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1 line
72 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Cause and Effect"
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#40275-218
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Written by
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Brannon Braga
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Directed by
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Jonathan Frakes
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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JANUARY 2, 1992
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STAR TREK: "Cause and Effect" - 1/2/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"Cause and Effect"
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CAST
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PICARD CAPTAIN BATESON
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RIKER
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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Non-Speaking
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ENSIGN RO FIRST OFFICER, USS BOZEMAN
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NURSE OGAWA
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Non-Speaking
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SUPERNUMERARIES
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"Cause and Effect"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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OBSERVATION LOUNGE USS BOZEMAN
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SICKBAY
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ENGINEERING
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RIKER'S QUARTERS
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BEVERLY'S QUARTERS
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CAPTAIN'S READY ROOM
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USS BOZEMAN
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BRIDGE (SEEN ON VIEWSCREEN)
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STAR TREK: "Cause and Effect" - 1/2/92 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Cause and Effect"
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PRONUNCIATION GUIDE
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CAUSALITY kaw-ZAL-i-tee
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DEJA-VU day-zha-VOO
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DEKYON DECK-ee-on
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TEMPORAL TEM-po-ral
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STAR TREK: "Cause and Effect" - REV. 1/14/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Cause and Effect"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship's starboard nacelle is DAMAGED, sending out
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stray jets of plasma...
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2 INT. BRIDGE
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SHAKING VIOLENTLY. PICARD, RIKER, DATA, WORF, GEORDI,
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and RO working frantically. BEVERLY and TROI standing
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by. The ship is at RED ALERT -- bridge dark, except
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for emergency lights. Quick action --
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RIKER
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Damage report!
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Beverly works a nearby console.
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BEVERLY
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Casualty reports coming in from
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all over the ship...
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DATA
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(off console)
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The starboard nacelle has
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sustained a direct impact. We
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are venting drive plasma.
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GEORDI
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Initiating emergency core
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shutdown.
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Geordi quickly works his console.
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RO
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Inertial dampers failing... we're
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losing attitude control...
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RIKER
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(to comm)
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This is the bridge. All hands
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to emergency escape pods.
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3 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The starboard nacelle FLARES, throwing the ship into a
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SPINNING MOTION, out of control...
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - TEASER 2.
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4 INT. BRIDGE (OPTICAL)
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Round and round. People can barely stand up. On the
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VIEWSCREEN, the stars are WHIPPING past, dizzying...
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DATA
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(off console)
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The core shutdown was
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unsuccessful. We are losing
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antimatter containment.
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GEORDI
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We've gotta eject the engine
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core!
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DATA
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The ejection systems are
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off-line. A core breach is
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imminent...
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Tension -- no choice.
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PICARD
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(to com)
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All hands abandon ship. Repeat,
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all hands abandon --
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Too late:
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5 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as it EXPLODES in a blast of fire and debris.
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Completely destroyed.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT ONE 3.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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6 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse in a starry region of space.
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PICARD (V.O.)
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Captain's log, stardate 45652.1.
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The Enterprise has entered an area
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of space known as the Typhon
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Expanse. We are the first
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Starfleet vessel to chart this
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unexplored region.
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7 INT. RIKER'S QUARTERS - POKER TABLE
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Poker game in progress, five card stud. Riker, Data,
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Worf, Beverly. Data SHUFFLES the cards with android
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speed and dexterity.
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RIKER
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(with humor)
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Sometimes I wonder if he's
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stacking the deck.
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DATA
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I assure you, Commander, the cards
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have been sufficiently randomized.
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WORF
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I hope so.
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A look between Worf and Data. Data proceeds to deal
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one card face-down to each person... then one card
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face-up in the order of Riker, Worf, Beverly, and
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himself. Data calls the cards like a true dealer,
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mimicking the terms he has heard in his years of
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poker...
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(NOTE: Because the cards will play an important role
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in ensuing Acts, they are specified here.)
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DATA
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An eight. An Ace. A Queen. The
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dealer receives a four.
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Everyone studies their cards.
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT ONE 4.
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7 CONTINUED:
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WORF
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No bet.
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Data deals the next round of cards face-up. Beverly is
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dealt another Queen.
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DATA
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A ten. A seven -- no help there.
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A pair of "ladies" for the Doctor.
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The dealer receives a nine.
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(to Beverly)
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Doctor, may I remind you that
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since you show the highest hand,
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you control the next bet.
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Beverly throws in a chip.
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BEVERLY
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I'll bet ten.
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Everyone sees the bet. Data deals...
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DATA
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Jack. Four. Deuce. Six.
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BEVERLY
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(bets)
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Twenty.
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Data matches the bet.
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RIKER
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And I'll raise you fifty.
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Reactions. Worf is uncomfortable with the large bet.
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WORF
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Fifty.
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BEVERLY
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I'm in.
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DATA
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I will also see the bet.
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Worf grumbles, matches the bet.
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DATA
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(dealing)
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Seven... and a possible straight
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for Commander Riker. Jack --
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still no help for the Klingon.
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Worf bristles at the remark, unhappy with his cards.
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STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT ONE 4A.
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7 CONTINUED: (2)
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DATA
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(continuing)
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Eight. Nine for the dealer.
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Beverly glances at Riker's cards... hesitant... tosses
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in a few more chips.
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BEVERLY
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Twenty.
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT ONE 5.
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7 CONTINUED: (3)
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DATA
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(folds)
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"Too rich for my blood."
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RIKER
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I'll see your twenty -- and raise
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you a hundred.
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Riker throws in chips. Worf reacts to the bet,
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disgruntled.
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WORF
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Fold.
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Beverly studies Riker -- has a feeling here and goes
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for broke... matches his bet...
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BEVERLY
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And two hundred more.
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Riker matches.
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RIKER
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Two. And another three hundred.
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A beat. Worf studies Riker.
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WORF
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He does not have the straight.
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Beverly and Riker match poker faces.
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BEVERLY
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We'll find out, won't we?
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She matches his bet.
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BEVERLY
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Let's see what you've got.
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The moment of truth. Riker turns over his cards,
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defeated.
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RIKER
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Take it.
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Reactions as Beverly collects her winnings. Riker's
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ego has been bruised. He kicks off a playful
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exchange...
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RIKER
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(to Beverly)
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How'd you know I was bluffing?
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BEVERLY
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I just had a feeling.
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STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT ONE 6.
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7 CONTINUED: (4)
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RIKER
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I guess it's better to be lucky
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than good.
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BEVERLY
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Or maybe it's the way your left
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eyebrow raises slightly when you
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bluff.
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Riker blanches -- is she kidding? Beverly smiles.
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BEVERLY
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Just teasing, Commander.
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NURSE OGAWA'S COM VOICE
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Ogawa to Doctor Crusher.
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BEVERLY
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Go ahead.
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NURSE OGAWA'S COM VOICE
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Commander La Forge needs you in
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sickbay.
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BEVERLY
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On my way.
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Beverly stands to go...
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8 INT. SICKBAY
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Geordi is sitting on an examination table, while
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Beverly scans him with a medical tricorder. She
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centers around his ears and head...
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GEORDI
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At first I thought the catwalk
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was spinning. Turns out it was
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me.
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(beat)
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I'm lucky Ensign Fletcher was
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there to grab me -- it's a long
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way down to the bottom of the warp
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core.
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Geordi reacts to a sudden pain -- headache. Beverly
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completes her exam.
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BEVERLY
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You have all the symptoms of an
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inner-ear infection. That
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would explain your dizziness...
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and the headache.
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STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT ONE 7.
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8 CONTINUED:
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She reaches for a nearby hypospray.
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BEVERLY
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But I don't see any physical
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evidence.
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(beat)
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My guess is... you've been working
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too hard.
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Geordi nods, admitting the fact.
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GEORDI
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I have been putting in extra hours
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on the Typhon Expanse survey.
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Beverly prepares the hypospray...
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BEVERLY
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I'll give you twenty cc's of
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vertazine -- it'll clear up your
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dizziness. But finding time to
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relax is up to you...
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Beverly stops in mid-sentence, caught by a sudden
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awareness -- the feeling that she's done this before...
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the examination... the conversation...
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GEORDI
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(off her look)
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What is it?
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BEVERLY
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Geordi... have you ever had these
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symptoms before?
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GEORDI
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(thinks)
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Never.
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BEVERLY
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You're sure?
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GEORDI
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Positive. Why?
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BEVERLY
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It's funny... I get the feeling
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that we've discussed these
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complaints.
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(beat)
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I remember giving you a hypospray
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for dizziness.
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STAR TREK: "Cause and Effect" - 1/2/92 - ACT ONE 8.
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8 CONTINUED: (2)
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GEORDI
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I've never had these symptoms
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before today. You must be
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remembering some other patient.
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BEVERLY
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No. I'm sure it was you.
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Beverly shrugs off the feeling. She administers the
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hypospray.
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BEVERLY
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Try to get some rest. And stay
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away from high places for a few
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days, just in case.
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Geordi stands, appreciative.
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GEORDI
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Thanks, Doc.
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BEVERLY
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Goodnight.
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Geordi EXITS. Off Beverly's face, as she returns to
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her work...
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9 INT. BEVERLY'S QUARTERS
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Later. Beverly is dressed in her nightclothes, ready
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for bed. She passes by a table topped with several
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exotic PLANTS, picks up a cutting tool and starts to
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snip away the dead leaves. As she does so, she quietly
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sings a little song, letting herself unwind. After a
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peaceful beat, she puts down the tool, and heads for
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bed...
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10 ANGLE ON BED
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Beverly sits down, reaches for a GLASS of water off the
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night stand and takes a sip. She turns off the lamp
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and the room darkens. She crawls under the covers,
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lays her head on the pillow. A quiet moment passes
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as Beverly drifts off to sleep...
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Then, slowly in the darkness, a barely perceptible
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VOICE can be heard. A distant and echoey whisper.
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Beverly opens her eyes. Listens. Gradually, a dozen
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VOICES fade in -- disembodied murmurs. Creepy. She
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sits up, glances around the dark and empty room...
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STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT ONE 9.
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10 CONTINUED:
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More voices, louder now, all meshing together. Beverly
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tries to make out what they are saying -- but they are
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unclear.
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Alarmed, Beverly turns on the light, accidentally
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knocking over the glass -- the glass BREAKS on the
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table, startling her.
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The voices stop. Beverly catches her breath, shaken...
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11 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse.
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12 INT. OBSERVATION LOUNGE
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Picard, Riker, Data, Geordi, Troi, and Beverly. Geordi
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is standing next to a WALL MONITOR, which displays a
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MAP of the TYPHON EXPANSE. They are wrapping up a
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discussion about their mission.
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GEORDI
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The Typhon Expanse is huge. If
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we want to chart the most remote
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star system, we'll have to launch
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a probe within the next few hours.
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RIKER
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Fine.
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(consults PADD)
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What about the luminosity studies?
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GEORDI
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They may pose a problem...
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PICARD
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How so?
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GEORDI
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The flux spectrometers are still
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down for realignment.
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RIKER
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I thought they were supposed to
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be back on-line yesterday.
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GEORDI
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They were, until the stellar
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dynamics lab decided they needed
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to install new modules.
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT ONE 9A.
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12 CONTINUED:
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DATA
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I recommend we use the gravitron
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polarimeter instead. It will
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perform a similar function.
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STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT ONE 10.
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12 CONTINUED: (2)
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PICARD
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Make it so.
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Beverly cuts in, awkward...
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BEVERLY
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Captain... There's something I'd
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like to report.
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PICARD
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Yes, Doctor?
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BEVERLY
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I heard... voices in my room last
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night. I was alone... so at first
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I thought I was imagining things.
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But this morning, ten other people
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reported hearing them at the same
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time I did.
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TROI
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What were the voices saying?
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BEVERLY
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I couldn't make them out...
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Reactions to the curious news.
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RIKER
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Data, did the sensors pick up
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anything unusual last night?
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DATA
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No anomalous readings were
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reported.
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RIKER
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When we're through here,
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double-check the sensor logs.
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DATA
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Aye sir.
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PICARD
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Counselor?
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TROI
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I sensed nothing out of the
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ordinary last night.
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|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT ONE 11.
|
|
|
|
12 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
Maybe it's a problem with the com
|
|
system.
|
|
|
|
WORF'S COM VOICE
|
|
Bridge to Captain Picard.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
WORF'S COM VOICE
|
|
We are getting unusual readings
|
|
-- twenty thousand kilometers off
|
|
the port bow.
|
|
|
|
A concerned glance, then they rise and head for the
|
|
door...
|
|
|
|
13 INT. BRIDGE - CONTINUOUS
|
|
|
|
Picard and the others ENTER the bridge, take stations.
|
|
Riker stands near Data, at ops.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
RO
|
|
Sensors didn't detect the
|
|
phenomenon until we were almost
|
|
on top of it, sir.
|
|
|
|
WORF
|
|
(off console)
|
|
It is a highly localized
|
|
distortion in the space-time
|
|
continuum.
|
|
|
|
Reactions -- they don't like the sound of it.
|
|
|
|
RIKER
|
|
On screen.
|
|
|
|
14 INTERCUT: VIEWSCREEN (OPTICAL)
|
|
|
|
The area of space just ahead is MURKY and DISTORTED.
|
|
Reactions to the sight.
|
|
|
|
PICARD
|
|
Back us off, Ensign. Nice and
|
|
slow.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT ONE 12.
|
|
|
|
14 CONTINUED:
|
|
|
|
RO
|
|
Aye sir.
|
|
(beat)
|
|
Captain -- maneuvering thrusters
|
|
are not responding.
|
|
|
|
On the screen, the distortion RIPPLES slightly.
|
|
|
|
DATA
|
|
(off console)
|
|
The distortion field is
|
|
fluctuating.
|
|
|
|
Suddenly, the bridge lights FLICKER and GO OUT. The
|
|
EMERGENCY LIGHTS come on -- and some of the consoles
|
|
LOSE POWER.
|
|
|
|
GEORDI
|
|
All main systems just went down.
|
|
Power levels dropping rapidly...
|
|
|
|
RIKER
|
|
Red Alert.
|
|
|
|
The ship goes to RED ALERT.
|
|
|
|
DATA
|
|
There is an energy build-up in
|
|
the distortion field.
|
|
(beat)
|
|
Something is emerging...
|
|
|
|
Suddenly, Troi is overwhelmed by a distinct and
|
|
horrible feeling.
|
|
|
|
TROI
|
|
(certain)
|
|
Captain -- we have to get out of
|
|
here now.
|
|
|
|
Picard looks at her, and then --
|
|
|
|
15 ON VIEWSCREEN (OPTICAL)
|
|
|
|
A STARSHIP EMERGES from the murk -- HEADED DIRECTLY
|
|
FOR US. (Note: It's clearly an older style starship.)
|
|
The following action happens quickly --
|
|
|
|
RIKER
|
|
Shields up! Evasive maneuvers!
|
|
|
|
WORF
|
|
Shields inoperative!
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT ONE 13.
|
|
|
|
15 CONTINUED:
|
|
|
|
RO
|
|
The helm's not responding!
|
|
|
|
DATA
|
|
The vessel is on a collision
|
|
course. Impact in thirty-six
|
|
seconds...
|
|
|
|
PICARD
|
|
Hail them.
|
|
|
|
WORF
|
|
No response.
|
|
|
|
On the viewscreen, the ship comes closer... closer...
|
|
|
|
PICARD
|
|
Suggestions?
|
|
|
|
RIKER
|
|
Decompress the main shuttlebay
|
|
-- the explosive reaction might
|
|
kick us out of the way.
|
|
|
|
Picard reacts -- sounds dangerous. Data cuts in, his
|
|
hands flying across the controls...
|
|
|
|
DATA
|
|
Captain -- I recommend we use the
|
|
tractor beam to alter the other
|
|
ship's trajectory.
|
|
|
|
PICARD
|
|
Mister Worf -- make it so.
|
|
|
|
WORF
|
|
(working)
|
|
Engaging tractor beam...
|
|
|
|
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise sends out a TRACTOR BEAM -- but it's
|
|
too late. The other ship COLLIDES with our starboard
|
|
nacelle, knocking us aside. The Enterprise's starboard
|
|
nacelle is DAMAGED, sending out stray jets of plasma...
|
|
|
|
17 INT. BRIDGE
|
|
|
|
SHAKING VIOLENTLY. The crew working frantically.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT ONE 14.
|
|
|
|
17 CONTINUED:
|
|
|
|
RIKER
|
|
Damage report!
|
|
|
|
Beverly works a nearby console.
|
|
|
|
BEVERLY
|
|
Casualty reports coming in from
|
|
all over the ship...
|
|
|
|
DATA
|
|
The starboard nacelle has
|
|
sustained a direct impact. We
|
|
are venting drive plasma.
|
|
|
|
GEORDI
|
|
Initiating emergency core
|
|
shutdown.
|
|
|
|
Geordi works quickly.
|
|
|
|
RO
|
|
Inertial dampers failing. We're
|
|
losing attitude control...
|
|
|
|
RIKER
|
|
(to comm)
|
|
This is the bridge. All hands
|
|
to emergency escape pods.
|
|
|
|
18 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The starboard nacelle FLARES, throwing the ship into
|
|
a SPINNING MOTION, out of control...
|
|
|
|
19 INT. BRIDGE (OPTICAL)
|
|
|
|
Round and round. People can barely stand up. On the
|
|
viewscreen, the stars are WHIPPING past, dizzying...
|
|
|
|
DATA
|
|
(off console)
|
|
The core shutdown was
|
|
unsuccessful. We are losing
|
|
antimatter containment.
|
|
|
|
GEORDI
|
|
We gotta eject the engine core!
|
|
|
|
DATA
|
|
The ejection systems are
|
|
off-line. A core breach is
|
|
imminent...
|
|
|
|
Tension -- no choice.
|
|
|
|
STAR TREK: "Cause and Effect" - 1/2/92 - ACT ONE 15.
|
|
|
|
19 CONTINUED:
|
|
|
|
PICARD
|
|
(to com)
|
|
All hands abandon ship. Repeat,
|
|
all hands abandon --
|
|
|
|
20 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it EXPLODES in a blast of fire and debris.
|
|
Completely destroyed.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Cause and Effect" - 1/2/92 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
21 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse in a starry region of space.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45652.1.
|
|
The Enterprise has entered an area
|
|
of space known as the Typhon
|
|
Expanse. We are the first
|
|
Starfleet vessel to chart this
|
|
unexplored region.
|
|
|
|
22 INT. RIKER'S QUARTERS - POKER TABLE
|
|
|
|
(As seen in Act One.) Poker game in progress. Riker,
|
|
Data, Worf, Beverly. Data SHUFFLES the cards with
|
|
android speed and dexterity.
|
|
|
|
RIKER
|
|
(with humor)
|
|
Sometimes I wonder if he's
|
|
stacking the deck.
|
|
|
|
DATA
|
|
I assure you, Commander, the
|
|
cards have been sufficiently
|
|
randomized.
|
|
|
|
WORF
|
|
I hope so.
|
|
|
|
A look between Worf and Data. Data proceeds to deal
|
|
one card face-down... then one card face-up to Riker,
|
|
Geordi, Beverly, and himself.
|
|
|
|
DATA
|
|
An eight. An Ace. A Queen. The
|
|
dealer receives a four.
|
|
|
|
They study their cards.
|
|
|
|
WORF
|
|
No bet.
|
|
|
|
Data deals the next round. Beverly gets another Queen.
|
|
|
|
STAR TREK: "Cause and Effect" - 1/2/92 - ACT TWO 17.
|
|
|
|
22 CONTINUED:
|
|
|
|
DATA
|
|
A ten. A seven -- no help there.
|
|
A pair of "ladies" for the
|
|
Doctor. The dealer receives a
|
|
nine.
|
|
(to Beverly)
|
|
Doctor, may I remind you that
|
|
since you show the highest hand,
|
|
you control the next bet.
|
|
|
|
Beverly glances at Riker's cards... and is suddenly
|
|
struck with a vivid sense of deja-vu. The clarity of
|
|
feeling is almost uncomfortable.
|
|
|
|
WORF
|
|
(off her look)
|
|
Is there something wrong, Doctor?
|
|
|
|
Beverly snaps out of it.
|
|
|
|
BEVERLY
|
|
No... I bet ten.
|
|
|
|
Everyone sees her bet.
|
|
|
|
DATA
|
|
(dealing)
|
|
Jack. Four. Deuce. Six.
|
|
|
|
BEVERLY
|
|
(bets)
|
|
Twenty.
|
|
|
|
RIKER
|
|
And I'll raise you fifty.
|
|
|
|
Everyone matches bets. As Data deals...
|
|
|
|
23 CLOSE ON RIKER
|
|
|
|
as he has a flash of deja-vu. He eyes Beverly -- knows
|
|
where this game is going...
|
|
|
|
RIKER
|
|
(to Beverly, certain)
|
|
You're going to call my bluff,
|
|
aren't you?
|
|
|
|
Beverly stares back at him, surprised. It's like a
|
|
game of dueling premonitions.
|
|
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT TWO 18.
|
|
|
|
23 CONTINUED:
|
|
|
|
RIKER
|
|
(folds)
|
|
I think I'll quit while I'm ahead.
|
|
|
|
Beverly is astonished -- how could he have known?
|
|
|
|
BEVERLY
|
|
How did you know I was going to
|
|
call your bluff?
|
|
|
|
RIKER
|
|
I just had a feeling.
|
|
|
|
BEVERLY
|
|
Me too...
|
|
|
|
NURSE OGAWA'S COM VOICE
|
|
Ogawa to Doctor Crusher.
|
|
|
|
BEVERLY
|
|
Go ahead.
|
|
|
|
NURSE OGAWA'S COM VOICE
|
|
Commander La Forge needs you in
|
|
sickbay.
|
|
|
|
BEVERLY
|
|
On my way.
|
|
|
|
Beverly stands to go...
|
|
|
|
24 INT. SICKBAY (OPTICAL)
|
|
|
|
Geordi sits on an examination table, while Beverly
|
|
scans him with a medical tricorder. She centers around
|
|
his ears and head...
|
|
|
|
GEORDI
|
|
At first I thought the catwalk
|
|
was spinning. Turns out it was
|
|
me.
|
|
(beat)
|
|
I'm lucky Ensign Fletcher was
|
|
there to grab me -- it's a long
|
|
way down to the bottom of the warp
|
|
core.
|
|
|
|
Geordi reacts to a sudden pain -- headache. Beverly
|
|
completes her exam.
|
|
|
|
STAR TREK: "Cause and Effect" - 1/2/92 - ACT TWO 19.
|
|
|
|
24 CONTINUED:
|
|
|
|
BEVERLY
|
|
You have all the symptoms of an
|
|
inner-ear infection. That would
|
|
explain your dizziness... and the
|
|
headache.
|
|
|
|
She reaches for a nearby hypospray.
|
|
|
|
BEVERLY
|
|
But I don't see any physical...
|
|
|
|
She stops in mid-sentence, caught by a strange and
|
|
sudden awareness. The same feeling she had in the
|
|
poker game -- she's been here before.
|
|
|
|
GEORDI
|
|
(off her look)
|
|
What is it?
|
|
|
|
BEVERLY
|
|
Geordi... have you ever had these
|
|
symptoms before?
|
|
|
|
GEORDI
|
|
(thinks)
|
|
Now that you mention it... I think
|
|
I did.
|
|
|
|
BEVERLY
|
|
Do you recall when?
|
|
|
|
GEORDI
|
|
No, I don't.
|
|
|
|
They both try to remember...
|
|
|
|
BEVERLY
|
|
(certain)
|
|
We've had this discussion. I
|
|
remember giving you this
|
|
examination...
|
|
(beat)
|
|
Let's check the medical logs.
|
|
|
|
They move to a nearby console. Beverly hits a few
|
|
commands -- information comes up on the screen. They
|
|
study it...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT TWO 20.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
(off console)
|
|
You've been treated several times
|
|
for headaches related to your
|
|
VISOR... but I see no mention
|
|
of dizziness.
|
|
|
|
A beat as they consider.
|
|
|
|
GEORDI
|
|
(lightly)
|
|
Must be deja-vu.
|
|
|
|
Beverly looks troubled.
|
|
|
|
BEVERLY
|
|
Both of us -- about the same
|
|
thing?
|
|
|
|
As they exchange a mystified look...
|
|
|
|
25 INT. BEVERLY'S QUARTERS
|
|
|
|
Later. Beverly is dressed in her nightclothes. She
|
|
passes by the table topped with exotic plants, picks up
|
|
a cutting tool, starts to trim the plants. She begins
|
|
to sing a little song, and stops -- a feeling of
|
|
deja-vu overwhelming her. She sets down the tool...
|
|
determined to break the feeling and do things
|
|
differently. She moves toward her bed...
|
|
|
|
26 ANGLE ON BED
|
|
|
|
Beverly sits down, picks up the glass of water and
|
|
takes a sip. She stares at the glass, deja-vu nagging
|
|
at her -- is something going to happen to the glass?
|
|
She sets down the glass, turns off the lamp, crawls
|
|
under the covers... tries to sleep...
|
|
|
|
Slowly, a barely perceptible VOICE can be heard... a
|
|
distant and echoey murmur. Beverly opens her eyes.
|
|
Listens. Gradually, a dozen VOICES fade in --
|
|
disembodied murmurs in the darkness. She sits up,
|
|
glances around the dark and empty room...
|
|
|
|
More voices, louder now, all meshing together.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT TWO 21.
|
|
|
|
26 CONTINUED:
|
|
|
|
Beverly turns on the light, accidentally knocking over
|
|
the glass -- the glass BREAKS on the table, startling
|
|
her.
|
|
|
|
The voices stop. Beverly catches her breath, shaken,
|
|
then gets out of bed. She picks up a nearby
|
|
communicator, taps it.
|
|
|
|
BEVERLY
|
|
Crusher to Captain Picard.
|
|
|
|
A beat.
|
|
|
|
PICARD'S COM VOICE
|
|
Yes, Doctor?
|
|
|
|
BEVERLY
|
|
Jean-Luc... do you have a minute?
|
|
|
|
27 INT. READY ROOM
|
|
|
|
Beverly, tired after a long night, sits with Picard
|
|
in the dimly lit, comforting room. She has been
|
|
recounting recent events. Picard hands her a cup of
|
|
steaming liquid.
|
|
|
|
PICARD
|
|
(re: cup)
|
|
My Aunt Adele cured a lot of
|
|
sleepless nights with this steamed
|
|
milk.
|
|
|
|
BEVERLY
|
|
Thank you.
|
|
|
|
Beverly takes a sip, lets it warm her.
|
|
|
|
BEVERLY
|
|
Mmm... nutmeg.
|
|
|
|
PICARD
|
|
Every time I get insomnia, I try
|
|
to perfect the recipe.
|
|
|
|
Beverly smiles... then collects her thoughts, getting
|
|
back to the subject at hand.
|
|
|
|
BEVERLY
|
|
It was the eeriest feeling. When
|
|
the glass broke, it triggered the
|
|
same sensation even more intensely
|
|
-- that I had done it all before.
|
|
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT TWO 22.
|
|
|
|
27 CONTINUED:
|
|
|
|
Picard thinks, reaches for a table and picks up a
|
|
leather-bound BOOK.
|
|
|
|
PICARD
|
|
Earlier, when I was reading this
|
|
book... I had the distinct
|
|
feeling I'd read certain
|
|
paragraphs before.
|
|
(beat)
|
|
I just assumed I'd read the book
|
|
years ago and forgotten.
|
|
|
|
BEVERLY
|
|
I've been having this feeling
|
|
for hours.
|
|
(beat)
|
|
And then those voices...
|
|
|
|
An uneasy beat.
|
|
|
|
PICARD
|
|
Do you feel like we've had this
|
|
conversation before?
|
|
|
|
BEVERLY
|
|
No. None of this seems familiar.
|
|
|
|
Picard considers.
|
|
|
|
PICARD
|
|
This could be nothing more than
|
|
a restless night. But let's be
|
|
sure... Call Geordi and Data.
|
|
I want you to run a shipwide
|
|
diagnostic, concentrating on the
|
|
time and place you heard the
|
|
voices.
|
|
(beat)
|
|
We'll discuss the results tomorrow
|
|
at oh seven hundred hours.
|
|
|
|
Beverly nods, feeling a little better. She takes a sip
|
|
of the milk.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT TWO 23.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Thank you, Jean-Luc.
|
|
(re: the milk)
|
|
For everything.
|
|
|
|
PICARD
|
|
Thank Aunt Adele.
|
|
|
|
They share a gentle smile...
|
|
|
|
28 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse in the Typhon Expanse.
|
|
|
|
29 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Data, Geordi, Troi, Beverly.
|
|
Mid-conversation...
|
|
|
|
DATA
|
|
The internal scans were negative.
|
|
There was no evidence of auditory
|
|
anomalies anywhere on the ship.
|
|
|
|
GEORDI
|
|
As far as the sensors are
|
|
concerned, nothing unusual
|
|
happened last night.
|
|
|
|
Beverly isn't satisfied.
|
|
|
|
BEVERLY
|
|
Before I came up here, ten other
|
|
people reported hearing voices
|
|
at the same time I did.
|
|
|
|
Reactions to the curious news.
|
|
|
|
WORF'S COM VOICE
|
|
Bridge to Captain Picard.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
WORF'S COM VOICE
|
|
We are getting unusual readings
|
|
-- twenty thousand kilometers off
|
|
the port bow.
|
|
|
|
PUSH IN on Beverly as she reacts to the news, suddenly
|
|
very worried...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT TWO 24.
|
|
|
|
INT. BRIDGE - CONTINUOUS
|
|
|
|
Picard and the others ENTER the bridge, take stations.
|
|
Riker stands near Data at ops.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
RO
|
|
Sensors didn't detect the
|
|
phenomenon until we were almost
|
|
on top of it, sir.
|
|
|
|
WORF
|
|
(off console)
|
|
It is a highly localized
|
|
distortion in the space-time
|
|
continuum.
|
|
|
|
Reactions -- they don't like the sound of it.
|
|
|
|
RIKER
|
|
On screen.
|
|
|
|
31 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The area of space just ahead is MURKY and DISTORTED.
|
|
|
|
PICARD
|
|
Back us off, Ensign. Nice and
|
|
slow.
|
|
|
|
RO
|
|
Aye sir.
|
|
(beat)
|
|
Captain -- maneuvering thrusters
|
|
are not responding.
|
|
|
|
On the screen, the temporal distortion RIPPLES
|
|
slightly.
|
|
|
|
DATA
|
|
The distortion field is
|
|
fluctuating.
|
|
|
|
Suddenly, the bridge lights GO OUT. The EMERGENCY
|
|
LIGHTS come on -- and a few consoles LOSE POWER.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT TWO 25.
|
|
|
|
31 CONTINUED:
|
|
|
|
Beverly watches with intense discomfort -- a remote
|
|
part of her knows what's coming, but there's nothing
|
|
she can do to stop it...
|
|
|
|
GEORDI
|
|
All main systems just went down.
|
|
Power levels dropping rapidly...
|
|
|
|
RIKER
|
|
Red Alert.
|
|
|
|
Ship to RED ALERT.
|
|
|
|
DATA
|
|
There is an energy build-up in
|
|
the distortion field.
|
|
(beat)
|
|
Something is emerging...
|
|
|
|
Suddenly, Troi is overwhelmed by a distinct and
|
|
horrible feeling.
|
|
|
|
TROI
|
|
(certain)
|
|
Captain -- we have to get out of
|
|
here now.
|
|
|
|
Picard looks at her, and then --
|
|
|
|
On the viewscreen, a STARSHIP EMERGES from the murk --
|
|
HEADING DIRECTLY FOR US. The following action happens
|
|
quickly --
|
|
|
|
RIKER
|
|
Shields up! Evasive maneuvers!
|
|
|
|
WORF
|
|
Shields inoperative!
|
|
|
|
RO
|
|
The helm's not responding!
|
|
|
|
DATA
|
|
The vessel is on a collision
|
|
course. Impact in thirty-six
|
|
seconds...
|
|
|
|
PICARD
|
|
Hail them.
|
|
|
|
WORF
|
|
No response.
|
|
|
|
On the viewscreen, the ship comes closer... closer...
|
|
|
|
PICARD
|
|
Suggestions?
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT TWO 26.
|
|
|
|
31 CONTINUED: (2)
|
|
|
|
RIKER
|
|
Decompress the main shuttlebay
|
|
-- the explosive reaction might
|
|
kick us out of the way.
|
|
|
|
Data cuts in, his hands flying across the controls...
|
|
|
|
DATA
|
|
Captain -- I recommend we use the
|
|
tractor beam to alter the other
|
|
ship's trajectory.
|
|
|
|
PICARD
|
|
Mister Worf -- make it so.
|
|
|
|
WORF
|
|
Engaging tractor beam...
|
|
|
|
Worf hits a command. A tense beat. The other ship
|
|
looming on the viewscreen...
|
|
|
|
WHAM! The Enterprise JOLTS as we collide with the
|
|
other ship. The crew is tossed about.
|
|
|
|
RIKER
|
|
Damage report!
|
|
|
|
Beverly works a nearby console.
|
|
|
|
BEVERLY
|
|
Casualty reports coming in from
|
|
all over the ship...
|
|
|
|
DATA
|
|
The starboard nacelle has
|
|
sustained a direct impact. We
|
|
are venting drive plasma.
|
|
|
|
GEORDI
|
|
Initiating emergency core
|
|
shutdown.
|
|
|
|
Geordi works.
|
|
|
|
RO
|
|
Inertial dampers failing. We're
|
|
losing attitude control...
|
|
|
|
RIKER
|
|
(to com)
|
|
This is the bridge. All hands
|
|
to emergency escape pods.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT TWO 27.
|
|
|
|
31 CONTINUED: (3)
|
|
|
|
The ship ROCKS, tossing people about. Stars on the
|
|
viewscreen start WHIPPING past, dizzying...
|
|
|
|
DATA
|
|
The core shutdown was
|
|
unsuccessful. We are losing
|
|
antimatter containment.
|
|
|
|
GEORDI
|
|
We've gotta eject the engine
|
|
core!
|
|
|
|
DATA
|
|
The ejection systems are
|
|
off-line. A core breach is
|
|
imminent...
|
|
|
|
Tension -- no choice.
|
|
|
|
PICARD
|
|
(to comm)
|
|
All hands abandon ship. Repeat,
|
|
all hands abandon --
|
|
|
|
Without warning, VIOLENT ROARING NOISE and A BLAST OF
|
|
FIRE erupt across the scene as the ship EXPLODES --
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse in a starry region of space.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45652.1.
|
|
The Enterprise has entered an area
|
|
of space known as the Typhon
|
|
Expanse. We are the first
|
|
Starfleet vessel to chart this
|
|
unexplored region.
|
|
|
|
33 INT. RIKER'S QUARTERS - POKER TABLE
|
|
|
|
(As seen in Acts One and Two.) Poker game in progress.
|
|
Riker, Data, Worf, Beverly. Data SHUFFLES the cards
|
|
with android speed and dexterity.
|
|
|
|
RIKER
|
|
(with humor)
|
|
Sometimes I wonder if he's
|
|
stacking the deck.
|
|
|
|
DATA
|
|
I assure you, Commander, the cards
|
|
have been sufficiently randomized.
|
|
|
|
WORF
|
|
I hope so.
|
|
|
|
A look between Worf and Data. Data deals one card
|
|
face-down to each person. They glance at their cards.
|
|
Worf looks agitated -- he keeps glancing around the
|
|
room, bothered by a nagging feeling...
|
|
|
|
RIKER
|
|
(off his look)
|
|
Something wrong, Worf?
|
|
|
|
Worf considers.
|
|
|
|
WORF
|
|
I am experiencing nIb'poH.
|
|
(beat)
|
|
The feeling I have done this
|
|
before.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT THREE 28A.
|
|
|
|
33 CONTINUED:
|
|
|
|
RIKER
|
|
(with humor)
|
|
Yeah -- last Tuesday night.
|
|
|
|
WORF
|
|
That is not what I mean.
|
|
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT THREE 29.
|
|
|
|
33 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
(off his remark)
|
|
I've been feeling the same way...
|
|
|
|
Beverly looks disturbed by her feelings. Data and
|
|
Riker exchange a look -- both unfazed. They don't know
|
|
what to make of it. Beverly looks intently at the deck
|
|
of cards...
|
|
|
|
BEVERLY
|
|
Data.... keep dealing.
|
|
|
|
Data deals the next cards face-up, calling them...
|
|
|
|
DATA
|
|
An eight. An Ace...
|
|
|
|
BEVERLY
|
|
(cutting in)
|
|
A Queen. I'm going to get a
|
|
Queen.
|
|
|
|
Data turns over the next card -- it's a Queen.
|
|
Reactions. Beverly points to Data.
|
|
|
|
BEVERLY
|
|
And you're going to get a four...
|
|
|
|
They all look at Beverly, puzzled.
|
|
|
|
BEVERLY
|
|
Deal the cards.
|
|
|
|
DATA
|
|
But nobody has bet.
|
|
|
|
BEVERLY
|
|
Forget the bet. Deal.
|
|
|
|
Data deals -- the next card is indeed a four. Beverly
|
|
calls the cards a split second before they are dealt --
|
|
the cards are all exactly as she calls them...
|
|
|
|
BEVERLY
|
|
Ten... Seven... Queen...
|
|
|
|
Worf cuts in, picking up the card calling...
|
|
|
|
WORF
|
|
Nine... Jack... Four...
|
|
|
|
Every card matches what Worf predicts. Riker takes
|
|
over, a wave of deja-vu overcoming him...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT THREE 29A.
|
|
|
|
33 CONTINUED: (3)
|
|
|
|
RIKER
|
|
Deuce... Six...
|
|
|
|
Riker hits them all. Data stops dealing, puzzled. An
|
|
eerie beat as they absorb the moment.
|
|
|
|
DATA
|
|
This is highly improbable.
|
|
|
|
RIKER
|
|
How did we know...
|
|
|
|
BEVERLY
|
|
Wait.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT THREE 30.
|
|
|
|
33 CONTINUED: (4)
|
|
|
|
Beverly has another flash of deja-vu -- she acts on
|
|
it.
|
|
|
|
BEVERLY
|
|
(taps communicator)
|
|
Crusher to sickbay.
|
|
|
|
NURSE OGAWA'S COM VOICE
|
|
Sickbay here.
|
|
|
|
BEVERLY
|
|
Is Commander La Forge there?
|
|
|
|
34 INT. SICKBAY
|
|
|
|
Nurse Ogawa working at a station, alone.
|
|
|
|
NURSE OGAWA
|
|
No, Doctor, he's not.
|
|
|
|
The sickbay doors slide open and Geordi ENTERS. Ogawa
|
|
reacts.
|
|
|
|
NURSE OGAWA
|
|
Wait a minute -- he just came in.
|
|
|
|
35 INT. RIKER'S QUARTERS
|
|
|
|
Reactions. Off Beverly's troubled expression...
|
|
|
|
36 INT. SICKBAY
|
|
|
|
Picard ENTERS, having been called. He crosses to
|
|
Beverly and Geordi...
|
|
|
|
Geordi has his chin in a headrest, his VISOR connected
|
|
to a diagnostic INSTRUMENT. Beverly is projecting
|
|
light into his VISOR, analyzing the results. It's the
|
|
24th-century visit to the eye doctor.
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
You wanted to see me, Doctor?
|
|
|
|
BEVERLY
|
|
Yes...
|
|
|
|
Beverly finishes with the instrument. Geordi starts
|
|
to adjust his VISOR. Beverly turns to Picard.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/16/92 - ACT THREE 31.
|
|
|
|
36 CONTINUED:
|
|
|
|
BEVERLY
|
|
Captain... have you been getting
|
|
the feeling that you've
|
|
experienced certain things before?
|
|
A sense of... repetition?
|
|
|
|
Picard looks surprised by the question.
|
|
|
|
PICARD
|
|
Yes... recently. While I was
|
|
reading. Why do you ask?
|
|
|
|
Beverly and Geordi exchange an anxious glance.
|
|
|
|
BEVERLY
|
|
There have been similar incidents
|
|
reported all over the ship.
|
|
Feelings of deja-vu.
|
|
(beat)
|
|
And now this...
|
|
|
|
She indicates Geordi.
|
|
|
|
BEVERLY
|
|
I had a premonition Geordi was
|
|
going to come in to sickbay. A
|
|
few seconds later, he did -- with
|
|
the symptoms of an ear infection.
|
|
(beat)
|
|
I was going to run all the
|
|
standard tests... but somehow I
|
|
knew they were going to be
|
|
negative. So I ran an optical
|
|
diagnostic... which traced the
|
|
problem to Geordi's VISOR...
|
|
|
|
Beverly refers to some TECH data on the instrument.
|
|
|
|
BEVERLY
|
|
His dizziness is being caused by
|
|
a phase-shift in his visual
|
|
receptors. It's causing him to
|
|
see images that aren't there...
|
|
|
|
Geordi looks around the room.
|
|
|
|
GEORDI
|
|
They're like... blurry
|
|
afterimages.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT THREE 32.
|
|
|
|
36 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I ran a scan to see if I could
|
|
detect what he was seeing. I
|
|
picked up miniscule distortions
|
|
in the surrounding dekyon
|
|
field.
|
|
(beat)
|
|
Somehow, his VISOR seems to be
|
|
translating those distortions
|
|
into visual impulses.
|
|
|
|
GEORDI
|
|
It could be a malfunction in the
|
|
ship's warp field generator. I'll
|
|
check it out.
|
|
|
|
PICARD
|
|
While you're at it, run a
|
|
localized subspace scan to look
|
|
for anything unusual.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
PICARD
|
|
Keep me advised.
|
|
|
|
Geordi nods, turns to exit. Picard and Beverly
|
|
exchange a concerned look...
|
|
|
|
37 INT. BEVERLY'S QUARTERS
|
|
|
|
Later. Beverly is still dressed in her uniform, too
|
|
edgy to get ready for bed. She stops at a table filled
|
|
with exotic plants, reaches for a cutting tool and...
|
|
stops. She has a flash of deja-vu -- and moves away
|
|
from the table to disrupt the feeling. She crosses
|
|
to her bed...
|
|
|
|
38 ANGLE ON BED
|
|
|
|
Beverly sits down, picks up the glass of water from the
|
|
night stand and takes a sip. She stares at the glass
|
|
with dread certainty -- the glass is going to break.
|
|
|
|
She stands, crosses the room, sets the glass on a
|
|
counter as if to say: this time, it will not break.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/9/92 - ACT THREE 33.
|
|
|
|
38 CONTINUED:
|
|
|
|
She returns to bed, turns off the lamp and lays down...
|
|
but she's too anxious to rest.
|
|
|
|
Softly in the darkness, a barely perceptible VOICE is
|
|
heard...
|
|
|
|
Beverly sits up. Gradually, a dozen VOICES --
|
|
disembodied murmurs. Beverly turns on the lamp and
|
|
listens -- but the voices are unintelligible.
|
|
Suddenly, she gets an idea -- stands and grabs a
|
|
tricorder, hits a button and aims the tricorder into
|
|
the air, recording the voices...
|
|
|
|
The voices fade away. Beverly takes a breath, shaken.
|
|
|
|
BEVERLY
|
|
(taps communicator)
|
|
Crusher to Commander La Forge.
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge here.
|
|
|
|
BEVERLY
|
|
I just heard what sounded like...
|
|
voices in my room. But there's
|
|
no one here.
|
|
|
|
A beat.
|
|
|
|
GEORDI'S COM VOICE
|
|
Sensors just picked up something
|
|
strange, too. We're checking it
|
|
out...
|
|
|
|
BEVERLY
|
|
I'm on my way down.
|
|
|
|
Tricorder in hand, Beverly crosses to the dresser --
|
|
grabs her smock and accidentally knocks over the glass.
|
|
It BREAKS on the counter. Beverly stares at the
|
|
glass, astonished...
|
|
|
|
39 INT. ENGINEERING
|
|
|
|
Beverly watches as Geordi and Data analyze a console.
|
|
They are listening to the RECORDING Beverly made -- a
|
|
cacophony of VOICES which is muddled by static and
|
|
noise. The sound stops.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/15/92 - ACT THREE 34.
|
|
|
|
39 CONTINUED:
|
|
|
|
GEORDI
|
|
(off console)
|
|
Looks like you managed to record
|
|
six point two seconds worth.
|
|
(beat)
|
|
Let's see if we can filter the
|
|
signal and clear it up a little.
|
|
|
|
Geordi and Data work the console.
|
|
|
|
BEVERLY
|
|
So I wasn't just hearing things?
|
|
|
|
DATA
|
|
The sound itself appears to have
|
|
been real. However the acoustic
|
|
energy does not correspond to
|
|
any ship's system, nor to any
|
|
voice communications sent at the
|
|
time you heard it.
|
|
|
|
BEVERLY
|
|
Then where did the sound come
|
|
from?
|
|
|
|
GEORDI
|
|
You heard the voices at the same
|
|
time our localized subspace scan
|
|
picked up a another dekyon field
|
|
distortion. The two may be related.
|
|
|
|
Geordi completes his work at the console.
|
|
|
|
GEORDI
|
|
Let's take another listen...
|
|
|
|
Geordi taps a command. They listen as the six seconds
|
|
plays out: The same VOICES that Beverly heard, a
|
|
distant and eerie murmuring that's hard to make out.
|
|
After six seconds, the recording stops. Beverly is
|
|
chilled to hear them again.
|
|
|
|
DATA
|
|
Computer -- perform a narrow
|
|
bandwidth analysis. Eliminate
|
|
all nonvocal waveform components.
|
|
|
|
The VOICES play again, this time louder and more
|
|
distinct -- a warbled thousand-voice chorus. After six
|
|
seconds, it stops.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/6/92 - ACT THREE 35-36.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Can we isolate the voices... find
|
|
out what they're saying?
|
|
|
|
DATA
|
|
I will attempt to distinguish the
|
|
individual voices.
|
|
(beat)
|
|
Computer -- continuous playback.
|
|
|
|
The six seconds PLAYS continuously, with Data listening
|
|
intently. A few moments pass by... then Data cocks
|
|
his head in reaction to what he hears.
|
|
|
|
DATA
|
|
(over the noise)
|
|
There seem to be approximately
|
|
one thousand human voices
|
|
overlapping.
|
|
(beat)
|
|
The voices are those of the
|
|
Enterprise crew.
|
|
(beat)
|
|
Our voices.
|
|
|
|
Beverly and Geordi react. As they listen to the
|
|
cacophony...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
40 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
41 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Beverly and Geordi, addressing Picard, Riker, Data,
|
|
Worf and Troi.
|
|
|
|
BEVERLY
|
|
(to all)
|
|
I'm sorry to call you here so
|
|
early. But we couldn't wait until
|
|
oh seven hundred hours.
|
|
(beat)
|
|
We think we may have an
|
|
explanation for the odd
|
|
occurrences around here...
|
|
|
|
Beverly looks to Geordi, who takes the floor. He moves
|
|
toward the wall monitor...
|
|
|
|
GEORDI
|
|
This is going to sound pretty
|
|
wild...
|
|
(beat)
|
|
Somehow, we've entered what seems
|
|
to be a temporal causality loop.
|
|
|
|
Geordi taps a command on a nearby console, and a
|
|
CAUSALITY LOOP DIAGRAM appears on the wall monitor.
|
|
It's a series of loops, one laying atop the other in
|
|
quick succession to form a continuous spiral.
|
|
|
|
GEORDI
|
|
(re: diagram)
|
|
We think we're stuck in a
|
|
particular fragment of time. And
|
|
we've been experiencing that same
|
|
fragment over and over again.
|
|
|
|
Reactions -- it's a bizarre, startling premise.
|
|
|
|
TROI
|
|
(tentative)
|
|
Is this what's causing our
|
|
deja-vu?
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 38.
|
|
|
|
41 CONTINUED:
|
|
|
|
BEVERLY
|
|
Yes, but it's more than that.
|
|
In deja-vu, you only think you're
|
|
repeating events. We actually
|
|
are.
|
|
|
|
GEORDI
|
|
Our theory is this -- every time
|
|
the loop begins again, everything
|
|
resets itself, and starts all
|
|
over. We don't remember anything
|
|
that happened before... so each
|
|
time through the loop, we think
|
|
it's the first.
|
|
|
|
RIKER
|
|
You mean, maybe we've come into
|
|
this room, sat at this table and
|
|
had this conversation a dozen
|
|
times already?
|
|
|
|
GEORDI
|
|
A dozen... a hundred... It's
|
|
impossible to tell. Maybe we've
|
|
been trapped here for hours...
|
|
days... maybe years.
|
|
|
|
A mind-boggling beat. This is a strange and disturbing
|
|
situation.
|
|
|
|
BEVERLY
|
|
If what we're saying is true --
|
|
those voices I heard might've
|
|
been "echoes" from previous loops.
|
|
|
|
GEORDI
|
|
The same thing with the
|
|
phase-shift in my VISOR --
|
|
afterimages in time.
|
|
|
|
They consider.
|
|
|
|
PICARD
|
|
If you are correct... how did it
|
|
happen? How did we get here?
|
|
|
|
DATA
|
|
I have a hypothesis which may
|
|
explain that, Captain.
|
|
(beat)
|
|
I have analyzed the recording
|
|
Doctor Crusher made.
|
|
(MORE)
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/22/92 - ACT FOUR 39.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
DATA (cont'd)
|
|
Most of it is quite ordinary.
|
|
One hundred twenty-five
|
|
discussions about ship operations,
|
|
two hundred fifty-seven
|
|
conversations of a personal
|
|
nature, five couples engaged in
|
|
romantic encounters...
|
|
|
|
PICARD
|
|
Your point, Mister Data?
|
|
|
|
DATA
|
|
There is evidence of some sort
|
|
of disaster involving the
|
|
Enterprise -- severe enough that
|
|
the captain would order all hands
|
|
to abandon ship. I have isolated
|
|
three segments of the recording
|
|
which are crucial.
|
|
|
|
Data taps a command on the table console, and the
|
|
VOICES PLAY. The recording is fuzzy, broken up by
|
|
static, but recognizable as three separate pieces of
|
|
dialogue from the end of Act One. They listen with
|
|
fascination...
|
|
|
|
WORF (V.O.)
|
|
... a highly localized
|
|
distortion...
|
|
|
|
Beat.
|
|
|
|
DATA (V.O.)
|
|
... collision course. Impact in
|
|
thirty-six seconds...
|
|
|
|
Beat.
|
|
|
|
PICARD (V.O.)
|
|
... hands abandon ship. Repeat,
|
|
all hands abandon...
|
|
|
|
The recording stops. A grim beat as they digest what
|
|
they've heard.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 40.
|
|
|
|
41 CONTINUED: (3)
|
|
|
|
TROI
|
|
The phrase "collision course"
|
|
suggests we collided with
|
|
something.
|
|
|
|
GEORDI
|
|
(nods)
|
|
Worf refers to a "distortion."
|
|
If this were a temporal
|
|
distortion, and if we were close
|
|
enough to it... it's possible
|
|
that a large enough explosion
|
|
might've ruptured the space-time
|
|
continuum.
|
|
(beat)
|
|
We collided... exploded... and
|
|
got stuck in this repeating loop
|
|
of time.
|
|
|
|
They consider.
|
|
|
|
PICARD
|
|
If you're right about this...
|
|
perhaps we could escape the loop
|
|
by avoiding the collision...
|
|
|
|
GEORDI
|
|
That's our guess.
|
|
|
|
WORF
|
|
Maybe we should reverse course.
|
|
|
|
RIKER
|
|
For all we know, reversing course
|
|
might be what leads us into the
|
|
crash.
|
|
|
|
Picard thinks a moment, then shakes his head.
|
|
|
|
PICARD
|
|
We can't afford to start
|
|
second-guessing ourselves. We'll
|
|
stay on our present course until
|
|
we have reason to change it.
|
|
(beat)
|
|
In the meantime, let's do
|
|
everything we can to avoid a
|
|
collision.
|
|
|
|
Nods all around.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 41.
|
|
|
|
41 CONTINUED: (4)
|
|
|
|
GEORDI
|
|
Captain... We may not find out
|
|
how to avoid this accident until
|
|
it's too late. And if the loop
|
|
begins again -- we'll forget
|
|
everything we've learned this time
|
|
around.
|
|
|
|
PICARD
|
|
What do you suggest?
|
|
|
|
GEORDI
|
|
If we do find a way to avoid the
|
|
collision... we should try to
|
|
send that information into the
|
|
next loop.
|
|
|
|
An intriguing notion.
|
|
|
|
RIKER
|
|
Is that possible?
|
|
|
|
DATA
|
|
We have seen that echoes, or
|
|
afterimages, from previous loops
|
|
appear as distortions in the
|
|
dekyon field. We may be able to
|
|
send a deliberate echo into the
|
|
next loop.
|
|
|
|
TROI
|
|
Like a message in a bottle...
|
|
|
|
GEORDI
|
|
Exactly. We could enhance a
|
|
dekyon emission to create a
|
|
specific pattern... and send
|
|
ourselves a message. Not a long
|
|
one -- probably only a few
|
|
characters... maybe one word...
|
|
|
|
RIKER
|
|
How do we know we'll pick up that
|
|
word the next time through?
|
|
|
|
DATA
|
|
If the dekyon emission is
|
|
modulated correctly, it would set
|
|
up a resonance in my positronic
|
|
subprocessors. I would receive
|
|
the information -- on what you
|
|
would call a subconscious level.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 42.
|
|
|
|
41 CONTINUED: (5)
|
|
|
|
GEORDI
|
|
That's the catch. We're not sure
|
|
how the information will be
|
|
perceived by Data... it might
|
|
be almost like a posthypnotic
|
|
suggestion.
|
|
|
|
They weigh the proposal.
|
|
|
|
PICARD
|
|
Even with all these uncertainties,
|
|
we've got to try.
|
|
(to Geordi and Data)
|
|
Take whatever steps are
|
|
necessary to send a message.
|
|
(beat)
|
|
Dismissed.
|
|
|
|
As they rise to go...
|
|
|
|
42 INT. ENGINEERING (OPTICAL)
|
|
|
|
Data seated at a console with a panel on his head
|
|
exposed. Geordi makes a few adjustments to Data's
|
|
circuitry. He then attaches a small EMITTER DEVICE
|
|
to Data's uniform. Beverly looks on as Geordi makes
|
|
the meticulous adjustments...
|
|
|
|
GEORDI
|
|
It's possible we've tried this
|
|
a thousand times and it's never
|
|
worked.
|
|
|
|
It's a frightening thought.
|
|
|
|
BEVERLY
|
|
Do you have the feeling you've
|
|
done it before?
|
|
|
|
GEORDI
|
|
(thinks)
|
|
No, I don't.
|
|
|
|
BEVERLY
|
|
Neither do I. Maybe that's a good
|
|
sign.
|
|
|
|
Geordi nods, hopeful. He completes his adjustments
|
|
to the emitter.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FOUR 43.
|
|
|
|
42 CONTINUED:
|
|
|
|
GEORDI
|
|
(re: device)
|
|
Let's test the emitter.
|
|
|
|
Data hits a few buttons on the emitter device.
|
|
|
|
DATA
|
|
Particle accelerators to full
|
|
power.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FOUR 44.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
Data's exposed panel starts to blink rapidly -- while a
|
|
nearby console lights up with a GRAPHIC showing dekyon
|
|
emission levels. Geordi studies the console.
|
|
|
|
GEORDI
|
|
Dekyon field active... particle
|
|
flux nominal...
|
|
(beat)
|
|
We're in business.
|
|
|
|
As Geordi puts the final touches on Data's emitter...
|
|
|
|
BEVERLY
|
|
All we need now is a message.
|
|
|
|
Suddenly, the ship goes to RED ALERT.
|
|
|
|
RIKER'S COM VOICE
|
|
Senior staff report to the bridge.
|
|
|
|
BEVERLY
|
|
On our way.
|
|
|
|
As they head for the door...
|
|
|
|
43 INT. BRIDGE (OPTICAL)
|
|
|
|
Red Alert. Tension. Picard, Troi, Ro -- Riker
|
|
standing near ops. N.D.s as needed. The viewscreen
|
|
shows the TEMPORAL DISTORTION, as seen in previous
|
|
Acts.
|
|
|
|
Data, Geordi, Beverly ENTER and take stations. Data
|
|
still wears the emitter device on his uniform.
|
|
|
|
Picard and Riker exchange a glance. Their first major
|
|
decision here -- how should they handle it? How do
|
|
they avoid repeating the same mistakes?
|
|
|
|
RIKER
|
|
How do you think we might've
|
|
handled this before?
|
|
|
|
Picard thinks, but doesn't have an answer. He goes
|
|
with his best instincts.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 45.
|
|
|
|
43 CONTINUED:
|
|
|
|
PICARD
|
|
Back us off, Ensign. Nice and
|
|
slow.
|
|
|
|
RO
|
|
Aye sir.
|
|
(beat)
|
|
Captain -- maneuvering thrusters
|
|
are not responding.
|
|
|
|
On the screen, the distortion RIPPLES slightly.
|
|
|
|
DATA
|
|
(off console)
|
|
The distortion field is
|
|
fluctuating.
|
|
|
|
Suddenly, the bridge lights FLICKER and GO OUT. The
|
|
EMERGENCY LIGHTS come on -- a few consoles LOSE POWER.
|
|
Picard and Riker look frustrated and vulnerable -- fate
|
|
seems to be dragging them right back into danger...
|
|
|
|
GEORDI
|
|
All main systems just went down.
|
|
Power levels dropping rapidly...
|
|
|
|
DATA
|
|
There is an energy build-up in
|
|
the distortion field.
|
|
(beat)
|
|
Something is emerging...
|
|
|
|
Suddenly, Troi is overwhelmed by a distinct and
|
|
horrible feeling.
|
|
|
|
TROI
|
|
(certain)
|
|
Captain -- we have to get out of
|
|
here now.
|
|
|
|
Picard looks at her, and then --
|
|
|
|
On the screen, a STARSHIP EMERGES from the murk --
|
|
HEADED DIRECTLY FOR US. Reactions.
|
|
|
|
RIKER
|
|
Shields up! Evasive maneuvers!
|
|
|
|
WORF
|
|
Shields inoperative!
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/7/92 - ACT FOUR 46.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
RO
|
|
The helm's not responding!
|
|
|
|
DATA
|
|
The vessel is on a collision
|
|
course. Impact in thirty-six
|
|
seconds...
|
|
|
|
PICARD
|
|
Hail them.
|
|
|
|
WORF
|
|
No response.
|
|
|
|
On the viewscreen, the ship comes closer... closer...
|
|
|
|
PICARD
|
|
Suggestions?
|
|
|
|
RIKER
|
|
Decompress the main shuttlebay
|
|
-- the explosive reaction might
|
|
kick us out of the way.
|
|
|
|
Data cuts in, his hands flying across the controls...
|
|
|
|
DATA
|
|
Captain -- I recommend we use the
|
|
tractor beam to alter the other
|
|
ship's trajectory.
|
|
|
|
PICARD
|
|
Mister Worf -- make it so.
|
|
|
|
WORF
|
|
Engaging tractor beam...
|
|
|
|
44 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise sends out a TRACTOR BEAM -- but it's
|
|
too late. The other ship COLLIDES with our starboard
|
|
nacelle, jolting us aside. The Enterprise's starboard
|
|
nacelle is DAMAGED, sending out stray jets of plasma...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 47.
|
|
|
|
45 INT. BRIDGE - CLOSE ON DATA
|
|
|
|
as he has a realization about their situation -- he
|
|
begins to make speedy mental calculations...
|
|
|
|
45A THE SCENE
|
|
|
|
SHAKING VIOLENTLY.
|
|
|
|
RIKER
|
|
Damage report!
|
|
|
|
Beverly works a nearby console.
|
|
|
|
BEVERLY
|
|
Casualty reports coming in from
|
|
all over the ship...
|
|
|
|
DATA
|
|
The starboard nacelle has
|
|
sustained a direct impact. We
|
|
are venting drive plasma.
|
|
|
|
GEORDI
|
|
Initiating emergency core
|
|
shutdown.
|
|
|
|
Geordi works quickly.
|
|
|
|
RO
|
|
Inertial dampers failing. We're
|
|
losing attitude control...
|
|
|
|
RIKER
|
|
(to com)
|
|
This is the bridge. All hands
|
|
to emergency escape pods.
|
|
|
|
46 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The starboard nacelle FLARES, throwing the ship into a
|
|
SPINNING MOTION, out of control...
|
|
|
|
47 INT. BRIDGE (OPTICAL)
|
|
|
|
Round and round. Stars WHIPPING past on the
|
|
viewscreen...
|
|
|
|
DATA
|
|
The core shutdown was
|
|
unsuccessful. We are losing
|
|
antimatter containment.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FOUR 47A.
|
|
|
|
47 CONTINUED:
|
|
|
|
GEORDI
|
|
We gotta eject the engine core!
|
|
|
|
DATA
|
|
The ejection systems are off-line.
|
|
A core breach is imminent...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FOUR 48.
|
|
|
|
48 CLOSE ON DATA
|
|
|
|
as he makes a conclusion about their situation. He
|
|
glances up at Riker, who is standing beside him --
|
|
no time to discuss it. He quickly and intently inputs
|
|
a few discrete commands into the emitter device
|
|
strapped to his uniform...
|
|
|
|
PICARD (o.s.)
|
|
(to com)
|
|
All hands abandon ship. Repeat,
|
|
all hands abandon --
|
|
|
|
49 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it EXPLODES in a blast of fire and debris.
|
|
Completely destroyed.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/8/92 - ACT FIVE 49.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At impulse in a starry region of space.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45652.1.
|
|
The Enterprise has entered an area
|
|
of space known as the Typhon
|
|
Expanse. We are the first
|
|
Starfleet vessel to chart this
|
|
unexplored region.
|
|
|
|
51 INT. RIKER'S QUARTERS - POKER TABLE
|
|
|
|
(As seen in Acts One, Two, Three.) Poker game in
|
|
progress. Riker, Data, Worf, Beverly. Data SHUFFLES
|
|
the deck of cards with android speed and dexterity.
|
|
|
|
RIKER
|
|
Sometimes I wonder if he's
|
|
stacking the deck.
|
|
|
|
DATA
|
|
I assure you, Commander, the cards
|
|
have been sufficiently randomized.
|
|
|
|
WORF
|
|
I hope so.
|
|
|
|
A look between Worf and Data, then Data deals one card
|
|
face-down to each person. They glance at their cards.
|
|
Worf looks agitated -- he keeps glancing around the
|
|
room...
|
|
|
|
RIKER
|
|
Something wrong, Worf?
|
|
|
|
WORF
|
|
I am experiencing nIb'poH.
|
|
(beat)
|
|
The feeling I have done this
|
|
before.
|
|
|
|
RIKER
|
|
(with humor)
|
|
Yeah -- last Tuesday night.
|
|
|
|
WORF
|
|
That is not what I mean.
|
|
|
|
BEVERLY
|
|
(off his remark)
|
|
I've been feeling the same
|
|
way...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FIVE 50.
|
|
|
|
51 CONTINUED:
|
|
|
|
Beverly stares at the deck of cards, entranced and
|
|
utterly sure of her feelings...
|
|
|
|
BEVERLY
|
|
Wait.
|
|
|
|
She points to each person, predicting their cards.
|
|
|
|
BEVERLY
|
|
An eight... an Ace... a Queen...
|
|
a four...
|
|
(beat)
|
|
Deal the cards, Data.
|
|
|
|
Data deals the cards face-up -- every card is a three.
|
|
Beverly can hardly believe her predictions are wrong.
|
|
|
|
BEVERLY
|
|
I was positive I knew what cards
|
|
were going to be dealt...
|
|
|
|
Worf looks surprised, as well.
|
|
|
|
WORF
|
|
I was also sure.
|
|
|
|
RIKER
|
|
Finish the deal, Data.
|
|
|
|
Data quickly lays out the cards, one by one. They
|
|
watch with fascination as everyone is dealt
|
|
three-of-a-kind. Reactions -- this is getting creepy.
|
|
|
|
BEVERLY
|
|
We all got three's... then
|
|
three-of-a-kind?
|
|
|
|
Curious, they turn over their last cards. As they
|
|
marvel at the incident...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/16/92 - ACT FIVE 51.
|
|
|
|
51 CONTINUED: (2)
|
|
|
|
NURSE OGAWA'S COM VOICE
|
|
Ogawa to Doctor Crusher.
|
|
|
|
BEVERLY
|
|
Go ahead.
|
|
|
|
NURSE OGAWA'S COM VOICE
|
|
Commander La Forge needs you in
|
|
sickbay.
|
|
|
|
BEVERLY
|
|
On my way.
|
|
|
|
They exchange an uneasy look as Beverly stands and
|
|
EXITS...
|
|
|
|
51A INT. SICKBAY (OPTICAL)
|
|
|
|
Geordi sits on an examination table, while Beverly
|
|
scans him with a medical tricorder. She centers around
|
|
his ears and head...
|
|
|
|
GEORDI
|
|
At first I thought the catwalk
|
|
was spinning. Turns out it was
|
|
me.
|
|
(beat)
|
|
I'm lucky Ensign Fletcher was
|
|
there to grab me -- it's a long
|
|
way down to the bottom of the warp
|
|
core.
|
|
|
|
Geordi reacts to a sudden pain -- headache. Beverly
|
|
completes her exam.
|
|
|
|
BEVERLY
|
|
You have all the symptoms of an
|
|
inner-ear infection. That would
|
|
explain your dizziness... and the
|
|
headache.
|
|
|
|
She reaches for a nearby hypospray.
|
|
|
|
BEVERLY
|
|
But I don't see any physical...
|
|
|
|
She stops in mid-sentence, caught by a strange and
|
|
sudden awareness. The same feeling she had in the
|
|
poker game -- she's been here before.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/16/92 - ACT FIVE 51A.
|
|
|
|
51A CONTINUED:
|
|
|
|
GEORDI
|
|
(off her look)
|
|
What is it?
|
|
|
|
BEVERLY
|
|
Geordi... have you ever had these
|
|
symptoms before?
|
|
|
|
GEORDI
|
|
(thinks)
|
|
Now that you mention it... I think
|
|
I did.
|
|
|
|
BEVERLY
|
|
Do you recall when?
|
|
|
|
GEORDI
|
|
No, I don't.
|
|
|
|
They both try to remember...
|
|
|
|
BEVERLY
|
|
(certain)
|
|
We've had this discussion. I
|
|
remember giving you this
|
|
examination...
|
|
(beat)
|
|
Let's check the medical logs.
|
|
|
|
They move to a nearby console. Beverly hits a few
|
|
commands -- information comes up on the screen. They
|
|
study it...
|
|
|
|
BEVERLY
|
|
(off console)
|
|
You've been treated several times
|
|
for headaches related to your
|
|
VISOR... but I see no mention
|
|
of dizziness.
|
|
|
|
A beat as they consider.
|
|
|
|
GEORDI
|
|
(lightly)
|
|
Must be deja-vu.
|
|
|
|
Beverly looks troubled.
|
|
|
|
BEVERLY
|
|
Both of us -- about the same
|
|
thing?
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/17/92 - ACT FIVE 51B.
|
|
|
|
51A CONTINUED: (2)
|
|
|
|
They exchange a mystified look. Beverly gets an idea
|
|
-- she moves to a nearby diagnostic instrument (as seen
|
|
in Act Three).
|
|
|
|
BEVERLY
|
|
Let's run an optical diagnostic.
|
|
|
|
GEORDI
|
|
For an ear infection?
|
|
|
|
BEVERLY
|
|
I've got a hunch...
|
|
|
|
Geordi moves to the instrument, sits down and puts his
|
|
chin in a headrest. Beverly connects his VISOR to the
|
|
diagnostic instrument... works the controls.
|
|
|
|
BEVERLY
|
|
Hold still... this pulse may be
|
|
a little bright...
|
|
|
|
Beverly taps a command -- and a LIGHT is projected into
|
|
Geordi's VISOR. Beverly analyzes the results.
|
|
|
|
BEVERLY
|
|
(off instrument)
|
|
That's odd...
|
|
(beat)
|
|
Have you made any changes to your
|
|
VISOR lately?
|
|
|
|
GEORDI
|
|
No. Why?
|
|
|
|
BEVERLY
|
|
I'm detecting a slight phase-shift
|
|
in your visual receptors...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/16/92 - ACT FIVE 51C.
|
|
|
|
52 INT. READY ROOM
|
|
|
|
Picard relaxing in a chair, reading a leather-bound
|
|
book (the same book seen in Act Two). A quiet moment
|
|
as he reads... then pauses. A feeling of Deja-vu
|
|
washes over him -- has he read this book before? He
|
|
glances at the book title, flips through the pages a
|
|
few times. Strange...
|
|
|
|
BEVERLY'S COM VOICE
|
|
Crusher to Captain Picard.
|
|
|
|
PICARD
|
|
Yes, Doctor?
|
|
|
|
BEVERLY'S COM VOICE
|
|
Can you come to sickbay
|
|
immediately? It's urgent.
|
|
|
|
PICARD
|
|
On my way.
|
|
|
|
Picard sets down the book, eyes it warily...
|
|
|
|
53 INT. SICKBAY
|
|
|
|
Picard listening to Beverly and Geordi, near the
|
|
optical diagnostic instrument (as seen in Act Three).
|
|
Mid-conversation...
|
|
|
|
BEVERLY
|
|
(re: Geordi)
|
|
His dizziness is being caused by
|
|
a phase-shift in his visual
|
|
receptors. It's causing him to
|
|
see images that aren't there...
|
|
|
|
Geordi looks around the room.
|
|
|
|
GEORDI
|
|
They're like... blurry
|
|
afterimages.
|
|
|
|
BEVERLY
|
|
I ran a scan to see if I could
|
|
detect what he was seeing.
|
|
(MORE)
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FIVE 52.
|
|
|
|
53 CONTINUED:
|
|
|
|
BEVERLY (cont'd)
|
|
I picked up miniscule distortions
|
|
in the surrounding dekyon field.
|
|
(beat)
|
|
Somehow, his VISOR seems to be
|
|
translating those distortions into
|
|
visual impulses.
|
|
|
|
GEORDI
|
|
It could be a malfunction in the
|
|
ship's warp field generator.
|
|
I'll check it out.
|
|
|
|
PICARD
|
|
While you're at it, run a
|
|
localized subspace scan to look
|
|
for anything unusual.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
PICARD
|
|
Keep me advised.
|
|
|
|
As Geordi EXITS...
|
|
|
|
54 INT. ENGINEERING
|
|
|
|
Later. Geordi and Data working at the consoles,
|
|
analyzing the ship's sensors.
|
|
|
|
GEORDI
|
|
Lateral sensors on-line --
|
|
subspace scanners active...
|
|
(beat)
|
|
Data, will you run a level two
|
|
diagnostic on the warp subsystems?
|
|
|
|
DATA
|
|
Certainly.
|
|
|
|
Data works the console at android SPEED...
|
|
|
|
55 CLOSE ON CONSOLE MONITOR (OPTICAL)
|
|
|
|
Numbers begin to appear on the screen:
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FIVE 53.
|
|
|
|
55 CONTINUED:
|
|
|
|
3,3,3,3,3,3,3,3,3,3,3,3... All the numbers are three's.
|
|
The console starts to BEEP in quick successions of
|
|
three -- beep-beep-beep... beep-beep-beep...
|
|
|
|
56 RESUME (OPTICAL)
|
|
|
|
Geordi looks at the monitor.
|
|
|
|
GEORDI
|
|
All three's... that can't be
|
|
right.
|
|
|
|
They watch the monitor, bewildered.
|
|
|
|
DATA
|
|
I have encountered the numeral
|
|
"three" an inordinate number of
|
|
times over the last two hours.
|
|
|
|
Suddenly, another nearby console sounds a warning
|
|
ALARM. Geordi runs to check it.
|
|
|
|
GEORDI
|
|
We've got a dekyon field
|
|
fluctuation on deck nine, section
|
|
twenty-eight...
|
|
|
|
BEVERLY'S COM VOICE
|
|
Crusher to Commander La Forge.
|
|
|
|
GEORDI
|
|
La Forge here.
|
|
|
|
BEVERLY'S COM VOICE
|
|
I just heard what sounded like...
|
|
voices in my room. But there's
|
|
no one here.
|
|
|
|
Geordi keeps working.
|
|
|
|
GEORDI
|
|
Sensors just picked up something
|
|
strange, too. We're checking it
|
|
out...
|
|
|
|
BEVERLY'S COM VOICE
|
|
I'm on my way down.
|
|
|
|
The CRASH of breaking glass is heard on Beverly's end
|
|
of the com. Geordi and Data exchange a look.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/22/92 - ACT FIVE 54.
|
|
|
|
56 CONTINUED:
|
|
|
|
GEORDI
|
|
Are you alright, Doctor?
|
|
|
|
BEVERLY'S COM VOICE
|
|
I'm fine.
|
|
|
|
As they resume their work...
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
58 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Picard, Riker, Data, Worf, Geordi, Beverly and Troi.
|
|
They are listening to the recording of the VOICES --
|
|
the segments that Data isolated in Act Four. The wall
|
|
monitor shows the causality loop diagram. The mood
|
|
is tense -- they are in the middle of discussing their
|
|
causality loop...
|
|
|
|
WORF (V.O.)
|
|
... a highly localized
|
|
distortion...
|
|
|
|
Beat.
|
|
|
|
DATA (V.O.)
|
|
... collision course. Impact in
|
|
thirty-six seconds...
|
|
|
|
Beat.
|
|
|
|
PICARD (V.O.)
|
|
... hands abandon ship. Repeat,
|
|
all hands abandon...
|
|
|
|
The recording stops. A grim beat as they digest what
|
|
they've heard.
|
|
|
|
TROI
|
|
The phrase "collision course"
|
|
suggests we collided with
|
|
something.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FIVE 54A.
|
|
|
|
58 CONTINUED:
|
|
|
|
GEORDI
|
|
(nods)
|
|
Worf refers to a "distortion."
|
|
If this were a temporal
|
|
distortion, and if we were close
|
|
enough to it... it's possible that
|
|
a large enough explosion might've
|
|
ruptured the space-time continuum.
|
|
(beat)
|
|
We collided... exploded... and
|
|
got stuck in this repeating loop
|
|
of time.
|
|
|
|
They consider.
|
|
|
|
PICARD
|
|
If you're right about this...
|
|
Perhaps we could escape the loop
|
|
by avoiding the collision.
|
|
|
|
GEORDI
|
|
That's our guess.
|
|
|
|
WORF
|
|
Maybe we should reverse course.
|
|
|
|
RIKER
|
|
For all we know, reversing course
|
|
might be what leads us into the
|
|
crash.
|
|
|
|
Picard thinks for a moment, then shakes his head.
|
|
|
|
PICARD
|
|
We can't afford to start
|
|
second-guessing ourselves. We'll
|
|
stay on our present course until
|
|
we have reason to change it.
|
|
(beat)
|
|
In the meantime, let's do
|
|
everything we can to avoid a
|
|
collision.
|
|
|
|
Nods all around.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/16/92 - ACT FIVE 55.
|
|
|
|
58 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Captain... We've been seeing the
|
|
number three all over the ship.
|
|
On consoles... in a poker game...
|
|
|
|
DATA
|
|
In total, we have encountered two
|
|
thousand eighty-five conspicuous
|
|
examples of the number "three."
|
|
|
|
GEORDI
|
|
All these "threes" can't be coming
|
|
up by accident.
|
|
|
|
RIKER
|
|
Maybe somebody's trying to tell
|
|
us something.
|
|
|
|
GEORDI
|
|
We came to the same conclusion...
|
|
so we ran a shipwide diagnostic
|
|
-- the only unusual thing we found
|
|
was a dekyon field modulation in
|
|
Data's positronic subprocessors.
|
|
|
|
BEVERLY
|
|
What could be causing it?
|
|
|
|
GEORDI
|
|
I don't know. But if I wanted
|
|
to send information from one loop
|
|
to the next... I might have used
|
|
a method like a dekyon emission.
|
|
|
|
A beat as they consider.
|
|
|
|
TROI
|
|
You think we sent ourselves a
|
|
message?
|
|
|
|
GEORDI
|
|
It would make sense. Maybe we
|
|
were trying to tell ourselves
|
|
something...
|
|
|
|
A beat.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/13/92 - ACT FIVE 56.
|
|
|
|
58 CONTINUED: (2)
|
|
|
|
PICARD
|
|
If that were true... what could
|
|
"three" indicate?
|
|
|
|
They contemplate the riddle -- three... three...
|
|
three...
|
|
|
|
RIKER
|
|
Maybe we should run a level three
|
|
diagnostic on all key systems.
|
|
|
|
GEORDI
|
|
Good idea. And I'll have the
|
|
computer run a pattern-matching
|
|
algorithm based on the number
|
|
three.
|
|
|
|
RO'S COM VOICE
|
|
Bridge to Captain Picard.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
RO'S COM VOICE
|
|
We are getting unusual readings
|
|
-- twenty thousand kilometers off
|
|
the port bow.
|
|
|
|
Reactions.
|
|
|
|
PICARD
|
|
Red Alert.
|
|
|
|
The ship goes to RED ALERT. They rise and head for
|
|
the door...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FIVE 57.
|
|
|
|
59 INT. BRIDGE - CONTINUOUS
|
|
|
|
Picard and the others ENTER and take stations. Riker
|
|
stands near Data, at ops.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
RO
|
|
Sensors didn't detect the
|
|
phenomenon until we were almost
|
|
on top of it, sir.
|
|
|
|
WORF
|
|
(off console)
|
|
It is a highly localized
|
|
distortion in the space-time
|
|
continuum.
|
|
|
|
RIKER
|
|
On screen.
|
|
|
|
60 INTERCUT: VIEWSCREEN (OPTICAL)
|
|
|
|
The area of space just ahead is MURKY and DISTORTED.
|
|
Picard and Riker exchange a glance.
|
|
|
|
RIKER
|
|
How do you think we might've
|
|
handled this before?
|
|
|
|
Picard thinks, but doesn't have an answer. He goes
|
|
with his best instincts.
|
|
|
|
PICARD
|
|
Back us off, Ensign. Nice and
|
|
slow.
|
|
|
|
RO
|
|
Aye sir.
|
|
(beat)
|
|
Captain -- maneuvering thrusters
|
|
are not responding.
|
|
|
|
On the viewscreen: the distortion RIPPLES slightly.
|
|
|
|
DATA
|
|
(off console)
|
|
The distortion field is
|
|
fluctuating.
|
|
|
|
Suddenly, the bridge lights FLICKER and GO OUT. The
|
|
EMERGENCY LIGHTS come on -- and some of the consoles
|
|
LOSE POWER.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FIVE 58.
|
|
|
|
60 CONTINUED:
|
|
|
|
GEORDI
|
|
All main systems just went down.
|
|
Power levels dropping rapidly...
|
|
|
|
DATA
|
|
There is an energy build-up in
|
|
the distortion field.
|
|
(beat)
|
|
Something is emerging...
|
|
|
|
Suddenly, Troi is overwhelmed by a distinct and
|
|
horrible feeling.
|
|
|
|
TROI
|
|
(certain)
|
|
Captain -- we have to get out of
|
|
here now.
|
|
|
|
Picard looks at her, and then --
|
|
|
|
On the screen, a STARSHIP EMERGES from the murk --
|
|
HEADED DIRECTLY FOR US. Reactions to the sight --
|
|
|
|
RIKER
|
|
Shields up! Evasive maneuvers!
|
|
|
|
WORF
|
|
Shields inoperative!
|
|
|
|
RO
|
|
The helm's not responding!
|
|
|
|
DATA
|
|
The vessel is on a collision
|
|
course. Impact in thirty-six
|
|
seconds...
|
|
|
|
PICARD
|
|
Hail them.
|
|
|
|
WORF
|
|
No response.
|
|
|
|
On the viewscreen, the ship comes closer... closer...
|
|
|
|
PICARD
|
|
Suggestions?
|
|
|
|
RIKER
|
|
Decompress the main shuttlebay
|
|
-- the explosive reaction might
|
|
kick us out of the way.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/14/92 - ACT FIVE 58A.
|
|
|
|
60 CONTINUED: (2)
|
|
|
|
Data cuts in, his hands flying across the controls...
|
|
|
|
DATA
|
|
Captain -- I recommend we use the
|
|
tractor beam to alter the other
|
|
ship's trajectory.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/15/92 - ACT FIVE 59.
|
|
|
|
60 CONTINUED: (3)
|
|
|
|
PICARD
|
|
Mister Worf -- make it so.
|
|
|
|
WORF
|
|
Engaging tractor beam...
|
|
|
|
61 ON DATA
|
|
|
|
as he works the console... and stops, having a powerful
|
|
revelation. He turns and looks at Riker, who is
|
|
standing beside him...
|
|
|
|
62 CLOSE ON RIKER
|
|
|
|
PUSHING toward him slightly -- HOLD CLOSE ON the three
|
|
pips of his uniform.
|
|
|
|
63 RESUME
|
|
|
|
Data realizes what he must do. He rapidly works the
|
|
console...
|
|
|
|
DATA
|
|
The tractor beam will not be
|
|
successful. I am decompressing
|
|
the main shuttlebay...
|
|
|
|
As he works at hyper-speed...
|
|
|
|
64 OMITTED
|
|
|
|
65 CLOSE ON SAUCER SECTION (OPTICAL)
|
|
|
|
We see the huge main shuttlebay DOORS OPEN a crack --
|
|
light spills out from the inside, and a gust of VAPOR
|
|
jets out, becoming a gale force as the doors open
|
|
further...
|
|
|
|
66 WIDER ANGLE (OPTICAL)
|
|
|
|
as the Enterprise takes a gentle NOSE DIVE, tumbling
|
|
downward and out of the way. The other ship just
|
|
misses us. As this happens, the Enterprise leaves
|
|
behind several ghostly AFTERIMAGES of itself --
|
|
Enterprises from previous loops. Each afterimage plays
|
|
out the same fate, as they all hit the other ship and
|
|
EXPLODE...
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/15/92 - ACT FIVE 60.
|
|
|
|
66 CONTINUED:
|
|
|
|
The genuine Enterprise and the other ship escape
|
|
unharmed...
|
|
|
|
67 INT. BRIDGE
|
|
|
|
The TREMBLING subsides. bridge lights COME ON.
|
|
|
|
WORF
|
|
We are clear of the distortion,
|
|
Captain.
|
|
|
|
A sigh of relief. They get their bearings. Picard
|
|
turns to Data.
|
|
|
|
PICARD
|
|
Data -- what happened?
|
|
|
|
DATA
|
|
At the last moment, I speculated
|
|
that "three" might refer to the
|
|
number of rank insignia on
|
|
Commander Riker's uniform.
|
|
(beat)
|
|
This indicated to me that his
|
|
suggestion was the correct course
|
|
of action.
|
|
|
|
Reactions to the explanation.
|
|
|
|
GEORDI
|
|
(to Data)
|
|
You must've picked up a message
|
|
we sent from the last loop...
|
|
and stacked the deck in the poker
|
|
game without realizing it.
|
|
|
|
DATA
|
|
That is possible, Commander. I
|
|
may also have been inadvertently
|
|
responsible for the unexplained
|
|
appearances of the number
|
|
"three."
|
|
|
|
A beat as this sinks in.
|
|
|
|
PICARD
|
|
Mister Worf, end Red Alert. See
|
|
if you can access a Federation
|
|
time-base beacon. Find out how
|
|
long we've been in this causality
|
|
loop.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/23/92 - ACT FIVE 61.
|
|
|
|
67 CONTINUED:
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Worf works -- the ship goes out of Red Alert.
|
|
|
|
WORF
|
|
(off console)
|
|
Time-base confirms that our
|
|
chronometers are off by seventeen
|
|
point four days.
|
|
|
|
Reactions to the news.
|
|
|
|
PICARD
|
|
Reset them, Mister Data.
|
|
|
|
DATA
|
|
Aye, sir.
|
|
|
|
Worf reacts to his console.
|
|
|
|
WORF
|
|
Captain -- we are being hailed
|
|
by the other vessel.
|
|
(off console)
|
|
The computer identifies it as the
|
|
U.S.S. Bozeman. A Federation
|
|
starship, Soyuz class.
|
|
|
|
GEORDI
|
|
(reacts)
|
|
Soyuz Class... they haven't been
|
|
in service for over eighty years.
|
|
|
|
Picard and Riker exchange a concerned look. Picard
|
|
takes a breath, preparing for the encounter.
|
|
|
|
PICARD
|
|
Open a channel.
|
|
|
|
68 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
CAPTAIN BATESON and his FIRST OFFICER appear. (Their
|
|
uniforms and surroundings are reminiscent of the
|
|
original series.) They study our bridge, confused by
|
|
what they see.
|
|
|
|
BATESON
|
|
This is Captain Morgan Bateson of
|
|
the Federation Starship Bozeman.
|
|
Can we render assistance?
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/23/92 - ACT FIVE 62.
|
|
|
|
68 CONTINUED:
|
|
|
|
PICARD
|
|
Captain Jean-Luc Picard of the
|
|
Federation Starship Enterprise.
|
|
We were just going to ask you the
|
|
same thing.
|
|
|
|
Bateson exchanges a confused glance with his First
|
|
Officer.
|
|
|
|
BATESON
|
|
Captain Picard... your ship is
|
|
unfamiliar to us.
|
|
|
|
An awkward beat.
|
|
|
|
PICARD
|
|
Have you any idea what just
|
|
happened?
|
|
|
|
BATESON
|
|
Our sensors detected a temporal
|
|
distortion. Then your ship
|
|
appeared... we nearly hit you.
|
|
|
|
PICARD
|
|
The Enterprise has been caught
|
|
in temporal causality loop. And
|
|
I suspect something similar
|
|
happened to you.
|
|
|
|
BATESON
|
|
You must be mistaken. We only
|
|
left starbase three weeks ago.
|
|
|
|
Picard isn't sure how to put this...
|
|
|
|
PICARD
|
|
Captain Bateson... do you know
|
|
what year it is?
|
|
|
|
BATESON
|
|
Of course I do -- it's twenty-two
|
|
seventy-eight.
|
|
|
|
Reactions around the bridge.
|
|
|
|
PICARD
|
|
Captain... perhaps you should beam
|
|
aboard our ship.
|
|
(beat)
|
|
There's something we need to
|
|
discuss.
|
|
|
|
STAR TREK: "Cause and Effect" - REV. 1/8/92 - ACT FIVE 63.
|
|
|
|
68 CONTINUED: (2)
|
|
|
|
Bateson nods, growing very concerned. OFF Picard's
|
|
grim expression, as he anticipates the problems that
|
|
lie ahead for these ancient prisoners of time...
|
|
|
|
68A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
facing the Bozeman...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|