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1 line
61 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Family"
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#40274-178
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Written by
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Ronald D. Moore
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1990 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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AUGUST 2, 1990
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STAR TREK: "Family" - 8/2/90 - CAST
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STAR TREK: THE NEXT GENERATION
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"Family"
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CAST
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PICARD ROBERT PICARD
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RIKER MARIE PICARD
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RENE PICARD
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BEVERLY LOUIS
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TROI
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GEORDI JACK CRUSHER
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WORF SERGEY ROZHENKO
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WESLEY HELENA ROZHENKO
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GUINAN FEMALE COM VOICE
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O'BRIEN
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COMPUTER VOICE
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Non-Speaking
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2 STARFLEET TECHNICIANS
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1 N.D. CREWMEMBER
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SUPERNUMERARIES
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STAR TREK: "Family" - 8/2/90 - SETS
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STAR TREK: THE NEXT GENERATION
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"Family"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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CORRIDOR SPACEDOCK
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TRANSPORTER ROOM
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TEN-FORWARD LABARRE (MATTE)
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HOLODECK
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BEVERLY'S OFFICE PICARD HOME
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BEVERLY'S QUARTERS VINYARD
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PICARD'S QUARTERS CEMETARY
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RIKER'S QUARTERS
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WORF'S QUARTERS
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PICARD HOME
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STAR TREK: "Family" - REV. 8/9/90 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Family"
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PRONUNCIATION GUIDE
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LABARRE la-bahr
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(no accent on either syllable)
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RENE re-NAY
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ROBERT row-BEAR
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ROZHENKO rah-ZHEN-koh
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SERGEY sir-GAY
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STAR TREK: "Family" - REV. 8/8/90 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Family"
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TEASER
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FADE IN:
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1 EXT. SPACE - SPACEDOCK IN ORBIT (OPTICAL)
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The Spacedock in orbit around Earth. As Picard records
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his log, there is a subtle hint of finality in his
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voice and tone... a feeling that he's wrapping things
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up here.
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PICARD (V.O.)
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Captain's Log: Stardate 44009.3
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2 EXT. SPACEDOCK - THE ENTERPRISE (OPTICAL)
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Revealing the Enterprise being worked on at the dock.
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PICARD (V.O.)
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(continuing)
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The Enterprise remains docked at
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McKinley Station, undergoing a
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major overhaul and refit. I am
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confident that the ship... and
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crew... will soon be ready to
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return to service.
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CUT TO:
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3 INT. OBSERVATION LOUNGE (OPTICAL)
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RIKER is looking over a lot of reports and padds on
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the desk. The door CHIMES.
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RIKER
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Come in.
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The door OPENS and WORF ENTERS.
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WORF
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Phaser upgrades are complete,
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Commander...
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RIKER
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Already?
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STAR TREK: "Family" - 8/2/90 - TEASER 2.
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3 CONTINUED:
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WORF
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(acknowledges)
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We have begun power supply
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calibration.
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RIKER
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You're just too damned efficient,
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Lieutenant...
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WORF
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Thank-you, sir.
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RIKER
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At this rate, the refit will be
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done a week early and you and I
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might even be forced to get in
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some R&R before we leave Earth...
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Worf doesn't crack a smile... Riker gives it up..
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RIKER
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Proceed with the testing, Mister
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Worf...
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(hands him a padd)
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Here's the final schedule for
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shore leave and personnel
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transfers. By the way, I'm
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looking forward to meeting your
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parents.
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WORF
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Sir?
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RIKER
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They're on the visitors' list...
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Worf looks over the padd, finds their names... it's
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a surprise and not a pleasant one.
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RIKER
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(continuing)
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You didn't know?
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WORF
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No, sir.
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(beat as he struggles
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with answer)
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It is... inappropriate for a
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Klingon to receive his family
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while on duty. As humans, my
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parents do not understand.
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STAR TREK: "Family" - 8/2/90 - TEASER 3.
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3 CONTINUED: (2)
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Riker looks at him, frowns, c'mon loosen up...
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RIKER
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Well, I'm not sure I would either,
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Worf... since this isn't a Klingon
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ship. If you don't want to see
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your parents, that's your
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business... but we don't get to
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Earth all that often.
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Worf frowns. Trying to help --
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RIKER
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I'm sure we can arrange for you
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to have more off-duty time while
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they're here.
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WORF
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(too quickly)
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No... sir. That will not be
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necessary.
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RIKER
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(a beat)
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Dismissed.
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Worf turns to leave... Riker has a second thought...
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on a more personal level --
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RIKER
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Worf, if you're worried they might
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learn about what happened on the
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Klingon planet...
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WORF
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Not at all, sir. I have already
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informed them in correspondence
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of my discommendation. I do not
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believe any human can truly
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understand my dishonor.
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Worf EXITS without waiting for a reaction. A beat as
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Riker thinks about it... and
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CUT TO:
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4 INT. PICARD'S QUARTERS
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PICARD, in civilian clothes, is putting a few
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belongings into a small rucksack.
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STAR TREK: "Family" - REV. 8/8/90 - TEASER 4.
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4 CONTINUED:
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The bandages have been removed from his face and he
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looks fully recovered from his Borg experience. TROI
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is with him.
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PICARD
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(responding)
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France. Labarre, my home
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village...
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TROI
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Really...
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PICARD
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First time in almost twenty
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years...
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TROI
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(beat)
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Interesting.
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Picard recognizes a therapeutic reaction when he hears
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it...
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PICARD
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(Don't... )
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Counselor...
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TROI
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I just find it interesting...
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that Captain Jean-Luc Picard...
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the man who couldn't be pried out
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of his seat for a vacation for
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three years...
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PICARD
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It's Earth... it's home... do I
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need another reason?
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TROI
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I don't know. What do you think?
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PICARD
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Counselor, your help has been
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invaluable during my recovery.
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I'm better... the injuries have
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healed...
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TROI
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Those you can see in a mirror.
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STAR TREK: "Family" - REV. 8/6/90 - TEASER 5.
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4 CONTINUED: (2)
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PICARD
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(insisting)
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The nightmares have ended. All
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I need is a little time to myself.
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TROI
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I agree. In fact, I'm delighted
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you're going. But perhaps the
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choice of where you're going could
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stand some scrutiny.
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PICARD
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If you wish to believe my going
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home is a direct result of
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being held captive by the Borg,
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be my guest...
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TROI
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Is that what you believe?
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PICARD
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I hate it when you do that.
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TROI
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(with great compassion)
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Captain, you do need time. You
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cannot achieve complete recovery
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so quickly. Don't expect so much
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of yourself. It is perfectly
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normal, after what you've been
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through, to spend a great deal
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of time trying to find... yourself
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again.
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PICARD
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(softly, finishing the
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thought)
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And what better place to find
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oneself than on the streets of
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one's home village.
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TROI
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(nods, smiles)
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Interesting.
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(beat)
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Have a good trip.
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STAR TREK: "Family" - 8/2/90 - TEASER 6.
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4 CONTINUED: (3)
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She EXITS. Picard picks up his rucksack and moves for
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the door. He pauses on the threshold and takes a long
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look around the cabin... could this be a last look?
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Picard EXITS.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Family" - 8/2/90 - ACT ONE 7.
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ACT ONE
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FADE IN:
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5 EXT. SPACE DOCK (OPTICAL)
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The Enterprise still docked.
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CUT TO:
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6 INT. TRANSPORTER ROOM (OPTICAL)
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O'BRIEN is working on the console as Worf ENTERS.
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WORF
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They still have not signalled?
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O'BRIEN
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Nossir.
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WORF
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(growls)
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My mother is never on time. It
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is so... human... of her.
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O'BRIEN
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(grins)
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Well, you know women.
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And there's a moment as Worf stares at him a beat...
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and this throwaway comment hangs in the air between
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the odd couple of O'Brien and Worf who may each know
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women but unlikely in the same way.
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WORF
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I am not looking forward to
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this... I wish they would come
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so it would begin and end sooner.
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O'BRIEN
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I know what you mean, Lieutenant.
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WORF
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Unlikely.
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O'BRIEN
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Last time my old man came on board
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I found him chasing Nurse Stanton
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around a biobed in Sickbay...
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STAR TREK: "Family" - 8/2/90 - ACT ONE 8.
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6 CONTINUED:
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WORF
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I am not concerned about my father
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chasing nurses.
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O'BRIEN
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Yeah, but it's always something
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with parents, isn't it, sir...
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FEMALE COM VOICE
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Enterprise, this is Earth Station
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Bobruisk. Two to transport
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aboard.
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O'Brien glances at Worf...
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WORF
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What are you waiting for?
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O'BRIEN
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Acknowledged, Bobruisk.
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Energizing.
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SERGEY & HELENA ROZHENKO MATERIALIZE on the platform.
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They are of Russian descent, and carry themselves with
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pride and dignity. Sergey is compact,
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barrel-chested... a retired Starfleet Chief growing
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old gracefully. His wife is short of stature and yet
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there is an underlying strength to her which belies her
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slight appearance.
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7 ANGLE - WORF
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sees them... and in this moment of reunion, there is
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nothing short of love in his face. Even he cannot
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suppress it... and there is even, god forbid, a smile
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that grows on his face.
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WORF
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Hello, mother... father.
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They come off the platform and smile at the sight of
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Worf.
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HELENA
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Worf!...
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Helena beams and unabashedly hugs him and reaches up
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to kiss his cheek... Worf stiffens, glances at O'Brien
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out of the corner of his eye... reluctantly leans down
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to accept the kiss...
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STAR TREK: "Family" - REV. 8/8/90 - ACT ONE 9.
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7 CONTINUED:
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SERGEY
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You look good, son.
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They shake hands.
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SERGEY
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Put on a little weight, didn't
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you?
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WORF
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No.
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SERGEY
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Sure you have. Looks good on you.
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Still working out with those
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Holodeck monsters I bet...
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WORF
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Let me take you to...
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Sergey is already moving to O'Brien... friendly,
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outgoing --
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SERGEY
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Always good to meet another chief
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petty officer.
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(sticks out hand)
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Sergey Rozhenko, formerly of the
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U.S.S. Intrepid.
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O'BRIEN
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Miles Edward O'Brien. Good to
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meet you, sir.
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SERGEY
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Don't call me "sir", I used to
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work for a living.
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They both laugh at the old joke. Worf is getting
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increasingly uncomfortable.
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HELENA
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He's joking. The proudest day
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of his life was when Worf earned
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his commission.
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SERGEY
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Chief, can you imagine an old
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enlisted man like me raising a
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boy to be an officer?
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He laughs with O'Brien... Worf wants out.
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STAR TREK: "Family" - REV. 8/6/90 - ACT ONE 10.
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7 CONTINUED: (2)
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WORF
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I'll show you to your quarters.
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HELENA
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Come on, Sergey... there's plenty
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of time to chat with the "boys"...
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(to Worf)
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Your father's so been looking
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forward to this...
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She intimately takes Worf's arm in hers... he stiffens.
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Exiting...
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SERGEY
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I want to see everything... the
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whole ship... I've got all the
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specs and diagrams of the Galaxy-
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class starships at home...
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WORF
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We are in the midst of repair.
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I will not be able to give you
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a complete tour.
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SERGEY
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I'm sure if you asked the
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Captain...
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HELENA
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You agreed not to embarrass him,
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Sergey. Besides, we came to see
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Worf. Not the ship.
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SERGEY
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Fine. Fine. Okay.
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He leads the way out the door. The last thing we hear...
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HELENA
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(trying to be tactful)
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Your hair's a little longer, isn't
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it, Worf?
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CUT TO:
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STAR TREK: "Family" - REV. 8/6/90 - ACT ONE 11.
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8 OMITTED
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9 EXT. PATH NEAR HOUSE - DAY
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Picard walking up a dirt path, carrying the rucksack
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seen earlier as he passes by a vineyard. He is looking
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around, drinking in the sights, sounds, and smells of
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his home. He reacts as he hears movement in the
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adjoining field... he stops, looks... the sound stops
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too... he starts up again and the movement follows him.
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He cocks an eyebrow moves to the field...
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PICARD
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All right... whoever's there...
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I can hear you...
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The face of a seven year old boy (RENE) reveals itself
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from his hiding place. It is a face of pure innocence
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and freckles. A 24th century Opie.
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PICARD
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Good lord, a highwayman.
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RENE
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A what?
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PICARD
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A highwayman is a robber who
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attacks travelers, but to my
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knowledge, none have been reported
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in this vicinity for centuries.
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RENE
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I'm not a robber.
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PICARD
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I am much relieved, sir.
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Walking together...
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RENE
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I know who you are.
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PICARD
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Then, you have the advantage.
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STAR TREK: "Family" - REV. 8/9/90 - ACT ONE 12.
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9 CONTINUED:
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RENE
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You're my nephew, Jean-Luc. From
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the starship Enterprise.
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PICARD
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Then you must be my uncle Rene.
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RENE
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(laughs)
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I'm not your uncle. It's the
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other way around.
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PICARD
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Too bad. I rather enjoyed the
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idea.
|
|
|
|
RENE
|
|
Why have you been away so long?
|
|
|
|
PICARD
|
|
Well, Starfleet keeps me very
|
|
busy...
|
|
|
|
RENE
|
|
Father says you don't like it
|
|
here.
|
|
|
|
PICARD
|
|
I'm sure you misunderstood...
|
|
|
|
RENE
|
|
No I didn't. He said so.
|
|
|
|
PICARD
|
|
Ah well, Robert and I... we...
|
|
(beat)
|
|
Perhaps it's time to change all
|
|
that.
|
|
|
|
RENE
|
|
You don't seem so... so arrow...
|
|
arrow... you know...
|
|
|
|
PICARD
|
|
Arrogant...
|
|
|
|
RENE
|
|
Yeah... arrogant... you don't seem
|
|
that way to me. What does it mean
|
|
anyway -- "arrogant son-of-a... "
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT ONE 12A.
|
|
|
|
9 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(overlapping)
|
|
Let's talk about it later, shall
|
|
we?
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT ONE 13.
|
|
|
|
10 EXT. PICARD HOME - DAY
|
|
|
|
The house sits adjacent to a small vineyard. The house
|
|
itself is made of stone and wood, and there is a
|
|
noticeable lack of 24th-century design or devices in
|
|
the building and its surroundings. There is an aged
|
|
historical plaque on the side of the house. The
|
|
setting is rural, and looks much like a farmhouse in
|
|
the French countryside would have looked in the 19th
|
|
century. Rene runs down the path, ahead of Picard...
|
|
|
|
RENE
|
|
He's here! He's here!
|
|
|
|
After a few seconds, MARIE PICARD comes out of the
|
|
house. She is in her mid-forties, and is wearing a
|
|
simple dress. Marie is very happy to see Picard and
|
|
she quickly goes out to him.
|
|
|
|
MARIE
|
|
Jean-Luc!
|
|
|
|
PICARD
|
|
Marie...
|
|
|
|
She gives him a warm hug and kiss and then looks him
|
|
over.
|
|
|
|
MARIE
|
|
It's so good to finally meet you.
|
|
How are you feeling?
|
|
|
|
PICARD
|
|
(nods)
|
|
Just fine.
|
|
|
|
That exchange comes with the slightest tension.
|
|
|
|
MARIE
|
|
Well, Robert and I are delighted
|
|
you've come to stay with us.
|
|
|
|
PICARD
|
|
I was just thinking that I really
|
|
might be imposing... I could
|
|
easily stay in the village...
|
|
|
|
MARIE
|
|
I won't hear of it. It's your
|
|
home. It will always be your
|
|
home.
|
|
|
|
Picard can't help glancing around at the house and
|
|
grounds.
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT ONE 14.
|
|
|
|
10 CONTINUED:
|
|
|
|
MARIE
|
|
Do things look that different?
|
|
|
|
PICARD
|
|
No. In fact, the amazing thing
|
|
is how little it has changed.
|
|
Everything is exactly as I
|
|
remember it... the hills, the
|
|
house, every rock and stone looks
|
|
untouched by the passage of time.
|
|
|
|
MARIE
|
|
Robert's worked hard to keep it
|
|
that way. It's very important
|
|
to him.
|
|
|
|
PICARD
|
|
As it was to our father.
|
|
|
|
RENE
|
|
Someday I'm going to be a starship
|
|
captain!
|
|
|
|
PICARD
|
|
(grins)
|
|
Even you, Uncle... you look so
|
|
much like Robert when he was your
|
|
age...
|
|
(and this is more to
|
|
himself)
|
|
... I half expect to see myself
|
|
as a boy run out the door to
|
|
play...
|
|
|
|
MARIE
|
|
Robert can't wait to see you...
|
|
|
|
PICARD
|
|
(dry)
|
|
Yes. Rene already told me.
|
|
|
|
Marie reacts, glances at the boy worried what he might
|
|
have said, but Picard makes it okay with an
|
|
understanding grin...
|
|
|
|
PICARD
|
|
Where is he?
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT ONE 15.
|
|
|
|
11 EXT. VINEYARD
|
|
|
|
ROBERT is between two rows of grapevines, on his hands
|
|
and knees. He is about six to eight years older than
|
|
Picard, and manages to appear dignified even as he
|
|
scrabbles about in the dirt working on the vines with
|
|
his hands. We can see that he devotes the same careful
|
|
attention to detail in his work as his brother does
|
|
on the bridge of his ship. Picard walks down the row
|
|
and stops in front of him. Robert looks up and sees
|
|
Picard, but remains on his knees. There is no
|
|
animosity on his face, but no welcome either, just
|
|
recognition.
|
|
|
|
ROBERT
|
|
So, you've arrived all right.
|
|
(beat)
|
|
Welcome home, Captain.
|
|
|
|
Picard tries very hard to be warm and brotherly and
|
|
anything but arrogant.
|
|
|
|
PICARD
|
|
Hello, Robert.
|
|
|
|
ROBERT
|
|
Did you shuttle out from the
|
|
village?
|
|
|
|
PICARD
|
|
No... I decided to walk.
|
|
(long beat)
|
|
I met Marie and Rene.
|
|
|
|
ROBERT
|
|
Good... good.
|
|
|
|
They've run out of things to say very quickly. Picard
|
|
tries his best to take a forward step.
|
|
|
|
PICARD
|
|
It's... good to see you.
|
|
|
|
But it comes out as just another pleasantry.
|
|
|
|
ROBERT
|
|
(inclines head toward
|
|
house)
|
|
Make yourself at home. You know
|
|
where everything is... we eat at
|
|
eight. I'll be in in a minute.
|
|
I've got to save this poor, sick
|
|
vine.
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT ONE 16.
|
|
|
|
11 CONTINUED:
|
|
|
|
Picard nods as Robert returns to work and after a beat,
|
|
Picard heads back to the house.
|
|
|
|
12 NEW ANGLE (MATTE SHOT)
|
|
|
|
In the f.g. are fields of vineyards, punctuated by
|
|
small farmhouses that reflect the architecture and
|
|
design of the 19th century rather than that of the 24th
|
|
century. On the horizon is the actual village of
|
|
Labarre, a city whose roots stretch back for over a
|
|
millennium. There is a feeling of old and new living
|
|
side by side... the village itself is quite modern. On
|
|
Picard and Robert as the distance between them
|
|
grows...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
13 INT. BEVERLY'S QUARTERS
|
|
|
|
BEVERLY is getting a couple of drinks from the food
|
|
replicator. Troi is sitting on the couch.
|
|
|
|
BEVERLY
|
|
Will you have a chance to get
|
|
down to the surface?
|
|
|
|
TROI
|
|
Maybe. Will and I have been
|
|
talking about going back to Angel
|
|
Falls...
|
|
|
|
BEVERLY
|
|
Oh, Venezuela's beautiful...
|
|
|
|
Beverly is about to sit down when the door CHIMES.
|
|
|
|
BEVERLY
|
|
Come in.
|
|
|
|
A N.D. CREWMAN ENTERS carrying a large, old box.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Oh great! I'll take that.
|
|
|
|
She takes the box and the crewman EXITS. Beverly puts
|
|
the box on the table and Troi comes over.
|
|
|
|
TROI
|
|
Something from home?
|
|
|
|
BEVERLY
|
|
(nods and opens the box)
|
|
I left it here in storage a long
|
|
time ago. After Jack died.
|
|
(takes out an old book)
|
|
Odds and ends mostly...
|
|
|
|
Troi picks up the book and reads the title with
|
|
puzzlement.
|
|
|
|
TROI
|
|
"How to Advance Your Career
|
|
through Marriage"?
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 18.
|
|
|
|
13 CONTINUED:
|
|
|
|
BEVERLY
|
|
(smiling at memory)
|
|
It's a joke. He sent me that
|
|
while I was still in medical
|
|
school. It was his way of
|
|
proposing.
|
|
|
|
They share a small laugh. Beverly continues to dig
|
|
through the box, taking out various small momentos and
|
|
items. She takes out an old-style computer disk, reads
|
|
the label, reacts... and sits down.
|
|
|
|
TROI
|
|
What is it?
|
|
|
|
BEVERLY
|
|
It's for Wesley... from Jack.
|
|
(beat)
|
|
I'd forgotten about it... maybe
|
|
I was trying to forget about it.
|
|
|
|
TROI
|
|
Why?
|
|
|
|
BEVERLY
|
|
Jack recorded a holographic
|
|
message to Wesley just after he
|
|
was born... it was a gift for
|
|
when he grew up. Jack was going
|
|
to make more of them...
|
|
(beat)
|
|
He never got the chance.
|
|
|
|
TROI
|
|
Are you afraid of what it might
|
|
say?
|
|
|
|
BEVERLY
|
|
No... I just don't know if it will
|
|
do more harm than good. He's
|
|
managed to finally deal with his
|
|
father's death, but...
|
|
|
|
Troi's attitude is gentle, soothing... she's slipped
|
|
easily from her role as friend into that of Counselor.
|
|
|
|
TROI
|
|
Wesley has a lot of questions
|
|
about his father. Things that
|
|
you can't answer for him.
|
|
(MORE)
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT TWO 19.
|
|
|
|
13 CONTINUED: (2)
|
|
|
|
TROI (Cont'd)
|
|
Perhaps seeing this will help him
|
|
to understand the kind of man that
|
|
Jack Crusher really was.
|
|
|
|
PUSH IN on disk as Beverly thinks this over...
|
|
|
|
CUT TO:
|
|
|
|
14 INT. ENGINEERING
|
|
|
|
Several panels are open, some boxes sitting around...
|
|
this is a ship undergoing a major refit and it's a bit
|
|
of a mess right now. Worf stands uncomfortably as his
|
|
father tells a story to an enthralled Geordi...
|
|
|
|
SERGEY
|
|
... So we walk into the school...
|
|
and we don't know what to expect.
|
|
Is Worf hurt? Is he in some kind
|
|
of trouble? The door opens and
|
|
we see our little seven-year-
|
|
old... sitting in a chair... and
|
|
glaring across the room at five
|
|
teenage boys.
|
|
(beat)
|
|
All of them with bloody noses.
|
|
|
|
Geordi laughs.
|
|
|
|
HELENA
|
|
The principal looked up and said,
|
|
"Tell me he's an only child."
|
|
|
|
WORF
|
|
The older boys were...
|
|
disrespectful.
|
|
|
|
SERGEY
|
|
And that was only the beginning...
|
|
when he was ten...
|
|
|
|
WORF
|
|
We've taken enough of the
|
|
Commander's time...
|
|
|
|
GEORDI
|
|
No... no... no, we're way ahead
|
|
of schedule...
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 20.
|
|
|
|
14 CONTINUED:
|
|
|
|
SERGEY
|
|
I just wanted to tell him the
|
|
story about...
|
|
|
|
HELENA
|
|
Enough stories, Sergey...
|
|
|
|
SERGEY
|
|
Okay. Okay. Enough stories...
|
|
Well, then how about giving me
|
|
a look at the new engine core ...
|
|
I used to be a warp field
|
|
specialist on the old Excelsior
|
|
class.
|
|
|
|
GEORDI
|
|
I'd be delighted...
|
|
|
|
HELENA
|
|
You two go ahead...
|
|
(to Worf)
|
|
Your father will be here for
|
|
hours, why don't you show me the
|
|
arboretum?
|
|
|
|
WORF
|
|
Commander La Forge, call me when
|
|
you... when my father wishes to
|
|
leave.
|
|
|
|
SERGEY
|
|
I can find my own way...
|
|
Turbolift Four is just over there,
|
|
right?
|
|
(to Geordi moving away)
|
|
I have all the specs and designs
|
|
at home...
|
|
|
|
Worf and his mother EXIT...
|
|
|
|
15 ANGLE - SERGEY AND GEORDI
|
|
|
|
Sergey has noticed that Worf & Helena have left.
|
|
|
|
GEORDI
|
|
The theta-matrix compositer makes
|
|
the recrystallization process ten
|
|
times more efficient than on the
|
|
Excelsior-class ships.
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 21.
|
|
|
|
15 CONTINUED:
|
|
|
|
SERGEY
|
|
Amazing.
|
|
(beat)
|
|
Commander, if you have a couple
|
|
of minutes there's something else
|
|
I'd like to ask you.
|
|
|
|
GEORDI
|
|
Sure, Chief.
|
|
|
|
SERGEY
|
|
It's about... my son.
|
|
|
|
CUT TO:
|
|
|
|
16 EXT. PICARD HOME/VINEYARD - NIGHT (OPTICAL)
|
|
|
|
Lights are on inside the house.
|
|
|
|
17 INT. PICARD DINING ROOM - NIGHT
|
|
|
|
The interior of the home should reflect the same
|
|
preference for an earlier time and way of life as does
|
|
the exterior. A single computer terminal is in
|
|
evidence, along with one or two other hi-tech devices,
|
|
but they should accent the fact that the house is a
|
|
warm French country home from the early 19th century
|
|
and just happens to exist in the 24th century. The
|
|
small dining area is adjacent to the living room and
|
|
there are doors to suggest other rooms. The dinner
|
|
table has been set for a meal of onion soup, baguette,
|
|
and wine. Picard, Robert, Marie, and Rene are just
|
|
sitting down. The tone is deceptively cordial.
|
|
|
|
MARIE
|
|
And your friend Louis wants you
|
|
to contact him as soon as you're
|
|
settled...
|
|
|
|
Picard smiles at the name and the memories it brings...
|
|
|
|
PICARD
|
|
Is he still trying to raise the
|
|
ocean floor?
|
|
|
|
MARIE
|
|
Oh yes, he's very excited about
|
|
it... he's been made a supervisor
|
|
now... as his wife is constantly
|
|
reminding anyone who'll listen...
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 22.
|
|
|
|
17 CONTINUED:
|
|
|
|
ROBERT
|
|
I don't see why Earth needs
|
|
another subcontinent.
|
|
|
|
PICARD
|
|
Oh, it's really quite exciting
|
|
actually... when you understand
|
|
the potential of exploring a new
|
|
world on our own planet...
|
|
|
|
ROBERT
|
|
(low key)
|
|
Well, I guess I just don't
|
|
understand that potential.
|
|
|
|
And Marie jumps in to move beyond the early tension...
|
|
|
|
MARIE
|
|
The Mayor wants to have a
|
|
parade...
|
|
|
|
PICARD
|
|
A parade... ?
|
|
|
|
MARIE
|
|
And give you the keys to the
|
|
city...
|
|
|
|
PICARD
|
|
No... no...
|
|
|
|
ROBERT
|
|
A little arm-twisting... a little
|
|
coaxing, that's what he wants,
|
|
Marie.
|
|
|
|
PICARD
|
|
(a little sharp)
|
|
No. I don't. I just want... to
|
|
rest and spend some time with my
|
|
family.
|
|
|
|
MARIE
|
|
I've already warned the Mayor not
|
|
to make any plans until we
|
|
talked.
|
|
|
|
PICARD
|
|
Thank-you.
|
|
|
|
Robert pours the wine.
|
|
|
|
STAR TREK: "Family" - REV. 8/15/90 - ACT TWO 23.
|
|
|
|
17 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(sampling the wine)
|
|
Is this the forty-six?
|
|
|
|
ROBERT
|
|
Forty-seven.
|
|
(trying to joke)
|
|
Drinking all that artificial --
|
|
what do they call it? Synthehol?
|
|
-- It's spoiled you. You used
|
|
to have a very discriminating
|
|
palate.
|
|
|
|
But the remark slightly nettles Picard nevertheless.
|
|
He tries not to sound defensive, but it still comes
|
|
out that way.
|
|
|
|
PICARD
|
|
Not at all. I believe synthehol
|
|
heightens one's appreciation for
|
|
the genuine article.
|
|
|
|
They eat.
|
|
|
|
ROBERT
|
|
Delicious, Marie.
|
|
|
|
PICARD
|
|
Leave it to Robert to find the
|
|
best chef in France and marry
|
|
her...
|
|
|
|
ROBERT
|
|
Cooking is becoming a lost art...
|
|
thanks to your technology...
|
|
|
|
MARIE
|
|
Robert and I have had more than
|
|
a few discussions about getting
|
|
a replicator in the house...
|
|
|
|
PICARD
|
|
I can remember the same
|
|
"discussions" between mother and
|
|
father...
|
|
|
|
ROBERT
|
|
He understood the threat of losing
|
|
what is precious to us.
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 24.
|
|
|
|
17 CONTINUED: (3)
|
|
|
|
PICARD
|
|
I don't see that you have to lose
|
|
anything... just by adding a
|
|
convenience...
|
|
|
|
ROBERT
|
|
You wouldn't. I say life has
|
|
become too convenient.
|
|
|
|
MARIE
|
|
And this sounds like a very old
|
|
argument.
|
|
|
|
ROBERT
|
|
It is.
|
|
|
|
MARIE
|
|
(tongue-in-cheek)
|
|
Fortunately, Jean-Luc, being the
|
|
"greatest chef" in France, I
|
|
enjoy traditional cooking... so
|
|
I don't mind losing the replicator
|
|
argument... especially since I
|
|
used it to get a sonic shower.
|
|
|
|
PICARD
|
|
I was astonished to see it here...
|
|
|
|
ROBERT
|
|
I don't use it. Never will.
|
|
|
|
Rene's been bursting to say something... and in a
|
|
routine non-sequitur for a child --
|
|
|
|
RENE
|
|
I wrote a report on starships for
|
|
school.
|
|
|
|
And Robert is aware of this... and isn't at all happy
|
|
about it...
|
|
|
|
MARIE
|
|
And he won a ribbon for it, isn't
|
|
that right, Rene...
|
|
|
|
RENE
|
|
The teacher said it was one of
|
|
the best he'd ever heard.
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT TWO 25.
|
|
|
|
17 CONTINUED: (4)
|
|
|
|
PICARD
|
|
Good for you, uncle. You know
|
|
what? I wrote a report about
|
|
starships when I was about your
|
|
age...
|
|
|
|
RENE
|
|
Did you win a ribbon too?
|
|
|
|
PICARD
|
|
I don't recall...
|
|
|
|
And now with the first true hostility in his eyes --
|
|
|
|
ROBERT
|
|
Your modesty is unconvincing,
|
|
Captain. Of course you won the
|
|
ribbon. You always did...
|
|
|
|
And Picard and Robert lock eyes as the boy continues...
|
|
|
|
RENE
|
|
Do you still have it?
|
|
(off Picard's look)
|
|
Your report.
|
|
|
|
PICARD
|
|
No, I don't think so.
|
|
|
|
RENE
|
|
I still have mine.
|
|
|
|
MARIE
|
|
Why don't you go get it, Rene...
|
|
and read it to your uncle?
|
|
|
|
Rene is out of his chair in a flash and EXITS. Robert
|
|
looks hard at Picard and in a soft, dark voice --
|
|
|
|
ROBERT
|
|
It is hard enough to protect him
|
|
from all that's out there without
|
|
your encouragement.
|
|
|
|
MARIE
|
|
Robert...
|
|
|
|
PICARD
|
|
I am not encouraging anything...
|
|
but if you weren't so
|
|
narrow-minded, if you allowed him
|
|
to see the real world...
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT TWO 26.
|
|
|
|
17 CONTINUED: (6)
|
|
|
|
ROBERT
|
|
(bitter cold)
|
|
Raise your own sons as you would
|
|
wish.
|
|
|
|
Rene returns, running with a padd in his hand and
|
|
getting into his chair as the two brothers look coldly
|
|
at each other across the table...
|
|
|
|
RENE
|
|
(reading)
|
|
"Starships... by Rene Picard.
|
|
There are many kinds of starships
|
|
that fly through space... but the
|
|
biggest of them all is the Galaxy
|
|
class-starship... It has over
|
|
a thousand people on board... "
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
18 EXT. LABARRE - DAY (MATTE SHOT)
|
|
|
|
The town as seen before.
|
|
|
|
19 EXT. VINEYARD - DAY
|
|
|
|
Picard and LOUIS are walking along the vineyard. Louis
|
|
is a large, gregarious man about Picard's age and
|
|
should be very outgoing with a zest for life. Looking
|
|
over the fields --
|
|
|
|
LOUIS
|
|
One man's idea of paradise.
|
|
|
|
PICARD
|
|
Two men. Robert's. And my
|
|
father's.
|
|
|
|
LOUIS
|
|
Never did I know anyone less
|
|
interested in grapes than you,
|
|
Jean-Luc.
|
|
|
|
PICARD
|
|
No, I was interested, Louis. And
|
|
I was proud that my family helped
|
|
to preserve the traditions. But
|
|
I did not feel bound by those
|
|
traditions...
|
|
(beat)
|
|
... as they seemed to be.
|
|
|
|
LOUIS
|
|
You always reach for the future.
|
|
Your brother for the past.
|
|
|
|
PICARD
|
|
There should be room for both in
|
|
this life.
|
|
|
|
A thoughtful beat as they walk on...
|
|
|
|
PICARD
|
|
And you, old rascal, you've made
|
|
quite a shift toward the future
|
|
yourself...
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT THREE 28.
|
|
|
|
19 CONTINUED:
|
|
|
|
LOUIS
|
|
Well, hydroponics turned out to
|
|
be so dull...
|
|
|
|
PICARD
|
|
(laughs)
|
|
You should have listened to me
|
|
from the beginning.
|
|
|
|
LOUIS
|
|
If I had listened to you I never
|
|
would have gone on that cycling
|
|
trip with the Bloom sisters...
|
|
|
|
PICARD
|
|
And broken your leg!
|
|
|
|
LOUIS
|
|
And got married. Twice.
|
|
|
|
They laugh.
|
|
|
|
PICARD
|
|
I hear you've been promoted to
|
|
supervisor of the Atlantis
|
|
project...
|
|
|
|
LOUIS
|
|
(modestly)
|
|
I'm one of two hundred
|
|
supervisors... although my wife
|
|
would have you believe I run the
|
|
entire project.
|
|
|
|
PICARD
|
|
It's certainly exciting work.
|
|
I've kept up with it in the
|
|
journals...
|
|
|
|
LOUIS
|
|
Really?
|
|
|
|
PICARD
|
|
There's only one thing I don't
|
|
understand...
|
|
(off Louis' reaction)
|
|
It's just that you were such a
|
|
desperately poor swimmer...
|
|
thinking of you working on the
|
|
ocean floor...
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT THREE 29.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
LOUIS
|
|
(grins)
|
|
I guess we all find a way to
|
|
confront our greatest fears.
|
|
|
|
PICARD
|
|
Seriously, how do you plan to
|
|
accelerate the buildup on the
|
|
underside of the mantle without
|
|
increasing stress on the tectonic
|
|
plates?
|
|
|
|
LOUIS
|
|
You really have kept up, haven't
|
|
you? The truth is... we don't
|
|
know yet...
|
|
|
|
PICARD
|
|
The Enterprise used harmonic
|
|
resonators to relieve tectonic
|
|
pressures on Drema Four... it's
|
|
obviously not exactly the same
|
|
problem but...
|
|
|
|
LOUIS
|
|
(interrupting)
|
|
You know, it's a shame...
|
|
(off Picard's look)
|
|
The government's been looking for
|
|
some one to take over the
|
|
project... a real leader who can
|
|
come in and get it moving...
|
|
They're looking for you, Jean-Luc.
|
|
(Picard reacts)
|
|
But I know you'd never leave
|
|
Starfleet.
|
|
|
|
PICARD
|
|
No, I'd never leave Starfleet.
|
|
|
|
And he said it, but the words come out hollow, without
|
|
conviction. And no one is more surprised than Picard.
|
|
The revelation is extremely disconcerting and Louis
|
|
is sharp enough to catch the subtle shading in Picard's
|
|
voice.
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT THREE 30.
|
|
|
|
19 CONTINUED: (3)
|
|
|
|
LOUIS
|
|
That's what I thought.
|
|
(thinks for a second)
|
|
Hey, if nothing else, why don't
|
|
I send over some of the internal
|
|
studies of the tectonic problem...
|
|
since you're interested... We
|
|
could use any thoughts you might
|
|
have...
|
|
|
|
PICARD
|
|
(beat)
|
|
All right.
|
|
|
|
Louis smiles as he realizes that the subject is still
|
|
alive... and anything is possible. They continue
|
|
walking in the vineyard.
|
|
|
|
CUT TO:
|
|
|
|
20 INT. TEN FORWARD
|
|
|
|
Fewer people around than normal, a feeling of being
|
|
somewhere after normal hours. Worf, Sergey and Helena
|
|
are sitting down at a table.
|
|
|
|
SERGEY
|
|
It's a great crew, Worf... and
|
|
they think the world of you...
|
|
|
|
HELENA
|
|
They really do...
|
|
|
|
WORF
|
|
Mother, Father... I wish you would
|
|
be a little more... reserved...
|
|
while you're aboard.
|
|
|
|
HELENA
|
|
Oh, I know we go too far
|
|
sometimes...
|
|
|
|
SERGEY
|
|
We're just excited to be here.
|
|
|
|
RIKER'S COM VOICE
|
|
Riker to Lieutenant Worf.
|
|
|
|
WORF
|
|
Go ahead.
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT THREE 30A.
|
|
|
|
20 CONTINUED:
|
|
|
|
RIKER'S COM VOICE
|
|
I need to talk to you about the
|
|
phaser test results...
|
|
|
|
WORF
|
|
(rising)
|
|
On my way, Commander.
|
|
(to his parents)
|
|
Have Guinan call me if you need
|
|
anything...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT THREE 31.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
He EXITS. Helena glances at Sergey -- what do you
|
|
think? Sergey shrugs, worried, but doesn't know.
|
|
(It's the shorthand communication of people who have
|
|
been married a long time.)
|
|
|
|
SERGEY
|
|
Maybe we should just leave it
|
|
alone.
|
|
|
|
HELENA
|
|
I can't leave it alone. I'm his
|
|
mother.
|
|
|
|
They look out at the stars.
|
|
|
|
GUINAN (O.C.)
|
|
Sooner or later, everyone comes
|
|
in here, stands by the windows...
|
|
stares out into space for a long
|
|
time.
|
|
|
|
21 ANGLE
|
|
|
|
to reveal Guinan. They look over and smile, hello.
|
|
|
|
GUINAN
|
|
(continuing)
|
|
They all look for that one star,
|
|
the one they call home... doesn't
|
|
matter how far away it is...
|
|
everyone still looks.
|
|
(beat)
|
|
You're Worf's parents?
|
|
|
|
SERGEY
|
|
(standing)
|
|
Sergey... Helena Rozhenko
|
|
|
|
She motions for him to sit... joins them...
|
|
|
|
GUINAN
|
|
Guinan. I've been wanting to
|
|
ask you something.
|
|
|
|
HELENA
|
|
(go ahead)
|
|
Please...
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT THREE 32.
|
|
|
|
21 CONTINUED:
|
|
|
|
GUINAN
|
|
(off their looks)
|
|
How come you never gave him prune
|
|
juice?
|
|
|
|
HELENA
|
|
I beg your pardon?
|
|
|
|
GUINAN
|
|
Worf... he never had prune juice
|
|
until he came in here... now he
|
|
can't get enough of it...
|
|
|
|
HELENA
|
|
(surprised)
|
|
Worf?
|
|
|
|
SERGEY
|
|
He didn't want any human foods
|
|
growing up... everything had to
|
|
be Klingon...
|
|
|
|
HELENA
|
|
I learned to cook rokeg blood
|
|
pie...
|
|
|
|
SERGEY
|
|
We never quite learned how to eat
|
|
it though.
|
|
|
|
HELENA
|
|
It was a difficult adolescence.
|
|
|
|
GUINAN
|
|
You ought to write a book.
|
|
|
|
SERGEY
|
|
We didn't do anything special.
|
|
|
|
GUINAN
|
|
You don't think so? Look at him
|
|
now... I think that's pretty
|
|
special...
|
|
|
|
HELENA
|
|
We knew it wouldn't be easy for
|
|
him... without other Klingons to
|
|
look to for guidance...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT THREE 33.
|
|
|
|
21 CONTINUED: (2)
|
|
|
|
SERGEY
|
|
We let him discover and explore
|
|
his heritage for himself... let
|
|
him find his own path...
|
|
|
|
GUINAN
|
|
A lot of parents could learn a
|
|
few things from the two of you...
|
|
|
|
Helena and Sergey exchange a loving glance.
|
|
|
|
HELENA
|
|
I'm afraid Worf thinks we don't
|
|
understand him...
|
|
|
|
SERGEY
|
|
Because we're human, you know,
|
|
not Klingon.
|
|
|
|
GUINAN
|
|
Maybe a part of him believes that.
|
|
But there's another part of him
|
|
I've seen... the part that drinks
|
|
prune juice... and comes here to
|
|
the window... when he looks out
|
|
for home, he doesn't look toward
|
|
the Klingon Empire. He's looking
|
|
toward you.
|
|
|
|
Off their reactions...
|
|
|
|
22 INT. PICARD LIVING ROOM - DAY
|
|
|
|
Picard is sitting at the table, lost in thought. The
|
|
lights are low. The table monitor is on with some
|
|
Okudagrams that Louis sent over about the underwater
|
|
project. He is staring through rather than at it.
|
|
Marie ENTERS carrying some jars and glasses.
|
|
|
|
MARIE
|
|
Jean-Luc?
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT THREE 34.
|
|
|
|
22 CONTINUED:
|
|
|
|
Picard glances up.
|
|
|
|
MARIE
|
|
Are you all right?
|
|
|
|
PICARD
|
|
Actually... I seem to have made
|
|
a disturbing discovery...
|
|
|
|
She looks at him with concern...
|
|
|
|
PICARD
|
|
Louis mentioned the Atlantis
|
|
project needed a director... and
|
|
I actually found myself thinking
|
|
about it.
|
|
|
|
Her face brightens considerably...
|
|
|
|
MARIE
|
|
But that would be wonderful,
|
|
Jean-Luc...
|
|
|
|
PICARD
|
|
Do you think so?
|
|
|
|
MARIE
|
|
Having you back home... of
|
|
course...
|
|
|
|
PICARD
|
|
Marie, I spent my youth doing
|
|
everything I could to get away
|
|
from home...
|
|
|
|
MARIE
|
|
You've been as narrow-minded as
|
|
your brother... and it's time both
|
|
of you began to appreciate each
|
|
other's worlds...
|
|
|
|
PICARD
|
|
I can't argue with that.
|
|
|
|
MARIE
|
|
Given a little time, you might
|
|
even get to like one another.
|
|
|
|
Picard grins at her.
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT THREE 35.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Well, I already like his choice
|
|
of wives. I haven't thanked you
|
|
for your correspondence, it made
|
|
me feel like part of the family.
|
|
|
|
MARIE
|
|
You're not like part of the
|
|
family. You are part of the
|
|
family, Jean-Luc Picard.
|
|
|
|
He looks at her with appreciation. Robert ENTERS,
|
|
drying his hands with a cloth, just as there is a knock
|
|
at the door. Robert moves to open it... Louis ENTERS.
|
|
|
|
LOUIS
|
|
Robert...
|
|
|
|
ROBERT
|
|
Hello, Louis.
|
|
|
|
MARIE
|
|
Come in, Louis... I'll get you
|
|
some wine...
|
|
(subtle encouragement)
|
|
The two of you can talk
|
|
business...
|
|
|
|
ROBERT
|
|
Business?
|
|
|
|
PICARD
|
|
Well, there's really nothing to
|
|
talk about...
|
|
|
|
LOUIS
|
|
I'm interested to know what you
|
|
thought about our plans.
|
|
|
|
PICARD
|
|
I've just really had a chance to
|
|
glance at them... I have a few
|
|
ideas but...
|
|
|
|
Robert observes with curiosity...
|
|
|
|
LOUIS
|
|
Wonderful. We should discuss them
|
|
with the board of governors...
|
|
I've set up a meeting...
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT THREE 36.
|
|
|
|
22 CONTINUED: (3)
|
|
|
|
PICARD
|
|
A meeting... ?
|
|
|
|
LOUIS
|
|
Just a preliminary conversation...
|
|
tomorrow morning...
|
|
|
|
Picard begins a slow build... to contain his anger...
|
|
|
|
PICARD
|
|
Preliminary to what?
|
|
|
|
Louis takes a breath... okay, I'm going for it --
|
|
|
|
LOUIS
|
|
They want you. I mentioned your
|
|
interest in the project, that's
|
|
all. That's all I had to say.
|
|
They jumped at the prospect...
|
|
|
|
PICARD
|
|
I never said there was a
|
|
prospect...
|
|
|
|
LOUIS
|
|
At least, listen to them,
|
|
Jean-Luc.
|
|
|
|
Picard goes inside himself and turns away, shakes his
|
|
head, trying to contain whatever is trying to get
|
|
out... inside him is the anger and pain... feeling
|
|
pulled between two worlds again... defeated... he never
|
|
turns back to Louis as he says in his softest voice.
|
|
|
|
PICARD
|
|
Fine. Good. I'll listen to
|
|
them.
|
|
|
|
Marie - who misses the full import of this - smiles,
|
|
glances at Robert who is not smiling at all. He
|
|
studies his younger brother.
|
|
|
|
LOUIS
|
|
You won't regret it, Jean-Luc.
|
|
I promise you. I'll see you in
|
|
the morning...
|
|
|
|
Hold on Picard...
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT THREE 37.
|
|
|
|
23 EXT. PICARD HOME - DAY
|
|
|
|
PULL BACK as Picard stands alone on the empty
|
|
grounds... a lost man. On his expression...
|
|
|
|
24
|
|
thru OMITTED
|
|
25
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT FOUR 38.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
26 INT. BEVERLY'S OFFICE
|
|
|
|
WESLEY and Beverly sitting together. Beverly is keyed-
|
|
up and trying not to let her feelings show too
|
|
strongly. Beverly holds the disk in her hand, gripping
|
|
it tightly. She is positive, trying to be cheerful,
|
|
but there is an undertone of worry in her voice.
|
|
Wesley is excited.
|
|
|
|
WESLEY
|
|
What kind of message?
|
|
|
|
BEVERLY
|
|
I don't know exactly. Your father
|
|
made it a few weeks after you were
|
|
born.
|
|
|
|
WESLEY
|
|
Why?
|
|
|
|
BEVERLY
|
|
(hesitates)
|
|
He thought it was important to
|
|
say certain things... to make sure
|
|
that he didn't forget to tell you
|
|
later.
|
|
|
|
Wesley stares at the disk in Beverly's hand, eager to
|
|
take it, but afraid to at the same time. He looks back
|
|
at Beverly.
|
|
|
|
WESLEY
|
|
Do you know what it says?
|
|
|
|
BEVERLY
|
|
No.
|
|
(smiles and gives him
|
|
disk)
|
|
He wanted you to have this when
|
|
you turned eighteen... and I want
|
|
you to have it too.
|
|
|
|
Wesley looks at the disk in his hand for a few seconds,
|
|
then stands up and gives his mother a brief hug before
|
|
he EXITS. Hold on Beverly as she smiles...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT FOUR 39.
|
|
|
|
27 INT. WORF'S QUARTERS
|
|
|
|
Worf's sash is sitting on a chair. He is looking in a
|
|
mirror and examining the length of his hair. The door
|
|
CHIMES.
|
|
|
|
WORF
|
|
Enter.
|
|
|
|
Sergey and Helena ENTER...
|
|
|
|
SERGEY
|
|
Are we disturbing you?
|
|
|
|
WORF
|
|
No. I thought you were going to
|
|
your quarters to sleep.
|
|
|
|
HELENA
|
|
We just came by to tuck you in.
|
|
|
|
And Worf understands that they're not being literal...
|
|
it's a way of saying "we care." Worf studies his
|
|
parents, and drops his eyes as he feels more emotion
|
|
than he'd care to admit.
|
|
|
|
WORF
|
|
When I heard you were on the
|
|
visitors' list, I was... not sure
|
|
I wanted you to come.
|
|
(he looks up)
|
|
I am glad you are here.
|
|
|
|
HELENA
|
|
We had to come.
|
|
|
|
SERGEY
|
|
Our boy was in trouble.
|
|
|
|
Worf reacts... surprised...
|
|
|
|
SERGEY
|
|
(continuing)
|
|
After we read your letter...
|
|
about your discommendation from
|
|
the Klingons...
|
|
|
|
He shrugs -- "of course, we had to come."
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT FOUR 40.
|
|
|
|
27 CONTINUED:
|
|
|
|
HELENA
|
|
We don't exactly understand it
|
|
all...
|
|
|
|
SERGEY
|
|
We don't have to. We know what
|
|
kind of man you are...
|
|
|
|
HELENA
|
|
Whatever you did, we know it was
|
|
for a good reason.
|
|
|
|
WORF
|
|
My reasons can never be told.
|
|
|
|
SERGEY
|
|
Your crewmates... your friends...
|
|
they tell us you're... upset,
|
|
Worf.
|
|
|
|
WORF
|
|
I must bear my dishonor alone.
|
|
|
|
SERGEY
|
|
That's not true.
|
|
|
|
HELENA
|
|
I'm sorry if this is too human
|
|
of us... but whenever you are
|
|
suffering, you must remember...
|
|
we are with you.
|
|
|
|
SERGEY
|
|
And that we're proud of you, and
|
|
love you.
|
|
|
|
HELENA
|
|
You're our son.
|
|
|
|
Worf reaches out with his huge arms and embraces both
|
|
of them... and as they hold each other, as tight a
|
|
family unit as the world has ever known...
|
|
|
|
CUT TO:
|
|
|
|
28 INT. PICARD LIVING ROOM - DAY
|
|
|
|
Picard is sitting at the table, drinking wine... he
|
|
is as distressed as we've ever seen him... indeed, if
|
|
this has been a trip to "find himself" as Troi
|
|
suggested, then "he" seems only farther away than when
|
|
the trip started...
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT FOUR 40A.
|
|
|
|
29 ANGLE - ROBERT
|
|
|
|
standing at the door, silhouetted by the light of
|
|
fading day outside... studying his brother. He moves
|
|
closer... as Picard pours himself some more wine from
|
|
the half-empty bottle...
|
|
|
|
STAR TREK: "Family" - REV. 8/6/90 - ACT FOUR 41.
|
|
|
|
29 CONTINUED:
|
|
|
|
ROBERT
|
|
Careful... you're not used to
|
|
drinking the real thing.
|
|
|
|
Picard glances at him. Robert sits down... pours
|
|
himself some...
|
|
|
|
ROBERT
|
|
Your... synthenol... never leaves
|
|
you out of control, isn't that
|
|
so...
|
|
|
|
PICARD
|
|
That is so.
|
|
|
|
ROBERT
|
|
(re: the wine in his
|
|
glass)
|
|
This will.
|
|
|
|
He drinks. So does Picard.
|
|
|
|
ROBERT
|
|
Now there's something I'd like
|
|
to see.
|
|
|
|
PICARD
|
|
What's that?
|
|
|
|
ROBERT
|
|
Jean-Luc Picard out of control.
|
|
|
|
Picard looks away, not wanting to spar.
|
|
|
|
ROBERT
|
|
I venture you've probably never
|
|
been drunk in your entire life.
|
|
|
|
PICARD
|
|
I have nothing but pity for those
|
|
who abuse any substance.
|
|
|
|
ROBERT
|
|
As do I. And yet see how you fill
|
|
your glass
|
|
|
|
Picard puts down his glass. Stands and moves away from
|
|
the table and the wine... he is already a little
|
|
unsteady... Robert follows him...
|
|
|
|
ROBERT
|
|
Mind if I make an observation?
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT FOUR 42.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
ROBERT
|
|
I'll make it anyway. You've
|
|
changed.
|
|
(off Picard's look)
|
|
What the devil happened to you
|
|
up there?
|
|
|
|
PICARD
|
|
Is that "brotherly" concern?
|
|
|
|
ROBERT
|
|
No. I'm just curious what makes
|
|
a man change so much... what did
|
|
they do to you anyway?
|
|
|
|
PICARD
|
|
You know what happened.
|
|
|
|
ROBERT
|
|
Not everything... I gather you
|
|
were hurt... humiliated... I
|
|
always said you could use a little
|
|
humiliation or was it humility,
|
|
well, either one...
|
|
|
|
PICARD
|
|
I don't want to do this with
|
|
you...
|
|
|
|
He EXITS through the back. Robert follows.
|
|
|
|
30 EXT. PICARD HOUSE - DAY - CONTINUOUS
|
|
|
|
Robert trails Picard... Picard tries to control himself
|
|
throughout the scene... Robert continues to dig at
|
|
him...
|
|
|
|
ROBERT
|
|
Why walk away? That was never
|
|
your style...
|
|
|
|
PICARD
|
|
I'm tired of fighting with you,
|
|
Robert...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FOUR 43.
|
|
|
|
30 CONTINUED:
|
|
|
|
ROBERT
|
|
Pity. Tired...
|
|
|
|
PICARD
|
|
That's right.
|
|
|
|
ROBERT
|
|
Tired of the Enterprise too.
|
|
|
|
Picard doesn't respond.
|
|
|
|
ROBERT
|
|
Captain Picard, icon of Starfleet,
|
|
falls to Earth, ready to jump in
|
|
the water with Louis. This is
|
|
not the brother I remember...
|
|
|
|
Robert waits for a retort, gets none, pushes on...
|
|
|
|
ROBERT
|
|
It seemed the ideal situation for
|
|
you -- local boy makes good,
|
|
returns home after twenty years
|
|
for a hero's welcome.
|
|
|
|
PICARD
|
|
I am not a hero...
|
|
|
|
ROBERT
|
|
Certainly you are... you wouldn't
|
|
settle for anything less... admit
|
|
it, never could, and you never
|
|
did.
|
|
|
|
PICARD
|
|
That isn't true.
|
|
|
|
ROBERT
|
|
Of course it is. Turn down a
|
|
parade in your honor? You?
|
|
|
|
PICARD
|
|
I've never sought recognition...
|
|
|
|
ROBERT
|
|
Never? And what of the school
|
|
president, the valedictorian, the
|
|
athletic hero... arms raised in
|
|
victory...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FOUR 44.
|
|
|
|
30 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Were you so jealous?
|
|
|
|
ROBERT
|
|
Dammit, I had a right to be.
|
|
|
|
PICARD
|
|
(scorn)
|
|
A right...
|
|
|
|
ROBERT
|
|
I was always your brother...
|
|
watching you get the cheers...
|
|
watching you break every one of
|
|
father's rules and getting away
|
|
with it...
|
|
|
|
PICARD
|
|
Why didn't you break a few rules?
|
|
|
|
ROBERT
|
|
I was the older one, the
|
|
responsible one. I had to look
|
|
after you...
|
|
|
|
PICARD
|
|
You were a bully...
|
|
|
|
ROBERT
|
|
It was such a pleasure to bully
|
|
you...
|
|
|
|
PICARD
|
|
Try it again.
|
|
|
|
ROBERT
|
|
Did you come back because you
|
|
need me to look after you
|
|
again... ?
|
|
|
|
That's about all Picard can take... the rage he's been
|
|
carrying... everything he's felt about the Borg...
|
|
about missions gone awry... about lost crewmen...
|
|
everything he's ever bottled up explodes in the face of
|
|
his brother's verbal assault. He grabs his brother by
|
|
the lapels... and swings at Robert, connecting on his
|
|
jaw... Robert goes flying backwards, crashing into the
|
|
brush.
|
|
|
|
STAR TREK: "Family" - REV. 8/20/90 - ACT FOUR 45.
|
|
|
|
30A EXT. VINEYARD - DAY - CONTINUOUS
|
|
|
|
Robert pulls himself out of the brush and grabs Picard
|
|
and Picard grabs him and an awkward dance between two
|
|
middle-aged men acting like children ensues... and
|
|
slowly we may come to realize there's a slightly
|
|
humorous edge to this. Robert pulls him to the wet
|
|
ground and they roll over and over in the mud and as
|
|
they make one final roll, they realize they're
|
|
laughing... and the laughter consumes them as they lie
|
|
side-by-side on the ground, as dirty as little kids,
|
|
looking up at the sky.
|
|
|
|
PICARD
|
|
You were asking for it, you know.
|
|
|
|
ROBERT
|
|
Yes, but you needed it. You
|
|
have been terribly hard on
|
|
yourself.
|
|
|
|
Still with residual laughter, betraying the seriousness
|
|
of the revelations...
|
|
|
|
PICARD
|
|
You don't know, Robert. You don't
|
|
know. They took everything I was.
|
|
They used me to kill and destroy.
|
|
And I could not stop them. I
|
|
should have been able to stop
|
|
them.
|
|
|
|
And he still laughs as tears roll down his cheeks...
|
|
|
|
PICARD
|
|
I tried... I tried... so hard...
|
|
but I just wasn't strong enough.
|
|
Not good enough. I should have
|
|
been able to stop them. I should
|
|
have been able to...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FOUR 46.
|
|
|
|
30A CONTINUED:
|
|
|
|
His fist strikes the ground. A long beat.
|
|
|
|
ROBERT
|
|
So, Jean-Luc Picard is human
|
|
after all.
|
|
|
|
A beat. Picard sighs, knows it's true... it doesn't
|
|
seem to help.
|
|
|
|
ROBERT
|
|
(continuing)
|
|
This is going to be with you a
|
|
long time, Jean-Luc. A long time.
|
|
And you have to learn to live
|
|
with that. You have a simple
|
|
choice now -- living with it
|
|
below the sea with Louis or above
|
|
the clouds on your Enterprise.
|
|
|
|
Picard looks at his brother with new warmth... as they
|
|
crawl up to their feet, helping each other...
|
|
|
|
PICARD
|
|
You know, I think you were right.
|
|
(off Robert's look)
|
|
Maybe I did come back so you'd
|
|
look after me.
|
|
|
|
Robert smiles, puts his arm around his brother's
|
|
shoulder and as they walk back toward the house...
|
|
|
|
ROBERT
|
|
I still don't like you.
|
|
|
|
And as they walk away...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT FIVE 47.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
31 INT. PICARD HOME - DAY
|
|
|
|
Marie enters the front door... reacts at what she sees
|
|
--
|
|
|
|
MARIE
|
|
What in the world... ?
|
|
|
|
32 ANGLE
|
|
|
|
to see Picard and Robert still covered with mud, eating
|
|
cheese and fruit at the table... they look up like
|
|
children caught with their hands in the cookie jar...
|
|
|
|
MARIE
|
|
What happened here?
|
|
|
|
And they follow her glance, as do we, to see a trail
|
|
of mud tracked into the house...
|
|
|
|
ROBERT
|
|
Ah...
|
|
|
|
PICARD
|
|
It's entirely my fault, Marie...
|
|
|
|
ROBERT
|
|
Yes, you see, he fell... and then
|
|
I fell...
|
|
|
|
PICARD
|
|
We both fell together...
|
|
|
|
Marie comes over and examines the bruise on Robert's
|
|
chin.
|
|
|
|
MARIE
|
|
Have you two been fighting?
|
|
|
|
ROBERT
|
|
Fighting? Oh, you mean this.
|
|
There's a perfectly good
|
|
explanation for this...
|
|
|
|
MARIE
|
|
Shame on you both. What would
|
|
your father say if he saw you like
|
|
this?
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FIVE 48.
|
|
|
|
32 CONTINUED:
|
|
|
|
PICARD
|
|
He'd probably send us to bed
|
|
without our supper.
|
|
|
|
They laugh together. Marie smiles, shakes her head.
|
|
|
|
MARIE
|
|
Well, perhaps it was good to get
|
|
it out of your system.
|
|
|
|
PICARD
|
|
Perhaps it was, Marie. Perhaps
|
|
it was.
|
|
(beat)
|
|
I'll contact Louis and cancel the
|
|
meeting with the Board of
|
|
Governors. It's time for me to
|
|
be going...
|
|
|
|
MARIE
|
|
Already, Jean-Luc?
|
|
|
|
PICARD
|
|
The ship will be ready to leave
|
|
orbit soon... and I belong on
|
|
board.
|
|
(beat, then to Robert)
|
|
If I ever doubt that again... I
|
|
know where to come.
|
|
|
|
Robert smiles slightly and the brothers exchange a
|
|
look.
|
|
|
|
MARIE
|
|
You can't leave yet.
|
|
|
|
PICARD
|
|
I'm sorry. I must.
|
|
|
|
MARIE
|
|
You're not leaving until you clean
|
|
up this mess... both of you...
|
|
|
|
As they rise quickly...
|
|
|
|
ROBERT
|
|
What mess?
|
|
(off her expression)
|
|
Yes, ma'am...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT FIVE 49.
|
|
|
|
33 INT. CORRIDOR
|
|
|
|
Near the Holodeck doors. Wes steps back, stands in
|
|
front of the doors. His expression is excited,
|
|
expectant... but there is a trace of apprehension here
|
|
too. He hesitates long enough for us to realize that
|
|
this is a big moment in his life. He clears his
|
|
throat, then in an artificially calm and steady
|
|
voice...
|
|
|
|
WESLEY
|
|
Computer, load program, Crusher
|
|
One.
|
|
|
|
COMPUTER
|
|
Program loaded.
|
|
|
|
The doors OPEN and Wes walks inside.
|
|
|
|
34 INT. HOLODECK
|
|
|
|
Dark except for a brightly lit circle in the center of
|
|
the room. Sitting on a chair in a limited set inside
|
|
this circle of light is the frozen image of Jack
|
|
Crusher. Not the towering figure of legend that Wesley
|
|
(and we) expect to meet... Jack is of medium build,
|
|
about Wesley's height, finely boned, and perhaps most
|
|
shocking is that fact that Jack is about 24 years of
|
|
age. He wears an older Starfleet uniform with
|
|
lieutenant's insignia. His expression and attitude are
|
|
cheerful, confident... a man with his entire future
|
|
ahead of him.
|
|
|
|
35 ANGLE - CLOSER
|
|
|
|
Wesley studies him... this is not what he expected.
|
|
Jack doesn't look much older than he does. The man
|
|
who was his father is more like a peer than a parent.
|
|
Wesley expected to be awed by what he remembered only
|
|
as a very big man who played with him as a child. As
|
|
Jack speaks, Wesley tries not only to pay attention to
|
|
what is being said, but also to try and get a feeling
|
|
for who he was and what kind of man he might have been.
|
|
|
|
WESLEY
|
|
(softly)
|
|
Run program.
|
|
|
|
The figure comes to life.
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT FIVE 50.
|
|
|
|
35 CONTINUED:
|
|
|
|
JACK
|
|
Hello, Wesley. As I make this
|
|
recording, you're just ten weeks
|
|
old.
|
|
(beat)
|
|
I want you to know who I am today.
|
|
You see, this Jack Crusher won't
|
|
exist by the time you're grown
|
|
up... I'll be older, more
|
|
experienced... hopefully a little
|
|
wiser. But this person will be
|
|
gone and I wanted you to know who
|
|
I am now, who your father was when
|
|
you came into this world.
|
|
(thoughtful)
|
|
I see you lying there in your
|
|
crib... and I realize that I don't
|
|
know the first thing about being
|
|
a father. So let me just
|
|
apologize for all the mistakes
|
|
I'm about to make as you grow up.
|
|
(disturbed by the
|
|
thought)
|
|
I hope you don't grow up...
|
|
resenting the fact that I was gone
|
|
so much. That comes with this
|
|
uniform. Right now, I'm waiting
|
|
for an assignment on the U.S.S.
|
|
Stargazer. I don't know if I can
|
|
explain why Starfleet is so
|
|
important to me... maybe you'll
|
|
understand when you get this...
|
|
later on.
|
|
(re: uniform)
|
|
Maybe you'll even want to try one
|
|
of these on.
|
|
(thinks, gives up,
|
|
laughs a little)
|
|
You'll probably be a doctor like
|
|
your mother.
|
|
(beat)
|
|
We named you after Richard Wesley
|
|
Crusher, my grandfather, who gave
|
|
me my first flying lesson as a
|
|
boy. You come from a fine
|
|
family... of scholars, explorers,
|
|
artists... your great-great
|
|
grandfather was a painter whose
|
|
work once hung in the Prado...
|
|
(MORE)
|
|
|
|
STAR TREK: "Family" - REV. 8/8/90 - ACT FIVE 50A.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
JACK (Cont'd)
|
|
We've had a skeleton or two in
|
|
our closet... someday, I'll tell
|
|
you about the Crusher who was a
|
|
horse thief on Nimbus Three...
|
|
but we also had our share of
|
|
family heroes... a Crusher fought
|
|
for the Confederacy at Bull Run.
|
|
One died at Station Salem One.
|
|
It's a proud heritage, Wesley...
|
|
one for you to pass on to your
|
|
children.
|
|
(MORE)
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FIVE 51.
|
|
|
|
35 CONTINUED: (3)
|
|
|
|
JACK (Cont'd)
|
|
(smiles)
|
|
You're only a baby... but it's
|
|
remarkable... I see in your face
|
|
all the people I've loved in my
|
|
lifetime... your mother... my
|
|
father and mother... our family.
|
|
I see me in you, too. I can
|
|
feel that you're my son. I don't
|
|
know how to describe it...
|
|
There's this connection, this
|
|
bond... I will always be a part
|
|
of you, Wes...
|
|
(beat)
|
|
Well, I hope this made some sense
|
|
to you... I'm not sure it does
|
|
to me. Maybe I'll do better next
|
|
time. I love you, Wesley.
|
|
|
|
He smiles, finished.
|
|
|
|
36 NEW ANGLE (OPTICAL)
|
|
|
|
Wesley hesitates... then moves toward his father, but
|
|
just as reaches out... Jack FADES AWAY. Wesley stands
|
|
alone in the darkness.
|
|
|
|
WESLEY
|
|
(a hoarse whisper)
|
|
Good-bye, Dad.
|
|
|
|
CUT TO:
|
|
|
|
37 EXT. LABARRE - DAY (MATTE SHOT)
|
|
|
|
The town as seen before.
|
|
|
|
38 EXT. PICARD HOUSE - DAY
|
|
|
|
Picard, Robert, Marie, Rene standing outside. Picard
|
|
is now in uniform, carrying the rucksack. Robert has a
|
|
small package. Marie gives Picard a hug.
|
|
|
|
MARIE
|
|
Be careful, Jean-Luc. Come back
|
|
to us again.
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FIVE 51A.
|
|
|
|
38 CONTINUED:
|
|
|
|
Picard smiles at her and then holds out his hand for
|
|
Rene to shake. The boy stands tall, proud to be
|
|
treated like an adult.
|
|
|
|
STAR TREK: "Family" - REV. 8/13/90 - ACT FIVE 52.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Take care, Uncle.
|
|
|
|
RENE
|
|
Someday, I'll be leaving for my
|
|
ship too.
|
|
|
|
Picard glances at Robert, knows that this isn't his
|
|
brother's first choice.
|
|
|
|
PICARD
|
|
(gently)
|
|
There's plenty of time for that...
|
|
keep your mind open... you may
|
|
decide to do something else as
|
|
you get older.
|
|
(tinge of irony)
|
|
Try not to be so... narrow-minded.
|
|
|
|
Robert hands over the package to Picard.
|
|
|
|
ROBERT
|
|
Here, Jean-Luc. A little of the
|
|
fifty-one.
|
|
(beat)
|
|
Do not drink it all at once.
|
|
And try not to drink it alone.
|
|
|
|
Picard puts it in his sack. They shake hands... and
|
|
then Picard pulls him into a hug... they can bear the
|
|
intimacy for only a moment. Picard glances one more
|
|
time... and then walks back down the path he came.
|
|
|
|
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
40 INT. CORRIDOR
|
|
|
|
Worf, Sergey, and Helena walking to transporter room.
|
|
Worf is less stiff with them, more of a family feeling
|
|
here at last.
|
|
|
|
HELENA
|
|
Is there anything you want us to
|
|
send you from home?
|
|
|
|
WORF
|
|
No...
|
|
|
|
He glances around quickly to make sure no one is
|
|
listening.
|
|
|
|
STAR TREK: "Family" - 8/2/90 - ACT FIVE 53.
|
|
|
|
40 CONTINUED:
|
|
|
|
WORF
|
|
(continuing)
|
|
Perhaps some of your rokeg blood
|
|
pie...
|
|
|
|
HELENA
|
|
(eyes twinkle)
|
|
It's been a while, but I think
|
|
I still remember how.
|
|
|
|
They are near the transporter room, the doors OPEN and
|
|
Picard ENTERS, still carrying his rucksack.
|
|
|
|
WORF
|
|
(surprised)
|
|
Captain... welcome back.
|
|
|
|
PICARD
|
|
Thank you, Lieutenant.
|
|
|
|
Picard looks at Worf's parents. Worf stands up
|
|
straight... talks with a pride that was missing when he
|
|
introduced them earlier.
|
|
|
|
WORF
|
|
Captain, these are my parents.
|
|
Sergey and Helena Rozhenko.
|
|
|
|
Picard smiles and shakes their hands.
|
|
|
|
PICARD
|
|
Delighted.
|
|
|
|
SERGEY
|
|
Quite a ship you have here,
|
|
Captain.
|
|
|
|
PICARD
|
|
You got the full tour, I trust...
|
|
|
|
SERGEY
|
|
Well, actually, there are still
|
|
a few areas because of the
|
|
repairs...
|
|
|
|
HELENA
|
|
Sergey, it's time to go...
|
|
|
|
STAR TREK: "Family" - REV. 8/9/90 - ACT FIVE 54.
|
|
|
|
40 CONTINUED: (2)
|
|
|
|
SERGEY
|
|
Yes. Yes. Okay.
|
|
(to Picard, as she
|
|
coaxes him away)
|
|
I have all the specs and diagrams
|
|
at home...
|
|
|
|
Picard watches them for a minute and then shakes his
|
|
head slightly and heads down the corridor.
|
|
|
|
CUT TO:
|
|
|
|
40A INT. PICARD HOUSE - NIGHT
|
|
|
|
Marie and Robert look out the window.
|
|
|
|
MARIE
|
|
He's still out there... dreaming
|
|
about starships and adventures.
|
|
|
|
She moves to go outside, but Robert gently stops her.
|
|
|
|
MARIE
|
|
It's getting late.
|
|
|
|
ROBERT
|
|
Yes... but let him dream.
|
|
|
|
Marie is a little surprised, but she smiles at this
|
|
change in Robert. They kiss and move away from the
|
|
window.
|
|
|
|
41 EXT. VINEYARD - NIGHT (OPTICAL)
|
|
|
|
Rene is lying on his back in the vineyard, looking up
|
|
at the night sky.
|
|
|
|
42
|
|
thru OMITTED
|
|
43
|
|
|
|
44 NEW ANGLE (OPTICAL)
|
|
|
|
including the night sky as a shooting star streaks
|
|
across the heavens...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|