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1 line
65 KiB
Plaintext
Executable File
1 line
65 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"The Nth Degree"
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#40274-193
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Written by
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Joe Menosky
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Directed by
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Rob Legato
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "The Nth Degree" - 1/25/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Nth Degree"
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CAST
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PICARD REGINALD BARCLAY
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RIKER ALBERT EINSTEIN
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DATA VOICE OF THE PLANET
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BEVERLY
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TROI
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GEORDI
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WORF
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ENSIGN APRIL ANAYA
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LIEUTENANT LINDA LARSON
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ENSIGN BROWER
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COMPUTER VOICE
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Non-Speaking
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N.D. ENGINEERS
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N.D. SECURITY OFFICERS
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SUPERNUMERARIES
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STAR TREK: "The Nth Degree" - 1/25/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Nth Degree"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM SHUTTLECRAFT
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OBSERVATION LOUNGE
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SICKBAY "SUPERSPACE"
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ENGINEERING
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CORRIDOR SUPER PLANET
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HOLODECK
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EMPTY
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SHIP'S THEATRE
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17TH CENTURY FRENCH DINING ROOM
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UNDRESSED STAGE
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SHUTTLECRAFT
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STAR TREK: "The Nth Degree" - 1/29/91 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"The Nth Degree"
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PRONUNCIATION GUIDE
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ANGSTOM ANG-strum
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AXONS ax-ONS
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CORPUS CALLOSUM CORE-pus kuh-LOW-sum
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CYTHERIANS sigh-THEAR-ee-n
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DENSITOMETER dense-uh-TOM-uh-ter
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GIGAWATTS GIG-uh-watts
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ICONIC eye-KAH-nick
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INTERROGATIVE in-ter-ROG-ah-tiv
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PERMEABILITY per-mee-ah-BILL-uh-tee
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POST-SYNAPTIC POST sin-AP-tic
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SERO-AMINO SEHR-oh uh-MEAN-oh
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TERAWATTS TEHR-uh-watts
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STAR TREK: "The Nth Degree" - REV. 1/28/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"The Nth Degree"
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TEASER
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FADE IN:
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1 INT. 17TH CENTURY FRANCE - DINING ROOM
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A very spare, period dining room -- simple wooden table
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and two chairs, more functional than fancy. BEVERLY
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CRUSHER wears a beautiful dress; REGINALD BARCLAY, has
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the clothes of a duellist -- and a LARGE NOSE. They
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are doing CYRANO DE BERGERAC.
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BEVERLY
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-- You were like a brother to
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me. We played in the park near
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the lake.
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BARCLAY
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Of course -- Every summer you
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came to Bergerac!
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BEVERLY
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You used to make swords out of
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the reeds -- And when you cut
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your hand, you would run to
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me, and I would say --
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(taking his hand)
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"Let me see --"
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She sees real blood on the hand from a cut, and reacts.
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BEVERLY
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Oh! How did you do that?
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BARCLAY
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"Playing" near the Porte de
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Nesle.
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She wets a handkerchief and starts to wash his hand.
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BEVERLY
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And how many were against you?
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BARCLAY
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No more than a hundred.
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BEVERLY
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Tell me!
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STAR TREK: "The Nth Degree" - REV. 1/30/91 - TEASER 2.
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1 CONTINUED:
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BARCLAY
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No... Let it go. You tell me
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what you were going to say. Do
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you dare?
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BEVERLY
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(still holding his hand)
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I do dare... I love someone.
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BARCLAY
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Ah!
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BEVERLY
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But he does not know.
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BARCLAY
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Ah!
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BEVERLY
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Not yet. He is proud, noble,
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brave and beautiful --
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BARCLAY
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(turns pale, quickly
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rises)
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Beautiful!
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BEVERLY
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What's the matter?
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BARCLAY
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(smiling to cover it)
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With me? Nothing. Just my hand.
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(beat)
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He is in the Guards?
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BEVERLY
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Since this morning. Baron
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Christien de Neuvillette. In your
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own regiment.
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BARCLAY
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Ah...
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BEVERLY
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Promise to be his friend.
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BARCLAY
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I promise.
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BEVERLY
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And never let him fight a duel.
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STAR TREK: "The Nth Degree" - REV. 1/30/91 - TEASER 2A.
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1 CONTINUED: (2)
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BARCLAY
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God forbid.
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BEVERLY
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Oh, I love you.
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(standing)
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I must go now. You never told
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me what happened last night.
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And tell him to write me. A
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hundred men against one. To
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write, remember. A hundred men!
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What courage!
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BARCLAY
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(aside to audience)
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Oh... I have done better since...
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Barclay holds the moment in character. He is met with
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applause.
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STAR TREK: "The Nth Degree" - REV. 1/29/91 - TEASER 3.
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2 INCLUDE AUDIENCE
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RIKER, DATA, GEORDI, TROI, WORF, and a few
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supernumeraries still clapping.
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RIKER
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Bravo.
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TROI
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Wonderful.
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Data reacts with puzzlement to the applause. He
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himself has not joined in.
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DATA
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(to Riker)
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Lieutenant Barclay's performance
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was superficially adequate but
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clearly not rooted in The Method
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approach. As a result, his
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customary anxiety was evident.
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I do not understand why...
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RIKER
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(still clapping)
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-- Because it's polite, Data.
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Data considers for a beat, and joins in the applause
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as it finishes. Beverly and Barclay step off the
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"stage" area to meet their friends, who stand to greet
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them.
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GEORDI
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(re: Barclay)
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Not a bad showing after only six
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weeks of lessons.
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BEVERLY
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Not a bad showing period.
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BARCLAY
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(sheepish, re: Beverly)
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I... we have a very... patient
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teacher.
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Beverly eyes Worf.
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BEVERLY
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There's an opening in my
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workshop... Worf.
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Worf grunts his disapproval of the suggestion, and the
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others laugh as the group begins to break up.
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STAR TREK: "The Nth Degree" - 1/25/91 - TEASER 4.
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3 ON TROI AND BARCLAY
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TROI
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Well done.
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BARCLAY
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Thank... thank you...
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Counselor...
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Barclay is more confident than we saw him in his debut
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episode, but still a far cry from Enterprise norm (he
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still has trouble meeting another's gaze). And he's
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noticeably even less sure of himself than he appeared
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in the acting scene only moments ago.
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TROI
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You've come a long way, Reg.
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BARCLAY
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After... more rehearsals than I
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can count.
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TROI
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I don't just mean your acting
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ability. It takes a great deal
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of courage to put yourself on
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display like that.
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BARCLAY
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You think so...
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TROI
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(acknowledges)
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There was a time when nothing
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could have dragged you onto a
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stage in front of an audience.
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You've made tremendous progress.
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BARCLAY
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I... I guess...
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He's hesitant. She picks up on it, encourages him.
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TROI
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Don't you think so?
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BARCLAY
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Well...
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She waits him out for a beat. He indicates his
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costume.
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STAR TREK: "The Nth Degree" - 1/25/91 - TEASER 5.
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3 CONTINUED:
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BARCLAY
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(continuing)
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I still feel more... more
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comfortable playing somebody else.
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Maybe all this is no better than
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escaping into a holodeck fantasy.
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TROI
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I disagree. This isn't fantasy
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-- it's theatre. You used to
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withdraw into the holodeck. You
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isolated yourself inside your own
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imagination, avoiding contact with
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real people.
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She indicates the stage.
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TROI
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(continuing)
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Look at yourself now... and look
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at all the other people you're
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with... you're not just acting,
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you're inter-acting. Give
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yourself some credit, Mister
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Barclay!
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He nods.
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BARCLAY
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Maybe... you're right.
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Troi smiles and goes out the door. Stay on Barclay,
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alone in costume, audience gone. Despite some
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progress, we get a sense of just how painful it still
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is to be Barclay.
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4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The Enterprise hovering in front of the ARGUS ARRAY.
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It is a huge subspace radio telescope -- a series of
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panels, resembling several very long box-kites stacked
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one on top of the other. It looks absolutely immense.
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PICARD (V.O.)
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Captain's log, stardate 44704.2.
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We have arrived at the Argus
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Array, the remote subspace
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telescope at the very edge of
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Federation space.
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(MORE)
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STAR TREK: "The Nth Degree" - 1/25/91 - TEASER 6.
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4 CONTINUED:
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PICARD (Cont'd)
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The unmanned structure
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mysteriously stopped relaying its
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data nearly two months ago.
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5 INT. BRIDGE
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PICARD, Riker, Worf, Data, Geordi and ENSIGN APRIL
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ANAYA.
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DATA
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The fusion reactors that power
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the array are extremely unstable.
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The risk of overload is high.
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RIKER
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What about the computer systems?
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DATA
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(testing panels)
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They do not seem to be functioning
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at all.
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WORF
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(off instruments)
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Captain! I am picking up an
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unidentified device! One point
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eight kilometers from the array!
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PICARD
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Onscreen.
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6
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thru OMITTED
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7
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8 INCLUDE VIEWSCREEN -- THE PROBE (OPTICAL)
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We see a panel of the Array, and hanging in front of
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it, a silent, probe-like device.
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PICARD
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Magnify.
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The image on the viewscreen is replaced by a highly
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MAGNIFIED VIEW of the probe.
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RIKER
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Some kind of probe. I'll bet
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that's what damaged the array.
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STAR TREK: "The Nth Degree" - REV. 1/28/91 - TEASER 7.
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8 CONTINUED:
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PICARD
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(to Worf)
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Is it emitting any signals,
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Lieutenant?
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WORF
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Negative, sir. I show no
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activity.
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PICARD
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Mister La Forge, why don't you
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go out and take a closer look.
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GEORDI
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(exiting)
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Aye, sir.
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(to Com)
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Mister Barclay, report to
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Main Shuttlebay.
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As the turbolift closes behind Geordi, OFF Picard as
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he stares at the viewscreen...
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9 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The shuttle is already in space... moving away from the
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ship.
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10 INT. SHUTTLE
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Geordi at the helm, Barclay at his station.
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GEORDI
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Enterprise, this is Shuttle Five,
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in position. Ready to begin
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short-range scan.
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RIKER'S COM VOICE
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Proceed, Shuttle Five.
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11 INCLUDE SHUTTLE WINDOW (OPTICAL)
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At this close distance, the Array can be seen only as a
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grey, metallic backdrop. Hanging motionless in front
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of it, only meters from the shuttle, is the alien
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probe, vaguely cylindrical, about ten meters tall and
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three wide.
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STAR TREK: "The Nth Degree" - 1/25/91 - TEASER 8.
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11 CONTINUED:
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GEORDI
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(to Barclay)
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Let's start with the passive high
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res series.
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Barclay is a little nervous, but it's combined with an
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excitement about being there.
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BARCLAY
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Electromagnetic band?
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GEORDI
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Give it a try.
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Barclay nods and touches his instrument panel.
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BARCLAY
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I'm picking up visual wavelengths
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only. Between forty-five...
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forty-five hundred and seven
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thousand angstroms.
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GEORDI
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Try the neutron densitometer.
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Barclay touches the panel.
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BARCLAY
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Nothing.
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GEORDI
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Hmmmm. Doesn't seem to want to
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give up any secrets. Let's go
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to active scan.
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Barclay keys it in. They're both surprised at the
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instruments.
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BARCLAY
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No... No modulation.
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GEORDI
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(to probe)
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You are definitely not from our
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neighborhood.
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(to Barclay)
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Increase to three point zero.
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Barclay does so. Glances over at Geordi.
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STAR TREK: "The Nth Degree" - 1/25/91 - TEASER 9.
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11 CONTINUED: (2)
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BARCLAY
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(hesitantly)
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Commander?
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GEORDI
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Yeah, Reg?
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BARCLAY
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Thanks for... for assigning me
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to this mission.
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GEORDI
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Don't mention it. You're one of
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my top engineers. It's about time
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you started to do the interesting
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stuff.
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(re: situation)
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This is why I'm in Starfleet.
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BARCLAY
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(off instruments)
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Still no modulation.
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GEORDI
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Hit it with the positron emission.
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Barclay touches his panel -- the probe responds with a
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BLINDING FLASH of white light that lights up the entire
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inside of the shuttle for an instant before shutting
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down again.
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GEORDI
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(continuing)
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What was that?
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(looking at instruments)
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Our computer is down!
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He glances over -- Barclay is slumped back in his
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chair, unconscious. Geordi is alarmed. He shakes
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Barclay.
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GEORDI
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Reg! Reg!
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Geordi puts a finger on Barclay's neck to feel for a
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pulse. OFF the concern on his face.
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FADE OUT:
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END OF TEASER
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STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 10.
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ACT ONE
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FADE IN:
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12 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship maintaining position near the Array.
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PICARD (V.O.)
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Captain's log, supplemental. An
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intense energy surge from the
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alien probe has severly disabled
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the shuttle's onboard computer.
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The away team has been transported
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directly to Sickbay.
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12A INT. BRIDGE
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Picard, Riker, Data, Worf, Ensign Anaya.
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RIKER
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Any indication of the probe's
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energy source, Data?
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DATA
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No sir. Power emissions do not
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match any known radiation
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patterns. We have not encountered
|
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this technology before.
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PICARD
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Very well. Isolate the probe and
|
|
place it in tow. We'll take it
|
|
to Science Station Four-Oh-Two
|
|
in the Kohlan system...
|
|
|
|
WORF
|
|
(interrupting)
|
|
Captain. The probe has begun to
|
|
move. It is approaching the
|
|
Enterprise.
|
|
|
|
RIKER
|
|
Shields up!
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
OFF Picard's reaction...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 11.
|
|
|
|
13 INT. SICKBAY
|
|
|
|
Barclay is sitting up on a diagnostic bed, looking
|
|
completely normal. Beverly and Geordi are standing
|
|
next to him. Crusher turns to Barclay.
|
|
|
|
BEVERLY
|
|
(to Barclay)
|
|
There was enough energy in that
|
|
flash to overload your optic
|
|
nerves. It knocked you
|
|
unconscious.
|
|
|
|
GEORDI
|
|
My VISOR must have filtered it
|
|
out.
|
|
|
|
BEVERLY
|
|
Exactly.
|
|
(to Barclay)
|
|
Well, there's no apparent retinal
|
|
damage and the cornea looks fine.
|
|
But I'm still waiting for the full
|
|
sero-amino readout. I'll call
|
|
you when it comes in.
|
|
|
|
Barclay takes this as a dismissal, and gets down off
|
|
the bed, joining Geordi. Beverly heads for another
|
|
part of Sickbay. Barclay thinks for a moment, then
|
|
hesitantly calls after her.
|
|
|
|
BARCLAY
|
|
You shouldn't have to... wait so
|
|
long for the results...
|
|
|
|
Beverly stops and turns back to him, puzzled.
|
|
|
|
BEVERLY
|
|
What do you mean?
|
|
|
|
BARCLAY
|
|
Couldn't you use a global mode
|
|
in your scanner... It would be
|
|
a lot faster.
|
|
|
|
She's a bit taken aback by the suggestion, and by who
|
|
it's coming from. So is Geordi.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/28/91 - ACT ONE 12.
|
|
|
|
13 CONTINUED:
|
|
|
|
BEVERLY
|
|
That's not possible.
|
|
(a smile)
|
|
These are human cells we're
|
|
talking about, not isolinear
|
|
circuits.
|
|
(kiddingly)
|
|
You'd better stick to engineering.
|
|
|
|
Barclay, still a bit sheepish about bringing it up,
|
|
thinks for a second.
|
|
|
|
BARCLAY
|
|
The cells have a... an
|
|
electromagnetic signature... just
|
|
like a circuit element does...
|
|
Conceptually, it should work...
|
|
with a few adjustments...
|
|
|
|
She's interrupted by the RED ALERT lights and klaxons
|
|
sound. Geordi quickly heads for the door, Barclay
|
|
follows. On the way out he looks back toward Beverly
|
|
over his shoulder.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
I could set it up for you if you'd
|
|
like...
|
|
|
|
HOLD a moment on Beverly as Geordi and Barclay
|
|
disappear out the door. Despite the Red Alert, she's
|
|
still curious about his suggestion.
|
|
|
|
14 INT. BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, Ensign Anaya at their
|
|
positions. RED ALERT klaxons and lights in background.
|
|
|
|
WORF
|
|
Probe now closing at fifteen
|
|
point three meters per second.
|
|
Collision course.
|
|
|
|
14A INCLUDE VIEWSCREEN
|
|
|
|
The Array is in the distance. We gradually discern the
|
|
probe approaching from its direction.
|
|
|
|
It is miniscule by comparison.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 13.
|
|
|
|
14A CONTINUED:
|
|
|
|
DATA
|
|
Captain, sensors are reading no
|
|
particulate emissions or subspace
|
|
field distortions.
|
|
|
|
Picard reacts.
|
|
|
|
PICARD
|
|
Then how is it able to move?
|
|
|
|
DATA
|
|
The method of propulsion is
|
|
unknown.
|
|
|
|
RIKER
|
|
Ensign, take us away from it.
|
|
One quarter impulse.
|
|
|
|
ENSIGN ANAYA
|
|
Aye, Sir.
|
|
|
|
She touches her controls.
|
|
|
|
15 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The probe continues hanging before them as they move,
|
|
inert -- no blinkies or indication of any activity --
|
|
but threatening in its silence.
|
|
|
|
15A INT. MAIN BRIDGE
|
|
|
|
WORF
|
|
The probe is matching our speed
|
|
and course.
|
|
|
|
DATA
|
|
Captain, an energy field is
|
|
forming around the device.
|
|
Intensity is three point two
|
|
terawatts, and increasing.
|
|
|
|
WORF
|
|
Sir, the shuttlecraft shields did
|
|
not provide sufficent protection
|
|
for its computer. Our computer
|
|
may also be vulnerable. I
|
|
recommend withdrawal to a safe
|
|
distance.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 14.
|
|
|
|
15A CONTINUED:
|
|
|
|
PICARD
|
|
Ensign Anaya, full about, go to
|
|
one-half impulse.
|
|
|
|
ENSIGN ANAYA
|
|
(touching panel)
|
|
One-half impulse.
|
|
|
|
WORF
|
|
The probe is following.
|
|
|
|
Reactions.
|
|
|
|
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse. The probe moving parallel.
|
|
|
|
17 INT. BRIDGE
|
|
|
|
PICARD
|
|
Options, Number One?
|
|
|
|
RIKER
|
|
We can't use photon torpedoes.
|
|
An explosion this close to the
|
|
ship could cripple us.
|
|
|
|
WORF
|
|
Sir, recommend full phasers.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
WORF
|
|
Firing phasers.
|
|
|
|
Worf fires the phasers.
|
|
|
|
18
|
|
thru OMITTED
|
|
19
|
|
|
|
20 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The phasers fire point blank on the probe. Nothing
|
|
happens.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 15.
|
|
|
|
21 RESUME
|
|
|
|
The staff reacts.
|
|
|
|
WORF
|
|
No effect, Captain.
|
|
|
|
DATA
|
|
(off instruments)
|
|
The probe's field intensity is
|
|
continuing to build... we are in
|
|
danger, Captain...
|
|
|
|
RIKER
|
|
(to COM)
|
|
Riker to La Forge. Can you
|
|
increase phaser power?
|
|
|
|
INTERCUT AS NEEDED:
|
|
|
|
22 INT. ENGINEERING
|
|
|
|
Geordi is at his controls, Barclay a couple of panels
|
|
down, other N.D. engineers including LIEUTENANT LINDA
|
|
LARSON hurrying around to various panels, checking
|
|
readings and making adjustments. The RED ALERT
|
|
continues. Barclay appears to be working furiously.
|
|
|
|
GEORDI
|
|
(to COM)
|
|
Attempting to now, Commander.
|
|
(to Barclay)
|
|
Isolate phasers eighty through
|
|
one twenty and shunt all plasma...
|
|
|
|
BARCLAY
|
|
... to the emitters, yessir, I'm
|
|
already on it... ready.
|
|
|
|
Geordi glances at the instrument panel with some
|
|
surprise at how quickly Barclay anticipated the move.
|
|
Everything appears to be ready.
|
|
|
|
GEORDI
|
|
(to COM)
|
|
Captain! Phasers are as hot as
|
|
we can make them!
|
|
|
|
23 INT. BRIDGE
|
|
|
|
The RED ALERT continues.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 16.
|
|
|
|
23 CONTINUED:
|
|
|
|
PICARD
|
|
Mister Worf.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Worf fires the phasers.
|
|
|
|
24 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
A narrow, intensely bright burst of phaser fire strikes
|
|
the probe for several seconds, then stops -- no change.
|
|
|
|
25 RESUME
|
|
|
|
RIKER
|
|
Nothing.
|
|
|
|
PICARD
|
|
Go to warp two.
|
|
|
|
ENSIGN ANAYA
|
|
Aye, sir.
|
|
(beat)
|
|
Warp two.
|
|
|
|
25A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at warp. The probe still alongside.
|
|
|
|
25B INT. BRIDGE
|
|
|
|
WORF
|
|
The probe is still with us, sir.
|
|
|
|
RIKER
|
|
At warp two?
|
|
|
|
WORF
|
|
Yessir.
|
|
|
|
DATA
|
|
Captain. The probe's energy
|
|
output is overloading our shields.
|
|
Failure anticipated in forty-seven
|
|
seconds.
|
|
|
|
Picard looks around.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT ONE 17.
|
|
|
|
25B CONTINUED:
|
|
|
|
PICARD
|
|
I'm willing to entertain
|
|
suggestions...
|
|
|
|
WORF
|
|
(interrupting)
|
|
Captain! We're dropping to
|
|
impulse.
|
|
|
|
26 INT. ENGINEERING
|
|
|
|
The RED ALERT continues. Barclay is still working
|
|
feverishly at his instrument panel.
|
|
|
|
LARSON
|
|
(puzzled)
|
|
Commander, warp power has been
|
|
transferred to the shield grid.
|
|
|
|
Equally surprised, Geordi glances at the instruments.
|
|
Then looks over at the cause -- Barclay.
|
|
|
|
GEORDI
|
|
Barclay, what are you doing?
|
|
|
|
Barclay holds up a "hold-on" finger, leans back from
|
|
the instrument panel as if finished with something,
|
|
hitting his insignia.
|
|
|
|
BARCLAY
|
|
(keys insignia)
|
|
Lieutenant Barclay to Captain
|
|
Picard. You can fire photon
|
|
torpedos. Maximum yield, full
|
|
spread.
|
|
|
|
27 INT. BRIDGE
|
|
|
|
RIKER
|
|
We're too close.
|
|
|
|
BARCLAY'S COM VOICE
|
|
Our shields will hold.
|
|
|
|
Picard and company react to the suggestion.
|
|
|
|
PICARD
|
|
(to COM)
|
|
La Forge?
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/28/91 - ACT ONE 17A.
|
|
|
|
28 INT. ENGINEERING
|
|
|
|
Geordi is pouring over Barclay's instrument panel,
|
|
amazed.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 18.
|
|
|
|
28 CONTINUED:
|
|
|
|
GEORDI
|
|
(to COM)
|
|
I don't know how Barclay did it,
|
|
but shield strength has been
|
|
increased by over three hundred
|
|
percent. It should be enough.
|
|
|
|
29 INT. BRIDGE
|
|
|
|
Continue RED ALERT as Geordi's words sink in.
|
|
|
|
PICARD
|
|
Mister Worf. Photon torpedos.
|
|
Maximum yield, full spread.
|
|
|
|
WORF
|
|
Aye.
|
|
|
|
Worf touches the panel as though it's his final act.
|
|
|
|
30 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
A full spread of photon torpedos fires away, hitting
|
|
the probe. There is a tremendous explosion.
|
|
|
|
31 INT. BRIDGE - CONTINUOUS
|
|
|
|
The ship is buffeted terribly for several seconds, then
|
|
everything calms suddenly down.
|
|
|
|
32 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
Only the background -- the probe has vanished.
|
|
|
|
33 RESUME
|
|
|
|
Everyone reacts to the narrow escape. A beat as they
|
|
collect themselves.
|
|
|
|
PICARD
|
|
(to Com)
|
|
Thank you, Mister Barclay...
|
|
|
|
34 INT. ENGINEERING
|
|
|
|
Geordi and Barclay.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT ONE 19.
|
|
|
|
34 CONTINUED:
|
|
|
|
BARCLAY
|
|
(to COM)
|
|
You're welcome, Captain. Barclay
|
|
out.
|
|
|
|
Barclay turns to Geordi, who is looking at him.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
I'm sorry if I overstepped my
|
|
authority.
|
|
|
|
A beat.
|
|
|
|
GEORDI
|
|
Don't mention it...
|
|
|
|
OFF Geordi's still stunned reaction.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 20.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
35 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Holding position in front of the Argus Array.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 44705.3.
|
|
The Enterprise has destroyed the
|
|
alien probe. But now we are left
|
|
with the difficult task of
|
|
repairing the Argus Telescope.
|
|
Failure to do so would represent
|
|
an irreplaceable scientific loss.
|
|
|
|
35A INT. CORRIDOR
|
|
|
|
Barclay is walking slowly along towards a turbolift,
|
|
lost in thought as he glances over a PADD.
|
|
|
|
RIKER (O.S.)
|
|
Mister Barclay.
|
|
|
|
35B INCLUDE RIKER
|
|
|
|
catching up to Barclay, heading the same direction,
|
|
smiling with obvious admiration.
|
|
|
|
RIKER
|
|
(continuing)
|
|
... Everyone's still trying to
|
|
figure out exactly how you did
|
|
it.
|
|
|
|
BARCLAY
|
|
It... it just occurred to me that
|
|
I could set up a frequency
|
|
harmonic between the deflector
|
|
and the shield grid... using the
|
|
warp field generator as a power
|
|
flow anti-attenuator and that of
|
|
course naturally created an
|
|
amplification of the inherent
|
|
energy output. (TECH?)
|
|
|
|
Riker lost him a long time ago.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 21.
|
|
|
|
35B CONTINUED:
|
|
|
|
RIKER
|
|
Uh huh.
|
|
(beat)
|
|
Nice job.
|
|
|
|
36 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Data, Geordi, Troi. Barclay and Riker ENTER.
|
|
|
|
PICARD
|
|
Mister Barclay, I'm glad you could
|
|
join us.
|
|
(to Geordi)
|
|
Your report, Mister La Forge.
|
|
|
|
Geordi steps over to a schematic representation of the
|
|
Array on the monitor.
|
|
|
|
GEORDI
|
|
Each of the telescope's subspace
|
|
antenna clusters is powered by
|
|
its own fusion reactor. But a
|
|
single computer controls them all.
|
|
|
|
RIKER
|
|
So, all eighteen reactors were
|
|
affected when the computer was
|
|
damaged... ?
|
|
|
|
GEORDI
|
|
(nods)
|
|
They're starting to overload, and
|
|
could eventually go critical.
|
|
If that happens, the explosion
|
|
would destroy the Array. And I
|
|
wouldn't want to be next door if
|
|
that happens.
|
|
|
|
DATA
|
|
A standard isolation procedure
|
|
would be advisable.
|
|
|
|
GEORDI
|
|
(nodding)
|
|
I agree. We'll cut off each
|
|
reactor from the damaged control
|
|
system and repair them one by one.
|
|
|
|
RIKER
|
|
How long will that take?
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT TWO 22.
|
|
|
|
36 CONTINUED:
|
|
|
|
GEORDI
|
|
Two, three weeks -- at least.
|
|
|
|
PICARD
|
|
Alright then, Mister La Forge --
|
|
|
|
BARCLAY
|
|
(O.C.)
|
|
I don't agree.
|
|
|
|
A beat. Reactions. Everyone turns to Barclay. A
|
|
beat, as he rises, steps over to the schematic. There
|
|
is a steadiness in his voice we've never heard before.
|
|
|
|
BARCLAY
|
|
We could repair all the reactors
|
|
simultaneously instead of one by
|
|
one.
|
|
|
|
PICARD
|
|
(reacts)
|
|
Simultaneously? All eighteen?
|
|
|
|
BARCLAY
|
|
Yessir.
|
|
|
|
GEORDI
|
|
But the Argus computer is
|
|
inoperable.
|
|
|
|
BARCLAY
|
|
Not entirely. The core memory
|
|
is still intact. We could program
|
|
a completely new control system.
|
|
|
|
DATA
|
|
That is an interesting suggestion,
|
|
Lieutenant. However, such an
|
|
approach would require more time
|
|
than our original plan, at least
|
|
seven weeks.
|
|
|
|
BARCLAY
|
|
(studying the
|
|
schematics)
|
|
-- I can have it ready in two
|
|
days.
|
|
|
|
RIKER
|
|
(incredulous)
|
|
What?
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT TWO 23.
|
|
|
|
36 CONTINUED: (2)
|
|
|
|
BARCLAY
|
|
(to Geordi)
|
|
If you could assist me in the
|
|
morning, Commander...
|
|
|
|
Geordi glances at Picard -- they share a reaction.
|
|
|
|
GEORDI
|
|
(awed)
|
|
Sure, Reg.
|
|
|
|
Glances at the others... the staff reacts with shock.
|
|
A beat.
|
|
|
|
37 ANGLE ON TROI
|
|
|
|
OFF the curiosity on her face.
|
|
|
|
38 INT. UNDRESSED STAGE
|
|
|
|
Same area as previous CYRANO scene, but with only a
|
|
chair. Barclay is sitting on it, not in costume but
|
|
in character. Beverly is not in character, but is
|
|
observing as instructor.
|
|
|
|
This is an acting class and it's much looser than the
|
|
scene we saw played previously. A few more students
|
|
are watching and waiting their turn. One of the
|
|
spectators is Troi, standing off to one side. This
|
|
time, Barclay is the consummate actor as he rehearses
|
|
the death scene.
|
|
|
|
BARCLAY
|
|
The moon -- yes, that will be my
|
|
home. My paradise. I shall find
|
|
there, all the souls I love --
|
|
Socrates, Galileo...
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
"But what the devil is he doing
|
|
among us?"
|
|
(he raises himself,
|
|
declaiming)
|
|
Philosopher. Scientist. Poet,
|
|
musician, duellist -- Here lies
|
|
Hercule-Savinien De Cyrano de
|
|
Bergerac.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/28/91 - ACT TWO 24.
|
|
|
|
38 CONTINUED:
|
|
|
|
He falls back into the chair, half fainting. When he
|
|
gathers himself, he stares straight into Beverly's
|
|
eyes.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
I would not have you weep any
|
|
less for that charming, good,
|
|
handsome Christien. I only ask
|
|
this: that as the great cold
|
|
surrounds my bones, you allow a
|
|
double meaning to your mourning
|
|
veil. And when your tears fall
|
|
for him, some few will be... for
|
|
me.
|
|
|
|
The scene ends. Beverly has genuine tears in her eyes.
|
|
Troi is also impressed.
|
|
|
|
BEVERLY
|
|
(understatement)
|
|
That was... a real improvement.
|
|
|
|
Barclay comes out of character.
|
|
|
|
BARCLAY
|
|
Thank you, Doctor. Same time day
|
|
after tomorrow?
|
|
|
|
BEVERLY
|
|
Same time...
|
|
|
|
Barclay nods, smiling, and leaves the room. Beverly is
|
|
still moved -- and now, puzzled. She glances over at
|
|
Troi and they exchange a look -- they're both feeling
|
|
the same way.
|
|
|
|
38A INT. TEN-FORWARD
|
|
|
|
Barclay is sipping from a glass at a table, studying a
|
|
PADD. Troi steps over to his table, a cup of tea in
|
|
hand.
|
|
|
|
TROI
|
|
May I join you?
|
|
|
|
BARCLAY
|
|
Of course. Please... Sit down,
|
|
Counselor.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 25.
|
|
|
|
38A CONTINUED:
|
|
|
|
TROI
|
|
Hard at work?
|
|
|
|
BARCLAY
|
|
(re: PADD)
|
|
Getting prepared for tomorrow's
|
|
meeting in Engineering. We're
|
|
planning our repair strategy.
|
|
|
|
A beat.
|
|
|
|
TROI
|
|
I enjoyed the scene you just
|
|
performed.
|
|
|
|
BARCLAY
|
|
(laughs)
|
|
You're a very forgiving audience.
|
|
|
|
TROI
|
|
Not at all.
|
|
(a beat)
|
|
I thought you were brilliant.
|
|
|
|
Barclay smiles in response. Another beat as Troi
|
|
studies him carefully.
|
|
|
|
TROI
|
|
You've... changed.
|
|
|
|
BARCLAY
|
|
Is that a professional opinion?
|
|
|
|
TROI
|
|
Pure observation.
|
|
|
|
Barclay studies her for a moment.
|
|
|
|
BARCLAY
|
|
It's true. I can't explain it.
|
|
But in the last few days I've
|
|
found a confidence that I never
|
|
knew was there.
|
|
|
|
TROI
|
|
I'm proud of you, Reg... and I'm
|
|
glad for you, too.
|
|
|
|
He gives her a meaningful look -- not like a lounge
|
|
lizard, but like someone who has always had a crush and
|
|
is finally confident enough to act on it. Noting the
|
|
sexual tension, she decides it's time to leave.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 26.
|
|
|
|
38A CONTINUED: (2)
|
|
|
|
TROI
|
|
(stands)
|
|
Well, I'd better be going.
|
|
|
|
BARCLAY
|
|
Must you?
|
|
|
|
TROI
|
|
I... think so...
|
|
|
|
BARCLAY
|
|
(stands)
|
|
Wouldn't you like to take a walk
|
|
with me through the arboretum?
|
|
The zalnias should be in bloom...
|
|
|
|
TROI
|
|
Reg, as your former counselor...
|
|
I... don't think it would be
|
|
appropriate...
|
|
|
|
BARCLAY
|
|
-- I don't need a counselor. What
|
|
I need is the company of a
|
|
charming, intelligent woman.
|
|
|
|
Troi stares at him for a beat -- the offer is not
|
|
without its appeal. She decides against it. She rises
|
|
and Barclay follows suit.
|
|
|
|
TROI
|
|
(with a smile)
|
|
Goodnight, Mister Barclay.
|
|
|
|
He nods and returns her smile -- not at all feeling
|
|
rejected. Then sits back down as she leaves, watching
|
|
her go.
|
|
|
|
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Holding near the Array.
|
|
|
|
40 INT. ENGINEERING
|
|
|
|
BROWER and Larson are waiting around the pool table as
|
|
Geordi steps in with a PADD. Notices they're one
|
|
short.
|
|
|
|
GEORDI
|
|
Where's Lieutenant Barclay?
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 27.
|
|
|
|
40 CONTINUED:
|
|
|
|
LARSON
|
|
I stopped by his quarters on my
|
|
way over. He wasn't there.
|
|
|
|
GEORDI
|
|
Computer, location of Lieutenant
|
|
Barclay.
|
|
|
|
COMPUTER VOICE
|
|
Holodeck Three.
|
|
|
|
Geordi scowls. Turns and quickly heads for the exit.
|
|
OFF the look between Brower and Larson.
|
|
|
|
41 INT. HOLODECK - CLOSE ON
|
|
|
|
a man who appears to be ALBERT EINSTEIN, writing a long
|
|
equation on a blackboard in the undressed holodeck.
|
|
The board is already covered with mathematical symbols.
|
|
|
|
EINSTEIN
|
|
G sub I J of t as t approaches
|
|
infinity...
|
|
|
|
A hand reaches in and rubs out the appropriate symbol.
|
|
|
|
BARCLAY (O.S.)
|
|
That's G of t over G-naught.
|
|
|
|
42 INCLUDE BARCLAY
|
|
|
|
standing next to Einstein, chalk in hand. He makes
|
|
the correction on the board as the great physicist
|
|
watches.
|
|
|
|
EINSTEIN
|
|
So it is, so it is.
|
|
|
|
Barclay points to a different part of the formula.
|
|
|
|
BARCLAY
|
|
I still don't see how you can
|
|
incorporate the quantum principle
|
|
into general relativity without
|
|
adjusting the cosmological
|
|
constant a lot more than you're
|
|
doing here.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 28.
|
|
|
|
42 CONTINUED:
|
|
|
|
EINSTEIN
|
|
If we increase the value as you
|
|
suggest, we must face the
|
|
possibility of twenty-six
|
|
dimensions, instead of ten!
|
|
|
|
BARCLAY
|
|
(laughs)
|
|
I'm not sure if I'm ready for
|
|
that.
|
|
|
|
EINSTEIN
|
|
(good humored)
|
|
I certainly am not.
|
|
|
|
Barclay thinks a moment. Points to the board.
|
|
|
|
BARCLAY
|
|
But if this semiset was curved
|
|
into the subatomic, the infinities
|
|
might cancel each other out.
|
|
|
|
Einstein gives Barclay an amazed look.
|
|
|
|
EINSTEIN
|
|
Gruss Gott. They just might.
|
|
|
|
As Einstein feverishly continues writing on the board,
|
|
the two hear someone CLEARING HIS THROAT. As they turn
|
|
towards the sound --
|
|
|
|
43 INCLUDE GEORDI
|
|
|
|
standing in the doorway, staring at the board --
|
|
clearly unable to decipher it.
|
|
|
|
GEORDI
|
|
We had a meeting at Oh-seven
|
|
hundred...
|
|
|
|
BARCLAY
|
|
I'm sorry, Commander.
|
|
(to Einstein)
|
|
Thank you, Professor.
|
|
(to computer)
|
|
End program.
|
|
|
|
Einstein DISAPPEARS in mid-chalk stroke. Barclay
|
|
quickly joins Geordi and they walk together out of the
|
|
holodeck.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 29.
|
|
|
|
43 CONTINUED:
|
|
|
|
GEORDI
|
|
What was that all about?
|
|
|
|
FOLLOW them outside and into corridor.
|
|
|
|
44 INT. CORRIDOR - CONTINUOUS
|
|
|
|
Geordi and Barclay walking away from the holodeck.
|
|
|
|
BARCLAY
|
|
I had some ideas late last
|
|
night... I needed to consult the
|
|
computer about some quantum
|
|
electrodynamic calculations. A
|
|
holodeck Einstein program seemed
|
|
like the best way. I guess I went
|
|
a little overboard.
|
|
|
|
GEORDI
|
|
A little? Most of the stuff on
|
|
that blackboard was way out of
|
|
my league. Yours too.
|
|
|
|
BARCLAY
|
|
Not really. I just never thought
|
|
along those lines before. It's
|
|
all pretty evident now... I'm sure
|
|
if you put your mind to it --
|
|
|
|
Geordi stops, interrupting him.
|
|
|
|
GEORDI
|
|
-- Ever since our run-in with the
|
|
probe, something's been different
|
|
about you.
|
|
|
|
A long beat as Barclay looks at Geordi.
|
|
|
|
BARCLAY
|
|
Because I'm starting to behave
|
|
a little more like the rest of
|
|
the crew? With confidence in what
|
|
I'm doing?
|
|
|
|
GEORDI
|
|
(continuing)
|
|
You just spent the entire night
|
|
arguing Grand Unification Theories
|
|
with Albert Einstein!
|
|
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 30.
|
|
|
|
44 CONTINUED:
|
|
|
|
BARCLAY
|
|
Yes, but --
|
|
|
|
GEORDI
|
|
-- Something's happened to you,
|
|
Reg. We can't ignore that.
|
|
|
|
Barclay pauses, looks at Geordi.
|
|
|
|
BARCLAY
|
|
I've finally become the person
|
|
I've always wanted to be. Do we
|
|
have to ask why?
|
|
|
|
A moment between them.
|
|
|
|
GEORDI
|
|
(reluctantly)
|
|
Yeah, I think we do...
|
|
|
|
45 INT. SICKBAY
|
|
|
|
Barclay is on a diagnostic bed, Beverly and Geordi
|
|
standing next to him. Beverly is looking at the data
|
|
displayed one the readout above the bed. She is
|
|
stunned by what she finds.
|
|
|
|
BEVERLY
|
|
Incredible. The production of
|
|
neurotransmitters in your brain
|
|
has jumped by over five hundred
|
|
percent. Pre and postsynaptic
|
|
membranes have increased their
|
|
permeability to match it.
|
|
(a beat)
|
|
I couldn't even guess at an I.Q.
|
|
level.
|
|
|
|
BARCLAY
|
|
Probably somewhere between twelve
|
|
hundred and fourteen fifty.
|
|
|
|
BEVERLY
|
|
But that isn't all.
|
|
|
|
She indicates a readout on the wall.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT TWO 31.
|
|
|
|
45 CONTINUED:
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
The corpus callosum -- the
|
|
connecting bridge between the two
|
|
sides of the brain. It's so
|
|
active that the hemispheres have
|
|
essentially become one.
|
|
|
|
GEORDI
|
|
So it's not just raw intelligence
|
|
we're talking about.
|
|
|
|
BEVERLY
|
|
Creativity, imagination,
|
|
resourcefulness, inspiration --
|
|
it's all been enhanced.
|
|
|
|
A beat as they consider the implications.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Lieutenant, you are the most
|
|
advanced human being who has ever
|
|
lived.
|
|
|
|
OFF everyone's reactions.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 32.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
45A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
By the Array.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log; supplemental.
|
|
Apparently as a result of his
|
|
exposure to the alien probe,
|
|
Lieutenant Barclay has gained an
|
|
extraordinary new level of
|
|
intelligence. The question now
|
|
is -- how are we to deal with it?
|
|
|
|
46 INT. READY ROOM
|
|
|
|
Picard, Beverly, Geordi, Troi, and Riker.
|
|
|
|
RIKER
|
|
We could confine him to his
|
|
quarters.
|
|
|
|
GEORDI
|
|
How can we do that? What's he
|
|
done? You're talking about
|
|
locking him up for being too
|
|
smart.
|
|
|
|
RIKER
|
|
If he's under an alien influence,
|
|
doesn't that put us all at risk?
|
|
|
|
BEVERLY
|
|
Not necessarily. For all we know
|
|
it could be more like a simple
|
|
allergic reaction to a bee
|
|
sting...
|
|
|
|
PICARD
|
|
(a beat)
|
|
Has Mister Barclay done anything
|
|
that could be considered
|
|
potentially threatening?
|
|
|
|
TROI
|
|
He did make a pass at me last
|
|
night.
|
|
|
|
They react. Riker particularly, raises an eyebrow.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 33.
|
|
|
|
46 CONTINUED:
|
|
|
|
TROI
|
|
(continuing)
|
|
A good one.
|
|
|
|
GEORDI
|
|
I wouldn't exactly call that a
|
|
threat.
|
|
|
|
TROI
|
|
No, but it's definitely unusual
|
|
behavior for Barclay.
|
|
|
|
BEVERLY
|
|
(corroborating)
|
|
He taught violin technique at the
|
|
music school last night.
|
|
|
|
RIKER
|
|
I didn't know Barclay even played
|
|
the violin.
|
|
|
|
BEVERLY
|
|
He didn't... until last night.
|
|
|
|
A beat.
|
|
|
|
GEORDI
|
|
Look... if we want to save the
|
|
Array, we need Barclay... It's
|
|
as simple as that...
|
|
|
|
Picard considers for a beat.
|
|
|
|
PICARD
|
|
Until he does something more
|
|
menacing than what's been
|
|
described -- I see no reason why
|
|
we should prevent him from
|
|
continuing his work.
|
|
|
|
LARSON'S COM VOICE
|
|
Larson to Commander La Forge.
|
|
|
|
GEORDI
|
|
(to COM)
|
|
Go ahead, Lieutenant.
|
|
|
|
47 INT. ENGINEERING
|
|
|
|
Barclay, Brower, and Larson are at their respective
|
|
consoles, working as quickly as possible.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 34.
|
|
|
|
47 CONTINUED:
|
|
|
|
LARSON
|
|
(to COM)
|
|
We're having trouble containing
|
|
reactor nine, sir. It's starting
|
|
to chain.
|
|
|
|
48 INT. READY ROOM - CONTINUOUS
|
|
|
|
Geordi glances at Picard, who nods his permission.
|
|
|
|
GEORDI
|
|
(to COM)
|
|
I'll be right there.
|
|
|
|
Geordi takes off towards the door. As the others begin
|
|
to leave, Riker moves next to Deanna -- with a twinkle
|
|
in his eye; no jealousy intended...
|
|
|
|
RIKER
|
|
You said he made a pass... you
|
|
forgot to mention whether it was
|
|
successful or not...
|
|
|
|
Deanna controls a grin, EXITS without answering...
|
|
|
|
49 INT. ENGINEERING
|
|
|
|
Barclay, Larson and Brower at their respective control
|
|
panels. Geordi is quickly moving between them and
|
|
other stations, coordinating the work. It's damage
|
|
control time.
|
|
|
|
BARCLAY
|
|
Thermal levels up one hundred
|
|
seventy seven percent. Comparable
|
|
increase in neutron emissions.
|
|
|
|
GEORDI
|
|
Is the interface between our
|
|
computer and the Array still in
|
|
operation?
|
|
|
|
BARCLAY
|
|
Yes.
|
|
(re: instruments)
|
|
But our computer is just too slow
|
|
to direct the repairs; the
|
|
parameters are changing too
|
|
quickly for it to keep up.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 35.
|
|
|
|
49 CONTINUED:
|
|
|
|
GEORDI
|
|
We'll have to try a remote
|
|
shutdown from here.
|
|
|
|
LARSON
|
|
Transmitting commands to the Array
|
|
now, Sir. Starting close down
|
|
sequence.
|
|
|
|
BARCLAY
|
|
(to Brower)
|
|
Brower, increase the intake of
|
|
liquid Helium Three into the
|
|
reactor wall. We've got to cool
|
|
it off.
|
|
|
|
BROWER
|
|
(working panel)
|
|
Transmitting commands...
|
|
(alarmed)
|
|
Thermal levels increasing!
|
|
|
|
Geordi rushes over.
|
|
|
|
GEORDI
|
|
What happened?
|
|
|
|
BARCLAY
|
|
Unclear... the interface isn't
|
|
fast enough.
|
|
|
|
Barclay's fingers are flying over the keyboard. He's
|
|
frustrated.
|
|
|
|
LARSON
|
|
Commander La Forge! Overload
|
|
indications on Argus generator
|
|
Five...
|
|
(a beat as he looks at
|
|
instruments)
|
|
Seven and Fourteen.
|
|
|
|
La Forge quickly moves over to Larson.
|
|
|
|
GEORDI
|
|
Damn.
|
|
|
|
50 ON BARCLAY
|
|
|
|
thinking out loud.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 36.
|
|
|
|
50 CONTINUED:
|
|
|
|
BARCLAY
|
|
Can't do anything from here...
|
|
I've got to have a better
|
|
interface...
|
|
|
|
Barclay pushes away from the console.
|
|
|
|
51 RESUME
|
|
|
|
GEORDI
|
|
(to COM)
|
|
La Forge to Bridge. We're looking
|
|
at a cascade reactor failure on
|
|
the Argus.
|
|
|
|
In the background, Barclay disappears unnoticed out
|
|
the door.
|
|
|
|
52 INT. BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, Ensign Anaya.
|
|
|
|
GEORDI'S COM VOICE
|
|
I don't think we're gonna pull
|
|
this one out.
|
|
|
|
DATA
|
|
(off instruments)
|
|
Reactor Nine will reach critical
|
|
in ten minutes, forty three
|
|
seconds. The subsequent explosion
|
|
will create a chain reaction along
|
|
the entire length of the Array.
|
|
|
|
53 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
As Picard considers the vast structure for a beat.
|
|
|
|
RIKER
|
|
(to COM)
|
|
La Forge. You've got ten minutes.
|
|
|
|
PICARD
|
|
(to Anaya)
|
|
Ensign, standby for a jump to warp
|
|
two.
|
|
|
|
ENSIGN ANAYA
|
|
Yes, Sir.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 37.
|
|
|
|
53 CONTINUED:
|
|
|
|
RIKER
|
|
Mister Worf, Red Alert.
|
|
|
|
WORF
|
|
Aye, Commander.
|
|
|
|
Worf touches he panel and the RED ALERT KLAXONS and
|
|
LIGHTS begin.
|
|
|
|
54 INT. CORRIDOR
|
|
|
|
Barclay is hurrying along the corridor, RED ALERT
|
|
alarms blaring around him. He reaches a door marked
|
|
HOLODECK THREE.
|
|
|
|
The door opens and he heads through it. FOLLOW him
|
|
inside.
|
|
|
|
55 INT. HOLODECK - CONTINUOUS (OPTICAL)
|
|
|
|
Barclay steps quickly into the bare room.
|
|
|
|
BARCLAY
|
|
Computer.
|
|
|
|
COMPUTER VOICE
|
|
Standing by.
|
|
|
|
BARCLAY
|
|
Begin new program. Create as
|
|
follows: Work station chair.
|
|
|
|
A chair MATERIALIZES in front of him. He sits down
|
|
in it.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
Create a standard alpha-numeric
|
|
console positioned for left hand.
|
|
|
|
A console MATERIALIZES on his left.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
... Now, an iconic display console
|
|
positioned for right hand.
|
|
|
|
Another work station console MATERIALIZES to his
|
|
immediate right. Barclay sits in the chair, begins
|
|
testing both consoles...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 38.
|
|
|
|
55 CONTINUED:
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
Tie both consoles into the
|
|
Enterprise main computer core,
|
|
utilizing a neural scan interface.
|
|
|
|
COMPUTER VOICE
|
|
(a beat)
|
|
There is no such device on file.
|
|
|
|
BARCLAY
|
|
No problem. Here's how you build
|
|
it...
|
|
|
|
56
|
|
thru OMITTED
|
|
57
|
|
|
|
58 INT. BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, Ensign Anaya. As the RED
|
|
ALERT continues.
|
|
|
|
DATA
|
|
Argus Reactor Nine is twenty-eight
|
|
seconds to critical.
|
|
|
|
RIKER
|
|
Let's get out of here.
|
|
|
|
PICARD
|
|
Warp two, Ensign.
|
|
|
|
ENSIGN ANAYA
|
|
Yes, Sir.
|
|
|
|
Before she can execute the command, several of the
|
|
console and display lights suddenly GO OUT on the
|
|
Bridge.
|
|
|
|
ENSIGN ANAYA
|
|
Helm is not responding.
|
|
|
|
WORF
|
|
Captain! We have lost computer
|
|
control!
|
|
|
|
RIKER
|
|
What?
|
|
|
|
DATA
|
|
Twelve seconds to critical, Sir...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 39.
|
|
|
|
58 CONTINUED:
|
|
|
|
PICARD
|
|
(quickly to Anaya)
|
|
Go to manual.
|
|
|
|
Ensign Anaya attempts in vain to manually engage the
|
|
helm...
|
|
|
|
ENSIGN ANAYA
|
|
I'm attempting to, sir... but
|
|
it's...
|
|
|
|
RIKER
|
|
There's not enough time...
|
|
|
|
The console lights suddenly brighten back to normal.
|
|
As everyone reacts to these unexpected events --.
|
|
|
|
WORF
|
|
The computer is coming back on
|
|
line, sir.
|
|
|
|
DATA
|
|
(puzzled; off
|
|
instruments)
|
|
Captain, the Argus reactors are
|
|
shutting down.
|
|
(to Picard)
|
|
We are no longer in danger.
|
|
|
|
PICARD
|
|
What happened?
|
|
|
|
DATA
|
|
(checking)
|
|
Unknown, sir...
|
|
|
|
RIKER
|
|
La Forge, what did you do?
|
|
|
|
59 INT. ENGINEERING
|
|
|
|
GEORDI
|
|
Wasn't me, sir.
|
|
|
|
60 INT. BRIDGE
|
|
|
|
PICARD
|
|
Computer, how were the Argus
|
|
reactors shut down?
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT THREE 40.
|
|
|
|
60 CONTINUED:
|
|
|
|
BARCLAY'S VOICE
|
|
A neural interface was created
|
|
to expedite the repairs.
|
|
|
|
Reactions.
|
|
|
|
RIKER
|
|
Barclay?
|
|
|
|
Puzzled reactions.
|
|
|
|
PICARD
|
|
Computer! Respond.
|
|
|
|
BARCLAY'S VOICE
|
|
I am responding, sir. I'm sorry
|
|
if I caused you any alarm. It
|
|
was necessary in order to secure
|
|
the Array.
|
|
|
|
Everyone is stunned.
|
|
|
|
RIKER
|
|
Barclay?
|
|
|
|
BARCLAY'S VOICE
|
|
Yes, Commander...
|
|
|
|
61
|
|
thru OMITTED
|
|
62
|
|
|
|
63 INT. HOLODECK
|
|
|
|
Barclay is in his chair, the two consoles around him.
|
|
Hovering above is a massive half-globe shaped laser
|
|
scanner that continuously plays tiny laser lights over
|
|
Barclay's head. Conduits of all sizes and shapes lead
|
|
away from the device to the walls of the holodeck,
|
|
effectively wiring Barclay in.
|
|
|
|
His LIPS DO NOT MOVE when he speaks.
|
|
|
|
BARCLAY'S VOICE
|
|
(continuing)
|
|
It's me...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
(NOTE: Red Alert ends during the act break.)
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 41.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
64 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Motionless in space next to the Array.
|
|
|
|
65 OMITTED
|
|
|
|
66 INT. HOLODECK
|
|
|
|
Picard, Riker, Geordi and Worf are staring at Barclay
|
|
in his interface chair, the tiny lasers continuously
|
|
scanning his head. His lips are not moving as he
|
|
speaks. Red Alert has been cancelled.
|
|
|
|
BARCLAY'S VOICE
|
|
I was only trying to help. Our
|
|
computer was too slow to
|
|
compensate for the overload on
|
|
the Array. So I created an
|
|
interface that communicated my
|
|
thoughts directly to the central
|
|
processing unit.
|
|
|
|
RIKER
|
|
Exactly what does that mean?
|
|
|
|
BARCLAY'S VOICE
|
|
My body is as you see it here.
|
|
But much of my higher brain
|
|
functions and memory have been
|
|
transferred to the starboard
|
|
computer core.
|
|
|
|
A beat as the officers all look at each other. Picard
|
|
turns to Barclay.
|
|
|
|
PICARD
|
|
Mister Barclay, please remove
|
|
yourself from the computer system
|
|
and leave the holodeck.
|
|
|
|
BARCLAY'S VOICE
|
|
I'm afraid I can't, Sir.
|
|
|
|
PICARD
|
|
Why is that?
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 2/1/91 - ACT FOUR 42.
|
|
|
|
66 CONTINUED:
|
|
|
|
BARCLAY'S VOICE
|
|
My primary cerebral functions
|
|
are now operating almost entirely
|
|
from within the computer. They
|
|
have expanded to such a degree
|
|
that it would be impossible to
|
|
return to the confines of my
|
|
human brain.
|
|
|
|
A beat.
|
|
|
|
BARCLAY'S VOICE
|
|
(continuing)
|
|
Any attempt to do so would mean
|
|
my death.
|
|
|
|
OFF the reactions.
|
|
|
|
66A
|
|
thru OMITTED
|
|
67
|
|
|
|
68 INT. OBSERVATION LOUNGE - ON GEORDI
|
|
|
|
finishing up at a wall panel that has been removed to
|
|
expose some circuitry beneath.
|
|
|
|
GEORDI
|
|
That's it.
|
|
|
|
69 INCLUDE SENIOR STAFF
|
|
|
|
Picard, Riker, Worf, Data sitting at the conference
|
|
table. Geordi replaces the panel.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I disconnected the visual and
|
|
audio pickups. We can talk
|
|
without being monitored by...
|
|
(hesitates)
|
|
the computer...
|
|
|
|
WORF
|
|
By Barclay.
|
|
|
|
Geordi joins them at the table.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
Report, Commander.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 43.
|
|
|
|
69 CONTINUED:
|
|
|
|
GEORDI
|
|
It's now almost impossible to tell
|
|
where Barclay ends and the
|
|
computer begins. He's actually
|
|
rewriting the isolinear chips each
|
|
time he extends himself a little
|
|
further.
|
|
|
|
RIKER
|
|
How do we get him out of there?
|
|
|
|
GEORDI
|
|
We don't. Not without killing
|
|
him.
|
|
|
|
PICARD
|
|
(beat)
|
|
This is an intolerable
|
|
situation... I have no wish to
|
|
harm him, but we cannot allow
|
|
Mister Barclay to continue to act
|
|
as the ship's computer... I don't
|
|
care how smart he is.
|
|
|
|
DATA
|
|
Lieutenant Barclay has not yet
|
|
extended himself into the
|
|
Engineering subsystems. It may
|
|
be possible to establish an ODN
|
|
bypass directly to the Bridge.
|
|
|
|
PICARD
|
|
That won't give us control of
|
|
the ship.
|
|
|
|
GEORDI
|
|
No... But we would have access
|
|
to the propulsion systems. Enough
|
|
to get us to the nearest
|
|
Starbase.
|
|
|
|
RIKER
|
|
How long would it take to set
|
|
it up?
|
|
|
|
GEORDI
|
|
A few hours.
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
All rising...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 44.
|
|
|
|
69 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Should we... discuss this with
|
|
Barclay, Captain?
|
|
|
|
PICARD
|
|
I think not.
|
|
|
|
70 INT. JEFFRIES TUBE
|
|
|
|
Geordi is working in a Jeffries Tube.
|
|
|
|
BARCLAY'S VOICE
|
|
Commander La Forge?
|
|
|
|
A pause, as Geordi debates whether to respond. He
|
|
keeps working.
|
|
|
|
GEORDI
|
|
Yeah, Reg?
|
|
|
|
BARCLAY'S VOICE
|
|
I thought you would be in your
|
|
quarters.
|
|
|
|
GEORDI
|
|
Just catching up on some work.
|
|
(lying)
|
|
That level-3 diagnostic we
|
|
talked about.
|
|
(beat)
|
|
How're you doing?
|
|
|
|
BARCLAY'S VOICE
|
|
(a beat)
|
|
I wish I could convey to you what
|
|
it's like for me now. What I've
|
|
become...
|
|
|
|
GEORDI
|
|
Give it a try.
|
|
|
|
BARCLAY'S VOICE
|
|
I can conceive almost infinite
|
|
possibilities, and can fully
|
|
explore each of them in a
|
|
nanosecond. I perceive the
|
|
universe as a single equation,
|
|
and it is so simple, I...
|
|
understand...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 45.
|
|
|
|
70 CONTINUED:
|
|
|
|
GEORDI
|
|
Understand?
|
|
|
|
BARCLAY'S VOICE
|
|
(beat)
|
|
...everything.
|
|
|
|
GEORDI
|
|
Do you understand how this
|
|
happened to you?
|
|
|
|
BARCLAY'S VOICE
|
|
I believe it is a gift... that
|
|
I have been chosen to fulfill a
|
|
great purpose...
|
|
|
|
GEORDI
|
|
(concerned)
|
|
Uh huh.
|
|
|
|
BARCLAY'S VOICE
|
|
(a beat, suddenly
|
|
concerned)
|
|
Do you suppose all this has
|
|
changed the way people think about
|
|
me?
|
|
|
|
Geordi is touched for a moment -- it's still the real
|
|
Barclay somewhere in there.
|
|
|
|
GEORDI
|
|
I'll be honest with you. We don't
|
|
know what to think.
|
|
|
|
BARCLAY'S VOICE
|
|
I've been concerned about that.
|
|
(a beat)
|
|
But soon everyone will
|
|
understand what I can do for
|
|
humanity.
|
|
|
|
GEORDI
|
|
They will... ?
|
|
|
|
BARCLAY'S VOICE
|
|
We have always perceived the
|
|
maximum speed of the Enterprise
|
|
as a function of warp... but I
|
|
know now there are no limits...
|
|
(MORE)
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FOUR 46.
|
|
|
|
70 CONTINUED: (2)
|
|
|
|
BARCLAY'S VOICE (Cont'd)
|
|
We will explore new worlds that
|
|
we could never before have reached
|
|
in our lifetime. I will take us
|
|
to them...
|
|
|
|
Off Geordi's reaction...
|
|
|
|
71 INT. BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, Ensign Anaya. Worf looks up
|
|
in alarm from his instruments.
|
|
|
|
WORF
|
|
Captain! I am picking up a
|
|
subspace distortion.
|
|
|
|
72 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
where the stars appear to be stretching away from the
|
|
Enterprise.
|
|
|
|
PICARD
|
|
Mister Data?
|
|
|
|
DATA
|
|
(off instruments)
|
|
This disturbance is the result
|
|
of a highly charged graviton field
|
|
emanating from our warp nacelles.
|
|
It is creating a severe bias in
|
|
the subspace continuum.
|
|
|
|
Everyone reacts. A beat.
|
|
|
|
PICARD
|
|
Lieutenant Barclay, are you
|
|
responsible for this graviton
|
|
field disturbance?
|
|
|
|
BARCLAY'S VOICE
|
|
Yessir, I'm altering subspace
|
|
in a way that's never been
|
|
conceived of before. I'm fairly
|
|
certain it will allow us to travel
|
|
half-way across the galaxy in a
|
|
matter of only...
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 47.
|
|
|
|
72 CONTINUED:
|
|
|
|
PICARD
|
|
Mister Barclay, I'd like you to
|
|
hold off on this experiment for
|
|
now.
|
|
|
|
BARCLAY'S VOICE
|
|
Captain, if you'd only allow
|
|
me...
|
|
|
|
PICARD
|
|
Lieutenant, this is a direct
|
|
order. Discontinue whatever it
|
|
is you're doing.
|
|
|
|
A beat.
|
|
|
|
BARCLAY'S VOICE
|
|
I really would rather not, sir.
|
|
I'm positive you'll be pleased
|
|
with the result once I've
|
|
finished.
|
|
|
|
Picard glances at Worf, gives him the CUT OFF sign.
|
|
Worf touches the controls.
|
|
|
|
WORF
|
|
Audio is disconnected. We may
|
|
speak freely.
|
|
|
|
RIKER
|
|
(to Data)
|
|
How soon before the ODN bypass
|
|
is in place?
|
|
|
|
DATA
|
|
I have been monitoring Commander
|
|
La Forge's progress. It will
|
|
be operational in approximately
|
|
seventeen minutes.
|
|
|
|
TROI
|
|
(to Picard)
|
|
Captain, let me go to the
|
|
holodeck. Try to talk to him.
|
|
|
|
WORF
|
|
(off instruments)
|
|
Sir, the subspace distortion is
|
|
continuing to increase...
|
|
|
|
Picard nods to Troi... she EXITS.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 48.
|
|
|
|
72A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship hovering near the distortion.
|
|
|
|
72B INT. HOLODECK (FORMERLY SCENE 72A)
|
|
|
|
The door opens and Troi ENTERS. She is taken aback by
|
|
the sight of Barclay all plugged in. As before, when
|
|
he speaks, his mouth does not move.
|
|
|
|
BARCLAY'S VOICE
|
|
Hello, Deanna.
|
|
|
|
TROI
|
|
Reg...
|
|
|
|
BARCLAY'S VOICE
|
|
I'm sorry that we can't take that
|
|
walk in the Arboretum.
|
|
|
|
TROI
|
|
So am I.
|
|
(beat)
|
|
Reg, you've frightened everyone...
|
|
I can't imagine that is your
|
|
intent.
|
|
|
|
BARCLAY'S VOICE
|
|
Young children are sometimes
|
|
frightened of the world. That
|
|
doesn't mean their parents should
|
|
let them stay in their cribs.
|
|
|
|
TROI
|
|
Are we children to you, now?
|
|
|
|
BARCLAY'S VOICE
|
|
I can see so much more than you
|
|
are capable of. You should trust
|
|
that.
|
|
|
|
A beat.
|
|
|
|
BARCLAY'S VOICE
|
|
(continuing)
|
|
Deanna, I've always wanted to earn
|
|
your respect.
|
|
|
|
TROI
|
|
You've got it... From all of us.
|
|
We don't need any more convincing.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 49.
|
|
|
|
72B CONTINUED:
|
|
|
|
TROI (Cont'd)
|
|
Please obey the Captain's
|
|
orders... stop whatever you're
|
|
doing...
|
|
|
|
BARCLAY'S VOICE
|
|
You must trust me...
|
|
|
|
TROI
|
|
How are we to trust an officer
|
|
who doesn't follow orders... ?
|
|
|
|
BARCLAY'S VOICE
|
|
Trust me...
|
|
|
|
A beat as Troi gives up.
|
|
|
|
TROI
|
|
The Captain will do everything
|
|
in his power to stop you.
|
|
|
|
She waits a beat, there is no further replay... she
|
|
turns and EXITS.
|
|
|
|
73 INT. JEFFRIES TUBE
|
|
|
|
The RED ALERT SOUNDS. Geordi reacts.
|
|
|
|
PICARD'S COM VOICE
|
|
Picard to La Forge. Status?
|
|
|
|
Geordi makes one final adjustment in his work.
|
|
|
|
GEORDI
|
|
Ready now, Captain.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
GEORDI
|
|
Acknowledged.
|
|
|
|
He quickly puts his hand to an interface and works the
|
|
controls.
|
|
|
|
BARCLAY'S VOICE
|
|
Commander?
|
|
|
|
GEORDI
|
|
(startled)
|
|
What.
|
|
|
|
STAR TREK: "The Nth Degree" - 1/25/91 - ACT FOUR 50.
|
|
|
|
73 CONTINUED:
|
|
|
|
BARCLAY'S VOICE
|
|
You're too late.
|
|
|
|
74 INT. BRIDGE
|
|
|
|
Troi is back on the Bridge. Data looks up from his
|
|
console.
|
|
|
|
DATA
|
|
(surprised)
|
|
Captain, the ODN bypass to the
|
|
Bridge has been blocked. We have
|
|
not regained control of the
|
|
propulsion systems.
|
|
|
|
75 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
The intense horizontal curvature of space is beginning
|
|
to glow.
|
|
|
|
RIKER
|
|
(to computer)
|
|
Barclay!
|
|
|
|
BARCLAY'S VOICE
|
|
Yes, Commander Riker?
|
|
|
|
RIKER
|
|
(re: viewscreen)
|
|
Shut that thing down!
|
|
|
|
76 OMITTED
|
|
|
|
77 RESUME
|
|
|
|
No response. All are facing the viewscreen.
|
|
|
|
WORF
|
|
Captain. We are going in.
|
|
|
|
78 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
as the ship begins to move slowly toward the
|
|
distortion.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 51.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
79
|
|
thru OMITTED
|
|
81
|
|
|
|
82 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship is inexorably heading towards the disturbance
|
|
-- which has now begun to assume a more tunnel-like
|
|
appearance. The stars inside and along the edges look
|
|
stretched.
|
|
|
|
83 INT. BRIDGE
|
|
|
|
PICARD
|
|
Mister Barclay!
|
|
(beat)
|
|
Respond at once!
|
|
|
|
Still no answer. Picard motions Worf to cut the
|
|
audio...
|
|
|
|
WORF
|
|
Audio is disconnected.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Lieutenant, take a security team
|
|
to Holodeck Three.
|
|
(beat)
|
|
Disconnect Mister Barclay from
|
|
the computer.
|
|
|
|
WORF
|
|
(understanding
|
|
implication)
|
|
Aye, Captain.
|
|
|
|
Worf quickly heads for the door.
|
|
|
|
84 OMITTED
|
|
|
|
84A INT. HOLODECK
|
|
|
|
The door opens and Worf and TWO N. D. SECURITY MEN
|
|
ENTER, phasers in hand.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 52.
|
|
|
|
85 INCLUDE BARCLAY
|
|
|
|
plugged into the interface. He seems to be in a
|
|
higher state of consciousness... hardly acknowledges
|
|
Worf's arrival. The ship suddenly SHAKES. Worf and
|
|
his men steady themselves, then head quickly towards
|
|
Barclay, BOUNCING OFF a force field directly in front
|
|
of him. They quickly recover.
|
|
|
|
BARCLAY'S VOICE
|
|
I want you to know, Lieutenant
|
|
Worf, that I understand your duty
|
|
in this matter...
|
|
|
|
WORF
|
|
Phasers. Maximum setting
|
|
|
|
All three pull their phasers.
|
|
|
|
BARCLAY'S VOICE
|
|
(continuing)
|
|
... and that I in no way will take
|
|
your actions personally.
|
|
|
|
WORF
|
|
The conduits.
|
|
|
|
They aim at the interface unit above Barclay's head.
|
|
Again, the ship SHAKES.
|
|
|
|
WORF
|
|
Fire.
|
|
|
|
They fire -- with no result. The force field holds.
|
|
Suddenly, the entire room JOLTS violently to one side,
|
|
then back. Worf and the others fall...
|
|
|
|
86 OMITTED
|
|
|
|
87 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship has been drawn into the 'tunnel'... the ship
|
|
moves incredibly fast -- stars blur by at an
|
|
extraordinary rate...
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 53.
|
|
|
|
88
|
|
thru OMITTED
|
|
91
|
|
|
|
92 INT. BRIDGE
|
|
|
|
SHAKING. The staff is holding on... watching the
|
|
viewscreen. There is a change becoming apparent --
|
|
as everything on the Bridge, including personnel and
|
|
voices, starts to distort. The effect continues
|
|
through Scenes 92 and 96.
|
|
|
|
RIKER
|
|
(to Con)
|
|
La Forge! Initiate stabilization
|
|
procedure!
|
|
|
|
GEORDI'S COM VOICE
|
|
Resetting stabilizers to match
|
|
subspace flow matrix... stand
|
|
by...
|
|
|
|
Slowly, the ship STABILIZES...
|
|
|
|
PICARD
|
|
Mister Data... ?
|
|
|
|
DATA
|
|
(off instruments)
|
|
We are experiencing a quantum
|
|
level oscillation delay...
|
|
Doubling in intensity, every
|
|
twelve point three seconds...
|
|
|
|
Worf ENTERS from the turbolift...
|
|
|
|
WORF
|
|
(reporting)
|
|
He is protected by a force
|
|
field... we could not disconnect
|
|
him.
|
|
|
|
RIKER
|
|
Data, how long can we take this?
|
|
|
|
DATA
|
|
Bio-cellular disruption is
|
|
imminent.
|
|
|
|
Everyone holds on for a few difficult beats.
|
|
|
|
ENSIGN ANAYA
|
|
(re: viewscreen)
|
|
Sir!
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 54.
|
|
|
|
93
|
|
thru OMITTED
|
|
95
|
|
|
|
96 INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
Where all the star lines converge into one bright mass,
|
|
which we approach at immense speed, until it engulfs
|
|
the screen, and we burst through... with a WHITEOUT...
|
|
|
|
97 RESUME
|
|
|
|
Everything on the Bridge is suddenly normal. Everyone
|
|
reacts.
|
|
|
|
RIKER
|
|
Where are we, Ensign?
|
|
|
|
ENSIGN ANAYA
|
|
(off instruments,
|
|
amazed)
|
|
Unless something is wrong with
|
|
the sensors... We're almost
|
|
thirty thousand light years from
|
|
where we were.
|
|
|
|
Everyone reacts with astonishment.
|
|
|
|
98 OMITTED
|
|
|
|
98A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
surrounded by more stars than we've ever seen before
|
|
-- there's more light than the blackness of space.
|
|
|
|
98B INT. BRIDGE (OPTICAL)
|
|
|
|
Include viewscreen... Everyone stares in amazement
|
|
at the countless stars.
|
|
|
|
PICARD
|
|
(awed)
|
|
The center of the galaxy.
|
|
|
|
ENSIGN ANAYA
|
|
Sir, our heading has been altered.
|
|
Approaching a planetary cluster.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 55.
|
|
|
|
98B CONTINUED:
|
|
|
|
DATA
|
|
(off instruments)
|
|
Captain, all systems are back
|
|
under helm control. The computer
|
|
has resumed normal functioning.
|
|
|
|
Suddenly, directly in front of the viewscreen appears
|
|
a holographic-type image of an alien being. It is an
|
|
odd combination of intense curiosity, lightheartedness,
|
|
quickness and benevolence.
|
|
|
|
WORF
|
|
Captain!
|
|
|
|
Worf quickly moves to position himself between it and
|
|
Picard, pulling his phaser.
|
|
|
|
ALIEN
|
|
(re: Worf's action)
|
|
Emotive. Electro-chemical
|
|
stimulus-response.
|
|
(a beat)
|
|
Cranial plate.
|
|
|
|
Picard puts out a hand, holding Worf off. Worf stops.
|
|
They all watch the alien as it takes them in, glancing
|
|
quickly around the Bridge.
|
|
|
|
ALIEN
|
|
(continuing)
|
|
Bipedal locomotion. Endoskeletal.
|
|
Contiguous external integument.
|
|
|
|
PICARD
|
|
I am Jean-Luc Picard, Captain of
|
|
the Federation Starship
|
|
Enterprise.
|
|
|
|
ALIEN
|
|
(aha!)
|
|
Hierarchical collective command
|
|
structure!
|
|
|
|
PICARD
|
|
Who are you?
|
|
|
|
ALIEN
|
|
(still describing what
|
|
it sees)
|
|
Interrogative.
|
|
|
|
Picard realizes it's describing him.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 56.
|
|
|
|
98B CONTINUED: (2)
|
|
|
|
PICARD
|
|
Yes. I am interrogative... And
|
|
I would appreciate an
|
|
explanation...
|
|
|
|
BARCLAY (O.C.)
|
|
I believe I can help with that,
|
|
Captain.
|
|
|
|
98C ANGLE - BARCLAY
|
|
|
|
has arrived from the turbolift... walking toward
|
|
command... He is returning to normal... a little
|
|
rattled by the experience.
|
|
|
|
RIKER
|
|
Mister Barclay. I thought it
|
|
would be fatal if you left the
|
|
holodeck.
|
|
|
|
BARCLAY
|
|
The Cytherians have reintegrated
|
|
me, sir.
|
|
|
|
ALIEN
|
|
(affirming)
|
|
Cytherians.
|
|
|
|
BARCLAY
|
|
The probe was designed to instruct
|
|
outsiders on how to reach this
|
|
system. But the technologies
|
|
aren't always compatible. It
|
|
failed with the Argus computer,
|
|
and with the computer on the
|
|
shuttle. But it was able to
|
|
reprogram... me.
|
|
|
|
PICARD
|
|
(to the alien)
|
|
What do you want of us?
|
|
|
|
ALIEN
|
|
The same as you.
|
|
|
|
PICARD
|
|
(explain)
|
|
Mister Barclay... ?
|
|
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 57.
|
|
|
|
98C CONTINUED:
|
|
|
|
BARCLAY
|
|
You both have the same mission,
|
|
Captain...
|
|
|
|
PICARD
|
|
Mission... ?
|
|
|
|
BARCLAY
|
|
Yessir. The Cytherians are
|
|
exploring the galaxy just as we
|
|
are... The difference is they
|
|
never leave their home -- they
|
|
bring others here. They only wish
|
|
an exchange of knowledge...
|
|
(beat)
|
|
They want to know us.
|
|
|
|
The alien hologram nods and grins at Picard. Picard
|
|
glances at Riker, who smiles -- he knows what Picard's
|
|
decision will be.
|
|
|
|
99 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At impulse speed through normal space.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 44721.9.
|
|
The Cytherians have returned the
|
|
Enterprise to Federation space.
|
|
We bring back knowledge of their
|
|
race that will take our scholars
|
|
decades to examine. Lieutenant
|
|
Barclay is apparently no worse
|
|
for his experience.
|
|
|
|
100
|
|
thru OMITTED
|
|
102
|
|
|
|
103 INT. TEN-FORWARD
|
|
|
|
Geordi, Troi, and Barclay are standing at the bar.
|
|
Several couples and others dot the lounge, including
|
|
two crew members playing three dimensional chess.
|
|
|
|
Barclay seems basically his pre-transformation self.
|
|
|
|
TROI
|
|
How much do you remember?
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 58.
|
|
|
|
103 CONTINUED:
|
|
|
|
BARCLAY
|
|
I can still remember doing
|
|
everything -- I just can't
|
|
remember how or why.
|
|
|
|
There's a melancholy in his look... he can't disguise
|
|
it. Troi and Geordi exchange a glance.
|
|
|
|
TROI
|
|
And how do you feel now?
|
|
|
|
BARCLAY
|
|
(sad chuckle)
|
|
Smaller...
|
|
|
|
GEORDI
|
|
Just plain old Barclay, huh...
|
|
|
|
BARCLAY
|
|
It always seems to come back to
|
|
that, doesn't it..
|
|
|
|
TROI
|
|
Most everyone has a moment in
|
|
their lives when they exceed their
|
|
own limits... achieve what seems
|
|
to be impossible...
|
|
|
|
GEORDI
|
|
The tricky part is what happens
|
|
afterwards.
|
|
|
|
TROI
|
|
(nodding)
|
|
You almost always feel a sense
|
|
of loss. But it's possible to
|
|
carry something of that experience
|
|
through the rest of your life --
|
|
in ways that you're not even aware
|
|
of now.
|
|
|
|
BARCLAY
|
|
I... I think I see what you're
|
|
saying...
|
|
|
|
GEORDI
|
|
Either way, you're an important
|
|
part of this crew.
|
|
(rising)
|
|
In fact, I could use your help
|
|
tackling that level-3
|
|
diagnostic...
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 59.
|
|
|
|
103 CONTINUED: (2)
|
|
|
|
Barclay and Troi rise too...
|
|
|
|
BARCLAY
|
|
Sure...
|
|
|
|
TROI
|
|
Excuse me, Commander... but I
|
|
believe Mister Barclay and I had
|
|
a date scheduled for a walk in
|
|
the Arboretum... ?
|
|
|
|
Barclay reacts, walks into a chair, stumbles a
|
|
tad... she supports him...
|
|
|
|
GEORDI
|
|
The diagnostic can wait. See you
|
|
later...
|
|
|
|
He EXITS.
|
|
|
|
BARCLAY
|
|
You don't... don't have to do
|
|
this, you know...
|
|
|
|
TROI
|
|
(grins, takes his arm,
|
|
leading him)
|
|
I know.
|
|
|
|
He smiles and as they walk past two players at the
|
|
chess game... he glances and pauses. He looks at one
|
|
of the players.
|
|
|
|
BARCLAY
|
|
May I?
|
|
|
|
The player nods, giving a look of: "go ahead, I'm losing
|
|
anyway." Barclay moves a piece on the board.
|
|
|
|
BARCLAY
|
|
(continuing)
|
|
Checkmate in nine moves.
|
|
|
|
The players react... so does Troi, and Barclay leads
|
|
the way out...
|
|
|
|
TROI
|
|
I didn't know you played chess.
|
|
|
|
STAR TREK: "The Nth Degree" - REV. 1/29/91 - ACT FIVE 60.
|
|
|
|
103 CONTINUED: (3)
|
|
|
|
BARCLAY
|
|
(surprised)
|
|
I don't.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|