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1 line
66 KiB
Plaintext
Executable File
1 line
66 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"The Survivors"
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(f.k.a. "The Veiled Planet")
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#40273-151
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Written by
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Michael Wagner
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1989 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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REVISED FINAL DRAFT
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JULY 31, 1989
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STAR TREK: "The Survivors" - 7/31/89 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Survivors"
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CAST
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PICARD KEVIN UXBRIDGE
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RIKER RISHON UXBRIDGE
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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WESLEY
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Non-Speaking
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SUPERNUMERARIES
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MEDICAL ASSISTANTS
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STAR TREK: "The Survivors" - 7/31/89 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Survivors"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM WARSHIP
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SICKBAY
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TRANSPORTER ROOM PHOBOS IX
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TROI'S QUARTERS UXBRIDGE HOUSE
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CORRIDOR
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TURBOLIFT
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OBSERVATION LOUNGE
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UXBRIDGE HOUSE
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LIVING ROOM
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STAR TREK: "The Survivors" - 8/3/89 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"The Survivors"
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PRONUNCIATION GUIDE
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RANA FOUR RAW-nuh
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HUSNOCK huss-KNOCK
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STAR TREK: "The Survivors" - REV. 8/3/89 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"The Survivors"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The Enterprise is entering a star system at impulse
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speed.
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PICARD (V.O.)
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Captain's log, Stardate 43042.3.
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We are cautiously entering the
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Delta Rana star system three
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days after receiving a distress
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call from the Federation colony
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on its ninth planet.
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2 INT. MAIN BRIDGE
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WORF, DATA and WESLEY are at their stations. PICARD
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and RIKER have their eyes on the Main Viewer. BEVERLY
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and TROI are present as advisors. The entire ship is
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on alert, ready for anything.
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PICARD (V.O.)
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The garbled transmission reported
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the colony under attack from an
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unidentified spacecraft. Our
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mission is one of rescue and --
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if necessary -- confrontation with
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a hostile force.
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RIKER
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Shields up, maximum strength.
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WORF
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Shields up.
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(studying)
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Sensors do not indicate the
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presence of any armed space
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vehicles operating in the Rana
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system.
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PICARD
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They could be cloaked or otherwise
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shielded.
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(MORE)
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STAR TREK: "The Survivors" - REV. 8/4/89 - TEASER 2.
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2 CONTINUED:
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PICARD (Cont'd)
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Mister Crusher, bring us in well
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clear of the planet's three moons.
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WESLEY
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Aye, sir.
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DATA
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Commander, I am not receiving
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Rana Four's call sign.
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RIKER
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Open a frequency to Colony
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Operations.
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Data does as told. The results are negative.
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DATA
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There is no response. Rana Four
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is emissions quiet.
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Troi is also having trouble with her specialty.
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TROI
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Captain, there are eleven thousand
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inhabitants in the colony. At
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this range I should be feeling
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something.... I'm not.
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PICARD
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Mister Data, put the planet
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on the Main Viewer.
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3 ANGLE - MAIN VIEWER (OPTICAL)
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The planet of Rana IV slowly grows into being on the
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Main Viewer.
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PICARD
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Magnify.
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The screen magnifies. It is immediately obvious that
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the planet has sustained catastrophic damage. The
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crew of the Enterprise is mortified.
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BEVERLY
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My God...
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RIKER
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Helm, put us in a high equatorial
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orbit. Scan for survivors.
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STAR TREK: "The Survivors" - REV. 8/4/89 - TEASER 3.
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3 CONTINUED:
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BEVERLY
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Survivors? Down there?
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DATA
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Sensors are scanning ninety
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degrees of longitude as we orbit.
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I am detecting no artificial
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structures, no vegetation, no
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bodies of water...
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WORF
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Lifeform readings are negative.
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TROI
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Could the colonists have escaped?
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DATA
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That is unlikely. Rana Four
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possessed no interstellar
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spacecraft.
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RIKER
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Who could cause devastation on
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such a scale?
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Suddenly Wesley is calling out in great excitement --
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WESLEY
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Hold it -- hold it! I'm getting
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something at thirty-seven degrees
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north, sixty-two degrees east --
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a structure!
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PICARD
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(hopeful)
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Life?
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WORF
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Two lifeforms. Possibly human.
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PICARD
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Put the area on the Main Viewer
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and magnify.
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STAR TREK: "The Survivors" - REV. 8/2/89 - TEASER 4.
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4 ANGLE - MAIN VIEWER (OPTICAL)
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The Main Viewer shows an incredible sight: an extreme
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aerial SHOT of a six square acre plot of unscathed
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land; an incongruous patch of green surrounded by a sea
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of devastation. The crew of the Enterprise is stunned.
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DATA
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The structure is located at the
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center of the vegetation.
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RIKER
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(disbelieving)
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An entire planet obliterated...
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except for a few acres of trees
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and grass... and one building?
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BEVERLY
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It's some kind of illusion...
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DATA
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Negative. It is as you see it.
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Picard takes a beat to think about this. But he can't
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explain it.
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PICARD
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Number One, I think you had better
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see who's home...
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FADE OUT.
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END OF TEASER
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STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 5.
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ACT ONE
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FADE IN:
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5 EXT. SPACE - THE ENTERPRISE AND RANA (OPTICAL)
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The Enterprise orbits Rana IV.
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6 INT. CORRIDOR
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Picard with Troi and Beverly walk toward the
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Transporter Room. He is consulting with them on the
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two occupants of the structure on Rana IV.
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BEVERLY
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If they're the only survivors
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of a global holocaust, they can't
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be in very good shape.
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PICARD
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(to Troi)
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Counselor... ?
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They pause at the entrance to the Transporter Room.
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Troi is vague and uncomfortable with her reading.
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TROI
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What I sense of them is human...
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PICARD
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And something else... ?
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TROI
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(hesitates)
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It's difficult to explain... I
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feel these two people are
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somehow... different.
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(apologetic)
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I'm sorry. I cannot be any
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clearer than that.
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Riker EXITS the Transporter Room and joins them. Says
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to Picard, indicating the room --
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RIKER
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We're ready.
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STAR TREK: "The Survivors" - REV. 8/4/89 - ACT ONE 6.
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7 INT. TRANSPORTER ROOM (OPTICAL)
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Data, Worf and GEORDI are in position on the pad.
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Riker and Beverly join them. Picard and Troi observe.
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PICARD
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Good luck, Number One.
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RIKER
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Energize...
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The away team DEMATERIALIZES.
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CUT TO:
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8 EXT. RANA IV - ESTABLISHING SHOT - HOUSE - DAY
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(OPTICAL)
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The house, a typical twenty-fourth century colonial structure,
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stands alone on its plot of trees and grass surrounded
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on all sides by scorched earth. There is no sign of
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life, inside or out.
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9 ANGLE ON FRONT OF HOUSE (OPTICAL)
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As the away team MATERIALIZES in the protection of a
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grove of trees near the house's front door. Riker
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wants an instant survey.
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RIKER
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What can you tell me?
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GEORDI
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The house is a typical settlement
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structure with adaptations. Its
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thermal properties all seem to
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conform to known materials.
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DATA
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If there are indicators as to why
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this particular area has remained
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intact, I cannot detect them.
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RIKER
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Worf, the interior of the house.
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Worf is already scanning it with his tricorder. (NOTE:
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The interior of the house is dark.)
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STAR TREK: "The Survivors" - 7/31/89 - ACT ONE 7.
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9 CONTINUED:
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WORF
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One individual is located at the
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south end of the house, the other
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toward the north. There is a
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weapon -- a low-yield phaser,
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nonfunctional -- in proximity to
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the front-room individual.
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Riker considers all of this.
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RIKER
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I guess a frontal assault is
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unwarranted. Stay here. I'm
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going to try an old-fashioned
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knock on the door.
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10 NEW ANGLE - RIKER
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Riker leaves the cover of the trees and moves toward
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the house. Suddenly Geordi sees something --
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GEORDI
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Commander, there's a --
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Too late. Riker steps into a concealed snare that
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hauls him up into a tree by one foot. The others leave
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cover to help him. The noise and confusion is
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considerable.
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11 ANGLE - FRONT DOOR OF HOUSE
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An elderly man, KEVIN UXBRIDGE, comes cautiously out
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of the house, holding the phaser.
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KEVIN
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Who's there? Who are you people?
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The away team stops in its effort to get Riker down
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and faces the threat. Riker, still hanging, has the
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presence to respond.
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RIKER
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Commander William Riker, USS
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Enterprise, and crewmembers. May
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I get down and approach you, sir?
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Data and Geordi go back to helping Riker.
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KEVIN
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You leave him right where he is.
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STAR TREK: "The Survivors" - 7/31/89 - ACT ONE 8.
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11 CONTINUED:
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WORF
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(to Riker)
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Commander, shall I incapacitate
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him?
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RIKER
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No.
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(to Kevin)
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We're a rescue party. We picked
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up your colony's distress call
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and came as fast as we could.
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Just then an elderly woman, RISHON UXBRIDGE, appears
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at the front door. While Kevin is a naturally
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suspicious person, she is naturally trustful. She is
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thrilled to see the rescuers. She gently scolds Kevin.
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RISHON
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Kevin, what are you doing? Can't
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you see they're here to help us?
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Can't you see they're human?
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KEVIN
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(to Rishon)
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Stay in the house, Rishon. It
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could be some kind of trick.
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12 ANGLE - AWAY TEAM
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As Rishon ignores Kevin and approaches the away team.
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There are tears of joy in her eyes. Riker slips down
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out of the tree.
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RISHON
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We'd just about given up hope.
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We thought maybe the whole
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Federation had been attacked.
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BEVERLY
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Do you know of any other
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survivors?
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Rishon looks at her with desperate eyes.
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RISHON
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It's been days since we've seen
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or heard anybody else...
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(off Beverly's look)
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Please, no -- don't tell me we're
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the only ones...
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STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 9.
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12 CONTINUED:
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Kevin tries to comfort Rishon. He says to Riker in a
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shaky tone of voice --
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KEVIN
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They came in a spaceship so big
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you could see it up in orbit.
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They took our world apart piece
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by piece.
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RIKER
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Who?
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KEVIN
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We don't know. We never saw
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their faces.
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RIKER
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You don't know where they came
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from -- where they are now?
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KEVIN
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(shakes head)
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I guess they've gone away.
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Beverly takes out her medical tricorder and scans the
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couple. They react. Beverly is apologetic.
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BEVERLY
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I'm sorry. I'm only performing
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a physical. Could I have your
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names please -- for the record.
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RISHON
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I'm Rishon Uxbridge... and this
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is my husband Kevin.
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Data joins them with --
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DATA
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Botanists. Originally from the
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aquatic city New Martim Vaz in
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the Atlantic Ocean on Earth.
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Residents of the Rana Four
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colony for five years.
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(to Rishon; a smile)
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You, ma'am, are eighty-two years
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of age and a composer of
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Tao-classical music.
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(MORE)
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STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 10.
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12 CONTINUED: (2)
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DATA (Cont'd)
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(to Kevin)
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You, sir, are eighty-five years
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of age and a specialist in
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symbiotic plantlife. You have
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been married fifty-three years.
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The couple stare at Data in amazement. So does the
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rest of the away team. He explains --
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DATA
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(continuing)
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I memorized the colony register
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on the way to Rana in the event
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such information was needed.
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13 ANGLE - RIKER
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Riker moves away from the others to study the house
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up close. Kevin leaves Rishon to follow him.
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KEVIN
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Is something wrong?
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RIKER
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Your house -- with your permission
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I'd like to look inside.
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KEVIN
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Why? What could interest you
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in there?
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RIKER
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Mister Uxbridge, as far as we've
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been able to determine, you and
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your wife -- and this house --
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are all that survived the attack.
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It was either a bizarre
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coincidence or by design. I
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don't favor the coincidence
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theory.
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KEVIN
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(confused)
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Are you saying we were left alive
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intentionally?
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RIKER
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(hesitant)
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Yes.
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STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 11.
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13 CONTINUED:
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KEVIN
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I don't understand. You don't
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think Rishon and I did something
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to merit our survival, do you?
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I mean, betrayed the others... ?
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RIKER
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I'm not accusing you of anything,
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Mister Uxbridge. The attacking
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force spared you for some reason.
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We're only trying to find out why.
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(indicates house)
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May I look inside... ?
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KEVIN
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(numb; bewildered)
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I said you could.
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14 INT. HOUSE - LIVING ROOM
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As Riker ENTERS. The interior is as normal as a twenty-
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fourth century colonial interior can be. There are elements
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of Rishon, elements of Kevin. Nothing to indicate that
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they are bad people. The rest of the away team follows
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Riker in. They spread out.
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15 ANGLE - RISHON AND KEVIN
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Rishon and Kevin ENTER the house. Rishon is determined
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to make her rescuers welcome. She heads for the
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kitchen with --
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RISHON
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I'll make a cup of tea for
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everyone. We have wonderful tea
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on Rana. It grows wild nearly
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everywhere...
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She suddenly realizes Rana IV and its tea are gone
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forever; she can't finish. She hurries away to the
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kitchen. Kevin watches her go. Worf approaches him
|
|
and makes an honest attempt to cheer him up.
|
|
|
|
WORF
|
|
Sir, may I say that your attempt
|
|
to hold our away team at bay with
|
|
a nonfunctioning weapon was an
|
|
act of unmitigated gall.
|
|
|
|
Kevin looks at the phaser that he's still holding.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/10/89 - ACT ONE 12.
|
|
|
|
15 CONTINUED:
|
|
|
|
KEVIN
|
|
Didn't fool you, huh?
|
|
|
|
WORF
|
|
(rare smile)
|
|
I admire gall.
|
|
|
|
Geordi joins them. He too is interested in Kevin.
|
|
|
|
GEORDI
|
|
Excuse me. Out front -- that
|
|
was about the best job of
|
|
concealing a snare that I've ever
|
|
seen. Could you tell me what it
|
|
was for?
|
|
|
|
KEVIN
|
|
Got a local critter that's
|
|
developed a taste for what's in
|
|
the garden.
|
|
(sad realization)
|
|
Guess I should've dismantled it.
|
|
Guess I don't have to worry about
|
|
him anymore.
|
|
|
|
He happens to look across the room and see --
|
|
|
|
16 ANGLE - DATA
|
|
|
|
Data has wandered to a small table where an ornate
|
|
MUSIC BOX sits. He studies the music box. Just then
|
|
Rishon emerges from the kitchen and moves toward a
|
|
cupboard where her tea service is stored. She sees
|
|
Data looking at the music box.
|
|
|
|
RISHON
|
|
Go ahead. Pick it up. It's a
|
|
music box. It's been in my
|
|
family for generations.
|
|
|
|
17 TIGHT ON MUSIC BOX
|
|
|
|
Data carefully lifts the box. (NOTE: any convenient
|
|
waltz music will do for the music.) A few bars and we:
|
|
|
|
SMASH CUT TO:
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 13.
|
|
|
|
18 INT. ENTERPRISE - TROI'S QUARTERS - CLOSE ON TROI
|
|
|
|
Troi is going about her normal daily routine inside
|
|
her quarters. Suddenly she comes alert as if hearing
|
|
something. We realize she is hearing the music from
|
|
the music box in her head (although she doesn't know
|
|
this)! And it stays, playing over and over...
|
|
|
|
19 BACK TO LIVING ROOM - RIKER AND BEVERLY
|
|
|
|
Riker and Beverly are consulting with each other near
|
|
the front door. Riker is at a lost to explain the
|
|
riddle of the house and Kevin and Rishon.
|
|
|
|
RIKER
|
|
I've been in every room. There's
|
|
nothing unusual about this house
|
|
except that it's here. What about
|
|
them?
|
|
|
|
BEVERLY
|
|
They're in reasonably good health.
|
|
Both show signs of mental stress.
|
|
Understandable considering what
|
|
they've been through.
|
|
|
|
RIKER
|
|
(mystified)
|
|
But somehow they're different.
|
|
|
|
Riker looks o.s. in the direction of Rishon (with
|
|
Data).
|
|
|
|
RIKER
|
|
(continuing)
|
|
Let's get back to the ship. We'll
|
|
take them with us.
|
|
|
|
20 ANGLE - RISHON AND DATA
|
|
|
|
As the music in the music box runs down. Data smiles.
|
|
Just then, Riker interrupts them.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Excuse, Mrs. Uxbridge. We have
|
|
to return to the ship now.
|
|
|
|
RISHON
|
|
Commander, I haven't finished
|
|
fixing your tea --
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT ONE 14.
|
|
|
|
20 CONTINUED:
|
|
|
|
RIKER
|
|
I'm sorry, but we're finished
|
|
here. We can give you and Kevin
|
|
time to pack. You can bring as
|
|
much as you want.
|
|
|
|
Rishon gives him a look of astonishment. Kevin appears
|
|
at her side and give Riker the same look.
|
|
|
|
RISHON
|
|
What do you mean pack?
|
|
|
|
KEVIN
|
|
You're not thinking of taking us
|
|
with you, are you?
|
|
|
|
RIKER
|
|
(surprised)
|
|
Surely you don't want to remain
|
|
here. How will you take care of
|
|
yourselves?
|
|
|
|
RISHON
|
|
(to Kevin; frightened)
|
|
Kevin, I can't leave my home!
|
|
Don't let them do this to us.
|
|
|
|
KEVIN
|
|
No one's going to make us leave.
|
|
|
|
RIKER
|
|
You'll be protected on the ship.
|
|
You could still be in danger on
|
|
Rana.
|
|
|
|
KEVIN
|
|
Commander, we appreciate your
|
|
concern but we're not going
|
|
anywhere. We'll manage. We
|
|
always have.
|
|
|
|
Riker thinks for a beat. These two people are beyond
|
|
his understanding. And he's concerned about them.
|
|
|
|
RIKER
|
|
All right. I can't make you come
|
|
with us. Are you familiar with
|
|
one of these... ?
|
|
|
|
Riker hands Rishon his communicator. She nods.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT ONE 15.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
RIKER
|
|
(continuing)
|
|
We'll remain in this system for
|
|
the next several days at least.
|
|
If you should reconsider, please
|
|
contact us.
|
|
|
|
RISHON
|
|
We'll be fine, Commander. We have
|
|
each other...
|
|
|
|
We HOLD a moment on Riker's troubled expression before
|
|
we --
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
21 EXT. SPACE - THE ENTERPRISE AND RANA IV (OPTICAL)
|
|
|
|
The Enterprise keeps orbit around the shattered planet.
|
|
|
|
22 INT. OBSERVATION LOUNGE - FAVORING PICARD
|
|
|
|
Picard is in the middle of debriefing Riker, Beverly,
|
|
Geordi and Data. Troi is there as a consultant -- but
|
|
she seems distant, lost in thought, troubled (because
|
|
the song is still playing in her mind). All are seated
|
|
at the table except Picard who paces with controlled
|
|
energy.
|
|
|
|
PICARD
|
|
Are they collaborators? Did they
|
|
in fact provide their colony's
|
|
assailants with something that
|
|
abetted the total destruction of
|
|
Rana Four in order to protect
|
|
their own lives?
|
|
|
|
Beverly is skeptical.
|
|
|
|
BEVERLY
|
|
What could two botanists in their
|
|
eighties possess that could
|
|
possibly aid whoever attacked this
|
|
planet?
|
|
|
|
PICARD
|
|
We have no idea what the enemy
|
|
needed, Doctor. Love, fear, hope
|
|
-- a cup of tea. It is a strange
|
|
universe we live in.
|
|
|
|
GEORDI
|
|
Maybe they're being held hostage
|
|
in some fashion.
|
|
|
|
BEVERLY
|
|
Nothing in the tricorder readings
|
|
indicated emotional stress.
|
|
|
|
PICARD
|
|
(looks to Troi)
|
|
Counselor... ?
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 17.
|
|
|
|
22 CONTINUED:
|
|
|
|
All eyes turn to Troi. But she hasn't heard Picard.
|
|
She is lost in her own thoughts. Picard has to repeat
|
|
--
|
|
|
|
PICARD
|
|
(continuing)
|
|
Counselor Troi... ?
|
|
|
|
TROI
|
|
(coming awake)
|
|
I'm sorry... I can't sense them
|
|
well enough...
|
|
|
|
Picard gives her a quizzical look. Suddenly from Geordi
|
|
--
|
|
|
|
GEORDI
|
|
Specimens...
|
|
(off their looks)
|
|
Maybe they've been preserved as
|
|
specimens... pets... trophies...
|
|
exhibits in a zoo...
|
|
|
|
PICARD
|
|
(thinks)
|
|
No. The assailants would have
|
|
picked someone younger for that,
|
|
someone who would have given them
|
|
a proper show for their money.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 18.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
Picard looks at Riker --
|
|
|
|
PICARD
|
|
(continuing)
|
|
Number One, you say the couple
|
|
is incapable of sustaining
|
|
themselves?
|
|
|
|
RIKER
|
|
There's a fusion reactor in the
|
|
house, probably good for another
|
|
five years of power. But their
|
|
watertable is tainted and they
|
|
have no way of feeding themselves
|
|
other than a small garden.
|
|
|
|
PICARD
|
|
They won't come to the ship?
|
|
|
|
RIKER
|
|
They were adamant.
|
|
|
|
Picard considers all that he's heard for a beat.
|
|
|
|
PICARD
|
|
We'll do all that we can to help
|
|
them... but in the meantime I want
|
|
them kept under surveillance.
|
|
|
|
Suddenly Troi, looking pale and drawn, stands up to
|
|
leave.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Counselor, is something wrong?
|
|
|
|
TROI
|
|
I'm sorry... I don't feel well.
|
|
I would like to go to my
|
|
quarters...
|
|
|
|
PICARD
|
|
By all means.
|
|
|
|
BEVERLY
|
|
Is there anything I can do?
|
|
|
|
Troi shakes her head and leaves the room without
|
|
another word. Picard watches her go, concerned. The
|
|
others too.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 19.
|
|
|
|
23 INT. CORRIDOR - ON PICARD
|
|
|
|
Picard walks alone, moving toward a turbolift. He is
|
|
intercepted by Worf.
|
|
|
|
WORF
|
|
Captain, a search of the Ranian
|
|
system has determined that the
|
|
hostile force that attacked this
|
|
planet is no longer present.
|
|
|
|
PICARD
|
|
I remember a Starfleet admiral
|
|
saying the same thing about some
|
|
renegade Andorians in the
|
|
Triangulum system once. The truth
|
|
was they'd dismantled their ship
|
|
and hidden it.
|
|
|
|
WORF
|
|
(chest out)
|
|
Those Andorians did not have to
|
|
contend with someone of my
|
|
thoroughness. I will stake my
|
|
reputation.
|
|
|
|
Picard believes him. The turbolift arrives and Picard
|
|
steps in.
|
|
|
|
CUT TO:
|
|
|
|
24 INT. TROI'S QUARTERS - TROI
|
|
|
|
Troi is on her bed, fully clothed, trying to sleep.
|
|
She looks strained, tired. From her actions we know
|
|
the song is still playing in her head. She tosses and
|
|
turns. Sleep is impossible. She sits on the bed and
|
|
rubs her face. She stands and paces. She puts her
|
|
hands over her ears as if the song could be stopped
|
|
that way. Nothing works. She talks to herself.
|
|
|
|
TROI
|
|
Don't listen... think of something
|
|
else...
|
|
|
|
Nothing works. She sits in a chair and pulls at her
|
|
hair. She stands again.
|
|
|
|
TROI
|
|
(continuing)
|
|
Stop... please stop!
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 20.
|
|
|
|
24 CONTINUED:
|
|
|
|
Suddenly there is a soft knock (chimes?) at her door.
|
|
She jumps at the sound. Collects herself --
|
|
|
|
TROI
|
|
(continuing)
|
|
Yes --
|
|
|
|
25 INCLUDE PICARD
|
|
|
|
Picard ENTERS the room. He sees Troi's condition and
|
|
knows something must be wrong.
|
|
|
|
PICARD
|
|
I was concerned. I came to see
|
|
if I could be of any help.
|
|
|
|
TROI
|
|
I'm fine. There's nothing wrong.
|
|
I'm tired, that's all.
|
|
|
|
Picard doesn't believe her. He goes up to her for a
|
|
closer look. She shies away.
|
|
|
|
PICARD
|
|
I don't have your gift for reading
|
|
emotions, Counselor, but I can
|
|
tell when someone is in pain and
|
|
hiding it.
|
|
|
|
Troi starts to lie to him again, then decides to tell
|
|
the truth.
|
|
|
|
TROI
|
|
It's silly... I... I hear music.
|
|
Music that won't stop. In my
|
|
mind.
|
|
|
|
PICARD
|
|
(thinks he understands)
|
|
Perhaps it's a symptom of
|
|
fatigue. We've all been inflicted
|
|
one time or another with the song
|
|
that wouldn't quit.
|
|
|
|
TROI
|
|
No... it's deeper than that. The
|
|
song never stops for an instant.
|
|
It plays in perfect clarity from
|
|
beginning to end over and over
|
|
again.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 20A.
|
|
|
|
25 CONTINUED:
|
|
|
|
TROI (Cont'd)
|
|
I don't even know what song it
|
|
is -- I've never heard it before!
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 21.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
PICARD
|
|
When did this start?
|
|
|
|
TROI
|
|
A few hours ago. While the away
|
|
team was on the surface. I was
|
|
trying to... I was thinking of
|
|
Rishon and Kevin...
|
|
|
|
PICARD
|
|
Rishon and Kevin... And?
|
|
|
|
TROI
|
|
(shakes head)
|
|
I can't explain. They're elusive.
|
|
They're... I'm sorry...
|
|
|
|
Picard doesn't want to push her.
|
|
|
|
PICARD
|
|
Get some rest. Take the necessary
|
|
sleep inducements if you have to.
|
|
|
|
Troi gives him a weak nod. She'll try... but she isn't
|
|
hopeful. And suddenly Red Alert is sounding through
|
|
the ship.
|
|
|
|
CUT TO:
|
|
|
|
26 INT. MAIN BRIDGE
|
|
|
|
Riker is manning the bridge along with Data, Worf,
|
|
Wesley and various SUPERNUMERARIES.
|
|
|
|
RIKER
|
|
Data, give us a visual.
|
|
Magnfication factor fifty.
|
|
|
|
27 INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
We see the gleaming hull of an immense and
|
|
deadly-looking spaceship approaching Rana IV. We
|
|
don't need to be told it's the ship that attacked the
|
|
planet only weeks ago.
|
|
|
|
28 INCLUDE PICARD (OPTICAL)
|
|
|
|
Picard ENTERS the bridge and takes one look at the
|
|
approaching warship.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/4/89 - ACT TWO 22.
|
|
|
|
28 CONTINUED:
|
|
|
|
PICARD
|
|
Where did that come from?
|
|
|
|
RIKER
|
|
Apparently it was riding a
|
|
Lagrange point behind Rana
|
|
Four's furthest moon.
|
|
|
|
DATA
|
|
Our vehicle classification index
|
|
can put no identity to it. Its
|
|
design is completely foreign.
|
|
|
|
RIKER
|
|
But it's our boy -- roughly five
|
|
times our mass and carrying enough
|
|
armament to pulverize a planet.
|
|
|
|
PICARD
|
|
Lieutenant Worf... ?
|
|
|
|
WORF
|
|
(deeply ashamed)
|
|
I... cannot explain this, Captain.
|
|
|
|
RIKER
|
|
It's moving toward the planet.
|
|
|
|
PICARD
|
|
Open a hailing frequency, Data.
|
|
Ask them to identify themselves
|
|
and to match orbit with us.
|
|
|
|
Data goes through the routine.
|
|
|
|
DATA
|
|
They have received the message,
|
|
Captain, but are chosing to ignore
|
|
it.
|
|
|
|
PICARD
|
|
Worf, maximum shields, ready all
|
|
weapon systems.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 23.
|
|
|
|
29 OMITTED
|
|
|
|
30 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
On the Main Viewer, the warship is seen making a course
|
|
change to bring it to bear on the Enterprise.
|
|
|
|
RIKER
|
|
It's assuming an attack posture.
|
|
Don't be surprised if --
|
|
|
|
Riker doesn't have the chance to finish "if it fires on
|
|
us" because that's exactly what the warship does,
|
|
unleashing a wave of matter/anti-matter that strikes
|
|
the outer shields and shakes the Enterprise -- but
|
|
without causing any damage.
|
|
|
|
WORF
|
|
The vessel is firing jacketed
|
|
streams of positrons and
|
|
antiprotons, equivalent firepower
|
|
of forty megawatts. Shields are
|
|
holding.
|
|
|
|
The warship fires again. The Enterprise rocks again.
|
|
|
|
WORF
|
|
(continuing)
|
|
Again forty megawatts. No damage.
|
|
|
|
RIKER
|
|
(confident)
|
|
If that's as good as they can do,
|
|
this'll be over in five minutes.
|
|
|
|
PICARD
|
|
Worf, fire phasers... Just a
|
|
warning shot. Data, repeat the
|
|
order to stand to.
|
|
|
|
31 EXT. SPACE - THE ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
The Enterprise fires across the warship's nose. It
|
|
responds by moving into a higher orbit and heading
|
|
quickly away from the Enterprise and Rana IV.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT TWO 24.
|
|
|
|
32 INT. MAIN BRIDGE
|
|
|
|
The bridge crew is pleased to see the enemy turning
|
|
tail and running.
|
|
|
|
DATA
|
|
The vessel has assumed a course
|
|
out of the Rana system and is
|
|
rapidly increasing velocity.
|
|
|
|
PICARD
|
|
Helm, initiate pursuit.
|
|
|
|
WESLEY
|
|
(happily)
|
|
Aye, sir.
|
|
|
|
33 EXT. SPACE - THE ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
The Enterprise follows the warship away from Rana IV,
|
|
their velocities increasing.
|
|
|
|
34 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
All eyes are on the Main Viewer and the unknown
|
|
warship.
|
|
|
|
WESLEY
|
|
The vessel has reached warp two
|
|
and continues on a steady
|
|
acceleration curve. We aren't
|
|
getting any closer, Commander.
|
|
|
|
RIKER
|
|
Give us a superior curve, Mister
|
|
Crusher.
|
|
|
|
WESLEY
|
|
Warp three... warp four... The
|
|
warship is simultaneously matching
|
|
our curve point per point. Warp
|
|
four point five... warp five...
|
|
warp five point five...
|
|
|
|
RIKER
|
|
(glancing up)
|
|
Riker to La Forge. Give us
|
|
everything you can to close the
|
|
gap, Geordi.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/4/89 - ACT TWO 25.
|
|
|
|
34 CONTINUED:
|
|
|
|
GEORDI'S COM VOICE
|
|
Yes, sir. I'll get you to
|
|
Nine point three seven in fifteen
|
|
seconds.
|
|
|
|
35 EXT. SPACE - ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
The pursuit continues at a faster and faster pace...
|
|
still the Enterprise does not seem to be gaining.
|
|
|
|
36 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
It's obvious to everyone that the Enterprise isn't
|
|
gaining.
|
|
|
|
WESLEY
|
|
Warp eight point five... warp
|
|
eight point seven five... warp
|
|
nine... the warship continues to
|
|
match our acceleration curve
|
|
perfectly.
|
|
|
|
PICARD
|
|
I get the impression we're being
|
|
toyed with, Number One.
|
|
|
|
The idea of an endless chase doesn't appeal to Picard
|
|
in the slightest.
|
|
|
|
PICARD
|
|
(continuing)
|
|
This ship will not chase a pony
|
|
on a merry-go-round. Number One,
|
|
take us back to Rana Four.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT TWO 26.
|
|
|
|
36 CONTINUED:
|
|
|
|
RIKER
|
|
Back?
|
|
|
|
PICARD
|
|
We have unfinished business
|
|
there. I need to have a talk with
|
|
those two people.
|
|
|
|
Picard EXITS the bridge leaving Riker to guess exactly
|
|
what he means. Riker says to Wesley --
|
|
|
|
RIKER
|
|
Reduce speed. Bring us around
|
|
on a return course.
|
|
(under his breath)
|
|
This one's getting away...
|
|
|
|
37 OMITTED
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
38 EXT. SPACE - THE ENTERPRISE AND RANA IV (OPTICALL)
|
|
|
|
The Enterprise is once again in orbit around Rana IV.
|
|
|
|
39 OMITTED
|
|
|
|
40 EXT. RANA IV - FRONT OF HOUSE - DAY (OPTICAL)
|
|
|
|
Picard, Worf and a MATTER REPLICATOR MATERIALIZE in
|
|
front of the Uxbridge house. Rishon and Kevin are both
|
|
doing yard work. Both are naturally surprised at
|
|
Picard's appearance. Kevin looks genuinely upset.
|
|
Picard takes the initiative --
|
|
|
|
PICARD
|
|
Good afternoon. I apologize if
|
|
I startled you. I'm Jean-Luc
|
|
Picard, captain of the Enterprise.
|
|
(indicates replicator)
|
|
I've brought you something you
|
|
badly need if you're going to stay
|
|
on Rana -- a matter replicator.
|
|
It has limited capabilities, but...
|
|
|
|
Kevin and Rishon glance at the replicator without much
|
|
interest. Kevin interrupts --
|
|
|
|
KEVIN
|
|
Thank you. But we have no use
|
|
for such a thing.
|
|
|
|
PICARD
|
|
It will provide you with food
|
|
and clothing -- clean water.
|
|
Lieutenant Worf can instruct you
|
|
in its operation.
|
|
|
|
KEVIN
|
|
(to Worf; less polite)
|
|
We don't need it.
|
|
|
|
RISHON
|
|
Kevin, you know we do.
|
|
(to Picard)
|
|
Thank you, Captain.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 28.
|
|
|
|
40 CONTINUED:
|
|
|
|
RISHON (Cont'd)
|
|
Kevin and I were about to have
|
|
our afternoon tea. You and Mister
|
|
Worf must stay and have some with
|
|
us.
|
|
|
|
PICARD
|
|
We'd like that very much.
|
|
|
|
KEVIN
|
|
Rishon, they only want to spy on
|
|
us like this morning.
|
|
|
|
RISHON
|
|
Kevin, I've never turned away a
|
|
visitor to this house and I'm not
|
|
starting today.
|
|
(to Picard and Worf)
|
|
Please come in, both of you. And
|
|
excuse the mess...
|
|
|
|
HOLD ON Kevin's glare as Picard and Worf follow Rishon
|
|
to the house.
|
|
|
|
CUT TO:
|
|
|
|
41 INT. ENTERPRISE - TROI'S QUARTERS
|
|
|
|
Troi is nearly hysterical. Two of Beverly's MEDICAL
|
|
ASSISTANTS try to help.
|
|
|
|
TROI
|
|
Stop -- make it stop! Please,
|
|
I'll do anything -- make it stop!
|
|
|
|
Beverly ENTERS the room and is shocked and distressed
|
|
at Troi's appearance. Beverly goes to her, tries to
|
|
calm her.
|
|
|
|
BEVERLY
|
|
Deanna, please. I'm here to help.
|
|
|
|
TROI
|
|
It's getting louder! So loud...
|
|
I can't stand it -- make it stop!
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 29.
|
|
|
|
41 CONTINUED:
|
|
|
|
BEVERLY
|
|
Move her to the bed.
|
|
|
|
Troi settles down enough to allow the assistants to put
|
|
her down on the bed. Beverly takes out her medical
|
|
hypo and attempts to administer a sedative. Troi
|
|
shakes her head at the sight of the hypo.
|
|
|
|
BEVERLY
|
|
This will relax you.
|
|
|
|
Beverly injects her. Troi never relaxes for a second.
|
|
|
|
TROI
|
|
I hear it! It's still there!
|
|
It's so loud --
|
|
|
|
BEVERLY
|
|
(to assistants)
|
|
Move her to Sickbay.
|
|
|
|
Troi reacts with fright at this idea.
|
|
|
|
TROI
|
|
No! I want to stay in my
|
|
quarters.
|
|
|
|
BEVERLY
|
|
I can get you to sleep there.
|
|
|
|
TROI
|
|
I don't want to sleep! The music
|
|
will only follow me!
|
|
|
|
BEVERLY
|
|
I can induce delta sleep... Tune
|
|
out even your deepest dreams.
|
|
|
|
TROI
|
|
But it's not a dream! You've got
|
|
to understand that! It's not a
|
|
dream -- it's real!
|
|
|
|
CUT TO:
|
|
|
|
42 INT. HOUSE - LIVING ROOM - DAY
|
|
|
|
Picard and Worf are having tea with the Uxbridges.
|
|
Kevin is silent, moody, wishing they were gone. Rishon
|
|
is radiant, full of energy and love of life. Worf
|
|
looks uncomfortable, out of place.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT THREE 30.
|
|
|
|
42 CONTINUED:
|
|
|
|
Picard is relaxed, taking it all in. Rishon is in the
|
|
middle of a story.
|
|
|
|
RISHON
|
|
Kevin and I first saw each other
|
|
on a ship at sea. He was a
|
|
starving student in a threadbare
|
|
suit and mismatched shoes. I was
|
|
traveling with my parents who
|
|
didn't like the way he was hanging
|
|
around. I asked him to marry me
|
|
two hours after we met and he knew
|
|
I was serious. I don't think he's
|
|
ever recovered from that day.
|
|
|
|
Rishon and Kevin exchange an intimate smile. Rishon
|
|
looks at Worf who is cautiously sampling his tea.
|
|
|
|
RISHON
|
|
Mister Worf, what do you think?
|
|
|
|
WORF
|
|
(trying hard)
|
|
Good tea. Nice house.
|
|
|
|
PICARD
|
|
(to Rishon)
|
|
Why did you leave Earth and move
|
|
to a brand new world when you did?
|
|
|
|
RISHON
|
|
You mean at our age? We thought
|
|
it would make us fall in love all
|
|
over again.
|
|
(looks at Kevin)
|
|
It worked.
|
|
|
|
Picard takes a sip of tea. It's time to get at the
|
|
heart of the matter.
|
|
|
|
PICARD
|
|
It must've been terrible... when
|
|
the colony was fighting for its
|
|
life.
|
|
|
|
Kevin looks away. Rishon is in complete agreement with
|
|
Picard.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 31.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
RISHON
|
|
Yes, it was. Fire lit the sky...
|
|
the ground never stopped
|
|
shaking... there was thunder,
|
|
unbelievable thunder...
|
|
|
|
PICARD
|
|
But you survived...
|
|
|
|
RISHON
|
|
We don't know why we did and the
|
|
others didn't. I've tried to put
|
|
some purpose to it, but I can't.
|
|
|
|
Kevin decides it's time to push Picard a little.
|
|
|
|
KEVIN
|
|
I was wondering, Captain, when
|
|
you and your ship would be
|
|
leaving...
|
|
|
|
PICARD
|
|
I don't have an answer for that.
|
|
A few hours ago we had an
|
|
encounter with a warship...
|
|
Possibly the one which attacked
|
|
you. We forced it to leave the
|
|
system but were unable to affect
|
|
it otherwise. It could return.
|
|
|
|
Rishon reacts with fear. She turns to Kevin --
|
|
|
|
RISHON
|
|
Kevin -- you said it'd gone away.
|
|
|
|
KEVIN
|
|
I guess I was wrong. Don't worry.
|
|
It didn't hurt us before, it won't
|
|
hurt us now.
|
|
|
|
PICARD
|
|
(fully alert)
|
|
Do you know that for a fact,
|
|
Kevin?
|
|
|
|
KEVIN
|
|
No. But I don't enjoy seeing my
|
|
wife frightened. As we've told
|
|
you time and time again, Captain,
|
|
we don't know why we were spared.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/2/89 - ACT THREE 32.
|
|
|
|
42 CONTINUED: (3)
|
|
|
|
PICARD
|
|
But there had to have been a
|
|
reason. In some way you and
|
|
Rishon were "different" from the
|
|
other colonists. Your
|
|
geographical location, your
|
|
philosophical beliefs, the color
|
|
of your eyes -- somehow you stood
|
|
apart from them.
|
|
|
|
Now it's Rishon's turn to look away. Kevin, with some
|
|
difficulty, tries to explain.
|
|
|
|
KEVIN
|
|
There was a difference... I am
|
|
a man of special conscience.
|
|
While the others were doing what
|
|
they could, I chose not to fight.
|
|
|
|
Picard nods. He may not agree with Kevin's views but
|
|
he accepts them as they are.
|
|
|
|
PICARD
|
|
That is your protected right.
|
|
|
|
KEVIN
|
|
But I assure you the attacking
|
|
ship had no way of realizing this.
|
|
I expected to die like all the
|
|
others.
|
|
|
|
Picard reacts to Kevin's unconscious choice of words.
|
|
Kevin, uncomfortable with what he has just said, stands
|
|
up.
|
|
|
|
KEVIN
|
|
(continuing)
|
|
There's no reason for you and your
|
|
ship to remain, Captain. We can
|
|
manage without you.
|
|
|
|
Kevin leaves the room. Rishon is distraught.
|
|
|
|
RISHON
|
|
Kevin grieved for the others but
|
|
he did nothing. He's a very
|
|
gentle man. Please understand
|
|
that.
|
|
|
|
From Picard's expression he doesn't understand.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 33.
|
|
|
|
42 CONTINUED: (4)
|
|
|
|
PICARD
|
|
What about you, Rishon? Did you
|
|
feel the same way?
|
|
|
|
RISHON
|
|
(difficult)
|
|
I wanted to fight... but I stayed
|
|
with my husband. Thank you again
|
|
for the replicator, Captain. I
|
|
had better clean up now...
|
|
|
|
Picard gets the message. He and Worf stand to leave.
|
|
|
|
PICARD
|
|
Before we go I ask you one more
|
|
time to come to the ship. For
|
|
your own safety.
|
|
|
|
RISHON
|
|
I'm frightened, Captain. But I
|
|
can't leave Rana. Even if it
|
|
means my life.
|
|
|
|
CUT TO:
|
|
|
|
43 INT. ENTERPRISE - TROI'S QUARTERS
|
|
|
|
(NOTE: Troi's quarters have been adapted for medical
|
|
treatment.) Troi is on her bed, sleeping; but it is
|
|
not a peaceful sleep. From the way her lips move and
|
|
from her tortured expression we know the song is still
|
|
playing in her mind.
|
|
|
|
Beverly is watching, deeply distressed and mystified.
|
|
She says to one of her medical assistants --
|
|
|
|
BEVERLY
|
|
I don't understand it. I've
|
|
inhibited almost all the activity
|
|
of the neocortex and she
|
|
continues to behave as if she's
|
|
hearing the music...
|
|
(a beat)
|
|
We're going to have to shield
|
|
her from all outside stimuli by
|
|
inducing coma...
|
|
|
|
The assistant goes through the procedure. Beverly
|
|
watches Troi as she slips into coma. There is still
|
|
a slight indication of continuing anguish on Troi's
|
|
face. Beverly is at a loss as to what to do next.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 34.
|
|
|
|
43 CONTINUED:
|
|
|
|
Suddenly Red Alert is blasting through the ship --
|
|
|
|
CUT TO:
|
|
|
|
44 INT. MAIN BRIDGE
|
|
|
|
Riker is on the bridge along with Wesley, Data and
|
|
various supernumeraries.
|
|
|
|
DATA
|
|
I have positive identification,
|
|
Commander. It is the vessel that
|
|
attacked us earlier. It is
|
|
reentering the system at high
|
|
velocity and is approaching
|
|
Rana Four.
|
|
|
|
RIKER
|
|
Give us a tight visual, Data.
|
|
|
|
45 ANGLE - MAIN VIEWER (OPTICAL)
|
|
|
|
The unknown warship appears in all its horrible glory.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Is it my imagination or does it
|
|
look a lot meaner this time?
|
|
(a beat)
|
|
Shields up. Weapons ready.
|
|
|
|
Just then Picard and Worf come onto the bridge. They
|
|
see the picture on the Main Viewer and take their
|
|
positions.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
Our friend is back.
|
|
|
|
PICARD
|
|
I am not surprised. Lieutenant
|
|
Worf, open a hailing frequency.
|
|
Warn the vessel to stay clear of
|
|
the planet.
|
|
|
|
WORF
|
|
Aye, sir. But they are already
|
|
within firing range.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 35.
|
|
|
|
46 INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
As the warship lets fly with an awesome barrage of
|
|
electro-magnetic and particle death. The Enterprise
|
|
rocks. The bridge lights flicker. It's a heavy hit --
|
|
|
|
WORF
|
|
(continuing)
|
|
Shields down! Captain, they hit
|
|
us with four hundred gigawatts
|
|
of particle energy!
|
|
|
|
PICARD
|
|
Damage?
|
|
|
|
WORF
|
|
Superficial -- but I am having
|
|
trouble reassembling the shields!
|
|
|
|
The warship fires again. The Enterprise rocks again.
|
|
|
|
WORF
|
|
(continuing)
|
|
Shields down! There is thermal
|
|
damage to the hull!
|
|
|
|
DATA
|
|
The warship is in possession of
|
|
enormous energy reserves. It is
|
|
capable of striking us with
|
|
far more powerful bursts.
|
|
|
|
WESLEY
|
|
They're maneuvering to come
|
|
between the Enterprise and Rana
|
|
Four.
|
|
|
|
PICARD
|
|
Number One, we have been exemplary
|
|
in our patience.
|
|
|
|
RIKER
|
|
(with pleasure)
|
|
Lieutenant Worf, fire phasers on
|
|
full with a simultaneous spread
|
|
of torpedoes.
|
|
|
|
47 EXT. SPACE - THE ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
The Enterprise lets fly. The warship is hit -- but it
|
|
might as well have been with a feather pillow.
|
|
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT THREE 36.
|
|
|
|
48 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
DATA
|
|
The vessel appears undamaged.
|
|
Its defenses are apparently able
|
|
to absorb incoming matter and
|
|
energy.
|
|
|
|
RIKER
|
|
Commence rapid fire with all
|
|
weapons on full!
|
|
|
|
The Enterprise lets loose with everything it's got in a
|
|
sustained barrage. The warship is unaffected. It
|
|
fires back with one awesome burst. The Enterprise is
|
|
knocked head over heels (so to speak). The entire
|
|
bridge crew is knocked down. There is damage to the
|
|
bridge -- and injuries to one of the supernumeraries.
|
|
|
|
WORF
|
|
Shields are down! There is
|
|
internal damage -- weapon systems
|
|
control has been lost!
|
|
|
|
RIKER
|
|
Riker to Sickbay. Medical
|
|
assistance to the bridge!
|
|
|
|
PICARD
|
|
Mister Crusher, move the
|
|
Enterprise out of range of the
|
|
attacking vessel!
|
|
|
|
49
|
|
thru OMITTED
|
|
50
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise limps for deep space as fast as it is
|
|
able. The warship hangs back, now in complete
|
|
possession of Rana IV.
|
|
|
|
52 INT. MAIN BRIDGE
|
|
|
|
Worf is bitter -- but understanding -- about fleeing
|
|
the battle.
|
|
|
|
WORF
|
|
The vessel has terminated its
|
|
pursuit. It is assuming an orbit
|
|
around Rana Four.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT THREE 37.
|
|
|
|
52 CONTINUED:
|
|
|
|
RIKER
|
|
(suddenly remembering)
|
|
Rishon and Kevin...
|
|
|
|
PICARD
|
|
We can't help them... But it's
|
|
my guess they're in no danger.
|
|
|
|
Medical assistance arrives for the injured on the
|
|
bridge.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/11/89 - ACT FOUR 38.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
53 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise moves away from the Rana system at
|
|
impulse speed.
|
|
|
|
54 OMITTED
|
|
|
|
55 INT. CORRIDOR - PICARD AND BEVERLY
|
|
|
|
Picard and Beverly move quickly for Troi's quarters.
|
|
|
|
PICARD
|
|
Number of casualties?
|
|
|
|
BEVERLY
|
|
Sixty-six.
|
|
|
|
PICARD
|
|
Fatalities?
|
|
|
|
BEVERLY
|
|
None. We've been able to treat
|
|
everyone.
|
|
|
|
55A INT. TROI'S QUARTERS - FAVORING TROI
|
|
|
|
Picard and Beverly ENTER. Move to where Troi is
|
|
sleeping. She is still in induced coma, but showing
|
|
subtle signs that indicate the music is still in her
|
|
head. Picard is concerned.
|
|
|
|
PICARD
|
|
Can you help her?
|
|
|
|
BEVERLY
|
|
I've done everything I can. I
|
|
don't understand the nature of
|
|
this music she says she's hearing,
|
|
or where it's coming from.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 39.
|
|
|
|
55A CONTINUED:
|
|
|
|
PICARD
|
|
Could it be telepathic?
|
|
|
|
BEVERLY
|
|
(a shrug)
|
|
Yes. But I'm no expert at
|
|
determining that.
|
|
|
|
PICARD
|
|
(controlled anger)
|
|
They're blocking her sensitivity
|
|
... keeping her from "seeing"
|
|
the truth.
|
|
|
|
BEVERLY
|
|
Who?
|
|
|
|
PICARD
|
|
Rishon and Kevin.
|
|
|
|
BEVERLY
|
|
What?
|
|
|
|
PICARD
|
|
They wanted us to leave Rana...
|
|
and that's exactly what we're
|
|
doing.
|
|
|
|
A beat as Picard comes to a difficult but necessary
|
|
decision.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Picard to bridge.
|
|
|
|
RIKER'S COM VOICE
|
|
Yes, Captain.
|
|
|
|
PICARD
|
|
Number One, I want you to maintain
|
|
the present course for another
|
|
hour, then turn the Enterprise
|
|
around and take it back to Rana
|
|
Four.
|
|
|
|
Beverly gives Picard a shocked look. Riker is puzzled
|
|
too.
|
|
|
|
RIKER'S COM VOICE
|
|
Sir? We still won't have our
|
|
shields restored by then.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 40.
|
|
|
|
55A CONTINUED: (2)
|
|
|
|
PICARD
|
|
We're going back, Commander --
|
|
and this time nothing is going
|
|
to lure us away.
|
|
|
|
CUT TO:
|
|
|
|
56 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
A couple of hours have passed. The ship cautiously
|
|
limps back into orbit around Rana IV.
|
|
|
|
57 INT. MAIN BRIDGE
|
|
|
|
Riker, Worf, Wesley and Data are at their stations with
|
|
various supernumeraries. Picard is pacing in front
|
|
of his chair.
|
|
|
|
WORF
|
|
Sensors indicate no spacecraft
|
|
in the vicinity of Rana Four.
|
|
(remembering his
|
|
previous failure)
|
|
But Captain --
|
|
|
|
PICARD
|
|
Forget your previous error,
|
|
Lieutenant. There was no way
|
|
you could have prevented it.
|
|
|
|
Worf is mystified as to why.
|
|
|
|
DATA
|
|
Captain, the Uxbridge house is
|
|
coming into transporter range.
|
|
|
|
PICARD
|
|
Lieutenant Worf. If you will
|
|
accompany me to the Transporter
|
|
Room...
|
|
|
|
Picard starts to leave the bridge. Riker stops him
|
|
with --
|
|
|
|
RIKER
|
|
I think you should reconsider
|
|
this, Captain. The warship has
|
|
come after us twice, it could come
|
|
back.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 41.
|
|
|
|
57 CONTINUED:
|
|
|
|
PICARD
|
|
I disagree, Commander. I don't
|
|
think it knows we're here. I
|
|
think it believes it's run us off
|
|
for good. That, however, will
|
|
change once I'm back on board.
|
|
|
|
RIKER
|
|
(doesn't follow)
|
|
Sir?
|
|
|
|
PICARD
|
|
It's protecting Rishon and Kevin.
|
|
It responds to their wishes --
|
|
directly or indirectly, I'm not
|
|
sure. That's what I'm going to
|
|
put to the test.
|
|
|
|
Picard and Worf EXIT the bridge leaving Riker
|
|
(figuratively) scratching his head.
|
|
|
|
CUT TO:
|
|
|
|
58 EXT. RANA IV - ESTABLISHING SHOT - HOUSE - DAY
|
|
(OPTICAL)
|
|
|
|
The house looks as it always has.
|
|
|
|
59 INT. HOUSE - LIVING ROOM - KEVIN AND RISHON
|
|
|
|
Kevin and Rishon are waltzing to music from the music
|
|
box. They seem very happy; not a care in the world.
|
|
They are lost in each others gaze. Suddenly the front
|
|
door opens and Picard, followed by Worf, walks in
|
|
unannounced. The couple stop dancing. The music box
|
|
runs down and dies...
|
|
|
|
PICARD
|
|
Celebrating?
|
|
|
|
Kevin is aghast. For the first time we see him show
|
|
a measure of fear.
|
|
|
|
KEVIN
|
|
What are you doing here? What
|
|
do you want?
|
|
|
|
Picard ENTERS the room and faces Kevin. What he is
|
|
about to say and do has an ulterior purpose.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT FOUR 42.
|
|
|
|
59 CONTINUED:
|
|
|
|
PICARD
|
|
This is the second time you've
|
|
shown surprise at my appearance,
|
|
Kevin. The first time was
|
|
understandable, but why now? --
|
|
unless you expected never to see
|
|
me again.
|
|
|
|
KEVIN
|
|
Why do you keep interfering with
|
|
our lives, Captain?
|
|
|
|
PICARD
|
|
It isn't my intention to
|
|
interfere, Kevin... only to help
|
|
you and Rishon.
|
|
|
|
KEVIN
|
|
Then please leave us alone.
|
|
|
|
PICARD
|
|
I promise you that once I leave
|
|
this house I will never set foot
|
|
in it again. The Enterprise,
|
|
however, will remain in orbit over
|
|
this planet.
|
|
|
|
Both Kevin and Rishon find this piece of news shocking.
|
|
|
|
RISHON
|
|
Why?
|
|
|
|
PICARD
|
|
To protect you.
|
|
|
|
KEVIN
|
|
That isn't necessary, Captain.
|
|
I thought you understood.
|
|
|
|
PICARD
|
|
But it is necessary, Kevin. Your
|
|
lives are in great danger. The
|
|
warship has returned.
|
|
|
|
RISHON
|
|
(frightened)
|
|
Kevin --
|
|
|
|
KEVIN
|
|
He's lying, Rishon.
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT FOUR 43.
|
|
|
|
59 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(in Kevin's face)
|
|
We fought a pitched battle with
|
|
it and lost. Many of my crew have
|
|
been injured -- including a woman
|
|
who's mind is slowly being
|
|
destroyed by a telepathic
|
|
aberration.
|
|
|
|
RISHON
|
|
(horrified)
|
|
No! Oh please no!
|
|
|
|
KEVIN
|
|
This is a form of intimidation.
|
|
I have my rights --
|
|
|
|
PICARD
|
|
You, Kevin? What about Rishon?
|
|
Is she in favor of being left
|
|
at the mercy of a homicidal
|
|
spaceship?
|
|
|
|
Rishon avoids Picard's look... supports her husband.
|
|
|
|
RISHON
|
|
(a mumble)
|
|
I think you'd better go,
|
|
Captain...
|
|
|
|
PICARD
|
|
Come to the Enterprise, Rishon.
|
|
Let me take you where you'll be
|
|
safe.
|
|
|
|
RISHON
|
|
No. I can't leave Kevin...
|
|
|
|
KEVIN
|
|
And I'm staying. She's safe here
|
|
with me in this house.
|
|
|
|
PICARD
|
|
(at Kevin)
|
|
Then explain to me why you're
|
|
safe, Kevin. Why is this house
|
|
a sanctuary from a destructive
|
|
force that otherwise has no
|
|
conscience? Does it have to do
|
|
with you -- with your refusal to
|
|
fight?
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 44.
|
|
|
|
59 CONTINUED: (3)
|
|
|
|
A look of guilt covers Kevin's face. He turns away
|
|
from the others. Picard speaks to the back of his
|
|
head.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Tell me this, Kevin. If Rishon
|
|
were in danger, would you kill
|
|
to save her life?
|
|
|
|
KEVIN
|
|
(vehement)
|
|
No! Not for her, not for anyone!
|
|
I will not kill!
|
|
|
|
RISHON
|
|
(angry at Picard)
|
|
Stop hurting him! Leave our
|
|
house!
|
|
|
|
A beat as Picard considers them both. Rishon is
|
|
comforting Kevin, protecting him. Picard repeats his
|
|
reason for coming --
|
|
|
|
PICARD
|
|
It is my sworn duty to protect
|
|
you. The Enterprise will remain
|
|
in orbit around Rana Four as
|
|
long as the two of you are alive.
|
|
|
|
He turns to leave. Worf follows him out of the house.
|
|
|
|
CUT TO:
|
|
|
|
60 EXT. SPACE - THE ENTERPRISE AND RANA IV (OPTICAL))
|
|
|
|
A time lapse. The Enterprise orbits without
|
|
interference.
|
|
|
|
61 INT. MAIN BRIDGE
|
|
|
|
Riker and Data are there as well as the
|
|
supernumeraries. Picard and Worf ENTER. Picard takes
|
|
his chair. He is calm; a man of infinite patience.
|
|
|
|
PICARD
|
|
Number One -- an update, please.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 45.
|
|
|
|
61 CONTINUED:
|
|
|
|
RIKER
|
|
Little change, Captain. The
|
|
shields are still inoperable.
|
|
We have partial control of our
|
|
weapons. I've doubled the repair
|
|
crews.
|
|
|
|
Suddenly from Data --
|
|
|
|
DATA
|
|
Commander. The warship is
|
|
approaching from high orbit. It
|
|
is very close -- three hundred
|
|
thousand kilometers distance.
|
|
|
|
RIKER
|
|
How is that possible? Is
|
|
something wrong with the sensors?
|
|
|
|
PICARD
|
|
That's of no concern, Number One.
|
|
It's here. And precisely on
|
|
schedule.
|
|
|
|
DATA
|
|
The vessel has altered its course
|
|
to a direct intercept with the
|
|
Enterprise.
|
|
|
|
RIKER
|
|
Worf, arm phasers and photon
|
|
torpedos, prepare to fire.
|
|
|
|
PICARD
|
|
Belay those orders, Mister Worf.
|
|
|
|
Riker and the rest of the bridge crew look at Picard
|
|
with surprise.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 46.
|
|
|
|
61 CONTINUED: (2)
|
|
|
|
DATA
|
|
(concerned)
|
|
The vessel is now within twenty
|
|
thousand kilometers of the
|
|
Enterprise and closing.
|
|
|
|
PICARD
|
|
Let it come, Commander. Activate
|
|
the Main Viewer.
|
|
|
|
62 INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
The warship is approaching rapidly. Picard seems
|
|
unbothered. He watches it come.
|
|
|
|
WORF
|
|
Evasive action, sir?
|
|
|
|
PICARD
|
|
The Enterprise will stand its
|
|
ground, Lieutenant.
|
|
|
|
WORF
|
|
Weapons, sir?
|
|
|
|
PICARD
|
|
When I give the order. Not
|
|
before.
|
|
|
|
The warship comes closer. It's at point-blank range.
|
|
|
|
63 EXT. SPACE - THE ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
Astonishingly, the warship cruises right past the
|
|
Enterprise and continues on toward Rana IV.
|
|
|
|
64 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The bridge crew, Picard excluded, are astonished.
|
|
|
|
DATA
|
|
The vessel is entering a low
|
|
orbit around Rana Four.
|
|
(a beat)
|
|
Captain, it appears it is
|
|
preparing to fire at the planet.
|
|
|
|
PICARD
|
|
Understood.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FOUR 47.
|
|
|
|
64 CONTINUED:
|
|
|
|
DATA
|
|
My calculations indicate that its
|
|
target may be the house of Rishon
|
|
and Kevin Uxbridge.
|
|
|
|
PICARD
|
|
There will be no interference from
|
|
us, Mister Data.
|
|
|
|
They watch as the warship lets loose a single,
|
|
compressed burst of energy that streaks down to the
|
|
surface of Rana IV and erupts in a geyser of flame
|
|
that becomes a dull, glowing crater. The bridge crew,
|
|
Picard excluded, are mortified.
|
|
|
|
WORF
|
|
The house has been obliterated!
|
|
|
|
PICARD
|
|
Scan for survivors, Lieutenant.
|
|
|
|
Worf does as instructed.
|
|
|
|
WORF
|
|
There are no survivors.
|
|
|
|
PICARD
|
|
Ready a photon torpedo. Fire at
|
|
the vessel when ready.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
65 EXT. SPACE - THE ENTERPRISE AND WARSHIP (OPTICAL)
|
|
|
|
The Enterprise fires the torpedo at the warship. It
|
|
strikes home. The warship goes up in a spectacular
|
|
explosion!
|
|
|
|
66 BACK TO MAIN BRIDGE
|
|
|
|
The bridge crew looks to Picard to explain all this.
|
|
But he doesn't.
|
|
|
|
PICARD
|
|
Commander Riker. What reason does
|
|
the Enterprise have to remain at
|
|
Rana?
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT FOUR 48.
|
|
|
|
66 CONTINUED:
|
|
|
|
RIKER
|
|
(trying to figure it)
|
|
The unknown vessel has been
|
|
destroyed. The Uxbridges have
|
|
been destroyed. There is no
|
|
reason for the Enterprise to
|
|
remain.
|
|
|
|
PICARD
|
|
Good. Helm, move us to a higher
|
|
orbit so that we may keep the
|
|
surface of the planet under
|
|
surveillance.
|
|
|
|
WESLEY
|
|
Aye, sir. But, Captain, what do
|
|
we watch for?
|
|
|
|
PICARD
|
|
Anything. If I'm needed I will
|
|
be in my Ready Room. That is all
|
|
for now.
|
|
|
|
Picard exits the bridge to his Ready Room. The bridge
|
|
crew watches him go, trying to figure out what the
|
|
hell's just happened.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 49.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
67 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise continues its high orbit over Rana IV.
|
|
|
|
68 INT. CAPTAIN'S READY ROOM - ON PICARD
|
|
|
|
Picard sits at his desk, lost in thought. His doorbell
|
|
chimes.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Riker ENTERS the room.
|
|
|
|
RIKER
|
|
Captain, may I speak with you?
|
|
|
|
PICARD
|
|
(a smile)
|
|
The pleasure is mine, Number One.
|
|
|
|
RIKER
|
|
We've been observing the planet
|
|
very carefully for three hours.
|
|
We've seen nothing. I have the
|
|
feeling you're waiting for
|
|
something to happen.
|
|
|
|
Picard nods. He realizes it's time to tell Riker all
|
|
that he suspects.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 50.
|
|
|
|
68 CONTINUED:
|
|
|
|
PICARD
|
|
I have acted on an assumption,
|
|
Commander. I am not sure what
|
|
the result will be -- or even that
|
|
my assumption is correct.
|
|
(beat)
|
|
We found two people alive in a
|
|
house on a devastated planet.
|
|
But there was only one survivor
|
|
of the war on Rana Four
|
|
|
|
HOLD ON Riker's perplexed expression as we...
|
|
|
|
CUT TO:
|
|
|
|
69 INT. MAIN BRIDGE
|
|
|
|
Data is in charge. Geordi has joined the bridge crew.
|
|
The supernumeraries are at their stations. The
|
|
shattered face of Rana IV rolls by on the Main Viewer.
|
|
|
|
WORF
|
|
Why is it we maintain watch on
|
|
a planet that is now totally dead?
|
|
|
|
Geordi checks his instruments just in time to catch
|
|
something totally beyond belief. It's a moment before
|
|
he can respond.
|
|
|
|
GEORDI
|
|
Bridge to Captain Picard. You
|
|
had better come see this.
|
|
|
|
70 ANGLE - PICARD AND RIKER (OPTICAL)
|
|
|
|
As they EXIT the Ready Room in a hurry. Geordi is
|
|
excited --
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 51.
|
|
|
|
70 CONTINUED:
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Captain, Commander, it's back --
|
|
the house! And the trees and the
|
|
grass! It happened right in
|
|
front of us.
|
|
|
|
On the Main Viewer, the tiny green patch of vegetation
|
|
is again visible on the planet surface.
|
|
|
|
PICARD
|
|
(a smile)
|
|
Worf, do you see survivors?
|
|
|
|
WORF
|
|
I detect two life-forms inside the
|
|
house. It appears Kevin and
|
|
Rishon were not destroyed. But
|
|
how... ?
|
|
|
|
Picard looks to Riker. Riker's look of acknowledgement
|
|
indicates that Picard has told him all he suspects.
|
|
|
|
PICARD
|
|
Helm, bring us into transporter
|
|
range. I want them beamed aboard
|
|
-- directly to the bridge.
|
|
|
|
DATA
|
|
Captain, will they not protest?
|
|
|
|
PICARD
|
|
Let them.
|
|
|
|
71 ANGLE - KEVIN AND RISHON (OPTICAL)
|
|
|
|
As Rishon and Kevin MATERIALIZE on the bridge. The
|
|
couple is surprised to say the least -- and worried.
|
|
Picard addresses them with strained politeness.
|
|
|
|
PICARD
|
|
(continuing)
|
|
My apologies if I interrupted a
|
|
waltz...
|
|
|
|
Kevin hangs back timidly. It is Rishon who is the
|
|
aggressive one now.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 52.
|
|
|
|
71 CONTINUED:
|
|
|
|
RISHON
|
|
Why have you brought us here
|
|
against our will?
|
|
|
|
PICARD
|
|
To end the suffering of one of
|
|
my crewmembers.
|
|
|
|
RISHON
|
|
I don't understand --
|
|
|
|
PICARD
|
|
Kevin does. He's the cause.
|
|
|
|
Kevin avoids Rishon's look, says nothing, implying some
|
|
sort of guilt. Picard centers on Kevin.
|
|
|
|
PICARD
|
|
(continuing)
|
|
At first I couldn't figure out
|
|
why your house had survived the
|
|
holocaust while all the others
|
|
hadn't. And then it occurred
|
|
to me that it had been destroyed.
|
|
The dwelling where you served me
|
|
tea and danced your waltzes was
|
|
a reproduction, something real
|
|
to the touch but capable of being
|
|
created and destroyed and
|
|
recreated at whim.
|
|
|
|
Rishon sees that Kevin is crumbling. Her desire to
|
|
protect him is strong. She doesn't believe anything
|
|
Picard has said and lashes back at him verbally --
|
|
|
|
RISHON
|
|
Now you're joking with us,
|
|
Captain. Can't you see it's
|
|
hurting my husband?
|
|
|
|
KEVIN
|
|
(suddenly;
|
|
fatalistically)
|
|
Rishon... hear what he has to say.
|
|
|
|
PICARD
|
|
(to Kevin)
|
|
More than anything, you wanted
|
|
the Enterprise away from Rana.
|
|
Why?
|
|
(MORE)
|
|
|
|
STAR TREK: "The Survivors" - 7/31/89 - ACT FIVE 53.
|
|
|
|
71 CONTINUED: (2)
|
|
|
|
PICARD (Cont'd)
|
|
Because the house, the plot of
|
|
land, your very own existence,
|
|
were riddles you were helpless
|
|
to explain. The warship --
|
|
another recreation -- twice tried
|
|
to chase us away but failed.
|
|
When I came to the house a second
|
|
time I provided you with the only
|
|
condition that would make the
|
|
Enterprise leave -- your deaths
|
|
-- and you did your best to
|
|
satisfy me.
|
|
|
|
Rishon looks at Kevin, quizzically. He avoids her;
|
|
looks deeply at Picard.
|
|
|
|
KEVIN
|
|
I am deeply sorry about the
|
|
woman. I will help her. But
|
|
I must know what you intend to
|
|
do with me afterwards...
|
|
|
|
PICARD
|
|
Take you to the nearest starbase
|
|
where you will be held accountable
|
|
for the attack on this ship...
|
|
and perhaps the deaths of eleven
|
|
thousand people.
|
|
|
|
RISHON
|
|
No! He hasn't killed anyone!
|
|
|
|
KEVIN
|
|
The destruction of the planet
|
|
happened just as I told you.
|
|
|
|
PICARD
|
|
But you haven't told us the whole
|
|
story, Kevin -- how it ended...
|
|
the part about Rishon.
|
|
|
|
Kevin reacts as if in pain. Rishon's concern for him
|
|
is outweighed by her sudden need for answers.
|
|
|
|
RISON
|
|
What is he saying... ?
|
|
|
|
Kevin can't answer her. He turns away. Picard goes to
|
|
Rishon. Touches her.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 54.
|
|
|
|
71 CONTINUED: (3)
|
|
|
|
PICARD
|
|
I can touch you, Rishon. Hear
|
|
your voice. Smell your perfume.
|
|
In every respect you are a real
|
|
person with your own mind and your
|
|
own beliefs... but you do not
|
|
exist. You died with the others,
|
|
defending the colony. He has
|
|
recreated you just as he has
|
|
recreated the house.
|
|
|
|
There is a look of disbelief on Rishon's face... even
|
|
as she vanishes from sight. The bridge crew is
|
|
stunned. Kevin just stands there, expressionless,
|
|
frozen in time. Picard turns to him.
|
|
|
|
PICARD
|
|
(continuing)
|
|
You're the only living thing that
|
|
really exists on Rana Four,
|
|
Kevin. And though you look
|
|
human, you're not.
|
|
|
|
72 ANGLE - LIGHT (OPTICAL)
|
|
|
|
Suddenly the bridge is filled with a brilliant, burning
|
|
LIGHT coming from no particular source. The light
|
|
grows to such intensity that all those present must
|
|
turn away and cover their eyes. There is confusion,
|
|
shouting. And then the light is gone as suddenly as it
|
|
came... and so is Kevin.
|
|
|
|
GEORDI
|
|
He's in the turbolift!
|
|
|
|
Worf takes action to stop the turbolift. Picard stops
|
|
him.
|
|
|
|
PICARD
|
|
Let him go.
|
|
|
|
WORF
|
|
Captain -- he is dangerous!
|
|
|
|
PICARD
|
|
So dangerous, Lieutenant, he could
|
|
have destroyed us at any instant
|
|
he wished. Track him. Alert the
|
|
crew to keep out of his way. I
|
|
want him to know we mean him no
|
|
harm...
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 55.
|
|
|
|
72 CONTINUED:
|
|
|
|
RIKER
|
|
(to Picard)
|
|
Will he try to get back to the
|
|
planet?
|
|
|
|
PICARD
|
|
Not if he's the creature of
|
|
conscience I think he is. He has
|
|
someone to help first...
|
|
|
|
CUT TO:
|
|
|
|
73 EXT. SPACE - THE ENTERPRISE AND RANA IV (OPTICAL)
|
|
|
|
Indicating a passage of time.
|
|
|
|
74 OMITTED
|
|
|
|
75 INT. TROI'S QUARTERS - ON BEVERLY
|
|
|
|
Beverly ENTERS from the corridor. She stops dead at
|
|
the sight of --
|
|
|
|
ANGLE - KEVIN AND TROI
|
|
|
|
Kevin is standing over the now peaceful form of Troi.
|
|
He seems very sad, tired, guilty. He sees Beverly.
|
|
|
|
KEVIN
|
|
I have taken the music from her
|
|
mind. She's alright now. She's
|
|
sleeping.
|
|
|
|
Beverly rushes to Troi. Sees that she is all right.
|
|
She stands away from Kevin, uncertain.
|
|
|
|
KEVIN
|
|
(continuing; deeply
|
|
sorry)
|
|
She was beginning to sense who
|
|
I really was. I've been living
|
|
as a human for over fifty years
|
|
but I couldn't hide from her.
|
|
(beat)
|
|
She has suffered because of my
|
|
pride and selfishness. It will
|
|
not happen again.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 56.
|
|
|
|
76 CONTINUED:
|
|
|
|
PICARD (O.S.)
|
|
What happened on Rana Four,
|
|
Kevin? The truth this time --
|
|
all of it.
|
|
|
|
Kevin and Beverly turn to see Picard ENTERING the
|
|
room. He's come alone. Kevin has no will to fight or
|
|
flee. It's time to face the music.
|
|
|
|
KEVIN
|
|
Very well. For what it's worth.
|
|
(beat)
|
|
I am a Douwd... an immortal being
|
|
of disguises and false
|
|
surroundings. I have lived in
|
|
this galaxy for many thousands
|
|
of years although until today no
|
|
one has known my true identity.
|
|
Once while traveling in human
|
|
form I chanced to fall in love
|
|
with an Earth woman. I put aside
|
|
my powers and became her husband.
|
|
Our life was happy and rich.
|
|
Eventually we came to this planet
|
|
to live our final years. Now she
|
|
is dead. She never knew what I
|
|
really was...
|
|
|
|
Kevin falls silent. Picard pushes him on --
|
|
|
|
PICARD
|
|
Your colony was attacked by a
|
|
warship...
|
|
|
|
KEVIN
|
|
Belonging to the Husnock, a
|
|
species of hideous intelligence
|
|
that knew only aggression and
|
|
destruction. I could have
|
|
destroyed them with a mere
|
|
thought, but this I did not do.
|
|
|
|
BEVERLY
|
|
(appalled)
|
|
You had the power to stop them
|
|
and you didn't?
|
|
|
|
KEVIN
|
|
I refused to for the same reason
|
|
I refused to stop the Enterprise.
|
|
I will not kill!
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 57.
|
|
|
|
76 CONTINUED: (2)
|
|
|
|
PICARD
|
|
So you let the colonists fight
|
|
a hopeless battle.
|
|
|
|
KEVIN
|
|
I tried to fool the Husnock as
|
|
I tried to fool you, but it only
|
|
made them angrier and more cruel.
|
|
|
|
PICARD
|
|
And then what you feared most
|
|
happened. Rishon went to fight
|
|
with the others -- and she died
|
|
with them.
|
|
|
|
KEVIN
|
|
How I wish I could have died with
|
|
her...
|
|
|
|
Kevin has hit bottom. Whatever is weighing on his
|
|
conscience is gnawing at him full force. Picard senses
|
|
as much as sees the sudden, horrible truth.
|
|
|
|
PICARD
|
|
But you couldn't. You did the
|
|
unthinkable instead. You took
|
|
revenge.
|
|
|
|
KEVIN
|
|
(breaking down)
|
|
Yes! I saw her broken body. I
|
|
went insane! My hatred exploded
|
|
and in an instant of grief I
|
|
destroyed the Husnock!
|
|
|
|
A beat. Beverly struggles to understand Kevin.
|
|
|
|
BEVERLY
|
|
Why did you try to hide this from
|
|
us? Was it out of guilt for not
|
|
helping Rishon and the others when
|
|
they were alive?
|
|
|
|
KEVIN
|
|
No. You don't understand the
|
|
scope of my crime. I didn't kill
|
|
just one Husnock, or a hundred,
|
|
or a thousand -- I killed them
|
|
all. All! The mothers, the
|
|
babies, all the Husnock
|
|
everywhere!
|
|
(MORE)
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 58.
|
|
|
|
76 CONTINUED: (3)
|
|
|
|
KEVIN (Cont'd)
|
|
Are eleven thousand people worth
|
|
fifty billion? Is the love of
|
|
a woman worth the destruction of
|
|
an entire species... ? This is
|
|
the sin I tried so hard to keep
|
|
you from learning. This is why
|
|
I wanted to chase you from Rana.
|
|
|
|
A beat. Picard and Beverly understand at last. They
|
|
are sympathetic... and appalled.
|
|
|
|
PICARD
|
|
We are not qualified to be your
|
|
judges. We have no law to fit
|
|
your crime. You're free to return
|
|
to the planet... and to make
|
|
Rishon live again.
|
|
|
|
76A ANGLE - LIGHT (OPTICAL)
|
|
|
|
Kevin and Picard exchange a long look. Kevin nods
|
|
to Picard. The room suddenly fills with the blinding
|
|
LIGHT (similar to what happened on the bridge). When
|
|
it is gone, so is Kevin.
|
|
|
|
CUT TO:
|
|
|
|
77 OMITTED
|
|
|
|
78 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Our bridge regulars are present including Geordi, Troi
|
|
(looking well) and Beverly. They all want a last look
|
|
at the planet. Its scarred and ruined face is on the
|
|
Main Viewer.
|
|
|
|
STAR TREK: "The Survivors" - REV. 8/3/89 - ACT FIVE 59.
|
|
|
|
78 CONTINUED:
|
|
|
|
RIKER
|
|
Helm... break orbit. Full
|
|
impulse.
|
|
|
|
Rana IV immediately begins to shrink as the
|
|
Enterprise pulls away. Picard can't take his eyes off
|
|
it.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, Stardate 43043.5.
|
|
We are departing the Rana
|
|
system for Starbase
|
|
one three three. We leave behind
|
|
a being of extraordinary power...
|
|
and conscience. I am not certain
|
|
if he should be praised or
|
|
condemned. Only that he should
|
|
be left alone...
|
|
|
|
FADE OUT.
|
|
|
|
END ACT FIVE
|
|
|
|
THE END
|
|
|
|
|