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STAR TREK: THE NEXT GENERATION
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"Starship Mine"
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#40276-244
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Written by
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Morgan Gendel
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Directed by
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Cliff Bole
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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JANUARY 14, 1993
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STAR TREK: "Starship Mine" - 1/14/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Starship Mine"
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CAST
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PICARD DEVOR
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RIKER HUTCHINSON
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DATA KELSEY
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BEVERLY KIROS
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TROI NEIL
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WORF ORTON
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GEORDI POMET
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SALTER
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WAITER
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COMPUTER VOICE
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Non-Speaking Non-Speaking
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N.D. CREWMEMBERS N.D. ARKARIANS
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STAR TREK: "Starship Mine" - 1/14/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Starship Mine"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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TURBOLIFT ARKARIA BASE
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CORRIDOR
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READY ROOM REMMLER ARRAY
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TRANSPORTER ROOM
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SICKBAY
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ENGINEERING
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WORF'S QUARTERS
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JEFFERIES TUBE
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TEN FORWARD
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ARKARIA BASE
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MULTI PURPOSE ROOM
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STAR TREK: "Starship Mine" - 1/15/93 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Starship Mine"
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PRONUNCIATION GUIDE
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ARKARIA ARE-care-ee-uh
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BARYON BARE-ee-on
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TRILITHIUM tri-LITH-ee-um
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STAR TREK: "Starship Mine" - REV. - 01/15/93 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Starship Mine"
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TEASER
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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docked at a GIANT ARRAY of some kind in orbit above a
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planet. The ship is sandwiched between two banks of
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reflector dishes.
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PICARD (V.O.)
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Captain's log, Stardate 46682.4.
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The Enterprise is docked at the
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Remmler Array, where it will
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undergo a routine procedure to
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eliminate accumulated baryon
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particles. In preparation for the
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sweep, we are evacuating the ship.
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2 INT. CORRIDOR
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We see the commotion of evacuation, N.D.s crisscrossing
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in the corridor. PICARD, rounds the corner, a
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purposefulness in his stride. He soon encounters TROI,
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PADD in hand, waiting to speak with him. They talk on
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the move.
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TROI
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Captain... we're still behind
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schedule on decks seven and eight.
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Shall I tell Arkaria Base there'll
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be a delay?
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PICARD
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No. Open up the Transporters in
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Cargo Bay Two and divert everyone
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from deck seven there. That
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should get us back on track.
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TROI
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Right.
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Picard nods and moves on.
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STAR TREK: "Starship Mine" - REV. - 01/15/93 - TEASER 2.
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2 CONTINUED:
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He now passes by BEVERLY, who falls into step with him
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and we STAY with them, on the move.
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BEVERLY
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Captain... Arkaria Base does not
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have the medical storage units I
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requested. I have seven living
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tissue samples that won't survive
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the baryon sweep anymore than you
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or I would. I've tried to reason
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with them, but --
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PICARD
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Have Mister LaForge transport a
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stasis unit from the astrophysics
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lab. You should be able to
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convert it to store tissue
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samples.
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BEVERLY
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Thank you.
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She smiles, turns, heads back to Sickbay. Picard
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continues on.
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3 TURBOLIFT ENTRANCE
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The doors whoosh open and RIKER steps off... just in
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time to intercept the approaching Picard. Behind
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Riker, the Turbolift doors close.
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RIKER
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Captain... I was just heading for
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deck seven. I've put the auto-shutdown
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sequence on hold until we
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get back on schedule.
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PICARD
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I think we can resume the
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sequence. Counselor Troi is
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taking care of the situation on
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deck seven.
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RIKER
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Aye, sir.
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The two head in opposite directions. The Turbolift
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doors again whisk open as Picard approaches.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 3.
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4 INT. TURBOLIFT
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We see DATA inside.
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DATA
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Captain.
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PICARD
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Mister Data.
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(as he faces front)
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Bridge.
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The doors close and the Turbolift's in motion. A
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silent beat.
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DATA
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It has been quite a day, has it
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not?
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Picard's one-tracked, no time for chit-chat... but at
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the same time he's a bit surprised at Data's
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uncharacteristic approach.
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PICARD
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Yes it has.
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Beat.
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DATA
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However, a change of routine is
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often invigorating and can be a
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welcome diversion after a long
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assignment.
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PICARD
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(more of the same)
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Exactly.
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Beat.
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DATA
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I understand that Arkaria has some
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very interesting weather patterns.
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Picard gives Data a look...
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PICARD
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Data -- are you alright?
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DATA
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Yes, sir. I was attempting to
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fill a silent moment with non-relevant
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conversation.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 4.
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4 CONTINUED:
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PICARD
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(thinks)
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Small talk?
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DATA
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Yes, sir. I have found that
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humans often make "small talk"
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during awkward moments.
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Therefore, I have written a new
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subroutine designed for that
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purpose. How did I do?
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PICARD
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Perhaps it was a little too... non-relevant.
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However, if you're
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interested in small talk keep your
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eye on Commander Hutchinson during
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the reception this afternoon...
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(not looking forward to
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it)
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... he's a master.
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The Turbolift STOPS and they both EXIT onto the Bridge.
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DATA
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Thank you sir, I will.
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5 INT. BRIDGE - CONTINUOUS
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Picard and Data ENTER to find the last leg of a
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frenetic race: Bridge regulars and a handful of N.D.s
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shutting down consoles. Picard is set upon
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simultaneously by Geordi and Worf.
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GEORDI WORF
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I just finished... Request permission...
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GEORDI
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(to Worf)
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After you...
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WORF
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(to Geordi)
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No sir. I believe you spoke
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first.
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PICARD
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We're running out of time,
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gentlemen. Mister Worf?
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 5.
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5 CONTINUED:
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WORF
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The computer needs your
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authorization to disable command
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functions during the baryon sweep.
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PICARD
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Are we ready, Mister La Forge?
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GEORDI
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Almost. I've requested some
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additional field diverters for the
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computer core and the Bridge and
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they haven't been installed yet.
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PICARD
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(concerned)
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Additional units?
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GEORDI
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We've logged more warp hours in
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five years than most ships do in
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ten, so our baryon particle levels
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are pretty high. I'm a little
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worried that when the Remmler
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Array starts sweeping the ship it
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might have to use a stronger beam
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than normal to clear out all the
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radiation.
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PICARD
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(understanding)
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And that might overload the field
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diverters protecting our key
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systems. How long until the new
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ones are in place?
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GEORDI
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I'd say another twenty minutes.
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PICARD
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Very well.
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(to com)
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Computer, disable all command
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functions in thirty minutes.
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Authorization: Picard gamma-six-zero-seven-three.
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COMPUTER VOICE
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Authorization acknowledged.
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Worf's console BEEPS.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 6.
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5 CONTINUED: (2)
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WORF
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(off console)
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Incoming message, Captain. It's
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the station administrator, Mister
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Orton.
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PICARD
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In my Ready Room.
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WORF
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Sir. Request permission to be
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excused from Commander
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Hutchinson's... reception.
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PICARD
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Permission granted. I only wish
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I could excuse myself as well.
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GEORDI
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Captain, permission to --
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PICARD
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Sorry, Mister LaForge... I can't
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excuse the entire senior staff.
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Worf beat you to it.
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Picard EXITS to the Ready Room. Worf looks pleased and
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Geordi gives him a dirty look.
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6 INT. READY ROOM - CONTINUING
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Picard ENTERS, goes behind his desk, and activates the
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terminal.
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PICARD
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Go ahead, Mister Orton.
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He gets out his satchel and, under the following, loads
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it with odds and ends.
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ORTON'S COM VOICE
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Captain, if you're on schedule,
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I'd like to confirm that we'll
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begin the baryon sweep at fifteen
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hundred hours -- approximately one
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hour from now.
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PICARD
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Confirmed.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 6A.
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6 CONTINUED:
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ORTON'S COM VOICE
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Commander Hutchinson also wanted
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me to make sure that you'll be
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able to attend his reception this
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afternoon.
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Picard's expression tells us that he's not exactly
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thrilled about this particular event.
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PICARD
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Tell him... I'm looking forward to
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it.
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ORTON'S COM VOICE
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He'll be delighted to hear that.
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Arkaria Base out.
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Picard closes his satchel. Time to go.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 7.
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7 INT. BRIDGE
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Picard ENTERS to find it... empty. It takes him a
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moment to adjust. He walks around, drinks in the
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solitude, savors it. Finally, he sits in his chair.
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A long, quiet beat...
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8 NEW ANGLE - INCLUDE TURBOLIFTS
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Suddenly, the fore and aft Turbolifts OPEN and SIX
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TECHNICIANS ENTER the Bridge: four humanoids --
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KELSEY, NEIL, POMET and DEVOR and two aliens -- SATLER,
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and KIROS. (Full descriptions to follow later in the
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script). They are all wearing plain-looking overalls
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and two of them are carrying FIELD DIVERTERS -- about
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the size and shape of a trash can -- while the others
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carry Tricorders and other pieces of equipment.
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As soon as the doors open, they fill the Bridge with
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noise and chatter, effectively destroying Picard's
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brief moment of solitude.
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KELSEY
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(overlapping)
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Tell Arkaria base that we're
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almost finished here...
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NEIL
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(overlapping)
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We're going to need two more
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conduits...
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KIROS
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(overlapping)
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I need to run a diagnostic on the
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diverter...
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DEVOR
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(overlapping)
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Get the diverter aligned so that
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we can begin the isolation
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procedure.
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NEIL
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(overlapping)
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Where's the ODN interface?
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Picard heads for the Turbolift over the above and the
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technicians take no notice of him.
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STAR TREK: "Starship Mine" - 01/14/93 - TEASER 8.
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9 ON PICARD
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He stops and gives one last look around. So much for
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peace and quiet. And as he ENTERS the Turbolift...
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FADE OUT.
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END OF TEASER
|
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STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT ONE 9.
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ACT ONE
|
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FADE IN:
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(NOTE: Episode credits fall over opening scenes)
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10 EXT. ARKARIA BASE - DAY (OPTICAL)
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A lone outpost in the middle of nowhere...
|
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11 INT. ARKARIA BASE - MULTI-PURPOSE ROOM
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A festive reception is underway. There's a CONTROL
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PANEL at one end, but the room otherwise has a party
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feel to it. There are tables of food. A WAITER
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circulates with drinks. ORTON can be seen in the b.g.
|
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12 ANGLE - HUTCHINSON
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As he works the room. Hutchinson is a middle-aged,
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jovial man who lives for gatherings like this and loves
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nothing more than to entertain a starship crew. Data
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is quietly observing Hutchinson's technique and he
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unobtrusively follows the gregarious Commander about
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the room, watching and learning.
|
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HUTCHINSON
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Beverly!
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(kiss on the cheek)
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Lovely as ever... how do you
|
||
manage it?
|
||
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BEVERLY
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It's good to see you again.
|
||
|
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HUTCHINSON
|
||
It's been far too long -- what is
|
||
it, four years? Now I want to
|
||
hear all about what happened after
|
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you left Starfleet Medical. And
|
||
I have so much to tell you.
|
||
(sees someone else)
|
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Oh, that must be Commander Riker.
|
||
Excuse me, won't you?
|
||
|
||
BEVERLY
|
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Of course.
|
||
|
||
Beverly is quietly grateful that he's moved on and she
|
||
takes a drink off a tray in relief.
|
||
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT ONE 10.
|
||
|
||
12 CONTINUED:
|
||
|
||
HUTCHINSON
|
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You must be Wil Riker.
|
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|
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RIKER
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||
I guess I must.
|
||
|
||
HUTCHINSON
|
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Calvin Hutchinson -- call me
|
||
Hutch. Calvin -- awful name, I've
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||
never forgiven my parents. As
|
||
soon as I saw you, I knew you had
|
||
to be the Enterprise's first
|
||
officer.
|
||
|
||
RIKER
|
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Oh?
|
||
|
||
HUTCHINSON
|
||
Of course. Your reputation
|
||
proceeds you -- flashing blue
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||
eyes, square jaw... quite the
|
||
ladies man I hear. Now don't be
|
||
modest, Wil -- may I call you Wil?
|
||
|
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RIKER
|
||
Uh, sure.
|
||
|
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HUTCHINSON
|
||
I've also heard that you're a
|
||
musician. I hope you'll play
|
||
something for us. It's not often
|
||
that I get a chance to entertain
|
||
the command crew of the
|
||
flagship... and speaking of
|
||
command, hello Captain Picard.
|
||
|
||
Riker takes this opportunity to slip quietly away and
|
||
leave Picard. Picard's face has that frozen smile of
|
||
forced cheerfulness on it as Hutchinson natters on.
|
||
|
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PICARD
|
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Commander.
|
||
|
||
HUTCHINSON
|
||
I was just telling your first
|
||
officer what a real pleasure it is
|
||
to have you all...
|
||
|
||
13 NEW ANGLE
|
||
|
||
As Riker moves over to stand with Beverly. Riker gives
|
||
her a look and she smiles in commiseration.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT ONE 11.
|
||
|
||
13 CONTINUED:
|
||
|
||
Data (who has been observing Hutchinson) approaches the
|
||
two of them. He tries to talk quickly and easily --
|
||
patterning his behavior after Hutchinson.
|
||
|
||
DATA
|
||
It is very good to see you both
|
||
again. May I call you Beverly? --
|
||
Beverly, do you find the mean
|
||
temperature here on Arkaria to be
|
||
slightly above normal for human
|
||
comfort levels?
|
||
|
||
Riker and Beverly exchange a look... they can't believe
|
||
this.
|
||
|
||
DATA
|
||
I have found that most humans
|
||
prefer a temperature of twenty-one
|
||
degrees C in order to operate most
|
||
efficiently. However, there are
|
||
some cultures which actually...
|
||
|
||
14 PICARD AND HUTCHINSON
|
||
|
||
Hutchinson is going on as Picard looks for a way out.
|
||
|
||
HUTCHINSON
|
||
... I tell you, you've never seen
|
||
anything like it. There were
|
||
thousands of these creatures...
|
||
the whole northern sky turned
|
||
dark.
|
||
|
||
Picard suddenly sees a way out as Geordi and Troi walk
|
||
by.
|
||
|
||
PICARD
|
||
Geordi! Deanna! I don't believe
|
||
you've met our host.
|
||
(to Hutchinson)
|
||
Allow me to introduce Commander
|
||
Geordi La Forge, Counselor Deanna
|
||
Troi. This is Commander
|
||
Hutchinson.
|
||
|
||
HUTCHINSON
|
||
Hutch.
|
||
|
||
GEORDI
|
||
Hello.
|
||
|
||
TROI
|
||
Hello.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT ONE 12.
|
||
|
||
14 CONTINUED:
|
||
|
||
HUTCHINSON
|
||
I was just telling your captain
|
||
about some of the fascinating
|
||
sights here on Arkaria. Is either
|
||
of you interested in ornithology?
|
||
|
||
TROI
|
||
Uh... well...
|
||
|
||
Picard is starting to make his getaway.
|
||
|
||
HUTCHINSON
|
||
The mating habits of the Arkarian
|
||
horn fowl are quite interesting.
|
||
If the weather were better, we
|
||
could take horses to the southern
|
||
promontory and visit the nesting
|
||
grounds.
|
||
|
||
Picard stops, turns.
|
||
|
||
PICARD
|
||
Horses?
|
||
|
||
HUTCHINSON
|
||
Yes... there's a network of trails
|
||
through the plains.
|
||
Unfortunately, they aren't very
|
||
pleasant right now... muddy, cold.
|
||
Not a soul for kilometers.
|
||
|
||
PICARD
|
||
That sounds... perfect.
|
||
(beat, then to Geordi)
|
||
How long until the baryon sweep
|
||
begins on the Enterprise?
|
||
|
||
GEORDI
|
||
At least twenty-five minutes.
|
||
|
||
PICARD
|
||
Then I'll have time to get my
|
||
saddle.
|
||
|
||
This is met with blank stares from the other three.
|
||
|
||
TROI
|
||
Your... saddle?
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT ONE 13.
|
||
|
||
14 CONTINUED: (2)
|
||
|
||
PICARD
|
||
Yes.
|
||
(notices their looks)
|
||
A saddle is a very personal thing.
|
||
It has to be broken in... worn...
|
||
cared for...
|
||
|
||
GEORDI
|
||
You keep a saddle... on the
|
||
Enterprise?
|
||
|
||
PICARD
|
||
Yes.
|
||
(beat)
|
||
I've had it since the Academy.
|
||
(beat)
|
||
I never know when I'll have the
|
||
opportunity to ride.
|
||
|
||
TROI
|
||
I see.
|
||
|
||
PICARD
|
||
It's perfectly normal. Most
|
||
serious riders have their own
|
||
saddles.
|
||
|
||
TROI
|
||
Of course.
|
||
|
||
GEORDI
|
||
Yes, sir.
|
||
|
||
HUTCHINSON
|
||
Absolutely.
|
||
|
||
PICARD
|
||
If you'll excuse me.
|
||
|
||
They smile as Picard EXITS. But the mirth on Troi and
|
||
Geordi's faces vanishes as they soon realize that they
|
||
still have Hutchinson to deal with and that they have
|
||
no smooth way out.
|
||
|
||
HUTCHINSON
|
||
(re: Picard)
|
||
An amazing man. He reminds me of
|
||
another officer I knew many years
|
||
ago... a Captain Edwell. Now he
|
||
was fascinating... born on Gaspra
|
||
Seven but you wouldn't know it
|
||
from the way he looked...
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT ONE 14.
|
||
|
||
14 CONTINUED: (3)
|
||
|
||
Off their strained expressions...
|
||
|
||
CUT TO:
|
||
|
||
15 INT. CORRIDOR
|
||
|
||
The door to Picard's quarters opens and Picard ENTERS
|
||
the corridor, his saddle slung over his shoulder. He
|
||
has now changed into civilian clothes -- casual work
|
||
clothes with a jacket.
|
||
|
||
COMPUTER VOICE
|
||
Auto-shutdown sequence in
|
||
progress. Defensive systems off-line.
|
||
Baryon sweep begins in
|
||
eight minutes.
|
||
|
||
Picard walks just a little faster. Then he rounds a
|
||
bend and sees something. He slows, looking concerned.
|
||
|
||
16 PICARD'S POV (OPTICAL)
|
||
|
||
A wall panel just above floor level has been removed,
|
||
some fiber-optic cables yanked out. Picard approaches,
|
||
sets his saddle down and kneels to inspect the open
|
||
panel. Suddenly --
|
||
|
||
DEVOR'S VOICE
|
||
What are you doing?
|
||
|
||
Picard looks up to see Devor, one of the technical
|
||
crew, standing over him, a pistol-size laser-welder in
|
||
his hand. Picard rises, wary.
|
||
|
||
PICARD
|
||
Somone left this ODN junction box
|
||
open.
|
||
(beat)
|
||
I thought your crew was supposed
|
||
to leave the ship once the field
|
||
diverters were in place.
|
||
|
||
DEVOR
|
||
The diverters have to be
|
||
synchronized.
|
||
(re: laser)
|
||
I was laser-bonding a backup link.
|
||
|
||
Picard regards him evenly.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT ONE 15.
|
||
|
||
16 CONTINUED:
|
||
|
||
PICARD
|
||
I see. Well, I suppose I'd better
|
||
let you finish up so you can get
|
||
off the ship.
|
||
|
||
Picard scoops up his saddle, moves off, his back to
|
||
Devor. The alien realizes Picard suspects something.
|
||
|
||
DEVOR
|
||
Wait a minute --
|
||
|
||
As Picard turns, Devor raises the laser-welder, but
|
||
Picard has anticipated him. He slams Devor with the
|
||
saddle, sending him back hard into the wall. The
|
||
welder DISCHARGES into the air.
|
||
|
||
Devor springs back into a combat stance... but Picard
|
||
is ready for him. He dodges, yanks him around in a
|
||
hammer lock and wedges the side of his hand into
|
||
Devor's carotid. Devor struggles for a second, then
|
||
slumps.
|
||
|
||
COMPUTER VOICE
|
||
Auto shut-down sequence in
|
||
progress. Inertial dampers off-line.
|
||
Baryon sweep begins in six
|
||
minutes.
|
||
|
||
Then the lights go out. Backup lighting kicks in --
|
||
slightly dimmer than what we're used to (and we'll see
|
||
this all over the ship from now on).
|
||
|
||
Picard takes off -- fast, without his saddle -- and
|
||
heads for Transporter Room One.
|
||
|
||
17 ANOTHER CORRIDOR
|
||
|
||
Picard is moving fast when he hears voices ahead. He
|
||
slows and squeezes back against the side wall.
|
||
|
||
COMPUTER VOICE
|
||
Auto shut-down sequence in
|
||
progress. Life support off-line.
|
||
Baryon sweep begins in three
|
||
minutes.
|
||
|
||
18 NEW ANGLE - INCLUDE INTERSECTION AHEAD
|
||
|
||
Kelsey and Neil round the bend headed in the same
|
||
direction Picard was going. They don't see Picard, but
|
||
they've unwittingly cut him off.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/18/93 - ACT ONE 16.
|
||
|
||
18 CONTINUED:
|
||
|
||
KELSEY
|
||
(to Neil)
|
||
We still have to by-pass the
|
||
magnetic containment conduit.
|
||
|
||
NEIL
|
||
That should be down on deck
|
||
thirty.
|
||
|
||
KELSEY
|
||
Get Pomet started on it right
|
||
away.
|
||
|
||
COMPUTER VOICE
|
||
Auto shut-down sequence in
|
||
progress. Primary power off-line
|
||
in one minute.
|
||
|
||
19 ON PICARD
|
||
|
||
Frustration shows on his face. He waits a beat, then
|
||
turns and heads back the way he came.
|
||
|
||
20 OMITTED
|
||
|
||
21 INT. CORRIDOR
|
||
|
||
Picard comes around a corner fast.
|
||
|
||
COMPUTER VOICE
|
||
Primary power off-line in thirty
|
||
seconds.
|
||
|
||
Picard runs into a Transporter room.
|
||
|
||
22 INT. TRANSPORTER ROOM
|
||
|
||
Working feverishly, he sets the controls.
|
||
|
||
COMPUTER VOICE
|
||
Final warning. Primary power off-line
|
||
in ten seconds...
|
||
|
||
23 EXT. SPACE - REMMLER ARRAY (OPTICAL)
|
||
|
||
Green energy beams emit from each side of the array.
|
||
They converge in a two-dimensional field that slices
|
||
through a cross-section of the ship at the tail end of
|
||
the nacelles.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT ONE 16A.
|
||
|
||
24 RESUME PICARD
|
||
|
||
As he leaps up onto the stage the Transporter begins to
|
||
power up...
|
||
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT ONE 17.
|
||
|
||
24 CONTINUED:
|
||
|
||
Suddenly, the stage goes dark and the Transporter shuts
|
||
down. We HEAR the ship seem to slump into dormancy.
|
||
The Enterprise is as we've never heard it: completely
|
||
silent. Off Picard, knowing he's trapped here...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT TWO 18.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
25 INT. ARKARIA BASE
|
||
|
||
The reception continues. Data's chatting up a non-appreciative
|
||
Orton. Orton is a native Arkarian and is
|
||
the Chief Administrator for the base. He carries
|
||
himself like an upper-class butler in the face of
|
||
Data's stream of small talk (he's probably had practice
|
||
at this with Hutchinson).
|
||
|
||
DATA
|
||
I find it fascinating that your
|
||
family chose to drop the prefix
|
||
"Pel" from your surname. It was
|
||
my understanding that "Pel Orton"
|
||
would be considered a more noble
|
||
appellation on Arkaria than simply
|
||
Orton.
|
||
|
||
ORTON
|
||
Yes.
|
||
|
||
Data is undeterred by this less than encouraging
|
||
response.
|
||
|
||
DATA
|
||
Perhaps the recent Arkarian trend
|
||
toward a more egalitarian society
|
||
is partly responsible.
|
||
|
||
ORTON
|
||
Perhaps.
|
||
|
||
26 RIKER AND HUTCHINSON
|
||
|
||
Riker has been waylaid by Hutchinson.
|
||
|
||
HUTCHINSON
|
||
The crew of the Magellan actually
|
||
put on a talent show here.
|
||
Captain Conklin did a poetry
|
||
reading, if you can imagine that.
|
||
|
||
RIKER
|
||
I'm trying to.
|
||
|
||
HUTCHINSON
|
||
Did I ever tell you how I came to
|
||
be stationed here? It's a
|
||
fascinating story.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 19.
|
||
|
||
26 CONTINUED:
|
||
|
||
Riker desperately wants a way out of here and suddenly
|
||
he thinks of one.
|
||
|
||
HUTCHINSON
|
||
You see, I was serving on Admiral
|
||
Mitchell's staff on Starbase
|
||
ninety-seven -- awful place, by
|
||
the way --
|
||
|
||
RIKER
|
||
Hutch. Have you met our Commander
|
||
Data?
|
||
|
||
HUTCHINSON
|
||
Why no, I don't think so.
|
||
|
||
Riker takes him by the arm and steers him toward Data
|
||
and Orton. By the look on Orton's face, even his stiff
|
||
upper lip is beginning to crack under Data's onslaught.
|
||
|
||
DATA
|
||
(to Orton)
|
||
... there are several cultures in
|
||
this sector with remarkably
|
||
similar etymological histories --
|
||
|
||
RIKER
|
||
Data, allow me to introduce our
|
||
host. This is Commander
|
||
Hutchinson -- call him Hutch.
|
||
(to Hutchinson)
|
||
This is our second officer,
|
||
Commander Data.
|
||
|
||
HUTCHINSON
|
||
A pleasure.
|
||
|
||
DATA
|
||
(to Hutchinson)
|
||
The pleasure is mine. I have been
|
||
meaning to compliment you on your
|
||
choice of colors here.
|
||
|
||
HUTCHINSON
|
||
You really think so? It wasn't
|
||
easy to make the final decision,
|
||
let me tell you.
|
||
|
||
DATA
|
||
I am sure of that. The light in
|
||
this room makes color selection
|
||
exceptionally problematic.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 20.
|
||
|
||
26 CONTINUED: (2)
|
||
|
||
HUTCHINSON
|
||
Precisely.
|
||
|
||
Riker and Orton make a quiet getaway.
|
||
|
||
ORTON
|
||
(to Riker)
|
||
Thank you.
|
||
|
||
RIKER
|
||
You're welcome.
|
||
(glancing back)
|
||
I'm not sure which one to feel
|
||
sorry for.
|
||
|
||
An Arkarian Waiter catches Orton's attention.
|
||
|
||
WAITER
|
||
Mister Orton?
|
||
|
||
ORTON
|
||
If you'll excuse me, Commander.
|
||
|
||
Orton goes to talk with the Waiter. Riker moves to
|
||
Geordi.
|
||
|
||
RIKER
|
||
Geordi... what happened to the
|
||
Captain?
|
||
|
||
GEORDI
|
||
He went back to the ship to get
|
||
his saddle.
|
||
|
||
Beat.
|
||
|
||
RIKER
|
||
His saddle?
|
||
|
||
GEORDI
|
||
(like it's obvious)
|
||
Any serious rider would have his
|
||
own saddle.
|
||
|
||
RIKER
|
||
Oh.
|
||
|
||
GEORDI
|
||
He probably went right to the
|
||
stables. I bet he's ten
|
||
kilometers from here already.
|
||
|
||
RIKER
|
||
(glances at Hutchinson
|
||
& Data)
|
||
Lucky him.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 21.
|
||
|
||
27 EXT. SPACE - REMMLER ARRAY (OPTICAL)
|
||
|
||
The green swath is now partway through the nacelles.
|
||
|
||
28 INT. CORRIDOR
|
||
|
||
On feet dragging. WIDEN to see Picard pulling Devor
|
||
toward Sickbay.
|
||
|
||
The laser torch is now stuck in Picard's pants. Picard
|
||
sets Devor down, and takes out a small suction device
|
||
from a pocket: an emergency manual door-opener. He
|
||
uses it to open the Sickbay door.
|
||
|
||
29 INT. SICKBAY
|
||
|
||
Picard drags Devor inside and sets him down. He goes
|
||
to a supply cabinet and gets out a hypospray and a
|
||
phaser... suddenly he HEARS STATIC...
|
||
|
||
30 ON DEVOR
|
||
|
||
The communicator strapped to his upper arm crackles to
|
||
life...
|
||
|
||
KELSEY'S COM VOICE
|
||
Kelsey to Devor.
|
||
(beat)
|
||
Devor, this is Kelsey. Reply.
|
||
|
||
Picard moves close to Devor and removes his
|
||
communicator.
|
||
|
||
KELSEY'S COM VOICE
|
||
Devor, do you read me?
|
||
(beat)
|
||
Kelsey to Kiros.
|
||
|
||
KIROS'S COM VOICE
|
||
This is Kiros.
|
||
|
||
KELSEY'S COM VOICE
|
||
Devor isn't responding. There
|
||
must be too much interference from
|
||
the baryon sweep. Go find him and
|
||
see if he finished by-passing the
|
||
regulator on deck seven, then meet
|
||
us in Main Engineering.
|
||
|
||
KIROS'S COM VOICE
|
||
Understood.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 22.
|
||
|
||
30 CONTINUED:
|
||
|
||
Picard is taking this all in. Devor groans. Picard
|
||
goes over to Devor, kneels next to him, and points the
|
||
phaser at him.
|
||
|
||
PICARD
|
||
Who are you? What are you doing
|
||
on my ship.
|
||
|
||
Devor looks at the phaser and sneers.
|
||
|
||
DEVOR
|
||
The baryon sweep uses a high-frequency
|
||
plasma field. That
|
||
phaser won't work.
|
||
|
||
PICARD
|
||
(unfazed)
|
||
You're probably right.
|
||
|
||
Picard calmly pulls the laser-torch and points it to
|
||
Devor's head.
|
||
|
||
PICARD
|
||
But I'm willing to bet that this
|
||
will.
|
||
|
||
Devor swallows hard, but stiffens his resolve.
|
||
|
||
PICARD
|
||
(continuing)
|
||
What's going on in Main
|
||
Engineering?
|
||
|
||
Devor says nothing and Picard presses the laser-torch
|
||
harder against his head.
|
||
|
||
PICARD
|
||
I suggest you cooperate.
|
||
|
||
Devor thinks for a moment, then his eyes narrow.
|
||
|
||
DEVOR
|
||
You're Starfleet... you won't kill
|
||
me.
|
||
|
||
PICARD
|
||
Are you sure?
|
||
|
||
They look at each other for a moment, then Picard
|
||
tightens his grip on the torch... suddenly Devor's eyes
|
||
go wide and then he slumps back unconscious.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 23.
|
||
|
||
31 WIDEN
|
||
|
||
Revealing that Picard has just hyposprayed Devor.
|
||
|
||
PICARD
|
||
(to Devor)
|
||
I guess you're right.
|
||
|
||
He puts Devor's communicator and laser-torch in his
|
||
pockets and then EXITS.
|
||
|
||
32 INT. CORRIDOR
|
||
|
||
Picard is cautiously moving through the Corridor,
|
||
trying to be quiet and avoid running into anyone.
|
||
|
||
33 ANOTHER CORRIDOR
|
||
|
||
Picard moves into an alcove where there is a Turbolift
|
||
entrance. He looks around and then pulls out his door-opening
|
||
device. He opens the door to the Turbolift,
|
||
then puts the device back in his pocket.
|
||
|
||
34 INT. TURBOLIFT - CLOSE ON PICARD
|
||
|
||
He reaches up to the ceiling and starts to open the
|
||
hatch... suddenly a WEAPON is put to the back of his
|
||
head.
|
||
|
||
35 NEW ANGLE
|
||
|
||
Revealing Kiros standing in the Corridor holding the
|
||
weapon to Picard's head.
|
||
|
||
36 INT. ARKARIA BASE
|
||
|
||
The ongoing reception. Hutchinson and Data are still
|
||
at it -- they feed off each other, and the feeling here
|
||
is almost that of one-upsmanship.
|
||
|
||
DATA
|
||
... yes, but Tyrellian laser-art
|
||
is very similar in form and
|
||
composition.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT TWO 24.
|
||
|
||
36 CONTINUED:
|
||
|
||
HUTCHINSON
|
||
Oh, of course. Funny you should
|
||
mention that. I used to be
|
||
stationed on Tyrellia.
|
||
|
||
DATA
|
||
Really? There are five Tyrellians
|
||
currently serving aboard the
|
||
Enterprise.
|
||
|
||
HUTCHINSON
|
||
Fascinating. Not many people know
|
||
this, but Tyrellia is one of only
|
||
three known inhabited worlds
|
||
without a magnetic pole.
|
||
|
||
DATA
|
||
I was aware of that. Are you
|
||
aware that Tyrellia is also one of
|
||
seven known planets...
|
||
|
||
37 NEW ANGLE - RIKER
|
||
|
||
who is watching Data and Hutchinson from across the
|
||
room. Troi moves to him and follows his gaze.
|
||
|
||
TROI
|
||
Are they still at it?
|
||
|
||
RIKER
|
||
Non-stop. I have to admit it has
|
||
a sort of strange fascination...
|
||
I mean, how long can two people
|
||
talk about... nothing?
|
||
|
||
They continue to watch.
|
||
|
||
38 ON GEORDI
|
||
|
||
who is piling some food onto a plate from one of the
|
||
tables. The Waiter seen earlier is standing nearby.
|
||
Geordi suddenly frowns and looks down at the table in
|
||
puzzlement. He puts his hand on the table, feeling it
|
||
for heat. The Waiter immediately moves next to him.
|
||
|
||
WAITER
|
||
Is something wrong?
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 25.
|
||
|
||
38 CONTINUED:
|
||
|
||
GEORDI
|
||
Uh... I don't know. I'm getting
|
||
a weird energy reading from your
|
||
table.
|
||
|
||
WAITER
|
||
I'm sure it's nothing serious.
|
||
Perhaps the heating element under
|
||
the tray is malfunctioning.
|
||
|
||
GEORDI
|
||
Maybe I should take a look at it.
|
||
|
||
As Geordi starts to bend down, Orton is suddenly there
|
||
and tries to get him away.
|
||
|
||
ORTON
|
||
(smiles)
|
||
I'm sure we can handle this,
|
||
whatever it is, Commander.
|
||
There's no need to concern
|
||
yourself.
|
||
|
||
GEORDI
|
||
I really think I should look at
|
||
that heating element. If it
|
||
overloads under --
|
||
|
||
Orton takes him by the arm -- a gentle but firm
|
||
gesture.
|
||
|
||
ORTON
|
||
(firmer)
|
||
It's all right.
|
||
|
||
39 RIKER AND TROI
|
||
|
||
The conversation between Geordi and Orton has gotten
|
||
Riker's attention. He frowns.
|
||
|
||
RIKER
|
||
What's that all about?
|
||
|
||
He starts moving toward Geordi.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT TWO 26.
|
||
|
||
40 ORTON AND GEORDI
|
||
|
||
ORTON
|
||
We'll look into it. You don't
|
||
have to concern yourself.
|
||
|
||
Over the above dialog, the Waiter suddenly sees Riker
|
||
walking towards them with a concerned look on his face.
|
||
He looks from Riker to Orton for a moment, then makes
|
||
a snap decision.
|
||
|
||
WAITER
|
||
Orton, now!
|
||
|
||
The following happens very quickly:
|
||
|
||
41 THE WAITER (OPTICAL)
|
||
|
||
reaches under the food cart and yanks out an ALIEN
|
||
PHASER from the hidden compartment. He FIRES at Riker,
|
||
narrowly missing him. Riker dives for cover.
|
||
|
||
42 ORTON
|
||
|
||
shoves Geordi out of the way and grabs his own weapon.
|
||
|
||
43 HUTCHINSON AND DATA
|
||
|
||
react to the attack.
|
||
|
||
44 GEORDI (OPTICAL)
|
||
|
||
recovers and goes for Orton, but the Waiter FIRES a
|
||
burst into his chest, knocking him unconscious.
|
||
|
||
45 HUTCHINSON (OPTICAL)
|
||
|
||
Goes for the Waiter, but now Orton has his phaser out
|
||
and he FIRES at Hutchinson.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT TWO 27.
|
||
|
||
45 CONTINUED:
|
||
|
||
He takes the blast full in the chest and goes down.
|
||
|
||
46 WIDE
|
||
|
||
Orton and the Waiter now have the entire room under
|
||
their weapons.
|
||
|
||
ORTON
|
||
Stay right where you are.
|
||
|
||
Everyone freezes. Riker and Data exchange looks. They
|
||
don't see a way out. Off Riker's look...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 28
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
47 EXT. SPACE - REMMLER ARRAY (OPTICAL)
|
||
|
||
The rays are halfway through the Enterprise's
|
||
nacelles...
|
||
|
||
48 INT. MAIN ENGINEERING
|
||
|
||
The room has been taken over by the terrorists. A
|
||
field diverter is sitting between the engine core and
|
||
the pool table and there are many pieces of odd
|
||
equipment lying about. The entire engine core is off.
|
||
Pomet and Satler are working on open Mees panels
|
||
located on the upper level of Engineering.
|
||
|
||
Satler is checking something on a PADD as Pomet makes
|
||
adjustments in the panel.
|
||
|
||
SATLER
|
||
Reduce the plasma pressure to zero
|
||
point six percent nominal.
|
||
|
||
POMET
|
||
(works)
|
||
Zero point six.
|
||
|
||
SATLER
|
||
How does the conduit look?
|
||
|
||
POMET
|
||
(checks)
|
||
It's clear.
|
||
|
||
Satler turns and calls down to Neil.
|
||
|
||
SATLER
|
||
(to Neil)
|
||
All right. The main plasma flow
|
||
is shunted to the aft conduit.
|
||
We're ready up here.
|
||
|
||
48A ANGLE ON KELSEY AND NEIL
|
||
|
||
Kelsey is standing beside Neil, who is working on an
|
||
open Mees panel on the bulkhead near the pool table.
|
||
Kelsey is a tall, striking woman with an almost feline
|
||
grace and power. She is observing Neil as he makes
|
||
some adjustments to the circuitry with a DEVICE. Neil
|
||
is slightly built and has a nervous demeanor.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 28A.
|
||
|
||
48A CONTINUED:
|
||
|
||
NEIL
|
||
(to Satler)
|
||
Okay.
|
||
(works)
|
||
That should do it. I think.
|
||
|
||
KELSEY
|
||
(calm)
|
||
Be sure, Neil.
|
||
|
||
NEIL
|
||
(checks something)
|
||
Uh... yes... yes, that does it.
|
||
(calls over his
|
||
shoulder)
|
||
All right... transfer five hundred
|
||
milligrams from the reserve system
|
||
to the engine core.
|
||
|
||
49 ANGLE ON ENGINE CORE
|
||
|
||
Pomet and Satler work for a moment and then the center
|
||
of the core and the side tubes come to life with a low
|
||
hum.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 29.
|
||
|
||
50 RESUME KELSEY AND NEIL
|
||
|
||
Neil is pleased.
|
||
|
||
NEIL
|
||
(big smile)
|
||
Perfect.
|
||
|
||
KELSEY
|
||
Adequate. Disable the containment
|
||
overrides and get the interlocks
|
||
off the magnetic seal.
|
||
|
||
NEIL
|
||
(chastened)
|
||
Right.
|
||
|
||
Kelsey moves to the engine core.
|
||
|
||
KELSEY
|
||
Pomet, prepare the transport
|
||
assembly.
|
||
(to Satler)
|
||
Keep watching the power flow, it
|
||
might...
|
||
|
||
She trails off as Picard and Kiros ENTER. Kiros still
|
||
has his weapon pointed at Picard's back. Everyone in
|
||
the room stares for a moment.
|
||
|
||
KELSEY
|
||
(to others)
|
||
Keep working.
|
||
|
||
They go back to work as Kelsey moves to Picard and
|
||
Kiros.
|
||
|
||
KELSEY
|
||
(to Kiros)
|
||
Where did he come from?
|
||
|
||
KIROS
|
||
I found him on deck seven.
|
||
|
||
KELSEY
|
||
(to Picard)
|
||
Who are you?
|
||
|
||
Picard thinks for a moment... decides there is an
|
||
advantage to be gained here. He looks at her blankly
|
||
for a beat and acts befuddled and harmless.
|
||
|
||
PICARD
|
||
My name is Mott. I'm... the
|
||
barber.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 30.
|
||
|
||
50 CONTINUED:
|
||
|
||
KELSEY
|
||
The barber? What the hell are you
|
||
doing here? Everyone was supposed
|
||
to be evacuated to the surface.
|
||
|
||
PICARD
|
||
I... I know. But, I wanted to go
|
||
riding and I didn't have my
|
||
saddle, so I came back --
|
||
|
||
KELSEY
|
||
Your saddle?
|
||
|
||
PICARD
|
||
That's right. I left it in the
|
||
corridor on deck seven. When the
|
||
power went off, I got lost and
|
||
didn't know where to go so --
|
||
|
||
KELSEY
|
||
All right, shut up.
|
||
(to Kiros)
|
||
Any sign of Devor?
|
||
|
||
KIROS
|
||
No.
|
||
|
||
Kelsey flushes with anger.
|
||
|
||
KELSEY
|
||
If he's off looting at a time like
|
||
this...
|
||
(beat)
|
||
All right, go find him and make
|
||
sure nothing's wrong.
|
||
(turns)
|
||
Salter. Get over here and keep an
|
||
eye on our... barber.
|
||
|
||
Kiros EXITS as Satler comes over and moves Picard to
|
||
one side of the room while holding a weapon.
|
||
|
||
SATLER
|
||
(to Picard)
|
||
Sit down.
|
||
|
||
PICARD
|
||
(meekly)
|
||
Sure, okay. You don't need to
|
||
point that at me.
|
||
|
||
SATLER
|
||
Just do what I tell you, and you
|
||
won't have to worry.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 30A.
|
||
|
||
50 CONTINUED: (2)
|
||
|
||
Picard sits down meekly and Satler stands near him with
|
||
his weapon ready. Picard takes this opportunity to
|
||
watch the terrorists in action and try to figure out
|
||
what they're doing.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 31.
|
||
|
||
51 NEW ANGLE
|
||
|
||
Picard watches as Kelsey moves toward Pomet, who has
|
||
come down from the upper level of Engineering and is
|
||
working on a thermos-sized trilithium resin containment
|
||
unit.
|
||
|
||
KELSEY
|
||
(to Pomet)
|
||
How long until you're ready?
|
||
|
||
POMET
|
||
(considers)
|
||
Forty, maybe fifty minutes.
|
||
|
||
KELSEY
|
||
The baryon sweep hits this
|
||
compartment in thirty minutes.
|
||
|
||
POMET
|
||
The field diverter will protect
|
||
us.
|
||
|
||
KELSEY
|
||
It's not us I'm worried about,
|
||
it's that storage unit. I want
|
||
the trilithium resin...
|
||
|
||
52 ANGLE ON PICARD
|
||
|
||
When Kelsey says the word "trilithium" Picard reacts
|
||
with dismay.
|
||
|
||
KELSEY
|
||
(continuing)
|
||
... in there and secured before the
|
||
sweep gets here. I don't want to
|
||
take any chances.
|
||
|
||
POMET
|
||
Understood.
|
||
|
||
Pomet goes to work. Off Picard's expression as he
|
||
considers what he's heard.
|
||
|
||
CUT TO:
|
||
|
||
53 INT. ARKARIA BASE
|
||
|
||
The hostages are standing in different parts of the
|
||
room. Orton is maintaining his cool composure,
|
||
watching the hostages with a calm expression while the
|
||
Waiter patrols the room occasionally.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT THREE 32.
|
||
|
||
53 CONTINUED:
|
||
|
||
Off to one side and away from the other hostages,
|
||
Beverly is kneeling on the floor next to an unconscious
|
||
Geordi, applying some lo-tech first aid. Hutchinson's
|
||
body lies near Geordi, but he's not moving.
|
||
|
||
54 ANGLE - RIKER
|
||
|
||
Standing near Troi. They converse sotto voice...
|
||
|
||
TROI
|
||
They haven't tried to communicate
|
||
with the outside.
|
||
|
||
RIKER
|
||
No demands, no political
|
||
statements, no theft... they must
|
||
want something.
|
||
|
||
Data moves to join them.
|
||
|
||
TROI
|
||
Orton is not as calm as he looks.
|
||
He's very agitated and nervous...
|
||
as if something's gone wrong.
|
||
|
||
Troi now casually moves away.
|
||
|
||
DATA
|
||
It is possible that Geordi upset
|
||
their timetable when he saw the
|
||
hidden weapons.
|
||
|
||
RIKER
|
||
Orton could be improvising...
|
||
maybe he didn't plan to take us
|
||
hostage this early... so now he
|
||
doesn't know what to do...
|
||
|
||
DATA
|
||
If they do not have a plan for
|
||
this contingency, we may have the
|
||
initiative.
|
||
|
||
RIKER
|
||
(nods)
|
||
Maybe, but we have to think of a
|
||
way to use it...
|
||
|
||
Beverly now moves over to them -- Orton watching her
|
||
carefully the whole way.
|
||
|
||
RIKER
|
||
How's Geordi?
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT THREE 33.
|
||
|
||
54 CONTINUED:
|
||
|
||
BEVERLY
|
||
There's no permanent damage. I've
|
||
adjusted the optical transducer in
|
||
his VISOR to block some of the
|
||
pain receptors in his brain, but
|
||
it's only partially effective.
|
||
|
||
RIKER
|
||
What about Hutchinson?
|
||
|
||
BEVERLY
|
||
(grim)
|
||
There was nothing I could do for
|
||
him.
|
||
(beat)
|
||
I still need to get Geordi to a
|
||
medical facility.
|
||
|
||
RIKER
|
||
(glances at Orton)
|
||
I doubt he'll agree to that.
|
||
(beat)
|
||
If we told him Geordi was dying he
|
||
might give us access to a medical
|
||
kit... maybe we could make a
|
||
weapon from some of the tools...
|
||
|
||
Data suddenly has an idea.
|
||
|
||
DATA
|
||
Perhaps we can use the VISOR as a
|
||
weapon. If the optical transducer
|
||
were modified, it may be possible
|
||
to generate a hypersonic pulse.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/18/93 - ACT THREE 34.
|
||
|
||
54 CONTINUED: (2)
|
||
|
||
BEVERLY
|
||
(understanding)
|
||
A hypersonic pulse would overload
|
||
the audio receptors of everyone in
|
||
the room. It would cause
|
||
immediate unconsciousness.
|
||
|
||
Riker glances at Orton.
|
||
|
||
RIKER
|
||
(to Beverly)
|
||
Can you make the adjustments to
|
||
the VISOR by yourself? It's going
|
||
to look suspicious if both of you
|
||
go over there.
|
||
|
||
Beverly thinks for a moment.
|
||
|
||
BEVERLY
|
||
I'll try... Geordi may have to
|
||
help me through some of it.
|
||
|
||
RIKER
|
||
All right... try to keep it
|
||
casual. Let us know when you're
|
||
ready.
|
||
|
||
Beverly nods and then moves back to Geordi. Orton
|
||
watches her, but does nothing.
|
||
|
||
CUT TO:
|
||
|
||
55 INT. MAIN ENGINEERING
|
||
|
||
Picard is still sitting against a bulkhead. Satler is
|
||
standing guard over him, but he's not paying strict
|
||
attention to this mild-mannered "barber".
|
||
|
||
56 ANGLE - BEHIND THE ENGINE CORE
|
||
|
||
Kelsey is watching Pomet attach the thermos-storage
|
||
unit seen earlier to an interface inside the box on the
|
||
side of the large vertical cylinder which is right
|
||
behind the engine core. Pomet makes a few adjustments,
|
||
then a LIGHT comes on the thermos.
|
||
|
||
POMET
|
||
(to Kelsey)
|
||
Ready.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 35.
|
||
|
||
56 CONTINUED:
|
||
|
||
Kelsey turns to Neil, who has opened the large panel
|
||
near the engine core.
|
||
|
||
KELSEY
|
||
Begin draining the trilithium at
|
||
one hundred milligrams per minute.
|
||
|
||
Neil nods and works in the panel. Kelsey and Pomet
|
||
keep a close watch on the thermos.
|
||
|
||
57 PICARD
|
||
|
||
is watching Satler (his guard) carefully. Satler's
|
||
attention is on the operation near the core.
|
||
|
||
58 CLOSE ON PICARD'S HAND
|
||
|
||
as he carefully takes the laser-torch out from where he
|
||
had concealed it in the back of his shirt.
|
||
|
||
59 RESUME PICARD & SATLER
|
||
|
||
Satler is still unaware of what Picard is doing.
|
||
Picard glances down to his left.
|
||
|
||
60 CLOSE ON PICARD'S HAND
|
||
|
||
as he places the tip of the laser-torch directly next
|
||
to a small sensor which is set into the bulkhead.
|
||
|
||
61 RESUME PICARD
|
||
|
||
He glances at Satler... then glances at the ceiling.
|
||
|
||
62 CLOSE ON LASER TORCH (OPTICAL)
|
||
|
||
as Picard ACTIVATES the torch and it DISCHARGES against
|
||
the sensor.
|
||
|
||
63 NEW ANGLE - WIDER
|
||
|
||
There is a pause, then suddenly vast quantities of GAS
|
||
begin to flood the compartment, ALARMS SOUND, and the
|
||
ISOLATION DOOR begins CLOSING.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT THREE 36.
|
||
|
||
63 CONTINUED:
|
||
|
||
Picard takes advantage of the confusion to knock Satler
|
||
to his knees and then he grabs the laser torch and
|
||
moves quickly to the field diverter.
|
||
|
||
64 KELSEY
|
||
|
||
is trying to get control of the situation. She yells
|
||
over the sound of the alarms and tries to see through
|
||
the clouds of gas.
|
||
|
||
KELSEY
|
||
Neil, what's going on!?
|
||
|
||
65 PICARD (OPTICAL)
|
||
|
||
presses the laser torch against the side of the
|
||
diverter and activates it. The diverter goes DEAD.
|
||
Picard ducks under the Isolation door and heads for the
|
||
Jefferies Tube.
|
||
|
||
66 SATLER
|
||
|
||
recovers and goes after Picard, barely making it under
|
||
the door before it closes completely.
|
||
|
||
67 INT. JEFFERIES TUBE
|
||
|
||
Picard's now in a horizontal section, scrambling
|
||
through for all he's worth.
|
||
|
||
68 ANOTHER SECTION OF TUBE
|
||
|
||
Satler is scrambling after Picard, with his weapon in
|
||
hand.
|
||
|
||
69 PICARD
|
||
|
||
is moving quickly around a corner. He comes to a
|
||
hatch, opens it...
|
||
|
||
70 PICARD'S POV (OPTICAL)
|
||
|
||
The BARYON SWEEP -- a transparent sheet of green is
|
||
flickering on and off directly ahead of Picard.
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT THREE 37.
|
||
|
||
71 RESUME PICARD
|
||
|
||
He's trapped... the field is ahead of him and Satler is
|
||
behind him. Off his expression...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT FOUR 38.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
72 INT. JEFFERIES TUBE
|
||
|
||
Satler comes around the corner and sees the now closed
|
||
hatch where Picard was at the end of Act Three.
|
||
Directly in front of the hatch, Picard's jacket is
|
||
lying on the floor of the tube. Satler moves to the
|
||
jacket and picks it up...
|
||
|
||
73 POV STATLER
|
||
|
||
The jacket was hiding a manhole-sized hole cut into the
|
||
floor of the tube.
|
||
|
||
74 RESUME SATLER (OPTICAL)
|
||
|
||
She's looking down the hole. A sudden o.c. HUM makes
|
||
her look up just in time to see the green BARYON SWEEP
|
||
come through the closed hatch directly toward her.
|
||
There is no time to escape.
|
||
|
||
CUT TO:
|
||
|
||
75 INT. CORRIDOR
|
||
|
||
Picard, now without his jacket, runs down the
|
||
corridor... over which we HEAR Satler's brief, painful
|
||
SCREAM in the b.g.. Picard's expression acknowledges
|
||
this as he keeps on.
|
||
|
||
CUT TO:
|
||
|
||
76 INT. MAIN ENGINEERING
|
||
|
||
The Isolation door has been reopened, the gas is gone
|
||
and the alarms have been turned off. Kelsey is
|
||
standing over Neil, who is examining the deactivated
|
||
field diverter. After a beat, Neil shakes his head and
|
||
lets out a long breath in resignation.
|
||
|
||
NEIL
|
||
The primary inducer is completely
|
||
fused. There's no way to fix it.
|
||
(beat)
|
||
Without the diverter, we don't
|
||
have any protection from the
|
||
baryon sweep.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/18/93 - ACT FOUR 39.
|
||
|
||
76 CONTINUED:
|
||
|
||
KELSEY
|
||
(irritated)
|
||
I know that. How long until the
|
||
baryon sweep hits this section?
|
||
|
||
NEIL
|
||
About twelve minutes. We should
|
||
go to Ten Forward, it's the last
|
||
place on the ship that'll be swept
|
||
by the baryon field.
|
||
|
||
Kelsey thinks for a moment... looks at the engine core
|
||
for a beat then makes the decision.
|
||
|
||
KELSEY
|
||
All right, we're leaving. But
|
||
we're taking the trilithium with
|
||
us.
|
||
|
||
NEIL
|
||
(shocked)
|
||
What? The storage unit wasn't
|
||
designed to be portable. We can't
|
||
just start hauling it through the
|
||
ship --
|
||
|
||
She silences him with a look.
|
||
|
||
NEIL
|
||
(fearful)
|
||
I'll... I'll try to make some
|
||
modifications.
|
||
|
||
He hurries toward the engine core.
|
||
|
||
77 NEW ANGLE
|
||
|
||
As Pomet comes out of the Jefferies Tube.
|
||
|
||
POMET
|
||
(to Kelsey)
|
||
Satler's dead... he ran into the
|
||
baryon sweep.
|
||
|
||
KELSEY
|
||
And what about Mott?
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT FOUR 40.
|
||
|
||
77 CONTINUED:
|
||
|
||
POMET
|
||
I don't know. But I don't think
|
||
he's a barber. I found this in
|
||
the Jefferies Tube.
|
||
|
||
Pomet hands her something.
|
||
|
||
78 CLOSE ON KELSEY'S HAND
|
||
|
||
Pomet has handed her a Starfleet combadge.
|
||
|
||
79 RESUME SCENE
|
||
|
||
Kelsey's face darkens with the realization that they're
|
||
facing a formidable opponent.
|
||
|
||
CUT TO:
|
||
|
||
80 INT. CORRIDOR
|
||
|
||
Picard rounds the corner and stops at a particular
|
||
room. He uses his door-opener to get in.
|
||
|
||
81 INT. WORF'S QUARTERS
|
||
|
||
Picard ENTERS what we immediately recognize as WORF'S
|
||
ROOM, replete with Klingon weapons on the wall. He
|
||
begins to examine the weapons, trying to decide which
|
||
ones will be the most useful. The alien communicator
|
||
squawks in his pocket and he takes it out to listen.
|
||
|
||
KELSEY'S COM VOICE
|
||
Kelsey to Kiros.
|
||
|
||
KIROS'S COM VOICE
|
||
This is Kiros.
|
||
|
||
82 INTERCUT - MAIN ENGINEERING
|
||
|
||
Kelsey's on the communicator. Neil and Pomet are
|
||
working with the thermos and the open panel behind the
|
||
engine core.
|
||
|
||
KELSEY
|
||
(into communicator)
|
||
We have a problem. There's a
|
||
Starfleet officer still aboard.
|
||
He killed Satler and he may have
|
||
killed Devor.
|
||
(MORE)
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT FOUR 41.
|
||
|
||
82 CONTINUED:
|
||
|
||
KELSEY (Cont'd)
|
||
He also destroyed the diverter in
|
||
Engineering so we have to leave
|
||
here before the baryon sweep
|
||
enters this section.
|
||
|
||
KIROS'S COM VOICE
|
||
What about the trilithium resin?
|
||
|
||
KELSEY
|
||
(into communicator)
|
||
We're taking it with us to Ten
|
||
Forward.
|
||
|
||
Picard had just taken the crossbow off the wall when he
|
||
hears this. He reacts with shock and picks up the
|
||
communicator.
|
||
|
||
KELSEY
|
||
(continuing)
|
||
There should be enough time before --
|
||
|
||
PICARD
|
||
(firm, into
|
||
communicator)
|
||
Kelsey. Don't be a fool. You
|
||
know better than to try moving
|
||
that resin.
|
||
|
||
In Engineering, Kelsey reacts for a moment... then her
|
||
eyes narrow and she adjusts to the new situation.
|
||
|
||
KELSEY
|
||
Mister Mott... or should I call
|
||
you Lieutenant... Lieutenant
|
||
Commander perhaps?
|
||
|
||
PICARD
|
||
You may call me whatever you wish,
|
||
but moving trilithium resin
|
||
requires very specific equipment.
|
||
You can't simply improvise
|
||
something.
|
||
|
||
Kelsey gets Pomet's attention and waves him over.
|
||
|
||
KELSEY
|
||
I wouldn't need to improvise if
|
||
you hadn't damaged our field
|
||
diverter.
|
||
|
||
As Picard answers her, Kelsey mouths the words "Find
|
||
him" to Pomet, who then nods and EXITS.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT FOUR 42.
|
||
|
||
82 CONTINUED: (2)
|
||
|
||
KELSEY
|
||
(continuing)
|
||
But if you're so concerned about
|
||
the trilithium, I suggest you stop
|
||
interfering with us -- before you
|
||
set off an explosion that would
|
||
destroy the Enterprise... and you.
|
||
|
||
PICARD
|
||
I would rather destroy this ship
|
||
than allow that material to fall
|
||
into the hands of terrorists.
|
||
|
||
KELSEY
|
||
What makes you think I'm a
|
||
terrorist?
|
||
|
||
PICARD
|
||
Trilithium resin is a highly toxic
|
||
waste material produced by our
|
||
engines. There's no possible use
|
||
for it except as a weapon.
|
||
|
||
KELSEY
|
||
You might be right, Mister Mott.
|
||
But we've been planning this for
|
||
a long time, and I doubt that
|
||
you'll really be able to stop
|
||
us... or even slow us down.
|
||
|
||
She shuts off the communicator.
|
||
|
||
END INTERCUT.
|
||
|
||
83 INT. WORF'S QUARTERS
|
||
|
||
Picard puts the communicator back in his pocket and
|
||
slings the crossbow over his shoulder and grabs some
|
||
arrows before EXITING.
|
||
|
||
84 INT. MAIN ENGINEERING
|
||
|
||
Kelsey moves to where Neil is working on the thermos,
|
||
which is still attached to the open panel behind the
|
||
core. A few blinkies on the side of the thermos are
|
||
winking on and off, indicating that it is active. Neil
|
||
works for a moment with a DEVICE... then seems
|
||
satisfied.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/18/93 - ACT FOUR 43.
|
||
|
||
84 CONTINUED:
|
||
|
||
NEIL
|
||
That's it... three hundred
|
||
milligrams of trilithium.
|
||
|
||
Neil picks up a PIN.
|
||
|
||
84A INSERT
|
||
|
||
on the pin in Neil's hand. It is about the size and
|
||
shape of a grenade pin, with a small ring at one end.
|
||
|
||
NEIL'S VOICE
|
||
(re: pin)
|
||
I'm using a dynamic stabilizer to
|
||
act as a control rod...
|
||
|
||
84B RESUME SCENE
|
||
|
||
Neil carefully inserts it into the thermos... there is
|
||
an audible CLICK and a GREEN LIGHT comes on the
|
||
thermos.
|
||
|
||
NEIL
|
||
There. That should keep the resin
|
||
stable enough for transport.
|
||
|
||
There is a beat, and then Kelsey reaches out and
|
||
removes the thermos from the panel. Neil winces
|
||
slightly at the casual way Kelsey handles the unit.
|
||
|
||
KELSEY
|
||
Don't look so tense, Neil. If
|
||
something goes wrong, you won't
|
||
have time to worry about it.
|
||
|
||
She smiles at him and Neil manages a wan smile in
|
||
return.
|
||
|
||
KELSEY
|
||
Let's go.
|
||
|
||
They EXIT.
|
||
|
||
CUT TO:
|
||
|
||
85 EXT. SPACE - REMMLER ARRAY (OPTICAL)
|
||
|
||
The energy beams have reached the aft end of the
|
||
saucer.
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/15/93 - ACT FOUR 43A.
|
||
|
||
86 INT. SICKBAY
|
||
|
||
Picard is dipping an arrow tip into a VIAL of colored
|
||
liquid. He then loads the arrow into the crossbow.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Starship Mine" - 01/14/93 - ACT FOUR 44.
|
||
|
||
87 INT. JEFFERIES TUBE
|
||
|
||
Kelsey and Neil are climbing up a vertical section of
|
||
tube. Kelsey is in the lead, with Neil behind her.
|
||
The thermos is strapped onto Neil's back.
|
||
|
||
NEIL
|
||
How much further?
|
||
|
||
KELSEY
|
||
Three more decks... then we take
|
||
corridor fifteen-B all the way to
|
||
Ten Forward.
|
||
|
||
Kelsey suddenly stops short.
|
||
|
||
NEIL
|
||
What's wrong?
|
||
|
||
KELSEY
|
||
We have to find another way up.
|
||
|
||
88 NEW ANGLE
|
||
|
||
Revealing that all the ladder rungs above Kelsey are
|
||
GONE. She looks at the remains of one of the rungs.
|
||
|
||
89 INSERT - RUNGS
|
||
|
||
The two stubs jutting out from the wall of the
|
||
Jefferies Tube are burnt and melted, as if cut with a
|
||
torch.
|
||
|
||
90 RESUME KELSEY
|
||
|
||
Her face darkens.
|
||
|
||
CUT TO:
|
||
|
||
91 INT. SICKBAY
|
||
|
||
Picard is now carefully pouring a small amount of WHITE
|
||
POWDER from a container into a petri dish. The
|
||
communicator in his pocket suddenly crackles to life.
|
||
|
||
KELSEY'S COM VOICE
|
||
That wasn't very clever, Mister
|
||
Mott.
|
||
|
||
INTERCUT:
|
||
|
||
STAR TREK: "Starship Mine" - REV. - 01/18/93 - ACT FOUR 45.
|
||
|
||
92 INT. JEFFERIES TUBE - INTERCUT SICKBAY
|
||
|
||
As Kelsey and Neil come down off the ladder and then
|
||
move through a section of horizontal tube. Kelsey is
|
||
talking into her communicator.
|
||
|
||
KELSEY
|
||
(continuing)
|
||
If you knew where we were, you
|
||
should've attacked us. Now we'll
|
||
just take another route... one you
|
||
might not be able to predict.
|
||
|
||
As they talk, Picard pours some BLACK POWDER into
|
||
another petri dish and then picks up a long wand.
|
||
|
||
PICARD
|
||
(to com)
|
||
There are only so many ways to Ten
|
||
Forward... and Ten Forward is the
|
||
only logical place to go if you
|
||
want to stay ahead of the Baryon
|
||
sweep.
|
||
|
||
Picard takes the wand and touches it to the white
|
||
powder, then removes it and places it in the black
|
||
powder. As soon as he touches the black powder, there
|
||
is a SMALL EXPLOSION and puff of smoke.
|
||
|
||
KELSEY
|
||
(over above action)
|
||
That sweep is just as big a threat
|
||
to you as it is to us. In fact,
|
||
if I were you, Mister Mott, I'd be
|
||
trying to find a way off this
|
||
ship.
|
||
|
||
Picard is satisfied with the results of his experiment.
|
||
He puts lids on the tops of the containers and puts
|
||
them in a pocket.
|
||
|
||
PICARD
|
||
(to com)
|
||
I plan on leaving the same way you
|
||
do... on your ship.
|
||
|
||
KELSEY
|
||
What ship?
|
||
|
||
PICARD
|
||
Come on, Kelsey. If you've been
|
||
planning this for so long, you
|
||
must have a way to get off the
|
||
Enterprise and leave this system.
|
||
I think there's a ship coming for
|
||
you. And I plan to be on it.
|
||
|
||
|