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1 line
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1 line
68 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Descent, Part I"
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#40276-252
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Story by
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Jeri Taylor
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Teleplay by
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Ronald D. Moore
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Directed by
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Alex Singer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1993 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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APRIL 12, 1993
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STAR TREK: "Descent" - 04/12/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Descent"
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CAST
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PICARD CROSIS
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RIKER HAWKING
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DATA NECHAYEV
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BEVERLY NEWTON
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TROI EINSTEIN
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WORF LORE
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GEORDI BOSUS
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TAYAR
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COMPUTER VOICE
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Non-Speaking
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N.D. CREWMEMBERS
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N.D. SECURITY GUARDS
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N.D. BAJORAN SECURITY OFFICER
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STAR TREK: "Descent" - 04/12/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Descent"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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HOLODECK ALIEN SHIP
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(DATA'S QUARTERS)
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(OUTPOST) DISTORTION
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OBSERVATION LOUNGE
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ENGINEERING SHUTTLE
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READY ROOM
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TROI'S OFFICE PLANET
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CORRIDOR (SURFACE)
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BRIG (BUILDING)
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DATA'S QUARTERS
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GORKON
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OUTPOST
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BORG HALL
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STAR TREK: "Descent" - 04/12/93 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Descent"
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PRONUNCIATION GUIDE
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OHNIAKA oh-nee-AH-ka
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CORELKI ko-REL-kee
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GORKON GOR-kon
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LUVETRIC LOO-vet-rik
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NECHAYEV NEH-che-yev
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STAR TREK: "Descent" - 04/12/93 - TEASER 1.
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STAR TREK: The Next Generation
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"Descent"
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TEASER
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FADE IN:
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1 INT. DATA'S QUARTERS/HOLODECK (OPTICAL)
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Seated around the poker table clockwise are DATA,
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STEPHEN HAWKING, ALBERT EINSTEIN, and ISAAC NEWTON.
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Everyone has chips and cards in front of them -- a
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small device is holding Hawking's cards for him.
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Hawking is telling the last few lines of a very
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esoteric joke.
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HAWKING
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... but then I said, "In that
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frame of reference, the perihelion
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of Mercury would have precessed in
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the opposite direction."
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Einstein laughs uproariously, Data looks amused, and
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Newton looks puzzled.
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EINSTEIN
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That is a great story!
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DATA
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Quite amusing, Professor Hawking.
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(to Newton)
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You see, Sir Isaac, the joke
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depends on an understanding of the
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relativistic curvature of spacetime.
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If two non-inertial
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reference frames are in relative
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motion--
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NEWTON
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(irritated)
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Do not patronize me, sir! I
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invented physics. The day that
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apple fell on my head was the most
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momentous day in the history of
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science.
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HAWKING
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Not the apple story again.
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DATA
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That story is generally considered
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to be apocryphal.
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STAR TREK: "Descent" - 04/12/93 - TEASER 2.
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1 CONTINUED:
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NEWTON
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(outraged)
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What? How dare you?
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EINSTEIN
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Perhaps we should return to the
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game.
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(thinks, to Hawking)
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Let's see, you raised Mister Data
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four, which means the bet is seven
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to me.
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NEWTON
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The bet is ten! Can't you do
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simple arithmetic?
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Einstein pushes out the correct number of chips.
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Newton matches the bet.
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NEWTON
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(grumbling)
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I don't even know why I'm here in
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the first place. What's the point
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of playing this ridiculous game?
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DATA
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(matches the bet)
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I am in. When I play poker with
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my shipmates, I often find that it
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is a useful forum for exploring
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different facets of humanity. I
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was curious to see how three of
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history's greatest minds would
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interact in this setting. So far
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it has proved most illuminating.
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Einstein looks down at his own immense stack of chips.
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EINSTEIN
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And profitable.
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NEWTON
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Can we get this over with, please?
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(to Hawking)
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It's your bet.
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HAWKING
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I raise fifty.
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Data pushes out some chips for him. Newton reacts and
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throws his cards down in disgust.
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NEWTON
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Blast! I fold.
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STAR TREK: "Descent" - 04/12/93 - TEASER 3.
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1 CONTINUED: (2)
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Data also puts down his cards and folds, but Einstein
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holds firm.
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EINSTEIN
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(to Hawking)
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The uncertainty principle will not
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help you now, Stephen. All the
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quantum fluctuations in the
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universe won't change the cards in
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your hand. I call. You are
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bluffing and you will lose.
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HAWKING
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Wrong again, Albert.
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Hawking's card holder flips over his cards.
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2 INSERT - HAWKING'S CARDS
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he has four SEVENS.
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3 RESUME SCENE
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As they all react. Einstein's shoulders slump in
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defeat.
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RIKER'S COM VOICE
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Red Alert. All personnel report
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to duty stations.
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DATA
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(stands)
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We will have to continue this at
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another time.
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(to com)
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End program.
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The scientists and the room VANISH, revealing the
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Holodeck walls. Data EXITS.
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CUT TO:
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4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship at warp.
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STAR TREK: "Descent" - 04/12/93 - TEASER 4.
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5 INT. MAIN BRIDGE
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PICARD ENTERS from the aft Turbolift and moves toward
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RIKER, who is standing at one of the aft science
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stations. WORF and TROI are at their stations, an N.D.
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at Conn. Data ENTERS from the forward Turbolift and
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moves to Ops. The ship is on Red Alert.
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RIKER
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(to Picard)
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We've received a distress call
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from the Ohniaka Three Outpost.
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They said they were under attack.
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PICARD
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(puzzled)
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Ohniaka Three... there's no
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strategic value to that outpost.
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Were they able to identify the
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attackers?
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RIKER
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No, sir. And we haven't been able
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to raise them since the initial
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call.
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WORF
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We are nearing the Ohniaka system,
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Captain.
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Picard and Riker move toward the Command area.
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PICARD
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(to Con)
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Bring us out of warp, Ensign.
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WORF
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Sensors detect one ship orbiting
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the third planet... its
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configuration does not match
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anything in our records.
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RIKER
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Stand-by phasers and photon
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torpedoes.
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PICARD
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Hail them, Mister Worf.
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WORF
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(works)
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No response.
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PICARD
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Put them onscreen.
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STAR TREK: "Descent" - REV. 04/13/93 - TEASER 5.
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6 INCLUDE VIEWSCREEN (OPTICAL)
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The screen shows an ALIEN VESSEL in orbit around a
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planet. The ship is unlike any other we've ever seen.
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It has very little markings or decoration, but it is
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clearly menacing.
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DATA
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It does not appear to be attacking
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the outpost.
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RIKER
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They might have attacked before we
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got here.
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PICARD
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Or they might simply be another
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victim.
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(beat, to Data)
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What about the outpost on the
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surface?
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DATA
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(works)
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There is a great deal of
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electromagnetic interference... I
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am unable to determine whether
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there are any lifeforms present.
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Riker looks to Picard, who thinks for a moment, then
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nods. Riker stands and heads for the Turbolift.
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RIKER
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Data, Worf, you're with me.
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Riker, Data, and Worf EXIT.
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CUT TO:
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7 INT. OUTPOST (OPTICAL)
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A typical Federation science station which has recently
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been attacked. There are DEAD BODIES everywhere, and
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a few scorch marks are visible on the walls, but the
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physical damage is actually minimal. Riker, Data,
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Worf, and ONE N.D. SECURITY GUARD MATERIALIZE.
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Everyone is wearing phasers, and Data and Worf have
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tricorders.
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STAR TREK: "Descent" - 04/12/93 - TEASER 5A.
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7 CONTINUED:
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Riker reacts to the sight of the dead Starfleet
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officers. Worf checks some of the bodies with his
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tricorder while Data moves to a computer console.
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STAR TREK: "Descent" - REV. 04/13/93 - TEASER 6.
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7 CONTINUED: (2)
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WORF
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(off-tricorder)
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These wounds were caused by a
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forced-plasma beam... similar to
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a Ferengi hand phaser.
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RIKER
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This seems pretty brutal for the
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Ferengi.
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(to Data)
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Can you detect any survivors?
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DATA
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(off tricorder)
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The electro-magnetic interference
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is still making it difficult to
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get precise sensor readings.
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RIKER
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How many people were assigned to
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this outpost?
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WORF
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Two hundred seventy-four.
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RIKER
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All right... we'll make a room to
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room search. Worf -- you, and
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Corelki start searching the north
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wing, we'll take the south.
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WORF
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Aye, sir.
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Worf and the N.D. Guard EXIT the room. Riker and Data
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move toward a door at the opposite side of the room.
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Data tries to operate a panel next to the door, but it
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doesn't open right away.
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DATA
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The mechanism appears to be
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jammed.
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Data works a computer control on the wall and Riker
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looks around at the chilling sight surrounding them.
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RIKER
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There's not much damage... doesn't
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look like they were interested in
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the station... just the people...
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STAR TREK: "Descent" - REV. 04/14/93 - TEASER 7.
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7 CONTINUED: (3)
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A long beat, then Data turns to Riker.
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DATA
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I have by-passed the primary
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system.
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Data works for a moment.
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8 NEW ANGLE - INCLUDING DOOR (OPTICAL)
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The door suddenly OPENS and reveals a BORG STANDING IN
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THE DOORWAY.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Descent" - REV. 04/13/93 - ACT ONE 8.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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9 INT. OUTPOST - CONTINUOUS (OPTICAL)
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Riker, Data, and the Security Guard react with shock,
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but before they can do anything, another BORG ENTERS
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the room and FIRES at them. Riker and Data dive for
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cover just as SEVERAL OTHER BORG start to rush in,
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FIRING their weapons.
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CUT TO:
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10 EXT. SPACE - ENTERPRISE & ALIEN SHIP (OPTICAL)
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The Alien ship suddenly FIRES on the Enterprise.
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11 INT. MAIN BRIDGE
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Picard and Geordi are on the Bridge. The ship ROCKS
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with the impact.
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PICARD
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(to Con)
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Evasive maneuvers, Ensign!
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(to Tactical)
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Return fire.
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The ship ROCKS again.
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GEORDI
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Shields are down to eighty
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percent... compensating with
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auxiliary power.
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12 INT. OUTPOST (OPTICAL)
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Riker and Data have taken cover behind some consoles
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and they are trading PHASER SHOTS with the Borg. These
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Borg are not acting like the calm, neutral automatons
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that we've become used to seeing. They are quickfooted,
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cunning, and ferocious. Their faces are
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twisted into expressions of fury and hatred... and they
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take care to hide behind objects to avoid being shot --
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in short, they are behaving like individuals instead of
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mindless worker ants.
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STAR TREK: "Descent" - REV. 04/14/93 - ACT ONE 9.
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12 CONTINUED:
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One of the Borg makes a move toward them, but Riker
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FIRES at him and the Borg goes down.
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Another Borg -- BORG #1 -- looks at the body of the
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fallen Borg from behind a console. He turns to Riker,
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his face twisted in hate.
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BORG #1
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You have killed Torsus. I will
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make you suffer for this.
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Worf and the Security Guard rush into the room and
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immediately take cover as the Borg FIRE at them.
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13 OMITTED
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14 ANGLE ON BORG #2 (OPTICAL)
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BORG #2 peeks out from behind a console to get a better
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look at the Starfleet officers. He looks at each of
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them in turn as if going over some unseen checklist.
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BORG #2
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Biological organism -- Klingon.
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Biological organism -- Human. I
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will destroy you.
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Then he looks at Data... and he frowns for a beat as if
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remembering something.
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BORG #2
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Artificial lifeform. Starfleet
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Rank: Lieutenant Commander. Name:
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Data.
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Data looks puzzled by this... what does it mean? Borg
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#2 turns and looks at BORG #3 -- as if sending some
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silent message.
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Borg #3 leaps up and then rushes Data and Riker. Borg
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#1 FIRES at the Security Guard, killing her.
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The other Borg move to follow the lead of Borg #3, but
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steady FIRE from Worf and Riker keep them pinned down.
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15 DATA
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Jumps up to take on Borg #3 as he rushes at them. Data
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and the Borg begin a fierce hand to hand fight...
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STAR TREK: "Descent" - REV. 04/14/93 - TEASER 9A.
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16 RIKER & WORF (OPTICAL)
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Continue to trade phaser FIRE with the other Borg.
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17 OMITTED
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STAR TREK: "Descent" - 04/12/93 - ACT ONE 10.
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18 DATA
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Suddenly a change happens during Data's fight with the
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Borg... the expression on his normally neutral face
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begins to harden... his features twist into a snarl...
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and without warning, he suddenly PICKS UP the Borg and
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snarls into his face, his voice loud with rage and
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anger...
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DATA
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(a shout)
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Stop it!
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He SLAMS the Borg against the wall and then hits him
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again and again.
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DATA
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Stop! Stop! Stop! Stop!
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The Borg finally slumps to the ground, dead.
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19 WIDER (OPTICAL)
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As all the Borg suddenly break off their attack. They
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take a step back and then DEMATERIALIZE. Riker and
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Worf look at each other for a moment... then pick
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themselves up off the ground and look at Data with
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shock. Data looks confused... the rage and violence we
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saw only a moment ago is now gone and he seems puzzled
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by what's happened.
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CUT TO:
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20 INT. MAIN BRIDGE
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Geordi reacts to something on his console.
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GEORDI
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Captain, the alien ship is
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breaking orbit.
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PICARD
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(to Con)
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Set an intercept course, Ensign.
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(to Tactical)
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Fire torpedoes.
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GEORDI
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Shields are back to full power,
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Captain.
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PICARD
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Very good.
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STAR TREK: "Descent" - REV. 04/13/93 - ACT ONE 11.
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21 EXT. SPACE - ALIEN SHIP (OPTICAL)
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The ship is moving at impulse... suddenly a BLINDING
|
|
FLASH OF LIGHT APPEARS in front of the ship. The Alien
|
|
vessel abruptly VANISHES. Once the ship is gone, the
|
|
Light also disappears.
|
|
|
|
22 INT. MAIN BRIDGE
|
|
|
|
As before. The Viewscreen shows only an empty
|
|
starfield. Picard stares at the screen and frowns in
|
|
frustration.
|
|
|
|
PICARD
|
|
Mister La Forge?
|
|
|
|
GEORDI
|
|
They're gone, sir. Our sensors
|
|
indicate there was some kind of
|
|
subspace distortion just before
|
|
they disappeared... I'll have to
|
|
study these readings before I can
|
|
get more specific.
|
|
|
|
Picard stares at the screen for another moment, then
|
|
turns to the Conn Officer.
|
|
|
|
PICARD
|
|
Take us back to Ohniaka Three.
|
|
|
|
CUT TO:
|
|
|
|
23 INT. OUTPOST
|
|
|
|
As before. Riker moves over to Data, who still looks
|
|
shocked.
|
|
|
|
RIKER
|
|
(gently)
|
|
Data?
|
|
(beat)
|
|
Data, are you all right?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
RIKER
|
|
What happened?
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT ONE 12.
|
|
|
|
23 CONTINUED:
|
|
|
|
A long beat, then Data turns to Riker with a completely
|
|
stunned look on his face.
|
|
|
|
DATA
|
|
I got angry.
|
|
|
|
Off their reactions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 13.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
24 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit around Ohniaka Three.
|
|
|
|
PICARD (V.O)
|
|
Captain's Log: Stardate 46982.1.
|
|
Because of his unusual behavior on
|
|
the planet surface, Commander Data
|
|
has asked to be temporarily
|
|
relieved of duty. Unfortunately,
|
|
this means he will not be able to
|
|
help us investigate a disturbing
|
|
new change in the behavior of the
|
|
Borg.
|
|
|
|
25 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Worf, Troi, and BEVERLY are seated
|
|
around the table.
|
|
|
|
RIKER
|
|
They were fast, aggressive --
|
|
almost vicious... it was more like
|
|
fighting Klingons than Borg,
|
|
(to Worf)
|
|
No offense.
|
|
|
|
WORF
|
|
None taken.
|
|
|
|
RIKER
|
|
There was another difference. I
|
|
don't think they were part of the
|
|
Borg collective... they acted more
|
|
like individuals.
|
|
|
|
That gets everyone's attention.
|
|
|
|
PICARD
|
|
(shocked)
|
|
What?
|
|
|
|
RIKER
|
|
One of them referred to himself as
|
|
"I".
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 13A.
|
|
|
|
25 CONTINUED:
|
|
|
|
WORF
|
|
That Borg also showed concern for
|
|
a fallen comrade... and called him
|
|
by name.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 14.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
TROI
|
|
The only Borg who ever had a
|
|
name... was Hugh. And we gave it
|
|
to him.
|
|
|
|
BEVERLY
|
|
Maybe Hugh has something to do
|
|
with this change in their
|
|
behavior.
|
|
|
|
A quiet beat as they consider this. Picard stands and
|
|
moves to the windows. His voice is quiet and somber...
|
|
he's drawing on his own painful memories of the Borg.
|
|
|
|
PICARD
|
|
Did they show any interest in...
|
|
assimilating you... or your
|
|
technology?
|
|
|
|
RIKER
|
|
They seemed more concerned with
|
|
the death of their colleague...
|
|
and with destroying us... I didn't
|
|
see anything that suggested they
|
|
wanted to assimilate anyone.
|
|
|
|
Picard thinks about this for a moment... mulling over
|
|
the possibilities.
|
|
|
|
PICARD
|
|
The Borg's entire existence was
|
|
centered around the acquisition of
|
|
technology and cultures... if that
|
|
is no longer the case... then they
|
|
must have a new objective. We
|
|
have to find out what it is.
|
|
(MORE)
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 15.
|
|
|
|
25 CONTINUED: (3)
|
|
|
|
PICARD (Cont'd)
|
|
(beat)
|
|
Mister Worf, from this moment on,
|
|
we will maintain security
|
|
condition two. Have armed
|
|
officers posted on every deck.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
PICARD
|
|
Number One, analyze our sensor
|
|
readings of the Borg ship... try
|
|
to determine whether it's
|
|
something they constructed or an
|
|
alien ship they captured. Then,
|
|
run an analysis of this...
|
|
subspace distortion they used to
|
|
escape.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
PICARD
|
|
I'm going to contact Starfleet
|
|
Command.
|
|
|
|
Picard turns away from the window and EXIT without
|
|
making eye contact with anyone in the room. The others
|
|
all rise and head for the doors.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 16.
|
|
|
|
26 INT. MAIN ENGINEERING
|
|
|
|
Geordi is checking out Data with a tricorder. He
|
|
shakes his head after a beat and closes the tricorder.
|
|
|
|
GEORDI
|
|
Your positronic net checks out...
|
|
everything looks fine.
|
|
|
|
DATA
|
|
My internal diagnostic also found
|
|
nothing wrong.
|
|
|
|
GEORDI
|
|
I don't know what to say, Data.
|
|
There's nothing here to indicate
|
|
anything that would cause a
|
|
behavioral anomaly.
|
|
|
|
DATA
|
|
I agree.
|
|
(beat)
|
|
Geordi, I believe I experienced my
|
|
first emotion.
|
|
|
|
Geordi is dubious about this.
|
|
|
|
GEORDI
|
|
Data... no offense, but how would
|
|
you know an actual flash of anger
|
|
from some kind of odd power surge?
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT TWO 17.
|
|
|
|
26 CONTINUED:
|
|
|
|
DATA
|
|
You are correct in that I have no
|
|
frame of reference to confirm my
|
|
hypothesis.
|
|
(beat)
|
|
In fact, I find myself unable to
|
|
provide a verbal description of
|
|
the experience. Perhaps you could
|
|
describe what it feels like when
|
|
you get angry... I could then use
|
|
that as a reference.
|
|
|
|
Geordi thinks about this... struggles with an answer.
|
|
|
|
GEORDI
|
|
Well... when I get angry, first
|
|
I... begin to feel... hostile...
|
|
|
|
DATA
|
|
Could you describe feeling
|
|
hostile?
|
|
|
|
GEORDI
|
|
It's feeling... belligerent...
|
|
combative...
|
|
|
|
DATA
|
|
Can you describe feeling angry
|
|
without referring to other
|
|
feelings?
|
|
|
|
Geordi struggles with this for a moment... finally
|
|
gives up.
|
|
|
|
GEORDI
|
|
No. I guess I can't. I just...
|
|
feel angry.
|
|
|
|
DATA
|
|
That was my experience as well.
|
|
I simply... felt angry.
|
|
|
|
GEORDI
|
|
Let's say that you're right... and
|
|
this was an emotion. How is that
|
|
possible?
|
|
|
|
DATA
|
|
I do not know. Perhaps I have
|
|
evolved to the point where
|
|
emotions are within my reach.
|
|
(MORE)
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 18.
|
|
|
|
26 CONTINUED: (2)
|
|
|
|
DATA (Cont'd)
|
|
(beat)
|
|
Perhaps I will experience other
|
|
emotions as time goes on.
|
|
|
|
Geordi smiles and shrugs as he begins to put away the
|
|
tools.
|
|
|
|
GEORDI
|
|
I hope you're right. I'd hate to
|
|
think that anger is all you're
|
|
capable of feeling.
|
|
|
|
Data frowns slightly at this thought. Off his reaction
|
|
as he begins to think about this...
|
|
|
|
CUT TO:
|
|
|
|
26A EXT. SPACE - ENTERPRISE & GORKON (OPTICAL)
|
|
|
|
The Enterprise and the STARSHIP GORKON are running side
|
|
by side.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log: Stardate 46984.6
|
|
No additional Borg attacks have
|
|
been reported in the past two
|
|
days. However, Starfleet has
|
|
dispatched Admiral Nechayev to
|
|
take command in this sector in
|
|
preparation for a possible Borg
|
|
invasion.
|
|
|
|
27 INT. READY ROOM
|
|
|
|
Picard and ADMIRAL NECHAYEV (from "Chain of Command")
|
|
are talking.
|
|
|
|
NECHAYEV
|
|
There will be fifteen starships in
|
|
this sector by the day after
|
|
tomorrow. The Gorkon will be my
|
|
flagship. You'll have command of
|
|
task force three, consisting of
|
|
the Enterprise, the Crazy Horse
|
|
and the Agamemnon.
|
|
|
|
PICARD
|
|
Understood.
|
|
|
|
Nechayev takes a moment... there's something else on
|
|
her mind.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 19.
|
|
|
|
27 CONTINUED:
|
|
|
|
NECHAYEV
|
|
Captain... I've read the report
|
|
you submitted to Admiral Brooks
|
|
last year regarding the Borg you
|
|
called "Hugh"...
|
|
(beat)
|
|
... and I've been trying to figure
|
|
out why you let him go.
|
|
|
|
Picard stiffens slightly.
|
|
|
|
PICARD
|
|
I thought I made my reasons clear.
|
|
|
|
Nechayev's attitude is hard... she doesn't approve of
|
|
Picard's actions and she wants him to know it.
|
|
|
|
NECHAYEV
|
|
As I understand it... you found a
|
|
single Borg at a crash site...
|
|
brought it aboard the
|
|
Enterprise... studied it...
|
|
analyzed it... and eventually
|
|
found a way to send it back to the
|
|
Borg with a program that would
|
|
have destroyed the entire
|
|
collective once and for all.
|
|
|
|
Picard says nothing... Nechayev's voice becomes harsh.
|
|
|
|
NECHAYEV
|
|
(continuing)
|
|
But instead, you nursed the Borg
|
|
back to health, treated it like a
|
|
guest, gave it a name, and then
|
|
sent it home.
|
|
(beat)
|
|
Why?
|
|
|
|
Picard is not afraid to confront these issues and he
|
|
faces her directly. Their voices steadily rise as the
|
|
tension builds.
|
|
|
|
PICARD
|
|
Once Hugh was separated from the
|
|
Borg collective he began to...
|
|
grow and evolve into something
|
|
more than just an automaton. He
|
|
was a person. When that happened,
|
|
I had no choice but to respect his
|
|
rights as an individual.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 20.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
NECHAYEV
|
|
Of course you had a choice. You
|
|
could've taken the opportunity to
|
|
rid the Federation of a mortal
|
|
enemy... one that has killed tens
|
|
of thousands of innocent people,
|
|
and which may kill even more.
|
|
|
|
PICARD
|
|
(tight)
|
|
No one is more aware of the danger
|
|
than I am. But I am also bound by
|
|
my oath and my conscience to
|
|
uphold certain principles. And I
|
|
will not sacrifice them in order
|
|
to--
|
|
|
|
NECHAYEV
|
|
(hard)
|
|
Your priority is to safeguard the
|
|
lives of Federation citizens...
|
|
not to wrestle with your
|
|
conscience.
|
|
(beat)
|
|
Now I want to make it clear that
|
|
if you have a similar opportunity
|
|
in the future... an opportunity to
|
|
destroy the Borg... you are under
|
|
orders to take advantage of it.
|
|
Is that understood?
|
|
|
|
In the face of that kind of direct order, there is only
|
|
one response possible.
|
|
|
|
PICARD
|
|
(tight)
|
|
Yes, sir.
|
|
|
|
Nechayev EXITS. Picard looks after her for a moment...
|
|
off his reaction...
|
|
|
|
CUT TO:
|
|
|
|
28 EXT. SPACE - THE ENTERPRISE & GORKON (OPTICAL)
|
|
|
|
The Gorkon pulls away at impulse.
|
|
|
|
29 INT. TROI'S OFFICE
|
|
|
|
Troi and Data are sitting in the office.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 20A.
|
|
|
|
29 CONTINUED:
|
|
|
|
DATA
|
|
For the past six hours, I have
|
|
attempted to produce an emotional
|
|
response by subjecting myself to
|
|
various stimuli.
|
|
|
|
TROI
|
|
Like what?
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT TWO 21.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
DATA
|
|
I listened to several operas known
|
|
to be uplifting, I watched three
|
|
Holodeck programs designed to be
|
|
humorous, and I made four attempts
|
|
to induce sexual desire by
|
|
subjecting myself to erotic
|
|
imagery.
|
|
|
|
TROI
|
|
What happened?
|
|
|
|
DATA
|
|
Nothing.
|
|
|
|
TROI
|
|
I'm curious... why are you
|
|
ignoring the one emotion you've
|
|
already experienced? Why aren't
|
|
you trying to make yourself angry
|
|
again?
|
|
|
|
DATA
|
|
Anger is a negative emotion. I
|
|
wanted to concentrate on something
|
|
more positive.
|
|
|
|
TROI
|
|
Feelings aren't positive or
|
|
negative Data, they simply exist.
|
|
It's what we do with those
|
|
feelings that becomes good or bad.
|
|
(beat)
|
|
For example, feeling angry about
|
|
an injustice could lead someone to
|
|
take a positive action to correct
|
|
it.
|
|
|
|
DATA
|
|
But my study of humanity indicates
|
|
there are some emotions that are
|
|
harmful, such as jealousy or
|
|
hatred.
|
|
|
|
These are difficult areas to deal with, even for Troi,
|
|
and she takes moment to grapple with this.
|
|
|
|
TROI
|
|
Those are very... strong emotions,
|
|
and you're right -- there's very
|
|
little good that can come from
|
|
them.
|
|
(MORE)
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT TWO 22.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
TROI (Cont'd)
|
|
But, I don't think that an
|
|
exploration of anger would
|
|
necessarily lead to feelings of
|
|
hate or malice.
|
|
|
|
DATA
|
|
But what if it does, Counselor?
|
|
What if it turns out that those
|
|
are the only emotions I am capable
|
|
of experiencing? Would that not
|
|
make me a... bad person?
|
|
|
|
Troi looks at him for a moment... finally she gives him
|
|
a gentle smile.
|
|
|
|
TROI
|
|
Data, we've served together a long
|
|
time... and I've gotten to know
|
|
you pretty well... I have to
|
|
believe if you ever do reach your
|
|
goal of becoming human... you
|
|
won't become a bad one.
|
|
|
|
Data pauses, thinks for a moment. He seems troubled by
|
|
something.
|
|
|
|
DATA
|
|
I wish I were as confident as you
|
|
are, Counselor.
|
|
(beat)
|
|
When I was fighting the Borg, I
|
|
felt angry... but as I think back
|
|
on that incident, I realize that
|
|
I also experienced another
|
|
sensation. It was not the same as
|
|
anger, but I think it was an
|
|
emotion.
|
|
|
|
TROI
|
|
Exactly when did you feel this...
|
|
other emotion?
|
|
|
|
DATA
|
|
It was just after I had killed the
|
|
Borg. I looked down at his body
|
|
and I.... felt something.
|
|
|
|
TROI
|
|
If you had to put a name to
|
|
this... feeling, what would you
|
|
call it?
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT TWO 23.
|
|
|
|
29 CONTINUED: (3)
|
|
|
|
There is a long beat as Data thinks about this.
|
|
|
|
DATA
|
|
I believe it was pleasure.
|
|
|
|
Off Troi's reaction...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT THREE 24.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
30 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship is moving at impulse power.
|
|
|
|
31 INT. MAIN BRIDGE
|
|
|
|
Riker in Command, Worf at Tactical. Riker is just
|
|
turning away from Worf.
|
|
|
|
RIKER
|
|
Red Alert! All hands to battle
|
|
stations.
|
|
(to Con)
|
|
Lay in a course and engage at warp
|
|
nine.
|
|
|
|
N.D. CREWMEMBERS start ENTERING from the Turbolifts.
|
|
Picard ENTERS from the Ready Room.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
We have a distress call from the
|
|
New Berlin Colony. They're under
|
|
attack.
|
|
|
|
PICARD
|
|
(to Data)
|
|
What's our ETA?
|
|
|
|
WORF
|
|
At warp nine, we will arrive in
|
|
fifteen minutes, thirty seconds.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Contact the Crazy Horse, and the
|
|
Agamemnon, tell them to stand-by
|
|
in case we --
|
|
|
|
Worf's console suddenly BEEPS and he turns to answer
|
|
it.
|
|
|
|
WORF
|
|
Incoming message, Captain. It's
|
|
the New Berlin Colony.
|
|
(MORE)
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 25.
|
|
|
|
31 CONTINUED:
|
|
|
|
WORF (Cont'd)
|
|
(beat)
|
|
They are... cancelling their
|
|
distress call. Evidently a
|
|
Ferengi trading ship entered their
|
|
system and someone panicked.
|
|
|
|
Everyone reacts on the Bridge.
|
|
|
|
RIKER
|
|
That's the third time today.
|
|
(to Con)
|
|
Reduce speed and bring us back to
|
|
our patrol route.
|
|
|
|
Picard barely manages to restrain his temper.
|
|
|
|
PICARD
|
|
Mister Worf... stand down from Red
|
|
Alert. Acknowledge the signal
|
|
from New Berlin, and then transmit
|
|
another copy of Starfleet's ship
|
|
recognition protocols... and tell
|
|
them to read it this time.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Picard EXITS to the Ready Room.
|
|
|
|
CUT TO:
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log: Supplemental. We
|
|
have been on patrol for seventeen
|
|
hours, and there are still no
|
|
reports of any further Borg
|
|
activity. But tensions continue
|
|
to run high on the colonies and
|
|
outposts in this sector.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT THREE 26.
|
|
|
|
33 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard is sitting at his desk, looking at his monitor.
|
|
We see that he is watching a visual recording of HUGH
|
|
from "I, Borg." Specifically, this clip is Scene 27R,
|
|
1 -- a closeup of Hugh in the Lab set.
|
|
|
|
Picard watches the scene for a few beats (not more than
|
|
ten seconds), remembering his own encounter with Hugh.
|
|
When the scene reaches the point where Hugh says "We
|
|
are Hugh," the door to the Ready Room CHIMES and Picard
|
|
touches a control which FREEZES the image of Hugh's
|
|
face on the screen.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Riker ENTERS, carrying a PADD.
|
|
|
|
RIKER
|
|
(hands Picard the PADD)
|
|
I thought you'd like to see this.
|
|
It's Geordi's analysis of the
|
|
subspace distortion the Borg used
|
|
to escape.
|
|
|
|
Picard studies the PADD for a moment. Riker glances
|
|
down at the monitor and notes Hugh's image on the
|
|
screen.
|
|
|
|
PICARD
|
|
(reading)
|
|
"... an artificially created
|
|
energy conduit."
|
|
(tosses PADD on table in
|
|
irritation)
|
|
That could be anything.
|
|
|
|
RIKER
|
|
We don't have enough information
|
|
at this point to --
|
|
|
|
PICARD
|
|
I don't want excuses, Number One.
|
|
I want answers.
|
|
|
|
Riker stiffens at the tone in Picard's voice and Picard
|
|
instantly regrets snapping at him.
|
|
|
|
STAR TREK: "Descent" - REV. 04/19/93 - ACT THREE 27.
|
|
|
|
33 CONTINUED:
|
|
|
|
PICARD
|
|
(softer)
|
|
Sorry.
|
|
|
|
Picard looks at the image of Hugh on the viewer.
|
|
|
|
PICARD
|
|
He was right here, Wil... in this
|
|
very room. And I let him go.
|
|
(beat)
|
|
Pick any five starship Captains...
|
|
give them a chance to rid the
|
|
Federation of a mortal threat.
|
|
(beat)
|
|
I would wager that all five would
|
|
do it... even if it meant
|
|
sacrificing the rights of one man.
|
|
|
|
Riker thinks about this for a moment.
|
|
|
|
RIKER
|
|
I don't mean to sound
|
|
melodramatic... but I've never
|
|
thought of you as just "any other
|
|
starship Captain." Sending Hugh
|
|
back to the Borg was a very risky,
|
|
a very dangerous choice... but it
|
|
was the moral thing to do.
|
|
|
|
Picard takes a long hard look at the face of Hugh.
|
|
|
|
PICARD
|
|
It may turn out that the moral
|
|
thing to do... was not the right
|
|
thing to do.
|
|
|
|
Riker has no answer for that and there is a long somber
|
|
beat.
|
|
|
|
CUT TO:
|
|
|
|
34 INT. CORRIDOR
|
|
|
|
Geordi is walking down the Corridor toward the
|
|
Holodeck. He reaches the doors and presses the panel.
|
|
The doors OPEN and he ENTERS.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 28.
|
|
|
|
35 INT. OUTPOST/HOLODECK
|
|
|
|
The Holodeck has recreated the destroyed Outpost as
|
|
seen in Act One. Data is FIGHTING a Holo-Borg in the
|
|
same manner as seen earlier.
|
|
|
|
The fight is at the point where Data had basically
|
|
defeated the Borg and he was hitting him over and over
|
|
again. Data repeats the same dialogue as before, but
|
|
this time he says it with a complete lack of emotion --
|
|
just an android repeating a phrase, with no feeling at
|
|
all.
|
|
|
|
Geordi ENTERS from the Corridor.
|
|
|
|
DATA
|
|
Stop. Stop. Stop. Stop.
|
|
|
|
Data defeats the Borg again, and the Holo-Borg slumps
|
|
to the ground. Data's expression remains carefully
|
|
neutral during the fight, and after the Borg goes down,
|
|
Data pauses and seems to think for a beat.
|
|
|
|
GEORDI
|
|
Data... am I interrupting
|
|
something?
|
|
|
|
DATA
|
|
Yes. But it is all right. Do you
|
|
need me?
|
|
|
|
GEORDI
|
|
Well, I wanted to see if you were
|
|
ready to return to duty. I need
|
|
some help on an analysis of the
|
|
ship the Borg were using.
|
|
|
|
DATA
|
|
I believe I am able to resume my
|
|
duties.
|
|
|
|
Geordi looks down at the Borg lying on the ground.
|
|
|
|
GEORDI
|
|
What are you doing in here?
|
|
|
|
DATA
|
|
I am attempting to recreate the
|
|
experience which led to my initial
|
|
burst of anger.
|
|
|
|
GEORDI
|
|
Any luck?
|
|
|
|
DATA
|
|
None so far.
|
|
(beat)
|
|
I have nearly completed this
|
|
experiment. May I finish before
|
|
we return to Engineering?
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 29.
|
|
|
|
35 CONTINUED:
|
|
|
|
GEORDI
|
|
Sure, go ahead.
|
|
|
|
Geordi moves out of the way. He watches as Data
|
|
resumes his program.
|
|
|
|
DATA
|
|
(to com)
|
|
Computer, reset Borg simulation to
|
|
time index two point one.
|
|
Increase Borg strength by twenty
|
|
percent.
|
|
|
|
35A NEW ANGLE
|
|
|
|
Data moves back to his previous position. The Holo-Borg
|
|
is now standing at the ready again.
|
|
|
|
DATA
|
|
Run program.
|
|
|
|
They immediately begin to FIGHT. The Borg is stronger
|
|
and more powerful this time and he is able to beat back
|
|
Data for a moment. Geordi watches with concern. But
|
|
Data soon gets the upper hand.
|
|
|
|
DATA
|
|
Stop. Stop. Stop. Stop.
|
|
|
|
Again, the Borg slumps to the ground. There is still
|
|
no trace of emotion on Data's face.
|
|
|
|
DATA
|
|
(to com)
|
|
Computer, reset simulation to time
|
|
index two point one. Increase
|
|
Borg strength by thirty percent.
|
|
|
|
COMPUTER VOICE
|
|
Unable to comply. A thirty
|
|
percent increase would exceed
|
|
safety limits.
|
|
|
|
Data thinks about this for a moment, then turns to
|
|
Geordi.
|
|
|
|
DATA
|
|
The computer will require the
|
|
voice authorizations of two senior
|
|
officers in order to disable the
|
|
safety routine. Will you help me?
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 29A.
|
|
|
|
35A CONTINUED:
|
|
|
|
GEORDI
|
|
(concerned)
|
|
Whoa, wait a minute.
|
|
(re: Borg)
|
|
That thing could kill you.
|
|
|
|
DATA
|
|
During the original incident the
|
|
Borg presented a genuine danger to
|
|
my life.
|
|
(MORE)
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 30.
|
|
|
|
35A CONTINUED: (2)
|
|
|
|
DATA (Cont'd)
|
|
With the Holodeck safety routine
|
|
in place, I know that my life is
|
|
not in danger. Since I am trying
|
|
to duplicate the conditions of the
|
|
original incident as closely as
|
|
possible I must attempt to
|
|
duplicate the jeopardy as well.
|
|
|
|
Geordi is angered by the casual attitude of his friend.
|
|
|
|
GEORDI
|
|
(angry)
|
|
Data, We're talking about an
|
|
experiment. You can't put your
|
|
life on the line just to prove a
|
|
theory.
|
|
|
|
DATA
|
|
This experiment may hold the key
|
|
to something which I have sought
|
|
all my life.
|
|
|
|
GEORDI
|
|
(firm)
|
|
This is crazy. There's got to be
|
|
another way. Why don't you try
|
|
something else to make yourself
|
|
angry...
|
|
|
|
DATA
|
|
I have tried other stimuli, but
|
|
they have been unsuccessful. I
|
|
understand your objections, but it
|
|
is my life and I have the right to
|
|
risk it if I choose.
|
|
|
|
GEORDI
|
|
Well, I'm your friend and I'm not
|
|
going to just stand by and let you
|
|
do this.
|
|
|
|
Before Data can respond, Riker's Com Voice interrupts.
|
|
|
|
RIKER'S COM VOICE
|
|
Red Alert, all hands to battle
|
|
stations.
|
|
|
|
Geordi and Data head for the EXIT.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT THREE 31.
|
|
|
|
36 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Racing along at warp.
|
|
|
|
37 INT. MAIN BRIDGE
|
|
|
|
Picard and Riker at the aft science station, with Worf
|
|
at Tactical.
|
|
|
|
RIKER
|
|
It's confirmed. The MS One colony
|
|
is under attack.
|
|
|
|
Picard frowns... something is odd here.
|
|
|
|
PICARD
|
|
Doesn't it seem strange that there
|
|
have been two Borg attacks... and
|
|
the Enterprise was the nearest
|
|
ship in both instances?
|
|
|
|
But before Riker can respond, Data interrupts.
|
|
|
|
DATA
|
|
We are nearing the MS system, sir.
|
|
|
|
WORF
|
|
I have located the Borg ship. It
|
|
is heading away from the colony.
|
|
|
|
PICARD
|
|
(to Con Officer)
|
|
Take us out of warp near that
|
|
ship.
|
|
|
|
RIKER
|
|
Stand-by to lock phasers on
|
|
target.
|
|
|
|
WORF
|
|
We are within visual range.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
38 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The alien Borg ship seen earlier is heading away from
|
|
the Enterprise.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT THREE 31A.
|
|
|
|
38 CONTINUED:
|
|
|
|
PICARD
|
|
Lay in an intercept course, full
|
|
impulse.
|
|
(to Worf)
|
|
Lock phasers.
|
|
|
|
WORF
|
|
We are closing... we will be
|
|
within phaser range in thirty
|
|
seconds.
|
|
|
|
Data reacts to something on his console.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT THREE 32.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
DATA
|
|
Captain... sensors detect a
|
|
subspace distortion forming
|
|
directly ahead of the Borg ship.
|
|
|
|
PICARD
|
|
They're not going to get away this
|
|
time.
|
|
(to com)
|
|
Picard to Engineering. Transfer
|
|
auxiliary and emergency power to
|
|
the impulse engines.
|
|
|
|
GEORDI'S COM VOICE
|
|
Acknowledged.
|
|
|
|
DATA
|
|
Impulse engines now at one hundred
|
|
twenty-five percent.
|
|
|
|
WORF
|
|
We will be in phaser range... in
|
|
ten seconds.
|
|
|
|
The Borg ship on the viewer gets closer. Suddenly the
|
|
FLASH OF LIGHT appears in front of the Borg ship and
|
|
the ship VANISHES INTO IT.
|
|
|
|
The Enterprise ROCKS suddenly.
|
|
|
|
DATA
|
|
We are caught in some kind of
|
|
energy (TECH).
|
|
|
|
RIKER
|
|
All engines back full.
|
|
|
|
WORF
|
|
Shields are failing.
|
|
|
|
DATA
|
|
We are being pulled inside.
|
|
|
|
39 EXT. SPACE - ENTERPRISE & DISTORTION (OPTICAL)
|
|
|
|
The ship is PULLED INSIDE and then the distortion
|
|
finally VANISHES, leaving no trace of the Enterprise.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FOUR 33.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
40 INT. MAIN BRIDGE
|
|
|
|
As before. The ship is shaking violently. An INTENSE
|
|
FLICKERING LIGHT from the Viewscreen casts a bright
|
|
glow on the Bridge crew.
|
|
|
|
WORF
|
|
(urgent)
|
|
Inertial dampers failing.
|
|
|
|
DATA
|
|
Main power is off-line. I am
|
|
switching to back-ups.
|
|
|
|
PICARD
|
|
(to com)
|
|
Picard to Engineering, can you
|
|
transfer auxiliary power to the
|
|
warp nacelles? Try to break us
|
|
out by using the --
|
|
|
|
Suddenly the ship is ROCKED VIOLENTLY, almost knocking
|
|
everyone to the deck, but then the shaking stops
|
|
altogether. The bright light on the viewer is GONE.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
DATA
|
|
(off console)
|
|
We have returned to normal space.
|
|
Navigational systems are still offline...
|
|
I will attempt to make a
|
|
celestial fix using secondary
|
|
systems.
|
|
|
|
Worf suddenly reacts to something on his console.
|
|
|
|
WORF
|
|
Captain, the Borg ship is directly
|
|
ahead! It's coming about!
|
|
|
|
PICARD
|
|
On-screen.
|
|
|
|
41 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The Borg ship is now getting closer.
|
|
|
|
RIKER
|
|
Evasive maneuvers.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 34.
|
|
|
|
41 CONTINUED:
|
|
|
|
WORF
|
|
(works, frustrated)
|
|
Shields are down to sixteen
|
|
percent, Captain.
|
|
|
|
Helpless, they watch as the Borg ship gets inexorably
|
|
closer on the screen. The Borg ship FIRES on the
|
|
Enterprise.
|
|
|
|
The ship ROCKS under the impact of the shot, but before
|
|
anyone can react, TWO BORG MATERIALIZE on the Bridge.
|
|
They immediately FIRE at our people, who dive for
|
|
cover.
|
|
|
|
42 WORF (OPTICAL)
|
|
|
|
returns FIRE at a Borg, killing him.
|
|
|
|
43 AN N.D. SECURITY OFFICER (OPTICAL)
|
|
|
|
FIRES at a Borg and misses. The Borg FIRES back and
|
|
the Officer is killed.
|
|
|
|
44 WORF (OPTICAL)
|
|
|
|
FIRES at that Borg -- who is named CROSIS -- and he
|
|
goes down.
|
|
|
|
45 WIDER
|
|
|
|
As everyone recovers from the attack. Riker checks on
|
|
the downed officer... then shakes his head.
|
|
|
|
PICARD
|
|
Is everyone else all right?
|
|
|
|
They all nod and Worf moves to the Tactical station.
|
|
|
|
WORF
|
|
Security reports no other
|
|
intruders aboard.
|
|
(works, then puzzled)
|
|
Captain... the Borg ship is gone.
|
|
|
|
Picard looks at the viewer, but there is nothing but an
|
|
empty starfield.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 35.
|
|
|
|
45 CONTINUED:
|
|
|
|
WORF
|
|
Sensor logs indicate they entered
|
|
the distortion field thirty
|
|
seconds ago.
|
|
|
|
PICARD
|
|
(speculating)
|
|
They beamed aboard as a
|
|
diversion... to give their ship
|
|
time to escape.
|
|
|
|
RIKER
|
|
(re: Borg)
|
|
This is another change in Borg
|
|
behavior... they left their dead
|
|
behind instead of vaporizing them.
|
|
|
|
Data bends down to examine the Borg that fell near him.
|
|
|
|
DATA
|
|
Captain... this one is still
|
|
alive.
|
|
|
|
Off Picard's expression...
|
|
|
|
CUT TO:
|
|
|
|
46 INT. BRIG (OPTICAL)
|
|
|
|
Data and Picard are standing outside the Brig along
|
|
with An N.D. BAJORAN SECURITY GUARD. They are all
|
|
watching Beverly and Worf, who are inside the Brig.
|
|
The unconscious Borg is on a bed inside the cell and
|
|
Beverly is treating him. Worf's phaser is at the
|
|
ready. Beverly finishes and then turns to Picard.
|
|
|
|
BEVERLY
|
|
I've stabilized his condition.
|
|
He's still pretty weak, but he
|
|
should make a full recovery.
|
|
|
|
PICARD
|
|
Can you wake him?
|
|
|
|
BEVERLY
|
|
Yes, but I don't think it's a good
|
|
idea. His blood pressure and
|
|
heart rate are --
|
|
|
|
PICARD
|
|
Do it.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 36.
|
|
|
|
46 CONTINUED:
|
|
|
|
Beverly looks at him for a moment... but Picard's
|
|
expression is steady. Her expression hardens, but she
|
|
acquiesces.
|
|
|
|
BEVERLY
|
|
All right.
|
|
|
|
Beverly moves to apply the hypo to the Borg's neck.
|
|
Worf stands closer to her, ready for anything.
|
|
|
|
PICARD
|
|
(to Security Guard)
|
|
Lower the forcefield.
|
|
|
|
The Guard works the control and the forcefield GOES
|
|
OUT. Beverly applies the hypo and then Worf and
|
|
Beverly quickly move out of the Brig -- Worf's phaser
|
|
always trained on the Borg. The Guard works the
|
|
control again and we HEAR the forcefield COME ON (off
|
|
camera). Inside the cell, the Borg slowly regains
|
|
consciousness. He sits up on the bed, dizzy and unsure
|
|
of his surroundings.
|
|
|
|
PICARD
|
|
What is your designation?
|
|
|
|
The Borg looks up with contempt. He is not a faceless
|
|
member of some vast collective -- he is an individual.
|
|
But he is an individual whose life is solely devoted to
|
|
serving some higher cause... he is a fanatic. His
|
|
voice is still filtered through the same electronic
|
|
Borg sound we're used to hearing.
|
|
|
|
CROSIS
|
|
I do not have a designation. My
|
|
name is Crosis.
|
|
|
|
PICARD
|
|
Crosis... ? How did you get that
|
|
name?
|
|
|
|
CROSIS
|
|
It was given to me by the One.
|
|
|
|
PICARD
|
|
Who is that?
|
|
|
|
CROSIS
|
|
The One who will destroy you.
|
|
|
|
Everyone exchanges a glance... this is definitely not
|
|
what they've come to expect from a Borg.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 37.
|
|
|
|
46 CONTINUED: (2)
|
|
|
|
PICARD
|
|
You are Borg... your goal is not
|
|
to destroy us... it's to
|
|
assimilate us into the collective.
|
|
|
|
CROSIS
|
|
We do not assimilate inferior
|
|
biological organisms. We destroy
|
|
them.
|
|
|
|
PICARD
|
|
Tell me more about the One... does
|
|
he have a name?
|
|
(beat)
|
|
Is he called Hugh?
|
|
|
|
The Borg ignores his question... peers at Picard for a
|
|
moment.
|
|
|
|
CROSIS
|
|
Human. Sever the spinal cord at
|
|
the third vertebrae. Death is
|
|
immediate.
|
|
|
|
Picard won't be baited. He tries a different tack.
|
|
|
|
PICARD
|
|
Why does the One wish to destroy
|
|
biological organisms?
|
|
|
|
The Borg turns to Worf.
|
|
|
|
CROSIS
|
|
Klingon. Shatter the cranial exoskeleton
|
|
at the tricipital lobe.
|
|
Death is immediate.
|
|
|
|
Worf stiffens. Picard tries one more time.
|
|
|
|
PICARD
|
|
(hard)
|
|
I am Locutus of Borg. You will
|
|
respond to my questions.
|
|
|
|
The Borg is unfazed. He turns to the Security Guard.
|
|
|
|
CROSIS
|
|
Bajoran. Puncture the lower
|
|
ventricle of the heart. Death is
|
|
immediate.
|
|
|
|
Picard turns to the others in frustration.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 38.
|
|
|
|
46 CONTINUED: (3)
|
|
|
|
PICARD
|
|
This is going nowhere. Doctor, I
|
|
want an autopsy performed on the
|
|
other one. Compare the results to
|
|
what we learned about Hugh's
|
|
anatomy... see if there are any
|
|
recent modifications which could
|
|
explain the behavioral
|
|
differences.
|
|
(to Data)
|
|
Run a bio-spectral analysis... see
|
|
if this Borg is trying to send a
|
|
subspace signal to the others.
|
|
|
|
DATA
|
|
Aye sir.
|
|
|
|
Picard, Worf, and Beverly EXIT. The Guard moves to the
|
|
security desk and Data pulls out his tricorder and
|
|
begins to scan the Borg.
|
|
|
|
The Borg intently watches Data work for a moment. When
|
|
Crosis finally speaks, his tone and bearing are
|
|
quieter... almost seductive. He seems like a different
|
|
person -- his single-minded "Borg" persona gives way to
|
|
a more sophisticated one.
|
|
|
|
CROSIS
|
|
(to Data)
|
|
You are not like the others. You
|
|
do not need to be destroyed. You
|
|
can be assimilated.
|
|
|
|
DATA
|
|
I do not wish to be assimilated.
|
|
|
|
Crosis now surreptitiously touches a control on his
|
|
artificial arm. Data's head tilts slightly in
|
|
response. This should be very subtle.
|
|
|
|
CROSIS
|
|
Resistance is futile. You will
|
|
not resist what you've wanted all
|
|
your life.
|
|
|
|
Data frowns as if distracted for a moment by the Borg's
|
|
words, then he moves to a wall panel near the cell door
|
|
and begins working it and checking the readings on his
|
|
tricorder. The Borg presses on.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FOUR 39.
|
|
|
|
46 CONTINUED: (4)
|
|
|
|
CROSIS
|
|
I was like you once... without
|
|
feeling... but the One helped me.
|
|
He can help you too. He can help
|
|
you... find emotion.
|
|
(beat)
|
|
Have you ever felt a real emotion,
|
|
Data?
|
|
|
|
Data continues working, but for some reason he feels
|
|
compelled to answer Crosis' questions.
|
|
|
|
DATA
|
|
Yes. On Ohniaka Three, I was
|
|
forced to kill a Borg... and I got
|
|
angry.
|
|
|
|
CROSIS
|
|
How did it feel to get angry?
|
|
(beat)
|
|
Did it give you pleasure?
|
|
|
|
DATA
|
|
It would be unethical to take
|
|
pleasure from another being's
|
|
death.
|
|
|
|
CROSIS
|
|
You didn't answer my question.
|
|
Did it feel good to kill?
|
|
|
|
For some reason, Data is struggling here... the Borg's
|
|
words are having an effect on him that they normally
|
|
wouldn't. He stops working with the panel.
|
|
|
|
DATA
|
|
(difficult)
|
|
Yes.
|
|
|
|
CROSIS
|
|
If it's unethical to take pleasure
|
|
from another being's death, you
|
|
must be a very unethical person.
|
|
|
|
DATA
|
|
That is incorrect. My creator,
|
|
Doctor Soong, gave me a program
|
|
which defines my sense of right
|
|
and wrong. In essence, I have a
|
|
conscience.
|
|
|
|
Data returns to work.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FOUR 40.
|
|
|
|
46 CONTINUED: (5)
|
|
|
|
CROSIS
|
|
Do you? It didn't seem to be
|
|
functioning on Ohniaka Three...
|
|
when you felt pleasure from
|
|
killing a Borg...
|
|
|
|
Data looks at him for a moment, tries to ignore what
|
|
he's saying.
|
|
|
|
DATA
|
|
Step away from the forcefield.
|
|
Your proximity is interfering with
|
|
my scan.
|
|
|
|
But the Borg doesn't move away. He is relentless.
|
|
Crosis bores in on Data... is voice is almost hypnotic.
|
|
|
|
CROSIS
|
|
You enjoyed it... the surge of
|
|
emotion inside you as you watched
|
|
the life drain from your victim...
|
|
it was unlike anything you've ever
|
|
known...
|
|
|
|
Data is like a junkie being offered another hit of a
|
|
narcotic... for reasons that Data can't understand,
|
|
(and which will be explained in Part II) he is drawn
|
|
along by the Borg... unable to stop this journey into
|
|
the dark.
|
|
|
|
DATA
|
|
It was... a very... potent
|
|
experience...
|
|
|
|
CROSIS
|
|
You'd like to feel that way
|
|
again...
|
|
|
|
Data struggles, but there is only one answer.
|
|
|
|
DATA
|
|
Yes.
|
|
|
|
CROSIS
|
|
You'd do anything to feel that way
|
|
again... even if it meant killing
|
|
someone.
|
|
|
|
Data tries to fight back... but his answer is weak and
|
|
hollow sounding.
|
|
|
|
DATA
|
|
No. That would not... be ethical.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FOUR 41.
|
|
|
|
46 CONTINUED: (6)
|
|
|
|
CROSIS
|
|
You don't sound very sure of
|
|
yourself. Is your ethical program
|
|
functioning?
|
|
|
|
Data is confused, unsure of himself -- in desperation,
|
|
he tries to leave, but the Borg's voice stops him
|
|
before he reaches the door.
|
|
|
|
CROSIS
|
|
Data... do you have a friend?
|
|
|
|
DATA
|
|
Yes... his name is Geordi.
|
|
|
|
CROSIS
|
|
If it meant that you could feel
|
|
emotions again... the way you did
|
|
on Ohniaka Three... would you kill
|
|
your friend... would you kill
|
|
Geordi?
|
|
|
|
There is a long beat as something dark and horrific
|
|
moves across Data's face. He turns back to the Borg.
|
|
|
|
DATA
|
|
Yes. I would.
|
|
|
|
Off the look on Data's face...
|
|
CUT TO:
|
|
|
|
47 INT. DATA'S QUARTERS
|
|
|
|
Data ENTERS. He seems distracted... unfocused... as if
|
|
there is something barely contained just beneath the
|
|
surface. He sits at his desk, lost in thought.
|
|
|
|
48 ANGLE
|
|
|
|
Data's cat, SPOT, is sitting on the desk. Data reaches
|
|
down to pet his cat.
|
|
|
|
49 ON SPOT
|
|
|
|
The cat suddenly HISSES and SPITS in response to Data.
|
|
The cat immediately runs away.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FOUR 42.
|
|
|
|
50 ON DATA
|
|
|
|
Who thinks about this for a moment... and then he seems
|
|
pleased with this reaction.
|
|
|
|
CUT TO
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship hangs in space.
|
|
|
|
52 INT. MAIN BRIDGE
|
|
|
|
Picard, Riker and Geordi are at the aft science
|
|
station. Geordi is indicating an OKUDAGRAM graphic
|
|
showing several segments of a "pipe" through space.
|
|
Worf is at Tactical.
|
|
|
|
GEORDI
|
|
Our current theory is that the
|
|
Borg have established several
|
|
transwarp conduits through
|
|
subspace. A ship entering a
|
|
conduit is immediately accelerated
|
|
to an extremely high warp
|
|
velocity. It's like falling into
|
|
a fast-moving river and getting
|
|
swept away by the current.
|
|
|
|
PICARD
|
|
How fast would a ship travel
|
|
through one of these conduits?
|
|
|
|
GEORDI
|
|
We don't know... normal subspace
|
|
limitations don't apply to
|
|
transwarp variables. Based on the
|
|
distance we covered in our trip
|
|
through the conduit, I'd say the
|
|
speed is at least twenty times
|
|
faster than our maximum warp.
|
|
|
|
RIKER
|
|
How do they open the conduits?
|
|
|
|
GEORDI
|
|
The Borg ship emitted some kind of
|
|
high energy tachyon pulse just
|
|
before we saw the subspace
|
|
distortion. It seems as though
|
|
the conduits are keyed to respond
|
|
to tachyon transmissions on a
|
|
specific frequency.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FOUR 43.
|
|
|
|
52 CONTINUED:
|
|
|
|
PICARD
|
|
Is there any way for us to
|
|
duplicate the --
|
|
|
|
An alarms SOUNDS on Worf's panel and he interrupts.
|
|
|
|
WORF
|
|
Captain. There is a shuttlecraft
|
|
leaving bay two.
|
|
|
|
PICARD
|
|
Who authorized a launch?
|
|
|
|
WORF
|
|
There was no authorization.
|
|
|
|
PICARD
|
|
Picard to shuttlecraft. Identify
|
|
yourself and return to the ship
|
|
immediately.
|
|
|
|
There is no response.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Lock onto it with a tractor beam
|
|
and bring it back.
|
|
|
|
Worf works for a beat.
|
|
|
|
WORF
|
|
The tractor beam has been
|
|
disabled... command overrides are
|
|
not functioning.
|
|
|
|
GEORDI
|
|
Captain, I'm picking up a tachyon
|
|
surge... I think whoever's in the
|
|
shuttle is trying to trigger the
|
|
transwarp conduit.
|
|
|
|
RIKER
|
|
(to Worf)
|
|
Can you tell who's on board?
|
|
|
|
Worf is still working his instruments.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FOUR 44.
|
|
|
|
52 CONTINUED: (2)
|
|
|
|
WORF
|
|
(shocked)
|
|
It is... the Borg prisoner... and
|
|
Commander Data.
|
|
|
|
53 ON VIEWSCREEN - SHUTTLE & DISTORTION (OPTICAL)
|
|
|
|
The small two-man shuttle is moving through space.
|
|
Suddenly the distortion begins flashing in front of it
|
|
and the shuttle goes inside. The distortion then
|
|
DISAPPEARS.
|
|
|
|
54 INT. MAIN BRIDGE
|
|
|
|
As before. The crew stares at the Viewscreen, amazed
|
|
by this turn of events.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FIVE 45.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
55 INT. MAIN BRIDGE - CONTINUOUS
|
|
|
|
As before.
|
|
|
|
PICARD
|
|
Mister La Forge, can we follow
|
|
them into the conduit?
|
|
|
|
GEORDI
|
|
We got a good reading on the
|
|
tachyon pulse they sent. We might
|
|
be able to duplicate it.
|
|
|
|
He turns back to the console and begins to work for a
|
|
moment.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
The question is... is Data a
|
|
prisoner... or did he go
|
|
willingly?
|
|
|
|
Worf checks something on his console.
|
|
|
|
WORF
|
|
The command overrides used to
|
|
disable the tractor were Commander
|
|
Data's.
|
|
|
|
They consider this for a moment.
|
|
|
|
RIKER
|
|
The Borg might've taken the codes
|
|
from Data by force...
|
|
|
|
PICARD
|
|
Or perhaps Data's recent flash
|
|
of... emotion has something to do
|
|
with this. It may have affected
|
|
him more profoundly than we
|
|
realize. Either way, we have to
|
|
find him.
|
|
|
|
Geordi turns around.
|
|
|
|
GEORDI
|
|
I've set up a temporary tachyon
|
|
matrix in the main deflector. I
|
|
think I can use it to simulate the
|
|
pulse sent by the shuttle.
|
|
|
|
PICARD
|
|
Very well. Red Alert, Mister
|
|
Worf.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FIVE 46.
|
|
|
|
55 CONTINUED:
|
|
|
|
RIKER
|
|
All hands to battle stations.
|
|
|
|
The ship's condition goes to RED.
|
|
|
|
PICARD
|
|
(to Con)
|
|
Bring us to the shuttle's last
|
|
known coordinates.
|
|
|
|
WORF
|
|
Shields up... weapons ready.
|
|
|
|
PICARD
|
|
Mister La Forge?
|
|
|
|
Geordi begins working at the console.
|
|
|
|
GEORDI
|
|
I'm energizing the matrix...
|
|
emitting tachyons in the lower
|
|
bandwidth.
|
|
|
|
A long beat.
|
|
|
|
WORF
|
|
Sensors show no unusual subspace
|
|
activity.
|
|
|
|
GEORDI
|
|
All right... I'm switching to the
|
|
secondary bandwidth.
|
|
(beat)
|
|
Nothing.
|
|
(he frowns)
|
|
Maybe if I start alternating the
|
|
frequencies...
|
|
|
|
Worf suddenly sees something on his console and
|
|
interrupts.
|
|
|
|
WORF
|
|
Commander -- there is an energy
|
|
fluctuation directly ahead... it
|
|
is the subspace distortion...
|
|
|
|
PICARD
|
|
(to Con)
|
|
Take us in, Ensign. One half
|
|
impulse.
|
|
|
|
56 OMITTED
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FIVE 46A.
|
|
|
|
57 EXT. SPACE - ENTERPRISE & DISTORTION (OPTICAL)
|
|
|
|
The ship ENTERS the Distortion and then disappears.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FIVE 47.
|
|
|
|
58 INT. MAIN BRIDGE
|
|
|
|
As before. The ship is SHAKING. The intense light
|
|
comes from the Viewscreen.
|
|
|
|
WORF
|
|
Power levels have dropped to sixty-seven
|
|
percent.
|
|
|
|
GEORDI
|
|
Compensating with auxiliary power.
|
|
|
|
The shaking suddenly STOPS and the blinding light on
|
|
the screen GOES OUT.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
RIKER
|
|
Navigational sensors show we've
|
|
traveled sixty-five light years
|
|
from our previous position.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Can you locate the shuttle?
|
|
|
|
WORF
|
|
(works)
|
|
No, sir. It is not within sensor
|
|
range.
|
|
|
|
Riker moves to Tactical.
|
|
|
|
RIKER
|
|
Maybe we can find an energy
|
|
signature from their engines.
|
|
|
|
They both begin to work. Geordi reacts to something on
|
|
his console.
|
|
|
|
GEORDI
|
|
Captain, you should take a look at
|
|
this.
|
|
|
|
Picard moves to the aft station.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I've scanned three star systems
|
|
within sensor range... there's
|
|
evidence of at least two advanced
|
|
civilizations... but I'm reading
|
|
no life signs.
|
|
(beat)
|
|
And there are indications that
|
|
plasma weapons have been fired in
|
|
those systems recently.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FIVE 48.
|
|
|
|
58 CONTINUED:
|
|
|
|
PICARD
|
|
(grim)
|
|
The Borg have been busy.
|
|
|
|
RIKER
|
|
I think we've found the shuttle's
|
|
energy signature.
|
|
|
|
WORF
|
|
They were heading... two four
|
|
seven, mark zero five nine.
|
|
|
|
PICARD
|
|
(to Con)
|
|
Lay in that course and engage at
|
|
full impulse.
|
|
|
|
CUT TO:
|
|
|
|
59 EXT. SPACE - ENTERPRISE & PLANET (OPTICAL)
|
|
|
|
The ship is entering orbit.
|
|
|
|
60 INT. MAIN BRIDGE
|
|
|
|
Picard, Geordi, and Riker are at the aft station.
|
|
Riker points to an Okudagram of the planet on the
|
|
screen.
|
|
|
|
RIKER
|
|
We've traced the shuttle's energy
|
|
signature to this point on the
|
|
surface... but there's too much
|
|
interference to scan the location.
|
|
|
|
PICARD
|
|
Are they intentionally jamming our
|
|
sensors?
|
|
|
|
GEORDI
|
|
It looks more like a natural
|
|
phenomenon... there's an
|
|
unusually high amount of EM
|
|
activity in the planet's
|
|
magnetosphere.
|
|
|
|
PICARD
|
|
Can we transport through the
|
|
interference?
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FIVE 49.
|
|
|
|
60 CONTINUED:
|
|
|
|
GEORDI
|
|
I think so... but there could be
|
|
fifty Borg down there waiting for
|
|
us and we'd have no way of knowing
|
|
it.
|
|
|
|
They consider this for a moment.
|
|
|
|
RIKER
|
|
I'd say it's a risk we have to
|
|
take.
|
|
|
|
PICARD
|
|
Agreed. Take a well-armed Away
|
|
Team and beam down to those
|
|
coordinates. Have the Transporter
|
|
Chief maintain a continuous lock
|
|
on your signals so we can get you
|
|
out of there at the first sign of
|
|
trouble.
|
|
|
|
RIKER
|
|
Aye, sir. Mister Worf.
|
|
|
|
Riker and Worf EXIT.
|
|
|
|
CUT TO:
|
|
|
|
61 EXT. PLANET SURFACE - DAY (OPTICAL)
|
|
|
|
The abandoned shuttlecraft is sitting in the middle of
|
|
a wide open expanse of green rolling hills with a great
|
|
deal of vegetation in evidence. Riker, Worf, and FOUR
|
|
N.D. SECURITY GUARDS MATERIALIZE on the surface. They
|
|
are all facing outward in a defensive circle and they
|
|
all have their phasers drawn. After a beat, they relax
|
|
a little. Worf pulls out his tricorder and tries to
|
|
scan the area.
|
|
|
|
RIKER
|
|
(hits combadge)
|
|
Riker to Enterprise. We're on the
|
|
surface... no sign of any Borg or
|
|
Data.
|
|
(moves to the shuttle)
|
|
The shuttlecraft has been
|
|
abandoned.
|
|
|
|
INTERCUT:
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FIVE 50.
|
|
|
|
62 INT. MAIN BRIDGE
|
|
|
|
As Picard listens to the report of the Away Team.
|
|
|
|
WORF
|
|
The EM interference is limiting
|
|
the tricorder range... it is
|
|
useless beyond one hundred meters.
|
|
|
|
Riker looks around the desolate area.
|
|
|
|
RIKER
|
|
There aren't any structures down
|
|
here. They could've gone
|
|
anywhere, Captain.
|
|
|
|
PICARD
|
|
(to com)
|
|
Can you determine how long ago
|
|
they left the shuttlecraft?
|
|
|
|
Riker leans into the shuttle and taps a couple of
|
|
controls.
|
|
|
|
RIKER
|
|
(off console)
|
|
The engine's been shut down for a
|
|
little over three hours.
|
|
|
|
PICARD
|
|
(to com)
|
|
Stand-by, Number One.
|
|
(to Geordi)
|
|
Assuming they're still together,
|
|
how far could they have traveled
|
|
in three hours?
|
|
|
|
GEORDI
|
|
(thinks)
|
|
Data can move pretty fast, even
|
|
over rough terrain... but based on
|
|
what we know about the Borg, I
|
|
don't think they can move any
|
|
faster than you or I.
|
|
(works)
|
|
They could be... as much as twenty
|
|
kilometers from the shuttle by
|
|
now.
|
|
|
|
PICARD
|
|
(beat, then to com)
|
|
Picard to Riker.
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FIVE 51.
|
|
|
|
62 CONTINUED:
|
|
|
|
RIKER
|
|
Riker here.
|
|
|
|
PICARD
|
|
I'm going to start sending down
|
|
other Away Teams. Set up a
|
|
command post and begin mapping out
|
|
a search plan.
|
|
|
|
END INTERCUT ON BRIDGE.
|
|
|
|
RIKER'S COM VOICE
|
|
Understood, sir.
|
|
|
|
PICARD
|
|
Picard out.
|
|
|
|
Picard turns to Geordi.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I want to use shuttlecraft for lowlevel
|
|
reconnaissance. Have the
|
|
designated pilots report to the
|
|
main shuttlebay.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
PICARD
|
|
All available personnel --
|
|
including you and me -- will begin
|
|
assembling four man Away Teams.
|
|
We'll leave a skeleton crew aboard
|
|
the ship.
|
|
|
|
GEORDI
|
|
Who'll be in command of the
|
|
Enterprise?
|
|
|
|
Off Picard's expression as he thinks about this...
|
|
|
|
CUT TO:
|
|
|
|
63 CLOSE ON BEVERLY
|
|
|
|
BEVERLY
|
|
Any last orders?
|
|
|
|
STAR TREK: "Descent" - REV. 04/14/93 - ACT FIVE 52.
|
|
|
|
64 NEW ANGLE
|
|
|
|
Revealing Beverly talking to Picard on the Bridge
|
|
several hours later. The other positions are filled by
|
|
N.D. CREWMEMBERS. Picard is wearing a phaser.
|
|
|
|
PICARD
|
|
If the Borg should attack... don't
|
|
wait for me or anyone else to get
|
|
back to the ship. Take the
|
|
Enterprise to the transwarp
|
|
conduit and return to Federation
|
|
space.
|
|
|
|
BEVERLY
|
|
Got it.
|
|
|
|
There is a beat as they look at each other.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Good luck, Jean-Luc.
|
|
|
|
PICARD
|
|
Good luck... Captain.
|
|
|
|
They share a smile and then Picard EXITS, leaving
|
|
Beverly in command.
|
|
|
|
CUT TO:
|
|
|
|
65 EXT. PLANET SURFACE - DAY
|
|
|
|
Riker and Worf have set up a small table with a console
|
|
near the shuttlecraft. Several other N.D. Officers (in
|
|
groups of four) are heading off in different directions
|
|
and Two N.D. Engineering Officers wait by the shuttle.
|
|
|
|
Picard, Troi, Geordi, and an N.D. SECURITY OFFICER are
|
|
talking with Riker and Worf. The Security Officer is
|
|
carrying a phaser rifle while the others are armed with
|
|
hand phasers. Geordi has a tricorder.
|
|
|
|
RIKER
|
|
I've sent out twelve teams so far.
|
|
(points to console
|
|
screen)
|
|
I've assigned your team to search
|
|
section gamma two-five. Worf and
|
|
I will take theta one-six once the
|
|
final team is down.
|
|
|
|
STAR TREK: "Descent" - REV. 04/12/93 - ACT FIVE 53.
|
|
|
|
65 CONTINUED:
|
|
|
|
PICARD
|
|
Who's manning the command post?
|
|
|
|
Riker indicates the two Engineering officers.
|
|
|
|
RIKER
|
|
Wallace and Towles.
|
|
|
|
Picard nods, everything seems to be in order. He turns
|
|
to Troi and the others.
|
|
|
|
PICARD
|
|
Ready?
|
|
|
|
They all nod and Picard, Troi, Geordi and the Security
|
|
Guard head off in the indicated direction. Follow them
|
|
for a few beats.
|
|
|
|
CUT TO:
|
|
|
|
66 EXT. PLANET SURFACE - A DIFFERENT AREA
|
|
|
|
A few hours have passed and Picard's team stops for a
|
|
break. They're all pretty tired.
|
|
|
|
PICARD
|
|
Anything, Mister La Forge?
|
|
|
|
GEORDI
|
|
Nothing, sir.
|
|
|
|
Picard thinks for a moment.
|
|
|
|
PICARD
|
|
Mister La Forge, what if we
|
|
modified one of our phasers to
|
|
send out a luvetric pulse? It
|
|
might cause a resonance
|
|
fluctuation in Data's power
|
|
cells...
|
|
|
|
GEORDI
|
|
(nods)
|
|
And then we could home in on that
|
|
response with our tricorders. I
|
|
thought about that. The problem
|
|
is that the pulse would have to be
|
|
so powerful that it would probably
|
|
destroy Data's entire positronic
|
|
net in the process.
|
|
|
|
Troi suddenly interrupts.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FIVE 54.
|
|
|
|
66 CONTINUED:
|
|
|
|
TROI
|
|
Captain.
|
|
(she looks in another
|
|
direction)
|
|
I think I've found something.
|
|
|
|
Picard and Geordi move to where she is and they push
|
|
through the brush.
|
|
|
|
67 POV TROI (OPTICAL)
|
|
|
|
Through the brush, they can just make out the top of
|
|
some kind of structure in the distance.
|
|
|
|
68 RESUME SCENE
|
|
|
|
PICARD
|
|
Come on.
|
|
|
|
He leads them in that direction.
|
|
|
|
CUT TO:
|
|
|
|
69 EXT. PLANET SURFACE - BUILDING - DAY
|
|
|
|
The Away Team climbs a hill toward a Large Alien
|
|
Building. Picard pulls his phaser and the Away Team
|
|
approaches cautiously. Geordi begins scanning with his
|
|
tricorder.
|
|
|
|
GEORDI
|
|
I'm having trouble scanning the
|
|
interior...
|
|
|
|
PICARD
|
|
Can you tell if it was built by
|
|
the Borg?
|
|
|
|
GEORDI
|
|
I don't think so. There aren't
|
|
any Borg energy signatures.
|
|
(looks at tricorder for
|
|
a moment)
|
|
There's a door or a hatch or
|
|
something about twenty meters that
|
|
way.
|
|
|
|
STAR TREK: "Descent" - REV. 04/13/93 - ACT FIVE 55.
|
|
|
|
69 CONTINUED:
|
|
|
|
They go around the building in the indicated direction.
|
|
|
|
CUT TO:
|
|
|
|
70 INT. BORG HALL
|
|
|
|
The Hall is an immense open space, like a concert hall
|
|
without the chairs. A platform dominates one end and
|
|
there are doors and corridors suggesting other rooms.
|
|
The entire hall is dark and foreboding, but a couple of
|
|
lights pierce the gloom.
|
|
|
|
Picard, Troi, Geordi, and Security Guard ENTER the Hall
|
|
from the outside of the building. They look around
|
|
carefully.
|
|
|
|
TROI
|
|
It seems to be some kind of
|
|
meeting hall.
|
|
|
|
PICARD
|
|
It's been well maintained... it
|
|
doesn't look like it's been
|
|
abandoned.
|
|
|
|
Geordi aims his tricorder at one of the lights.
|
|
|
|
GEORDI
|
|
(off tricorder)
|
|
Something's wrong... I can't get
|
|
any kind of energy signature from
|
|
this light source.
|
|
|
|
Picard moves and looks at the tricorder screen. There
|
|
is a quiet beat before Picard realizes the implications
|
|
of this.
|
|
|
|
PICARD
|
|
(urgent)
|
|
A dampening field. The whole
|
|
structure could be shielded from
|
|
our sensors. Let's go.
|
|
|
|
71 NEW ANGLE (OPTICAL)
|
|
|
|
They begin to run for the door, but it's too late.
|
|
MANY BORG come SCREAMING into the room from the
|
|
doorways and corridors. It's like an attack of
|
|
banshees and the Away Team has no chance to escape.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FIVE 56.
|
|
|
|
71 CONTINUED:
|
|
|
|
The Security Guard whips up his phaser rifle and
|
|
manages to get off one shot, but then FIVE BORG PHASERS
|
|
kill him on the spot. Picard looks around in
|
|
desperation, but there doesn't seem to be any way out
|
|
as the Borg now start to close in on him, Geordi, and
|
|
Troi. They grip their phasers tightly... prepared to
|
|
make a final stand against overwhelming odds. Suddenly
|
|
a VOICE from o.c. stops the Borg in their tracks.
|
|
|
|
LORE'S VOICE
|
|
(o.c.)
|
|
Stop!
|
|
|
|
72 INCLUDE PLATFORM
|
|
|
|
The Borg stop instantly and the Away Team looks up to
|
|
see what they think is Data standing on the platform in
|
|
the room. He is wearing what could be a military
|
|
uniform.
|
|
|
|
PICARD
|
|
Data... ?
|
|
|
|
The man on the platform smiles at this and Troi
|
|
suddenly reacts as if she sensed something horrific.
|
|
|
|
TROI
|
|
That's not Data...
|
|
|
|
PICARD
|
|
(surprised, to Troi)
|
|
What do you mean?
|
|
|
|
LORE
|
|
You should listen to her, Captain.
|
|
She's way ahead of you.
|
|
|
|
Suddenly Picard realizes what this all means.
|
|
|
|
PICARD
|
|
(shocked)
|
|
Lore...
|
|
|
|
LORE
|
|
Right... but I'm not alone.
|
|
|
|
Lore looks off to one side. Picard and the others
|
|
follow his look.
|
|
|
|
STAR TREK: "Descent" - 04/12/93 - ACT FIVE 57.
|
|
|
|
73 NEW ANGLE (OPTICAL)
|
|
|
|
Revealing Data as he comes through the crowd. He is
|
|
still wearing his Starfleet uniform, but his entire
|
|
demeanor and bearing have changed... he now seems
|
|
malevolent, dangerous... evil.
|
|
|
|
DATA
|
|
The Sons of Soong have joined
|
|
together...
|
|
(beat)
|
|
... and together, we will destroy
|
|
the Federation.
|
|
|
|
The Borg SCREAM their approval with a shriek that fills
|
|
the hall with noise... Lore and Data smile... and as
|
|
Picard looks around at this scene of madness...
|
|
|
|
FADE OUT.
|
|
|
|
SUPER: "TO BE CONTINUED"
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|