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GRANGER'S OFFICE
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CLONING LABORATORY
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HALL
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STAR TREK: THE NEXT GENERATION
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"Send in the Clones"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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docked at a starbase. (stock shot)
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PICARD (V.O.)
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Captain's log, Stardate 42823.2.
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My meeting with Admiral James
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Moore has offered me an
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interesting proposal. We have
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completed our repairs, and are
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preparing to warp out.
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2 OMITTED
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3 INT. CAPTAIN'S READY ROOM (OPTICAL)
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PICARD is listening to the raspy, static filled TONES
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of an SOS code. RIKER enters.
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RIKER
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Yes, sir?
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PICARD
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Recognize that?
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RIKER
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No, sir, I'm sorry, I don't.
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Picard turns off the signal.
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PICARD
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It's an old style Terran distress
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beacon. It kicked in last month,
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and was detected by the starbase.
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RIKER
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What's its origin point?
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PICARD
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The Ficus quadrant.
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STAR TREK: "Send In The Clones" - 3/17/89 - TEASER 2.
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3 CONTINUED:
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RIKER
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(thinks for a moment)
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Captain, there are no records of
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an Earth colony in that area.
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PICARD
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Admiral Moore has offered us the
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task of investigating the signal.
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RIKER
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(with a grin)
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And of course we've accepted.
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PICARD
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Am I so transparent?
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RIKER
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You've got that look in your eye.
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PICARD
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(a little uncomfortable)
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Oh?
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RIKER
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The lure of a mystery.
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PICARD
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A lost Earth colony. That is an
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exciting idea.
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RIKER
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They may not have survived.
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PICARD
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They're calling for help, aren't
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they?
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RIKER
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You're an optimist.
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PICARD
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Always.
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Suddenly, the oscillations of the sound appear on the
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screen, then a page of print.
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COMPUTER VOICE
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Signal analysis complete.
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Distress beacon used by the
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European Hegemony.
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STAR TREK: "Send In The Clones" - 3/17/89 - TEASER 3.
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3 CONTINUED: (2)
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RIKER
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The European Hegemony?
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PICARD
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A loose alliance that formed in
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the early twenty-second century. It was
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the first step toward a world
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government. You should read more
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history, Number One. Computer,
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bracket exact dates when this
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beacon was in general use.
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COMPUTER VOICE
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Old Earth calendar, 2123 until
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2190.
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RIKER
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No extraterrestrial source has
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ever used this beacon?
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COMPUTER VOICE
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Negative.
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PICARD
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Locate all Earth deep space
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launches from 2123 until 2190,
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and list their destinations.
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COMPUTER VOICE
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Working.
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A neat two column list appears on the screen. Picard
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scans it eagerly. Then leans back in disappointment.
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PICARD
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Nothing for the Ficus quadrant.
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Damn it, who's out there?
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RIKER
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Guess we'll have to wait and ask
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them.
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Riker EXITS, and Picard stares thoughtfully off into
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space, contemplating the mystery.
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3A EXT. SPACE - THE ENTERPRISE (OPTICAL)
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pulling back from the starbase, pivoting slowly to a
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new heading and warping out.
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FADE OUT.
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END OF THE TEASER
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 4.
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ACT ONE
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FADE IN:
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4 EXT. SPACE (OPTICAL)
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The Enterprise travelling at warp.
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5 INT. MAIN BRIDGE
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Riker has the bridge. Data is at OPS, Worf at
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Tactical. Supernumeraries at the other stations. Worf
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is not feeling well, but trying to hide it. Klingons
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don't get sick. But as Riker and Data continue their
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casual desultory conversation, Worf's faintness
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increases.
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RIKER
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How could a spaceship leave Earth
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without some kind of a record?
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DATA
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Perhaps it was deliberate. They
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may have wished to escape
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detection.
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RIKER
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You're suggesting they were
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fugitives?
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DATA
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During the Eugenics Wars a group
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of genetically superior humans
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ruled the world. After their
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defeat some did escape.
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Riker is becoming aware of Worf's silence. Riker
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stands and looks back at the Klingon. (This is light,
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just shoot the breeze conversation.)
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RIKER
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What do you think, Worf. Can we
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handle supermen?
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The Klingon lets out a long growling groan, and faints
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dead away. Data and Riker rush up the ramp.
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RIKER
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Medical emergency! Doctor Pulaski
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to the bridge.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 5.
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5 CONTINUED:
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The android and the first officer stare in amazement
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and concern at the unconscious Worf as we GO TO:
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6 INT. SICKBAY
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Worf is on a biobed. Pulaski is running a tricorder
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over him, and comparing the hand held readouts to the
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overhead display.
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WORF
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I am fine.
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PULASKI
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You are not fine, you fainted.
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WORF
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I did not faint. Klingons do not
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faint.
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PULASKI
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Excuse me, I'll rephrase. This
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Klingon suffered a dramatic drop
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in blood pressure, his blood
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glucose level dropped, there was
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deficient blood flow resulting
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from perpheral circulatory
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failure, in other words he curled
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up his toes and laid unconscious
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on the floor.
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WORF
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Doctor, there is no need to insult
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me.
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PULASKI
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Worf, I'm worried. Something's
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wrong. Klingons don't faint --
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forgive me, but I can't think of
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another word which applies --
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for no reason. You're sick.
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WORF
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Klingons don't get sick.
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PULASKI
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(tartly)
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They sure do get stupid. Stay
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there! I need to check something
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with the computer.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 6.
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6 CONTINUED:
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She crosses to a computer console. Checks some medical
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texts. Crosses back to Worf. She is trying vainly
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to suppress a smile.
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PULASKI
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Lieutenant, you've got rop'ngor.
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Worf looks horrified.
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WORF
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Doctor, no one must learn that
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I am suffering from a childhood
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ailment!
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PULASKI
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I have to file a report.
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WORF
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But it is so humiliating!
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7
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thru OMITTED
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10
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11 INT. READY ROOM (OPTICAL)
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Picard is seated at his desk thoughtfully knuckling
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his chin as he studies the computer screen. This thing
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has gotten under his skin, and all his scholarly
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instincts are engaged. He is going to find the answer.
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PULASKI'S COM VOICE
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Captain Picard.
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PICARD
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Ah, Doctor, how is Worf?
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11A INT. SICKBAY
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PULASKI
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He's in no danger. Worf was
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observing a Klingon ritual
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involving fasting, and he didn't
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take into account that you need
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to decrease physical activity as
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you decrease caloric intake.
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Pulaski out.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 7.
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11B INT. CAPTAIN'S READY ROOM
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Picard resumes his research. There is a CHIME.
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PICARD
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Come.
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Data ENTERS, and crosses to Picard.
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DATA
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Sir, there is a discrepancy
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between our requisition order
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for display panels and the number
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actually tendered by the
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starbase.
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PICARD
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How can something so simple
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become so complicated?
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DATA
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Such is the nature of a
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bureaucracy?
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Suddenly Picard reacts. He leans eagerly into the
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computer, and touches a pad.
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PICARD
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(to himself and cutting
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off Data)
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There's more than one way to skin
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a bureaucratic cat.
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DATA
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Sir?
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PICARD
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There's no record of a launch to
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the Ficus quadrant. Not unusual
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if you consider the chaos of the
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early twenty-second century, but someone
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had to load that ship.
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DATA
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Ah, yes, the manifest.
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A page appears on the screen.
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PICARD
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There it is. The Mariposa, launch
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date November 27, 2123. Captain
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Walter Granger, commanding.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 8.
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11B CONTINUED:
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DATA
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Mariposa is the Spanish word for
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butterfly.
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PICARD
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Thank you, Data.
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DATA
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I thought it might be significant.
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PICARD
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It doesn't appear to be. Ah...
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and here is the cargo list.
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(in an aside to Data)
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You can tell a lot about people
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from their luggage. Let's see,
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two hundred and twenty five
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Yoshimitsu computers, five
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monitor beacon satellites, seven
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hundred cellular commlinks, fifty
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spinning wheels --
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Data is confused. (Data and Picard's dialogue should
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proceed simultaneously.)
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DATA
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Spinning wheels? Accessing. A
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device for spinning yarn or thread
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that consists of a large foot or
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hand driven wheel and one spindle.
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PICARD
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Cattle, chickens, pigs. . . . not
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DNA, the actual livestock.
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(to Data)
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Incredible. Why would anyone
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carry such an insane mix of cargo?
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DATA
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Spindle -- a thin rounded tapering
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rod --
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PICARD
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(exasperated)
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Data!
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The android jerks himself back to the present, but very
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coolly responds.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 9.
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11B CONTINUED: (2)
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DATA
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Perhaps they were planning for
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the worst.
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(Data goes into
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analysis mode)
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In the early twenty-second century
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Earth was recovering from World
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War III. A major philosopher
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of the period was Liam Dieghan,
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the founder of the
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Neo-Transcendentalists. He
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advocated a return to a simpler
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life in which one lived in harmony
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with nature, and learned under
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her gentle tutelage --
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PICARD
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Thank you, Data. But if this was
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a ship full of utopians, why
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carry the technological baggage?
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DATA
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Sir, I have insufficient
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information from which to form
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a cogent theory.
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PICARD
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I hate a mystery.
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DATA
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(confused)
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But, sir what about Dixon Hill,
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and your penchant for detective
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fiction --
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PICARD
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(interrupting)
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Allow me to correct myself. I
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hate a mystery I cannot solve.
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Off Data's thoughtful expression as we GO TO:
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12 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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booting along at warp speed.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 10.
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12A INT. SICKBAY - PULASKI'S OFFICE
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She is working. Suddenly Worf is in the doorway
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carrying a tray set with two delicate, yet spartan
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cups, a stone tea pot and a thorn-covered branch with
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a single blossom midway up the branch. (The thorns
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need to look like curving hooks.)
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WORF
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I wished to thank you for
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protecting my --
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PULASKI
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Your secret is safe with me.
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He sets down the tray, strips several of the thorns
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from the branch and tosses them into the steaming pot.
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PULASKI
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(continuing)
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Worf, I'm honored. No one has
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ever made the Tea for me.
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She plucks off the white blossom, and places it in one
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of the cups so the tea pours through its petals. Worf
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looks at her in surprise.
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WORF
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You know the ceremony?
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PULASKI
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I understand the externals. Not
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the mysteries. I'm not a
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Klingon.
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WORF
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You must not drink the tea. It
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is deadly to humans.
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PULASKI
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And none too good for Klingons.
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WORF
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It is a test of bravery, of one's
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ability to look at the face of
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mortality. It is also a reminder
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that death is an experience best
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shared -- like the tea.
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PULASKI
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Worf, you're a romantic.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 11.
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12A CONTINUED:
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WORF
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It is among the Klingons that
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love poetry achieves its fullest
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flower.
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PULASKI
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Hold that thought.
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Pulaski leaves the office. Quickly returns with a
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hypospray. She pours out Worf's cup, hands it to him.
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Gives herself an injection. Picks up her cup, and
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drinks. Worf starts to react. She holds him off with
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an upraised hand.
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PULASKI
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Antidote. If we're going to
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share, let's share. Now, quote
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me a little of that poetry.
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Off his expression as we GO TO:
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13 EXT. SPACE - A SUN (OPTICAL)
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Throwing out spectacular flares. We trace one of these
|
|
tongues of fire as it seems to almost touch a planet.
|
|
|
|
13A INT. MAIN BRIDGE
|
|
|
|
Present are Picard, TROI, Riker, Worf and Data.
|
|
Supernumerary at CONN.
|
|
|
|
DATA
|
|
Scans indicate human life form
|
|
readings thirty meters below the
|
|
planet's surface.
|
|
|
|
WORF
|
|
Hailing on all frequencies,
|
|
Captain. So far no response.
|
|
|
|
DATA
|
|
There is no evidence of an
|
|
advanced communication network.
|
|
|
|
PICARD
|
|
But the comlinks?
|
|
|
|
WORF
|
|
There is no artifical power
|
|
source on the planet.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 12.
|
|
|
|
13A CONTINUED:
|
|
|
|
RIKER
|
|
But they've got a monitoring
|
|
satellite.
|
|
|
|
TROI
|
|
A good thing, too. Without it
|
|
we would never have known they
|
|
needed help.
|
|
|
|
DATA
|
|
Captain, the stellar flares are
|
|
increasing in intensity and
|
|
frequency. Computer projections
|
|
indicate they will envelope the
|
|
planet in three point six hours.
|
|
|
|
PICARD
|
|
Mister Worf, prepare for immediate
|
|
evacuation.
|
|
|
|
WORF
|
|
Evacuation will be difficult.
|
|
Our shields can be lowered for
|
|
transport only between the flares.
|
|
|
|
TROI
|
|
Captain, these people have been
|
|
isolated for three hundred
|
|
years. We cannot beam them to
|
|
the Enterprise without warning.
|
|
|
|
RIKER
|
|
And if they have slipped back
|
|
into barbarism the experience
|
|
would scare them to death.
|
|
|
|
PICARD
|
|
You'll have to go down there,
|
|
Number One.
|
|
|
|
RIKER
|
|
On my way.
|
|
|
|
14 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around the planet.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 13.
|
|
|
|
14 CONTINUED:
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
Commander Riker has reached the
|
|
caverns, but we are still waiting
|
|
to begin the evacuation.
|
|
|
|
15 INT. MAIN BRIDGE
|
|
|
|
Present are Picard, Troi, Worf and Data.
|
|
Supernumerary at CONN.
|
|
|
|
PICARD
|
|
What's the situation, Number One?
|
|
|
|
RIKER'S COM VOICE
|
|
There are roughly two hundred
|
|
people down here.
|
|
|
|
PICARD
|
|
Their condition?
|
|
|
|
RIKER'S COM VOICE
|
|
Surprisingly good.
|
|
|
|
PICARD
|
|
Are they willing to leave?
|
|
|
|
RIKER'S COM VOICE
|
|
Yes, but --
|
|
|
|
PICARD
|
|
(interrupting)
|
|
Well, get them up here.
|
|
|
|
RIKER'S COM VOICE
|
|
I'm having a little altercation
|
|
with the colony's leader.
|
|
|
|
PICARD
|
|
I'm not interested, Commander.
|
|
Initiate the transport.
|
|
|
|
RIKER'S COM VOICE
|
|
But, sir --
|
|
|
|
PICARD
|
|
No arguments.
|
|
|
|
RIKER'S COM VOICE
|
|
Aye, aye, sir, we're on our way.
|
|
All of us. Riker out.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT ONE 14.
|
|
|
|
15 CONTINUED:
|
|
|
|
Picard exchanges a quizzical glance with Troi who
|
|
merely shrugs. In the background we hear the SOUNDS
|
|
of people, the bleat of goats, the cackle of chickens,
|
|
the squealing of pigs.
|
|
|
|
O'BRIEN'S COM VOICE
|
|
(continuing)
|
|
Uh... Captain, you better get down
|
|
here.
|
|
|
|
Picard gives Troi an incredulous glance, and she
|
|
stifles a giggle. Off Picard's expression as we GO
|
|
TO:
|
|
|
|
15A INT. TRANSPORTER ROOM
|
|
|
|
O'BRIEN, his eyes bugging out of his head regards the
|
|
Bringloidi refugees, and DANILO complete with their
|
|
livestock, who are climbing off the transporter
|
|
platform.
|
|
|
|
O'BRIEN
|
|
Right away!
|
|
|
|
15B OMITTED
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
16 OMITTED
|
|
|
|
17 INT. CORRIDOR
|
|
|
|
Picard and Worf are hustling down the corridor. The
|
|
Transporter Room doors open, and a terrified chicken
|
|
comes clucking and weaving its way into the corridor.
|
|
(Worf presses himself against the corridor wall. It's
|
|
the elephant and the mouse.) The doors open again, and
|
|
out comes a SMALL GIRL who gathers up the hen, and
|
|
carries her back into the Transporter Room. Worf and
|
|
Picard exchange glances, and follow the child and the
|
|
livestock into the Transporter Room.
|
|
|
|
18 INT. TRANSPORTER ROOM
|
|
|
|
It is a scene of chaos. Straw, feathers and animal
|
|
droppings litter the platform, and spill out onto the
|
|
floor. An older man, DANILO ODELL, dressed in boots,
|
|
homespun pants and a handknit sweater, and holding a
|
|
flask, is directing traffic and bending O'Brien's ear.
|
|
People, all holding some kind of livestock (crates of
|
|
chickens, a lamb, a piglet), are milling around the
|
|
Transporter Room. (A second wave of Bringloidi, with
|
|
Riker among them, are climbing off the transporter
|
|
platform.) O'Brien stares in consternation at a goat
|
|
on a lead which is sniffing at his pants, and tries
|
|
to respond to Danilo.
|
|
|
|
DANILO
|
|
Ah, O'Brien, I should have known
|
|
that a good Irishman would be
|
|
running this ship, and not some
|
|
Frenchy.
|
|
|
|
O'BRIEN
|
|
(to the goat)
|
|
Shoo! Shoo, damn you!
|
|
|
|
Danilo reacts to this, because he's not sure who
|
|
O'Brien is addressing.
|
|
|
|
PICARD
|
|
What the devil is going on
|
|
here?!
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 16.
|
|
|
|
18 CONTINUED:
|
|
|
|
Danilo saunters toward Picard. Riker notices and
|
|
starts pushing through the crowd.
|
|
|
|
DANILO
|
|
Oh, Picard is it. The man who
|
|
makes decisions for me and mine
|
|
without so much as a by-your-
|
|
leave.
|
|
|
|
Worf doesn't like the man's tone to the captain. He
|
|
lets out a low throated rumble. Danilo stares at the
|
|
flask, at Worf, gives his head a shake, and carefully
|
|
pockets the flask.
|
|
|
|
DANILO
|
|
(re Worf)
|
|
Do you generally have him on a
|
|
leash?
|
|
|
|
Worf snarls, but he is a little taken aback by this
|
|
insouciance. Riker finally pushes through the crowd.
|
|
|
|
PICARD
|
|
My security chief, Lieutenant
|
|
Worf.
|
|
|
|
DANILO
|
|
Danilo Odell, at your service.
|
|
|
|
He extends his hand to Picard. Picard ignores it.
|
|
|
|
PICARD
|
|
I don't want your service, Mister
|
|
Odell. I want this damn
|
|
livestock off my ship.
|
|
|
|
RIKER
|
|
(sotto voce to Picard)
|
|
You said you didn't want to waste
|
|
time arguing.
|
|
|
|
DANILO
|
|
Captain, this damn livestock has
|
|
fed our children, been company
|
|
to the old and sick and playmates
|
|
to the young...
|
|
|
|
RIKER
|
|
And can this man ever argue.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 17.
|
|
|
|
18 CONTINUED: (2)
|
|
|
|
DANILO
|
|
... I couldn't leave them to
|
|
die. Besides, how can we rebuild
|
|
without our animals?
|
|
|
|
This is beginning to appeal to Picard's sense of the
|
|
absurd.
|
|
|
|
PICARD
|
|
Alright. Chief O'Brien, kindly
|
|
transport this group to Cargo
|
|
Hold Seven, and the remaining
|
|
refugees on the planet should go
|
|
directly into the hold so we can
|
|
stop dirtying my ship.
|
|
|
|
O'BRIEN
|
|
Yes, sir.
|
|
|
|
Danilo turns and bellows to the assembled Bringloidi.
|
|
|
|
DANILO
|
|
Back onto the infernal machine.
|
|
|
|
RIKER
|
|
We're taking another little ride.
|
|
|
|
The Bringloidi and Riker cram onto the platform.
|
|
|
|
DANILO
|
|
We've got to have a little talk.
|
|
|
|
Picard finds himself propelled into the corridor by
|
|
Danilo. Worf follows.
|
|
|
|
18A INT. CORRIDOR
|
|
|
|
PICARD
|
|
Er... fine, and then Mister Worf
|
|
can show you the ship.
|
|
|
|
DANILO
|
|
That would be grand. And Captain,
|
|
it was grand of you to resue us
|
|
from out troubles.
|
|
|
|
PICARD
|
|
(very dry)
|
|
My pleasure.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 18.
|
|
|
|
18A CONTINUED:
|
|
|
|
The threesome walk together, Picard a little hunched
|
|
shouldered. He is really intent on getting to that
|
|
turbolift.
|
|
|
|
DANILO
|
|
You must be worth quite a bit to
|
|
own a ship like this.
|
|
|
|
PICARD
|
|
I don't own the Enterprise, I
|
|
command her.
|
|
|
|
DANILO
|
|
Whatever. Would you happen to
|
|
be married?
|
|
|
|
PICARD
|
|
No. Why?
|
|
|
|
DANILO
|
|
I have a daughter.
|
|
|
|
PICARD
|
|
(very dry)
|
|
I felicitate you.
|
|
|
|
They have reached the turbolift, and Picard steps in.
|
|
|
|
DANILO
|
|
Would you be interested?
|
|
|
|
PICARD
|
|
(explosively)
|
|
No!
|
|
|
|
The doors start to shut, and Danilo squeezes quickly
|
|
into the turbolift.
|
|
|
|
18B INT. TURBOLIFT
|
|
|
|
DANILO
|
|
You're sure?
|
|
|
|
PICARD
|
|
Yes!
|
|
|
|
Danilo holds up his hands placatingly, and backs out of
|
|
the turbolift. Off Picard's reactions as we GO TO:
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 19.
|
|
|
|
19 INT. OBSERVATION LOUNGE
|
|
|
|
Present are Picard, Riker, Worf and Pulaski.
|
|
|
|
PICARD
|
|
(to Pulaski)
|
|
What is the colonists' overall
|
|
condition?
|
|
|
|
PULASKI
|
|
They're a little hungry, a little
|
|
scared, but hiding it well. They
|
|
were suffering from an amazing
|
|
variety of preventable diseases -- but
|
|
the transporter handled
|
|
that. They're also tough,
|
|
determined and fun. Overall,
|
|
I'd say they're charming examples
|
|
of homo sapiens at their best.
|
|
|
|
Worf ENTERS.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
What's the total?
|
|
|
|
WORF
|
|
Two hundred and twenty-three.
|
|
|
|
PULASKI
|
|
Count on four more in the next
|
|
few days.
|
|
|
|
PICARD
|
|
Next question, what to do with
|
|
them? Take them to a starbase?
|
|
They were anachronistic in 2123.
|
|
How will they cope?
|
|
|
|
RIKER
|
|
There's no question they could
|
|
learn and adapt, but it would be
|
|
dislocating, and the colony would
|
|
probably be splintered. Maybe
|
|
we should be looking for a new
|
|
home for them?
|
|
|
|
Suddenly there is a strident klaxon as an internal
|
|
alarm goes off. Worf taps his insignia.
|
|
|
|
WORF
|
|
Lieutenant Worf, report!
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 20.
|
|
|
|
19 CONTINUED:
|
|
|
|
COMPUTER VOICE
|
|
Fire in Cargo Hold Seven.
|
|
|
|
RIKER
|
|
The Bringloidi!
|
|
|
|
Everyone is heading for the door.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
I wonder what they've done to my
|
|
ship now.
|
|
|
|
And despite his concern Riker has to grin.
|
|
|
|
20 INT. CORRIDOR
|
|
|
|
Outside of the cargo hold. TWO SECURITY MEN are
|
|
already there as Worf, Picard and Riker arrive.
|
|
|
|
PICARD
|
|
Unseal the doors.
|
|
|
|
Worf punches in the override code into the computer and
|
|
the doors open. Danilo staggers out. He is drenched,
|
|
clutching his heart, really playing this to the hilt.
|
|
|
|
DANILO
|
|
My God, Picard, the place is a
|
|
bloody death trap! Lightning
|
|
bolts falling from the ceiling!
|
|
|
|
Picard, Riker and Worf follow Danilo back into the
|
|
cargo hold.
|
|
|
|
20A INT. CARGO HOLD
|
|
|
|
People are milling about, subdued, frightened chatter
|
|
fills the hold.
|
|
|
|
DANILO
|
|
(continuing)
|
|
What the hell was that thing?
|
|
|
|
WORF
|
|
Automated fire system. A force
|
|
field contains the flames until
|
|
the available oxygen within the
|
|
field has been consumed.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 21.
|
|
|
|
20A CONTINUED:
|
|
|
|
DANILO
|
|
What if I had been under that
|
|
thing?
|
|
|
|
WORF
|
|
You would have been standing in
|
|
the fire.
|
|
|
|
Danilo glares at the Klingon, not sure if he's being
|
|
made the butt of a joke, but that dark, impassive face
|
|
gives away nothing.
|
|
|
|
DANILO
|
|
Well, ignoring that for the
|
|
moment. What would have happened
|
|
to me?
|
|
|
|
WORF
|
|
You would have suffocated and
|
|
died.
|
|
|
|
DANILO
|
|
Sweet mercy.
|
|
|
|
Danilo has led the officers to a corner where a few
|
|
slightly charred sticks are surrounded by a wide pool
|
|
of spilled soup. A large iron cauldron is tipped on
|
|
its side, obviously the source of this mess. Standing
|
|
near this mess like an outraged goddess is Danilo's
|
|
daughter BRENNA. She is a stunningly beautiful young
|
|
woman, and her soaked gown is revealing every lovely
|
|
curve. Arms militantly akimbo she eyes Picard.
|
|
|
|
BRENNA
|
|
Your hospitality leaves a hell
|
|
of a lot to be desired! You don't
|
|
offer us a bite or a sup, and when
|
|
we build a fire to cook a little
|
|
something, the place goes mad!
|
|
|
|
She flings aside the ladel she is holding. Riker is
|
|
staring in wonder at Brenna.
|
|
|
|
PICARD
|
|
My apologies, ma'am, I was unaware
|
|
that you had not been instructed
|
|
in the use of the food dispensers.
|
|
|
|
BRENNA
|
|
(truculently to Riker)
|
|
And what are you staring at? Have
|
|
you never seen a woman before?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 22.
|
|
|
|
20A CONTINUED: (2)
|
|
|
|
RIKER
|
|
(smiling)
|
|
I thought I had.
|
|
|
|
Danilo slops forward with an incredibly ingratiating
|
|
smile.
|
|
|
|
DANILO
|
|
Commander, may I present my
|
|
daughter, Brenna Odell.
|
|
|
|
RIKER
|
|
Very pleased to meet you, ma'am.
|
|
|
|
They shake hands, and Riker keeps holding hers. She
|
|
glances pointedly down at his hand, up at him.
|
|
|
|
BRENNA
|
|
You may have all the time in the
|
|
world, but I've dozens of
|
|
frightened and hungry women and
|
|
children to care for.
|
|
|
|
RIKER
|
|
What about the men?
|
|
|
|
BRENNA
|
|
(with asperity)
|
|
I'm sure they'll find their
|
|
comfort as they always do -- in
|
|
the bottom of a mug of home brew!
|
|
|
|
She disappears around some cargo containers and hung
|
|
blankets.
|
|
|
|
DANILO
|
|
(to Riker with an
|
|
ingratiating smile)
|
|
Pay her no heed, she's a grand
|
|
girl. And not usually so...
|
|
er...
|
|
(he coughs)
|
|
... sharp tongued.
|
|
|
|
BRENNA (V.O.)
|
|
(like a Banshee)
|
|
Father!
|
|
|
|
Danilo darts away at Brenna's bellow. Picard throws
|
|
back his head, and begins to laugh. Riker stares at
|
|
him.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 23.
|
|
|
|
20A CONTINUED: (3)
|
|
|
|
RIKER
|
|
Of all the reactions that's not
|
|
the one I expected.
|
|
|
|
PICARD
|
|
Number One, there are times in
|
|
life when you have to simply bow
|
|
to the absurd.
|
|
|
|
Danilo returns from around a cargo container.
|
|
|
|
DANILO
|
|
How did the ship sense the fire?
|
|
|
|
The three officers exchange glances. How do you
|
|
explain something as complex as the Enterprise to a
|
|
nineteenth century man?
|
|
|
|
PICARD
|
|
(clearing his throat)
|
|
The... ah... ship's computers
|
|
sense a localized increase in --
|
|
|
|
Brenna emerges from behind the cargo containers with an
|
|
armful of blankets.
|
|
|
|
BRENNA
|
|
Men! Always talking when there's
|
|
work to be done.
|
|
|
|
She throws them down on the spilled soup.
|
|
|
|
BRENNA
|
|
(continuing to Picard)
|
|
Shouldn't you be flying this ship,
|
|
or whatever it is you do?
|
|
|
|
So powerful and driving is her personality that the
|
|
Enterprise officers find themselves heading for the
|
|
doors. Riker suddenly pauses and says a little too
|
|
casually.
|
|
|
|
RIKER
|
|
I think I'll go give her some
|
|
help, Captain.
|
|
|
|
Worf and Picard EXIT the shot, and Riker walks back to
|
|
Brenna. She is fastidiously picking up the sodden
|
|
blankets.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 24.
|
|
|
|
20A CONTINUED: (4)
|
|
|
|
RIKER
|
|
That wasn't necessary. The ship
|
|
will clean itself.
|
|
|
|
BRENNA
|
|
Well, good for the bloody ship!
|
|
|
|
For the first time, she actually looks at Riker and
|
|
realizes how handsome he is. She gives him a
|
|
speculative glance from beneath her eyelashes. Then
|
|
lifts the sodden hem of her skirt, and inspects her
|
|
feet.
|
|
|
|
BRENNA
|
|
(continuing, cooing
|
|
like a dove)
|
|
Where does a girl go to wash her
|
|
feet on this ship?
|
|
|
|
RIKER
|
|
I think it's the responsibility
|
|
of the ship's first officer to
|
|
show that girl all the amenities.
|
|
|
|
Riker holds out a hand to her. She lays her hand in
|
|
his, and gives him a heart-stopping smile. Off their
|
|
faces as we GO TO:
|
|
|
|
21 OMITTED
|
|
|
|
22 INT. CORRIDOR
|
|
|
|
WORF
|
|
She is very like a Klingon woman,
|
|
Captain.
|
|
|
|
PICARD
|
|
My condolences, Mister Worf.
|
|
|
|
Danilo hurries up to them.
|
|
|
|
DANILO
|
|
Ah, Captain, there's just one
|
|
other thing. It slipped my mind
|
|
in all the hustle and bustle --
|
|
|
|
PICARD
|
|
The point, Mister Odell?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT TWO 25.
|
|
|
|
22 CONTINUED:
|
|
|
|
DANILO
|
|
What are you going to do about
|
|
the other colony?
|
|
|
|
PICARD
|
|
Other colony?
|
|
|
|
Off everyone's reactions as we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 26.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
23 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
racing along at warp speed.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. A
|
|
review of stellar charts has
|
|
revealed a Class M planet, NB2323
|
|
only half a light year from the
|
|
Bringloid system. I am gambling
|
|
it was the destination of the
|
|
second colony.
|
|
|
|
24 INT. SICKBAY
|
|
|
|
Pulaski is treating an ancient Bringloidi. Riker and
|
|
Brenna ENTER. Pulaski runs a device over the OLD
|
|
MAN'S arm, and cures his crippling rheumatoid
|
|
arthritis. His claw-like hand relaxes and he
|
|
experimentally wiggles the fingers. Brenna is amazed.
|
|
This is magic. The old man is so pleased with this
|
|
new mobility that as Pulaski turns away to replace the
|
|
device he leans off the biobed, and pinches her on
|
|
the ass. Pulaski calmly swats his hand.
|
|
|
|
PULASKI
|
|
Behave yourself.
|
|
|
|
OLD MAN
|
|
You're a fine woman, and you've
|
|
made a young man of me.
|
|
|
|
PULASKI
|
|
No, I've cured your arthritis,
|
|
and if you try anything more
|
|
energetic you'll probably drop
|
|
dead.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 27.
|
|
|
|
24 CONTINUED:
|
|
|
|
OLD MAN
|
|
(with a leer)
|
|
I'd die happy.
|
|
|
|
PULASKI
|
|
Out.
|
|
|
|
He hobbles past Brenna and Riker with a wink and
|
|
another leer. Pulaski crosses to the couple.
|
|
|
|
BRENNA
|
|
You know how to handle men.
|
|
|
|
PULASKI
|
|
Yes, first you have to get their
|
|
attention.
|
|
|
|
Riker chuckles. He doesn't mind being made the butt of
|
|
a joke. Brenna crosses to Pulaski.
|
|
|
|
BRENNA
|
|
How did you give Joey back his
|
|
hand?
|
|
|
|
PULASKI
|
|
(picking up the
|
|
instrument)
|
|
Oh dear, that would be difficult
|
|
to explain.
|
|
|
|
BRENNA
|
|
(frustrated)
|
|
Like everything else aboard this
|
|
ship. I'm too ignorant to
|
|
understand. And this is the one
|
|
thing that looks useful.
|
|
|
|
The frustration is evident in her voice. Pulaski says
|
|
very gently --
|
|
|
|
PULASKI
|
|
You're interested in medicine?
|
|
|
|
BRENNA
|
|
I'm healer and midwife. Or I
|
|
thought I was.
|
|
|
|
Pulaski tries to comfort her.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 28.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
PULASKI
|
|
All I've every wanted is to take
|
|
away the hurt. These wonderful
|
|
tools help me do that, but
|
|
sometimes I feel more like a
|
|
mechanic than a doctor.
|
|
|
|
Now the situation's reversed. Brenna takes Pulaski's
|
|
hand in both of hers, closes her eyes as she searches
|
|
for the healing power.
|
|
|
|
BRENNA
|
|
You've the hands of a healer.
|
|
You can't put that in a machine.
|
|
|
|
Suddenly there's a hell of a bond between these women.
|
|
Riker knows when he's a fifth wheel.
|
|
|
|
RIKER
|
|
I'll leave you ladies to your
|
|
discussions. Dinner, Brenna?
|
|
I'll cook.
|
|
|
|
Brenna glances at Pulaski and raises her eyebrows.
|
|
Leans in close, keeping it private between the two of
|
|
them.
|
|
|
|
BRENNA
|
|
Is he real?
|
|
|
|
Both of the women are eyeing Riker thoughtfully.
|
|
|
|
PULASKI
|
|
(sotto voce to Brenna)
|
|
Oh, yes, very real.
|
|
|
|
The message is subtle -- when life offers you
|
|
something... take it. Riker knows female bonding when
|
|
he sees it. He gets the hell out of the way. Riker
|
|
EXITS.
|
|
|
|
24A INT. RIKER'S QUARTERS (FORMERLY SCENE 26)
|
|
|
|
Brenna and Riker ENTER. The first officer has left
|
|
books spilled across his desk. Brenna surveys the
|
|
disorder.
|
|
|
|
BRENNA
|
|
William Riker, you're a mess.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 29.
|
|
|
|
24A CONTINUED:
|
|
|
|
She moves to the desk, and begins stacking the books.
|
|
Riker catches her by the shoulders, and turns her
|
|
around. They are very close.
|
|
|
|
RIKER
|
|
You don't have to do that.
|
|
|
|
BRENNA
|
|
And if I don't, who will?
|
|
|
|
RIKER
|
|
I can see why your father wants
|
|
to marry you off.
|
|
|
|
BRENNA
|
|
Oh, and why is that?
|
|
|
|
RIKER
|
|
(imitating the patois)
|
|
So he can have a pipe, and mug
|
|
of beer in peace.
|
|
|
|
Brenna is eyeing him speculatively.
|
|
|
|
BRENNA
|
|
You've shown me so many wonders
|
|
on your great ship, but there is
|
|
still one thing you haven't shown
|
|
me.
|
|
|
|
RIKER
|
|
What's that?
|
|
|
|
Brenna lifts the floor length heavy skirt revealing
|
|
her feet and a pair of gorgeous legs.
|
|
|
|
BRENNA
|
|
I'm still waiting to wash my feet.
|
|
|
|
RIKER
|
|
Through there. Glass of wine
|
|
while I cook?
|
|
|
|
Riker keys a wall panel and soft, romantic music fills
|
|
the room. He pours out two glasses of wine from the
|
|
carafe. Brenna is staring at him in confusion. We have
|
|
two people from completely different cultures trying
|
|
to seduce each other, but they don't have the proper
|
|
cues.
|
|
|
|
BRENNA
|
|
William, is something wrong?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 30.
|
|
|
|
24A CONTINUED: (2)
|
|
|
|
RIKER
|
|
What do you mean?
|
|
|
|
BRENNA
|
|
Do you not like girls?
|
|
|
|
RIKER
|
|
Of course I like... Oh... is there
|
|
a technique to this foot washing?
|
|
|
|
Brenna approaches him. Unhooks her skirt. It puddles
|
|
about her feet, and she steps out of it wearing a
|
|
pretty petticoat.
|
|
|
|
BRENNA
|
|
You generally start low... and
|
|
work your way up.
|
|
|
|
Riker reaches up pulls the pins from her long hair.
|
|
It cascades over her shoulders.
|
|
|
|
RIKER
|
|
I think I can handle that.
|
|
|
|
They are in each other's arms now.
|
|
|
|
BRENNA
|
|
I was hoping you might.
|
|
|
|
They embrace as we GO TO
|
|
|
|
24B EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Booting along at warp speed.
|
|
|
|
24C INT. MAIN BRIDGE
|
|
|
|
Data has the bridge. Supernumeraries at all other
|
|
stations. Worf is heading for the forward turbolift as
|
|
Riker emerges from the forward lift. The first officer
|
|
looks very content.
|
|
|
|
RIKER
|
|
Feeling better, Worf?
|
|
|
|
WORF
|
|
Yes. And you, Commander?
|
|
|
|
RIKER
|
|
Couldn't be better.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 31.
|
|
|
|
24C CONTINUED:
|
|
|
|
Worf enters the turbolift. Data stands and yields the
|
|
command chaair to Riker.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Status, Mister Data?
|
|
|
|
DATA
|
|
Warp factor five, continuing on
|
|
course for NB2323. E.t.a. eighteen
|
|
hours.
|
|
|
|
RIKER
|
|
Excellent.
|
|
|
|
24D INT. CARGO BAY
|
|
|
|
Brenna, also looking very content, is tatting lace (or
|
|
sewing). Suddenly she notices movement behind some
|
|
cargo containers.
|
|
|
|
25 INT. CARGO BAY - ANOTHER ANGLE (OPTICAL)
|
|
|
|
A secluded corner behind some cargo containers. Danilo
|
|
and two other men are working about a still. Worf
|
|
comes around the containers.
|
|
|
|
WORF
|
|
You sent for me?
|
|
|
|
DANILO
|
|
We're brewing poteen, but we need
|
|
a way to heat it without this
|
|
bloody ship firing bloody
|
|
lightning bolts at us.
|
|
|
|
WORF
|
|
You can obtain spiritous liquors
|
|
from the food dispensers.
|
|
|
|
DANILO
|
|
(suspicious)
|
|
It's not that synthehol bilge
|
|
O'Brien offered me, is it?
|
|
|
|
WORF
|
|
No, if you wish it can be real
|
|
alcohol.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 32.
|
|
|
|
25 CONTINUED:
|
|
|
|
DANILO
|
|
Good.
|
|
|
|
WORF
|
|
(warningly)
|
|
With all of the deleterious
|
|
effects intact.
|
|
|
|
DANILO
|
|
As it should be.
|
|
|
|
In the b.g. a group of Bringloidi cluster about a food
|
|
dispenser. Danilo leads Worf to the wall unit and
|
|
pushes past the waiting tinkerers.
|
|
|
|
DANILO
|
|
(continuing)
|
|
You see, lad, every moment of
|
|
pleasure has to be purchased by
|
|
an equal moment of pain.
|
|
(to the wall unit)
|
|
Whiskey.
|
|
|
|
A glass MATERIALIZES. Danilo tries a belt. Makes a
|
|
face. After a lifetime of drinking potato whiskey this
|
|
is really poor stuff -- far too refined.
|
|
|
|
DANILO
|
|
(continuing)
|
|
Terrible.
|
|
|
|
He passes the glass to the other men who sip then nod
|
|
in agreement.
|
|
|
|
DANILO
|
|
(continuing)
|
|
It's got no bite.
|
|
|
|
WORF
|
|
(to the unit)
|
|
Chech'tluth.
|
|
|
|
A glass of the potent Klingon brew MATERIALIZES. Worf
|
|
hands it to Danilo. The human knocks back a slug.
|
|
It feels as if his lungs and stomach have been
|
|
vaporized.
|
|
|
|
DANILO
|
|
(almost unable to speak)
|
|
Now that's what I call a wee drop
|
|
of the creature.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 33.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
BRENNA (V.O.)
|
|
(screaming the word like
|
|
a banshee)
|
|
Father!!
|
|
|
|
DANILO
|
|
(continuing to Worf)
|
|
You remember that moment of pain?
|
|
Well, it's about to begin.
|
|
|
|
Brenna comes roaring up to join them. Danilo stares
|
|
at her in comic dismay, with a big ingratiating grin.
|
|
|
|
DANILO
|
|
(continuing)
|
|
Hello, darling.
|
|
|
|
She snatches away the glass.
|
|
|
|
BRENNA
|
|
Darling is it! I might have
|
|
known!
|
|
(re the glass)
|
|
Are you drunk yet, or can you talk
|
|
with Doctor Pulaski about the
|
|
children?
|
|
|
|
DANILO
|
|
What about them?
|
|
|
|
BRENNA
|
|
She wants to send them to school
|
|
with the ship's children.
|
|
|
|
DANILO
|
|
What do you think?
|
|
|
|
BRENNA
|
|
I think it's a good idea.
|
|
|
|
Danilo nods thoughtfully, pulls out his pipe and starts
|
|
to fill it.
|
|
|
|
BRENNA
|
|
(continuing)
|
|
So go handle it!
|
|
|
|
He jumps like a startled deer, and EXITS. Brenna turns
|
|
her gaze on the two cronies. They visibly wilt.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 34.
|
|
|
|
25 CONTINUED: (3)
|
|
|
|
BRENNA
|
|
(continuing)
|
|
And I'm sure there's something
|
|
you can be doing with your time.
|
|
|
|
They fade back into the other Bringloidi, but they're
|
|
still visible. Brenna turns on Worf.
|
|
|
|
BRENNA
|
|
And as for you...
|
|
|
|
WORF
|
|
What!
|
|
|
|
Brenna is unimpressed.
|
|
|
|
BRENNA
|
|
Why did you have to tell them that
|
|
this magic wall can give them more
|
|
than meat and potatoes? Now we'll
|
|
never get a lick of work out of
|
|
them.
|
|
|
|
She's appealed to Worf's sense of humor. Dryly he
|
|
asks.
|
|
|
|
WORF
|
|
Madam, have you considered a
|
|
career in security?
|
|
|
|
BRENNA
|
|
If it's anything like babysitting
|
|
(she jerks thumb toward
|
|
the men)
|
|
-- I'm an authority.
|
|
|
|
Off Worf's expression as we GO TO:
|
|
|
|
26 OMITTED
|
|
|
|
27 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Coming into orbit around a ringed planet.
|
|
|
|
28 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Present are Picard, Riker, Data, Worf and Troi. There
|
|
is a supernumerary at CONN.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 35.
|
|
|
|
28 CONTINUED:
|
|
|
|
WORF
|
|
Signal from the planet, Captain.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
On the screen APPEARS the face of a handsome older man.
|
|
Picard stands.
|
|
|
|
PICARD
|
|
(continuing)
|
|
This is Jean-Luc Picard of the
|
|
United Federation vessel USS
|
|
Enterprise.
|
|
|
|
GRANGER
|
|
This is tremendous! Welcome,
|
|
Captain, I'm Wilson Granger, prime
|
|
minister of Mariposa.
|
|
|
|
DATA
|
|
No doubt a descendant of Captain
|
|
Walter Granger.
|
|
|
|
Granger has an odd expression.
|
|
|
|
GRANGER
|
|
Not quite a descendant.
|
|
(forces a laugh)
|
|
We feared that Earth had suffered
|
|
a catastrophe when no one came
|
|
to check on us.
|
|
|
|
PICARD
|
|
I'm afraid you were lost in the
|
|
bureaucracy, but despite the
|
|
lateness of our arrival we are
|
|
here now, and eager to renew ties.
|
|
|
|
GRANGER
|
|
Splendid! Please, come down, and
|
|
allow us to extend our hospitality
|
|
to you and your crew.
|
|
|
|
The screen goes blank.
|
|
|
|
PICARD
|
|
Number One, form an away team.
|
|
|
|
TROI
|
|
I would urge caution. Mister
|
|
Granger is hiding something.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 36.
|
|
|
|
28 CONTINUED: (2)
|
|
|
|
RIKER
|
|
We'll check it out. Mister Worf.
|
|
(he looks up)
|
|
Doctor Pulaski join me in
|
|
Transporter Room Three for an away
|
|
detail.
|
|
|
|
29 INT. RECEPTION AREA (OPTICAL)
|
|
|
|
The away team MATERIALIZES. Granger (1B) dressed in
|
|
black diplomat clothes is waiting for them. Riker
|
|
stares because he looks a lot like Granger, but...
|
|
Nearby an athletic BLACK MAN (2A) is seated behind
|
|
a curving desk. A BEAUTIFUL WOMAN (3B) emerges from
|
|
a doorway behind him, and they confer over some papers.
|
|
Behind the away team an athletic black man (2B) ENTERS.
|
|
The man behind the desk and the man entering are
|
|
identical. (Please cast a racial mix for the clone
|
|
society.)
|
|
|
|
GRANGER 1B
|
|
Welcome to Mariposa. Victor
|
|
Granger, minister of health.
|
|
|
|
RIKER
|
|
William Riker, Doctor Pulaski,
|
|
Lieutenant Worf.
|
|
|
|
They shake hands all around.
|
|
|
|
GRANGER 1B
|
|
I'll escort you to the prime
|
|
minister. This way please.
|
|
|
|
Pulaski and Granger 1B start walking. Riker and Worf
|
|
are side by side.
|
|
|
|
RIKER
|
|
(sotto voce)
|
|
A brother?
|
|
|
|
Worf merely lets out a low growl to show he's
|
|
disturbed.
|
|
|
|
30 OMITTED
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 37.
|
|
|
|
30A HALLWAY
|
|
|
|
Granger 1B leads the team down a hallway. Another
|
|
door opens, and an athletic black man (2C) steps out,
|
|
and walks toward the front doors. Worf does a double
|
|
take, but can't quite get a look at the man.
|
|
|
|
GRANGER 1B
|
|
Your arrival really is
|
|
serendipitous.
|
|
|
|
PULASKI
|
|
Oh, how so?
|
|
|
|
GRANGER 1B
|
|
Well, perhaps I should leave that
|
|
for the prime minister to
|
|
explain.
|
|
|
|
The away team walks past the open door of an office.
|
|
Seated at a desk is the ANOTHER BEAUTIFUL WOMAN (4A)
|
|
working at a computer. Another woman (4B) comes down
|
|
the hall, and enters the office with 4A. Riker stops
|
|
and stares in at these twins, then hurries to catch up.
|
|
Riker catches Worf and says in a low tone.
|
|
|
|
RIKER
|
|
Worf, stand by for immediate beam
|
|
out. There's something damn odd
|
|
down here.
|
|
|
|
WORF
|
|
Aye, Commander.
|
|
|
|
Riker steps back up with Pulaski and Granger 1B who
|
|
are chatting in a friendly, desultory fashion.
|
|
|
|
GRANGER 1B
|
|
Is your title scientific or
|
|
medical?
|
|
|
|
PULASKI
|
|
Medical.
|
|
|
|
Pulaski casually keys the tricorder on her belt.
|
|
|
|
GRANGER 1B
|
|
Ah, excellent.
|
|
|
|
PULASKI
|
|
Is there some medical problem we
|
|
should know about?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 38.
|
|
|
|
30A CONTINUED:
|
|
|
|
Riker spots the athletic black man (2A) walking down
|
|
the hall toward them. Pulaski subtly glances down at
|
|
her readout.
|
|
|
|
GRANGER 1B
|
|
I think it best if the --
|
|
|
|
PULASKI
|
|
Prime minister explains that.
|
|
Somehow I thought you might.
|
|
|
|
The team has reached another set of doors. The aide
|
|
throws them open.
|
|
|
|
31 INT. GRANGER'S OFFICE
|
|
|
|
Granger stands, and leans over his desk, hand extended,
|
|
a broad smile of welcome. Riker and Worf are spooked,
|
|
they're not responding well to this situation.
|
|
|
|
GRANGER
|
|
Welcome to Mariposa.
|
|
|
|
Another door into the office opens, and in walk two
|
|
women (3A and 3C) -- (NOTE: 3C is 3B with a hair
|
|
change). 3C carries a laptop computer. Riker and
|
|
Worf exchange glances. Pulaski calmly crosses to
|
|
Granger, and shakes hands.
|
|
|
|
PULASKI
|
|
Doctor Katherine Pulaski.
|
|
|
|
GRANGER
|
|
My chief of staff, Elizabeth
|
|
Vallis.
|
|
|
|
PULASKI
|
|
So, is your entire population made
|
|
up of clones, Prime Minister?
|
|
|
|
RIKER
|
|
Clones?
|
|
|
|
WORF
|
|
Clones?
|
|
|
|
GRANGER
|
|
Clones.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT THREE 39.
|
|
|
|
31 CONTINUED:
|
|
|
|
Off Riker and Worf's stunned expressions as we
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 40.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around Mariposa.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. Prime
|
|
Minister Granger has requested
|
|
an urgent meeting to discuss the
|
|
future of the Mariposan colony.
|
|
|
|
33 INT. GRANGER'S OFFICE
|
|
|
|
Present are Picard, Riker, Pulaski and Granger. There
|
|
is a coffee service on the desk, and they are each
|
|
holding a glass. Pulaski has her tricorder in her lap.
|
|
|
|
GRANGER
|
|
Captain, we need your help.
|
|
Three hundred years ago during
|
|
our landing on Mariposa, the skin
|
|
of the ship was breached. Only
|
|
five colonists survived. The
|
|
progenitors weren't willing to
|
|
just give up and die, and they
|
|
were scientists --
|
|
|
|
PICARD
|
|
So they used that expertise and
|
|
turned to cloning.
|
|
|
|
GRANGER
|
|
Yes. They had no other option.
|
|
Two women and three men were an
|
|
insufficient gene pool from which
|
|
to build a society.
|
|
|
|
PULASKI
|
|
How did you suppress the natural
|
|
sexual drive? Drugs? Punitive
|
|
laws?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 41.
|
|
|
|
33 CONTINUED:
|
|
|
|
GRANGER
|
|
In the beginning we used a little
|
|
of both. Now three hundred years
|
|
later the entire concept of
|
|
sexual reproduction is a little
|
|
repugnant to us.
|
|
|
|
PICARD
|
|
A culture with no children.
|
|
|
|
GRANGER
|
|
It's economically more viable to
|
|
accelerate clone growth. Some
|
|
basic learning can be chemically
|
|
imprinted on the developing clone,
|
|
the rest we do after emergence.
|
|
|
|
PULASKI
|
|
How did you overcome the problem
|
|
of replicative fading?
|
|
|
|
GRANGER
|
|
We didn't.
|
|
|
|
PULASKI
|
|
You have got a problem.
|
|
|
|
RIKER
|
|
Wait. I don't understand.
|
|
Replecative fading?
|
|
|
|
PULASKI
|
|
Each time you clone you're making
|
|
a copy of a copy. Subtle errors
|
|
creep into the chromosomes, and
|
|
eventually you end up with a
|
|
non-viable clone.
|
|
|
|
GRANGER
|
|
Yes. We're developing a sort
|
|
of mental hardening of the
|
|
arteries. It's increasingly
|
|
difficult to respond to new
|
|
situations.
|
|
|
|
PICARD
|
|
How can we help?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 42.
|
|
|
|
33 CONTINUED: (2)
|
|
|
|
GRANGER
|
|
We need an infusion of fresh DNA.
|
|
I was hoping that you would be
|
|
willing to share tissue samples
|
|
from your crew.
|
|
|
|
RIKER
|
|
You want to clone us?
|
|
|
|
GRANGER
|
|
Yes.
|
|
|
|
RIKER
|
|
No way. Not me.
|
|
|
|
GRANGER
|
|
How can you possibly be harmed?
|
|
|
|
RIKER
|
|
It's not a question of harm. A
|
|
single William Riker is unique,
|
|
maybe even special. Hundreds or
|
|
thousands of them diminish me in
|
|
a way I can't explain.
|
|
|
|
GRANGER
|
|
You would be preserving yourself.
|
|
|
|
RIKER
|
|
Human beings have another way of
|
|
doing that. We have children.
|
|
|
|
Granger looks to Pulaski. She shakes her head,
|
|
refusing. To Picard who also shakes his head.
|
|
|
|
PICARD
|
|
I think you will find this to be
|
|
the attitude of a predominate
|
|
number of Enterprise people.
|
|
|
|
GRANGER
|
|
I see. Well, if you will not help
|
|
us by sharing your DNA will you
|
|
at least send people to repair
|
|
our malfunctioning equipment?
|
|
|
|
PICARD
|
|
Yes, of course. Number One, form
|
|
away teams, and get the repairs
|
|
underway.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 43.
|
|
|
|
33 CONTINUED: (3)
|
|
|
|
RIKER
|
|
Yes, sir.
|
|
|
|
The Enterprise people rise.
|
|
|
|
PULASKI
|
|
Repairing the equipment is not
|
|
going to solve your problems.
|
|
|
|
GRANGER
|
|
What other solution do we have?
|
|
Remember, Doctor, there are only
|
|
five of us.
|
|
|
|
33A INT. HALLWAY - MARIPOSA
|
|
|
|
Riker Pulaski, Geordi and three n.d. crewmembers.
|
|
Geordi has his tool kit. The three officers, each
|
|
accompanied by a crewperson move off in opposite
|
|
directions.
|
|
|
|
34
|
|
thru OMITTED
|
|
36
|
|
|
|
37 INT. GRANGER'S OFFICE (OPTICAL)
|
|
|
|
Riker and Pulaski ENTER. Granger is seated at his
|
|
desk. A couple of AIDES (5A and 5B) stand beside the
|
|
door. Two athletic clones flank the desk (2A, 2B and
|
|
2C).
|
|
|
|
RIKER
|
|
You sent for us?
|
|
|
|
The clones by the door draw phaser-like weapons, and
|
|
fire at Riker and Pulaski. They collapse. The two
|
|
athletic clones heft Riker by the shoulders and feet,
|
|
clones 5A and 5B take Pulaski. They start to carry
|
|
the officers out a side door.
|
|
|
|
There is a knock, clone 2A opens the door.
|
|
|
|
Geordi ENTERS.
|
|
|
|
GEORDI
|
|
Excuse me, sir, I was looking for
|
|
Commander Riker.
|
|
|
|
GRANGER
|
|
I'm afraid I haven't seen him.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 44.
|
|
|
|
37 CONTINUED:
|
|
|
|
GEORDI
|
|
Doctor Pulaski?
|
|
|
|
GRANGER
|
|
Sorry, I can't help you.
|
|
|
|
Geordi's expression is incredibly neutral, his voice
|
|
light as he says --
|
|
|
|
GEORDI
|
|
Guess I'll just have to hunt for
|
|
them. Sorry to disturb you.
|
|
|
|
Geordi EXITS.
|
|
|
|
38 OMITTED
|
|
|
|
39 INT. CLONING LABORATORY
|
|
|
|
Riker and Pulaski are unconscious on surgical tables.
|
|
Using long hand-held needles, two clones (4A and 4B)
|
|
in surgical gear penetrate the officers' sternums to
|
|
remove tissue samples. Two NURSES (5A and 5B) assist.
|
|
In the b.g. is the cloning equipment open and empty.
|
|
|
|
39A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around Mariposa.
|
|
|
|
39B INT. CARGO HOLD (PREVIOUSLY SCENE 34)
|
|
|
|
As many extras as can possibly be squeezed into the
|
|
hold, all dressed in scruffy immigrant clothes. An
|
|
occasional cry from a baby, chickens clucking.
|
|
Accompanied by traditionally Irish instruments,
|
|
Danilo, the colony's Shan'a'kee, imparts the history.
|
|
Worf is seated with Brenna, Picard ENTERS, and leans
|
|
against a wall just listening.
|
|
|
|
DANILO
|
|
And after a long and gentle sleep
|
|
we awoke and there was Bringloid,
|
|
our dream world. Our companions
|
|
in the butterfly ship left us
|
|
off, and said they would leave
|
|
a guard in heaven to look out for
|
|
us.
|
|
(MORE)
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 45.
|
|
|
|
39B CONTINUED:
|
|
|
|
DANILO (Cont'd)
|
|
They flew on in the darkness -- their
|
|
search was not yet over -- but
|
|
we had found the sun, a
|
|
world, a home.
|
|
|
|
BRENNA
|
|
And now we have lost it.
|
|
|
|
DANILO
|
|
We'll find another.
|
|
|
|
BRENNA
|
|
When? How long must we wait and
|
|
journey?
|
|
|
|
Picard's expression has been shifting as various
|
|
emotions and realizations strike him. He crosses
|
|
swiftly to Worf, leans in.
|
|
|
|
PICARD
|
|
I finally understand. That
|
|
distress satellite was left by
|
|
the Mariposans as a way to protect
|
|
the Bringloidi. There were two
|
|
colonies on that ship.
|
|
|
|
WORF
|
|
Interesting, Captain.
|
|
|
|
PICARD
|
|
And not terribly relevant, I know.
|
|
Still, it gives one pause for
|
|
thought....
|
|
|
|
Picard's voice trails away, and he EXITS.
|
|
|
|
40 OMITTED
|
|
|
|
40A INT. PULASKI'S OFFICE - SICKBAY (FROM SCENE 40)
|
|
|
|
Riker and Pulaski are seated and talking quietly as
|
|
Geordi ENTERS.
|
|
|
|
GEORDI
|
|
What happened on Mariposa? Are
|
|
you all right?
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 46.
|
|
|
|
40A CONTINUED:
|
|
|
|
RIKER
|
|
Is there some reason why we
|
|
shouldn't be?
|
|
|
|
GEORDI
|
|
Yeah, every time I asked where
|
|
you were, some clone lied to me.
|
|
|
|
RIKER
|
|
(very grim)
|
|
Lied to you?
|
|
|
|
GEORDI
|
|
(removes his VISOR)
|
|
Commander, with this I can see
|
|
a lot more than your average
|
|
person. When people lie there
|
|
are certain physical
|
|
manifestations; variations in
|
|
blush response, pupil dilation,
|
|
pulse and breath rate. I can't
|
|
use the VISOR on aliens, but
|
|
humans -- I've got them nailed.
|
|
|
|
PULASKI
|
|
And the clones lied about our
|
|
whereabouts?
|
|
|
|
GEORDI
|
|
Yes.
|
|
|
|
PULASKI
|
|
I don't remember anything
|
|
happening. I was working in
|
|
their medical facility when I got
|
|
a call to report to Granger's
|
|
office. I ran into Will on the
|
|
way and --
|
|
|
|
GEORDI
|
|
Granger said he hadn't seen
|
|
either of you. Did you get to
|
|
his office?
|
|
|
|
Riker and Pulaski exchange a look.
|
|
|
|
RIKER
|
|
I don't remember.
|
|
|
|
Pulaski suddenly unlimbers her tricorder. Runs it over
|
|
Geordi, over Riker, over herself.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 47.
|
|
|
|
40A CONTINUED: (2)
|
|
|
|
GEORDI
|
|
So what's the prognosis, Doc?
|
|
Will I ever play the piano again?
|
|
|
|
PULASKI
|
|
(ignoring the quip)
|
|
Geordi, you'll be pleased to know
|
|
that you aren't missing any
|
|
epithelial cells.
|
|
|
|
GEORDI
|
|
Great.
|
|
|
|
PULASKI
|
|
Will and I, however, are.
|
|
|
|
RIKER
|
|
(grimly)
|
|
Meaning?
|
|
|
|
PULASKI
|
|
Although you can clone from any
|
|
cell in the human body the cells
|
|
lining the stomach are the best
|
|
choice because they're relatively
|
|
undifferentiated.
|
|
|
|
Riker whirls, and heads toward the door. He is
|
|
furiously angry.
|
|
|
|
GEORDI
|
|
Where are you going?
|
|
|
|
RIKER
|
|
To that cloning lab.
|
|
|
|
Pulaski and Geordi exchange glances, and plunge after
|
|
Riker.
|
|
|
|
41 INT. CLONING LABORATORY (OPTICAL)
|
|
|
|
Riker, Pulaski and Geordi beam into the chamber. At
|
|
last we see two of the cloning units. Riker
|
|
approaches one of the smoke filled artificial wombs.
|
|
He opens the door, and the smoke vents into the lab.
|
|
Inside is a half-formed clone, but it is still
|
|
recognizably the first officer.
|
|
|
|
He recoils. We see his anger and disgust as he gropes
|
|
for his phaser.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FOUR 48.
|
|
|
|
41 CONTINUED:
|
|
|
|
Riker blasts the developing clone. It vanishes. Riker
|
|
steps to the second cloning unit. Opens the door; the
|
|
smoke vents. He looks inside, looks back to Pulaski
|
|
and cocks his head toward the clone. Pulaski nods.
|
|
|
|
Riker blasts that clone, and it vanishes.
|
|
|
|
The doors open, and Granger with three identical armed
|
|
clones (2A, 2B, 2C) rush into the laboratory. Off
|
|
various reactions as we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 49.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
42 INT. CLONING LABORATORY (OPTICAL)
|
|
|
|
There is a moment of complete dislocation as Geordi and
|
|
Pulaski look from Riker to the armed clones, and back
|
|
again. Geordi stares from the first officer with his
|
|
phaser in hand to the empty space which used to hold
|
|
the cloning equipment.
|
|
|
|
GEORDI
|
|
I don't suppose you'd believe this
|
|
was an accident?
|
|
|
|
GRANGER
|
|
Murderers!
|
|
|
|
RIKER
|
|
Like hell! You're a damn thief!
|
|
|
|
PULASKI
|
|
(stepping between them)
|
|
Gentlemen, please.
|
|
|
|
The armed clones lower their weapons.
|
|
|
|
GRANGER
|
|
What else could we do? We asked
|
|
for your help and you refused!
|
|
We're desperate. Desperate!
|
|
|
|
RIKER
|
|
So that gives you the right to
|
|
assault us, and rob us, and --
|
|
|
|
GRANGER
|
|
We have a right to survive!
|
|
|
|
Off everyone's frustrated, angry expressions as we GO
|
|
TO:
|
|
|
|
43 OMITTED
|
|
|
|
43A INT. CAPTAIN'S READY ROOM (FROM SCENE 43)
|
|
|
|
Present are Picard, Riker, Pulaski, and Troi.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 50.
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43A CONTINUED:
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PICARD
|
|
Doctor, how desperate is the
|
|
colony's situation?
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PULASKI
|
|
They've got two maybe three more
|
|
generations, then the fading will
|
|
become terminal. They're the
|
|
walking dead now, they just
|
|
haven't been buried.
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RIKER
|
|
I want that cloning equipment
|
|
inspected. Who knows how many
|
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tissue samples they've stolen.
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|
I have the right to exercise
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|
control over my own body.
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PULASKI
|
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You'll get no argument from me.
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TROI
|
|
I know the Mariposan culture seems
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alien, even frightening, but we
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|
really do have much in common.
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They're human beings fighting to
|
|
survive. Would we do any less?
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PICARD
|
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Are you saying we should give them
|
|
the DNA samples they require?
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PULASKI
|
|
(stepping in)
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|
That's just postponing the
|
|
inevitable. So they get an
|
|
infusion of fresh DNA -- fifteen
|
|
generations and they're back to
|
|
the same problem. Cloning isn't
|
|
the answer. They need breeding
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stock.
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|
Suddenly all the pieces of the puzzle come together.
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PICARD
|
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The Bringloidi.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 51.
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43A CONTINUED: (2)
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TROI
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(excited, seeing the
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|
possibilities)
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The Bringloidi have energy and
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drive, a sense of wonder. The
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clones possess emotional maturity,
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and technological know-how.
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PICARD
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They started out together. It
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does seem only fitting that they
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end up together.
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PULASKI
|
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(ironically)
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It's a match made in heaven.
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RIKER
|
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Unfortunately it's going to be
|
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a shotgun wedding.
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44 OMITTED
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44A INT. OBSERVATION LOUNGE (FROM SCENE 44)
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Picard, Pulaski, Danilo, and Granger hunkered down for
|
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some hard bargaining.
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GRANGER
|
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I'm sorry, Captain, but it's out
|
|
of the question. You're trying
|
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to dump your problem off on us.
|
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(wearily)
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And we've got problems of our own.
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PICARD
|
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Can't you understand? The
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Bringloidi can help you.
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GRANGER
|
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(indicating Danilo)
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Look at him. How could we ever
|
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integrate that into our society?
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DANILO
|
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(growls)
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You're no prize yourself.
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STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 52.
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44A CONTINUED:
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GRANGER
|
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Primitive, hostile, disruptive.
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It would require enormous effort
|
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to even educate them.
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DANILO
|
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(standing)
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Forget it, Captain Picard. I'm
|
|
not coming with my hat in my hand
|
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to beg charity from this bastard.
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PICARD
|
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Sit down! I am not going to allow
|
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brag...
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(a look to Danilo)
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... and bigotry...
|
|
(a look to Granger)
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... to destroy this meeting.
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Danilo sinks back into his chair.
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PICARD
|
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(to Granger)
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Commander Riker wants your
|
|
laboratories inspected for any
|
|
stolen tissue. I can understnad
|
|
his concern, and I think we're
|
|
going to have to transport all
|
|
of your equipment to the
|
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Enterprise.
|
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GRANGER
|
|
(bitterly)
|
|
I see, when reason fails you'll
|
|
resort to blackmail.
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PICARD
|
|
(angry)
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|
All right, die!
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PULASKI
|
|
(musing)
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|
It's not so bad, Captain. In
|
|
fifty years we'll have a new
|
|
Class M planet, complete with
|
|
cities, all ready for
|
|
colonization.
|
|
|
|
Granger looks stricken.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 53.
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44A CONTINUED: (2)
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PICARD
|
|
(gentler now)
|
|
The end is closer than you'd like
|
|
to think.
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GRANGER
|
|
I don't know. The difficulties
|
|
involved...
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DANILO
|
|
Look, man, we're decent, hard
|
|
working people. We're willing
|
|
to learn.
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GRANGER
|
|
They're so different.
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|
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PICARD
|
|
Yes. But it's differences which
|
|
have made us strong.
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|
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PULASKI
|
|
An open society is a healthy
|
|
society. When you allow your
|
|
culture to become a melting pot
|
|
it grows in exciting directions.
|
|
|
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GRANGER
|
|
For three hundred years we've
|
|
denied the carnal side of our
|
|
nature. How can we learn to put
|
|
that aside?
|
|
|
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DANILO
|
|
You put a couple of young people
|
|
together and you let nature take
|
|
its course.
|
|
|
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PULASKI
|
|
(to Danilo)
|
|
To make this work you're going
|
|
to have to alter your society,
|
|
too. Monogamous marriage won't
|
|
be possible for several
|
|
generations.
|
|
|
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DANILO
|
|
I'm not sure I follow.
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|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 54.
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|
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44A CONTINUED: (3)
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PULASKI
|
|
Thirty couples are enough to
|
|
create a viable genetic base.
|
|
But the broader the base the safer
|
|
and healthier the society. It
|
|
would be best if each woman -- Mariposan
|
|
and Bringloidi -- had
|
|
at least three children by three
|
|
different men.
|
|
|
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DANILO
|
|
(preening slightly)
|
|
I think I could handle that.
|
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GRANGER
|
|
God, this is so... so...
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PICARD
|
|
Frightening?
|
|
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GRANGER
|
|
Repugnant.
|
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PULASKI
|
|
The normal drives are still there.
|
|
You're just going to have to alter
|
|
your attitudes.
|
|
|
|
DANILO
|
|
So, it's a done deal?
|
|
|
|
Granger slowly, reluctantly nods.
|
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DANILO
|
|
(continuing)
|
|
My hand on it.
|
|
|
|
Granger offers his hand. Danilo spits into his palm,
|
|
and clasps Granger's hand. There is the expected
|
|
reaction from the clone.
|
|
|
|
DANILO
|
|
(continuing)
|
|
Now come on, I want to stake out
|
|
my three ladies. Send in the
|
|
clones.
|
|
|
|
PICARD
|
|
(sotto voce)
|
|
I must be out of my mind.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 55.
|
|
|
|
44A CONTINUED: (4)
|
|
|
|
PULASKI
|
|
(sotto voce)
|
|
Starfleet's probably going to
|
|
agree.
|
|
|
|
45 OMITTED
|
|
|
|
46 OMITTED
|
|
|
|
46A INT. CARGO BAY
|
|
|
|
Picard, Granger and Danilo step into the Cargo Hold.
|
|
Danilo crosses quickly to Brenna, and they begin
|
|
talking.
|
|
|
|
Granger stares at this mass of humanity. Little boys
|
|
playing marbles, a young girl skipping rope. Men and
|
|
women mending clothes, sharpening knives, trying to
|
|
keep busy as they wait to get out of this metal bottle.
|
|
|
|
Granger gives Picard a look of "Oh, God, help!" Picard
|
|
puts a hand on the clone's shoulder, and urges him
|
|
deeper into the hold.
|
|
|
|
Suddenly Brenna roars over, and confronts Picard.
|
|
|
|
BRENNA
|
|
Isn't that just like a man! You
|
|
make these grandiose decisions,
|
|
but you never stop to consider
|
|
the poor women.
|
|
|
|
PICARD
|
|
Miss Odell, I am --
|
|
|
|
BRENNA
|
|
You men draw a mug, and solve all
|
|
the world's problems while the
|
|
beer goes down. But when it comes
|
|
to the practical matters it always
|
|
falls to the women to make your
|
|
grand dreams come true.
|
|
|
|
PICARD
|
|
Miss Odell, you're the one who
|
|
wanted a new home.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 56.
|
|
|
|
46A CONTINUED:
|
|
|
|
BRENNA
|
|
But I don't know if I want to
|
|
be Eve!
|
|
|
|
PICARD
|
|
That is your choice. If you wish
|
|
to stay aboard the Enterprise we
|
|
will drop you at a starbase, and
|
|
you can go where you will.
|
|
|
|
BRENNA
|
|
Leave my dad?
|
|
|
|
PICARD
|
|
Brenna, you've always been the
|
|
mothering force for your people.
|
|
If this is going to work they'll
|
|
need your wisdom and guidance.
|
|
|
|
BRENNA
|
|
But my life has just gotten very
|
|
narrow.
|
|
|
|
PICARD
|
|
We have to make choices.
|
|
|
|
BRENNA
|
|
Oh, damn.
|
|
|
|
She pauses, and stares thoughtfully at Granger, who is
|
|
picking his way like a fastidious crane through the
|
|
crowd of Bringloidi.
|
|
|
|
BRENNA
|
|
(continuing)
|
|
(indicating Granger
|
|
with a head jerk)
|
|
What does he do again?
|
|
|
|
PICARD
|
|
He's the prime minister.
|
|
|
|
BRENNA
|
|
Sounds important.
|
|
|
|
PICARD
|
|
It is.
|
|
|
|
BRENNA
|
|
Sounds like he might have more
|
|
than two coins to rub together.
|
|
(MORE)
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 57.
|
|
|
|
46A CONTINUED: (2)
|
|
|
|
BRENNA (Cont'd)
|
|
(a beat)
|
|
Three husbands?
|
|
|
|
Picard nods. Brenna walks over to Granger. Speaks to
|
|
him. Then lifts the hem of her skirt, smiles up at
|
|
him. As we GO TO:
|
|
|
|
46B EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
47 OMITTED
|
|
|
|
48 INT. MAIN BRIDGE
|
|
|
|
Picard in the command chair, Troi is at his side. Worf
|
|
is at Tactical. Data at OPS. Supernumerary at CONN.
|
|
Riker and Pulaski ENTER from the aft turbolift.
|
|
|
|
PICARD
|
|
All squared away?
|
|
|
|
RIKER
|
|
The Bringloidi have reached their
|
|
new home.
|
|
|
|
DATA
|
|
It is unfortunate that we cannot
|
|
remain for several months, and
|
|
observe the integration of the
|
|
two colonies.
|
|
|
|
PULASKI
|
|
They're going to do just fine.
|
|
They're survivors, both of them.
|
|
|
|
PICARD
|
|
We've done what we could. We've
|
|
put the cats in the same sack,
|
|
and given it a good shake.
|
|
|
|
DATA
|
|
But what is occurring on Mariposa
|
|
is a demonstration of
|
|
sociobiology, and the concept of
|
|
the selfish gene.
|
|
(MORE)
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 58.
|
|
|
|
48 CONTINUED:
|
|
|
|
DATA (Cont'd)
|
|
Males and females are each
|
|
pursuing their respective
|
|
reproductive strategies in an
|
|
effort to maximize their
|
|
contribution to the gene pool of
|
|
the next generation.
|
|
|
|
RIKER
|
|
Data, I liked the captain's
|
|
analogy better.
|
|
|
|
DATA
|
|
Why?
|
|
|
|
PULASKI
|
|
It was more romantic.
|
|
|
|
Troi is laughing. Riker is struggling to suppress a
|
|
smile. Data is bewildered.
|
|
|
|
DATA
|
|
How are cats in a sack romantic?
|
|
They would fight and scratch
|
|
and...
|
|
|
|
Everyone is laughing now.
|
|
|
|
WORF
|
|
Very romantic. I hunt in darkness.
|
|
The stars my guide. The memory
|
|
of you sings in my blood. I seize
|
|
the gift.
|
|
|
|
The bridge crew is really entranced. Wow, Klingon
|
|
poetry. This is really building to something. What is
|
|
the gift?
|
|
|
|
WORF
|
|
(continuing)
|
|
Carry it to your bower. And lay
|
|
at your feet the hearts of my
|
|
enemies.
|
|
|
|
The silence is deafening. Picard turns slowly back to
|
|
face the main viewscreen. Points at CONN.
|
|
|
|
PICARD
|
|
Engage.
|
|
|
|
STAR TREK: "Send In The Clones" - 3/17/89 - ACT FIVE 59.
|
|
|
|
48 CONTINUED: (2)
|
|
|
|
WORF
|
|
(sotto voce)
|
|
Perhaps it does not translate
|
|
well.
|
|
|
|
49 OMITTED
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Leaving orbit and the rubber band effect as they warp
|
|
out.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
THE END
|
|
|
|
|