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STAR TREK: THE NEXT GENERATION
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"Inheritance"
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#40277-262
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Written by
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Dan Koeppel
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Directed by
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Robert Scheerer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1993 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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SEPTEMBER 27, 1993
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STAR TREK: "Inheritance" - 09/27/93 - CAST
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STAR TREK: THE NEXT GENERATION
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"Inheritance"
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CAST
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PICARD JULIANA
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RIKER PRAN
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DATA SOONG
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BEVERLY
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TROI
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WORF
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GEORDI
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Non-Speaking Non-Speaking
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N.D. SUPERNUMERARIES N.D. ATREAN
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STAR TREK: "Inheritance" - 09/27/93 - SETS
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STAR TREK: THE NEXT GENERATION
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"Inheritance"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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ENGINEERING
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TEN FORWARD
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HOLODECK
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DATA'S QUARTERS
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SICKBAY
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TRANSPORTER ROOM
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OBSERVATION LOUNGE
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FIRST MAGMA POCKET
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SECOND MAGMA POCKET
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SHAFT
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NARROW PASSAGEWAY
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STAR TREK: "Inheritance" - 09/28/93 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Inheritance"
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PRONUNCIATION GUIDE
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ATREA A-tree-uh
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PRAN PRAN
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MAVALA mah-VAH-lah
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TERLINA tur-LEE-nah
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FOURIER four-ee-YAY
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CORVALLEN kor-VAL-len
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STAR TREK: "Inheritance" - REV. 09/28/93 - TEASER 1.
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STAR TREK: The Next Generation
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"Inheritance"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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In orbit around the planet Atrea.
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PICARD (V.O)
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Captain's Log, Stardate 47410.2.
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The Atrean government has
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requested assistance in averting
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a natural disaster that is
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threatening their world. Two of
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their geologists have come aboard
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to discuss the problem, one of
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whom is a human who has been
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living on Atrea Four.
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2 INT. OBSERVATION LOUNGE (OPTICAL)
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PICARD, GEORDI, and DATA look on as Atrean Scientist
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PRAN TAINER stands before an OKUDAGRAM depicting a
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cross-section of the Atrean planet. Also present is
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Pran's human wife, JULIANA TAINER, a fiftyish woman
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dressed in Atrean fashion. The Atreans are a humanoid
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species, only slightly different from us.
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JULIANA
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Captain, our situation has
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worsened since my husband and I
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first contacted you. The molten
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core of our planet is not just
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cooling -- it's begun to solidify.
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PRAN
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Our gravitational field has been
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affected -- seismic activity has
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increased by a factor of three.
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JULIANA
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If the cooling continues at this
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rate -- Atrea will become
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uninhabitable within thirteen
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months.
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Everyone takes in this grim news.
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STAR TREK: "Inheritance" - REV. 09/29/93 - TEASER 1A.
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2 CONTINUED:
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GEORDI
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We could minimize seismic activity
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by creating isobaric fissures and
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releasing some of the tectonic
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stress -- but that would just be
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a temporary fix.
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DATA
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The only permanent solution would
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be to re-liquefy the core.
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Geordi stands and moves to the Okudagram.
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GEORDI
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These pockets in the magma layer --
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how close are they to the molten
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region of the core?
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JULIANA
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A few kilometers, why?
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Geordi turns to Data.
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GEORDI
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You think that's close enough to
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try ferro-plasmic infusion?
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Data considers, then acknowledges the possibility.
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Juliana and Pran share a look -- they're not sure what
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this means.
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STAR TREK: "Inheritance" - REV. 09/29/93 - TEASER 2.
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2 CONTINUED: (2)
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Data moves toward the monitor, gesturing.
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DATA
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The procedure would involve using
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our ship's phasers to drill down
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through the planet's surface and
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into the pockets -- where we would
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set up a series of plasma infusion
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units.
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GEORDI
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We'd trigger the units by firing
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a modulated energy burst down
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through the shafts.
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Juliana addresses Data.
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JULIANA
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I see... injecting sufficient
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plasma directly into the core
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should trigger a chain reaction...
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and that will reliquify the
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magma...
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DATA
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It should be possible to stabilize
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the core temperature at ninety-three
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percent of normal.
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PRAN
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If it works, the core would remain
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molten for centuries.
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Picard lets Pran and Juliana consider for a beat.
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PICARD
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If you give your permission, we'll
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begin immediately.
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PRAN
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Very well. But before we proceed,
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I'd like to update our geological
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surveys.
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STAR TREK: "Inheritance" - 09/27/93 - TEASER 3.
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2 CONTINUED: (3)
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GEORDI
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I'll be glad to help you, Doctor.
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PICARD
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(to Pran and Juliana)
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I've assigned you quarters during
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the time we're here. Please make
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yourselves comfortable.
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PRAN
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Thank you, Captain.
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The meeting breaks up and Picard, Pran, and Geordi
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EXIT. Data starts to follow, but Juliana stops him.
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JULIANA
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Data --
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Data turns to her.
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DATA
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Yes, Doctor?
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STAR TREK: "Inheritance" - REV. 09/29/93 - TEASER 4.
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2 CONTINUED: (4)
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She has an almost expectant look on her face -- a kind
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of breathless anticipation.
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JULIANA
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Do you have any idea who I am?
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Data is puzzled by the question.
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DATA
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You are Doctor Juliana Tainer.
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Juliana exhales slightly, as though a question of long
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standing had finally been resolved.
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JULIANA
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You lost all your early memories.
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We thought you would -- but we
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couldn't know for certain.
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Data is now even more puzzled. He looks at her
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quizzically.
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DATA
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Have we met before?
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She looks at him with what can only be called pride,
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eyes shining.
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JULIANA
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Oh, Data, I was there -- right
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from the beginning, on Omicron
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Theta. I helped create you.
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(proudly)
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And now... look at you.
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DATA
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(taken aback)
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You were a colleague of Doctor
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Soong?
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She laughs, a warm, merry laugh that lights her face.
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JULIANA
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Yes, I certainly was -- and I was
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also his wife. In a way, I
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suppose you could say -- I'm your
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mother.
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Off Data's reaction to this unexpected revelation...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Inheritance" - REV. 09/28/93 - ACT ONE 5.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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3 INT. TEN FORWARD
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Data and Juliana at a table. Her eyes are shining as
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she looks at him...
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JULIANA
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I still can't believe it... seeing
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you again after all these years...
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Data is curious about the situation, but of course not
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sharing Juliana's emotional response.
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DATA
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Doctor, I have no memory of you.
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JULIANA
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There's a reason for that... we
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wiped your processors after we'd
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finished refining your
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programming.
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She leans forward, looks at him lovingly.
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JULIANA
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(continuing)
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Why don't you tell me what you do
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remember... and then I'll fill in
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the gaps.
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DATA
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(pondering)
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My memory record begins when I was
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activated by the Starfleet
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officers who found me on the
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Omicron Theta outpost.
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JULIANA
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After the attack by the
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Crystalline Entity --
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DATA
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Yes. All of the inhabitants of
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the colony had been killed.
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Juliana acknowledges somberly.
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STAR TREK: "Inheritance" - REV. 09/29/93 - ACT ONE 6.
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3 CONTINUED:
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DATA
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But -- I discovered that my memory
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banks contained the contents of
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their journals and logs.
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JULIANA
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(a gentle smile)
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We thought you might find their
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experiences useful... after your
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childhood, we figured you needed
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all the help you could get.
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DATA
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My -- childhood?
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JULIANA
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(laughing)
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That's what I called it. You were
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like a baby at first -- a hundred
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kilogram baby, but still...
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She shakes her head, smiling at the recollection.
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JULIANA
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(continuing)
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It took you a while to develop
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motor skills... learn how to
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process sensory information. And
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of course Noonian was never
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satisfied... he kept tinkering,
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trying to make you as human as
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possible. And then there was the
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business about hiccuping...
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DATA
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Hiccuping?
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JULIANA
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He was determined that you'd have
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periodic bouts of hiccups, but he
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couldn't get it right -- they were
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either too violent, or too
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prolonged, or not noticeable at
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all... I finally said, good
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heavens, Noonian -- nobody likes
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having hiccups. Why don't you
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just forget it? So he did.
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She smiles again, enjoying these reveries. But Data is
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still interested in getting information.
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DATA
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So you wiped my memory processors
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after this -- childhood.
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STAR TREK: "Inheritance" - REV. 09/29/93 - ACT ONE 7.
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3 CONTINUED: (2)
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JULIANA
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Then we deactivated you -- and
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programmed you with the colonists'
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logs. We were planning to reactivate
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you.
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(beat, more somber)
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But we never had the chance. The
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Crystalline Entity attacked... we
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had to leave quickly. We wanted
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to bring you with us -- but there
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was only room for two in the
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escape pod.
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There is a beat as Data considers this.
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DATA
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Doctor, I have scanned the
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colonists' journals... there is
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only one Juliana mentioned in
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them, and her last name is
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O'Donnell.
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JULIANA
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That's me...
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DATA
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But there is no mention that my
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father was married to you.
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She shakes her head, again smiling at a recollection.
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JULIANA
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Because of my mother.
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(off his look)
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She thought Noonian was an
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eccentric scientist who was too
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old for me... we decided to get
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married secretly and give her some
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time to get used to the idea of
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our being together.
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She leans forward, conspiratorially.
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JULIANA
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(continuing)
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We slipped away to Mavala Four and
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got married there... a Klingon and
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a Corvallan trader were our
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witnesses...
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(MORE)
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STAR TREK: "Inheritance" - REV. 09/28/93 - ACT ONE 8.
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3 CONTINUED: (3)
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JULIANA (Cont'd)
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(a bit wistful)
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It wasn't exactly the wedding I'd
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hoped for, but Noonian had a way
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of making the oddest things seem
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romantic...
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DATA
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My father did have an unusual way
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of looking at things...
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JULIANA
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(surprised)
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How would you know that?
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DATA
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I encountered him once -- in the
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Terlina system.
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JULIANA
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(excited)
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That's where we went -- after we
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left the outpost... I had no idea
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you'd ever met him.
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DATA
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It was shortly before his death.
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There is a shocked pause.
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JULIANA
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He's... dead?
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DATA
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Yes.
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Juliana seems to shrink into herself for a moment,
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grappling with this unexpected news.
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JULIANA
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I didn't think it would hit me
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this hard...
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(beat, struggling for
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control)
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We didn't exactly part on the best
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of terms...
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DATA
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What do you mean?
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STAR TREK: "Inheritance" - REV. 09/29/93 - ACT ONE 8A.
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3 CONTINUED: (4)
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JULIANA
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I realized that he loved his work
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as much as he loved me. Maybe
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more. There we were, stuck on
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that planet in the middle of a
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jungle... no one else to talk to,
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no -- no life. It just wasn't
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enough...
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(beat)
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That's why I left.
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This was clearly a difficult decision for her. After
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a moment she looks up at him, reassuring, smiling her
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lovely smile.
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JULIANA
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(continuing)
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Anyway, it was a long time ago.
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What's important is that we're
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together now.
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She touches his arm.
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JULIANA
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(continuing)
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And I want to get to know you.
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But Data hesitates. This has been a lot to assimilate
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in one sitting, and he isn't sure how to respond.
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STAR TREK: "Inheritance" - REV. 09/28/93 - ACT ONE 8B.
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3 CONTINUED: (5)
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DATA
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This has been an interesting
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encounter, and one altogether
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unexpected. I would like to
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corroborate what you have told me
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before we proceed further.
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Juliana stares at him... his lack of emotion is hard
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for her to accept. She clearly hoped for a more
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positive response.
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DATA
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Excuse me, Doctor.
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Off her face as he EXITS...
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STAR TREK: "Inheritance" - REV. 09/28/93 - ACT ONE 9.
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4 OMITTED
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5 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as it orbits Atrea.
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6 INT. ENGINEERING (OPTICAL)
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Geordi is working at the pool table, Data is working at
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a separate monitor along the side wall.
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GEORDI
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I'm just about finished
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reconfiguring the phaser banks.
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We should be ready to start
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drilling in about an hour.
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Data doesn't look up from his console.
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DATA
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Inform me when you are ready.
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Geordi moves closer to Data.
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GEORDI
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What are you doing there, anyway?
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DATA
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I am attempting to ascertain
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whether Doctor Tainer's story is
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true.
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GEORDI
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Don't you believe her?
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DATA
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I neither doubt nor believe her.
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I am simply attempting to verify
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her assertions.
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Geordi smiles to himself at this android response.
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GEORDI
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Well, what have you turned up so
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far?
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DATA
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The Registrar's Office on Mavala
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Four cannot confirm that Doctor
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Soong was married there.
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(MORE)
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STAR TREK: "Inheritance" - 09/27/93 - ACT ONE 10.
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6 CONTINUED:
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DATA (Cont'd)
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Apparently many documents were
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lost when the government was
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overthrown.
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Geordi looks at Data's console, which is scrolling
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RAPIDLY.
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GEORDI
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Then what are you looking at?
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|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT ONE 11.
|
|
|
|
6 CONTINUED: (2)
|
|
|
|
DATA
|
|
I am checking passenger manifests
|
|
to see if they went to Mavala
|
|
during the period in question.
|
|
|
|
Suddenly Data reaches out and stops the scroll.
|
|
|
|
DATA
|
|
O'Donnell, Juliana...
|
|
(beat)
|
|
Soong, Noonian -- they were both
|
|
passengers on a transport that
|
|
travelled from Omicron Theta to
|
|
Mavala... and returned four days
|
|
later.
|
|
|
|
GEORDI
|
|
That sure seems to fit her story.
|
|
|
|
DATA
|
|
Still, the fact that they went to
|
|
Mavala does not prove they were
|
|
married there.
|
|
|
|
GEORDI
|
|
You know, Data... I almost get the
|
|
feeling you're trying to prove
|
|
that Doctor Tainer wasn't telling
|
|
the truth.
|
|
|
|
DATA
|
|
Not at all. I am merely unable to
|
|
reconcile her story with the fact
|
|
that my father never mentioned her
|
|
to me.
|
|
|
|
GEORDI
|
|
Well, she did leave him. Maybe
|
|
she broke his heart. Maybe he
|
|
just didn't want to talk about
|
|
her...
|
|
|
|
Data's brow furrows as he tries to comprehend this kind
|
|
of emotional response.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
And let me ask you this... Doctor
|
|
Soong created an emotion chip for
|
|
you... didn't Lore tell you it
|
|
also contained memories --
|
|
memories Soong wanted you to have?
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT ONE 11A.
|
|
|
|
6 CONTINUED: (3)
|
|
|
|
DATA
|
|
Yes.
|
|
(beat)
|
|
It is possible that those are the
|
|
memories of my childhood. And of
|
|
my mother.
|
|
|
|
GEORDI
|
|
And if you think about it -- why
|
|
would she lie? Why would someone
|
|
pretend to be your mother?
|
|
|
|
Data considers for a beat.
|
|
|
|
DATA
|
|
I can think of no motive for such
|
|
a pretense.
|
|
|
|
Geordi assesses his friend's situation, tries to help
|
|
him understand it.
|
|
|
|
GEORDI
|
|
I can understand why you might be
|
|
a little disconcerted by all
|
|
this... it came out of the
|
|
blue... and the story doesn't fit
|
|
neatly into your logical
|
|
processors.
|
|
|
|
DATA
|
|
That is true...
|
|
|
|
GEORDI
|
|
But that's life, Data. Part of
|
|
being human is learning to handle
|
|
the unexpected... to risk new
|
|
experiences even when they don't
|
|
fit your preconceptions.
|
|
|
|
DATA
|
|
I will admit that it is difficult
|
|
for me to accept the possibility
|
|
of a past about which I know
|
|
nothing...
|
|
(beat)
|
|
But it is also true that I am very
|
|
curious to learn more about it.
|
|
|
|
Geordi grins at him. Off the new sense of possibility
|
|
in Data's face...
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT ONE 12.
|
|
|
|
7 INT. TEN FORWARD
|
|
|
|
Juliana works alone, entering information on a PADD.
|
|
VARIOUS SUPERNUMERARIES enjoy themselves, but Juliana
|
|
is intent on her work. She takes a bite from a plate
|
|
of food.
|
|
|
|
Data ENTERS and approaches her. She notices him and
|
|
looks up.
|
|
|
|
JULIANA
|
|
(a greeting)
|
|
Data...
|
|
|
|
DATA
|
|
I would like to get to know you.
|
|
(beat)
|
|
Mother.
|
|
|
|
She breaks into a smile when she hears this. Off this
|
|
moment we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT TWO 13.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
A8 INT. A CORRIDOR
|
|
|
|
as Data and Juliana make their way down it.
|
|
|
|
JULIANA
|
|
-- I wanted to make you female,
|
|
but your father insisted on a son.
|
|
We argued about it endlessly,
|
|
right up until we were ready to
|
|
assemble you.
|
|
|
|
DATA
|
|
(intrigued)
|
|
How did you decide?
|
|
|
|
She smiles as she remembers.
|
|
|
|
JULIANA
|
|
Well, Noonian walked in holding
|
|
your head in his hand and --
|
|
innocent as you please -- said it
|
|
was up to me. Of course he knew
|
|
perfectly well what he was
|
|
doing... once again, he'd made it
|
|
in his own image -- what was I to
|
|
say?
|
|
|
|
Data stops when they reach a DOOR. Juliana glances at
|
|
the nameplate on the door.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
Deanna Troi... is this who you're
|
|
going to visit?
|
|
|
|
DATA
|
|
Yes.
|
|
|
|
She can't keep a small smile from coming to her lips.
|
|
|
|
JULIANA
|
|
Your father would be so pleased.
|
|
|
|
DATA
|
|
Pleased?
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT TWO 13A.
|
|
|
|
A8 CONTINUED:
|
|
|
|
JULIANA
|
|
He was worried the sexuality
|
|
programming he designed for you
|
|
wouldn't work...
|
|
|
|
She starts down the corridor.
|
|
|
|
DATA
|
|
(after her)
|
|
You misunderstand; Counselor Troi
|
|
is a therapist --
|
|
|
|
But she's already half-way down the corridor.
|
|
|
|
JULIANA
|
|
(breezy)
|
|
Good night...
|
|
|
|
Off her smile as she heads away...
|
|
|
|
B8 INT. TROI'S QUARTERS
|
|
|
|
as Troi takes a CUP OF TEA from the Replicator. She
|
|
crosses toward the couch with it and we see that Data
|
|
is sitting there. She takes a seat near him.
|
|
|
|
DATA
|
|
Doctor Tainer has provided me with
|
|
many details about my development
|
|
that I was not aware of.
|
|
Conversing with her was a
|
|
fascinating experience --
|
|
|
|
Troi detects a qualifying note in his voice.
|
|
|
|
TROI
|
|
But... ?
|
|
|
|
DATA
|
|
Her interest in me seems to be...
|
|
limitless.
|
|
|
|
Troi smiles knowingly.
|
|
|
|
TROI
|
|
She's your mother, Data. That's
|
|
how parents are.
|
|
|
|
DATA
|
|
I was a parent. I do not recall
|
|
exhibiting excessive interest in
|
|
Lal's behavior.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT TWO 13B.
|
|
|
|
B8 CONTINUED:
|
|
|
|
Troi fixes him with a look.
|
|
|
|
TROI
|
|
Data, you and Lal were practically
|
|
inseparable the entire time she
|
|
was alive.
|
|
|
|
DATA
|
|
Yes, but... she needed my help.
|
|
|
|
TROI
|
|
(smiles)
|
|
That's how every parent feels.
|
|
It's very hard to let your
|
|
children go out into the world and
|
|
fend for themselves. You can't
|
|
help but be protective of them.
|
|
I'm sure your mother feels the
|
|
same way.
|
|
|
|
Data seems curious about that.
|
|
|
|
DATA
|
|
If that is true... then why did
|
|
she never attempt to contact me?
|
|
|
|
Troi is struck by his question...
|
|
|
|
TROI
|
|
I don't know, Data. It could have
|
|
something to do with your parents'
|
|
separating... you were part of a
|
|
life she might have wanted to put
|
|
behind her.
|
|
|
|
She sees that the question seems to bother him.
|
|
|
|
TROI
|
|
But if you really want to know,
|
|
why don't you ask her?
|
|
|
|
Off Data's face as he absorbs this...
|
|
|
|
C8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Atrea.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT TWO 13C.
|
|
|
|
8 INT. ENGINEERING -- GEORDI'S OFFICE (OPTICAL)
|
|
|
|
Data is seated at a console, working. Juliana stands
|
|
working at a nearby console.
|
|
|
|
DATA
|
|
We will be in position over the
|
|
drilling site in three minutes,
|
|
twenty-nine seconds.
|
|
|
|
She moves to look at the OKUDAGRAM displayed on his
|
|
console (a modified version of the one seen earlier),
|
|
and when she leans in she puts a hand to his shoulder --
|
|
now that he's accepted her she obviously feels
|
|
comfortable with him.
|
|
|
|
DATA
|
|
(continuing)
|
|
These scans indicate that the
|
|
magma pockets where we plan to set
|
|
up the infusion units are somewhat
|
|
unstable.
|
|
|
|
She acknowledges and sits near him.
|
|
|
|
JULIANA
|
|
I'm going to monitor the density
|
|
of the rock layers and adjust the
|
|
strength of the particle beam as
|
|
we go. That should minimize the
|
|
seismic stress we generate while
|
|
we're drilling.
|
|
|
|
Geordi approaches from another part of Engineering.
|
|
|
|
GEORDI
|
|
(to Data)
|
|
I've configured the phasers to
|
|
create the most highly focused
|
|
particle beam possible.
|
|
|
|
DATA
|
|
Thank you, Geordi.
|
|
|
|
Juliana smiles to herself, which catches Data's
|
|
attention.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT TWO 14.
|
|
|
|
8 CONTINUED:
|
|
|
|
JULIANA
|
|
(explaining)
|
|
I'm just glad to see that you have
|
|
good manners. It wasn't easy to
|
|
strike the right balance in your
|
|
programming.
|
|
|
|
Data is clearly interested in hearing more, so she
|
|
continues.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
At first you couldn't have cared
|
|
less about social niceties like
|
|
"please" and "thank you"; you
|
|
were... downright rude, in fact.
|
|
|
|
GEORDI
|
|
Data? That's hard to picture --
|
|
|
|
JULIANA
|
|
(continuing)
|
|
But the first time we modified
|
|
your program we overcompensated;
|
|
it made you so obsequious your
|
|
Father couldn't stand to be in the
|
|
same room with you.
|
|
|
|
Geordi can't help but laugh; Data is clearly intrigued.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
That was nothing compared to the
|
|
problems we had --
|
|
(stops herself)
|
|
Never mind. I don't want to
|
|
embarrass you.
|
|
|
|
DATA
|
|
I am incapable of embarrassment.
|
|
Please, continue.
|
|
|
|
Juliana shrugs a "if you say so."
|
|
|
|
JULIANA
|
|
One thing we didn't anticipate was
|
|
that you thought nothing of being
|
|
naked.
|
|
(smiles)
|
|
-- some of the colonists objected
|
|
to having an anatomically-correct
|
|
android running around without any
|
|
clothes on.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT TWO 15.
|
|
|
|
8 CONTINUED: (2)
|
|
|
|
Geordi and Juliana share a smile over the image she's
|
|
just conjured.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
We asked you to dress, but you
|
|
felt it was unnecessary since you
|
|
didn't need protection from the
|
|
elements. We actually had to
|
|
write a modesty sub-routine to get
|
|
you to keep your clothes on.
|
|
|
|
Data steals a glance at his uniform -- he'll never
|
|
think about his garments the same way again.
|
|
|
|
RIKER'S COM VOICE
|
|
Bridge to Engineering.
|
|
|
|
GEORDI
|
|
La Forge, here. Go ahead,
|
|
Commander.
|
|
|
|
INTERCUT:
|
|
|
|
8A INT. BRIDGE
|
|
|
|
RIKER is coordinating the drilling process. WORF is at
|
|
tactical; Pran hovers a bit fretfully, concerned that
|
|
it will all go well.
|
|
|
|
RIKER
|
|
We've established synchronous
|
|
orbit over the drilling site.
|
|
|
|
GEORDI
|
|
Phaser modifications are on-line,
|
|
sir.
|
|
|
|
DATA
|
|
My calculations indicate that the
|
|
first phaser blast will be
|
|
approximately nineteen seconds in
|
|
duration.
|
|
|
|
RIKER
|
|
Acknowledged.
|
|
|
|
Pran moves to Riker, concerned.
|
|
|
|
PRAN
|
|
(sotto)
|
|
Someone's checked his
|
|
calculations, of course.
|
|
|
|
RIKER
|
|
No, but I'm sure Data knows what
|
|
he's doing.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 16.
|
|
|
|
8A CONTINUED:
|
|
|
|
PRAN
|
|
Even so... he's a machine --
|
|
shouldn't someone... check up on
|
|
him?
|
|
|
|
Riker's a bit taken aback by this characterization of
|
|
Data, but replies evenly and politely.
|
|
|
|
RIKER
|
|
I have complete confidence in his
|
|
ability to "check up" on himself.
|
|
|
|
Pran smiles a politician's smile, then turns his
|
|
worried gaze back to the Viewscreen.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Mister Worf... ?
|
|
|
|
WORF
|
|
Phasers are locked on target.
|
|
|
|
RIKER
|
|
Fire when ready.
|
|
|
|
Worf works his console -- we hear a DISTINCTIVE SOUND
|
|
that indicates the modified phasers are in use.
|
|
|
|
9 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as a PHASER BURST lances out from the ship and down
|
|
toward the planet.
|
|
|
|
10 RESUME ENGINEERING/BRIDGE INTERCUT (OPTICAL)
|
|
|
|
Data and Juliana watch the OKUDAGRAM -- a beam shoots
|
|
down from the silhouette of the Enterprise in orbit,
|
|
creating a well-like shaft in the planet's mass.
|
|
|
|
DATA
|
|
(off console)
|
|
The beam has penetrated eight
|
|
kilometers beneath the surface...
|
|
|
|
JULIANA
|
|
Once it's through the crust, we'll
|
|
boost phaser intensity by twelve
|
|
percent.
|
|
|
|
WORF
|
|
Standing by.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 17.
|
|
|
|
10 CONTINUED:
|
|
|
|
After a moment.
|
|
|
|
JULIANA
|
|
Now...
|
|
|
|
Worf works the console.
|
|
|
|
11 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
the beam changes in intensity.
|
|
|
|
12 RESUME ENGINEERING/BRIDGE INTERCUT
|
|
|
|
JULIANA
|
|
The mantle is less resistant than
|
|
I thought it would be --
|
|
|
|
DATA
|
|
We are within two kilometers of
|
|
the magma pocket.
|
|
|
|
JULIANA
|
|
Another five seconds should do it.
|
|
(beat; off console)
|
|
We've broken through --
|
|
|
|
WORF
|
|
(works)
|
|
Terminating beam.
|
|
|
|
Juliana studies the console for a moment, then allows
|
|
herself a small smile.
|
|
|
|
JULIANA
|
|
The pocket seems stable...
|
|
|
|
DATA
|
|
I detect no increase in stress
|
|
levels in the surrounding magma.
|
|
|
|
RIKER
|
|
Good work. I don't think we could
|
|
have gotten in any cleaner.
|
|
|
|
Pran's face shows his relief.
|
|
|
|
END INTERCUT.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 18.
|
|
|
|
13 INT. ENGINEERING
|
|
|
|
DATA
|
|
The drilling process has raised
|
|
the temperature inside the magma
|
|
pocket by almost three hundred
|
|
degrees C. It will be several
|
|
hours before it cools enough for
|
|
us to enter.
|
|
|
|
JULIANA
|
|
Data, do you have any plans right
|
|
now?
|
|
|
|
DATA
|
|
I do not.
|
|
|
|
JULIANA
|
|
Maybe we could spend some time
|
|
together? I'd love to see your
|
|
quarters...
|
|
|
|
Data nods that he'd like that.
|
|
|
|
14 INT. DATA'S QUARTERS
|
|
|
|
Data is playing a VIOLIN solo for Juliana, who listens,
|
|
rapt. After a few moments, Data finishes. She
|
|
applauds, clearly impressed with his playing.
|
|
|
|
DATA
|
|
Thank you. I have been practicing
|
|
for a recital tomorrow evening.
|
|
|
|
JULIANA
|
|
That was beautiful.
|
|
|
|
DATA
|
|
I have been told that my playing
|
|
is technically flawless, but it
|
|
has never been described as
|
|
beautiful.
|
|
|
|
JULIANA
|
|
Well it was... really.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 19.
|
|
|
|
14 CONTINUED:
|
|
|
|
DATA
|
|
Are you certain that you are not
|
|
saying that because you are my
|
|
Mother?
|
|
(off her reaction)
|
|
I have observed that parents tend
|
|
to exaggerate when it comes to
|
|
their children's accomplishments.
|
|
|
|
Juliana smiles at his observation.
|
|
|
|
JULIANA
|
|
I suppose there is a certain
|
|
amount of vanity involved...
|
|
considering that giving you a
|
|
creative capacity was my idea.
|
|
|
|
She sees that Data doesn't know what she means.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
Your Father didn't really see the
|
|
point... he thought that since you
|
|
didn't have emotions, you would
|
|
have no need to express yourself.
|
|
(a pensive beat)
|
|
Somehow... I had the feeling the
|
|
opposite would be true.
|
|
|
|
Data is struck by what she's told him.
|
|
|
|
DATA
|
|
I do not know for certain... but
|
|
I believe that it is during my
|
|
creative endeavors that I come
|
|
closest to experiencing what it
|
|
might be like to be human.
|
|
|
|
Juliana smiles when she hears this.
|
|
|
|
JULIANA
|
|
Well... I'm glad I insisted.
|
|
|
|
DATA
|
|
As am I.
|
|
|
|
A moment between them -- then Data starts to put his
|
|
violin away. Juliana moves to a nearby table, where
|
|
she starts looking at Data's things, as if trying to
|
|
get some sense of who he is from them.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT TWO 20.
|
|
|
|
14 CONTINUED: (2)
|
|
|
|
JULIANA
|
|
You know, Data... I'm very
|
|
familiar with that Handel piece.
|
|
How would you feel about my
|
|
playing the viola part tomorrow?
|
|
|
|
DATA
|
|
I would like that very much.
|
|
|
|
JULIANA
|
|
We should practice -- do you
|
|
happen to have a viola?
|
|
|
|
DATA
|
|
I can replicate one for you.
|
|
|
|
Data heads to a corner; Juliana moves toward a stack of
|
|
PAINTINGS that lean against the wall.
|
|
|
|
JULIANA
|
|
Did you paint these?
|
|
|
|
DATA
|
|
Yes.
|
|
|
|
We hear the SOUND of the replicator, and Data crosses
|
|
with a viola toward Juliana, who is looking at the
|
|
first painting in the stack, a Picasso-esque rendering
|
|
of Spot.
|
|
|
|
DATA
|
|
I am attempting to master all
|
|
known styles of painting.
|
|
|
|
He pulls a painting of a pastoral scene from the stack.
|
|
|
|
DATA
|
|
(continuing)
|
|
This one is in the style of the
|
|
early French impressionists...
|
|
|
|
JULIANA
|
|
(pleased)
|
|
It's very good.
|
|
|
|
She flips on to the next painting -- a PORTRAIT OF LAL.
|
|
|
|
JULIANA
|
|
Who's this?
|
|
|
|
DATA
|
|
That is Lal, my daughter.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 21.
|
|
|
|
14 CONTINUED: (3)
|
|
|
|
Juliana turns and looks at him -- surprised.
|
|
|
|
JULIANA
|
|
Your daughter... ?
|
|
|
|
DATA
|
|
Yes. I created her... using
|
|
myself as a model.
|
|
|
|
JULIANA
|
|
Where is she now?
|
|
|
|
DATA
|
|
The positronic matrix I designed
|
|
for her was unstable. She only
|
|
lived a short time.
|
|
|
|
Juliana takes this in.
|
|
|
|
JULIANA
|
|
I see...
|
|
|
|
DATA
|
|
In a sense, you were her
|
|
grandmother...
|
|
|
|
Juliana doesn't answer, just stares down at the
|
|
painting thoughtfully. Data holds the viola out for
|
|
her.
|
|
|
|
DATA
|
|
(continuing)
|
|
Would you like to practice now?
|
|
|
|
She nods vaguely, still looking down at the painting of
|
|
Lal...
|
|
|
|
15 INT. TEN FORWARD -- AFTER HOURS
|
|
|
|
Data and Juliana are practicing near the windows.
|
|
|
|
DATA
|
|
The acoustics in Ten Forward are
|
|
quite favorable.
|
|
|
|
JULIANA
|
|
Yes... very nice...
|
|
|
|
Something seems to be weighing on her mind.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 22.
|
|
|
|
15 CONTINUED:
|
|
|
|
JULIANA
|
|
(continuing)
|
|
Data... can I ask you something?
|
|
|
|
DATA
|
|
Of course.
|
|
|
|
JULIANA
|
|
Do you think you'll ever try to
|
|
create an android again?
|
|
|
|
DATA
|
|
Perhaps. I created Lal because I
|
|
wished to procreate. Despite what
|
|
happened to her, I still have that
|
|
wish.
|
|
|
|
JULIANA
|
|
But... how do you know the same
|
|
thing won't happen? Creating a
|
|
stable positronic matrix is very
|
|
tricky -- your Father lost several
|
|
prototypes before Lore.
|
|
|
|
Data reacts to this information.
|
|
|
|
DATA
|
|
I was not aware that he created
|
|
any androids before my brother.
|
|
|
|
JULIANA
|
|
There were three of them... they
|
|
were like children to us... losing
|
|
them was very painful. When
|
|
Noonian decided to try again, I
|
|
was very much against it. I
|
|
didn't think we had the right to
|
|
bring a life into the world that
|
|
had so little chance of surviving.
|
|
|
|
These are clearly painful memories for her. After a
|
|
moment:
|
|
|
|
JULIANA
|
|
(continuing)
|
|
But your Father was sure he'd
|
|
figured out what went wrong,
|
|
insisted he could make a stable
|
|
matrix. And he did.
|
|
(beat)
|
|
But Lore was cruel... evil.
|
|
Eventually, we had no choice... we
|
|
had to dismantle him.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT TWO 23.
|
|
|
|
15 CONTINUED: (2)
|
|
|
|
This is clearly an awful memory.
|
|
|
|
JULIANA
|
|
Your father decided to build yet
|
|
another android, one who didn't
|
|
have emotions -- I couldn't
|
|
believe he was going to try again.
|
|
After everything that'd
|
|
happened...
|
|
|
|
Data reacts to what she's said.
|
|
|
|
DATA
|
|
Mother... I am that android. Are
|
|
you saying that you were against
|
|
my creation?
|
|
|
|
She realizes that she's inadvertently said just that.
|
|
|
|
JULIANA
|
|
Initially I was. But I was wrong;
|
|
I know that now.
|
|
|
|
She is afraid she's "hurt" him. She takes his hand,
|
|
hoping to reassure him.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
I've followed your progress for
|
|
years -- I'm very proud of what
|
|
you've accomplished.
|
|
|
|
DATA
|
|
Then... why did you never attempt
|
|
to contact me?
|
|
|
|
She looks at him for a moment, as if weighing something
|
|
in her mind.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT TWO 24.
|
|
|
|
15 CONTINUED: (3)
|
|
|
|
JULIANA
|
|
Because... I was ashamed... of
|
|
something I'd done...
|
|
|
|
DATA
|
|
What?
|
|
|
|
She lets out a breath, decides to continue.
|
|
|
|
JULIANA
|
|
I never wanted you to know this...
|
|
I've felt guilty about it for
|
|
years...
|
|
|
|
She looks up at him with a small, empty laugh.
|
|
|
|
JULIANA
|
|
That's something you don't have to
|
|
worry about, do you? Guilt --
|
|
eating away at you...
|
|
|
|
DATA
|
|
Perhaps if you told me what has
|
|
made you feel that way, your guilt
|
|
might be alleviated.
|
|
|
|
She takes a breath, steels herself.
|
|
|
|
JULIANA
|
|
I lied when I said there wasn't
|
|
room for you in the escape pod
|
|
that we took from Omicron... there
|
|
was...
|
|
|
|
Tears wet her eyes; she takes a breath before
|
|
continuing.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT TWO 25.
|
|
|
|
15 CONTINUED: (4)
|
|
|
|
JULIANA
|
|
(continuing)
|
|
I didn't want to bring you with
|
|
us... I was afraid that if we reactivated
|
|
you, you'd turn out like
|
|
Lore.
|
|
|
|
She can't look at him as she makes this admission. Her
|
|
voice is full of regret.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
I made Noonian leave you behind...
|
|
|
|
Her secret is finally out -- overcome with emotion, and
|
|
unsure how Data will react, she stands and EXITS. Off
|
|
Data's face as he watches her go...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 26.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
16 INT. ENGINEERING
|
|
|
|
Data and Juliana are in the process of drilling the
|
|
second shaft; Geordi works nearby -- the DISTINCTIVE
|
|
SOUND that indicates the modified phasers are in use
|
|
can be heard.
|
|
|
|
Juliana keeps her focus on the console in front of her,
|
|
avoiding eye contact with Data -- she's clearly
|
|
uncomfortable in his presence now.
|
|
|
|
DATA
|
|
(off console)
|
|
We are within four kilometers of
|
|
the magma pocket...
|
|
|
|
Juliana seems lost in thought, doesn't react to Data's
|
|
report.
|
|
|
|
DATA
|
|
(continuing)
|
|
Doctor, should we lower the beam
|
|
intensity?
|
|
|
|
She comes back, focuses.
|
|
|
|
JULIANA
|
|
Yes -- yes, by sixteen percent...
|
|
|
|
INTERCUT:
|
|
|
|
17 INT. BRIDGE
|
|
|
|
Riker, Worf and Pran as before.
|
|
|
|
WORF
|
|
Acknowledged.
|
|
|
|
JULIANA
|
|
Another twelve seconds should do
|
|
it...
|
|
|
|
18 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as a phaser beam lances down toward the planet.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT THREE 27.
|
|
|
|
19 RESUME ENGINEERING/BRIDGE INTERCUT
|
|
|
|
Suddenly the ship starts to SHUDDER.
|
|
|
|
GEORDI
|
|
(off console)
|
|
We're getting feedback pulses
|
|
along the particle beam --
|
|
|
|
JULIANA
|
|
We must have hit a pocket of
|
|
magnesite ore -- I'll try to
|
|
adjust the phaser harmonics to
|
|
compensate.
|
|
|
|
She starts working. The SHUDDER intensifies.
|
|
|
|
RIKER
|
|
We're going to have to terminate
|
|
the beam if this keeps up --
|
|
|
|
DATA
|
|
If we do, we will have to begin a
|
|
new shaft at another suitable
|
|
location --
|
|
|
|
JULIANA
|
|
(as she works)
|
|
There is no other suitable
|
|
location -- give me a few more
|
|
seconds --
|
|
|
|
The SHUDDER becomes more severe.
|
|
|
|
GEORDI
|
|
Doctor, it's going to take longer
|
|
than that to match the resonant --
|
|
|
|
Suddenly the SHUDDER STOPS.
|
|
|
|
GEORDI
|
|
You did it --
|
|
|
|
She's all business, keeps working the console.
|
|
|
|
JULIANA
|
|
It was just luck... I hit the
|
|
right frequency...
|
|
|
|
Geordi smiles, glad she pulled it off -- but Data
|
|
regards her with a look that's hard to read.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT THREE 28.
|
|
|
|
19 CONTINUED:
|
|
|
|
JULIANA
|
|
(continuing, off
|
|
console)
|
|
All right, we're less than two
|
|
kilometers from the target site --
|
|
(beat)
|
|
Stand by to terminate the beam...
|
|
|
|
After a beat.
|
|
|
|
GEORDI
|
|
(off console)
|
|
We've broken through --
|
|
|
|
JULIANA
|
|
Now --
|
|
|
|
Worf works the console and we hear the SOUND of the
|
|
phasers being cut off.
|
|
|
|
DATA
|
|
(off console)
|
|
I am detecting no signs of
|
|
instability...
|
|
|
|
PRAN
|
|
(pleased)
|
|
Excellent.
|
|
(to Riker)
|
|
Commander, may I suggest we set up
|
|
the infusion unit in the first
|
|
magma pocket while we give this
|
|
one a chance to cool.
|
|
|
|
Riker acknowledges.
|
|
|
|
RIKER
|
|
(to com)
|
|
Data, Doctor Tainer -- we'll meet
|
|
you in Transporter Room Two.
|
|
|
|
Riker and Pran head for the Turbolift.
|
|
|
|
DATA
|
|
Acknowledged.
|
|
|
|
Data stands and gestures the direction they should go.
|
|
He tries not to show it but something is clearly on his
|
|
mind.
|
|
|
|
20 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Atrea.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 29.
|
|
|
|
21 INT. THE FIRST MAGMA POCKET
|
|
|
|
Data and Juliana are calibrating one of the INFUSION
|
|
UNITS -- the device is about the size of a two-drawer
|
|
filing cabinet, has control panels on several faces,
|
|
and should have some sort of receiving node on top that
|
|
looks like it could absorb a phaser blast.
|
|
|
|
The only light comes from PRACTICAL SOURCES our people
|
|
have set up previously. The shaft they drilled from
|
|
the surface is suggested by a HOLE about seven feet in
|
|
diameter in the pocket's ceiling.
|
|
|
|
Pran is near the cave wall, scanning it with a
|
|
TRICORDER. They work in silence for a few moments --
|
|
the only SOUND is a low-level rumbling, the molten core
|
|
not far beneath their feet. It's hot in here -- Pran
|
|
and Juliana begin to perspire.
|
|
|
|
DATA
|
|
I have initialized the plasma
|
|
induction coils.
|
|
|
|
JULIANA
|
|
(as she works)
|
|
I'll need another minute to align
|
|
the diverter...
|
|
|
|
Data watches her as she works... his expression
|
|
gradually becomes more intent than just a casual
|
|
glance.
|
|
|
|
22 ON JULIANA'S FACE
|
|
|
|
she appears to be concentrating on her work -- nothing
|
|
seems out of the ordinary.
|
|
|
|
23 ON DATA'S FACE
|
|
|
|
looking at her intently -- his expression is hard to
|
|
read. Has her revelation to him changed how he views
|
|
her?
|
|
|
|
24 CLOSE ON JULIANA'S EYES
|
|
|
|
as she looks down at the panel she's working on. (Her
|
|
eyes should blink at least once.)
|
|
|
|
25 RESUME SCENE
|
|
|
|
as Data continues to watch her face -- the moment is
|
|
broken when Pran approaches.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 30.
|
|
|
|
25 CONTINUED:
|
|
|
|
PRAN
|
|
There are signs of stress in the
|
|
surrounding magma, but the site
|
|
should remain stable until we
|
|
finish the plasma infusion.
|
|
|
|
JULIANA
|
|
(as she works)
|
|
Good, we're almost done here.
|
|
|
|
Pran smiles vaguely at Data. There is an awkward
|
|
moment of silence. Pran glances at his wife, then
|
|
decides to go ahead.
|
|
|
|
PRAN
|
|
Data, Juliana told me what she
|
|
said to you last night. She's
|
|
been very upset...
|
|
|
|
Juliana looks up at her husband, unsure if she wants
|
|
him to bring this up right now.
|
|
|
|
PRAN
|
|
(continuing)
|
|
I don't blame you for being angry
|
|
with her, but --
|
|
|
|
DATA
|
|
I am incapable of anger.
|
|
|
|
PRAN
|
|
There seems to be some... tension
|
|
between you...
|
|
|
|
Juliana interrupts, gestures that she'll speak for
|
|
herself.
|
|
|
|
JULIANA
|
|
It's all right, Pran.
|
|
(to Data)
|
|
I know what I told you must have
|
|
been hard for you to hear, but I
|
|
hope you can understand my
|
|
reasons.
|
|
|
|
DATA
|
|
I am not certain that I do.
|
|
Perhaps you could clarify them for
|
|
me?
|
|
|
|
This is awkward for her, but she knows she owes him
|
|
answers.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT THREE 31.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
JULIANA
|
|
I'll try. What do you want to
|
|
know?
|
|
|
|
DATA
|
|
If I had been your biological
|
|
offspring, would you have left me
|
|
behind on Omicron Theta?
|
|
|
|
Juliana weighs her answer for a long moment before
|
|
replying.
|
|
|
|
JULIANA
|
|
Oh, Data... how can I answer that?
|
|
|
|
DATA
|
|
Doctor Tainer, I have the
|
|
impression that you are trying to
|
|
spare my feelings. I assure you,
|
|
that is not necessary.
|
|
|
|
JULIANA
|
|
I just don't want you to
|
|
misunderstand my answer.
|
|
(beat; with difficulty)
|
|
No, I wouldn't have left you
|
|
behind if you'd been my biological
|
|
child.
|
|
|
|
DATA
|
|
Is that because you place more
|
|
value on biological life than on
|
|
artificial life?
|
|
|
|
She seems genuinely pained that he would think that.
|
|
|
|
JULIANA
|
|
Absolutely not. I cherished every
|
|
android your father and I created
|
|
as if it were my own child. Even
|
|
Lore.
|
|
(beat)
|
|
Despite the fact that he'd turned
|
|
on us, despite everything he'd
|
|
done... dismantling him was the
|
|
most difficult thing I've ever had
|
|
to do in my life. I was afraid
|
|
that if you turned out like him...
|
|
I'd have to dismantle you, too...
|
|
and I couldn't bear that.
|
|
|
|
Data takes this in.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
I'm not trying to justify leaving
|
|
you behind... but I am sorry I
|
|
did. I hope you can believe that.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 31A.
|
|
|
|
25 CONTINUED: (3)
|
|
|
|
DATA
|
|
I do. Thank you for making it
|
|
clear to me.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT THREE 32.
|
|
|
|
25 CONTINUED: (5)
|
|
|
|
A wave of relief washes over her. Pran smiles, and
|
|
puts a grateful hand to Data's shoulder. Off this
|
|
moment of reconciliation...
|
|
|
|
26 INT. TEN FORWARD
|
|
|
|
which has been converted into a recital hall. Picard,
|
|
BEVERLY, TROI, Riker, Geordi and Pran are seated amid
|
|
some SUPERNUMERARIES, enjoying the concert.
|
|
|
|
27 ON DATA AND JULIANA
|
|
|
|
as they near the end of their violin duet, the same
|
|
piece they practiced earlier.
|
|
|
|
As he plays, Data watches her, and we see that he
|
|
detects something he finds curious.
|
|
|
|
28 ON JULIANA
|
|
|
|
playing intently, carefully -- a flawless performance.
|
|
|
|
29 TIGHTER ON DATA
|
|
|
|
we can see from his expression that there's something
|
|
about her playing that's got his attention.
|
|
|
|
30 ON AUDIENCE
|
|
|
|
enjoying the concert -- unaware, as are we, of what
|
|
Data has taken notice of.
|
|
|
|
31 ON DATA AND JULIANA
|
|
|
|
as they finish the piece. When the concert ends,
|
|
everybody stands and applauds. Data and Juliana stand
|
|
to take their bows -- and she beams happily at him,
|
|
unaware that something is weighing on his mind.
|
|
|
|
When the applause dies down Data and Juliana step
|
|
forward to mingle with the others.
|
|
|
|
Picard and Beverly approach Juliana; Data moves off
|
|
toward Troi. He seems preoccupied.
|
|
|
|
TROI
|
|
Data, I don't think I've ever
|
|
heard you play more...
|
|
(searches)
|
|
... expressively.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT THREE 32A.
|
|
|
|
31 CONTINUED:
|
|
|
|
They move out of frame as Picard and Beverly address
|
|
Juliana.
|
|
|
|
PICARD
|
|
That was wonderful, Doctor.
|
|
|
|
JULIANA
|
|
I enjoyed playing -- it's been a
|
|
while.
|
|
|
|
BEVERLY
|
|
(smiles)
|
|
I see where Data gets his musical
|
|
talents.
|
|
|
|
JULIANA
|
|
(lightly)
|
|
I realize you're speaking
|
|
metaphorically, of course, but
|
|
thank you just the same.
|
|
|
|
31A ON DATA
|
|
|
|
as Troi moves off. Data starts toward the door, as
|
|
though on a mission, but Pran intercepts him.
|
|
|
|
PRAN
|
|
(smiles)
|
|
Well... that was quite a
|
|
performance.
|
|
|
|
DATA
|
|
Thank you.
|
|
|
|
Pran grows serious; it is clear he has something he
|
|
wants to say to Data.
|
|
|
|
PRAN
|
|
You know, Data... when I found out
|
|
you were coming, I didn't know
|
|
what to expect. I've never met an
|
|
artificial life form before.
|
|
|
|
Pran smiles at him... a man struggling to say the right
|
|
thing, though he's clearly uncomfortable about it.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT THREE 32B.
|
|
|
|
31A CONTINUED:
|
|
|
|
PRAN
|
|
But after meeting you, I feel a
|
|
lot better. You... you're much
|
|
different from how I imagined you.
|
|
(beat)
|
|
And I welcome you to our family.
|
|
|
|
While Data appreciates Pran's gesture, it is clear that
|
|
he has something else on his mind.
|
|
|
|
DATA
|
|
Would you excuse me? There is
|
|
something I must do.
|
|
|
|
He moves off -- leaving Pran a little puzzled by his
|
|
abrupt departure...
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Atrea.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/30/93 - ACT THREE 33.
|
|
|
|
33 INT. SICKBAY
|
|
|
|
Data and Beverly ENTER.
|
|
|
|
BEVERLY
|
|
Data... why do you need Doctor
|
|
Tainer's medical records? Is
|
|
something wrong with her?
|
|
|
|
DATA
|
|
I am not certain. Perhaps you
|
|
could determine that from her
|
|
Transporter trace pattern.
|
|
|
|
BEVERLY
|
|
I probably could... but I don't
|
|
ordinarily look into someone's
|
|
medical status unless I have a
|
|
good reason.
|
|
|
|
DATA
|
|
Doctor... I would ask that you not
|
|
require me to be more specific.
|
|
But I assure you that I have a
|
|
good reason for asking.
|
|
|
|
Beverly regards him for a moment.
|
|
|
|
BEVERLY
|
|
All right, Data...
|
|
|
|
She moves to the large Medical Diagnostic Screen on the
|
|
wall, works some controls. Our standard anatomical
|
|
display pops up.
|
|
|
|
BEVERLY
|
|
(continuing, studying
|
|
it)
|
|
Well... at first glance I don't
|
|
see anything wrong -- except for
|
|
some mild hypertension, which is
|
|
perfectly normal for a woman her
|
|
age.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 33A.
|
|
|
|
33 CONTINUED:
|
|
|
|
DATA
|
|
I see.
|
|
|
|
BEVERLY
|
|
Maybe you should tell me what her
|
|
symptoms are.
|
|
|
|
DATA
|
|
(eyeing the readout)
|
|
She has not complained of any
|
|
discomfort.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT THREE 34.
|
|
|
|
33 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Then... why did you want to look
|
|
at her medical records?
|
|
|
|
DATA
|
|
Because... I have reason to
|
|
believe she is not who she claims
|
|
to be...
|
|
|
|
Beverly reacts, but before she can ask why they're
|
|
interrupted by Data's communicator.
|
|
|
|
RIKER (V.O.)
|
|
Bridge to Data...
|
|
|
|
DATA
|
|
(hits combadge)
|
|
Go ahead, Commander...
|
|
|
|
RIKER (V.O.)
|
|
There's been a cave-in in one of
|
|
the magma pockets. You're needed
|
|
in Transporter room two.
|
|
|
|
DATA
|
|
On my way.
|
|
(to Beverly)
|
|
Excuse me, Doctor.
|
|
|
|
Data EXITS, leaving Beverly to wonder what he might
|
|
have meant. Off her face we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FOUR 35.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
34 INT. TRANSPORTER ROOM
|
|
|
|
Data and Juliana ENTER and join Geordi, who has just
|
|
beamed Pran and an N.D. Atrean out of the magma pocket
|
|
where the cave-in occurred -- their uniforms and faces
|
|
are dusty. As they move off the transporter pad, Pran
|
|
walks with a limp, as if nursing a hurt leg. Juliana
|
|
moves to help him.
|
|
|
|
JULIANA
|
|
What happened?
|
|
|
|
PRAN
|
|
We were running a final check on
|
|
the infusion unit when part of the
|
|
wall gave way...
|
|
|
|
GEORDI
|
|
(off console)
|
|
It looks like the area has
|
|
stabilized, but seismic stress is
|
|
building up -- eventually, the
|
|
pocket will collapse.
|
|
|
|
INTERCUT:
|
|
|
|
35 INT. BRIDGE
|
|
|
|
where Riker is monitoring the conversation.
|
|
|
|
RIKER
|
|
How long, Geordi?
|
|
|
|
GEORDI
|
|
It's hard to say... twelve hours
|
|
at most.
|
|
|
|
JULIANA
|
|
Then we have to finish configuring
|
|
the unit and inject the plasma
|
|
immediately.
|
|
|
|
RIKER
|
|
I'd rather not send anyone back
|
|
down there.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FOUR 36.
|
|
|
|
35 CONTINUED:
|
|
|
|
JULIANA
|
|
If we don't do it now, Commander,
|
|
it could take months to find
|
|
another suitable site. The core
|
|
may have solidified by then.
|
|
|
|
PRAN
|
|
She's right, we have to act now.
|
|
|
|
Riker considers.
|
|
|
|
RIKER
|
|
All right. But I want you in and
|
|
out of there as quickly as
|
|
possible.
|
|
|
|
DATA
|
|
Acknowledged, Commander.
|
|
|
|
JULIANA
|
|
(to Pran)
|
|
You're hurt. I'll go.
|
|
|
|
Pran touches her arm with concern. She and Data move
|
|
to the Transporter Pad. Geordi is studying the
|
|
monitor.
|
|
|
|
GEORDI
|
|
(to Data)
|
|
One of the transporter's pattern
|
|
enhancers was thrown out of
|
|
alignment by the seismic activity --
|
|
I'm getting a normal power
|
|
signature from it so you should be
|
|
able to re-align it for the beam
|
|
out.
|
|
|
|
Data acknowledges.
|
|
|
|
DATA
|
|
Energize.
|
|
|
|
36 INT. THE SECOND MAGMA POCKET (OPTICAL)
|
|
|
|
as Data and Juliana MATERIALIZE near the THREE PATTERN
|
|
ENHANCERS, one of which is tipped over. Data rights
|
|
it.
|
|
|
|
As before, the only light comes from their PALM BEACONS
|
|
and from practical sources our people have set up
|
|
previously. The low-level RUMBLE of molten magma can
|
|
be HEARD in the distance.
|
|
|
|
Suddenly, there's a TREMOR -- and when it subsides, a
|
|
sharply defined ledge of about two feet separates the
|
|
floor they're standing on from the rest of the cavern --
|
|
much like an earthquake fault-line.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FOUR 36A.
|
|
|
|
36 CONTINUED:
|
|
|
|
Data scans it with his TRICORDER.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FOUR 37.
|
|
|
|
36 CONTINUED:
|
|
|
|
DATA
|
|
There will be more seismic
|
|
activity. We must hurry.
|
|
|
|
Data steps up on the ledge, and Juliana follows. They
|
|
move off...
|
|
|
|
37 A NARROW PASSAGEWAY
|
|
|
|
as they move through it and pass out of frame.
|
|
|
|
38 THE FIRST MAGMA POCKET
|
|
|
|
as they approach the INFUSION UNIT. Rubble strews the
|
|
area, and it seems that the unit may have been damaged
|
|
by falling rocks. Concerned, Juliana starts working
|
|
one of the consoles. Already, the heat has caused her
|
|
to break into a sweat.
|
|
|
|
Data looks up toward the ceiling, raises his Tricorder
|
|
to scan.
|
|
|
|
39 THE SHAFT -- MATTE (OPTICAL)
|
|
|
|
as he looks up into the shaft that we drilled from
|
|
orbit -- it's cylindrical and smooth-walled, and
|
|
although it's too dark to see much of it, we get the
|
|
sense that it leads up through miles of rock.
|
|
|
|
40 RESUME SCENE
|
|
|
|
as Data studies his tricorder.
|
|
|
|
DATA
|
|
The shaft has not been obstructed
|
|
by the seismic activity -- it
|
|
should be possible to trigger the
|
|
unit from orbit.
|
|
|
|
JULIANA
|
|
(as she works)
|
|
The infuser's been damaged...
|
|
we're going to have to start the
|
|
programming sequence all over
|
|
again...
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FOUR 38.
|
|
|
|
40 CONTINUED:
|
|
|
|
She continues working, and Data joins her at one of the
|
|
unit's side consoles. We hear the SOUND of rock
|
|
GROANING under pressure -- Data and Juliana glance up,
|
|
then continue working.
|
|
|
|
DATA
|
|
(works)
|
|
Priming the energy transfer
|
|
matrix...
|
|
|
|
JULIANA
|
|
(works)
|
|
Re-intializing the particle stream
|
|
buffer...
|
|
|
|
RIKER'S COM VOICE
|
|
Riker to Data.
|
|
|
|
DATA
|
|
(hits combadge)
|
|
Data, here. Go ahead, Commander.
|
|
|
|
INTERCUT:
|
|
|
|
41 INT. BRIDGE
|
|
|
|
RIKER
|
|
We're reading an increase in
|
|
seismic stress levels.
|
|
|
|
DATA
|
|
Understood. We will attempt to
|
|
expedite our work.
|
|
|
|
Data and Juliana fall silent for a moment as they work.
|
|
|
|
JULIANA
|
|
(works)
|
|
There... now we just have to align
|
|
the diverter and --
|
|
|
|
Suddenly a VIOLENT TREMOR wracks the magma pocket;
|
|
rocks and other debris fall from the ceiling and walls --
|
|
Data and Juliana have to hold on to the infusion unit
|
|
to keep from falling.
|
|
|
|
RIKER
|
|
Data! Are you all right?
|
|
|
|
Data doesn't answer until the tremor subsides.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FOUR 39.
|
|
|
|
41 CONTINUED:
|
|
|
|
DATA
|
|
Yes, Commander. We will be
|
|
returning to the beam-out point
|
|
shortly.
|
|
|
|
Juliana finishes working -- dust kicked up by the
|
|
tremor fills the air around them...
|
|
|
|
JULIANA
|
|
That's it -- let's go.
|
|
|
|
They move off...
|
|
|
|
42 THE NARROW PASSAGEWAY
|
|
|
|
as they head back the way the came. A small AFTERSHOCK
|
|
causes dust and debris to fall from above. They hurry
|
|
on.
|
|
|
|
43 THE SECOND MAGMA POCKET
|
|
|
|
as they approach the ledge that drops down to the beamout
|
|
point. They react to something --
|
|
|
|
44 WIDEN
|
|
|
|
so that we see that the cavern floor where the pattern
|
|
enhancers were dropped another thirty feet during the
|
|
last tremor. Juliana and Data are standing on the edge
|
|
of a precipice, there's no way to climb down its sheer
|
|
face, and the pattern enhancers are strewn on the floor
|
|
below.
|
|
|
|
JULIANA
|
|
Can we transport without the
|
|
pattern enhancers?
|
|
|
|
DATA
|
|
No, we are too far below the
|
|
surface.
|
|
|
|
JULIANA
|
|
(concerned)
|
|
How are we going to get down
|
|
there?
|
|
|
|
Data looks around.
|
|
|
|
DATA
|
|
There are no hand-holds in the
|
|
rock face.
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FOUR 40.
|
|
|
|
44 CONTINUED:
|
|
|
|
Suddenly another VIOLENT TREMOR hits -- the ceiling
|
|
starts to give around them. Data has to shout to be
|
|
heard over the din.
|
|
|
|
DATA
|
|
(continuing)
|
|
We will have to jump.
|
|
|
|
Juliana can't believe what she's hearing.
|
|
|
|
JULIANA
|
|
It's too far... I won't make it...
|
|
|
|
Large ROCKS crash down near them -- close, getting
|
|
closer...
|
|
|
|
DATA
|
|
You will --
|
|
|
|
Data takes her firmly by the left arm and leaps off the
|
|
edge of the cliff --
|
|
|
|
45 ANOTHER ANGLE
|
|
|
|
as they land on the floor below. Data is able to
|
|
absorb the shock, but Juliana hits the ground hard and
|
|
is thrown to the floor.
|
|
|
|
Data moves to her and discovers that she's been knocked
|
|
unconscious. To our astonishment, her arm has been
|
|
torn off to reveal a mass of WIRES and BLINKING
|
|
CIRCUITRY -- Juliana Soong is an android.
|
|
|
|
Data stares down at her arm (a small amount of blood is
|
|
visible where the skin is torn) -- strangely, he does
|
|
not seem unduly surprised by what he sees.
|
|
|
|
Off this moment we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FIVE 41.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
46 INT. SICKBAY
|
|
|
|
Beverly and Geordi are examining the still-unconscious
|
|
Juliana, who is laid-out on the center bio-bed in a
|
|
hospital gown. Riker and Data stand nearby.
|
|
|
|
Juliana's arm has been repaired, and a PANEL on her
|
|
head is open to reveal a mass of BLINKING CIRCUITRY.
|
|
As Geordi reports to Riker, we get a sense that he's
|
|
awed by the complexity of her design.
|
|
|
|
GEORDI
|
|
Basically, she's a Soong-type
|
|
android -- except everything about
|
|
her is designed to fool you into
|
|
thinking she's human.
|
|
|
|
BEVERLY
|
|
She's got tear ducts, sweat glands --
|
|
even veins and capillaries
|
|
underneath her skin.
|
|
|
|
Riker indicates the Medical Diagnostic panel.
|
|
|
|
RIKER
|
|
Why does the scanner read her as
|
|
a human?
|
|
|
|
BEVERLY
|
|
There's a feedback processor
|
|
that's designed to send out a
|
|
false bio-signal.
|
|
|
|
GEORDI
|
|
It's tied in with her aging
|
|
program -- she not only ages in
|
|
appearance, like Data, her vital
|
|
signs change too.
|
|
|
|
BEVERLY
|
|
What I can't figure out is why she
|
|
lost consciousness. As far as I
|
|
can see, everything's fine -- she
|
|
should be awake.
|
|
|
|
DATA
|
|
Check her positronic matrix --
|
|
there may be a cascade anomaly.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FIVE 42.
|
|
|
|
46 CONTINUED:
|
|
|
|
Geordi and Beverly acknowledge and set to work. Riker
|
|
turns to Data.
|
|
|
|
RIKER
|
|
Data -- you said you knew she was
|
|
an android... how?
|
|
|
|
DATA
|
|
The first indication occurred when
|
|
we were drilling. I saw her
|
|
perform several complex
|
|
calculations without the
|
|
assistance of the computer.
|
|
|
|
RIKER
|
|
That could just have meant she was
|
|
good at math --
|
|
|
|
DATA
|
|
That is true. But it was enough
|
|
to draw my attention. Later, I
|
|
noticed something odd about the
|
|
way she blinked her eyes.
|
|
|
|
Riker has no idea what could be coming next.
|
|
|
|
DATA
|
|
(continuing)
|
|
The intervals between blinks were
|
|
governed by a Fourier Series --
|
|
the same mathematical formula my
|
|
father used to give my blinking
|
|
pattern the appearance of
|
|
randomness.
|
|
|
|
RIKER
|
|
I can't imagine anyone but you
|
|
noticing something like that.
|
|
|
|
DATA
|
|
Then there was our concert in Ten
|
|
Forward.
|
|
|
|
RIKER
|
|
What about it?
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FIVE 43.
|
|
|
|
46 CONTINUED: (2)
|
|
|
|
DATA
|
|
(continuing)
|
|
We had practiced the piece, and I
|
|
noticed that she played it the
|
|
same way during the performance --
|
|
every pitch, every intonation, was
|
|
exactly the same. Only an
|
|
artificial life-form could have
|
|
done that.
|
|
|
|
Riker acknowledges that he understands.
|
|
|
|
RIKER
|
|
Does her husband have any idea?
|
|
|
|
DATA
|
|
I do not believe so. He is on the
|
|
surface, to monitor the plasma
|
|
infusion.
|
|
|
|
RIKER
|
|
That's probably just as well...
|
|
|
|
Geordi and Beverly find something.
|
|
|
|
GEORDI
|
|
Data, take a look at this.
|
|
|
|
Data crosses over and Geordi uses the point of a TOOL
|
|
to show him something inside her head panel.
|
|
|
|
47 INSERT - A SMALL CHIP
|
|
|
|
amidst the blinking circuitry.
|
|
|
|
DATA (O.S.)
|
|
It appears to be an information
|
|
module...
|
|
|
|
48 RESUME SCENE
|
|
|
|
DATA
|
|
(continuing)
|
|
With a holographic interface.
|
|
|
|
Data and Geordi exchange a glance -- what could this
|
|
chip be for?
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/27/93 - ACT FIVE 44.
|
|
|
|
49 OMITTED
|
|
|
|
50 INT. HOLODECK
|
|
|
|
Data is standing in the ARCH. No program is running so
|
|
the GRID LINES are visible. He has a PANEL OPEN, and
|
|
holds an OPTICAL CHIP in his hand.
|
|
|
|
51 INSERT - THE OPTICAL CHIP
|
|
|
|
we can see that the chip from Juliana's head has been
|
|
mounted on it.
|
|
|
|
52 RESUME SCENE (OPTICAL)
|
|
|
|
as Data slides the optical chip into a slot. The
|
|
machine HUMS to life, and after a beat, a hologram of
|
|
DOCTOR NOONIAN SOONG APPEARS on the grid. He's about
|
|
sixty, and conducts himself with curmudgeonly self-assurance.
|
|
|
|
SOONG
|
|
Whoever you are, if you're
|
|
watching this, you must have found
|
|
out about Juliana.
|
|
|
|
DATA
|
|
That is correct.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FIVE 45.
|
|
|
|
52 CONTINUED:
|
|
|
|
SOONG
|
|
I programmed this hologram to
|
|
answer any questions you might
|
|
have -- I'm Noonian Soong; I
|
|
created her.
|
|
|
|
DATA
|
|
I am Data.
|
|
|
|
Soong reacts, breaks into a broad smile.
|
|
|
|
SOONG
|
|
Data -- I hoped somehow it might
|
|
be you... I even created a
|
|
response program to answer your
|
|
questions. How are you, boy?
|
|
|
|
DATA
|
|
I am fine.
|
|
|
|
SOONG
|
|
I'm glad you got the chance to
|
|
meet your mother.
|
|
|
|
DATA
|
|
You refer to Doctor Tainer as my
|
|
mother -- yet the complexity of
|
|
her design indicates she was
|
|
created after I was.
|
|
|
|
SOONG
|
|
You're right, but there was a real
|
|
Juliana O'Donnell. She was my
|
|
wife; she helped me create you.
|
|
|
|
DATA
|
|
What happened to her?
|
|
|
|
Soong's demeanor quiets as he recounts the story.
|
|
|
|
SOONG
|
|
She was injured when the
|
|
Crystalline Entity attacked... we
|
|
made it to Terlina Three, but then
|
|
she lapsed into a comatose
|
|
state...
|
|
|
|
It's obvious that Soong felt deeply when he recorded
|
|
this.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FIVE 46.
|
|
|
|
52 CONTINUED: (2)
|
|
|
|
SOONG
|
|
(continuing)
|
|
When I realized nothing could be
|
|
done for her, I built an android
|
|
and started trying to perfect my
|
|
synaptic scanning technique -- so
|
|
I could transfer her memories into
|
|
a positronic matrix. I didn't
|
|
know if it would work, but I had
|
|
to try. I couldn't stand the
|
|
thought of losing the only woman
|
|
I ever loved.
|
|
|
|
A pause as he remembers.
|
|
|
|
SOONG
|
|
(continuing)
|
|
A few days after Juliana died...
|
|
I activated the android. She
|
|
looked up at me... and she smiled.
|
|
|
|
He smiles as he remembers the moment.
|
|
|
|
SOONG
|
|
(continuing)
|
|
She recognized me. It had worked!
|
|
Here was a life not two minutes
|
|
old, and as far as she knew I was
|
|
her husband and she'd just
|
|
recovered from a terrible injury.
|
|
It was incredible.
|
|
|
|
DATA
|
|
And you never told her the truth?
|
|
|
|
SOONG
|
|
Why? There was no reason for her
|
|
to know. I wanted her to be
|
|
happy. I wanted us to be happy.
|
|
(beat)
|
|
And we were... for a while,
|
|
anyway...
|
|
|
|
His face falters.
|
|
|
|
DATA
|
|
What happened?
|
|
|
|
SOONG
|
|
(nods)
|
|
I made a terrible mistake... I
|
|
never really let her know how much
|
|
I loved her...
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/29/93 - ACT FIVE 47.
|
|
|
|
52 CONTINUED: (3)
|
|
|
|
His voice is full of regret.
|
|
|
|
SOONG
|
|
(continuing)
|
|
She left me... The real Juliana
|
|
probably would've, too, if she'd
|
|
lived.
|
|
|
|
He seems lost in thought for a moment.
|
|
|
|
DATA
|
|
If she recovers and learns that
|
|
she is an android --
|
|
|
|
SOONG
|
|
(interrupting)
|
|
She doesn't have to know. I
|
|
designed her to shut down in the
|
|
event the truth was discovered.
|
|
When you re-insert the chip,
|
|
she'll wake up and remember
|
|
nothing. All you have to do is
|
|
make up some excuse about what
|
|
happened to her.
|
|
|
|
DATA
|
|
Then... you do not believe she
|
|
should know the truth.
|
|
|
|
SOONG
|
|
The truth is that in every way
|
|
that matters, she is Juliana
|
|
Soong.
|
|
|
|
Soong is certain of everything he's saying, and clearly
|
|
wants to convince Data.
|
|
|
|
SOONG
|
|
(continuing)
|
|
I've programmed her to terminate
|
|
after a long life. Let her live
|
|
out the rest of her days, and die
|
|
believing she was human. Don't
|
|
rob her of that, son. Please.
|
|
|
|
Data takes this in. Off his troubled expression...
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FIVE 48.
|
|
|
|
53 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Troi, Beverly and Data are discussing the
|
|
situation.
|
|
|
|
DATA
|
|
It seems that I must make a
|
|
decision: to tell Doctor Tainer
|
|
that she is an android -- or
|
|
withhold that knowledge from her.
|
|
And I do not know what to do.
|
|
|
|
BEVERLY
|
|
Why was Doctor Soong so adamant
|
|
that she not be told?
|
|
|
|
DATA
|
|
He seemed certain that if she
|
|
knew, it would preclude the
|
|
possibility of her being happy.
|
|
|
|
PICARD
|
|
And -- what do you think?
|
|
|
|
DATA
|
|
I am not certain.
|
|
(beat)
|
|
I can understand why my father
|
|
felt as he did -- but his wishes
|
|
are not necessarily paramount. I
|
|
am concerned with what would be
|
|
best for -- my mother.
|
|
|
|
BEVERLY
|
|
Wouldn't she be better off knowing
|
|
the truth? Dealing with the
|
|
reality of her existence?
|
|
|
|
TROI
|
|
I don't think so. She's believed
|
|
she's human all her life. The
|
|
truth might be devastating to her.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FIVE 49.
|
|
|
|
53 CONTINUED:
|
|
|
|
DATA
|
|
I have noticed that her present
|
|
husband seems uncomfortable with
|
|
the fact that I am an artificial
|
|
life-form. If he finds out about
|
|
his wife, it may adversely affect
|
|
their relationship.
|
|
|
|
BEVERLY
|
|
He doesn't have to know -- if you
|
|
tell her, it would be up to her
|
|
whether or not to tell him.
|
|
|
|
PICARD
|
|
Data, there might come a time in
|
|
the future when she would find out
|
|
anyway -- another accident, for
|
|
example. Perhaps it would be
|
|
easier for her to learn the truth
|
|
from you.
|
|
|
|
BEVERLY
|
|
I can tell you that if I were in
|
|
her place... I'd rather have my
|
|
son tell me than some stranger...
|
|
|
|
Data wrestles with this weighty decision. His friends
|
|
have tried to help him, but there is no clear road.
|
|
|
|
DATA
|
|
I find that I am having difficulty
|
|
separating what would be best for
|
|
her... from what would be best for
|
|
me.
|
|
|
|
TROI
|
|
What do you mean?
|
|
|
|
DATA
|
|
If she knew she were an android,
|
|
she and I would have something to
|
|
share. I would no longer be alone
|
|
in the universe.
|
|
|
|
The others take this in, touched by Data's plight.
|
|
|
|
TROI
|
|
I know how much that would mean to
|
|
you... but at the same time,
|
|
telling her would rob her of the
|
|
one thing you've wanted all your
|
|
life -- to be human.
|
|
|
|
This cuts to the core of Data's dilemma.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FIVE 49A.
|
|
|
|
53 CONTINUED: (2)
|
|
|
|
PICARD
|
|
It's a difficult choice.
|
|
(beat)
|
|
You must do what you think best,
|
|
Data. We will support any
|
|
decision you make.
|
|
|
|
Off Data's face as he ponders his dilemma...
|
|
|
|
STAR TREK: "Inheritance" - 09/27/93 - ACT FIVE 50.
|
|
|
|
54 INT. SICKBAY
|
|
|
|
CLOSE on Juliana's open head panel -- a hand is reinserting
|
|
the chip.
|
|
|
|
55 WIDEN
|
|
|
|
to reveal Data standing over her at the bio-bed. No
|
|
one else is in Sickbay. He finishes and closes the
|
|
panel. A few moments later, Juliana's eyes flutter
|
|
open.
|
|
|
|
JULIANA
|
|
(a bit groggy)
|
|
Data... what happened? The last
|
|
thing I remember is jumping off
|
|
that cliff...
|
|
|
|
Data looks down at her for a long moment -- what will
|
|
he tell her?
|
|
|
|
DATA
|
|
You were knocked unconscious by
|
|
the fall... you broke a bone in
|
|
your arm, but Doctor Crusher
|
|
repaired it.
|
|
|
|
He takes her hand.
|
|
|
|
DATA
|
|
(continuing)
|
|
Everything is fine, Mother.
|
|
|
|
She looks up at him and smiles... Data has decided not
|
|
to tell. Off this moment...
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FIVE 51.
|
|
|
|
56 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Atrea.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, supplemental. The
|
|
infusion of plasma into the core
|
|
of Atrea Four has been
|
|
accomplished. Pran Tainer's
|
|
projections indicate that the core
|
|
will remain molten for several
|
|
hundred years.
|
|
|
|
57 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Data is saying goodbye to his mother. An N.D. stands
|
|
at the Transporter controls.
|
|
|
|
JULIANA
|
|
When will I see you again?
|
|
|
|
DATA
|
|
Perhaps I can visit Atrea on my
|
|
next leave.
|
|
|
|
JULIANA
|
|
I'd like that very much.
|
|
|
|
She smiles, looks at him for what may be the last time
|
|
in a long while.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
Well... I'd better be going...
|
|
|
|
DATA
|
|
Mother... I remembered something
|
|
that I thought you should know.
|
|
|
|
She waits for him to continue.
|
|
|
|
DATA
|
|
(continuing)
|
|
Before he died, my father told me
|
|
that he had only one great love in
|
|
his life... and that he regretted
|
|
never letting her know how much he
|
|
cared for her.
|
|
(beat)
|
|
I am certain he was referring to
|
|
you.
|
|
|
|
Juliana is touched by this knowledge.
|
|
|
|
STAR TREK: "Inheritance" - REV. 09/28/93 - ACT FIVE 52.
|
|
|
|
57 CONTINUED:
|
|
|
|
JULIANA
|
|
That's nice to know...
|
|
|
|
She smiles inwardly, as if something's just occurred to
|
|
her.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
On Atrea they have a saying...
|
|
that a child born from parents who
|
|
love each other will have nothing
|
|
but goodness in his heart...
|
|
(beat)
|
|
I guess that explains you...
|
|
|
|
Data is struck by her words. She leans forward and
|
|
kisses his cheek.
|
|
|
|
JULIANA
|
|
(continuing)
|
|
Take care of yourself, son.
|
|
|
|
She moves to the Transporter Pad, turns back -- and
|
|
their eyes meet for a last time.
|
|
|
|
DATA
|
|
Good-bye, Mother.
|
|
|
|
The N.D. works the controls and Juliana DEMATERIALIZES.
|
|
Off Data's face as he watches...
|
|
|
|
58 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves away we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|