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63 KiB
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STAR TREK: THE NEXT GENERATION
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"Dark Page"
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#40277-259
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Written by
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Hilary Bader
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1993 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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AUGUST 26, 1993
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STAR TREK: "Dark Page" - 08/26/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Dark Page"
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CAST
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PICARD LWAXANA TROI
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RIKER HEDRIL
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DATA KESTRA
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BEVERLY MAQUES
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TROI MISTER TROI
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WORF VOICE (O.C.)
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GEORDI
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Non-Speaking Non-Speaking
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N.D. CREWMEMBERS CAIRN
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STAR TREK: "Dark Page" - 08/26/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Dark Page"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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TEN FORWARD
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CORRIDOR
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TURBOLIFT
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TROI'S OFFICE
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SICKBAY
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MAQUES' QUARTERS
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BEVERLY'S OFFICE
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OBSERVATION LOUNGE
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ARBORETUM
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STAR TREK: "Dark Page" - 08/26/93 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Dark Page"
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PRONUNCIATION GUIDE
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HEDRIL HEAD-ril
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MAQUES MAKE-wheeze
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EL'NAR el-NAR
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 1.
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STAR TREK: The Next Generation
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"Dark Page"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as it travels at impulse.
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PICARD (V.O.)
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Captain's Log, Stardate 47254.1.
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A delegation of the Cairn have
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just come on board. This
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telepathic species has no concept
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of spoken language, and is being
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instructed in its use by... an
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old friend.
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2 INT. TEN FORWARD
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The SENIOR STAFF is holding a reception for the Cairn.
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They are tallish humanoids, intelligent looking -- with
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small protrusions on the sides of their heads that
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suggest increased cranial capacity.
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PICK UP PICARD and LWAXANA TROI in mid-conversation.
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Lwaxana is wearing an outfit that is unusually subdued
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for her.
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LWAXANA
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I don't know what they'd have done
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without me. First, I had to learn
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how they communicate. It was an
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absolutely exhausting process...
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PICARD
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It must have been.
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LWAXANA
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Quite different from Betazoid
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telepathy. We transmit words...
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with the Cairn...
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(shakes her head at the
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enormity of it)
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... it's images. A flood of them,
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all at the same time. It's
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overwhelming...
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 2.
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2 CONTINUED:
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PICARD
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I can imagine...
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LWAXANA
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It's actually a very efficient way
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of communicating. If two Cairn
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were having this conversation it
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would have been over minutes ago.
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This gets Picard's attention.
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PICARD
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Really?
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LWAXANA
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But of course they realize they'll
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want to communicate verbally if
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they join the Federation.
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(beat)
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Do me a favor... introduce
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yourself to one of them and engage
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him in conversation -- they need
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the practice.
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PICARD
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I'd be happy to.
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He moves off and Lwaxana looks around, spots --
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2A GEORDI AND DATA
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who are talking with a light-haired Cairn girl of about
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eight, HEDRIL.
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GEORDI
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... it's called a VISOR. It lets
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me see things.
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When Hedril speaks, her voice has a slight ELECTRONIC
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EDGE to it -- as do all the Cairn's voices.
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STAR TREK: "Dark Page" - REV. 08/27/93 - TEASER 3.
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2A CONTINUED:
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HEDRIL
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Like my vocal enhancer.
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(touches her throat)
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It lets me make sounds.
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At this point Mrs. Troi swoops down on them.
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LWAXANA
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I see you've met my star pupil.
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(puts her arm around
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Hedril)
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Hedril has picked up spoken
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language much faster than the
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others.
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DATA
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It is often the case that children
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learn languages more easily than
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adults.
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LWAXANA
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Deanna was quite good at languages
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when she was little.
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(beat)
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Where is Deanna?
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GEORDI
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(looking around)
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Should be here someplace...
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Mrs. Troi bends down to Hedril.
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LWAXANA
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Hedril, darling...
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She stops, staring at Hedril with a curious expression.
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Hedril waits patiently, then --
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HEDRIL
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What?
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Mrs. Troi comes out of her reverie.
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LWAXANA
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Go find your father, dear. I want
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to talk to him.
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Hedril darts off and Mrs. Troi puts her face in her
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hand for a moment. Data and Geordi are concerned.
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DATA
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Mrs. Troi, are you all right?
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 3A.
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2A CONTINUED: (2)
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She looks up at them, a little vague.
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LWAXANA
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Yes... yes... just a little tired.
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This constant telepathy with the
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Cairn...
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(summoning a smile)
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I'm fine, really.
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She gives them a reassuring smile and moves off toward
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Riker and Worf, who are standing alone, chatting.
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LWAXANA
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Aren't you going to mingle, Mister
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Woof?
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Worf has given up on correcting her.
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WORF
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I do not care for telepaths. They
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make me... uneasy.
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LWAXANA
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Don't worry -- The Cairn couldn't
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read your thoughts even if they
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wanted to. Your brain isn't
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sophisticated enough.
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Worf reacts and Riker can't help but smile.
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LWAXANA
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(continuing, to Riker)
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Neither is yours, dear. They can
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only communicate with other
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telepaths.
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(beat)
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Has either of you seen Deanna?
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RIKER
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(looking around)
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She was working, but she said
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she'd be here -- ah -- speak of
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the devil.
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Troi walks up to them.
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 4-5.
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2A CONTINUED: (3)
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TROI
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Sorry I'm late. I lost track of
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the time.
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LWAXANA
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Deanna, dear, come with me. I
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want you to meet the senior
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diplomat of the Cairn delegation.
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She sees Hedril leading a Cairn man, MAQUES, toward
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them.
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LWAXANA
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Maques...
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(re Troi)
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This is the beautiful daughter
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I've been telling you about --
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Deanna.
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 6.
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2A CONTINUED: (4)
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Maques smiles... a nice smile, sincere.
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MAQUES
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Pleased to...
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He stops, can't remember the rest of the greeting.
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With a self-deprecating smile he decides to try
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another, simpler one.
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MAQUES
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Hello.
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TROI
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Hello.
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Troi helps him out by finishing for him.
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TROI
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(continuing)
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Pleased to meet you.
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He smiles.
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MAQUES
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Yes, that is it. Pleased to meet
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you, Deanna.
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They share a smile. Lwaxana seems pleased.
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LWAXANA
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Well, I'll just let you young
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people chat...
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She moves away with Hedril, Deanna giving her a brief
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look. Then, making the most of it...
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TROI
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Well, Maques... what do you think
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of the Enterprise?
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There is a brief hesitation as Maques struggles for
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words -- still a very difficult concept for him.
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MAQUES
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It is... --
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(he thinks)
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-- beautiful... comfortable, also.
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TROI
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I'm glad you think so.
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STAR TREK: "Dark Page" - 08/26/93 - TEASER 7.
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2A CONTINUED: (7)
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MAQUES
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There is another word... a word
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that describes it... but... I
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cannot remember.
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He gives a small shrug, and Troi smiles encouragingly.
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TROI
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You've learned a great deal in a
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very short time. I'm sure it
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won't be long before your words
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will do justice to your thoughts.
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Maques acknowledges, then --
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MAQUES
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Your Mother has... told me... of
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your need.
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TROI
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Need?
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He can't remember the word, holds up a finger to ask
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for a moment.
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MAQUES
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A moment...
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(remembers)
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Husband. You need a husband.
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Troi's face blanches.
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MAQUES
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(continuing)
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I need a wife.
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He smiles matter-of-factly. Troi looks over his
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shoulder and sees her mother watching them hopefully.
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As Troi glares at her we...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 8.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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3 INT. CORRIDOR
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Troi, now in uniform, is heading for her office.
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LWAXANA (O.C.)
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Deanna!
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Troi turns and sees her Mother, waits for her to catch
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up.
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LWAXANA
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Good morning...
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(beat)
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So what did you think of Maques?
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TROI
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Why did you do that, Mother? You
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embarrassed both of us.
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LWAXANA
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(dismissing this)
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He's really very sweet. And
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lonely. Poor man, a widower,
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raising a child alone.
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TROI
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Please, Mother... don't start.
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They reach a Turbolift door.
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LWAXANA
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I just think it's time for you to
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settle down. If your Father were
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still alive I'm sure he'd say the
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same thing.
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The door OPENS and they join an N.D Crewperson inside.
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4 INT. TURBOLIFT
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They fall silent in front of the crewperson. After a
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moment, Lwaxana continues TELEPATHICALLY.
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STAR TREK: "Dark Page" - REV. 08/27/93 - ACT ONE 9.
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4 CONTINUED:
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LWAXANA (V.O.)
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But you'll do exactly what you
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want...
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Troi shoots her a look.
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LWAXANA (V.O.)
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(continuing)
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Just like always...
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TROI
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Stop it, mother.
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The Crewperson reacts to Troi's seemingly out-of-the-blue
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statement. Troi realizes and falls silent. After
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an awkward moment, the lift stops and the DOOR opens.
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Troi EXITS but her mother just stays where she is,
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looking despondent.
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TROI
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(continuing)
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Are you coming?
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But Lwaxana covers her face with her hands as if to
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hide tears. Troi's face registers concern; she takes
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her mother by the arm and leads her out of the
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turbolift.
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5 INT. CORRIDOR
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The Turbolift door closes and Troi puts a comforting
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hand to her mother's shoulder.
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TROI
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What's wrong... ?
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Lwaxana looks at her, her eyes intent with feeling.
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Suddenly she clutches Troi to her, hugs her tight.
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LWAXANA
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You're so precious to me. You're
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all I've got. If something
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happened to you I don't know what
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I'd do...
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Troi doesn't know what to make of her mother's abrupt
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mood swing, but she does know that right now what she
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needs is to be comforted.
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TROI
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Nothing's going to happen to me...
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STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 10.
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5 CONTINUED:
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Troi's comforting words help Lwaxana pull herself
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together.
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LWAXANA
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You'd better go...
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TROI
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My first appointment isn't for a
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few minutes... why don't we talk
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for a while?
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LWAXANA
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I'm fine... I'm just tired from
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working with the Cairn and it's
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making me emotional.
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TROI
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Are you sure?
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LWAXANA
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Go on... I'll see you later...
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Troi hesitates. Lwaxana manages a smile.
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LWAXANA
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(continuing, shooing her
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away)
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Go on.
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She moves off down the corridor. Troi watches for a
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beat, then heads for her office.
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6 INT. TROI'S OFFICE
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As Troi ENTERS. To her surprise, Maques is waiting for
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her.
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TROI
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Maques...
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MAQUES
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I wanted to... apologize... for
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yesterday.
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TROI
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You don't have to --
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MAQUES
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My words... they were... confused.
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TROI
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It wasn't your fault. My mother
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misled you.
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STAR TREK: "Dark Page" - REV. 08/27/93 - ACT ONE 11.
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6 CONTINUED:
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MAQUES
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Not in everything... she has an
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image of you... in her mind --
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(gestures to his temple)
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-- she shared it with me...
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Troi nods that she understands.
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MAQUES
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(continuing, smiles)
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You are even more beautiful...
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Troi accepts the compliment with a smile. Maques leans
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forward, concentrates on choosing his words.
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MAQUES
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(continuing)
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The way my people communicate...
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It is... direct. Nothing is
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hidden.
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TROI
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Yes.
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MAQUES
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Your Mother is... the first... to
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learn our telepathy...
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TROI
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You mean you've never had
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telepathy with someone who wasn't
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Cairn?
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MAQUES
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No...
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He struggles to articulate his thoughts.
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MAQUES
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To communicate with her is... very
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different.
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TROI
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In what way?
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MAQUES
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Always... there is a part of
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her... a part of her that is...
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dark.
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Troi is unsure what he means by this.
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TROI
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Dark?
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|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 12.
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6 CONTINUED: (2)
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|
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Maques seems frustrated by his inability to make
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himself clear.
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MAQUES
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A part of her that... can not be
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seen. Do you understand?
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TROI
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I'm not sure...
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(she considers)
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Did you ask my Mother about this?
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MAQUES
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She called it... a moment...
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(remembering the word)
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Privacy.
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TROI
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(realizing)
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Of course.
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|
|
Troi thinks how to put this.
|
|
|
|
TROI
|
|
You said that among the Cairn,
|
|
nothing is hidden. We value
|
|
honesty, but we don't always share
|
|
everything we're thinking and
|
|
feeling.
|
|
|
|
MAQUES
|
|
This is... privacy?
|
|
|
|
TROI
|
|
Yes.
|
|
|
|
MAQUES
|
|
It is... normal?
|
|
|
|
TROI
|
|
For us, yes.
|
|
|
|
MAQUES
|
|
If this is your way... I am...
|
|
relieved.
|
|
|
|
TROI
|
|
(smiles)
|
|
It is our way.
|
|
|
|
He smiles at her and stands.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 12A.
|
|
|
|
6 CONTINUED: (3)
|
|
|
|
MAQUES
|
|
I will leave now.
|
|
|
|
TROI
|
|
I'm glad you stopped by.
|
|
|
|
MAQUES
|
|
I am glad to have stopped also.
|
|
|
|
He bows slightly and EXITS. Troi feels better about
|
|
the incident with Maques, but what just happened with
|
|
her mother is still very much on her mind.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT ONE 13.
|
|
|
|
7 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves at impulse.
|
|
|
|
8 INT. TEN FORWARD
|
|
|
|
Troi and Riker are sitting at a table. The usual
|
|
compliment of N.D.'s, including TWO N.D. Cairn.
|
|
|
|
TROI
|
|
I was all set for another round of
|
|
arguing when all of a sudden she
|
|
just... fell apart.
|
|
|
|
RIKER
|
|
She's been under a lot of stress,
|
|
preparing the Cairn to meet with
|
|
the Federation Council.
|
|
|
|
TROI
|
|
It's more than that. I've been
|
|
sensing very... erratic emotions
|
|
from her. Even the clothes she's
|
|
wearing seem unusual -- very
|
|
subdued.
|
|
|
|
He sees she's worried, takes her hand.
|
|
|
|
RIKER
|
|
Maybe you better have a talk with
|
|
her --
|
|
|
|
LWAXANA (O.C.)
|
|
Commander --
|
|
|
|
9 NEW ANGLE
|
|
|
|
Including Mrs. Troi, who stands behind them. Her face
|
|
is intense and her eyes bore in to Riker.
|
|
|
|
LWAXANA
|
|
Take your hands off her.
|
|
|
|
Her words carry a barely controlled anger. Riker is
|
|
stunned. He pulls back from Troi.
|
|
|
|
RIKER
|
|
Mrs. Troi --
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 14.
|
|
|
|
9 CONTINUED:
|
|
|
|
LWAXANA
|
|
Don't "Mrs. Troi" me.
|
|
|
|
TROI
|
|
Mother!
|
|
|
|
LWAXANA
|
|
Why don't you leave her alone? If
|
|
it weren't for you she'd be
|
|
married by now.
|
|
|
|
TROI
|
|
(standing)
|
|
That's enough.
|
|
|
|
A few heads turn their way.
|
|
|
|
LWAXANA
|
|
I'm warning you, stay away from
|
|
her!
|
|
|
|
TROI
|
|
You're coming with me --
|
|
|
|
Troi takes her firmly by the arm and starts to lead her
|
|
away -- everyone in the room can't help but look. Off
|
|
Riker's face...
|
|
|
|
10 INT. SICKBAY
|
|
|
|
Where Troi watches as BEVERLY examines Lwaxana, who is
|
|
calm now and full of regret.
|
|
|
|
LWAXANA
|
|
I don't know what got into me.
|
|
Please tell Wil how sorry I am.
|
|
|
|
Troi indicates that she will. Beverly finishes a scan
|
|
and turns to Troi.
|
|
|
|
BEVERLY
|
|
She's fine, except her psilosynine
|
|
levels are a little low.
|
|
|
|
LWAXANA
|
|
Psilosynine?
|
|
|
|
TROI
|
|
That's a neurotransimitter
|
|
involved in telepathy.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 15.
|
|
|
|
10 CONTINUED:
|
|
|
|
BEVERLY
|
|
It's been depleted by your work
|
|
with the Cairn. You're going to
|
|
have to avoid telepathic
|
|
communication for a while.
|
|
|
|
LWAXANA
|
|
I can't -- We only have three days
|
|
left and the Cairn still have so
|
|
much to learn.
|
|
|
|
BEVERLY
|
|
I'm sorry, but you're going to
|
|
have to take some time and rest.
|
|
|
|
Lwaxana is about to continue her objections when Troi
|
|
offers:
|
|
|
|
TROI
|
|
Maybe I can help with the Cairn.
|
|
|
|
LWAXANA
|
|
You're only half-Betazoid, dear.
|
|
And you don't have any experience
|
|
with their form of telepathy.
|
|
|
|
TROI
|
|
Then I won't use telepathy; we'll
|
|
work verbally.
|
|
|
|
Lwaxana considers this for a beat.
|
|
|
|
LWAXANA
|
|
I suppose we could do that...
|
|
(beat)
|
|
And if they don't understand
|
|
something I'll explain it to them
|
|
telepathically.
|
|
|
|
TROI
|
|
No, you'll work verbally too. The
|
|
point is for you to rest.
|
|
Besides, it'll be good for them to
|
|
have to figure things out with
|
|
words.
|
|
|
|
LWAXANA
|
|
Well... I suppose you're right.
|
|
|
|
Troi smiles, pleased that her mother has agreed...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 16.
|
|
|
|
11 INT. ARBORETUM
|
|
|
|
A thicket with trees, shrubs and flowers. Nearby is a
|
|
small POND. A couple of N.D Crew Children are playing
|
|
near the pond.
|
|
|
|
Troi ENTERS leading Maques, Hedril, and TWO N.D. Cairn.
|
|
Lwaxana trails behind -- she seems more calm and
|
|
relaxed.
|
|
|
|
TROI
|
|
This is the ship's arboretum.
|
|
|
|
HEDRIL
|
|
Arbor means tree.
|
|
|
|
TROI
|
|
Very good, Hedril. People like to
|
|
come here to relax, enjoy
|
|
themselves in a natural setting.
|
|
|
|
Maques inspects a nearby ROSE BUSH, reaches to touch it
|
|
and is pricked by a thorn. He looks at his thumb, then
|
|
back at the rose -- perplexed.
|
|
|
|
TROI
|
|
(continuing)
|
|
"Flowers of all hue, and without
|
|
thorn the rose... "
|
|
|
|
The Cairn look at her, curious what she might mean.
|
|
|
|
TROI
|
|
(continuing)
|
|
That's from an old earth poem by
|
|
John Milton.
|
|
|
|
MAQUES
|
|
Please... what is a... poem?
|
|
|
|
Troi realizes they have no idea.
|
|
|
|
TROI
|
|
Poetry is... an art-form that uses
|
|
words, put together in new and
|
|
unexpected ways -- sometimes in
|
|
rhyme.
|
|
|
|
Maques nods as if he understands. Encouraged, Troi
|
|
continues:
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 17.
|
|
|
|
11 CONTINUED:
|
|
|
|
TROI
|
|
(continuing)
|
|
Milton was speculating that in
|
|
Heaven, roses wouldn't have
|
|
thorns.
|
|
|
|
The Cairn look at her, unsure.
|
|
|
|
HEDRIL
|
|
Heaven... ?
|
|
|
|
Troi realizes she's just getting in deeper.
|
|
|
|
TROI
|
|
Heaven is... it's a...
|
|
|
|
She can't quite figure out how to phrase this. Before
|
|
she can continue, Lwaxana catches Maques' eye and
|
|
transmits a telepathic message.
|
|
|
|
MAQUES
|
|
I see. Yes, thank you. "Heaven."
|
|
|
|
Troi realizes what happened and turns toward her
|
|
mother.
|
|
|
|
TROI
|
|
Mother, you're supposed to be
|
|
avoiding telepathy.
|
|
|
|
LWAXANA
|
|
I was just trying to help, dear.
|
|
|
|
But Lwaxana now looks drawn, tired.
|
|
|
|
TROI
|
|
You don't look well.
|
|
|
|
Lwaxana glances at a nearby BENCH.
|
|
|
|
LWAXANA
|
|
I'm just tired -- maybe I'll sit
|
|
down...
|
|
|
|
Troi decides not to make too much of this, and Lwaxana
|
|
goes and sits on the bench (during this Hedril slips
|
|
away to play with the other children).
|
|
|
|
Troi turns back to the Cairn, who watch with some
|
|
concern.
|
|
|
|
TROI
|
|
Don't worry... she'll be fine...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT ONE 18.
|
|
|
|
11 CONTINUED: (2)
|
|
|
|
Everyone relaxes -- their eyes turn to the pond, where
|
|
Hedril is now playing. Suddenly she slips and falls
|
|
into the pond.
|
|
|
|
Since it's only inches deep there's no harm done --
|
|
she's just wet. She gets up and keeps playing as if
|
|
nothing happened, and Maques just smiles and shakes his
|
|
head.
|
|
|
|
Suddenly one of the Cairn reacts to something behind
|
|
Troi. Troi turns and sees that her mother is lying on
|
|
the ground next to the bench, seemingly unconscious.
|
|
|
|
TROI
|
|
Mother!
|
|
|
|
She rushes to her, tries to wake her --
|
|
|
|
TROI
|
|
(continuing)
|
|
Mother... ?
|
|
|
|
When Lwaxana doesn't answer, Troi activates her
|
|
combadge.
|
|
|
|
TROI
|
|
(continuing)
|
|
Troi to Sickbay... medical
|
|
emergency in the arboretum...
|
|
|
|
Off Troi's worried face...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT TWO 19.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
12 INT. SICKBAY
|
|
|
|
Lwaxana lies unconscious on a Sickbay bed, Picard and
|
|
Troi stand off to the side. Beverly is removing the
|
|
CORTICAL STIMULATOR PADS from Lwaxana's forehead. She
|
|
seems stumped, but tries to break her news to Troi
|
|
gently.
|
|
|
|
BEVERLY
|
|
She's not responding to cortical
|
|
stimulation. I'm not sure what
|
|
more I can do...
|
|
|
|
Troi takes this hard.
|
|
|
|
TROI
|
|
I don't understand... she was fine
|
|
just yesterday.
|
|
|
|
BEVERLY
|
|
I've never seen anything like
|
|
this. It's almost as if her brain
|
|
has... shut itself down.
|
|
|
|
PICARD
|
|
Is there any physiological cause?
|
|
|
|
BEVERLY
|
|
I'm running a sub-neural scan, but
|
|
as far as I can see there's no
|
|
tissue damage, no neuro-chemical
|
|
imbalance, no sign of infection --
|
|
nothing.
|
|
|
|
PICARD
|
|
Yet her neural activity is
|
|
practically non-existent.
|
|
|
|
BEVERLY
|
|
The only exception is in the
|
|
paracortex -- activity there is
|
|
almost off the scale.
|
|
|
|
TROI
|
|
The paracortex is the Betazoid
|
|
telepathic lobe.
|
|
(concerned)
|
|
She communicated with Maques
|
|
telepathically just before she
|
|
fell...
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/31/93 - ACT TWO 20.
|
|
|
|
12 CONTINUED:
|
|
|
|
PICARD
|
|
Might there be some side-effect of
|
|
Cairn telepathy that we're not
|
|
aware of?
|
|
|
|
BEVERLY
|
|
It's a possibility.
|
|
|
|
PICARD
|
|
(to Troi)
|
|
I think you and I had better have
|
|
a talk with Maques.
|
|
|
|
Troi acknowledges, and with a last glance toward her
|
|
mother's still form, she and Picard EXIT.
|
|
|
|
13 INT. MAQUES' QUARTERS
|
|
|
|
Troi and Picard are talking with Maques.
|
|
|
|
MAQUES
|
|
I am very...
|
|
(searches for word)
|
|
apologetic -- for what has
|
|
happened to your Mother.
|
|
|
|
Troi acknowledges his sentiment.
|
|
|
|
PICARD
|
|
Maques, is it possible that your
|
|
telepathic communications with
|
|
Mrs. Troi harmed her in some way?
|
|
|
|
Maques reacts -- struggles to find the words with which
|
|
to respond.
|
|
|
|
MAQUES
|
|
No... I tried to... to explain...
|
|
before.
|
|
|
|
He looks at Troi to see if she understands -- sees that
|
|
she doesn't. It's frustrating for him, he can't
|
|
express his complex thoughts.
|
|
|
|
MAQUES
|
|
(continuing)
|
|
Bad thoughts... they hurt her...
|
|
|
|
TROI
|
|
What thoughts, Maques? Take your
|
|
time...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT TWO 21.
|
|
|
|
13 CONTINUED:
|
|
|
|
MAQUES
|
|
Inside her... the dark place...
|
|
|
|
TROI
|
|
I don't understand.
|
|
|
|
MAQUES
|
|
She is... what are the words... I
|
|
don't have the words...
|
|
|
|
Maques looks at Troi, locks his eyes onto hers.
|
|
Suddenly a great, swirling WHITE NOISE can be heard --
|
|
Troi covers her ears as if to block out the sound, but
|
|
it only grows louder.
|
|
|
|
Picard, who seems not to hear anything, reacts to what
|
|
looks like an attack on Troi by Maques.
|
|
|
|
PICARD
|
|
Counsellor --
|
|
|
|
Her eyes are locked on Maques' -- it's as if she's
|
|
unable to look away.
|
|
|
|
PICARD
|
|
(continuing, to Maques)
|
|
Stop it!
|
|
|
|
Picard steps toward him -- suddenly the noise STOPS.
|
|
|
|
TROI
|
|
It's all right, Captain.
|
|
|
|
Troi tries to clear her head.
|
|
|
|
TROI
|
|
(continuing)
|
|
I'm fine... He was just trying to
|
|
communicate with me
|
|
telepathically.
|
|
|
|
Maques looks at her hopefully.
|
|
|
|
MAQUES
|
|
Do you understand now?
|
|
|
|
TROI
|
|
I... I'm not sure...
|
|
|
|
But her face tells us that he's told her something
|
|
important.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/26/93 - ACT TWO 22.
|
|
|
|
14 INT. BEVERLY'S OFFICE
|
|
|
|
Beverly, Troi and Picard.
|
|
|
|
TROI
|
|
He communicated so much to me that
|
|
at first it was just a jumble of
|
|
images.
|
|
|
|
BEVERLY
|
|
Have you been able to sort any of
|
|
it out?
|
|
|
|
TROI
|
|
I think so... during his
|
|
telepathic contact with my Mother,
|
|
Maques sensed what he calls a
|
|
"dark place."
|
|
|
|
Picard and Beverly register curiosity.
|
|
|
|
TROI
|
|
He tried to tell me about it
|
|
before, in my office. I
|
|
misunderstood, I thought he was
|
|
talking about thoughts she was
|
|
keeping private. What he meant
|
|
was that something was happening
|
|
in her meta-conscious mind.
|
|
|
|
BEVERLY
|
|
Meta-conscious?
|
|
|
|
TROI
|
|
It's a part of the Betazoid
|
|
psyche. A kind of... filtering
|
|
mechanism to protect us from
|
|
psychic trauma.
|
|
|
|
PICARD
|
|
Is Maques suggesting that
|
|
Lwaxana's meta-conscious is
|
|
damaged somehow?
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/26/93 - ACT TWO 23.
|
|
|
|
14 CONTINUED:
|
|
|
|
TROI
|
|
He feels that whatever is wrong
|
|
with her is centered there. If
|
|
he's right... that may mean that
|
|
she's suffered some kind of trauma
|
|
that her meta-conscious can't
|
|
tolerate.
|
|
|
|
BEVERLY
|
|
Did your Mother mention anything
|
|
that happened to her lately,
|
|
something that might have been
|
|
traumatic for her?
|
|
|
|
TROI
|
|
No. Nothing like that.
|
|
|
|
They seem to have come to a dead-end.
|
|
|
|
BEVERLY
|
|
Maques could be wrong about this.
|
|
There's still a chance that the
|
|
sub-neural scan will pinpoint an
|
|
physiological cause for your
|
|
Mother's condition, something I'll
|
|
be able to treat.
|
|
|
|
Troi looks at her, hopeful.
|
|
|
|
BEVERLY
|
|
The results won't be in until
|
|
morning; maybe we should all get
|
|
some rest.
|
|
|
|
TROI
|
|
(to Beverly)
|
|
I'd like to stay here with her...
|
|
I'm going to try to contact her
|
|
telepathically.
|
|
|
|
BEVERLY
|
|
All right.
|
|
|
|
Beverly puts a comforting hand to Troi's shoulder, then
|
|
she and Picard EXIT to the corridor. Troi EXITS to
|
|
Sickbay.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT TWO 23A.
|
|
|
|
15 INT. SICKBAY
|
|
|
|
as she crosses toward her mother's bed. The lights are
|
|
DIMMED for sleep, and Lwaxana is now in a hospital
|
|
gown.
|
|
|
|
Troi pulls up a stool and sits next to her mother. She
|
|
looks down at her still features for a long moment.
|
|
She takes her hand, and then we hear her speak
|
|
TELEPATHICALLY.
|
|
|
|
TROI (V.O.)
|
|
Mother... can you hear me... ?
|
|
|
|
But there is no answer.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT TWO 24.
|
|
|
|
15 CONTINUED:
|
|
|
|
TROI (V.O.)
|
|
(continuing)
|
|
Please come back to me...
|
|
please...
|
|
|
|
After a moment, Troi hears a voice responding in her
|
|
mind, very faint -- it's hard to tell who's voice it
|
|
is.
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
TROI (V.O.)
|
|
Mother... ?
|
|
|
|
She hears it again.
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
TROI (V.O.)
|
|
How? How can I help you?
|
|
|
|
But there is no response. Troi leans in close to her.
|
|
|
|
TROI
|
|
Tell me, Mother. Please.
|
|
|
|
Whatever telepathic connection they had seems to have
|
|
been lost. Troi looks down at her, anguished.
|
|
|
|
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves at impulse.
|
|
|
|
17 INT. SICKBAY
|
|
|
|
Hours later. Troi has curled up on a bed near her
|
|
mother's. After a moment, we hear the SOUND of the
|
|
door to Sickbay opening... footsteps approaching.
|
|
|
|
A FIGURE approaches Lwaxana's bed, stands over her,
|
|
looking down. We hear the rush of WHITE NOISE that
|
|
accompanies Cairn telepathy...
|
|
|
|
The noise wakes Troi with a start... she sees the
|
|
FIGURE over her mother and bolts up in bed.
|
|
|
|
TROI
|
|
Computer, lights!
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT TWO 25.
|
|
|
|
17 CONTINUED:
|
|
|
|
The LIGHTS COME UP and we see that the figure is
|
|
Maques... his eyes locked on Lwaxana with intensity...
|
|
|
|
Troi stands and the ON-DUTY NURSE comes rushing in at
|
|
all the commotion...
|
|
|
|
TROI
|
|
(alarmed)
|
|
What are you doing?
|
|
|
|
She and Maques face each other... Off this moment we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 26.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
18 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Troi, and Beverly are trying to find out what
|
|
Maques was doing in Sickbay. He's a little rattled by
|
|
what happened and it's affecting his speaking ability.
|
|
|
|
PICARD
|
|
What were you doing in Sickbay,
|
|
Maques?
|
|
|
|
MAQUES
|
|
Helping... trying to help
|
|
Lwaxana...
|
|
|
|
Troi clearly believes him, wants to know more.
|
|
|
|
TROI
|
|
How... what were you trying to do?
|
|
|
|
MAQUES
|
|
I was... she is...
|
|
|
|
But he can't find the words. He suddenly gets very
|
|
agitated, as if he's come to a realization but can't
|
|
express it.
|
|
|
|
MAQUES
|
|
(continuing)
|
|
You, Deanna. Maybe you --
|
|
|
|
TROI
|
|
I don't understand.
|
|
|
|
MAQUES
|
|
You must... how can I explain...
|
|
|
|
His frustration mounts. Troi leans toward him.
|
|
|
|
TROI
|
|
Tell me, telepathically.
|
|
|
|
Maques and Troi lock eyes... after a moment we hear the
|
|
rush of WHITE NOISE. Troi is better prepared this
|
|
time, and is less affected. It's over in just a
|
|
moment, and Troi turns to Picard -- ready to explain
|
|
what Maques has told her.
|
|
|
|
TROI
|
|
(continuing)
|
|
Maques believes my Mother's psyche
|
|
has... collapsed in on itself --
|
|
that for some reason, she's
|
|
retreated into her meta-conscious
|
|
mind.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 27.
|
|
|
|
18 CONTINUED:
|
|
|
|
PICARD
|
|
Was he trying to contact her
|
|
telepathically?
|
|
|
|
TROI
|
|
Yes. He was able to access images
|
|
being generated by her meta-conscious
|
|
mind. But he couldn't
|
|
make any sense of them...
|
|
|
|
MAQUES
|
|
I did not... understand...
|
|
|
|
TROI
|
|
He saw faces he didn't recognize,
|
|
events he couldn't interpret.
|
|
|
|
BEVERLY
|
|
If we could decipher those images,
|
|
it might help us determine whether
|
|
or not your Mother's condition was
|
|
induced by some traumatic event.
|
|
|
|
Troi indicates her agreement.
|
|
|
|
TROI
|
|
Maques believes he can provide
|
|
a... telepathic "bridge" that
|
|
will allow me to access her meta-conscious.
|
|
If he can, I might be
|
|
able to find out what happened to
|
|
her.
|
|
|
|
PICARD
|
|
If you succeed, would you be able
|
|
to use that information to help
|
|
your Mother?
|
|
|
|
TROI
|
|
I'm not sure. But I do know that
|
|
some part of her wants to be
|
|
helped. When I tried to contact
|
|
her telepathically, I heard a
|
|
voice calling out to me.
|
|
|
|
Picard takes this in.
|
|
|
|
PICARD
|
|
If her psyche has... "collapsed in
|
|
on itself," could accessing her
|
|
mind pose any danger to you?
|
|
|
|
Troi doesn't want to have to admit it:
|
|
|
|
TROI
|
|
There's no way to know.
|
|
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 28.
|
|
|
|
18 CONTINUED: (2)
|
|
|
|
Picard doesn't like the sound of this.
|
|
|
|
TROI
|
|
(continuing)
|
|
Sir, I'd like to try...
|
|
|
|
Picard studies Troi's face for a moment... then decides
|
|
to go ahead and let her try.
|
|
|
|
19 INT. SICKBAY
|
|
|
|
Picard watches as Beverly and a NURSE set up for Troi's
|
|
attempt to contact her mother. Troi lies on a bed next
|
|
to her mother's, and Maques stands between them. Biomonitors
|
|
are ON LINE for both Lwaxana and Troi.
|
|
|
|
BEVERLY
|
|
(to Picard)
|
|
I'll be monitoring her through the
|
|
whole procedure. If anything goes
|
|
wrong, Maques can break the
|
|
telepathic link.
|
|
|
|
Beverly steps away, nods to Maques.
|
|
|
|
MAQUES
|
|
(to Troi)
|
|
Your Mother -- part of her is...
|
|
very frightened. She may...
|
|
resist you.
|
|
|
|
TROI
|
|
I understand.
|
|
|
|
Maques looks at Lwaxana for a long moment -- the WHITE
|
|
NOISE can be heard, far off, faint.
|
|
|
|
He then turns and looks into Troi's eyes. The WHITE
|
|
NOISE intensifies.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 29.
|
|
|
|
20 TROI'S POV
|
|
|
|
Looking up at Maques -- his eyes locked on hers.
|
|
|
|
21 RESUME SCENE
|
|
|
|
as Maques stands between Troi and Lwaxana. The WHITE
|
|
NOISE grows in volume until it becomes hard to take.
|
|
|
|
Suddenly it stops and we simultaneously cut to:
|
|
|
|
22 INT. AN ENTERPRISE CORRIDOR (OPTICAL)
|
|
|
|
where Troi finds herself standing alone. But the
|
|
corridor looks nothing like we're used to seeing --
|
|
it's dark, the perspective is strange... surreal -- as
|
|
if we're looking at it through a distorted lens.
|
|
|
|
We hear the SOUND of water dripping... ECHOING as the
|
|
drops land. Troi scans the corridor trying to locate
|
|
the source of the sound... but it seems to come from
|
|
everywhere.
|
|
|
|
Suddenly we hear a WOLF'S GROWL -- dangerous,
|
|
menacing... Troi has to fight off her fear, takes a
|
|
moment to calm herself.
|
|
|
|
Her resolve is strengthened when she suddenly hears the
|
|
VOICE she heard before, coming from behind her.
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
She whips around to see if anyone's there... nothing.
|
|
She's not sure if it was her mother's voice or someone
|
|
else's...
|
|
|
|
TROI
|
|
(unsure)
|
|
Mother... ?
|
|
|
|
She hears the VOICE again, coming from the other
|
|
direction.
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
She turns and this time sees a SHADOW disappear around
|
|
the corner.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT THREE 30.
|
|
|
|
22 CONTINUED:
|
|
|
|
She moves toward it, rounds the corner... but no one is
|
|
there. She starts down the corridor, which is darker
|
|
than the last. The SOUND of dripping water echoes
|
|
louder as she makes her way down it.
|
|
|
|
Then, very faint, she hears Picard's VOICE, coming from
|
|
nowhere specific.
|
|
|
|
PICARD (V.O.)
|
|
Counselor... can you hear me... ?
|
|
|
|
TROI
|
|
(unsure)
|
|
Captain... ?
|
|
|
|
Picard comes around the corner in front of her. His
|
|
manner is calm and he wears a gentle smile.
|
|
|
|
PICARD
|
|
Deanna... Doctor Crusher is
|
|
concerned that your para-cortical
|
|
readings have become erratic.
|
|
|
|
TROI
|
|
Are you... talking to me from
|
|
Sickbay?
|
|
|
|
PICARD
|
|
Yes. I want you to sever your
|
|
connection to your Mother.
|
|
|
|
Troi remembers what Maques said -- that everything she
|
|
encountered would be part of her mother's mind.
|
|
|
|
TROI
|
|
Why don't you ask Maques to do it?
|
|
|
|
Picard smiles.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 31.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I'm asking you.
|
|
|
|
Troi reacts -- that's not an answer. Picard is
|
|
suddenly much firmer.
|
|
|
|
PICARD
|
|
(continuing)
|
|
That's an order, Counselor.
|
|
|
|
Troi regards him evenly.
|
|
|
|
TROI
|
|
You're not Captain Picard.
|
|
|
|
Picard looks into her eyes -- when he speaks, it is in
|
|
LWAXANA'S VOICE, a voice filled with pain.
|
|
|
|
PICARD/LWAXANA
|
|
Leave me alone... please...
|
|
|
|
Troi takes a breath, then moves past him and continues
|
|
down the corridor, determined to find her Mother... the
|
|
WOLF GROWLS again... ominous.
|
|
|
|
As she makes her way down the corridor the dripping
|
|
SOUND grows LOUDER.
|
|
|
|
23
|
|
thru OMITTED
|
|
24
|
|
|
|
25 NEW ANGLE
|
|
|
|
revealing that a large WOLF is blocking her path. It
|
|
looks at her with piercing eyes, its intentions
|
|
unreadable... Troi is determined to get past it.
|
|
|
|
She takes a cautious step forward, but the Wolf lets
|
|
out a warning growl.
|
|
|
|
TROI
|
|
(to herself)
|
|
This isn't real... none of this is
|
|
real...
|
|
|
|
But the sound of her voice only provokes the creature.
|
|
Its growl becomes more menacing, and it suddenly lunges
|
|
at her...
|
|
|
|
Troi turns and runs... and the Wolf comes after her --
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 31A.
|
|
|
|
26 NEW ANGLE (OPTICAL)
|
|
|
|
as Troi runs down the corridor, the Wolf just a few
|
|
yards behind her, vicious and intent... She rounds a
|
|
corner and ENTERS the nearest door, which closes behind
|
|
her.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 32.
|
|
|
|
27 INT. TROI'S QUARTERS - CONTINUOUS (OPTICAL)
|
|
|
|
Troi's face registers recognition and astonishment when
|
|
she sees a dark-haired man, her FATHER. He's about
|
|
thirty-five and wears an old-style Starfleet uniform
|
|
with Lieutenant's pips.
|
|
|
|
TROI
|
|
Daddy... ?
|
|
|
|
He smiles warmly, opens his arms to her.
|
|
|
|
MISTER TROI
|
|
Deanna...
|
|
|
|
Overwhelmed by the emotion of seeing him, she starts to
|
|
move into his arms... but she stops... refusing to give
|
|
in to what she knows isn't real.
|
|
|
|
The room around her is a strange combination of Troi's
|
|
Enterprise quarters and a home on Betazed. Instead of
|
|
her personal belongings, the room is set up for a child --
|
|
there's a DOLL HOUSE, some other more HIGH-TECH TOYS.
|
|
|
|
It is beautiful and calm, in sharp contrast to the
|
|
nightmarish nature of the corridors. Instead of stars,
|
|
a VIEW OF A BETAZED LANDSCAPE can be seen through the
|
|
windows.
|
|
|
|
MISTER TROI
|
|
Look at you... you've become a
|
|
beautiful woman...
|
|
|
|
This is a heartbreaking event for Troi. Her beloved
|
|
father, taken from her at such a young age, whom she
|
|
has missed so much... but he's not real.
|
|
|
|
TROI
|
|
Don't do this...
|
|
|
|
MISTER TROI
|
|
I'm sorry I had to go away when
|
|
you were so little... I didn't
|
|
want to...
|
|
|
|
TROI
|
|
You're not my father... you're a
|
|
part of Mother's mind...
|
|
|
|
Mister Troi smiles gently, neither denying nor
|
|
admitting to what she's saying.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT THREE 33.
|
|
|
|
27 CONTINUED:
|
|
|
|
Troi looks around her, at the room, the beautiful view.
|
|
She's looking for some clue as to what it all might
|
|
mean.
|
|
|
|
TROI
|
|
What is this place?
|
|
|
|
MISTER TROI
|
|
It's our house near Lake El'nar,
|
|
on Betazed. We used to live here.
|
|
Deanna -- let's not waste this
|
|
chance. I want to hear everything
|
|
that's happened to you...
|
|
|
|
But Troi is wandering the room, looking at the toys.
|
|
|
|
TROI
|
|
Did I live here?
|
|
|
|
MISTER TROI
|
|
For a while... when you were a
|
|
baby. You were such a beautiful
|
|
baby... Your mother and I loved
|
|
you so much...
|
|
|
|
TROI
|
|
I don't remember these toys...
|
|
|
|
MISTER TROI
|
|
I'll bet you don't remember me
|
|
singing you to sleep at night,
|
|
either... but I did.
|
|
|
|
Troi turns to him, unexpectedly moved.
|
|
|
|
TROI
|
|
I do remember... I always felt
|
|
safe when you sang to me...
|
|
|
|
He smiles. He's full of warmth, and love. It's
|
|
irresistible.
|
|
|
|
MISTER TROI
|
|
There was one song you always
|
|
asked me to sing... you couldn't
|
|
fall asleep unless you heard
|
|
it....
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT THREE 34.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
Troi is caught in the moment. Tears sting at her eyes.
|
|
|
|
TROI
|
|
(a whisper)
|
|
Down in the valley...
|
|
|
|
MISTER TROI
|
|
(singing very softly)
|
|
Valley so low... hang your head
|
|
over.... hear the wind blow --
|
|
|
|
Troi wills herself away from the seductive moment.
|
|
|
|
TROI
|
|
No... no... you're trying to keep
|
|
me here... keep me from finding
|
|
something...
|
|
|
|
MISTER TROI
|
|
(sadly)
|
|
Your Mother doesn't want to see
|
|
you, Deanna.
|
|
|
|
TROI
|
|
I have to help her...
|
|
|
|
MISTER TROI
|
|
If you want to help her... leave.
|
|
Let her have peace.
|
|
|
|
She begins backing toward the door.
|
|
|
|
TROI
|
|
But... she called out to me....
|
|
she does want my help.
|
|
|
|
Her father extends his arms to her, gentle, persuasive.
|
|
|
|
MISTER TROI
|
|
Stay with me... just a little
|
|
while... it's been so long --
|
|
we'll never have this chance
|
|
again.
|
|
|
|
Troi knows this is true... and it's anguishing. It
|
|
takes all her will to keep from going to him, feeling
|
|
his strength and his protection, letting him salve all
|
|
her concerns. But those feelings are the trap, and she
|
|
must not give in to them. With difficulty, knowing
|
|
she'll never see him again --
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 35.
|
|
|
|
27 CONTINUED: (3)
|
|
|
|
TROI
|
|
Goodbye, daddy.
|
|
|
|
She turns and EXITS, leaving him behind, sadness in his
|
|
eyes.
|
|
|
|
28 INT. CORRIDOR
|
|
|
|
As she returns to the dark and surreal part of her
|
|
mother's mind. The dripping SOUND resumes. Troi looks
|
|
around, unsure which way to go. She decides to return
|
|
in the direction she came.
|
|
|
|
She approaches the intersection of the two corridors,
|
|
rounds a corner.
|
|
|
|
29 ANGLE - TROI
|
|
|
|
as she stops in her tracks, shocked by something she
|
|
sees.
|
|
|
|
30 NEW ANGLE
|
|
|
|
Revealing what she sees -- it is Hedril, standing some
|
|
five yards down the corridor, looking at her with huge,
|
|
accusing eyes. Strangely, she doesn't look Cairn --
|
|
whatever the anatomical differences are between us and
|
|
them are not evident -- she has the dark eyes of a
|
|
Betazoid.
|
|
|
|
TROI
|
|
Hedril... ?
|
|
|
|
Suddenly Mrs. Troi steps out into the corridor. Her
|
|
face is tense.
|
|
|
|
TROI
|
|
(continuing)
|
|
Mother...
|
|
|
|
Troi is about to take a step toward her, but her mother
|
|
suddenly cries out in pain and anger.
|
|
|
|
LWAXANA
|
|
Get away from here!
|
|
|
|
She rushes threateningly toward Troi --
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT THREE 36.
|
|
|
|
31 INT. SICKBAY - CONTINUOUS
|
|
|
|
as Troi starts awake.
|
|
|
|
TROI
|
|
No!
|
|
|
|
Off Picard and Beverly's reactions we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
32 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Beverly, Data and Troi are talking with Maques
|
|
and Hedril. The little girl seems a little afraid
|
|
about having to face these strangers, and Troi tries to
|
|
put her at ease.
|
|
|
|
TROI
|
|
I asked your Father to bring you
|
|
here because I wanted to talk to
|
|
you about something.
|
|
(beat)
|
|
You know that Lwaxana is sick,
|
|
don't you?
|
|
|
|
HEDRIL
|
|
Yes.
|
|
|
|
She looks scared and worried.
|
|
|
|
HEDRIL
|
|
(continuing)
|
|
Is it my fault?
|
|
|
|
TROI
|
|
No... not at all. But... I
|
|
believe my Mother has been
|
|
thinking about you. Do you know
|
|
why?
|
|
|
|
HEDRIL
|
|
I make her sad.
|
|
|
|
Troi reacts.
|
|
|
|
TROI
|
|
Why do you say that?
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FOUR 38.
|
|
|
|
32 CONTINUED:
|
|
|
|
HEDRIL
|
|
Because it's true.
|
|
|
|
TROI
|
|
(to Maques)
|
|
Do you have any idea why Hedril
|
|
would make my Mother sad?
|
|
|
|
MAQUES
|
|
No.
|
|
|
|
Troi smiles at Hedril to let her know she's done well.
|
|
|
|
TROI
|
|
Thank you for coming to talk to
|
|
us. I'll see you later, all
|
|
right?
|
|
|
|
She gestures to Maques that he can take her away. As
|
|
they reach the door, Hedril stops and turns around.
|
|
|
|
HEDRIL
|
|
I hope your mother gets better.
|
|
|
|
TROI
|
|
Thank you, Hedril. So do I.
|
|
|
|
Maques and Hedril EXIT.
|
|
|
|
TROI
|
|
I just don't understand how she
|
|
fits in to all this...
|
|
|
|
BEVERLY
|
|
I still haven't been able to find
|
|
a physiological cause for what's
|
|
happened to your Mother. That
|
|
makes me think that Maques was
|
|
right, that her condition was
|
|
precipitated by some traumatic
|
|
event.
|
|
|
|
PICARD
|
|
Could this event have involved
|
|
Hedril?
|
|
|
|
TROI
|
|
I don't think so. My Mother never
|
|
mentioned her.
|
|
|
|
BEVERLY
|
|
Does your mother make personal
|
|
logs... or keep a journal?
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 38A.
|
|
|
|
32 CONTINUED: (2)
|
|
|
|
TROI
|
|
Yes, she does. I'll contact
|
|
Mister Homn on Betazed and ask him
|
|
to transmit a copy as soon as
|
|
possible. Maybe there's a clue
|
|
there...
|
|
|
|
DATA
|
|
Perhaps we are being too literal.
|
|
In my recent study of dream
|
|
analysis, I learned that people
|
|
who appear in a dream can
|
|
sometimes represent different
|
|
aspects of the person who is
|
|
dreaming.
|
|
|
|
TROI
|
|
That's right... a child might
|
|
represent vulnerability. Maybe
|
|
Hedril depicts some fragile part
|
|
of my mother.
|
|
|
|
PICARD
|
|
A part that she's protecting...
|
|
(explaining)
|
|
... you said everything you
|
|
encountered when you were in her
|
|
mind was a barrier of one kind or
|
|
another...
|
|
|
|
TROI
|
|
Yes... you, the wolf, my father...
|
|
as though she were summoning all
|
|
her defenses to keep me away.
|
|
|
|
Troi looks around the room, frustrated and overwhelmed
|
|
by her inability to put together all the parts of this
|
|
puzzle.
|
|
|
|
TROI
|
|
But away from what? What is she
|
|
protecting?
|
|
|
|
But no one in the room has any answers.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/26/93 - ACT FOUR 39.
|
|
|
|
33 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it travels at impulse.
|
|
|
|
34 INT. TROI'S QUARTERS
|
|
|
|
Troi has her mother's VALISE on a table and is going
|
|
through her things. It is a difficult thing to have to
|
|
do, and her face shows it.
|
|
|
|
She picks up a few objects... a piece of jewelry,
|
|
flamboyant as only Lwaxana can be... a small carved
|
|
figure of uncertain origin... and then, in the bottom,
|
|
a small round box. Deanna lifts it, opens it, and sees --
|
|
|
|
34A INSERT - THE BOX
|
|
|
|
Inside lies a small curl of dark hair, tied with a bit
|
|
of ribbon.
|
|
|
|
34B BACK TO SCENE (OPTICAL)
|
|
|
|
Troi smiles at this memento of herself and closes the
|
|
box. Then she uncovers a photograph... it's Mister
|
|
Troi in his uniform. She is gazing at it when the door
|
|
CHIMES.
|
|
|
|
TROI
|
|
Come in.
|
|
|
|
The door OPENS and Picard ENTERS.
|
|
|
|
PICARD
|
|
(a greeting)
|
|
Counselor...
|
|
|
|
TROI
|
|
Hello, Captain.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 39A.
|
|
|
|
34B CONTINUED:
|
|
|
|
PICARD
|
|
I've just been in Sickbay. Doctor
|
|
Crusher feels your mother's
|
|
condition is deteriorating... her
|
|
neural functions are getting
|
|
weaker.
|
|
|
|
Troi accepts this grim news.
|
|
|
|
PICARD
|
|
Have you had any luck here?
|
|
|
|
TROI
|
|
No, nothing. I've gone through
|
|
her belongings... and read her
|
|
journal from the last five
|
|
years...
|
|
(a bit wry)
|
|
... and other than the fact that
|
|
I'm not married yet, nothing bad
|
|
seems to have happened to her.
|
|
|
|
Picard sees the photograph in her hand.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 40.
|
|
|
|
34B CONTINUED: (2)
|
|
|
|
PICARD
|
|
Is this your Father?
|
|
|
|
TROI
|
|
Yes...
|
|
|
|
Picard studies the picture.
|
|
|
|
PICARD
|
|
He had a kind face...
|
|
|
|
TROI
|
|
(nods)
|
|
I remember when he died, my Mother
|
|
had to go through all his things
|
|
and pack them away... I was
|
|
seven... and I remember thinking
|
|
that he'd be mad when he came home
|
|
and saw what she'd done.
|
|
(beat)
|
|
I didn't understand that he wasn't
|
|
coming back...
|
|
|
|
She looks down at her mother's belongings, her eyes wet
|
|
with emotion, wondering if she'll have to do the same
|
|
thing.
|
|
|
|
PICARD
|
|
Deanna... your Mother might still
|
|
come out of this.
|
|
|
|
TROI
|
|
If we can't figure out what's
|
|
wrong with her -- I don't think
|
|
she will.
|
|
|
|
She looks around her mother's quarters, at the
|
|
belongings, the computer screen which holds her
|
|
journal.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 41.
|
|
|
|
34B CONTINUED: (3)
|
|
|
|
TROI
|
|
But I don't know what to do. I've
|
|
talked with Mister Homn, who's
|
|
known her for years. I've checked
|
|
her medical records. I've made
|
|
enquiries to the government on
|
|
Betazed and I've contacted several
|
|
of her close friends. If she
|
|
suffered some kind of psychic
|
|
trauma, there's just no evidence
|
|
of it.
|
|
|
|
Picard glances at the computer screen.
|
|
|
|
PICARD
|
|
You said you'd reviewed her
|
|
journals for the past five years.
|
|
Perhaps we should go further back.
|
|
|
|
TROI
|
|
There's a lot to review. My
|
|
mother's kept a journal since she
|
|
was first married...
|
|
|
|
PICARD
|
|
Well, let's start at the
|
|
beginning.
|
|
|
|
He sits at the computer, which shows a series of file
|
|
numbers and dates. He works the controls.
|
|
|
|
PICARD
|
|
The first entry seems to be
|
|
Stardate 30620.1.
|
|
|
|
TROI
|
|
That's the year they were married.
|
|
|
|
Picard fiddles at the controls some more, a puzzled
|
|
expression coming over him.
|
|
|
|
PICARD
|
|
This is odd... there's a seven
|
|
year gap.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FOUR 42-42A
|
|
|
|
34B CONTINUED: (4)
|
|
|
|
Troi considers the dates.
|
|
|
|
TROI
|
|
It starts about a year after my
|
|
parents were married...
|
|
|
|
PICARD
|
|
And if I'm not mistaken, it ends
|
|
a few months after your birth.
|
|
|
|
Troi acknowledges he's right. As Picard continues to
|
|
work the console:
|
|
|
|
TROI
|
|
My Mother has always been so
|
|
diligent about her journal -- why
|
|
would she have stopped making
|
|
entries for so long?
|
|
|
|
Picard reacts to something he's found.
|
|
|
|
PICARD
|
|
She didn't. The files were
|
|
deleted.
|
|
|
|
Troi reacts.
|
|
|
|
PICARD
|
|
(continuing)
|
|
By your Mother... almost thirty
|
|
years ago.
|
|
|
|
Troi considers what this might mean.
|
|
|
|
TROI
|
|
I don't understand any of this...
|
|
|
|
She rises, faces Picard with resolve.
|
|
|
|
TROI
|
|
(continuing)
|
|
Captain, I have to go back in to
|
|
my mother's mind. That's the only
|
|
way we're ever going to get any
|
|
answers.
|
|
|
|
Off Picard's reaction we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FIVE 43.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
35 INT. SICKBAY
|
|
|
|
Troi is lying on the bed next to her mother's. Maques
|
|
and Beverly are preparing for her to go back into
|
|
Lwaxana's mind. Picard stands next to Deanna.
|
|
|
|
BEVERLY
|
|
Deanna... you understand that if
|
|
your para-cortical readings go too
|
|
high again, I'll have to tell
|
|
Maques to sever the connection.
|
|
|
|
TROI
|
|
I know.
|
|
|
|
She turns and nods to Maques. He stands between Troi
|
|
and Lwaxana, establishes the telepathic link as before.
|
|
The rush of WHITE NOISE builds to a crescendo and
|
|
suddenly stops.
|
|
|
|
CUT TO:
|
|
|
|
36 INT. AN ENTERPRISE CORRIDOR (OPTICAL)
|
|
|
|
dark and ominous as before. From behind her, Troi
|
|
HEARS the menacing growl of the Wolf.
|
|
|
|
She turns at the sound and is astonished to see Hedril
|
|
standing just feet away from the animal, whose fangs
|
|
are bared at Troi. Hedril stares at her -- her
|
|
Betazoid eyes unsettling, intense.
|
|
|
|
TROI
|
|
Hedril, be careful...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 44.
|
|
|
|
36 CONTINUED:
|
|
|
|
But Hedril reaches and strokes the animal as if it were
|
|
a pet. When she speaks, her voice does not have the
|
|
distinctive mechanical edge that the Cairn normally
|
|
have.
|
|
|
|
HEDRIL
|
|
Who is Hedril?
|
|
|
|
With that she and the Wolf turn and run off down the
|
|
corridor.
|
|
|
|
TROI
|
|
Wait! I want to talk to you --
|
|
|
|
But "Hedril" and the Wolf continue away. Troi hurries
|
|
after them -- the Wolf bounds ahead, but the advantage
|
|
of size lets Troi catch up with Hedril. She's almost
|
|
within reach of Hedril's fleeing form when the girl
|
|
rounds a corner... a split second later Troi rounds the
|
|
same corner and is stunned to see that the corridor is
|
|
gone; there is nothing before her but the starry
|
|
blackness of SPACE.
|
|
|
|
Troi stops short... Hedril seems to have disappeared
|
|
into the void. Troi doesn't know what to do. Then,
|
|
from somewhere in the starscape before her, she hears
|
|
the VOICE that has been calling to her.
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
Troi decides she must move on. Steeling herself
|
|
against her natural fears, she jumps into the
|
|
nothingness...
|
|
|
|
CUT TO:
|
|
|
|
37 INT. ARBORETUM - CONTINUOUS
|
|
|
|
as Troi finds herself standing near the pond. She
|
|
looks around, puzzled to find herself here. It isn't
|
|
the pleasant environment we saw earlier -- it's dark,
|
|
spooky. The dripping SOUND continues its eerie echo...
|
|
|
|
Troi listens and realizes that the pond is the source
|
|
of the dripping sounds.
|
|
|
|
She looks around for some sign of where Hedril has
|
|
gone, but there's nothing. Then, from somewhere near
|
|
the pond, she HEARS the voice again.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 45.
|
|
|
|
37 CONTINUED:
|
|
|
|
VOICE
|
|
Help me...
|
|
|
|
She moves toward the pond, comes to its edge. She
|
|
looks down at its placid surface but sees nothing in
|
|
the murky water...
|
|
|
|
38 NEW ANGLE (OPTICAL)
|
|
|
|
Before Troi's astonished eyes a reflection takes
|
|
shape... but it's not her face... it's Hedril's.
|
|
|
|
Troi leans closer, tries to read the little girl's
|
|
expression, but a STONE SPLASHES into the water and its
|
|
RIPPLES obscure the image.
|
|
|
|
Troi turns to see who has thrown the rock -- but all
|
|
she catches is a glimpse of a FIGURE disappearing
|
|
behind some foliage. Troi steels herself and follows.
|
|
|
|
39 ANOTHER PART OF THE ARBORETUM
|
|
|
|
Troi comes upon Lwaxana, standing staring out into the
|
|
distance, as if guarding this place and its secrets.
|
|
Her face is filled with sadness.
|
|
|
|
TROI
|
|
(gently)
|
|
Mother... ?
|
|
|
|
Lwaxana turns and sees her.
|
|
|
|
LWAXANA
|
|
Go away.
|
|
|
|
TROI
|
|
No... I want to help you.
|
|
|
|
Mrs. Troi shakes her head sadly, as if this were
|
|
impossible. But Troi presses on, confronts her with
|
|
what she knows.
|
|
|
|
TROI
|
|
(continuing)
|
|
Why did you delete parts of your
|
|
journal?
|
|
|
|
Mrs. Troi is disturbed to hear that Troi knows this.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 45A.
|
|
|
|
39 CONTINUED:
|
|
|
|
TROI
|
|
(continuing)
|
|
Did something happen to you --
|
|
something you don't want me to
|
|
know about?
|
|
|
|
Lwaxana's eyes fill with pain.
|
|
|
|
LWAXANA
|
|
Leave me alone... please...
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FIVE 46.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
But Troi won't give up.
|
|
|
|
TROI
|
|
Who is Hedril, Mother? Why is she
|
|
here?
|
|
|
|
Lwaxana won't answer, her face is anguished.
|
|
|
|
TROI
|
|
(continuing)
|
|
Is Hedril me -- when I was a
|
|
little girl?
|
|
|
|
LWAXANA
|
|
No -- I would never let anything
|
|
happen to you... never.
|
|
|
|
Troi reacts to what this implies.
|
|
|
|
TROI
|
|
Did you let something happen to
|
|
someone... ?
|
|
|
|
Mrs. Troi turns away, won't answer.
|
|
|
|
TROI
|
|
(continuing)
|
|
Was it here, at El'nar?
|
|
|
|
Lwaxana answers almost despite herself.
|
|
|
|
LWAXANA
|
|
You were just a baby...
|
|
|
|
TROI
|
|
Tell me; whatever it is we can
|
|
face it together.
|
|
|
|
LWAXANA
|
|
(anguished)
|
|
I can't...
|
|
|
|
TROI
|
|
You can... we can.
|
|
|
|
Lwaxana seems exhausted, as if she can't fight it off
|
|
anymore.
|
|
|
|
HEDRIL (O.C)
|
|
Help me...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 46A.
|
|
|
|
40 NEW ANGLE
|
|
|
|
The arboretum is now sunny and bright.
|
|
|
|
Troi turns at the sound of her voice and sees that
|
|
"Hedril" has appeared behind them. She is trying to
|
|
put a leash on a small DOG that is trying to struggle
|
|
from her grip...
|
|
|
|
HEDRIL
|
|
Help me, papa...
|
|
|
|
Troi's father, now in civilian clothes, is sitting on
|
|
a blanket near Hedril, taking food out of a container.
|
|
It is a family picnic, and a BABY lies sleeping in a
|
|
portable carrier.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 47.
|
|
|
|
40 CONTINUED:
|
|
|
|
LWAXANA
|
|
(to Troi)
|
|
Please... don't make me go through
|
|
this again...
|
|
|
|
MISTER TROI
|
|
(to Hedril)
|
|
Here...
|
|
|
|
He leans over and takes the dog by the collar, attaches
|
|
the leash.
|
|
|
|
MISTER TROI
|
|
(continuing)
|
|
Now hold on to him, don't let him
|
|
run off.
|
|
|
|
HEDRIL
|
|
I won't...
|
|
|
|
Hedril looks straight at Lwaxana and speaks to her
|
|
directly.
|
|
|
|
HEDRIL
|
|
Mommy, can we go play by the
|
|
water?
|
|
|
|
Lwaxana can't help but answer.
|
|
|
|
LWAXANA
|
|
No, Kestra... stay here with us...
|
|
|
|
Troi reacts to the unfamiliar name.
|
|
|
|
HEDRIL
|
|
Please?
|
|
|
|
The baby starts crying --
|
|
|
|
LWAXANA
|
|
Kestra, you woke your sister.
|
|
|
|
TROI
|
|
(to herself)
|
|
Kestra... ?
|
|
|
|
Mrs. Troi steps forward and kneels down to comfort the
|
|
baby.
|
|
|
|
LWAXANA
|
|
Don't cry, Deanna... mommy's
|
|
here..
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|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 47A.
|
|
|
|
40 CONTINUED: (2)
|
|
|
|
Troi realizes -- Kestra is her sister, a sister she
|
|
never knew about. But she has to put aside her shock,
|
|
do nothing that might derail her mother.
|
|
|
|
HEDRIL
|
|
Please, mommy?
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 48.
|
|
|
|
40 CONTINUED: (4)
|
|
|
|
MISTER TROI
|
|
No, Kestra... we're going to eat
|
|
in just a few minutes...
|
|
|
|
Mrs. Troi tries to comfort the squalling baby.
|
|
|
|
LWAXANA
|
|
What's wrong, little one... what's
|
|
wrong... ?
|
|
|
|
Lwaxana is now completely inside the memory, seems
|
|
unaware that Troi is watching nearby. Try as she
|
|
might, she can't comfort the baby.
|
|
|
|
The dog starts to tug at his leash, growling playfully --
|
|
which seems to delight Hedrill/Kestra.
|
|
|
|
LWAXANA
|
|
(to Mister Troi)
|
|
She's teething, Ian... where's her
|
|
ring... ?
|
|
|
|
MISTER TROI
|
|
In your bag, I think...
|
|
|
|
LWAXANA
|
|
Mommy's going to make it all
|
|
better...
|
|
|
|
Mrs. Troi starts rifling through the bag with one hand.
|
|
|
|
LWAXANA
|
|
(to Mister Troi)
|
|
I can't find it -- are you sure
|
|
it's in here?
|
|
|
|
Mister Troi starts looking around as well. Behind
|
|
them, Hedril/Kestra is having trouble keeping hold of
|
|
the dog.
|
|
|
|
The animal's growl grows deeper and more guttural --
|
|
it's impossible for such a tiny animal to make such a
|
|
SOUND, and we recognize it as the growl of the WOLF
|
|
Deanna heard before.
|
|
|
|
As she looks down at the baby, Lwaxana's face darkens
|
|
at the sound and we cut to:
|
|
|
|
40A NEW ANGLE
|
|
|
|
The arboretum is suddenly dark and ominous again --
|
|
Mrs. Troi now sits alone on the grass.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 48A.
|
|
|
|
40A CONTINUED:
|
|
|
|
LWAXANA
|
|
(to Troi, anguished)
|
|
No, I don't want to see this again --
|
|
I can't --
|
|
|
|
TROI
|
|
What happened, Mother. What
|
|
happened next?
|
|
|
|
Lwaxana's face is anguished --
|
|
|
|
LWAXANA
|
|
I don't remember --
|
|
|
|
TROI
|
|
You have to. You can't hold it
|
|
back -- it's killing you.
|
|
|
|
Lwaxana looks at Troi for a long moment... and finally
|
|
gives in to it...
|
|
|
|
LWAXANA
|
|
The dog got away... she ran after
|
|
him... we didn't notice... until
|
|
it was too late...
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FIVE 49.
|
|
|
|
41
|
|
thru OMITTED
|
|
42
|
|
|
|
43 SCENE CHANGE - THE ARBORETUM
|
|
|
|
is sunny again. Troi finds herself near the edge of
|
|
the pond. Lwaxana and Mister Troi are sitting huddled
|
|
together by the water's edge -- he is drenched and
|
|
exhausted. They look out at the water in shock --
|
|
they're devastated, numb. The dog barks by the water's
|
|
edge, insistent (baby Deanna is nearby in her carrier).
|
|
|
|
MISTER TROI
|
|
(anguished)
|
|
The current was too strong...
|
|
|
|
Mrs. Troi can do nothing but stare out at the water.
|
|
|
|
LWAXANA
|
|
Kestra...
|
|
|
|
44 ON TROI
|
|
|
|
as she watches, her eyes wet with emotion. She steps
|
|
toward her mother.
|
|
|
|
45 NEW ANGLE -- THE ARBORETUM (OPTICAL)
|
|
|
|
has gone dark again. Her mother is alone by the
|
|
water's edge, crying softly. Deanna kneels next to
|
|
her, tries to comfort her.
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FIVE 50.
|
|
|
|
45 CONTINUED:
|
|
|
|
LWAXANA
|
|
Why did I look away... why wasn't
|
|
I paying attention... ?
|
|
|
|
TROI
|
|
You have to forgive yourself,
|
|
Mother... you have to let go...
|
|
|
|
LWAXANA
|
|
How can I? I let her die...
|
|
|
|
Troi regards her for a moment, wondering how best to
|
|
help her.
|
|
|
|
TROI
|
|
It was a terrible tragedy -- the
|
|
worst thing that can happen to any
|
|
parent... I know you feel
|
|
responsible... but it was an
|
|
accident...
|
|
|
|
She searches for the words to reach her mother.
|
|
|
|
TROI
|
|
And what you're doing isn't fair
|
|
to Kestra...
|
|
|
|
Mrs. Troi looks up at her, not certain what she means.
|
|
|
|
TROI
|
|
I saw a little girl who was sweet
|
|
and happy... she must have brought
|
|
a great deal of joy into your
|
|
lives...
|
|
|
|
LWAXANA
|
|
She woke up every morning with a
|
|
smile...
|
|
|
|
TROI
|
|
Then isn't it better to remember
|
|
her like that?
|
|
(beat)
|
|
I've just found out I had a sister
|
|
I never knew... I'd like to
|
|
remember what was good and joyous
|
|
about her... to celebrate her
|
|
life, not mourn it...
|
|
|
|
Mrs. Troi is beginning to hear what Deanna says, but
|
|
isn't sure if she can do what her daughter is asking.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 50A.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
LWAXANA
|
|
But when she died... the pain was
|
|
so awful...
|
|
|
|
TROI
|
|
I know. And you shut it away
|
|
inside you all these years. But
|
|
hiding it didn't make it go away.
|
|
It's still there, hurting you...
|
|
and it will stay there unless you
|
|
can forgive yourself and move on.
|
|
|
|
LWAXANA
|
|
How? How can I do that?
|
|
|
|
TROI
|
|
Kestra was here, a few moments
|
|
ago. Talk to her...
|
|
|
|
LWAXANA
|
|
No --
|
|
|
|
TROI
|
|
Do it. Tell her how you feel.
|
|
(beat)
|
|
I'm here with you. I'll help you.
|
|
|
|
Lwaxana stares at her for a moment, suddenly the child
|
|
to Troi's comforting maternal presence. She draws that
|
|
strength, then --
|
|
|
|
KESTRA (O.C.)
|
|
Mommy...
|
|
|
|
They turn to see a little girl of about eight standing
|
|
nearby. It's KESTRA -- she has dark hair and Betazoid
|
|
eyes. She looks at her mother -- there is no hint of
|
|
accusation in her eyes, just the love of a child for
|
|
her mother.
|
|
|
|
LWAXANA
|
|
Kestra...
|
|
|
|
Mrs. Troi hesitates. She seems at once frightened and
|
|
enthralled.
|
|
|
|
LWAXANA
|
|
Oh, Kestra... my precious one...
|
|
I'm so sorry...
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 50B.
|
|
|
|
45 CONTINUED: (3)
|
|
|
|
Kestra moves toward her mother, who opens her arms to
|
|
her. The little girl hugs her mother with everything
|
|
she has...
|
|
|
|
Troi watches as her mother reconciles herself with what
|
|
happened. After a long moment, Kestra gently pulls
|
|
back from her mother.
|
|
|
|
KESTRA
|
|
I have to go now...
|
|
|
|
LWAXANA
|
|
I know...
|
|
|
|
Lwaxana lets her go. Kestra looks up into her mother's
|
|
eyes, then slowly, slowly, she begins to VANISH --
|
|
until there's nothing left but a memory.
|
|
|
|
Lwaxana reaches a hand to Troi, who takes it, and we...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Dark Page" - REV. 08/27/93 - ACT FIVE 51.
|
|
|
|
46 INT. SICKBAY
|
|
|
|
Lwaxana's eyes open, and a moment later, Troi's. They
|
|
turn to each other, and both smile when they realize
|
|
that their hands are clasped across the space that
|
|
separates their two beds.
|
|
|
|
47 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves at impulse.
|
|
|
|
48 INT. TROI'S QUARTERS
|
|
|
|
Lwaxana and Troi are sitting on the couch, talking
|
|
quietly.
|
|
|
|
LWAXANA
|
|
Kestra always wanted to help take
|
|
care of you... she was never the
|
|
slightest bit jealous of all the
|
|
attention you got.
|
|
|
|
TROI
|
|
She sounds very sweet...
|
|
|
|
LWAXANA
|
|
I made your father promise never
|
|
to speak of her... it was a
|
|
terrible thing to ask... but he
|
|
went along with it.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 51A.
|
|
|
|
48 CONTINUED:
|
|
|
|
TROI
|
|
If it hadn't been for your work
|
|
with the Cairn, the strain of the
|
|
telepathic contact, you might have
|
|
been able to repress the memory
|
|
forever.
|
|
|
|
LWAXANA
|
|
And if it hadn't been for you --
|
|
I might have died trying to keep
|
|
that dreadful secret.
|
|
|
|
Mother and daughter share a warm moment, then Troi
|
|
stands and gets something from her desk.
|
|
|
|
TROI
|
|
(continuing)
|
|
I contacted Mister Homn and told
|
|
him you were all right. He asked
|
|
me to give you something.
|
|
|
|
Troi hands her mother a PADD.
|
|
|
|
STAR TREK: "Dark Page" - 08/26/93 - ACT FIVE 52.
|
|
|
|
49 INSERT - THE PADD'S SCREEN
|
|
|
|
It's a picture of Mister Troi and Kestra. She's about
|
|
eight, holding Deanna when she was a baby. She is
|
|
beaming at the camera.
|
|
|
|
50 RESUME SCENE
|
|
|
|
as Lwaxana smiles, her eyes wet with tears.
|
|
|
|
LWAXANA
|
|
I remember the day I took this...
|
|
|
|
TROI
|
|
Mister Homn said he saved it... in
|
|
case someday you wanted to
|
|
remember her...
|
|
|
|
Troi watches as Lwaxana clutches this unexpected
|
|
treasure to her breast...
|
|
|
|
LWAXANA
|
|
I wish you could have known her,
|
|
Deanna. I wish you two could have
|
|
grown up together...
|
|
|
|
TROI
|
|
Tell me about her.. I want to know
|
|
everything.
|
|
|
|
Lwaxana smiles that she will... Off this moment we...
|
|
|
|
CUT TO:
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves away we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|