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1 line
73 KiB
Plaintext
Executable File
1 line
73 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"Disaster"
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#40275-205
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Story by
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Phil Scorza & Ron Jarvis
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Teleplay by
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Ronald D. Moore
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Directed by
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Gabrielle Beaumont
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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AUGUST 12, 1991
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STAR TREK: "Disaster" - 8/12/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Disaster"
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CAST
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PICARD LIEUTENANT MONROE
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RIKER ENSIGN MANDEL
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DATA MARISSA
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BEVERLY PATTERSON
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TROI JAY GORDON
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GEORDI
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WORF
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O'BRIEN
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KEIKO
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RO
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Non-Speaking
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SUPERNUMERARIES
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STAR TREK: "Disaster" - 8/12/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Disaster"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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OBSERVATION LOUNGE
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TURBOLIFT
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TURBO SHAFT
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TEN-FORWARD
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CARGO BAY
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JEFFRIES TUBE
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ENGINEERING
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SICKBAY
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CORRIDOR
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STAR TREK: "Disaster" - REV. 8/12/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Disaster"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship is motionless in space.
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PICARD (V.O.)
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Captain's Log, stardate 45156.1.
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Our mission to Mudor Five has
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been completed and since our next
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assignment will not begin for
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several days, we are enjoying a
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welcome respite from our duties.
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2 INT. TEN FORWARD
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RIKER, DATA, and WORF are clustered around O'BRIEN and
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a pregnant KEIKO (about eight months along). O'Brien
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and Keiko have that proud-but-nervous look of
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expectant parents. While Data are Riker are very
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interested in Keiko's pregnancy, Worf looks
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exceptionally bored.
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O'BRIEN
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(to Riker)
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If it's a boy... Michael. After
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my father.
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KEIKO
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Wait a minute... we decided on
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Hiro, after my father.
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O'BRIEN
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We talked about this last night.
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KEIKO
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That's right, and we decided on
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Hiro.
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RIKER
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Wait. I've got it. How about...
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William. Now there's a name...
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William O'Brien. That has a nice
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ring to it.
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That gets a few chuckles. Keiko laughs gently... then
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she suddenly puts a hand to her stomach.
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STAR TREK: "Disaster" - REV. 8/14/91 - TEASER 2.
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2 CONTINUED:
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Riker looks concerned but Keiko smiles at him.
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KEIKO
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(to Riker)
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It's all right. He's just doing
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somersaults.
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She takes Riker's hand and places it on her swollen
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belly.
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KEIKO
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(continuing)
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Right... there!
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Riker smiles at the sensation.
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RIKER
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He's going to be a hell of a
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gymnast.
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DATA
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(to Keiko)
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May I?
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She nods and Data carefully puts his hand near
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Riker's. Worf is so bored that he all but yawns as he
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watches this occur. Data's expression is curious...
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childlike. The child kicks again and Data reacts.
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KEIKO
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(weary smile)
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If he's not turning, he's kicking
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and punching. When I want to
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sleep, he wants to wake up. At
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this point, I just wish it were
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over.
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Data removes his hand.
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O'BRIEN
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(to Keiko)
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Have to go -- I've got a
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transporter simulation to run on
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the bridge.
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STAR TREK: "Disaster" - REV. 8/12/91 - TEASER 2A.
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2 CONTINUED:
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He kisses his wife and then puts his hand on her
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stomach.
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STAR TREK: "Disaster" - REV. 8/15/91 - TEASER 3.
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2 CONTINUED:
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O'BRIEN
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(continuing, to unborn
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child)
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Good-bye, Michael.
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O'Brien smiles at Keiko with humor and then he EXITS.
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CUT TO:
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3 INT. CARGO BAY
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BEVERLY is talking to GEORDI near a large stack of
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containers. This is a very large cargo bay and there
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is a door similar to the one in the shuttle bay that
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opens to space. This door is smaller and it is
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currently closed. The containers are marked
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"Hazardous" and Geordi has been checking over some
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manifests on a PADD.
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GEORDI
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No.
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BEVERLY
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Come on, Geordi
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GEORDI
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No.
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BEVERLY
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Just try it once. It's not as
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hard as you think. I'm telling
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you... you'll be terrific.
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Geordi's still reluctant, but she's wearing him down.
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He glances quickly around the bay to make sure no
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one's watching then starts to quickly sing...
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GEORDI
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"... I am the very model of a
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modern major general, I've
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information vegetable, animal and
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mineral... "
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(quickly embarrassed,
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to Beverly)
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I can't do this! I can't sing in
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front of people.
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BEVERLY
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Yes you can! That was terrific!
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(she takes his arm)
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Now you were a little off pitch,
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but I think we can take care of
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that...
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STAR TREK: "Disaster" - REV. 8/19/91 - TEASER 4.
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3 CONTINUED:
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On Geordi's "get me out of this" expression...
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CUT TO:
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4 INT. MAIN BRIDGE
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LIEUTENANT MONROE at conn, ENSIGN MANDEL at ops. Troi
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is introducing three children to PICARD. The children
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are: MARISSA, a painfully shy nine-year-old who looks
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down at her shoes during the entire scene; JAY GORDON,
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a very solemn, serious boy who looks Picard right in
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the eye (he is a proper, polite boy who is eager to
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please, rather adult); and PATTERSON, a lively six-
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year-old with a winning smile and tons of energy.
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Picard is a little ill-at-ease here... this is not
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his favorite duty.
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TROI
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Captain, I'd like to introduce
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the winners of the primary school
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science fair. This is Marissa,
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Jay Gordon, and Patterson.
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They're here for their tour.
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PICARD
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Hello.
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Marissa keeps staring at her shoes; Picard sees only
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the top of her head. But --
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JAY GORDON
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How do you do?
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PATTERSON
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(a big voice)
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Can we see the battle bridge?
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And the torpedo bay?
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PICARD
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I'm afraid not.
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(trying to make it
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sound fun)
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But... we will be visiting both
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the hydroponics and astrophysics
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laboratories.
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Patterson's face falls slightly: "Gee, what fun."
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TROI
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(to kids)
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I'm sure you'll have a wonderful
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time.
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STAR TREK: "Disaster" - REV. 8/12/91 - TEASER 4A.
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4 CONTINUED:
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They're not quite convinced, but Picard presses
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onward.
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STAR TREK: "Disaster" - REV. 8/15/91 - TEASER 5.
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4 CONTINUED:
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O'Brien ENTERS in the b.g. and goes to work at the aft
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science station.
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PICARD
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Well. If you'll come with me...
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He leads them to the forward turbolift and the four of
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them EXIT. O'Brien and Troi exchange a look.
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O'BRIEN
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I'm not sure who to feel sorry
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for... the captain or the kids.
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On Troi's smile...
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5 INT. TURBOLIFT
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The turbolift is MOVING. There is a beat of awkward
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silence as Picard and the kids look each other over.
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Picard tries to get things moving. He launches into
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what we suspect is the same speech, year after year.
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PICARD
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I want you all to know that we on
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the Enterprise are very proud of
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the science fair winners.
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Perhaps some of you will choose
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to pursue a career in Starfleet.
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I heartily urge you to do so.
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He stops, looks at them. Marissa is still looking
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down; the boys stare up at him, Patterson smiling, Jay
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Gordon utterly serious, but they don't respond.
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PICARD
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Well, then. Ah... what did you
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do for your science projects?
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PATTERSON
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(loudly)
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I planted radishes in this
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special dirt and they came up all
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weird!
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PICARD
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I see. Very commendable.
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(to Jay Gordon)
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And you?
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STAR TREK: "Disaster" - REV. 8/15/91 - TEASER 5A.
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5 CONTINUED:
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JAY GORDON
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An analysis of the life span of
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the swarming moths of Gonal Four.
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(with emphasis)
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They only live for twenty hours.
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Then they all die.
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STAR TREK: "Disaster" - REV. 8/14/91 - TEASER 6.
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5 CONTINUED:
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PICARD
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How interesting. And you --
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But before he can get to Marissa, suddenly the ship
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ROCKS SLIGHTLY and the turbolift STOPS. Picard and
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the kids are surprised for a moment, but before they
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can say anything the ship SHAKES VIOLENTLY. The
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LIGHTS start to race by, indicating that the
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turbolift is FALLING in the shaft.
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PICARD
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(urgent)
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Hang on -- we're falling!
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The top light goes OUT and the children SCREAM in
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terror...
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6 INT. CARGO BAY
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Beverly and Geordi are shaken violently...
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7 INT. TEN FORWARD
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People react in alarm as tables, chairs, and glassware
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are shaken...
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8 INT. MAIN BRIDGE
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The violent shaking STOPS and the bridge crew tries to
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sort things out for a moment. Lieutenant Monroe tries
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to take charge as she climbs to her feet near the conn.
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MONROE
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What happened?
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MANDEL
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(reading console)
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Sensors are picking up subspace
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distortions and high-energy
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particles directly to starboard.
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Monroe looks at the readings at the conn.
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MONROE
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Looks like we ran into a quantum
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filament.
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(to O'Brien)
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Damage report?
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STAR TREK: "Disaster" - REV. 8/15/91 - TEASER 7.
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8 CONTINUED:
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O'BRIEN
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(reading aft science
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console}
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We've lost primary life-support.
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Switching to secondary systems.
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Impulse and warp engines are offline.
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MANDEL
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(urgent)
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There's another filament moving
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toward us, sir!
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MONROE
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(urgent, to com)
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All decks brace for---
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She is cut off as the ship is VIOLENTLY SHAKEN. This
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is the worst yet... people are slammed into walls...
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the conn console EXPLODES in Monroe's face... and the
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lights go OUT, leaving only the RED ALERT indicators
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blinking in the darkness.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 8.
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ACT ONE
|
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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9 INT. MAIN BRIDGE
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The Red Alert lights continue to blink on the darkened
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bridge. For a moment there is only the sound of
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crackling circuitry from the exploded conn console...
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then a few moans as people start to come to. O'Brien
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manages to stand and hit a button on one console...
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then the bridge is dimly illuminated by emergency
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lights. He helps Troi to her feet.
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O'BRIEN
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Counselor?
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TROI
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(a little shaky)
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I'm all right.
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Mandel groans on the deck near ops. Troi helps him up
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as O'Brien starts to check some consoles.
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TROI
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(to com)
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Medical team to the bridge.
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No response. Troi frowns and hits her communicator.
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TROI
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(continuing)
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Troi to sickbay.
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(beat)
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Troi to engineering.
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(beat)
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Counselor Troi to any crewmember,
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please acknowledge.
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She looks over at O'Brien, who looks helplessly at
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several blank screens.
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O'BRIEN
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The computer's down, looks like
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we still have impulse power...
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but not much else...
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Mandel gets to his feet and starts to check the three
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turbolifts.
|
||
|
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STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 8A.
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9 CONTINUED:
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TROI
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(looks around)
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Where's Lieutenant Monroe?
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|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT ONE 9.
|
||
|
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9 CONTINUED:
|
||
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||
O'Brien looks around the bridge, and then spots a body
|
||
lying near the conn console.
|
||
|
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O'BRIEN
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(indicates body)
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Counselor...
|
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10 ON TROI AND O'BRIEN
|
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O'Brien kneels and turns the body over; it's Monroe.
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He checks the arterial pulse, then shakes his head.
|
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|
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11 OMITTED
|
||
|
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11A NEW ANGLE
|
||
|
||
As Mandel tries to key the panel next to the forward
|
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turbolift.
|
||
|
||
MANDEL
|
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The turbolifts aren't working.
|
||
(beat)
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||
We're trapped up here.
|
||
|
||
On their reactions...
|
||
|
||
CUT TO:
|
||
|
||
12 INT. TURBOLIFT
|
||
|
||
CLOSE ON Picard. He's unconscious, lying on his right
|
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side with his right leg awkwardly folded underneath
|
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him. From o.c. we hear the sound of children softly
|
||
crying. He begins to wake up and we MOVE TO REVEAL
|
||
that he's still in the turbolift. There are a couple
|
||
of emergency lights, but it's still pretty dark.
|
||
Marissa, Jay Gordon, and Patterson are huddled
|
||
together, watching Picard. Patterson is crying, Jay
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||
Gordon is silent and withdrawn, and Marissa is
|
||
trembling.
|
||
|
||
PICARD
|
||
(very hoarse)
|
||
Are you...
|
||
(tries to clear throat,
|
||
then louder)
|
||
Are you children all right?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT ONE 10.
|
||
|
||
12 CONTINUED:
|
||
|
||
The children just stare at him, too scared to speak.
|
||
Picard tries to sit up... then lets out a painful
|
||
grunt as he moves his right leg, which causes the
|
||
children to flinch slightly. Picard moves more
|
||
gingerly and manages to get to a sitting position.
|
||
|
||
He carefully moves the leg to a comfortable angle.
|
||
Picard hits his communicator.
|
||
|
||
PICARD
|
||
Picard to bridge.
|
||
(beat)
|
||
This is the captain. Can anyone
|
||
hear me?
|
||
|
||
A beat.
|
||
|
||
PATTERSON
|
||
Why don't they answer?
|
||
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||
PICARD
|
||
I don't know.
|
||
|
||
JAY GORDON
|
||
They're all dead.
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||
|
||
PICARD
|
||
(firm)
|
||
They're not dead. Communications
|
||
are down, that's all.
|
||
|
||
He looks at the three tremulous faces staring at him.
|
||
They're trying, but they are little and scared.
|
||
Patterson is snuffling, about to lose it again;
|
||
Marissa looks like she could break down any second.
|
||
Jay Gordon is pale and remote, having accepted doom as
|
||
the only possible outcome.
|
||
|
||
JAY GORDON
|
||
We're going to die, too.
|
||
|
||
PICARD
|
||
We most certainly are not --
|
||
|
||
But this pronouncement has set Patterson off. He
|
||
bursts into tears and Marissa gulps, ready to sob.
|
||
|
||
Picard needs to get them under control and he puts all
|
||
his command presence into his voice and tries to take
|
||
charge.
|
||
|
||
PICARD
|
||
(firm)
|
||
Listen to me!
|
||
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 11.
|
||
|
||
12 CONTINUED:
|
||
|
||
They fall silent and look at him.
|
||
|
||
PICARD
|
||
(continuing)
|
||
No one is going to die. The
|
||
bridge will send a rescue party
|
||
as soon as possible, so I want
|
||
you to stop crying. Everything
|
||
is going to be all right.
|
||
|
||
The children look at him. It seems like Picard has
|
||
finally managed to get things under control... then
|
||
all three kids start crying again, even louder this
|
||
time. Picard will have to find some other way of
|
||
dealing with them.
|
||
|
||
CUT TO:
|
||
|
||
12A INT. MAIN BRIDGE
|
||
|
||
Troi and O'Brien are at the aft science station. The
|
||
console is mostly blank except for one or two
|
||
displays. Monroe's body has been moved off the
|
||
bridge.
|
||
|
||
O'BRIEN
|
||
(working console)
|
||
This is the Federation Starship
|
||
Enterprise calling any vessel
|
||
within range. We are in distress
|
||
and need assistance. Please
|
||
respond.
|
||
(beat, then to Troi)
|
||
I'm still not sure we're even
|
||
transmitting. I'll set the
|
||
message on auto-repeat and see if
|
||
we get a response.
|
||
|
||
A sudden METALLIC NOISE from the aft turbolift (not
|
||
the same one Picard used) gets their attention. They
|
||
watch as the turbolift doors start to slowly open in
|
||
a jerky, stop-start motion.
|
||
|
||
12B ON TURBOLIFT (FORMERLY SCENE 11)
|
||
|
||
As the doors part slowly to reveal ENSIGN RO. She is
|
||
standing on the roof of a turbolift car that is
|
||
stalled just below the bridge and she is slowly
|
||
opening the doors by using an emergency hand crank.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT ONE 12.
|
||
|
||
12B CONTINUED:
|
||
|
||
O'BRIEN
|
||
(helps her out)
|
||
Are you all right?
|
||
|
||
She steps onto the bridge.
|
||
|
||
RO
|
||
I'm alive. What the hell
|
||
happened?
|
||
|
||
O'BRIEN
|
||
We were hit by a quantum
|
||
filament. Most of our systems
|
||
are down and we haven't been able
|
||
to contact anyone off the bridge.
|
||
|
||
RO
|
||
(indicates turbolift)
|
||
Well, don't count on leaving
|
||
through there. An emergency
|
||
bulkhead closed just beneath that
|
||
lift.
|
||
|
||
O'BRIEN
|
||
(nods)
|
||
Confinement mode.
|
||
|
||
RO
|
||
Right. Isolation protocol.
|
||
|
||
Troi tries to remember, but she's not sure what
|
||
they're talking about.
|
||
|
||
TROI
|
||
I'm... not really familiar with
|
||
that protocol.
|
||
|
||
O'BRIEN
|
||
(to Troi)
|
||
If the computer senses a hull
|
||
breach, it automatically closes
|
||
emergency bulkheads to isolate
|
||
the breach. Until we can clear
|
||
those bulkheads, we'll be cut-off
|
||
from the rest of the ship.
|
||
|
||
MANDEL
|
||
(reading the ops
|
||
console)
|
||
I've got partial sensors back on-line.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT ONE 13.
|
||
|
||
12B CONTINUED:
|
||
|
||
They move to ops and Mandel points at something on the
|
||
console.
|
||
|
||
MANDEL
|
||
(continuing)
|
||
I'm picking up sporadic life-signs
|
||
throughout the saucer section.
|
||
There are definitely survivors.
|
||
|
||
|
||
O'BRIEN
|
||
What about Ten Forward?
|
||
(beat)
|
||
My... wife is there.
|
||
|
||
Mandel checks the console again.
|
||
|
||
MANDEL
|
||
I'm sorry, Chief, but the
|
||
readings aren't that specific.
|
||
|
||
O'Brien tries to put his personal feelings aside for
|
||
the moment.
|
||
|
||
RO
|
||
(to Mandel)
|
||
Can you scan the drive section?
|
||
|
||
Mandel works for a moment... then grimly relays the
|
||
news he sees on the console.
|
||
|
||
MANDEL
|
||
I'm not reading any life-signs in
|
||
the drive section.
|
||
|
||
Everyone reacts.
|
||
|
||
RO
|
||
Could the sensors be
|
||
malfunctioning?
|
||
|
||
MANDEL
|
||
(works)
|
||
There's no way to know. Without
|
||
the main computer, I can't run a
|
||
diagnostic.
|
||
|
||
O'BRIEN
|
||
(to Troi)
|
||
Can you sense anything,
|
||
Counselor?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 13A.
|
||
|
||
12B CONTINUED:
|
||
|
||
Troi takes a deep breath... tries to clear her mind
|
||
for a moment. After a beat...
|
||
|
||
TROI
|
||
There are a lot of people still
|
||
alive... many of them are hurt...
|
||
but I can't tell where they are.
|
||
|
||
After a beat, Ro tries to get things moving.
|
||
|
||
RO
|
||
We need to start emergency
|
||
procedures. Who's the duty
|
||
officer?
|
||
|
||
O'BRIEN
|
||
Lieutenant Monroe was in command,
|
||
but he's dead.
|
||
|
||
There is a beat as O'Brien realizes what that means.
|
||
There hadn't been a chance to consider this question
|
||
before now.
|
||
|
||
O'BRIEN
|
||
(continuing)
|
||
I believe Counselor Troi is the
|
||
senior officer on the bridge.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 14.
|
||
|
||
12B CONTINUED:
|
||
|
||
They all look at Troi. This isn't something she'd
|
||
expected.
|
||
|
||
RO
|
||
Counselor Troi?
|
||
|
||
O'BRIEN
|
||
She carries the rank of
|
||
Lieutenant Commander.
|
||
|
||
Ro doesn't say anything more, but her doubts about
|
||
Troi are clear. Troi takes a beat as she realizes
|
||
that she's now in charge. Everyone is looking at
|
||
her... waiting for orders.
|
||
|
||
TROI
|
||
I'd appreciate... some
|
||
suggestions.
|
||
|
||
O'BRIEN
|
||
I recommend we initiate emergency
|
||
procedure alpha two.
|
||
(off her look)
|
||
By-pass computer control and
|
||
place all systems on manual
|
||
override.
|
||
|
||
TROI
|
||
Very well.
|
||
|
||
O'BRIEN
|
||
Aye aye, sir.
|
||
|
||
He goes to the engineering console and starts to pull
|
||
off an access panel.
|
||
|
||
RO
|
||
(to Troi)
|
||
May I suggest that our next
|
||
priority be to stabilize life-
|
||
support and try to reestablish
|
||
intership communications.
|
||
|
||
TROI
|
||
Yes.
|
||
(beat)
|
||
Mister Mandel, I'd like you to
|
||
assist Ensign Ro.
|
||
|
||
MANDEL
|
||
Yes, sir.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 15.
|
||
|
||
12B CONTINUED:
|
||
|
||
Mandel and Ro go to work. On Troi as she thinks about
|
||
the daunting task before them...
|
||
|
||
CUT TO:
|
||
|
||
13 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship is dead in space. There are only one or two
|
||
lights visible on the entire ship.
|
||
|
||
14 INT. TEN FORWARD
|
||
|
||
The place is littered with broken tables, overturned
|
||
chairs, and smashed glassware. SEVERAL N.D.
|
||
CREWMEMBERS are injured and being helped by Worf, who
|
||
is carrying a medical tricorder and a first aid kit.
|
||
Riker is dressing a head wound on Keiko, who is lying
|
||
on the deck.
|
||
|
||
RIKER
|
||
How do you feel?
|
||
|
||
KEIKO
|
||
(weakly)
|
||
Okay... but a little... foggy.
|
||
|
||
RIKER
|
||
Just lie still for a while.
|
||
We'll get you to sickbay as soon
|
||
as we can.
|
||
|
||
She manages a feeble smile and Riker squeezes her hand
|
||
in support.
|
||
|
||
15 NEW ANGLE
|
||
|
||
As Data ENTERS (the doors do not slide open or closed.
|
||
They are frozen halfway.) Riker motions to Worf and
|
||
the three of them move across the room to speak
|
||
privately.
|
||
|
||
RIKER
|
||
(to Data)
|
||
Report.
|
||
|
||
DATA
|
||
I have made a survey of all
|
||
turbolifts and service crawlways
|
||
on this deck. Our access to the
|
||
bridge has been completely
|
||
severed by emergency bulkheads.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT ONE 16.
|
||
|
||
15 CONTINUED:
|
||
|
||
WORF
|
||
Sickbay?
|
||
|
||
DATA
|
||
Heavy damage in section twenty-
|
||
three-A has cut-off access to
|
||
sickbay. I have ordered a
|
||
security team to move all
|
||
casualties on this deck to Ten
|
||
Forward until further notice.
|
||
|
||
Riker looks back at the injured people and thinks for
|
||
a beat.
|
||
|
||
RIKER
|
||
We should assume the worst...
|
||
that everyone on the bridge is
|
||
dead and no one is in control of
|
||
the ship.
|
||
|
||
DATA
|
||
In that circumstance,
|
||
reestablishing control should
|
||
be our top priority.
|
||
|
||
RIKER
|
||
Agreed. Can we get to
|
||
engineering?
|
||
|
||
DATA
|
||
The direct route is blocked, but
|
||
there might be a way to reach it
|
||
through a starboard service
|
||
crawlway.
|
||
|
||
RIKER
|
||
Okay -- you and I will try to get
|
||
there. Worf, this room is going
|
||
to be filled with wounded in a
|
||
few minutes and they're going to
|
||
need help. I want you to remain
|
||
in charge here.
|
||
|
||
WORF
|
||
Yes, sir.
|
||
|
||
RIKER
|
||
(to Data)
|
||
Let's go.
|
||
|
||
As Riker and Data EXIT, a N.D. CIVILIAN carrying a
|
||
WOUNDED WOMAN ENTERS.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT ONE 17.
|
||
|
||
15 CONTINUED:
|
||
|
||
Worf looks around and then moves a table out of the
|
||
way and picks up his first aid kit.
|
||
|
||
WORF
|
||
Bring her here!
|
||
|
||
CUT TO:
|
||
|
||
16 INT. CARGO BAY (OPTICAL)
|
||
|
||
Geordi is working on an open panel and trying to open
|
||
the door to the cargo bay. Beverly is standing
|
||
nearby, watching his efforts.
|
||
|
||
GEORDI
|
||
Okay... clear the power shunt...
|
||
bypass the flow current...
|
||
and...
|
||
|
||
He moves a switch and then looks expectantly at the
|
||
door. Nothing.
|
||
|
||
GEORDI
|
||
(frustrated, to
|
||
Beverly)
|
||
The computer still won't release
|
||
the doors.
|
||
|
||
BEVERLY
|
||
Can we force them open?
|
||
|
||
GEORDI
|
||
We can try. There's an emergency
|
||
hand actuator.
|
||
|
||
Geordi goes to a section of wall near the door, kneels
|
||
down and begins removing a service panel. Beverly
|
||
follows him and stands near the wall to watch. As
|
||
Geordi gets the panel off the wall, Beverly notices
|
||
something. She feels the wall with her hand.
|
||
|
||
BEVERLY
|
||
Geordi...
|
||
|
||
GEORDI
|
||
(distracted)
|
||
Yes?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT ONE 18.
|
||
|
||
16 CONTINUED:
|
||
|
||
She moves her hands over a larger section of wall.
|
||
|
||
BEVERLY
|
||
(urgent)
|
||
Geordi, this wall's hot.
|
||
|
||
His head snaps around at that statement. As he begins
|
||
to stand up, there is a sudden BRIGHT FLASH in the
|
||
wall panel he's just opened. Geordi jumps back from
|
||
the panel. Beverly rushes to him in concern, but
|
||
Geordi waves her off.
|
||
|
||
GEORDI
|
||
I'm all right.
|
||
(beat, then he looks
|
||
back at the wall
|
||
panel)
|
||
But I think we've got a new
|
||
problem.
|
||
|
||
Beverly looks back at the panel also.
|
||
|
||
17 ON WALL PANEL (OPTICAL)
|
||
|
||
There is a PLASMA FIRE burning in the wall panel. It
|
||
crackles and pops loudly, is bright green, and looks
|
||
like a cross between molten lava and a chemical fire.
|
||
|
||
18 ON GEORDI AND BEVERLY
|
||
|
||
As they watch the fire.
|
||
|
||
GEORDI
|
||
One of the energy conduits
|
||
must've ruptured and ignited the
|
||
polyduranide inside the bulkhead.
|
||
That's a plasma fire.
|
||
|
||
They both stand. Beverly points her tricorder at the
|
||
fire.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/19/91 - ACT ONE 19.
|
||
|
||
18 CONTINUED:
|
||
|
||
BEVERLY
|
||
It's putting out a lot of
|
||
radiation. We can't stay in here
|
||
very long.
|
||
|
||
GEORDI
|
||
We've got a bigger problem than
|
||
that.
|
||
(beat)
|
||
The quaratum in these containers
|
||
is used in emergency thruster
|
||
packs. It's normally pretty
|
||
stable stuff... but when you
|
||
expose quaratum to radiation it
|
||
has a way of... exploding.
|
||
|
||
19 WIDER SHOT (OPTICAL)
|
||
|
||
Including the plasma fire, Geordi and Beverly, and the
|
||
large number of quaratum containers.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT TWO 20.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
20 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship still looks lifeless as it hangs in space.
|
||
|
||
21 INT. TURBOLIFT
|
||
|
||
Picard is propped against a wall and reaching up to
|
||
tinker with an open circuitry panel. Patterson is
|
||
sitting with his knees to his chest, rocking back and
|
||
forth; Jay Gordon is seated facing away from Picard.
|
||
Only Marissa stands, gravely watching what he's doing.
|
||
|
||
PICARD
|
||
The external power has been cut
|
||
off.
|
||
|
||
She nods solemnly.
|
||
|
||
JAY GORDON
|
||
(not looking at him)
|
||
We're going to die.
|
||
|
||
Patterson starts to rock a little faster and Picard
|
||
gives a frustrated look to Jay Gordon. Suddenly the
|
||
turbolift SHAKES. Then the sound of CREAKING METAL
|
||
for a moment, then silence.
|
||
|
||
PATTERSON
|
||
(scared)
|
||
What was that?
|
||
|
||
PICARD
|
||
I don't know.
|
||
|
||
Picard thinks for a moment... then he looks up at the
|
||
ceiling. He slowly pulls himself up on one leg and
|
||
tries to reach for the ceiling... but the movement
|
||
jars his leg painfully and he is unable to keep his
|
||
balance. Marissa takes a step back, eyes wide, trying
|
||
not to be afraid.
|
||
|
||
The exertion takes a lot out of Picard and he sits
|
||
down. He looks up at sees Marissa's big dark eyes
|
||
staring at him. Nothing he's tried with these kids
|
||
has worked... the boys are frightened and cowed...
|
||
Marissa has yet to utter a word. And he can't get
|
||
them out of here by himself. He'd better find another
|
||
plan.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT TWO 21.
|
||
|
||
21 CONTINUED:
|
||
|
||
PICARD
|
||
Your name... is Marissa. Is that
|
||
right?
|
||
|
||
She nods.
|
||
|
||
PICARD
|
||
How old are you?
|
||
|
||
MARISSA
|
||
Nine. And a half.
|
||
|
||
These are the first words she's uttered. But she does
|
||
not seem hesitant or tremulous.
|
||
|
||
PICARD
|
||
Really? And the boys?
|
||
|
||
MARISSA
|
||
(pointing)
|
||
Seven... and six.
|
||
|
||
PICARD
|
||
Well, I'm going to need a first
|
||
officer to help me. You're the
|
||
oldest... so that makes you
|
||
Number One.
|
||
|
||
This has a nice ring to it.
|
||
|
||
MARISSA
|
||
Number One?
|
||
|
||
PICARD
|
||
That's what I've always called my
|
||
first officer. Here.
|
||
|
||
Picard pulls off two of the rank pips from his collar
|
||
and pins them to Marissa's shirt. She touches them
|
||
with pride and, for the first time, smiles a sweet,
|
||
shy smile.
|
||
|
||
PICARD
|
||
Now... we need a crew to help us
|
||
get that hatch off.
|
||
|
||
He seems to think hard for a few seconds, then turns
|
||
toward the boys as though a new thought just occurred
|
||
to him.
|
||
|
||
PICARD
|
||
Number One... I think Jay might
|
||
make an excellent science
|
||
officer. Don't you agree?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT TWO 22.
|
||
|
||
21 CONTINUED:
|
||
|
||
She's delighted to be consulted on such an important
|
||
decision.
|
||
|
||
MARISSA
|
||
Yes. Yes, sir, Captain.
|
||
|
||
PICARD
|
||
Will you join our crew, Jay?
|
||
|
||
JAY GORDON
|
||
(politely)
|
||
Excuse me. It's Jay Gordon.
|
||
|
||
PICARD
|
||
Of course. Forgive me. Jay
|
||
Gordon.
|
||
|
||
JAY GORDON
|
||
I accept.
|
||
|
||
Picard takes another pip and pins it on Jay Gordon.
|
||
As he does --
|
||
|
||
PATTERSON
|
||
Can I be an officer, too?
|
||
|
||
PICARD
|
||
Let's see... your science project
|
||
involved radishes, did it not?
|
||
|
||
PATTERSON
|
||
Yeah... weird ones.
|
||
|
||
PICARD
|
||
Excellent. You'll be our
|
||
executive officer in charge of
|
||
radishes.
|
||
|
||
Picard gives him his own pip. The boys look proud as
|
||
they inspect their new badges. Picard realizes he's
|
||
made some progress with them at last.
|
||
|
||
PICARD
|
||
Now -- let's get to work.
|
||
|
||
CUT TO:
|
||
|
||
22 INT. JEFFRIES TUBE
|
||
|
||
Riker and Data are crawling through a low, narrow tube
|
||
just barely big enough for the two men to scramble
|
||
through on their hands and knees. Riker stops and
|
||
checks a nameplate on a box.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/19/91 - ACT TWO 23.
|
||
|
||
22 CONTINUED:
|
||
|
||
RIKER
|
||
Thirteen-sixty-five-baker. That
|
||
should put us near shuttlebay
|
||
two.
|
||
|
||
DATA
|
||
That is correct, sir. We have
|
||
approximately fifty-two meters
|
||
remaining in this crawlway before
|
||
we can safely exit into a main
|
||
corridor.
|
||
|
||
There is a sudden HISSING SOUND in the tube. They
|
||
listen for a moment... then turn and look back the way
|
||
they came.
|
||
|
||
23 POV DATA - LOOKING DOWN THE TUBE
|
||
|
||
A LARGE CLOUD OF GAS starts to swirl into the Jeffries
|
||
Tube.
|
||
|
||
24 RESUME SCENE
|
||
|
||
Riker sees it too.
|
||
|
||
RIKER
|
||
Coolant leak!
|
||
|
||
They scramble through the tube as the gas fills the
|
||
tube.
|
||
|
||
25 ANOTHER SECTION OF TUBE
|
||
|
||
Data and Riker hurry through the tube... the gas
|
||
roiling behind them.
|
||
|
||
Data stops and reaches up... finds a handle... and
|
||
then slams down a hatch behind them.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT TWO 24.
|
||
|
||
25 CONTINUED:
|
||
|
||
Riker (facing the hatch) pauses to catch his breath...
|
||
then he notices that Data is staring at something o.c.
|
||
behind Riker. Riker turns around...
|
||
|
||
26 NEW ANGLE (OPTICAL)
|
||
|
||
There is a large display of ENERGY ARCING back and
|
||
forth across the tube in front of Riker and Data. It
|
||
completely blocks their path. Riker looks from the
|
||
hatch with the gas behind it to the energy arc...
|
||
they're trapped.
|
||
|
||
CUT TO:
|
||
|
||
27 INT. CARGO BAY
|
||
|
||
Beverly is scanning the quaratum containers with a
|
||
tricorder while Geordi works the transporter console.
|
||
The plasma fire is o.c., but the green light can still
|
||
be seen flickering in the bay. Beverly finishes her
|
||
scan and moves to Geordi. She runs the tricorder over
|
||
him.
|
||
|
||
BEVERLY
|
||
We can withstand this level of
|
||
radiation for another three or
|
||
four hours without any permanent
|
||
damage.
|
||
(closes tricorder)
|
||
But we'll need a few days of
|
||
hyronalin treatments.
|
||
|
||
GEORDI
|
||
What are the radiation levels in
|
||
the quaratum?
|
||
|
||
BEVERLY
|
||
They're at eighty-three rads and
|
||
rising about four rads per
|
||
minute.
|
||
|
||
GEORDI
|
||
(depressed)
|
||
That stuff gets unstable at
|
||
around three hundred fifty rads.
|
||
(stops working)
|
||
I still can't get any power to
|
||
this transporter.
|
||
|
||
They look at the plasma fire.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT TWO 25.
|
||
|
||
28 ON FIRE (OPTICAL)
|
||
|
||
as it continues to pulsate and burn.
|
||
|
||
29 RESUME SCENE
|
||
|
||
Beverly looks around for a moment... then she walks
|
||
over to the far wall and pulls out her tricorder.
|
||
|
||
BEVERLY
|
||
The radiation levels are twenty
|
||
percent lower at this end of the
|
||
bay. Let's move the containers
|
||
over here.
|
||
|
||
GEORDI
|
||
(nods)
|
||
That should buy us some time.
|
||
(thinks)
|
||
We're going to have to do this by
|
||
hand. With this much radiation
|
||
flying around in here we can't
|
||
trust the anti-grav units.
|
||
|
||
They carefully pick up one of the heavy containers...
|
||
this isn't going to be easy.
|
||
|
||
CUT TO:
|
||
|
||
30 INT. MAIN BRIDGE (OPTICAL)
|
||
|
||
O'Brien and Troi are watching a console at the aft
|
||
science station. There aren't many screens active,
|
||
but the one they're watching is showing a complex
|
||
pattern of shifting sensor readings. O'Brien taps a
|
||
key and the display freezes.
|
||
|
||
O'BRIEN
|
||
There. Just before the second
|
||
time we were hit... see the
|
||
subspace distortion?
|
||
|
||
Troi peers at the display for a moment. She's trying
|
||
very hard to understand this.
|
||
|
||
TROI
|
||
Yes.
|
||
(beat)
|
||
How big are these quantum
|
||
filaments?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT TWO 26.
|
||
|
||
30 CONTINUED:
|
||
|
||
O'BRIEN
|
||
They can be hundreds of meters
|
||
long, but they have almost no
|
||
mass... which is why they're so
|
||
difficult to detect.
|
||
|
||
Troi thinks... tries to correlate this to her own
|
||
knowledge and experiences.
|
||
|
||
TROI
|
||
(unsure)
|
||
So, it's like a... cosmic string?
|
||
|
||
O'BRIEN
|
||
(gently)
|
||
No... that's a completely
|
||
different phenomenon.
|
||
|
||
Troi is a little defeated, but she looks at the
|
||
monitor again, determined to understand this. But
|
||
before she can pursue the matter any further, there
|
||
are a series of loud BANGS and ELECTRONIC BEEPS
|
||
from...
|
||
|
||
31 THE ENGINEERING STATION
|
||
|
||
Ro is lying on her back, halfway inside the
|
||
engineering station. Tools and equipment are strewn
|
||
about next to her legs. O'Brien moves over and kneels
|
||
down in concern. He tries to see what she's doing,
|
||
but he can't. After a beat the engineering screen
|
||
flickers ON... fades... then comes on permanently.
|
||
Ro slides out of the console and gets to her feet.
|
||
|
||
O'BRIEN
|
||
(re: display)
|
||
How'd you do that?
|
||
|
||
RO
|
||
I diverted power from the phaser
|
||
array and dumped it into the
|
||
engineering control system.
|
||
|
||
O'Brien reacts sharply.
|
||
|
||
O'BRIEN
|
||
You what?
|
||
|
||
RO
|
||
(ignoring O'Brien)
|
||
The engineering station's on-line,
|
||
Counselor.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT TWO 27.
|
||
|
||
31 CONTINUED:
|
||
|
||
O'BRIEN
|
||
(angry, to Ro)
|
||
That's a completely improper
|
||
procedure. You can't dump that
|
||
much raw energy into a bridge
|
||
terminal without---
|
||
|
||
RO
|
||
(flatly cuts him off)
|
||
We aren't going to get out of
|
||
this by playing it safe.
|
||
|
||
O'Brien is still upset, but Troi struggles to regain
|
||
control before they start to fight again.
|
||
|
||
TROI
|
||
(to Ro)
|
||
What's our engine status, Ensign?
|
||
|
||
RO
|
||
(works console)
|
||
We've got half impulse power
|
||
available.
|
||
(frowns)
|
||
But I'm getting some odd readings
|
||
from the warp drive...
|
||
|
||
O'Brien moves in next to her and they both start to
|
||
work the console. As they converse in techno-
|
||
shorthand, Troi struggles to watch the screen and
|
||
understand what's going on, but she's way out of her
|
||
field here.
|
||
|
||
RO
|
||
I'm reading a spike in the warp
|
||
field array... looks like a
|
||
containment deviation...
|
||
|
||
O'BRIEN
|
||
Switch to primary bypass...
|
||
|
||
Beat.
|
||
|
||
RO
|
||
Nothing. Field strength's at
|
||
forty percent and falling.
|
||
|
||
A beat as they watch the screen. They exchange
|
||
looks... this is really bad. They turn to Troi, who
|
||
is completely lost at this point.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/19/91 - ACT TWO 28.
|
||
|
||
31 CONTINUED:
|
||
|
||
RO
|
||
We've got a problem. The quantum
|
||
resonance of the filament caused
|
||
a polarity shift in the antimatter
|
||
containment field.
|
||
|
||
Troi just looks at her: What the hell does that mean?
|
||
O'Brien hastens to explain.
|
||
|
||
O'BRIEN
|
||
When the filament hit us, the
|
||
ship was momentarily charged...
|
||
as if it had... come into
|
||
contact with a live electrical
|
||
wire.
|
||
|
||
RO
|
||
That weakened the containment
|
||
field surrounding the antimatter
|
||
pods. The field strength is down
|
||
to forty percent and it's still
|
||
falling.
|
||
|
||
O'BRIEN
|
||
(ominously)
|
||
If it falls to fifteen percent...
|
||
the field will collapse and
|
||
there'll be a containment breach.
|
||
|
||
Beat.
|
||
|
||
TROI
|
||
Which means... ?
|
||
|
||
RO
|
||
The ship will explode.
|
||
|
||
On Troi's reaction...
|
||
|
||
32
|
||
thru OMITTED
|
||
35
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 29.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
36 INT. JEFFRIES TUBE (OPTICAL)
|
||
|
||
Riker and Data are still stuck between the closed
|
||
hatch and the fluctuating power current. Data is
|
||
peering inside a power relay box in the wall near the
|
||
arcing power. He turns to Riker.
|
||
|
||
DATA
|
||
The current cannot be shut down
|
||
from this relay box.
|
||
|
||
RIKER
|
||
(frustrated)
|
||
We can't just sit here.
|
||
|
||
Data thinks for a moment and then looks at the power
|
||
flowing across the tube.
|
||
|
||
DATA
|
||
If the energy flowing through
|
||
this arc were interrupted by a
|
||
nonconductive material, it is
|
||
likely that the circuit would be
|
||
broken.
|
||
|
||
RIKER
|
||
(looks around)
|
||
I don't see any material in here
|
||
that could stop that much
|
||
current.
|
||
|
||
DATA
|
||
(thinks)
|
||
Commander, most of my bodyframe
|
||
is composed of tripolymers, a non-
|
||
conductive material.
|
||
|
||
RIKER
|
||
(surprised)
|
||
You're suggesting using your own
|
||
body?
|
||
|
||
DATA
|
||
Yes, sir.
|
||
|
||
Riker looks at the crackling power arc.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 30.
|
||
|
||
36 CONTINUED:
|
||
|
||
RIKER
|
||
Data, there's at least half a
|
||
million amps flowing through that
|
||
arc. Can you take that much
|
||
current?
|
||
|
||
DATA
|
||
The power surge would cause a
|
||
system failure in most of my
|
||
internal processors and melt my
|
||
primary power couplings.
|
||
However, there is a chance that
|
||
the damage would not be
|
||
irreparable.
|
||
|
||
RIKER
|
||
No.
|
||
|
||
DATA
|
||
Commander, our choices are very
|
||
limited.
|
||
|
||
RIKER
|
||
First of all, android or not, I
|
||
won't allow anyone to take that
|
||
kind of risk. Second, if the
|
||
computer isn't working in
|
||
engineering, I'm going to need
|
||
your help to get control of the
|
||
ship.
|
||
|
||
DATA
|
||
(thinks)
|
||
My positronic brain has several
|
||
layers of shielding to protect it
|
||
from power surges. It would be
|
||
possible for you to remove my
|
||
cranial unit and take it with
|
||
you.
|
||
|
||
Riker stares at him for a beat as it registers what
|
||
Data is asking him to do.
|
||
|
||
RIKER
|
||
(shocked)
|
||
You want me to take your head
|
||
off?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT THREE 31.
|
||
|
||
36 CONTINUED:
|
||
|
||
DATA
|
||
(surprised at the
|
||
reaction)
|
||
Yes, sir.
|
||
(beat)
|
||
Is there something wrong?
|
||
|
||
Riker recoils from the idea at first... then tries to
|
||
look at this pragmatically.
|
||
|
||
RIKER
|
||
Well, Data... it's just... I
|
||
mean, will you be all right?
|
||
|
||
DATA
|
||
My neural nets and memory core
|
||
are self-contained.
|
||
(beat)
|
||
I will be fine.
|
||
|
||
A long beat as Riker considers this.
|
||
|
||
RIKER
|
||
Like you said... our choices are
|
||
very limited.
|
||
|
||
Riker looks at him for a moment... finally nods and
|
||
gives him permission. Data processes for a very quick
|
||
beat... then turns around...
|
||
|
||
37 ON DATA (OPTICAL)
|
||
|
||
As he turns and moves toward the arc. The power arc
|
||
snaps and crackles ominously... Data waits a beat...
|
||
then steps directly into the flow. There is a BRIGHT
|
||
FLASH and THUNDERCLAP as the current hits Data's body.
|
||
The energy holds him and shakes his body violently for
|
||
a couple of seconds.
|
||
|
||
38 ON RIKER
|
||
|
||
As he turns away in response to the bright flash.
|
||
After a beat, Riker turns back and then moves quickly
|
||
to find Data lying face down in the tube. The power
|
||
arc is gone, but Data's clothes and body have been
|
||
seared and blackened.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT THREE 32.
|
||
|
||
38 CONTINUED:
|
||
|
||
Riker turns Data over quickly... Data's face is blank
|
||
and doesn't react to Riker at all.
|
||
|
||
RIKER
|
||
Data? Data!
|
||
|
||
There is a long beat before Data's eyes seem to focus
|
||
again and he is again aware of his surroundings.
|
||
|
||
DATA
|
||
A remarkable experience,
|
||
Commander.
|
||
|
||
Riker is relieved. Data runs some kind of internal
|
||
diagnostic.
|
||
|
||
RIKER
|
||
How are you? Did the shielding
|
||
work?
|
||
|
||
DATA
|
||
(thinks)
|
||
Apparently so. My neural nets
|
||
are fully operational.
|
||
(beat)
|
||
You may begin by opening the
|
||
ventral access panel located two
|
||
centimeters beneath my right ear.
|
||
|
||
Riker hesitates for a moment... then as he reaches for
|
||
the panel on Data's neck...
|
||
|
||
CUT TO:
|
||
|
||
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship hangs in space.
|
||
|
||
40 INT. TURBOLIFT
|
||
|
||
Picard is standing on his good leg and is holding Jay
|
||
Gordon up to the ceiling of the lift as Marissa helps
|
||
to steady Picard. The effort of holding Jay Gordon is
|
||
putting a tremendous strain on Picard. Jay puts his
|
||
hands on the ceiling.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT THREE 33.
|
||
|
||
40 CONTINUED:
|
||
|
||
PICARD
|
||
(strained)
|
||
Feel around the edge of the
|
||
illumination module -- of the big
|
||
circle, until you find a small
|
||
knob.
|
||
|
||
JAY GORDON
|
||
I have it.
|
||
|
||
PICARD
|
||
Now with your other hand, reach
|
||
around the far side of the
|
||
module... there should be another
|
||
knob.
|
||
|
||
JAY GORDON
|
||
Okay, I found it.
|
||
|
||
PICARD
|
||
Good. Good. Pull both knobs out
|
||
at the same time and then let go.
|
||
|
||
He pulls the knobs and then there is a quick WHOOSH of
|
||
air as the top hatch moves upward slightly.
|
||
|
||
PICARD
|
||
(continuing)
|
||
Now push up... and slide the
|
||
hatch over to the side.
|
||
|
||
Jay Gordon moves the hatch out of the way. The
|
||
turbolift SHAKES a little then stops. Patterson looks
|
||
around in terror and starts breathing quick and fast,
|
||
as if about to cry.
|
||
|
||
PICARD
|
||
Jay Gordon, can you pull yourself
|
||
up?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 34.
|
||
|
||
40 CONTINUED:
|
||
|
||
JAY GORDON
|
||
Yes. I think so.
|
||
|
||
Jay Gordon pulls himself up through the hatch,
|
||
supports himself on his elbows and puts his feet on
|
||
Picard's shoulders.
|
||
|
||
PICARD
|
||
Can you tell what deck we're on?
|
||
There should be a large number on
|
||
the wall of the shaft.
|
||
|
||
JAY GORDON
|
||
It says "eleven".
|
||
|
||
That's bad news, but Picard tries not to show his
|
||
concern yet.
|
||
|
||
PICARD
|
||
Good. Now look down at the side
|
||
of the lift. Do you see two big
|
||
clamps?
|
||
|
||
JAY GORDON
|
||
Yes.
|
||
|
||
PICARD
|
||
Can you see if both clamps are
|
||
connected to a... long beam
|
||
inside a... a big groove?
|
||
|
||
Long beat.
|
||
|
||
JAY GORDON
|
||
Yes. But one of them looks
|
||
broken. It's half out of the
|
||
groove.
|
||
|
||
PICARD
|
||
All right. Come down.
|
||
|
||
Picard and Marissa help Jay Gordon down. Picard
|
||
carefully slides down to the floor. Picard realizes
|
||
they're in trouble... he takes a beat to think, then
|
||
he motions to Marissa to come closer.
|
||
|
||
PICARD
|
||
(softly)
|
||
Number One, those big clamps are
|
||
part of the emergency system. If
|
||
something goes wrong, they're
|
||
designed to hold the turbolift in
|
||
place.
|
||
(MORE)
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 35.
|
||
|
||
40 CONTINUED:
|
||
|
||
PICARD (cont'd)
|
||
But they seem to have been
|
||
damaged.
|
||
|
||
MARISSA
|
||
Is that why we keep shaking?
|
||
|
||
PICARD
|
||
That's right.
|
||
(beat, then intimate)
|
||
When that clamp gives way, we'll
|
||
fall. You're going to have to
|
||
take your crew out of here before
|
||
that happens. There's a ladder
|
||
along the inside of the
|
||
turboshaft. You can use it to
|
||
climb up until you find an open
|
||
doorway.
|
||
|
||
There is an ominous CREAK from the turbolift.
|
||
|
||
MARISSA
|
||
(worried)
|
||
What about you?
|
||
|
||
PICARD
|
||
(honest)
|
||
My leg is broken. I'll only slow
|
||
you down and you need to move
|
||
quickly.
|
||
(a little firmly)
|
||
You'll have to be the leader.
|
||
That's an order.
|
||
|
||
Marissa stands up... tries to summon up her courage.
|
||
She turns to Jay Gordon and Patterson. She tries to
|
||
put some command into her voice.
|
||
|
||
MARISSA
|
||
We have to climb up the shaft.
|
||
|
||
JAY GORDON
|
||
What about the captain?
|
||
|
||
PICARD
|
||
I'm not going. Commander Marissa
|
||
is in charge.
|
||
|
||
PATTERSON
|
||
(getting scared)
|
||
I wanna stay here with you.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT THREE 36.
|
||
|
||
40 CONTINUED:
|
||
|
||
PICARD
|
||
Patterson, you're an officer,
|
||
now. You have to obey orders.
|
||
|
||
PATTERSON
|
||
I don't wanna be an officer
|
||
anymore. I wanna stay with you.
|
||
|
||
JAY GORDON
|
||
(to Marissa)
|
||
If the captain stays here, we
|
||
won't make it. We'll all die.
|
||
|
||
PICARD
|
||
There's no time to argue, you
|
||
have to go now.
|
||
|
||
PATTERSON
|
||
I don't want to!
|
||
|
||
Marissa thinks for a moment... then turns back to
|
||
Picard.
|
||
|
||
MARISSA
|
||
The crew has decided to stick
|
||
together. We all go or we all
|
||
stay.
|
||
|
||
Picard looks up at the hatch and then looks at the
|
||
children for a beat... he finally makes the decision.
|
||
|
||
PICARD
|
||
All right. I'll try. But I want
|
||
you to know... this is mutiny.
|
||
|
||
This relieves them greatly. Picard painfully gets to
|
||
his feet.
|
||
|
||
PICARD
|
||
(continuing)
|
||
Number One, look at that panel...
|
||
do you see a bright yellow cap?
|
||
|
||
MARISSA
|
||
(looks in panel)
|
||
Yes.
|
||
|
||
PICARD
|
||
Pull the cap toward you and then
|
||
turn it... it should come off.
|
||
|
||
Marissa removes the cap. There is a bundle of wires
|
||
attached to the back of the cap.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT THREE 36A.
|
||
|
||
40 CONTINUED:
|
||
|
||
PICARD
|
||
(continuing)
|
||
Good. Now, that bundle of
|
||
wires... that's optical
|
||
cabling... see how much you can
|
||
pull out...
|
||
|
||
Marissa pulls at a piece of cabling; it plays out of
|
||
the panel.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT THREE 37.
|
||
|
||
40 CONTINUED:
|
||
|
||
Marissa keeps pulling.
|
||
|
||
CUT TO:
|
||
|
||
41 INT. CARGO BAY
|
||
|
||
Beverly and Geordi have moved all the containers
|
||
against the far wall of the bay.
|
||
|
||
Beverly and Geordi are scanning the containers with
|
||
their tricorders.
|
||
|
||
BEVERLY
|
||
(disappointed)
|
||
The levels are still rising.
|
||
|
||
She snaps the tricorder shut.
|
||
|
||
42 INCLUDING PLASMA FIRE (OPTICAL)
|
||
|
||
They watch the fire for a beat.
|
||
|
||
BEVERLY
|
||
There must be some way to put
|
||
that thing out.
|
||
|
||
GEORDI
|
||
(shakes his head)
|
||
The energy's being fed by the
|
||
ship's internal power grid and we
|
||
can't even get near that. The
|
||
only way to stop it would be to
|
||
eliminate the supply of oxygen.
|
||
(beat)
|
||
Wait a minute...
|
||
|
||
Geordi thinks for a beat... then looks from the
|
||
spacedoor to the fire and back again as he gets an
|
||
idea. He turns to Beverly with a "you won't believe
|
||
this" look on his face.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Doctor, I've got an idea. It's
|
||
pretty wild, but we might be able
|
||
to kill two birds with one stone.
|
||
|
||
BEVERLY
|
||
Let's hear it.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT THREE 38.
|
||
|
||
42 CONTINUED:
|
||
|
||
GEORDI
|
||
If we open the external door it
|
||
would depressurize the cargo bay,
|
||
and blow all those containers out
|
||
into space. At the same time,
|
||
the lack of oxygen should knock
|
||
out the plasma fire.
|
||
|
||
BEVERLY
|
||
What about us?
|
||
|
||
GEORDI
|
||
We'll have to find something in
|
||
here to hang onto while the air
|
||
is evacuated. After that, we'll
|
||
shut the door and repressurize
|
||
the bay.
|
||
|
||
They both look around for a moment. The ladder
|
||
leading to the catwalk is the only solid object in
|
||
sight.
|
||
|
||
BEVERLY
|
||
This looks like it'll have to do.
|
||
|
||
And on their looks...
|
||
|
||
CUT TO:
|
||
|
||
43 INT. TEN FORWARD
|
||
|
||
The room is filled with N.D. CASUALTIES. The tables
|
||
and chairs have been moved out of the way to make room
|
||
for injured crewmembers and civilians. TWO N.D.
|
||
UNINJURED CREWMEMBERS are helping the injured. Keiko
|
||
is finishing putting a dressing on a CREWMAN'S arm.
|
||
|
||
KEIKO
|
||
(smiles)
|
||
There... that should do it.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT THREE 38A.
|
||
|
||
43 CONTINUED:
|
||
|
||
The Crewman nods in appreciation and moves away. As
|
||
he leaves, a sudden flash of pain crosses Keiko's
|
||
face. She puts a hand to her stomach... but then the
|
||
pain passes. She seems okay for the moment, so she
|
||
puts it behind her and moves to help another INJURED
|
||
CREWMEMBER.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 39.
|
||
|
||
43A ON WORF
|
||
|
||
As he prepares to put a splint on a MAN with a broken
|
||
leg.
|
||
|
||
WORF
|
||
(to injured crewman)
|
||
There will be a sharp pain as I
|
||
set the bone. Prepare yourself.
|
||
|
||
The man nods. Worf quickly sets the leg and the man
|
||
grimaces for a moment. Worf is trying to be of some
|
||
comfort... trying to reach out to these people.
|
||
|
||
WORF
|
||
(continuing)
|
||
Good... good. You bore that
|
||
well.
|
||
|
||
Worf finishes with the splint and then stands. He
|
||
turns in time to see Keiko suddenly give a groan and
|
||
hunch over slightly. Worf moves to her quickly, but
|
||
the pain passes and she seems okay for the moment.
|
||
|
||
KEIKO
|
||
I'm all right... I think...
|
||
|
||
WORF
|
||
Perhaps you should lie down.
|
||
|
||
KEIKO
|
||
Okay.
|
||
|
||
She sits, then gasps as a contraction grabs hold of
|
||
her again. She hunches over a little as Worf looks on
|
||
helplessly. When she looks up, her face is pale.
|
||
|
||
KEIKO
|
||
I'm having contractions...
|
||
|
||
This is not good news to Worf, who immediately goes
|
||
into denial.
|
||
|
||
WORF
|
||
I believe that is not uncommon in
|
||
the late months of pregnancy...
|
||
|
||
KEIKO
|
||
I mean contractions... I'm going
|
||
into labor.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT THREE 40.
|
||
|
||
43A CONTINUED:
|
||
|
||
WORF
|
||
You cannot. This... this is not
|
||
a good time.
|
||
|
||
KEIKO
|
||
It's not open for debate. Like
|
||
it or not -- this baby is coming.
|
||
|
||
On Worf's reaction...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 41.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
44 INT. OBSERVATION LOUNGE
|
||
|
||
Troi, Ro, and O'Brien at the table. Troi is listening
|
||
quietly, absorbing the argument as the other two
|
||
battle it out.
|
||
|
||
O'BRIEN
|
||
(to Ro)
|
||
If the containment field strength
|
||
keeps dropping at this rate, we
|
||
still have at least two hours
|
||
before it becomes critical.
|
||
|
||
RO
|
||
But you're ignoring the fact that
|
||
the power coupling is also
|
||
damaged.
|
||
(to Troi)
|
||
If that coupling overheats, the
|
||
field strength will begin to drop
|
||
a lot faster. We could have a
|
||
containment breach in a matter of
|
||
minutes.
|
||
|
||
TROI
|
||
What do you suggest?
|
||
|
||
RO
|
||
We should separate the saucer
|
||
now, and put as much distance as
|
||
possible between us and the drive
|
||
section.
|
||
|
||
O'BRIEN
|
||
Excuse me, sir, but that's damn
|
||
cold-blooded. What about the
|
||
people down there?
|
||
|
||
RO
|
||
There's no evidence anyone is
|
||
still alive in the drive section.
|
||
|
||
O'BRIEN
|
||
There's no evidence they're dead,
|
||
either. If you were trapped down
|
||
there, would you want us to cut
|
||
you loose and leave?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FOUR 41A.
|
||
|
||
44 CONTINUED:
|
||
|
||
RO
|
||
Of course not. But I also
|
||
wouldn't expect the bridge crew
|
||
to risk the safety of the ship
|
||
and hundreds of lives in a futile
|
||
effort to rescue me.
|
||
|
||
Troi stands and moves to the window. She looks out at
|
||
the stars for a long moment.
|
||
|
||
TROI
|
||
(without turning
|
||
around)
|
||
You said there's no way to
|
||
stabilize the containment field
|
||
from the bridge. Could it be
|
||
done from engineering?
|
||
|
||
O'BRIEN
|
||
Yes... but my readings indicate
|
||
there's no power down there.
|
||
They don't even have monitors to
|
||
tell them there's a problem.
|
||
|
||
TROI
|
||
Could we divert energy from the
|
||
bridge... to those monitors?
|
||
|
||
O'BRIEN
|
||
Yes, sir.
|
||
|
||
RO
|
||
I'll say it again: there's no
|
||
reason to believe anyone's alive
|
||
in engineering. We're wasting
|
||
time even talking about this. We
|
||
have to separate the ship now.
|
||
|
||
Troi thinks for another moment... finally makes a very
|
||
difficult decision. She turns back to face them.
|
||
|
||
TROI
|
||
I believe there are people still
|
||
alive down there... and I'm
|
||
going to give them every chance.
|
||
|
||
She moves toward them.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FOUR 42.
|
||
|
||
44 CONTINUED:
|
||
|
||
TROI
|
||
Assuming they are alive, they'll
|
||
be hoping there's someone up here
|
||
to help them. So we'll help
|
||
them.
|
||
(to O'Brien
|
||
Divert the necessary power to
|
||
engineering.
|
||
|
||
O'BRIEN
|
||
(stands)
|
||
Aye, sir.
|
||
|
||
Ro stands too, but she hasn't acquiesced.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 43.
|
||
|
||
44 CONTINUED:
|
||
|
||
RO
|
||
I remind you, Counselor... that
|
||
power coupling could overheat at
|
||
any time. By not separating the
|
||
ship now, you may be responsible
|
||
for all our deaths.
|
||
|
||
Troi looks her square in the eye.
|
||
|
||
TROI
|
||
Thank you, Ensign. Proceed.
|
||
|
||
Ro turns and EXITS, leaving Troi to wrestle with the
|
||
consequences of her decision.
|
||
|
||
CUT TO:
|
||
|
||
45 INT. TURBOSHAFT
|
||
|
||
The vertical shaft is very dark. There is a single
|
||
ladder that runs the length of the shaft. Picard is
|
||
on the ladder and is tied to Jay Gordon, Patterson and
|
||
Marissa in turn by optical cables that have been
|
||
fashioned into a safety rope. Picard is just below a
|
||
door that has the words "DECK 7" in big letters (the
|
||
turbolift was stuck on Deck 11). Picard is struggling
|
||
with an open panel in an effort to open the doors, but
|
||
it's very difficult to stay on the ladder and work the
|
||
panel with all his weight on one leg.
|
||
|
||
Picard works for another moment... presses a final
|
||
relay and watches the doors... nothing happens. He
|
||
wants to scream in frustration, but he takes a beat to
|
||
get his temper under control.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 43A.
|
||
|
||
45 CONTINUED:
|
||
|
||
PICARD
|
||
(to children)
|
||
I can't open this door.
|
||
|
||
Picard looks up at...
|
||
|
||
45A POV PICARD - THE TURBOSHAFT (OPTICAL)
|
||
|
||
The shaft stretches seven stories above them. There
|
||
are other hatches visible in the shaft.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/14/91 - ACT FOUR 44.
|
||
|
||
45A CONTINUED:
|
||
|
||
PICARD'S VOICE
|
||
(continuing)
|
||
We'll have to climb up to the
|
||
next deck.
|
||
|
||
45B RESUME SCENE (OPTICAL)
|
||
|
||
As before. There are looks of dismay from the
|
||
children. Patterson looks like he's losing it again --
|
||
he's near tears.
|
||
|
||
PATTERSON
|
||
What if that one doesn't open
|
||
either?
|
||
|
||
JAY GORDON
|
||
Then we'll never get out.
|
||
|
||
MARISSA
|
||
Quiet. That's an order.
|
||
|
||
PICARD
|
||
(firm)
|
||
We're going up. Ready?
|
||
|
||
MARISSA
|
||
(crisp)
|
||
Ready, sir.
|
||
|
||
Jay Gordon and Patterson glumly nod and Picard begins
|
||
the slow process of pulling himself up the ladder,
|
||
using only his left leg. The children slowly follow
|
||
him up the ladder for a few beats... suddenly there
|
||
is a SOUND OF SHRIEKING METAL from o.c. Picard looks
|
||
down.
|
||
|
||
PICARD
|
||
(urgent)
|
||
The lift's falling! Hang on!
|
||
|
||
They all freeze on the ladder just as there is a
|
||
WHOOSH and then a CRASH from below them which SHAKES
|
||
the ladder.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT FOUR 45.
|
||
|
||
46
|
||
thru OMITTED
|
||
49
|
||
|
||
49A ANGLE ON PATTERSON
|
||
|
||
He hangs on to the ladder in terror as it SHAKES. The
|
||
shaking STOPS after a moment, but Patterson continues
|
||
to cling to the ladder for dear life and his eyes are
|
||
shut tight with fear and his breathing is rapid.
|
||
|
||
49B NEW ANGLE
|
||
|
||
Including Picard and the other two children. He can't
|
||
see Patterson from his angle.
|
||
|
||
PICARD
|
||
We're all right. We're going to
|
||
keep climbing. Don't look down.
|
||
|
||
Picard starts up, and Marissa and Jay Gordon follow,
|
||
but Patterson is frozen to the ladder... the optical
|
||
cable pulls Jay Gordon up short and he turns around.
|
||
Picard and Marissa also stop.
|
||
|
||
JAY GORDON
|
||
(to Patterson)
|
||
What's wrong?
|
||
|
||
MARISSA
|
||
He's scared.
|
||
|
||
PICARD
|
||
(to Patterson)
|
||
We're right here with you,
|
||
Patterson. You're not going to
|
||
fall.
|
||
|
||
Patterson closes his eyes and trembles slightly.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT FOUR 46.
|
||
|
||
49B CONTINUED:
|
||
|
||
PICARD
|
||
(continuing)
|
||
Everything will be all right if
|
||
you keep moving.
|
||
|
||
Patterson doesn't respond except to clutch the ladder
|
||
tighter. Picard knows they have to get moving.
|
||
|
||
PICARD
|
||
(continuing)
|
||
What we need -- is a climbing
|
||
song. Marissa, what's a song you
|
||
sing in school?
|
||
|
||
MARISSA
|
||
"The Laughing Vulcan and His Dog"?
|
||
|
||
PICARD
|
||
I'm afraid I don't know that one.
|
||
(beat)
|
||
I know -- "Frere Jacques". We
|
||
used to sing that when I was your
|
||
age. Patterson, do you know that
|
||
song?
|
||
|
||
No response.
|
||
|
||
PICARD
|
||
It goes like this... "Frere
|
||
Jacques, Frere Jacques... "
|
||
|
||
MARISSA
|
||
"... dormez vous, dormez vous... "
|
||
|
||
Picard, Marissa and Jay Gordon begin singing.
|
||
|
||
ALL BUT PATTERSON
|
||
"... sonnez les matines, sonnez
|
||
les matines, ding din dong, ding
|
||
din dong. Frere Jacques... "
|
||
|
||
Finally Patterson begins to join in, softly.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 47.
|
||
|
||
49B CONTINUED:
|
||
|
||
ALL
|
||
"... Frere Jacques, dormez vous,
|
||
dormez vous... "
|
||
|
||
Picard begins hauling himself up once again, as they
|
||
all keep singing. Patterson hesitates, but -- still
|
||
singing -- begins to climb.
|
||
|
||
CUT TO:
|
||
|
||
50 INT. TEN FORWARD
|
||
|
||
Keiko has been moved away from everyone else to
|
||
provide some privacy and is propped up on some
|
||
cushions. She is in a lot of pain and she's very
|
||
sweaty and tired. Worf is kneeling next to her,
|
||
holding a PADD. The first aid kit is nearby. Worf is
|
||
way out of his element here, and he's uncomfortable.
|
||
|
||
WORF
|
||
Your contractions are now only
|
||
twenty seconds apart.
|
||
|
||
KEIKO
|
||
(weakly)
|
||
It feels like they're constant...
|
||
|
||
WORF
|
||
They will continue to come closer
|
||
together until you reach the
|
||
bearing down phase.
|
||
|
||
He plays the tricorder toward her and nods
|
||
approvingly.
|
||
|
||
WORF
|
||
Dilation has gone to nine
|
||
centimeters since the onset of
|
||
labor.
|
||
(to Keiko)
|
||
That did not take long.
|
||
|
||
KEIKO
|
||
Easy for you to say...
|
||
|
||
She breaks off as another contraction begins, closes
|
||
her eyes and breathes deeply to help deal with the
|
||
pain. Worf, feeling helpless, places his hand on her
|
||
belly.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 48.
|
||
|
||
50 CONTINUED:
|
||
|
||
WORF
|
||
You are doing very well. I am
|
||
sure the child will arrive soon.
|
||
|
||
Keiko doesn't answer; she's too absorbed in managing
|
||
the contraction. Then it releases and her eyes open.
|
||
Worf studies the tricorder.
|
||
|
||
KEIKO
|
||
Worf... has the baby turned?
|
||
|
||
Worf absorbs this question, tries to figure out what
|
||
in the world she's talking about. He is trying to be
|
||
the comforting expert in a situation where he's way
|
||
over his head.
|
||
|
||
WORF
|
||
Turned... ?
|
||
|
||
KEIKO
|
||
So the head is down. Doctor
|
||
Crusher told me a few days ago it
|
||
hadn't... but she wasn't worried
|
||
because I still had a month to
|
||
go...
|
||
|
||
Worf nods. Then he places his hands on her abdomen,
|
||
gingerly prods and presses.
|
||
|
||
WORF
|
||
I am not certain.
|
||
(beat)
|
||
Can't you tell?
|
||
|
||
She shakes her head.
|
||
|
||
KEIKO
|
||
Worf... have you ever done this
|
||
before? Delivered a baby?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 49.
|
||
|
||
50 CONTINUED:
|
||
|
||
WORF
|
||
(beat)
|
||
No. But I have taken the
|
||
Starfleet Emergency Medical
|
||
Course. In a computerized
|
||
simulation, I assisted in the
|
||
delivery of a human baby.
|
||
|
||
KEIKO
|
||
Sometimes... things don't go by
|
||
the book...
|
||
|
||
Of which Worf is supremely aware. But he pats her
|
||
shoulder, hoping to reassure her.
|
||
|
||
WORF
|
||
I am sure everything will be
|
||
fine.
|
||
|
||
He takes refuge in the tricorder as another
|
||
contraction grips Keiko.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 50.
|
||
|
||
51
|
||
thru OMITTED
|
||
52A
|
||
|
||
53 INT. CARGO BAY
|
||
|
||
Geordi and Beverly are dragging the last container
|
||
into place in front of the spacedoor. As Beverly
|
||
talks, they set the container down, then move to the
|
||
ladder and nearby console.
|
||
|
||
BEVERLY
|
||
Once the air is vented, the first
|
||
thing you'll feel is extreme
|
||
pressure in your lungs... you'll
|
||
have to resist the temptation to
|
||
exhale. Next, your hands and
|
||
feet will get cold, then numb...
|
||
and some of the capillaries in
|
||
exposed sections of skin may
|
||
burst.
|
||
|
||
GEORDI
|
||
(dry)
|
||
Sounds like fun.
|
||
|
||
BEVERLY
|
||
We'll have about fifteen seconds
|
||
of useful consciousness left.
|
||
After that, there's about ten
|
||
seconds of extreme
|
||
disorientation, then we pass out.
|
||
|
||
GEORDI
|
||
(indicates panel on far
|
||
wall)
|
||
After the air has been evacuated,
|
||
one of us will have to get to
|
||
that panel and repressurize the
|
||
bay.
|
||
|
||
Beverly nods, understanding. Geordi finishes tapping
|
||
in commands and checks the panel one last time.
|
||
|
||
GEORDI
|
||
We're ready.
|
||
|
||
They both begin to hyperventilate and then lean over
|
||
the console and wrap their arms tightly around it.
|
||
Geordi presses a control on the console.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FOUR 51.
|
||
|
||
54 ON SPACE DOOR (OPTICAL)
|
||
|
||
The door OPENS. The blue outline of the
|
||
pressurization field is visible around the door.
|
||
|
||
55 ON GEORDI & BEVERLY
|
||
|
||
They continue to hyperventilate... then both take a
|
||
deep breath and hold it. Geordi presses one more
|
||
control and then quickly wraps his arm back around the
|
||
console.
|
||
|
||
56 NEW ANGLE (OPTICAL)
|
||
|
||
The blue outline DISAPPEARS from around the door and
|
||
the bay DEPRESSURIZES. There is a ROAR OF AIR rushing
|
||
out the door and the quaratum containers are BLOWN out
|
||
of the door.
|
||
|
||
57 ON GEORDI & BEVERLY (OPTICAL)
|
||
|
||
They desperately hang on to the console as the wind
|
||
rips past them. Suddenly the WIND STOPS as the bay is
|
||
evacuated. (There should be NO SOUND HEARD from this
|
||
point until the bay is repressurized.)
|
||
|
||
58 ON PLASMA FIRE (OPTICAL)
|
||
|
||
The fire is SNUFFED OUT.
|
||
|
||
59 NEW ANGLE (OPTICAL)
|
||
|
||
Geordi frantically enters commands into the console
|
||
and the spacedoor starts to slowly CLOSE.
|
||
|
||
60 ON GEORDI & BEVERLY.
|
||
|
||
The pressure in their bodies are starting to affect
|
||
them already. The door finally closes... Geordi &
|
||
Beverly both move for the atmospheric control panel on
|
||
the far wall... Geordi gets about halfway across the
|
||
bay before becoming disoriented and dizzy... he falls
|
||
to the floor in confusion.
|
||
|
||
61 ON BEVERLY
|
||
|
||
Beverly can barely focus her eyes at this point, but
|
||
she manages to make it to the controls.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/12/91 - ACT FOUR 52.
|
||
|
||
61 CONTINUED:
|
||
|
||
She slaps the button and there is a LOUD WHOOSH of air
|
||
as the bay is pressurized once again. Geordi and
|
||
Beverly gratefully suck in the precious air. They sit
|
||
on the floor and look at each other for a moment...
|
||
just grateful to be alive.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FIVE 53.
|
||
|
||
ACT FIVE
|
||
|
||
FADE IN:
|
||
|
||
62 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship hangs in space.
|
||
|
||
63 INT. MAIN BRIDGE
|
||
|
||
Troi in command, Ro at tactical, O'Brien at
|
||
engineering, and Mandel at ops. Troi is under
|
||
tremendous pressure; wrestling with the decision of
|
||
whether or not to separate the ship, and holding the
|
||
balance between O'Brien and Ro.
|
||
|
||
RO
|
||
The field strength is down to
|
||
twenty percent. We can't run the
|
||
risk of staying here any longer.
|
||
|
||
O'BRIEN
|
||
We're not in danger until it
|
||
drops below fifteen percent. We
|
||
can afford to wait and see if
|
||
anyone in engineering notices
|
||
those monitors.
|
||
|
||
Troi considers for a moment, then --
|
||
|
||
TROI
|
||
Have you made preparations to
|
||
separate the Saucer Section?
|
||
|
||
RO
|
||
Yes, sir. We're in stand-by mode
|
||
for docking latches and --
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FIVE 54.
|
||
|
||
63 CONTINUED:
|
||
|
||
O'Brien suddenly sees something on his monitor and
|
||
reacts in alarm.
|
||
|
||
O'BRIEN
|
||
Ensign -- there's a thermal
|
||
inversion in the power coupling!
|
||
|
||
Ro moves quickly to him.
|
||
|
||
RO
|
||
Quick... cross-connect it to the
|
||
transfer coil.
|
||
|
||
O'Brien and Ro work feverishly for a moment... then
|
||
the danger passes and they visibly relax. Troi,
|
||
having no idea what's gone on, is alarmed.
|
||
|
||
TROI
|
||
What happened?
|
||
|
||
RO
|
||
Exactly what I said might happen.
|
||
The power coupling overheated and
|
||
the entire containment field
|
||
almost collapsed.
|
||
|
||
There is a beat as Ro takes Troi's measure, moves a
|
||
step closer.
|
||
|
||
RO
|
||
(firmly)
|
||
O'Brien's fixed it temporarily,
|
||
but it could happen again at any
|
||
moment, and next time we might
|
||
not be able to stop it. You
|
||
can't let wishful thinking guide
|
||
your decision. It's time to
|
||
leave, Counselor.
|
||
|
||
Troi's voice never rises, but her tone and bearing
|
||
make it clear who's in charge.
|
||
|
||
TROI
|
||
We will separate the ship when I
|
||
have decided that it's time, not
|
||
before. Is that clear, Ensign?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FIVE 55.
|
||
|
||
63 CONTINUED:
|
||
|
||
Ro has no choice but to accept, but her eyes say she
|
||
has not backed down.
|
||
|
||
RO
|
||
Yes. Perfectly.
|
||
|
||
64
|
||
thru OMITTED
|
||
73
|
||
|
||
73A INT. ENGINEERING (FORMERLY SCENE 51)
|
||
|
||
There are several blown out panels in engineering and
|
||
one or two dead bodies. The emergency isolation door
|
||
has sealed the room off from the engine core. Riker
|
||
is working on an open panel with a hand tool. He
|
||
makes some final adjustment and then speaks to Data,
|
||
who is o.c.
|
||
|
||
RIKER
|
||
Okay, try it.
|
||
|
||
DATA (o.c.)
|
||
Very good, Commander. You have
|
||
established the connection. I
|
||
can now raise the door.
|
||
|
||
73B WIDER ANGLE (OPTICAL)
|
||
|
||
Revealing that Riker is talking to Data's head, which
|
||
has been placed on a drop-down panel. There are
|
||
several optical fibers connecting his head to the wall
|
||
panel and Data has been positioned so that he can look
|
||
at one of the large screens on the table. Data
|
||
"processes" for a moment. After a beat, the isolation
|
||
door begins to RISE.
|
||
|
||
73C ON RIKER - INTERCUT WITH DATA AS NEEDED (OPTICAL)
|
||
|
||
as he quickly moves under the door and goes into
|
||
Geordi's office. He is surprised that, in sharp
|
||
contrast to the outer area, Geordi's office is
|
||
completely powered up. Consoles are functioning and
|
||
the normal lights are on. Riker moves to a monitor.
|
||
|
||
RIKER
|
||
There's no power on the entire
|
||
deck, but somehow these monitors
|
||
are working.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FIVE 56.
|
||
|
||
73C CONTINUED:
|
||
|
||
DATA
|
||
(thinks)
|
||
Commander, the power reaching
|
||
those monitors has been diverted
|
||
from the bridge.
|
||
|
||
RIKER
|
||
But why... ?
|
||
(beat)
|
||
Unless there's something they
|
||
want us -- something they need us
|
||
to see...
|
||
|
||
Riker moves to another console... the information on
|
||
the screen is shocking.
|
||
|
||
RIKER
|
||
Data -- the containment field
|
||
strength is down to eighteen
|
||
percent!
|
||
|
||
Riker moves to Data out at the panel.
|
||
|
||
RIKER
|
||
(urgent)
|
||
Can you stabilize it?
|
||
|
||
DATA
|
||
(works)
|
||
I do not have access to the
|
||
containment field. You will have
|
||
to establish a new link.
|
||
|
||
Riker moves closer to Data's head.
|
||
|
||
DATA
|
||
Locate the ODN conduit.
|
||
|
||
Riker picks up a long strand of optical cable from the
|
||
panel.
|
||
|
||
RIKER
|
||
Got it.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FIVE 57.
|
||
|
||
73C CONTINUED:
|
||
|
||
DATA
|
||
You must now change the input
|
||
matrix in my secondary optical
|
||
port and then connect the ODN
|
||
conduit.
|
||
|
||
Riker grabs a hand tool and gingerly begins to poke
|
||
around inside the panel on Data's head. Data frowns.
|
||
|
||
DATA
|
||
That is not the correct port,
|
||
sir.
|
||
|
||
RIKER
|
||
Sorry.
|
||
|
||
DATA
|
||
Commander, you must hurry, the
|
||
field has dropped to sixteen
|
||
percent.
|
||
|
||
RIKER
|
||
I'm trying. You need a bigger
|
||
head.
|
||
|
||
DATA
|
||
The field is still dropping --
|
||
collapse is imminent.
|
||
|
||
Riker finally makes the adjustment and then attaches
|
||
the optical cable to a spot in Data's head.
|
||
|
||
RIKER
|
||
All right, try it!
|
||
|
||
DATA
|
||
(thinks)
|
||
I have a connection.
|
||
(beat)
|
||
I am now stabilizing the
|
||
containment field.
|
||
|
||
Riker breathes a sigh of relief.
|
||
|
||
RIKER
|
||
That's using your head, Data.
|
||
|
||
Data gives him a curious look, but continues his work.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FIVE 58.
|
||
|
||
74 INT. MAIN BRIDGE
|
||
|
||
O'Brien and Ro are at the monitors; Troi close by.
|
||
|
||
TROI
|
||
All right. Stand by to separate
|
||
the Saucer Section --
|
||
|
||
O'BRIEN
|
||
Sir... the field strength is
|
||
stabilizing...
|
||
|
||
Troi comes to the monitor.
|
||
|
||
O'BRIEN
|
||
Eighteen percent... twenty...
|
||
twenty-five...
|
||
|
||
RO
|
||
I guess they got our message.
|
||
|
||
There is palpable relief on the bridge. Ro looks at
|
||
Troi, holds her eyes for a moment, and then, without
|
||
any hint of embarrassment...
|
||
|
||
RO
|
||
I was wrong, Counselor.
|
||
|
||
TROI
|
||
You could have just as easily
|
||
been right.
|
||
|
||
CUT TO:
|
||
|
||
75 OMITTED
|
||
|
||
76 INT. CORRIDOR - ON TURBOLIFT DOORS
|
||
|
||
The doors are pried open from the inside and an
|
||
exhausted Picard hauls himself up and into the
|
||
corridor. Marissa, Jay Gordon, and Patterson come up
|
||
after him. Picard leans against the wall... he and
|
||
the children smile at each other for a moment and then
|
||
Marissa carefully gives him a hug. For once, Picard
|
||
is not uncomfortable with the affection of children.
|
||
|
||
77 INT. TEN FORWARD
|
||
|
||
Worf is still with Keiko. He studies the tricorder
|
||
anxiously.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/15/91 - ACT FIVE 58A.
|
||
|
||
77 CONTINUED:
|
||
|
||
WORF
|
||
Congratulations. You are fully
|
||
dilated to ten centimeters.
|
||
(proudly)
|
||
You may now give birth.
|
||
|
||
Keiko just opens her eyes and stares at him.
|
||
|
||
KEIKO
|
||
I thought that's what I've been
|
||
trying to do...
|
||
|
||
WORF
|
||
Bearing down is the next stage.
|
||
It should start at full dilation.
|
||
Why has it not begun?
|
||
|
||
KEIKO
|
||
I don't know... I don't think
|
||
it's up to me... it happens when
|
||
it happens...
|
||
|
||
This whole thing is distressing to Worf; it isn't
|
||
following the book, and he has no control over what's
|
||
happening.
|
||
|
||
WORF
|
||
My computer simulation was not
|
||
like this. That delivery was
|
||
very orderly.
|
||
|
||
KEIKO
|
||
Well, I'm sorry...
|
||
|
||
Another contraction starts and she closes her eyes.
|
||
This time there is an involuntary groan.
|
||
|
||
WORF
|
||
(hoping)
|
||
Did you feel an uncontrollable
|
||
urge to push?
|
||
|
||
Keiko's eyes open and she nods.
|
||
|
||
WORF
|
||
Good! You are bearing down. Now
|
||
you must push with each
|
||
contraction and I must urge you
|
||
gently but firmly to push harder.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/16/91 - ACT FIVE 58B.
|
||
|
||
77 CONTINUED:
|
||
|
||
Keiko shuts her eyes again and shakes her head
|
||
slightly. This might go better alone. But another
|
||
contraction...
|
||
|
||
WORF
|
||
Push, Keiko. Push hard...
|
||
|
||
And Keiko does...
|
||
|
||
WORF
|
||
Push... push...
|
||
|
||
KEIKO
|
||
(through clenched
|
||
teeth)
|
||
I am pushing --
|
||
|
||
The contraction fades. Worf looks pleased.
|
||
|
||
WORF
|
||
The baby is emerging head first.
|
||
One more contraction...
|
||
|
||
KEIKO
|
||
Okay...
|
||
|
||
Another contraction... Keiko groans, pushes...
|
||
|
||
WORF
|
||
That's good -- push... harder...
|
||
(amazed)
|
||
I have the baby!
|
||
|
||
Keiko gasps and sags back.
|
||
|
||
WORF
|
||
I will now smack the child to
|
||
induce breathing --
|
||
|
||
But before he can carry out that step, the baby starts
|
||
crying lustily. Worf, holding the slippery little
|
||
package, smiles broadly.
|
||
|
||
WORF
|
||
I believe she looks like Chief
|
||
O'Brien.
|
||
|
||
He wraps the baby in a blanket and hands her to Keiko,
|
||
who is spent and exhausted but thrilled. She takes
|
||
the bundle, cradles it to her, then looks up at Worf.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/21/91 - ACT FIVE 59.
|
||
|
||
77 CONTINUED:
|
||
|
||
KEIKO
|
||
You were wonderful, Worf. I
|
||
couldn't have done it without
|
||
you.
|
||
|
||
He inclines his head modestly.
|
||
|
||
CUT TO:
|
||
|
||
77A
|
||
thru OMITTED
|
||
78
|
||
|
||
79 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship moving at warp speed.
|
||
|
||
PICARD (V.O.)
|
||
Captain's log, supplemental. We
|
||
are en route to Starbase Sixty-seven,
|
||
to undergo repairs. Life
|
||
aboard the Enterprise is slowly
|
||
returning to normal.
|
||
|
||
STAR TREK: "Disaster" - REV. 8/21/91 - ACT FIVE 60.
|
||
|
||
80
|
||
thru OMITTED
|
||
81
|
||
|
||
82 INT. MAIN BRIDGE
|
||
|
||
Troi, Marissa, Jay Gordon, and Patterson ENTER from
|
||
the turbolift and go to Riker, who is in command. Data,
|
||
Worf, and Ro are at their stations. Jay Gordon is
|
||
carrying a plaque. (He is holding it against his
|
||
chest with the lettering facing outward. It has been
|
||
signed by the three children.) Riker stands and smiles
|
||
at Troi as she approaches.
|
||
|
||
RIKER
|
||
(joking)
|
||
Just can't stay away from the big
|
||
chair anymore, can you?
|
||
|
||
TROI
|
||
(right back at him)
|
||
I don't think I'm cut out to be
|
||
captain... first officer,
|
||
maybe... I understand there
|
||
aren't many qualifications.
|
||
|
||
Riker takes the shot with grace.
|
||
|
||
RIKER
|
||
(to com)
|
||
Captain Picard to the bridge,
|
||
please.
|
||
|
||
Picard ENTERS from the ready room.
|
||
|
||
RIKER
|
||
There are some visitors here to
|
||
see you, Captain.
|
||
|
||
The three children immediately move forward. Picard
|
||
is a little surprised to see them here, but he smiles
|
||
at them.
|
||
|
||
PICARD
|
||
Hello. It's good to see you
|
||
again. What brings you to the
|
||
bridge?
|
||
|
||
STAR TREK: "Disaster" - REV. 8/21/91 - ACT FIVE 61.
|
||
|
||
82 CONTINUED:
|
||
|
||
Jay and Patterson immediately look to Marissa, who's
|
||
now become the unofficial leader of the group. She's
|
||
still naturally shy and quiet, but now she is able to
|
||
meet Picard's eyes directly and her voice has a
|
||
stronger timbre than before. She reads the plaque
|
||
that Jay Gordon is holding.
|
||
|
||
MARISSA
|
||
(reading plaque)
|
||
"In appreciation for the way you
|
||
helped us get out of the
|
||
turboshaft, and the way you
|
||
helped us not be scared."
|
||
(looking up at Picard)
|
||
We want to present to you this
|
||
com-mem-mor-a-tive plaque.
|
||
(whispers to Jay
|
||
Gordon)
|
||
Give it to him.
|
||
|
||
Jay Gordon solemnly moves forward and gravely gives
|
||
Picard the plaque. Picard receives it in the same
|
||
spirit of seriousness in which it is given.
|
||
|
||
PICARD
|
||
Thank you, very much.
|
||
|
||
PATTERSON
|
||
I made the back piece.
|
||
|
||
PICARD
|
||
And you did a wonderful job.
|
||
Later this afternoon, we'll
|
||
finish the tour I promised you.
|
||
(beat)
|
||
Starting with the battle bridge.
|
||
|
||
Eager smiles and reactions from the children.
|
||
|
||
PICARD
|
||
I'll see you at fourteen hundred
|
||
hours.
|
||
(as he turns to go to
|
||
the Ready Room)
|
||
You have the bridge, Number One.
|
||
|
||
RIKER & MARISSA
|
||
Aye, sir.
|
||
|
||
Riker and Marissa look at each other and as the others
|
||
react, we...
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Disaster" - REV. 8/20/91 - ACT FIVE 62.
|
||
|
||
83
|
||
thru OMITTED
|
||
83B
|
||
|
||
84 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship warping away.
|
||
|
||
FADE OUT:
|
||
|
||
END OF ACT FIVE
|
||
|
||
THE END
|
||
|
||
STXT |