mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 12:02:45 +00:00
1 line
54 KiB
Plaintext
Executable File
1 line
54 KiB
Plaintext
Executable File
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
|
|
Skin of Evil
|
|
"f.k.a.'The Shroud'"
|
|
|
|
#40271-122
|
|
|
|
Story by
|
|
Joseph Stefano
|
|
|
|
Teleplay by
|
|
Joseph Stefano
|
|
and
|
|
Hannah Louise Shearer
|
|
|
|
Directed by
|
|
Joseph L. Scanlan
|
|
|
|
|
|
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
|
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
|
WITH THE TELEVISION LEGAL DEPARTMENT.
|
|
|
|
Copyright 1988 Paramount Pictures Corporation. All Rights
|
|
Reserved. This script is not for publication or
|
|
reproduction. No one is authorized to dispose of same. If
|
|
lost or destroyed, please notify the Script Department.
|
|
|
|
|
|
REVISED FINAL DRAFT
|
|
|
|
FEBRUARY 1, 1988
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - CAST
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Shroud"
|
|
CAST
|
|
|
|
PICARD ARMUS (THE SHROUD)
|
|
RIKER
|
|
BEVERLY
|
|
DATA
|
|
TROI
|
|
TASHA
|
|
WORF
|
|
GEORDI
|
|
WESLEY
|
|
LIEUTENANT COMMANDER LELAND T. LYNCH
|
|
NURSE
|
|
LIEUTENANT BEN PRIETO [PRONOUNCED: "PREE-ET-TOE"]
|
|
|
|
Non-Speaking
|
|
TWO MEDICAL TECHNICIANS
|
|
TRANSPORTER CHIEF
|
|
|
|
Voice-Over
|
|
COMPUTER VOICE
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - SETS
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Shroud"
|
|
|
|
SETS
|
|
|
|
INTERIORS EXTERIORS
|
|
|
|
USS ENTERPRISE USS ENTERPRISE
|
|
MAIN BRIDGE
|
|
MAIN ENGINEERING SHUTTLECRAFT
|
|
TRANSPORTER ROOM
|
|
SICKBAY VAGRA 2 [PRONOUNCED: "VAY-GRA"]
|
|
OBSERVATION LOUNGE
|
|
|
|
PASTORAL AREA
|
|
|
|
SHUTTLECRAFT
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 1.
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Shroud"
|
|
|
|
TEASER
|
|
|
|
FADE IN:
|
|
|
|
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it travels through space on impulse power.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 41801.3.
|
|
We are crossing through the Zed
|
|
Lapis sector, where we will
|
|
rendezvous with Shuttlecraft
|
|
Thirteen carrying Deanna Troi,
|
|
who is returning from a
|
|
psychology conference.
|
|
|
|
2 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
The usual CREW is in place, except for Troi and Wesley.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
Because Engineering is taking this
|
|
opportunity to complete preventive
|
|
maintenance on dilithium
|
|
crystals, we are traveling on
|
|
impulse power.
|
|
|
|
Tasha and Worf are at the Aft station, working the
|
|
console.
|
|
|
|
WORF
|
|
Routine deep sensor probe
|
|
indicates no obstacles, no vessels
|
|
within a range of three light
|
|
years.
|
|
|
|
TASHA
|
|
Short-range sub-space radar
|
|
confirms.
|
|
|
|
Worf turns to her.
|
|
|
|
WORF
|
|
The martial arts competition is
|
|
in three days. Are you prepared?
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 2.
|
|
|
|
2 CONTINUED:
|
|
|
|
TASHA
|
|
If you'll meet me on the Holodeck
|
|
later. I need your help on the
|
|
Mishiama wrist-lock and break.
|
|
If it works on you, I can use it
|
|
on anyone.
|
|
|
|
WORF
|
|
A valid assumption. Who is your
|
|
first competitor?
|
|
|
|
TASHA
|
|
The aikido match is with Science
|
|
Officer Swenson.
|
|
|
|
WORF
|
|
You will defeat him easily.
|
|
|
|
TASHA
|
|
(nodding)
|
|
I'm more concerned with Lieutenant
|
|
Minnerly's kick-boxing.
|
|
|
|
WORF
|
|
You are favored in the ship's
|
|
pool.
|
|
|
|
Tasha just looks at him, then smiles, surprised.
|
|
|
|
TASHA
|
|
You bet on me.
|
|
|
|
WORF
|
|
A sure thing.
|
|
|
|
2A ANOTHER ANGLE
|
|
|
|
GEORDI
|
|
Sir, estimated rendezvous with
|
|
the shuttle in one hour, ten
|
|
minutes.
|
|
|
|
PICARD
|
|
Very good, Lieutenant.
|
|
(to Riker)
|
|
It's not the same around here
|
|
without Counselor Troi, is it,
|
|
Number One?
|
|
|
|
Riker's not sure if Picard's needling him.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 3.
|
|
|
|
2A CONTINUED:
|
|
|
|
RIKER
|
|
No, sir. It seems...
|
|
|
|
WORF
|
|
... Sir! I am receiving an
|
|
emergency transmission from the
|
|
shuttle!
|
|
|
|
PICARD
|
|
Put it on the Main Viewer.
|
|
|
|
GEORDI
|
|
I can't. We are receiving audio
|
|
only.
|
|
|
|
PICARD
|
|
Then open the frequency.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
BEN'S COM VOICE
|
|
(crackling; calm)
|
|
... what a jolt!
|
|
|
|
PICARD
|
|
Position report.
|
|
|
|
BEN'S COM VOICE
|
|
Sir, I have an onboard systems
|
|
failure. You'll have to tell
|
|
me where I am.
|
|
|
|
GEORDI
|
|
I read coordinates three-zero-seven
|
|
mark one-two-six. Confirm!
|
|
|
|
BEN'S COM VOICE
|
|
Can't confirm. My instruments
|
|
are haywire.
|
|
|
|
The bridge crew REACTS with concern.
|
|
|
|
PICARD
|
|
Lieutenant Prieto, is Counselor
|
|
Troi all right?
|
|
|
|
BEN'S COM VOICE
|
|
Yes, sir. Just a little shaken.
|
|
We're being buffeted a bit...
|
|
|
|
A GREAT STATIC ECHOES through the bridge.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 4.
|
|
|
|
2A CONTINUED: (2)
|
|
|
|
BEN'S COM VOICE
|
|
(continuing; slightly
|
|
panicked; breaking up)
|
|
... losing more power! My flight
|
|
control computer's fried.
|
|
|
|
PICARD
|
|
Main Engineering!
|
|
|
|
3 INT. MAIN ENGINEERING (INTERCUT WITH MAIN BRIDGE AS
|
|
NECESSARY)
|
|
|
|
where LIEUTENANT COMMANDER LELAND T. LYNCH and his
|
|
crew are working on DILITHIUM CRYSTALS. The door to
|
|
the chamber is OPEN. Lynch touches his insignia.
|
|
|
|
LYNCH
|
|
Engineering. Lieutenant
|
|
Commander Leland T. Lynch
|
|
reporting, sir.
|
|
|
|
PICARD
|
|
How long will it take to return
|
|
to warp power?
|
|
|
|
LYNCH
|
|
Captain! I'm in the middle of
|
|
realigning the dilithium
|
|
crystals.
|
|
|
|
PICARD
|
|
There's an emergency, Lynch. I
|
|
need warp drive. How long?
|
|
|
|
LYNCH
|
|
Twenty minutes. Maybe more.
|
|
|
|
PICARD
|
|
We don't have it.
|
|
|
|
LYNCH
|
|
I'll align it by hand. Then
|
|
power up the core.
|
|
|
|
PICARD
|
|
Whatever it takes.
|
|
|
|
A frustrated Lynch starts to move quickly.
|
|
|
|
LYNCH
|
|
Aye, sir.
|
|
(to his workers)
|
|
Let's go!
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 5.
|
|
|
|
4 INT. MAIN BRIDGE
|
|
|
|
the crew is very tense.
|
|
|
|
GEORDI
|
|
Shuttle, this is the Enterprise.
|
|
Coordinates now read two-thirty-seven
|
|
mark one-oh-one. You're
|
|
moving in too close towards a
|
|
large mass.
|
|
|
|
BEN'S COM VOICE
|
|
I can see it. The planet's
|
|
getting closer.
|
|
|
|
More STATIC fills the bridge.
|
|
|
|
DATA
|
|
The planet is Vagra Two of the
|
|
Zed Lapis system. Uninhabited.
|
|
|
|
PICARD
|
|
Lieutenant, report!
|
|
|
|
TROI'S COM VOICE
|
|
This is Counselor Troi. I'll
|
|
relay, sir. The pilot is...
|
|
busy. We've lost most of our
|
|
impulse power.
|
|
|
|
PICARD
|
|
Engineering! Status report!
|
|
|
|
LYNCH'S COM VOICE
|
|
Working on it. Three minutes,
|
|
Captain. But there are no
|
|
guarantees.
|
|
|
|
PICARD
|
|
Deanna, we'll be right there.
|
|
|
|
Riker and the crew become very anxious as the STATIC
|
|
again fills the bridge.
|
|
|
|
TROI'S COM VOICE
|
|
... We're spinning around...
|
|
|
|
BEN'S COM VOICE
|
|
We're caught in the planet's
|
|
gravity.
|
|
|
|
TROI'S COM VOICE
|
|
(very controlled)
|
|
We're going to crash.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - TEASER 6.
|
|
|
|
4 CONTINUED:
|
|
|
|
The faces of her friends reflect their fear and
|
|
anguish, as WE:
|
|
|
|
FADE OUT.
|
|
|
|
END OF TEASER
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 7.
|
|
|
|
ACT ONE
|
|
|
|
FADE IN:
|
|
|
|
5 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
still on impulse power.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
We've lost all contact with
|
|
Shuttlecraft Thirteen -- and can
|
|
only assume they've crash-landed
|
|
on Vagra Two. Main Engineering
|
|
is working at top speed to return
|
|
us to warp power.
|
|
|
|
6 INT. MAIN ENGINEERING
|
|
|
|
where Lynch places the dilithium crystals on their
|
|
proper tray.
|
|
|
|
LYNCH
|
|
Forget the final check.
|
|
|
|
7 CLOSER ANGLE
|
|
|
|
as the tray with the crystals is placed within the
|
|
chamber and the door CLOSES. Lynch WALKS to the
|
|
Computer.
|
|
|
|
7A LYNCH AT THE COMPUTER
|
|
|
|
LYNCH
|
|
Computer -- initiate start-up
|
|
sequence.
|
|
|
|
COMPUTER VOICE
|
|
Beginning check list.
|
|
|
|
LYNCH
|
|
Override. We are going directly
|
|
to start-up.
|
|
|
|
COMPUTER VOICE
|
|
That procedure is not recommended.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 8.
|
|
|
|
7A CONTINUED:
|
|
|
|
LYNCH
|
|
Understood. Now. Prime
|
|
matter/antimatter injectors. Set
|
|
ratio at twenty-five to one...
|
|
|
|
COMPUTER VOICE
|
|
Ratio set.
|
|
|
|
LYNCH
|
|
Power engine core. Inject
|
|
reactants.
|
|
|
|
At which point the SOUND WHINES AND BUILDS TO A RUMBLE.
|
|
The ENGINE LIGHTS BRIGHTEN AND BEGIN THE FAMILIAR WARP
|
|
DRIVE EFFECT.
|
|
|
|
LYNCH
|
|
(continuing)
|
|
Captain, this is Lieutenant
|
|
Commander Leland T. Lynch. You
|
|
have minimum warp drive.
|
|
|
|
8 INT. MAIN BRIDGE
|
|
|
|
as Geordi watches his console closely. He waits for
|
|
Data's signal.
|
|
|
|
DATA
|
|
Computer indicates alignment of
|
|
matter-anti-matter completed, sir.
|
|
|
|
GEORDI
|
|
Course plotted and set for Vagra
|
|
Two.
|
|
|
|
PICARD
|
|
Warp eight.
|
|
|
|
LYNCH'S COM VOICE
|
|
Minimum warp drive, Captain.
|
|
|
|
PICARD
|
|
You heard the order. Make it so.
|
|
|
|
9 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the ship MOVES OUT IN WARP SPEED.
|
|
|
|
10 OMITTED
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 9.
|
|
|
|
11 INT. MAIN BRIDGE
|
|
|
|
The crew calmly but rapidly performs their duties.
|
|
Riker sits almost immobilized next to Picard. Beverly
|
|
puts her hand on his arm.
|
|
|
|
GEORDI
|
|
Approaching Vagra Two.
|
|
|
|
DATA
|
|
Strange, sir. No emergency
|
|
signal from the shuttle as yet.
|
|
|
|
RIKER
|
|
(reassuring himself)
|
|
They're designed to withstand
|
|
almost any impact.
|
|
|
|
WORF
|
|
Beginning a deeper probe, sir.
|
|
|
|
PICARD
|
|
What is this place, Mister Data?
|
|
|
|
DATA
|
|
There is no information in the
|
|
library computer, sir, other than
|
|
the fact of its existence. No
|
|
signs of any known higher life-form.
|
|
Virtually no vegetation.
|
|
|
|
RIKER
|
|
Atmosphere?
|
|
|
|
DATA
|
|
Minimum for our needs.
|
|
|
|
PICARD
|
|
Standard orbit.
|
|
|
|
GEORDI
|
|
Standard orbit, aye.
|
|
|
|
11A EXT. SPACE - THE ENTERPRISE (OPTICAL) (FORMERLY SC. 10)
|
|
|
|
as it ENTERS orbit around Vagra 2.
|
|
|
|
12 CLOSE ON PICARD AND RIKER
|
|
|
|
Riker's scared for Troi.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 10.
|
|
|
|
12 CONTINUED:
|
|
|
|
RIKER
|
|
I could have set up the rendezvous
|
|
in a dozen alternate sites.
|
|
|
|
Picard knows what he's really saying.
|
|
|
|
PICARD
|
|
She means a lot to all of us.
|
|
|
|
RIKER
|
|
She's not dead. I'd know it.
|
|
|
|
13 WIDER ANGLE
|
|
|
|
INCLUDING Worf.
|
|
|
|
WORF
|
|
I've located the shuttle!
|
|
|
|
PICARD
|
|
Life signs?
|
|
|
|
WORF
|
|
Not yet, sir.
|
|
|
|
Riker REACTS to the possibility that Troi is dead.
|
|
|
|
WORF
|
|
(continuing)
|
|
Still probing. It appears to be
|
|
buried under a lot of debris.
|
|
|
|
Worf shakes his head, then sees a FLICKER on the
|
|
console.
|
|
|
|
WORF
|
|
(continuing)
|
|
I may have something, sir!
|
|
|
|
He makes an adjustment on his instruments. Riker's
|
|
out of his chair instantly, looking over Worf's
|
|
shoulder.
|
|
|
|
WORF
|
|
(continuing)
|
|
Faint life signs. Very faint.
|
|
|
|
RIKER
|
|
How many?
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 11.
|
|
|
|
13 CONTINUED:
|
|
|
|
WORF
|
|
There's no way of telling from
|
|
here.
|
|
|
|
PICARD
|
|
Can we beam up the injured?
|
|
|
|
DATA
|
|
No. Our sensors are not fully
|
|
penetrating whatever the debris
|
|
is, sir. I cannot explain it.
|
|
|
|
A puzzled concerned REACTION from Picard.
|
|
|
|
PICARD
|
|
That's very unusual.
|
|
|
|
DATA
|
|
Yes. I cannot explain it.
|
|
|
|
Picard gets a call.
|
|
|
|
LYNCH'S COM VOICE
|
|
Captain, this is Lieutenant
|
|
Commander Leland T. Lynch. Can
|
|
I shut down the warp drive now
|
|
for a full realignment?
|
|
|
|
PICARD
|
|
(distracted)
|
|
Yes.
|
|
|
|
LYNCH
|
|
Thanks. That's fine...
|
|
|
|
PICARD
|
|
No. Wait.
|
|
(something is picking
|
|
at him)
|
|
Not yet.
|
|
|
|
LYNCH
|
|
You'll have full impulse.
|
|
|
|
PICARD
|
|
I understand, but for the moment
|
|
I want all systems at full
|
|
readiness -- especially propulsion.
|
|
|
|
LYNCH
|
|
As you wish, Captain.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 12.
|
|
|
|
13 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Assemble your team, Number One.
|
|
|
|
RIKER
|
|
Right away.
|
|
|
|
BEVERLY
|
|
I'll meet you in Transporter Room
|
|
Four.
|
|
|
|
Riker gets up quickly.
|
|
|
|
RIKER
|
|
Yar, Data.
|
|
|
|
They're already halfway out of their positions and
|
|
HEADING for the Transporter Room.
|
|
|
|
14 INT. TRANSPORTER ROOM FOUR (OPTICAL)
|
|
|
|
The team is assembled on the pad when Beverly COMES
|
|
IN with TWO MEDICAL TECHNICIANS and gear. They MOVE
|
|
ONTO the pad.
|
|
|
|
RIKER
|
|
Do it.
|
|
|
|
The Transporter Chief works the console and the away
|
|
team DISAPPEARS.
|
|
|
|
15 EXT. VAGRA 2 (OPTICAL)
|
|
|
|
Vagra 2 is arid, desolate, with very rocky terrain.
|
|
It's always dusk. The team BEAMS IN about ten meters
|
|
from the crash site. The shuttle appears to have
|
|
crashed into a hill. It's almost completely buried,
|
|
obscured by ROCKS. There is an eerie stillness, a
|
|
deadness about the place. Tasha takes readings.
|
|
|
|
TASHA
|
|
Ben must have had no control
|
|
left, otherwise he would have
|
|
picked a better spot.
|
|
|
|
BEVERLY
|
|
Let's go. The life signs are
|
|
weak.
|
|
|
|
Tasha starts to lead the team quickly and cautiously
|
|
towards the shuttle.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 13.
|
|
|
|
16 ANOTHER ANGLE
|
|
|
|
As they near the shuttle, they run into an obstacle -
|
|
a BLACK, SHINY, VISCOUS MASS lying on the ground.
|
|
|
|
16A ANGLE ON THE AWAY TEAM
|
|
|
|
They STOP for a beat and look at the slime. Data
|
|
takes a tricorder reading.
|
|
|
|
RIKER
|
|
What is it?
|
|
|
|
No one has an answer.
|
|
|
|
TASHA
|
|
No idea. We'll go around. Just
|
|
to be on the safe side.
|
|
|
|
16B ANGLE ON TASHA
|
|
|
|
As she leads the away team around the slick, it MOVES
|
|
PARALLEL with them so it stays between them and the
|
|
shuttle. The team STOPS.
|
|
|
|
TASHA
|
|
We'll go the other way.
|
|
|
|
16C ANOTHER ANGLE
|
|
|
|
The away team CIRCLES AROUND the other way. And again,
|
|
the slick stays between them and the shuttle.
|
|
|
|
RIKER
|
|
(touching his
|
|
communicator)
|
|
Enterprise, this is Riker. We've
|
|
got a problem.
|
|
|
|
PICARD'S COM VOICE
|
|
What kind of a problem, Number
|
|
One?
|
|
|
|
RIKER
|
|
I'm not sure yet. There's some
|
|
kind of a slick blocking our
|
|
path. We'll keep you apprised.
|
|
|
|
PICARD'S COM VOICE
|
|
Maintain an open frequency.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 14.
|
|
|
|
16C CONTINUED:
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
17 CLOSER ANGLE
|
|
|
|
RIKER
|
|
Analysis, Mister Data.
|
|
|
|
Data takes readings.
|
|
|
|
DATA
|
|
Inconclusive, sir. I cannot tell
|
|
you what it is -- only what it is
|
|
not.
|
|
|
|
RIKER
|
|
Explain.
|
|
|
|
DATA
|
|
There is no evidence of neural
|
|
or circulatory systems. No
|
|
internal organs. Cellular
|
|
structure unknown. It does not
|
|
have any proteins which are known
|
|
to us.
|
|
|
|
The slime remains SILENT and STILL... Until:
|
|
|
|
BEVERLY
|
|
It's narrower over here. Can
|
|
we get over it?
|
|
|
|
They try -- but it EXPANDS, so they can't pass.
|
|
|
|
RIKER
|
|
Wait, Beverly. How is it moving,
|
|
Data?
|
|
|
|
DATA
|
|
I do not know, sir. It does not
|
|
appear to have any skeletal
|
|
framework or musculature.
|
|
|
|
RIKER
|
|
Then what's causing it to move?
|
|
|
|
DATA
|
|
Perhaps we are. It appears to
|
|
be following us, sir.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 15.
|
|
|
|
18 WIDER ANGLE
|
|
|
|
The slime continues to BLOCK THEIR PATH, BLOCKING ANY
|
|
WAY THEY TRY TO APPROACH the shuttle.
|
|
|
|
RIKER
|
|
No readings of intelligence.
|
|
No brain as we know it. But
|
|
evidence of thought, Mister Data?
|
|
|
|
DATA
|
|
Insufficient information.
|
|
|
|
PICARD'S COM VOICE
|
|
Number One, can you beam around
|
|
it?
|
|
|
|
RIKER
|
|
Negative, not enough room, sir.
|
|
It seems to be trying to keep
|
|
us away from the shuttle.
|
|
|
|
PICARD'S COM VOICE
|
|
Data, is it alive?
|
|
|
|
19 THE CREATURE
|
|
|
|
DATA
|
|
It is possible. It possesses
|
|
two of the requisites for life.
|
|
|
|
20 WIDER ANGLE
|
|
|
|
A SHRIEK is emitted, and the BLACK SHROUD, ARMUS, LIFTS
|
|
ITSELF off the ground and blocks the away team's path.
|
|
|
|
ARMUS
|
|
Very good, tin man.
|
|
|
|
They STEP BACK, startled... phasers ready. Riker
|
|
gathers himself and steps forward. Tasha's alert.
|
|
|
|
20A INT. MAIN BRIDGE
|
|
|
|
Picard and the others listening.
|
|
|
|
PICARD
|
|
What is it, Number One? What are
|
|
you seeing?
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT ONE 16.
|
|
|
|
20A CONTINUED:
|
|
|
|
RIKER
|
|
I wish I had an answer, Captain.
|
|
The truth is... I'm not sure.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
A21 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the ship orbits the planet.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
While on the planet Vagra Two to
|
|
rescue members of the crew who
|
|
were injured in a rather strange
|
|
and unexplained shuttle crash,
|
|
the away team, lead by Commander
|
|
Riker, has encountered a strange
|
|
creature which seems to be able
|
|
to take many forms, including
|
|
something which is humanoid.
|
|
|
|
B21 INT. MAIN BRIDGE
|
|
|
|
Picard touches his arm panel.
|
|
|
|
PICARD
|
|
Go easy, Number One. Let's find
|
|
out what it is we are dealing with
|
|
here.
|
|
|
|
RIKER'S COM VOICE
|
|
Agreed, Captain.
|
|
|
|
PICARD
|
|
And Number One, I don't believe
|
|
the location shuttle crash and
|
|
the proximity of this creature
|
|
is necessarily a coincidence.
|
|
|
|
C21 EXT. PLANET VAGRA 2
|
|
|
|
Riker moves a STEP CLOSER to the creature.
|
|
|
|
RIKER
|
|
I am Commander William Riker of
|
|
the USS Enterprise.
|
|
|
|
ARMUS
|
|
I am ARMUS. Why do you intrude
|
|
into my space?
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 18.
|
|
|
|
C21 CONTINUED:
|
|
|
|
RIKER
|
|
We mean you no harm. We have an
|
|
injured crew in that shuttlecraft.
|
|
We need to get to them. May we
|
|
pass?
|
|
|
|
ARMUS
|
|
That is important to you? That
|
|
they live?
|
|
|
|
RIKER
|
|
Yes. Preserving life -- all life
|
|
-- is very important to us.
|
|
|
|
ARMUS
|
|
Why?
|
|
|
|
RIKER
|
|
We believe that everything in the
|
|
universe has a right to exist.
|
|
|
|
ARMUS
|
|
Interesting. Irrelevant. But
|
|
you may now leave if you wish.
|
|
|
|
Riker and the crew are startled.
|
|
|
|
TASHA
|
|
We won't without the shuttle
|
|
crew.
|
|
|
|
The shroud REMAINS SILENT as Tasha makes a slight MOVE
|
|
TO GO AROUND IT.
|
|
|
|
ARMUS
|
|
You will not like it here.
|
|
|
|
TASHA
|
|
What are you saying -- that you
|
|
are going to try and deny us
|
|
access and attempt to force us
|
|
to leave without our comrades?
|
|
|
|
ARMUS
|
|
I told you what you can do. You
|
|
can leave.
|
|
|
|
Tasha has had enough of this and starts to move toward
|
|
the narrowest strip of slime.
|
|
|
|
TASHA
|
|
Enough. We have people who need
|
|
attention. We mean you no harm,
|
|
but do not interfere.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 19.
|
|
|
|
21 ANOTHER ANGLE (OPTICAL)
|
|
|
|
as ARMUS FLICKS HIS FINGER, sending an ENERGY FORCE
|
|
towards Tasha, JERKING HER BACK and SLAMMING HER DOWN
|
|
to the ground.
|
|
|
|
22 ON THE TEAM (OPTICAL)
|
|
|
|
Everything from here on must happen in a blur of
|
|
action. Beverly and the medical personnel jump to
|
|
Tasha's side. Riker and Data MOVE BETWEEN the others
|
|
and BLAST ARMUS with their phasers.
|
|
|
|
23 OMITTED
|
|
|
|
24 ANGLE ON THE CREATURE (OPTICAL)
|
|
|
|
who appears to thrive and grow on the energy.
|
|
|
|
24A ANGLE ON RIKER AND DATA
|
|
|
|
They BACK AWAY - still FIRING.
|
|
|
|
PICARD'S COM VOICE
|
|
Number One?
|
|
|
|
RIKER
|
|
The creature attacked us.
|
|
Lieutenant Yar is down.
|
|
|
|
DATA
|
|
It appears to feed on our phaser
|
|
energy.
|
|
|
|
RIKER
|
|
We have no effect on it.
|
|
|
|
24B INT. MAIN BRIDGE
|
|
|
|
Picard and the others are monitoring.
|
|
|
|
PICARD
|
|
Transporter Room. Get them up.
|
|
Now!
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 20.
|
|
|
|
24C ANGLE ON TASHA AND THE OTHERS
|
|
|
|
Beverly quickly takes a reading. She can't believe the
|
|
instruments.
|
|
|
|
BEVERLY
|
|
She's dead.
|
|
|
|
24CC ANGLE ON THE BRIDGE CREW
|
|
|
|
stunned.
|
|
|
|
24D ANGLE ON RIKER AND DATA
|
|
|
|
They REACT to the words. Then look back at ARMUS.
|
|
|
|
24E ANGLE ON ARMUS
|
|
|
|
watching.
|
|
|
|
25 ANGLE ON BEVERLY AND TASHA
|
|
|
|
There is a piece of slime on Tasha's face. Beverly
|
|
digs at it, desperate to remove it.
|
|
|
|
25A ANGLE ON AWAY TEAM (OPTICAL)
|
|
|
|
The lock on is complete -- the away team is BEAMED UP.
|
|
Leaving only Armus and the shuttle.
|
|
|
|
26 OMITTED
|
|
|
|
26A INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
as the away team BEAMS IN. Beverly and the
|
|
Technicians are still working on Tasha. Beverly gives
|
|
her an injection in the neck. Riker and Data can REACT
|
|
for the first time.
|
|
|
|
BEVERLY
|
|
I need her in Sickbay right now!
|
|
Get a gurney.
|
|
|
|
27 INT. MAIN BRIDGE
|
|
|
|
Picard is out of his seat -- the whole crew is alert.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 21.
|
|
|
|
27 CONTINUED:
|
|
|
|
PICARD
|
|
Yellow Alert, Lieutenant Worf.
|
|
I'll be in Sickbay.
|
|
|
|
REACTIONS from the bridge crew.
|
|
|
|
28
|
|
thru OMITTED
|
|
29
|
|
|
|
30 INT. SICKBAY
|
|
|
|
The medical team is easing Tasha onto the operating
|
|
table as Picard ENTERS. Beverly barely glances up at
|
|
him. He MOVES OFF TO THE SIDE and watches silently,
|
|
with Data and Riker, as:
|
|
|
|
31 CLOSE ON DIAGNOSTIC SCREEN
|
|
|
|
which shows her bodily readings to be totally askew.
|
|
|
|
32 WIDER ANGLE
|
|
|
|
Beverly and the Nurse work together as if they'd done
|
|
this a hundred times before, attaching the clamshell
|
|
device onto the bed, over Tasha's body.
|
|
|
|
PICARD
|
|
Status, Doctor?
|
|
|
|
BEVERLY
|
|
She's dead.
|
|
|
|
PICARD
|
|
Bring her back.
|
|
|
|
BEVERLY
|
|
I'm trying.
|
|
|
|
PICARD
|
|
You've saved people before. You
|
|
can save her.
|
|
|
|
BEVERLY
|
|
Neural stimulator.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 22.
|
|
|
|
32 CONTINUED:
|
|
|
|
The Nurse immediately helps her attach the device,
|
|
which clips onto the bed and slips over Tasha's head
|
|
like a loose headband. As soon as both devices are
|
|
activated, Beverly and the Nurse anxiously watch the
|
|
diagnostic screen. A FEW KEY INDICATORS APPROACH
|
|
NORMALITY. Picard is anxious and impatient.
|
|
|
|
RIKER
|
|
There. You did it.
|
|
|
|
BEVERLY
|
|
No. I've got her on total
|
|
support. There's no independent
|
|
brain activity.
|
|
|
|
Beverly grimly and quickly works the neural
|
|
stimulator. She pushes programming keys furiously,
|
|
then hits the start button. No reaction.
|
|
|
|
NURSE
|
|
She's not responding, Doctor.
|
|
Her synaptic network is breaking
|
|
down.
|
|
|
|
BEVERLY
|
|
No! Inject norep.
|
|
|
|
The Nurse complies as Beverly reprograms the
|
|
stimulator. Nothing happens.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
We're going for direct reticular
|
|
stimulation.
|
|
|
|
NURSE
|
|
Risky.
|
|
|
|
PICARD
|
|
What does that mean?
|
|
|
|
BEVERLY
|
|
Doesn't matter! Do it!
|
|
|
|
The Nurse punches it in, and Tasha's body TWITCHES
|
|
SLIGHTLY. Picard looks hopefully at Beverly.
|
|
|
|
PICARD
|
|
She moved!
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 23.
|
|
|
|
32 CONTINUED: (2)
|
|
|
|
NURSE
|
|
Neurons are beginning to
|
|
depolarize.
|
|
|
|
Beverly is desperate, but calm.
|
|
|
|
BEVERLY
|
|
Increase to seventy microvolts.
|
|
|
|
The Nurse complies. Beverly pushes the button. Tasha
|
|
MOVES SLIGHTLY -- VERY SLIGHTLY. Beverly checks the
|
|
readout. Data and Riker looks at each other -- it's
|
|
not good.
|
|
|
|
PICARD
|
|
(urgently)
|
|
Doctor?
|
|
|
|
BEVERLY
|
|
Eighty-five microvolts.
|
|
|
|
They quickly try again. And again. Finally, there is
|
|
NO MOVEMENT in Tasha at all.
|
|
|
|
33 ON BEVERLY AND PICARD
|
|
|
|
She slowly turns to him.
|
|
|
|
BEVERLY
|
|
She's gone.
|
|
|
|
PICARD
|
|
Gone?
|
|
|
|
BEVERLY
|
|
There's too much synaptic damage.
|
|
That thing just sucked all the
|
|
life out of her. There's nothing
|
|
I can do...
|
|
|
|
Picard, Riker and Data seem rooted to the spot.
|
|
|
|
34 ANOTHER ANGLE
|
|
|
|
Beverly reluctantly pushes in a code on the overbed
|
|
life support clamshell. She and the others look up
|
|
at the big diagnostic wall screen and watch all the
|
|
LIFE FUNCTION INDICATORS FALL TO ZERO. They REACT
|
|
to the finality of this.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 24.
|
|
|
|
35 EXT. VAGRA 2
|
|
|
|
as ARMUS SLITHERS AND SLIDES close to the shuttle.
|
|
|
|
36 INT. SHUTTLECRAFT
|
|
|
|
It is greatly damaged. The PILOT, LIEUTENANT BEN
|
|
PRIETO, is slumped forward, unconscious. Troi tries
|
|
to move, but is in a great deal of pain. She touches
|
|
her communicator, but it doesn't work.
|
|
|
|
36A EXT. VAGRA 2 (FORMERLY SCENE 39)
|
|
|
|
ARMUS has slithered up the shuttle and covered the
|
|
little bit that isn't buried by rubble.
|
|
|
|
36B INT. SHUTTLECRAFT (FORMERLY SCENE 40)
|
|
|
|
Troi is startled. She feels very uncomfortable and
|
|
looks around, seeing nothing, but feeling -- an
|
|
intimate sense of evil.
|
|
|
|
ARMUS (O.S.)
|
|
Your friends have deserted you.
|
|
They're not coming back.
|
|
|
|
TROI
|
|
You're wrong.
|
|
|
|
ARMUS (O.S.)
|
|
I killed one of them.
|
|
|
|
Troi is very sad.
|
|
|
|
TROI
|
|
Yes. I know.
|
|
|
|
ARMUS (O.S.)
|
|
How could you be in there and know
|
|
that?
|
|
|
|
TROI
|
|
I felt her die.
|
|
|
|
ARMUS (O.S.)
|
|
Do you want to know why I killed
|
|
her?
|
|
|
|
TROI
|
|
Meaningless. That act had no
|
|
reason.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 25.
|
|
|
|
36B CONTINUED:
|
|
|
|
ARMUS (O.S.)
|
|
Exactly. I did it because I
|
|
could.
|
|
|
|
TROI
|
|
But you felt no satisfaction.
|
|
|
|
ARMUS (O.S.)
|
|
No, none. It was too easy.
|
|
|
|
TROI
|
|
You wanted her to suffer. You
|
|
have a great need.
|
|
|
|
ARMUS (O.S.)
|
|
I need nothing.
|
|
|
|
TROI
|
|
Liar.
|
|
(there is a pause)
|
|
End this. Let us go.
|
|
|
|
ARMUS
|
|
Not yet.
|
|
|
|
TROI
|
|
They won't give you what you want.
|
|
|
|
ARMUS (O.S.)
|
|
And what is that?
|
|
|
|
TROI
|
|
To break their spirit.
|
|
|
|
ARMUS (O.S.)
|
|
Oh, is that what I want?... Then
|
|
that's what I will have.
|
|
|
|
TROI
|
|
Never.
|
|
|
|
37 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Vagra 2.
|
|
|
|
38 INT. OBSERVATION LOUNGE
|
|
|
|
The bridge crew GATHERS around the table.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 26.
|
|
|
|
38 CONTINUED:
|
|
|
|
BEVERLY
|
|
(enraged)
|
|
She didn't do anything, Captain.
|
|
Her phaser was lowered. She only
|
|
wanted to get to Troi and
|
|
Lieutenant Prieto.
|
|
|
|
RIKER
|
|
There was nothing provocative
|
|
about what she did.
|
|
|
|
Riker slams the table and fights back tears of outrage.
|
|
|
|
BEVERLY
|
|
It just killed her. No reason.
|
|
No justification. A senseless,
|
|
brutal act.
|
|
|
|
Picard waits, while the members of his crew purge their
|
|
anger.
|
|
|
|
PICARD
|
|
All right. This is very emotional
|
|
for all of us, but we still have
|
|
members of this crew down on that
|
|
planet, so, until the shuttle
|
|
crew is safely aboard this ship,
|
|
our feelings will have to wait.
|
|
|
|
There are QUIET MURMURS OF ASSENT.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Lieutenant Worf, you are now chief
|
|
of security.
|
|
|
|
WORF
|
|
I will do my best, sir.
|
|
|
|
PICARD
|
|
Doctor, what is the status of
|
|
the shuttle crew?
|
|
|
|
BEVERLY
|
|
We're still receiving faint life
|
|
signs. But the sensor readings
|
|
are fluctuating -- and I don't
|
|
know how accurate they are.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 27.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
DATA
|
|
ARMUS is capable of creating
|
|
undefined forcefields. In
|
|
effect, we are powerless to
|
|
communicate or use our transporter
|
|
unless it allows us to.
|
|
|
|
PICARD
|
|
A powerful creature against whom
|
|
we seem to have no defense.
|
|
Number One.
|
|
|
|
Riker begins PACING.
|
|
|
|
RIKER
|
|
This creature that calls itself
|
|
ARMUS is down on that planet
|
|
waiting for us to come back. It
|
|
wants us to come back. It killed
|
|
Tasha. It could have just as
|
|
easily killed us all. It didn't.
|
|
Troi and Ben Prieto are still
|
|
alive. For a reason. It wants
|
|
something -- and it knows we will
|
|
not leave so long as Troi and Ben
|
|
are alive.
|
|
|
|
PICARD
|
|
What does it want?
|
|
|
|
RIKER
|
|
The only way we're going to find
|
|
out is to go back down.
|
|
|
|
The crew REACTS.
|
|
|
|
DATA
|
|
Sir, request permission to
|
|
accompany Commander Riker. He
|
|
may need help -- and ARMUS may
|
|
allow us through its forcefield
|
|
only once.
|
|
|
|
BEVERLY
|
|
I am going too. There are
|
|
injured people down there.
|
|
|
|
GEORDI
|
|
Captain, perhaps I can see
|
|
something in the creature which
|
|
will be helpful.
|
|
(to Worf)
|
|
Worf -- are you coming?
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT TWO 28.
|
|
|
|
38 CONTINUED: (3)
|
|
|
|
WORF
|
|
I will remain on the ship.
|
|
|
|
Everyone is mildly surprised.
|
|
|
|
WORF
|
|
(continuing)
|
|
The object here is not to engage
|
|
this creature in battle. The goal
|
|
is the safe return of Counselor
|
|
Troi and Lieutenant Prieto. I
|
|
can best accomplish this from the
|
|
Tactical Station.
|
|
|
|
Picard admires his courageous choice.
|
|
|
|
PICARD
|
|
Agreed, Lieutenant... Number One,
|
|
I see no other choice. Prepare
|
|
your away team.
|
|
|
|
39
|
|
thru OMITTED
|
|
40
|
|
|
|
40A INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Riker, Data, Beverly and Geordi prepare to beam down.
|
|
|
|
RIKER
|
|
Is there anything left to say?
|
|
|
|
SILENCE.
|
|
|
|
RIKER
|
|
Energize.
|
|
|
|
41 EXT. VAGRA 2 (OPTICAL)
|
|
|
|
as the away team BEAMS DOWN near the shuttle, which
|
|
is lying there, quiescent, waiting for them.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 29.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
42 EXT. VAGRA 2
|
|
|
|
The away team MAKES ITS WAY, very cautiously, towards
|
|
ARMUS. The shroud is still on top of the
|
|
shuttlecraft. Riker and the team take an involuntary
|
|
STEP BACK when they see this.
|
|
|
|
RIKER
|
|
Enterprise.
|
|
|
|
PICARD'S COM VOICE
|
|
Number One.
|
|
|
|
RIKER
|
|
We're approaching the
|
|
shuttlecraft. The creature's
|
|
covering it.
|
|
|
|
42A INT. SHUTTLECRAFT
|
|
|
|
Troi feels the presence of the away team.
|
|
|
|
ARMUS (O.S.)
|
|
I lied to you. They came back.
|
|
|
|
TROI
|
|
Let me talk with them.
|
|
|
|
ARMUS (O.S.)
|
|
No.
|
|
|
|
TROI
|
|
Why not? Does the thought of
|
|
my having contact with them make
|
|
you uneasy?
|
|
|
|
ARMUS (O.S.)
|
|
No, it makes them uneasy. They
|
|
are worried.
|
|
|
|
TROI
|
|
Yes. Yes, they are worried.
|
|
|
|
ARMUS (O.S.)
|
|
They care for you. You must be
|
|
very special.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 30.
|
|
|
|
42A CONTINUED:
|
|
|
|
TROI
|
|
We are members of a community.
|
|
We all care for one another.
|
|
|
|
ARMUS (O.S.)
|
|
Equally? None more than another?
|
|
|
|
TROI
|
|
Yes, equally.
|
|
|
|
ARMUS (O.S.)
|
|
Now it is you who lie. There is
|
|
one who is loved more.
|
|
|
|
Troi changes the direction of this conversation.
|
|
|
|
TROI
|
|
You were really surprised that
|
|
they came back.
|
|
|
|
ARMUS (O.S.)
|
|
Yes.
|
|
|
|
TROI
|
|
Why? Because the others did not?
|
|
|
|
ARMUS (O.S.)
|
|
(now it is the creature
|
|
who is uncomfortable)
|
|
What others?
|
|
|
|
TROI
|
|
You can't hide the emptiness from
|
|
me. The others. The ones who
|
|
hurt you. Who left you -- alone --
|
|
rejected. The ones who make you
|
|
so angry.
|
|
|
|
ARMUS (O.S.)
|
|
What do you know of them?
|
|
|
|
TROI
|
|
Only what you tell me.
|
|
|
|
42B EXT. SHUTTLECRAFT
|
|
|
|
ARMUS SLITHERS OFF the craft and MOVES TOWARDS the away
|
|
team.
|
|
|
|
RIKER
|
|
Enterprise, Armus is moving
|
|
towards us.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 31.
|
|
|
|
42C INT. MAIN BRIDGE (FORMERLY SC. 45)
|
|
|
|
WESLEY and Worf lean over the Aft console. On the
|
|
bridge they spot the change -- and again...
|
|
|
|
WORF
|
|
Captain. Look at this.
|
|
|
|
Picard APPROACHES the Aft station.
|
|
|
|
WORF
|
|
(continuing)
|
|
The force of the energy field
|
|
around the shuttle just took a
|
|
dip. It was almost low enough
|
|
for us to beam them out. Now,
|
|
as the creature approaches the
|
|
away team, the energy field
|
|
increases.
|
|
|
|
Picard is pensive for a moment.
|
|
|
|
PICARD
|
|
Chart it.
|
|
|
|
43
|
|
thru OMITTED
|
|
44
|
|
|
|
44A ANGLE ON AWAY TEAM (FORMERLY SC. 43)
|
|
|
|
The shroud is half-standing near the team.
|
|
|
|
ARMUS
|
|
She said you'd be back, but I
|
|
didn't think so.
|
|
|
|
RIKER
|
|
We have no choice.
|
|
|
|
ARMUS
|
|
I sense anger directed at me.
|
|
|
|
Riker deflects the statement.
|
|
|
|
RIKER
|
|
I'm here to negotiate. What is
|
|
it you want?
|
|
|
|
ARMUS
|
|
Maybe I want nothing.
|
|
|
|
RIKER
|
|
Then you would have killed us
|
|
all.
|
|
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 32.
|
|
|
|
44A CONTINUED:
|
|
|
|
ARMUS
|
|
I still might.
|
|
|
|
RIKER
|
|
Do you want something? Tell me.
|
|
Maybe we can reach an
|
|
accommodation.
|
|
|
|
ARMUS
|
|
You would do that even after what
|
|
I did to the fair one?
|
|
|
|
RIKER
|
|
Yes.
|
|
|
|
ARMUS
|
|
If I tell you what it is... will
|
|
you give it to me?
|
|
|
|
RIKER
|
|
I don't know... I guess it
|
|
depends.
|
|
|
|
ARMUS
|
|
Not good enough.
|
|
|
|
45 OMITTED
|
|
|
|
46 ANGLE ON BEVERLY AND THE SHROUD
|
|
|
|
as she APPROACHES it.
|
|
|
|
BEVERLY
|
|
I'm a doctor. I need to treat
|
|
our injured friends.
|
|
|
|
ARMUS
|
|
Say please.
|
|
|
|
BEVERLY
|
|
Please.
|
|
|
|
ARMUS
|
|
Again.
|
|
|
|
BEVERLY
|
|
Please.
|
|
|
|
ARMUS
|
|
You ask nicely. I will allow it.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 33.
|
|
|
|
46 CONTINUED:
|
|
|
|
The team starts to move forward.
|
|
|
|
ARMUS
|
|
(continuing)
|
|
Stop! Only the "Doctor."
|
|
|
|
Beverly STARTS TO MOVE FORWARD.
|
|
|
|
ARMUS
|
|
Stop. I've changed my mind. Talk
|
|
to her from here.
|
|
|
|
BEVERLY
|
|
How?
|
|
(into com)
|
|
Troi, can you hear me? Troi?
|
|
|
|
47 OMITTED
|
|
|
|
48 INT. SHUTTLECRAFT
|
|
|
|
BEVERLY'S COM VOICE
|
|
Deanna? Are you all right?
|
|
|
|
Troi touches her communicator.
|
|
|
|
TROI
|
|
Beverly...
|
|
|
|
49 EXT. SHUTTLECRAFT
|
|
|
|
Beverly relaxes with relief for a moment.
|
|
|
|
BEVERLY
|
|
Are you all right?
|
|
|
|
50 INT. SHUTTLECRAFT (INTERCUT AS NECESSARY WITH EXT.
|
|
SHUTTLECRAFT)
|
|
|
|
TROI
|
|
I'm not sure. Ben's really bad
|
|
-- I can barely feel his pulse.
|
|
|
|
BEVERLY
|
|
We have to get you out. It has
|
|
a forcefield preventing us from
|
|
transporting you.
|
|
|
|
TROI
|
|
I know.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 34.
|
|
|
|
51 EXT. VAGRA 2 - NEAR ARMUS
|
|
|
|
Riker makes a reflexive MOVE TOWARD THE SHUTTLE.
|
|
|
|
RIKER
|
|
She needs our help.
|
|
|
|
ARMUS
|
|
You have no permission to pass.
|
|
|
|
BEVERLY
|
|
There are people suffering a few
|
|
meters away, and you block our
|
|
path. Why?
|
|
|
|
ARMUS
|
|
You asked to talk. I allowed it.
|
|
Wasn't that enough for you?
|
|
|
|
BEVERLY
|
|
No. I need help to get to them.
|
|
|
|
ARMUS
|
|
You are ungrateful.
|
|
|
|
BEVERLY
|
|
You are evil and disgusting. What
|
|
are you made of?
|
|
|
|
DATA
|
|
It does not register on my
|
|
tricorder, Doctor.
|
|
|
|
ARMUS
|
|
"It?" Does that mean I am not
|
|
alive?
|
|
|
|
DATA
|
|
No. Clearly you are some kind
|
|
of intelligent form.
|
|
|
|
ARMUS pulls the tricorder out of Data's hands and sails
|
|
it over the horizon.
|
|
|
|
ARMUS
|
|
Then your instrument lies. It
|
|
is useless. Perhaps all your
|
|
instruments are useless.
|
|
|
|
The shroud instantaneously RIPS OFF GEORDI'S VISOR.
|
|
Data immediately REACTS to assist.
|
|
|
|
ARMUS
|
|
(continuing)
|
|
Don't help him.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 35.
|
|
|
|
51 CONTINUED:
|
|
|
|
Geordi helplessly MOVES TOWARDS THE VISOR. ARMUS
|
|
MOVES IT. Riker puts his hand on Beverly's arm. They
|
|
stay out of it -- both furious.
|
|
|
|
DATA
|
|
One meter to your left, Geordi.
|
|
|
|
Geordi moves that way, bends down and almost reaches it
|
|
when the shroud MOVES IT again, behind him.
|
|
|
|
DATA
|
|
(continuing)
|
|
Behind you.
|
|
|
|
Geordi turns and feels his way. The Shroud MOVES IT
|
|
again. Data says nothing more while Geordi searches.
|
|
|
|
ARMUS
|
|
Aren't you going to lead him to
|
|
his sight again, robot?
|
|
|
|
DATA
|
|
No. You will just move it again.
|
|
I will not help you hurt him.
|
|
|
|
RIKER
|
|
None of us will help you.
|
|
|
|
ARMUS
|
|
(disgusted)
|
|
Then give it to him. I will find
|
|
something else to do. Wait right
|
|
here.
|
|
|
|
51A EXT. SHUTTLECRAFT
|
|
|
|
as the away team watches ARMUS surround the shuttle.
|
|
|
|
51B INT. SHUTTLECRAFT
|
|
|
|
Troi moves. She can feel that he's back.
|
|
|
|
ARMUS (O.S.)
|
|
You said I wouldn't enjoy it.
|
|
You were wrong.
|
|
|
|
TROI
|
|
Still the great emptiness remains.
|
|
You sound so alone.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT THREE 36.
|
|
|
|
51B CONTINUED:
|
|
|
|
ARMUS (O.S.)
|
|
I am alone. I am the discarded
|
|
skin of a creature whose beauty
|
|
dazzles all who see it. But I
|
|
am its refuse -- left here.
|
|
|
|
TROI
|
|
You have my pity.
|
|
|
|
The shuttle SHAKES with the creature's rage.
|
|
|
|
ARMUS
|
|
Your pity! Save that for
|
|
yourself.
|
|
|
|
For the first time -- the first time -- WE SEE a ripple
|
|
of FEAR on Troi's face.
|
|
|
|
51C EXT. PLANET
|
|
|
|
ARMUS HAS MOVED OFF THE SHUTTLE AND as it APPROACHES
|
|
THE GROUP, Riker suddenly feels a great force pull him.
|
|
He calls out. Data MOVES to help him.
|
|
|
|
ARMUS
|
|
Touch him and he dies.
|
|
|
|
As the away team watches, Riker - fighting with all
|
|
his might -is pulled inexorably toward the slime. From
|
|
the other direction, Armus also MOVES toward the hole.
|
|
As the creature's SHRIEK joins RIKER'S SCREAM, the two
|
|
SLIP INTO THE SLIME HOLE and DISAPPEAR. For a beat
|
|
there is nothing. Then: WE CAN SEE only RIKER'S FACE
|
|
PRESSED AGAINST THE SKIN.
|
|
|
|
DATA
|
|
Enterprise, ARMUS has enveloped
|
|
and attacked Commander Riker.
|
|
|
|
PICARD'S COM VOICE
|
|
I'm beaming you up!
|
|
|
|
ARMUS
|
|
If any of you leave now, he dies.
|
|
And so do the survivors of the
|
|
crash.
|
|
|
|
As they REACT, WE:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
52 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Vagra 2.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
There is grave danger to the crew
|
|
on Vagra Two. My first officer
|
|
is missing - attacked by this
|
|
entity known as "ARMUS."
|
|
|
|
53 INT. MAIN BRIDGE
|
|
|
|
Wesley and Worf working on a solution to the ARMUS
|
|
energy problem.
|
|
|
|
WORF
|
|
Captain, perhaps you should look
|
|
at this.
|
|
|
|
Picard STEPS OVER and studies the graphic display.
|
|
|
|
WORF
|
|
(continuing)
|
|
We have a chart of the energy
|
|
field surrounding the shuttle.
|
|
|
|
PICARD
|
|
There are a great deal of
|
|
fluctuations.
|
|
|
|
WORF
|
|
Yes - but there is a pattern.
|
|
Here is when it killed Lieutenant
|
|
Yar, and here is when it absorbed
|
|
Commander Riker.
|
|
|
|
PICARD
|
|
(indicating points on
|
|
the graph)
|
|
And here -- and here? Where the
|
|
energy is lowest?
|
|
|
|
WORF
|
|
Both times it had enveloped the
|
|
shuttle and was involved with
|
|
Counselor Troi.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 38.
|
|
|
|
53 CONTINUED:
|
|
|
|
PICARD
|
|
So when it is provoked in a
|
|
certain way its forcefield is
|
|
weakened... Troi must have the
|
|
answer. I'm beaming down. You
|
|
have the Conn, Lieutenant.
|
|
|
|
WESLEY
|
|
Sir, I'd like to...
|
|
|
|
PICARD
|
|
... Go with me? No, Wesley. You
|
|
can be of more help to Lieutenant
|
|
Worf.
|
|
|
|
WESLEY
|
|
But...
|
|
|
|
PICARD
|
|
...No.
|
|
|
|
WESLEY
|
|
Tell my Mom... I'm not worried.
|
|
|
|
PICARD
|
|
I'll tell her, Wes.
|
|
|
|
54 OMITTED
|
|
|
|
55 INT. SHUTTLECRAFT
|
|
|
|
It's as if Troi realizes something else is wrong and
|
|
feels the pain Riker is in.
|
|
|
|
TROI
|
|
Imzadi. No... Stop hurting him!
|
|
|
|
ARMUS (O.S.)
|
|
What will you give me if I stop
|
|
hurting him?
|
|
|
|
TROI
|
|
Nothing. I can give you nothing.
|
|
|
|
ARMUS (O.S.)
|
|
You still resist. Not for much
|
|
longer.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 39.
|
|
|
|
56 EXT. THE SHROUD (OPTICAL)
|
|
|
|
At that moment Picard BEAMS DOWN next to the away
|
|
team. The team REACTS to Picard's arrival.
|
|
|
|
ARMUS
|
|
Ah. Another human has arrived.
|
|
A very bold one, too. Perhaps
|
|
the party is complete.
|
|
|
|
The shroud LIFTS ITSELF TO ITS TORSO to greet the
|
|
Captain. At that moment A LIKENESS OF RIKER'S FACE
|
|
PUSHES THROUGH AND STRAINS AGAINST THE SHROUD, AND THEN
|
|
DISAPPEARS again. They see it and control themselves.
|
|
They will never mention what they've seen to ARMUS.
|
|
The captain and the creature face each other.
|
|
|
|
ARMUS
|
|
You must be the chief.
|
|
|
|
PICARD
|
|
Captain Jean-Luc Picard of the
|
|
Enterprise. Is Commander Riker
|
|
dead?
|
|
|
|
ARMUS
|
|
Guess.
|
|
|
|
DATA
|
|
(to Picard)
|
|
I would guess that death is no
|
|
longer sufficient entertainment
|
|
to alleviate its boredom.
|
|
Therefore, Commander Riker is
|
|
alive.
|
|
|
|
ARMUS
|
|
Maybe.
|
|
|
|
Picard stares closely at ARMUS.
|
|
|
|
ARMUS
|
|
(continuing)
|
|
Don't you want to ask me what I
|
|
want?
|
|
|
|
PICARD
|
|
No.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 40.
|
|
|
|
56 CONTINUED:
|
|
|
|
ARMUS
|
|
Then, to protect your own
|
|
existence, maybe you'd better give
|
|
me a reason. Entertain me. Be
|
|
creative. Then perhaps I won't
|
|
kill your assistant. You do care
|
|
very much about that, don't you?
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
The shroud looks in Data's direction and suddenly --
|
|
completely against Data's will -- an unseen force causes
|
|
Data's hand to take his phaser and point it at Picard.
|
|
|
|
ARMUS
|
|
Robot, how would you feel if you
|
|
were the instrument of death for
|
|
your leader?
|
|
|
|
PICARD
|
|
Don't struggle, Mister Data.
|
|
|
|
Data relaxes into it.
|
|
|
|
DATA
|
|
I have no control over what you
|
|
do with the phaser. Therefore,
|
|
I would not be the instrument of
|
|
his death.
|
|
|
|
ARMUS ignores him - and TURNS THE PHASER ON BEVERLY.
|
|
|
|
ARMUS
|
|
Perhaps the kind doctor would
|
|
engender more feeling?
|
|
|
|
He SWINGS DATA'S ARM VIOLENTLY AROUND so the phaser
|
|
points at his own temple.
|
|
|
|
ARMUS
|
|
How does it feel facing your own
|
|
extinction? I won't call it
|
|
death. You're not alive.
|
|
|
|
DATA
|
|
It feels -- curious.
|
|
|
|
ARMUS stops the game - and DROPS THE PHASER. The
|
|
others REACT with quiet relief. Data stares at it.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 41.
|
|
|
|
56 CONTINUED: (2)
|
|
|
|
DATA
|
|
You are capable of great sadism
|
|
and cruelty. Interesting. No
|
|
redeeming qualities.
|
|
|
|
ARMUS
|
|
So what do you think?
|
|
|
|
DATA
|
|
I think you should be destroyed.
|
|
|
|
ARMUS
|
|
A moral judgment from something
|
|
that isn't even alive?
|
|
|
|
Before Data can answer:
|
|
|
|
PICARD
|
|
Mister Data...
|
|
(then:)
|
|
ARMUS, we are through dealing with
|
|
you.
|
|
|
|
ARMUS
|
|
I have your man in here... and
|
|
the others.
|
|
|
|
PICARD
|
|
It doesn't matter. We will no
|
|
longer amuse you.
|
|
|
|
ARMUS
|
|
I can kill them.
|
|
|
|
PICARD
|
|
Yes. You can. But only I can
|
|
make them perform. They follow
|
|
my orders.
|
|
|
|
ARMUS
|
|
Then it is you. Amuse me.
|
|
|
|
PICARD
|
|
Not until I know if the ones in
|
|
the shuttle are still alive. I
|
|
must see them.
|
|
|
|
ARMUS
|
|
Not possible.
|
|
|
|
PICARD
|
|
Then our business is complete.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FOUR 42.
|
|
|
|
56 CONTINUED: (3)
|
|
|
|
ARMUS
|
|
And you claim you care about your
|
|
comrades.
|
|
|
|
PICARD
|
|
I do care.
|
|
|
|
ARMUS is silent.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Shall I tell you what true evil
|
|
is? It is to submit to you. It
|
|
is when we surrender our freedom,
|
|
our dignity instead of defying
|
|
you. Do what you will. We will
|
|
take the consequences.
|
|
|
|
He and the others turn their backs on ARMUS and begin
|
|
to WALK AWAY slowly.
|
|
|
|
ARMUS
|
|
Wait!
|
|
|
|
57
|
|
thru OMITTED
|
|
58
|
|
|
|
59 ANGLE ON ARMUS
|
|
|
|
as it SPITS RIKER OUT in front of the away team. He
|
|
is covered with black slime and we can't tell if he's
|
|
dead or alive.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 43.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
60 EXT. VAGRA 2 - CONTINUOUS ACTION
|
|
|
|
Beverly and Picard lean over the fallen Riker. His
|
|
skin looks like he received a bad sunburn. She takes
|
|
readings as Data and Geordi stand slightly back.
|
|
|
|
BEVERLY
|
|
He's alive.
|
|
|
|
PICARD
|
|
But is he all right?
|
|
|
|
Riker shudders and opens his eyes. For a moment he
|
|
looks around wildly, not knowing where he is. When he
|
|
realizes he's free, he struggles to get up.
|
|
|
|
BEVERLY
|
|
Don't move.
|
|
(to Picard)
|
|
Everything shows normal, except
|
|
his skin sustained a mild form
|
|
of acid bath.
|
|
|
|
RIKER
|
|
(weakly)
|
|
So much distortion, so
|
|
frustrated... it had to get rid
|
|
of me.
|
|
|
|
PICARD
|
|
I want you all out of here.
|
|
(into com)
|
|
Enterprise, beam up the away team --
|
|
immediately.
|
|
|
|
ARMUS
|
|
You need my permission.
|
|
|
|
PICARD
|
|
Do I have it?
|
|
|
|
ARMUS
|
|
Yes. Are you going?
|
|
|
|
PICARD
|
|
No. Not yet.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 44.
|
|
|
|
60A ANOTHER ANGLE (OPTICAL)
|
|
|
|
PICARD
|
|
Enterprise, four to beam up.
|
|
|
|
WORF'S COM VOICE
|
|
Aye, sir.
|
|
|
|
The four BEAM UP, leaving Picard. Picard APPROACHES
|
|
ARMUS.
|
|
|
|
PICARD
|
|
I want to see my people on the
|
|
shuttle.
|
|
|
|
ARMUS doesn't answer. ARMUS makes a very slight
|
|
motion and Picard DISAPPEARS. (NOTE: This should not
|
|
look like our transporter effect. the OPTICAL should
|
|
be BLACKISH.)
|
|
|
|
61 INT. SHUTTLECRAFT (OPTICAL)
|
|
|
|
Picard APPEARS.
|
|
|
|
PICARD
|
|
Troi.
|
|
|
|
TROI
|
|
Captain Picard.
|
|
|
|
PICARD
|
|
We registered a weakening of
|
|
ARMUS' energy while he was talking
|
|
to you. What was going on?
|
|
|
|
TROI
|
|
ARMUS is very needy, but he can't
|
|
deal with that. He denies his
|
|
rage. I confronted him with it.
|
|
That must have been when he
|
|
reacted.
|
|
|
|
Picard REACTS thoughtfully.
|
|
|
|
62 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit.
|
|
|
|
63 INT. MAIN BRIDGE
|
|
|
|
where Wesley anxiously works with Worf.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 45.
|
|
|
|
63 CONTINUED:
|
|
|
|
PICARD'S COM VOICE
|
|
Lieutenant Worf, I'm going to
|
|
try and break this impasse.
|
|
Monitor carefully.
|
|
|
|
WORF
|
|
Aye sir.
|
|
(to Wesley)
|
|
Set the computer. When the energy
|
|
level reaches two point six point
|
|
two-oh-five, automatically beam
|
|
up Troi and Prieto. We'll do a
|
|
parallel transport of the
|
|
captain.
|
|
|
|
64 EXT. VAGRA - NEAR ARMUS (OPTICAL)
|
|
|
|
The captain MATERIALIZES and faces ARMUS.
|
|
|
|
PICARD
|
|
How long have you been on this
|
|
planet?
|
|
|
|
ARMUS
|
|
Since they left.
|
|
|
|
PICARD
|
|
Someone was here before?
|
|
|
|
ARMUS
|
|
Long ago.
|
|
|
|
PICARD
|
|
They abandoned you. Who were
|
|
they?
|
|
|
|
ARMUS
|
|
A race of titans. So they
|
|
thought. Together, they perfected
|
|
a method of bringing to the
|
|
surface all that was evil and
|
|
negative within them. All this
|
|
erupted on the outside, spread,
|
|
and connected. In time, it formed
|
|
a second skin, dank and vile.
|
|
They found a way to rid themselves
|
|
of it, leaving them free of the
|
|
bonds of destructiveness. Then
|
|
they left. And here I am.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 46.
|
|
|
|
64 CONTINUED:
|
|
|
|
PICARD
|
|
It must be very lonely.
|
|
|
|
ARMUS
|
|
You cannot trick me by pretending
|
|
compassion, captain.
|
|
|
|
PICARD
|
|
Haven't you seen we humans are
|
|
capable of compassion?
|
|
|
|
ARMUS
|
|
Oh, yes. It is revolting. Time
|
|
and again you rise from despair
|
|
into hope. From hate into
|
|
understanding. From aloneness
|
|
into love. But you are puny.
|
|
Weak. Vessels that die from a
|
|
flick of my power.
|
|
|
|
PICARD
|
|
But our spirit soars. A great
|
|
poet once said "all spirits are
|
|
enslaved which serve things evil."
|
|
|
|
ARMUS
|
|
Picard, it is impossible for you
|
|
to accept that I am truly evil.
|
|
|
|
PICARD
|
|
Because you are not.
|
|
|
|
ARMUS
|
|
I am a skin of evil.
|
|
|
|
PICARD
|
|
Nothing in the universe is the
|
|
same as anything else -- but
|
|
everything has light and dark.
|
|
|
|
ARMUS is SILENT.
|
|
|
|
PICARD
|
|
(continuing)
|
|
They did not leave you because
|
|
they hated you. They didn't
|
|
understand you.
|
|
|
|
ARMUS
|
|
You don't know that.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 47.
|
|
|
|
65 EXT. THE SHROUD (OPTICAL) (INTERCUT AS NEEDED)
|
|
|
|
Picard moves back a little bit from the shroud. The
|
|
next actions happen almost simultaneously.
|
|
|
|
WORF
|
|
(checking his readings)
|
|
Energy shields are way down!
|
|
Computer is beginning transport.
|
|
|
|
65A INT. THE SHUTTLECRAFT (OPTICAL)
|
|
|
|
Ben and Troi begin the BEAM UP.
|
|
|
|
65B EXT. THE SHROUD
|
|
|
|
as Picard begins to BEAM UP. The ARMUS REACTS slightly
|
|
late. All he can do is lean back his head and SHRIEK.
|
|
He's been left again.
|
|
|
|
66 EXT. SHUTTLECRAFT (OPTICAL)
|
|
|
|
As the Enterprise uses PINPOINT PHASER POWER TO
|
|
completely DESTROY THE SHUTTLE.
|
|
|
|
67 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it LEAVES ORBIT of Vagra 2.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. The
|
|
shuttlecraft has been destroyed
|
|
to prevent any possibility of
|
|
Armus leaving the planet. Vagra
|
|
2 has been declared an off-limits
|
|
planet, but the damage has been
|
|
done. One of the saddest duties
|
|
I have to perform is ahead of me.
|
|
|
|
68 INT. ENTERPRISE - PASTORAL AREA (OPTICAL)
|
|
|
|
It is set up as a kind of glade, filled with people
|
|
who loved Tasha. The bridge crew FILES IN, one by one.
|
|
Beverly ENTERS first. Troi is pale, and weak, but
|
|
recovering. She leans on Riker, whose face still shows
|
|
some effects of the shroud. Geordi and Worf COME IN,
|
|
followed by Data. Wesley is leading them to their
|
|
assigned seats.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 48.
|
|
|
|
68 CONTINUED:
|
|
|
|
WESLEY
|
|
(to Data)
|
|
This is where you're supposed to
|
|
sit.
|
|
|
|
DATA
|
|
Why?
|
|
|
|
WESLEY
|
|
I don't know. The captain gave
|
|
me a seating plan.
|
|
|
|
He sits down next to his mother, who smiles at him and
|
|
puts her arm around him. He moves in closer to her,
|
|
needing her comfort. Picard goes to the front.
|
|
Everything is quiet.
|
|
|
|
PICARD
|
|
We are here together to honor our
|
|
friend and comrade Lieutenant
|
|
Natasha Yar. We will have much
|
|
time to grieve for her in the days
|
|
ahead, but for now, she has asked
|
|
that we celebrate her life -- with
|
|
her. She has left a living will.
|
|
|
|
He moves to sit in his assigned seat in the middle of
|
|
the front row. The LIGHTS DIM. And as a HOLOGRAPHIC
|
|
IMAGE OF TASHA APPEARS in front of the group, there are
|
|
gasps of surprise -- each of the bridge crew REACTS to
|
|
the Image in front of them.
|
|
|
|
TASHA
|
|
Welcome, my friends. You are here
|
|
now watching this image of me
|
|
because I have died. It probably
|
|
happened while I was on duty, and
|
|
quickly, which is what I expected,
|
|
and what I wanted. Never forget
|
|
I died doing exactly what I chose
|
|
to do.
|
|
|
|
As Tasha speaks, she looks out at the gathering as if
|
|
she's really a part of it.
|
|
|
|
TASHA
|
|
(continuing)
|
|
What I want you to know is how
|
|
much I loved my life... and each
|
|
of you who shared it with me.
|
|
You are my "family."
|
|
(MORE)
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 49.
|
|
|
|
68 CONTINUED: (2)
|
|
|
|
TASHA (Cont'd)
|
|
Whoever I was before Starfleet,
|
|
where I came from, isn't
|
|
important. I have been blessed
|
|
with your friendship and your
|
|
love.
|
|
|
|
She looks directly at Riker.
|
|
|
|
TASHA
|
|
(continuing)
|
|
Will Riker, you are the best.
|
|
From the moment you beamed on
|
|
board, you never failed me. You
|
|
trusted me, you encouraged me
|
|
and most of all, you made me
|
|
laugh.
|
|
|
|
She smiles right at him and he can't help but smile
|
|
back. Troi holds his hand tightly.
|
|
|
|
TASHA
|
|
(continuing; looking
|
|
at Troi)
|
|
Deanna... you are capable of so
|
|
much love, you taught me without
|
|
ever having to say a word. I
|
|
realized I could be feminine
|
|
without losing anything --
|
|
something I never thought I could
|
|
achieve.
|
|
|
|
Troi wipes a tear from her cheek.
|
|
|
|
TASHA
|
|
(continuing; looking
|
|
at Worf)
|
|
Ah, Worf. I hope for your sake
|
|
I met death with my eyes open.
|
|
We are so much alike, you and
|
|
I, both warriors, orphans who
|
|
found ourselves this family.
|
|
|
|
Worf stares at her image, unbelieving and pained.
|
|
|
|
TASHA
|
|
(continuing; to Beverly)
|
|
My friend, Beverly. True to
|
|
yourself, your ideals. Your
|
|
fierce devotion comes from within.
|
|
It can't be diminished. From
|
|
you I have learned to strive for
|
|
excellence, no matter what the
|
|
personal cost.
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 50.
|
|
|
|
68 CONTINUED: (3)
|
|
|
|
Beverly and Wesley hold tight to each other.
|
|
|
|
TASHA
|
|
(continuing; to Wesley)
|
|
Wesley, I'm sorry that I won't
|
|
be able to see you grow into the
|
|
exceptional man you'll be. But
|
|
I have my vision of who you are
|
|
and your kindness and innocence
|
|
is ageless.
|
|
|
|
The Tasha hologram turns to face Geordi. Who knows how
|
|
he sees her in this half-state?
|
|
|
|
TASHA
|
|
(continuing)
|
|
Geordi, in those moments I felt
|
|
the most despair, you took my hand
|
|
and made everything better. Your
|
|
innate joy taught me to look
|
|
beyond the moment.
|
|
|
|
Geordi looks down -- he can't bear to see/not see her.
|
|
|
|
TASHA
|
|
(continuing)
|
|
Mister Data. Android...
|
|
automaton... robot.
|
|
(shakes her head)
|
|
No. You see things with the
|
|
wonder of a child, and that makes
|
|
you more human than any of us.
|
|
I love you just the way you are.
|
|
|
|
The Tasha image turns to Picard.
|
|
|
|
TASHA
|
|
(continuing)
|
|
Captain Jean-Luc Picard. I can't
|
|
say you've been like a father to
|
|
me, because I never had one and
|
|
I don't know what it feels like.
|
|
But if I could choose someone in
|
|
this universe to be like, someone
|
|
who I would want to make proud
|
|
of me, it's you. You who have
|
|
the heart of an explorer and the
|
|
soul of a poet. So you will
|
|
understand when I say "Death is
|
|
that state in which one exists
|
|
only in the memory of others...
|
|
which is why it is not an end."
|
|
(MORE)
|
|
|
|
STAR TREK: "The Shroud" - 2/1/88 - ACT FIVE 51.
|
|
|
|
68 CONTINUED: (4)
|
|
|
|
TASHA (Cont'd)
|
|
(beat)
|
|
No good-byes. Just "au revoir,"
|
|
my friends.
|
|
|
|
Picard waits a moment, and as Tasha's IMAGE FADES:
|
|
|
|
PICARD
|
|
Au revoir, Natasha.
|
|
|
|
He gets up before the group.
|
|
|
|
PICARD
|
|
(continuing)
|
|
The service is concluded.
|
|
|
|
As everyone FILES OUT, Data gets up and WALKS OVER to
|
|
where the Tasha image was standing. He looks puzzled.
|
|
Picard WALKS OVER to him.
|
|
|
|
DATA
|
|
Sir, the purpose of this gathering
|
|
has eluded me.
|
|
|
|
PICARD
|
|
Oh? How so?
|
|
|
|
DATA
|
|
My thoughts are not for Tasha,
|
|
but for myself. I keep thinking
|
|
how empty it will feel without
|
|
her presence. I missed the point.
|
|
|
|
PICARD
|
|
No, you didn't, Data. You got
|
|
it.
|
|
|
|
Picard TURNS AND WALKS OFF. WE PULL BACK, leaving Data
|
|
alone.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|