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1 line
72 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Man of the People"
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#40276-229
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Written by
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Frank Abatemarco
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Directed by
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Rick Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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JULY 24, 1992
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STAR TREK: "Man Of the People" - 07/24/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"Man of the People"
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CAST
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PICARD ALKAR
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RIKER MAYLOR
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DATA TALMADGE (COM VOICE)
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BEVERLY ADMIRAL SIMONS
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TROI YOUNG ENSIGN
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GEORDI LIVA
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WORF JARTH
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ENSIGN JANEWAY
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NURSE OGAWA
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COMPUTER VOICE
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Non-Speaking Non-Speaking
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SUPERNUMERARIES TWO SENTRIES
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TECHNICIAN
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TWO MED TECHS
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TWO SECURITY GUARDS
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A TECHNICIAN, CHIEF DANIELS
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A DOCTOR
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STAR TREK: - "Man Of the People" - 07/24/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"Man of the People"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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TRANSPORTER ROOM
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READY ROOM
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GYM
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CORRIDOR
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TROI'S OFFICE
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TURBOLIFT
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OBS. LOUNGE
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TROI'S QUARTERS
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ENGINEERING
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TEN-FORWARD
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BEVERLY'S OFFICE
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SICKBAY
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ALKAR'S QUARTERS
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MORGUE
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CONFERENCE CHAMBERS ANTEROOM
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(ON SERONIA)
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STAR TREK: "Man Of the People" - 07/27/92 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Man of the People"
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PRONUNCIATION GUIDE
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REKAG REH-kahg
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FRATIS FRAY-tiss
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ROHM GAH Rome-GAH
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SEVI ROHM Sevvy-ROME
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LIVA LEE-vuh
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ALKAR ALL-kar
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STAR TREK: "Man Of The People" - REV. 7/29/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Man of The People"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship is dropping out of warp.
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PICARD (V.O.)
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Captain's Log, Stardate 46071.6.
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We have been called to the aid
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of a transport ship, which has
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been attacked near Rekag-Seronia.
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Hostilities between the two factions
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on that planet have intensified
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recently, threatening an important
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Federation shipping route.
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2 OMITTED
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2A INT. MAIN BRIDGE - (OPTICAL)
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PICARD, WORF, DATA, RIKER, TROI, SUPERNUMERARIES as
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needed.
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DATA
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Captain, sensors have located the
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transport ship. Two Rekag battle
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cruisers are flanking it.
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RIKER
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Red alert. Shields up.
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WORF
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Phasers on line. Photon torpedoes
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armed and ready.
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PICARD
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Is the transport still under
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attack?
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DATA
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The cruisers' weapons are powered
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up... but...
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He observes something new on the console.
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STAR TREK: "Man Of The People" - 7/24/92 - TEASER 2.
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2A CONTINUED:
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DATA
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Sir, the Rekag ships are turning
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and heading out of sensor range.
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RIKER
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They don't want to take on the
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Enterprise...
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DATA
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We are within visual range of the
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transport, Sir.
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PICARD
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On screen.
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We see the disabled Transport, Dorian.
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DATA
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Sensors indicate damage to the
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Dorian's sub space emitters.
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Audio communication only.
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PICARD
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Open a channel, Mister Worf.
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WORF
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Aye, sir.
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PICARD
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This is Captain Jean-Luc Picard
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of the Federation starship
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Enterprise.
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The Dorian Captain replies... but the transmission
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isn't good... staticky, tending to break up.
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TALMADGE'S COM VOICE
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Captain Talmadge of the Dorian.
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Glad you're here... we took some
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shield damage from the Rekag
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ships... but we couldn't have held
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out if they attacked again.
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PICARD
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Do you have injuries? Can we
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assist you in any way?
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TALMADGE'S COM VOICE
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No injuries... but I'd like
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permission to transport a couple
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of guests to your ship.
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STAR TREK: "Man Of The People" - REV. 7/27/92 - TEASER 3.
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2A CONTINUED: (2)
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PICARD
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Of course...
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TALMADGE'S COM VOICE
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We're conveying a mediator to
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Seronia. I think he's the reason
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the Rekags fired on us...
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Now Talmadge really begins to break up.
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TALMADGE'S COM VOICE
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...travelling... negotiations...
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Picard shakes his head in frustration.
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PICARD
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Captain, I'm losing you. Go ahead
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and beam your passengers on
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board...
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Picard turns to Troi.
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PICARD
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Counselor, will you see to our
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guests' needs and then escort them
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to my Ready Room.
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TROI
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Yes, Captain.
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Troi heads for the Turbolift.
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2B INT. TRANSPORTER ROOM (OPTICAL)
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Troi ENTERS the Transporter Room. The Transporter
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TECHNICIAN works the console and AMBASSADOR ALKAR and
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his mother MAYLOR MATERIALIZE.
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Alkar is in his 30's, very attractive. His serenity
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is contrasted by a deep sense of purpose.
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Maylor is an ancient woman, with white hair, craggy
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face, and stooped back. But there is a deeper power
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that emanates from her that is intense -- and
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disquieting. She simmers with rage, and while she is
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not loud or grating, there is a malignancy which
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permeates every word she speaks. She looks right at
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Troi.
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TROI
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I'm Counselor Deanna Troi.
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STAR TREK: "Man Of The People" - REV. 7/28/92 - TEASER 4.
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2B CONTINUED:
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Alkar steps down, hand extended.
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ALKAR
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Ambassador Ves Alkar...
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(gestures)
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... and my mother, Sev Maylor.
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Counselor, it's imperative that
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I speak with your Captain...
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Before Troi can answer, Maylor comes off the stage,
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moves right toward her, locks on and drills into her.
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MAYLOR
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You think he's attracted to you...
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but he isn't. You offer him
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nothing...
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There is a brief, stunned silence. Alkar moves
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smoothly in, takes Maylor's arm.
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ALKAR
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She hasn't been well. Could she
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be taken to quarters?
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TROI
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Of course.
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(to Transporter Chief)
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Chief...
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(to Alkar)
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I'll take you to meet Captain
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Picard...
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The Transporter Chief moves toward Maylor. Alkar
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addresses Maylor, nodding toward the Chief.
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ALKAR
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Go with him...
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Maylor accedes, walks toward the door... but stops and
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looks back at Troi.
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MAYLOR
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Don't pursue him. I won't have
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it... I'll stop you...
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The Transporter Chief eases her out the door. Alkar
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looks apologetically at Troi.
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STAR TREK: "Man Of The People" - 7/24/92 - TEASER 5-6.
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3 CLOSE ON TROI
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hand at her throat, looking not just uncomfortable,
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but deeply upset by this strange and unexpected
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incident.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 7.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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A3 OMITTED
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A4 INT. READY ROOM (OPTICAL)
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Picard and Alkar are talking with Starfleet ADMIRAL
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SIMONS who is on the viewscreen.
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ALKAR
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(with some urgency)
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I am grateful for the
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Federation's offer to escort me,
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but if I arrive at Rekag-Seronia
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on the Enterprise, the armed
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Flagship of Starfleet, my mission
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as a Peace negotiator will be
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compromised. There must be a
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Federation transport ship in the
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area that could take me there.
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PICARD
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With all due respect, Admiral
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-- to put the Ambassador on
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another unarmed transport will
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only invite a second assault.
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ALKAR
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I believe the attack on us was
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an isolated incident, nothing
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more...
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The Admiral pauses, taking in both sides, then --
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STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 7A.
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A4 CONTINUED:
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ADMIRAL
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Ambassador Alkar... the
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Rekag-Seronia dispute has
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threatened Federation ships for
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many months. We are grateful that
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you are willing to undertake this
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mission... and you have our full
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support.
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ALKAR
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Thank you, sir.
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ADMIRAL
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However, we also recognize that
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safety is an issue -- not just
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yours, but the crew that escorts
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you. To send you on an unarmed
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transport puts everyone at risk.
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I think it's best if you proceed to
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Rekag-Seronia aboard the
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Enterprise.
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STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 8.
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A4 CONTINUED: (2)
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There is a hesitation... Alkar doesn't agree, but
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acquiesces.
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ALKAR
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Then I have no choice.
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ADMIRAL
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Once you get to Rekag-Seronia,
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you may conduct your negotiations
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as you see fit. Until then --
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you'll be in good hands with
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Captain Picard.
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The message of the speech is not lost on Alkar, who
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smiles. Even when he's in disagreement, nothing seems
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to ruffle him.
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ALKAR
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... I understand.
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ADMIRAL SIMONS
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Good luck, and a successful
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journey.
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The Admiral disappears from the Viewscreen. Picard
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looks at Alkar, then--
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PICARD
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Picard to Riker.
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RIKER'S COM VOICE
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Yes, sir?
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PICARD
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Set a course for Seronia.
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4 INT. GYM
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A soft-form martial arts class is in progress (like
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the one in "Clues"); the group wears a form of gi.
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STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 8A.
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4 CONTINUED:
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Worf leads it; Troi is participating -- and Alkar.
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Alkar's skill is evident in the way he moves.
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At one point, Troi looks over and smiles at him.
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Worf completes the final move, then --
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WORF
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That is all for today. There will
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be another class tomorrow at
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oh-seven-hundred hours.
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The group moves off in casual clusters. Troi finds
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herself face to face with Alkar.
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TROI
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The skills are demanding...
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You're very disciplined.
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STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 9.
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4 CONTINUED: (2)
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ALKAR
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I believe in a strong connection
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between body and mind.
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(beat)
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You obviously share that
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conviction.
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She smiles at him.
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TROI
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Yes... Only sometimes I have a
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problem getting my body to conform
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to my mind's wishes...
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He laughs and they EXIT frame.
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4A INT. CORRIDOR
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as they come from the gym.
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TROI
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I would imagine that your
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self-discipline helps you in your
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work...
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He shrugs and smiles in a self-deprecating way.
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ALKAR
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I don't know about that... I think
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maybe my biggest asset is
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patience.
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She gives him a questioning look.
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ALKAR
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I let everybody else talk until
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they're exhausted... then when
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I start, they're too tired to
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argue.
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She smiles at that.
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TROI
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You're going to need all your
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patience at Seronia... I can't
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imagine how you'll get the two
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sides talking to each other...
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Again, his modest smile.
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STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 10.
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4A CONTINUED:
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ALKAR
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Neither can I. I won't know that
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until I get there. I tend to feel
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my way through a situation...
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They have reached a Turbolift, and ENTER it.
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4B INT. TURBOLIFT
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ALKAR
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Deck nine. If I were empathic,
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like you... I'd have a real
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advantage.
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TROI
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I thought Lumerians were
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empathic...
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ALKAR
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Only with each other, not other
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species. So... I don't have any
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idea what you might be feeling
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just now...
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She thinks, smiles to herself.
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TROI
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Curiosity...
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(off his look)
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What I sense from you is very
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unusual. Serenity... calmness...
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tranquility... you seem to embody
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the very qualities you hope to
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draw out in others.
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The Turbolift doors open and they EXIT.
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5 INT. CORRIDOR
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ALKAR
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Tell me, Counselor... have you
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ever been involved in diplomatic
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negotiations?
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TROI
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Several times... with Captain
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Picard. There've been instances
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when having an empath along has
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been helpful.
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STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 10A.
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5 CONTINUED:
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ALKAR
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I'm sure.
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(beat)
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I could use some of that help.
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Would you come with me when we
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reach Seronia?
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TROI
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If the Captain authorizes it, of
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course I will.
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They have reached his quarters.
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ALKAR
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I hope to see you again.
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She smiles in response, and turns to head up the
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corridor. But suddenly the door OPENS -- and there
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stands Maylor, quietly furious, eyes blazing.
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MAYLOR
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You're late.
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ALKAR
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Mother, I told you I would be gone
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for over an hour...
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MAYLOR
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You're late because of her.
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STAR TREK: "Man Of The People" - 7/24/92 - ACT ONE 11.
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5 CONTINUED: (2)
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She turns to Troi, and once again, her ancient,
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glittering eyes bore into Troi like malevolent lasers.
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MAYLOR
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Have you mated with him yet?
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TROI
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What --?
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MAYLOR
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That's what you want, isn't it?
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ALKAR
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Mother, come in, please --
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But Maylor moves toward Troi, who instinctively moves
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back.
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MAYLOR
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I can always tell. The ones with
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a certain look in their eye...
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TROI
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I'd better go...
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Alkar takes his mother's arm, restraining her from
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moving in to Troi, but the venom of her words is
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unstoppable.
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MAYLOR
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I'll tell you this... if you do,
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you will regret it for the rest
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of your life...
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Troi shrinks back from the woman, obviously sensing
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deeply the malevolence that permeates her.
|
|
|
|
ALKAR
|
|
Come on, Mother... you need to
|
|
lie down...
|
|
|
|
He pulls the woman toward the room, her gaze still
|
|
locked intently on Troi's. He gives Troi a helpless
|
|
glance.
|
|
|
|
ALKAR
|
|
I'll see you later...
|
|
|
|
Troi nods and the strange duo disappear into the
|
|
quarters. Troi takes several deep breaths, trying to
|
|
calm herself.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 12.
|
|
|
|
5A INT. TROI'S OFFICE
|
|
|
|
The chime SOUNDS.
|
|
|
|
TROI
|
|
Come in.
|
|
|
|
The door opens and Riker ENTERS, carrying a Padd.
|
|
|
|
RIKER
|
|
Hi. It's that time again...
|
|
|
|
She looks at him, perplexed. She's still distracted by
|
|
the incident with Maylor. Riker lifts the Padd.
|
|
|
|
RIKER
|
|
The dreaded crew evaluation
|
|
reports.
|
|
|
|
Troi makes a slight grimace. Clearly this is no one's
|
|
favorite task.
|
|
|
|
TROI
|
|
Does it have to be today?
|
|
|
|
RIKER
|
|
It won't get any easier tomorrow.
|
|
|
|
TROI
|
|
It might...
|
|
|
|
She takes a breath, obviously troubled.
|
|
|
|
RIKER
|
|
(concerned)
|
|
What is it?
|
|
|
|
TROI
|
|
I've just had a very -- disturbing
|
|
encounter with Alkar's mother.
|
|
(beat, as her feelings
|
|
emerge)
|
|
Wil, she frightens me.
|
|
(MORE)
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT ONE 13.
|
|
|
|
5A CONTINUED:
|
|
|
|
TROI (Cont'd)
|
|
The feelings I sense from her
|
|
are -- malevolent. They're out of
|
|
proportion -- evil.
|
|
|
|
Riker stares at her, knowing that if Troi senses those
|
|
things, they're there. But maybe there's a reason...
|
|
|
|
RIKER
|
|
I understand she's been ill...
|
|
and she's very old -- probably
|
|
senile.
|
|
(a gentle grin)
|
|
Listen... we might all end up like
|
|
that some day.
|
|
|
|
She can't help but smile... and, as usual, Riker has
|
|
made her feel better.
|
|
|
|
TROI
|
|
You're right. Okay, let's get
|
|
through these evaluations. When
|
|
they're done I'm going to reward
|
|
myself with two pieces of fudge.
|
|
|
|
He grins and looks back to the Padd.
|
|
|
|
RIKER
|
|
First, molecular biology.
|
|
Lieutenant Jeffrey Fratis...
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT ONE 13A.
|
|
|
|
5A CONTINUED: (2)
|
|
|
|
RIKER
|
|
She's just a bitter old woman...
|
|
don't give her the power to worry
|
|
you.
|
|
|
|
She smiles at him, grateful, as always, for his
|
|
friendship.
|
|
|
|
TROI
|
|
You're right. Okay, let's get
|
|
through these evaluations. When
|
|
they're done I'm going to reward
|
|
myself with a chocolate brownie.
|
|
|
|
He grins and looks back to the Padd.
|
|
|
|
RIKER
|
|
Next, Physical Sciences.
|
|
Lieutenant Jeffrey Fratis...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 14.
|
|
|
|
5A CONTINUED: (2)
|
|
|
|
WORF'S COM VOICE
|
|
Worf to Commander Riker...
|
|
|
|
RIKER
|
|
Go ahead.
|
|
|
|
WORF'S COM VOICE
|
|
Can you report to Ambassador
|
|
Alkar's quarters? There's an
|
|
emergency.
|
|
|
|
Riker and Troi exchange a quick glance and then Riker
|
|
is out of there, followed by Troi.
|
|
|
|
6 OMITTED
|
|
|
|
7 INT. ALKAR'S QUARTERS - MINUTES LATER
|
|
|
|
Riker and Troi ENTER. BEVERLY has two Med Techs there;
|
|
they are already into life-saving procedures on Maylor,
|
|
who lies sprawled on the floor, unconscious. Troi
|
|
moves to Alkar, who is pale and drained, staring at the
|
|
form on the floor.
|
|
|
|
BEVERLY
|
|
(to med tech)
|
|
Forty cc's inoprovaline.
|
|
|
|
The med tech gives her a hypospray, she administers
|
|
it, watches the portable monitor. Nothing. Beverly
|
|
scans Maylor's body once more, takes a breath, looks
|
|
up at Alkar... shakes her head.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 15-16A
|
|
|
|
7 CONTINUED:
|
|
|
|
RIKER
|
|
I'm sorry, Ambassador.
|
|
|
|
Alkar's jaw tightens and he sags slightly, as though
|
|
his knees feel spongy. When he speaks, his voice is
|
|
slightly husky.
|
|
|
|
ALKAR
|
|
She was ill... I should never have
|
|
brought her along...
|
|
|
|
Alkar turns away in despair.
|
|
|
|
TROI
|
|
Alkar...
|
|
|
|
Troi follows Alker to comfort him. He takes a few
|
|
breaths, gains control.
|
|
|
|
ALKAR
|
|
She was ninety-three... she'd
|
|
lived a long life... I should be
|
|
grateful for that.
|
|
|
|
He glances at Troi.
|
|
|
|
ALKAR
|
|
Counselor... there's a funeral
|
|
meditation... part of our
|
|
rituals... as an empath you're
|
|
the only person on board who could
|
|
perform it with me...
|
|
|
|
TROI
|
|
I'd be glad to help...
|
|
|
|
Off their looks --
|
|
|
|
8 OMITTED
|
|
|
|
9 INT. TROI'S QUARTERS - A LITTLE LATER (OPTICAL)
|
|
|
|
Alkar is opening a small, ornate box. He opens the
|
|
box and takes out a few oddly shaped chunks of dark
|
|
ore, gives one to Troi.
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT ONE 16.
|
|
|
|
8 CONTINUED:
|
|
|
|
ALKAR
|
|
Captain...
|
|
|
|
PICARD
|
|
I wanted to express my
|
|
condolences. This must be a
|
|
difficult time for you.
|
|
|
|
ALKAR
|
|
My mother and I were very close.
|
|
It will be hard to adjust to life
|
|
without her.
|
|
|
|
PICARD
|
|
Do you want to consider postponing
|
|
your visit to Bironi? I'm sure
|
|
everyone would understand...
|
|
|
|
When Alkar replies, there's an edge to his voice --
|
|
the first time we've heard such an overtone.
|
|
|
|
ALKAR
|
|
I'm no less committed to my task
|
|
than I was before my mother died,
|
|
Captain.
|
|
|
|
PICARD
|
|
I was only thinking of your best
|
|
interests...
|
|
|
|
ALKAR
|
|
They will be served if I can bring
|
|
the Bironi and the Rekags
|
|
together. For a lasting peace.
|
|
|
|
The two men eye one another. Then --
|
|
|
|
WORF'S COM VOICE
|
|
Worf to Captain Picard.
|
|
|
|
PICARD
|
|
Go ahead, Mister Worf.
|
|
|
|
WORF'S COM VOICE
|
|
Sensors have picked up a Bironi
|
|
warship... in a parallel course
|
|
just inside sensor range.
|
|
|
|
PICARD
|
|
Yellow alert, Mister Worf.
|
|
|
|
WORF'S COM VOICE
|
|
Aye, sir.
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT ONE 16A.
|
|
|
|
8 CONTINUED: (2)
|
|
|
|
Alkar shakes his head, and again, there is a hint of
|
|
anger in his voice.
|
|
|
|
ALKAR
|
|
You communicate distrust... you
|
|
announce your warlike intentions.
|
|
It's not the way to enter into
|
|
peace negotiations.
|
|
|
|
PICARD
|
|
I must take the necessary
|
|
precautions. One ship you were
|
|
on has already been attacked.
|
|
(beat)
|
|
And I think you'd agree that a
|
|
dead man cannot be a particularly
|
|
effective negotiator.
|
|
|
|
This gets a rise from Alkar... he stifles the instinct
|
|
to step toward Picard... he clenches his fists and
|
|
gains control, then EXITS, leaving Picard to stare
|
|
after him.
|
|
|
|
9 INT. TROI'S QUARTERS - A LITTLE LATER (OPTICAL)
|
|
|
|
Troi sits on a couch, curled up and reading. But she
|
|
seems unable to concentrate. Her eyes drift away from
|
|
the book and she stares into space. Then, the door
|
|
CHIMES. She rises and crosses to it, it opens. Alkar
|
|
stands there. He carries a small, ornate box.
|
|
|
|
ALKAR
|
|
Hello.
|
|
|
|
TROI
|
|
Alkar... come in.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 17.
|
|
|
|
9 CONTINUED:
|
|
|
|
ALKAR
|
|
The meditation... is one of our
|
|
most sacred ceremonies.
|
|
|
|
He leads her to the couch. They sit down. Alkar is
|
|
edgy, and will remain so until the end of the scene.
|
|
|
|
ALKAR
|
|
Hold the stone... like this...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT ONE 18.
|
|
|
|
9 CONTINUED: (2)
|
|
|
|
He demonstrates, cupping the stone in both palms, arms
|
|
outstretched in front of him. Troi mimics him.
|
|
|
|
ALKAR
|
|
Rohm gah... sevi rohm... rohm
|
|
gah...
|
|
(beat)
|
|
Say after me... an end to grief...
|
|
|
|
TROI
|
|
An end to grief...
|
|
|
|
ALKAR
|
|
An end to pain...
|
|
|
|
TROI
|
|
An end to pain...
|
|
|
|
ALKAR
|
|
Strength comes from love...
|
|
|
|
TROI
|
|
Strength comes from love...
|
|
|
|
ALKAR
|
|
And courage from wisdom.
|
|
|
|
TROI
|
|
And courage from wisdom.
|
|
|
|
Troi closes her eyes and concentrates intently. Alkar
|
|
gazes at her for a moment. Then, slowly, he reaches
|
|
out and touches his stone to hers. They both GLOW
|
|
warmly for a brief instant, then die out. He pulls
|
|
his hands away. Troi opens her eyes and he smiles at
|
|
her. Alkar is relieved... calm and composed.
|
|
|
|
ALKAR
|
|
... Thank you.
|
|
|
|
Troi stares at him. She holds both her arms as though
|
|
a chill had passed through her.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT TWO 19.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
10 INT. TROI'S QUARTERS - CLOSE - TROI'S FACE
|
|
|
|
as she looks at herself in the mirror. She runs a
|
|
finger underneath her eye, frowns slightly as if she's
|
|
found an imperfection.
|
|
|
|
11 WIDEN
|
|
|
|
to a full shot. She tugs gently at various points of
|
|
her uniform but can't seem to get comfortable. She
|
|
opens a drawer and rifles through her clothes, but
|
|
summarily decides against all of them. There is an
|
|
edge to her movements that suggests a profound
|
|
dissatisfaction.
|
|
|
|
TROI
|
|
Computer... today's appointment
|
|
calendar.
|
|
|
|
COMPUTER VOICE
|
|
Oh-nine-hundred hours: counseling
|
|
session with Ensign Janeway.
|
|
|
|
Troi gives a look that says, "Not her... " She just
|
|
doesn't feel up to any of this today.
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
Ten Hundred hours: counseling
|
|
session with --
|
|
|
|
TROI
|
|
Cancel them. Cancel everything
|
|
until after lunch.
|
|
|
|
COMPUTER VOICE
|
|
Acknowledged.
|
|
|
|
Troi's mood lightens a bit at the prospect of a free
|
|
morning -- the way she crosses back toward her dresser
|
|
indicates that she knows exactly what to do with it
|
|
and what to wear.
|
|
|
|
12 INT. MORGUE
|
|
|
|
Picard ENTERS to find Beverly near a stasis tube
|
|
which holds the body of Alkar's dead mother.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT TWO 20.
|
|
|
|
12 CONTINUED:
|
|
|
|
PICARD
|
|
You wanted to see me, Doctor?
|
|
|
|
BEVERLY
|
|
Yes... I'm sorry to bother you,
|
|
Captain... but I'm a little
|
|
concerned.
|
|
|
|
She gestures to the body.
|
|
|
|
BEVERLY
|
|
I haven't been able to determine
|
|
the cause of death.
|
|
|
|
Picard gives her a look... Beverly wouldn't usually ask
|
|
him to visit the morgue to tell him something as
|
|
mundane as that.
|
|
|
|
PICARD
|
|
She was elderly... and Alkar said
|
|
she had been ill...
|
|
|
|
BEVERLY
|
|
I found no evidence of disease.
|
|
(beat)
|
|
But I did find abnormally high
|
|
levels of neuro-transmitter
|
|
residue in her cerebral cortex.
|
|
|
|
PICARD
|
|
What are you suggesting -- ?
|
|
|
|
BEVERLY
|
|
I don't know. I'd like to do an
|
|
autopsy... but I've already spoken
|
|
to Alkar. He tells me that
|
|
Lumerian custom forbids it.
|
|
(beat)
|
|
Could you talk to him?
|
|
|
|
Picard considers the ramifications of this action.
|
|
|
|
PICARD
|
|
Do you have any reason to suspect
|
|
her death poses some kind of
|
|
threat to the Enterprise?
|
|
|
|
BEVERLY
|
|
... Well, no.
|
|
|
|
PICARD
|
|
Then I can't see any alternative
|
|
but to comply with his wishes.
|
|
|
|
Beverly understands the reasons for his refusal... but
|
|
she's frustrated.
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT TWO 20A.
|
|
|
|
12 CONTINUED: (2)
|
|
|
|
BEVERLY (Cont'd)
|
|
He tells me that Lumerian custom
|
|
forbids autopsy except in cases
|
|
where contagious disease might
|
|
be involved.
|
|
(beat)
|
|
Could you talk to him?
|
|
|
|
Picard considers the ramifications of this action.
|
|
|
|
PICARD
|
|
We're in the middle of a delicate
|
|
situation. I'd prefer not to go
|
|
to him with this unless you feel
|
|
it's absolutely necessary.
|
|
|
|
BEVERLY
|
|
(understanding)
|
|
I might be able to find other ways
|
|
to investigate. I'll try those
|
|
first.
|
|
|
|
Picard nods his approval and leaves.
|
|
|
|
13 INT. GYM
|
|
|
|
Troi is alone, performing Tai Chi exercises, watching
|
|
her form in the mirror. Her movements are slow,
|
|
controlled; the edge we saw in the previous scene seems
|
|
to have been vented off.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT TWO 21.
|
|
|
|
13 INT. GYM
|
|
|
|
Troi is alone, performing Tai Chi exercises, watching
|
|
her form in the mirror. Her movements are slow,
|
|
controlled; the edge we saw in the previous scene seems
|
|
to have been vented off.
|
|
|
|
But then something strange begins to happen... Her
|
|
movements stray from traditional Tai Chi moves, become
|
|
more free-form, charged with a certain sensuality.
|
|
|
|
She stops, tries to re-focus... begins again... but her
|
|
concentration is gone. She stares at her self in the
|
|
mirror... aware of her body... becoming overwhelmed by
|
|
the sensual feelings that have become aroused in her...
|
|
slowly, she opens the top of her outfit to lower the
|
|
neckline... and then she turns and heads for the exit.
|
|
|
|
14 INT. ALKAR'S QUARTERS
|
|
|
|
Troi stands in the doorway to his quarters, her skin
|
|
flushed, her hair in some disarray... her gi still
|
|
slightly undone. Alkar smiles at her.
|
|
|
|
ALKAR
|
|
Deanna?
|
|
|
|
TROI
|
|
Hello...
|
|
|
|
ALKAR
|
|
Please, come in.
|
|
|
|
She ENTERS, looking around as she does.
|
|
|
|
TROI
|
|
I thought you might like some
|
|
company. Unless you're busy...
|
|
|
|
ALKAR
|
|
Nothing that can't wait. Would
|
|
you like something to drink?
|
|
|
|
TROI
|
|
No.
|
|
|
|
She sits and looks up at him.
|
|
|
|
TROI
|
|
I'd like you to talk to me.
|
|
|
|
He gives her a quizzical smile, moves to sit near her.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT TWO 22.
|
|
|
|
14 CONTINUED:
|
|
|
|
ALKAR
|
|
About... ?
|
|
|
|
TROI
|
|
About you. I don't know anything
|
|
about you. And... I'd like to.
|
|
|
|
He smiles, shrugs.
|
|
|
|
ALKAR
|
|
There's not much to know. I live
|
|
a simple life...
|
|
|
|
TROI
|
|
What kind of woman do you find
|
|
attractive?
|
|
|
|
He looks at her, aware of why she has taken this
|
|
tack.
|
|
|
|
TROI
|
|
Do you find me attractive?
|
|
|
|
A small beat.
|
|
|
|
ALKAR
|
|
Extremely.
|
|
|
|
Troi reaches out, runs a hand through his hair.
|
|
|
|
TROI
|
|
And... when you're attracted to
|
|
someone... what do you usually
|
|
do... ?
|
|
|
|
ALKAR
|
|
That depends... on a lot of
|
|
things...
|
|
|
|
Her hand is now tracing his cheek.
|
|
|
|
TROI
|
|
Is it really so complicated?
|
|
|
|
He takes her hand in his, removes it from his face.
|
|
|
|
ALKAR
|
|
It can be.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT TWO 23.
|
|
|
|
14 CONTINUED: (2)
|
|
|
|
TROI
|
|
Perhaps you overthink things...
|
|
|
|
She leans in to him, her mouth close to his... but he
|
|
backs away, stands.
|
|
|
|
ALKAR
|
|
Deanna...
|
|
|
|
She rises too, not to be denied, and moves close to
|
|
him again.
|
|
|
|
TROI
|
|
I'm here...
|
|
|
|
He turns away from her, gets some distance.
|
|
|
|
ALKAR
|
|
I'm sorry. If I've led you to
|
|
believe...
|
|
(he stops, trying to
|
|
find the way to say
|
|
this)
|
|
You are very beautiful... but our
|
|
relationship can't be -- like
|
|
that.
|
|
|
|
She stares at him, feeling his rejection. She turns
|
|
away, and he takes a step toward her, sorry he's hurt
|
|
her. But she looks back at him, frustration on her
|
|
face, then goes to the door... and he stares after her,
|
|
genuinely distressed to have let her down.
|
|
|
|
15
|
|
thru OMITTED
|
|
18
|
|
|
|
19 INT. TURBOLIFT
|
|
|
|
Troi is alone, trying to sort out her feelings. The
|
|
lift stops to let someone in: a YOUNG ENSIGN in his
|
|
late-twenties. He nods at her and turns to face the
|
|
door.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT TWO 24.
|
|
|
|
19 CONTINUED:
|
|
|
|
ENSIGN
|
|
Deck four.
|
|
|
|
Troi looks up at him... likes what she sees. Her eyes
|
|
bore in to him... he feels the look and turns to her...
|
|
smiles in an innocent way. She smiles back.
|
|
|
|
20 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
cruising at impulse.
|
|
|
|
21 INT. A CORRIDOR
|
|
|
|
as Riker makes his way down it, carrying a Padd.
|
|
He stops outside Troi's quarters and sounds the door
|
|
chime. After a moment the door opens and Troi greets
|
|
him in a robe.
|
|
|
|
TROI
|
|
(surprised to see him)
|
|
Wil...
|
|
|
|
RIKER
|
|
We were going to finish the crew
|
|
evaluation reports...
|
|
|
|
TROI
|
|
Of course, come in.
|
|
|
|
22 INT. TROI'S QUARTERS
|
|
|
|
as Riker steps in to the main room and sees, in the
|
|
bedroom, the young Ensign sitting on the edge of Troi's
|
|
bed putting on his boots. His eyes fairly pop out of
|
|
his head when he sees Riker and he instinctively stands
|
|
at attention.
|
|
|
|
ENSIGN
|
|
Sir!
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT TWO 25.
|
|
|
|
22 CONTINUED:
|
|
|
|
RIKER
|
|
(bemused)
|
|
As you were.
|
|
|
|
ENSIGN
|
|
Yes, sir. Thank you, sir.
|
|
|
|
The young man grabs at his remaining boot.
|
|
|
|
ENSIGN
|
|
I was just leaving.
|
|
|
|
Riker can't help but smile at his haplessness... but
|
|
Troi isn't amused. As the Ensign passes by them,
|
|
trying to be dignified...
|
|
|
|
TROI
|
|
If there's anything else I
|
|
need... I know where to find you.
|
|
|
|
The young man blinks, not sure how to respond.
|
|
|
|
ENSIGN
|
|
Yes, ma'am.
|
|
|
|
He fumbles his way past them and EXITS. Riker, a
|
|
little surprised at the way she has treated the
|
|
Ensign, turns to his Padd as though to get to
|
|
business.
|
|
|
|
TROI
|
|
Are you bothered by his being
|
|
here?
|
|
|
|
RIKER
|
|
Of course not.
|
|
|
|
TROI
|
|
Good. Because it's really none
|
|
of your business.
|
|
|
|
He looks at her, hearing the absence of fun in her
|
|
voice, confused by her mood swing.
|
|
|
|
RIKER
|
|
I know that...
|
|
|
|
He turns back to the Padd.
|
|
|
|
RIKER
|
|
We were still with Lieutenant
|
|
Fratis in molecular biology...
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT TWO 26.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
TROI
|
|
Why do I think you're upset?
|
|
|
|
Riker gives her a look. He can't understand why she
|
|
won't let go of this.
|
|
|
|
RIKER
|
|
I don't know. Could we just go
|
|
over these evaluations?
|
|
|
|
TROI
|
|
Wil, remember who you're talking
|
|
to... you are bothered, I can
|
|
tell...
|
|
|
|
RIKER
|
|
(getting annoyed)
|
|
Look, Deanna, I'm sorry I
|
|
intruded. When you're ready to
|
|
work, why don't you let me know?
|
|
|
|
TROI
|
|
I will.
|
|
|
|
He stares at her for a moment, not understanding her
|
|
attitude. Then he moves toward the door and EXITS.
|
|
|
|
23 INT. CORRIDOR
|
|
|
|
as we follow him out. He shakes his head in
|
|
puzzlement, not understanding Troi's behavior... but
|
|
chalking it up to her own embarrassment because he's
|
|
caught her in flagrante.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
24 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around Seronia.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, Stardate 46073.6.
|
|
We have arrived without incident
|
|
at Seronia, where two members of
|
|
Ambassador Alkar's delegation have
|
|
been waiting. They have joined
|
|
us to report on the situation in
|
|
the capital city.
|
|
|
|
25 OMITTED
|
|
|
|
25A INT. OBSERVATION LOUNGE
|
|
|
|
Alkar and Picard are with JARTH, a heavy-set man in his
|
|
mid-fifties, and LIVA, a lovely woman in her thirties,
|
|
with the delicate features of a porcelain doll. There
|
|
is a map displayed on the monitor. Jarth addresses
|
|
both Picard and Alkar.
|
|
|
|
JARTH
|
|
Things have deteriorated
|
|
steadily. Rekag sympathizers in
|
|
outlying districts have attacked
|
|
several towns.
|
|
|
|
PICARD
|
|
I was under the impression there
|
|
was a cease fire agreement.
|
|
|
|
JARTH
|
|
It was broken before it went into
|
|
effect. A Rekag shuttle strayed
|
|
into Seronian space and was
|
|
destroyed by fighter craft.
|
|
|
|
LIVA
|
|
Naturally the Rekags retaliated...
|
|
there's been fighting ever since.
|
|
|
|
But instead of reflecting the concern and anxiety
|
|
evident on the face of his colleagues, Alkar's attitude
|
|
is if anything more serene.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT THREE 28.
|
|
|
|
25A CONTINUED:
|
|
|
|
ALKAR
|
|
If they will just sit down with
|
|
me...
|
|
|
|
JARTH
|
|
The Rekags have refused to come
|
|
to Seronian territory for talks.
|
|
And the Seronians won't go to
|
|
Rekag. In the meantime -- they
|
|
fight.
|
|
|
|
PICARD
|
|
Ambassador... the situation sounds
|
|
volatile. Perhaps a cooling off
|
|
period --
|
|
|
|
ALKAR
|
|
These people need an end to the
|
|
fighting now -- to delay a week,
|
|
or even a few days, could cost
|
|
thousands of lives.
|
|
|
|
Picard moves to the map on the monitor.
|
|
|
|
PICARD
|
|
Then I recommend asking both sides
|
|
if they will agree to meet at the
|
|
coastal city of Darthen.
|
|
|
|
Alkar looks at him for a beat; he's impressed with
|
|
Picard's knowledge of the situation.
|
|
|
|
LIVA
|
|
Why Darthen?
|
|
|
|
PICARD
|
|
It has been neutral throughout the
|
|
conflict. Both Seronians and Rekag
|
|
loyalists live there. It might be
|
|
acceptable as a compromise.
|
|
|
|
Alkar considers Picard's proposal for a beat, then --
|
|
|
|
ALKAR
|
|
Contact the leaders. If they will
|
|
meet in Darthen, I will join them
|
|
there tomorrow.
|
|
|
|
Picard nods his acquiescence.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT THREE 28A.
|
|
|
|
25A CONTINUED: (2)
|
|
|
|
ALKAR
|
|
No. I will not go with armed
|
|
guards. I must be a man of peace
|
|
before I can ask others for peace.
|
|
|
|
PICARD
|
|
(beat)
|
|
Very well.
|
|
|
|
ALKAR
|
|
Please send a message to the Rekag
|
|
and Seronian leaders. I will join
|
|
them tomorrow.
|
|
|
|
Picard nods his acquiescence.
|
|
|
|
CUT TO:
|
|
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 29.
|
|
|
|
26 INT. TROI'S OFFICE
|
|
|
|
Troi is with ENSIGN JANEWAY, a young woman from the
|
|
science department, who is very distraught.
|
|
|
|
ENSIGN JANEWAY
|
|
... I know it must be my
|
|
imagination... but it seems as
|
|
though Lieutenant Pinder just --
|
|
doesn't want me in his section.
|
|
|
|
TROI
|
|
Why do you think that?
|
|
|
|
ENSIGN JANEWAY
|
|
He's so critical... I can't ever
|
|
do anything to please him... and
|
|
I try, Counselor, I try to make
|
|
sure there's nothing he could find
|
|
fault with...
|
|
|
|
TROI
|
|
Give me an example of what you
|
|
mean.
|
|
|
|
ENSIGN JANEWAY
|
|
Well, yesterday I was running
|
|
routine diagnostics on the sensor
|
|
pallets. They checked out...
|
|
but Lieutenant Pinder questioned
|
|
me because I'd allowed a point
|
|
oh-two-three variance. That's
|
|
well within specifications.
|
|
(frustrated)
|
|
He goes out of his way to
|
|
criticize me.
|
|
|
|
TROI
|
|
Do you know of any reason why he
|
|
might do that?
|
|
|
|
ENSIGN JANEWAY
|
|
No... that's why I'm here.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 30.
|
|
|
|
26 CONTINUED:
|
|
|
|
TROI
|
|
Maybe he's tired of hearing you
|
|
complain.
|
|
|
|
ENSIGN JANEWAY
|
|
(confused)
|
|
Pardon me... ?
|
|
|
|
TROI
|
|
I'm certainly tired of it. How
|
|
do you think it feels to sit and
|
|
listen to someone whine about
|
|
themselves all the time?
|
|
|
|
ENSIGN JANEWAY
|
|
I... didn't know I was --
|
|
|
|
TROI
|
|
This isn't Starfleet Academy.
|
|
You aren't going to be coddled.
|
|
If you can't take it here, you
|
|
might think about a transport
|
|
ship. There's a lot less pressure
|
|
there.
|
|
|
|
Ensign Janeway is devastated... but trying to comport
|
|
herself professionally.
|
|
|
|
ENSIGN JANEWAY
|
|
I love being on the Enterprise...
|
|
I don't want to be anywhere
|
|
else...
|
|
|
|
TROI
|
|
(softly)
|
|
But if you aren't up to it... you
|
|
don't deserve to be here. Isn't
|
|
that right?
|
|
|
|
ENSIGN JANEWAY
|
|
I... guess so...
|
|
|
|
TROI
|
|
Then you'd better get hold of
|
|
yourself. Or be prepared for a
|
|
transfer.
|
|
|
|
She rises, wounded, trying to get out before she
|
|
breaks down.
|
|
|
|
ENSIGN JANEWAY
|
|
I will, Counselor... thank you.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT THREE 31-32.
|
|
|
|
26 CONTINUED: (2)
|
|
|
|
And she's out the door. Troi still sitting quietly
|
|
muses...
|
|
|
|
TROI
|
|
Glad I could help.
|
|
|
|
27 OMITTED
|
|
|
|
28 INT. ENGINEERING (OPTICAL)
|
|
|
|
Beverly is looking on as Geordi enters data into the
|
|
console.
|
|
|
|
GEORDI
|
|
Here we go... Bio-filter log
|
|
on Sev Maylor...
|
|
|
|
A monitor displays the Transporter bio filter log for
|
|
Alkar's mother. Beverly compares it to the information
|
|
on her tricorder.
|
|
|
|
BEVERLY
|
|
Geordi, could this log have been
|
|
damaged in any way... ?
|
|
|
|
GEORDI
|
|
I doubt it. Why do you ask?
|
|
|
|
BEVERLY
|
|
There's a discrepancy between the
|
|
log... and the tricorder readings
|
|
I took just three days later.
|
|
|
|
Beverly looks again at her tricorder. She's puzzled.
|
|
|
|
BEVERLY
|
|
The tricorder shows massive
|
|
physiological deterioration
|
|
compared to her condition when
|
|
she beamed aboard. It's hard to
|
|
believe so much damage could have
|
|
occurred in such a short time.
|
|
|
|
GEORDI
|
|
Well... I could run a diagnostic
|
|
of the bio-filter system. And
|
|
your tricorder.
|
|
|
|
Beverly hands him her Tricorder, but she doesn't expect
|
|
much from the test.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT THREE 33-34.
|
|
|
|
28 CONTINUED:
|
|
|
|
BEVERLY
|
|
Thanks. But the best way to get
|
|
the information I need would be
|
|
to do an autopsy.
|
|
|
|
Geordi is sympathetic, but can't really do anything
|
|
to relieve her frustration.
|
|
|
|
CUT TO:
|
|
|
|
29 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship is still in orbit.
|
|
|
|
30 INT. TEN FORWARD
|
|
|
|
A casual mingling is underway. Data is here some
|
|
distance away and out of earshot. Alkar is in
|
|
conversation with Jarth and Liva. Riker ENTERS. He
|
|
moves to Alkar.
|
|
|
|
RIKER
|
|
Ambassador, we've received word
|
|
from the Seronian and the Rekag
|
|
leaders. Both sides have agreed
|
|
to meet with you in Darthen
|
|
tomorrow.
|
|
|
|
Alkar is visibly pleased. Riker moves to chat with
|
|
Data.
|
|
|
|
31 NEW ANGLE
|
|
|
|
As Troi ENTERS the room and we see a startling change
|
|
in the Counselor.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT THREE 35.
|
|
|
|
31 CONTINUED:
|
|
|
|
Her hair is now done up in a more severe style which
|
|
emphasizes a new white streak in her hair... she is
|
|
wearing something which clings to her anatomy... and
|
|
her entire bearing is more openly seductive and
|
|
aggressive than we've ever seen in Troi. Her makeup
|
|
is more extreme and there are signs that her skin is
|
|
aging.
|
|
|
|
31A ANGLE ON DATA AND RIKER
|
|
|
|
As Troi moves through the room, Data and Riker stare
|
|
at her.
|
|
|
|
DATA
|
|
(puzzled)
|
|
Counselor Troi has altered her
|
|
appearance...
|
|
|
|
RIKER
|
|
(likewise)
|
|
She certainly has...
|
|
|
|
31B ANGLE ON TROI
|
|
|
|
as she moves toward Alkar and his group. Riker stares
|
|
at her, amazed at the transformation.
|
|
|
|
TROI
|
|
Am I interrupting?
|
|
|
|
LIVA
|
|
Hello, Counselor...
|
|
|
|
Troi's eyes bore in to her. She moves in close and
|
|
speaks just above a whisper.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 36.
|
|
|
|
31B CONTINUED:
|
|
|
|
TROI
|
|
You want him... I can tell. But
|
|
you have nothing to give him...
|
|
|
|
Liva is stunned at this. Alkar, surprised, (Troi is
|
|
showing signs of change this quickly) tries to steer
|
|
her away.
|
|
|
|
ALKAR
|
|
Deanna, could we talk in
|
|
private...
|
|
|
|
But now Troi focuses on Jarth.
|
|
|
|
TROI
|
|
And you're envious of him... you
|
|
pretend to support him, but
|
|
secretly you want him to fail...
|
|
|
|
JARTH
|
|
(nonplussed)
|
|
That's not so...
|
|
|
|
Alkar, still holding Troi's arm, peels her away and
|
|
then leans in and speaks quietly.
|
|
|
|
ALKAR
|
|
Please, you must return to your
|
|
quarters.
|
|
|
|
TROI
|
|
(louder)
|
|
I won't -- I want to be here, with
|
|
you --
|
|
|
|
Now Riker appears by her side.
|
|
|
|
RIKER
|
|
Excuse me, Ambassador. The
|
|
Counselor and I are needed on the
|
|
Bridge.
|
|
|
|
ALKAR
|
|
(grateful)
|
|
Of course, Commander.
|
|
|
|
Riker takes her arm, and Troi leaves with him easily,
|
|
smiling up at him... as though secretly delighted that
|
|
he's taking her out of there.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 36A.
|
|
|
|
31C INT. CORRIDOR
|
|
|
|
Riker, holding Troi by the arm, is moving Troi down
|
|
the corridor at a brisk pace. He is keeping his voice
|
|
down here in public.
|
|
|
|
RIKER
|
|
(low)
|
|
I don't know what you thought you
|
|
were doing in there, but you were
|
|
way out of line...
|
|
|
|
They have arrived at Troi's Quarters and she responds
|
|
with a predatory smile as they EXIT to her room.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 37.
|
|
|
|
32 OMITTED
|
|
|
|
33 INT. TROI'S QUARTERS
|
|
|
|
Riker and Troi ENTER from the corridor. Riker releases
|
|
her the moment they're inside the room.
|
|
|
|
RIKER
|
|
All right, Deanna... just what
|
|
the hell is going on?
|
|
|
|
Troi smiles seductively. She moves toward him, eyes
|
|
glinting. She slides her arms around his neck.
|
|
There's just a hint of perversity in everything she
|
|
says. Every phrase is loaded, keeping Riker off
|
|
balance.
|
|
|
|
TROI
|
|
Imzadi... do you still care about
|
|
me?
|
|
|
|
But this move makes Riker even more uncomfortable.
|
|
He untwines her arms.
|
|
|
|
RIKER
|
|
Of course I care about you. I'm
|
|
worried about you...
|
|
(gesturing to her
|
|
attire)
|
|
What is all this?
|
|
|
|
TROI
|
|
Don't you think I'm attractive?
|
|
|
|
RIKER
|
|
This just isn't... you.
|
|
|
|
She smiles again, starts toward him once more. Riker,
|
|
by now, is completely disrupted.
|
|
|
|
TROI
|
|
But it is.
|
|
(arms around his neck)
|
|
You want me, don't you?
|
|
|
|
She kisses him... he tries to undo her arms, but she
|
|
holds tight.
|
|
|
|
RIKER
|
|
Deanna...
|
|
|
|
TROI
|
|
I need you...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT THREE 38.
|
|
|
|
33 CONTINUED:
|
|
|
|
She kisses him again... then suddenly RAKES her nails
|
|
across his neck and face. Riker's head jerks back in
|
|
pain and he holds her away from him by the shoulders.
|
|
|
|
RIKER
|
|
(shocked)
|
|
Hey -- what is this?
|
|
|
|
Troi's skin is moist... her lips open...
|
|
|
|
TROI
|
|
Please...
|
|
|
|
He looks into her eyes... sees nothing there that he
|
|
recognizes. Something feral, and dangerous. He backs
|
|
away, still staring at her, and then EXITS. Off Troi's
|
|
expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT FOUR 39.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
34 OMITTED
|
|
|
|
35 INT. TROI'S QUARTERS
|
|
|
|
Troi stands facing away from camera; the door chimes.
|
|
|
|
TROI
|
|
Come in...
|
|
|
|
The door opens and Alkar ENTERS.
|
|
|
|
ALKAR
|
|
Deanna... I'm leaving for the
|
|
surface.
|
|
|
|
Troi turns to him and now we see that her skin has aged
|
|
considerably since the last time we saw her, and her
|
|
hair has more streaks of white. She is spilling over
|
|
with emotion -- a mixture of pain and anger that
|
|
smoulders inside her, rising to the surface when it
|
|
becomes overwhelming.
|
|
|
|
TROI
|
|
You said you'd take me with you...
|
|
|
|
Alkar, on the other hand, becomes more serene as Troi
|
|
becomes more volatile.
|
|
|
|
ALKAR
|
|
I know... but that's not possible
|
|
now --
|
|
|
|
TROI
|
|
You told me I'd be helpful... you
|
|
needed me...
|
|
|
|
He approaches her, takes her hands in his, trying to
|
|
calm her.
|
|
|
|
ALKAR
|
|
And I still do. You've done so
|
|
much for me...
|
|
|
|
TROI
|
|
(more agitated)
|
|
Then take me -- don't leave me
|
|
here...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT FOUR 40.
|
|
|
|
35 CONTINUED:
|
|
|
|
He smiles calmly at her, unruffled, unmoved. And
|
|
unyielding. Their eyes lock, and after a moment Troi
|
|
realizes he isn't giving in. She pulls her hands free,
|
|
moves away from him. She tries to say the next calmly,
|
|
but she's beyond that.
|
|
|
|
TROI
|
|
Tell me... is Liva going with you?
|
|
|
|
A hesitation, and Troi turns to stare at him. Alkar
|
|
shrugs.
|
|
|
|
ALKAR
|
|
She's been on Seronia for weeks...
|
|
she knows the people, the
|
|
situation --
|
|
|
|
TROI
|
|
She wants to take you away from
|
|
me...
|
|
|
|
ALKAR
|
|
Deanna... you are my anchor. I
|
|
need you more than you can
|
|
possibly realize. Do you
|
|
understand that? I need you,
|
|
here... making it possible for
|
|
me to do my work.
|
|
|
|
But Troi will have none of this; she's too desperate,
|
|
too needy.
|
|
|
|
TROI
|
|
I won't let her have you... I'll
|
|
stop her...
|
|
|
|
As Troi continues, Alkar shakes his head sadly. He
|
|
moves toward the door, her frantic words hurled toward
|
|
his retreating back.
|
|
|
|
TROI
|
|
I will go with you... don't leave
|
|
me... please... Alkar... take me
|
|
with you... don't do this...
|
|
|
|
The doors close behind him and she stops, defeated,
|
|
sinking to the floor in rage and anguish.
|
|
|
|
36 INT. BEVERLY'S OFFICE (OPTICAL)
|
|
|
|
Beverly is examining the scratches on Riker's face and
|
|
neck with a scanner.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FOUR 41.
|
|
|
|
36 CONTINUED:
|
|
|
|
RIKER
|
|
You wouldn't have recognized her.
|
|
Her dress... her hair... everything
|
|
about her was...
|
|
|
|
As Beverly uses a device and Riker's scratches OPTICALLY
|
|
HEAL, he looks for words to describe what Troi was like.
|
|
But they don't come easily.
|
|
|
|
RIKER
|
|
I'm closer to Deanna than anyone
|
|
I've ever known...
|
|
(beat)
|
|
But last night she was someone
|
|
I'd never seen before.
|
|
|
|
BEVERLY
|
|
Do you know of anything that might
|
|
have caused her to act like that?
|
|
|
|
RIKER
|
|
No. I've thought and thought about
|
|
it. I don't have an answer.
|
|
|
|
BEVERLY
|
|
Computer... location for Counselor
|
|
Troi.
|
|
|
|
COMPUTER VOICE
|
|
Deck six, corridor B.
|
|
|
|
They leave the office together.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 42.
|
|
|
|
37 INT. TRANSPORTER ROOM
|
|
|
|
Picard ENTERS. Alkar, Jarth and Liva are on the
|
|
Transporter platform, ready to beam down to the
|
|
surface. A TRANSPORTER CHIEF, stands ready behind the
|
|
console.
|
|
|
|
PICARD
|
|
Ambassador, we've just gotten word
|
|
that the Rekags and Seronians are
|
|
in disagreement about the seating
|
|
arrangement at the conference
|
|
table.
|
|
|
|
Alkar smiles slightly.
|
|
|
|
ALKAR
|
|
I'm not surprised.
|
|
|
|
PICARD
|
|
The good news, however, is that
|
|
the cease fire seems to be
|
|
holding.
|
|
|
|
ALKAR
|
|
And that is by far more
|
|
important... thank you, Captain.
|
|
|
|
Picard nods, turns to the Transporter Chief to signal.
|
|
|
|
PICARD
|
|
Chief --
|
|
|
|
38 ANGLE TROI (OPTICAL)
|
|
|
|
She ENTERS behind Picard. There is an overwhelming
|
|
sense of depravity about her. Troi's hair is now
|
|
completely white, her craggy flesh completing her
|
|
horrific transformation.
|
|
|
|
TROI
|
|
(to Alkar)
|
|
Will you take me with you?
|
|
|
|
ALKAR
|
|
Deanna, I've already told you--
|
|
|
|
Picard reacts with astonishment.
|
|
|
|
PICARD
|
|
Deanna... ?
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 42A.
|
|
|
|
38 CONTINUED:
|
|
|
|
TROI
|
|
(still focused on Alkar)
|
|
I won't let her have you --
|
|
|
|
And she brings up a knife which she has held concealed
|
|
along her wrist and lunges forward toward Alkar.
|
|
Picard throws up his arms to stop her and is cut in
|
|
his upper arm and shoulder.
|
|
|
|
PICARD
|
|
Security to Transporter Room Two.
|
|
|
|
Jarth tries to help Alkar restrain Troi, along with
|
|
Liva, but Troi, fueled by her rage, struggles, tries to
|
|
break free.
|
|
|
|
TROI
|
|
No... let go...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 43.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
Beverly and Riker ENTER followed by TWO SECURITY
|
|
GUARDS. Beverly rushes to Picard's aid as Riker helps
|
|
contain Troi.
|
|
|
|
BEVERLY
|
|
It's just a superficial wound.
|
|
|
|
But Picard is more concerned about Troi.
|
|
|
|
PICARD
|
|
What's happened to Deanna... ?
|
|
|
|
Beverly and Riker turn and stare in astonishment at
|
|
the withered old woman. Then Beverly moves to Troi
|
|
and quickly scans her.
|
|
|
|
BEVERLY
|
|
I don't know... every system in
|
|
her body has elevated readings...
|
|
(to Security Guards)
|
|
Take her to Sickbay.
|
|
|
|
The guards and Riker move a still-struggling Troi to
|
|
the door. Alkar and his party, visibly shaken, stand
|
|
staring, not certain whether to continue the mission.
|
|
|
|
ALKAR
|
|
Captain... perhaps we should delay
|
|
transporting to the surface.
|
|
|
|
Picard turns to them... deeply concerned about Troi...
|
|
but realizing the matter at hand can't be ignored.
|
|
|
|
PICARD
|
|
No... I think you must proceed
|
|
with your mission.
|
|
|
|
ALKAR
|
|
Very well.
|
|
|
|
PICARD
|
|
(to Transporter Chief)
|
|
Chief, transport them to the
|
|
surface.
|
|
|
|
Alkar nods and he and his group move for the
|
|
transporter platform.
|
|
|
|
BEVERLY
|
|
Captain... I want you in Sickbay,
|
|
too.
|
|
|
|
Picard, grim-faced, EXITS with Beverly.
|
|
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FOUR 44.
|
|
|
|
39 INT. SICKBAY (OPTICAL) - CLOSE ON TROI'S FACE
|
|
|
|
She is in a biobed contained by a restraining force
|
|
field. Troi is struggling to get free and the force
|
|
field is activated when she touches it.
|
|
|
|
40 ANGLE ON BEVERLY AND OGAWA (OPTICAL)
|
|
|
|
as they watch Troi and the monitors which display
|
|
diagnostic data.
|
|
|
|
BEVERLY
|
|
(to Ogawa)
|
|
We'll have to sedate her. Give
|
|
her twenty cc's of melorazine.
|
|
|
|
OGAWA
|
|
Yes, Doctor.
|
|
|
|
Ogawa pushes something to activate a flow of medication
|
|
into the force field. Beverly walks toward another area
|
|
of Sickbay, where a Doctor has finished healing Picard's
|
|
wounds. Picard, shirtless, is flexing his shoulder.
|
|
|
|
BEVERLY
|
|
How's it feeling?
|
|
|
|
Picard moves his arm in various ways.
|
|
|
|
PICARD
|
|
A little stiff, but otherwise
|
|
fine.
|
|
|
|
BEVERLY
|
|
That'll disappear in a day or two.
|
|
|
|
OGAWA'S VOICE
|
|
Doctor Crusher --
|
|
|
|
Beverly turns and hurries back to Ogawa.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FOUR 44A.
|
|
|
|
40 CONTINUED:
|
|
|
|
OGAWA
|
|
I think you should see these
|
|
readings, Doctor. Her
|
|
neuro-transmitter levels are
|
|
three hundred percent above
|
|
normal...
|
|
|
|
Beverly stares at one of the monitors for a moment,
|
|
then is joined by Picard, just adjusting the jacket
|
|
he's put on (off screen).
|
|
|
|
BEVERLY
|
|
If you remember, I found
|
|
abnormally high levels of
|
|
neuro-transmitter residue in
|
|
Alkar's mother.
|
|
|
|
PICARD
|
|
Could Deanna have picked up some
|
|
kind of disease from her?
|
|
|
|
STAR TREK: "Man Of The People" - 7/24/92 - ACT FOUR 45.
|
|
|
|
40 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I'm not sure.
|
|
(beat)
|
|
I need to do an autopsy.
|
|
(off Picard's look)
|
|
I don't care what the customs of
|
|
Alkar's people are. I need to
|
|
find out if there's a connection
|
|
between what killed her and what's
|
|
happening to Troi.
|
|
|
|
Picard considers this for a moment, touches his
|
|
communicator.
|
|
|
|
PICARD
|
|
Picard to Lieutenant Worf...
|
|
|
|
WORF'S COM VOICE
|
|
Lieutenant Worf here, Captain.
|
|
|
|
PICARD
|
|
Mister Worf, contact the Alliance
|
|
conference on Seronia. I
|
|
need to speak with Ambassador
|
|
Alkar.
|
|
|
|
WORF'S VOICE
|
|
Aye, sir.
|
|
|
|
Beverly checks her latest monitor readings. She is
|
|
alarmed at what she sees.
|
|
|
|
BEVERLY
|
|
(to Doctor)
|
|
Her brain TECH readings show
|
|
neural transmitter production
|
|
continues to rise.
|
|
|
|
WORF'S VOICE
|
|
Captain, Ambassador Alkar is at
|
|
the negotiation table and cannot
|
|
be disturbed.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Let me know the moment he is
|
|
available.
|
|
|
|
Picard looks at Troi, then turns to Beverly.
|
|
|
|
PICARD
|
|
Proceed with the Autopsy.
|
|
(then; softer)
|
|
Let me know as soon as you have
|
|
something.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT FOUR 46.
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
BEVERLY (V.O.)
|
|
Medical Log, Stardate 46075.1.
|
|
I have performed an autopsy on
|
|
Alkar's mother. But instead of
|
|
answering our questions, the
|
|
results have created an even
|
|
deeper mystery.
|
|
|
|
42 INT. READY ROOM
|
|
|
|
as Beverly and Picard ENTER from the Bridge, in
|
|
mid-conversation.
|
|
|
|
BEVERLY
|
|
I don't have any explanation for
|
|
this, Captain... but when I
|
|
examined Maylor's body... I found
|
|
that her heart, her lungs, her
|
|
skeletal structure... most of the
|
|
systems in her body... were those
|
|
of a thirty-year-old.
|
|
|
|
PICARD
|
|
How could that be? We both saw
|
|
the woman.
|
|
|
|
BEVERLY
|
|
And that's not all. I compared
|
|
Maylor and Alkar's DNA. I don't
|
|
know who that woman was -- but
|
|
she was definitely not his mother.
|
|
|
|
Picard is troubled by these revelations.
|
|
|
|
BEVERLY
|
|
Deanna's condition is
|
|
deteriorating rapidly. She could
|
|
die. There are questions that
|
|
only Alkar can answer.
|
|
|
|
Picard regards her for a moment.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FOUR 47.
|
|
|
|
42 CONTINUED:
|
|
|
|
PICARD
|
|
Picard to Lieutenant Worf...
|
|
|
|
WORF'S COM VOICE
|
|
Here, sir.
|
|
|
|
PICARD
|
|
Meet me in Transporter Room Two.
|
|
We're going to the surface.
|
|
|
|
WORF'S COM VOICE
|
|
Aye, sir.
|
|
|
|
Picard, a look of determination on his face, EXITS.
|
|
|
|
43 OMITTED
|
|
|
|
44 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
in Standard Orbit around Seronia
|
|
|
|
45 INT. CONFERENCE CHAMBERS ANTEROOM
|
|
|
|
Picard is alone in the room with Alkar. Alkar speaks
|
|
of Troi and Maylor calmly, matter of factly, as if he
|
|
were talking about pieces of machinery.
|
|
|
|
ALKAR
|
|
No, she wasn't my mother.
|
|
|
|
PICARD
|
|
And she wasn't ninety-three years
|
|
old.
|
|
|
|
ALKAR
|
|
Captain -- did you perform an
|
|
autopsy against my wishes?
|
|
|
|
PICARD
|
|
Yes, and for very good reason.
|
|
Deanna Troi is in Sickbay dying.
|
|
Doctor Crusher doesn't know the
|
|
cause of her condition.
|
|
(beat)
|
|
But I believe you do.
|
|
|
|
Alkar regards Picard calmly... but before he can reply,
|
|
Liva ENTERS from the conference chambers and crosses
|
|
to them.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FOUR 48.
|
|
|
|
45 CONTINUED:
|
|
|
|
LIVA
|
|
Alkar... we need you. The Rekags
|
|
have withdrawn some of their
|
|
concessions... now the Seronians
|
|
are threatening to break off the
|
|
talks.
|
|
|
|
ALKAR
|
|
I'll be right there.
|
|
|
|
LIVA
|
|
But --
|
|
|
|
Alkar raises a hand to silence her. She looks at
|
|
Picard disapprovingly, then EXITS. Alkar turns back
|
|
to Picard... wants to help him understand.
|
|
|
|
ALKAR
|
|
They've been arguing for hours
|
|
in there. It seems hopeless.
|
|
(beat)
|
|
But now -- when expectations are
|
|
lowest -- is the moment I can be
|
|
most effective. If I am focused...
|
|
centered... free of disquieting
|
|
thoughts... I can turn these
|
|
factions toward peace.
|
|
|
|
PICARD
|
|
I'm not particularly interested
|
|
in your techniques as a mediator
|
|
--
|
|
|
|
But Alkar raises his silencing hand again.
|
|
|
|
ALKAR
|
|
Hear me out, Captain. It's
|
|
important that you understand.
|
|
(beat)
|
|
You see, I discovered long ago
|
|
that I had the ability to channel
|
|
my darker thoughts... my unwanted
|
|
emotions... to others... leaving
|
|
me unencumbered.
|
|
|
|
Picard stares at him... realization dawning.
|
|
|
|
PICARD
|
|
Is this... what you've done to
|
|
Counselor Troi?
|
|
|
|
Alkar shrugs, still matter of fact.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 49.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
ALKAR
|
|
I didn't plan it. I expected
|
|
Maylor to live through this
|
|
negotiation. Her death could not
|
|
have been more untimely.
|
|
|
|
PICARD
|
|
Then... you deliberately began
|
|
using Deanna...
|
|
|
|
ALKAR
|
|
She's an empath. I was reasonably
|
|
certain I could establish a link
|
|
with her.
|
|
(beat)
|
|
Frankly, I was amazed when I saw
|
|
how quickly she was aging.
|
|
Usually my receptacles survive
|
|
for years.
|
|
|
|
Picard is astonished by Alkar's casual attitude to his
|
|
horrific behavior.
|
|
|
|
PICARD
|
|
Receptacles... ?
|
|
|
|
ALKAR
|
|
Come now, Captain -- surely you
|
|
can see there is a broader canvas
|
|
here. If I came to these peace
|
|
talks hindered by unwanted
|
|
emotions... the Rekags and
|
|
Seronians would be condemned to
|
|
go on fighting...
|
|
|
|
But Picard is having none of this.
|
|
|
|
PICARD
|
|
No, Alkar... you can't explain
|
|
away a wantonly immoral act just
|
|
because you think it's connected
|
|
to some higher purpose.
|
|
|
|
Alkar steps toward him, challenging.
|
|
|
|
ALKAR
|
|
Do you know how many people have
|
|
died on this planet in the last
|
|
forty eight hours? Thousands.
|
|
(beat)
|
|
Deanna Troi is one individual.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 50.
|
|
|
|
45 CONTINUED: (3)
|
|
|
|
PICARD
|
|
And you think that justifies
|
|
brutalizing her? And the others
|
|
you've used?
|
|
|
|
ALKAR
|
|
Ask the Seronian and Rekag
|
|
children who go to sleep every
|
|
night in fear of their lives.
|
|
|
|
Alkar has no doubts about his position, no nagging
|
|
moral concerns which ask him to consider another side.
|
|
|
|
ALKAR
|
|
Captain... I get no payment for
|
|
what I do. I have no power base,
|
|
no agenda. I am willing to risk
|
|
my life simply to help others.
|
|
|
|
PICARD
|
|
If you think you appear
|
|
courageous, you're mistaken.
|
|
You're a coward. You exploit the
|
|
innocent so you don't have to
|
|
shoulder the burden of unpleasant
|
|
emotions.
|
|
|
|
Picard moves toward Alkar, drilling into him.
|
|
|
|
PICARD
|
|
This time you will be held
|
|
accountable. I'm taking you back
|
|
to the Enterprise to release
|
|
Counselor Troi.
|
|
|
|
ALKAR
|
|
I have no intention of releasing
|
|
her. Now -- or ever.
|
|
|
|
And before Picard can retort, Liva ENTERS once more
|
|
from the Conference Chambers.
|
|
|
|
LIVA
|
|
Alkar... everything's falling
|
|
apart. You have to come now.
|
|
|
|
She gestures... and TWO SENTRIES ENTER... holding Worf
|
|
at phaser point. Alkar turns to Picard.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 8/3/92 - ACT FOUR 51.
|
|
|
|
45 CONTINUED: (4)
|
|
|
|
ALKAR
|
|
Excuse me, Captain. I am needed.
|
|
|
|
He turns and heads for the Conference Chambers.
|
|
|
|
LIVA
|
|
(to Picard)
|
|
You and your Security Chief will
|
|
leave.
|
|
|
|
Picard sees Alkar's retreating form, looks to Worf.
|
|
Worf is ready to do something, anything to turn the
|
|
tables. But Picard's look tells him, no. For the
|
|
moment this is a battle they cannot win.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 52.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
0A EXT. SPACE (OPTICAL)
|
|
|
|
The Enterprise in orbit.
|
|
|
|
46 INT. TRANSPORTER ROOM
|
|
|
|
as Picard and Worf step off the platform. Picard is
|
|
seething, determined Alkar will not have his way.
|
|
|
|
PICARD
|
|
Lock on to Alkar's signal and
|
|
bring him aboard.
|
|
|
|
WORF
|
|
Sir, I am sure the Seronians have
|
|
reactivated their security field.
|
|
|
|
PICARD
|
|
Then work with Mister La Forge
|
|
to find a way to break through
|
|
it.
|
|
(beat)
|
|
I want that man on this ship.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Picard heads for the door.
|
|
|
|
PICARD
|
|
I'll be in Sickbay.
|
|
|
|
He EXITS.
|
|
|
|
47 INT. SICKBAY (OPTICAL)
|
|
|
|
Picard with Beverly and Riker, having filled them in
|
|
about Alkar. Troi is unconscious in the (invisible)
|
|
force field. Beverly refers to monitoring devices
|
|
(portable or on the wall).
|
|
|
|
BEVERLY
|
|
If Alkar is flooding her with
|
|
this... psychic waste... that
|
|
would explain the high level of
|
|
neuro-transmitters.
|
|
(MORE)
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 53.
|
|
|
|
47 CONTINUED:
|
|
|
|
BEVERLY (Cont'd)
|
|
All the negative emotions pouring
|
|
into her have caused an abnormal
|
|
chemical response in her brain...
|
|
|
|
RIKER
|
|
Isn't there something you can do
|
|
to counteract it?
|
|
|
|
BEVERLY
|
|
Enzymic decontaminants will reduce
|
|
the level of the
|
|
neuro-transmitters -- but I can't
|
|
make any headway unless Alkar
|
|
stops what he's doing.
|
|
|
|
PICARD
|
|
He has no intention of stopping.
|
|
He feels perfectly justified in
|
|
using her until she dies.
|
|
|
|
Beverly looks at them for a moment, mind racing. Then
|
|
she makes an incredible statement.
|
|
|
|
BEVERLY
|
|
Then Deanna has to die.
|
|
|
|
Now Picard and Riker stare. Has Beverly lost her mind?
|
|
|
|
BEVERLY
|
|
The only way to save her is to
|
|
break the link with Alkar. And
|
|
that will only happen if she's
|
|
no longer an adequate receptacle.
|
|
|
|
She continues... putting together the pieces of this
|
|
puzzle.
|
|
|
|
BEVERLY
|
|
When Maylor died, Alkar
|
|
immediately turned to Deanna.
|
|
|
|
Picard follows her train of thought quickly.
|
|
|
|
PICARD
|
|
If he thinks Deanna is dead...
|
|
he'll break the link and turn
|
|
to someone else -- probably one
|
|
of his delegation.
|
|
|
|
RIKER
|
|
Wait a minute... you're talking
|
|
about... about killing Deanna...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 53A.
|
|
|
|
47 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I'll be able to resuscitate her,
|
|
Wil... as long as it's not more
|
|
than thirty minutes... the
|
|
question is -- will that be enough
|
|
time? Unless he establishes a
|
|
link with someone else before we
|
|
revive Deanna he might turn back
|
|
to her.
|
|
|
|
PICARD
|
|
We must also keep in mind that
|
|
we're putting his next victim at
|
|
risk... I'll want every possible
|
|
security measure taken to protect
|
|
that person.
|
|
|
|
Beverly agrees... and they both turn to Riker, who is
|
|
grappling with the idea, trying to accept it.
|
|
|
|
RIKER
|
|
(to Beverly)
|
|
How... will you...
|
|
|
|
BEVERLY
|
|
I'll give her a hypospray of
|
|
dylamadon.
|
|
(beat)
|
|
It's the most gentle way...
|
|
|
|
Riker stares at her for a minute, then nods... knowing
|
|
this is the only chance... but feeling scared about
|
|
it nonetheless.
|
|
|
|
PICARD
|
|
Proceed, Doctor.
|
|
|
|
Beverly moves to a counter, begins preparing the
|
|
dylamadon.
|
|
|
|
47A OMITTED
|
|
|
|
48 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Seronia.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 54.
|
|
|
|
49 INT. CONFERENCE CHAMBERS ANTEROOM
|
|
|
|
People are in a jubilant mood. Alkar, Jarth, and Liva
|
|
are there. As they talk, people come by, patting them
|
|
on the back, shaking hands, etc.
|
|
|
|
Alkar has his arm around Jarth's shoulder, easy-going
|
|
and relaxed.
|
|
|
|
ALKAR
|
|
Well, my friend, an era of
|
|
conflict and bloodshed appears
|
|
to be over...
|
|
|
|
Liva slips her arm in Alkar's... a familiar, possessive
|
|
gesture. Alkar smiles, light-hearted now, but suddenly
|
|
he stops, as though feeling something resonate through
|
|
his body. He takes a breath... a little shaky.
|
|
|
|
LIVA
|
|
Alkar...
|
|
|
|
JARTH
|
|
What is it...
|
|
|
|
ALKAR
|
|
I... I'm fine... just a little
|
|
light-headed.
|
|
|
|
LIVA
|
|
You're exhausted.
|
|
|
|
JARTH
|
|
Do you want a doctor?
|
|
|
|
ALKAR
|
|
No... of course not...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/27/92 - ACT FIVE 55.
|
|
|
|
49 CONTINUED:
|
|
|
|
PICARD'S COM VOICE
|
|
Enterprise to Ambassador Alkar.
|
|
Respond, sir.
|
|
|
|
ALKAR
|
|
I'm here, Captain...
|
|
|
|
50 INT. BRIDGE - INTERCUTTING
|
|
|
|
Picard is in his command chair, grim-faced and urgent.
|
|
|
|
PICARD
|
|
You must return to the Enterprise
|
|
immediately. Counselor Troi is
|
|
dying.
|
|
(beat)
|
|
We are prepared to transport you
|
|
from the surface whether you come
|
|
willingly or not.
|
|
|
|
JARTH
|
|
There are security force fields
|
|
protecting us, Captain --
|
|
|
|
PICARD
|
|
They won't protect you any longer.
|
|
Transporter Room Two, prepare
|
|
to energize --
|
|
|
|
But Alkar takes Liva's hand.
|
|
|
|
ALKAR
|
|
We're ready, Captain.
|
|
|
|
CUT TO:
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
52 INT. SICKBAY
|
|
|
|
Alkar and Liva, accompanied by Worf, ENTER. Alkar's
|
|
anxiety has increased slightly and he is no longer the
|
|
serene diplomat we've seen previously. He stops short
|
|
once he sees...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 56.
|
|
|
|
53 NEW ANGLE (OPTICAL)
|
|
|
|
Beverly is just removing a medical device from Troi's
|
|
forehead. Troi now looks ghastly... she has aged as
|
|
far as did Maylor when she died. A clearly
|
|
grief-stricken Riker is standing near Picard who looks
|
|
grim. Beverly's voice is bitter as she looks up at
|
|
Alkar.
|
|
|
|
BEVERLY
|
|
Computer, note in the log that
|
|
death occurred at fourteen thirty
|
|
hours... due to respiratory and
|
|
renal failure.
|
|
|
|
Alkar looks shaken by the news... he takes a beat, then
|
|
turns to Liva, who is concerned about the way he's
|
|
taking this.
|
|
|
|
ALKAR
|
|
Will you wait for me in my
|
|
quarters?
|
|
|
|
LIVA
|
|
Of course.
|
|
|
|
She EXITS. Alkar moves to Troi's lifeless body under
|
|
the icy stares of the others. The bio monitors in the
|
|
room all show flatlines.
|
|
|
|
ALKAR
|
|
It is a tragic loss. But her
|
|
death had a purpose.
|
|
|
|
Picard moves toward him, speaks in a steely voice.
|
|
|
|
PICARD
|
|
I intend to make certain that
|
|
you answer for what you have
|
|
done.
|
|
|
|
Alkar feels certain Picard can do nothing.
|
|
|
|
ALKAR
|
|
Your own Federation Council has
|
|
granted me safe and timely passage
|
|
to my planet. I expect you to
|
|
honor that.
|
|
|
|
He EXITS.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 57.
|
|
|
|
53 CONTINUED:
|
|
|
|
The second the doors shut behind Alkar there is an
|
|
immediate change of atmosphere in the room as their
|
|
grief is replaced with a drive toward action. Beverly
|
|
whirls around and pulls out a tricorder to scan Troi.
|
|
Riker and Picard move to her side, while Ogawa readies
|
|
several medical instruments and hyposprays.
|
|
|
|
RIKER
|
|
How much longer do we have?
|
|
|
|
BEVERLY
|
|
Three minutes, forty seconds...
|
|
|
|
PICARD
|
|
Picard to Transporter Room Two...
|
|
lock on to the young woman in
|
|
Ambassador Alkar's quarters...
|
|
stand by to transport her out
|
|
of there.
|
|
|
|
Picard turns to Worf.
|
|
|
|
PICARD
|
|
Mister Worf, station yourself
|
|
outside the quarters.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
He moves toward the exit.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 58.
|
|
|
|
54 INT. ALKAR'S QUARTERS
|
|
|
|
He moves to the couch, looks at her, his shaky emotions
|
|
once more put forth as a grief response.
|
|
|
|
ALKAR
|
|
She'd helped me so much... without
|
|
her, I couldn't have accomplished
|
|
what I did...
|
|
|
|
Her response is genuinely sympathetic.
|
|
|
|
LIVA
|
|
I'm so sorry... Is there anything
|
|
I can do...
|
|
|
|
His eyes meet hers... full of pain and need. He gets
|
|
up.
|
|
|
|
ALKAR
|
|
Yes, there is something...
|
|
|
|
Alkar get the meditation box, returns to her, sets it
|
|
down between them.
|
|
|
|
ALKAR
|
|
If we could share the funeral
|
|
meditation...
|
|
|
|
55 INT. SICKBAY (OPTICAL)
|
|
|
|
Beverly, Ogawa, checking Troi's lifesigns and getting
|
|
ready to revive her.
|
|
|
|
BEVERLY
|
|
We have a minute and a half
|
|
left...
|
|
(to Ogawa)
|
|
Prepare a hypospray of cordrazine.
|
|
|
|
OGAWA
|
|
Yes, Doctor.
|
|
|
|
BEVERLY
|
|
We'll use that in conjunction with
|
|
the cortical stimulator...
|
|
|
|
Ogawa moves to prepare the necessary items. Riker,
|
|
still stationed by Troi's side, looks on worriedly.
|
|
|
|
56 INT. ALKAR'S QUARTERS
|
|
|
|
Liva and Alkar hold the stones... Alkar's eyes are
|
|
closed... he begins the meditation.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 58A.
|
|
|
|
56 CONTINUED:
|
|
|
|
ALKAR
|
|
Rohm gah... sevi rohm... rohm
|
|
gah...
|
|
|
|
LIVA
|
|
Rohm gah... sevi rohm... rohm
|
|
gah...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 59.
|
|
|
|
56A INT SICKBAY
|
|
|
|
BEVERLY
|
|
We can't wait any longer.
|
|
(to Ogawa)
|
|
Release the stasis field. Ten
|
|
cc's of cordrazine.
|
|
|
|
OGAWA
|
|
Yes, doctor.
|
|
|
|
Ogawa releases the field, administers the hypospray.
|
|
|
|
BEVERLY
|
|
Cortical stimulator...
|
|
|
|
Ogawa places the cortical stimulator on Troi's
|
|
forehead.
|
|
|
|
BEVERLY
|
|
Now.
|
|
|
|
Troi's body stiffens as an electrical charge is
|
|
introduced into her body.
|
|
|
|
56B INT. ALKAR'S QUARTERS
|
|
|
|
as before.
|
|
|
|
ALKAR
|
|
... an end to pain...
|
|
|
|
LIVA
|
|
... an end to pain...
|
|
|
|
57 INT. SICKBAY
|
|
|
|
as before.
|
|
|
|
BEVERLY
|
|
Again.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 60.
|
|
|
|
57 CONTINUED:
|
|
|
|
Ogawa works the device and Troi's body stiffens
|
|
again... there is a beat, then she gasps slightly...
|
|
and starts to breathe.
|
|
|
|
OGAWA
|
|
She has a pulse... blood pressure
|
|
climbing... ninety over forty.
|
|
|
|
Riker looks relieved as he realizes Troi is coming
|
|
back.
|
|
|
|
BEVERLY
|
|
All right... let's neutralize the
|
|
neuro-transmitters. Initiate the
|
|
decontamination sequence...
|
|
|
|
Ogawa activates another device. A beat and then --
|
|
|
|
OGAWA
|
|
Levels are dropping, Doctor...
|
|
down to four hundred twenty
|
|
percent above normal... three
|
|
hundred eighty percent...
|
|
|
|
PICARD
|
|
Picard to Transporter Room
|
|
Three...
|
|
|
|
BEVERLY
|
|
(to Picard)
|
|
Not yet. I won't know for
|
|
certain that it's working until
|
|
we get her below three hundred
|
|
percent.
|
|
|
|
Picard nods acquiescence. Troi's eyes flutter open for
|
|
the first time. She draws a deep breath.
|
|
|
|
58 INT. ALKAR'S QUARTERS
|
|
|
|
ALKAR
|
|
... and courage from wisdom...
|
|
|
|
Alkar gasps, suddenly confused... he reaches out and
|
|
grabs Liva.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 60A.
|
|
|
|
59 LIVA
|
|
|
|
Is surprised by his action.
|
|
|
|
LIVA
|
|
Alkar... what's wrong?
|
|
|
|
Then her eyes widen and she stares at him.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/30/92 - ACT FIVE 61.
|
|
|
|
60 ALKAR
|
|
|
|
Who looks much older. He grabs Liva and refuses to
|
|
let go.
|
|
|
|
61 INT. SICKBAY (OPTICAL)
|
|
|
|
as before.
|
|
|
|
OGAWA
|
|
Neuro-transmitter levels are down
|
|
to three hundred ten -- three
|
|
hundred percent.
|
|
|
|
PICARD
|
|
(touches communicator)
|
|
Picard to Transporter Room Three.
|
|
Energize.
|
|
|
|
62 INT. ALKAR'S QUARTERS (OPTICAL)
|
|
|
|
Alkar has aged still more. He holds a struggling Liva
|
|
in his grip.
|
|
|
|
LIVA
|
|
Let me go!
|
|
|
|
Liva manages to pull away from him... he moves to grab
|
|
her again, but then Liva suddenly DEMATERIALIZES and
|
|
Alkar is left clutching at the air. He heads for the
|
|
doors... the doors OPEN and Alkar is confronted by TWO
|
|
N.D. SECURITY OFFICERS standing in the Corridor. Alkar
|
|
steps back, his escape now blocked.
|
|
|
|
INTERCUT:
|
|
|
|
63 INT. SICKBAY (OPTICAL)
|
|
|
|
As Troi continues to get younger and younger...
|
|
|
|
OGAWA
|
|
Neuro transmitter level at two
|
|
hundred thirty percent...
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/29/92 - ACT FIVE 62.
|
|
|
|
63 CONTINUED:
|
|
|
|
Alkar's features deteriorate rapidly...
|
|
|
|
Troi finally returns to her normal self and looks
|
|
around the room...
|
|
|
|
Alkar becomes an ancient, decrepit, old man... he falls
|
|
to the floor, barely able to breathe... finally
|
|
collapsing in a heap and dies. Worf and the security
|
|
guard stare in amazement at the transformed man at
|
|
their feet. Worf's response is understated,
|
|
simple...
|
|
|
|
WORF
|
|
(touches communicator)
|
|
Worf to Captain Picard.
|
|
Ambassador Alkar is dead.
|
|
|
|
END INTERCUT.
|
|
|
|
64 INT. SICKBAY
|
|
|
|
Beverly and Picard react to this unexpected news with
|
|
surprise. But Riker cares only about Troi, pale and
|
|
weary, but otherwise just fine. She reaches out for
|
|
his hand.
|
|
|
|
TROI
|
|
Wil...
|
|
|
|
He holds her hand tight.
|
|
|
|
CUT TO:
|
|
|
|
64A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit.
|
|
|
|
65 INT. TROI'S QUARTERS
|
|
|
|
Riker with Troi, relaxing with coffee or tea.
|
|
|
|
RIKER
|
|
Doctor Crusher thinks he must have
|
|
been at a susceptible point in
|
|
the meditation ceremony... when
|
|
he was somehow vulnerable.
|
|
|
|
TROI
|
|
Then the flow of negative emotions
|
|
and feelings was reversed somehow --
|
|
and went back to him.
|
|
|
|
STAR TREK: "Man Of The People" - REV. 7/28/92 - ACT FIVE 63.
|
|
|
|
65 CONTINUED:
|
|
|
|
RIKER
|
|
That's our guess. And like a man
|
|
with no immune system... he just
|
|
couldn't handle the sudden
|
|
overload...
|
|
|
|
TROI
|
|
And... Liva?
|
|
|
|
RIKER
|
|
She seems to be fine. He never
|
|
got to the point where he could
|
|
establish a link with her.
|
|
|
|
Troi draws a breath... it's been an overwhelming
|
|
experience.
|
|
|
|
TROI
|
|
When I think back on the last few
|
|
days... it's as though I'm looking
|
|
at a Holodeck projection... of
|
|
someone else.
|
|
|
|
RIKER
|
|
(gentle smile)
|
|
That's kind of how it seemed to
|
|
the rest of us...
|
|
|
|
She reaches out and takes his hand.
|
|
|
|
TROI
|
|
Thanks for sticking by me.
|
|
|
|
RIKER
|
|
I always will.
|
|
(wry)
|
|
Even when you're old and grey.
|
|
|
|
She grins and he reaches to her and gives her a hug...
|
|
the two hold each other closely, drawing on the
|
|
strength of their friendship.
|
|
|
|
66 OMITTED
|
|
|
|
67 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|