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Plaintext
1 line
62 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Qpid"
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(f.k.a. "Q Love")
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#40274-194
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Teleplay by
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Ira Steven Behr
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Directed by
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Cliff Bole
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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JANUARY 31, 1991
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STAR TREK: "Q Love" - 2/5/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Q Love"
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CAST
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PICARD Q
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RIKER VASH
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DATA SIR GUY GISBOURNE
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BEVERLY ELDERLY SERVANT
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TROI
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GEORDI
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WORF
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Non-Speaking
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VARIOUS ARCHEOLOGY
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COUNCIL MEMBERS
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COMPUTER VOICE
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A VULCAN COUNCIL MEMBER
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TROOP OF MEN-AT-ARMS
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Non-Speaking EXECUTIONER
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SUPERNUMERARIES CASTLE GUARDS
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SERVANTS
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MEMBERS OF THE COURT
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STAR TREK: "Q Love" - 2/5/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Q Love"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM SHERWOOD FOREST
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TEN FORWARD
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CORRIDOR NOTTINGHAM CASTLE
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PICARD'S QUARTERS
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VASH'S QUARTERS
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MEETING ROOM
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SHERWOOD FOREST
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A GLADE
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NOTTINGHAM CASTLE
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MAID MARIAN'S CHAMBERS
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STAR TREK: "Q Love" - 1/31/91 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Q Love"
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PRONUNCIATION GUIDE
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clavicular klaw-VICK-you-lahr
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STAR TREK: "Qpid" - REV. 2/7/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Q Love"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship orbits a small, orange hued planet.
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PICARD (V.O.)
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Captain's Log, stardate 44741.9.
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We have arrived at Tagus Three
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where the Enterprise is to serve
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as host of the Federation
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Archeology Council's annual
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symposium.
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2 INT. READY ROOM
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PICARD, intensely studying his monitor screen.
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PICARD (V.O.)
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I look forward to giving
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tomorrow's keynote address with
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great anticipation.
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The DOOR CHIME SOUNDS.
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PICARD
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Come.
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TROI ENTERS. Picard barely glances up from the
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monitor. Troi smiles at Picard's preoccupation.
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TROI
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I thought you'd want to know,
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Captain, the Council members have
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all been beamed aboard and
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assigned quarters.
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PICARD
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Excellent.
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STAR TREK: "Q Love" - REV. 2/1/91 - TEASER 2.
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2 CONTINUED:
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TROI
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(a hint)
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It really is quite late, Captain.
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Picard motions her over to the monitor.
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PICARD
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Tell me, Counselor, in regard
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to my lecture, which do you
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suppose would provide greater
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clarity? A chronological
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structure, or a division of each
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excavation's findings into various
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sociological, religious, and
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environmental sub-groupings?
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TROI
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I thought you had already decided
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on a chronological structure.
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PICARD
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(nodding; but not quite
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convinced)
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Still, there is something to be
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said for a more scientific
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approach.
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TROI
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Captain, may I make a suggestion?
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PICARD
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By all means.
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Troi finally has the Captain's complete attention.
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TROI
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Relax! You've written a brilliant
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speech.
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PICARD
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It needs to be. Tomorrow I'll
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be addressing some of the greatest
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scientific minds in the
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Federation. Switzer,
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Klarc-Tarn-Droth, McFarland.
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Giants in the field of Archeology.
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Next to them I'm nothing but an
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enthusiastic amateur.
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STAR TREK: "Q Love" - REV. 2/5/91 - TEASER 3.
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2 CONTINUED: (2)
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TROI
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I doubt they think of you as an
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amateur... not when it comes to
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the ruins of Tagus Three.
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PICARD
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(modestly)
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Well, I have done my homework...
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I've examined the findings of
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every archaeological expedition
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conducted on the planet's
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surface...
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TROI
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It's unfortunate the Taguans no
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longer allow outsiders to visit
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the ruins.
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PICARD
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(wistful)
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Indeed. Especially since we still
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know so little about their
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origin...
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He gestures toward the monitor.
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PICARD
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Hopefully, I've been able to
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construct some intriguing theories
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of my own.
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TROI
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I'm sure the council members will
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agree that you have.
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PICARD
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(smiling)
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Your support is appreciated,
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Deanna.
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Picard stands.
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PICARD
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Screen off.
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CU screen as it goes blank.
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STAR TREK: "Q Love" - REV. 2/5/91 - TEASER 4.
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3 INT. PICARD'S QUARTERS
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The door OPENS. Picard ENTERS looking somewhat
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fatigued.
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The first thing he notices -- is a Horga'hn sitting
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on his desk. Picard looks at it, curious... where the
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hell did this thing come from? Then...
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VASH (O.S.)
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Bring back any memories?
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Picard turns to see VASH stepping out of the shadows
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near the door. For a moment he's taken completely
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off-guard.
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PICARD
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Vash? How did you get in here?
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She smiles... and moves closer.
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VASH
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I came in through the window.
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Picard barely has the chance to regain his aplomb when
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she snakes an arm around him and they kiss. It's going
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to last awhile.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Q Love" - REV. 2/5/91 - ACT ONE 5.
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ACT ONE
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FADE IN:
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4 INT. PICARD'S QUARTERS - MORNING
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Vash, wearing the same outfit from the night before,
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and Picard, in his dress uniform, sit at a table eating
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a brekfast of rolls and jam. Though there is still a
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warm afterglow from the evening's activities, Picard is
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slightly ill at ease about playing host to Vash aboard
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the Enterprise.
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PICARD
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I had no idea you were a member
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of the Archaeology Council.
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Vash only smiles.
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PICARD
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You are a member?
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(a beat)
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Aren't you.
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STAR TREK: "Q Love" - REV. 2/1/91 - ACT ONE 6.
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4 CONTINUED:
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VASH
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(smiling)
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More or less.
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PICARD
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Why have you come to Tagus Three?
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VASH
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To see you, of course.
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PICARD
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Is that the only reason?
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VASH
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Isn't it enough?
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She's moves closer to him. It's an intimate moment.
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PICARD
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(smiling)
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I wish I could believe you?
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VASH
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(smiling right back)
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I'd be disappointed if you did.
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(a beat)
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I really have missed you,
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Jean-Luc.
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But before they can act on a mutual impulse the DOOR
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CHIMES. Picard waits until Vash steps away before
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answering.
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PICARD
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Come.
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BEVERLY strides in.
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BEVERLY
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I'm sorry I'm late...
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(noticing Vash)
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Oh, excuse me. I didn't know you
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had company.
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PICARD
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That's quite all right, Doctor.
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Beverly Crusher allow me to
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introduce Vash. A friend of mine
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with the Archeology Council.
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The two women exchange greetings.
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 7.
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4 CONTINUED: (2)
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BEVERLY
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(to Vash)
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I didn't mean to interrupt. The
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Captain and I often share morning
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tea.
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VASH
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Yes, Jean-Luc has told me all
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about you.
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BEVERLY
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Really? When was that?
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VASH
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On Risa. Where we met.
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Beverly is finding this all very interesting.
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BEVERLY
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I see.
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(to Picard)
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That must have been during your
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vacation last year.
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PICARD
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(giving nothing away)
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So it was.
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BEVERLY
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(to Vash)
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I'm surprised he never mentioned
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you.
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VASH
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So am I.
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She shoots Picard a look, but no explanation is
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forthcoming.
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VASH
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Are you busy, Doctor?
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BEVERLY
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Not at the moment.
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VASH
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I was wondering, I would love to
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see some more of this marvelous
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ship...
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 8.
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4 CONTINUED: (3)
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BEVERLY
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I'd be delighted to show it to
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you. If that's alright with you,
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Jean-Luc.
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PICARD
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Of course.
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But he doesn't seem thrilled at the prospect. As Vash
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passes him on the way out...
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VASH
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(sotto voce)
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Don't worry, I promise to behave
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myself.
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Picard does not look reassured.
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5 INT. TEN FORWARD
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The lounge is only lightly populated at the moment.
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Riker is seated alone having a drink.
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Beverly and Vash ENTER.
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BEVERLY
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And this is Ten Forward, where
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the Council's welcoming reception
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is to be held this afternoon.
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VASH
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(liking what she sees)
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I couldn't think of a better
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location.
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(a beat)
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Tell me, does Jean-Luc come here
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often?
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BEVERLY
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No, not often.
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VASH
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I didn't think so.
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BEVERLY
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The Captain is a very private man.
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 9.
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5 CONTINUED:
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VASH
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He certainly acted that way when
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we first met.
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(smiling)
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But I managed to loosen him up.
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Beverly would definitely like to learn more about this
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woman.
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BEVERLY
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Would you like something to drink?
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VASH
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Please.
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Beverly walks over to the bar. Vash checks out the
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view from the window as Riker APPROACHES.
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RIKER
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Eternity never looked so lovely.
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VASH
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Excuse me?
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RIKER
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I was referring to the view.
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Eternity never looked so lovely.
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Vash gives him a shrewd appraisal.
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VASH
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You must be Commander Riker.
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RIKER
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(surprised)
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I'm afraid you have me at a
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disadvantage.
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VASH
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I didn't mean to interrupt. I
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believe you were about to tell
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me that my eyes are as mysterious
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as the stars.
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Riker is intrigued. How the hell did she know?
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RIKER
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(thinks he's figured
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it out)
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You're a Betazoid.
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 10.
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5 CONTINUED: (2)
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VASH
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Not at all. It's just that
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Jean-Luc does quite a good
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imitation of you.
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RIKER
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He does?
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Beverly comes back with the drinks.
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BEVERLY
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I see you two have met.
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RIKER
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Not exactly.
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BEVERLY
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Vash is a member of the Archeology
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Council. And a friend of the
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Captain.
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RIKER
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So I've gathered.
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BEVERLY
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They met during his visit to Risa.
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RIKER
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On Risa?
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(amused)
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That must have been a better
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vacation than he let on.
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VASH
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You mean he never mentioned me
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to you either?
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RIKER
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Believe me, if he had, I would
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have remembered.
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VASH
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(a bit frustrated)
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You'd think he'd have told someone
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about me.
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COMPUTER VOICE
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Doctor Crusher, please report to
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Sickbay.
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 11.
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5 CONTINUED: (3)
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BEVERLY
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On my way.
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(to Vash)
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I'm afraid I won't be able to
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finish up our tour.
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(a beat)
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Perhaps Commander Riker could fill
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in for me.
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RIKER
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It would be my pleasure.
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Beverly leaves. Riker and Vash head for the door.
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VASH
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So you're the one who asked
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Jean-Luc to buy the Horga'han.
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RIKER
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That was me.
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VASH
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Tell me Commander, do you collect
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sexual fertility symbols?
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RIKER
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I wouldn't call it a very large
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collection.
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And they're out the door.
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6 INT. BRIDGE
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DATA and GEORDI at Science Station, WORF at Tactical.
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N.D.'s elsewhere.
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Riker and Vash EXIT the aft turbolift.
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RIKER
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And that brings us to the Main
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Bridge, the Command center of the
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Enterprise, and the end of our
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tour.
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He brings her over to the Science Station.
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RIKER
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Vash, I'd like you to meet
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Commander La Forge and Commander
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Data...
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STAR TREK: "Q Love" - 1/31/91 - ACT ONE 12.
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6 CONTINUED:
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An exchange of greetings. Riker gestures over to Worf
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who looks on with disapproval.
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RIKER
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And this is Lieutenant Worf.
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(noticing Worf's scowl)
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Something wrong, Lieutenant?
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WORF
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Sir, I was not informed that
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Council Members had been granted
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bridge clearance.
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RIKER
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I think we can make an exception
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in this case, Mister Worf. Vash
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is the Captain's guest.
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Interested glances all around. Worf is somewhat at
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a loss for what to say.
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WORF
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(finally)
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Welcome aboard.
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Riker leads Vash over to the Command area.
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VASH
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Is this where Jean-Luc sits?
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RIKER
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(pointing it out)
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That's the big chair.
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To everyone's surprise she sits down in it. It
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provides a definite sense of power.
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VASH
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I can see where being a starship
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Captain does have its rewards.
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PICARD (V.O.)
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I'm glad you approve.
|
|
|
|
All eyes turn to Picard who has just exited the Ready
|
|
Room. Vash stands.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT ONE 13.
|
|
|
|
6 CONTINUED: (2)
|
|
|
|
VASH
|
|
Jean-Luc. Commander Riker was
|
|
just showing me the bridge.
|
|
|
|
Picard looks at Riker.
|
|
|
|
RIKER
|
|
Doctor Crusher was called to
|
|
Sickbay.
|
|
|
|
Picard nods. An awkward beat of silence.
|
|
|
|
PICARD
|
|
So, did you enjoy your tour?
|
|
|
|
VASH
|
|
Very much.
|
|
|
|
PICARD
|
|
Good.
|
|
|
|
Another awkward moment.
|
|
|
|
VASH
|
|
I guess I'll head back to my room
|
|
now and get ready for the
|
|
reception.
|
|
|
|
PICARD
|
|
By all means.
|
|
(a beat)
|
|
Well, I suppose I'll see you then.
|
|
|
|
VASH
|
|
I look forward to it.
|
|
|
|
She turns and makes the long walk back up the ramp to
|
|
the turbolift.
|
|
|
|
RIKER
|
|
(watching her go)
|
|
Fascinating woman.
|
|
|
|
No comment, from Picard.
|
|
|
|
7 ANGLE ON
|
|
|
|
Data and Geordi. Geordi has also watched Vash EXIT
|
|
the bridge.
|
|
|
|
As the turbolift doors close he breaks into a grin.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT ONE 14.
|
|
|
|
7 CONTINUED:
|
|
|
|
DATA
|
|
You find something humorous,
|
|
Geordi?
|
|
|
|
GEORDI
|
|
Didn't you notice how ill-at-ease
|
|
the Captain seemed around Vash?
|
|
|
|
DATA
|
|
Yes. However I see nothing
|
|
amusing in his hostility toward
|
|
her.
|
|
|
|
GEORDI
|
|
That wasn't hostility, Data.
|
|
(off Data's look)
|
|
He likes her.
|
|
(a beat)
|
|
A lot.
|
|
|
|
Still smiling, Geordi turns back to the science
|
|
monitor. A puzzled Data is left pondering the
|
|
intricacies of human relationships.
|
|
|
|
8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship maintains standard orbit.
|
|
|
|
9 INT. TEN FORWARD
|
|
|
|
The reception. COUNCIL MEMBERS mingle with the crew.
|
|
A rather informal time is being had by all.
|
|
|
|
10 NEW ANGLE
|
|
|
|
Vash has cornered TROI over by a buffet table.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT ONE 15-15A.
|
|
|
|
10 CONTINUED:
|
|
|
|
VASH
|
|
I don't understand, I thought
|
|
being ship's counselor meant the
|
|
Captain confided in you.
|
|
|
|
TROI
|
|
He does. When he feels it's
|
|
necessary.
|
|
|
|
VASH
|
|
And he never spoke to you about
|
|
me?
|
|
|
|
TROI
|
|
Not that I can recall.
|
|
|
|
VASH
|
|
Not even a hint?
|
|
|
|
TROI
|
|
You must understand, the Captain
|
|
is a very...
|
|
|
|
TROI & VASH
|
|
(together)
|
|
Private man.
|
|
|
|
VASH
|
|
I know...
|
|
|
|
She spots Picard who is deep in discussion with a
|
|
Vulcan Council Member.
|
|
|
|
VASH
|
|
Will you excuse me?
|
|
|
|
TROI
|
|
Certainly.
|
|
|
|
Vash walks off.
|
|
|
|
11 NEW ANGLE
|
|
|
|
Vash passes by Worf, Geordi, Beverly and Data.
|
|
|
|
WORF
|
|
(still watching Vash)
|
|
Nice legs.
|
|
(off Geordi's look)
|
|
For a human.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT ONE 16.
|
|
|
|
12 NEW ANGLE
|
|
|
|
Picard and the Vulcan.
|
|
|
|
PICARD
|
|
I agree, the Vulcan excavations
|
|
on Tagus Three were extensive.
|
|
Unfortunately, they were confined
|
|
to the northeastern part of the
|
|
city.
|
|
|
|
Vash appears at his elbow.
|
|
|
|
VASH
|
|
Jean-Luc, we need to talk.
|
|
|
|
One look and Picard knows she means it.
|
|
|
|
PICARD
|
|
(to the Vulcan)
|
|
Pardon me.
|
|
|
|
He and Vash move to a private spot.
|
|
|
|
PICARD
|
|
The reception seems to be a
|
|
success.
|
|
|
|
VASH
|
|
Forget the reception for a moment.
|
|
How come you've never mentioned
|
|
me to your friends?
|
|
|
|
PICARD
|
|
What would you have me tell them?
|
|
|
|
VASH
|
|
Maybe that we met, for one thing.
|
|
That we had an adventure together.
|
|
Some fun...
|
|
|
|
PICARD
|
|
I'm afraid that wasn't possible.
|
|
|
|
VASH
|
|
Why not?
|
|
|
|
PICARD
|
|
It would have
|
|
been... inappropriate.
|
|
|
|
VASH
|
|
I wasn't expecting you to go into
|
|
any intimate details.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT ONE 17.
|
|
|
|
12 CONTINUED:
|
|
|
|
PICARD
|
|
A Captain does not share his
|
|
personal feelings with his crew.
|
|
|
|
VASH
|
|
Is that a Starfleet regulation?
|
|
Or did you make that one up
|
|
yourself?
|
|
|
|
PICARD
|
|
I'm sorry if you're upset.
|
|
|
|
VASH
|
|
And I'm sorry if my being here
|
|
embarrasses you.
|
|
|
|
And with that she turns and walks away.
|
|
|
|
HOLD ON a perplexed Captain Picard.
|
|
|
|
13 INT. MAIN BRIDGE
|
|
|
|
Riker at command. N.D.'s at Conn and Ops.
|
|
|
|
Picard ENTERS from the forward turbolift.
|
|
|
|
RIKER
|
|
How was the reception?
|
|
|
|
PICARD
|
|
(brusque)
|
|
Splendid.
|
|
|
|
He EXITS into the Ready Room.
|
|
|
|
14 INT. READY ROOM
|
|
|
|
Picard ENTERS and stops as he SEES --
|
|
|
|
15 Q
|
|
|
|
seated at his desk dressed in a Starfleet uniform.
|
|
|
|
Q
|
|
Jean-Luc! How wonderful to see
|
|
you again.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT ONE 18.
|
|
|
|
15 CONTINUED:
|
|
|
|
ON PICARD'S REACTION...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 19.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
16 INT. READY ROOM - CONTINUOUS (OPTICAL)
|
|
|
|
As before.
|
|
|
|
Q
|
|
Well don't just stand there, say
|
|
something.
|
|
|
|
Picard advances into the room.
|
|
|
|
PICARD
|
|
Get out of my chair.
|
|
|
|
Q
|
|
I was hoping for something more
|
|
along the lines of "Welcome back,
|
|
Q. It's a pleasure to see you
|
|
again old friend."
|
|
|
|
PICARD
|
|
We are not friends.
|
|
|
|
Q
|
|
You wound me, mon Capitain.
|
|
|
|
Q snaps his fingers and now it's Picard who sits at his
|
|
desk and Q who stands before him.
|
|
|
|
Q
|
|
There, perhaps now your manners
|
|
will show some improvement.
|
|
|
|
PICARD
|
|
What brings you here, Q? Have you
|
|
been banished from the Continuum
|
|
once again?
|
|
|
|
Q
|
|
Hardly. They're still apologizing
|
|
to me for the last time.
|
|
|
|
PICARD
|
|
Then what is it you want?
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 20.
|
|
|
|
16 CONTINUED:
|
|
|
|
Q
|
|
Must I always have a reason to
|
|
stop by. I was in the sector
|
|
and...
|
|
(Picard doesn't buy it)
|
|
Alright. You force a confession
|
|
from me. The truth is I have a
|
|
debt to settle.
|
|
|
|
PICARD
|
|
A debt?
|
|
|
|
Q
|
|
To you, Picard. And it gnaws at
|
|
me. It interferes with each day.
|
|
|
|
PICARD
|
|
I have no idea what you're talking
|
|
about...
|
|
|
|
Q
|
|
Without your assistance at our
|
|
last encounter, I never would
|
|
have survived. I would have taken
|
|
my own life but for you, Jean-Luc.
|
|
|
|
PICARD
|
|
We all make mistakes.
|
|
|
|
Q
|
|
Your good deed made possible my
|
|
reinstatement into the continuum.
|
|
And I resent owing you
|
|
anything... so I'm here to pay
|
|
up... what shall it be... tell
|
|
me and I'll be gone...
|
|
|
|
PICARD
|
|
Just be gone. That will suffice
|
|
nicely.
|
|
|
|
Q
|
|
No, it must be something...
|
|
something...
|
|
(searching)
|
|
...constructive. My new word for
|
|
the day.
|
|
|
|
PICARD
|
|
Some other time, all right?
|
|
Right now I have several things
|
|
to attend to.
|
|
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 21.
|
|
|
|
16 CONTINUED: (2)
|
|
|
|
Q
|
|
Yes, your speech. I've read it.
|
|
I found it dull and pedantic.
|
|
Much like yourself.
|
|
(an idea)
|
|
I could help you with it.
|
|
|
|
PICARD
|
|
No.
|
|
|
|
Q
|
|
You've never actually been to the
|
|
ruins in Tagus Three, have you?
|
|
|
|
PICARD
|
|
They've been sealed off for over
|
|
a century.
|
|
|
|
Q
|
|
How can you write about what you
|
|
haven't seen?
|
|
|
|
16A ANGLE (OPTICAL)
|
|
|
|
Q is suddenly wearing a safari suit...
|
|
|
|
Q
|
|
(brightening)
|
|
I'll take you there!
|
|
|
|
PICARD
|
|
Impossible. That would mean
|
|
breaking Taguan law.
|
|
|
|
Q
|
|
Must you always be so ethical?
|
|
(thinking)
|
|
I suppose we could travel back
|
|
in time. You could see what Tagus
|
|
was like two billion years ago.
|
|
They really knew how to have fun
|
|
in those days.
|
|
|
|
PICARD
|
|
I'm afraid my answer is still no.
|
|
My lecture will have to stand on
|
|
its own. Now, will you please
|
|
leave my ship.
|
|
|
|
Q
|
|
Then you refuse my help?
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 22.
|
|
|
|
16A CONTINUED: (2)
|
|
|
|
PICARD
|
|
Completely.
|
|
|
|
A beat as Q broods. Then finally...
|
|
|
|
Q
|
|
(mildly)
|
|
You're simply impossible to find
|
|
a gift for, Picard.
|
|
|
|
And he's gone.
|
|
|
|
PICARD
|
|
(to Conn)
|
|
Commander Riker, report to my
|
|
Ready Room.
|
|
|
|
Riker ENTERS.
|
|
|
|
RIKER
|
|
Yes, Captain?
|
|
|
|
PICARD
|
|
I've just been paid a visit by
|
|
Q.
|
|
|
|
RIKER
|
|
Q?
|
|
(concerned)
|
|
Any idea what he's up to?
|
|
|
|
PICARD
|
|
He wants to do something nice for
|
|
me.
|
|
|
|
Riker REACTS. That definitely sounds like trouble.
|
|
|
|
RIKER
|
|
I'll alert the crew.
|
|
|
|
OFF Picard's look of approval:
|
|
|
|
17 INT. CORRIDOR - MINUTES LATER
|
|
|
|
Picard EXITS the turbolift. He heads down the Corridor
|
|
on the way to meet with one of the Council Officials.
|
|
At the hall he hesitates, turns left instead of right.
|
|
|
|
18 NEW ANGLE
|
|
|
|
Picard HALTS at a doorway. RINGS the bell.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT TWO 23.
|
|
|
|
18 CONTINUED:
|
|
|
|
VASH (V.O.)
|
|
Who's there?
|
|
|
|
PICARD
|
|
It's me.
|
|
|
|
VASH (V.O.)
|
|
Who?
|
|
|
|
PICARD
|
|
Jean-Luc.
|
|
|
|
The door slides open. Vash stands in the entrance.
|
|
|
|
VASH
|
|
Yes.
|
|
|
|
PICARD
|
|
May I come in?
|
|
|
|
VASH
|
|
What for?
|
|
|
|
PICARD
|
|
To talk.
|
|
|
|
VASH
|
|
I'm listening.
|
|
|
|
PICARD
|
|
If it's all the same to you I'd
|
|
rather this discussion not take
|
|
place in a public corridor.
|
|
|
|
He slips past her.
|
|
|
|
19 INT. VASH'S QUARTERS
|
|
|
|
The first thing Picard notices are various digging
|
|
tools piled in a corner. He looks over at Vash.
|
|
|
|
VASH
|
|
I thought these were "private"
|
|
quarters.
|
|
|
|
Picard picks up a PADD off the table.
|
|
|
|
20 INSERT PADD
|
|
|
|
A map of the ruins of Tagus.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT TWO 24.
|
|
|
|
21 BACK TO SCENE
|
|
|
|
Picard places the Padd back on the table.
|
|
|
|
PICARD
|
|
And I thought I was the only
|
|
reason you came to Tagus.
|
|
|
|
VASH
|
|
I never fooled you for a second.
|
|
|
|
She moves closer to Picard.
|
|
|
|
VASH
|
|
Still, you are the most important
|
|
reason.
|
|
|
|
PICARD
|
|
Am I?
|
|
|
|
Vash steps away.
|
|
|
|
VASH
|
|
That's the trouble with being such
|
|
a well known liar. Even when I
|
|
tell the truth no one believes
|
|
me.
|
|
|
|
Picard refuses to be swayed.
|
|
|
|
PICARD
|
|
I'm afraid all this equipment will
|
|
have to be confiscated.
|
|
|
|
VASH
|
|
Is that necessary?
|
|
|
|
PICARD
|
|
I could have you placed in the
|
|
brig.
|
|
|
|
VASH
|
|
Why don't you?
|
|
|
|
PICARD
|
|
If the Taguans were to catch you
|
|
down there...
|
|
|
|
VASH
|
|
You gave me the same warning about
|
|
Sarathong Five.
|
|
|
|
PICARD
|
|
I remember.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 25-25A.
|
|
|
|
21 CONTINUED:
|
|
|
|
VASH
|
|
Well, it didn't stop me from going
|
|
there. I brought back some very
|
|
impressive artifacts, too.
|
|
|
|
PICARD
|
|
Which you no doubt sold for a nice
|
|
profit.
|
|
|
|
VASH
|
|
(angry)
|
|
It's what I do!
|
|
|
|
PICARD
|
|
Not while you're aboard my ship.
|
|
I will not allow it.
|
|
|
|
VASH
|
|
Let's get one thing straight,
|
|
Picard. I can not change who
|
|
I am for you or anyone else.
|
|
|
|
PICARD
|
|
Nor can I change who I am.
|
|
|
|
VASH
|
|
(calmly)
|
|
Then we have nothing more to say
|
|
to each other.
|
|
|
|
PICARD
|
|
So it would seem.
|
|
|
|
Picard leaves. Vash sits at the table. She's
|
|
depressed and upset.
|
|
|
|
22 NEW ANGLE (OPTICAL)
|
|
|
|
Q's head APPEARS from the bulkhead behind her. He's
|
|
obviously overheard their discussion and found it
|
|
fascinating.
|
|
|
|
23 INT. CORRIDOR
|
|
|
|
As Troi, Geordi and Data walk down it...
|
|
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 26.
|
|
|
|
23 CONTINUED:
|
|
|
|
GEORDI
|
|
What do you think it is?
|
|
|
|
DATA
|
|
What do I think what is?
|
|
|
|
GEORDI
|
|
About her. That, you know, gets
|
|
to the Captain.
|
|
|
|
DATA
|
|
Perhaps it is their common
|
|
interest in archaeology.
|
|
|
|
TROI
|
|
I don't think so.
|
|
|
|
DATA
|
|
But Counselor, as an
|
|
archaeologist, her company would
|
|
certainly be intellectually
|
|
stimulating to the Captain.
|
|
|
|
GEORDI
|
|
She's not just stimulating his
|
|
intellect, Data...
|
|
|
|
TROI
|
|
It's really none of our business.
|
|
|
|
They turn a corner and come face to face with...
|
|
|
|
23A Q (OPTICAL)
|
|
|
|
Leaning against a wall. Wearing a Starfleet uniform
|
|
again.
|
|
|
|
Q
|
|
You want to know about Picard and
|
|
that woman? I'll tell you...
|
|
|
|
We HEAR the SOUND of BIRDS CHIRPING in the air.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/6/91 - ACT TWO 27.
|
|
|
|
23A CONTINUED:
|
|
|
|
Q
|
|
(sneering)
|
|
It's love.
|
|
|
|
He DISAPPEARS.
|
|
|
|
24 INT. PICARD'S QUARTERS (OPTICAL)
|
|
|
|
Picard ENTERS, disgruntled. He goes into his bedroom,
|
|
which is dark. As he enters, he sees a figure under
|
|
the covers in his bed. A slight smile creeps to his
|
|
lips. He moves to the bed, pulls back the covers to
|
|
reveal Q.
|
|
|
|
Q
|
|
Sleeping alone, Picard?
|
|
|
|
PICARD
|
|
I'm in no mood for your
|
|
foolishness, Q.
|
|
|
|
Q
|
|
I thought there was something
|
|
different about you. You seemed
|
|
tense, preoccupied. Somewhat...
|
|
smaller.
|
|
(a beat)
|
|
At first I thought it was that
|
|
horrible lecture of yours. But
|
|
I was mistaken.
|
|
|
|
PICARD
|
|
Whatever game you want to play
|
|
will have to wait until tomorrow.
|
|
|
|
Picard gets into bed but Q refuses to be ignored.
|
|
|
|
Q
|
|
I had such hopes for you,
|
|
Jean-Luc. I thought you were a
|
|
bit more evolved than the rest
|
|
of your species. But now I
|
|
realize you're as weak as all the
|
|
others.
|
|
(a beat)
|
|
Still, it pains me to see the
|
|
great Picard brought down by a
|
|
woman.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 28.
|
|
|
|
24 CONTINUED:
|
|
|
|
Picard, tries not to feign disinterest.
|
|
|
|
PICARD
|
|
What woman?
|
|
|
|
Q
|
|
Don't play coy with me Captain.
|
|
I witnessed your little spat with
|
|
Vash. Nor will I soon forget that
|
|
look of misery on your face. The
|
|
pain. The anguish. If I didn't
|
|
know better I would have thought
|
|
you were already married.
|
|
|
|
PICARD
|
|
You really must be bored, Q.
|
|
You're letting your imagination
|
|
run away with you.
|
|
|
|
Q
|
|
This human emotion of Love is
|
|
a dangerous thing, Picard. You
|
|
are obviously ill equipped to
|
|
handle it. She's found a
|
|
vulnerability in you... a
|
|
vulnerability that I've wanted
|
|
to find for years. If I had known
|
|
this sooner, I would have arrived
|
|
as a female. Mark my words,
|
|
Jean-Luc, this is your Achilles
|
|
heel..
|
|
|
|
PICARD
|
|
Believe what you wish.
|
|
|
|
Q
|
|
You deny you care for this woman?
|
|
|
|
Picard doesn't answer.
|
|
|
|
Q
|
|
Believe me, Picard, I'd be doing
|
|
you a big favor if I simply turned
|
|
her into a Klabnian eel.
|
|
|
|
PICARD
|
|
(very seriously)
|
|
Stay away from her, Q.
|
|
|
|
Q
|
|
I only want to help... my debt
|
|
to you...
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT TWO 28A.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(interrupting)
|
|
... is hereby nullified. I don't
|
|
want your help... your advice...
|
|
your favors... or for that matter
|
|
-- you. Can you understand that
|
|
once and for all?
|
|
|
|
Q
|
|
You would have me stand idly by
|
|
while she leads you to your
|
|
destruction?
|
|
|
|
PICARD
|
|
Yes!
|
|
|
|
Q
|
|
As you wish.
|
|
|
|
And once again, he's gone.
|
|
|
|
A concerned Picard is left wondering what Q meant by
|
|
that last remark.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/8/91 - ACT TWO 29.
|
|
|
|
25 INT. MEETING ROOM - NEXT MORNING
|
|
|
|
As Picard and Riker ENTER...
|
|
|
|
RIKER
|
|
Knock 'em dead, Captain.
|
|
|
|
Picard nods and moves toward the podium; Riker toward
|
|
the audience.
|
|
|
|
26 ANOTHER ANGLE
|
|
|
|
All seats are filled in anticipation of Picard's
|
|
lecture. Vash sits among the Council Members. Our
|
|
regular crew members are present as well.
|
|
|
|
26A ANGLE - PICARD
|
|
|
|
As he steps up to the podium. He's waited for this
|
|
moment a long time.
|
|
|
|
PICARD
|
|
Ladies and gentlemen, members of
|
|
the Archeology Council. Welcome.
|
|
It is the mystery of Tagus Three
|
|
that brings us together today...
|
|
a mystery that has invited more
|
|
argument and deduction than the
|
|
best Sherlock Holmes or Dixon Hill
|
|
tale. Well, if you'll excuse the
|
|
conceit, you're about to hear my
|
|
own detective story.
|
|
|
|
26B
|
|
thru OMITTED
|
|
26C
|
|
|
|
26D ANGLE - TROI AND BEVERLY (OPTICAL)
|
|
|
|
Suddenly, a hunting cap, with feather, appears on
|
|
Beverly's head. As Troi attempts to point this
|
|
phenomenon out to Beverly, a similar cap appears on her
|
|
own head. They stare at each other in disbelief.
|
|
|
|
PICARD (V.O.)
|
|
For several years, I have been
|
|
trying to unravel the secrets of
|
|
Tagus Three. Needless to say,
|
|
I have not succeeded.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/8/91 - ACT TWO 30.
|
|
|
|
26E ANGLE - PICARD
|
|
|
|
Still unaware that anything is amiss.
|
|
|
|
PICARD
|
|
However, I have, I believe,
|
|
turned up some new information,
|
|
that if nothing else, raises a
|
|
whole new set of mysteries that
|
|
I hope we can discuss during our
|
|
time togther.
|
|
|
|
26F ANGLE - RIKER AND GEORDI (OPTICAL)
|
|
|
|
Riker reacts to the quarterstaff that appears in his
|
|
hand; Geordi to the mandolin that appears in his.
|
|
|
|
PICARD (V.O.)
|
|
There have been nine hundred and
|
|
forty-seven known Archaeological
|
|
excavations conducted on the
|
|
planet's surface.
|
|
|
|
26G ANGLE - DATA (OPTICAL)
|
|
|
|
who finds himself wearing a cowl... and holding a leg
|
|
of lamb.
|
|
|
|
PICARD (V.O.)
|
|
Out of that number some
|
|
seventy-four are generally
|
|
considered to have revealed
|
|
findings of major importance.
|
|
|
|
26HA ANGLE - WORF
|
|
|
|
Astounded by the chaperone which has appeared on his
|
|
shoulders.
|
|
|
|
PICARD (V.O.)
|
|
The earliest took place some
|
|
twenty-two thousand years ago.
|
|
|
|
26H ANGLE - PICARD (OPTICAL)
|
|
|
|
who along with the rest of the theater audience is
|
|
beginning to realize that something peculiar is going
|
|
on.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/8/91 - ACT TWO 30A.
|
|
|
|
26H CONTINUED:
|
|
|
|
PICARD
|
|
The last was completed within
|
|
the last four hundred years.
|
|
|
|
Suddenly he's dressed in a jerkin and cap of familiar
|
|
Lincoln green. The audience REACTS. So does Picard.
|
|
Then, as a yeoman's bow appears in his hand...
|
|
|
|
PICARD
|
|
What the hell... !
|
|
|
|
He VANISHES.
|
|
|
|
27 EXT. FOREST - DAY - (OPTICAL)
|
|
|
|
Picard, Riker, Geordi, Data, Worf, Beverly and Troi all
|
|
APPEAR at the same time... all dressed in period
|
|
costume. Beverly and Troi wear men's clothing.
|
|
Beverly also carries a sword; Troi a longbow and
|
|
arrows. Data is bald except for a soupbowl fringe
|
|
plastered to his forehead. Riker wears a yellow jerkin
|
|
and carries his quarterstaff. Worf is dressed like a
|
|
dandy and Geordi still holds his madolin.
|
|
|
|
As they all react...
|
|
|
|
PICARD
|
|
(raging)
|
|
Q!
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT THREE 31.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
28 EXT. FOREST - DAY
|
|
|
|
As our heroes survey the scenery around them...
|
|
|
|
TROI
|
|
Is this Tagus Three?
|
|
|
|
PICARD
|
|
I doubt there are many oak trees
|
|
on Tagus. No, my guess is this
|
|
is supposed to be Earth.
|
|
(off reactions)
|
|
Sometime around the twelfth
|
|
century. And this is England,
|
|
Sherwood Forest to be precise.
|
|
Or at least Q's re-creation of
|
|
it.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 32.
|
|
|
|
28 CONTINUED:
|
|
|
|
RIKER
|
|
That explains these costumes.
|
|
|
|
PICARD
|
|
Exactly, Number One.
|
|
(a beat)
|
|
Or should I say, John Little.
|
|
|
|
Riker studies Picard to see if he's serious.
|
|
|
|
BEVERLY
|
|
If he's Little John, that would
|
|
make you...
|
|
|
|
PICARD
|
|
I know. Robin Hood.
|
|
|
|
A beat as this sinks in.
|
|
|
|
WORF
|
|
Sir, I protest. I am not a merry
|
|
man.
|
|
|
|
DATA
|
|
On the contrary, Lieutenant Worf,
|
|
your clothing identifies you with
|
|
the character of Will Scarlett.
|
|
Just as Geordi's Mandolin suggests
|
|
he is Alan-A-Dale.
|
|
|
|
RIKER
|
|
And you, Mister Data, bear a
|
|
striking resemblance to one Friar
|
|
Tuck.
|
|
|
|
Data examines his stomach.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/1/91 - ACT THREE 33-33A.
|
|
|
|
28 CONTINUED: (2)
|
|
|
|
WORF
|
|
I will not play the fool for Q's
|
|
amusement.
|
|
|
|
He takes off his cap, looks at it in disgust, and
|
|
slams it on the ground.
|
|
|
|
PICARD
|
|
You're quite right, Worf.
|
|
(loudly)
|
|
Do you hear that Q? You may as
|
|
well return us to our ship
|
|
immediately.
|
|
|
|
They react to a horse's shrill whinny and turn to
|
|
see...
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 34.
|
|
|
|
29
|
|
thru OMITTED
|
|
30
|
|
|
|
30A SIR GUY OF GISBOURNE
|
|
|
|
Mounted on a sleek charger, sword drawn.
|
|
|
|
SIR GUY
|
|
I have you at last, Robin Hood.
|
|
|
|
As he charges at Picard...
|
|
|
|
30B NEW ANGLE
|
|
|
|
Worf draws his own sword to defend his Captain...
|
|
|
|
30C ANOTHER ANGLE
|
|
|
|
Sir Guy rides past Worf, cutting him across the
|
|
shoulder with his sword. Worf is ready to fight on,
|
|
but... Suddenly an arrow slams into a tree next to
|
|
Picard...
|
|
|
|
30D ANGLE - SEVEN MEN AT ARMS
|
|
|
|
Coming over a nearby hill. Longbows at the ready.
|
|
|
|
30E RESUME ANGLE - PICARD AND WORF
|
|
|
|
Three more arrows strike trees around them. Picard
|
|
sees there's only one hope to escape.
|
|
|
|
PICARD
|
|
Quick. Into the forest.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 34A.
|
|
|
|
31
|
|
thru OMITTED
|
|
31B
|
|
|
|
31C ANGLE - WORF
|
|
|
|
prepares to cover their retreat.
|
|
|
|
31D ANGLE - PICARD
|
|
|
|
Hanging back as the others disappear into the trees.
|
|
|
|
PICARD
|
|
Mister Worf. That's an order.
|
|
|
|
Worf follows Picard into the forest.
|
|
|
|
31E OMITTED
|
|
|
|
31F NEW ANGLE
|
|
|
|
A furious Sir Guy turns to his men, who search the
|
|
underbrush.
|
|
|
|
SIR GUY
|
|
Enough, you fools. We'll never
|
|
find them in the greenwood.
|
|
|
|
32 INT. FOREST - A GLADE - DAY
|
|
|
|
Picard and his crew are resting. He approaches Worf
|
|
who is being tended to by Beverly (sans tricorder.)
|
|
|
|
BEVERLY
|
|
(applying a makeshift
|
|
bandage)
|
|
I've managed to stop the
|
|
bleeding.
|
|
|
|
33 NEW ANGLE (OPTICAL)
|
|
|
|
Q appears on horseback. He's garbed in the cloak and
|
|
livery of the High Sheriff of Nottingham.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 35.
|
|
|
|
33 CONTINUED:
|
|
|
|
An angry Picard approaches Q.
|
|
|
|
PICARD
|
|
It's about time you showed up,
|
|
Q.
|
|
|
|
Q
|
|
I'd prefer it if you addressed
|
|
me as His Honor the High Sheriff
|
|
of Nottingham.
|
|
|
|
PICARD
|
|
We will not share in this
|
|
pointless fantasy of yours.
|
|
|
|
Q dismounts.
|
|
|
|
Q
|
|
Fine. Wait here and do nothing.
|
|
By mid-day tomorrow, you'll all
|
|
be safely back aboard your ship.
|
|
But you will have to accept the
|
|
consequences of your inaction.
|
|
|
|
PICARD
|
|
What consequences?
|
|
|
|
Q
|
|
What's the one thing Robin Hood
|
|
is famous for?
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 36.
|
|
|
|
33 CONTINUED: (2)
|
|
|
|
A beat. Nobody answers. Then...
|
|
|
|
GEORDI
|
|
Robbing from the rich to give to
|
|
the poor?
|
|
|
|
Q
|
|
Besides that.
|
|
|
|
DATA
|
|
Are you referring to his rescue
|
|
of Maid Marian from Nottingham
|
|
Castle?
|
|
|
|
Q
|
|
Right you are, Data.
|
|
|
|
Q looks over at Picard with glee.
|
|
|
|
Q
|
|
And it just so happens that Sir
|
|
Guy of Gisbourne has decreed that
|
|
Marian's head comes off tomorrow
|
|
at noon.
|
|
|
|
PICARD
|
|
(grimly)
|
|
Vash.
|
|
|
|
Q smiles. He's enjoying himself thoroughly.
|
|
|
|
Q
|
|
The choice is yours my dear,
|
|
Robin. You can either take your
|
|
ease here within the sylvan glade
|
|
or risk your life to save a woman
|
|
you care nothing about.
|
|
|
|
PICARD
|
|
My feelings toward Vash are
|
|
irrelevant. I'd attempt to save
|
|
any innocent life, as you well
|
|
know.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 37.
|
|
|
|
33 CONTINUED: (3)
|
|
|
|
Q
|
|
But what of your merry men? Are
|
|
you willing to put them in
|
|
jeopardy as well? Is Vash's life
|
|
worth losing hers or his or even
|
|
his... ?
|
|
(the last being Worf)
|
|
Though I admit he would make a
|
|
perfect throw rug at Nottingham
|
|
Castle.
|
|
|
|
PICARD
|
|
Q, I ask you to end this now,
|
|
before anyone else gets hurt.
|
|
|
|
Q swings up onto the horse.
|
|
|
|
Q
|
|
Impossible. You see, I've given
|
|
this fantasy as you call it, a
|
|
life of its own. I don't know
|
|
how things will turn out anymore
|
|
than you do.
|
|
(a beat)
|
|
But of one thing I am certain.
|
|
If you dare set foot in Nottingham
|
|
Castle, blood will be spilled.
|
|
|
|
He, and the horse vanish.
|
|
|
|
34 EXT. NOTTINGHAM CASTLE - DAY - (OPTICAL)
|
|
|
|
Establishing.
|
|
|
|
35 INT. MAID MARIAN'S CHAMBERS - DAY
|
|
|
|
A small, stark room in the tower; minimal furniture
|
|
to include a wooden bench. Vash, dressed in Marian's
|
|
virginal white, paces the floor. She's watched by an
|
|
ELDERLY SERVANT.
|
|
|
|
SERVANT
|
|
You'll wear yourself out with
|
|
all that pacing, M'lady.
|
|
|
|
STAR TREK: "Q Love" - REV. 1/31/91 - ACT THREE 38.
|
|
|
|
35 CONTINUED:
|
|
|
|
VASH
|
|
I told you to stop calling me
|
|
that. My name's Vash.
|
|
|
|
SERVANT
|
|
My poor lamb, it's a brain
|
|
sickness you've got for sure.
|
|
Can't I get you something to ease
|
|
your suffering?
|
|
|
|
VASH
|
|
I could use a drink.
|
|
|
|
SERVANT
|
|
It wasn't spirits I was thinking
|
|
of M'lady.
|
|
|
|
She picks up a wooden box.
|
|
|
|
SERVANT
|
|
I have here some nice fresh
|
|
leeches to drain the fever.
|
|
|
|
Vash points to the door.
|
|
|
|
VASH
|
|
Out. Get out.
|
|
|
|
The servant rushes to the door, but before she can get
|
|
there it opens and Sir Guy ENTERS.
|
|
|
|
SERVANT
|
|
Oh, her mind's in an awful
|
|
turmoil, Sir Guy.
|
|
|
|
Sir Guy stares at Vash with undisguised desire.
|
|
|
|
VASH
|
|
Who the hell are you?
|
|
|
|
SERVANT
|
|
M'Lady, everyone in Nottingham
|
|
knows, Sir Guy of Gisbourne.
|
|
|
|
VASH
|
|
Sir Guy of what?
|
|
|
|
Her Servant rolls her eyes towards heaven, and shaking
|
|
her head hurries out of the room.
|
|
|
|
Sir Guy closes the door behind her.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 38A.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
SIR GUY
|
|
Do not mock me, Lady Marian. I'm
|
|
prepared to offer you one final
|
|
chance to change your mind.
|
|
|
|
He grabs hold of her.
|
|
|
|
SIR GUY
|
|
Will you marry me?
|
|
|
|
Vash pulls away and slaps him across the face.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 39.
|
|
|
|
35 CONTINUED: (3)
|
|
|
|
SIR GUY
|
|
(coldly)
|
|
I see. Then the execution will
|
|
proceed as scheduled.
|
|
|
|
Sir Guy turns to leave.
|
|
|
|
VASH
|
|
What execution?
|
|
|
|
SIR GUY
|
|
(turning back)
|
|
I warn you Marian, this pathetic
|
|
attempt at feigning madness will
|
|
not save your life.
|
|
|
|
VASH
|
|
(shocked)
|
|
You mean I'm the one getting
|
|
executed?
|
|
|
|
Though Vash is at a loss to explain how she came to be
|
|
in this current predicament, a lifetime of adventure
|
|
has honed her survival instincts to a razor's edge.
|
|
|
|
VASH
|
|
Sir Guy, wait? Can't we talk this
|
|
over?
|
|
(a beat)
|
|
I admit, I haven't been myself
|
|
lately.
|
|
(flashing her best
|
|
smile)
|
|
Perhaps we've both been acting
|
|
a bit hasty.
|
|
|
|
She sits down on the bench. Pats the space next to
|
|
her.
|
|
|
|
VASH
|
|
Please.
|
|
|
|
Sir Guy smiles. Delighted.
|
|
|
|
36 EXT. SHERWOOD FOREST DAY
|
|
|
|
We hear bad mandolin playing in the background as Troi
|
|
pulls back on a bow and lets fly an arrow. We HEAR
|
|
the THWACK of impact. CAMERA PANS OVER to the tree
|
|
that was her intended target. There's no sign of the
|
|
arrow.
|
|
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT THREE 39A.
|
|
|
|
36 CONTINUED:
|
|
|
|
PAN OVER a few feet to the right. Data is standing
|
|
with an arrow in his chest.
|
|
|
|
Troi hurries over.
|
|
|
|
TROI
|
|
Data, are you alright?
|
|
|
|
A beat, as Data checks his systems.
|
|
|
|
DATA
|
|
The arrow impacted just above
|
|
my sixth intercostal support,
|
|
penetrating my secondary
|
|
subprocessor.
|
|
|
|
Data moves his arm up and down and in and out.
|
|
|
|
DATA
|
|
(continuing)
|
|
Fortunately, none of my
|
|
biofunctions seem impaired.
|
|
|
|
Data pulls the arrow out of his body. He offers it to
|
|
Troi who is much relieved.
|
|
|
|
DATA
|
|
Do not get discouraged. I believe
|
|
your aim is improving.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 40.
|
|
|
|
36A NEW ANGLE
|
|
|
|
Beverly is checking Worf's wound in the background
|
|
as Geordi sits on a log strumming the mandolin... it
|
|
sounds like fingernails on a blackboard.
|
|
|
|
Worf gets up, crosses to Geordi, and takes the
|
|
mandolin out of his hands. He walks over, and smashes
|
|
it against a tree. Hands the neck back to Geordi.
|
|
|
|
WORF
|
|
Sorry.
|
|
|
|
37 NEW ANGLE
|
|
|
|
A relieved grin from Riker as he watches Picard buckle
|
|
on his sword.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT THREE 41.
|
|
|
|
37 CONTINUED:
|
|
|
|
RIKER
|
|
It's about time we got out of
|
|
here, sir.
|
|
|
|
PICARD
|
|
Not we Commander. You and the
|
|
others are to wait here until I
|
|
return.
|
|
|
|
RIKER
|
|
You're not planning to go after
|
|
her alone, are you?
|
|
|
|
The others gather around.
|
|
|
|
PICARD
|
|
This is not a mission. It's
|
|
personal, between Q and myself.
|
|
I don't want any of you involved.
|
|
|
|
RIKER
|
|
But Captain...
|
|
|
|
PICARD
|
|
You have your orders, Commander.
|
|
I expect you to follow them.
|
|
|
|
With a final glance at his crew, Picard heads off
|
|
towards Nottingham.
|
|
|
|
On Riker's worried look we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FOUR 42.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
38 EXT. COURTYARD INSIDE WALLS OF CASTLE - NIGHT
|
|
|
|
Cold, imposing, and lit by flickering torches. We see
|
|
a limited section of the yard... Heraldic banners hang
|
|
from the walls. A circular staircase rises to the
|
|
tower.
|
|
|
|
Only a few servants are visible as a haughty Q (still
|
|
dressed as the High Sheriff) surveys his domain with
|
|
smug satisfaction.
|
|
|
|
Nearby is an EXECUTIONER. Off to the side, a TINKER,
|
|
with his back to us, repairs the chains on a pair of
|
|
shackles. The massively built Executioner is busy
|
|
sharpening the blade of his broad axe against a foot
|
|
powered grindstone. He pauses to inspect his work. Q,
|
|
passing by, barely taps the edge of the blade with his
|
|
index finger.
|
|
|
|
Q
|
|
A touch sharper, shall we?
|
|
|
|
The Executioner starts up the grindstone.
|
|
|
|
Q suddenly halts in confusion as he discovers a
|
|
surprising sight before him.
|
|
|
|
39 NEW ANGLE
|
|
|
|
Vash and Sir Guy, looking surprisingly chummy as they
|
|
approach from another part of the courtyard. She
|
|
carries a bouquet of fresh-picked flowers. Sir Guy
|
|
holds up a pomegranate. Vash smiles and demurely
|
|
nibbles it.
|
|
|
|
A suspicious Q approaches them.
|
|
|
|
Q
|
|
Such benevolence, Sir Guy,
|
|
allowing the condemned prisoner
|
|
fresh air.
|
|
|
|
SIR GUY
|
|
You're mistaken, Sheriff. Maid
|
|
Marian has consented to be my
|
|
wife.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT FOUR 43.
|
|
|
|
39 CONTINUED:
|
|
|
|
Q looks at Vash in disbelief.
|
|
|
|
Q
|
|
But that's impossible?
|
|
|
|
Vash motions to a servant who approaches with a tray
|
|
and two goblets of wine.
|
|
|
|
VASH
|
|
(innocently)
|
|
Not at all. Though I admit a
|
|
maiden seldom has the opportunity
|
|
to win herself such a noble
|
|
husband.
|
|
|
|
She takes a goblet from the tray and hands it to Sir
|
|
Guy...
|
|
|
|
SIR GUY
|
|
A toast to the most beautiful
|
|
bride-to-be in all of England.
|
|
|
|
He goes to drink.
|
|
|
|
Q
|
|
Hold there, Sir Guy.
|
|
|
|
He knocks the goblet to the ground.
|
|
|
|
SIR GUY
|
|
Have you taken leave of your
|
|
senses?
|
|
|
|
Q
|
|
It could be poisoned. Some foul
|
|
scheme of Robin Hood. She's in
|
|
league with him still, I'll
|
|
warrant.
|
|
|
|
VASH
|
|
Robin Hood?
|
|
|
|
A beat as Vash absorbs this rather bizarre accusation.
|
|
She has no choice but to bluff her way through it.
|
|
|
|
VASH
|
|
Oh, Robin Hood... that was over
|
|
long ago.
|
|
|
|
Q
|
|
Why, all of Nottingham knows you're
|
|
in love with him.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT FOUR 44.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
VASH
|
|
That's a lie.
|
|
(to Sir Guy)
|
|
He... bewitched me. Put me under
|
|
some evil spell.
|
|
|
|
Sir Guy gives her hand an encouraging pat.
|
|
|
|
SIR GUY
|
|
Just as I suspected.
|
|
(to Q)
|
|
You can add sorcery to the list
|
|
of charges against that rogue.
|
|
|
|
Q
|
|
But Sir Guy, if anyone has been
|
|
bewitched it's you.
|
|
|
|
Sir Guy stands. His hand is placed firmly on the hilt
|
|
of his sword.
|
|
|
|
SIR GUY
|
|
Silence. Any further impudence
|
|
and it'll be your head on the
|
|
chopping block.
|
|
(a beat)
|
|
Guards, escort the Lady Marian
|
|
to her chamber.
|
|
|
|
VASH
|
|
(standing)
|
|
But I'd much rather stay with you.
|
|
|
|
SIR GUY
|
|
Of course you would, my child.
|
|
But I have important business to
|
|
discuss with the Sheriff.
|
|
(a beat; then dripping
|
|
with implication)
|
|
And you must prepare for your
|
|
wedding.
|
|
|
|
VASH
|
|
I count the hours.
|
|
|
|
She kisses him. She allows herself to be led away, but
|
|
not before her eyes flash him the promise of future
|
|
delights.
|
|
|
|
Sir Guy and Q watch her depart.
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT FOUR 44A.
|
|
|
|
39 CONTINUED: (3)
|
|
|
|
SIR GUY
|
|
Lovely creature.
|
|
|
|
Q
|
|
(with grudging
|
|
admiration)
|
|
She is intriguing.
|
|
|
|
Q is determined not to allow his well-laid scheme go
|
|
astray.
|
|
|
|
Q
|
|
Sir Guy, perhaps it would be wise
|
|
to keep this wedding a secret for
|
|
now.
|
|
|
|
SIR GUY
|
|
What are you babbling about?
|
|
|
|
Q
|
|
You still hope to capture Robin
|
|
Hood, don't you?
|
|
|
|
SIR GUY
|
|
I live for the moment.
|
|
|
|
Q
|
|
(thinking of Picard)
|
|
Well, if he were to hear that
|
|
Marian's life was no longer in
|
|
danger, there would be no need
|
|
for him to come to Nottingham to
|
|
rescue her.
|
|
|
|
Sir Guy slaps Q on the back.
|
|
|
|
SIR GUY
|
|
By heavens, you're right. No word
|
|
of my wedding shall leave these
|
|
walls.
|
|
(MORE)
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FOUR 45.
|
|
|
|
39 CONTINUED: (4)
|
|
|
|
SIR GUY (Cont'd)
|
|
(a beat)
|
|
What better way to celebrate a
|
|
marriage than with an execution.
|
|
|
|
Sir Guy and Q share a chuckle, then go their separate
|
|
ways.
|
|
|
|
Q
|
|
(musing)
|
|
This could be fun.
|
|
|
|
40 NEW ANGLE
|
|
|
|
Q crosses by the Tinker hammering at a chain. The
|
|
Tinker looks up once Q has passed him by, REVEALING
|
|
himself to be Picard in disguise.
|
|
|
|
41 INT. MAID MARIAN'S CHAMBER - NIGHT
|
|
|
|
Vash paces around the room. Suddenly she stops.
|
|
Listening to what could be a faint rustling. The noise
|
|
ceases. Vash continues to pace. The rustling resumes,
|
|
louder now. Again, Vash stops pacing. The sound,
|
|
and now it's clearly the rustling of vines, is coming
|
|
from outside her open window. She moves towards the
|
|
embrasure, when SUDDENLY a hand APPEARS on the ledge.
|
|
With a final GRUNT, Picard lifts himself through the
|
|
window. Vash throws herself at him.
|
|
|
|
VASH
|
|
Jean-Luc. Am I glad to see you.
|
|
|
|
She throws herself into his arms, and kisses him.
|
|
|
|
VASH
|
|
You would not believe what I've
|
|
been through. One minute I'm on
|
|
the Enterprise... the next thing
|
|
I know I'm here in Nottingham.
|
|
First, they're going to chop my
|
|
head off... and now I'm supposed
|
|
to marry someone named Sir Guy...
|
|
and everyone insists on calling
|
|
me Marian...
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT FOUR 45A.
|
|
|
|
41 CONTINUED:
|
|
|
|
PICARD
|
|
Yes, I know.
|
|
|
|
VASH
|
|
You do? But how...
|
|
|
|
For the first time she notices his outfit.
|
|
|
|
VASH
|
|
You're Robin Hood?
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FOUR 46.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
PICARD
|
|
My staff and I were brought here
|
|
by an old adversary of mine named
|
|
Q. I'll tell you the rest once
|
|
we're safe.
|
|
|
|
He leads her towards the window.
|
|
|
|
PICARD
|
|
Come, we don't have much time.
|
|
|
|
VASH
|
|
Are the others outside?
|
|
|
|
PICARD
|
|
They're waiting for us back in
|
|
Sherwood.
|
|
|
|
That brings Vash to a quick stop.
|
|
|
|
VASH
|
|
You mean you came alone?
|
|
|
|
PICARD
|
|
Yes, now let's...
|
|
|
|
VASH
|
|
What kind of plan is that?
|
|
|
|
PICARD
|
|
An excellent one if you'd only
|
|
hurry up.
|
|
|
|
But Vash refuses to budge.
|
|
|
|
VASH
|
|
You do realize our lives are at
|
|
stake here.
|
|
|
|
PICARD
|
|
Only too well.
|
|
|
|
VASH
|
|
And this is the best strategy
|
|
you could come up with? One man
|
|
against an entire castle.
|
|
|
|
PICARD
|
|
I suppose you know of a better
|
|
one.
|
|
|
|
|
|
STAR TREK: "Q Love" - REV. 2/5/91 - ACT FOUR 47.
|
|
|
|
41 CONTINUED: (3)
|
|
|
|
VASH
|
|
How about this? You go. I'll
|
|
stay here.
|
|
|
|
She walks away from the window.
|
|
|
|
PICARD
|
|
And do what?
|
|
|
|
VASH
|
|
Marry Sir Guy if I have to.
|
|
|
|
PICARD
|
|
(ironic)
|
|
That is brilliant.
|
|
|
|
VASH
|
|
If there's a way to escape, I'll
|
|
find it, eventually. With my head
|
|
still attached.
|
|
|
|
PICARD
|
|
You don't really expect me to
|
|
leave you here?
|
|
|
|
He reaches for her. She pulls away.
|
|
|
|
VASH
|
|
I can take care of myself.
|
|
|
|
PICARD
|
|
Must you be so stubborn?
|
|
|
|
Suddenly the door is flying OPEN and Sir Guy enters
|
|
backed by a retinue of SOLDIERS.
|
|
|
|
SIR GUY
|
|
There'll be no escape for you this
|
|
time, Robin Hood.
|
|
|
|
PICARD
|
|
(to Vash)
|
|
Behind me.
|
|
|
|
He steps in front of her and reaches for his sword.
|
|
But Vash is quicker. She pulls the blade out of his
|
|
scabbard and points it at his chest.
|
|
|
|
VASH
|
|
You should have left while you
|
|
had the chance.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT FOUR 48.
|
|
|
|
41 CONTINUED: (5)
|
|
|
|
Sir Guy advances on them, smiling.
|
|
|
|
SIR GUY
|
|
Well done, my dear.
|
|
|
|
VASH
|
|
(sweetly)
|
|
Consider it my wedding present
|
|
to you.
|
|
|
|
The Guards lead Picard away.
|
|
|
|
42 EXT. COURTYARD - NIGHT
|
|
|
|
Picard and the Guards come down the stairs. He barely
|
|
glances at a beaming Q as he's hurried away. Sir Guy
|
|
follows behind.
|
|
|
|
Q
|
|
Congratulations, Gisbourne. I
|
|
see you've snared the jackal.
|
|
|
|
SIR GUY
|
|
It's Marian who deserves the
|
|
credit. Took him with his own
|
|
sword.
|
|
|
|
On Q's astonished REACTION...
|
|
|
|
43 INT. MAID MARIAN'S CHAMBER - NIGHT
|
|
|
|
Vash is seated at a table, writing feverishly. Her
|
|
SERVANT ENTERS and scuttles across the room to her.
|
|
|
|
SERVANT
|
|
You sent for me, M'Lady?
|
|
|
|
VASH
|
|
You must take this letter to
|
|
Robin's men.
|
|
|
|
SERVANT
|
|
You want me to go to Sherwood
|
|
Forest? At this time of night?
|
|
|
|
VASH
|
|
You'll leave immediately.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT FOUR 49.
|
|
|
|
43 CONTINUED:
|
|
|
|
SERVANT
|
|
(glancing out the
|
|
window)
|
|
But it's dark. I'll get lost.
|
|
|
|
Vash continues to write.
|
|
|
|
SERVANT
|
|
Besides, it's not safe. What with
|
|
all them hedge robbers and worse
|
|
lurking about.
|
|
|
|
VASH
|
|
Please, this is urgent.
|
|
|
|
SERVANT
|
|
You ask me, you'd be better off
|
|
staying with Sir Guy. He's got
|
|
a future. Why you'll be living
|
|
in London before you know it.
|
|
|
|
VASH
|
|
But you must go. Otherwise,
|
|
they're going to kill him.
|
|
|
|
She's about to offer the folded letter to the Servant,
|
|
when the door SWINGS open. Vash leaps up dropping the
|
|
letter on the table as Q ENTERS.
|
|
|
|
VASH
|
|
How dare you come barging in here
|
|
this way!
|
|
|
|
Q
|
|
I come to offer apologies for my
|
|
harsh words earlier. I had no
|
|
idea you were so ruthless. The
|
|
cold blooded way you betrayed
|
|
Robin was most impressive.
|
|
|
|
Q is now standing right by the table. Vash forces
|
|
herself not to glance down at the letter.
|
|
|
|
VASH
|
|
That's most gracious of you.
|
|
|
|
Q
|
|
I admit I was surprised...
|
|
(a beat)
|
|
Though perhaps not as surprised
|
|
as Jean-Luc.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT FOUR 50.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
Now it's Vash's turn to be surprised.
|
|
|
|
VASH
|
|
You're Q.
|
|
|
|
Q
|
|
(bowing)
|
|
And you are a very interesting
|
|
woman.
|
|
|
|
He notices the letter.
|
|
|
|
Q
|
|
What's this?
|
|
|
|
She tries to snatch it away.
|
|
|
|
VASH
|
|
Give me that.
|
|
|
|
But it's too late.
|
|
|
|
Q
|
|
A letter to Riker?
|
|
(reading)
|
|
Quick... Come to Castle... Must save
|
|
Captain...
|
|
(cheerfully)
|
|
Why this is wonderful. Such
|
|
marvelous duplicity. You
|
|
certainly fooled Sir Guy. And
|
|
me as well.
|
|
(a shrewd glance at
|
|
Vash)
|
|
I do believe you're worth further
|
|
study.
|
|
|
|
VASH
|
|
(turning on the charm)
|
|
Am I?
|
|
|
|
Q
|
|
Unfortunately, we won't have the
|
|
time.
|
|
(shouting)
|
|
Guards!
|
|
|
|
They enter.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT FOUR 51.
|
|
|
|
43 CONTINUED: (3)
|
|
|
|
Q
|
|
Take this traitor away.
|
|
(to Vash)
|
|
It appears there's going to be
|
|
a double execution.
|
|
|
|
Vash is marched from the room.
|
|
|
|
And as Q gloats over this latest turn of events:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 52.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
44 EXT. COURTYARD - THE NEXT DAY
|
|
|
|
A CROWD has gathered to SEE the show. Sir Guy and
|
|
Q sit together at a dais at one end of the courtyard.
|
|
|
|
45 NEW ANGLE
|
|
|
|
the stairs leading to the tower. We HEAR VOICES coming
|
|
down off-camera, drawing close.
|
|
|
|
PICARD (V.O.)
|
|
My fault?
|
|
|
|
VASH (V.O.)
|
|
Yes, your fault.
|
|
|
|
PICARD (V.O.)
|
|
We'd have been safe in Sherwood
|
|
if you hadn't grabbed my sword.
|
|
|
|
Picard and Vash, both wearing shackles, come into VIEW
|
|
as they walk toward CAMERA...
|
|
|
|
VASH
|
|
I grabbed it to prevent you from
|
|
being killed.
|
|
|
|
PICARD
|
|
You should have never interfered.
|
|
|
|
VASH
|
|
You were the one interfering.
|
|
|
|
PICARD
|
|
I was trying to rescue you.
|
|
|
|
VASH
|
|
Next time don't bother.
|
|
|
|
PICARD
|
|
I won't.
|
|
|
|
They come to a halt in front of the executioners block.
|
|
Q steps forward to meet them.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 53.
|
|
|
|
45 CONTINUED:
|
|
|
|
Q
|
|
Don't you two ever stop arguing?
|
|
|
|
No response.
|
|
|
|
Q
|
|
Tell me Picard, as you stand here
|
|
facing the termination of your
|
|
insect existence, do you see what
|
|
has led you to this end?
|
|
(beat, no reply)
|
|
Was she worth it?
|
|
|
|
PICARD
|
|
Can we just get this over with.
|
|
|
|
VASH
|
|
(hurt)
|
|
Are you implying I'm not worth
|
|
it?
|
|
|
|
But Picard keeps his eyes fixed on Q.
|
|
|
|
PICARD
|
|
Your game was for my benefit,
|
|
Q. She is innocent in all this.
|
|
|
|
Q
|
|
She is many things, none of them
|
|
innocent.
|
|
|
|
PICARD
|
|
Let her go.
|
|
|
|
VASH
|
|
Jean-Luc, you do care.
|
|
|
|
Q
|
|
A gallant gesture Picard. But
|
|
a futile one.
|
|
(a beat)
|
|
Farewell. I hope you'll both be
|
|
happy together.
|
|
|
|
He moves aside as Sir Guy rises to his feet.
|
|
|
|
SIR GUY
|
|
(to Picard & Vash)
|
|
You have been found guilty of
|
|
outlawry and high treason. Do
|
|
you have anything to say before
|
|
sentencing is carried out?
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FIVE 53A.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
Impassive stares from the prisoners.
|
|
|
|
SIR GUY
|
|
Ready them for the block.
|
|
|
|
The Guards remove the chains.
|
|
|
|
45AA NEW ANGLE
|
|
|
|
A group of hooded monks have entered the courtyard.
|
|
Beneath the hoods are Riker, Worf, Geordi, Data,
|
|
Beverly and Troi.
|
|
|
|
45A ANGLE - PICARD AND VASH
|
|
|
|
already kneeling at the block.
|
|
|
|
45B ANGLE - THE MONKS (OPTICAL)
|
|
|
|
taking in the scene in front of them. Worf reaches
|
|
for the sword beneath his robe. Geordi lays a
|
|
restraining hand on Worf's arm.
|
|
|
|
GEORDI
|
|
Too many of them. We'd never
|
|
get to the Captain...
|
|
|
|
RIKER
|
|
Data, we need a diversion. Now.
|
|
|
|
Data opens his left arm, revealing the circuitry and
|
|
blinking lights within. He pulls out three small
|
|
components and fastens them together.
|
|
|
|
DATA
|
|
(to Riker)
|
|
Please stand back, Commander.
|
|
Microfusion cells can be somewhat
|
|
dangerous under high
|
|
temperatures...
|
|
|
|
Riker stands back. Data tosses the components into
|
|
the Tinker's fire. The fire FLARES briefly, then there
|
|
is a small explosion and a dramatic pyrotechnic
|
|
discharge which startles the Executioner and the
|
|
onlookers.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 54.
|
|
|
|
45B CONTINUED:
|
|
|
|
Amidst the confusion that follows, Picard leaps to his
|
|
feet and rams his elbow into the executioner's stomach,
|
|
knocking him to the ground. Picard then grabs hold
|
|
of one of his guards, and pulls his sword free of its
|
|
scabbard.
|
|
|
|
45C OMITTED
|
|
|
|
45D NEW ANGLE
|
|
|
|
Riker, Worf, Geordi, Troi, Beverly and Data (who has
|
|
closed the panel on his arm) throw off their monk's
|
|
robes.
|
|
|
|
VOICES
|
|
It's the outlaws. Robin's band.
|
|
|
|
Sir Guy unsheathes his sword.
|
|
|
|
SIR GUY
|
|
Guards. Take Marian to the
|
|
tower.
|
|
|
|
Vash whirls and punches one of her captors but two
|
|
others drag her up the stairs.
|
|
|
|
Picard SEES Vash being taken away and tries to follow.
|
|
A guard tries to block him and is cut down.
|
|
|
|
46 NEW ANGLE
|
|
|
|
As our crew beats back the attacking soldiers.
|
|
|
|
46A DATA
|
|
|
|
holds out his arm and "clotheslines" one soldier as he
|
|
charges by. Then Data looks up at...
|
|
|
|
46B ANOTHER SOLDIER
|
|
|
|
who lunges toward him with a sword. The man stops in
|
|
mid-thrust, shocked, as...
|
|
|
|
Data catches the tip of the blade between his thumb and
|
|
forefinger... and slowly CURLS it back.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 54A.
|
|
|
|
47 NEW ANGLE
|
|
|
|
Q watches the battle that rages around him with
|
|
delight.
|
|
|
|
48 NEW ANGLE
|
|
|
|
Picard comes face to face with Sir Guy.
|
|
|
|
SIR GUY
|
|
I'll have you know I'm the
|
|
greatest swordsman in all of
|
|
Nottingham.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 55.
|
|
|
|
48 CONTINUED:
|
|
|
|
A quick flurry of cuts and parries as they test each
|
|
others skill.
|
|
|
|
PICARD
|
|
That's very impressive.
|
|
|
|
They engage again.
|
|
|
|
PICARD
|
|
But there's something you should
|
|
know.
|
|
|
|
A furious series of strikes ending with their swords
|
|
crossed at the hilt, their faces inches apart.
|
|
|
|
SIR GUY
|
|
And what would that be?
|
|
|
|
PICARD
|
|
I'm not from Nottingham.
|
|
|
|
He pushes Sir Guy away.
|
|
|
|
49 NEW ANGLE
|
|
|
|
Gradually Picard forces Sir Guy up the stairs leading
|
|
to Marian's room. Sir Guy, panic building, takes a
|
|
vicious cut at Picard's head. Picard ducks, thrusts
|
|
upward, and stabs Sir Guy through the body.
|
|
|
|
Sir Guy tumbles off the staircase.
|
|
|
|
50 INT. MARIAN'S CHAMBER (OPTICAL)
|
|
|
|
Vash, listens to the SOUNDS of battle.
|
|
|
|
Suddenly, the door SWINGS and Picard races in.
|
|
|
|
VASH
|
|
Jean-Luc.
|
|
|
|
She runs into his arms. Picard is fed up with all
|
|
this, tosses the sword to the floor.
|
|
|
|
PICARD
|
|
(shouting)
|
|
It's over, Q. Now get us out of
|
|
here.
|
|
|
|
Q APPEARS in the room.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FIVE 55A.
|
|
|
|
50 CONTINUED:
|
|
|
|
Q
|
|
(applauding)
|
|
My compliments, Captain. I doubt
|
|
Robin Hood himself could have done
|
|
better.
|
|
|
|
PICARD
|
|
If any of my people are hurt...
|
|
|
|
Q
|
|
Sadly, they're all fine... but
|
|
the point is they could have been
|
|
killed, and you might have been
|
|
too... all for the "Love Of A
|
|
Maid." My debt to you is paid,
|
|
Picard, if you have learned how
|
|
weak and vulnerable you really
|
|
are... if you can finally see how
|
|
"Love" brought out the worst in
|
|
you...
|
|
|
|
VASH
|
|
Nonsense. You're absolutely
|
|
wrong. It brought out the best
|
|
in him.
|
|
(to him, intimately)
|
|
His nobility, courage, self-sacrifice.
|
|
His tenderness.
|
|
|
|
Q
|
|
(to Vash)
|
|
You're good. Very good.
|
|
|
|
PICARD
|
|
(end of his patience)
|
|
Enough of this.
|
|
|
|
Q
|
|
Indeed.
|
|
|
|
He snaps his finger and Picard DISAPPEARS.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/7/91 - ACT FIVE 56.
|
|
|
|
51 OMITTED
|
|
|
|
52 INT. MEETING ROOM (OPTICAL)
|
|
|
|
The room is empty. Picard, in uniform, suddenly
|
|
APPEARS at the podium. Riker and the others APPEAR
|
|
back in the audience, exactly where they were sitting
|
|
before. All back in their Starfleet uniforms. They
|
|
look around in confusion.
|
|
|
|
RIKER
|
|
Everybody here?
|
|
|
|
TROI
|
|
Where's Vash?
|
|
|
|
Picard scans the room. No sign of her.
|
|
|
|
PICARD
|
|
Computer, locate Council Member
|
|
Vash.
|
|
|
|
COMPUTER (VOICE)
|
|
Council Member Vash is not aboard
|
|
the Enterprise.
|
|
|
|
Off his look of concern...
|
|
|
|
52A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
still in orbit.
|
|
|
|
53 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard ENTERS. As the doors CLOSE behind him Vash
|
|
MATERIALIZES.
|
|
|
|
VASH
|
|
Hello, Jean-Luc.
|
|
|
|
PICARD
|
|
(smiling)
|
|
Well, this is a relief. I was
|
|
afraid that Q...
|
|
|
|
VASH
|
|
There were a few things he wanted
|
|
to discuss with me.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 56A.
|
|
|
|
53 CONTINUED:
|
|
|
|
PICARD
|
|
I'm surprised he wasn't too busy
|
|
gloating over his victory.
|
|
|
|
VASH
|
|
(beat)
|
|
He was right about one thing,
|
|
Jean-Luc. As ridiculous as it
|
|
was, his game did prove how much
|
|
you care.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 57.
|
|
|
|
53 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I may not share my feelings with
|
|
my crew, but I do have them.
|
|
|
|
A warm moment passes between them.
|
|
|
|
VASH
|
|
I'm going to miss you, Picard.
|
|
|
|
PICARD
|
|
I wouldn't be surprised if our
|
|
paths cross again.
|
|
|
|
VASH
|
|
I'll see to it.
|
|
|
|
They kiss.
|
|
|
|
PICARD
|
|
So, where are you off to now?
|
|
|
|
VASH
|
|
I haven't made up my mind.
|
|
|
|
STAR TREK: "Qpid" - REV. 2/6/91 - ACT FIVE 58.
|
|
|
|
54 CONTINUED:
|
|
|
|
VASH
|
|
Remind you of someone you know?
|
|
|
|
PICARD
|
|
(amused in spite of
|
|
himself)
|
|
As a matter of fact... yes.
|
|
|
|
Q
|
|
(to Vash)
|
|
We are going to have fun. I'll
|
|
take you places no human could
|
|
ever hope to see.
|
|
|
|
VASH
|
|
(to Picard)
|
|
Who can resist an offer like that?
|
|
|
|
Picard sees there's no way to change her mind. He
|
|
advances on Q.
|
|
|
|
PICARD
|
|
As payment in full for your debt
|
|
to me, you will guarantee her
|
|
safety...
|
|
|
|
Q
|
|
She will not be harmed, Jean-Luc.
|
|
I promise you that.
|
|
|
|
Picard looks over at Vash. A silent farewell.
|
|
|
|
Q
|
|
Well, aren't you going to kiss
|
|
her good-bye?
|
|
|
|
Picard and Vash stare at him until he gets the hint.
|
|
|
|
Q
|
|
Oh, all right.
|
|
|
|
He VANISHES.
|
|
|
|
Vash smiles at Picard.
|
|
|
|
VASH
|
|
Well aren't you?
|
|
|
|
A final kiss. Then Vash steps back.
|
|
|
|
VASH
|
|
Goodbye, Jean-Luc.
|
|
|
|
She VANISHES.
|
|
|
|
STAR TREK: "Q Love" - 1/31/91 - ACT FIVE 59.
|
|
|
|
55 C.U. PICARD
|
|
|
|
A beat. Then a trace of a smile appears on his face.
|
|
|
|
56 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
turning towards the unknown.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|