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1 line
71 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Phantasms"
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#40277-258
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Written by
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Brannon Braga
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Directed by
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Patrick Stewart
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1993 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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AUGUST 17, 1993
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STAR TREK: "Phantasms" - 08/25/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Phantasms"
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CAST
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PICARD TYLER
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RIKER SIGMUND FREUD
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DATA WORKMAN
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BEVERLY ADMIRAL NAKAMURA
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TROI
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WORF
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GEORDI
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Non-Speaking Non-Speaking
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N.D. ENGINEERS N.D. WORKMEN
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N.D. SUPERNUMERARIES
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N.D. SECURITY
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SPOT
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STAR TREK: "Phantasms" - 08/17/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Phantasms"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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CORRIDORS
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DATA'S QUARTERS
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ENGINEERING
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TEN FORWARD
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HOLODECK
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FREUD'S OFFICE
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GRID
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TROI'S OFFICE
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READY ROOM
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TURBOLIFT
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OBSERVATION LOUNGE
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SICKBAY
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STAR TREK: "Phantasms" - 08/17/93 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Phantasms"
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PRONUNCIATION GUIDE
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KTARIAN kuh-TAR-ee-uhn
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TERRAN TERR-an
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THANATOS THAN-uh-toes
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STAR TREK: "Phantasms" - 08/16/93 - TEASER 1.
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STAR TREK: The Next Generation
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"Phantasms"
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TEASER
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FADE IN:
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1 INT. ENTERPRISE - CORRIDOR
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DATA is walking along, carrying a PADD. GEORDI catches
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up to him from behind... out of breath, excited about
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something.
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GEORDI
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Data, there you are... we need to
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install that plasma conduit right
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away. We're bringing the new warp
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core on-line in less than three
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hours.
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DATA
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I will go to deck twenty and begin
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modifications.
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GEORDI
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Great. Meet me in Engineering as
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soon as you're finished.
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(excited)
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This should be a lot of fun.
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As they head in different directions...
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2 INT. ANOTHER CORRIDOR - CONTINUOUS
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Data walking along. Gradually, a RINGING SOUND is
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heard echoing somewhere in the distance. Data tilts
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his head in pain at the noise. The ringing is
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intermittent, and sounds like an old-fashioned
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telephone. A couple of rings go by. Data heads down
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the corridor to find the sound...
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3 INT. ANOTHER CORRIDOR - CONTINUOUS
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As Data walks, the ringing gets louder. He sees
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something ahead of him... and stops at what he sees --
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STAR TREK: "Phantasms" - 08/16/93 - TEASER 2.
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4 WIDEN TO INCLUDE
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a group of THREE WORKMEN. They are dressed in plain
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gray coveralls, holding old-fashioned PICKS and
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SHOVELS. They have removed a large section of the WALL --
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visible within is a distinctive-looking WARP PLASMA
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CONDUIT. They are hacking at the conduit with the
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tools.
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Data reacts to the sight. Who are these people?
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DATA
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Excuse me. Do you have
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authorization to work in this
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area?
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The workmen ignore him. Data eyes the wall with
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concern.
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DATA
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(continuing)
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You are dismantling a warp plasma
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conduit. I must ask you to stop.
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Again, no response. Data takes a step toward the
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workmen and opens his mouth to speak -- but
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inexplicably a HIGH-PITCHED SHRIEK comes out, piercing
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and strange. Data is startled to hear it. He closes
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his mouth.
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Suddenly, the workmen turn as one and head right for
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Data -- their expressions are cold and ominous.
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WORKMAN
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Be quiet!
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One of the workmen GRABS Data's arm and TEARS THE ARM
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FROM ITS SOCKET. Data reacts, stunned. He moves to
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defend himself but the workmen converge on him and Data
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falls to the ground. We hear the sound of RIPPING
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CLOTHES and WRENCHING METAL as they start to tear Data
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apart, limb from limb. We see an arm... a leg...
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Data's head... shocking --
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5 INT. DATA'S QUARTERS - CONTINUOUS
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Data bolts awake in his bed, as if from a nightmare.
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He glances around the room in momentary confusion...
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then realizes it was a dream. OFF his startled
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expression...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Phantasms" - 08/16/93 - ACT ONE 3.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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6 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship is docked at a STARBASE.
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PICARD (V.O.)
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Captain's Log, Stardate 47225.7.
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Commander La Forge has completed
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the installation of our new warp
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core. We are preparing to test
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its capabilities.
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7 INT. BRIDGE
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RIKER and various N.D.s at their stations. PICARD
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ENTERS from his Ready Room, looking very grim-faced.
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Riker takes note.
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RIKER
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Something wrong, sir?
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PICARD
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I just got a message from
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Starfleet command.
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RIKER
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Bad news?
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PICARD
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You could say that...
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Picard sits heavily.
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PICARD
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(continuing)
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I've been invited to the annual
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Starfleet Admiral's banquet.
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Riker reacts somberly, knows what he's talking about.
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RIKER
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My condolences.
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PICARD
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I've managed to avoid it for the
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last six years. I guess my luck
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just ran out...
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(MORE)
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STAR TREK: "Phantasms" - REV. 08/25/93 - ACT ONE 4.
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7 CONTINUED:
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PICARD (Cont'd)
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(beat)
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I can't imagine anything more
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tedious. Fifty Admirals shaking
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hands, making dull conversation...
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uninteresting food... boring
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speeches...
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RIKER
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Can't you find an excuse not to
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go?
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PICARD
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After six years, I don't have any
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excuses left. Besides, I've been
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invited by Admiral Nakamura, the
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Sector Commander. He'd consider
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it an insult if I turned him down.
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Riker considers a moment.
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RIKER
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(with humor)
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We could cause a diplomatic
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crisis. Take the ship into the
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neutral zone and attack the
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Romulans... that should get you
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out of the banquet.
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PICARD
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(wry)
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I wouldn't count on it.
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OFF Picard's resigned expression...
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8 INT. ENGINEERING
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Geordi and Data are working at the "new" warp core,
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which looks slightly different than the old one: the
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dilithium chamber drawer has a new and distinctive
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design... and it is not active. (NOTE: This is a
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redress of the existing warp core set.) A couple of
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ENGINEERING N.D.s are working in the background.
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Geordi is looking at Data in surprise. Midconversation.
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STAR TREK: "Phantasms" - REV. 08/19/93 - ACT ONE 5.
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8 CONTINUED:
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DATA
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Have you ever had nightmares
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before?
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GEORDI
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Sure. Everybody does from time to
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time...
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DATA
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I have had one hundred eleven
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dreams since I first discovered
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the program nine months ago. In
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all of that time, I have never
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experienced such strange and
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disturbing imagery in a dream.
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(beat)
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I believe it was... a nightmare.
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Geordi keeps working.
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GEORDI
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Nightmares are part of dreaming,
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Data. Maybe you just discovered
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a new level to your program.
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Data considers this.
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DATA
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Perhaps. I have also noted that
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I am spending an inordinate amount
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of time thinking about nightmare
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imagery. One could almost say
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that I am... preoccupied.
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GEORDI
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Well, that's perfectly normal.
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When I have a nightmare, sometimes
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I can't shake that weird feeling
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for days...
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Suddenly, a woman's voice interrupts from off camera --
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TYLER'S VOICE
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Commander La Forge!
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GEORDI
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Speaking of nightmares...
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A fresh-faced, young woman -- ENSIGN TYLER --
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approaches Geordi. She looks like she just walked out
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of the Academy. And she's clearly infatuated with
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Geordi.
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STAR TREK: "Phantasms" - REV. 08/19/93 - ACT ONE 5A.
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8 CONTINUED: (2)
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TYLER
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(excited)
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I just finished recalibrating the
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starboard EPS module.
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Geordi forces a smile, tries to be polite.
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STAR TREK: "Phantasms" - REV. 08/17/93 - ACT ONE 6.
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8 CONTINUED: (2)
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GEORDI
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That's great. Thank you, Ensign.
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TYLER
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It's just like you said -- reset
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the power tap... and the module
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came right on-line. You have such
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a wonderful grasp of engineering
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principles. I'm learning so much
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just by being around you...
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She smiles at him. An awkward moment.
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GEORDI
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Well. Ah... why don't you go help
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Farrel check the deuterium
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cartridges. We're about to bring
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the warp core on-line.
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TYLER
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Anything you say.
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She gives him a big smile and walks off. Geordi's
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smile fades away. Data gives him a puzzled look.
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DATA
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Geordi, you do not seem to
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appreciate Ensign Tyler's
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enthusiasm.
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GEORDI
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Oh, she's enthusiastic all
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right... about me.
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DATA
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I do not understand.
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GEORDI
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She has a crush on me, Data.
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DATA
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And you do not share her
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affection?
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GEORDI
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Frankly, no. And it's getting a
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little awkward...
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Data considers.
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STAR TREK: "Phantasms" - REV. 08/19/93 - ACT ONE 7.
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8 CONTINUED: (3)
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DATA
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I believe I understand. You are
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concerned about unintentionally
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hurting Ensign Tyler's feelings.
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GEORDI
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Yeah... something like that...
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DATA
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It would appear that you require
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a third party to intervene on your
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behalf. I would be happy to speak
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to her.
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GEORDI
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(quickly)
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No, Data... I'll take care of it
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myself. Thanks.
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A moment as they work the console. Data still looks
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preoccupied by his recent experience.
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DATA
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When I first woke up from my
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nightmare, there --
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PICARD'S COM VOICE
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Bridge to Commander La Forge.
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What's our status?
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GEORDI
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(taps communicator)
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We're ready to bring the core on-line,
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Captain. Stand by.
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(to Data)
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All right. Let's do it.
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Data and Geordi move to different consoles.
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GEORDI
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Initializing deuterium infusion
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sequence...
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Geordi hits a command and the warp core COMES TO LIFE
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with a different SOUND than we're used to hearing. The
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light pulses are much faster than we've seen. Geordi
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reacts to the sight, excited. This is an important
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moment for him.
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GEORDI
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(re: core)
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It's a beauty, isn't it? Now
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let's see how fast she can run...
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(MORE)
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STAR TREK: "Phantasms" - REV. 08/16/93 - ACT ONE 8.
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8 CONTINUED: (4)
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GEORDI (Cont'd)
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(to com)
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La Forge to Bridge. Warp power at
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your discretion, Captain.
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9 INT. BRIDGE
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Picard, Riker, N.D.s, as before. Picard and Riker on
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their feet.
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PICARD
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Acknowledged.
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(then)
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Ensign Russell, plot a course to
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Starbase Two-nineteen. Warp six.
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A beat. This is an exciting moment for all them.
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PICARD
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(continuing)
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Engage.
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9A INCLUDE VIEWSCREEN
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The stars are static... indicating that the ship isn't
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moving. A long beat goes by.
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PICARD
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(continuing, a little
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louder)
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Engage...
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The Ensign works but nothing happens.
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PICARD
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(continuing, to com)
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Bridge to Engineering. Mister La
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Forge... why isn't my ship moving?
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GEORDI'S COM VOICE
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I'm on it, sir. There's a warp
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plasma conduit out of alignment,
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but I think I've fixed it...
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(beat)
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Ready, sir.
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PICARD
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Very well. Ensign Russell?
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The Ensign works. Suddenly, there is the SOUND of
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POWER DROPPING and ALL OF THE LIGHTS ON THE BRIDGE GO
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OUT.
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STAR TREK: "Phantasms" - REV. 08/25/93 - ACT ONE 9.
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10 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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hanging in space. ALL OF THE LIGHTS ON THE SHIP GO
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OUT.
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11 INT. ENGINEERING
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Dark, except for EMERGENCY LIGHTING. Geordi, Data and
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the N.D.s all quickly working.
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PICARD'S COM VOICE
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Mister La Forge?
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GEORDI
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Stand by, Captain...
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DATA
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I will take the warp engines off-line.
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Data works and the warp core SHUTS DOWN. A moment
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later, the normal LIGHTS COME UP in the room.
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GEORDI
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(to com)
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La Forge to Bridge. I'm sorry,
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Captain. We're going to have to
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reconfigure the plasma conduit.
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It's going to take a few hours at
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least, sir.
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12 OMITTED
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STAR TREK: "Phantasms" - REV. 08/16/93 - ACT ONE 10.
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13 INT. DATA'S QUARTERS
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A while later. Data is sitting quietly by his desk,
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intently watching his cat SPOT, who is sleeping on the
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desk top. The door chimes.
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DATA
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Enter.
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TROI ENTERS. She is wearing her regulation Starfleet
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uniform.
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TROI
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Hello, Data...
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She walks up to him, sees Spot.
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TROI
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(continuing)
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What are you doing?
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DATA
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I am watching Spot sleep. In the
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past fifteen minutes, he has had
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twelve muscles spasms, which
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indicates that he is dreaming.
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(beat)
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I have often wondered what he
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dreams about. His twitching and
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his rapid breathing would seem to
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suggest anxiety -- but Spot has
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never seen a mouse or any other
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form of rodentia. Nor has he
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encountered an insect, or been
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chased by a canine.
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Data considers. They watch Spot for a moment.
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TROI
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(continuing)
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I understand you've had some
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interesting dreams lately...
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(off his look)
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Geordi was a little worried about
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you. He just wanted me to check
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in and see how you were doing...
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STAR TREK: "Phantasms" - REV. 08/17/93 - ACT ONE 11.
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13 CONTINUED:
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DATA
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That was very thoughtful of him.
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(beat)
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I have been debating whether or
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not to initiate another dream
|
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sequence.
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TROI
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Because of the nightmares... ?
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DATA
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(nods)
|
|
I have found them to be quite...
|
|
unsettling.
|
|
|
|
Troi takes a seat next to him, speaks gently.
|
|
|
|
TROI
|
|
Data, you shouldn't be afraid to
|
|
experience dark imagery in your
|
|
dreams. It's a natural expression
|
|
of your unconscious...
|
|
(catches herself)
|
|
... if you have an unconscious.
|
|
I'm not really sure how your
|
|
positronic brain works... but if
|
|
it's anything like our brains,
|
|
then there's part of you that's
|
|
trying to express itself through
|
|
your dream state. And I think you
|
|
should allow yourself to
|
|
experience it.
|
|
(beat)
|
|
As Sigmund Freud would have
|
|
said... "Dreams are the royal
|
|
road to the knowledge of the
|
|
mind."
|
|
|
|
Data is intrigued by her words.
|
|
|
|
DATA
|
|
Thank you, Counselor. I believe
|
|
I will initialize the dream
|
|
program now.
|
|
|
|
TROI
|
|
(smiles)
|
|
Let me know how it goes. Good
|
|
night, Data.
|
|
|
|
DATA
|
|
Good night, Counselor.
|
|
|
|
Troi EXITS. Data gives Spot a gentle pat.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT ONE 12.
|
|
|
|
13 CONTINUED: (2)
|
|
|
|
DATA
|
|
(continuing)
|
|
Good night, Spot.
|
|
|
|
Data stands and crosses to his bed. He takes a little
|
|
woolen NIGHT CAP off of a nearby table and places it on
|
|
his head.
|
|
|
|
DATA
|
|
(continuing)
|
|
Computer -- dim lights.
|
|
|
|
The LIGHTS DIM. Data sits on the bed and fluffs his
|
|
pillow. He then very consciously stretches out his
|
|
arms and "yawns". He lies down on the bed...
|
|
|
|
14 CLOSE ON DATA'S FACE
|
|
|
|
as he shuts his eyes. A long moment goes by as we PUSH
|
|
IN on his face... then...
|
|
|
|
15 PULL BACK TO REVEAL:
|
|
|
|
16 INT. TEN FORWARD
|
|
|
|
CLOSE ON DATA as he opens his eyes. He is now sitting
|
|
at a table in the room. There is an eerie and surreal
|
|
quality to the scene. WE ARE EXPERIENCING DATA'S
|
|
DREAM.
|
|
|
|
17 INCLUDE WORF
|
|
|
|
sitting opposite Data at the table. He is eyeing a
|
|
piece of CAKE that has a distinctive blue color similar
|
|
to that of a Starfleet science uniform. Sitting atop
|
|
the cake is a communicator pin, which Worf plucks off
|
|
and sets aside. He takes a bite of the cake.
|
|
|
|
WORF
|
|
Mmm. It is delicious.
|
|
|
|
DATA
|
|
What kind of cake are you eating?
|
|
|
|
WORF
|
|
(matter of fact)
|
|
It is cellular peptide cake...
|
|
with mint frosting. Would you
|
|
like a bite?
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT ONE 13.
|
|
|
|
17 CONTINUED:
|
|
|
|
DATA
|
|
No, thank you.
|
|
|
|
Suddenly, the distinctive RINGING SOUND is heard
|
|
echoing somewhere in the room (as heard in the Teaser).
|
|
Data reacts in pain and touches his head.
|
|
|
|
DATA
|
|
(continuing)
|
|
Excuse me, Mister Worf.
|
|
|
|
Data stands and looks around the room, tries to locate
|
|
the source of the ringing sound (NOTE: the ringing
|
|
continues faintly throughout the scene). He starts
|
|
walking... sees something ahead of him... slows down
|
|
at the sight...
|
|
|
|
18 INCLUDE RIKER AND BEVERLY
|
|
|
|
sitting at the bar. BEVERLY is sipping from an opaque
|
|
STRAW that is sticking out of Riker's temple. She
|
|
seems to be enjoying the "drink". Tiny slurping noises
|
|
can be heard.
|
|
|
|
RIKER
|
|
(re: ringing)
|
|
Aren't you going to answer that,
|
|
Mister Data?
|
|
|
|
DATA
|
|
Sir?
|
|
|
|
RIKER
|
|
That damn ringing. Answer it,
|
|
will you?
|
|
|
|
DATA
|
|
Yes sir.
|
|
|
|
FOLLOW Data as he walks across the room, trying to find
|
|
the ringing sound. It gets louder... he seems to be
|
|
getting closer...
|
|
|
|
19 THE THREE WORKMEN
|
|
|
|
(as seen in the Teaser) are huddled around a table,
|
|
engaged in some unseen activity. Data approaches them.
|
|
|
|
DATA
|
|
(to workmen)
|
|
Please identify yourselves.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT ONE 14.
|
|
|
|
19 CONTINUED:
|
|
|
|
The workmen ignore him.
|
|
|
|
DATA
|
|
(continuing)
|
|
I must know what you are trying to --
|
|
|
|
Data's voice gives way to the high-pitched SHRIEK heard
|
|
earlier. Immediately, a workman turns and flashes him
|
|
a threatening look.
|
|
|
|
WORKMAN
|
|
Be quiet!
|
|
|
|
Data shuts his mouth. Another workman turns and hands
|
|
Data a large KNIFE -- an over-sized, exaggerated
|
|
version of a knife, dream-like. Data takes the knife,
|
|
unsure what to do with it.
|
|
|
|
The workmen all step away from the table, parting to
|
|
reveal --
|
|
|
|
20 TROI
|
|
|
|
lying on her back on the table top. She is staring up
|
|
at Data with a frightened expression on her face. Her
|
|
legs are gone and HER TORSO IS A GIANT CAKE -- made to
|
|
look exactly like her real torso, blue uniform and all.
|
|
A piece has already been cut out of her chest where the
|
|
communication pin usually is.
|
|
|
|
Data reacts to the sight.
|
|
|
|
DATA
|
|
Counselor...
|
|
|
|
A workman gestures at Troi's right shoulder, as if to
|
|
say "take a piece." Data eyes his knife.
|
|
|
|
TROI
|
|
(scared)
|
|
Data, please... don't hurt me..
|
|
|
|
The workman shoves Data toward the table, insistent.
|
|
Data lifts the knife, drawn by the image of Troi...
|
|
|
|
DATA
|
|
I am sorry, Counselor.
|
|
|
|
Data jabs the knife into the cake at Troi's shoulder.
|
|
|
|
TROI
|
|
No...
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT ONE 15.
|
|
|
|
20 CONTINUED:
|
|
|
|
Data takes a moment, then begins to slice a piece out
|
|
of Troi with the knife.
|
|
|
|
TROI
|
|
Data, no! DATA!
|
|
|
|
Suddenly the scene changes --
|
|
|
|
21 INT. DATA'S QUARTERS - CONTINUOUS
|
|
|
|
Data wakes up in his bed.
|
|
|
|
TROI
|
|
Data!
|
|
|
|
Data sits up to see that Troi, Geordi and Worf are all
|
|
standing around him, staring at him with concern.
|
|
|
|
DATA
|
|
What is wrong?
|
|
|
|
TROI
|
|
We've been trying to wake you up
|
|
for the past five minutes.
|
|
|
|
GEORDI
|
|
When you didn't show up in
|
|
Engineering on time, I got
|
|
worried... I called security...
|
|
|
|
Data thinks a moment, reacts.
|
|
|
|
DATA
|
|
My internal chronometer was
|
|
supposed to wake me thirty-five
|
|
minutes ago.
|
|
|
|
WORF
|
|
You must have... overslept.
|
|
|
|
DATA
|
|
That is not possible...
|
|
(beat)
|
|
Something is wrong.
|
|
|
|
OFF Data's face...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
22 INT. ENGINEERING
|
|
|
|
A while later. Geordi and Data working.
|
|
|
|
GEORDI
|
|
I can't find anything wrong with
|
|
your internal time-base... and as
|
|
far as I can tell, your primary
|
|
systems check out fine.
|
|
|
|
DATA
|
|
My chronometer is functioning
|
|
normally, as well.
|
|
(beat)
|
|
I will compare my autonomic logs
|
|
to the ship's chronometer.
|
|
Perhaps we overlooked something.
|
|
|
|
Data moves to a console and starts working. Geordi
|
|
considers him for a moment.
|
|
|
|
GEORDI
|
|
You know, Data... there's a lot we
|
|
don't know about your dream
|
|
program. Maybe it was designed to
|
|
cause some side-effects...
|
|
(beat)
|
|
For all we know, Doctor Soong
|
|
intended for you to oversleep now
|
|
and then... as part of the human
|
|
experience.
|
|
|
|
Data is intrigued by the idea.
|
|
|
|
DATA
|
|
It is a possibility. However, I
|
|
would prefer to make certain there
|
|
are no anomalies in my neural net.
|
|
|
|
Geordi nods. They work for a moment.
|
|
|
|
GEORDI
|
|
I'm curious... what were you
|
|
dreaming about when we woke you
|
|
up?
|
|
|
|
Data thinks, recalling the dream... and he seems
|
|
distracted for a moment. It's clear that he doesn't
|
|
want to talk about it.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT TWO 17.
|
|
|
|
22 CONTINUED:
|
|
|
|
DATA
|
|
I have not fully assimilated its
|
|
impact. I would prefer to study
|
|
the images further before
|
|
discussing them.
|
|
|
|
GEORDI
|
|
Sure... I understand.
|
|
(beat)
|
|
Sounds like it must've been pretty
|
|
strange...
|
|
|
|
DATA
|
|
"Strange" is not a sufficient
|
|
adjective to describe the
|
|
experience.
|
|
|
|
OFF Data's thoughtful expression...
|
|
|
|
23 INT. HOLODECK/SIGMUND FREUD'S OFFICE
|
|
|
|
Early 1900's -- distinctly Viennese. SIGMUND FREUD is
|
|
sitting in a leather chair, holding a note pad. This
|
|
is Freud in his prime, with his trademark beard and
|
|
glasses. He speaks in a heavy German accent.
|
|
|
|
FREUD
|
|
Tell me more about this... "cake."
|
|
|
|
24 MOVE TO REVEAL (OPTICAL)
|
|
|
|
Data lying on an analyst's couch, staring up at the
|
|
ceiling.
|
|
|
|
DATA
|
|
It is difficult to explain.
|
|
Counselor Troi's body was -- a
|
|
cake.
|
|
|
|
Freud raises a bushy eyebrow, intrigued.
|
|
|
|
FREUD
|
|
Her upper-body...
|
|
(scribbles a note)
|
|
Describe the knife you used to...
|
|
"cut" the Counselor.
|
|
|
|
DATA
|
|
It had a black handle and a
|
|
serrated blade. And it was quite
|
|
long.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT TWO 18.
|
|
|
|
24 CONTINUED:
|
|
|
|
Freud reacts.
|
|
|
|
FREUD
|
|
How long?
|
|
|
|
DATA
|
|
Approximately twenty-five
|
|
centimeters in length.
|
|
|
|
Freud nods and grunts, as if this has great meaning.
|
|
|
|
FREUD
|
|
What happened next?
|
|
|
|
Data remembers.
|
|
|
|
DATA
|
|
One of the workmen pointed to her
|
|
right shoulder. At that moment,
|
|
I felt an overwhelming urge to cut
|
|
a piece out of the cake.
|
|
|
|
FREUD
|
|
And did you... ?
|
|
|
|
Data's face darkens slightly -- he's troubled by the
|
|
memory.
|
|
|
|
DATA
|
|
Yes. As I began to slice the
|
|
cake, she reacted as though I was
|
|
causing her pain. And yet, I
|
|
could not stop cutting.
|
|
(beat)
|
|
It was then that I woke up.
|
|
|
|
FREUD
|
|
Mmm...
|
|
|
|
Freud jots down another note.
|
|
|
|
DATA
|
|
I am curious, Doctor Freud... what
|
|
do my nightmares mean?
|
|
|
|
Freud takes a moment, then he sets down his note pad
|
|
and stands... moves to a nearby cigar box and takes
|
|
out a VERY LARGE CIGAR. He toys with it throughout the
|
|
scene.
|
|
|
|
FREUD
|
|
I believe you are experiencing a
|
|
classic dismemberment dream.
|
|
(MORE)
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT TWO 19.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
FREUD (Cont'd)
|
|
Or in your case... being a
|
|
mechanical man... a dismantlement
|
|
dream.
|
|
|
|
DATA
|
|
I do not understand.
|
|
|
|
As Freud explains, he moves about the room, quickly
|
|
rattling off his theories with great enthusiasm.
|
|
|
|
FREUD
|
|
Your mechanistic qualities are
|
|
trying to reassert themselves over
|
|
your human tendencies. Ego and id
|
|
are struggling for domination.
|
|
The "workmen" symbolize the ever-present
|
|
id constantly working to
|
|
destroy the ego.
|
|
(beat)
|
|
The image of Counselor Troi, a
|
|
female, is devoured by you...
|
|
clearly indicating an unconscious
|
|
desire to possess your own mother.
|
|
|
|
DATA
|
|
But I do not have a mother.
|
|
|
|
FREUD
|
|
(quickly)
|
|
Do not interrupt. The knife and
|
|
its violent connotation suggests
|
|
a certain feeling of sexual
|
|
inadequacy...
|
|
|
|
DATA
|
|
I have no sexual desires.
|
|
|
|
FREUD
|
|
(reacts)
|
|
Ach! Repression on top of
|
|
everything. It is all becoming
|
|
clear to me now...
|
|
(thinks)
|
|
There might be a paper in this...
|
|
I could call it "Mister D: An
|
|
Analysis of Android Dementia."
|
|
|
|
Data stands up from the couch -- he's had enough.
|
|
|
|
DATA
|
|
I do not believe I am being helped
|
|
by this session.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/25/93 - ACT TWO 20.
|
|
|
|
24 CONTINUED: (3)
|
|
|
|
Freud turns to Data, raising his voice.
|
|
|
|
FREUD
|
|
Classic transference! Your anger
|
|
toward me is, in fact, the
|
|
animosity you feel toward your
|
|
father.
|
|
(beat)
|
|
You are a polymorphously-perverse
|
|
individual, Mister Data, and I
|
|
recommend full psychoanalysis.
|
|
|
|
He glances at his note pad.
|
|
|
|
FREUD
|
|
(continuing)
|
|
I believe I can fit you in... next
|
|
Tuesday.
|
|
|
|
DATA
|
|
That will not be necessary.
|
|
(to computer)
|
|
Computer -- end program.
|
|
|
|
Freud's office VANISHES and the Holodeck GRID APPEARS.
|
|
As Data takes a moment, relieved, then heads for the
|
|
door...
|
|
|
|
25 INT. BRIDGE
|
|
|
|
Picard, Riker, Worf, N.D.s. Picard is on his feet,
|
|
pacing, impatient.
|
|
|
|
WORF
|
|
(off console)
|
|
Captain. Incoming message from
|
|
Admiral Nakamura.
|
|
|
|
Picard and Riker exchange a look -- they've been
|
|
expecting this. Picard takes a breath, then...
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
26 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The image of ADMIRAL NAKAMURA comes up -- a stern-looking
|
|
man in his late fifties. Picard smiles
|
|
politely.
|
|
|
|
PICARD
|
|
Admiral.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/25/93 - ACT TWO 21.
|
|
|
|
26 CONTINUED:
|
|
|
|
NAKAMURA
|
|
Captain, we were expecting you
|
|
this morning. Is there a problem?
|
|
|
|
Picard tries to make light of it.
|
|
|
|
PICARD
|
|
Actually, we've been experiencing
|
|
a few minor difficulties with our
|
|
new warp core. But my Chief
|
|
Engineer assures me that we'll be
|
|
under way within the hour.
|
|
|
|
Nakamura nods, a little irritated.
|
|
|
|
NAKAMURA
|
|
I was hoping we'd have a chance to
|
|
discuss your new mission orders
|
|
before the banquet... but I guess
|
|
it'll have to wait.
|
|
|
|
PICARD
|
|
My apologies, Admiral.
|
|
|
|
Nakamura eyes him.
|
|
|
|
NAKAMURA
|
|
You're not trying to... avoid this
|
|
particular engagement, are you,
|
|
Captain?
|
|
|
|
PICARD
|
|
Oh, no... certainly not, sir. I'm
|
|
looking forward to it.
|
|
|
|
NAKAMURA
|
|
Good. I'll expect you soon.
|
|
Nakamura out.
|
|
|
|
The Viewscreen goes back to a starfield.
|
|
|
|
RIKER
|
|
(lightly)
|
|
I think he's on to you, sir.
|
|
|
|
Picard shoots him a look. Then --
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge to Bridge.
|
|
|
|
PICARD
|
|
(to com)
|
|
Go ahead, Geordi.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT TWO 22.
|
|
|
|
27 INT. ENGINEERING
|
|
|
|
Geordi, Data, Tyler, N.D.s at work. The warp core is
|
|
ACTIVE -- glowing and humming.
|
|
|
|
GEORDI
|
|
We've just started her up, sir.
|
|
All systems are holding steady...
|
|
(beat)
|
|
Ready when you are, Captain.
|
|
|
|
28 INT. BRIDGE
|
|
|
|
Picard takes a breath, looks to the Com.
|
|
|
|
PICARD
|
|
Ensign Russell -- set course and
|
|
engage.
|
|
|
|
The Ensign works...
|
|
|
|
29 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise's engines FLARE brightly and there is
|
|
the roar of the great ship going into warp -- but it
|
|
does not move. The engines keep FLARING, brighter and
|
|
brighter, then completely GO OUT.
|
|
|
|
30 INT. ENGINEERING
|
|
|
|
The warp core DIES DOWN and SHUTS OFF with a loud
|
|
RATTLE. Alarmed, Geordi rushes to a console and starts
|
|
working.
|
|
|
|
PICARD'S COM VOICE
|
|
Engineering -- report!
|
|
|
|
DATA
|
|
(to com, off console)
|
|
The warp field has collapsed, sir.
|
|
|
|
GEORDI
|
|
(off console)
|
|
It looks like we've blown out the
|
|
entire power converter, Captain.
|
|
Impulse engines are down, too --
|
|
we're not going anywhere...
|
|
(quickly)
|
|
But I know exactly how to fix it.
|
|
Give me two, three hours, tops.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/25/93 - ACT TWO 23.
|
|
|
|
30 CONTINUED:
|
|
|
|
The warp core starts to make an awful RATTLING NOISE.
|
|
Geordi reacts, appalled.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Now what?
|
|
|
|
As he moves to the core...
|
|
|
|
31 INT. BRIDGE
|
|
|
|
As before. Picard is frustrated.
|
|
|
|
RIKER
|
|
Talk about going nowhere fast.
|
|
|
|
PICARD
|
|
Mister Worf, open a channel to
|
|
Starbase Two-nineteen. Advise
|
|
Admiral Nakamura... I'll be later
|
|
than I thought.
|
|
|
|
OFF Picard's face...
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
hanging motionless in space.
|
|
|
|
33 INT. ENGINEERING
|
|
|
|
A while later. Geordi is working on one of the WARP
|
|
PLASMA CONDUITS. (NOTE: It is the same kind of conduit
|
|
the workmen were working on in the Teaser). Data and
|
|
Ensign Tyler are working nearby. The core still
|
|
RATTLES from time to time, and it's playing on Geordi's
|
|
nerves.
|
|
|
|
GEORDI
|
|
(to Tyler)
|
|
Tyler, how are you coming with
|
|
that relay diagnostic?
|
|
|
|
TYLER
|
|
Almost done, sir...
|
|
|
|
Tyler works her conduit a moment, then quickly moves to
|
|
Geordi.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT TWO 24.
|
|
|
|
33 CONTINUED:
|
|
|
|
TYLER
|
|
(continuing)
|
|
If you'll excuse me, I need this
|
|
plasma inverter...
|
|
|
|
She bends down and reaches her arms around Geordi as if
|
|
the physical closeness were nothing, and grabs a (TECH)
|
|
TOOL off the conduit. Geordi is uncomfortable with the
|
|
closeness. She smiles at him, then moves off. Data
|
|
gives Geordi a bemused look.
|
|
|
|
DATA
|
|
Ensign Tyler still appears to have
|
|
a "crush" on you, Geordi. It is
|
|
clear that you did not speak with
|
|
her.
|
|
|
|
GEORDI
|
|
(annoyed)
|
|
I haven't had a chance, Data...
|
|
(beat)
|
|
Here. Give me a hand with this
|
|
coil brace.
|
|
|
|
Geordi and Data reach into the conduit and pull out a
|
|
long, thin piece of BRACING MATERIAL. The brace is
|
|
about a foot in length, with a few sharp protruding
|
|
edges -- like a ruler with a serrated edge.
|
|
|
|
GEORDI
|
|
(re: bracing)
|
|
Could you perform a metallurgical
|
|
scan on the brace... see if there
|
|
are any microfractures? Be
|
|
careful, it's kind of sharp.
|
|
|
|
Data nods and turns with the brace -- and stops,
|
|
staring down at the brace...
|
|
|
|
34 CLOSE ON BRACE
|
|
|
|
Data's hand is wrapped around it in exactly the same
|
|
way that he was holding the over-sized knife in his
|
|
dream. In fact, the metal and shape of the brace is
|
|
very suggestive of the knife.
|
|
|
|
35 DATA
|
|
|
|
stares at the image, disturbed by the memories it
|
|
conjures. Geordi glances at him.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT TWO 25.
|
|
|
|
35 CONTINUED:
|
|
|
|
GEORDI
|
|
Is there a problem, Data?
|
|
|
|
Data looks up.
|
|
|
|
DATA
|
|
I am reminded of a recent dream.
|
|
This brace is reminiscent of...
|
|
|
|
Suddenly, Data sees something on the back of Geordi's
|
|
neck --
|
|
|
|
36 CLOSE ON GEORDI (OPTICAL)
|
|
|
|
Clearly visible on the back of Geordi's neck is a large
|
|
ANIMAL MOUTH -- teeth bared and HISSING.
|
|
|
|
37 DATA
|
|
|
|
steps back in shock. Suddenly, the RINGING SOUND is
|
|
heard from somewhere in the room. Data turns at the
|
|
noise --
|
|
|
|
38 NEW ANGLE
|
|
|
|
As Data turns -- everyone in the room is gone. Data is
|
|
alone, and the room is completely silent, except for
|
|
the ringing. Data looks around in confusion.
|
|
|
|
RIKER'S VOICE
|
|
Aren't you going to answer that,
|
|
Commander?
|
|
|
|
39 RIKER
|
|
|
|
walks up to Data. The straw is sticking out of his
|
|
temple (as seen in Act one). He points to Data's
|
|
stomach in irritation.
|
|
|
|
RIKER
|
|
What are you waiting for? Answer
|
|
it!
|
|
|
|
Data glances down at his stomach... then he slowly
|
|
reaches down and OPENS a small PANEL on his abdomen.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT TWO 26.
|
|
|
|
40 CLOSE ON DATA'S ABDOMEN (OPTICAL)
|
|
|
|
Visible inside his stomach is an old-fashioned
|
|
TELEPHONE RECEIVER -- and it's ringing. Data pulls out
|
|
the receiver... puts it up to his ear to "answer the
|
|
phone".
|
|
|
|
DATA
|
|
(into phone)
|
|
Hello?
|
|
|
|
FREUD'S VOICE is heard on the other end --
|
|
|
|
FREUD'S VOICE
|
|
Kill them. You must kill them
|
|
all... before it's too late.
|
|
|
|
Data reacts to the words. Suddenly, a HAND grabs Data
|
|
from behind --
|
|
|
|
GEORDI'S VOICE
|
|
Data.
|
|
|
|
Data turns --
|
|
|
|
41 NEW ANGLE
|
|
|
|
As Data turns -- Geordi and Ensign Tyler are standing
|
|
nearby, staring at him in concern. Geordi has just
|
|
taken Data by the arm. Everything is back to normal.
|
|
|
|
GEORDI
|
|
Data, what's wrong?
|
|
|
|
Data is shocked, confused.
|
|
|
|
DATA
|
|
I do not know.
|
|
|
|
OFF his concern...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
42 INT. TROI'S OFFICE
|
|
|
|
Data is holding the coil brace seen earlier, and he's
|
|
contemplating it with a serious look. He's on his
|
|
feet, pacing the room, determined to understand his
|
|
recent experiences.
|
|
|
|
DATA
|
|
Everything seems to remind me of
|
|
the nightmare -- objects, sounds,
|
|
smells. And now I have seen
|
|
elements from the dream while
|
|
still in a waking state.
|
|
(beat)
|
|
I cannot explain it.
|
|
|
|
Troi tries to comfort him.
|
|
|
|
TROI
|
|
Data... if you were one of my
|
|
human patients, I might be
|
|
concerned right now. I'd say you
|
|
had a waking dream... or a
|
|
hallucination...
|
|
(beat)
|
|
But you're not human. It seems to
|
|
me that we might be looking at
|
|
some sort of technological
|
|
problem...
|
|
|
|
DATA
|
|
I have run three complete self-diagnostics.
|
|
All of my systems
|
|
are functioning normally.
|
|
|
|
Troi considers this. Data paces a moment... looking
|
|
for explanation...
|
|
|
|
DATA
|
|
(continuing)
|
|
I have studied over one hundred
|
|
thirty-eight different theories of
|
|
dream analysis in an effort to
|
|
explain my nightmares.
|
|
|
|
TROI
|
|
What have you found?
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT THREE 28.
|
|
|
|
42 CONTINUED:
|
|
|
|
DATA
|
|
I have been unable to find a
|
|
single interpretation of my
|
|
nightmares. For instance, Neo-Platonic
|
|
hermetic texts from the
|
|
Ancient Near East would suggest
|
|
that my experience indicates a
|
|
prophetic function -- that I have
|
|
perceived an impending disaster.
|
|
(beat)
|
|
Professor Syrus of Tilonus Four
|
|
would consider my dreams nothing
|
|
more than epi-phenomena in my
|
|
neural net. Random discharges
|
|
with no meaning whatsoever.
|
|
(beat)
|
|
Doctor Freud of early Twentieth
|
|
century Earth suggested that my
|
|
dreams represent a latent psychosexual
|
|
complex.
|
|
|
|
Data stares down at the (TECH) brace.
|
|
|
|
DATA
|
|
(continuing)
|
|
Perhaps Freud was correct... and
|
|
the knife I dreamed of is the
|
|
embodiment of my unconscious
|
|
desire to inflict violence.
|
|
|
|
Troi reacts to this.
|
|
|
|
TROI
|
|
Data... even Freud said "sometimes
|
|
a cigar is just a cigar."
|
|
(beat)
|
|
A lot of the theories you've
|
|
examined are interesting... but
|
|
they're also flawed and obsolete.
|
|
|
|
Troi stands and moves to him.
|
|
|
|
TROI
|
|
(continuing)
|
|
That knife could just as well be
|
|
an archetypal symbol of rational
|
|
clarity -- it's sharp... it cuts
|
|
through things that are dull...
|
|
|
|
Data looks at her, starting to hear the sense in her
|
|
words.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT THREE 29.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
TROI
|
|
(continuing)
|
|
The bottom line is... I think you
|
|
may be developing an almost...
|
|
obsessive interest in your own
|
|
inner-workings.
|
|
(beat)
|
|
I'd almost call it the beginnings
|
|
of a... neurosis.
|
|
|
|
Data reacts.
|
|
|
|
DATA
|
|
That is not possible.
|
|
|
|
TROI
|
|
Why not? You've eliminated all
|
|
the technical explanations. And
|
|
it makes sense that as your neural
|
|
net becomes more complex... more
|
|
human... you might experience the
|
|
same kind of psychological
|
|
complexities as a human.
|
|
|
|
Data is excited by the possibility.
|
|
|
|
DATA
|
|
(hopeful)
|
|
Do you really think it is
|
|
possible?
|
|
|
|
Troi smiles.
|
|
|
|
TROI
|
|
You may be the first person who's
|
|
come into my office who's actually
|
|
been excited by the prospect of a
|
|
new neurosis.
|
|
(beat)
|
|
But yes... I do think it's
|
|
possible. In fact, I'd like to
|
|
start counseling you on a regular
|
|
basis.
|
|
|
|
DATA
|
|
(pleased)
|
|
Daily?
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/25/93 - ACT THREE 30.
|
|
|
|
42 CONTINUED: (3)
|
|
|
|
TROI
|
|
No... we'll start weekly. And as
|
|
a first step, I want you to shut
|
|
down your dream program until our
|
|
next session... just to be safe.
|
|
Give yourself a chance to reflect
|
|
on this experience.
|
|
|
|
Data nods.
|
|
|
|
DATA
|
|
Thank you, Counselor. I look
|
|
forward to our next meeting.
|
|
|
|
Troi smiles gently. Data heads for the door...
|
|
|
|
TROI
|
|
And Data...
|
|
(lightly)
|
|
Next time... see me before you see
|
|
Sigmund.
|
|
|
|
Data nods and EXITS. OFF Troi's expression...
|
|
|
|
43 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as before, hanging in space.
|
|
|
|
44 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard sitting at his desk, talking to Admiral Nakamura
|
|
on the desktop MONITOR. Picard is frustrated, and a
|
|
little embarrassed.
|
|
|
|
PICARD
|
|
Admiral, I can explain...
|
|
|
|
NAKAMURA
|
|
Let me guess. Your new warp core
|
|
is... "malfunctioning" again?
|
|
|
|
Picard nods, awkward.
|
|
|
|
PICARD
|
|
Unfortunately, the problem has
|
|
affected our impulse systems now.
|
|
At the moment, we are... adrift.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/25/93 - ACT THREE 31.
|
|
|
|
44 CONTINUED:
|
|
|
|
NAKAMURA
|
|
(a jab)
|
|
Are you expecting to have the
|
|
problem fixed soon... or shall we
|
|
send out a tow ship to bring you
|
|
in?
|
|
|
|
Picard bristles at the remark.
|
|
|
|
PICARD
|
|
That won't be necessary. I have
|
|
full confidence in my Engineering
|
|
staff. I will be at the banquet
|
|
on time.
|
|
|
|
Nakamura nods.
|
|
|
|
NAKAMURA
|
|
Incidentally, Captain... the
|
|
banquet really won't be as bad as
|
|
you might expect.
|
|
(beat)
|
|
The key note speaker is going to
|
|
address Bajoran aqueduct
|
|
management. And I hear they're
|
|
serving Ktarian spice cake for
|
|
dessert this year.
|
|
|
|
Picard forces a smile.
|
|
|
|
PICARD
|
|
Yes, I know... it sounds...
|
|
delightful.
|
|
|
|
NAKAMURA
|
|
(with emphasis)
|
|
It is not to be missed.
|
|
Understood?
|
|
|
|
PICARD
|
|
Yes, sir. Picard out.
|
|
|
|
Picard taps the terminal and the transmission ENDS.
|
|
OFF his expression...
|
|
|
|
45 INT. ENGINEERING
|
|
|
|
Geordi is at an OPEN PANEL, working on the same kind of
|
|
plasma conduit seen earlier. Data and Ensign Tyler are
|
|
working nearby.
|
|
|
|
Picard is there, too, standing next to Geordi -- he's
|
|
restless, eager to get under way.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT THREE 31.
|
|
|
|
44 CONTINUED:
|
|
|
|
CHAPMAN
|
|
(a jab)
|
|
Are you expecting to have the
|
|
problem fixed soon... or shall we
|
|
send out a tow ship to bring you
|
|
in?
|
|
|
|
Picard bristles at the remark.
|
|
|
|
PICARD
|
|
That won't be necessary. I have
|
|
full confidence in my Engineering
|
|
staff. I will be at the banquet
|
|
on time.
|
|
|
|
Chapman nods.
|
|
|
|
CHAPMAN
|
|
Incidentally, Captain... the
|
|
banquet really won't be as bad as
|
|
you might expect.
|
|
(beat)
|
|
The key note speaker is going to
|
|
address Bajoran aqueduct
|
|
management. And I hear they're
|
|
serving Ktarian spice cake for
|
|
dessert this year.
|
|
|
|
Picard forces a smile.
|
|
|
|
PICARD
|
|
Yes, I know... it sounds...
|
|
delightful.
|
|
|
|
CHAPMAN
|
|
(with emphasis)
|
|
It is not to be missed.
|
|
Understood?
|
|
|
|
PICARD
|
|
Yes, sir. Picard out.
|
|
|
|
Picard taps the terminal and the transmission ENDS.
|
|
OFF his expression...
|
|
|
|
45 INT. ENGINEERING
|
|
|
|
Geordi is at an OPEN PANEL, working on the same kind of
|
|
plasma conduit seen earlier. Data and Ensign Tyler are
|
|
working nearby.
|
|
|
|
Picard is there, too, standing next to Geordi -- he's
|
|
restless, eager to get under way.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT THREE 32.
|
|
|
|
45 CONTINUED:
|
|
|
|
PICARD
|
|
Have you tried reconfiguring the
|
|
plasma conduit?
|
|
|
|
GEORDI
|
|
Yes, sir... we did that two hours
|
|
ago.
|
|
|
|
Picard nods. He watches Geordi for a moment.
|
|
|
|
PICARD
|
|
What about the relays? Have you
|
|
made absolutely sure they don't
|
|
need a new phase invertor?
|
|
|
|
DATA
|
|
I am currently running a level
|
|
three diagnostic on the relays,
|
|
sir. We will have the results of
|
|
the analysis in approximately ten
|
|
minutes.
|
|
|
|
PICARD
|
|
I see...
|
|
|
|
Picard stands. Data crosses the room to work at
|
|
another console...
|
|
|
|
46 ANGLE ON DATA
|
|
|
|
as he starts to work. He stops a moment, thoughtful...
|
|
then turns to look at something...
|
|
|
|
47 THE COIL BRACE
|
|
|
|
seen earlier is lying nearby. An N.D. is scanning it
|
|
with a diagnostic instrument.
|
|
|
|
48 DATA
|
|
|
|
considers the image... his face neutral...
|
|
|
|
49 RESUME PICARD, GEORDI AND TYLER
|
|
|
|
Picard eyes a panel of isolinear chips, moves to it.
|
|
|
|
PICARD
|
|
Perhaps I can help you reconfigure
|
|
these isolinear chips...
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT THREE 33.
|
|
|
|
49 CONTINUED:
|
|
|
|
GEORDI
|
|
No, sir, please don't touch that --
|
|
|
|
Geordi quickly stops Picard... then speaks carefully,
|
|
trying to give Picard the hint.
|
|
|
|
GEORDI
|
|
Sir... Commander Data and I have
|
|
the situation under control. If
|
|
you'd just let the two of us take
|
|
care of it... we can get the work
|
|
done a lot faster...
|
|
|
|
Picard nods, calming a little.
|
|
|
|
PICARD
|
|
You're right...
|
|
(beat)
|
|
If you don't mind, I'll just wait
|
|
here and observe your progress.
|
|
|
|
Geordi reacts -- this isn't what he wanted to hear.
|
|
|
|
GEORDI
|
|
Actually, Captain...
|
|
|
|
Ensign Tyler quickly jumps in.
|
|
|
|
TYLER
|
|
(to Picard)
|
|
Captain. We could use an extra
|
|
hand moving the containment
|
|
pods...
|
|
|
|
Picard brightens, eager to help.
|
|
|
|
PICARD
|
|
Not at all. I'd be happy to...
|
|
|
|
Picard moves off with Tyler, who turns and flashes
|
|
Geordi a triumphant smile. Geordi smiles in return,
|
|
genuinely grateful. Picard and Tyler EXIT. Geordi
|
|
breathes a sigh of relief... returns to his work...
|
|
|
|
GEORDI
|
|
(quiet, to himself)
|
|
Good work, Ensign. I thought he'd
|
|
never leave...
|
|
(beat)
|
|
Data, would you help me lock down
|
|
this plasma conduit... ?
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT THREE 34.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
A beat goes by.
|
|
|
|
GEORDI
|
|
Data?
|
|
|
|
No response. Geordi slides out from under the console,
|
|
looks around.
|
|
|
|
50 INCLUDE THE ROOM
|
|
|
|
Data is nowhere to be seen -- he's gone.
|
|
|
|
GEORDI
|
|
Data... ?
|
|
|
|
OFF Geordi's puzzled reaction...
|
|
|
|
51 OMITTED
|
|
|
|
52 INT. CORRIDOR - CONTINUOUS
|
|
|
|
Troi walking along. FOLLOW her as she walks along the
|
|
hall... and turns a corner...
|
|
|
|
53 NEW ANGLE
|
|
|
|
as Troi turns the corner -- and she stops, sensing that
|
|
she is being watched. She turns to look behind her...
|
|
|
|
54 OMITTED
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT THREE 35.
|
|
|
|
55 TROI'S POV
|
|
|
|
of the corridor. The hall is empty.
|
|
|
|
56 TROI
|
|
|
|
reacts... then she shrugs off the feeling and continues
|
|
on her way. She stops at a Turbolift. The doors open
|
|
and she enters...
|
|
|
|
57 INT. TURBOLIFT - CONTINUOUS
|
|
|
|
TROI
|
|
(to lift)
|
|
Deck Thirty-six.
|
|
|
|
The doors start to close... and just as they do, a HAND
|
|
slips in and forces them back open. Data ENTERS the
|
|
lift. Troi smiles at him as the doors slide shut.
|
|
|
|
TROI
|
|
Hello, Data.
|
|
|
|
Data doesn't answer -- he just stares straight ahead.
|
|
The lift starts MOVING. Troi eyes him.
|
|
|
|
TROI
|
|
(continuing)
|
|
Data... are you all right?
|
|
|
|
No response. Slowly, Data looks over at Troi and eyes
|
|
her right shoulder with an intent look on his face.
|
|
Troi sees that he is holding the coil brace in his
|
|
hand.
|
|
|
|
TROI
|
|
(continuing)
|
|
What are you doing?
|
|
|
|
Data very calmly raises the brace.
|
|
|
|
DATA
|
|
I am sorry, Counselor.
|
|
|
|
Before Troi can react, Data STABS the brace into Troi's
|
|
shoulder (offscreen). Troi cries out and falls
|
|
backward. Data moves toward her with the brace, face
|
|
expressionless. Troi stares at him in disbelief.
|
|
|
|
TROI
|
|
NO!
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT THREE 36.
|
|
|
|
57 CONTINUED:
|
|
|
|
As he moves to stab her again...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
58 INT. CORRIDOR
|
|
|
|
Riker and Worf walking along, mid-conversation. Worf
|
|
is annoyed.
|
|
|
|
WORF
|
|
Ever since you gave Alexander that
|
|
music program... he has been
|
|
playing it all night... every
|
|
night.
|
|
|
|
RIKER
|
|
I was just trying to broaden his
|
|
horizons. Besides, he likes it.
|
|
|
|
They walk up to a Turbolift. Riker taps a control by
|
|
the door and they wait.
|
|
|
|
WORF
|
|
It is screeching... pounding...
|
|
dissonant. It is not music.
|
|
|
|
RIKER
|
|
Worf, it's better than music --
|
|
it's jazz.
|
|
|
|
59 NEW ANGLE
|
|
|
|
as the Turbolift doors open -- it's a shocking sight.
|
|
Troi is slumped on the floor, unconscious, blood
|
|
visible on her shoulder. Data is standing over her
|
|
with the coil brace.
|
|
|
|
Riker and Worf are stunned by the sight. Before they
|
|
can say anything, Data turns to them. He immediately
|
|
ATTACKS Riker, swinging the brace toward Riker's face --
|
|
|
|
RIKER
|
|
Data -- !
|
|
|
|
Riker raises his arms to protect himself. Worf quickly
|
|
grabs Data from behind and tries to subdue him. Data
|
|
struggles a moment, then stops. A look of realization
|
|
crosses his face as he suddenly comes to his senses.
|
|
He drops the coil brace to the floor and stops
|
|
resisting... glances at Worf in confusion...
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT FOUR 38.
|
|
|
|
60 RIKER
|
|
|
|
moves to Troi.
|
|
|
|
RIKER
|
|
(taps his communicator)
|
|
Medical emergency, deck seventeen,
|
|
section three alpha!
|
|
|
|
Riker puts his hand on her wound to staunch the flow of
|
|
blood. OFF his concerned look...
|
|
|
|
61 INT. OBSERVATION LOUNGE
|
|
|
|
A short time later. Worf and TWO Security Guards are
|
|
standing on either side of Data, keeping an eye on him.
|
|
Picard, Riker and Geordi are questioning Data, who is
|
|
back to his normal self. The mood is tense.
|
|
|
|
DATA
|
|
I believe I had another waking
|
|
dream, sir. But this time, I felt
|
|
an uncontrollable urge to...
|
|
eliminate the image I saw.
|
|
|
|
PICARD
|
|
And what you saw was some sort of
|
|
a... "mouth" on Counselor Troi's
|
|
shoulder...
|
|
|
|
DATA
|
|
Yes, sir. And for a reason I
|
|
cannot explain, I felt the need to
|
|
destroy it.
|
|
|
|
RIKER
|
|
What about me? Did you see one of
|
|
these mouths on my head?
|
|
|
|
DATA
|
|
No, sir. I saw a straw coming out
|
|
of your head.
|
|
|
|
A beat. They don't know what to make of this.
|
|
|
|
PICARD
|
|
A straw?
|
|
|
|
DATA
|
|
As I said, these are all images
|
|
that I originally experienced in
|
|
my dream program. I do not have
|
|
a rational explanation for them.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 39.
|
|
|
|
61 CONTINUED:
|
|
|
|
RIKER
|
|
But you said you shut down your
|
|
dream program...
|
|
|
|
DATA
|
|
That is correct.
|
|
|
|
Picard turns to Geordi.
|
|
|
|
PICARD
|
|
Mister La Forge?
|
|
|
|
GEORDI
|
|
We've run every possible
|
|
diagnostic on Data's positronic
|
|
net... but we can't find anything
|
|
wrong. I can run a sub-polymer
|
|
scan... but it'll take some time
|
|
to get the equipment together.
|
|
|
|
PICARD
|
|
Make it so.
|
|
(to Data)
|
|
In the meantime, Mister Data...
|
|
I'm going to have to relieve you
|
|
of duty and confine you to
|
|
quarters.
|
|
|
|
DATA
|
|
A sensible precaution, sir.
|
|
|
|
Data stands and EXITS, Worf and the Security Guards
|
|
close behind. As Picard and the others exchange a grim
|
|
look...
|
|
|
|
62 INT. SICKBAY
|
|
|
|
Troi is lying on the surgical table, unconscious.
|
|
She's dressed in a medical gown, and her right shoulder
|
|
is exposed -- a MEDICAL DEVICE is covering the wound.
|
|
Her eyes flicker open... she's starting to wake up,
|
|
disoriented. Beverly moves to her. A Nurse is
|
|
standing nearby.
|
|
|
|
BEVERLY
|
|
(to Troi)
|
|
It's all right, Deanna... you're
|
|
in Sickbay. Everything's going to
|
|
be all right.
|
|
|
|
TROI
|
|
Data...
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 40.
|
|
|
|
62 CONTINUED:
|
|
|
|
BEVERLY
|
|
He's not here... try to relax.
|
|
|
|
Beverly examines the medical device.
|
|
|
|
BEVERLY
|
|
The vascular pad has healed your
|
|
wound. But you've lost a lot of
|
|
blood... so I want you to lie
|
|
still for a while.
|
|
|
|
Troi nods. Beverly removes the medical device from
|
|
Troi's shoulder... and reacts with surprise to what
|
|
she sees. Visible on Troi's skin is a strange, mottled
|
|
red DISCOLORATION.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
That's odd... there shouldn't be
|
|
any discoloration after the
|
|
treatment. This looks like some
|
|
sort of rash...
|
|
|
|
Beverly picks up a medical tricorder and scans Troi's
|
|
shoulder.
|
|
|
|
TROI
|
|
What is it?
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
I'm picking up cellular
|
|
degradation. But I don't think
|
|
it's related to the lacerations...
|
|
(scans)
|
|
And there's some kind of residual
|
|
interphasic signature...
|
|
|
|
Troi looks worried. Beverly thinks a moment.
|
|
|
|
BEVERLY
|
|
(to Nurse)
|
|
Nurse, get me an interphasic
|
|
scanner... I want to take a
|
|
closer look.
|
|
|
|
The Nurse nods and heads off. Beverly gingerly touches
|
|
the discolored area with her finger.
|
|
|
|
BEVERLY
|
|
Does that hurt?
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 41.
|
|
|
|
62 CONTINUED: (2)
|
|
|
|
TROI
|
|
Not at all...
|
|
|
|
OFF Beverly's puzzled reaction...
|
|
|
|
63 INT. DATA'S QUARTERS
|
|
|
|
Data and Worf ENTER. The two Guards can be seen
|
|
outside in the corridor.
|
|
|
|
WORF
|
|
I will have to confiscate your
|
|
sidearm.
|
|
|
|
Data moves to his desk reaches underneath -- pulls out
|
|
his phaser and hands it to Worf.
|
|
|
|
DATA
|
|
May I ask a personal favor?
|
|
|
|
WORF
|
|
Yes?
|
|
|
|
Data walks over to the couch, where Spot is lying down.
|
|
He indicates the cat.
|
|
|
|
DATA
|
|
Will you take care of Spot for me?
|
|
|
|
WORF
|
|
Your... animal?
|
|
|
|
DATA
|
|
(nods)
|
|
I am concerned that if I have
|
|
another waking dream, I may...
|
|
injure him.
|
|
|
|
Worf is moved by the sentiment.
|
|
|
|
WORF
|
|
Of course.
|
|
|
|
Worf eyes the cat, not quite sure how to deal with it.
|
|
|
|
WORF
|
|
(continuing)
|
|
Spot. Come here.
|
|
|
|
DATA
|
|
Unlike a canine, Spot will not
|
|
respond to verbal commands.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 42.
|
|
|
|
63 CONTINUED:
|
|
|
|
Data gently picks up Spot and hands him to Worf. Worf
|
|
handles the cat awkwardly. Data reaches out and pets
|
|
Spot on the head gently.
|
|
|
|
DATA
|
|
(continuing)
|
|
Goodbye, Spot.
|
|
|
|
Worf heads for the door.
|
|
|
|
DATA
|
|
(continuing)
|
|
He will need to be fed once a day.
|
|
He prefers feline supplement one-twenty-five.
|
|
|
|
WORF
|
|
I understand.
|
|
|
|
DATA
|
|
And he will require water. And
|
|
you must also provide him with a
|
|
sand box.
|
|
|
|
Worf nods.
|
|
|
|
DATA
|
|
(continuing, one last
|
|
thing)
|
|
And you must talk to him. Tell
|
|
him he is a pretty cat, and a good
|
|
cat...
|
|
|
|
WORF
|
|
(cutting him off)
|
|
I will... feed him.
|
|
|
|
DATA
|
|
Perhaps that will be enough.
|
|
|
|
Worf EXITS. OFF Data's face... thoughtful, and very
|
|
troubled by what has happened...
|
|
|
|
64 INT. SICKBAY
|
|
|
|
Beverly is standing next to Troi, who is still lying on
|
|
the surgical table, semi-conscious. Picard and Riker
|
|
ENTER. Beverly turns to them, urgent.
|
|
|
|
BEVERLY
|
|
Captain. We have a problem. Take
|
|
a look at this...
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FOUR 43.
|
|
|
|
64 CONTINUED:
|
|
|
|
Beverly points to the discoloration on Troi's shoulder,
|
|
which has gotten noticeably worse -- the red mottling
|
|
has spread.
|
|
|
|
BEVERLY
|
|
(continuing, re: rash)
|
|
Her tissue is breaking down on a
|
|
cellular level... and it's
|
|
spreading. At first I thought it
|
|
was a rash from the coil brace she
|
|
was stabbed with... but when I
|
|
used the interphasic scanner, I
|
|
found something else...
|
|
|
|
Beverly picks up an INTERPHASIC SCANNER and activates
|
|
it -- the scanner sends out a BLUE LIGHT. She shines
|
|
it onto Troi's shoulder...
|
|
|
|
65 ANGLE ON TROI'S SHOULDER (OPTICAL)
|
|
|
|
As the light hits Troi's skin, it ILLUMINATES a
|
|
previously unseen CREATURE. The creature is large and
|
|
leech-like in appearance, frightening -- and it is
|
|
gripping Troi's skin with several thin tendrils.
|
|
|
|
66 RESUME (OPTICAL)
|
|
|
|
As Beverly takes the light away. Reactions.
|
|
|
|
PICARD
|
|
What is it?
|
|
|
|
BEVERLY
|
|
The better question is... what are
|
|
they?
|
|
|
|
Beverly shines the light on her own forearm. We now
|
|
see a SIMILAR CREATURE latched onto her arm. She takes
|
|
the light away.
|
|
|
|
BEVERLY
|
|
I've only checked the medical
|
|
staff... but I've found them on
|
|
almost everyone so far...
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FOUR 44.
|
|
|
|
66 CONTINUED:
|
|
|
|
Beverly moves to Riker, shines the blue light over his
|
|
chest... his arms... then over his face... and
|
|
discovers a CREATURE hugging the side of his face at
|
|
the temple. Beverly shines the light over Picard --
|
|
revealing a CREATURE clamped onto his neck... and
|
|
another one gripping his chest.
|
|
|
|
OFF their shocked reactions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 45.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
67 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Worf, Geordi and Beverly, middiscussion.
|
|
|
|
BEVERLY
|
|
The infestation rate has reached
|
|
seventy-three percent of the crew
|
|
so far. The cellular decay is
|
|
accelerating in all cases. I
|
|
haven't found a way to stop it...
|
|
or even slow it down.
|
|
|
|
Riker unconsciously touches the side of his face, where
|
|
we saw the creature earlier. He knows it's there, and
|
|
it gives him the creeps.
|
|
|
|
RIKER
|
|
What are we dealing with here?
|
|
Are these creatures... feeding off
|
|
us?
|
|
|
|
BEVERLY
|
|
In a way... They appear to be
|
|
extracting our cellular peptides.
|
|
It's roughly analogous to the way
|
|
Terran leeches consume hemoglobin.
|
|
|
|
PICARD
|
|
Can we reverse the process?
|
|
|
|
BEVERLY
|
|
Not until the organisms are
|
|
removed. And if they're not
|
|
removed soon, our bodies will
|
|
begin to lose all cellular
|
|
cohesion... we'll collapse into
|
|
nothing but a few pounds of
|
|
chemicals.
|
|
|
|
Reactions to the grim image.
|
|
|
|
PICARD
|
|
Can we affect the organisms in any
|
|
way?
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 46.
|
|
|
|
67 CONTINUED:
|
|
|
|
GEORDI
|
|
We've tried E-M radiation...
|
|
subspace fields... thermal
|
|
protons... nothing works. They
|
|
seem to exist in an interphasic
|
|
state, just beyond our visual and
|
|
sensor acuity. The only way we
|
|
can see them is to use an IP
|
|
scanner... tricorders can't even
|
|
pick them up.
|
|
|
|
RIKER
|
|
Do we know where these things came
|
|
from?
|
|
|
|
WORF
|
|
I have scanned the vicinity with
|
|
an IP scanner. There is no sign
|
|
of any similar creatures, or any
|
|
unusual interphasic activity.
|
|
|
|
PICARD
|
|
Perhaps Starbase Eighty-four...
|
|
could we have picked them up there
|
|
during the installation of the
|
|
warp core?
|
|
|
|
GEORDI
|
|
I contacted the Starbase and had
|
|
them use IP scanners. Nothing.
|
|
|
|
Picard thinks for a long beat.
|
|
|
|
PICARD
|
|
What about Mister Data? There
|
|
must be some connection between
|
|
his odd behavior and these
|
|
creatures. Is he infested, as
|
|
well?
|
|
|
|
BEVERLY
|
|
No. I scanned him, but I didn't
|
|
find anything.
|
|
|
|
PICARD
|
|
Data attacked Counselor Troi
|
|
because he said he saw a...
|
|
"mouth" on her shoulder...
|
|
(to Beverly)
|
|
And in that same area, you first
|
|
discovered one of the organisms...
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT FIVE 47.
|
|
|
|
67 CONTINUED: (2)
|
|
|
|
RIKER
|
|
(onto idea)
|
|
He also saw a "straw" on the side
|
|
of my head... and Beverly found an
|
|
organism in the same spot.
|
|
|
|
GEORDI
|
|
(thinks)
|
|
Those were all images from his
|
|
dreams... maybe he's unconsciously
|
|
perceiving these creatures...
|
|
|
|
Picard considers... makes the decision.
|
|
|
|
PICARD
|
|
I think it's time we took a closer
|
|
look at Mister Data's dreams.
|
|
|
|
68 INT. DATA'S QUARTERS
|
|
|
|
Picard and Geordi talking to Data, mid-scene.
|
|
|
|
DATA
|
|
It is an interesting hypothesis.
|
|
If I am being affected by these
|
|
interphasic creatures on an
|
|
unconscious level, it may also
|
|
explain my waking dreams, and my
|
|
subsequent anti-social behavior.
|
|
|
|
GEORDI
|
|
What we want to do is link your
|
|
neural net into the Holodeck...
|
|
and have you activate your dream
|
|
program, so as you're dreaming...
|
|
we can observe the dream images.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/16/93 - ACT FIVE 48.
|
|
|
|
68 CONTINUED:
|
|
|
|
PICARD
|
|
Perhaps we can learn more about
|
|
the creatures by interpreting the
|
|
symbols and images in your dreams.
|
|
|
|
DATA
|
|
(onto the idea)
|
|
I see. The concept is similar to
|
|
the method of Directed Dreaming.
|
|
|
|
PICARD
|
|
Exactly.
|
|
(to Geordi)
|
|
How soon can you have the link
|
|
ready?
|
|
|
|
GEORDI
|
|
We'd need about an hour to
|
|
establish all the interface
|
|
parameters.
|
|
|
|
PICARD
|
|
Make it so.
|
|
(beat)
|
|
In the meantime, Mister Data...
|
|
I'd say you should prepare for
|
|
bed.
|
|
|
|
OFF Data's face...
|
|
|
|
69 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as before.
|
|
|
|
70 INT. HOLODECK GRID (OPTICAL)
|
|
|
|
Picard is standing inside the ARCH on the empty
|
|
Holodeck GRID. Data is sitting on a chair -- his head
|
|
is OPEN and a couple of high-tech CABLES connect his
|
|
circuitry to a panel on the arch. Geordi is making
|
|
adjustments to Data's circuits. Two Security Guards
|
|
stand nearby.
|
|
|
|
GEORDI
|
|
I think we're ready, Captain...
|
|
the link is active, and the
|
|
Holodeck has been calibrated to
|
|
Data's neural net.
|
|
|
|
Geordi completes his work and stands.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 49.
|
|
|
|
70 CONTINUED:
|
|
|
|
PICARD
|
|
Ready, Mister Data?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
Picard takes a breath.
|
|
|
|
PICARD
|
|
(to Data)
|
|
Normally, I would wish you
|
|
pleasant dreams... but in this
|
|
case, bad dreams would be more
|
|
helpful.
|
|
|
|
DATA
|
|
I understand.
|
|
(thinks)
|
|
I am initializing my dream
|
|
program. Stand by...
|
|
|
|
Data closes his eyes. There's a beat, then the
|
|
Holodeck CHANGES TO --
|
|
|
|
71 INT. ENTERPRISE CORRIDOR (OPTICAL)
|
|
|
|
Picard and Geordi look around. Data is nowhere to be
|
|
seen.
|
|
|
|
PICARD
|
|
Keep your eyes peeled. Even an
|
|
apparently insignificant image
|
|
could be an important symbol.
|
|
|
|
GEORDI
|
|
Right...
|
|
|
|
After a beat, Data comes quickly walking around a
|
|
corner. He sees them.
|
|
|
|
DATA
|
|
Hello.
|
|
|
|
He walks on by. Picard and Geordi follow him down the
|
|
hall.
|
|
|
|
PICARD
|
|
Can we talk to Data directly... or
|
|
will that wake him up?
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 49A.
|
|
|
|
71 CONTINUED:
|
|
|
|
GEORDI
|
|
He should be perceiving us as just
|
|
another part of his dream.
|
|
Anything we say to him will be
|
|
taken in that context...
|
|
|
|
Suddenly, the familiar RINGING SOUND begins. Data
|
|
stops and reacts the sound in pain.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 50.
|
|
|
|
71 CONTINUED: (2)
|
|
|
|
PICARD
|
|
That sounds like a telephone
|
|
ringer...
|
|
(looks around)
|
|
I don't see a receiver...
|
|
|
|
With determination, Data continues walking... and EXITS
|
|
into Ten Forward. Picard and Geordi follow...
|
|
|
|
72 INT. TEN FORWARD - CONTINUOUS (OPTICAL)
|
|
|
|
We see the same setting and group of people as seen in
|
|
the dream in Act One (the workmen are not present).
|
|
Data, Picard and Geordi ENTER. The ringing sound has
|
|
stopped. Data looks around the room, then walks over
|
|
to a table where the "Troi cake" is lying on the table.
|
|
There are several pieces missing, and Troi is now
|
|
unconscious. Worf sits nearby, eating a piece of the
|
|
cake. Data picks up the large knife seen earlier and
|
|
begins to cut a slice out of her right shoulder.
|
|
|
|
Picard and Geordi react to the bizarre sight. Data
|
|
offers Picard a piece of cake.
|
|
|
|
DATA
|
|
Cake?
|
|
|
|
PICARD
|
|
Thank you.
|
|
|
|
Picard takes the cake. Data starts to cut another
|
|
piece out of her shoulder. Picard stares at the image,
|
|
realizing...
|
|
|
|
PICARD
|
|
(continuing)
|
|
Look at that... her right
|
|
shoulder... the same place he
|
|
stabbed her...
|
|
|
|
GEORDI
|
|
Wait a minute... in his waking
|
|
dream, he said there was a mouth
|
|
on her shoulder...
|
|
|
|
PICARD
|
|
(thinking)
|
|
They're both symbols of...
|
|
consumption. Food... a mouth...
|
|
(to Data)
|
|
Mister Data, what kind of cake is
|
|
this?
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 51.
|
|
|
|
72 CONTINUED:
|
|
|
|
DATA
|
|
(matter of fact)
|
|
It is cellular peptide cake.
|
|
|
|
WORF
|
|
(chiming in)
|
|
With mint frosting.
|
|
|
|
Picard and Geordi exchange a look.
|
|
|
|
GEORDI
|
|
Cellular peptides... that's
|
|
exactly what the creatures are
|
|
extracting.
|
|
|
|
Suddenly, the RINGING SOUND begins. Data reacts in
|
|
pain.
|
|
|
|
RIKER'S VOICE
|
|
Will someone answer that damn
|
|
ringing!
|
|
|
|
Data drops the knife and moves over to the bar, where
|
|
Riker and Beverly are sitting. Beverly is sipping from
|
|
a straw sticking out from Riker's temple, as seen
|
|
before. Picard and Geordi react to the sight.
|
|
|
|
RIKER
|
|
(to Picard, urgent)
|
|
Captain -- the ringing is getting
|
|
worse.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
What could the ringing symbolize?
|
|
Sound... a bell... an old way of
|
|
communicating...
|
|
|
|
Beverly holds offers the straw to Geordi.
|
|
|
|
BEVERLY
|
|
Want some? It's delicious.
|
|
|
|
Beverly continues slurping the drink. The ringing
|
|
continues. Riker points to Data's stomach, annoyed.
|
|
|
|
RIKER
|
|
Will somebody please get that!
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 52.
|
|
|
|
72 CONTINUED: (2)
|
|
|
|
Geordi moves to Data and listens at Data's midsection...
|
|
reacts to something on Data's abdomen...
|
|
reaches over and OPENS a PANEL on his stomach (as seen
|
|
before). There is a telephone receiver inside. Geordi
|
|
reacts to the sight... then picks up the receiver...
|
|
|
|
GEORDI
|
|
(into phone)
|
|
Yes... ?
|
|
|
|
Geordi listens a moment, then hands the phone to
|
|
Picard.
|
|
|
|
GEORDI
|
|
It's for you.
|
|
|
|
Picard takes the phone.
|
|
|
|
PICARD
|
|
(into phone)
|
|
Picard.
|
|
|
|
The same voice heard earlier -- it's Freud.
|
|
|
|
FREUD'S VOICE
|
|
Kill them.
|
|
|
|
PICARD
|
|
Kill who?
|
|
|
|
FREUD'S VOICE
|
|
Kill them... before it is too
|
|
late.
|
|
|
|
PICARD
|
|
Who is this?
|
|
|
|
In the blink of an eye, the SCENE CHANGES --
|
|
|
|
73 INT. FREUD'S OFFICE (OPTICAL)
|
|
|
|
As seen before. Picard and Geordi are standing in the
|
|
exact same positions, but Data is now lying on the
|
|
analyst's couch. Data's "phone" is gone. Freud is
|
|
holding an old-fashioned telephone to his ear. He
|
|
hangs up the phone.
|
|
|
|
FREUD
|
|
I am Doctor Sigmund Freud.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 53.
|
|
|
|
73 CONTINUED:
|
|
|
|
GEORDI
|
|
(to Picard)
|
|
How does he fit into all this?
|
|
|
|
FREUD
|
|
If I were to interpret my own
|
|
appearance in this dream, I would
|
|
say I am the symbolic
|
|
representation of Data's
|
|
unconscious mind trying to warn
|
|
him about the dangers he perceives
|
|
around him.
|
|
|
|
Freud pops the cigar in his mouth with satisfaction.
|
|
|
|
PICARD
|
|
You mean, the interphasic
|
|
organisms...
|
|
|
|
FREUD
|
|
Of course.
|
|
|
|
PICARD
|
|
Tell me, Doctor... how can we kill
|
|
them?
|
|
|
|
The RINGING SOUND begins. Data reacts in pain.
|
|
|
|
FREUD
|
|
(re: ringing)
|
|
Answer it.
|
|
|
|
Picard moves toward the old-fashioned phone to answer
|
|
it. Freud stops him.
|
|
|
|
FREUD
|
|
Nien, nien, nien. Do not be so
|
|
literal. When I say answer it, I
|
|
mean respond to it... to them.
|
|
|
|
Suddenly, the door BURSTS OPEN and the three workmen
|
|
rush in.
|
|
|
|
WORKMAN
|
|
(to Freud)
|
|
Be quiet!
|
|
|
|
One of them pulls out an old-fashioned GERMAN LUGER and
|
|
SHOOTS Freud, who slumps into his chair, dead. The
|
|
workmen immediately move to a piece of FURNITURE and
|
|
push it aside -- revealing the WARP PLASMA CONDUIT seen
|
|
in the Teaser and in Act Two and Act Three. They start
|
|
to work on the conduit with their picks and shovels.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 54.
|
|
|
|
73 CONTINUED: (2)
|
|
|
|
The ringing sound continues, getting faster and faster
|
|
as the scene builds.
|
|
|
|
PICARD
|
|
(re: workmen)
|
|
What do they represent?
|
|
|
|
Geordi eyes the warp conduit.
|
|
|
|
GEORDI
|
|
I don't know... but I recognize
|
|
that junction they're working on.
|
|
It's the plasma conduit we
|
|
installed with the new warp
|
|
core...
|
|
|
|
Picard looks at the telephone.
|
|
|
|
PICARD
|
|
(re: ringing)
|
|
"Respond"... respond to them...
|
|
what does that mean?
|
|
|
|
Picard picks up the telephone, but the ringing does not
|
|
stop. He considers, desperate to figure this out.
|
|
Geordi walks up to the workmen.
|
|
|
|
GEORDI
|
|
(to workmen)
|
|
What is it you're doing?
|
|
|
|
WORKMAN
|
|
(a threat)
|
|
Go away. Leave us alone.
|
|
|
|
PICARD
|
|
(to workmen)
|
|
Who are you?
|
|
|
|
One of the workman turns toward Picard.
|
|
|
|
WORKMAN
|
|
We are... your enemies.
|
|
|
|
The workmen suddenly turn as a group and GRAB Picard
|
|
and Geordi. Picard and Geordi struggle, but it's no
|
|
use. The three workmen raise their picks, preparing to
|
|
STAB Geordi and Picard...
|
|
|
|
Data sits up on the couch.
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 55.
|
|
|
|
73 CONTINUED: (3)
|
|
|
|
DATA
|
|
(to workmen)
|
|
Stop. You are hurting my friends
|
|
and I must --
|
|
|
|
Data's voice gives way to the high-pitched SHRIEK heard
|
|
earlier. Immediately, the workmen let go of Picard and
|
|
Geordi and converge on Data, angry.
|
|
|
|
WORKMAN
|
|
Be quiet!
|
|
|
|
Data leaps up from the couch... backs away from the
|
|
workmen... suspense building as they raise their picks
|
|
and shovels, getting closer...
|
|
|
|
Picard watches the workmen... starting to realize...
|
|
|
|
PICARD
|
|
(quickly, to Data)
|
|
Data, the shrieking noise you made --
|
|
it causes them pain!
|
|
|
|
Data glances at Picard, then opens his mouth and emits
|
|
the high-pitched SHRIEK. The workmen stop and react in
|
|
pain.
|
|
|
|
WORKMAN
|
|
Be... quiet!
|
|
|
|
The workmen try to move toward Data, but the shriek is
|
|
too painful. They stumble backward in response to it.
|
|
Data takes a step toward them, mouth open, emitting the
|
|
shriek. One workman drops his tools and slumps against
|
|
the wall, helpless. The other two drop their tools and
|
|
fall to their knees. A moment later, they all slump to
|
|
the floor, unconscious.
|
|
|
|
Data closes his mouth. The shrieking stops. A look of
|
|
realization crosses his face.
|
|
|
|
DATA
|
|
I believe I understand.
|
|
|
|
Suddenly, everything VANISHES --
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/19/93 - ACT FIVE 55A.
|
|
|
|
74 INT. HOLODECK GRID
|
|
|
|
Picard and Geordi in the same positions. They look
|
|
toward Data, who is still attached to the arch. Data
|
|
opens his eyes and looks at them.
|
|
|
|
DATA
|
|
(urgent, to Geordi)
|
|
Geordi, you must adjust my
|
|
positronic subprocessor to emit an
|
|
interphasic pulse.
|
|
|
|
Geordi nods and quickly kneels beside Data, starts to
|
|
make adjustments to the circuitry on his head.
|
|
|
|
PICARD
|
|
Data, what's going on?
|
|
|
|
DATA
|
|
(explains)
|
|
The workmen in my dreams represent
|
|
the organisms which are trying to
|
|
demolish the ship. The incessant
|
|
ringing of the telephone, and
|
|
Freud's cautions at the other end,
|
|
were warnings of the dangers
|
|
around us.
|
|
|
|
PICARD
|
|
What about the shrieking noise you
|
|
made?
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/19/93 - ACT FIVE 56.
|
|
|
|
74 CONTINUED:
|
|
|
|
DATA
|
|
My positronic subprocessors were
|
|
detecting high-frequency
|
|
interphasic signatures from the
|
|
organisms... which were
|
|
symbolically represented in my
|
|
dreams by the high shriek.
|
|
|
|
PICARD
|
|
When you made those sounds, the
|
|
workmen reacted in pain...
|
|
|
|
DATA
|
|
That is why I have asked Geordi to
|
|
adjust my subprocessor. If I can
|
|
produce a high-frequency
|
|
interphasic pulse, it may have a
|
|
similar effect on the creatures.
|
|
|
|
Geordi completes his adjustments.
|
|
|
|
GEORDI
|
|
Ready...
|
|
|
|
PICARD
|
|
(taps communicator)
|
|
Picard to Sickbay. Beverly, we're
|
|
going to be sweeping the ship with
|
|
a high-frequency IP pulse.
|
|
Monitor the creatures for any
|
|
response.
|
|
|
|
BEVERLY'S COM VOICE
|
|
Understood.
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 56A.
|
|
|
|
74 CONTINUED: (2)
|
|
|
|
Picard nods to Geordi, who then hits a circuit on
|
|
Data's head. We hear a HIGH-PITCHED WHINE (similar to
|
|
the SHRIEK in dream). The whine gets higher and
|
|
higher, more intense... finally going up and out of the
|
|
range of human hearing...
|
|
|
|
STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 57.
|
|
|
|
75 INT. SICKBAY - CONTINUOUS (OPTICAL)
|
|
|
|
Beverly is shining the IP light on Troi's shoulder. We
|
|
see the creature hugging her skin. After a moment, the
|
|
creature DISINTEGRATES -- gone.
|
|
|
|
Beverly then shines the light on her own arm -- no sign
|
|
of any creature.
|
|
|
|
BEVERLY
|
|
(to com)
|
|
It's working, Captain...
|
|
|
|
76 INT. HOLODECK GRID
|
|
|
|
Picard reacts with relief. A silent moment as they all
|
|
exchange a look...
|
|
|
|
77 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as before.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, supplemental The
|
|
creatures infesting the Enterprise
|
|
have been completely eliminated.
|
|
We believe the infestation
|
|
originated within the warp core we
|
|
obtained on Starbase Eighty-four.
|
|
|
|
78 INT. ENGINEERING
|
|
|
|
Geordi is showing Picard the warp plasma conduit seen
|
|
earlier. Ensign Tyler works nearby.
|
|
|
|
GEORDI
|
|
(re: conduit)
|
|
This conduit was manufactured on
|
|
Thanatos Seven using a new
|
|
interphasic fusion process. We
|
|
think that process must've
|
|
attracted the organisms to the
|
|
conduit... where they lay
|
|
dormant... until we activated the
|
|
warp core.
|
|
(MORE)
|
|
|
|
STAR TREK: "Phantasms" - REV. 08/17/93 - ACT FIVE 58.
|
|
|
|
78 CONTINUED:
|
|
|
|
GEORDI (Cont'd)
|
|
(beat)
|
|
That's also why we couldn't get
|
|
the warp core on-line. The
|
|
creatures were disrupting the
|
|
plasma flow.
|
|
|
|
Picard nods.
|
|
|
|
PICARD
|
|
How long until we have warp power
|
|
again?
|
|
|
|
GEORDI
|
|
We'll have to manufacture a new
|
|
conduit. I'd say another six
|
|
hours.
|
|
|
|
PICARD
|
|
The banquet is in eight hours...
|
|
(beat)
|
|
Take your time. Give yourself
|
|
another twelve hours, if you need
|
|
it.
|
|
|
|
GEORDI
|
|
Understood, sir.
|
|
|
|
Picard EXITS. Geordi looks at Tyler.... considers her
|
|
a moment, then...
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Ensign Tyler.
|
|
|
|
She turns.
|
|
|
|
TYLER
|
|
Yes, Commander?
|
|
|
|
GEORDI
|
|
There's something I've been
|
|
meaning to tell you...
|
|
|
|
TYLER
|
|
Sir?
|
|
|
|
Geordi takes a beat, then smiles.
|
|
|
|
GEORDI
|
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Thanks. You've been doing a great
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job. We've got to work on toning
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down your enthusiasm a little...
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but I think you're going to fit in
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just fine.
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STAR TREK: "Phantasms" - 08/16/93 - ACT FIVE 59.
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78 CONTINUED: (2)
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TYLER
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(smiles)
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Thank you, sir.
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OFF the moment...
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79 INT. DATA'S QUARTERS
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Data working at his desk, Spot nearby. The door
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CHIMES.
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DATA
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Enter.
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Troi ENTERS, carrying a platter with a cover on it.
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DATA
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(continuing)
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Counselor, I did not get a chance
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to apologize for my behavior...
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TROI
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Data, don't worry about it.
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Geordi explained everything. It
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wasn't your fault.
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(beat)
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But somehow I felt turnabout would
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be fair play... so I made us a
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little something to snack on...
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She sets the platter on his desk and removes the cover
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80 ANGLE ON PLATTER
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revealing a small CAKE shaped and decorated exactly
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like Data. Data considers the cake.
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DATA
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I wonder... what would Freud say
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about the symbolism of devouring
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oneself?
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TROI
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Data... sometimes a cake is just
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a cake.
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As Data picks up a knife and starts to cut into the
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cake...
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FADE OUT.
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END OF ACT FIVE
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THE END
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