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STAR TREK: THE NEXT GENERATION
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"Emergence"
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#40277-275
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Story by
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Brannon Braga
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Teleplay by
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Joe Menosky
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Directed by
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Cliff Bole
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1994 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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FEBRUARY 17, 1994
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STAR TREK: "Emergence" - 02/17/94 - CAST
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STAR TREK: THE NEXT GENERATION
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"Emergence"
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CAST
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PICARD CONDUCTOR
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RIKER ENGINEER
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DATA HAYSEED
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BEVERLY HITMAN
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TROI
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WORF
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GEORDI
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Non-Speaking Non-Speaking
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N.D. SUPERNUMERARIES FLAPPERS
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MAN IN GREY FLANNEL SUIT
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GUNSLINGER
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STAR TREK: "Emergence" - 02/17/94 - SETS
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STAR TREK: THE NEXT GENERATION
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"Emergence"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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CORRIDOR NEW YORK STREET/SUBWAY
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SICKBAY NY STREET/CONSTRUCTION
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ENGINEERING SITE
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JEFFERIES TUBE NY STREET/INTERSECTION
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HOLODECK
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TRAIN/SALON CAR PROBE
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TRAIN/ENGINE ROOM
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OBSERVATION LOUNGE
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CARGO BAY
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READY ROOM
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STAR TREK: "Emergence" - 02/18/94 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Emergence"
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PRONUNCIATION GUIDE
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CORDANNAS kore-DAN-us
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GIORDANO jee-or-DON-oh
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MEKORDA meh-CORE-da
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STAR TREK: "Emergence" - REV. 02/24/94 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Emergence"
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TEASER
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FADE IN:
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1 INT. REHEARSAL HALL
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(Note: this is a re-dress of the Klingon outpost set
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from "Firstborn".) The room is dark, the walls obscured
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by a light fog. DATA is standing in the dim light of
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a single burning TORCH. He is wearing loose-fitting,
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ritual ROBES, and he holds a carved wooden STAFF in one
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hand and a large, ancient-looking BOOK in the other.
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The SOUND of the nearby ocean can be heard. Data's
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voice is solemn, incantatory.
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DATA
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"I have bedimm'd the noontide sun,
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call'd forth the mutinous winds,
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and 'twixt the green sea and the
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azur'd vault set roaring war: to
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the dread rattling thunder have I
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given fire, and rifted Jove's
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stout oak with his own bolt; the
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strong-bas'd promontory have I
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made shake and by the spurs
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pluck'd up the pine and cedar;
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graves at my command have wak'd
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their sleepers, op'd, and let 'em
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forth by my so potent art."
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Data dramatically holds up the book.
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DATA
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(continuing)
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"But this rough magic I here
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abjure; and, when I have requir'd
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some Heavenly music -- which even
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now I do -- to work mine end upon
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their senses, that this airy charm
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is for, I'll break my staff, bury
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it certain fadoms in the earth,
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and deeper than did ever plummet
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sound -- I'll drown my book."
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He stops suddenly, his face now completely "Data."
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DATA
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(continuing)
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Captain, your attention is...
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wandering.
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STAR TREK: "Emergence" - REV. 02/24/94 - TEASER 1A.
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2 INCLUDE PICARD (OPTICAL)
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standing nearby in the half-light.
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PICARD
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I can barely see.
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STAR TREK: "Emergence" - REV. 02/17/94 - TEASER 2.
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2 CONTINUED:
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DATA
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Sir, I am supposed to be
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attempting a Neo-Platonic magical
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rite -- the darkness is
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appropriate to such a ritual.
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(CONTINUED)
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PICARD
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This is a play, Data. The
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audience has to see you.
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Data considers for a beat.
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DATA
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Perhaps I have been too... literal
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with respect to my set design.
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(to computer)
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Computer. Modify Holodeck program
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Data seven-three, Shakespeare's
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The Tempest, Act Five, scene one.
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Increase torchlight by twenty-percent.
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The torch flares up.
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PICARD
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Much better.
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(beat)
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Would you like to try it again?
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DATA
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Yes, sir... but I am not certain
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I fully understand the character
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of Prospero. I would appreciate
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any insights you may have which
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would improve my performance.
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Picard nods, considering for a beat.
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PICARD
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Well... Shakespeare witnessed the
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end of the Renaissance and the
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birth of the modern era. Prospero
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found himself in a world which no
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longer had any use for his
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powers...
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Picard indicates the scene.
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PICARD
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(continuing)
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Here he is about to perform one
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final creative act before giving
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up his art forever.
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STAR TREK: "Emergence" - REV. 02/17/94 - TEASER 3.
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2 CONTINUED: (2)
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DATA
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There is certainly a tragic aspect
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to the character.
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Picard nods. In the far distance, we just begin to
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hear an approaching SOUND.
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PICARD
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Yes, but he had a certain...
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expectancy as well. A hopefulness
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about the future...
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The sound is now distinct enough so that both Picard
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and Data begin to notice.
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PICARD
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(continuing)
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Shakespeare enjoyed mixing
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opposites...
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Data is now staring into the distance in the direction
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the sound appears to be coming from, puzzled. Picard
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does the same, his voice trailing off...
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PICARD
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(continuing)
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Past and future... Despair and
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hope...
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Now a growing POINT OF LIGHT can be seen, getting
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closer as the sound starts to resemble a distant,
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increasing roar.
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PICARD
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(continuing)
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Data, is this part of your
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program?
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DATA
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No, Sir.
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The light and sound are much louder.
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PICARD
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Then what is it?
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DATA
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It appears to be a steam
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locomotive.
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PICARD
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A train?
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STAR TREK: "Emergence" - REV. 02/17/94 - TEASER 4.
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1 CONTINUED:
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DATA
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(nods)
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If I am not mistaken.
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PICARD
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Computer, end program.
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The glaring beam hits them like a horizontal spotlight.
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The roar grows. Picard reacts.
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PICARD
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(continuing, louder)
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Computer, end program...
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Nothing. This is all too real. Picard and Data
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simultaneously DIVE CLEAR of the tracks.
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3 PICARD AND DATA (OPTICAL)
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on the ground. They look up at the train as it
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thunders by, catching glimpses of the car windows, the
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cranking, screeching wheels. The roar and clatter
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overwhelm any other sounds... And then suddenly it's
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past them... and it's gone. The room is back to way it
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was.
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Picard has a slight SCRAPE on his forehead from the
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fall. OFF their puzzled expressions...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Emergence" - REV. 02/17/94 - ACT ONE 5.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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4 INT. CORRIDOR
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The Holodeck DOORS OPEN and Picard and Data step out
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(NOTE: Data is still wearing the Prospero costume).
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Data notices the cut on Picard's forehead.
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DATA
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(concerned)
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Captain, you are injured...
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PICARD
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It's just a scrape... I'll have it
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seen to...
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Data begins to work the Holodeck panel.
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DATA
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The train we encountered is from
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one of Doctor Crusher's Holodeck
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programs. It is a re-creation of
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the Orient Express, a train which
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ran from Paris to Istanbul from
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the late nineteenth century until --
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PICARD
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Yes, yes, I know about the Orient
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Express... but what was it doing
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on Prospero's Island?
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DATA
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There appears to have been a
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malfunction in the Holodeck's
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database retrieval system. The
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two programs were somehow
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temporarily linked together.
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PICARD
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Could this malfunction affect the
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other Holodecks as well?
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DATA
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It is a possibility. I would have
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to run a diagnostic to be certain.
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PICARD
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All right, get to it. And shut
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down all of the Holodecks until
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you're finished, just to be on the
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safe side.
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STAR TREK: "Emergence" - REV. 02/17/94 - ACT ONE 6.
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4 CONTINUED:
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DATA
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Aye, sir.
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Picard heads down the corridor, leaving Data as he
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continues to work the panel.
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5 INT. SICKBAY
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Picard is sitting on a biobed as BEVERLY treats his
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forehead with a MEDICAL INSTRUMENT, healing the scrape
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as they speak.
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PICARD
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I never realized you were
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interested in trains. Did you
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know that at its peak, the Orient
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Express carried over ten thousand
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passengers a year?
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BEVERLY
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It's not really the train itself
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I'm interested in...
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PICARD
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Then what?
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BEVERLY
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The experience.
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(beat)
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The Orient Express was... mystery
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and romance. It was an elegant
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way to see exotic places and meet
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fascinating people...
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(beat)
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Did you know that on one trip,
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both Sigmund Freud and Gertrude
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Stein just happened to be on the
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same car? They ended up having
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dinner together every night.
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Picard's intrigued by the notion.
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PICARD
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I wonder what they talked
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about... ?
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Beverly smiles.
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BEVERLY
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Why don't you take a trip
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yourself... and find out?
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STAR TREK: "Emergence" - REV. 02/18/94 - ACT ONE 7.
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5 CONTINUED:
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RIKER'S COM VOICE
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Riker to Picard.
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PICARD
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(taps combadge)
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Picard here.
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RIKER'S COM VOICE
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All sections are ready to begin
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the survey, sir.
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PICARD
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(to com)
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Very good. I'm on my way.
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Picard jumps down from the biobed and heads for the
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door.
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BEVERLY
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Think about that trip, Jean-Luc...
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You never know who you'll meet on
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the Orient Express...
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Picard EXITS.
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CUT TO:
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6 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse.
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PICARD (V.O.)
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Captain's Log, Stardate 47869.2.
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After weathering an unexpected
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magnascopic storm in the Mekorda
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Sector, we are continuing our
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search for new Federation colony
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sites.
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7 INT. BRIDGE
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Picard and RIKER are at their command chairs, Data at
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Ops. N.D.s are at various stations. Riker hands
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Picard a PADD.
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RIKER
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I don't see any possibility of
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developing sites in this region.
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Most of the stars are mainsequence
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binaries with no M-class
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planets.
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STAR TREK: "Emergence" - 02/17/94 - ACT ONE 8.
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7 CONTINUED:
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PICARD
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(reads PADD)
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All right then, let's move on to
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the next survey region... Have
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stellar cartography begin a--
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Suddenly, the SHIP LURCHES FORWARD.
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PICARD
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Mister Data, report.
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DATA
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(off console)
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The ship has gone into warp, sir.
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RIKER
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Who gave the command?
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DATA
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(off console)
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Apparently no one. Helm and
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navigation controls are not
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functioning.
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(beat)
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Our speed is now warp seven-point-three
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and holding.
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PICARD
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(to com)
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Picard to Engineering. Mister La
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Forge, what's going on down there?
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INTERCUT:
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8 INT. ENGINEERING
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GEORDI is frantically moving between consoles.
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GEORDI
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(to com)
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I don't understand it, sir. The
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impulse systems suddenly cut out
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and the warp drive kicked in.
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RIKER
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Geordi, can you take the engines
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off-line?
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GEORDI
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I'm working on it...
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Geordi moves off to work another console.
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|
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STAR TREK: "Emergence" - REV. 02/17/94 - ACT ONE 9.
|
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8 CONTINUED:
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||
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PICARD
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Data, what's our heading?
|
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|
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DATA
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(off console)
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Bearing one-eight-seven mark four.
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I am unable to determine our
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||
destination -- but we are heading
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away from the Mekorda sector.
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Picard and Riker exchange a puzzled look.
|
||
|
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GEORDI
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(breaking in)
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Captain, the computer's locked-out
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all the propulsion controls... I
|
||
can't access any of the
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overrides...
|
||
(beat)
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||
If you want us to stop, we'll have
|
||
to do an emergency core shutdown...
|
||
|
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RIKER
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||
(to Picard)
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That'll leave us without warp
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power for more than a week...
|
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|
||
But Picard does not like having the ship out of his
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control.
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|
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PICARD
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Begin the procedure, Mister La
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Forge...
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||
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||
A tense beat... and then there is a VIOLENT JOLT as the
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ship suddenly drops out of warp.
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||
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DATA
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(off console)
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We are no longer at warp...
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Impulse power has resumed... all
|
||
systems show normal.
|
||
|
||
RIKER
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||
Where are we?
|
||
|
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DATA
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||
(off console)
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||
We are approximately thirty-billion
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kilometers from our
|
||
original position.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT ONE 10.
|
||
|
||
8 CONTINUED: (2)
|
||
|
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PICARD
|
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(to com)
|
||
Good work, Geordi.
|
||
|
||
Geordi is checking the readout of a console, shaking
|
||
his head.
|
||
|
||
GEORDI
|
||
It wasn't me that took us out of
|
||
warp, sir. I didn't have time to
|
||
complete the shut-down
|
||
procedure...
|
||
|
||
A puzzling beat. Picard doesn't like this one bit.
|
||
|
||
PICARD
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||
(to com)
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||
Well, I want an explanation.
|
||
Picard out.
|
||
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||
OFF Picard and Riker's expressions.
|
||
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||
CUT TO:
|
||
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||
9 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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moving at impulse.
|
||
|
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10 INT. BRIDGE - AFT SCIENCE
|
||
|
||
Picard walks up to the station where Data and Geordi
|
||
are carefully studying an OKUDAGRAM on the monitor.
|
||
The graphic shows the ship surrounded by a "sea" of
|
||
small, intense regions of energy.
|
||
|
||
PICARD
|
||
Have you found anything, yet?
|
||
|
||
GEORDI
|
||
Only that we've got more than one
|
||
mystery here, sir...
|
||
|
||
Picard reacts.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT ONE 11.
|
||
|
||
10 CONTINUED:
|
||
|
||
GEORDI
|
||
(continuing)
|
||
We still don't know why the ship
|
||
jumped into warp... but it looks
|
||
like we're lucky it did.
|
||
|
||
Picard gives him a questioning look.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
There was a theta flux distortion
|
||
building up around the ship.
|
||
|
||
Geordi indicates the monitor graphic which Picard
|
||
studies briefly.
|
||
|
||
PICARD
|
||
(concerned)
|
||
Why didn't the sensors alert us?
|
||
|
||
GEORDI
|
||
Our sensors were never designed to
|
||
detect theta flux distortions.
|
||
And yet -- there is a record of
|
||
the distortion in the sensor log.
|
||
That's the other mystery.
|
||
|
||
DATA
|
||
One fact is clear, however. The
|
||
distortion was gaining in
|
||
strength. If we had remained at
|
||
our original position one-point
|
||
seven seconds longer, the
|
||
distortion would have ruptured our
|
||
warp core.
|
||
|
||
GEORDI
|
||
If the Enterprise hadn't jumped
|
||
into warp when it did... we
|
||
would've been blown to pieces.
|
||
|
||
OFF Picard's reaction.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 12.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
11 OMITTED
|
||
|
||
12 INT. JEFFERIES TUBE
|
||
|
||
Data and Geordi are crawling along a horizontal section
|
||
of the tube.
|
||
|
||
GEORDI
|
||
I just don't get it, Data. What
|
||
could have caused the engines to
|
||
jump into warp drive on their own?
|
||
|
||
DATA
|
||
Perhaps the engines were activated
|
||
by a random power fluctuation.
|
||
|
||
GEORDI
|
||
(skeptical)
|
||
Which occurred just in time to
|
||
save the ship?
|
||
|
||
DATA
|
||
It is improbable... but it is
|
||
possible.
|
||
|
||
GEORDI
|
||
Well, I don't think I'm ready to
|
||
start believing in luck.
|
||
|
||
They have arrived near a MEESPANEL in the side of the
|
||
tube, and Geordi begins to remove it.
|
||
|
||
DATA
|
||
There is another possibility. The
|
||
sensors apparently detected a
|
||
dangerous anomaly that threatened
|
||
the Enterprise. It is possible
|
||
that they triggered a safety
|
||
response which caused the ship to
|
||
avoid destruction.
|
||
|
||
GEORDI
|
||
But there's no direct link between
|
||
the sensors and the warp
|
||
engines...
|
||
|
||
As he peers into the junction, he pulls back in
|
||
surprise.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 13.
|
||
|
||
12 CONTINUED:
|
||
|
||
GEORDI
|
||
What is this... ?
|
||
|
||
Inside the panel he sees...
|
||
|
||
13 A COMPLEX NODE OF INTERCONNECTIONS
|
||
|
||
completely different in color and appearance from the
|
||
circuitry around it.
|
||
|
||
14 RESUME SCENE (OPTICAL)
|
||
|
||
as Geordi and Data begin scanning the mysterious node.
|
||
|
||
GEORDI
|
||
(off tricorder)
|
||
It's some kind of new circuit
|
||
node... and it's connected to at
|
||
least half a dozen points in the
|
||
sensor array...
|
||
|
||
DATA
|
||
(off tricorder)
|
||
It appears to be connected to
|
||
several other systems as well...
|
||
including the warp control
|
||
circuits.
|
||
|
||
GEORDI
|
||
I guess there is a link between
|
||
the sensors and the engines after
|
||
all..
|
||
|
||
Geordi takes out his tech instrument and attempts to
|
||
probe the strange node... suddenly, a FORCE FIELD
|
||
flashes briefly, forcing him back.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 14.
|
||
|
||
14 CONTINUED:
|
||
|
||
He pulls back, startled.
|
||
|
||
GEORDI
|
||
A force field... where did that
|
||
come from?
|
||
|
||
Data scans.
|
||
|
||
DATA
|
||
I am not certain -- possibly from
|
||
the node itself.
|
||
|
||
Geordi reaches toward the node once more, and again,
|
||
the force field FRITZES.
|
||
|
||
GEORDI
|
||
Well... wherever it came from...
|
||
it sure doesn't want us messing
|
||
with that node.
|
||
|
||
Data regards the strange node, puzzling over the odd
|
||
events, his positronic matrix working to solve the
|
||
mystery.
|
||
|
||
DATA
|
||
It appears to be protecting
|
||
itself.
|
||
|
||
OFF Geordi's look...
|
||
|
||
CUT TO:
|
||
|
||
15 INT. ENGINEERING
|
||
|
||
Data and Geordi are briefing Riker at the pool table.
|
||
A monitor displays a GRAPHIC of the Enterprise,
|
||
highlighting the locations of several connection nodes
|
||
scattered throughout the ship. The connection nodes
|
||
are all linked together, and the image suggests the
|
||
crude beginnings of spider's web.
|
||
|
||
GEORDI
|
||
(re: graphic)
|
||
We found these "nodes" in several
|
||
systems around the ship. At some
|
||
level, they were all connected to
|
||
each other.
|
||
|
||
DATA
|
||
There were nodes linking the
|
||
sensors to our warp control and
|
||
defensive systems. We believe
|
||
this is why the ship jumped to
|
||
warp.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 15.
|
||
|
||
15 CONTINUED:
|
||
|
||
GEORDI
|
||
When the sensors detected danger,
|
||
the defensive systems reacted to
|
||
the threat -- and activated the
|
||
warp engines to protect us.
|
||
|
||
RIKER
|
||
Where did these nodes come from?
|
||
|
||
DATA
|
||
It is possible that the
|
||
magnascopic storm we recently
|
||
experienced had an unexpected
|
||
effect on the ship's systems.
|
||
|
||
GEORDI
|
||
Wherever they came from, they seem
|
||
to be multiplying.
|
||
|
||
DATA
|
||
As they increase, it will become
|
||
progressively more difficult to
|
||
control the ship.
|
||
|
||
RIKER
|
||
What do you propose we do?
|
||
|
||
GEORDI
|
||
Well, it's not going to be easy to
|
||
get rid of them.
|
||
(beat)
|
||
When we attempted to examine the
|
||
circuitry of one of the nodes, it
|
||
generated a force-field to keep us
|
||
out.
|
||
|
||
RIKER
|
||
Whatever's going on here -- our
|
||
first priority is to get back
|
||
control of the ship.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 16.
|
||
|
||
15 CONTINUED: (2)
|
||
|
||
DATA
|
||
Agreed...
|
||
|
||
Data indicates a point on the graphic.
|
||
|
||
DATA
|
||
(continuing)
|
||
All of the nodes intersect in
|
||
Holodeck three. It appears to be
|
||
a... focal point of some kind.
|
||
|
||
GEORDI
|
||
We might be able to find a way to
|
||
use the Holodeck circuits to
|
||
disable the nodes...
|
||
|
||
Riker considers for a beat.
|
||
|
||
RIKER
|
||
All right. Let's do it.
|
||
|
||
OFF their expression as they stare thoughtfully at the
|
||
graphic.
|
||
|
||
CUT TO:
|
||
|
||
16 INT. CORRIDOR
|
||
|
||
Riker, Data, and WORF are standing outside the
|
||
Holodeck; both Data and Worf have TRICORDERS. Data is
|
||
tapping commands into the control panel.
|
||
|
||
DATA
|
||
(puzzled)
|
||
Commander, the Holodeck appears to
|
||
be in operation.
|
||
|
||
RIKER
|
||
I thought you shut down the entire
|
||
system.
|
||
|
||
DATA
|
||
I did. However, it has reactivated
|
||
itself... and it will
|
||
not disengage.
|
||
|
||
WORF
|
||
Which program is running?
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 17.
|
||
|
||
16 CONTINUED:
|
||
|
||
DATA
|
||
(off panel)
|
||
Several different programs appear
|
||
to be running simultaneously.
|
||
|
||
RIKER
|
||
Well... this should be
|
||
interesting...
|
||
|
||
The three exchange a look and then step through the
|
||
door into...
|
||
|
||
17 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
It's a classic Victorian salon car, decorated in the
|
||
opulent, grand style of the time. There's a door at
|
||
each end and the WINDOWS are covered by closed DRAPES;
|
||
a SIGNAL CABLE runs along one of the walls, used by
|
||
passengers to signal the engineer. The HUMMING of the
|
||
rails and the CLACKETY-CLACK of the tracks can be heard
|
||
as the train speeds along.
|
||
|
||
Data immediately begins scanning the area as Riker and
|
||
Worf try to get their bearings, carefully observing the
|
||
bizarre scene:
|
||
|
||
Two 1920's Zelda Fitzgerald-style FLAPPERS sit at an
|
||
elegant table with a briefcase-wielding MAN IN A GREY
|
||
FLANNEL SUIT. They are engrossed in piecing together
|
||
a large JIGSAW PUZZLE of a strange, multi-colored THREE-DIMENSIONAL
|
||
MOLECULE...
|
||
|
||
A Medieval KNIGHT in shining armor is in another corner
|
||
of the car. He is carefully cutting a folded newspaper
|
||
with a large pair of SCISSORS. Beside him is a HAYSEED
|
||
wearing a floppy straw hat and overalls, a corncob pipe
|
||
stuck in his mouth -- a real hick. The Hayseed
|
||
watches, fascinated, as the Knight continues to cut...
|
||
|
||
A dangerous-looking GUNSLINGER straight out of the old
|
||
West stalks silently up and down the aisle. He moves
|
||
with what might be murderous intent to the Flapper and
|
||
the Flannel Man... he reaches for his belt... and pulls
|
||
out a PUZZLE PIECE. He places it just where it belongs
|
||
into the puzzle, then takes a seat to help them
|
||
continue...
|
||
|
||
RIKER
|
||
(a bit overwhelmed)
|
||
You weren't kidding, Data...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 18.
|
||
|
||
17 CONTINUED:
|
||
|
||
DATA
|
||
(off tricorder)
|
||
No, sir. I estimate that this...
|
||
scene consists of portions of at
|
||
least seven distinct Holodeck
|
||
programs...
|
||
|
||
RIKER
|
||
See if you can access the circuits
|
||
that have been affected by the
|
||
nodes.
|
||
|
||
Data and Worf acknowledge and move off, scanning the
|
||
cabin.
|
||
|
||
At that moment, the front door OPENS, and the CONDUCTOR
|
||
ENTERS the car. He is dressed like a typical American
|
||
trainman circa 1920 and has the typical cheery-but-take-no-guff
|
||
attitude of his kind.
|
||
|
||
CONDUCTOR
|
||
Tickets please... please have your
|
||
tickets ready...
|
||
|
||
The Hayseed fishes through his pockets for a TICKET and
|
||
hands it to the Conductor.
|
||
|
||
HAYSEED
|
||
(excited)
|
||
You know, I've never even been
|
||
away from home... and now I'm
|
||
goin' all the way to Vertiform
|
||
City!
|
||
|
||
As the Conductor punches the tickets, the Knight stops
|
||
cutting his newspaper and opens it out -- he has
|
||
fashioned it into a STRING OF PAPER DOLLS.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 19.
|
||
|
||
17 CONTINUED: (2)
|
||
|
||
He shows it expectantly to the Conductor.
|
||
|
||
CONDUCTOR
|
||
Very nice, sir. Enjoy your trip.
|
||
|
||
The Conductor hands the tickets back to the Hayseed and
|
||
continues down the aisle, moving past Riker, Data, and
|
||
Worf as if they didn't exist.
|
||
|
||
CONDUCTOR
|
||
(continuing)
|
||
Tickets please... please have your
|
||
tickets ready...
|
||
|
||
DATA (O.S.)
|
||
Commander...
|
||
|
||
Riker turns to see Data and Worf standing near a
|
||
section of the car's wall. They are scanning it
|
||
carefully with their tricorders. Riker joins them.
|
||
|
||
DATA
|
||
(continuing)
|
||
We have located a large
|
||
concentration of nodes behind this
|
||
wall... They appear to be
|
||
connected directly to the
|
||
Holodeck's main power coupling.
|
||
|
||
RIKER
|
||
All right... go ahead and
|
||
depolarize the entire power grid.
|
||
|
||
As Data moves toward the train wall --
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 20.
|
||
|
||
17 CONTINUED: (3)
|
||
|
||
CONDUCTOR (O.S.)
|
||
Get away from there...
|
||
|
||
The Conductor is standing right behind them. His voice
|
||
is cold and suspicious, and all traces of his earlier,
|
||
cheerful manner are gone. Everyone in the car is now
|
||
staring at the group, seeing them for the first time.
|
||
It's a spooky, unsettling moment.
|
||
|
||
CONDUCTOR
|
||
(continuing)
|
||
Would you gentlemen care to show
|
||
me your tickets?
|
||
|
||
He moves a little closer, menacingly... This is getting
|
||
really creepy. Riker tries to fake his way out.
|
||
|
||
RIKER
|
||
We... left them in our
|
||
compartments.
|
||
(to Worf)
|
||
I told you to bring the tickets.
|
||
|
||
WORF
|
||
I... forgot.
|
||
|
||
CONDUCTOR
|
||
I don't think you folks belong on
|
||
this train...
|
||
|
||
He starts to move in... and suddenly, the front door of
|
||
the car BURSTS OPEN, and the ENGINEER rushes in. He is
|
||
an excitable, bespectacled man in a traditional train
|
||
engineer's uniform. He moves straight for the
|
||
Conductor.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 21.
|
||
|
||
17 CONTINUED: (4)
|
||
|
||
ENGINEER
|
||
(to Conductor)
|
||
You leave these people alone!
|
||
They're only trying to help!
|
||
|
||
CONDUCTOR
|
||
Get back to the engine. This
|
||
doesn't concern you.
|
||
|
||
The Engineer puts himself between the Conductor and
|
||
Riker, Data, and Worf. He gestures to the Conductor
|
||
and the other passengers.
|
||
|
||
ENGINEER
|
||
They're trying to hijack the
|
||
train...
|
||
|
||
The Hayseed stands up and moves forward.
|
||
|
||
HAYSEED
|
||
Hey, if you're the Engineer, then
|
||
who's doing the drivin'?
|
||
|
||
But before the Engineer can answer...
|
||
|
||
BLAM! A SINGLE, LOUD PISTOL SHOT suddenly rings out.
|
||
The Engineer pitches forward into Riker's arms -- dead.
|
||
|
||
18
|
||
thru OMITTED
|
||
19
|
||
|
||
20 REVEAL THE HITMAN
|
||
|
||
standing in the doorway, a smoking Colt Army .45
|
||
AUTOMATIC PISTOL cradled comfortably in his hand.
|
||
|
||
HITMAN
|
||
I am.
|
||
|
||
21 INT. ENGINEERING
|
||
|
||
Suddenly, a console EXPLODES in a shower of sparks near
|
||
Geordi, sending him reeling backwards.
|
||
|
||
An N.D. STARFLEET ENSIGN rushes to his aid -- Geordi
|
||
is already struggling to his feet. He's all right,
|
||
just a little dazed.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 22.
|
||
|
||
21 CONTINUED:
|
||
|
||
GEORDI
|
||
I'm all right...
|
||
|
||
Geordi looks at the ruined console.
|
||
|
||
GEORDI
|
||
(continuing, disbelief)
|
||
It looks like the navigational
|
||
relays overloaded...
|
||
|
||
22 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
As Riker lowers the Engineer's body to the floor, The
|
||
Conductor tugs the cable several times, causing several
|
||
CHIMES to sound. Suddenly, the wheels SCREECH and the
|
||
train LURCHES, tossing everybody to one side. With a
|
||
LOUD BLAST from the train's WHISTLE, the train
|
||
straightens itself again and continues forward even
|
||
faster than before...
|
||
|
||
DATA
|
||
I believe we have changed
|
||
direction...
|
||
|
||
The Conductor rushes to the window and takes a quick
|
||
look outside. He steps back delighted.
|
||
|
||
CONDUCTOR
|
||
Now we're on the right track!
|
||
(to everyone)
|
||
Ladies and Gentlemen... we are on
|
||
our way!
|
||
|
||
The passengers begin to cheer wildly...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 23.
|
||
|
||
23 INT. ENGINEERING
|
||
|
||
Suddenly, the warp core -- which until now had been
|
||
idle with the ship at impulse -- comes to life and
|
||
begins to PULSE... the SHIP LURCHES FORWARD.
|
||
|
||
Geordi quickly moves to the pool table and studies the
|
||
readouts.
|
||
|
||
PICARD'S COM VOICE
|
||
Picard to La Forge. What's going
|
||
on? We just went into warp...
|
||
|
||
GEORDI
|
||
(off console)
|
||
We've lost engine and helm control
|
||
again, sir... but this time,
|
||
they're completely burned out.
|
||
(beat, grim)
|
||
I don't know if we can stop the
|
||
ship.
|
||
|
||
24 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
The Conductor reaches into the Engineer's bib and
|
||
withdraws a BRICK OF GOLD. He looks at it, pleased.
|
||
|
||
HITMAN
|
||
(to Conductor)
|
||
I was right -- he was tryin' to
|
||
make off with my brick.
|
||
|
||
He tucks it into his pocket.
|
||
|
||
CONDUCTOR
|
||
You take good care of that -- we
|
||
can't afford to lose it.
|
||
|
||
The Hitman pats his pocket confidently, then he and the
|
||
Conductor turn to face our people, the Hitman
|
||
brandishing his weapon.
|
||
|
||
CONDUCTOR
|
||
Are you people going to leave...
|
||
or are we going to have to throw
|
||
you off this train?
|
||
|
||
They look like they're ready to do it... Riker and Worf
|
||
are ready for a fight when Data pulls them back.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT TWO 24.
|
||
|
||
24 CONTINUED:
|
||
|
||
DATA
|
||
(quietly)
|
||
According to my tricorder, the
|
||
Holodeck safeties have been
|
||
disengaged. His weapon could be
|
||
lethal.
|
||
|
||
A tense beat.
|
||
|
||
RIKER
|
||
All right... let's get out of
|
||
here.
|
||
|
||
Riker, Data, and Worf move slowly to the exit as the
|
||
Conductor watches them leave...
|
||
|
||
CUT TO:
|
||
|
||
25 INT. ENGINEERING
|
||
|
||
Riker, Data and Geordi are gathered around the pool
|
||
table. A monitor GRAPHIC displays the connection nodes
|
||
throughout the ship; compared to the previous graphic,
|
||
the number of nodes has increased dramatically, and the
|
||
"spider's web" of connections has become far more
|
||
complex.
|
||
|
||
Data is studying it with keen interest.
|
||
|
||
DATA
|
||
The number of systems now affected
|
||
by the nodes has grown
|
||
considerably.
|
||
(beat)
|
||
Sensors, engines, replicators,
|
||
propulsion... they are all working
|
||
together now, almost independently
|
||
of the main computer. And the
|
||
nodes link all of them through the
|
||
Holodeck.
|
||
|
||
RIKER
|
||
But why the Holodeck? That
|
||
doesn't make any sense.
|
||
|
||
DATA
|
||
Commander, I think what happens on
|
||
the Holodeck has a direct effect
|
||
on the ship. When we attempted to
|
||
destroy the nodes -- the
|
||
characters on the train responded
|
||
immediately to stop us.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT TWO 25.
|
||
|
||
25 CONTINUED:
|
||
|
||
Riker considers the chain of events.
|
||
|
||
RIKER
|
||
And when the Engineer tried to
|
||
protect us -- one of the
|
||
characters shot him.
|
||
|
||
DATA
|
||
The Conductor then signalled for
|
||
the train to change directions...
|
||
and at approximately the same time --
|
||
|
||
GEORDI
|
||
-- the Enterprise took off in a
|
||
new direction, too.
|
||
|
||
The group considers this reasoning carefully.
|
||
|
||
RIKER
|
||
Are you saying... that the ship is
|
||
being controlled by the Holodeck?
|
||
|
||
DATA
|
||
Not precisely.
|
||
|
||
Data gestures again to the graphic.
|
||
|
||
DATA
|
||
Geordi, does the configuration of
|
||
the connection nodes look familiar
|
||
to you?
|
||
|
||
Geordi peers at the graphic, studying it carefully.
|
||
|
||
GEORDI
|
||
(realizing)
|
||
Yeah... it's... a little like the
|
||
structure of your positronic
|
||
brain.
|
||
|
||
DATA
|
||
That is correct. It appears that
|
||
the nodes are in the process of
|
||
creating a rudimentary neural net.
|
||
|
||
Riker and Geordi eye him in astonishment.
|
||
|
||
RIKER
|
||
Data -- what are you suggesting?
|
||
|
||
DATA
|
||
Unlikely as it may sound... I
|
||
believe that the Enterprise may be
|
||
forming an intelligence.
|
||
|
||
OFF their stunned reactions...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 26.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
26 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
at warp.
|
||
|
||
27 INT. OBSERVATION LOUNGE (OPTICAL)
|
||
|
||
Data is standing at the wall monitor, briefing Picard,
|
||
Riker, Beverly, TROI, Geordi, and Worf. The monitor
|
||
displays a GRAPHIC of THREE SEPARATE IMAGES.
|
||
|
||
Data indicates the first image.
|
||
|
||
DATA
|
||
This is a synaptic map of the
|
||
human neo-cortex...
|
||
(indicates second image)
|
||
This is a cross-section of my
|
||
positronic net...
|
||
(indicates third image)
|
||
And this is a schematic of the
|
||
connection nodes linking the
|
||
ship's systems...
|
||
|
||
The three images bear a striking similarity.
|
||
|
||
DATA
|
||
(continuing)
|
||
I believe some sort of neural
|
||
matrix is forming on the ship. It
|
||
is still relatively primitive, but
|
||
it is an intelligence nonetheless.
|
||
|
||
TROI
|
||
How could this happen?
|
||
|
||
DATA
|
||
I believe it is an emergent
|
||
property.
|
||
|
||
PICARD
|
||
Explain.
|
||
|
||
DATA
|
||
Complex systems can sometimes
|
||
behave in ways that are entirely
|
||
unpredictable. The human brain,
|
||
for example, might be described in
|
||
terms of cellular functions and
|
||
neuro-chemical interactions.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT THREE 27.
|
||
|
||
27 CONTINUED:
|
||
|
||
A beat as he looks around at the group.
|
||
|
||
DATA
|
||
But that description does not
|
||
explain human consciousness -- a
|
||
capacity that far exceeds simple
|
||
neural functions.
|
||
(beat)
|
||
Consciousness is an emergent
|
||
property.
|
||
|
||
GEORDI
|
||
In other words, something that's
|
||
more than the sum of its parts...
|
||
|
||
DATA
|
||
Exactly.
|
||
|
||
BEVERLY
|
||
How does that explain what's
|
||
happening to the Enterprise?
|
||
|
||
DATA
|
||
The Enterprise contains a vast
|
||
database of information which is
|
||
managed by a sophisticated
|
||
computer. This complex system
|
||
gives the ship many of the
|
||
characteristics of a biological
|
||
organism.
|
||
|
||
RIKER
|
||
That's true... it "sees" with its
|
||
sensors... "talks" with its
|
||
communications systems...
|
||
|
||
BEVERLY
|
||
In a sense, it even "reproduces"
|
||
with the replicators...
|
||
|
||
PICARD
|
||
(to Data)
|
||
And you think the ship has somehow
|
||
gone beyond those functions... has
|
||
developed a new capacity...
|
||
|
||
DATA
|
||
Yes, sir. I believe a self-determining
|
||
intelligence is
|
||
emerging.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT THREE 28.
|
||
|
||
27 CONTINUED: (2)
|
||
|
||
There's a beat as they consider the implications --
|
||
it's a difficult concept to accept.
|
||
|
||
WORF
|
||
If that is so... what does the
|
||
ship want? Where is it taking us?
|
||
|
||
DATA
|
||
I believe the key to understanding
|
||
the ship's behavior lies in the
|
||
Holodeck.
|
||
(beat)
|
||
All of the connection nodes
|
||
intersect at that location. It is
|
||
clearly some kind of processing
|
||
center.
|
||
|
||
PICARD
|
||
Processing center... ?
|
||
|
||
DATA
|
||
Yes, sir. A focal point... where
|
||
all the ideas and instincts of
|
||
this emerging intelligence are
|
||
first expressed in some form.
|
||
|
||
TROI
|
||
Almost like an "imagination... "
|
||
|
||
A beat as Troi considers this.
|
||
|
||
TROI
|
||
(continuing)
|
||
Sir, I'd like to go to the
|
||
Holodeck. I could interact with
|
||
the characters... maybe find some
|
||
clues that would help us
|
||
understand what's happening.
|
||
|
||
PICARD
|
||
Very well. Mister Data, Mister
|
||
Worf, you'll go along. See if
|
||
there's any way to re-establish
|
||
control of the ship without
|
||
destroying the nodes.
|
||
(MORE)
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT THREE 29.
|
||
|
||
27 CONTINUED: (3)
|
||
|
||
PICARD (Cont'd)
|
||
(beat)
|
||
If this ship truly is an emerging
|
||
intelligence, then it's our
|
||
responsibility to treat it with
|
||
the same respect we would give any
|
||
other being.
|
||
|
||
Data nods and the meeting breaks up.
|
||
|
||
CUT TO:
|
||
|
||
28 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
Troi, Data, and Worf ENTER from the rear door. Data is
|
||
carrying a small SCANNING DEVICE. They hear a loud
|
||
CLANG... CLANG... CLANG... and turn toward it...
|
||
|
||
29 THE SCENE
|
||
|
||
One of the Flappers is attempting to give the Knight a
|
||
drink from a beautiful CHALICE... but she keeps banging
|
||
it against his visor. CLANG... CLANG... CLANG.
|
||
|
||
Elsewhere, the Man in the Grey Flannel Suit sits in a
|
||
chair, calmly reading a newspaper. Beside him, the
|
||
Gunslinger is bound head-to-toe in a heavy rope, a gag
|
||
stuffed in his mouth.
|
||
|
||
The Hayseed and one of the Flappers are sitting at the
|
||
elegant table, still working on the jigsaw puzzle.
|
||
|
||
The Conductor is nowhere to be seen.
|
||
|
||
Troi reacts to the bizarre scene.
|
||
|
||
WORF
|
||
Welcome aboard, Counselor...
|
||
|
||
Data activates his device.
|
||
|
||
DATA
|
||
If you will distract these people,
|
||
I will attempt to depolarize the
|
||
power grid.
|
||
|
||
Data moves down the aisle.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 30.
|
||
|
||
30 TROI AND WORF
|
||
|
||
move to the elegant table where The Hayseed looks up at
|
||
them.
|
||
|
||
WORF
|
||
Have you finished the puzzle yet?
|
||
|
||
HAYSEED
|
||
Not yet... but we're gettin'
|
||
close.
|
||
|
||
Worf and Troi look curiously at the puzzle.
|
||
|
||
31 INCLUDE THE PUZZLE
|
||
|
||
The nearly complete puzzle is a picture of a strange,
|
||
multi-colored THREE-DIMENSIONAL molecule -- it suggests
|
||
a cross between a strand of DNA and an electronic
|
||
circuit.
|
||
|
||
WORF
|
||
Do you recognize it?
|
||
|
||
TROI
|
||
No...
|
||
|
||
WORF
|
||
(to the puzzlers)
|
||
I'd like to help.
|
||
|
||
Worf takes a seat... Troi moves off. Worf takes a
|
||
puzzle piece and after a brief search, places it
|
||
correctly in the puzzle.
|
||
|
||
WORF
|
||
Tell me... exactly what are you
|
||
making?
|
||
|
||
HAYSEED
|
||
What do you think we're makin'? A
|
||
puzzle!
|
||
|
||
Worf tries again.
|
||
|
||
WORF
|
||
No, I mean the picture. What is
|
||
it?
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 31.
|
||
|
||
31 CONTINUED:
|
||
|
||
HAYSEED
|
||
(puzzled)
|
||
I don't know.
|
||
|
||
32 OMITTED
|
||
|
||
33 THE HITMAN
|
||
|
||
is playing gin rummy with the Gunslinger. The brick of
|
||
gold sits on the table near the Hitman.
|
||
|
||
TROI
|
||
Can you deal me in?
|
||
|
||
HITMAN
|
||
Sorry. It's a two-man game.
|
||
|
||
Troi sees the gold brick, and reaches for it. The
|
||
Hitman grabs her wrist and pushes her hand back.
|
||
|
||
HITMAN
|
||
Hey, hey, hey -- keep your hands
|
||
off that.
|
||
|
||
TROI
|
||
Is that why you killed the
|
||
Engineer -- to get this brick?
|
||
|
||
HITMAN
|
||
I had to get it back. You know
|
||
how much it's worth, lady?
|
||
Plenty.
|
||
(taps it)
|
||
And I gotta get it to Keystone
|
||
City.
|
||
|
||
TROI
|
||
Why? What's at Keystone City?
|
||
|
||
The Hitman looks at her, amazed.
|
||
|
||
HITMAN
|
||
That's where everything begins...
|
||
|
||
He lays his cards on the table.
|
||
|
||
HITMAN
|
||
Gin.
|
||
|
||
Troi reacts -- the Hitman has laid down five identical
|
||
cards, each one with a picture of the strange, THREE-DIMENSIONAL
|
||
molecule on it.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT THREE 32.
|
||
|
||
34 OMITTED
|
||
|
||
35 ANOTHER ANGLE - DATA AND WORF
|
||
|
||
Worf has joined Data, who is kneeling on the floor with
|
||
his device.
|
||
|
||
WORF
|
||
Are you succeeding, Commander?
|
||
|
||
DATA
|
||
I am ready to access the main
|
||
power grid.
|
||
|
||
CONDUCTOR (O.S.)
|
||
Keystone City, next stop.
|
||
|
||
Data and Worf turn to see the Conductor walking down
|
||
the aisle, calling out to the passengers, who are
|
||
reacting to the news with obvious excitement.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 33.
|
||
|
||
35 CONTINUED:
|
||
|
||
The Cnductor stops in front of Data and Worf. He looks
|
||
at them closely and raises an eyebrow -- he's annoyed,
|
||
but not violent like the last time.
|
||
|
||
CONDUCTOR
|
||
(continuing)
|
||
Well, look who's back.
|
||
|
||
WORF
|
||
We do not want any trouble, sir.
|
||
We are simply... passengers.
|
||
|
||
CONDUCTOR
|
||
Then I'm sure you wouldn't mind
|
||
showing me your tickets?
|
||
|
||
Worf grits his teeth -- not again...
|
||
|
||
CONDUCTOR
|
||
(continuing)
|
||
Right. Sorry, boys... You're
|
||
getting off right here...
|
||
|
||
With his words, the train HISSES to a stop. The
|
||
Conductor begins to force Data and Worf toward the
|
||
door...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 34.
|
||
|
||
36 TROI AND THE HITMAN
|
||
|
||
He suddenly stands up, grabs the brick.
|
||
|
||
HITMAN
|
||
This is my stop.
|
||
|
||
TROI
|
||
Wait -- tell me what happens at
|
||
Keystone City. Why are you taking
|
||
the brick there... ?
|
||
|
||
But he doesn't answer, moves quickly for the EXIT.
|
||
Troi follows.
|
||
|
||
37 INCLUDE DATA AND WORF
|
||
|
||
who are still being pushed out by the Conductor. The
|
||
Hitman brushes past them and out the rear door. Troi
|
||
approaches.
|
||
|
||
TROI
|
||
I think we should follow that man.
|
||
That brick may be an important
|
||
clue...
|
||
|
||
All three EXIT through the rear door...
|
||
|
||
38 EXT. HOLODECK/NEW YORK STREET - BROOKLYN SUBWAY - DAY
|
||
|
||
Troi, Data, and Worf emerge from the subway, walking up
|
||
the stairs into the middle of the street. The place is
|
||
completely deserted.
|
||
|
||
Troi looks around in vain for the Hitman.
|
||
|
||
TROI
|
||
(frustrated)
|
||
Where did he go... ?
|
||
|
||
Data immediately begins scanning the area with his
|
||
device. He moves out into the intersection...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT THREE 35.
|
||
|
||
39 FOLLOW DATA
|
||
|
||
as he carefully scans the street. He stops at a
|
||
MANHOLE COVER in the middle of the intersection.
|
||
|
||
DATA
|
||
I can access the power grid here.
|
||
|
||
Data makes an adjustment to his device. Troi keeps
|
||
looking around, searching for the Hitman.
|
||
|
||
40 THE MANHOLE COVER DISAPPEARS (OPTICAL)
|
||
|
||
revealing a HIGH-TECH INTERFACE underneath. The border
|
||
shows the yellow lines of the Holodeck grid.
|
||
|
||
41 RESUME SCENE
|
||
|
||
as Data bends down and begins to hook his device into
|
||
the interface.
|
||
|
||
DATA
|
||
I will attempt to depolarize the
|
||
grid by using a low-frequency
|
||
inversion field. That may
|
||
disengage the nodes without
|
||
destroying them.
|
||
|
||
Troi, still looking, suddenly spots --
|
||
|
||
42 THE HITMAN
|
||
|
||
as he moves furtively out of sight around a corner.
|
||
|
||
43 RESUME SCENE
|
||
|
||
TROI
|
||
There he is. I'm going after him.
|
||
|
||
WORF
|
||
I am coming with you.
|
||
|
||
Troi and Worf move away off-screen. Data continues to
|
||
work.
|
||
|
||
Suddenly, out of nowhere, a 1940's era CHECKER TAXICAB
|
||
screeches around a corner, heading straight for Data...
|
||
|
||
STAR TREK: "Emergence" - 02/17/94 - ACT THREE 36.
|
||
|
||
43 CONTINUED:
|
||
|
||
Data moves quickly out of the way as the TAXI races
|
||
past, barely missing him. It drives out of sight,
|
||
disappearing around a corner.
|
||
|
||
OFF Data's expression...
|
||
|
||
44 EXT. HOLODECK/NY STREET - CONSTRUCTION SITE - DAY
|
||
|
||
It's the front of an apartment building. The MAIN DOOR
|
||
is surrounded by SCAFFOLDING -- it's been almost
|
||
entirely bricked-in, and there's a PILE OF BRICKS on
|
||
the ground in front of it. It's a strangely
|
||
incongruous site on this nice, finished residential
|
||
block.
|
||
|
||
The Hitman appears from around a corner, moving quickly
|
||
towards the construction site. Troi and Worf arrive a
|
||
beat later.
|
||
|
||
TROI
|
||
What are you doing here?
|
||
|
||
They cautiously move toward him as he locates a
|
||
particular spot on the bricked-in door. There's a HOLE
|
||
in the middle -- one brick is missing, purposefully
|
||
left out.
|
||
|
||
The Hitman smiles and turns to them.
|
||
|
||
HITMAN
|
||
Laying the foundation...
|
||
|
||
The Hitman reaches into his coat and pulls out the gold
|
||
brick. He puts into the hole -- it fits perfectly.
|
||
|
||
45 THE BRICK (OPTICAL)
|
||
|
||
For a moment, the brick GLOWS brightly with a strange,
|
||
unearthly light... when the glow fades, the gold brick
|
||
is no longer visible -- the face of the brick wall is
|
||
one continuous whole... it's complete.
|
||
|
||
46 RESUME SCENE
|
||
|
||
HITMAN
|
||
Now, if you'll excuse me, I've got
|
||
a train to catch.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 37.
|
||
|
||
46 CONTINUED:
|
||
|
||
He takes off. Troi and Worf move forward and examine
|
||
the brick wall curiously...
|
||
|
||
CUT TO:
|
||
|
||
47 INT. BRIDGE - AFT SCIENCE
|
||
|
||
The ship is at RED ALERT. Geordi is working the
|
||
console as Picard watches with concern.
|
||
|
||
GEORDI
|
||
(off console)
|
||
I don't understand it, sir...
|
||
Cargo Bay Five suddenly started to
|
||
depressurize...
|
||
|
||
PICARD
|
||
Did everyone get out in time?
|
||
|
||
GEORDI
|
||
Yes, sir, and I've re-established
|
||
the containment field... But I'm
|
||
reading massive power surges in
|
||
the Cargo Bay, and all sorts of
|
||
transporter activity...
|
||
(beat)
|
||
There's something weird happening,
|
||
sir.
|
||
|
||
PICARD
|
||
Get a team down there immediately.
|
||
I want to know what's going on.
|
||
|
||
GEORDI
|
||
Aye, sir.
|
||
|
||
Geordi moves away to the Turbolift. OFF Picard's
|
||
expression.
|
||
|
||
CUT TO:
|
||
|
||
48 INT. CARGO BAY
|
||
|
||
Geordi ENTERS with TWO N.D. STARFLEET OFFICERS -- and
|
||
they immediately see an incredible sight.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT THREE 38.
|
||
|
||
49 THE OBJECT (OPTICAL)
|
||
|
||
on the floor, GLOWING. It is solid and semitransparent,
|
||
a tiny shape, not unlike one of the
|
||
sections of the molecular image we've been seeing.
|
||
|
||
GEORDI
|
||
(taps combadge)
|
||
La Forge to Bridge...
|
||
|
||
PICARD'S COM VOICE
|
||
Picard here... what's going on?
|
||
|
||
GEORDI
|
||
I wish I could tell you...
|
||
|
||
OFF Geordi's astonished expression.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 39.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
50 EXT. HOLODECK/NY STREET - CONSTRUCTION SITE - DAY
|
||
|
||
Troi and Worf are still examining the brick wall,
|
||
trying to understand what just happened.
|
||
|
||
TROI
|
||
That man said he was "laying a
|
||
foundation"...
|
||
|
||
WORF
|
||
But a foundation for what... ?
|
||
|
||
The question hangs in the air... neither one has an
|
||
answer.
|
||
|
||
TROI
|
||
(taps combadge)
|
||
Troi to Data...
|
||
|
||
DATA'S COM VOICE
|
||
Data here.
|
||
|
||
TROI
|
||
(to com)
|
||
How are you coming?
|
||
|
||
51 EXT. HOLODECK/NY STREET - INTERSECTION - DAY -
|
||
CLOSE ON DATA
|
||
|
||
DATA
|
||
(to com)
|
||
I encountered a minor difficulty,
|
||
Counselor...
|
||
|
||
52 WIDEN TO REVEAL
|
||
|
||
Data is working with only one of his hands in the
|
||
manhole -- his other hand is holding the front bumper
|
||
of the taxi, which is spinning its wheels in a futile
|
||
attempt to run him over.
|
||
|
||
DATA
|
||
(continuing, to com)
|
||
But it has been dealt with. I am
|
||
ready to depolarize the power
|
||
grid.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 40.
|
||
|
||
52 CONTINUED:
|
||
|
||
Data taps a command on his device which begins to HUM.
|
||
|
||
A moment later, the ground begins to TREMBLE...
|
||
|
||
53 INT. CARGO BAY (OPTICAL)
|
||
|
||
Geordi and his team are scanning the mysterious object
|
||
on the ground, which is still in the process of
|
||
MATERIALIZING.
|
||
|
||
GEORDI
|
||
(to N.D., off tricorder)
|
||
It looks like the ship's
|
||
replicator and transporter systems
|
||
have been merged somehow...
|
||
they're working together to create
|
||
this... the question is, what is
|
||
it?
|
||
|
||
They stare at the strange "molecular" shape for a
|
||
moment.
|
||
|
||
GEORDI
|
||
(continuing, to N.D.)
|
||
Ensign, I want to run a full
|
||
spectral analysis on --
|
||
|
||
Suddenly, the ship begins to SHAKE and lights FLICKER.
|
||
Geordi reads his tricorder.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I'm picking up a massive power
|
||
fluctuation... the ship's losing
|
||
structural integrity...
|
||
|
||
54 EXT. HOLODECK/NY STREET - CONSTRUCTION SITE
|
||
|
||
The tremble has grown into a violent SHAKING. Troi and
|
||
Worf glance around in concern.
|
||
|
||
TROI
|
||
What's happening?
|
||
|
||
WORF
|
||
An earthquake... ?
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 41.
|
||
|
||
54 CONTINUED:
|
||
|
||
A sudden JOLT causes a flurry of BRICKS to fall off the
|
||
scaffolding around the door frame. Troi is nearest to
|
||
the bricked-in wall as it starts to collapse. She
|
||
dives for safety, but gets HIT by the falling debris.
|
||
|
||
WORF
|
||
(continuing)
|
||
Deanna!
|
||
|
||
Troi falls to the ground. Worf rushes to her, drags
|
||
her out of the falling debris to safety. She sits up,
|
||
alive but badly bruised and shaken.
|
||
|
||
55 EXT. HOLODECK/NY STREET - INTERSECTION - DAY
|
||
|
||
Data is still at the manhole with his device.
|
||
|
||
GEORDI'S COM VOICE
|
||
La Forge to Data -- stop what
|
||
you're doing!
|
||
|
||
DATA
|
||
Acknowledged...
|
||
|
||
Data quickly works his device. The HUM of the device
|
||
subsides... and the shaking quickly DIES DOWN. The
|
||
taxi's engine stops running; Data lets go of it.
|
||
|
||
56 INT. CARGO BAY
|
||
|
||
GEORDI
|
||
Data... I think we should get
|
||
together and compare notes.
|
||
|
||
He heads for the door.
|
||
|
||
CUT TO:
|
||
|
||
57 INT. SICKBAY
|
||
|
||
Troi on the biobed, Beverly treating her, Geordi and
|
||
Picard nearby.
|
||
|
||
TROI
|
||
The ship was protecting itself
|
||
again -- stopping us from
|
||
interfering. Whatever it's doing --
|
||
it intends to continue.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 42.
|
||
|
||
57 CONTINUED:
|
||
|
||
GEORDI
|
||
I'm betting it all has something
|
||
to do with the object that's
|
||
forming in the Cargo Bay.
|
||
|
||
TROI
|
||
I think he's right, Captain. Look
|
||
at the common themes that are
|
||
playing out on the Holodeck. A
|
||
puzzle being put together... a
|
||
foundation being laid... a paper
|
||
doll being fashioned. All images
|
||
of something being constructed.
|
||
|
||
GEORDI
|
||
And an object in the Cargo Bay
|
||
that's being constructed -- atom
|
||
by atom.
|
||
|
||
PICARD
|
||
What is this object?
|
||
|
||
GEORDI
|
||
I have no idea. It's composed of
|
||
silica polymers, duranium, and a
|
||
few other compounds we can't
|
||
identify.
|
||
(beat)
|
||
But creating it has put quite a
|
||
strain on our systems. Warp power
|
||
has dropped forty-seven percent...
|
||
|
||
Picard considers the situation.
|
||
|
||
PICARD
|
||
Counselor, were you able to draw
|
||
any other conclusions from your
|
||
experience on the Holodeck?
|
||
Anything that might help us handle
|
||
this situation?
|
||
|
||
TROI
|
||
I think the Holodeck is what might
|
||
be called the ship's
|
||
"imagination." It's full of
|
||
fanciful, metaphoric imagery -- as
|
||
though it's having some kind of...
|
||
daydream. It may not make literal
|
||
sense... but symbolically there's
|
||
probably some kind of logic to it.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 43.
|
||
|
||
57 CONTINUED: (2)
|
||
|
||
BEVERLY
|
||
The characters you spoke to... do
|
||
they have any particular
|
||
significance?
|
||
|
||
TROI
|
||
I think they represent various
|
||
aspects of the ship. The
|
||
Engineer, for instance... may have
|
||
represented the navigational
|
||
system. The Gunslinger could be
|
||
the weapon system...
|
||
|
||
PICARD
|
||
Is there any possibility that we
|
||
might be able to persuade them to
|
||
give back control of the ship?
|
||
|
||
TROI
|
||
I'm not sure it's possible to
|
||
reason with them. Many of them
|
||
seem genuinely unaware of what's
|
||
going on... and of their role in
|
||
it.
|
||
|
||
She hesitates, trying to find the right words.
|
||
|
||
TROI
|
||
It's as though this emergent
|
||
intelligence is still an infant...
|
||
acting on instinct, trying to
|
||
figure itself out as it goes. The
|
||
only source of experience it can
|
||
draw on is ours -- through our
|
||
Holodeck programs.
|
||
|
||
Picard ponders the situation.
|
||
|
||
PICARD
|
||
Is there a way to... relate to
|
||
them on their own level...
|
||
influence their behavior in some
|
||
way... ?
|
||
|
||
TROI
|
||
(considers)
|
||
Maybe there is.
|
||
(beat)
|
||
I'd like to go back and try.
|
||
|
||
Beverly doesn't like this idea.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 44.
|
||
|
||
57 CONTINUED: (3)
|
||
|
||
BEVERLY
|
||
Deanna, the injuries you got on
|
||
the Holodeck could have killed
|
||
you...
|
||
|
||
GEORDI
|
||
And so far, we haven't been able
|
||
to re-establish the safeties.
|
||
|
||
TROI
|
||
I'm aware of that.
|
||
|
||
She turns to Picard, waiting for an answer.
|
||
|
||
PICARD
|
||
Go ahead, Counselor. But keep
|
||
this in mind... so far, we've
|
||
tried to thwart the ship in all
|
||
its efforts. And that's gotten us
|
||
nowhere.
|
||
(beat)
|
||
Maybe it's time to try
|
||
cooperating.
|
||
|
||
OFF their reactions.
|
||
|
||
CUT TO:
|
||
|
||
58 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
Troi, Data, and Worf ENTER. The Conductor marches up
|
||
the aisle, angry.
|
||
|
||
CONDUCTOR
|
||
You don't belong on this train!
|
||
|
||
Worf hands the Conductor THREE TICKETS.
|
||
|
||
WORF
|
||
Three for Vertiform City.
|
||
|
||
The Conductor takes the tickets, surprised. With a
|
||
friendly look, the Conductor punches the tickets and
|
||
hands them back to Worf.
|
||
|
||
CONDUCTOR
|
||
Guess I was wrong about you folks.
|
||
Welcome aboard.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 45.
|
||
|
||
58 CONTINUED:
|
||
|
||
Suddenly, the car lights DIM, and FLICKER slightly.
|
||
The group reacts, looking around the car.
|
||
|
||
WORF
|
||
What was that?
|
||
|
||
The Conductor seems a little concerned himself.
|
||
|
||
CONDUCTOR
|
||
We've been having some problems...
|
||
the engine's running out of
|
||
steam... I hope we make it to
|
||
Vertiform City on time.
|
||
|
||
TROI
|
||
Is there anything we could do to
|
||
help?
|
||
|
||
The Conductor considers.
|
||
|
||
CONDUCTOR
|
||
Well, I could use a pair of strong
|
||
arms up in the Engine Room...
|
||
maybe we could get back on
|
||
schedule.
|
||
|
||
He looks pointedly at Worf.
|
||
|
||
TROI
|
||
Why don't you go with him, Worf...
|
||
We'll do what we can here.
|
||
|
||
Worf nods and moves off with the Conductor. Troi and
|
||
Data confer.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 46.
|
||
|
||
58 CONTINUED: (2)
|
||
|
||
HAYSEED
|
||
(concerned)
|
||
'Scuse me... are we goin' to get
|
||
there okay?
|
||
|
||
Troi approaches and sits with him. In her most
|
||
comforting manner --
|
||
|
||
TROI
|
||
Of course we are. Don't worry
|
||
about a thing.
|
||
(beat)
|
||
Now... I want you to tell me
|
||
everything you know about
|
||
Vertiform City.
|
||
|
||
HAYSEED
|
||
Well... they got a restaurant
|
||
there... where you can eat all
|
||
you want, any time... it's the
|
||
best food around...
|
||
|
||
CUT TO:
|
||
|
||
59 INT. HOLODECK/TRAIN - ENGINE ROOM
|
||
|
||
There is a coal-fired BOILER and a CONTROL BOX with
|
||
several gears and levers. The Conductor hands Worf a
|
||
shovel and opens the boiler door. He gestures off-camera.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT FOUR 47.
|
||
|
||
59 CONTINUED:
|
||
|
||
CONDUCTOR
|
||
Well, there's the coal and there's
|
||
the boiler.
|
||
(beat)
|
||
Sure obliged for your help.
|
||
|
||
Worf takes the shovel from him, dips into the off-camera
|
||
pile of coal, and begins shoveling it into the
|
||
boiler.
|
||
|
||
CONDUCTOR
|
||
(continuing)
|
||
Well done, sir. I think this will
|
||
make a difference, all right...
|
||
|
||
Worf keeps shoveling.
|
||
|
||
60 INT. BRIDGE
|
||
|
||
Picard and Riker. Riker is studying his chair console.
|
||
|
||
RIKER
|
||
(off console)
|
||
I don't know how or why, sir...
|
||
but power's almost back to normal
|
||
levels... life support systems
|
||
coming on line on all decks.
|
||
|
||
PICARD
|
||
What's our heading?
|
||
|
||
RIKER
|
||
It looks like we're on course
|
||
for... Tambor Beta-six. It's a
|
||
white dwarf star...
|
||
|
||
They exchange a puzzled look...
|
||
|
||
CUT TO:
|
||
|
||
61 INT. HOLODECK/TRAIN - ENGINE ROOM - THE FURNACE
|
||
|
||
The train is ROARING along faster than ever. Worf is
|
||
shoveling coal into the boiler; the Conductor acts as
|
||
cheerleader.
|
||
|
||
CONDUCTOR
|
||
That's the way... keep it
|
||
steady... put your back into it!
|
||
|
||
Worf begins to shovel faster...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT FOUR 48.
|
||
|
||
62 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
as it nears a WHITE STAR, a BEAM shoots forth from the
|
||
ship into the star.
|
||
|
||
63 INT. BRIDGE
|
||
|
||
Riker reacts to his console.
|
||
|
||
RIKER
|
||
The ship is using a modified
|
||
tractor beam to collect vertion
|
||
particles from the star.
|
||
|
||
PICARD
|
||
(to Picard)
|
||
Vertion particles... "Vertiform"
|
||
City. This is what the ship was
|
||
looking for...
|
||
|
||
The ship suddenly SHAKES.
|
||
|
||
RIKER
|
||
(off console)
|
||
Sir, the particles are being
|
||
routed through the transporter
|
||
system -- and into Cargo Bay Five.
|
||
|
||
Riker and Picard exchange a look.
|
||
|
||
PICARD
|
||
(to com)
|
||
Geordi... what's going on?
|
||
|
||
INTERCUT:
|
||
|
||
64 INT. CARGO BAY (OPTICAL)
|
||
|
||
Geordi and his team are standing near the object,
|
||
scanning it with their tricorders. The object is
|
||
beginning to GLOW BRIGHTLY FROM WITHIN. It is now much
|
||
larger than before and clearly resembles the strange
|
||
molecule we've seen before...
|
||
|
||
GEORDI
|
||
(off tricorder, to com)
|
||
The object's absorbing vertion
|
||
particles, sir... and it's growing
|
||
even faster than before.
|
||
(beat; amazed)
|
||
Sir... I'm picking up internal
|
||
energy emissions from this
|
||
thing...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 49.
|
||
|
||
64 CONTINUED:
|
||
|
||
RIKER
|
||
What do you mean?
|
||
|
||
GEORDI
|
||
It's beginning to generate its own
|
||
energy...
|
||
|
||
Riker and Picard react.
|
||
|
||
PICARD'S COM VOICE
|
||
Can you be more specific?
|
||
|
||
GEORDI
|
||
I'm picking up coherent
|
||
emissions... matter conversion...
|
||
it's incredible...
|
||
|
||
Suddenly, the glow DIMS, begins to FADE... Geordi
|
||
looks at his tricorder in alarm.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Wait, something's wrong... we've
|
||
got power fluctuations... the
|
||
vertion absorption rate is
|
||
dropping...
|
||
(beat)
|
||
What's happening to the particle
|
||
beam?
|
||
|
||
Riker checks his console.
|
||
|
||
RIKER
|
||
The beam's exhausted the supply of
|
||
particles in the star... there's
|
||
nothing left to take out.
|
||
|
||
GEORDI
|
||
Captain -- the object's energy
|
||
output is decreasing...
|
||
|
||
65 INT. HOLODECK/TRAIN - ENGINE ROOM
|
||
|
||
The Conductor's checking the boiler, panicking...
|
||
|
||
CONDUCTOR
|
||
Something's wrong...
|
||
|
||
WORF
|
||
What is it... ?
|
||
|
||
The Conductor stares frantically out the windows...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FOUR 49A.
|
||
|
||
65 CONTINUED:
|
||
|
||
CONDUCTOR
|
||
(distraught)
|
||
This was supposed to be
|
||
"Vertiform" City...
|
||
|
||
66 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The particle beam BREAKS UP completely and
|
||
DISAPPEARS...
|
||
|
||
STAR TREK: "Emergence" - 02/17/94 - ACT FOUR 50.
|
||
|
||
67 INT. CARGO BAY (OPTICAL)
|
||
|
||
The GLOW from the object FADES and DARKENS. The nearly
|
||
finished "molecule" now appears inert...
|
||
|
||
68 INT. HOLODECK/TRAIN -ENGINE ROOM
|
||
|
||
The Conductor moves to the controls, grabs a lever.
|
||
|
||
CONDUCTOR
|
||
We've been on the wrong track all
|
||
along!
|
||
|
||
He pulls the lever back hard.
|
||
|
||
69 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
With an awful SCREECH OF THE TRACKS, the train lurches
|
||
from side to side -- Troi, Data and the other
|
||
passengers are thrown about in the terrible grinding,
|
||
CRASH. The train has DERAILED. Everything goes
|
||
black...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 51.
|
||
|
||
ACT FIVE
|
||
|
||
FADE IN:
|
||
|
||
70 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
|
||
|
||
hanging in space at an extreme angle -- as if
|
||
"derailed" itself.
|
||
|
||
71 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
It's a smoking wreck inside, and the train has come to
|
||
a complete stop. Data and Troi struggle to their feet --
|
||
Troi is battered and bruised but okay. As they try to
|
||
get their bearings, Worf ENTERS from the forward door.
|
||
|
||
WORF
|
||
Are you all right?
|
||
|
||
TROI
|
||
Yes... what happened?
|
||
|
||
WORF
|
||
The Conductor accidently derailed
|
||
the train.
|
||
|
||
DATA
|
||
(taps combadge)
|
||
Data to Captain Picard...
|
||
|
||
72 INT. CARGO BAY (OPTICAL)
|
||
|
||
Picard and Riker have joined Geordi in the Cargo Bay.
|
||
Geordi is running his tricorder over the now DIMLY-FLICKERING
|
||
Object.
|
||
|
||
PICARD
|
||
(to Com)
|
||
Picard here.
|
||
|
||
DATA'S COM VOICE
|
||
We have had an accident in the
|
||
Holodeck. Has anything happened
|
||
to the Enterprise?
|
||
|
||
PICARD
|
||
Yes -- a ship-wide shutdown.
|
||
We've lost attitude control and
|
||
most systems are off-line.
|
||
|
||
GEORDI (O.S.)
|
||
Captain, I think you better take
|
||
a look at this...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 52.
|
||
|
||
72 CONTINUED:
|
||
|
||
Picard turns to Geordi.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
When the particle beam cut off,
|
||
the object was beginning to form
|
||
a coherent energy matrix...
|
||
|
||
Picard and Riker react.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
... and if these readings are
|
||
accurate, I'd say the emission
|
||
patterns were almost... organic.
|
||
|
||
PICARD
|
||
Are you suggesting that the
|
||
Enterprise has been attempting to
|
||
create... a lifeform?
|
||
|
||
GEORDI
|
||
I think so...
|
||
|
||
A stunned beat. Picard stares at the object with a
|
||
curious wonder.
|
||
|
||
PICARD
|
||
Will it... survive?
|
||
|
||
GEORDI
|
||
(off tricorder)
|
||
Its energy levels are dropping
|
||
rapidly... Unless it gets an
|
||
infusion of vertion particles
|
||
pretty soon... I don't think so.
|
||
|
||
A grim beat.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 53.
|
||
|
||
72 CONTINUED: (2)
|
||
|
||
Suddenly, the ship LURCHES forward. Geordi checks a
|
||
nearby console.
|
||
|
||
GEORDI
|
||
Captain, our systems are back on
|
||
line... we're moving again -- at
|
||
warp nine.
|
||
|
||
Reactions. Picard heads for the door.
|
||
|
||
PICARD
|
||
Let's get back to the Bridge.
|
||
|
||
73
|
||
thru OMITTED
|
||
75
|
||
|
||
76 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
Troi, Data, and Worf look around in amazement: the room
|
||
has returned to normal. All of the passengers are
|
||
there (except the Conductor, the Hitman, and the
|
||
Engineer), and everyone seems happy as the train speeds
|
||
along.
|
||
|
||
Troi moves to the Hayseed.
|
||
|
||
HAYSEED
|
||
Whew... that was a close one,
|
||
wasn't it?
|
||
|
||
TROI
|
||
Where are we going now?
|
||
|
||
HAYSEED
|
||
"New Vertiform City," of course.
|
||
|
||
Troi and Data exchange a look.
|
||
|
||
DATA
|
||
(taps combadge)
|
||
Data to Captain...
|
||
|
||
PICARD'S COM VOICE
|
||
Picard here.
|
||
|
||
DATA
|
||
(to com)
|
||
The train has returned to normal,
|
||
sir...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 54.
|
||
|
||
77 INT. BRIDGE
|
||
|
||
Picard and Riker are in their command positions; Geordi
|
||
is studying the Aft Science console in the background.
|
||
|
||
DATA'S COM VOICE
|
||
(continuing)
|
||
... and our destination is "New
|
||
Vertiform City."
|
||
|
||
PICARD
|
||
(to Riker)
|
||
What's our course?
|
||
|
||
RIKER
|
||
(checks his console)
|
||
We're heading for the Cordannas
|
||
system.
|
||
|
||
PICARD
|
||
Another white dwarf star?
|
||
|
||
RIKER
|
||
Yes. It's the closest one to our
|
||
last position...
|
||
|
||
A beat. Geordi steps away from his console.
|
||
|
||
GEORDI
|
||
Captain, we've got a problem...
|
||
|
||
Picard and Riker turn to face him.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT FIVE 55.
|
||
|
||
77 CONTINUED:
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Even at warp nine, the Cordannas
|
||
system is over twelve hours from
|
||
here...
|
||
|
||
PICARD
|
||
Will the object in the cargo bay
|
||
survive that long?
|
||
|
||
GEORDI
|
||
I think it will, sir, but that's
|
||
not the problem...
|
||
(beat)
|
||
The ship's diverted all of our
|
||
systems to maximize propulsion --
|
||
including life support.
|
||
(beat)
|
||
We've got less than two hours of
|
||
reserve oxygen.
|
||
|
||
Picard takes in the news. His mind is racing, trying
|
||
to find a way out of this dilemma.
|
||
|
||
PICARD
|
||
(to com)
|
||
Mister Data, we have to stop the
|
||
Enterprise. That means you have
|
||
to get control of that train.
|
||
|
||
DATA'S COM VOICE
|
||
Understood, sir.
|
||
|
||
PICARD
|
||
(to Geordi)
|
||
The ship is looking for vertion
|
||
particles... and it believes that
|
||
the Cordannas system is the
|
||
closest source...
|
||
(beat)
|
||
Is there another source --
|
||
something closer?
|
||
|
||
GEORDI
|
||
White dwarf stars are the only
|
||
natural source, sir.
|
||
|
||
PICARD
|
||
Then what about artificial
|
||
sources? Is there any way to
|
||
create them?
|
||
|
||
OFF Geordi's intrigued expression...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 56.
|
||
|
||
78 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
The three confer.
|
||
|
||
DATA
|
||
How did the Conductor stop the
|
||
train?
|
||
|
||
WORF
|
||
There is a braking lever in the
|
||
engine room.
|
||
|
||
TROI
|
||
Let's go...
|
||
|
||
They turn to head to the front of the car... and stop
|
||
dead in their tracks.
|
||
|
||
79 THE FRONT DOOR
|
||
|
||
is blocked by all the characters we've seen on the
|
||
train (except the Conductor, the Engineer, and the
|
||
Hitman): the Knight, the Gunslinger, the Flappers, the
|
||
Man in the Grey Flannel Suit, and the Hayseed. They
|
||
have the look of a surly mob...
|
||
|
||
HAYSEED
|
||
Sorry, folks. But you ain't goin'
|
||
nowhere.
|
||
|
||
80 INT. BRIDGE - AFT SCIENCE
|
||
|
||
The monitor is displaying a STAR MAP as Geordi works
|
||
the console. Picard and Riker stand nearby, watching.
|
||
|
||
GEORDI
|
||
I've narrowed the search to the
|
||
MacPherson Nebula, which is a
|
||
supernova remnant... or Dikonalpha,
|
||
a class-nine pulsar...
|
||
|
||
Geordi indicates the star map.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
They're both fairly close to our
|
||
current flight path... and either
|
||
one might produce vertion
|
||
particles if we detonated a
|
||
modified photon torpedo inside it.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT FIVE 56A.
|
||
|
||
80 CONTINUED:
|
||
|
||
RIKER
|
||
Vertions usually occur in
|
||
miniscule amounts. Do you think
|
||
either of these phenomena can
|
||
produce enough of them?
|
||
|
||
GEORDI
|
||
That's hard to say. I can't even
|
||
guarantee that we can create them
|
||
at all.
|
||
|
||
PICARD
|
||
Well, we have to give it a try.
|
||
The nebula or the pulsar? It's
|
||
your choice, Mister La Forge.
|
||
|
||
A beat -- Geordi knows how much is riding on this.
|
||
|
||
GEORDI
|
||
I think we should go for the
|
||
nebula.
|
||
|
||
PICARD
|
||
Very well. Begin the torpedo
|
||
modifications.
|
||
|
||
RIKER
|
||
(to Picard)
|
||
Now let's hope we can get the ship
|
||
to go where we want it to.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 57.
|
||
|
||
81 INT. HOLODECK/TRAIN - SALON CAR
|
||
|
||
Troi, Data, and Worf with the group on the train. Troi
|
||
is trying to communicate with the Hayseed.
|
||
|
||
TROI
|
||
Please listen to me. We
|
||
understand what's happening. We
|
||
know you must get to New Vertiform
|
||
City.
|
||
(beat)
|
||
And we want to help you get there.
|
||
|
||
The Hayseed listens, but seems helplessly confused.
|
||
|
||
HAYSEED
|
||
I dunno...
|
||
|
||
TROI
|
||
Please. We're your friends.
|
||
|
||
The Hayseed looks around at the others. They all seem
|
||
uncertain, not knowing what to do.
|
||
|
||
HAYSEED
|
||
Well... you're really gonna help
|
||
get us to New Vertiform City?
|
||
|
||
TROI
|
||
Yes. I promise.
|
||
|
||
The Hayseed hesitates, struggling with this decision.
|
||
Finally --
|
||
|
||
HAYSEED
|
||
Okay. But just one of you. The
|
||
rest stay here.
|
||
|
||
That's enough for Data. He's out the door.
|
||
|
||
82 INT. HOLODECK/TRAIN - ENGINE ROOM
|
||
|
||
Data ENTERS to see the Conductor and the Hitman
|
||
standing in front of the brake lever and control box.
|
||
The Hitman has drawn his gun. The boiler is burning
|
||
brightly behind them.
|
||
|
||
CONDUCTOR
|
||
All right, that's far enough.
|
||
|
||
Data stops.
|
||
|
||
HITMAN
|
||
Sorry to spoil your party, pal...
|
||
it's nothing personal.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 58.
|
||
|
||
82 CONTINUED:
|
||
|
||
DATA
|
||
I can get us there more quickly.
|
||
I know a shorter route.
|
||
|
||
HITMAN
|
||
Don't listen to him -- he's up to
|
||
somethin'.
|
||
|
||
CONDUCTOR
|
||
A shorter route... ?
|
||
|
||
DATA
|
||
Yes. If you will let me handle
|
||
the controls.
|
||
|
||
HITMAN
|
||
Don't do it!
|
||
|
||
CONDUCTOR
|
||
We're behind schedule now... if he
|
||
could get us there on time...
|
||
|
||
The Conductor stares at Data, a moment of decision.
|
||
Then he gestures toward the controls.
|
||
|
||
CONDUCTOR
|
||
Go on. But no funny stuff.
|
||
|
||
Data taps his combadge.
|
||
|
||
DATA
|
||
(to com)
|
||
Data to Captain Picard...
|
||
|
||
INTERCUT:
|
||
|
||
83 INT. BRIDGE
|
||
|
||
Picard and Riker at command; Geordi at Aft Science.
|
||
|
||
DATA
|
||
(continuing)
|
||
I have taken control of the engine
|
||
room.
|
||
|
||
PICARD
|
||
Stand by.
|
||
(to Geordi)
|
||
Are we within sensor range of the
|
||
nebula?
|
||
|
||
GEORDI
|
||
Yes, sir.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 58A.
|
||
|
||
83 CONTINUED:
|
||
|
||
PICARD
|
||
(to com)
|
||
Mister Data, try to slow us to
|
||
impulse speed.
|
||
|
||
DATA
|
||
I will attempt to do so.
|
||
|
||
As Data puts a hand on the controls the Conductor takes
|
||
a step forward.
|
||
|
||
CONDUCTOR
|
||
I sure hope you know what you're
|
||
doing...
|
||
|
||
Data slowly pulls back the brake lever...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/18/94 - ACT FIVE 59.
|
||
|
||
84 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
drops out of warp. A NEBULA is visible in the
|
||
distance.
|
||
|
||
85 INT. BRIDGE
|
||
|
||
PICARD
|
||
Are the torpedo modifications
|
||
complete?
|
||
|
||
GEORDI
|
||
Aye, sir.
|
||
|
||
PICARD
|
||
Launch torpedo.
|
||
|
||
Geordi works the controls, and we hear the SOUND of the
|
||
torpedo launch.
|
||
|
||
86 EXT. SPACE - THE TORPEDO (STOCK OPTICAL)
|
||
|
||
blasts into the Nebula... a short beat later, the
|
||
Nebula explodes into a dazzling, shimmering GLOW.
|
||
|
||
87 INT. BRIDGE
|
||
|
||
GEORDI
|
||
(off console)
|
||
It's working, sir... the
|
||
reaction's producing vertion
|
||
particles...
|
||
|
||
Reactions.
|
||
|
||
88 INT. HOLODECK/TRAIN - ENGINE ROOM
|
||
|
||
Both the Conductor and the Hitman are looking curiously
|
||
out the window as Data watches them carefully.
|
||
|
||
CONDUCTOR
|
||
(scratches his head)
|
||
Well, what do you know... we're
|
||
here...
|
||
|
||
HITMAN
|
||
New Vertiform City...
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 60.
|
||
|
||
88 CONTINUED:
|
||
|
||
The Conductor shrugs. He smiles and steps up to the
|
||
control box and sounds the STEAM WHISTLE.
|
||
|
||
CUT TO:
|
||
|
||
89 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
A particle BEAM from the ship is tapping into the
|
||
glowing NEBULA.
|
||
|
||
90 INT. CARGO BAY (OPTICAL)
|
||
|
||
Picard, Beverly, and Geordi are watching the Object --
|
||
it's almost fully formed now, and is GLOWING with a
|
||
strong, powerful radiance. As they look at the forming
|
||
Object in wonder, Riker ENTERS and moves to Picard.
|
||
|
||
RIKER
|
||
The nodes are deactivating all
|
||
over the ship. Our systems are
|
||
beginning to function normally
|
||
again.
|
||
|
||
PICARD
|
||
Then the purpose of the ship's
|
||
intelligence... was simply to
|
||
bring that life form into being...
|
||
|
||
BEVERLY
|
||
There are entire species whose
|
||
sole purpose in life is to
|
||
reproduce. And when they finally
|
||
procreate... they die.
|
||
|
||
As they share the moment...
|
||
|
||
GEORDI
|
||
Captain, look...
|
||
|
||
The Object is now complete. It RISES off the floor and
|
||
begins to SPARKLE with a transporter-like effect.
|
||
|
||
Our people get one final, glimpse of the fully-formed
|
||
structure... weird, alien, beautiful... before the
|
||
Object DEMATERIALIZES...
|
||
|
||
91 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
and REMATERIALIZES outside the ship. Then the Object
|
||
moves gently away and disappears into space.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Emergence" - REV. 02/22/94 - ACT FIVE 61.
|
||
|
||
92 INT. HOLODECK/TRAIN - SALON CAR (OPTICAL)
|
||
|
||
All the characters we've seen are in the car, champagne
|
||
glasses in hand, raised for a toast. Troi, Data and
|
||
Worf have joined them.
|
||
|
||
CONDUCTOR
|
||
Cheers.
|
||
|
||
As glasses touch -- the scene disappears.
|
||
|
||
93 INT. HOLODECK
|
||
|
||
Worf, Troi and Data are standing in an empty Holodeck.
|
||
OFF their expressions...
|
||
|
||
94 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship at impulse across a field of stars.
|
||
|
||
PICARD (V.O.)
|
||
Captain's Log, supplemental. The
|
||
Enterprise is back under our
|
||
control. All traces of the
|
||
emergent intelligence are gone...
|
||
and the object it created has
|
||
disappeared into space...
|
||
|
||
95 INT. READY ROOM
|
||
|
||
Picard is working at his computer when the door CHIMES.
|
||
|
||
PICARD
|
||
Come.
|
||
|
||
The DOOR OPENS and Data ENTERS.
|
||
|
||
DATA
|
||
Captain, I am staging a scene from
|
||
The Tempest this evening for a
|
||
small audience. I would like you
|
||
to attend.
|
||
|
||
Picard stands from the desk.
|
||
|
||
PICARD
|
||
I'd be honored. Which scene?
|
||
|
||
DATA
|
||
Miranda's first encounter with
|
||
other human beings.
|
||
|
||
STAR TREK: "Emergence" - REV. 02/17/94 - ACT FIVE 62.
|
||
|
||
95 CONTINUED:
|
||
|
||
PICARD
|
||
(smiles)
|
||
"Oh brave new world that has such
|
||
people in it."
|
||
|
||
DATA
|
||
It seemed appropriate.
|
||
|
||
Data pauses a beat.
|
||
|
||
DATA
|
||
Captain. You took a significant
|
||
risk in allowing the Enterprise to
|
||
complete its... task.
|
||
|
||
PICARD
|
||
Why do you say that?
|
||
|
||
DATA
|
||
Because the end product was
|
||
unknown. The object could have
|
||
been dangerous. It may in fact,
|
||
be dangerous...
|
||
|
||
PICARD
|
||
And I've allowed it to go off on
|
||
its merry way.
|
||
|
||
DATA
|
||
Yes, sir.
|
||
|
||
Picard considers for a moment.
|
||
|
||
PICARD
|
||
The intelligence that formed on
|
||
the Enterprise... it didn't just
|
||
come out of the ship's systems --
|
||
it came out of us. Our mission
|
||
records, our personal logs, even
|
||
our Holodeck programs -- our
|
||
fantasies.
|
||
|
||
Picard steps over to the window and stares out.
|
||
|
||
PICARD
|
||
(continuing)
|
||
If our experiences with the
|
||
Enterprise have been honorable...
|
||
|
||
He turns back to Data.
|
||
|
||
|