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1 line
64 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"The Bonding"
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#40273-153
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Written by
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Ronald D. Moore
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Directed by
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Winrich Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1989 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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3RD REVISED FINAL DRAFT
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AUGUST 23, 1989
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STAR TREK: "The Bonding" - REV. 8/23/89 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Bonding"
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CAST
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PICARD
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RIKER MARLA ASTER
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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WESLEY
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O'BRIEN
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JEREMY ASTER (age 10)
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TEACHER
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Non-Speaking
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SECOND TEACHER
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SIX N.D. CREWMEMBERS
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TWO SECURITY GUARDS
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TWO ARCHEOLOGICAL OFFICERS
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TWO TECHNICIANS
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SEVERAL STUDENTS (ages 8 to 13)
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MEDICAL ENSIGN
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BARTENDER
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STAR TREK: "The Bonding" - REV. 8/23/89 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Bonding"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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TRANSPORTER ROOM PLANET
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CORRIDOR
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SICKBAY
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CAPTAIN'S READY ROOM
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ENGINEERING
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TEN FORWARD
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WORF'S QUARTERS
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ASTER QUARTERS
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CLASSROOM
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TEACHER'S OFFIC
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COMPUTER ROOM
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TURBOLIFT
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ASTER HOME
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LIVING/DINING ROOM
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STAR TREK: "The Bonding" - REV. 8/23/89 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"The Bonding"
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PRONUNCIATION GUIDE
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R'uustai ROOSE-tie
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STAR TREK: "The Bonding" - REV. 8/24/89 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"The Bonding"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship is in standard orbit over an old and scarred
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planet. The world is predominantly gray with overtones
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of flecked green and brown and conveys an impression of
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an old battlefield coming back to life.
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CUT TO:
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2 INT. MAIN BRIDGE
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PICARD and RIKER are standing near an access station
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observing the play of information across one of the
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monitors. WESLEY is at the Conn, DATA is at Ops and
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TROI is in the command area, while SEVERAL N.D.
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CREWMEMBERS are at duty stations or passing through the
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Bridge.
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DATA
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Away Team reporting in, Commander.
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Lieutenant Worf standing by.
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RIKER
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This is Riker, report Lieutenant.
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WORF'S COM VOICE
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The archeologists have identified
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the markings in these caverns.
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This planet was apparently once
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home to a race known as the
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Koinonians.
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PICARD
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What do we know about them, Data?
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DATA
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The Koinonians were an intelligent
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culture which became embroiled
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in a war that lasted several
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generations. Our best evidence
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indicates they destroyed
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themselves.
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STAR TREK: "The Bonding" - REV. 8/23/89 - TEASER 2.
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2 CONTINUED:
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WORF'S COM VOICE
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We have completed our survey of
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the third tunnel and will proceed
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into the ceremonial chamber.
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RIKER
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Affirmative. Enterprise out.
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PICARD
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Destroyed themselves, Data?
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DATA
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According to historical records.
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This will be the first
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opportunity for a Federation
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team...
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At this point, Troi's eyes suddenly go wide.
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TROI
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Captain! Beam them up quickly!
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They---
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Before she can complete her warning, the voice of Worf
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breaks in over the COM channel.
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WORF'S COM VOICE
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Emergency beam-up! Enterprise,
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emergency! Injuries. Away---
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PICARD
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Transporter Room!
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O'BRIEN'S COM VOICE
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I've got them, Captain.
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PICARD
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Beam them straight to Sickbay.
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Doctor Crusher, incoming wounded.
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There is a tense pause while they wait for word. Troi
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senses what has happened and shakes her head sadly when
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Riker looks at her.
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CUT TO:
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2A INT. SICKBAY (OPTICAL)
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DOCTOR CRUSHER and a MEDICAL ENSIGN move to the Away
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Team as four people MATERIALIZE.
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STAR TREK: "The Bonding" - REV. 8/23/89 - TEASER 3.
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2A CONTINUED:
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WORF is crouched in a defensive position over the prone
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and motionless form of LIEUTENANT MARLA ASTER, a woman
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in her early thirties. Worf's phaser is out and at
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the ready while his uniform is singed and slightly
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torn, blood flows from a small wound in his shoulder.
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Behind him are TWO N.D. CREWMEMBERS, who are
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archeological officers. Beverly and Medical
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Supernumeraries move into action...
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CUT TO:
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3 OMITTED
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4 INT. MAIN BRIDGE
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While Troi is already sure of the result, the rest of
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the Bridge crew waits for word from Sickbay.
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BEVERLY'S COM VOICE
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Away Team is aboard, Captain.
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(beat)
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One dead on arrival.
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Picard and the Bridge crew react.
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FADE OUT.
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END OF TEASER
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STAR TREK: "The Bonding" - REV. 9/1/89 - ACT ONE 4.
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ACT ONE
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FADE IN:
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5 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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in orbit.
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PICARD (V.O.)
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Captain's Log: Stardate 43506.5
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The Enterprise remains in standard
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orbit while we investigate the
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tragedy which has struck the Away
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Team.
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CUT TO:
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6 INT. SICKBAY
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Picard is standing in the doorway. Beverly stands over
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the bed holding Marla Aster's body. Worf stands
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nearby. His uniform bears the evidence of the recent
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violent encounter, blood still seeps from his wound.
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PICARD (V.O)
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(continuing)
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Lieutenant Marla Aster, ship's
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archaeologist has been killed in
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what should have been a routine
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mission. Whatever the
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explanation, it will not bring
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back a valued and trusted officer.
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A MEDICAL SUPERNUMERARY moves the bed Aster's body is
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resting on into an isolated area of Sickbay. Another
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member of the Away Team is being examined by Beverly
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in the background, as Worf makes his report to Picard.
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STAR TREK: "The Bonding" - REV. 9/1/89 - ACT ONE 5.
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6 CONTINUED:
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WORF
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We had completed our investigation
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of the third tunnel. Our scans
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had indicated no weapons or traps
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of any kind. Lieutenant Aster
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was three meters behind me. An
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explosive device went off. There
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was no warning. Lieutenant Aster
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bore the full brunt of the
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detonation.
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(pause)
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I was in command. I bear full
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responsibility.
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PICARD
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Lieutenant. I have the utmost
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faith that you acted properly and
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in the best traditions of
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Starfleet.
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Beverly moves over to Worf.
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BEVERLY
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Let's take a look at that
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shoulder...
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Troi ENTERS the Sickbay.
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STAR TREK: "The Bonding" - REV. 9/1/89 - ACT ONE 6.
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6 CONTINUED: (2)
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TROI
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Lieutenant Aster is survived by
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a son, Jeremy. Twelve years old.
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PICARD
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What about his father?
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TROI
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He is also deceased, Captain.
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Picard and Beverly exchange a glance.
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TROI
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(continuing)
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His only living relatives are an
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aunt and uncle residing on Earth.
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PICARD
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Where is the boy now?
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TROI
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In class. I've alerted the
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teacher to expect us.
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Picard acknowledges. He glances at Beverly, who is
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still troubled by the loss of a patient, but can
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identify with the Captain's unpleasant task. Picard
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and Troi then turn and prepare to leave the Sickbay.
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WORF
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Captain.
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Worf swings off the biobed.
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WORF
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(continuing)
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I must accompany you. I commanded
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the Away Team.
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PICARD
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I appreciate the offer but this
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is my responsibility.
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Worf acknowledges, unhappily...
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STAR TREK: "The Bonding" - REV. 8/23/89 - ACT ONE 7.
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6 CONTINUED: (3)
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BEVERLY
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Go to your quarters. Rest.
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You're relieved of duty for
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twenty-four hours.
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Worf opens his mouth.
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BEVERLY
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(continuing)
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That's an order.
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Worf EXITS. Picard keys his insignia on their way out.
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6A INT. CORRIDOR
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PICARD
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Picard to Bridge.
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RIKER'S COM VOICE
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Yes, Captain.
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PICARD
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Assign Commander La Forge to lead
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another Away Team to the digsite.
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I want to know why this
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happened...
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7 INT. MAIN BRIDGE
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Riker at Command. Wesley at Conn, Data at Ops,
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Supernumerary at tactical.
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RIKER
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Yes, Captain.
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And pull back to include Wes in the foreground.
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PICARD'S COM VOICE
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I will be with Counselor Troi and
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young Jeremy Aster.
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RIKER
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(with sympathy)
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I understand. Riker out.
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Wes exchanges a glance with Riker. A sad memory --
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WESLEY
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He had to do the same thing for
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me.
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STAR TREK: "The Bonding" - REV. 8/23/89 - ACT ONE 8.
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7 CONTINUED:
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Riker nods, he knows.
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RIKER
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Do you know Jeremy well?
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WESLEY
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(shakes his head)
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But I know what it'll be like for
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him.
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RIKER
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It's part of life in Starfleet,
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Wesley.
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WESLEY
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(acknowledges)
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They're very careful to prepare
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us for... anything. Still...
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RIKER
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I know.
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WESLEY
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How can you ever get used to
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it... to telling them... ?
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RIKER
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(softly)
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You hope you never do.
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Data has been listening with interest to this exchange.
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CUT TO:
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8
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thru OMITTED
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9
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10 INT. WORF'S QUARTERS
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The room is very dark. Worf is dressed in an elaborate
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Klingon robe and sash. A strange, twisted, massive
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candle burns on the desk before him.
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He studies the candle with painful eyes for several
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beats and then hangs his head with shame. He reaches
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out very deliberately, and snuffs the candle with the
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flat side of a knife blade. Darkness.
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CUT TO:
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STAR TREK: "The Bonding" - REV. 8/25/89 - ACT ONE 9.
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10A INT. TURBOLIFT
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Troi and Picard. She senses his frustration.
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TROI
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I sense the weight of this duty
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on you, Captain...
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Picard begins to deny it, but then, frustrated --
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PICARD
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I really wonder...
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He's almost letting his feelings show, which is not
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at all comfortable for him. He stops the Turbolift
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in mid-trip...
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PICARD
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(to computer)
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Halt.
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The Turbolift stops...
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PICARD
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I've always believed that carrying
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children on a starship... it's a
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questionable policy.
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She listens, gives him room...
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PICARD
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(continuing)
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Serving on a starship means
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accepting certain risks and
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dangers. But did Jeremy Aster
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make that choice?
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TROI
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Death and loss are an integral
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part of life everywhere. Leaving
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the boy on Earth would not have
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protected him from that.
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PICARD
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No, but Earth is not likely to
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be ordered to the Neutral Zone
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to repel a Romulan attack...
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(beat, softer)
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It was my command which sent his
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mother to her death. She
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understood her mission and my
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duty. Will he?
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STAR TREK: "The Bonding" - REV. 8/25/89 - ACT ONE 10.
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10A CONTINUED:
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TROI
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In time. With help.
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(beat)
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Ensign Crusher does.
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A beat. He glances at her and perhaps we sense that
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Picard wonders if Wesley really ever has come to an
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understanding since they have both avoided the subject.
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In response to that feeling, re-emphasizing --
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TROI
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(continuing)
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Yes, he does. And so will Jeremy.
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And she is doing her job for the Captain now...
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easing, but not closing, a lingering issue for him.
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PICARD
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(to computer)
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Resume.
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11 OMITTED
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12 INT. CLASSROOM
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Picard and Troi ENTER. The classroom is warm, inviting
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and is crammed with plants, computers, antique books,
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and myriad games from across the Federation. TWO
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TEACHERS are working with SEVERAL STUDENTS in two study
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groups.
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In one group, the age of the students run from roughly
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8 to 13, and they are discussing a particular problem
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on a computer display screen around which they are all
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clustered. In the B.G., is the other study group
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studying other instruction devices. As Picard and Troi
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enter, the students look up in surprise and several
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point at the seldom-seen Captain of their ship.
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Conversation dies to a whisper. The nearest teacher
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hates like hell what his student is about to endure,
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but he stands and crosses to JEREMY ASTER.
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TEACHER
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Jeremy, the Captain needs to talk
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with you.
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The boy's eyes go wide at this summons from the
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Captain. He is about twelve years old and has a quiet,
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sensitive look about him, with tousled black hair and
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deep-set eyes.
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STAR TREK: "The Bonding" - REV. 8/25/89 - ACT ONE 10A.
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12 CONTINUED:
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The other children look at him with reactions ranging
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from jealousy to fear. He walks forward with his
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teacher's arm around his shoulders.
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JEREMY
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I'm Jeremy, sir.
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STAR TREK: "The Bonding" - REV. 8/25/89 - ACT ONE 11.
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12 CONTINUED: (3)
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Picard looks down at this innocent young face... the
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eyes of a twelve year old.
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TEACHER
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(indicates)
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My office is over there,
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Captain...
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Picard acknowledges. The teacher indicates the way.
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Troi puts her arm around the boy and the trio walks
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out of the room.
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13 OMITTED
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13A INT. TEACHER'S OFFICE (FROM SCENE 13)
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Troi has her hands on Jeremy's shoulders to offer the
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support of physical contact.
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PICARD
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Jeremy, it is my sad duty to tell
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you that your mother has died.
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And whatever our expectations might have been, we can
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throw them away. This is a 24th century child. He is
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a good soldier, uniquely mature. Prepared by experts
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to cope with the worst circumstances. There is no tear
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shed.
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JEREMY
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How, sir?
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PICARD
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An explosive device at the mission
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site. She died instantly.
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JEREMY
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I understand.
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Troi drops to one knee to be at his level...
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TROI
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I know your mother loved you very
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much, Jeremy.
|
|
|
|
He nods. A silence.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT ONE 12
|
|
|
|
13A CONTINUED:
|
|
|
|
PICARD
|
|
I've been told... you've also lost
|
|
your father.
|
|
|
|
JEREMY
|
|
Yessir. Five years ago. From
|
|
a Rushton Infection. I'm alone
|
|
now, sir.
|
|
|
|
And Picard may wonder just how 'mature' any of us could
|
|
be in this circumstance. But whatever is going on
|
|
inside, the boy does not reveal it.
|
|
|
|
PICARD
|
|
(softly)
|
|
No one is alone on the starship
|
|
Enterprise, Jeremy. No one.
|
|
|
|
As the boy and Picard look in each other's eyes...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 13.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
14 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise in orbit around the planet.
|
|
|
|
15 OMITTED
|
|
|
|
16 INT. ASTER QUARTERS
|
|
|
|
Troi and Jeremy. Troi is seated, watching Jeremy with
|
|
that cool serenity which is so much a part of her
|
|
nature. He doesn't quite know what to do with himself.
|
|
But throughout the scene there is a repressed anger
|
|
in the boy. (NOTE: This is a significant change...
|
|
Even though the dialogue may be similar, the attitude
|
|
behind must reflect unfocused anger that he is
|
|
unwilling to touch.)
|
|
|
|
JEREMY
|
|
I really ought to get back to
|
|
class... if I get behind...
|
|
|
|
Bringing the focus back --
|
|
|
|
TROI
|
|
I'm sure your mom wanted you to
|
|
do well in school. Wasn't she
|
|
a teacher on Earth?
|
|
|
|
JEREMY
|
|
(acknowledges)
|
|
She taught exo-archeology.
|
|
|
|
TROI
|
|
Why did she sign on the
|
|
Enterprise?
|
|
|
|
JEREMY
|
|
She said she wanted to see the
|
|
galaxy with her own eyes.
|
|
|
|
TROI
|
|
Was she happy doing that?
|
|
|
|
JEREMY
|
|
(trace of bitterness.)
|
|
Yeah. Real happy.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 14.
|
|
|
|
16 CONTINUED:
|
|
|
|
TROI
|
|
Did she ever tell you there was
|
|
a chance this might happen
|
|
someday?
|
|
|
|
JEREMY
|
|
Yes.
|
|
|
|
He moves away from her, seems drawn to the computer
|
|
terminal on his desk. He is completely unaware he is
|
|
doing this, but Troi has spotted the motion.
|
|
|
|
TROI
|
|
It might help if we talked about
|
|
how you're feeling.
|
|
|
|
Curt --
|
|
|
|
JEREMY
|
|
You're a Betazoid. You know how
|
|
I feel.
|
|
|
|
TROI
|
|
(conversationally)
|
|
When my father died we were living
|
|
on Betazed. My mother and all
|
|
her people are telepathic. I kept
|
|
wanting to talk about my father,
|
|
and they kept pulling my thoughts
|
|
out of my head before I could say
|
|
the words. It made me very angry.
|
|
|
|
JEREMY
|
|
(curious despite
|
|
himself)
|
|
Why?
|
|
|
|
TROI
|
|
I needed to say them out loud.
|
|
I was confused about why he went
|
|
away. Was it me -- something I
|
|
had done. I felt that if I could
|
|
just say the words he would
|
|
somehow know how much I loved him
|
|
and missed him.
|
|
|
|
She looks at him.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 15.
|
|
|
|
16 CONTINUED: (2)
|
|
|
|
TROI
|
|
(continuing)
|
|
I thought you might feel the same
|
|
way.
|
|
|
|
JEREMY
|
|
(avoiding his
|
|
feelings)
|
|
She just had to do her job. I
|
|
understand that.
|
|
|
|
TROI
|
|
Did she talk to you about her
|
|
mission before she left?
|
|
|
|
JEREMY
|
|
She told me about the ruins.
|
|
(a beat, softer)
|
|
She always made it like a story
|
|
book.
|
|
|
|
He's back at the computer.
|
|
|
|
TROI
|
|
Why do you keep going over to the
|
|
terminal?
|
|
|
|
JEREMY
|
|
(beat)
|
|
No reason.
|
|
|
|
A long beat.
|
|
|
|
JEREMY
|
|
(continuing)
|
|
It's nothing. I broke it
|
|
yesterday.
|
|
|
|
TROI
|
|
(studies him a beat)
|
|
Was your mother angry when you
|
|
broke it?
|
|
|
|
He nods.
|
|
|
|
TROI
|
|
(continuing)
|
|
Was she still angry when she left?
|
|
|
|
He doesn't acknowledge, but obviously she was.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 16.
|
|
|
|
16 CONTINUED: (3)
|
|
|
|
TROI
|
|
(continuing)
|
|
Jeremy, did that broken terminal
|
|
cause the accident?
|
|
|
|
JEREMY
|
|
No.
|
|
|
|
TROI
|
|
Did you cause the accident?
|
|
|
|
JEREMY
|
|
No. I just never had a chance
|
|
to tell her I fixed it.
|
|
|
|
TROI
|
|
Jeremy, if your mother were here
|
|
right now, would she forgive you?
|
|
|
|
Jeremy swallows hard. Still no tears. He nods his
|
|
head, yes, sighs a deep breath. Troi knows that's a
|
|
big step for now.
|
|
|
|
TROI
|
|
(standing; continuing)
|
|
I want you to have some time
|
|
alone for a little while. I'll
|
|
come back when you're ready to
|
|
talk again.
|
|
|
|
JEREMY
|
|
How will you know?
|
|
|
|
Troi crosses to the boy, hugs him lightly, then still
|
|
holding him in the circle of her arms she smiles down
|
|
at him and says,
|
|
|
|
TROI
|
|
This time I will use my Betazoid
|
|
sense, and I'll know.
|
|
|
|
His eyes say he's beginning to appreciate her. Troi
|
|
EXITS.
|
|
|
|
17
|
|
thru OMITTED
|
|
17B
|
|
|
|
17C INT. TEN-FORWARD
|
|
|
|
Riker is seated at a table. He stares out at the
|
|
stars. There is a drink in front of him.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT TWO 17.
|
|
|
|
17C CONTINUED:
|
|
|
|
SIX OTHER PEOPLE and a BARTENDER are also present.
|
|
Data crosses to Riker. The Commander looks up.
|
|
|
|
DATA
|
|
Excuse me. Am I intruding?
|
|
|
|
RIKER
|
|
No, sit down.
|
|
|
|
There is a curious subtext to his question --
|
|
|
|
DATA
|
|
How well did you know Lieutenant
|
|
Aster?
|
|
|
|
RIKER
|
|
We spent some time together. Not
|
|
very well.
|
|
|
|
A beat, Data waits for more... his face is very
|
|
inquisitive. Off his look --
|
|
|
|
RIKER
|
|
How well did you know her?
|
|
|
|
DATA
|
|
Why do you ask?
|
|
|
|
RIKER
|
|
(reacts)
|
|
Well... I mean you just asked me...
|
|
|
|
DATA
|
|
But why do you ask the question?
|
|
I have been asked several times
|
|
to define 'how well I knew
|
|
Lieutenant Aster' since her death.
|
|
And I heard you ask Wesley on the
|
|
Bridge if he knew Jeremy well.
|
|
(beat)
|
|
Does the question of familiarity
|
|
have some bearing on death?
|
|
|
|
RIKER
|
|
(a beat)
|
|
Do you remember how we all felt
|
|
when Tasha died?
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT TWO 18.
|
|
|
|
17C CONTINUED: (2)
|
|
|
|
DATA
|
|
I do not sense the same feelings
|
|
of... absence... that I associate
|
|
with Lieutenant Yar... although
|
|
I cannot say precisely why...
|
|
|
|
RIKER
|
|
That's just human nature, Data.
|
|
|
|
DATA
|
|
Human nature, sir?
|
|
|
|
RIKER
|
|
We feel a loss more intensely
|
|
when it's a friend.
|
|
|
|
DATA
|
|
But should not the feelings be
|
|
just as deep regardless of who
|
|
has died?
|
|
|
|
Riker thinks this over before answering.
|
|
|
|
RIKER
|
|
Maybe they should, Data. Maybe
|
|
if we felt the loss of any life
|
|
as keenly as we felt the death
|
|
of those close to us, our history
|
|
would've been a lot less bloody.
|
|
|
|
Data considers this as...
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge to Riker...
|
|
|
|
RIKER
|
|
You're back, Geordi...
|
|
|
|
GEORDI'S COM VOICE
|
|
Yessir, and we've brought back
|
|
a souvenier...
|
|
|
|
17D INT. CAPTAIN'S READY ROOM
|
|
|
|
Geordi giving his report to Picard and Riker. He has
|
|
brought back another explosive device... Data studies
|
|
it.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT TWO 18A.
|
|
|
|
17D CONTINUED:
|
|
|
|
GEORDI
|
|
Five more just like it... all
|
|
identical to the one that killed
|
|
Lieutenant Aster...
|
|
|
|
DATA
|
|
They employ a subspace proximity
|
|
detonator. A normal tricorder
|
|
would never detect it.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT TWO 19.
|
|
|
|
17D CONTINUED:
|
|
|
|
PICARD
|
|
How long would you say they've
|
|
been there, Data?
|
|
|
|
DATA
|
|
It comes from the time of the
|
|
Koinonian Wars, Captain...
|
|
|
|
RIKER
|
|
Did you find them all, Geordi?
|
|
|
|
GEORDI
|
|
Yeah. But...
|
|
(off their looks)
|
|
Well, they were all sort of...
|
|
left there to be found.
|
|
|
|
PICARD
|
|
Left by whom? There are no
|
|
indications of life on this
|
|
planet.
|
|
|
|
GEORDI
|
|
I don't know, Captain... but it
|
|
was pretty obvious that they'd
|
|
been recently pulled out of the
|
|
ground and defused.
|
|
|
|
Off their reactions...
|
|
|
|
CUT TO:
|
|
|
|
18 INT. CORRIDOR
|
|
|
|
Troi is walking, head down, very thoughtful. Worf is
|
|
coming from the other direction. He sees her, checks,
|
|
and almost heads down another branching corridor. But
|
|
Troi senses him and looks up.
|
|
|
|
TROI
|
|
Worf!
|
|
|
|
The Klingon stops, but he's clearly uncomfortable.
|
|
|
|
WORF
|
|
(formally)
|
|
Counselor.
|
|
|
|
There is an uneasy silence.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT TWO 20.
|
|
|
|
18 CONTINUED:
|
|
|
|
TROI
|
|
I can understand that you don't
|
|
want to talk about what happened.
|
|
|
|
Worf glances around the corridor, and Troi understands
|
|
his reticence in such a public place. She looks around
|
|
and motions to a small room. Worf, with great dignity,
|
|
follows her inside.
|
|
|
|
19 INT. COMPUTER ROOM
|
|
|
|
The room is dimly lit and only Worf and Troi are here
|
|
at present.
|
|
|
|
WORF
|
|
I have made my report to the
|
|
Captain.
|
|
|
|
TROI
|
|
I'm more interested in how you
|
|
feel about what happened.
|
|
(a beat)
|
|
And right now I sense great anger.
|
|
|
|
Worf stiffens and only confirms Troi's perception.
|
|
|
|
WORF
|
|
I cannot seek revenge against
|
|
an enemy who turned to dust
|
|
centuries ago.
|
|
|
|
Troi merely waits. Her attitude is clam and quiet.
|
|
She is making no judgments.
|
|
|
|
WORF
|
|
(continuing)
|
|
Her death was senseless. The last
|
|
victim of a forgotten war.
|
|
|
|
TROI
|
|
Go on.
|
|
|
|
Her eyes are locked with Worf's, she is very still,
|
|
helping him to speak, but applying no pressure.
|
|
|
|
WORF
|
|
There is no more to be said.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT TWO 21.
|
|
|
|
19 CONTINUED:
|
|
|
|
TROI
|
|
A person has died while under your
|
|
command. It may happen again.
|
|
If you cannot learn to release
|
|
the anger and the guilt, to talk
|
|
about it...
|
|
|
|
WORF
|
|
A leader must stand alone. As
|
|
Captain Picard does.
|
|
|
|
TROI
|
|
(a little sharply)
|
|
Captain Picard talks to me.
|
|
|
|
A beat. Worf realizes he cannot get off the hook here.
|
|
But this "sharing feelings" is as alien a concept as he
|
|
will ever encounter. Reluctantly --
|
|
|
|
WORF
|
|
Then may I seek your counsel about
|
|
my plan to make the R'uustai with
|
|
the boy...
|
|
|
|
And she's caught off guard by something so... well,
|
|
Klingon-intense...
|
|
|
|
TROI
|
|
The Bonding.
|
|
|
|
And her reaction is exactly what he feared. Already he
|
|
hates this --
|
|
|
|
WORF
|
|
It is my right.
|
|
|
|
TROI
|
|
It's a very generous offer, but
|
|
he's not a Klingon child. He has
|
|
different sensibilities.
|
|
|
|
WORF
|
|
He is an orphan. I am an orphan.
|
|
He will understand.
|
|
|
|
A long beat. And that is as close as Worf gets to
|
|
exposing his feelings. And she appreciates that.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 21A.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
TROI
|
|
Right now, there isn't much he
|
|
can understand, Worf. He's
|
|
holding all his feelings inside...
|
|
(beat)
|
|
Children often feel they must be
|
|
true to the memory of a lost
|
|
parent.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT TWO 22.
|
|
|
|
19 CONTINUED: (3)
|
|
|
|
TROI (Cont'd)
|
|
If you offer affection to them
|
|
too soon they can feel guilty
|
|
returning that affection. As
|
|
if they're betraying the love they
|
|
feel for the parent.
|
|
|
|
WORF
|
|
I only wish to honor his mother.
|
|
|
|
TROI
|
|
I know. And I understand this
|
|
means a great deal to you. But
|
|
you must be prepared, Worf... he
|
|
is very angry too, but his anger
|
|
is deep inside him... When he
|
|
finally touches it, it will strike
|
|
out in many directions...
|
|
including yours.
|
|
(a beat)
|
|
Talk with him. Be with him. But
|
|
do not rush this. When he is
|
|
ready, we will know.
|
|
|
|
Worf acknowleges and proceeds on his way, and Troi
|
|
watches him.
|
|
|
|
CUT TO:
|
|
|
|
20
|
|
thru OMITTED
|
|
22
|
|
|
|
22A INT. ASTER QUARTERS (OPTICAL)
|
|
|
|
Jeremy is curled up on the sofa looking at a hand held
|
|
screen with a home video of him and his mother together
|
|
at home on Earth... his face is thoughtful, reflective,
|
|
not in pain. There is a CHIME. He goes to the door,
|
|
touches the panel and it opens to reveal Worf.
|
|
|
|
WORF
|
|
Jeremy Aster, I am Lieutenant
|
|
Worf. May I enter?
|
|
|
|
Worf ENTERS... he wants desperately to do the right
|
|
thing... but is now aware of Troi's concerns. The boy
|
|
stares coldly at him... But the anger is all
|
|
repressed, not overt.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 22A.
|
|
|
|
22A CONTINUED:
|
|
|
|
JEREMY
|
|
You were in command of the Away
|
|
Team.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 23.
|
|
|
|
22A CONTINUED: (2)
|
|
|
|
WORF
|
|
Yes. I was with Lieutenant Aster,
|
|
your mother, when she died.
|
|
(guilty)
|
|
Her death lies between us. It
|
|
is my hope...that...someday...
|
|
it can also bind us.
|
|
|
|
Jeremy doesn't know what that means, it's just another
|
|
nice sounding 'I'm sorry.'
|
|
|
|
JEREMY
|
|
(with an attitude)
|
|
You're a Klingon, aren't you?
|
|
|
|
Worf doesn't know how to take that exactly...
|
|
|
|
WORF
|
|
Yes.
|
|
|
|
JEREMY
|
|
We studied Klingons in school.
|
|
|
|
WORF
|
|
What do they teach you about us?
|
|
|
|
JEREMY
|
|
You used to be our enemies.
|
|
|
|
Worf acknowledges, tries to say something meaningful
|
|
to the boy...
|
|
|
|
WORF
|
|
Do they teach you that every
|
|
Klingon hopes to die in the line
|
|
of duty as your mother did?
|
|
|
|
Jeremy just looks at him, refusing to connect.
|
|
|
|
WORF
|
|
In my tradition, we do not grieve
|
|
the loss of the body... we
|
|
celebrate the releasing of the
|
|
spirit.
|
|
|
|
Jeremy looks at the imposing figure... confident, you
|
|
can't tell me anything I don't already know --
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 23A.
|
|
|
|
22A CONTINUED: (3)
|
|
|
|
JEREMY
|
|
I understand death. They teach
|
|
us all about it.
|
|
|
|
Worf studies the twelve-year-old for a long beat.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT TWO 24.
|
|
|
|
22A CONTINUED: (4)
|
|
|
|
WORF
|
|
Jeremy Aster, we may both
|
|
understand it, but we must bring
|
|
meaning to your mother's death.
|
|
(beat)
|
|
Perhaps we can do it together.
|
|
|
|
Jeremy's reaction suggests he doesn't see how...
|
|
|
|
22B
|
|
thru OMITTED
|
|
22C
|
|
|
|
22D INT. CAPTAIN'S READY ROOM
|
|
|
|
The Captain is going over status reports on the
|
|
computer screen as the DOORBELL RINGS.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
The door slides open and Troi stands there...
|
|
|
|
PICARD
|
|
Counselor. How is the boy?
|
|
|
|
TROI
|
|
He is being very brave.
|
|
|
|
PICARD
|
|
Good.
|
|
|
|
TROI
|
|
No. He'll have to get past brave.
|
|
He is a very angry boy... He
|
|
must learn to express that anger
|
|
before he can really say good-bye
|
|
to his mother.
|
|
|
|
She sits.
|
|
|
|
PICARD
|
|
How can we help?
|
|
|
|
TROI
|
|
I've asked Beverly if we might
|
|
get Wesley to talk to Jeremy about
|
|
his father's death...
|
|
|
|
Picard acknowledges.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT TWO 24A.
|
|
|
|
22D CONTINUED:
|
|
|
|
TROI
|
|
The one unusual element is Worf.
|
|
|
|
PICARD
|
|
Oh?
|
|
|
|
TROI
|
|
In many ways he is suffering as
|
|
badly as the boy. He wishes to
|
|
involve Jeremy in a Klingon
|
|
ceremony called the R'uustai...
|
|
the bonding...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT TWO 25.
|
|
|
|
22D CONTINUED: (2)
|
|
|
|
PICARD
|
|
I know it.
|
|
(thoughtful)
|
|
Perhaps it would be a comfort to
|
|
both your patients, Counselor.
|
|
|
|
TROI
|
|
I don't think the boy would accept
|
|
Worf right now. Later, perhaps.
|
|
But it will have to be handled
|
|
most delicately.
|
|
|
|
PICARD
|
|
As you always do.
|
|
|
|
Picard pauses, and looks at Troi with appreciation.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I break the unpleasant news and
|
|
my responsibility ends. You have
|
|
to stay with them through the
|
|
entire grieving process.
|
|
|
|
TROI
|
|
We find many different ways to
|
|
deal with our pain, but over the
|
|
years, I've discovered it is in
|
|
our joy that the uniqueness of
|
|
each individual is revealed. If
|
|
I can help a person back to a
|
|
state of joy... well, my role has
|
|
its rewards.
|
|
|
|
RIKER'S COM VOICE
|
|
Captain, we're picking up an
|
|
energy field on the planet's
|
|
surface...
|
|
|
|
22E INT. MAIN BRIDGE - CONTINUOUS
|
|
|
|
As Picard and Troi ENTER...
|
|
|
|
PICARD
|
|
Location?
|
|
|
|
RIKER
|
|
Two kilometers north of the Away
|
|
Team's beamdown point.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT TWO 26.
|
|
|
|
22E CONTINUED:
|
|
|
|
PICARD
|
|
Indeed.
|
|
(to Data)
|
|
Full scan.
|
|
|
|
Data works his console.
|
|
|
|
DATA
|
|
Inconclusive, Captain.
|
|
|
|
TROI
|
|
Sir, I sense a... presence on the
|
|
planet. Very vague.
|
|
|
|
PICARD
|
|
A life form?
|
|
|
|
TROI
|
|
I can't be sure... the emotions
|
|
of the crew are particularly
|
|
strong right now and it's
|
|
difficult to filter them out.
|
|
|
|
PICARD
|
|
Data, scan analysis on Main
|
|
Viewer...
|
|
|
|
As Data works...
|
|
|
|
22F INT. DOCTOR CRUSHER'S OFFICE
|
|
|
|
Wesley ENTERS. Beverly is at her desk, working.
|
|
|
|
BEVERLY
|
|
Hi.
|
|
|
|
WESLEY
|
|
(a litle glum)
|
|
Hi.
|
|
|
|
He sort of plops down... something on his mind, not
|
|
necessarily about to talk about it. She continues her
|
|
work, talks without making eye contact...
|
|
|
|
BEVERLY
|
|
Troi stopped by a little while
|
|
ago. She was wondering if you
|
|
might be willing to talk to Jeremy
|
|
Aster at some point.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT TWO 27.
|
|
|
|
2F CONTINUED:
|
|
|
|
WESLEY
|
|
(uncomfortable)
|
|
Me? What for?
|
|
|
|
She looks up.
|
|
|
|
BEVERLY
|
|
Because of your Dad.
|
|
|
|
Wesley frowns... he's already been revisiting those
|
|
memories today.
|
|
|
|
WESLEY
|
|
What would I tell him?
|
|
|
|
BEVERLY
|
|
It would help him to talk with
|
|
someone who's gone through this.
|
|
|
|
Wesley sighs, would rather not... how do I get out of
|
|
this?
|
|
|
|
BEVERLY
|
|
We had each other, Wes... he
|
|
doesn't have anyone to lean on
|
|
now... and he might be more
|
|
comfortable talking about it with
|
|
someone who's not much older...
|
|
|
|
WESLEY
|
|
(interrupting, don't
|
|
bug me)
|
|
Okay. Let me think about it.
|
|
|
|
BEVERLY
|
|
(beat)
|
|
Okay.
|
|
|
|
A long beat.
|
|
|
|
WESLEY
|
|
You ever think about him, Mom?
|
|
|
|
BEVERLY
|
|
Your father?
|
|
(she nods)
|
|
Sure, I do.
|
|
|
|
A long beat. And this is hard on Wesley...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT TWO 28.
|
|
|
|
22F CONTINUED: (2)
|
|
|
|
WESLEY
|
|
Sometimes I can't quite remember
|
|
his face... it scares me.
|
|
|
|
Beverly studies him...
|
|
|
|
BEVERLY
|
|
That happens to all of us, Wes...
|
|
(beat; honest)
|
|
Sometimes I can't get his face out
|
|
of my mind.
|
|
|
|
WESLEY
|
|
(nods)
|
|
Today... it's like I can see it
|
|
all as clearly as if it were
|
|
yesterday... the way he looked
|
|
when he hugged me good-bye...
|
|
Captain Picard's eyes when he
|
|
came to tell us...
|
|
|
|
Their eyes meet. A tear slides down his cheek. She
|
|
comes over and they hold each other.
|
|
|
|
CUT TO:
|
|
|
|
22G INT. MAIN BRIDGE - (OPTICAL) (PREVIOUSLY 22A)
|
|
|
|
As before. On the viewscreen is a graphic analysis
|
|
of the energy form they're tracking on the planet...
|
|
|
|
RIKER
|
|
Data, run comparison with known
|
|
phenomena.
|
|
|
|
DATA
|
|
(works his station)
|
|
The pattern has no exact match
|
|
in Federation records.
|
|
|
|
PICARD
|
|
Is it alive?
|
|
|
|
DATA
|
|
A possibility.
|
|
|
|
And Troi just watches it... slow push in on her....
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT TWO 29.
|
|
|
|
22G CONTINUED:
|
|
|
|
GEORDI'S COM VOICE
|
|
Captain, I'm getting an unusual
|
|
magnetic flux reading from the
|
|
anti-matter containment pods.
|
|
|
|
... to an extreme closeup of Troi ending as she senses
|
|
something new, something extreme as she murmers...
|
|
|
|
TROI
|
|
My God.
|
|
|
|
CUT TO:
|
|
|
|
23 INT. ASTER QUARTERS (OPTICAL)
|
|
|
|
Jeremy is seated at the desk once again studying the
|
|
moving picture of him and his mother. He senses
|
|
movement from a hallway behind him, turns to see the
|
|
arrival of MARLA ASTER. Jeremy's eyes go wide.
|
|
|
|
JEREMY
|
|
Mom!
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT THREE 30.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
24 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The starship is still cruising serenely in orbit.
|
|
|
|
25
|
|
thru OMITTED
|
|
30
|
|
|
|
31 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
As before. Riker and Picard have moved to join Geordi
|
|
at the Engineering station, studying the odd
|
|
readings...
|
|
|
|
GEORDI
|
|
All systems are functioning
|
|
normally -- still, there's a
|
|
fluctuation in the containment
|
|
field. I can't account for it.
|
|
|
|
RIKER
|
|
Data, is it related in some way
|
|
to the energy field on the planet?
|
|
|
|
And Troi is still getting those radical vibes...
|
|
|
|
TROI
|
|
(sotto voce)
|
|
Captain...
|
|
|
|
DATA
|
|
There is a beam of highly charged
|
|
particles emanating from the
|
|
planet...
|
|
|
|
TROI
|
|
Captain, there is a presence
|
|
aboard the Enterprise.
|
|
|
|
Reactions.
|
|
|
|
PICARD
|
|
An alien presence... ?
|
|
|
|
She doesn't know...
|
|
|
|
RIKER
|
|
No intruder noted by the ship's
|
|
sensors, Captain...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT THREE 31.
|
|
|
|
31 CONTINUED:
|
|
|
|
TROI
|
|
A presence...
|
|
|
|
Beginning behind the above --
|
|
|
|
RIKER
|
|
Security, all decks... yellow
|
|
alert... possible intruder...
|
|
|
|
On Troi trying to come to grips with her senses...
|
|
|
|
CUT TO:
|
|
|
|
31A INT. ASTER QUARTERS
|
|
|
|
Jeremy stares with bewilderment up at his mother.
|
|
Marla Aster reaches out to brush a hand across Jeremy's
|
|
hair. Jeremy reflexively backs away.
|
|
|
|
JEREMY
|
|
They said you were dead.
|
|
|
|
MARLA
|
|
There was a mistake. It's okay.
|
|
|
|
Jeremy is confused. He's yearning to accept this, but
|
|
still he holds back.
|
|
|
|
JEREMY
|
|
But there was an explosion... you
|
|
were hurt.
|
|
|
|
MARLA
|
|
Jeremy, I'm not hurt. I'm fine.
|
|
You mustn't think any more about
|
|
it.
|
|
|
|
She moves to him. He backs away from her.
|
|
|
|
MARLA
|
|
The important thing is, I'll never
|
|
leave you again.
|
|
|
|
She smiles at him, crosses to the desk.
|
|
|
|
MARLA
|
|
(continuing)
|
|
Oh, I see you fixed the terminal.
|
|
|
|
JEREMY
|
|
Just after you. you left.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT THREE 32.
|
|
|
|
31A CONTINUED:
|
|
|
|
MARLA
|
|
I'm sorry I got so angry about
|
|
that. I'm really proud of you
|
|
-- you fixed it without even
|
|
being asked.
|
|
|
|
This woman is damned convincing. But Jeremy is still
|
|
reluctant to accept her. Marla extends her hand.
|
|
|
|
Slowly, cautiously, Jeremy reaches out, touches Marla's
|
|
hand. It's warm and real. Jeremy's surprised. He
|
|
gazes at Marla -- he desperately wants this to be his
|
|
mother.
|
|
|
|
MARLA
|
|
(warm smile)
|
|
I think somebody needs a hug.
|
|
|
|
And that does it. Jeremy gives himself up to the
|
|
fantasy, buries himself in his mother's arms, and for
|
|
the first time since the accident, SOBS softly. Marla
|
|
comforts him, strokes his head. Everything's all right
|
|
now.
|
|
|
|
After a long beat, Marla pulls back, takes Jeremy's
|
|
hand.
|
|
|
|
MARLA
|
|
We have to go now.
|
|
|
|
JEREMY
|
|
Where?
|
|
|
|
MARLA
|
|
To the planet. That's where we're
|
|
going to live now.
|
|
|
|
JEREMY
|
|
(confused again)
|
|
We're not going to stay on the
|
|
Enterprise any more?
|
|
|
|
MARLA
|
|
No.
|
|
(a beat)
|
|
We're going to live in a home just
|
|
like we used to on Earth.
|
|
|
|
Jeremy's not sure about this, but Marla's warmth and
|
|
serenity allay his doubts:
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT THREE 33.
|
|
|
|
31A CONTINUED: (2)
|
|
|
|
MARLA
|
|
(continuing)
|
|
You'll see. I promise.
|
|
|
|
There is a CHIME. Jeremy moves to the door, opens it
|
|
to reveal Worf... Jeremy is excited. (There is no
|
|
repressed anger any more.)
|
|
|
|
JEREMY
|
|
Lieutenant Worf... did they tell
|
|
you? It was a mistake.
|
|
|
|
Worf reacts to the boy's glee, then as he steps in, is
|
|
blown away as ?? sees Marla smiling at him...
|
|
|
|
JEREMY
|
|
(continuing)
|
|
She didn't die. She's alive.
|
|
|
|
As the boy moves to her...
|
|
|
|
WORF
|
|
Jeremy, come here...
|
|
|
|
MARLA
|
|
Lieutenant Worf, it's all right.
|
|
I'm here for the boy.
|
|
|
|
Worf starts to pull his phaser, and doesn't know what
|
|
the hell to do with it... even he has to wonder a moment
|
|
- is it Marla Aster? He touches his insignia.
|
|
|
|
WORF
|
|
Lieutenant Worf to Captain Picard.
|
|
|
|
CUT TO:
|
|
|
|
32 OMITTED
|
|
|
|
33 INT. MAIN BRIDGE
|
|
|
|
As before.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
WORF'S COM VOICE
|
|
Lieutenant Aster is in her
|
|
quarters.
|
|
|
|
Exchanged looks.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT THREE 34.
|
|
|
|
33 CONTINUED:
|
|
|
|
RIKER
|
|
Repeat, Worf... ?
|
|
|
|
WORF'S COM VOICE
|
|
Lieutenant Aster. She's here.
|
|
In her quarters. With the boy.
|
|
|
|
Reactions. Picard and Troi exchange a look.
|
|
|
|
PICARD
|
|
Do not provoke her or interfere
|
|
in any way until I arrive.
|
|
Picard out.
|
|
(to Riker)
|
|
Have security moving that way but
|
|
tell them to keep their distance.
|
|
You have the Bridge. Counselor...
|
|
|
|
Troi's already out of her chair. She and Picard EXIT.
|
|
|
|
CUT TO:
|
|
|
|
33A INT. ASTER QUARTERS
|
|
|
|
Marla looks calmly at Worf.
|
|
|
|
MARLA
|
|
There's nothing to worry about.
|
|
I'm going to take care of Jeremy
|
|
and make him happy.
|
|
(to Jeremy)
|
|
It's time to go.
|
|
|
|
WORF
|
|
Where are you taking the child?
|
|
|
|
JEREMY
|
|
To the planet.
|
|
|
|
Marla smiles a winning smile at Jeremy:
|
|
|
|
MARLA
|
|
Come on, Jeremy.
|
|
|
|
Jeremy dutifully leaves Worf, joins Marla, takes her
|
|
hand. Together they EXIT followed by Worf, who keys
|
|
his insignia...
|
|
|
|
WORF
|
|
Worf to Picard, they're leaving
|
|
their quarters...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT THREE 35.
|
|
|
|
34
|
|
thru OMITTED
|
|
35
|
|
|
|
36 INT. CORRIDOR
|
|
|
|
Worf follows Marla and Jeremy down the corridor.
|
|
Security men arriving do not interfere, exchange
|
|
glances with Worf, trail...
|
|
|
|
WORF
|
|
(keys insignia)
|
|
Captain, I believe we're headed
|
|
for Transporter Room Three.
|
|
|
|
36A INT. TURBOLIFT
|
|
|
|
Picard and Troi moving quickly...
|
|
|
|
PICARD
|
|
We're on our way.
|
|
|
|
CUT TO:
|
|
|
|
37 OMITTED
|
|
|
|
38 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
O'Brien is making adjustments to the transporter side
|
|
panels. He is running a monitor over the circuits and
|
|
comparing readings. The DOOR OPENS and Marla, Jeremy,
|
|
and Worf ENTER.
|
|
|
|
O'Brien reacts to the presence of a dead woman in his
|
|
transporter room. Looks to Worf. Marla smiles sunnily
|
|
at the Transporter Chief.
|
|
|
|
MARLA
|
|
Chief O'Brien, Jeremy and I are
|
|
going down to the surface.
|
|
|
|
Marla and Jeremy cross to the platform. Jeremy lets
|
|
go of Marla's hand so they can stand on separate pads.
|
|
|
|
The DOORS OPEN. In the corridor are Picard, Troi, and
|
|
two SECURITY PERSONNEL; Picard motions for the Security
|
|
Personnel to remain in the corridor as he and Troi
|
|
ENTER. Picard gives Marla a hard look.
|
|
|
|
PICARD
|
|
Who are you?
|
|
|
|
STAR TREK: "The Bonding" - REV. 9/1/89 - ACT THREE 36.
|
|
|
|
38 CONTINUED:
|
|
|
|
MARLA
|
|
I'm Marla Aster...
|
|
|
|
JEREMY
|
|
(you know)
|
|
It's my mother, Captain... She's
|
|
alive.
|
|
|
|
Picard glances with concern at Jeremy.
|
|
|
|
PICARD
|
|
(to Marla)
|
|
What do you want?
|
|
|
|
MARLA
|
|
To take my child down to the
|
|
planet.
|
|
|
|
PICARD
|
|
I cannot permit that. This child
|
|
is my responsibility.
|
|
|
|
Marla truly can't fathom why these people are making
|
|
such a big deal out of nothing. Jeremy is confused and
|
|
not at all clear what is going on...
|
|
|
|
MARLA
|
|
I'm here to care for him. He
|
|
needs me. Why do you resist?
|
|
|
|
PICARD
|
|
Because I don't know who -- or
|
|
what -- you are.
|
|
|
|
JEREMY
|
|
Can't you see who she is?
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT THREE 36A.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Jeremy, she appears to be your
|
|
mother, but she is not.
|
|
|
|
JEREMY
|
|
What do you mean?
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/23/89 - ACT THREE 37.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
Jeremy looks to his mother...
|
|
|
|
MARLA
|
|
You're confusing the boy...
|
|
|
|
Picard glances at Worf, who has moved casually towards
|
|
the Transporter pads... He takes the boy and pulls him
|
|
away from his mother...
|
|
|
|
JEREMY
|
|
Wait...
|
|
|
|
He struggles, behind him, Marla's at a total loss...
|
|
|
|
JEREMY
|
|
(continuing)
|
|
No...stop...
|
|
|
|
Behind him, she suddenly VANISHES. Jeremy turns and
|
|
she's gone...
|
|
|
|
JEREMY
|
|
Mon...Mom...
|
|
|
|
TROI
|
|
Jeremy...
|
|
|
|
JEREMY
|
|
NO...
|
|
|
|
As Troi escorts him out... off Picard and Worf's
|
|
expressions:
|
|
|
|
39
|
|
thru OMITTED
|
|
40
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 38.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
41 OMITTED
|
|
|
|
42 INT. CORRIDOR
|
|
|
|
Troi and Jeremy walking together. The boy is angry,
|
|
frightened and sad, completely disoriented.
|
|
|
|
JEREMY
|
|
What did you do to her?
|
|
|
|
TROI
|
|
Jeremy, I don't know what that
|
|
was, but it was not your mother.
|
|
|
|
JEREMY
|
|
You saw her... She was here...
|
|
|
|
TROI
|
|
Your mother is dead.
|
|
|
|
JEREMY
|
|
I touched her. She was real.
|
|
|
|
TROI
|
|
Why would your real mother want
|
|
you to go to the planet. There's
|
|
nothing there but rocks and
|
|
dust...
|
|
|
|
And Jeremy knows his real mother wouldn't do that...
|
|
but still, it was her... they have reached the Aster
|
|
quarters. Troi keys the door, and they ENTER.
|
|
|
|
43 INT. EARTH HOME (OPTICAL)
|
|
|
|
And Troi takes an involuntary step back for it is no
|
|
longer the Enterprise stateroom. They are standing
|
|
in the front room of the Aster home on Earth... as we
|
|
saw it in the video...
|
|
|
|
Outside, through an open window, they HEAR the shouts
|
|
and laughter of children, the barking of a dog. A cat
|
|
sleeps on the sofa. There's a grandfather clock.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 39.
|
|
|
|
43 CONTINUED:
|
|
|
|
JEREMY
|
|
It's my house. My house on Earth.
|
|
|
|
Marla ENTERS from the back of the house.
|
|
|
|
MARLA
|
|
Exactly the way it was... remember,
|
|
Jeremy?
|
|
|
|
JEREMY
|
|
But how did you do it?
|
|
|
|
Marla smiles...
|
|
|
|
MARLA
|
|
Does it matter?
|
|
|
|
TROI
|
|
Yes. It matters.
|
|
|
|
She looks at Troi. Marla is very friendly --
|
|
|
|
MARLA
|
|
I am trying to understand your
|
|
resistance. You spoke of rocks
|
|
and dust on the planet? I decided
|
|
to show what awaits us there.
|
|
|
|
TROI
|
|
Why would you create this fantasy?
|
|
|
|
MARLA
|
|
(can't you understand?)
|
|
It's his home.
|
|
(holding out a hand to
|
|
Jeremy)
|
|
And it makes you happy, doesn't
|
|
it?
|
|
|
|
Jeremy is beyond words. Is she for real or not...
|
|
He knows now, in his heart, she isn't... But it's so
|
|
nice to be "home."
|
|
|
|
TROI
|
|
But it's not real.
|
|
|
|
MARLA
|
|
Isn't it? Jeremy, isn't that
|
|
really Patches?
|
|
|
|
Jeremy moves to the cat who looks up and meows at
|
|
him... climbs into his arms. Jeremy reacts.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT FOUR 40.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
JEREMY
|
|
He knows me. It's him.
|
|
|
|
The cat was sleeping on a blanket on the sofa.
|
|
|
|
MARLA
|
|
Look -- your blanket...
|
|
|
|
Jeremy looks at it, touches it. It is his blanket. He
|
|
reacts as the grandfather clock strikes a chime
|
|
twice... clearly he recognizes the sound of the clock.
|
|
|
|
JEREMY
|
|
It's real. It's all real.
|
|
|
|
TROI
|
|
Jeremy, it's not. Could your
|
|
real mother make all this appear?
|
|
|
|
He knows she could not, but he wants so much to
|
|
believe.
|
|
|
|
TROI
|
|
(continuing)
|
|
You must not stay here.
|
|
|
|
Troi holds out her hand.
|
|
|
|
TROI
|
|
Come with me.
|
|
|
|
Jeremy looks at the Betazoid, at Marla, at the room.
|
|
Shakes his head.
|
|
|
|
JEREMY
|
|
(very softly)
|
|
I can't.
|
|
|
|
TIME CUT TO:
|
|
|
|
43A INT. MAIN BRIDGE - CLOSE ON PICARD
|
|
|
|
PICARD
|
|
Is the boy in any danger?
|
|
|
|
TROI'S COM VOICE
|
|
I don't think so. She seems to
|
|
want to help Jeremy.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 40A.
|
|
|
|
43A CONTINUED:
|
|
|
|
And WIDEN to see Riker, Worf, Data, Beverly, Wesley
|
|
and Geordi at their various stations.
|
|
|
|
PICARD
|
|
Help him?
|
|
|
|
INTERCUT:
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT FOUR 41.
|
|
|
|
44 OMITTED
|
|
|
|
44A INT. EARTH HOME (INTERCUT WITH SCENE 44B)
|
|
|
|
Troi off to the side... in the background, the mother
|
|
doll and Jeremy are dangling a piece of string for the
|
|
cat... playing with it...
|
|
|
|
TROI MARLA
|
|
By easing his pain. She (background)
|
|
seems very confused by Look at him. Look how
|
|
our resistance, Captain. he tries to catch it...
|
|
|
|
JEREMY
|
|
(background)
|
|
Maybe he thinks it's a
|
|
mouse's tail.
|
|
|
|
PICARD
|
|
Troi, would it be wise to remove
|
|
Jeremy from his quarters?
|
|
|
|
TROI
|
|
He does not want to leave. I
|
|
would not recommend taking him
|
|
by force.
|
|
|
|
RIKER
|
|
She offers him everything. All
|
|
we offer is the cold reality of
|
|
his mother's death.
|
|
|
|
BEVERLY
|
|
What would you choose? If someone
|
|
came along and offered to give
|
|
you back your mother...
|
|
(toware Wesley)
|
|
... your father...
|
|
(MORE)
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 42.
|
|
|
|
44A CONTINUED:
|
|
|
|
BEVERLY (Cont'd)
|
|
... your... husband... would any
|
|
of us say no so easily?
|
|
|
|
A beat. Picard sighs. To Troi --
|
|
|
|
PICARD
|
|
Remain in the cabin with them,
|
|
Counselor. We're going to try
|
|
to put an end to this from here...
|
|
|
|
TROI
|
|
Understood.
|
|
|
|
He signs off.
|
|
|
|
44B INT. MAIN BRIDGE
|
|
|
|
PICARD
|
|
Mister Data, can we determine for
|
|
certain the energy source from
|
|
the planet is powering this
|
|
creation?
|
|
|
|
DATA
|
|
The beam from the planet is
|
|
clearly tapping into the ship's
|
|
anti-matter, Captain...
|
|
|
|
GEORDI
|
|
I'd say it's running the
|
|
manifestation off our own energy.
|
|
|
|
PICARD
|
|
So there are limits to her
|
|
power...
|
|
|
|
RIKER
|
|
(nods)
|
|
That's why she needs the
|
|
Transporter to get the boy off
|
|
the ship.
|
|
|
|
Picard pauses and considers.
|
|
|
|
PICARD
|
|
So how do we cut the puppet's
|
|
strings?
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 43.
|
|
|
|
44B CONTINUED:
|
|
|
|
GEORDI
|
|
By increasing the shield harmonics
|
|
to match our antimatter
|
|
containment fields, it is almost
|
|
certain that the beam would be
|
|
severed.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
RIKER
|
|
(to com)
|
|
Troi, stand by...
|
|
|
|
CUT TO:
|
|
|
|
44C
|
|
thru OMITTED
|
|
45
|
|
|
|
46 INT. EARTH HOME (OPTICAL)
|
|
|
|
The fantasy is up and running. Marla and Jeremy are
|
|
still seated with the cat... Troi moves to them...
|
|
|
|
TROI
|
|
Jeremy, it's time for this to
|
|
end... You know it's not real
|
|
and it is over now...
|
|
|
|
MARLA
|
|
I'm not going to leave you,
|
|
Jeremy. Ever again.
|
|
|
|
Jeremy looks with hurt and confusion from one woman
|
|
to the other.
|
|
|
|
TROI
|
|
Jeremy, I won't lie to you or
|
|
trick you.
|
|
|
|
MARLA
|
|
Jeremy we'll be happy together
|
|
as soon as...
|
|
|
|
She and the fantasy VANISH. Jeremy looks at the space
|
|
where she was and knows that his mother and the
|
|
wonderful dream is really gone. He says very softly,
|
|
|
|
JEREMY
|
|
No...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 44.
|
|
|
|
46 CONTINUED:
|
|
|
|
As Troi moves to comfort him...
|
|
|
|
CUT TO:
|
|
|
|
47 INT. MAIN BRIDGE
|
|
|
|
As before.
|
|
|
|
GEORDI
|
|
Anti-matter containment pods
|
|
reading nominal...
|
|
|
|
DATA
|
|
The shields have severed the beam.
|
|
|
|
Data studies something on his console.
|
|
|
|
DATA
|
|
Captain, the energy field...
|
|
|
|
48 ANGLE ON VIEWSCREEN - (OPTICAL)
|
|
|
|
The ghost-like blanket has gathered into a glowing
|
|
circular mass.
|
|
|
|
PICARD
|
|
Mister Crusher, take us out of...
|
|
|
|
Before he can finish...
|
|
|
|
49 OMITTED
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The energy form flashes across space and instantly
|
|
penetrates the ship.
|
|
|
|
CUT TO:
|
|
|
|
51
|
|
thru OMITTED
|
|
52
|
|
|
|
53 INT. MAIN BRIDGE
|
|
|
|
The ship is rocked by the explosive arrival of the
|
|
energy. Red alert begins to sound.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "The Bonding" - REV. 9/5/89 - ACT FOUR 45.
|
|
|
|
53AA INT. CORRIDOR - NEAR TRANSPORTER ROOM (OPTICAL)
|
|
|
|
The energy mass move down the hallway and into
|
|
|
|
53A INT. TRANSPORTER ROOM - (OPTICAL)
|
|
|
|
O'Brien goggles at the glowing energy form which has
|
|
appeared in the room. After a beat...
|
|
|
|
O'BRIEN
|
|
Alien intruder. Transporter Room
|
|
Three. Security alert. Alien...
|
|
|
|
The form zaps at him, forcing him away from the
|
|
console.
|
|
|
|
INTERCUT:
|
|
|
|
53B OMITTED
|
|
|
|
53C INT. MAIN BRIDGE
|
|
|
|
WORF
|
|
(to com)
|
|
Security to Transporter Room
|
|
Three...
|
|
|
|
Picard on the move...
|
|
|
|
PICARD
|
|
Lieutenant Worf, Commander La
|
|
Forge with me... Number One you
|
|
have the Bridge.
|
|
|
|
53D INT. TRANSPORTER ROOM/CORRIDOR - (OPTICAL)
|
|
|
|
O'Brien is being driven out of the room by the force.
|
|
Two security guards arrive. They are flung back. One
|
|
of them fires his phaser, but it has no effect. The
|
|
energy force zips back into the Transporter Room.
|
|
|
|
CUT TO:
|
|
|
|
53E INT. ASTER QUARTERS/EARTH HOME (OPTICAL)
|
|
|
|
Troi is comforting Jeremy when Marla and the Earth
|
|
Home MATERIALIZE, and judging from ??e expression with
|
|
which she favors Troi she is not happy.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FOUR 46.
|
|
|
|
53E CONTINUED:
|
|
|
|
She brushes past the Betazoid, moves to Jeremy and
|
|
takes his hand. He's scared, confused...
|
|
|
|
MARLA
|
|
Come, Jeremy, we will not let them
|
|
separate us again. We are going
|
|
home.
|
|
|
|
Off Troi's reaction as we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/24/89 - ACT FIVE 47.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
54
|
|
thru OMITTED
|
|
66
|
|
|
|
67 INT. TURBOLIFT
|
|
|
|
with Picard, Geordi and Worf... red alert sounding.
|
|
|
|
TROI'S COM VOICE
|
|
(urgently)
|
|
Captain, the image is back --
|
|
she's trying to take Jeremy off
|
|
the ship again.
|
|
|
|
PICARD
|
|
(keys insignia)
|
|
Acknowledged.
|
|
|
|
GEORDI
|
|
(keys insignia)
|
|
Engineering, this is La Forge.
|
|
Shut down power to all
|
|
Transporters. I'm on my way...
|
|
|
|
PICARD
|
|
Lieutenant Worf, to Transporter
|
|
Room Three.
|
|
|
|
They split up as they EXIT the Turbolift.
|
|
|
|
PICARD
|
|
(keys insignia)
|
|
Bridge, seal off deck eight,
|
|
corridors A and B.
|
|
|
|
68 INT. MAIN BRIDGE
|
|
|
|
Data working the console...
|
|
|
|
DATA
|
|
Engaging force fields, Captain.
|
|
Transporters are down.
|
|
|
|
69 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
The energy force is still there reacting as the power
|
|
goes off, -- darting from component to component --
|
|
as Worf arrives, it bolts past him...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT FIVE 48.
|
|
|
|
69 CONTINUED:
|
|
|
|
Worf checks on O'Brien and the security men who are
|
|
okay.
|
|
|
|
WORF
|
|
Energy force has left Transporter
|
|
Room Three... security alert, all
|
|
decks...
|
|
|
|
69A INT. MAIN BRIDGE
|
|
|
|
RIKER
|
|
La Forge, the intruder may try
|
|
to reinstate Transporter power.
|
|
|
|
GEORDI'S COM VOICE
|
|
Understood, Commander...
|
|
|
|
70 INT. CORRIDOR (OPTICAL)
|
|
|
|
Just outside Aster's quarters, Marla leads Jeremy out
|
|
as Troi watches by the door. A force field is blocking
|
|
the corridor. She turns to look in the another
|
|
direction. Another force field at the other end of
|
|
the hall is up and has them trapped.
|
|
|
|
71 ANGLE - PICARD (OPTICAL)
|
|
|
|
arrives at the forcefield... touches his insignia.
|
|
|
|
PICARD
|
|
Bridge, release security
|
|
forcefield eight - B.
|
|
|
|
The forcefield in front of him disappears. For a
|
|
moment, he and the alien Marla study each other.
|
|
|
|
PICARD
|
|
How are you, Jeremy? Are you
|
|
frightened?
|
|
|
|
JEREMY
|
|
-- no.
|
|
(off his look)
|
|
A little, sir.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 49.
|
|
|
|
71 CONTINUED:
|
|
|
|
PICARD
|
|
Of course. These are frightening
|
|
things that are happening. We
|
|
won't let anyone harm you.
|
|
(off-handedly)
|
|
Counselor, why don't you take the
|
|
child to my quarters.
|
|
|
|
Troi takes a step toward Jeremy. Marla puts her arm
|
|
around Jeremy's shoulder. Tightly. Possessively.
|
|
|
|
MARLA
|
|
No.
|
|
|
|
Troi backs off. Ma leads him back into their
|
|
quarters. Picard a?? Troi follow.
|
|
|
|
72 INT. ENGINEERING (OPTICAL)
|
|
|
|
Geordi follows the energy form as it moves from console
|
|
to console...
|
|
|
|
GEORDI
|
|
(keys insignia)
|
|
It's looking over everything,
|
|
Commander... going to school...
|
|
Let's hope it doesn't blow us
|
|
to Kingdom Come while it's
|
|
figuring out how to blow us to
|
|
Kingdom Come.
|
|
|
|
The energy zips into a console...
|
|
|
|
INTERCUT:
|
|
|
|
73 INT. TRANSPORTER ROOM
|
|
|
|
The power returns...
|
|
|
|
WORF
|
|
Power's back in Transporter Room
|
|
Three...
|
|
|
|
73A INT. ENGINEERING
|
|
|
|
Geordi moves quickly to the controls...
|
|
|
|
GEORDI
|
|
By-passing to manual override...
|
|
shutting it down...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 50.
|
|
|
|
73AB INT. TRANSPORTER ROOM
|
|
|
|
The Transporter goes down again.
|
|
|
|
WORF
|
|
Transporter is down again.
|
|
|
|
73A INT. MAIN BRIDGE
|
|
|
|
RIKER
|
|
Keep it down, Geordi... for as
|
|
long as you can...
|
|
|
|
74 INT. EARTH HOME (OPTICAL)
|
|
|
|
Picard, Troi, Jeremy and Marla.
|
|
|
|
MARLA
|
|
It is only a matter of time,
|
|
Captain, before we can power the
|
|
Transporters ourselves...
|
|
|
|
PICARD
|
|
We? For whom else do you speak?
|
|
|
|
Marla takes a beat to determine how much must be
|
|
explained to these people... finally --
|
|
|
|
MARLA
|
|
The accident on the surface was
|
|
caused by a remnant of an old and
|
|
tragic era. Two species once
|
|
shared this world... one of
|
|
energy... and one of matter. The
|
|
physical beings you call the
|
|
Koinonians destroyed themselves
|
|
in unending, bitter wars. The
|
|
surviving lifeforms on this world
|
|
will not tolerate any further
|
|
suffering from that dishonorable
|
|
past. So they have made this
|
|
possible... they have made me
|
|
possible.
|
|
|
|
PICARD
|
|
I appreciate your motives. But
|
|
his mother is dead. He must learn
|
|
to live with that.
|
|
|
|
MARLA
|
|
I will be every bit his mother.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 50A.
|
|
|
|
74 CONTINUED:
|
|
|
|
PICARD
|
|
But not his mother.
|
|
|
|
Jeremy watches them both... confused, trying to choose
|
|
between what he wants and what is real. Picard's mind
|
|
works... he keys his insignia...
|
|
|
|
PICARD
|
|
Picard to Lieutenant Worf.
|
|
|
|
WORF
|
|
Go ahead, Captain.
|
|
|
|
PICARD
|
|
Please escort Ensign Crusher to
|
|
the Aster quarters. Picard out.
|
|
|
|
He exchanges a glance with Troi.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 51.
|
|
|
|
74 CONTINUED: (2)
|
|
|
|
MARLA
|
|
Your philosophy is curious,
|
|
Captain. What is so noble about
|
|
sorrow? I can provide him an
|
|
existance where he will feel no
|
|
pain, no anguish...
|
|
|
|
PICARD
|
|
It is at the heart of our very
|
|
nature... to feel pain... and
|
|
joy... that is what makes us what
|
|
we are.
|
|
|
|
MARLA
|
|
He is alone now in your world.
|
|
A child alone. How can you know
|
|
he won't be happier with me?
|
|
|
|
Picard glances at Jeremy with compassion.
|
|
|
|
PICARD
|
|
For a brief moment in time... he
|
|
surely would be. Any of us in
|
|
his place would be.
|
|
|
|
TROI
|
|
What would Jeremy do for friends
|
|
in your world?
|
|
|
|
Marla glances at Jeremy, considering this...
|
|
|
|
MARLA
|
|
He will have any friends he needs.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 52.
|
|
|
|
74 CONTINUED: (3)
|
|
|
|
TROI
|
|
And then will you provide for his
|
|
education, his health, his growth?
|
|
A career? A wife?
|
|
|
|
Marla considers all this... obviously for the first
|
|
time.
|
|
|
|
PICARD
|
|
Yes, it is quite an undertaking
|
|
you're proposing, isn't it?
|
|
|
|
MARLA
|
|
It is our duty to make him happy
|
|
again.
|
|
|
|
PICARD
|
|
Do you honestly believe he will
|
|
be happy in this total fiction
|
|
you wish to create?
|
|
|
|
Off her look which is beginning to show doubt...
|
|
|
|
PICARD
|
|
What will be his reason to live?
|
|
|
|
And she cannot answer that.
|
|
|
|
PICARD
|
|
What you offer is a memory... to
|
|
cherish... but not to live in.
|
|
(beat)
|
|
It is part of our life cycle to
|
|
accept the death of those we love.
|
|
He must deal with grief, not cover
|
|
it or hide from it. We are
|
|
mortal. Our time in this universe
|
|
is finite. It is the lesson every
|
|
human must learn.
|
|
|
|
The door opens to reveal Worf and Wesley. Wesley is
|
|
nervous, concerned.
|
|
|
|
WESLEY
|
|
Ensign Crusher reporting as
|
|
ordered, sir.
|
|
|
|
PICARD
|
|
Come in, Wesley.
|
|
|
|
Worf begins to leave... casually --
|
|
|
|
STAR TREK: "The Bonding" - REV. 9/1/89 - ACT FIVE 53.
|
|
|
|
74 CONTINUED: (4)
|
|
|
|
PICARD
|
|
... No, stay, Lieutenant.
|
|
|
|
Worf comes in and stands at attention in the
|
|
background.
|
|
|
|
PICARD
|
|
Wesley lost his father on a
|
|
Starfleet mission when he was
|
|
even younger than you are.
|
|
|
|
Jeremy reacts. Marla looks at him with compassion.
|
|
|
|
TROI
|
|
Your mother told me you were
|
|
finding it difficult to talk to
|
|
Jeremy. Why?
|
|
|
|
WESLEY
|
|
I don't know. I guess... I just
|
|
didn't want to think about it any
|
|
more, you know... all this has
|
|
reminded me so much of that day...
|
|
|
|
He shrugs, very uncomfortable. Troi glances at
|
|
Picard... he moves toward Wesley. Playing a role --
|
|
|
|
PICARD
|
|
The day I told you your father
|
|
had been killed.
|
|
|
|
Wesley acknowledges...
|
|
|
|
PICARD
|
|
As I recall, you handled the news
|
|
very well.
|
|
|
|
WESLEY
|
|
My parents taught me about the
|
|
dangers of starfleet missions.
|
|
I knew it could happen.
|
|
|
|
PICARD
|
|
(probing)
|
|
So you were prepared.
|
|
|
|
WESLEY
|
|
(a beat, introspective)
|
|
No, I don't think I was. Not
|
|
really. How could anyone be...
|
|
prepared to hear that his dad
|
|
is... never coming home again.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 54.
|
|
|
|
74 CONTINUED: (5)
|
|
|
|
Picard acknowledges, of course. To Jeremy --
|
|
|
|
WESLEY
|
|
I just tried to be what everybody
|
|
expected me to be. Brave.
|
|
Mature.
|
|
|
|
PICARD
|
|
Are you saying you didn't want
|
|
anybody to see how you really
|
|
felt, Wesley?
|
|
|
|
And Wesley looks down as the memories sweep across
|
|
him... he looks down, nods. Softly --
|
|
|
|
PICARD
|
|
So how did you really feel?
|
|
|
|
WESLEY
|
|
(whispers)
|
|
Like somebody kicked me right in
|
|
the brain.
|
|
|
|
PICARD
|
|
(gently)
|
|
Somebody?
|
|
|
|
Wesley shrugs. Doesn't look at Picard.
|
|
|
|
TROI
|
|
Go ahead, Wesley. You've wanted
|
|
to tell him for a long time...
|
|
|
|
He looks up at Picard with a tear in his eye.
|
|
|
|
WESLEY
|
|
I was angry.
|
|
(long beat)
|
|
At you.
|
|
|
|
Of course, Picard knows this... but it's important for
|
|
them as well as Jeremy to get it all out now...
|
|
|
|
PICARD
|
|
Why, Wesley? Why were you angry
|
|
with me?
|
|
|
|
Wesley backs away from the feelings... he's gone as far
|
|
as he's comfortable... he shrugs... but that's not
|
|
enough...
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 55.
|
|
|
|
74 CONTINUED: (6)
|
|
|
|
PICARD
|
|
Were you angry because I was the
|
|
one who told you he was dead?
|
|
|
|
WESLEY
|
|
(pause)
|
|
No.
|
|
|
|
PICARD
|
|
Then why?
|
|
|
|
Softly, painfully, outloud for the first time...
|
|
|
|
WESLEY
|
|
Because you led the mission. You
|
|
came back. My father didn't.
|
|
|
|
Picard acknowledges... moves away as Troi moves in with
|
|
great compassion...
|
|
|
|
TROI
|
|
How long were you angry with
|
|
Captain Picard, Wesley?
|
|
|
|
WESLEY
|
|
A long time.
|
|
(turns to Picard)
|
|
But not any more. Not even a
|
|
little, sir.
|
|
|
|
Picard's eyes close for a moment. He bows his head,
|
|
almost imperceptively. That wound is forever closed.
|
|
To Jeremy --
|
|
|
|
TROI
|
|
And you Jeremy... must be very
|
|
angry with Lieutenant Worf.
|
|
|
|
And Worf is caught off guard as the attention turns to
|
|
him. Jeremy looks at him.
|
|
|
|
TROI
|
|
He was in charge of your mother's
|
|
mission. Just as Captain Picard
|
|
was in command when Wesley's father
|
|
was killed. Isn't that right,
|
|
Jeremy
|
|
|
|
Jeremy looks at Worf.
|
|
|
|
WORF
|
|
She was my responsibility.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 55A.
|
|
|
|
74 CONTINUED: (7)
|
|
|
|
TROI
|
|
Worf came back. Your mother
|
|
didn't.
|
|
|
|
And a long beat... as Jeremy is about to face the
|
|
reality. His eyes are angry, a tear rolls down his
|
|
cheek as he accuses Worf --
|
|
|
|
JEREMY
|
|
Why? Why weren't you the one who
|
|
died? Why did it have to be her?
|
|
|
|
A long beat as they look at each other... Jeremy's
|
|
tears come more easily now...
|
|
|
|
TROI
|
|
He can't answer that, Jeremy.
|
|
(to Marla)
|
|
None of us can.
|
|
|
|
PICARD
|
|
Lieutenant Worf also lost his
|
|
parents, Jeremy.
|
|
|
|
Jeremy reacts.
|
|
|
|
WORF
|
|
(to Jeremy)
|
|
They were killed in battle when
|
|
I was six.
|
|
|
|
He and Worf look at each other. The bonding has begun.
|
|
Worf glances at Picard and Troi. Troi nods... Worf
|
|
moves toward the boy.
|
|
|
|
WORF
|
|
When I was alone, humans helped
|
|
me. Let me help you.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT FIVE 55B.
|
|
|
|
74 CONTINUED: (8)
|
|
|
|
Jeremy looks back at Marla for one last hold on the
|
|
fantasy... off that moment --
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/28/89 - ACT FIVE 56.
|
|
|
|
74 CONTINUED: (8)
|
|
|
|
WORF
|
|
The Marla Aster I knew and honored
|
|
is not in this room. Nor does
|
|
she await you on the planet. Now
|
|
she lives only here...
|
|
(touches his chest)
|
|
And here.
|
|
|
|
Jeremy looks up to him through his tears. He cannot
|
|
speak.
|
|
|
|
WORF
|
|
(to Jeremy)
|
|
Join with me in the R'uustai, the
|
|
Bonding. You will become part
|
|
of my family now and for all time.
|
|
We will be brothers.
|
|
|
|
Worf offers his hand. Jeremy never looks back again
|
|
at Marla... he stretches out a hand ??ndly to grasp
|
|
for Worf's hand. The Klingon is the ?? From a simple
|
|
handclasp he pulls the boy to him. Marla and Picard
|
|
regard each other for a long moment. She understands
|
|
she is no longer needed. She nods to Picard. She
|
|
lowers her head. She disappears. The room goes back
|
|
to normal -- the Aster quarters.
|
|
|
|
75
|
|
thru OMITTED
|
|
80
|
|
|
|
81 INT. WORF'S QUARTERS
|
|
|
|
Worf in full Klingon regalia. Jeremy is dressed in
|
|
a child's version of the Klingon robe. Jeremy and Worf
|
|
are framed by the window of the stateroom. The room is
|
|
dark. Five of the intricate candles are on various
|
|
tables in the B.G. One is lit.
|
|
|
|
Worf removes his sash, and places it across Jeremy's
|
|
shoulders. He and Jeremy take a candle, and walk to
|
|
the lit candle. They light theirs. They go through
|
|
the room lighting the other candles.
|
|
|
|
Worf finishes. Watches Jeremy. He stands looking out
|
|
at the stars.
|
|
|
|
WORF
|
|
SoS jIH batlh SoH.
|
|
|
|
Jeremy has come up behind the Klingon.
|
|
|
|
STAR TREK: "The Bonding" - REV. 8/25/89 - ACT FIVE 57.
|
|
|
|
81 CONTINUED:
|
|
|
|
JEREMY
|
|
What does that mean?
|
|
|
|
WORF
|
|
It honors the memory of our
|
|
mothers. We have bonded and our
|
|
families are stronger.
|
|
|
|
Jeremy looks where Worf is looking.
|
|
|
|
JEREMY
|
|
(softly)
|
|
SoS jIH balth SoH.
|
|
|
|
82 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Moving at warp speed as we
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|