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1 line
67 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Menage a Troi"
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(f.k.a. "Piece of Mind")
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#40273-172
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Written by
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Fred Bronson & Susan Sackett
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Directed by
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Rob Legato
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1990 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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MARCH 9, 1990
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - CAST
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STAR TREK: THE NEXT GENERATION
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"Menage a Troi"
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CAST
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PICARD Betazoids
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RIKER LWAXANA TROI
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DATA MR. HOMN
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BEVERLY REITTAN GRAX
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TROI
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GEORDI Ferengi
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WORF DAIMON TOG
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WESLEY DOCTOR FAREK
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NIBOR
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Non-Speaking Non-Speaking
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SUPERNUMERARIES ALIEN DELEGATES
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3 AWAY TEAM MEMBERS FERENGI CREWMAN
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Voice-overs
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FERENGI COMPUTER VOICE
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FERENGI CREWMAN
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STAR TREK: "Menage a Troi" REV. 3/16/90 - SETS
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STAR TREK: THE NEXT GENERATION
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"Menage a Troi"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM FERENGI SHIP KRAYTON
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TEN-FORWARD BETAZED CITY
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MAIN ENGINEERING
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TROI'S QUARTERS BETAZED CLEARING
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CRUSHER QUARTERS
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TRANSPORTER ROOM
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CORRIDORS
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FERENGI SHIP KRAYTON
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HOLDING TANK
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LABORATORY
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Menage a Troi"
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PRONUNCIATION GUIDE
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DAIMON TOG DAY-mon TOG
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FAREK FAR-ehk
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HOMN HAHM
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LWAXANA L'-WOKS-anna
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NIBOR NYE-bore
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REITTAN GRAX RITE-n GRAX
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Menage a Troi"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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in orbit around a bright green planet.
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PICARD (V.O.)
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Captain's Log, Stardate 43980.7.
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The Enterprise has been in
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attendance at the biennial Trade
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Agreements Conference on Betazed.
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2 INT. TEN FORWARD
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A busy place. Conference delegates from different
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worlds are here, including three Ferengi: TOG, FAREK,
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and NIBOR. In b.g., a MUSICIAN entertains the
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gathering, playing a complex RHYTHM on a strange
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percussion instrument. RIKER plays three-dimensional
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chess with Nibor as WESLEY looks on. PICARD, TROI, and
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DATA socialize with their guests as Log is completed:
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PICARD (V.O.)
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For the first time, the Ferengi
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are present, and I have
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reluctantly consented to their
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boarding the Enterprise for the
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closing reception.
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2A ANGLE ON RIKER AND NIBOR
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It is clear they are near the end of their game, and
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the Ferengi is in trouble. Captured pieces litter the
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table at Riker's elbow.
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Nibor makes a move, he is confident. Riker smiles,
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moves his piece.
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RIKER
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Check... and mate.
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Nibor falls back flabbergasted in his chair. Wesley is
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enjoying the moment.
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 2.
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2A CONTINUED:
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WESLEY
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Perfect. A queen's gambit...
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finished off with the Aldabren
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Exchange.
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The Ferengi is still stunned by his defeat.
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NIBOR
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(re: the musician)
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Unfair. I couldn't concentrate
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with all that noise...
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WESLEY
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It's Algolian ceremonial rhythms.
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Riker and Wesley nod. Nibor shakes his head.
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NIBOR
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Hyoo-mans...
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2B ANGLE ON PICARD AND DATA
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talking with REITTAN GRAX, the Betazoid conference
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director.
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PICARD
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(lifting glass)
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A toast to the success of the
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trade conference, Reittan. I must
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admit, I had some doubts when you
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invited the Ferengi.
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REITTAN GRAX
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They made a profit and behaved
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themselves. What more could one
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ask? Still, they trouble me. We
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Betazeds are uncomfortable with
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species like the Ferengi... whose
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minds we can't read.
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DATA
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(ever the scientist)
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Perhaps your telepathic abilities
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are ineffective owing to the
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anomalous construction of the
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Ferengi brain, which is composed
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of four different...
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STAR TREK: "Menage a Troi" - REV. 3/13/90 - TEASER 2A.
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2B CONTINUED:
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PICARD
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(not now, Data)
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Thank you, Data.
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(to Reittan Grax)
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It was thoughtful of you to
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include Lwaxana Troi as part of
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the Betazed delegation.
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 3.
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2B CONTINUED: (2)
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REITTAN GRAX
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Her first husband and I were old
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friends. And I've known Deanna
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since she was a child.
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PICARD
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I'm sure Counselor Troi
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appreciates this opportunity to
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spend time with her mother.
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3 ANGLE ON TROI AND LWAXANA
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Lwaxana's plate is piled with food, her synthehol glass
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is refilled continually as she gives new meaning to
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the old Auntie Mame adage, "Life is a banquet." Between
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bites and sips, she plies her daughter with thought
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transmissions.
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LWAXANA (TELEPATHIC V.O.)
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It's so marvelous to see you,
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Deanna, darling.
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(a beat)
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At least pretend you're happy to
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see me.
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TROI
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(aloud)
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Mother, we're among non-telepaths...
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it's impolite not
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to speak aloud.
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LWAXANA (TELEPATHIC V.O.)
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You mean talk with my mouth full?
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Deanna, please!
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She does manage to laugh with her mouth full, but
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Deanna doesn't think it's especially funny.
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LWAXANA
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(aloud)
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All right, I will say something
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aloud. Have you considered if
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you had stayed on Betazed just
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where your life might have...
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They've had this conversation before.
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 3A.
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3 CONTINUED:
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TROI
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(interrupting)
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Let's not guess what I might have
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done. I love my work aboard the
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Enterprise...
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 4.
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3 CONTINUED: (2)
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LWAXANA
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I know. But all business and no
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play? You should enjoy life more,
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like I do. Find the right man,
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think of your future. Think of
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my future...
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Interrupted by Riker; his timing couldn't be better.
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RIKER
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Deanna, Lwaxana. Anything I can
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do for you?
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Troi throws her mother a look. Don't answer that!
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4 ANGLE ON BAR
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as the other two Ferengi watch Mrs. Troi. Daimon Tog,
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the Captain, seems fascinated by this Betazoid female.
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Tog is tall for a Ferengi, although not by human
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standards, and Ferengi women probably find him as close
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to a "hunk" as their men ever get. He's talking with
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his companion and ship's doctor, Farek. In b.g.,
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Lwaxana LAUGHS. Farek winces at the sound.
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FAREK
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(re: Lwaxana)
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She is as repulsive as the rest
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of them.
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TOG
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Repulsive? I find her exotic!
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(a beat)
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And what an advantage their
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telepathy would be in
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negotiations...
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FAREK
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To read our competitors' minds...
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yes, that would be valuable.
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Tog can't take his eyes off Lwaxana. Farek notices,
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gives Tog a look -- "be serious."
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FAREK (cont'd)
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She'd never agree to use her
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powers to help us...
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TOG
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I'm not so sure.
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 5.
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4 CONTINUED:
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In b.g., Riker and Troi move on. This is the moment
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Tog's been waiting for. He moves quickly off.
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5 ANGLE ON TOG AND LWAXANA
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as he seats himself at her table.
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TOG
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Lwaxana Troi of Betazed, I
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believe.
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(with pride)
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I am Daimon Tog of the Ferengi
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vessel Krayton. May I join you?
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LWAXANA
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(coolly)
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I was just going to see Captain
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Picard. Excuse me.
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She rises, maneuvering past Tog to where Picard is
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still conversing with Data and Reittan Grax. She
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interrupts:
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LWAXANA
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Jean-Luc! Come have a drink and
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tell me what you've been up to.
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PICARD
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(thinking fast)
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Uh... perhaps later, Lwaxana.
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Data and I were just about to show
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Reittan Grax the new door
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mechanisms on the aft Turbolifts.
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Would you excuse us?
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STAR TREK: "Menage a Troi" - REV. 3/20/90 - TEASER 6.
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5 CONTINUED:
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And off they go, leaving Lwaxana standing alone in the
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middle of Ten Forward. And, oh God, here comes that
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nasty little Ferengi again... oops, too late.
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TOG
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Lwaxana Troi, I desire you.
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LWAXANA
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Wha... what?
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TOG
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Your Betazed skills would be very
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useful to me... and I find you
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attractive. I'm willing to pay
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handsomely for you.
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LWAXANA
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(growing angrier)
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I don't believe this...
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TOG
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You must be aware that every
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female has her price.
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Lwaxana is now infuriated. Almost without realizing
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it, her voice will rise during the next speech until
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all other activity in Ten Forward comes to a halt as
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everyone's attention focuses on her:
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LWAXANA
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Let's get one thing straight. I
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am not for sale. And I'd rather
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eat Orion wing-slugs than deal
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with a toad-faced troll like you.
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Go find someone else to become
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your property.
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6 WIDER ANGLE
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to include a horrified Deanna. There is a pause as
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everyone waits to see what Tog will do. He is silent
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for a moment, then:
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TOG
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(oddly reserved)
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As you wish.
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 6A.
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6 CONTINUED:
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As everyone else resumes their activities, Tog
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retreats to the bar where Farek is tossing down another
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synthehol.
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FAREK
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Now that you've totally humiliated
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us, may we return to our vessel?
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - TEASER 7.
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6 CONTINUED: (2)
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TOG
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(ignoring him)
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She's exhilarating, isn't she?
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Farek gives him a look. Is he kidding?
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TOG (cont'd)
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Now I want her more than ever.
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Lwaxana Troi will be mine.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT ONE 8.
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ACT ONE
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FADE IN:
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7 OMITTED
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8 INT. ENTERPRISE CORRIDOR - PERSONAL QUARTERS
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On the way to her cabin, Troi encounters WORF. They
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walk together as Deanna continues to her quarters.
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TROI
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(lightly)
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Are we at war with the Ferengi
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yet?
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WORF
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Daimon Tog has returned to his
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vessel and the Ferengi have left
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orbit.
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TROI
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I'm sure Mother will be relieved.
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WORF
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I hear she handled the situation
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quite skillfully. An admirable
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woman.
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TROI
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I'll be sure to tell her you said
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so.
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Worf leaves Deanna at her door, continues on his way.
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Before her door opens, she hears a voice in her head:
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LWAXANA (TELEPATHIC V.O.)
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Come in, Little One.
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Troi reacts and enters.
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9 INT. TROI'S QUARTERS (OPTICAL)
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Lwaxana lies with her eyes open as if unseeing.
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Unusual Betazed candles burn at each side of her head.
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The room lighting adds to the effect of her appearing
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dead, but actually she's in a meditative state.
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Betazed is visible through the window.
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STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT ONE 9.
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9 CONTINUED:
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TROI
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Mother.
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(more firmly)
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Mother, please.
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LWAXANA (TELEPATHIC V.O.)
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Just a moment, Little One. I'm
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at one with All Being.
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Troi is silent for a beat, then Lwaxana's eyes flutter,
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and she returns to her familiar feisty self.
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LWAXANA
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After that horrible little Ferengi
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insulted me, I needed to center
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myself.
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(a beat)
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Can you imagine that creature
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talking to me like that? Didn't
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he realize I am the Daughter of
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the Fifth House of Betazed, keeper
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of the Chalice of Rixx?
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TROI
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Mother, the Chalice of Rixx is
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an old clay pot with mold growing
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inside it!
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LWAXANA
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My dear, when you become old
|
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enough and wise enough, you'll
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understand. Now sit down and
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talk to me. We don't spend enough
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time together.
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TROI
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(sincerely)
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That's true. I'm sorry, and I
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didn't mean to be upset with you
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at the reception.
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LWAXANA
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Deanna... you must understand,
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you're all I've got. My only
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concern is for your happiness.
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TROI
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(a tad irritated)
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I am happy. Why can't you believe
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that?
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STAR TREK: "Menage a Troi" - REV. 3/16/90 - ACT ONE 10.
|
||
|
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9 CONTINUED: (2)
|
||
|
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LWAXANA
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I wish I could. How much
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happiness is there in always being
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there for someone else, but never
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||
being there for yourself?
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||
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Troi feels the anger heating up inside her, fights to
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control it. After all, she's a trained psychologist.
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||
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||
TROI
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I get great satisfaction out of
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my work.
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LWAXANA
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I'm sure it's rewarding, in its
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way. But what about a family?
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TROI
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This is my family -- my friends
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-- here on the Enterprise.
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LWAXANA
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(hurt)
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I am your family, or have you
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forgotten? And if I have to spell
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it out for you, I'm talking about
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finding a husband, having a child.
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That's what made me happy. At
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||
least until now.
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Troi suppresses her growing anger, hoping to avoid a
|
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fight.
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TROI
|
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Look, Mother. Perhaps some day
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||
I'll marry. But you've got to
|
||
let me make my own choices...
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live my own life, not the life
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you'd choose for me.
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|
||
STAR TREK: "Menage a Troi" - REV. 3/13/90 - ACT ONE 11.
|
||
|
||
9 CONTINUED: (3)
|
||
|
||
LWAXANA
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||
(driving it home)
|
||
You had a chance... with Commander
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Riker. And look how you ruined
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||
that.
|
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|
||
That does it.
|
||
|
||
TROI
|
||
(angry now)
|
||
I did not ruin anything. We
|
||
became very good friends.
|
||
|
||
LWAXANA
|
||
All the better. You certainly
|
||
wouldn't want to marry an enemy.
|
||
(on Troi's look:)
|
||
But I see we can't discuss this.
|
||
So have it your way, Little One.
|
||
|
||
That really does it.
|
||
|
||
TROI
|
||
Little One? When I was five you
|
||
called me that. Stop demeaning
|
||
me and address me as an adult.
|
||
|
||
Troi storms out.
|
||
|
||
10 INT. CORRIDOR
|
||
|
||
Troi's not even sure where she's going; she just had to
|
||
get out of there. And as she walks, she hears:
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
I'll be home on Betazed if you
|
||
need me, Lit --
|
||
(a beat)
|
||
Deanna.
|
||
|
||
11 INT. READY ROOM
|
||
|
||
Picard and Riker have been listening to a briefing from
|
||
Data, Geordi and Wesley on equipment to be used in
|
||
the next mission. Wesley is concluding his report.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT ONE 12.
|
||
|
||
11 CONTINUED:
|
||
|
||
WESLEY
|
||
Adding preprocessors to the
|
||
neutrino counters boosted
|
||
efficiency by eleven percent.
|
||
Of course, Commander La Forge and
|
||
Commander Data did most of the
|
||
work...
|
||
|
||
GEORDI
|
||
Not so fast, Wesley.
|
||
Preprocessing the data with an
|
||
optical chip was your idea.
|
||
|
||
DATA
|
||
Correct, sir. Although Commander
|
||
La Forge and I designed the chip,
|
||
Ensign Crusher derived the
|
||
equations governing its operation.
|
||
|
||
RIKER
|
||
The point is, you've completed
|
||
our upgrade well ahead of
|
||
schedule. Most impressive.
|
||
|
||
PICARD
|
||
Indeed, Number One. Fine work
|
||
-- especially you, Mister Crusher.
|
||
We're going to miss you.
|
||
|
||
Wesley can't help it. He knows what's coming and the
|
||
grin just grows until he's all smiles.
|
||
|
||
PICARD (cont'd)
|
||
As you might guess, your final
|
||
entrance examination scores for
|
||
Starfleet Academy have arrived.
|
||
(a beat)
|
||
Congratulations. As soon as you
|
||
complete the oral exam, you'll
|
||
be formally admitted.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT ONE 13.
|
||
|
||
11 CONTINUED: (2)
|
||
|
||
RIKER
|
||
We'll have you back at Betazed
|
||
in plenty of time to meet the
|
||
Academy transport ship.
|
||
|
||
WESLEY
|
||
Thank you, sir.
|
||
|
||
PICARD
|
||
That will be all.
|
||
|
||
They begin to EXIT.
|
||
|
||
PICARD (cont'd)
|
||
A moment, Number One.
|
||
|
||
RIKER
|
||
Yes, Captain?
|
||
|
||
PICARD
|
||
Your science team is very
|
||
efficient. How many days would
|
||
you say they managed to shave off
|
||
our mission?
|
||
|
||
RIKER
|
||
Approximately three. Thanks to
|
||
the equipment upgrade, we'll be
|
||
able to complete our survey in
|
||
less than twenty-four hours.
|
||
|
||
PICARD
|
||
Splendid, Number One.
|
||
(a beat)
|
||
You'd agree that this is a rather
|
||
routine mapping mission?
|
||
|
||
RIKER
|
||
(what's he getting at?)
|
||
Yes, sir...
|
||
|
||
PICARD
|
||
Counselor Troi had the good sense
|
||
to request shore leave. I see
|
||
I'm going to have to suggest it
|
||
to you.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/14/90 - ACT ONE 14.
|
||
|
||
11 CONTINUED: (3)
|
||
|
||
Riker opens his mouth to protest, then begins to think
|
||
it over. Maybe it wouldn't be so bad. At his slight
|
||
smile:
|
||
|
||
PICARD (cont'd)
|
||
Have a good time, Number One.
|
||
|
||
12 EXT. BETAZED - DAY - MATTE (OPTICAL)
|
||
|
||
A 24th-century "city" -- technologically advanced
|
||
yet so well blended in with nature so that the effect
|
||
is relaxing and pastoral.
|
||
|
||
13 EXT. BETAZED CLEARING - DAY
|
||
|
||
A secluded spot in the greenbelt. Lush plants surround
|
||
this open area, and a dirt path leads off into dense
|
||
foliage. Riker and Troi are looking for something in
|
||
the greenery. Their mood is light as they enjoy this
|
||
brief shore leave.
|
||
|
||
RIKER
|
||
I'm sure it was around here
|
||
somewhere...
|
||
|
||
TROI
|
||
It's been a few years. Maybe it
|
||
died.
|
||
|
||
RIKER
|
||
You know Muktok plants live for
|
||
hundreds of years...
|
||
|
||
Riker brushes aside some leaves to reveal an
|
||
exotic-looking plant with bluish foliage and eight
|
||
silver flowers.
|
||
|
||
RIKER (cont'd)
|
||
Here it is...
|
||
|
||
Troi joins Riker as he touches the blooms. SOUND of
|
||
MUSICAL NOTES, an alien melody.
|
||
|
||
TROI
|
||
It's lovely. I remember this
|
||
music... and all the good times
|
||
we had.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT ONE 15.
|
||
|
||
13 CONTINUED:
|
||
|
||
RIKER
|
||
A certain junior lieutenant will
|
||
always remember meeting a very
|
||
serious psychology student. It
|
||
was the best thing about being
|
||
assigned to Betazed.
|
||
|
||
It's a rare moment of closeness for them, and it seems
|
||
quite natural for Riker to put his arm around her and
|
||
give her a warm kiss. The moment is interrupted by the
|
||
sound of a voice.
|
||
|
||
LWAXANA (O.S.)
|
||
Put the food down over there,
|
||
Mister Homn.
|
||
|
||
Startled, Troi pulls away from Riker. She gives him a
|
||
look: It can't be her! Riker and Troi step out of the
|
||
greenery to see Lwaxana supervising Mister Homn as he
|
||
empties the contents of a metal container onto a
|
||
silvery blanket. Lwaxana looks up, sees Riker and her
|
||
daughter.
|
||
|
||
LWAXANA
|
||
Isn't it a beautiful day for a
|
||
picnic?
|
||
|
||
TROI
|
||
(irritated)
|
||
Mother! How did you know about
|
||
this place?
|
||
|
||
LWAXANA
|
||
Your father used to bring me
|
||
here.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/13/90 - ACT ONE 16.
|
||
|
||
13 CONTINUED: (2)
|
||
|
||
Mr. Homn pours glasses of some mead-colored liquid,
|
||
passes it around and begins imbibing at an incredibly
|
||
fast pace. Riker and Troi realize they have no choice
|
||
but to make the best of it.
|
||
|
||
RIKER
|
||
(keeping it light)
|
||
And you even brought provisions.
|
||
Very thoughtful.
|
||
|
||
Lwaxana passes him something yellow with purple veins.
|
||
|
||
LWAXANA
|
||
Try this oskoid. The sap keeps
|
||
it deliciously warm.
|
||
|
||
RIKER
|
||
(trying it)
|
||
Very, very tasty.
|
||
(he eyes her)
|
||
Tell me, Lwaxana, the last time
|
||
we met, you were searching for
|
||
a husband. Did you have any luck?
|
||
|
||
LWAXANA
|
||
Alas, no, but what happens to me
|
||
isn't important. I'm more
|
||
concerned about other people
|
||
getting on with their lives.
|
||
|
||
TROI
|
||
Mother, this isn't the time or
|
||
the place...
|
||
|
||
LWAXANA
|
||
(who me?)
|
||
Did I mention any names?
|
||
|
||
TROI
|
||
(angry)
|
||
You didn't have to.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/16/90 - ACT ONE 17.
|
||
|
||
13 CONTINUED: (3)
|
||
|
||
LWAXANA
|
||
Can I help it if all my friends
|
||
are becoming grandparents?
|
||
(to Riker)
|
||
How about you, Will. Have you
|
||
ever thought of having children?
|
||
|
||
RIKER
|
||
(an honest answer)
|
||
There was a time when I thought
|
||
having children and a career in
|
||
Starfleet were incompatible. But
|
||
with Galaxy class starships having
|
||
families aboard, I've considered
|
||
that possibility...
|
||
|
||
LWAXANA
|
||
Yes, the Enterprise would be a
|
||
perfect environment to raise a
|
||
family... with someone...
|
||
|
||
TROI
|
||
(warning)
|
||
Mother!
|
||
|
||
LWAXANA
|
||
(ignoring her)
|
||
Mister Homn, I saw some
|
||
uttaberries along the path. Be
|
||
a dear and pick some for
|
||
dessert...
|
||
|
||
He nods, goes off down the path with the metal
|
||
container.
|
||
|
||
LWAXANA (cont'd)
|
||
Mister Homn and I can go back home
|
||
if you two want to be alone. It's
|
||
such a romantic setting...
|
||
|
||
TROI
|
||
(furious now)
|
||
Mother, stop it!
|
||
|
||
LWAXANA
|
||
Darling, you're so excitable these
|
||
days. Have you thought about a
|
||
leave of absence? I could talk
|
||
to Jean-Luc...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT ONE 18.
|
||
|
||
13 CONTINUED: (4)
|
||
|
||
RIKER
|
||
(to keep peace)
|
||
Deanna, try one of the oskoids.
|
||
They're different.
|
||
|
||
But now their attention is diverted by the SOUND of
|
||
an alien transporter beam.
|
||
|
||
RIKER (cont'd)
|
||
What the... ?
|
||
|
||
14 ANGLE ON DAIMON TOG (OPTICAL)
|
||
|
||
as his image COALESCES in a Ferengi TRANSPORTER BEAM.
|
||
|
||
15 BACK TO SHOT (OPTICAL)
|
||
|
||
Riker jumps to attention. The others are equally
|
||
surprised. Tog extends a bunch of sorrowful Ferengi
|
||
daisies to Lwaxana.
|
||
|
||
TOG
|
||
A gift for one whose beauty
|
||
surpasses even these pericules.
|
||
|
||
RIKER
|
||
Daimon Tog! I thought the
|
||
Krayton left orbit hours ago.
|
||
|
||
TOG
|
||
It did. But when I tried to put
|
||
the image of Lwaxana Troi out of
|
||
my mind... I could not succeed.
|
||
|
||
Lwaxana tosses the flowers into the pond.
|
||
|
||
LWAXANA
|
||
This is ludicrous! You came back
|
||
to Betazed -- for me?
|
||
|
||
TOG
|
||
Why continue to search for
|
||
perfection once you've found it?
|
||
And when I considered how useful
|
||
you would be...
|
||
|
||
TROI
|
||
I don't believe this...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT ONE 19.
|
||
|
||
15 CONTINUED:
|
||
|
||
LWAXANA
|
||
(to Tog)
|
||
Look, Demon Tog, or whatever you
|
||
call yourself, I am the Daughter
|
||
of the Fifth House of Betazed,
|
||
Keeper of the Holy Rings. And
|
||
unless you want to create an
|
||
interstellar incident, you had
|
||
better beam back to your ship.
|
||
|
||
TOG
|
||
Returning to my ship is exactly
|
||
what I had in mind.
|
||
(using communicator)
|
||
Krayton, transport four
|
||
immediately.
|
||
|
||
RIKER
|
||
No, Tog!
|
||
|
||
Riker goes for his phaser, realizes he hasn't brought
|
||
it to this usually peaceful place.
|
||
|
||
He moves toward the Ferengi when the four of them
|
||
DISAPPEAR in the Ferengi TRANSPORTER BEAM, leaving only
|
||
an empty clearing.
|
||
|
||
16 ANGLE ON PATH
|
||
|
||
as Mister Homn returns, his container full of green
|
||
berries. His lips are stained dark green -- he's been
|
||
eating much of what he's picked. He looks around at
|
||
the empty clearing -- where is everyone? Probably off
|
||
playing a game, so he pops another uttaberry into his
|
||
mouth while he waits for them to return.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 20.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
17 EXT. SPACE - FERENGI VESSEL KRAYTON (OPTICAL)
|
||
|
||
traveling at warp speed.
|
||
|
||
18 INT. FERENGI HOLDING TANK (OPTICAL)
|
||
|
||
Typical of a Ferengi ship: an ill-designed,
|
||
unattractive room. The furnishings are sparse. One
|
||
end of the room opens into an area where a companel
|
||
station is staffed by Nibor. A three-dimensional chess
|
||
board is on the console. Separating this holding tank
|
||
from Nibor is a lighted arch, suggesting a forcefield.
|
||
Riker, Troi, and Lwaxana are unconscious. Riker is
|
||
the first to come to, immediately going to Deanna and
|
||
her mother.
|
||
|
||
RIKER
|
||
Deanna? Lwaxana?
|
||
|
||
He rouses them to consciousness.
|
||
|
||
LWAXANA
|
||
Where are we?
|
||
|
||
RIKER
|
||
(indicating Nibor)
|
||
From the smell of things, I'd
|
||
say we're aboard a Ferengi vessel.
|
||
|
||
LWAXANA
|
||
The Ferengi can't do this! You're
|
||
Starfleet officers!
|
||
|
||
RIKER
|
||
Tog must have missed that chapter
|
||
in the Ferengi Book of Etiquette.
|
||
|
||
Riker tries his communicator. Nothing happens. He
|
||
adjusts, tries again.
|
||
|
||
RIKER
|
||
The Enterprise is too far out of
|
||
range.
|
||
|
||
He moves to the arch, tests it, gets repelled hard by
|
||
the forcefield.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 21.
|
||
|
||
18 CONTINUED:
|
||
|
||
Nibor touches a lighted area on his companel.
|
||
|
||
NIBOR
|
||
Daimon... they have regained
|
||
consciousness.
|
||
|
||
TOG'S COM VOICE
|
||
Very good.
|
||
|
||
Riker turns to Lwaxana in time to see both the women
|
||
DISAPPEAR in a FERENGI TRANSPORTER EFFECT. Oddly,
|
||
their clothing has not travelled with them! Riker
|
||
picks up Troi's uniform, turns to Nibor:
|
||
|
||
RIKER
|
||
(angry)
|
||
What have you done with them?
|
||
|
||
But Nibor doesn't answer, leaving Riker to ponder the
|
||
fate of the Trois.
|
||
|
||
19 INT. FERENGI LAB (OPTICAL)
|
||
|
||
Another example of tasteful Ferengi interior
|
||
decorating. Not a pleasant setting. Various pieces of
|
||
strange and dangerous-looking equipment are everywhere.
|
||
Compounds have spilled over and crusted on table
|
||
surfaces. It's the kind of place you'd like to scrub
|
||
down with Lysol. Troi and Lwaxana MATERIALIZE here,
|
||
completely naked. Lwaxana reacts to this.
|
||
|
||
LWAXANA
|
||
I should have known. Even their
|
||
transporters can't be trusted.
|
||
|
||
Dr. Farek ENTERS from a side room.
|
||
|
||
TROI
|
||
Why have you removed our clothing?
|
||
|
||
FAREK
|
||
Females do not deserve the honor
|
||
of clothing.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 22.
|
||
|
||
19 CONTINUED:
|
||
|
||
LWAXANA
|
||
(to Farek)
|
||
We are not Ferengi females.
|
||
(to Troi)
|
||
They're as bad as humans. Look
|
||
at the leer on his face.
|
||
|
||
20 ANGLE TO INCLUDE TOG (OPTICAL)
|
||
|
||
who ENTERS as Lwaxana is speaking.
|
||
|
||
TOG
|
||
No, his is an expression of
|
||
revulsion. But it is a feeling
|
||
I do not share, Lwaxana.
|
||
|
||
Lwaxana and Troi have found something with which to
|
||
partially cover themselves. Lwaxana throws a quick
|
||
look at Tog.
|
||
|
||
LWAXANA
|
||
It's cold in here. Do you want
|
||
me to become ill?
|
||
|
||
TOG
|
||
No, I don't. Farek, please
|
||
arrange for their clothing to be
|
||
returned.
|
||
|
||
LWAXANA
|
||
Thank you, Daimon Tog.
|
||
|
||
TOG
|
||
(so charming)
|
||
You must forgive the Doctor. He
|
||
is not accustomed to dealing with
|
||
Betazoid females.
|
||
(eyeing Lwaxana)
|
||
I have a business proposition for
|
||
you...
|
||
|
||
LWAXANA
|
||
Thanks, but I'm not interested
|
||
in any of your propositions.
|
||
|
||
TOG
|
||
Hear me out. Your telepathic
|
||
powers could bring us both great
|
||
profit.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 22A.
|
||
|
||
20 CONTINUED:
|
||
|
||
LWAXANA
|
||
And why would I want to bring you
|
||
profit?
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 23.
|
||
|
||
20 CONTINUED: (2)
|
||
|
||
FAREK
|
||
In order to keep your daughter
|
||
alive and healthy, for one...
|
||
|
||
TOG
|
||
(sharp)
|
||
Farek! There's no need for
|
||
threats.
|
||
(smiles at Lwaxana)
|
||
Lwaxana is a sensible female...
|
||
|
||
TROI (TELEPATHIC V.O.)
|
||
I don't like the sound of this,
|
||
mother.
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
(to Troi)
|
||
I believe I can control him,
|
||
Little One.
|
||
|
||
LWAXANA
|
||
(to Tog; seductive)
|
||
I'm sure we can talk about this.
|
||
Just the two of us.
|
||
|
||
TOG
|
||
A wise choice. Farek, leave us.
|
||
(to Troi)
|
||
And you may rejoin your friend.
|
||
|
||
Farek EXITS. Tog goes to a companel, hits a specific
|
||
series of lighted areas. Troi DEMATERIALIZES in the
|
||
FERENGI TRANSPORTER EFFECT.
|
||
|
||
TOG
|
||
(hot to trot)
|
||
And now, Lwaxana Troi, let us
|
||
"talk"...
|
||
|
||
Tog leers at Lwaxana. This is the moment he's been
|
||
waiting for. Tog presses another panel, and a bed
|
||
slides out from a wall.
|
||
|
||
21 EXT. SPACE - ENTERPRISE (OPTICAL)
|
||
|
||
travelling at warp speed, on its way to Gamma Erandi.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/13/90 - ACT TWO 23A.
|
||
|
||
22 INT. ENGINEERING
|
||
|
||
Geordi, Data and Wesley are working at a console near
|
||
the large wall schematic of the Enterprise.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/13/90 - ACT TWO 24.
|
||
|
||
22 CONTINUED:
|
||
|
||
GEORDI
|
||
Fifteen hours from Gamma Erandi,
|
||
and the subspace static is already
|
||
playing hell with
|
||
communications...
|
||
|
||
WESLEY
|
||
Just what we might expect in a
|
||
stellar nursery.
|
||
|
||
DATA
|
||
Wesley, my congratulations on
|
||
passing your Starfleet written
|
||
examinations. An excellent
|
||
achievement.
|
||
|
||
WESLEY
|
||
Thanks, Data. Now if I can just
|
||
do well on the oral exam...
|
||
|
||
GEORDI
|
||
You will. And when you return,
|
||
we'll be gaining the best ensign
|
||
in the fleet.
|
||
|
||
DATA
|
||
Actually, there is no guarantee
|
||
Wesley will be reassigned to the
|
||
Enterprise. Eighty-four per cent
|
||
of Starfleet graduates are not
|
||
posted to Galaxy class starships
|
||
for their first assignment.
|
||
|
||
Wesley reacts to this unexpected bit of news.
|
||
|
||
WESLEY
|
||
I never thought about that... I
|
||
always assumed I'd be coming back
|
||
to the Enterprise.
|
||
|
||
GEORDI
|
||
I'm sure Captain Picard will
|
||
request you... if he's still
|
||
commanding the Enterprise when
|
||
you graduate.
|
||
|
||
WESLEY
|
||
I hadn't thought about that,
|
||
either.
|
||
(MORE)
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 25.
|
||
|
||
22 CONTINUED: (2)
|
||
|
||
WESLEY (Cont'd)
|
||
(thinks)
|
||
I never thought I'd feel this way
|
||
about leaving the Enterprise...
|
||
and all of you.
|
||
|
||
DATA
|
||
Is that not a part of the human
|
||
experience -- growth and change?
|
||
|
||
WESLEY
|
||
(considers it)
|
||
I suppose so...
|
||
|
||
GEORDI
|
||
I felt the same way when I left
|
||
my family to go to the Academy.
|
||
But it was one of the best times
|
||
of my life. You're going to meet
|
||
new friends, have adventures you
|
||
can't even imagine yet...
|
||
|
||
Wesley is beginning to feel some mixed emotions now.
|
||
|
||
WESLEY
|
||
(unconvinced)
|
||
I hope you're right, Geordi.
|
||
|
||
23 OMITTED
|
||
|
||
24 INT. HOLDING TANK
|
||
|
||
Troi has returned and is again wearing her clothes. In
|
||
b.g., Nibor is playing 3-D chess with an N.D. Ferengi
|
||
crewman.
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
Little One --
|
||
|
||
Troi reacts as she "hears" her mother --
|
||
|
||
LWAXANA (TELEPATHIC V.O., cont'd)
|
||
-- Tog's given me something
|
||
perfectly hideous to wear... he
|
||
says it flatters my beauty.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 26.
|
||
|
||
24 CONTINUED:
|
||
|
||
TROI
|
||
(low, to Riker)
|
||
So far, mother's in no danger.
|
||
(a beat)
|
||
I hope she knows what she's
|
||
doing...
|
||
|
||
RIKER
|
||
She's bought us some time...
|
||
let's make the most of it.
|
||
|
||
Riker stands, crosses to the arch, studies the
|
||
chessboard for a beat. Nibor's scowling -- the Ferengi
|
||
crewman's got Nibor in a tough spot. Nibor reaches
|
||
for a piece:
|
||
|
||
RIKER (cont'd)
|
||
I wouldn't do that...
|
||
|
||
NIBOR
|
||
(scowls at Riker)
|
||
I don't need your help.
|
||
|
||
RIKER
|
||
The hell you don't. You're two
|
||
moves away from being mated.
|
||
|
||
Nibor ignores Riker, makes the move anyway. The
|
||
Ferengi crewman promptly makes his move -- and Nibor
|
||
winces; he didn't see the response coming.
|
||
|
||
RIKER (cont'd)
|
||
Hey, I warned you. Now you've
|
||
only got one possible escape...
|
||
|
||
Nibor waves Riker off, makes a move.
|
||
|
||
RIKER (cont'd)
|
||
... and that wasn't it.
|
||
|
||
The Ferengi crewman smiles, makes his move, then stands
|
||
up. The end. The crewman EXITS, smirking. Nibor
|
||
sullenly starts setting up the chessboard.
|
||
|
||
RIKER (cont'd)
|
||
See? You should've moved the
|
||
bishop --
|
||
|
||
NIBOR
|
||
(snaps at him)
|
||
Ridiculous! The bishop was
|
||
pinned...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 26A.
|
||
|
||
24 CONTINUED: (2)
|
||
|
||
RIKER
|
||
(shrugs)
|
||
Okay, don't listen. Forget that
|
||
I beat you in thirty moves...
|
||
|
||
NIBOR
|
||
Pure luck.
|
||
|
||
RIKER
|
||
I was being polite. I could've
|
||
won in twenty moves.
|
||
|
||
Nibor glares at Riker.
|
||
|
||
NIBOR
|
||
Then prove it.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 27.
|
||
|
||
24 CONTINUED: (3)
|
||
|
||
Nibor makes an opening move.
|
||
|
||
NIBOR
|
||
Pawn to Queen Four, King's Level.
|
||
|
||
Riker locks eyes with Nibor.
|
||
|
||
RIKER
|
||
Pawn to King's Bishop Three,
|
||
Queen's Level.
|
||
|
||
Nibor sneers at Riker, makes Riker's move, studies the
|
||
board.
|
||
|
||
25 INT. FERENGI LAB
|
||
|
||
The lighting has been changed. It's softer now. Tog
|
||
and Lwaxana are alone. he has just poured something
|
||
liquid into a glass for her. She is wearing a sexy
|
||
gown, and feeling rather seductive. They are sitting
|
||
close together on the edge of the bed.
|
||
|
||
LWAXANA
|
||
I must admit, when you first
|
||
approached me on the Enterprise,
|
||
I was intrigued.
|
||
|
||
TOG
|
||
You mean revolted.
|
||
|
||
LWAXANA
|
||
(laughs)
|
||
Maybe a little. Do you forgive
|
||
me?
|
||
|
||
He continues to move even closer to her as they talk.
|
||
|
||
TOG
|
||
Yes. With your powers we could
|
||
be a formidable team.
|
||
|
||
He puts his hand on her shoulder. She does not resist.
|
||
|
||
LWAXANA
|
||
You have great strength in your
|
||
hands.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT TWO 28.
|
||
|
||
25 CONTINUED:
|
||
|
||
TOG
|
||
(pleased)
|
||
And you like that?
|
||
|
||
LWAXANA
|
||
I have always admired strong
|
||
males.
|
||
|
||
TOG
|
||
You are beautiful... it is
|
||
impossible to resist you...
|
||
|
||
LWAXANA
|
||
Then don't.
|
||
|
||
And he moves even closer. She bends slightly forward
|
||
to meet him, and as they kiss, we:
|
||
|
||
CUT TO:
|
||
|
||
25A INT. HOLDING TANK
|
||
|
||
Riker's in b.g., looking at Nibor and the chessboard on
|
||
the other side of the archway. CLOSE on Troi --
|
||
reacting to what's coming across her telepathic link to
|
||
Lwaxana...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 29.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
26 EXT. SPACE - ENTERPRISE (OPTICAL)
|
||
|
||
In the Gamma Erandi Nebula, a gaseous interstellar
|
||
cloud aglow with brilliant light reflected back from
|
||
its ionized particles. Within are nests of hundreds of
|
||
embryonic stars, dense globules of nuclear fusion
|
||
pouring forth light and heat, on the most massive scale
|
||
imaginable.
|
||
|
||
27 INT. MAIN BRIDGE (OPTICAL)
|
||
|
||
Picard in command chair, Worf at Tactical, Data at Ops.
|
||
Other supernumeraries staff the Bridge stations. On
|
||
screen is a breathtaking view of Gamma Erandi.
|
||
|
||
DATA
|
||
Initial scans of ionization
|
||
patterns complete, sir. Now
|
||
correlating sensor readings.
|
||
|
||
PICARD
|
||
(indicating screen)
|
||
It's almost incomprehensible, the
|
||
amount of energy being expended...
|
||
|
||
DATA
|
||
Actually, it is five point three
|
||
four times ten to the forty-first
|
||
watts... well within the norm for
|
||
phenomena of this type.
|
||
|
||
PICARD
|
||
Perhaps... but that takes away
|
||
none of the wonder.
|
||
|
||
Data nods, watches the screen, trying to comprehend the
|
||
emotions Picard and the others must feel viewing this.
|
||
|
||
28 INT. WESLEY'S QUARTERS
|
||
|
||
Wesley is deciding which personal items to take with
|
||
him. As he surveys his possessions, he will discard
|
||
some and place others in a "keep" pile. DOOR CHIME.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 30.
|
||
|
||
28 CONTINUED:
|
||
|
||
Wesley's looking intently upon an unusual piece of
|
||
equipment, doesn't turn around to face the door.
|
||
|
||
WESLEY
|
||
Come in.
|
||
|
||
SOUND of DOOR OPENING O.S.
|
||
|
||
BEVERLY (O.S.)
|
||
Hi. I brought you something...
|
||
|
||
WESLEY
|
||
I hope it's small, because I'm
|
||
taking way too much as it is...
|
||
|
||
Wesley turns as Beverly ENTERS FRAME carrying a tray
|
||
with a decanter and two glasses.
|
||
|
||
BEVERLY
|
||
Your friend Guinan sent this up
|
||
from Ten Forward. It's not to
|
||
pack -- it's for me to propose
|
||
a toast with.
|
||
|
||
Beverly pours.
|
||
|
||
BEVERLY (cont'd)
|
||
To a future Starfleet officer.
|
||
|
||
Wesley's surprised --and touched.
|
||
|
||
WESLEY
|
||
Mom -- thanks.
|
||
|
||
Beverly hands Wesley a glass, raises hers in a toast.
|
||
|
||
BEVERLY
|
||
I won't say "give it your best"
|
||
because I know you will. I won't
|
||
say "make me proud"... because
|
||
you already have. So I'll just
|
||
say... here's to your future.
|
||
|
||
They clink glasses and drink. Wesley picks up the
|
||
piece of equipment:
|
||
|
||
WESLEY
|
||
This was Dad's...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 30A.
|
||
|
||
28 CONTINUED: (2)
|
||
|
||
BEVERLY
|
||
(nods)
|
||
From the Stargazer. Do you have
|
||
room for it?
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 31.
|
||
|
||
28 CONTINUED: (3)
|
||
|
||
WESLEY
|
||
No... but I'm taking it anyway.
|
||
|
||
Beverly nods -- "he'd be pleased."
|
||
|
||
29 OMITTED
|
||
|
||
30 INT. HOLDING TANK (OPTICAL)
|
||
|
||
Riker and Troi are still in the cell; Nibor smugly
|
||
makes a move on the chessboard.
|
||
|
||
NIBOR
|
||
Check.
|
||
|
||
Riker frowns, turns away from the arch.
|
||
|
||
RIKER
|
||
I'm sick of this game.
|
||
|
||
NIBOR
|
||
Of course -- now that you're
|
||
losing.
|
||
|
||
Riker sits down, away from the archway.
|
||
|
||
RIKER
|
||
Who's losing? I'm just tired of
|
||
standing up.
|
||
|
||
NIBOR
|
||
You can't resign now.
|
||
|
||
RIKER
|
||
It's too hard to play from in
|
||
here. I can't even see the whole
|
||
board.
|
||
|
||
NIBOR
|
||
(catches on)
|
||
Ah, then you'll finish the game
|
||
if I let you out of the cell.
|
||
|
||
RIKER
|
||
I might...
|
||
|
||
NIBOR
|
||
Clever, hyoo-man, but I'm not
|
||
that foolish.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT THREE 31A.
|
||
|
||
30 CONTINUED:
|
||
|
||
RIKER
|
||
(with disdain)
|
||
What -- you're afraid I'd try to
|
||
escape? What would that get me?
|
||
You'd still have her. And
|
||
besides... where would I go?
|
||
|
||
NIBOR
|
||
(unsure)
|
||
I do not trust you...
|
||
|
||
Riker puts his feet up, makes himself comfortable.
|
||
|
||
RIKER
|
||
Fine. Thanks for the game.
|
||
|
||
Nibor thinks it over -- then picks up his phaser, and
|
||
lowers the forcefield. Gestures to Riker.
|
||
|
||
NIBOR
|
||
Come out here.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 32.
|
||
|
||
30 CONTINUED: (2)
|
||
|
||
Riker crosses through the archway, steps up to the
|
||
chessboard. Nibor restores the forcefield, keeping
|
||
Troi captive in the cell.
|
||
|
||
NIBOR (cont'd)
|
||
Now save your rook... if you can.
|
||
|
||
As Riker thoughtfully circles the board:
|
||
|
||
CUT TO:
|
||
|
||
31 INT. FERENGI LAB
|
||
|
||
Tog sits on the floor at Lwaxana's feet, his head
|
||
resting against her lap.
|
||
|
||
LWAXANA
|
||
... and that was my first husband.
|
||
Not much of a conversationalist,
|
||
but what a lover. Then I met --
|
||
|
||
TOG
|
||
(interrupting)
|
||
I do not want to hear about your
|
||
other romances. It makes me
|
||
jealous.
|
||
|
||
She wants to keep control of the situation, so she
|
||
changes tactics, begins rubbing his ears.
|
||
|
||
LWAXANA
|
||
My, what big ears you have. Has
|
||
anyone ever told you how
|
||
attractive they are?
|
||
|
||
TOG
|
||
(melting)
|
||
Some females think they are my
|
||
best feature.
|
||
|
||
Lwaxana begins massaging his ears, and he relaxes into
|
||
some sort of alpha state.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 33.
|
||
|
||
31 CONTINUED:
|
||
|
||
TOG
|
||
(continuing)
|
||
No one has ever given me oo-mox
|
||
like this before.
|
||
|
||
LWAXANA
|
||
Oo-mox?
|
||
|
||
TOG
|
||
There is no translation. But the
|
||
ear is one of our most erogenous
|
||
zones.
|
||
|
||
LWAXANA
|
||
(hesitates, then)
|
||
Then you shall have as much oo-mox
|
||
as you desire.
|
||
|
||
He relaxes into the alpha state even more, turning in
|
||
worshipful gaze toward her.
|
||
|
||
32 INT. HOLDING TANK
|
||
|
||
CLOSE on Nibor, unconscious on the floor. WIDEN to
|
||
reveal Riker standing above Nibor, rubbing his sore
|
||
knuckles.
|
||
|
||
RIKER
|
||
Those Ferengi have iron jaws...
|
||
|
||
Riker works the console.
|
||
|
||
32A ANGLE ON THE ARCHWAY (OPTICAL)
|
||
|
||
as the FORCEFIELD shimmers and disappears. Troi
|
||
crosses to Riker's side.
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
Little One --
|
||
|
||
Troi reacts to "hearing" her mother.
|
||
|
||
LWAXANA (TELEPATHIC V.O., cont'd)
|
||
-- if Tog were a kitten, he'd
|
||
be purring.
|
||
|
||
TROI
|
||
Good work, Mother.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 33A.
|
||
|
||
32A CONTINUED:
|
||
|
||
Riker reacts, gives Troi an inquiring look. Troi
|
||
explains:
|
||
|
||
TROI (cont'd)
|
||
According to mother, Daimon Tog
|
||
is... extremely relaxed at the
|
||
moment.
|
||
|
||
RIKER
|
||
Tell Lwaxana to keep him relaxed
|
||
while we call the cavalry...
|
||
|
||
Riker crosses to the computer terminal and taps keys,
|
||
but:
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 34.
|
||
|
||
32A CONTINUED: (2)
|
||
|
||
COMPUTER VOICE
|
||
Access to communications denied.
|
||
All transmissions to be
|
||
authorized by Daimon Tog.
|
||
|
||
Riker and Troi exchange a look -- "are you thinking
|
||
what I'm thinking?"
|
||
|
||
TROI
|
||
Let's see just how relaxed Daimon
|
||
Tog is...
|
||
|
||
33 INT. FERENGI LAB
|
||
|
||
Tog is gazing lovingly up at Lwaxana.
|
||
|
||
TROI (TELEPATHIC V.O.)
|
||
Mother -- we're out of the cell
|
||
and we're trying to contact the
|
||
Enterprise... but we can't do it
|
||
without Tog's access code. Do
|
||
you think --
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
Say no more, Little One.
|
||
|
||
TOG
|
||
Lwaxana... you and I are going
|
||
to make such a wonderful team...
|
||
With your telepathy and my
|
||
cunning, I foresee --
|
||
|
||
LWAXANA
|
||
(finishes it)
|
||
-- a very profitable future.
|
||
|
||
Tog is in ecstasy.
|
||
|
||
34 EXT. SPACE - ENTERPRISE (OPTICAL)
|
||
|
||
at warp speed.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 35.
|
||
|
||
35 INT. MAIN BRIDGE (OPTICAL)
|
||
|
||
Picard, Worf, and Data still at their stations; various
|
||
supernumeraries staff other positions.
|
||
|
||
WORF
|
||
Subspace interference is
|
||
subsiding... communications have
|
||
been restored...
|
||
|
||
PICARD
|
||
Good. Contact Commander Riker
|
||
on Betazed.
|
||
|
||
WORF
|
||
(observing panel)
|
||
Message coming in from Betazed,
|
||
sir. Priority One.
|
||
|
||
PICARD
|
||
(concerned)
|
||
On screen.
|
||
|
||
The image of Reittan Grax, the Betazed conference
|
||
director, fills the screen.
|
||
|
||
REITTAN GRAX
|
||
Captain Picard, at last. We've
|
||
been trying to reach you for two
|
||
days.
|
||
|
||
PICARD
|
||
Our communications were blocked
|
||
by the nebula, Reittan. Is there
|
||
a problem?
|
||
|
||
REITTAN GRAX
|
||
I'm afraid so, Captain. Lwaxana,
|
||
Deanna and Commander Riker have
|
||
disappeared.
|
||
|
||
On Picard's reaction...
|
||
|
||
CUT TO:
|
||
|
||
36 OMITTED
|
||
|
||
37 INT. FERENGI LAB
|
||
|
||
Lwaxana has been "oo-moxing" Tog into a deeper alpha
|
||
state and he's now on the verge of sleep.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/27/90 - ACT THREE 36.
|
||
|
||
37 CONTINUED:
|
||
|
||
TOG
|
||
I knew I wanted you the moment
|
||
I saw you... you have fulfilled
|
||
all my expectations.
|
||
|
||
LWAXANA
|
||
How sweet.
|
||
|
||
TOG
|
||
(sleepily)
|
||
Farek thought it was a bad idea...
|
||
but I knew better...
|
||
|
||
LWAXANA
|
||
How clever.
|
||
|
||
TOG
|
||
I knew best... I always know
|
||
best...
|
||
|
||
LWAXANA
|
||
(to herself)
|
||
How repugnant.
|
||
|
||
TOG
|
||
(didn't catch it)
|
||
What?
|
||
|
||
LWAXANA
|
||
I said, "how romantic." I can't
|
||
resist a man who knows what he
|
||
wants... and goes after it.
|
||
|
||
TOG
|
||
That's me. And that's why I'm
|
||
Daimon of this ship... I take
|
||
charge of every situation.
|
||
(demonstrating; a
|
||
command)
|
||
More to the left, woman.
|
||
|
||
LWAXANA
|
||
Whatever you say...
|
||
|
||
Lwaxana obediently favors Tog's left ear. Tog happily
|
||
drifts off again.
|
||
|
||
LWAXANA (cont'd)
|
||
My darling, would you like
|
||
something to drink?
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/27/90 - ACT THREE 36A.
|
||
|
||
37 CONTINUED: (2)
|
||
|
||
TOG
|
||
(murmuring, half-asleep)
|
||
You're so attentive.
|
||
|
||
LWAXANA
|
||
Does your food synthesizer know
|
||
how to make an Arcturian Fizz?
|
||
|
||
TOG
|
||
I don't think so...
|
||
|
||
LWAXANA
|
||
They have certain pleasure-enhancing
|
||
qualities.
|
||
|
||
TOG
|
||
(sounds good)
|
||
Mmmm...
|
||
|
||
LWAXANA
|
||
Let me teach the computer how to
|
||
make one.
|
||
(a beat)
|
||
I'll need your access code...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 37.
|
||
|
||
37 CONTINUED: (2)
|
||
|
||
Tog's practically in Ferengi lala land, about to slip
|
||
into slumber. Dreamily:
|
||
|
||
TOG
|
||
Yes, beloved... Computer -- access
|
||
code Keh-ee Yoor-ee Dah-teh-ee
|
||
--
|
||
|
||
FAREK (O.S.)
|
||
Tog! Be silent!
|
||
|
||
Lwaxana, startled, turns to see --
|
||
|
||
38 NEW ANGLE
|
||
|
||
An angry Farek is standing in the doorway.
|
||
|
||
FAREK
|
||
I knew you were not to be trusted.
|
||
|
||
LWAXANA
|
||
Doctor Farek! I was... going to
|
||
make Daimon Tog a drink...
|
||
|
||
FAREK
|
||
Save your lies for this fool...
|
||
|
||
Farek indicates Tog, who's slowly regaining alertness.
|
||
|
||
LWAXANA
|
||
Daimon Tog, he's misunderstood...
|
||
Don't listen to him.
|
||
|
||
FAREK
|
||
(to Tog)
|
||
No -- you've misunderstood.
|
||
You've been tricked by a sly
|
||
female who finds you repulsive.
|
||
|
||
TOG
|
||
She was only trying to serve...
|
||
|
||
FAREK
|
||
You almost gave her complete
|
||
access to the ship's computer...
|
||
(pointed)
|
||
... a security breach severe enough
|
||
to cost you your command!
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT THREE 38.
|
||
|
||
38 CONTINUED:
|
||
|
||
Tog falls silent, realizing Farek's got him by the
|
||
short hairs.
|
||
|
||
FAREK (cont'd)
|
||
It's time you took my advice.
|
||
Let me study her.
|
||
|
||
TOG
|
||
Study her? Your mind probes could
|
||
kill her.
|
||
|
||
FAREK
|
||
(unconcerned)
|
||
You brought her aboard for her
|
||
telepathic powers. If I can
|
||
determine what neural
|
||
configuration gives her those
|
||
powers, we may be able to
|
||
duplicate them. We could still
|
||
profit from this.
|
||
|
||
TOG
|
||
I don't know...
|
||
|
||
FAREK
|
||
A true Daimon would not be blinded
|
||
by lust. Give her to me or I will
|
||
be forced to report your
|
||
transgression.
|
||
|
||
Tog is devastated. His darling may have betrayed him,
|
||
and now he's locked in a power struggle with his first
|
||
officer. Rather weakly he agrees.
|
||
|
||
TOG
|
||
Very well... take her.
|
||
|
||
On Lwaxana's reaction:
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/23/90 - ACT FOUR 39.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
In orbit around Betazed.
|
||
|
||
40
|
||
thru OMITTED
|
||
42
|
||
|
||
43 EXT. BETAZED CLEARING
|
||
|
||
Worf and three supernumeraries are inspecting the scene
|
||
with tricorders.
|
||
|
||
44 NEW ANGLE
|
||
|
||
to include Reittan Grax.
|
||
|
||
REITTAN GRAX
|
||
I wish I had some answers for you,
|
||
Lieutenant Worf.
|
||
|
||
WORF
|
||
Mister Homn was no help?
|
||
|
||
REITTAN GRAX
|
||
None. He last saw them as he was
|
||
leaving this clearing. When he
|
||
returned, all three of them were
|
||
gone.
|
||
|
||
Data returns, holding the bunch of wilted flowers we
|
||
saw earlier.
|
||
|
||
DATA
|
||
Lieutenant Foley found these in
|
||
the pond. The species is Zan
|
||
Periculi. It is not indigenous to
|
||
Betazed, but to Lappa IV... a
|
||
Ferengi world.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT FOUR 40.
|
||
|
||
44A INT. CAPTAIN'S READY ROOM
|
||
|
||
Picard, Geordi, Data, and Worf. The flowers are on the
|
||
Captain's desk.
|
||
|
||
PICARD
|
||
We now have a reasonable
|
||
hypothesis as to whom.
|
||
|
||
WORF
|
||
The difficult question is where.
|
||
|
||
GEORDI
|
||
The Ferengi ship is almost as fast
|
||
as the Enterprise... she could
|
||
be just about anywhere by now.
|
||
|
||
Picard considers for a beat.
|
||
|
||
PICARD
|
||
Commander Riker will assume that
|
||
we'll be searching for them...
|
||
he'll find some way to send us
|
||
a message.
|
||
(a beat)
|
||
Mister Worf, I want continual
|
||
monitoring of all Ferengi subspace
|
||
frequencies. Mister La Forge,
|
||
can you extend our sensor range?
|
||
|
||
GEORDI
|
||
(thinking)
|
||
If I narrow the band and tie in
|
||
long-range sensors to the subspace
|
||
scanners, I can boost the gain...
|
||
|
||
PICARD
|
||
Make it so.
|
||
|
||
DATA
|
||
Do you wish to leave orbit?
|
||
|
||
PICARD
|
||
Not until we have someplace to
|
||
go.
|
||
|
||
45 EXT. SPACE - THE KRAYTON (OPTICAL)
|
||
|
||
travelling at warp speed.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FOUR 40A.
|
||
|
||
46 INT. HOLDING TANK (OPTICAL)
|
||
|
||
As before: Nibor unconscious on the floor, Riker
|
||
working at the computer terminal, Troi looking on.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT FOUR 41.
|
||
|
||
46 CONTINUED:
|
||
|
||
RIKER
|
||
(shakes his head)
|
||
I've tried everything I know...
|
||
and it's no use. Without Tog's
|
||
security code, I can't get near
|
||
the communication system.
|
||
|
||
TROI
|
||
We're running out of time...
|
||
Farek's about to begin the neural
|
||
scan on mother.
|
||
|
||
Riker's doing everything he can at the computer
|
||
terminal.
|
||
|
||
RIKER
|
||
(thinking)
|
||
Maybe I'm going about this the
|
||
wrong way. If I pick a minor
|
||
subsystem... something non-essential...
|
||
|
||
Riker works the console, brings up a control schematic.
|
||
|
||
RIKER (cont'd)
|
||
Like this... the warp field phase
|
||
adjustment. All this does is
|
||
suppress the subspace
|
||
interference generated by the
|
||
warp engines.
|
||
|
||
TROI
|
||
Meaning what?
|
||
|
||
RIKER
|
||
Meaning if I set up a simple
|
||
oscillation, I can send out a
|
||
signal.
|
||
(studying schematic)
|
||
The trick is to create a message
|
||
that the Enterprise will
|
||
understand... but that the Ferengi
|
||
will think is just normal
|
||
subspace static.
|
||
|
||
Riker punches in a complex set of computer
|
||
instructions. Troi flinches at a sudden pain. Riker
|
||
notices.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FOUR 41A.
|
||
|
||
46 CONTINUED: (2)
|
||
|
||
RIKER (cont'd)
|
||
What's wrong?
|
||
|
||
TROI
|
||
Mother...
|
||
|
||
46A INT. FERENGI LAB (OPTICAL)
|
||
|
||
Lwaxana on the Ferengi operating table. A strange
|
||
device is probing the Betazoid's mind. Lwaxana is
|
||
writhing in agony. A monitor shows the woman's brain,
|
||
changes in color indicating the manipulations Farek is
|
||
putting her through.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT FOUR 42-42A.
|
||
|
||
46B INT. HOLDING TANK (OPTICAL)
|
||
|
||
Riker holding Troi. She is really suffering, but
|
||
trying to be a good soldier and handle it.
|
||
|
||
TROI
|
||
Will...
|
||
(again a cry of pain
|
||
quickly suppressed)
|
||
... we've got to help her...
|
||
|
||
Riker makes a decision, picks up Nibor's phaser.
|
||
|
||
RIKER
|
||
Come on.
|
||
|
||
Riker and Troi EXIT.
|
||
|
||
47 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
orbiting Betazed.
|
||
|
||
48 INT. MAIN BRIDGE (OPTICAL)
|
||
|
||
A flurry of activity. Data at Science One; Geordi at
|
||
Engineering; Wesley assisting Geordi; Worf at Tactical.
|
||
Supernumeraries are at other stations. They are
|
||
examining all possible information to discover where
|
||
the Ferengi have taken their hostages.
|
||
|
||
GEORDI
|
||
(to Wesley)
|
||
Thanks for the help, but you'd
|
||
better get aboard the Bradbury
|
||
-- they were ready to leave orbit
|
||
an hour ago.
|
||
|
||
WESLEY
|
||
(nods)
|
||
Soon as we're sure this works...
|
||
|
||
GEORDI
|
||
(to Picard)
|
||
Initiating scans now, sir.
|
||
|
||
We HEAR a succession of CODED RADIO SIGNALS -- all
|
||
weak, scrambled, unintelligible, and covered with
|
||
layers of HISS, rhythmic POPS, and STATIC. Each
|
||
scanned sample lasts about five seconds.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FOUR 43.
|
||
|
||
48 CONTINUED:
|
||
|
||
PICARD
|
||
Can we locate the Krayton?
|
||
|
||
Data and Wesley work at Science One.
|
||
|
||
DATA
|
||
Ferengi transmissions are
|
||
routinely scrambled and encoded,
|
||
sir. Without breaking the code,
|
||
we will be unable to identify any
|
||
specific Ferengi vessel.
|
||
|
||
GEORDI
|
||
(as he works)
|
||
And Ferengi codes are damn near
|
||
impossible to break...
|
||
|
||
PICARD
|
||
Gentlemen, I have the utmost
|
||
confidence in your ability to
|
||
perform the impossible.
|
||
|
||
Geordi, Wesley, and Data keep working as the various
|
||
scanned SIGNALS continue. One signal contains a
|
||
particular pattern of rhythmic POPPING that catches
|
||
Wesley's attention for a moment -- though Wesley can't
|
||
put his finger on why. Then another SIGNAL in the scan
|
||
replaces it.
|
||
|
||
WORF
|
||
Captain, the Bradbury is hailing
|
||
us. They can no longer delay
|
||
their departure.
|
||
|
||
Picard turns to Wesley.
|
||
|
||
PICARD
|
||
Mister Crusher -- now. We have
|
||
no time for lengthy farewells.
|
||
Good luck.
|
||
|
||
WESLEY
|
||
Thank you, sir.
|
||
|
||
Wesley would like to say goodbye to everyone else, but
|
||
there's no more time. He takes one last look around
|
||
the Bridge as the rest of the Bridge crew resumes their
|
||
tasks:
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FOUR 43A.
|
||
|
||
48 CONTINUED: (2)
|
||
|
||
DATA
|
||
The repetitive nature of the
|
||
subcarrier pattern would imply
|
||
a modified Greenlaw-Huffman
|
||
encoding scheme...
|
||
|
||
GEORDI
|
||
Okay, I'll reverse-engineer the
|
||
algorithm using a Pileggi
|
||
sequence...
|
||
|
||
Wesley EXITS into the Turbolift. The doors close.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/16/90 - ACT FOUR 44.
|
||
|
||
49 INT. TRANSPORTER ROOM
|
||
|
||
An n.d. crewmember is at the Transporter console.
|
||
Beverly is near the pad, waiting with a travel case.
|
||
Wesley ENTERS, his manner thoughtful and preoccupied.
|
||
Beverly smiles proudly.
|
||
|
||
BEVERLY
|
||
Wesley... take care.
|
||
|
||
WESLEY
|
||
You too, Mom.
|
||
|
||
Beverly gives him a farewell hug. Wesley smiles at
|
||
her... but he just can't get his train of thought away
|
||
from the problem on the Bridge. Lost in thought,
|
||
Wesley steps onto the pad.
|
||
|
||
BEVERLY
|
||
Something the matter?
|
||
|
||
WESLEY
|
||
We've been scanning Ferengi
|
||
transmissions, trying to find
|
||
the Krayton. One of the signals
|
||
was... I don't know... familiar
|
||
somehow...
|
||
|
||
BEVERLY
|
||
Something in the message?
|
||
|
||
WESLEY
|
||
No -- the message was scrambled...
|
||
(suddenly it clicks)
|
||
It was the static.
|
||
|
||
Wesley steps off the pad, heads for the door.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/16/90 - ACT FOUR 45.
|
||
|
||
49 CONTINUED:
|
||
|
||
BEVERLY
|
||
Where are you going?
|
||
|
||
Too late; Wesley's already EXITED. On Beverly's
|
||
expression:
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 46.
|
||
|
||
ACT FIVE
|
||
|
||
FADE IN:
|
||
|
||
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
orbiting Betazed.
|
||
|
||
51 INT. MAIN BRIDGE
|
||
|
||
Picard, Data, Worf, Geordi, supernumeraries.
|
||
|
||
WORF
|
||
Sir, the Bradbury informs us they
|
||
can wait no longer for Mister
|
||
Crusher to come aboard.
|
||
|
||
Picard is surprised, but before he can respond, Wesley
|
||
ENTERS from the Turbolift. Everyone reacts.
|
||
|
||
WESLEY
|
||
Captain, I think there's a pattern
|
||
to the subspace interference I
|
||
heard on one of the Ferengi
|
||
messages.
|
||
|
||
PICARD
|
||
Wesley, unless you leave
|
||
immediately, you'll miss --
|
||
|
||
Wesley nods -- he knows what he's doing -- and
|
||
continues:
|
||
|
||
WESLEY
|
||
The interference itself could be
|
||
a message. If I could just hear
|
||
a replay of the subspace scans...
|
||
|
||
Picard studies Wesley, nods.
|
||
|
||
PICARD
|
||
(to Worf)
|
||
Signal the Bradbury they may
|
||
depart.
|
||
(to Data)
|
||
Play back the Ferengi
|
||
transmissions...
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/20/90 - ACT FIVE 47.
|
||
|
||
51 CONTINUED:
|
||
|
||
We HEAR the various CODED RADIO SIGNALS as before.
|
||
Wesley listens intently until he hears the SIGNAL with
|
||
the pattern of INTERFERENCE POPPING that caught his
|
||
attention before.
|
||
|
||
WESLEY
|
||
Wait -- repeat that one. Put it
|
||
on a continuous replay.
|
||
|
||
Data does so. The SIGNAL keeps playing.
|
||
|
||
WESLEY (cont'd)
|
||
Hear that popping noise? Data,
|
||
can you filter out everything but
|
||
that sound?
|
||
|
||
Data works the console. We now HEAR only the rhythmic
|
||
POPPING. Now that it's isolated, it's easier to
|
||
identify --
|
||
|
||
GEORDI
|
||
That's Cochrane distortion... a
|
||
fluctuation in the phase of the
|
||
subspace field. All warp engines
|
||
generate that kind of
|
||
interference.
|
||
|
||
WESLEY
|
||
But listen to the pattern... it's
|
||
the Algolian ceremonial rhythm
|
||
the musician was playing at the
|
||
reception.
|
||
|
||
DATA
|
||
Mister Crusher is correct, sir.
|
||
There is a temporal correlation.
|
||
|
||
PICARD
|
||
Then it is a signal from Commander
|
||
Riker.
|
||
(with admiration)
|
||
Ingenious. He selected a signal
|
||
we'd recognize... but one the
|
||
Ferengi would dismiss as static.
|
||
|
||
Wesley moves to Conn, relieves the crewman there.
|
||
Worf's been working the Tactical console under all
|
||
this, now reports:
|
||
|
||
WORF
|
||
Signal source located, Captain.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 47A-48.
|
||
|
||
51 CONTINUED: (2)
|
||
|
||
PICARD
|
||
Plot an intercept course.
|
||
|
||
Wesley's already punching it in at the helm.
|
||
|
||
WESLEY
|
||
Course plotted and laid in, sir.
|
||
|
||
PICARD
|
||
Well done, Mister Crusher. Warp
|
||
Eight.
|
||
|
||
WESLEY
|
||
Aye, sir.
|
||
|
||
PICARD
|
||
Engage.
|
||
|
||
52 OMITTED
|
||
|
||
53 INT. FERENGI LAB (OPTICAL)
|
||
|
||
Lwaxana Troi is restrained on a biobed. Farek is
|
||
making adjustments to his mind probe. Riker and Troi
|
||
ENTER.
|
||
|
||
Riker FIRES a single shot, destroying the probe. Farek
|
||
and Lwaxana react. Riker gestures with the phaser.
|
||
|
||
RIKER
|
||
Get away from her.
|
||
|
||
Farek moves quickly to obey. Troi crosses to her
|
||
mother, and unfastens the restraints. The stress of
|
||
her ordeal shows on her face as Lwaxana sits up.
|
||
|
||
Tog ENTERS, from behind Riker. He too holds a phaser.
|
||
|
||
TOG
|
||
Standoff, Commander.
|
||
|
||
Riker whirls to face this new threat.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 49.
|
||
|
||
53 CONTINUED:
|
||
|
||
LWAXANA
|
||
Tog, can't we strike a bargain?
|
||
All I'm concerned about is my
|
||
daughter's safety... what happens
|
||
to me isn't important.
|
||
|
||
TOG
|
||
What are you suggesting?
|
||
|
||
She sees an opening and takes full advantage.
|
||
|
||
LWAXANA
|
||
Let me be candid, Daimon Tog.
|
||
Deanna is of no use to you. She's
|
||
only half Betazoid. And if you
|
||
keep Riker, Starfleet will never
|
||
stop searching for you.
|
||
|
||
Tog nods judiciously -- "go on."
|
||
|
||
LWAXANA (cont'd)
|
||
If you release them, I'll stay
|
||
with you willingly... and use my
|
||
telepathy to aid you in your
|
||
negotiations.
|
||
|
||
Tog is wavering. Lwaxana clinches the deal:
|
||
|
||
LWAXANA (cont'd)
|
||
I will also show you some of my
|
||
other exotic skills...
|
||
|
||
Lwaxana does a strutting dance for Tog.
|
||
|
||
TOG
|
||
A tempting offer. I would like
|
||
to believe you.
|
||
|
||
She extends a hand.
|
||
|
||
LWAXANA
|
||
The offer is genuine. I give you
|
||
my word as a Daughter of the Fifth
|
||
House of Betazed.
|
||
|
||
RIKER
|
||
Lwaxana, don't.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/27/90 - ACT FIVE 49A.
|
||
|
||
53 CONTINUED: (2)
|
||
|
||
LWAXANA
|
||
I've made up my mind.
|
||
|
||
RIKER
|
||
I can't let you do this...
|
||
|
||
LWAXANA
|
||
William, I'm a grown woman. I
|
||
can make my own decisions, and
|
||
I'm fully capable of entering into
|
||
a contract.
|
||
|
||
TROI
|
||
Mother -- we can't just leave you
|
||
here --
|
||
|
||
Lwaxana turns to Troi, silences her with a look and
|
||
a thought:
|
||
|
||
LWAXANA (TELEPATHIC V.O.)
|
||
Yes, you can -- before he changes
|
||
his mind.
|
||
(then, smiling)
|
||
Please, Little One. Do as I
|
||
say... just this once...
|
||
|
||
Lwaxana turns back to Tog before Troi can reply:
|
||
|
||
LWAXANA
|
||
Do we have an agreement?
|
||
|
||
Tog nods. Th deal is done.
|
||
|
||
TOG
|
||
You have my word. I will release
|
||
your daughter and the Commander.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 50.
|
||
|
||
53 CONTINUED: (3)
|
||
|
||
Tog holsters his phaser; he's reached a bargain. He
|
||
shrugs, and moves to Lwaxana's side. She smiles.
|
||
|
||
LWAXANA
|
||
Oo-mox is only the beginning...
|
||
|
||
54
|
||
thru OMITTED
|
||
56
|
||
|
||
57 NEW ANGLE
|
||
|
||
as Riker and Troi react. Farek is frankly disgusted.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 51.
|
||
|
||
57 CONTINUED:
|
||
|
||
FERENGI CREWMAN (V.O.)
|
||
Daimon -- we are being hailed by
|
||
the Enterprise -- they demand the
|
||
return of the captives --
|
||
|
||
Reactions. Farek panics, but Tog is calm.
|
||
|
||
FAREK
|
||
The Enterprise has found us --
|
||
|
||
TOG
|
||
(cutting Farek off)
|
||
Slow to impulse... raise
|
||
shields. Inform the Enterprise
|
||
that two of our guests are ready
|
||
to return. The other will be
|
||
staying with us -- at her request.
|
||
|
||
FAREK
|
||
Daimon, I must protest --
|
||
|
||
TOG
|
||
There is nothing to protest.
|
||
Lwaxana will cooperate...
|
||
therefore we have gained what we
|
||
set out to gain.
|
||
|
||
FAREK
|
||
But you cannot trust her --
|
||
|
||
TOG
|
||
(firm)
|
||
Lwaxana has given her word. Now
|
||
leave us.
|
||
|
||
58 EXT. SPACE - THE ENTERPRISE AND THE KRAYTON (OPTICAL)
|
||
|
||
motionless relative to one another.
|
||
|
||
STAR TREK: "Menage a Troi" - REV. 3/19/90 - ACT FIVE 52.
|
||
|
||
59
|
||
thru OMITTED
|
||
60
|
||
|
||
61 INT. MAIN BRIDGE (OPTICAL)
|
||
|
||
Riker and Troi BEAM IN (FERENGI TRANSPORTER EFFECT).
|
||
The viewscreen shows the Krayton.
|
||
|
||
PICARD
|
||
You're both all right?
|
||
|
||
RIKER
|
||
None the worse for wear.
|
||
|
||
TROI
|
||
My mother bought our freedom,
|
||
Captain. But believe me, she
|
||
doesn't want to stay with Tog.
|
||
|
||
PICARD
|
||
(to Worf)
|
||
Hail the Krayton.
|
||
|
||
WORF
|
||
(works the panel)
|
||
Sir, Daimon Tog responding.
|
||
|
||
On the screen, the image of the Krayton is replaced
|
||
by Tog.
|
||
|
||
|