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STAR TREK: THE NEXT GENERATION
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"Rascals"
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#40276-233
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Written by
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Ronald D. Moore
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Directed by
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Adam Nimoy
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "RASCALS" - FINAL 09/04/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"Rascals"
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CAST
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PICARD YOUNG PICARD
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RIKER YOUNG GUINAN
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DATA YOUNG RO
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BEVERLY YOUNG KEIKO
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TROI KID #1
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WORF
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GEORDI
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GUINAN FERENGI
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RO LURIN
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KEIKO BERIK
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O'BRIEN MORTA
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MOLLY
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ALEXANDER
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COMPUTER VOICE
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Non-Speaking Non-Speaking
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N.D. CHILDREN N.D. FERENGI
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N.D. STARFLEET
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STAR TREK: "RASCALS" - FINAL 09/04/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"Rascals"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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READY ROOM 2 KLINGON BIRDS OF
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PREY
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SICKBAY
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ENGINEERING SHUTTLECRAFT
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TEN FORWARD
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SHUTTLEBAY
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OBS. LOUNGE
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CORRIDOR
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TRANSPORTER ROOM
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TURBOLIFT
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JEFFRIES TUBE
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O'BRIEN'S QUARTERS
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MOLLY'S BEDROOM
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PICARD'S QUARTERS
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RO'S QUARTERS
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SCHOOL ROOM
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SHUTTLECRAFT
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STAR TREK: "Rascals" - REV. 9/08/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Rascals"
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TEASER
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FADE IN:
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1 EXT. SPACE - SHUTTLECRAFT (OPTICAL)
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A lonely craft against a starry background.
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PICARD (V.O.)
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Captain's Log, Stardate 46235.7
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Ensign Ro, Keiko O'Brien, Guinan
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and I are returning to the
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Enterprise after a fascinating
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visit to the planet Marlonia.
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2 INT. SHUTTLECRAFT - IN FLIGHT
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PICARD, GUINAN, KEIKO and RO are in the back of the
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shuttle, relaxing. The atmosphere is very informal.
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Picard is still energized by his recent trip and is
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showing Guinan some odd pieces of pottery from a small
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box.
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PICARD
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... and I found these pieces in
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the tertiary level of the dig.
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They're typical of second century
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Marlonian cookware.
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Guinan looks at the shards of pottery... she really
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doesn't share the Captain's interest in this stuff.
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GUINAN
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Mmmm-hmmmm.
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PICARD
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Now, see these markings...
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they're very similar to some early
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Taguan designs... but the
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patterns are more intricate...
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closer to Buranian than Taguan.
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Picard looks expectantly at Guinan, but she is less
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than enthused by this revelation.
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STAR TREK: "Rascals" - REV. 9/09/92 - TEASER 2.
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2 CONTINUED:
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GUINAN
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So... you went to one of the most
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beautiful planets in this quadrant
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and spent your entire shore
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leave... in a cave.
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PICARD
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It was a very rewarding
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experience.
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(holds up shards)
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Look at these fragments... they're
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in nearly perfect condition...
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and they're over seven hundred
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years old.
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GUINAN
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So's my father.
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Picard can see he's not going to win any converts here,
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so he carefully puts the shards back in his box.
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3 NEW ANGLE
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Ro is looking at the collection of bagged plants that
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Keiko is holding in a small tray.
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RO
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(indicates one plant)
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Is that a Draebidium Froctus?
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KEIKO
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Draebidium Calimus actually...
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you can tell by the shape of the
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leaves.
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Ro nods and turns back to the console. But Keiko
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suddenly realizes something.
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KEIKO
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I didn't know you were interested
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in plant biology.
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RO
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(a little embarrassed)
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I... took a class at the
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Academy... I just remember a few
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things...
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Before Keiko can pursue this any further, Ro is saved
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by Worf's Com Voice.
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STAR TREK: "Rascals" - REV. 9/08/92 - TEASER 3.
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3 CONTINUED:
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WORF'S COM VOICE
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Enterprise to Shuttlecraft
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Fermi...
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RO
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(works)
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This is the Fermi. Go ahead
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Enterprise.
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WORF'S COM VOICE
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We have just received a distress
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signal from the Starfleet science
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team on Ligos Seven.
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PICARD
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Any indication of the problem?
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WORF'S COM VOICE
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No, sir. The call was cut off
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mid-transmission.
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PICARD
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Lay in a course and prepare to
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engage at Warp eight once we're
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aboard.
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WORF'S COM VOICE
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Aye, sir.
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The transition to 'business' is immediate and absolute.
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Picard looks to Ro.
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RO
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We'll rendezvous with the ship
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in three minutes, sir.
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4 EXT. SPACE - SHUTTLECRAFT (OPTICAL)
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The shuttle is confronted by a bright FLASH that erupts
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directly in the craft's path. The light quickly fades
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leaving only an incandescent CLOUD-LIKE ANOMALY in its
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wake.
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As the shuttle approaches the anomaly, its vapors
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quickly enveloping the craft...
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5 INT. SHUTTLECRAFT (OPTICAL)
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There's a sudden JOLT and the craft begins to SHAKE,
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caught in the grip of some phenomenon.
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STAR TREK: "Rascals" - REV. 9/08/92 - TEASER 4.
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5 CONTINUED:
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Picard and Ro quickly move to the pilot area and start
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to work the console.
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RO
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(reading instruments)
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We're caught in some kind of
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energy field.
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PICARD
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Hard about, full impulse.
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RO
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Aye, sir.
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Picard, Keiko, Guinan and Ro, buffeted about. WHIRR,
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the power goes down. Red warning LIGHTS flash, a
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KLAXON sounds.
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6
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thru OMITTED
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7
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8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship at impulse power.
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9 INT. MAIN BRIDGE
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RIKER, DATA, and WORF at their stations, various
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SUPERNUMERARIES.
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RIKER
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(to Worf)
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What's happening, Mister Worf?
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WORF
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The shuttle's been enveloped by
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an energy field, sir.
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(MORE)
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STAR TREK: "Rascals" - 9/04/92 - TEASER 5.
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9 CONTINUED:
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WORF (Cont'd)
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Their engines and life support
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have failed.
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RIKER
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(to Conn officer)
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Increase to full impulse.
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(to com)
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Bridge to Transporter Room Three.
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Prepare to beam the shuttle crew
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aboard once we're in range.
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O'BRIEN'S COM VOICE
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Ready, sir.
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10 OMITTED
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11 INT. SHUTTLECRAFT (OPTICAL)
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Red alert... all power gone... the SHAKING is really
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VIOLENT now.
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RO
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There's too much interference...
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I can't contact the Enterprise...
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PICARD
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Transfer auxiliary power to the
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inertial dampers...
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COMPUTER VOICE
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Warning. Structural failure
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imminent.
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Suddenly the ENERGY FIELD penetrates the hull and
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fills the inside of the shuttle. Everyone reacts...
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12 INT. TRANSPORTER ROOM (OPTICAL)
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O'Brien working feverishly at the controls.
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RIKER'S COM VOICE
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O'Brien, do you have them?
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STAR TREK: "Rascals" - REV. 9/09/92 - TEASER 6.
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12 CONTINUED:
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||
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O'BRIEN
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(to Com)
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I'm trying, sir... I can't get
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a pattern lock.
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RIKER'S COM VOICE
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The shuttle's coming apart, Chief.
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You've got to do it now.
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Beat.
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O'BRIEN
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I've got them.
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(works)
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There's a forty percent drop in
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mass. I may have lost one of
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them...
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He works and FOUR SMALL FIGURES begin to MATERIALIZE on
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the platform.
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13 ANGLE ON O'BRIEN
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A low angle looking up at O'Brien from the POV of the
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Transporter platform. He reacts with shock to what
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he sees.
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14 NEW ANGLE
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Revealing that the entire shuttle crew has now been
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turned into twelve year old children. YOUNG PICARD,
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YOUNG RO, YOUNG GUINAN, and YOUNG KEIKO all wear the
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same clothes the adults wore in the shuttle, but now
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they're a few sizes too big for them. For a split
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second, Young Picard is unaware of what's happened.
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(NOTE: Young Keiko is now carrying a tray of sprouted
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seedlings.)
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YOUNG PICARD
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Thank you, Mister O'Brien.
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Another moment and...
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He trails off at the sound of his own voice. He and
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the others look at each other in shock. Off their
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reactions...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Rascals" - REV. 9/11/92 - ACT ONE 7.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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15 INT. SICKBAY
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BEVERLY, medical tricorder in hand, finishes her
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examination of Young Picard. Troi is with her. In the
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b.g., Young Ro, Young Guinan and Young Keiko sit on
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biobeds while an N.D. conducts tests with a tricorder.
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NOTE: "child" versions now wear smaller, replicated
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clothes, with normal sized insignias. They are still
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examining the fit of their new clothes.
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As the "grown ups" talk, we can see Young Picard grow
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impatient as they talk above and about him, as if he
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weren't even there. Beverly is reporting to Riker.
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BEVERLY
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(to Riker)
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According to the bio-scans, their
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DNA structures are now consistent
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with those of pre-adolescents.
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But as far as I can tell, only
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their bodies have changed.
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TROI
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(off PADD)
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Their individual intelligence and
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behavioral responses are all
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exactly the same as they were
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before the accident.
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Young Picard finally intercedes.
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YOUNG PICARD
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What happened to the shuttlecraft,
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Number One?
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Riker looks down, blinks for a moment as if to remind
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himself that this is Jean-Luc Picard, and then answers.
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STAR TREK: "Rascals" - REV. 9/11/92 - ACT ONE 8.
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15 CONTINUED:
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RIKER
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The shuttle broke up just after
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we beamed you out. Data's
|
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coordinating the salvage effort
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right now.
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(beat)
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Sir.
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BEVERLY
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What about the energy field the
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shuttle passed through?
|
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RIKER
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We've been trying to scan it, but
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||
it's putting out a lot of
|
||
interference. It's going to take
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||
some time.
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Again Young Picard makes them include him in this
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conversation.
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YOUNG PICARD
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We can't afford to stay here any
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longer. We'll leave a class four
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probe behind to study the energy
|
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field but the distress signal
|
||
from Ligos Seven has top priority.
|
||
(to Beverly)
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Let me know as soon as you have
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any further information, Doctor.
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Number One, you're with me.
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Young Picard heads for the door.
|
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BEVERLY
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Captain... there are some
|
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additional tests I'd like to
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run...
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YOUNG PICARD
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Of course...
|
||
(to other 'children')
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The three of you will remain as
|
||
needed to assist Doctor Crusher.
|
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Young Picard EXITS with Riker. As Troi and Beverly
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exchange a look of concern...
|
||
|
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STAR TREK: "Rascals" - 9/04/92 - ACT ONE 9.
|
||
|
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16 ANGLE - YOUNG RO AND YOUNG GUINAN
|
||
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Young Ro sits on her biobed obviously not pleased with
|
||
any of this. She opens and closes her fingers, not
|
||
quite able to realize that these are now her hands.
|
||
Young Guinan is more serene as usual and seems to be
|
||
taking this all with a slight air of amusement. She
|
||
studies Young Ro for a beat, who finally notices.
|
||
|
||
YOUNG RO
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||
What?
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||
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||
YOUNG GUINAN
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You know... you make a pretty
|
||
cute kid.
|
||
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||
YOUNG RO
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||
Great. Just what I want to be...
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||
cute.
|
||
|
||
YOUNG GUINAN
|
||
(sarcastic)
|
||
Were you this much fun when you
|
||
were a kid?
|
||
|
||
YOUNG RO
|
||
I was in a refugee camp. "Fun"
|
||
wasn't exactly in my vocabulary.
|
||
|
||
YOUNG GUINAN
|
||
What about now? You're not in
|
||
that camp anymore.
|
||
|
||
YOUNG RO
|
||
"Fun" is being back at work...
|
||
in my own uniform.
|
||
|
||
On Young Guinan's reaction...
|
||
|
||
17 INT. TURBOLIFT
|
||
|
||
Riker and Young Picard ENTER.
|
||
|
||
YOUNG PICARD
|
||
Bridge.
|
||
|
||
They stand side by side, an awkward and silent moment
|
||
for both of them. Riker can't help glancing down at
|
||
this youthful version of the man he's known and served
|
||
under for six years. The Turbolift finally STOPS and
|
||
the doors open.
|
||
|
||
STAR TREK: "Rascals" - REV. 9/08/92 - ACT ONE 10.
|
||
|
||
18 INT. MAIN BRIDGE - CONTINUOUS
|
||
|
||
Data, GEORDI, and Worf are at their stations along with
|
||
N.D. Crewmembers. Young Picard and Riker ENTER from
|
||
the Turbolift. Young Picard moves directly to Worf,
|
||
who looks down with astonishment at his captain.
|
||
|
||
YOUNG PICARD
|
||
Mister Worf. Prepare to launch
|
||
a class four probe to study the
|
||
energy field.
|
||
|
||
Worf is unable to respond for a moment and Young Picard
|
||
suddenly becomes aware of a great silence on the
|
||
Bridge. He looks around and sees that every highly
|
||
disciplined head is gaping at their captain.
|
||
|
||
YOUNG PICARD
|
||
(to everyone)
|
||
I realize how unusual this must
|
||
seem...
|
||
(just the facts)
|
||
My appearance is the result of
|
||
an accident, involving myself and
|
||
three other crew members... the
|
||
effects of which Doctor Crusher
|
||
is currently working to remedy.
|
||
(in charge)
|
||
I assure you, I am Captain Picard.
|
||
|
||
Riker nods his assent and everyone returns to their
|
||
duties. Young Picard looks expectantly at Worf for
|
||
a beat.
|
||
|
||
WORF
|
||
(quickly)
|
||
The probe. Aye, sir.
|
||
|
||
He turns to work at his console as Beverly ENTERS from
|
||
a Turbolift in the b.g.
|
||
|
||
YOUNG PICARD
|
||
Mister Data, have you secured all
|
||
of the shuttle debris?
|
||
|
||
DATA
|
||
Almost, sir. It is being stored
|
||
in Shuttlebay Two.
|
||
|
||
YOUNG PICARD
|
||
Very well.
|
||
(to Conn)
|
||
Ensign, as soon as Mister Data
|
||
is finished take us to Ligos at
|
||
warp eight.
|
||
|
||
STAR TREK: "Rascals" - 9/04/92 - ACT ONE 11.
|
||
|
||
18 CONTINUED:
|
||
|
||
Beverly quietly moves next to him.
|
||
|
||
BEVERLY
|
||
Captain, may I see you privately
|
||
for a few moments?
|
||
|
||
YOUNG PICARD
|
||
Of course.
|
||
|
||
They EXIT to the Ready Room.
|
||
|
||
19 INT. READY ROOM - CONTINUOUS
|
||
|
||
Beverly and the young Captain ENTER. Young Picard is
|
||
in charge, trying to continue on in his normal fashion.
|
||
He moves to the replicator.
|
||
|
||
YOUNG PICARD
|
||
Tea. Earl Grey. Hot.
|
||
(he gets the cup of tea)
|
||
Have you been able to determine
|
||
the cause of our transformation?
|
||
|
||
BEVERLY
|
||
Not yet. I'm still waiting for
|
||
some test results.
|
||
|
||
YOUNG PICARD
|
||
I see.
|
||
|
||
Young Picard sits down at the desk and turns on the
|
||
terminal.
|
||
|
||
YOUNG PICARD
|
||
(off terminal)
|
||
There are one hundred and three
|
||
members of the science team on
|
||
Ligos Seven. We should prepare
|
||
shuttlebay three for a triage
|
||
center in case they have large
|
||
numbers of casualties.
|
||
|
||
BEVERLY
|
||
We'll be ready.
|
||
|
||
STAR TREK: "Rascals" - 9/04/92 - ACT ONE 12.
|
||
|
||
19 CONTINUED:
|
||
|
||
YOUNG PICARD
|
||
Ligos Seven is prone to periodic
|
||
volcanic activity... perhaps the
|
||
planet has entered an active
|
||
phase---
|
||
|
||
BEVERLY
|
||
Jean-Luc.
|
||
(he looks up)
|
||
I think we need to talk.
|
||
|
||
Young Picard knows what she's getting at and he faces
|
||
her head-on.
|
||
|
||
YOUNG PICARD
|
||
All right. Let's talk.
|
||
(beat)
|
||
Are you here to relieve me of
|
||
duty?
|
||
|
||
BEVERLY
|
||
I'd rather not have to take that
|
||
step.
|
||
|
||
YOUNG PICARD
|
||
I am still Jean-Luc Picard. My
|
||
judgement, my experiences, my
|
||
mental capacities are all
|
||
intact.
|
||
|
||
BEVERLY
|
||
That's true... for now. This
|
||
could be the first stage of a
|
||
condition which may begin to
|
||
affect your mind as well.
|
||
|
||
YOUNG PICARD
|
||
But you've seen no evidence of
|
||
that?
|
||
|
||
BEVERLY
|
||
Not yet.
|
||
(beat)
|
||
What I do know is that the Captain
|
||
of this ship has just gone through
|
||
an extreme physical
|
||
transformation... the ultimate
|
||
effects of which I can't even
|
||
begin to guess.
|
||
|
||
STAR TREK: "Rascals" - 9/04/92 - ACT ONE 13.
|
||
|
||
19 CONTINUED: (2)
|
||
|
||
YOUNG PICARD
|
||
(quiet)
|
||
You are asking me to step down.
|
||
|
||
There is a quiet beat before Beverly replies.
|
||
|
||
BEVERLY
|
||
You're still Jean-Luc Picard...
|
||
what do you think you should do?
|
||
|
||
As Young Picard thinks over the stakes involved...
|
||
|
||
CUT TO:
|
||
|
||
20 INT. MAIN BRIDGE
|
||
|
||
As before. Young Picard and Beverly ENTER from the
|
||
Ready Room. He goes directly to Riker and there is no
|
||
trace of hesitation or regret at his decision.
|
||
|
||
YOUNG PICARD
|
||
(formally)
|
||
Commander Riker, please take
|
||
command of the ship until further
|
||
notice.
|
||
|
||
RIKER
|
||
Understood, sir.
|
||
|
||
And with that, Young Picard and Beverly head for the
|
||
EXIT.
|
||
|
||
CUT TO:
|
||
|
||
21 INT. CORRIDOR
|
||
|
||
Young Ro and Young Guinan ENTER from Sickbay. Young Ro
|
||
is very irritated as they pause in the Corridor.
|
||
|
||
YOUNG RO
|
||
So what the hell am I supposed
|
||
to do now?
|
||
|
||
YOUNG GUINAN
|
||
You're not supposed to do
|
||
anything. That's what "relieved
|
||
of duty" means.
|
||
|
||
Young Guinan looks up at the ceiling... jumps up and
|
||
tries to touch it, but can't. She smiles in delight.
|
||
|
||
STAR TREK: "Rascals" - 9/04/92 - ACT ONE 14.
|
||
|
||
21 CONTINUED:
|
||
|
||
YOUNG RO
|
||
Well, I should be doing
|
||
something... instead of just
|
||
standing around waiting for them
|
||
to find a cure.
|
||
|
||
YOUNG GUINAN
|
||
You're right.
|
||
(beat)
|
||
Let's go play.
|
||
|
||
YOUNG RO
|
||
What?
|
||
|
||
YOUNG GUINAN
|
||
I haven't been young for a long
|
||
time... and I intend to enjoy
|
||
every minute of it.
|
||
|
||
YOUNG RO
|
||
Fine. Enjoy yourself.
|
||
|
||
Young Ro heads down the Corridor toward a Turbolift.
|
||
|
||
YOUNG GUINAN
|
||
(following her)
|
||
What are you going to do... go
|
||
back to your room and pout?
|
||
|
||
Young Ro stops dead in her tracks and turns on Young
|
||
Guinan.
|
||
|
||
YOUNG RO
|
||
I am not twelve years old. If
|
||
I want to go to my quarters and
|
||
contemplate my situation, it does
|
||
not mean that I am... pouting.
|
||
|
||
YOUNG GUINAN
|
||
Okay, okay.
|
||
|
||
Young Ro turns and continues toward the Turbolift.
|
||
Young Guinan makes a face at Young Ro's back... then
|
||
smiles to herself with the simple pleasure of acting
|
||
like a girl again... then she follows Young Ro.
|
||
|
||
22 INT. O'BRIEN QUARTERS
|
||
|
||
Young Keiko and O'Brien sit on the couch. There is a
|
||
long, awkward silence between them as they struggle to
|
||
make sense of the situation.
|
||
|
||
STAR TREK: "Rascals" - 9/04/92 - ACT ONE 15.
|
||
|
||
22 CONTINUED:
|
||
|
||
O'BRIEN
|
||
( awkward)
|
||
I could use a... cup of coffee.
|
||
How about you?
|
||
|
||
It's obvious O'Brien's more in need of a distraction
|
||
than any beverage. He moves to get up, but Young Keiko
|
||
gestures him back into his chair and walks over to the
|
||
replicator...
|
||
|
||
YOUNG KEIKO
|
||
I'll get it.
|
||
(to companel)
|
||
Two coffees... one with cream...
|
||
|
||
O'BRIEN
|
||
(interjects)
|
||
Black... double sweet...
|
||
|
||
YOUNG KEIKO
|
||
I know.
|
||
(to companel)
|
||
One double sweet.
|
||
|
||
Young Keiko picks up the two cups of steaming coffee
|
||
and starts toward O'Brien.
|
||
|
||
O'BRIEN
|
||
Careful... that's hot...
|
||
|
||
YOUNG KEIKO
|
||
(a warning)
|
||
Miles...
|
||
|
||
O'BRIEN
|
||
Sorry.
|
||
|
||
Young Keiko hands him a cup and sits down next to him.
|
||
A sadness falls over her features... this is a lot to
|
||
absorb. Young Keiko instinctively cuddles up next to
|
||
him, looking for comfort. But this has the opposite
|
||
effect on O'Brien. He stands up... suddenly very
|
||
uncomfortable with this kind of intimacy.
|
||
|
||
YOUNG KEIKO
|
||
What's wrong?
|
||
|
||
O'BRIEN
|
||
It's... I don't know... but this
|
||
feels wrong, somehow.
|
||
|
||
Young Keiko stands. Their voices slowly get louder as
|
||
they grapple with complex emotions.
|
||
|
||
|