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STAR TREK: THE NEXT GENERATION
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"I, Borg"
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#40275-223
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Teleplay by
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Jeri Taylor
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Directed by
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Robert Lederman
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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MARCH 3, 1992
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STAR TREK: "I, Borg" - REV. 3/04/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"I, Borg"
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CAST
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PICARD THE BORG SURVIVOR
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RIKER
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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GUINAN
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SECURITY GUARD'S COM VOICE
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Non-Speaking Non-Speaking
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SECURITY GUARDS TWO BORG
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NURSES
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SUPERNUMERARIES
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STAR TREK: "I, Borg" - 3/03/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"I, Borg"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM CRASH SITE/MOON SURFACE
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OBSERVATION LOUNGE
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ENGINEERING
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TEN FORWARD
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TRANSPORTER ROOM
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SCIENCE LAB
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DETENTION CELL
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GYMNASIUM
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PICARD'S QUARTERS
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STAR TREK: "I, Borg" - 3/03/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"I, Borg"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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Dropping out of warp speed as it enters a star system.
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PICARD (V.O.)
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Captain's log, stardate 45854.2.
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The Enterprise is charting six
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star systems that make up the
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Argolis cluster, an area being
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considered for colonization.
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2 INT. BRIDGE (OPTICAL)
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PICARD, RIKER, and TROI are in the command area, DATA
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at ops, WORF at tactical; various SUPERNUMERARIES fill
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the other posts as needed.
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A star fills the VIEWSCREEN -- solar flares leap out
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from its surface. All watch the beautiful pyrotechnic
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display except Data, who is taking sensor readings.
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RIKER
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Very impressive...
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TROI
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It's beautiful... and frightening
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at the same time.
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DATA
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(reading console)
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Radiation bursts from the star's
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surface are making precise sensor
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readings difficult. It seems to
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be exhibiting gravitational
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instability.
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Riker and Troi share a smile -- Data's scientific
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perspective precludes his appreciating the beauty of
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what they're seeing.
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STAR TREK: "I, Borg" - REV. 3/5/93 - TEASER 2.
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2 CONTINUED:
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DATA
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The star's fluctuations are too
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severe. It would be impossible
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to settle any of the planets
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in this system.
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When no one acknowledges his report, he turns and looks
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behind him. Everyone is watching the bursts of fire
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that snake up from the star's surface.
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DATA
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I suggest we proceed to the next
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system. Its sun is a stable main
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sequence star.
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PICARD
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In a moment, Mister Data.
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Data looks at their faces, then to the viewscreen.
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He realizes what is going on, then returns to what he
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finds more interesting: the sensor readings. After
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a moment:
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DATA
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Sir, I am detecting a
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transmission... emanating from
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within this system
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RIKER
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What kind of signal?
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DATA
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It is self-repeating... of unknown
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pattern.
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PICARD
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Where is it coming from?
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DATA
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A small moon orbiting the fourth
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planet.
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PICARD
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Life signs?
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STAR TREK: "I, Borg" - REV. 3/5/93 - TEASER 3.
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2 CONTINUED: (2)
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DATA
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Indeterminate. I am attempting
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to screen out sensor
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interference...
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(he manipulates a few
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controls)
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Readings are still inconclusive;
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however, the moon's atmosphere is
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capable of supporting life.
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RIKER
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Then it could be a distress call.
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Riker looks to Picard, who nods briefly.
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RIKER
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Helm, take us into transport
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range.
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(to com)
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Doctor Crusher, we need a medical
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away team in transporter room two.
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BEVERLY'S COM VOICE
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Acknowledged.
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Riker heads for the turbolift, nodding for Worf to
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follow.
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3 EXT. THE CRASH SITE - TWILIGHT (OPTICAL)
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PAN ACROSS a snowy, frozen landscape to take in the
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scattered wreckage of a crashed spacecraft -- charred
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metal and ship's innards litter the area. The AWAY
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TEAM (BEVERLY, Riker, Worf) MATERIALIZES in the
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foreground. Beverly scans with her medical tricorder.
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BEVERLY
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I'm reading one life form... very
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weak signs.
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She follows her readings toward the heart of the
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wreckage.
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4 CLOSE - BEVERLY
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she sees something...
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STAR TREK: "I, Borg" - REV. 3/5/93 - TEASER 4.
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5 WIDEN
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to reveal a person's legs emerging out from under some
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debris. She gestures for Riker and Worf to help her
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and they lift it off.
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6 ANGLE - BEVERLY, RIKER AND WORF
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as they see the survivor's face for the first time.
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7 ANGLE - THE SURVIVOR
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We understand why they reacted as they did -- the
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survivor is a Borg...
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FADE OUT.
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END OF TEASER
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STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 5.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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8 EXT. THE CRASH SITE -- MOMENTS LATER
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Beverly is scanning the survivor's still form; she
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checks a reading and administers the appropriate hypo.
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The Borg is an adolescent male -- one of his arms is a
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mechanical prosthetic, as is one of his eyes. Riker
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stands, his face is troubled. Worf has already drawn
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his phaser; Riker raises a hand that it's all right,
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then keys his combadge.
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RIKER
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Riker to Enterprise.
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PICARD'S COM VOICE
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Go ahead, Number One.
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RIKER
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We've found the wreckage of a
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small craft... and one survivor.
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9 INT. BRIDGE
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RIKER'S COM VOICE
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It's a Borg.
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Picard's features seem to darken.
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RIKER'S COM VOICE
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(continuing)
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Male, adolescent -- he's badly
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hurt.
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When Picard says nothing:
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DATA
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There is no indication of other
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Borg activity within sensor range.
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Picard betrays no sign of having heard him; he is
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weighing the options. After a moment:
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PICARD
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Away team, prepare to return to
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the ship.
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STAR TREK: "I, Borg" - 3/03/92 - ACT ONE 6.
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10 EXT. THE CRASH SITE
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Riker and Beverly react.
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BEVERLY
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We can't leave him here, he won't
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survive.
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When Picard doesn't answer, Riker steps in:
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RIKER
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I think the captain understands
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that.
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BEVERLY
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Then I don't.
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RIKER
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The Borg usually collect their
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dead --
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BEVERLY
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He's not dead --
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RIKER
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And that transmission --
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BEVERLY
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-- at least not yet --
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RIKER
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That transmission we intercepted
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was probably a homing signal.
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We have to assume they're on their
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way.
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BEVERLY
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(acknowledging this)
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At least let me stabilize his
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condition, give him a chance of
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surviving until they get here.
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Riker can't ignore this plea.
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RIKER
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Captain?
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11 INT. BRIDGE - ON PICARD
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PICARD
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Your concern is noted, Doctor.
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But any intervention on your part
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would only alert the Borg to our
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having been here.
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STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 7.
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12 EXT. CRASH SITE (OPTICAL)
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Throughout this exchange, Beverly has never stopped
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treating the Borg.
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BEVERLY
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I'm afraid we've already turned
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that corner.
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She passes a wound-sealer (OPTICAL) over the Borg's
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forehead as she says this, closing a nasty gash and
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stopping the bloodflow.
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WORF
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Kill it. Now. We could make it
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appear that it died in the crash
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-- leave no evidence that we were
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here.
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Worf's solution is harsh, but it has the virtue of
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showing what's at stake here. Without waiting for
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a reply, he moves off to investigate the surroundings.
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Riker waits for the captain's reaction.
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13 INT. BRIDGE
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Picard doesn't like either of his options.
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Reluctantly, he chooses to allow Beverly to continue.
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PICARD
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Security measures must be taken
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before we beam it on board.
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14 EXT. CRASH SITE
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Relieved, Beverly smiles, and continues her
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ministrations.
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BEVERLY
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Standing by...
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15 INT. BRIDGE
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PICARD
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Mister Data, notify security to
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prepare a detention cell.
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(to com)
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Bridge to engineering.
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STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 8.
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15 CONTINUED:
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GEORDI'S COM VOICE
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La Forge here.
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PICARD
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We're bringing a Borg survivor
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on board. We'll need to
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neutralize the homing signal --
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16 INT. ENGINEERING
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GEORDI at a science station.
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PICARD'S COM VOICE
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(continued)
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-- prevent it from sending or
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receiving transmissions of any
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kind.
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GEORDI
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I'll set up a subspace damping
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field around the detention cell.
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17 EXT. CRASH SITE -- A FEW MINUTES LATER
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Worf has discovered several other dead Borg scattered
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among the shuttle debris. He returns to Riker and
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Beverly, who is still treating the injured Borg.
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WORF
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There are four others. None
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survived.
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PICARD'S COM VOICE
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Picard to Riker.
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RIKER
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Go ahead, Enterprise.
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PICARD'S COM VOICE
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We're transporting you directly
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to the detention cell.
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BEVERLY
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I need him in sickbay --
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PICARD'S COM VOICE
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The cell, Doctor. Whatever
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equipment you need will be brought
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to you there.
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Beverly doesn't like it -- but backs down.
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STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 9.
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17 CONTINUED:
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BEVERLY
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Very well.
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17A INT. BRIDGE
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There is a moment as Picard accepts this; then, without
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a word, he stands and EXITS to his ready room. Troi
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looks after him for a beat, then rises.
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17B INT. READY ROOM
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Picard is rounding his desk as the door CHIMES. He
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stops, glances toward it, seems mildly irritated.
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PICARD
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Come.
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The door opens and Troi comes in. Picard continues on
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to his chair and busies himself with his monitor.
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TROI
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Captain... I just wondered if
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there's anything you wanted to
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talk about.
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PICARD
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I don't think so, Counselor.
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A brief pause as he continues to fiddle with his
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monitor. Troi understands this man well... how
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difficult it is for him to acknowledge weakness.
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TROI
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I would have thought that
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having a Borg on the ship would
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stir some feelings...
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PICARD
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I am quite recovered from my
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experience, thank you.
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TROI
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Sometimes... even when a victim
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has dealt with his assault...
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there are residual effects of the
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event that linger. You were
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treated violently by the Borg...
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kidnapped, assaulted, mutilated
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--
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STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 10.
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17B CONTINUED:
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PICARD
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Counselor --
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Hearing his own somewhat sharp tone, he checks himself,
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sees Troi looking at him imperturbably.
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PICARD
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Counselor, I very much appreciate
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your concern for me. But I assure
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you, it is misplaced.
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He glances at Troi, still watching him.
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PICARD
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I have carefully considered the
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implications of having this Borg
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on the ship. I have weighed the
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possible risks, and I am convinced
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we've done the right thing.
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(beat)
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I am quite comfortable with my
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||
decision.
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||
He is, of course, avoiding how he feels about the Borg
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||
-- an omission of which Troi is quite aware.
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TROI
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I see. Well, if at any point you
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want to talk more...
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PICARD
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I will certainly avail myself of
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your help.
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But he has shut her out. She EXITS, sensing that the
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||
captain has some rough times ahead.
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18 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the moon.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/09/92 - ACT ONE 11.
|
||
|
||
19 INT. THE DETENTION CELL (OPTICAL)
|
||
|
||
Picard approaches Geordi, Worf, and two SECURITY
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PERSONNEL who stand outside the force field. A NURSE
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||
is just entering the cell.
|
||
|
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WORF
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(to Security Guard)
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Lower the force field.
|
||
|
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The force field briefly flares to let her through, then
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||
is reinstated. Beverly is already inside, working on
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the Borg. As Picard approaches, Worf addresses him.
|
||
|
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WORF
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Captain, the Borg is still
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unconscious.
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||
|
||
Beverly looks up at Picard. His face shows nothing of
|
||
what he might be feeling.
|
||
|
||
BEVERLY
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He suffered massive internal
|
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injuries. We've got the
|
||
hemorrhaging under control, but
|
||
some of the implants in his brain
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||
were damaged. I may have to
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||
remove them.
|
||
|
||
PICARD
|
||
The Borg will die if they're
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||
removed permanently. Their brains
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||
grow dependent on the biochips.
|
||
|
||
BEVERLY
|
||
Perhaps Geordi could construct
|
||
new implants...
|
||
|
||
GEORDI
|
||
They contain relatively
|
||
straightforward programming,
|
||
interface protocols... we have
|
||
the files we downloaded after your
|
||
experience, sir. I think I could
|
||
manage it.
|
||
|
||
Picard muses for a moment... turning something over
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||
in his mind.
|
||
|
||
PICARD
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||
Mister La Forge... do you have
|
||
enought knowledge of Borg
|
||
programming to alter the pathways
|
||
to the root command structure?
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT ONE 12-13.
|
||
|
||
19 CONTINUED:
|
||
|
||
GEORDI
|
||
I'm not sure, sir. The
|
||
subroutines are pretty
|
||
complicated... I'd probably have
|
||
to study their data processing
|
||
algorithms... that's the only way
|
||
I could trace the access codes.
|
||
|
||
Picard turns, looks for a moment at the
|
||
still-unconscious Borg.
|
||
|
||
PICARD
|
||
If we could get to the root
|
||
command... we could introduce an
|
||
invasive programming sequence
|
||
through its biochip system...
|
||
and then return it to the hive.
|
||
|
||
GEORDI
|
||
(getting it)
|
||
The Borg are so interconnected
|
||
it would spread like a virus.
|
||
|
||
PICARD
|
||
Until it infected the entire
|
||
Collective. We could disable
|
||
their neural network in one
|
||
stroke.
|
||
|
||
BEVERLY
|
||
Infected... it sounds like you're
|
||
talking about a disease.
|
||
|
||
PICARD
|
||
Quite right, Doctor. And if all
|
||
goes well, a terminal one.
|
||
|
||
Picard's demeanor is icy; Geordi, Beverly and Worf
|
||
have mixed reactions as:
|
||
|
||
20
|
||
thru OMITTED
|
||
21
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT TWO 14.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
22 INT. OBSERVATION LOUNGE
|
||
|
||
Riker, Data, Beverly, and Troi; Picard and Geordi have
|
||
just finished explaining their plan. Of the group,
|
||
Beverly has the most troubled response.
|
||
|
||
GEORDI
|
||
If this works the way I think it
|
||
will, once the invasive program
|
||
starts spreading, it'll only be
|
||
a matter of months before the Borg
|
||
suffer total systems failure.
|
||
|
||
There is a silence at this. Picard looks around the
|
||
room.
|
||
|
||
PICARD
|
||
Comments.
|
||
|
||
BEVERLY
|
||
A question. What, exactly, is
|
||
"total systems failure?"
|
||
|
||
Data doesn't recognize the sarcasm in her voice, and
|
||
so answers her straight.
|
||
|
||
DATA
|
||
The Borg are extremely
|
||
computer-dependent. A total
|
||
systems failure will destroy
|
||
them.
|
||
|
||
BEVERLY
|
||
I just think we should be plain
|
||
about that. We're talking about
|
||
annihilating an entire race...
|
||
|
||
PICARD
|
||
Which under most circumstances
|
||
would be unconscionable. But as
|
||
I see it, the Borg leave us little
|
||
choice.
|
||
|
||
RIKER
|
||
I agree. We're at war.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT TWO 15.
|
||
|
||
22 CONTINUED:
|
||
|
||
BEVERLY
|
||
There's been no formal declaration
|
||
of war...
|
||
|
||
TROI
|
||
Not from our side. But certainly
|
||
from theirs. They've attacked
|
||
us in every encounter we've had.
|
||
|
||
PICARD
|
||
They have declared war on our way
|
||
of life. We are to be
|
||
assimilated.
|
||
|
||
BEVERLY
|
||
Even in war, there are rules.
|
||
You don't kill civilians
|
||
indiscriminately.
|
||
|
||
RIKER
|
||
There are no civilians among the
|
||
Borg.
|
||
|
||
PICARD
|
||
Think of them as a single,
|
||
collective being. Any one Borg
|
||
is no more an individual than your
|
||
arm or your leg.
|
||
|
||
BEVERLY
|
||
How convenient.
|
||
|
||
Picard fastens his eyes on her.
|
||
|
||
PICARD
|
||
Your point?
|
||
|
||
BEVERLY
|
||
When I look at my patient, I don't
|
||
see a collective consciousness...
|
||
I don't see a hive... I see a
|
||
living, breathing boy... who's
|
||
been hurt and who needs help.
|
||
And we're talking about sending
|
||
him back to his people as an
|
||
instrument of destruction.
|
||
|
||
Picard turns from her.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT TWO 16.
|
||
|
||
22 CONTINUED: (2)
|
||
|
||
PICARD
|
||
It comes down to this: We are
|
||
faced with an enemy that is
|
||
determined to destroy us, and with
|
||
whom we have no hope of
|
||
negotiating peace. Unless that
|
||
changes, we are justified in doing
|
||
anything we can to survive.
|
||
|
||
SECURITY GUARD'S COM VOICE
|
||
Security to Captain.
|
||
|
||
PICARD
|
||
Picard, here.
|
||
|
||
SECURITY GUARD'S COM VOICE
|
||
The Borg has regained
|
||
consciousness, sir.
|
||
|
||
Reactions...
|
||
|
||
PICARD
|
||
Acknowledged.
|
||
(stands)
|
||
We will proceed as planned.
|
||
|
||
23 INT. DETENTION CELL (OPTICAL)
|
||
|
||
The Borg is moving along the perimeter of the detention
|
||
cell's wall, feeling his way, looking up and down as he
|
||
covers every square inch of the wall. He is a young
|
||
man of about eighteen, and though possessing the
|
||
intimidating Borg characteristics -- prosthetic arm,
|
||
eye, etc. -- he nonetheless exudes the vulnerability of
|
||
youth. A portable SENSOR device is visible in the
|
||
cell. As he encounters the force field, he reacts,
|
||
stepping back and proceeding with his careful
|
||
exploration of the walls.
|
||
|
||
24 ON THE GROUP
|
||
|
||
outside the force field: Picard, Geordi, Beverly, and
|
||
the security team.
|
||
|
||
BEVERLY
|
||
What's he doing?
|
||
|
||
PICARD
|
||
Trying to find an access terminal,
|
||
so he can interface with the
|
||
collective. He doesn't understand
|
||
that the signal has been cut off.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT TWO 17.
|
||
|
||
24 CONTINUED:
|
||
|
||
GEORDI
|
||
(reading the sensor)
|
||
He's emitting a homing signal...
|
||
and a second subspace frequency...
|
||
but our damping field is blocking
|
||
both signals.
|
||
|
||
PICARD
|
||
He's alone. For the first time
|
||
in his life he's being forced to
|
||
cope with his environment without
|
||
the resources of the Collective.
|
||
|
||
Beverly stares at the boy groping the wall.
|
||
|
||
BEVERLY
|
||
He must be hungry.
|
||
|
||
They look at her curiously.
|
||
|
||
BEVERLY
|
||
The Borg don't ingest food --
|
||
their implants can synthesize any
|
||
organic molecules their biological
|
||
tissues require. What they need
|
||
-- is energy.
|
||
|
||
She looks right at Picard, a bit challenging. Picard
|
||
addresses Geordi.
|
||
|
||
PICARD
|
||
Arrange to feed it.
|
||
|
||
GEORDI
|
||
Aye, sir.
|
||
|
||
Picard gives the Borg a last look before he EXITS.
|
||
Beverly and Geordi watch as the Borg continues his
|
||
slow, painstaking groping around the cell, looking for
|
||
something familiar.
|
||
|
||
GEORDI
|
||
I'll have to adapt a power conduit
|
||
and install it in there.
|
||
|
||
Beverly doesn't respond, and he looks at her.
|
||
Beverly's eyes are fixed on the Borg.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT TWO 18.
|
||
|
||
24 CONTINUED: (3)
|
||
|
||
BEVERLY
|
||
If I didn't know better... I'd
|
||
think he was scared.
|
||
|
||
Geordi turns and eyes the Borg, who is feeling
|
||
carefully, high on the wall, for a link-up with home.
|
||
|
||
25 INT. SHIP'S GYMNASIUM
|
||
|
||
Two figures are fencing. It soon becomes clear that
|
||
one of them is less adept than the other. He or she is
|
||
forced to retreat just to stay in the match -- but
|
||
retreat only delays the inevitable. The better fencer
|
||
lunges and makes a touch.
|
||
|
||
The two remove their masks and we realize that Picard
|
||
is the better fencer; his opponent -- is GUINAN.
|
||
|
||
GUINAN
|
||
I don't think I like this sport.
|
||
|
||
PICARD
|
||
Last week when you scored two
|
||
touches on me, you liked it well
|
||
enough.
|
||
|
||
They start walking toward the side of the room, where
|
||
"gym bags" lie on a bench.
|
||
|
||
PICARD
|
||
Today your foil was dipping too
|
||
low... you kept letting me inside.
|
||
|
||
GUINAN
|
||
And if I hold it too high, you
|
||
lunge under it. Let's face it
|
||
-- you're just better at this than
|
||
I am.
|
||
|
||
They reach the bench, sit, pull out towels, wipe their
|
||
faces, taking a breather between encounters. There is
|
||
a silence, somewhat prolonged, as they do what they do,
|
||
and when Guinan finally speaks, it is with forced
|
||
nonchalance.
|
||
|
||
GUINAN
|
||
I hear we have a guest on board.
|
||
|
||
Picard shoots her a glance.
|
||
|
||
PICARD
|
||
Yes.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT TWO 19.
|
||
|
||
25 CONTINUED:
|
||
|
||
Another silence.
|
||
|
||
GUINAN
|
||
Is that wise?
|
||
|
||
PICARD
|
||
I'm not sure. I hope so.
|
||
|
||
Another pause as Guinan stuffs things in her bag.
|
||
There's a lot going on inside, but she's keeping a lid
|
||
on it.
|
||
|
||
GUINAN
|
||
I thought I understood you,
|
||
Picard. But I don't understand
|
||
this.
|
||
|
||
PICARD
|
||
It was an errand of mercy... he
|
||
was injured, Doctor Crusher
|
||
decided for humanitarian reasons
|
||
to care for him --
|
||
|
||
GUINAN
|
||
They'll be coming, you know that.
|
||
You, of all people, know that.
|
||
|
||
Picard knows she's right. He has no answers. He
|
||
changes tacks, rises.
|
||
|
||
PICARD
|
||
Shall we go again?
|
||
|
||
She nods, and they don their masks and go to center
|
||
floor. They advance and retreat a few times, parrying.
|
||
Then Guinan lunges... stumbles... grabs at her leg
|
||
-- she's pulled a muscle.
|
||
|
||
Picard drops his foil and starts toward her in concern.
|
||
Suddenly she is up and on him in a flurry of thrusts,
|
||
and actually knocks the foil from his hand. She takes
|
||
off her mask.
|
||
|
||
GUINAN
|
||
You felt sorry for me. Look what
|
||
it got you.
|
||
|
||
And she holds his look, defiant -- and unquestionably
|
||
angry.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT TWO 20.
|
||
|
||
26 INT. DETENTION CELL (OPTICAL)
|
||
|
||
Geordi and Worf ENTER and cross toward the two Guards,
|
||
who stand to either side of the Borg's cell; Geordi
|
||
is carrying the power conduit he has constructed.
|
||
|
||
GEORDI
|
||
I'll have to go in... to connect
|
||
the power conduit.
|
||
|
||
WORF
|
||
(to Security Guard)
|
||
I will follow the Commander.
|
||
Reactivate the field once we're
|
||
through.
|
||
|
||
Both guards hold their phasers ready. Worf nods to
|
||
the Guard, who drops the force field. Geordi and
|
||
Worf step forward, moving slowly so as not to startle
|
||
the Borg, who is huddled in a corner.
|
||
|
||
GEORDI
|
||
Good, now just stay there.
|
||
|
||
The Borg looks at them; an attachment on his prosthetic
|
||
arm makes a mechanical sound as it spins, adding
|
||
tension to the moment.
|
||
|
||
Geordi moves toward the cell wall where he opens a
|
||
panel and exposes a power terminal. Worf stations
|
||
himself just inside the force field.
|
||
|
||
Geordi begins installing the conduit. The Borg takes a
|
||
step toward him.
|
||
|
||
WORF
|
||
Commander...
|
||
|
||
The Borg stops after one step. His voice has none of
|
||
the metallic edge we've heard from the Borg before.
|
||
|
||
BORG
|
||
We are Borg.
|
||
|
||
Geordi ignores him, he has a pretty good idea of what's
|
||
coming next:
|
||
|
||
BORG
|
||
You will be assimilated.
|
||
|
||
Though annoyed, Geordi continues to ignore him.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT TWO 21.
|
||
|
||
26 CONTINUED:
|
||
|
||
BORG
|
||
Resistance is futile.
|
||
|
||
GEORDI
|
||
(without stopping his
|
||
work)
|
||
Take a look around, pal, you're
|
||
not exactly in a position to make
|
||
demands.
|
||
|
||
The Borg accesses his biochips for instructions.
|
||
|
||
BORG
|
||
We must return to the Collective.
|
||
|
||
Geordi stops and looks at him.
|
||
|
||
GEORDI
|
||
Who's "we?"
|
||
|
||
The Borg seems to consider the question.
|
||
|
||
BORG
|
||
We... are Borg.
|
||
|
||
GEORDI
|
||
There's only one of you.
|
||
|
||
The Borg doesn't reply.
|
||
|
||
GEORDI
|
||
Do you have a name?
|
||
|
||
The Borg doesn't understand.
|
||
|
||
GEORDI
|
||
A means of identification?
|
||
|
||
BORG
|
||
Third, of five.
|
||
|
||
GEORDI
|
||
(figuring it out)
|
||
There were five on your ship...
|
||
Is that it? Just a number?
|
||
|
||
BORG
|
||
Third, of five.
|
||
|
||
GEORDI
|
||
It does kind of suit you.
|
||
|
||
He finishes installing the power conduit.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT TWO 22.
|
||
|
||
26 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
This is for you. It regulates
|
||
the power flow to the frequency
|
||
you're used to...
|
||
(indicating)
|
||
... and this connection should fit
|
||
the coupling on your arm.
|
||
|
||
When no reply is forthcoming.
|
||
|
||
GEORDI
|
||
You're welcome.
|
||
|
||
He gathers his tools and moves toward the force field.
|
||
|
||
GEORDI
|
||
Let's get out of here.
|
||
|
||
WORF
|
||
Lower the force field.
|
||
|
||
The Security Guard lowers the field, then reactivates
|
||
it when Geordi and Worf step through. They turn to
|
||
watch the Borg, who moves toward the conduit. He seems
|
||
suspicious of Geordi's motives, but after a brief
|
||
deliberation, decides to plug in.
|
||
|
||
GEORDI
|
||
He's hungry all right.
|
||
|
||
No optical effect should be necessary to convey the
|
||
sense that power is flowing into his depleted system
|
||
-- his carriage will indicate that he is being
|
||
replenished. He turns and fastens his orb on the two
|
||
of them.
|
||
|
||
BORG
|
||
Why do you do this?
|
||
|
||
GEORDI
|
||
I'm just a nice guy at heart.
|
||
Feeling better?
|
||
|
||
The Borg stares at him.
|
||
|
||
BORG
|
||
You are not-Borg.
|
||
|
||
GEORDI
|
||
That's right. And hope to stay
|
||
that way.
|
||
|
||
The Borg looks at his arm, attached to the power
|
||
conduit, then back at Geordi and Worf. He seems
|
||
perplexed. He is truly adrift, alone in a world he
|
||
cannot understand. He falls back on basic Borg:
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT TWO 23.
|
||
|
||
26 CONTINUED: (3)
|
||
|
||
BORG
|
||
You will be assimilated.
|
||
Resistance is futile.
|
||
|
||
GEORDI
|
||
That's gratitude for you.
|
||
|
||
Off the expressionless face of the Borg we...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 24.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
27 INT. SCIENCE LAB (OPTICAL)
|
||
|
||
Geordi with Beverly, making plans to transport the
|
||
Borg. Geordi has hooked up a power conduit similar
|
||
to the one Geordi set up in the detention cell. There
|
||
are consoles, monitors, equipment, etc.
|
||
|
||
GEORDI
|
||
I've been rationing his portions
|
||
of energy. I think he
|
||
understands -- if he cooperates,
|
||
he gets fed. If not...
|
||
(shrugs)
|
||
|
||
BEVERLY
|
||
Like a rat in a cage.
|
||
|
||
Geordi gives her a look; he knows she's less than
|
||
enthusiastic about this plan. He tries to explain.
|
||
|
||
GEORDI
|
||
If I'm gonna figure out his
|
||
command pathways, I have to learn
|
||
how he processes information.
|
||
The only way I know to do that
|
||
is to give him perceptual tests.
|
||
That means getting his
|
||
cooperation.
|
||
|
||
BEVERLY
|
||
So he can participate in the
|
||
destruction of his entire species.
|
||
|
||
GEORDI
|
||
(frustrated)
|
||
Doctor...
|
||
|
||
BEVERLY
|
||
I know, I know. We're at war.
|
||
|
||
She takes a breath, tries to regain her control.
|
||
|
||
BEVERLY
|
||
I'm here to help you... but I
|
||
don't have to like it.
|
||
|
||
Geordi decides to leave it at that. He surveys the
|
||
room, satisfied that they're ready.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT THREE 25.
|
||
|
||
27 CONTINUED:
|
||
|
||
GEORDI
|
||
I think we're ready to transport
|
||
him. If he gives us any trouble,
|
||
we can access the force field
|
||
through this console.
|
||
(gestures)
|
||
Ready?
|
||
|
||
Beverly nods and he keys his insignia.
|
||
|
||
GEORDI
|
||
La Forge to transporter room three.
|
||
We're ready here.
|
||
|
||
TRANSPORTER CHIEF'S COM VOICE
|
||
We are standing by, Commander.
|
||
|
||
GEORDI
|
||
Energize.
|
||
|
||
The Borg and an N.D. Security Guard MATERIALIZE in
|
||
the lab. The boy looks disoriented, uncertain of his
|
||
surroundings. He looks around the room for anything
|
||
familiar... and spots the power conduit. He lifts his
|
||
prosthetic arm toward it.
|
||
|
||
GEORDI
|
||
You want some?
|
||
|
||
The Borg turns and looks at him. He nods. Geordi
|
||
moves to the conduit and gestures to the Borg to hook
|
||
on. He does. Worf retreats to the door.
|
||
|
||
GEORDI
|
||
Doctor Crusher, this is Third of
|
||
Five. Third of Five, this is our
|
||
ship's doctor.
|
||
|
||
The Borg looks puzzled. He stares at Beverly; what
|
||
she sees is a boy, almost the age of her son, who is
|
||
lost in a strange world.
|
||
|
||
BEVERLY
|
||
(warmly)
|
||
Hello.
|
||
|
||
BORG
|
||
What is a doctor?
|
||
|
||
BEVERLY
|
||
A doctor heals the sick. Repairs
|
||
the injured.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 26.
|
||
|
||
27 CONTINUED: (2)
|
||
|
||
BORG
|
||
The sick and injured are
|
||
reabsorbed. Others take their
|
||
place.
|
||
|
||
BEVERLY
|
||
(gently)
|
||
That didn't happen to you. When
|
||
we found you, you were dying.
|
||
I saved your life.
|
||
|
||
The Borg stares at her, trying to understand this.
|
||
|
||
BORG
|
||
Why?
|
||
|
||
BEVERLY
|
||
That's my duty. To help those
|
||
who are hurt.
|
||
|
||
The Borg frowns, trying to understand. He looks at
|
||
his arm, drawing energy from the conduit, and then
|
||
looks up at Geordi.
|
||
|
||
BORG
|
||
You give us food...
|
||
|
||
GEORDI
|
||
Right.
|
||
|
||
BORG
|
||
Is that your duty?
|
||
|
||
Beverly eyes Geordi; he looks a little uncomfortable.
|
||
|
||
GEORDI
|
||
Yeah. That's right.
|
||
|
||
He turns away to a console, begins entering
|
||
instructions.
|
||
|
||
GEORDI
|
||
Listen, Third of Five... Doctor
|
||
Crusher here has repaired a lot
|
||
of the damage to your biochip
|
||
implants. We want to run a few
|
||
tests... see if everything is
|
||
working okay.
|
||
|
||
The Borg looks from one to the other, confused and
|
||
uncertain, but without guile. He is an innocent, and
|
||
it is this quality more than any other that will come
|
||
to play on the Enterprise crew.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/09/92 - ACT THREE 27.
|
||
|
||
27 CONTINUED: (3)
|
||
|
||
BORG
|
||
Tests...
|
||
|
||
BEVERLY
|
||
I'll show you some diagrams...
|
||
ask you some questions about
|
||
them... it's very simple, really.
|
||
|
||
The Borg has nothing to fall back on. Cut off from
|
||
the hive, he is in a sense blind, adrift in a world
|
||
that makes no sense.
|
||
|
||
BORG
|
||
(vaguely)
|
||
You will be assimilated...
|
||
|
||
GEORDI
|
||
Right. But before that happens,
|
||
could we maybe ask you a few
|
||
questions?
|
||
|
||
The Borg looks from one to the other, takes a leap.
|
||
|
||
BORG
|
||
We will answer.
|
||
|
||
GEORDI
|
||
Terrific. Okay, Third of Five,
|
||
right over here...
|
||
|
||
He gestures at the Borg, to get him to come and stand
|
||
in front of the console. The Borg moves uncertainly
|
||
toward it, then stops.
|
||
|
||
BORG
|
||
What is your designation?
|
||
|
||
GEORDI
|
||
Designation?
|
||
|
||
BORG
|
||
(indicating himself)
|
||
Third, of Five...
|
||
|
||
BEVERLY
|
||
You mean our names. We don't have
|
||
designations -- we have names.
|
||
I'm Beverly...
|
||
(points)
|
||
This is Geordi.
|
||
|
||
The Borg puzzles over this.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/09/92 - ACT THREE 27A.
|
||
|
||
27 CONTINUED: (4)
|
||
|
||
BORG
|
||
Do I have a -- name?
|
||
|
||
GEORDI
|
||
Do you want one?
|
||
|
||
BORG
|
||
A name...
|
||
|
||
BEVERLY
|
||
I'm Beverly, this is Geordi...
|
||
(points)
|
||
... and you...
|
||
|
||
BORG
|
||
You...
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 28.
|
||
|
||
27 CONTINUED: (4)
|
||
|
||
BEVERLY
|
||
You...
|
||
|
||
Geordi has a thought.
|
||
|
||
GEORDI
|
||
That's it. Hugh. What do you
|
||
think?
|
||
|
||
BORG
|
||
You.
|
||
|
||
GEORDI
|
||
Not you... Hugh.
|
||
|
||
BORG
|
||
Hugh.
|
||
|
||
Beverly smiles. This is progress.
|
||
|
||
BEVERLY
|
||
All right... I'm Beverly...
|
||
|
||
She points at Geordi.
|
||
|
||
GEORDI
|
||
I'm Geordi...
|
||
|
||
She points at the Borg. He hesitates, then --
|
||
|
||
BORG
|
||
We are Hugh.
|
||
|
||
Geordi and Beverly both smile. Hugh looks from one
|
||
to the other, puzzled at the response. But even he
|
||
looks pleased with himself.
|
||
|
||
28 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the moon.
|
||
|
||
29 INT. SCIENCE LAB (OPTICAL)
|
||
|
||
The Borg is looking at a topographical representation
|
||
of a complex geometric shape DISPLAYED on a SCREEN
|
||
(where shaded lines represent the far side of the shape
|
||
as seen through its solid mass).
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT THREE 29.
|
||
|
||
29 CONTINUED:
|
||
|
||
BEVERLY
|
||
Now imagine what this shape would
|
||
look like if it were turned inside
|
||
out.
|
||
|
||
She changes the display to show three choices; all are
|
||
quite complex and not very obviously different from
|
||
each other.
|
||
|
||
BEVERLY
|
||
Which one is it?
|
||
|
||
Geordi's face shows that even he's not sure which one
|
||
it is.
|
||
|
||
BORG
|
||
This one.
|
||
|
||
BEVERLY
|
||
That's right.
|
||
(to Geordi)
|
||
He's gotten every one -- eight
|
||
for eight. That blows the top
|
||
right off the spatial acuity
|
||
percentiles.
|
||
|
||
GEORDI
|
||
It's the prosthetic eye... it
|
||
seems to be giving him very
|
||
complex visual information...
|
||
|
||
BEVERLY
|
||
Like some kind of holographic
|
||
imaging system.
|
||
|
||
GEORDI
|
||
That could be helpful.
|
||
|
||
He turns to the Borg, who has been following this
|
||
interchange with some fascination.
|
||
|
||
GEORDI
|
||
Hugh, I'd like to take a closer
|
||
look at your eyepiece. Is that
|
||
okay?
|
||
|
||
To Geordi's surprise, Hugh reaches up and with one
|
||
quick motion, removes his eyepiece.
|
||
|
||
BORG
|
||
Here.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT THREE 30.
|
||
|
||
29 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Well... thanks.
|
||
|
||
He takes the eyepiece and begins inspecting it. During
|
||
the next, he studies the device, but keeps getting
|
||
drawn to the conversation between the Borg and Beverly.
|
||
|
||
BORG
|
||
When you are assimilated, you will
|
||
have a similar device.
|
||
|
||
BEVERLY
|
||
Hugh, do you understand that we
|
||
don't want to be assimilated?
|
||
|
||
BORG
|
||
Why do you resist us?
|
||
|
||
BEVERLY
|
||
Because... we don't want to live
|
||
the way you do.
|
||
|
||
The Borg seems to puzzle over this.
|
||
|
||
BORG
|
||
Here it is quiet. There are no
|
||
other voices.
|
||
|
||
GEORDI
|
||
Other voices?
|
||
|
||
BORG
|
||
On a Borg ship we live with the
|
||
thoughts of the others in our
|
||
minds. Thousands of voices...
|
||
with us always.
|
||
|
||
Beverly is touched by this spontaneous outpouring of
|
||
the pleasures of Borg life. She realizes once more
|
||
how alien it must be for him here.
|
||
|
||
BEVERLY
|
||
I think what you're saying... is
|
||
that you're lonely.
|
||
|
||
The Borg frowns, not exactly understanding the concept.
|
||
Geordi gives him back the eyepiece.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 31.
|
||
|
||
29 CONTINUED: (3)
|
||
|
||
GEORDI
|
||
Here you go.
|
||
|
||
The Borg reinserts the eyepiece, then studies the two
|
||
of them.
|
||
|
||
BORG
|
||
When you have completed these
|
||
tests, what will be done with us?
|
||
|
||
It is an innocent question, devoid of guile. Geordi
|
||
feels a bit uncomfortable, falls back on a partial
|
||
truth.
|
||
|
||
GEORDI
|
||
We'll send you home.
|
||
|
||
Hugh nods at this, seeming almost buoyed.
|
||
|
||
BORG
|
||
We will rejoin the Collective.
|
||
|
||
Geordi and Beverly exchange a glance... Geordi seems
|
||
almost as troubled as Beverly about what they're doing.
|
||
|
||
30 INT. TEN FORWARD
|
||
|
||
Geordi at the bar; Guinan listening.
|
||
|
||
GEORDI
|
||
It's funny... when I first started
|
||
out, I had no problem with
|
||
creating this invasive program...
|
||
but the more I work with Hugh,
|
||
the more I --
|
||
|
||
GUINAN
|
||
Hugh?
|
||
|
||
GEORDI
|
||
That's the name we gave him.
|
||
|
||
GUINAN
|
||
You named a Borg...
|
||
|
||
GEORDI
|
||
Yeah.
|
||
(a little defensive)
|
||
It was easier to have something
|
||
to call him.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 32.
|
||
|
||
30 CONTINUED:
|
||
|
||
GUINAN
|
||
Okay, so now you have a Borg named
|
||
Hugh...
|
||
|
||
GEORDI
|
||
And... he's not anything like I'd
|
||
expected.
|
||
|
||
GUINAN
|
||
How so?
|
||
|
||
GEORDI
|
||
I don't know... he's... he just
|
||
seems like a kid.. a long way from
|
||
home...
|
||
|
||
Guinan eyes him skeptically.
|
||
|
||
GUINAN
|
||
You're the second person today
|
||
that's talked about this Borg as
|
||
if he were a lost child...
|
||
|
||
GEORDI
|
||
And now I'm having second thoughts
|
||
about what we're doing.
|
||
Programming him like a walking
|
||
bomb... sending him back to
|
||
destroy the others...
|
||
|
||
Guinan leans down to him. Again, the strain of anger
|
||
wells up in her, and she speaks with intensity.
|
||
|
||
GUINAN
|
||
This "kid's" big brothers are
|
||
going to hunt us down. They won't
|
||
rest until they have him back.
|
||
And they'll destroy us in the
|
||
process -- without any of this
|
||
soul-searching you're going
|
||
through.
|
||
|
||
GEORDI
|
||
Maybe you should go talk to him.
|
||
It might not seem so clear cut
|
||
then.
|
||
|
||
GUINAN
|
||
I wouldn't have anything to say.
|
||
|
||
Geordi swings off the stool.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 33.
|
||
|
||
30 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Then why don't you just listen?
|
||
That's what you do best, isn't
|
||
it?
|
||
|
||
And he's gone, leaving Guinan with a welter of
|
||
feelings.
|
||
|
||
31 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the moon where the Borg ship was found.
|
||
|
||
32 INT. BRIDGE
|
||
|
||
Picard ENTERS from his ready room. Data is at ops,
|
||
Riker is standing, looking over his shoulder.
|
||
|
||
PICARD
|
||
What is it, Number One?
|
||
|
||
RIKER
|
||
We've picked up a vessel on long
|
||
range scanners, headed this way.
|
||
|
||
Picard knows very well who it might be.
|
||
|
||
PICARD
|
||
Analysis.
|
||
|
||
DATA
|
||
The vessel is traveling at warp
|
||
seven-point-six. Mass:
|
||
two-point-five million metric
|
||
tons, configuration: ...cubical.
|
||
|
||
RIKER
|
||
The Borg...
|
||
|
||
DATA
|
||
Its dimensions indicate that it
|
||
is a scout ship similar to the
|
||
one that crashed.
|
||
|
||
When Picard says nothing:
|
||
|
||
DATA
|
||
Interference from the star's
|
||
radiation will shield us from
|
||
their sensors. We should remain
|
||
undetected until they enter this
|
||
system.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT THREE 34.
|
||
|
||
32 CONTINUED:
|
||
|
||
PICARD
|
||
How long do we have?
|
||
|
||
DATA
|
||
At present speed they will arrive
|
||
in thirty-one hours, seven
|
||
minutes.
|
||
|
||
33 ANGLE - PICARD
|
||
|
||
The concern on his face is evident.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 35.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
34 INT. DETENTION CELL
|
||
|
||
Guinan ENTERS and crosses toward the cell where the
|
||
Borg is being held. She and the security guards
|
||
exchange a nod.
|
||
|
||
35 CLOSE - GUINAN
|
||
|
||
as she sees the Borg for the first time. Myriad
|
||
feelings rise in her.
|
||
|
||
36 ANGLE - BORG
|
||
|
||
as he sees her. He moves forward in a curious,
|
||
friendly way. They stare at each other for a moment.
|
||
|
||
GUINAN
|
||
Well... you don't look so tough.
|
||
|
||
BORG
|
||
(a bit puzzled)
|
||
We are Borg.
|
||
|
||
A silence as she inspects him.
|
||
|
||
GUINAN
|
||
I hear they gave you a name.
|
||
|
||
A little flicker of -- pride? -- from the Borg, who
|
||
nods.
|
||
|
||
BORG
|
||
Yes. We are Hugh.
|
||
|
||
She stares at him, a bit challenging, as though waiting
|
||
for him to speak.
|
||
|
||
GUINAN
|
||
Well? Aren't you going to tell
|
||
me I have to be assimilated?
|
||
|
||
BORG
|
||
You wish to be assimilated... ?
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 36.
|
||
|
||
36 CONTINUED:
|
||
|
||
GUINAN
|
||
No, I don't wish. But that's what
|
||
you people do.
|
||
|
||
The Borg nods. He's getting a real strong message
|
||
about how people don't want to become part of the
|
||
collective.
|
||
|
||
GUINAN
|
||
Resistance is futile. Right?
|
||
|
||
Hugh repeats the litany, but it sounds halting and
|
||
tentative.
|
||
|
||
BORG
|
||
Resistance is futile...
|
||
|
||
GUINAN
|
||
I've got news for you. It isn't.
|
||
Some of my ancestors resisted the
|
||
Borg, when you came to assimilate
|
||
us. A few escaped.
|
||
|
||
BORG
|
||
(confused)
|
||
Resistance is not futile...
|
||
|
||
GUINAN
|
||
No...
|
||
|
||
She looks at him, caught off guard a moment by his
|
||
admission, but still needing to vent her pain.
|
||
|
||
GUINAN
|
||
But thanks to you, there aren't
|
||
many of us. We're scattered
|
||
around the galaxy... we have no
|
||
home... we don't even have each
|
||
other.
|
||
|
||
The Borg takes this in, considers, is reminded of
|
||
something he recently heard.
|
||
|
||
BORG
|
||
What you are saying... is that
|
||
you are lonely.
|
||
|
||
Guinan stares at him, not believing what she's heard.
|
||
|
||
GUINAN
|
||
What... ?
|
||
|
||
BORG
|
||
You have no others. You have no
|
||
home.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/06/93 - ACT FOUR 37.
|
||
|
||
36 CONTINUED: (2)
|
||
|
||
Guinan is taken aback. The Borg stares at her, touches
|
||
his chest.
|
||
|
||
BORG
|
||
We are also lonely.
|
||
|
||
And she has no answer.
|
||
|
||
37 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the moon.
|
||
|
||
38 INT. SCIENCE LAB
|
||
|
||
Geordi is with the Borg. Worf is not present -- they
|
||
are alone, attesting to the comfort Geordi is feeling
|
||
about Hugh's presence. Geordi is working with the
|
||
prosthetic armpiece while Hugh watches with interest.
|
||
|
||
BORG
|
||
What is Geordi doing?
|
||
|
||
GEORDI
|
||
Just studying the components in
|
||
your prosthesis.
|
||
|
||
BORG
|
||
Why?
|
||
|
||
Geordi glances at him. He's more and more
|
||
uncomfortable with the task he's been assigned.
|
||
|
||
GEORDI
|
||
We're just trying to learn more
|
||
about you.
|
||
|
||
BORG
|
||
Why?
|
||
|
||
Hugh is as persistent as a four-year-old who's learned
|
||
the word "why?"
|
||
|
||
GEORDI
|
||
You're very different from us.
|
||
Part of what we do is to learn
|
||
more about other species.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 38.
|
||
|
||
38 CONTINUED:
|
||
|
||
BORG
|
||
We assimilate species. Then we
|
||
know everything about them.
|
||
|
||
GEORDI
|
||
Yeah. I know.
|
||
|
||
BORG
|
||
Is that not easier?
|
||
|
||
GEORDI
|
||
Maybe it is. It's just not what
|
||
we do.
|
||
|
||
BORG
|
||
Why?
|
||
|
||
Geordi sighs, puts the armpiece down. He struggles
|
||
for a way to explain.
|
||
|
||
GEORDI
|
||
Think about it this way. Every
|
||
time you talk about yourself, you
|
||
use the word "we." We do this,
|
||
we do that... you don't know how
|
||
to think of yourself as a single
|
||
individual. You don't say, "I
|
||
want this," or "I am Hugh."
|
||
|
||
The Borg stares at him, trying to follow.
|
||
|
||
GEORDI
|
||
We are all separate individuals.
|
||
I am Geordi. I choose what I want
|
||
to do with my life. I make
|
||
decisions for myself. For people
|
||
like me, losing that individuality
|
||
-- is almost worse than dying.
|
||
|
||
There is a silence. Hugh ponders this.
|
||
|
||
BORG
|
||
When you sleep... there are no
|
||
voices in your mind.
|
||
|
||
GEORDI
|
||
No.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 39.
|
||
|
||
38 CONTINUED: (2)
|
||
|
||
BORG
|
||
Are you ever...
|
||
(testing the new word)
|
||
... lonely?
|
||
|
||
A bit of a smile from Geordi.
|
||
|
||
GEORDI
|
||
Sometimes. But that's why we have
|
||
friends.
|
||
|
||
BORG
|
||
Friends...
|
||
|
||
GEORDI
|
||
Sure. Someone you talk to...
|
||
who can be with you when you're
|
||
lonely... who makes you feel
|
||
better.
|
||
|
||
What is almost a smile passes over Hugh. With utter
|
||
simplicity, he gazes at Geordi, understanding the
|
||
concept fully.
|
||
|
||
BORG
|
||
Like Geordi... and Hugh.
|
||
|
||
Geordi stares at him. Stricken.
|
||
|
||
39 INT. OBSERVATION LOUNGE
|
||
|
||
Geordi and Data are showing Picard the programming
|
||
anomaly they've designed. A topographical map of a
|
||
complex geometric shape is displayed on the wall
|
||
monitor. There is something odd about it, like an M.C.
|
||
Escher drawing, where perspective is played with.
|
||
|
||
GEORDI
|
||
That's it, Captain.
|
||
|
||
PICARD
|
||
It looks harmless enough.
|
||
|
||
GEORDI
|
||
We had to disguise it as something
|
||
innocuous. The Borg have ways
|
||
of screening out programming
|
||
anomalies.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT FOUR 40.
|
||
|
||
39 CONTINUED:
|
||
|
||
Picard studies the strange form on the monitor.
|
||
|
||
PICARD
|
||
How can a geometric form
|
||
disable a computer system?
|
||
|
||
DATA
|
||
The shape is a paradox. It cannot
|
||
exist in real space or time.
|
||
|
||
GEORDI
|
||
When Hugh's imaging apparatus
|
||
imprints it on his bio-chips,
|
||
he'll try to analyze it.
|
||
|
||
DATA
|
||
He will be unsuccessful, and will
|
||
store the shape in his memory
|
||
banks. It will be shunted to a
|
||
subroutine for further analysis.
|
||
|
||
GEORDI
|
||
When the Borg download his memory,
|
||
they'll incorporate it into their
|
||
network. Then they'll try to
|
||
analyze it.
|
||
|
||
DATA
|
||
It is designed so that each
|
||
approach they take will spawn an
|
||
anomalous solution. The anomalies
|
||
are designed to interact with each
|
||
other, linking together to form
|
||
an endless and unsolvable puzzle.
|
||
|
||
PICARD
|
||
Quite original. How long before
|
||
total systems failure?
|
||
|
||
GEORDI
|
||
Not until the shape has gone
|
||
through several hundred
|
||
computational cycles.
|
||
|
||
PICARD
|
||
When can you begin the process?
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 41.
|
||
|
||
39 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Another twenty hours. Doctor
|
||
Crusher wants to make sure the
|
||
new implants have taken hold.
|
||
|
||
PICARD
|
||
Very well. Proceed as soon as
|
||
you're ready.
|
||
|
||
He turns to walk away, but Geordi follows.
|
||
|
||
GEORDI
|
||
Captain...
|
||
|
||
Picard turns back.
|
||
|
||
GEORDI
|
||
I have to admit... I've been
|
||
having second thoughts about this
|
||
plan.
|
||
|
||
PICARD
|
||
For what reason?
|
||
|
||
GEORDI
|
||
Well... I've been getting to know
|
||
him. The Borg.
|
||
|
||
Picard stares at him.
|
||
|
||
PICARD
|
||
I see.
|
||
|
||
Geordi is uncomfortable under his gaze. He feels the
|
||
need to explain.
|
||
|
||
GEORDI
|
||
He's not what I thought he would
|
||
be, sir. He has feelings... he's
|
||
homesick...
|
||
(shaking his head)
|
||
I don't know... it just seems
|
||
wrong to use him like this.
|
||
|
||
There is a cold silence. Picard doesn't particularly
|
||
want to think about this issue; he'd rather keep his
|
||
emotional distance. He tries to find a way to help
|
||
Geordi keep his.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 42.
|
||
|
||
39 CONTINUED: (3)
|
||
|
||
PICARD
|
||
Centuries ago, when laboratory
|
||
animals were used for research...
|
||
scientists would occasionally
|
||
become attached to the creatures.
|
||
That was a problem if the
|
||
experiment involved killing them.
|
||
(beat)
|
||
I would suggest you unattach
|
||
yourself from the Borg, Mister
|
||
La Forge.
|
||
|
||
GEORDI
|
||
(reluctantly)
|
||
Aye, Captain.
|
||
|
||
And Picard EXITS, leaving Geordi behind, still
|
||
troubled.
|
||
|
||
40 INT. PICARD'S QUARTERS
|
||
|
||
Picard is ready for bed, carrying a cup of tea and a
|
||
book toward the bedroom. The door CHIME sounds.
|
||
|
||
PICARD
|
||
Come.
|
||
|
||
The door opens and there stands Guinan. Surprised,
|
||
Picard gestures her in.
|
||
|
||
PICARD
|
||
Guinan... please, come in.
|
||
|
||
She does. She seems a little uncomfortable.
|
||
|
||
GUINAN
|
||
You sure? Looks like you're all
|
||
set for a quiet evening.
|
||
|
||
PICARD
|
||
I'm delighted to see you. Would
|
||
you like something to drink?
|
||
|
||
GUINAN
|
||
No, thanks.
|
||
|
||
She wanders the room a bit, picking up an artifact and
|
||
setting it down, gazing out the window.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 43.
|
||
|
||
40 CONTINUED:
|
||
|
||
Picard waits patiently, knowing she'll get to whatever
|
||
brought her here in her own time.
|
||
|
||
GUINAN
|
||
I was thinking about how you said
|
||
my foil was dipping the other
|
||
day... maybe I should do some
|
||
exercises... build up a little
|
||
strength in my arm...
|
||
|
||
PICARD
|
||
A strong forearm is always an
|
||
advantage in fencing...
|
||
|
||
GUINAN
|
||
Not to mention tending bar...
|
||
|
||
He waits. She goes to a chair, sits.
|
||
|
||
GUINAN
|
||
About the Borg...
|
||
|
||
Now it's his turn to be wary. What could she have in
|
||
mind about the Borg to bring her here at this hour?
|
||
|
||
GUINAN
|
||
Aren't you just a bit surprised
|
||
by him?
|
||
|
||
PICARD
|
||
Surprised...
|
||
|
||
GUINAN
|
||
Yes. Did you know he has a name?
|
||
|
||
Picard gives her a look -- surprised.
|
||
|
||
GUINAN
|
||
La Forge gave it to him. His
|
||
name's Hugh. And he's lonely.
|
||
|
||
Picard is utterly perplexed, both by what she's saying
|
||
and the fact that it's Guinan saying it.
|
||
|
||
GUINAN
|
||
I don't know what made me go see
|
||
him. La Forge told me I should,
|
||
but I said no.
|
||
|
||
She shakes her head, perplexed by herself.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 44.
|
||
|
||
40 CONTINUED: (2)
|
||
|
||
GUINAN
|
||
And then... I found myself
|
||
standing there, staring at him.
|
||
Curiosity, I figured... just
|
||
curiosity.
|
||
|
||
She breaks off, struggling in a way we haven't seen
|
||
Guinan struggle before.
|
||
|
||
GUINAN
|
||
Picard... I want to hear you say
|
||
that you're sure -- that what
|
||
you're doing is right.
|
||
|
||
Picard exhales. The last thing he wants is another
|
||
assault on his decision.
|
||
|
||
PICARD
|
||
If you've come here to persuade
|
||
me not to use the invasive
|
||
program...
|
||
|
||
GUINAN
|
||
No -- I think I'm asking you to
|
||
persuade me.
|
||
|
||
PICARD
|
||
Two days ago, you were so upset
|
||
about the Borg even being on the
|
||
ship that you tore the foil out
|
||
of my hand. Now you're here
|
||
questioning whether he should be
|
||
treated as an enemy.
|
||
|
||
GUINAN
|
||
I know. But... when you talk to
|
||
him... face to face... can you
|
||
honestly say you have no doubts?
|
||
|
||
PICARD
|
||
(after a beat)
|
||
I haven't talked to him.
|
||
|
||
Guinan is amazed at this.
|
||
|
||
GUINAN
|
||
Why not?
|
||
|
||
PICARD
|
||
I see no need --
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT FOUR 45.
|
||
|
||
40 CONTINUED: (3)
|
||
|
||
GUINAN
|
||
If you're going to use this person
|
||
--
|
||
|
||
PICARD
|
||
It's a Borg, damn it, not a
|
||
person --!
|
||
|
||
GUINAN
|
||
If you're going to use this person
|
||
to destroy his race, don't you
|
||
think you should look him in the
|
||
eye once before you do it?
|
||
(beat)
|
||
Besides... I'm not so sure he is
|
||
Borg anymore.
|
||
|
||
PICARD
|
||
(fed up)
|
||
Because he's been given a name
|
||
by a member of the crew doesn't
|
||
mean he's no longer Borg. Because
|
||
he's young doesn't mean he's
|
||
innocent. He is what he is and
|
||
in spite of the efforts to turn
|
||
him into some kind of pet -- I
|
||
will not alter our plans.
|
||
|
||
Guinan takes this in, eyes him.
|
||
|
||
GUINAN
|
||
Fine. But unless you talk to him
|
||
-- at least once -- you might find
|
||
that decision harder to live with
|
||
than you realize.
|
||
|
||
And on that note, they hold a look.
|
||
|
||
41 INT. READY ROOM (OPTICAL)
|
||
|
||
Picard paces. Then, the call he's been waiting for.
|
||
|
||
WORF'S COM VOICE
|
||
Worf to Captain Picard...
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 46.
|
||
|
||
41 CONTINUED:
|
||
|
||
PICARD
|
||
Yes, Lieutenant.
|
||
|
||
WORF'S COM VOICE
|
||
We are ready to transport.
|
||
|
||
PICARD
|
||
Proceed.
|
||
|
||
Worf and the Borg MATERIALIZE in the ready room.
|
||
Picard stares at the Borg.
|
||
|
||
PICARD
|
||
You may wait outside, Lieutenant.
|
||
|
||
Worf looks from the Borg to Picard -- he doesn't like
|
||
it, but he EXITS. Picard and Hugh regard each other.
|
||
Neither says anything for a moment; Hugh seems
|
||
bewildered by a dawning recognition.
|
||
|
||
BORG
|
||
Locutus...
|
||
|
||
Picard realizes that Hugh recognizes him... this
|
||
presents an opportunity. He looks directly at the
|
||
Borg.
|
||
|
||
PICARD
|
||
Yes. I am Locutus... of Borg.
|
||
|
||
Confused, Hugh accesses his database -- but there is
|
||
nothing there for him.
|
||
|
||
BORG
|
||
Why are you here?
|
||
|
||
PICARD
|
||
This is a primitive culture. I
|
||
am here to facilitate its
|
||
incorporation. Identify yourself.
|
||
|
||
BORG
|
||
Hugh.
|
||
|
||
PICARD
|
||
Identify yourself.
|
||
|
||
BORG
|
||
We are Hugh.
|
||
|
||
PICARD
|
||
This is not a Borg identification.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 47.
|
||
|
||
41 CONTINUED: (2)
|
||
|
||
Hugh hesitates, as though trying to reassess himself.
|
||
|
||
BORG
|
||
Third... of five.
|
||
|
||
PICARD
|
||
This culture will be assimilated.
|
||
|
||
Another hesitation.
|
||
|
||
BORG
|
||
They... do not wish it.
|
||
|
||
PICARD
|
||
Irrelevant.
|
||
|
||
BORG
|
||
They will resist us.
|
||
|
||
PICARD
|
||
Resistance is futile.
|
||
|
||
BORG
|
||
Resistance... is not futile.
|
||
|
||
Picard glares sternly at him. Hugh does not back down.
|
||
|
||
BORG
|
||
Some have escaped.
|
||
|
||
PICARD
|
||
They will be found. It is
|
||
inevitable. All will be
|
||
assimilated.
|
||
|
||
BORG
|
||
Must... Geordi be assimilated?
|
||
|
||
Picard looks at him, amazed.
|
||
|
||
PICARD
|
||
Yes.
|
||
|
||
Hugh hesitates... his thought processes are new,
|
||
strange, uncomfortable.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 48.
|
||
|
||
41 CONTINUED: (3)
|
||
|
||
BORG
|
||
Geordi does not wish it.
|
||
(trying to explain)
|
||
He would rather die than be
|
||
assimilated.
|
||
|
||
PICARD
|
||
Then he will die.
|
||
|
||
Hugh looks up at him, clearly disturbed.
|
||
|
||
BORG
|
||
No. Geordi must not die.
|
||
|
||
Hugh takes a breath, looks straight at Picard.
|
||
|
||
BORG
|
||
Geordi is... a friend.
|
||
|
||
Picard is taken aback by this, but wants to push it a
|
||
bit further.
|
||
|
||
PICARD
|
||
You will assist us in assimilating
|
||
this vessel.
|
||
|
||
Hugh hesitates.
|
||
|
||
PICARD
|
||
You are Borg. You will assist
|
||
us.
|
||
|
||
Hugh takes a breath... then...
|
||
|
||
BORG
|
||
I will not.
|
||
|
||
Picard stares at him... hears him say the word "I." He
|
||
backs off from his Locutus role, amazed by what the
|
||
Borg is manifesting.
|
||
|
||
PICARD
|
||
What did you say?
|
||
|
||
BORG
|
||
I will not assist you.
|
||
|
||
PICARD
|
||
"I"... ?
|
||
|
||
BORG
|
||
Geordi must not be assimilated.
|
||
|
||
STAR TREK: "I, Borg" - 3/03/92 - ACT FOUR 49.
|
||
|
||
41 CONTINUED: (4)
|
||
|
||
PICARD
|
||
But... you are Borg.
|
||
|
||
Another pause...
|
||
|
||
BORG
|
||
No. I am -- Hugh.
|
||
|
||
Picard stares at him. This boy has utterly taken him
|
||
aback. Now Picard is in a true dilemma.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/04/92 - ACT FIVE 50.
|
||
|
||
ACT FIVE
|
||
|
||
FADE IN:
|
||
|
||
42 INT. OBSERVATION LOUNGE
|
||
|
||
Picard, Geordi, Riker, and Beverly. Pick up in
|
||
mid-conversation.
|
||
|
||
PICARD
|
||
... I think I deliberately avoided
|
||
speaking with the Borg because
|
||
I didn't want anything to get in
|
||
the way of our plan.
|
||
(beat)
|
||
But now something has. As far
|
||
as I can tell, he seems to be a
|
||
fully realized individual. He
|
||
has even accepted me as Picard,
|
||
Captain of this ship, and not as
|
||
Locutus.
|
||
|
||
There are varying reactions to this... Geordi and
|
||
Beverly on the positive side, Worf and Riker somewhat
|
||
concerned.
|
||
|
||
GEORDI
|
||
Then... you've reconsidered the
|
||
plan?
|
||
|
||
PICARD
|
||
Yes. If we used him in that
|
||
manner, we'd be no better than
|
||
the enemy we seek to destroy.
|
||
I want other options.
|
||
|
||
A beat as they consider this delicate issue.
|
||
|
||
RIKER
|
||
We could return him to the crash
|
||
site... but we'd have to erase
|
||
his memories of being on the
|
||
Enterprise.
|
||
|
||
STAR TREK: "I, Borg" - REV. 3/5/93 - ACT FIVE 51.
|
||
|
||
42 CONTINUED:
|
||
|
||
BEVERLY
|
||
But... if we erase his memories,
|
||
then who he is, who he's become,
|
||
would be destroyed.
|
||
|
||
RIKER
|
||
Isn't that the point? He'd be
|
||
reassimilated into the hive
|
||
without any questions...
|
||
|
||
GEORDI
|
||
It just seems wrong... we help
|
||
turn him into an individual...
|
||
then we take that away from him...
|
||
|
||
BEVERLY
|
||
Is there a danger that the Borg
|
||
might destroy him -- if they
|
||
discover what's happened?
|
||
|
||
PICARD
|
||
I doubt it. They have nothing
|
||
to gain by that. It's more likely
|
||
they'll simply wipe out his memory
|
||
of this experience.
|
||
|
||
RIKER
|
||
Then either way his memories will
|
||
be erased.
|
||
|
||
PICARD
|
||
But perhaps...
|
||
|
||
He hesitates, realizing that what he is about to say
|
||
might sound improbable.
|
||
|
||
PICARD
|
||
... in the short time before they
|
||
purge those memories... the sense
|
||
of individuality which he has
|
||
gained here will be transmitted
|
||
throughout the Collective.
|
||
|
||
They look at him curiously.
|
||
|
||
PICARD
|
||
Every one of the Borg will have
|
||
the opportunity to experience the
|
||
feeling of... singularity.
|
||
(MORE)
|
||
|
||
|