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1 line
64 KiB
Plaintext
Executable File
1 line
64 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"Sarek"
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#40273-171
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From an unpublished story by
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Marc Cushman & Jake Jacobs
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Television Story & Teleplay by
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Peter S. Beagle
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1990 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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MARCH 5, 1990
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STAR TREK: "Sarek" - 3/5/90 - CAST
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STAR TREK: THE NEXT GENERATION
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"Sarek"
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CAST
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PICARD SAREK
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RIKER PERRIN
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DATA SAKKATH
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BEVERLY KI MENDROSSEN
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TROI
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GEORDI
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WORF
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WESLEY
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O'BRIEN
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SCIENCE CREWMEMBER
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Non-Speaking
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SUPERNUMERARIES
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SEVERAL CREWMEMBERS
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MUSICIANS
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MEDICAL TECHNICIAN
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INJURED CREWPERSON
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HONOR GUARD (4)
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STAR TREK: "Sarek" 3/5/90 - SETS
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STAR TREK: THE NEXT GENERATION
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"Sarek"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM
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OBSERVATION LOUNGE
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CONFERENCE ROOM
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TRANSPORTER ROOM
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CORRIDOR
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TURBOLIFT
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TEN-FORWARD
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BEVERLY'S OFFICE
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PICARD'S QUARTERS
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SAREK'S GUEST QUARTERS
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SHIP'S THEATRE
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STAR TREK: "Sarek" - REV. 3/8/90 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Sarek"
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PRONUNCIATION GUIDE
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BENDII BEN-die
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CORIDAN CORE-ah-don
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KI MENDROSSEN KEY men-DROH-zhen
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LEGARANS leh-GAIR-uns
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PERRIN PER-in
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SAKKATH SAK-uth
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SAREK SAR (rhymes with FAR)-eck
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STAR TREK: "Sarek" - REV. 3/15/90 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Sarek"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship is in orbit around a red/brown planet.
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PICARD (V.O.)
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Captain's log, Stardate 43917.4
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The Enterprise has been given the
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singular honor of hosting the
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first face to face meeting between
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the Federation and the mysterious
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race of beings known as the
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Legarans. We are in orbit around
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Vulcan preparing to welcome aboard
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the Federation ambassador that
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has made this historic event
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possible.
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2 INT. CORRIDOR
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PICARD and RIKER are walking to the Transporter Room.
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They are in dress uniforms.
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RIKER
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(slightly awed)
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I can remember studying his career
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in school... the treaty of Alpha
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Cygnus Nine, the Coridan admission
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to the Federation, the Klingon
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Alliance...
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PICARD
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I met him once... Many years ago,
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just briefly at his son's wedding.
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(smiles at memory)
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But I'll tell you it was quite
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a moment for a young lieutenant.
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Standing in the presence of such
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history... I was a little
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tongue-tied to be quite frank...
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RIKER
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You... tongue-tied?
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STAR TREK: "Sarek" - REV. 3/15/90 - TEASER 2.
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2 CONTINUED:
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PICARD
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Indeed. After all, how does one
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make small talk with a man who
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has virtually shaped the
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Federation...
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RIKER
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Is it true that he'll be
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retiring after this mission?
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PICARD
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Unofficially, that's what I hear.
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And what a crowning achievement
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this will be to his career. The
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benefits of relations with the
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Legarans are incalculable.
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They have arrived at the Transporter Room.
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3 INT. TRANSPORTER ROOM (OPTICAL)
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There are FOUR CREWMEMBERS forming an honor guard on
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either side of the transporter stage. They stand at
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attention. O'BRIEN is at the console, as KI MENDROSSEN
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(a human -- fifty-five, stocky, comp), and SAKKATH (A
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Vulcan, early twenties) MATERIALIZE on the pads. They
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step off.
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MENDROSSEN
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Ah... Captain Picard. I am Ki
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Mendrossen, the ambassador's chief
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of staff. This is Sakkath, his
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personal assistant.
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PICARD
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Has the ambassador been delayed?
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STAR TREK: "Sarek" - 3/5/90 - TEASER 3.
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3 CONTINUED:
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MENDROSSEN
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He will be joining us momentarily.
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But first we must discuss some
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matters of the utmost delicacy.
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Picard and Riker exchange a quick look. What's going
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on?
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PICARD
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By all means.
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MENDROSSEN
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To be frank Captain, the
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ambassador is not a young man.
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He tires easily.
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SAKKATH
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He is going to need a great deal
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of rest to prepare himself for
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the difficult job that awaits him.
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MENDROSSEN
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Which is why it's imperative that
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he be allowed to conserve his
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strength. I must request that
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you dispense with any official
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ceremonies you would normally
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accord a visitor of his rank.
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RIKER
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We had planned for a ship's
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concert this evening.
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PICARD
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Yes, I believe that the ambassador
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is extremely fond of Mozart.
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Mendrossen reluctantly shakes his head.
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MENDROSSEN
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I'm afraid it would be impossible
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for him to attend. Upon his
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arrival he will be taken directly
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to his quarters where he will
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remain in seclusion until we reach
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Legara Four.
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PICARD
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You have my assurance that the
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ambassador will not be disturbed
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during our voyage.
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STAR TREK: "Sarek" - REV. 3/6/90 - TEASER 4.
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3 CONTINUED: (2)
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Mendrossen relaxes, an ingratiating smile.
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MENDROSSEN
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That's all we ask. Well, now...
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that's settled. The ambassador
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is waiting.
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Picard nods to O'Brien who works his controls.
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4 TRANSPORTER (OPTICAL)
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SAREK and his wife, PERRIN (a human) MATERIALIZE.
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Sarek is indeed old, but immensely commanding. A
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genuinely regal figure. Perrin is much younger -- about
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Picard's age -- poised and charming, with an immediate
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warmth about her.
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PICARD
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Welcome aboard the Enterprise
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Ambassador Sarek.
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SAREK
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We come to serve.
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PICARD
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Your service honors us.
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SAREK
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Allow me to present she who is
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my wife.
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PICARD
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Mrs. Sarek.
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PERRIN
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Please call me Perrin, Captain.
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PICARD
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This is my first officer,
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Commander Riker.
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Riker and Sarek exchange nods.
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PERRIN
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Captain, if you'd be so kind as
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to show us to our quarters.
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SAREK
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I prefer to view the conference
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room first.
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STAR TREK: "Sarek" - REV. 3/6/90 - TEASER 5.
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4 CONTINUED:
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Mendrossen moves closer to Sarek.
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MENDROSSEN
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Ambassador, I'm sure Sakkath and
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I can handle all the necessary
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details...
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SAREK
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I will examine it for myself.
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An awkward moment as Mendrossen and Perrin exchange
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a brief glance.
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PERRIN
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Dear, perhaps it would be best
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if we settled in first.
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Sarek silences her with a look.
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SAREK
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They worry about my health,
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Captain. Too much.
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(a beat)
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You will take me to the conference
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room, please.
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And there's no doubt that he means it.
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RIKER
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If you'll follow me, sir.
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Mendrossen and Sakkath close in behind Sarek as Riker
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leads them out of the Transporter Room. Perrin looks
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back and smiles at Picard in gracious apology.
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5 CLOSE ON PICARD
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Things haven't gone at all the way he expected. He
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doesn't look troubled, exactly -- only wondering...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Sarek" - 3/5/90 - ACT ONE 6.
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ACT ONE
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FADE IN:
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6 INT. CONFERENCE ROOM
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The room is currently dominated by a large bulky tank
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about chest high containing a gaseous/liquid revolting
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mixture. GEORDI, WESLEY, and a few SUPERNUMERARIES
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are busily connecting a complicated series of pipes
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and cables around the tank. There are a few pictures
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on the walls and a generic table with chairs. Wesley
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peers into the tank with disgust.
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WESLEY
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Are the Legarans really going to
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sit in this stuff?
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GEORDI
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Well, I'm sure not.
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WESLEY
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Can you believe this smell?
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GEORDI
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What smell?
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Wesley looks up in surprise. Geordi laughs and Wesley
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gives him an abashed grin.
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GEORDI
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What can I say... to us it's a
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slime pit, to them it's home.
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WESLEY
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(a little eager)
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The environmental controls are
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ready. What's next?
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GEORDI
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Why? Are you in some kind of
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hurry?
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WESLEY
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I have... sort of a date.
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GEORDI
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(surprised)
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With who?
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WESLEY
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(shy, but proud)
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Ensign Dumont.
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STAR TREK: "Sarek" - 3/5/90 - ACT ONE 7.
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6 CONTINUED:
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GEORDI
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(whistles)
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That is one attractive lady. I've
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got to admit I'm surprised.
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WESLEY
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(grinning)
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What, that she'd go out with me?
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GEORDI
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No, that you had the nerve to ask
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her. Way to go Wesley.
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Sarek, Sakkath, Perrin, Picard and Riker ENTER. Sarek
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walks to the center of the room, looks things over and
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is immediately displeased. Sarek's attitude is
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irritated and he seems to grow more agitated by the
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moment.
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SAREK
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The room is not ready.
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PICARD
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No Ambassador. Commander La Forge
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and Ensign Crusher are---
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SAREK
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The Legarans are very sensitive
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in matters of protocol. You will
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remove all furniture from the
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room. The walls must be bare.
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MENDROSSEN
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I'm sure that by the time the
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Legarans arrive, everything will
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be set up according to our
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specifications. Isn't that right,
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Captain?
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PICARD
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Ambassador, please be assured that
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everything will be ready by the
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time the conference begins.
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PERRIN
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My husband and I have every
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confidence in you, Captain.
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Sarek continues to look over the room.
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STAR TREK: "Sarek" - REV. 3/15/90 - ACT ONE 8.
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6 CONTINUED: (2)
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SAREK
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(voice rises slightly)
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I have worked for ninety-three
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years in preparation for this
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meeting. It is vital that no
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detail be overlooked.
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Sakkath moves next to Sarek. As Sakkath looks at
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Sarek, there is a subtle change in Sarek's demeanor.
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He becomes more impassive, less irritated. The
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interaction between Sakkath and Sarek should not be
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immediately obvious.
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SAKKATH
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Perhaps we should allow these
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gentlemen to return to their work,
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Ambassador.
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SAREK
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That will be acceptable.
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Sarek leads the way back out of the room with Sakkath
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and Mendrossen. As he reaches the doorway Sarek pauses
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and looks at the wall.
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SAREK
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These walls are too bright.
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Sarek, Sakkath and Mendrossen EXIT.
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STAR TREK: "Sarek" - REV. 3/15/90 - ACT ONE 9.
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7 OMITTED
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8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship goes into warp.
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9 INT. MAIN BRIDGE
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Picard and Riker (now in standard uniforms) at Command
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along with TROI. WORF at his station.
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TROI
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So what was the ambassador like?
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RIKER
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The way Mendrossen described him,
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I expected him to be a frail old
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man.
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PICARD
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I hope I'm that frail when I'm
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two hundred and two. His aides
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did seem a little overprotective,
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didn't they?
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RIKER
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From what I could see, the
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ambassador doesn't need to be
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protected from anything.
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PICARD
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Nevertheless, we will honor Mister
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Mendrossen's request and allow
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Ambassador Sarek his privacy.
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(beat, sighs)
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I suppose they were foolish and
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vain, my expectations of this
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voyage. Sharing his thoughts,
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his memories, his unique
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understanding of the history he
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has made...
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TROI
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Does this mean you're going to
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cancel the concert this evening?
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PICARD
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No, the concert will go on as
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scheduled. But it is a pity that
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the guest of honor will be absent.
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STAR TREK: "Sarek" - REV. 3/15/90 - ACT ONE 9A.
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9 CONTINUED:
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RIKER
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For all we know, the ambassador
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might enjoy an evening's
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entertainment...
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TROI
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(to Picard)
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Why not ask his wife if she'd like
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to attend?
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Picard considers this for a beat. He nods.
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STAR TREK: "Sarek" - 3/5/90 - ACT ONE 10.
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9 CONTINUED:
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PICARD
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I think that's an excellent idea.
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Riker smiles in approval. Picard stands.
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PICARD
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The bridge is yours, Number One.
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Picard heads for the turbolift.
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10 INT. GUEST QUARTERS
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The door CHIMES. The blinds over the windows are
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closed. As Perrin moves toward the door, we can see
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that she looks very tired, almost exhausted. She
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presses the control panel and the door slides open,
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revealing Picard.
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PERRIN
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Come in, Captain.
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PICARD
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I hope I'm not intruding.
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PERRIN
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Not at all. But I'm afraid that
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Sarek is in meditation at the
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moment.
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PICARD
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Actually, I came to see you.
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Perrin leads him into the room.
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PERRIN
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(lightly)
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Why, how nice Captain. I so
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rarely get visitors of my own.
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Usually everyone wants to see the
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ambassador.
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PICARD
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I find that hard to believe.
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Perrin smiles at him warmly. She indicates a seat for
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the captain and they both sit down.
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STAR TREK: "Sarek" - REV. 3/7/90 - ACT ONE 11.
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10 CONTINUED:
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PERRIN
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These quarters are lovely.
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(beat)
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The ambassador and I were both
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very pleased when we heard that
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the negotiations would take place
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aboard the flagship of the
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Federation.
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PICARD
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The honor is ours.
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PERRIN
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My husband has followed your
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career with interest. He finds
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it to be satisfactory.
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PICARD
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(reacts with pleasure)
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High praise from a Vulcan.
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PERRIN
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Ah, then you have had experience
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with Vulcans, Captain. Some
|
|
people who expect an emotional
|
|
response often find Vulcans
|
|
quite cold when they are merely
|
|
being...
|
|
|
|
PICARD
|
|
Logical.
|
|
|
|
PERRIN
|
|
Exactly.
|
|
|
|
PICARD
|
|
I have come to extend my personal
|
|
invitation to you... and your
|
|
husband, if he is available, to
|
|
attend a Mozart recital this
|
|
evening.
|
|
|
|
And now Perrin's face really brightens in anticipation.
|
|
|
|
PERRIN
|
|
Mozart? That would be wonderful.
|
|
Any chance that they will be
|
|
performing the string quartet
|
|
number six?
|
|
|
|
PICARD
|
|
I'm sure it could be arranged.
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT ONE 12.
|
|
|
|
10 CONTINUED: (2)
|
|
|
|
PERRIN
|
|
It's a very tempting offer...
|
|
(looks over at door to
|
|
adjacent room)
|
|
I doubt that the ambassador will
|
|
be able to attend, but I will make
|
|
it a point to ask him.
|
|
|
|
Picard stands and Perrin escorts him to the door.
|
|
|
|
PICARD
|
|
Well, then I hope to see you
|
|
tonight.
|
|
|
|
PERRIN
|
|
As do I.
|
|
|
|
Picard EXITS.
|
|
|
|
11 CLOSE ON PERRIN
|
|
|
|
as she turns away from the door. Her face clouds
|
|
slightly as she moves toward the closed door to the
|
|
adjacent room.
|
|
|
|
12 INT. SLEEPING QUARTERS
|
|
|
|
Sarek is kneeling on a angled stool (like a computer
|
|
stool). His eyes are wide open, and his expression is
|
|
not calm and distant, but conscious and troubled.
|
|
|
|
13 ANGLE ON DOOR
|
|
|
|
The door slides aside and Perrin ENTERS. The easy,
|
|
light manner that she showed to Picard is gone. This
|
|
is a deeply worried woman. She goes over to Sarek and
|
|
puts her hand on his shoulder. Sarek looks up at her.
|
|
|
|
PERRIN
|
|
You are still unable to meditate?
|
|
|
|
SAREK
|
|
It is of no importance.
|
|
|
|
PERRIN
|
|
It has eluded you for many weeks.
|
|
|
|
Sarek gets up, towers over his wife with a vague air of
|
|
threat.
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT ONE 13.
|
|
|
|
13 CONTINUED:
|
|
|
|
SAREK
|
|
(low)
|
|
I said, it is of no importance.
|
|
|
|
PERRIN
|
|
(not backing down)
|
|
You know I am right.
|
|
|
|
SAREK
|
|
My wife, you will leave me now.
|
|
I require solitude.
|
|
|
|
There is a beat of silence as Perrin considers
|
|
refusing. She thinks better of it, then EXITS. PUSH
|
|
IN on Sarek... and we see a flicker of turmoil within.
|
|
|
|
14 INT. CONFERENCE ROOM
|
|
|
|
Geordi and Wesley are still working on the tanks. The
|
|
supernumeraries are no longer present. The pictures
|
|
and furnishings seen earlier have been removed.
|
|
|
|
WESLEY
|
|
The temperature in the tank is
|
|
now one hundred fifty degrees
|
|
Celsius.
|
|
|
|
GEORDI
|
|
Okay, lock it off.
|
|
|
|
Wesley works the control on the tank. He turns back to
|
|
Geordi and his tone of voice suddenly becomes somewhat
|
|
surly.
|
|
|
|
WESLEY
|
|
Is that it? Can I get out of
|
|
here?
|
|
|
|
And at first it just seems like kidding around...
|
|
|
|
GEORDI
|
|
What's your hurry? You don't
|
|
really think something's gonna
|
|
happen between you and Suzanne
|
|
Dumont...
|
|
|
|
WESLEY
|
|
At least I'm not spending the
|
|
night with a good book like some
|
|
people...
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT ONE 14.
|
|
|
|
14 CONTINUED:
|
|
|
|
And now slowly it begins to turn into something more...
|
|
with just an edge --
|
|
|
|
GEORDI
|
|
What's that supposed to mean?
|
|
|
|
WESLEY
|
|
Just what it sounds like.
|
|
|
|
GEORDI
|
|
You'd get more action out of a
|
|
good book than you'll ever see
|
|
on this date, I guarantee it...
|
|
she's not going to waste her time
|
|
with someone like you.
|
|
|
|
And now this is really getting nasty...
|
|
|
|
WESLEY
|
|
Someone like me?
|
|
|
|
GEORDI
|
|
She's way out of your league.
|
|
|
|
WESLEY
|
|
Since when did you become an
|
|
expert on women?
|
|
|
|
GEORDI
|
|
Compared to you, every man on this
|
|
ship is an expert on women.
|
|
|
|
WESLEY
|
|
At least I don't have to find my
|
|
women in the Holodeck!
|
|
|
|
GEORDI
|
|
(deadly)
|
|
What did you say?
|
|
|
|
WESLEY
|
|
You heard me!
|
|
|
|
Wesley shoves Geordi hard. Geordi looks like he's
|
|
going to take Wesley apart when...
|
|
|
|
15 NEW ANGLE
|
|
|
|
Riker ENTERS. He looks at the two of them as they
|
|
glare at each other.
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT ONE 15.
|
|
|
|
15 CONTINUED:
|
|
|
|
RIKER
|
|
Something wrong?
|
|
|
|
They don't respond, but continue to stare at each
|
|
other.
|
|
|
|
RIKER
|
|
(edge of command in
|
|
voice)
|
|
I asked a question.
|
|
|
|
GEORDI
|
|
No, sir. Nothing wrong here.
|
|
|
|
WESLEY
|
|
(to Riker)
|
|
May I be excused, Commander?
|
|
|
|
Riker nods and Wesley EXITS. Riker looks at Geordi and
|
|
his voice is a little less official.
|
|
|
|
RIKER
|
|
Anything you want to talk about,
|
|
Geordi?
|
|
|
|
GEORDI
|
|
No, sir.
|
|
|
|
Geordi returns to the tanks. On Riker's puzzled
|
|
expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Sarek" - REV. 3/8/90 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
16 INT. SHIP'S THEATER
|
|
|
|
The ship's concert has not yet begun, but
|
|
SUPERNUMERARIES are filing into the room. On stage,
|
|
a string quartet with DATA prominent among them, is
|
|
tuning up.
|
|
|
|
17 OMITTED
|
|
|
|
18 ON PICARD AND RIKER
|
|
|
|
as they ENTER and move to their seats.
|
|
|
|
PICARD
|
|
I noticed that Lieutenant Worf
|
|
put Ensign D'Amato on report...
|
|
for insubordination.
|
|
|
|
RIKER
|
|
D'Amato's been an exemplary
|
|
officer.
|
|
|
|
They sit. BEVERLY and TROI are seated nearby.
|
|
|
|
PICARD
|
|
Indeed he has. Look into it,
|
|
Number One.
|
|
(beat)
|
|
I assume work has been progressing
|
|
in the conference room?
|
|
|
|
RIKER
|
|
Yes, sir. I checked on Geordi
|
|
and Wesley a few hours ago.
|
|
(beat while he wonders
|
|
whether to mention it)
|
|
For a moment there... I thought
|
|
that the two of them were actually
|
|
going to... hit one another.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 17.
|
|
|
|
18 CONTINUED:
|
|
|
|
Picard notices something o.s. and stands up.
|
|
|
|
19 NEW ANGLE
|
|
|
|
including doorway. Sarek and Perrin have entered.
|
|
Mendrossen is behind them and Sakkath is close by
|
|
Sarek. Everyone in the theater stands.
|
|
|
|
FOLLOW THEM as they walk over to where Picard and Riker
|
|
are waiting.
|
|
|
|
PICARD
|
|
Ambassador Sarek, Perrin... on
|
|
behalf of my entire crew, welcome.
|
|
|
|
Picard and Perrin exchange a smile. Sarek notices
|
|
this.
|
|
|
|
SAREK
|
|
It was my wife's suggestion that
|
|
we attend... and it seemed an
|
|
ideal diversion. My wife can be
|
|
quite logical when she so chooses.
|
|
|
|
Perrin only smiles wider.
|
|
|
|
MENDROSSEN
|
|
(jovially)
|
|
It seems the ambassador had more
|
|
free time than I anticipated.
|
|
|
|
Picard waves over Data who walks over carrying his
|
|
violin.
|
|
|
|
PICARD
|
|
This is Commander Data. He will
|
|
be the featured soloist this
|
|
evening.
|
|
|
|
DATA
|
|
(to Perrin)
|
|
We will start the evening with
|
|
Mozart's string quartet number
|
|
six. I am programmed to reproduce
|
|
the individual musical styles of
|
|
over three hundred concert
|
|
violinists, including Heifitz,
|
|
Menuhin, Grak-tay and Tataglia.
|
|
Do you have a preference?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 18.
|
|
|
|
19 CONTINUED:
|
|
|
|
Both Perrin and Sarek are impressed. Perrin looks to
|
|
Sarek and he indicates that the choice is hers.
|
|
|
|
PERRIN
|
|
Tataglia would be lovely.
|
|
|
|
DATA
|
|
I hope you find the performance
|
|
pleasing.
|
|
|
|
PERRIN
|
|
I look forward to it.
|
|
|
|
Picard indicates their seats and turns to Data.
|
|
|
|
PICARD
|
|
At your convenience, Commander.
|
|
|
|
20 NEW ANGLE
|
|
|
|
Data walks over to stage, nods to the other musicians
|
|
and begins to play.
|
|
|
|
21 NEW ANGLE
|
|
|
|
Perrin and Sarek appear to be concentrating on the
|
|
music while Mendrossen and Sakkath keep stealing
|
|
glances at Sarek.
|
|
|
|
TIME CUT:
|
|
|
|
22 ANGLE ON STAGE
|
|
|
|
The musicians are playing a new piece of music. Data
|
|
is giving a perfect performance. This piece must be
|
|
very emotional. (Note: it is the beauty of the
|
|
music which creates the emotional response in the
|
|
audience... a perhaps familiar melody that stirs
|
|
memories.)
|
|
|
|
23 ANGLE ON CROWD
|
|
|
|
We PAN across the gathered crewmen and we can see that
|
|
they are caught up in the lovely music. END PAN on
|
|
Sarek, who seems surprisingly moved.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 19.
|
|
|
|
23A ON TROI
|
|
|
|
She is listening to the music. She suddenly senses
|
|
something odd and looks around the room in puzzlement.
|
|
|
|
23B NEW ANGLE
|
|
|
|
on Mendrossen and Sakkath. Sakkath has noticed
|
|
Sarek's change of mood and is leaning over to whisper
|
|
something to Mendrossen. They look at Sarek with
|
|
alarm. Mendrossen tries to get Perrin's attention in
|
|
front of him, cannot do it...
|
|
|
|
23C ON SAREK
|
|
|
|
getting very caught up in the moment.
|
|
|
|
23D
|
|
thru OMITTED
|
|
23H
|
|
|
|
23I ECU - SAREK'S EYE
|
|
|
|
as a tear begins to form.
|
|
|
|
23J SAKKATH - CU
|
|
|
|
straining with his mind, trying to reach out
|
|
telepathically to Sarek.
|
|
|
|
23K ANGLE - SAREK
|
|
|
|
in the foreground, Picard behind him... Picard (or for
|
|
that matter any other member of the crew) cannot see
|
|
Sarek's face from his angle, so he is unaware of what's
|
|
happening... although he may respond to some movement
|
|
in Sarek's party.
|
|
|
|
23L THE TEAR
|
|
|
|
rolls slowly down Sarek's cheek.
|
|
|
|
23M ON PERRIN
|
|
|
|
who glances over and sees the tear... a second of panic
|
|
crosses her eyes, then she quickly leans over and
|
|
whispers something to her husband, using the excuse to
|
|
try and wipe...
|
|
|
|
STAR TREK: "Sarek" - REV. 3/15/90 - ACT TWO 20.
|
|
|
|
23N CLOSE - SAREK'S CHEEK
|
|
|
|
but the tear just escapes her touch and...
|
|
|
|
23O PICARD'S EYES
|
|
|
|
glance toward Sarek and Perrin whispering...
|
|
|
|
23P ANGLE - PICARD'S POV - SAREK'S PROFILE
|
|
|
|
backlit by the stage lights... as the tear drop
|
|
glistens.
|
|
|
|
23Q PICARD - CLOSE
|
|
|
|
reacts.
|
|
|
|
23R ANGLE
|
|
|
|
as Perrin and Sarek stand and leave.
|
|
|
|
23S ON TROI
|
|
|
|
as she watches them leave.
|
|
|
|
23T ON PICARD
|
|
|
|
thinking about what's just happened.
|
|
|
|
24
|
|
thru OMITTED
|
|
25
|
|
|
|
25A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship still at warp.
|
|
|
|
26 OMITTED
|
|
|
|
27 INT. BEVERLY'S OFFICE
|
|
|
|
Wesley ENTERS. Beverly is drinking tea and reading
|
|
a medical journal on the terminal.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/15/90 - ACT TWO 21.
|
|
|
|
27 CONTINUED:
|
|
|
|
WESLEY
|
|
Hi Mom. I got a message you
|
|
wanted to see me?
|
|
|
|
BEVERLY
|
|
I thought you were going to be
|
|
at the concert last night.
|
|
|
|
WESLEY
|
|
I said I might be going. Suzanne
|
|
wanted to go to the arboretum.
|
|
|
|
Wesley is unconcerned at this point. Beverly, however,
|
|
is starting a slow burn.
|
|
|
|
BEVERLY
|
|
Captain Picard asked where you
|
|
were. I don't like having to make
|
|
excuses for you.
|
|
|
|
WESLEY
|
|
(surprised)
|
|
Excuses? Come on, Mom... it
|
|
wasn't an official function.
|
|
|
|
Wesley picks up some small art object from a table and
|
|
starts to absently toy with it. Beverly grabs it from
|
|
him.
|
|
|
|
BEVERLY
|
|
You have responsibilities young
|
|
man and I expect you to live up
|
|
to them!
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT TWO 22.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
Don't you think you're
|
|
overreacting a little?
|
|
|
|
BEVERLY
|
|
Don't talk back to me!
|
|
|
|
WESLEY
|
|
(hurt)
|
|
Okay, I won't.
|
|
|
|
Wesley turns and tries to leave. Beverly grabs him
|
|
and yanks him back.
|
|
|
|
BEVERLY
|
|
Where do you think you're going?
|
|
|
|
WESLEY
|
|
(strong)
|
|
Away from you.
|
|
|
|
Beverly slaps him hard. Wesley is clearly shocked.
|
|
|
|
WESLEY
|
|
Mom!
|
|
|
|
There is a long beat as Beverly realizes what she's
|
|
done. As they stand there in silence, staring at each
|
|
other, it is hard to say which one is more hurt or
|
|
shocked.
|
|
|
|
28 OMITTED
|
|
|
|
28A INT. TROI'S OFFICE
|
|
|
|
Troi and Beverly are discussing the incident in
|
|
Beverly's quarters.
|
|
|
|
Beverly is extremely upset and is pacing around the
|
|
room.
|
|
|
|
BEVERLY
|
|
... and then I just slapped him.
|
|
Really hard.
|
|
(incredulous)
|
|
I slapped Wesley.
|
|
|
|
TROI
|
|
Do you know why you did it?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/8/90 - ACT TWO 23.
|
|
|
|
28A CONTINUED:
|
|
|
|
BEVERLY
|
|
(on the verge of tears)
|
|
I never hit my son in his life.
|
|
|
|
TROI
|
|
(soothing, yet with
|
|
trace of urgency)
|
|
Beverly, this is important. What
|
|
were you thinking when you hit
|
|
Wes?
|
|
|
|
BEVERLY
|
|
(thinks for a beat)
|
|
That's just it... I wasn't
|
|
thinking about anything. I was...
|
|
just angry... so angry.
|
|
|
|
TROI
|
|
And Wesley didn't provoke you in
|
|
any way? It wasn't anything he
|
|
said, anything he did?
|
|
|
|
BEVERLY
|
|
No. It was a sudden... burst of
|
|
anger. I still can't believe I
|
|
did it.
|
|
|
|
Beverly sits on the couch and puts her head in her
|
|
hands. Troi comes over to her and tries to comfort
|
|
her.
|
|
|
|
TROI
|
|
I don't know why you did it either,
|
|
Beverly. But I can tell you that
|
|
I've heard the same kind of story
|
|
from ten different people in the
|
|
past two days.
|
|
|
|
Off Beverly's reaction.
|
|
|
|
29 INT. MAIN BRIDGE
|
|
|
|
A few hours later. Data is giving Sakkath a tour of
|
|
the bridge.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 24.
|
|
|
|
29 CONTINUED:
|
|
|
|
SAKKATH
|
|
(looks at center
|
|
stations)
|
|
This is your Command Center.
|
|
|
|
DATA
|
|
Yes. It is normally occupied by
|
|
Captain Picard, Commander Riker,
|
|
and Counselor Troi.
|
|
|
|
SAKKATH
|
|
Counselor Troi is Betazoid?
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT TWO 25.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
DATA
|
|
Half-Betazoid. Her father was
|
|
human.
|
|
|
|
A slight frown crosses Sakkath's features.
|
|
|
|
SAKKATH
|
|
Then she is not a true telepath?
|
|
|
|
DATA
|
|
Her skills are empathic in nature.
|
|
She can sense the emotions of
|
|
other beings.
|
|
|
|
Sakkath's frown deepens slightly at this news. He
|
|
seems troubled by something, but his Vulcan reserve
|
|
makes even this observation difficult. Sakkath
|
|
continues after a momentary pause.
|
|
|
|
SAKKATH
|
|
What is Captain Picard's
|
|
background in diplomacy?
|
|
|
|
DATA
|
|
(surprised)
|
|
Extensive. The captain's first
|
|
diplomatic contact dates back to
|
|
Stardate---
|
|
|
|
SAKKATH
|
|
And what of his knowledge of the
|
|
Legarans? Would he be able to
|
|
conduct negotiations with the
|
|
Legarans should the need arise?
|
|
|
|
DATA
|
|
(puzzled)
|
|
Do you foresee such a circumstance
|
|
occurring? Is Ambassador Sarek
|
|
unable to --
|
|
|
|
SAKKATH
|
|
(smoothly)
|
|
Forgive me. I was merely
|
|
exploring various possible
|
|
permutations of our mission.
|
|
(beat)
|
|
Your tour of the bridge has been
|
|
most informative.
|
|
|
|
Sakkath heads for the turbolift and then EXITS.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 26.
|
|
|
|
30 INT. TEN-FORWARD (OPTICAL)
|
|
|
|
O'Brien and TWO TRANSPORTER TECHNICIANS get drinks from
|
|
the bar and head over to a table which is currently
|
|
occupied by THREE CREWMEN wearing science uniforms.
|
|
O'Brien gives the science crewmen a friendly grin.
|
|
|
|
O'BRIEN
|
|
Excuse me, we were sitting here.
|
|
|
|
SCIENCE CREWMAN
|
|
(shrugging)
|
|
Well, we're sitting here now.
|
|
|
|
O'BRIEN
|
|
(smiles with edge)
|
|
Come on fella... this is our
|
|
table.
|
|
|
|
SCIENCE CREWMAN
|
|
(unimpressed)
|
|
Really?
|
|
(looks over table)
|
|
Funny... I don't see your name
|
|
on it.
|
|
|
|
O'BRIEN
|
|
(forcing his voice to
|
|
be light)
|
|
Didn't your mother teach you
|
|
manners?
|
|
|
|
The science crewman and his companions stand up. The
|
|
tension level has just risen several notches.
|
|
|
|
31 NEW ANGLE (OPTICAL)
|
|
|
|
as Geordi smoothly intercedes between O'Brien and the
|
|
science crewman.
|
|
|
|
GEORDI
|
|
Hey guys, some kind of problem
|
|
here?
|
|
|
|
O'BRIEN
|
|
There seems to be a question of
|
|
who's table this is.
|
|
|
|
GEORDI
|
|
(light)
|
|
There are plenty of other tables.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT TWO 27.
|
|
|
|
31 CONTINUED:
|
|
|
|
O'BRIEN
|
|
(trying to lighten up)
|
|
I suppose you're right.
|
|
|
|
GEORDI
|
|
Why don't I get everyone another
|
|
round of drinks?
|
|
|
|
Everyone relaxes and smiles. It appears that Geordi
|
|
has defused the situation.
|
|
|
|
32 INT. CORRIDOR/TEN-FORWARD (OPTICAL)
|
|
|
|
Outside Ten-Forward. Riker and Worf are walking to
|
|
Ten-Forward doors.
|
|
|
|
RIKER
|
|
I don't need to tell you that
|
|
insubordination is a serious
|
|
charge to level against any
|
|
officer.
|
|
|
|
WORF
|
|
I am aware of that Commander.
|
|
However, Ensign D'Amato directly
|
|
challenged my authority.
|
|
|
|
RIKER
|
|
Is it my imagination, or have
|
|
tempers aboard this ship been
|
|
getting a little frayed lately?
|
|
|
|
WORF
|
|
I hadn't noticed.
|
|
|
|
The doors to Ten-Forward OPEN. Inside a full scale
|
|
bar fight has broken out. O'Brien and the science
|
|
crewman are grappling with each other while other
|
|
crewmembers are hitting each other at random.
|
|
There are clearly no sides here, just absolute chaos.
|
|
|
|
WORF
|
|
I see what you mean.
|
|
|
|
Riker spots Geordi trying to pull some combatants
|
|
apart.
|
|
|
|
RIKER
|
|
Geordi, what the hell is going
|
|
on here?
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT TWO 28.
|
|
|
|
32 CONTINUED:
|
|
|
|
GEORDI
|
|
I wish I knew.
|
|
|
|
WORF
|
|
(hits combadge)
|
|
Security team to Ten-Forward.
|
|
|
|
Riker grabs a fighting crewman and pulls him off
|
|
someone else.
|
|
|
|
RIKER
|
|
All right, that's enough!
|
|
|
|
The crewman reacts by decking Riker with a punch. Worf
|
|
growls and wades into the fight to protect Riker.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 29.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
33 INT. TEN-FORWARD (OPTICAL)
|
|
|
|
Starting on Beverly treating a cut on Geordi's mouth...
|
|
|
|
GEORDI
|
|
... and the next thing I know
|
|
somebody's left hook is on its
|
|
way to my chin.
|
|
|
|
Pulling back to see Picard, Riker, Worf, Troi surveying
|
|
the damage. SEVERAL CREWMEMBERS are clearing away some
|
|
of the debris.
|
|
|
|
TROI
|
|
Captain, this is not an isolated
|
|
incident. There have been reports
|
|
of random violence all over the
|
|
ship...
|
|
|
|
PICARD
|
|
(reacts)
|
|
Are you suggesting it is somehow
|
|
contagious?
|
|
|
|
BEVERLY
|
|
There's no indication of a virus
|
|
or bacteria... I've run every test
|
|
I know... I've checked the water,
|
|
the food replicators, airborne
|
|
samples...
|
|
|
|
PICARD
|
|
This is one hell of a time...
|
|
(beat, to Riker)
|
|
Whatever it is, I don't want it
|
|
to affect the ambassador... I
|
|
want his quarters isolated from
|
|
the rest of the crew until we can
|
|
identify the cause.
|
|
|
|
TROI
|
|
It's not that simple, Captain.
|
|
|
|
Off Picard's look --
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 30.
|
|
|
|
33 CONTINUED:
|
|
|
|
BEVERLY
|
|
We've been able to determine that
|
|
these outbreaks of violence
|
|
started... at virtually the same
|
|
time Sarek's party beamed aboard
|
|
the ship.
|
|
|
|
Picard reacts and...
|
|
|
|
33A INT. BEVERLY'S OFFICE
|
|
|
|
Picard, Beverly and Troi. Picard is quite shaken by
|
|
this turn of events.
|
|
|
|
BEVERLY
|
|
We do have a working theory...
|
|
|
|
Glancing with import at Troi. A deep breath and...
|
|
|
|
BEVERLY
|
|
We believe it's possible that
|
|
Ambassador Sarek himself is
|
|
responsible for these incidents.
|
|
|
|
PICARD
|
|
Sarek?
|
|
|
|
TROI
|
|
I felt something from him during
|
|
the concert... it was vague and
|
|
undefined... but very
|
|
disturbing...
|
|
|
|
PICARD
|
|
(a small realization)
|
|
He cried. I saw that. I didn't
|
|
believe it. A Vulcan moved to
|
|
tears by music... ?
|
|
|
|
TROI
|
|
Vulcans have the same basic
|
|
emotions that we do. But they
|
|
have learned to repress them.
|
|
At the concert, I was sensing
|
|
that Sarek had lost control...
|
|
|
|
PICARD
|
|
What would cause such a loss of
|
|
control?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 31.
|
|
|
|
33A CONTINUED:
|
|
|
|
BEVERLY
|
|
There is a very rare condition
|
|
that sometimes affects Vulcans
|
|
over the age of two hundred.
|
|
Bendii Syndrome.
|
|
|
|
TROI
|
|
The early symptoms include sudden
|
|
bursts of emotion, mostly
|
|
irrational anger. Eventually,
|
|
all emotional control is lost.
|
|
|
|
PICARD
|
|
I can't imagine anything that
|
|
would be more offensive to a
|
|
Vulcan. Their emotional
|
|
detachment is the very core of
|
|
their being.
|
|
(beat)
|
|
But why would it affect others
|
|
aboard the ship?
|
|
|
|
TROI
|
|
Vulcans possess telepathic
|
|
ability. Sarek could be
|
|
unintentionally projecting these
|
|
intense emotions onto other
|
|
people... at random.
|
|
|
|
Picard's expression becomes more grim as he realizes
|
|
the broader implications.
|
|
|
|
PICARD
|
|
And when the Legarans beam
|
|
aboard...
|
|
|
|
BEVERLY
|
|
They could very well be affected
|
|
too.
|
|
|
|
PICARD
|
|
Is there a treatment?
|
|
|
|
BEVERLY
|
|
(shakes her head, no)
|
|
Can't anyone take his place?
|
|
|
|
PICARD
|
|
Sarek has built a personal
|
|
relationship with them. They will
|
|
accept no one else.
|
|
(MORE)
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 32.
|
|
|
|
33A CONTINUED: (2)
|
|
|
|
PICARD (Cont'd)
|
|
(beat)
|
|
How can we confirm your
|
|
diagnosis?
|
|
|
|
BEVERLY
|
|
We grow a culture from the tissue
|
|
of the metathalamus... but the
|
|
results will take several days.
|
|
|
|
PICARD
|
|
I have twelve hours.
|
|
|
|
She shakes her head. Can't do it.
|
|
|
|
34 INT. READY ROOM (OPTICAL)
|
|
|
|
Mendrossen is sitting in the chair before Picard.
|
|
Mendrossen is sincere and easy-going.
|
|
|
|
MENDROSSEN
|
|
That's impossible, Captain Picard.
|
|
I cannot delay the conference...
|
|
not for a day, not for an hour.
|
|
The schedule itself required three
|
|
months of negotiations.
|
|
|
|
PICARD
|
|
Nevertheless, I believe we are
|
|
facing a potentially far worse...
|
|
|
|
MENDROSSEN
|
|
I give you my word of honor that
|
|
the ambassador is in perfect
|
|
health. Is that not enough?
|
|
|
|
PICARD
|
|
Mister Mendrossen...
|
|
|
|
MENDROSSEN
|
|
You are dealing with a theory full
|
|
of holes, Captain. Why am I not
|
|
affected by Sarek's supposed
|
|
condition? And Perrin, how could
|
|
his wife function normally if this
|
|
theory of yours is correct?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 32A.
|
|
|
|
34 CONTINUED:
|
|
|
|
PICARD
|
|
I cannot explain that. Hundreds
|
|
of others on board have not been
|
|
affected either. I have not.
|
|
The effects appear to be random.
|
|
Proximity apparently has no
|
|
bearing on the phenomenon.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/15/90 - ACT THREE 33.
|
|
|
|
34 CONTINUED: (2)
|
|
|
|
MENDROSSEN
|
|
You are accusing the greatest man
|
|
of his time of losing his mind.
|
|
On the eve of his greatest
|
|
triumph. And you cannot explain
|
|
why... ?
|
|
|
|
Beat. Stands.
|
|
|
|
MENDROSSEN
|
|
I won't report this to the
|
|
ambassador. For the moment. I
|
|
do not want to divert his
|
|
attention from the mission.
|
|
("friendly")
|
|
And I don't want to jeopardize
|
|
your career unnecessarily. But
|
|
if I were you, in the interests
|
|
of your career, I'd be very
|
|
concerned about finding the real
|
|
cause of these outbursts before
|
|
the Legarans arrive.
|
|
|
|
He EXITS. A beat on Picard. Picard taps his fingers
|
|
on his desk, muses.
|
|
|
|
PICARD
|
|
(to comm)
|
|
Mister Data, please report to my
|
|
Ready Room.
|
|
|
|
35 INT. CONFERENCE ROOM
|
|
|
|
Sakkath stands near the Legaran tanks. And this is a
|
|
man in turmoil. Logic tells him he cannot allow what
|
|
is occurring to continue. He fears what will happen
|
|
at the conference. Yet, he is dedicated to Sarek.
|
|
These matters weigh on his mind as the doors slide open
|
|
and Data ENTERS. There is a beat of silence as they
|
|
glance at each other.
|
|
|
|
DATA
|
|
Captain Picard is not satisfied
|
|
with Ki Mendrossen's assurances
|
|
that the ambassador is in good
|
|
health. Do you consider Sarek
|
|
capable of carrying out his
|
|
mission?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT THREE 34.
|
|
|
|
35 CONTINUED:
|
|
|
|
SAKKATH
|
|
Have I given you cause to think
|
|
otherwise?
|
|
|
|
DATA
|
|
You have voiced certain
|
|
reservations about his abilities
|
|
to me.
|
|
|
|
SAKKATH
|
|
(carefully)
|
|
I do not recall making such a
|
|
statement.
|
|
|
|
DATA
|
|
Directly, no. However, you did
|
|
question me on the diplomatic
|
|
capabilities of both Captain
|
|
Picard and Counselor Troi.
|
|
|
|
SAKKATH
|
|
I am honor bound to help Sarek
|
|
carry out his mission. That is
|
|
the only answer I can give.
|
|
|
|
DATA
|
|
Then you must decide which is your
|
|
greater obligation: your loyalty
|
|
to Sarek or your duty to the
|
|
Federation.
|
|
|
|
Sakkath remains impassive and Data continues after a
|
|
beat.
|
|
|
|
DATA
|
|
Can you accept the logic of
|
|
continuing the mission?
|
|
|
|
And this touches Sakkath at his most vulnerable core.
|
|
His eyes leave Data's as he weighs his loyalties. In
|
|
a soft, almost hoarse voice --
|
|
|
|
SAKKATH
|
|
Tell your captain... the mission
|
|
is in jeopardy.
|
|
|
|
On Data's reaction...
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT THREE 35.
|
|
|
|
36
|
|
thru OMITTED
|
|
37
|
|
|
|
37A INT. BRIDGE
|
|
|
|
Picard, Data, Riker at command. Wesley and Worf at
|
|
their posts.
|
|
|
|
DATA
|
|
Sakkath has been able, until very
|
|
recently, to use his telepathic
|
|
skills to reinforce Sarek's
|
|
emotional control and thus protect
|
|
others from the effects of his
|
|
deterioration.
|
|
|
|
RIKER
|
|
He hasn't been doing a very good
|
|
job...
|
|
|
|
DATA
|
|
The strain of this mission on
|
|
Sarek has made it impossible.
|
|
|
|
Picard frowns, stands.
|
|
|
|
PICARD
|
|
Ironic isn't it? Despite our
|
|
magnificent technology, we find
|
|
ourselves still susceptible to
|
|
the ravages of old age. The loss
|
|
of dignity, the slow betrayal of
|
|
our bodies by forces we cannot
|
|
master.
|
|
|
|
He inadvertently winds up saying this to Data.
|
|
|
|
PICARD
|
|
(a beat)
|
|
Still want to be one of us, Data?
|
|
|
|
DATA
|
|
Sir, it is conceivable that even
|
|
for me, time will eventually lead
|
|
to a irreparable circuit failure.
|
|
But there is one thing I do not
|
|
understand...
|
|
|
|
PICARD
|
|
Yes... ?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT THREE 36.
|
|
|
|
37A CONTINUED:
|
|
|
|
DATA
|
|
Sarek is a logical, intelligent
|
|
being. The effects of Bendii
|
|
Syndrome are apparent. Why would
|
|
such a man choose to ignore
|
|
them?
|
|
|
|
A beat as Picard considers his answer...
|
|
|
|
PICARD
|
|
Logic fails us sometimes, Data.
|
|
This is one of those times. I
|
|
can only guess that he does not
|
|
see or does not wish to see the
|
|
truth. And he is being insulated
|
|
from that truth by those who love
|
|
him the most.
|
|
|
|
Riker steps forward, doesn't want to say anything, but
|
|
realizes that he must.
|
|
|
|
RIKER
|
|
Someone has to confront him.
|
|
|
|
PICARD
|
|
(quietly)
|
|
It is not a task I look forward
|
|
to.
|
|
|
|
Riker's voice starts to steadily rise and his temper
|
|
begins to show through.
|
|
|
|
RIKER
|
|
I don't understand this...
|
|
everyone's protecting Sarek...
|
|
his wife, Mendrossen, even you.
|
|
|
|
Picard's voice rises too...
|
|
|
|
PICARD
|
|
What would you have me do... march
|
|
down there and destroy the man?
|
|
|
|
RIKER
|
|
The mission with the Legarans
|
|
cannot go forward with Sarek in
|
|
this condition.
|
|
|
|
PICARD
|
|
I know --
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT THREE 37.
|
|
|
|
37A CONTINUED: (2)
|
|
|
|
RIKER
|
|
(hits table)
|
|
Then tell him that there is no---
|
|
|
|
PICARD
|
|
Don't you tell me...
|
|
|
|
Data who is unaffected, steps between them...
|
|
|
|
DATA
|
|
Captain... Commander...
|
|
|
|
37B ANGLE - REACTIONS
|
|
|
|
from the bridge crew to this most unusual shouting
|
|
match. They both realize what's happening and the
|
|
anger dissipates. Picard nods in understanding.
|
|
|
|
PICARD
|
|
(nodding with grim
|
|
resignation)
|
|
You're right of course, Number
|
|
One. But I am loathe to do what
|
|
I must do.
|
|
|
|
Picard thinks for only a few seconds longer. He heads
|
|
for the door.
|
|
|
|
38 OMITTED
|
|
|
|
39 INT. GUEST QUARTERS
|
|
|
|
Perrin is reacting to what Picard has told her... she
|
|
is cold and imperious.
|
|
|
|
PERRIN
|
|
I don't think I really understand
|
|
what you're telling me, Captain.
|
|
My husband is responsible for your
|
|
crew assaulting one another... ?
|
|
|
|
Picard studies her a beat... he cannot be sure if she
|
|
knows the truth and is hiding it... or does not know at
|
|
all.
|
|
|
|
PICARD
|
|
He is very ill, Perrin.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT THREE 38.
|
|
|
|
39 CONTINUED:
|
|
|
|
PERRIN
|
|
(shakes her head)
|
|
Bendii Syndrome is more a folk
|
|
tale than a disease. There hasn't
|
|
been a true case in my husband's
|
|
lifetime.
|
|
|
|
PICARD
|
|
There is one now. Sakkath knows.
|
|
|
|
For an instant, Perrin is taken aback. She recovers
|
|
quickly.
|
|
|
|
PERRIN
|
|
Sakkath? Sakkath knows nothing
|
|
my husband didn't teach him.
|
|
|
|
PICARD
|
|
He knows. More than that, he has
|
|
been consciously holding Sarek's
|
|
mind together on this mission as
|
|
well as he could...
|
|
|
|
PERRIN
|
|
That is not true!
|
|
|
|
PICARD
|
|
I must see Sarek.
|
|
|
|
He moves deeper into the room.
|
|
|
|
PERRIN
|
|
Captain, I know a good deal about
|
|
the Vulcan mind and I know a good
|
|
deal about the heart of one
|
|
particular Vulcan.
|
|
(with great strength)
|
|
I am his wife and I tell you he
|
|
is fine. He does not have Bendii
|
|
Syndrome. And that shall be the
|
|
end of it.
|
|
|
|
PICARD
|
|
I'm sorry.
|
|
|
|
He moves around her. She grabs Picard's arm, pleading
|
|
now... panic fills her eyes.
|
|
|
|
PERRIN
|
|
Please... you must not do this to
|
|
him.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT THREE 39.
|
|
|
|
40 ON SAREK
|
|
|
|
He is standing in the doorway on the far side of the
|
|
room. Mendrossen and Sakkath can be seen behind him,
|
|
their faces grim.
|
|
|
|
SAREK
|
|
Must not do what, my wife?
|
|
|
|
41 NEW ANGLE
|
|
|
|
including Picard and Perrin. She looks away from
|
|
Sarek's gaze... cannot answer.
|
|
|
|
SAREK
|
|
(continuing)
|
|
If Captain Picard wishes to see
|
|
me, he may do so.
|
|
|
|
Sarek's voice is strong and commanding. He seems to
|
|
be completely in charge of the situation. Picard
|
|
begins to realize just how difficult a task he has set
|
|
before himself. Push in on Picard's determination...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT FOUR 40.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
42 INT. GUEST QUARTERS
|
|
|
|
As before. Picard and Sarek facing off in the room.
|
|
For all outward appearances, Sarek looks like the
|
|
imposing figure of legend. Sakkath is standing very
|
|
close to Sarek and is almost physically propping him up
|
|
throughout the scene.
|
|
|
|
SAREK
|
|
I regret that we have seen so
|
|
little of each other on this
|
|
voyage, Captain.
|
|
|
|
PICARD
|
|
The loss is mine, Ambassador.
|
|
|
|
Mendrossen coolly steps forward to take charge of the
|
|
situation before it gets out of hand.
|
|
|
|
MENDROSSEN
|
|
Captain, may I talk to you in
|
|
private --
|
|
|
|
Sarek interrupts Mendrossen.
|
|
|
|
SAREK
|
|
(to Picard)
|
|
You were speaking of your belief
|
|
that I suffer from Bendii
|
|
Syndrome.
|
|
(dryly)
|
|
I have been accused of many things
|
|
in my life... but never an excess
|
|
of emotion.
|
|
|
|
PERRIN
|
|
(with obvious concern)
|
|
Sarek, I see no reason to continue
|
|
this discussion...
|
|
|
|
SAREK
|
|
On the contrary, I wish to assuage
|
|
any fears that the captain may
|
|
have regarding my capabilities.
|
|
(to Picard)
|
|
I believe there is a test for
|
|
Bendii Syndrome, I will take it
|
|
immediately.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 41.
|
|
|
|
42 CONTINUED:
|
|
|
|
PICARD
|
|
Unfortunately the results would
|
|
not be available for several
|
|
days... which is why I must ask
|
|
for a postponement of the
|
|
conference.
|
|
|
|
SAREK
|
|
That would be a mistake. Captain
|
|
I give you my word that I am in
|
|
perfect health.
|
|
|
|
PICARD
|
|
Then why must Sakkath help you
|
|
contain your emotions?
|
|
|
|
Sarek now looks at Sakkath, who lowers his eyes. There
|
|
is a beat of silence. Sarek turns to Mendrossen.
|
|
|
|
SAREK
|
|
Is what the captain says true?
|
|
|
|
MENDROSSEN
|
|
(without hesitation)
|
|
No, Ambassador, absolutely not.
|
|
|
|
SAREK
|
|
Perrin were you aware of this?
|
|
|
|
Perrin cannot answer.
|
|
|
|
When Sarek speaks again, his voice is still cool and
|
|
calm, but it is tinged with a slight tone of irritation
|
|
|
|
SAREK
|
|
Sakkath, I await an answer.
|
|
|
|
SAKKATH
|
|
(finally)
|
|
I have used my limited abilities
|
|
to strengthen... your mental
|
|
discipline.
|
|
|
|
A beat as Sarek takes this in.
|
|
|
|
SAREK
|
|
Your efforts will no longer be
|
|
required.
|
|
|
|
SAKKATH
|
|
That would not be wise.
|
|
|
|
STAR TREK: "Sarek" - 3/5/90 - ACT FOUR 42.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
SAREK
|
|
It may not be wise... but it is
|
|
necessary.
|
|
|
|
Sakkath bows his head in acceptance and EXITS. Sarek
|
|
looks to Perrin and Mendrossen.
|
|
|
|
SAREK
|
|
Leave us. I wish to speak with
|
|
Captain Picard.
|
|
|
|
Perrin and Mendrossen exchange alarmed looks.
|
|
|
|
PERRIN
|
|
Sarek, I ask you to reconsider.
|
|
|
|
SAREK
|
|
Obey my wishes.
|
|
(softer)
|
|
There is nothing to fear.
|
|
|
|
A beat and then Perrin and Mendrossen reluctantly EXIT.
|
|
|
|
43 NEW ANGLE
|
|
|
|
As Sarek and Picard square off alone. Sarek will
|
|
remain immobile throughout as Picard moves and paces.
|
|
Picard is clearly unhappy at the prospect of the task
|
|
before him.
|
|
|
|
PICARD
|
|
I hope I have not embarrassed you,
|
|
Ambassador.
|
|
|
|
SAREK
|
|
You seem to forget I am a Vulcan,
|
|
Captain. I am not affected by
|
|
emotional considerations.
|
|
|
|
PICARD
|
|
I believe you are affected, sir...
|
|
far more than you realize.
|
|
|
|
SAREK
|
|
I am a logical being. Present
|
|
your arguments. I will listen.
|
|
|
|
Picard remains deferential, but there is a growing
|
|
urgency to his arguments.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 43.
|
|
|
|
43 CONTINUED:
|
|
|
|
PICARD
|
|
There has been an epidemic of
|
|
violent incidents aboard the
|
|
Enterprise. As we speak, the
|
|
situation is worsening.
|
|
|
|
SAREK
|
|
And it is your hypothesis that
|
|
I am the cause of these incidents?
|
|
|
|
PICARD
|
|
My chief medical officer has
|
|
explored all other probable
|
|
causes.
|
|
|
|
SAREK
|
|
I share your concern for your
|
|
crew. However, you must agree
|
|
it is not unusual for a starship
|
|
to encounter unexplained
|
|
phenomena.
|
|
|
|
PICARD
|
|
That is correct.
|
|
|
|
SAREK
|
|
Therefore, since I can assure you
|
|
that I am not the cause of your
|
|
difficulties, the logical course
|
|
of action is for your doctor to
|
|
continue her search.
|
|
|
|
Picard is looking for an opening. He will not be so
|
|
easily sidetracked.
|
|
|
|
PICARD
|
|
She is... but the fact remains
|
|
that these incidents began shortly
|
|
after your arrival.
|
|
|
|
Sarek is starting to get a little irritated despite
|
|
himself.
|
|
|
|
SAREK
|
|
Is your entire argument to be
|
|
based on mere coincidence?
|
|
|
|
PICARD
|
|
Is it also coincidence, that your
|
|
wife and chief of staff have been
|
|
carefully isolating you?
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 43A.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
SAREK
|
|
(with understanding)
|
|
I believe I now see the flaw in
|
|
your logic. You are reacting to
|
|
their overprotective attitudes
|
|
towards me.
|
|
(MORE)
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 44.
|
|
|
|
43 CONTINUED: (3)
|
|
|
|
SAREK (Cont'd)
|
|
They are both somewhat emotional
|
|
regarding my... age.
|
|
|
|
PICARD
|
|
Surely Sakkath is not influenced
|
|
by emotions.
|
|
|
|
Sarek cannot keep the annoyance out of his voice any
|
|
longer.
|
|
|
|
SAREK
|
|
Am I to be branded by the
|
|
judgment of a child? Sakkath
|
|
is young and inexperienced. He
|
|
erred in his assumption that I
|
|
needed help.
|
|
|
|
Picard has decided that the only way to get Sarek to
|
|
admit to his condition is to force him into an
|
|
emotional response. Picard would rather avoid this,
|
|
but he sees that he has no other choice.
|
|
|
|
PICARD
|
|
(starting to press)
|
|
But you did need his help at the
|
|
concert.
|
|
|
|
Sarek is a little shocked and doesn't respond. Picard
|
|
presses him harder.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Or perhaps you have a logical
|
|
explanation for what happened
|
|
that night?
|
|
|
|
For the first time we see a hesitation in Sarek's
|
|
responses. He is not as sure of himself as the moment
|
|
before.
|
|
|
|
SAREK
|
|
What... happened?
|
|
|
|
PICARD
|
|
I saw you crying.
|
|
|
|
SAREK
|
|
I did not... cry.
|
|
|
|
PICARD
|
|
I was there... I saw the tears.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 44A.
|
|
|
|
43 CONTINUED: (4)
|
|
|
|
Sarek answers quickly, as if anxious to prove a point.
|
|
|
|
SAREK
|
|
You exaggerate, Captain. I
|
|
recall... only one tear.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 45.
|
|
|
|
43 CONTINUED: (5)
|
|
|
|
PICARD
|
|
(forceful)
|
|
Then you were emotionally affected
|
|
by the music.
|
|
|
|
SAREK
|
|
(edge creeping into
|
|
voice)
|
|
That is not possible.
|
|
|
|
PICARD
|
|
You still have not answered me,
|
|
Sarek. Is it logical for a Vulcan
|
|
to cry?
|
|
|
|
Sarek is cornered and he knows it. He desperately
|
|
searches for an answer.
|
|
|
|
SAREK
|
|
It was late... I was fatigued.
|
|
Nothing more.
|
|
|
|
Picard simply stares at him, allows the false response
|
|
to hang in the air. Sarek tries to regain control of
|
|
the situation.
|
|
|
|
SAREK
|
|
The Legarans trust only me. They
|
|
will not meet with any other
|
|
representative of the Federation.
|
|
I must be allowed to complete my
|
|
mission. There are no other
|
|
logical solutions.
|
|
|
|
PICARD
|
|
(pressing)
|
|
No other logical solutions? But
|
|
Ambassador, there are always other
|
|
solutions. You have said so
|
|
yourself many times.
|
|
|
|
SAREK
|
|
What I meant was...
|
|
(pauses)
|
|
|
|
PICARD
|
|
Sarek of Vulcan was never afraid
|
|
to look straight at something he
|
|
did not want to see.
|
|
|
|
Sarek is having a hard time remaining impassive.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 45A.
|
|
|
|
43 CONTINUED: (6)
|
|
|
|
SAREK
|
|
I warn you Captain, your efforts
|
|
to discredit me will not succeed.
|
|
|
|
PICARD
|
|
Sarek of Vulcan never confused
|
|
what he wanted with the truth.
|
|
|
|
Sarek's hands are tightly clenched into fists. His
|
|
voice is now clearly enraged.
|
|
|
|
SAREK
|
|
I will not be spoken to in such
|
|
a manner.
|
|
|
|
PICARD
|
|
Is that anger I hear in your
|
|
voice?
|
|
|
|
SAREK
|
|
(struggling to maintain
|
|
control)
|
|
It would be illogical for a Vulcan
|
|
to show anger... it would be
|
|
illogical... illogical...
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 46.
|
|
|
|
44 ON SAREK AND PICARD
|
|
|
|
as they stare at each other. Sarek turns away... a
|
|
defeated man. He begins to weep.
|
|
|
|
45 ON PICARD
|
|
|
|
realizing that he has destroyed a hero. Hold on his
|
|
anguished face...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FOUR 47.
|
|
|
|
ACT FIVE
|
|
|
|
46 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship drops out of warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
In three hours time we are
|
|
scheduled to meet with the Legaran
|
|
delegation. However it is now
|
|
all too evident that Ambassador
|
|
Sarek is in no condition to
|
|
proceed with the conference.
|
|
|
|
47 INT. READY ROOM
|
|
|
|
Picard is looking out the window, deep in thought.
|
|
Riker has just entered.
|
|
|
|
RIKER
|
|
We're entering the Legaran system,
|
|
Captain. Shall I have Mister Worf
|
|
contact their ambassador?
|
|
|
|
PICARD
|
|
(turns)
|
|
No.
|
|
(off Riker's look)
|
|
I will present our regrets to the
|
|
Legarans personally. It is vital
|
|
that they understand our reasons
|
|
for cancelling the negotiations.
|
|
|
|
Picard is still haunted by what happened with Sarek.
|
|
Riker can see that the captain is still troubled.
|
|
|
|
RIKER
|
|
(quietly)
|
|
Captain, with all due respect...
|
|
I think you did the right thing.
|
|
|
|
PICARD
|
|
But at what cost, Number One?
|
|
|
|
A moment as they reflect on the fall of a great man.
|
|
|
|
The door CHIMES.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT FIVE 47A.
|
|
|
|
47 CONTINUED:
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
The door opens and an emotional Perrin ENTERS.
|
|
|
|
PICARD
|
|
(surprised)
|
|
Perrin?
|
|
|
|
PERRIN
|
|
I must speak with you, Captain.
|
|
|
|
She glances at Riker, who takes the hint.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 48.
|
|
|
|
47 CONTINUED: (2)
|
|
|
|
RIKER
|
|
I'll be on the bridge, sir.
|
|
|
|
Riker EXITS.
|
|
|
|
PICARD
|
|
(with concern)
|
|
How is the ambassador?
|
|
|
|
PERRIN
|
|
Resting.
|
|
(beat)
|
|
I've come to ask you to reconsider
|
|
your position.
|
|
|
|
PICARD
|
|
You know that's impossible.
|
|
|
|
But Perrin is not to be denied. She continues to plead
|
|
her case...
|
|
|
|
PERRIN
|
|
Sarek is a... good man, Captain.
|
|
He has given the Federation a
|
|
lifetime of service. I beg you,
|
|
let him keep the respect he has
|
|
earned.
|
|
|
|
PICARD
|
|
He will never lose that respect.
|
|
|
|
PERRIN
|
|
If you need to blame someone,
|
|
blame Mendrossen and me.
|
|
(beat)
|
|
But we never wanted to deceive
|
|
you. My husband's... condition...
|
|
came on him so... gradually. It
|
|
was so easy to... delude
|
|
ourselves, to pretend that nothing
|
|
was wrong. We convinced ourselves
|
|
that he could complete this one
|
|
last task... and end his career...
|
|
the way it began... with dignity.
|
|
|
|
PICARD
|
|
I'm not blaming anyone.
|
|
|
|
PERRIN
|
|
Then help him, Captain, please.
|
|
Help him regain his pride...
|
|
his honor.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 48A.
|
|
|
|
47 CONTINUED: (3)
|
|
|
|
PICARD
|
|
Believe me, nothing would give
|
|
me greater pleasure. But there's
|
|
nothing I can do.
|
|
|
|
PERRIN
|
|
The mission can be saved.
|
|
(off Picard's look)
|
|
But he needs your help to do it.
|
|
|
|
On Picard's expression, wondering what she means...
|
|
|
|
STAR TREK: "Sarek" - REV. 3/12/90 - ACT FIVE 49.
|
|
|
|
48
|
|
thru OMITTED
|
|
50
|
|
|
|
51 INT. CONFERENCE ROOM
|
|
|
|
Picard and Sarek are standing near the Legaran tank.
|
|
Sarek is a little surprised.
|
|
|
|
SAREK
|
|
A mind-meld... between the two
|
|
of us? Do you realize the dangers
|
|
involved in what you are
|
|
proposing?
|
|
|
|
PICARD
|
|
Yes, Ambassador, I do. But I also
|
|
realize the potential benefits.
|
|
|
|
SAREK
|
|
We would be telepathically
|
|
linked... exchanging our
|
|
thoughts... becoming in essence
|
|
one mind.
|
|
|
|
PICARD
|
|
Which, for a few hours, should
|
|
provide you with the emotional
|
|
control you need. Enough time
|
|
for you to meet with the Legarans
|
|
and conclude the treaty.
|
|
|
|
Sarek is tempted... but he hesitates.
|
|
|
|
SAREK
|
|
It is a generous offer. But I
|
|
must warn you that while I would
|
|
gain your stability, you would
|
|
experience the fierce onslaught
|
|
of emotions unleashed by my...
|
|
condition. Vulcan emotions are
|
|
extremely intense... we have
|
|
learned to suppress them. No
|
|
human would be able to control
|
|
them. They would overwhelm you...
|
|
the mind-meld can be a terrible
|
|
intimacy.
|
|
(beat)
|
|
I cannot allow it.
|
|
|
|
PICARD
|
|
I am aware of the risks, Sarek.
|
|
But I believe it is the only...
|
|
logical solution.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/8/90 - ACT FIVE 49A.
|
|
|
|
51 CONTINUED:
|
|
|
|
A long beat as Sarek slowly realizes that Picard is
|
|
right.
|
|
|
|
SAREK
|
|
Your courage honors me, Captain.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 50.
|
|
|
|
51 CONTINUED: (2)
|
|
|
|
They share a silent beat of respect.
|
|
|
|
52 OMITTED
|
|
|
|
53 INT. PICARD'S QUARTERS
|
|
|
|
Picard is placing two chairs face to face in the center
|
|
of the room. Beverly is standing next to him, holding
|
|
a tricorder. She is obviously worried.
|
|
|
|
BEVERLY
|
|
I can't say I approve of this,
|
|
Jean-Luc.
|
|
|
|
PICARD
|
|
I didn't expect you would,
|
|
Beverly.
|
|
|
|
BEVERLY
|
|
Is there some way I can talk you
|
|
out of it?
|
|
|
|
PICARD
|
|
I'm afraid not. Though I do admit
|
|
to a certain... trepidation.
|
|
(beat, then smiling)
|
|
Your company is appreciated.
|
|
|
|
A warm moment passes between them. The door CHIMES.
|
|
Beverly and Picard exchange a look... this is it.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 51.
|
|
|
|
53 CONTINUED:
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
The door opens and Sarek ENTERS. He looks at the
|
|
chairs.
|
|
|
|
SAREK
|
|
I see you are ready, Captain.
|
|
|
|
PICARD
|
|
Doctor Crusher will be monitoring
|
|
our responses.
|
|
|
|
SAREK
|
|
A sensible precaution.
|
|
|
|
They take their seats. Beverly moves to an unobtrusive
|
|
position nearby.
|
|
|
|
53A ANGLE ON SAREK AND PICARD
|
|
|
|
Sarek slowly reaches out with his hand and places his
|
|
fingertips on Picard's face. Picard's eyes close
|
|
briefly then open again.
|
|
|
|
SAREK
|
|
(whispering)
|
|
My mind to your mind... your
|
|
thoughts to my thoughts...
|
|
|
|
PUSH IN closer until their faces fill the screen...
|
|
|
|
54
|
|
thru OMITTED
|
|
56
|
|
|
|
57 EXT. SPACE - ENTERPRISE IN ORBIT (OPTICAL)
|
|
|
|
Legara Four is visible below...
|
|
|
|
58 INT. BRIDGE
|
|
|
|
Riker at Command, Wesley, Worf and Data at their
|
|
stations.
|
|
|
|
DATA
|
|
Commander, the Legarans are ready
|
|
to beam aboard.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 52.
|
|
|
|
58 CONTINUED:
|
|
|
|
RIKER
|
|
Very well...
|
|
|
|
SAREK (V.O.)
|
|
Number One, please inform the
|
|
Legaran delegation that Ambassador
|
|
Sarek is on his way to welcome
|
|
them.
|
|
|
|
The entire bridge crew turns to see...
|
|
|
|
59 ON SAREK
|
|
|
|
He has just emerged from the turbolift. He looks
|
|
strong, confident, imposing. He is Sarek... yet he is
|
|
Picard too.
|
|
|
|
RIKER
|
|
Yes... Ambassador.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/15/90 - ACT FIVE 53.
|
|
|
|
60
|
|
thru OMITTED
|
|
61
|
|
|
|
62 INT. PICARD'S QUARTERS
|
|
|
|
CLOSE ON a table as Picard's hands come slamming down
|
|
on the surface. PULL BACK as he lets out a strangled
|
|
cry of rage.
|
|
|
|
PICARD
|
|
NO!!!
|
|
|
|
Beverly is nearby, not sure how to help. Picard
|
|
supports himself against the table. Throughout this
|
|
scene, Picard physically struggles to withstand the
|
|
onslaught of raw emotion unleashed by Sarek.
|
|
|
|
PICARD
|
|
It is wrong. A lifetime of
|
|
discipline washed away, and in
|
|
its place... bedlam...
|
|
(MORE)
|
|
|
|
STAR TREK: "Sarek" - REV. 3/9/90 - ACT FIVE 54.
|
|
|
|
62 CONTINUED:
|
|
|
|
PICARD (Cont'd)
|
|
Nothing but bedlam.
|
|
(angry)
|
|
And I am helpless to prevent it!
|
|
I am old! Nothing left but dry
|
|
bones and dead friends.
|
|
(exhausted)
|
|
Weary, so weary.
|
|
|
|
Beverly goes over and tries to lead Picard to a couch.
|
|
|
|
BEVERLY
|
|
It will pass. All of it.
|
|
Another hour or so at most.
|
|
You're doing fine... Just hold
|
|
on.
|
|
|
|
He escapes her grasp.
|
|
|
|
PICARD
|
|
No! This weakness disgusts me!
|
|
I hate it! Where is the logic?
|
|
I am betrayed by desires... I want
|
|
to... feel... to feel everything!
|
|
(a whisper)
|
|
But I am Vulcan.
|
|
(voice rising)
|
|
I must feel nothing. Give me back
|
|
control...
|
|
|
|
Beverly approaches him... staring, searching his face
|
|
for any signs of recognition.
|
|
|
|
BEVERLY
|
|
Jean-Luc...
|
|
|
|
He looks at her, but he doesn't fully recognize her.
|
|
|
|
PICARD
|
|
Perrin...
|
|
(tears begin to stream
|
|
down his face)
|
|
Amanda... I could have given you
|
|
so much more. I wanted to show
|
|
you tenderness. But it is not
|
|
our way. Spock... Amanda did you
|
|
know... ? Perrin, can you know...
|
|
how much I... love you?
|
|
(anguished cry)
|
|
I do love you!
|
|
|
|
STAR TREK: "Sarek" - REV. 3/12/90 - ACT FIVE 54A.
|
|
|
|
62 CONTINUED:
|
|
|
|
Then, suddenly as if with tremendous effort, the tears
|
|
still streaming down his face... Sarek is gone.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/9/90 - ACT FIVE 55.
|
|
|
|
62 CONTINUED: (3)
|
|
|
|
PICARD
|
|
(a hoarse whisper)
|
|
Beverly...
|
|
|
|
BEVERLY
|
|
I'm here... I'm not going to
|
|
leave you.
|
|
|
|
PICARD
|
|
It's so... difficult.
|
|
|
|
She puts her arm around him and leads him to the couch.
|
|
Picard is stunned.
|
|
|
|
PICARD
|
|
The anguish in the man...
|
|
despair... pouring out... so
|
|
many... feelings... regrets...
|
|
|
|
Picard is now weeping openly.
|
|
|
|
PICARD
|
|
I can't stop them...
|
|
|
|
He buries his head into her shoulder. She cradles his
|
|
head.
|
|
|
|
BEVERLY
|
|
(whispers)
|
|
Don't even try.
|
|
|
|
As Picard weeps...
|
|
|
|
63 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Legara Four. We hear Riker's VOICE
|
|
OVER.
|
|
|
|
RIKER
|
|
First officer's log, Stardate
|
|
43920.7. Ambassador Sarek has
|
|
successfully concluded the
|
|
negotiations with the Legarans.
|
|
The USS Merrimac has arrived and
|
|
will transport the ambassador and
|
|
his party back to Vulcan.
|
|
|
|
64 INT. TRANSPORTER ROOM
|
|
|
|
Perrin, Sakkath, and Mendrossen are talking with Picard
|
|
and Riker. They are in dress uniforms again.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/8/90 - ACT FIVE 56.
|
|
|
|
64 CONTINUED:
|
|
|
|
The honor guard seen in the teaser are again present in
|
|
the b.g.
|
|
|
|
PICARD
|
|
I hope your journey aboard the
|
|
Merrimac will be uneventful.
|
|
|
|
SAKKATH
|
|
With the pressures of the
|
|
conference behind him, I believe
|
|
I can help maintain his control
|
|
until we return to Vulcan.
|
|
|
|
RIKER
|
|
What will happen to him then?
|
|
|
|
MENDROSSEN
|
|
The effects of Bendii syndrome
|
|
are irreversible.
|
|
(beat)
|
|
Medical research is always
|
|
continuing, of course...
|
|
|
|
Sakkath and Mendrossen move to the transporter stage
|
|
along with Riker, giving Perrin and Picard a moment
|
|
of privacy.
|
|
|
|
PERRIN
|
|
(with deep gratitude)
|
|
Thank you, Captain.
|
|
|
|
PICARD
|
|
He... loves you... very much.
|
|
|
|
PERRIN
|
|
(smiles and nods)
|
|
I know. I've always known.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/7/90 - ACT FIVE 57.
|
|
|
|
64 CONTINUED: (2)
|
|
|
|
Picard smiles in return. Sarek ENTERS. The honor
|
|
guard comes to attention.
|
|
|
|
SAREK
|
|
(to Picard)
|
|
I will take my leave of you now,
|
|
Captain. I do not think we shall
|
|
meet again.
|
|
|
|
PICARD
|
|
I hope you are wrong, Ambassador.
|
|
|
|
SAREK
|
|
We shall always retain the best
|
|
part of the other inside us.
|
|
|
|
PICARD
|
|
I believe I got the best part of
|
|
that bargain, Ambassador.
|
|
|
|
A silent moment between them. Picard raises his hand
|
|
and gives him the Vulcan salute.
|
|
|
|
PICARD
|
|
Peace and long life, Sarek.
|
|
|
|
SAREK
|
|
(returning salute)
|
|
Live long and prosper.
|
|
|
|
Sarek now steps up on the transporter stage with
|
|
Perrin. Picard nods to O'Brien, who works his console.
|
|
|
|
64A ON SAREK AND PERRIN (OPTICAL)
|
|
|
|
Just before they start to beam out, Sarek reaches out
|
|
for Perrin's hand. She clasps it and they
|
|
DEMATERIALIZE.
|
|
|
|
64B ON PICARD AND RIKER
|
|
|
|
as they watch the beam out.
|
|
|
|
STAR TREK: "Sarek" - REV. 3/6/90 - ACT FIVE 58.
|
|
|
|
65 OMITTED
|
|
|
|
66 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it swings away from Legara Four into the vastness of
|
|
the galaxy.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|