mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 12:02:45 +00:00
1 line
72 KiB
Plaintext
Executable File
1 line
72 KiB
Plaintext
Executable File
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
|
||
"New Ground"
|
||
(a.k.a. "Trial Run" & "Barriers")
|
||
#40275-210
|
||
|
||
Story by
|
||
Sarah Charno & Stuart Charno
|
||
|
||
Teleplay by
|
||
Grant E. Rosenberg
|
||
|
||
Directed by
|
||
Robert Scheerer
|
||
|
||
|
||
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
||
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
||
WITH THE TELEVISION LEGAL DEPARTMENT.
|
||
|
||
Copyright 1991 Paramount Pictures Corporation. All Rights
|
||
Reserved. This script is not for publication or
|
||
reproduction. No one is authorized to dispose of same. If
|
||
lost or destroyed, please notify the Script Department.
|
||
|
||
FINAL DRAFT
|
||
|
||
OCTOBER 4, 1991
|
||
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - CAST
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"New Ground"
|
||
|
||
CAST
|
||
|
||
PICARD HELENA ROZHENKO
|
||
RIKER ALEXANDER
|
||
DATA MS. LOWRY
|
||
BEVERLY ENSIGN FELTON
|
||
TROI DOCTOR JA'DAR
|
||
GEORDI
|
||
WORF
|
||
Non-Speaking
|
||
SUPERNUMERARIES
|
||
SEVERAL BOYS
|
||
SEVERAL FATHERS
|
||
A SKULL-FACED ALIEN
|
||
WAITER
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - SETS
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"New Ground"
|
||
|
||
SETS
|
||
|
||
INTERIORS EXTERIORS
|
||
|
||
USS ENTERPRISE USS ENTERPRISE
|
||
MAIN BRIDGE
|
||
ENGINEERING BILANA THREE
|
||
SICKBAY
|
||
TROI'S OFFICE TEST SHIP
|
||
WORF'S QUARTERS
|
||
TEACHER'S OFFICE SOLITON WAVE
|
||
BIOLAB
|
||
TEN FORWARD
|
||
TURBOLIFT
|
||
OBSERVATION LOUNGE
|
||
TRANSPORTER ROOM
|
||
HOLODECK - BATTLEGROUND
|
||
CORRIDOR
|
||
|
||
USS MILAN
|
||
HELENA'S ROOM
|
||
|
||
BILANA THREE
|
||
JA'DAR OFFICE
|
||
|
||
STAR TREK: "New Ground" - REV. 10/8/91 - TEASER 1.
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"New Ground"
|
||
TEASER
|
||
|
||
FADE IN:
|
||
|
||
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship is entering orbit around a planet.
|
||
|
||
PICARD (V.O.)
|
||
Captain's log, stardate 45376.3.
|
||
We are approaching the planet
|
||
Bilana Three, where a new method
|
||
of propulsion known as the Soliton
|
||
Wave is being developed. The
|
||
Enterprise has been asked to
|
||
participate in one of the first
|
||
tests of this new technology.
|
||
|
||
2 INT. MAIN ENGINEERING
|
||
|
||
GEORDI is working at a monitor in his office. He
|
||
crosses to the pool table, where WORF and DATA are
|
||
working. Geordi is very up, very excited. Data and
|
||
Worf are their usual stoic selves.
|
||
|
||
GEORDI
|
||
(to Data)
|
||
We're going to witness a moment
|
||
in history, Data.
|
||
|
||
DATA
|
||
(puzzled)
|
||
Every nanosecond in this
|
||
continuum becomes a moment in
|
||
history once it has elapsed.
|
||
|
||
GEORDI
|
||
No, no. I mean we're going to
|
||
see something that people will
|
||
talk about for years.
|
||
|
||
Data nods in understanding and then returns to work.
|
||
Geordi turns to Worf, determined to impress upon him
|
||
the importance of what they're doing.
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - TEASER 2.
|
||
|
||
2 CONTINUED:
|
||
|
||
GEORDI
|
||
(to Worf)
|
||
Think about it... no more bulky
|
||
warp engines or nacelles... a
|
||
ship just generates a Soliton
|
||
Wave... and then rides it through
|
||
space like a surfboard.
|
||
|
||
Worf makes a noncommittal grunt of acknowledgement.
|
||
Geordi makes one last attempt.
|
||
|
||
GEORDI
|
||
This is going to be like being
|
||
there to watch Chuck Yeager break
|
||
the sound barrier, or Zephram
|
||
Cochrane engage the first warp
|
||
drive!
|
||
|
||
Worf and Data look at Geordi for a beat.
|
||
|
||
DATA
|
||
It should be interesting.
|
||
|
||
WORF
|
||
(flat)
|
||
Very exciting.
|
||
|
||
Geordi looks at them helplessly. Nothing is going to
|
||
excite these two.
|
||
|
||
GEORDI
|
||
I'm talking to the wrong crowd.
|
||
(sees another crewman
|
||
and walks away)
|
||
Donaldson! Hey, Donaldson, can
|
||
you believe that we're actually
|
||
going to be there when they...
|
||
|
||
As Geordi moves to talk with Donaldson...
|
||
|
||
VOICE
|
||
Lieutenant Worf, you have a
|
||
subspace communication from the
|
||
transport ship Milan.
|
||
|
||
3 NEW ANGLE (OPTICAL)
|
||
|
||
As Worf moves to a monitor and touches a button.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - TEASER 3.
|
||
|
||
3 CONTINUED:
|
||
|
||
WORF
|
||
(to com)
|
||
Transfer the signal to this
|
||
station.
|
||
|
||
The image of HELENA ROZHENKO fills the screen.
|
||
|
||
HELENA
|
||
(smiles warmly)
|
||
Hello, Worf.
|
||
|
||
Worf is surprised, but pleased to see his mother.
|
||
|
||
WORF
|
||
Mother?
|
||
|
||
HELENA
|
||
I hope you don't mind us dropping
|
||
in on you like this, but when I
|
||
heard the Enterprise was going
|
||
to be in this sector, we took the
|
||
first transport... and here we
|
||
are.
|
||
|
||
WORF
|
||
Is father with you?
|
||
|
||
A brief beat of discomfort crosses Helena's face, but
|
||
she covers it quickly and tries to sound happy and
|
||
normal.
|
||
|
||
HELENA
|
||
No. I brought Alexander with me.
|
||
I thought the two of you might
|
||
like a chance to... visit.
|
||
|
||
Worf knows there's something going on here... he is
|
||
quiet for a moment, but doesn't want to press his
|
||
mother just now.
|
||
|
||
WORF
|
||
Very well. I will make
|
||
arrangements for you to come
|
||
aboard.
|
||
|
||
HELENA
|
||
(pleased)
|
||
Good.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - TEASER 4.
|
||
|
||
4 INT. TRANSPORTER ROOM (OPTICAL)
|
||
|
||
A TRANSPORTER TECHNICIAN is behind the console. Worf
|
||
is waiting by the platform. Helena and ALEXANDER
|
||
MATERIALIZE on the platform. Helena gives Worf a big
|
||
hug.
|
||
|
||
HELENA
|
||
It's good to see you, Worf.
|
||
(beat)
|
||
You look wonderful. Is that
|
||
a touch of gray in your beard?
|
||
|
||
Worf instinctively puts a hand to his chin.
|
||
|
||
HELENA
|
||
(proudly)
|
||
Don't worry, the Rozhenko men have
|
||
always had beards of iron-gray.
|
||
|
||
Alexander has stayed behind on the transporter platform
|
||
and now Helena and Worf both turn their attention to
|
||
him. Alexander is simply staring at Worf... a little
|
||
scared and a little curious. Worf is happy to see his
|
||
son again.
|
||
|
||
WORF
|
||
(warm)
|
||
Hello, Alexander.
|
||
|
||
ALEXANDER
|
||
Hello.
|
||
|
||
Worf extends a hand and Alexander shakes it after a
|
||
beat.
|
||
|
||
WORF
|
||
It is good to see you both. How
|
||
long can you stay?
|
||
|
||
That's not a question Helena wanted to answer right
|
||
now, but Alexander speaks right up as if the answer
|
||
should be obvious.
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - TEASER 5.
|
||
|
||
4 CONTINUED:
|
||
|
||
ALEXANDER
|
||
I'm not going back.
|
||
|
||
Worf looks to Helena, who looks guilty. On Worf's
|
||
reaction...
|
||
|
||
FADE OUT
|
||
|
||
END OF TEASER
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - ACT ONE 6.
|
||
|
||
ACT ONE
|
||
|
||
FADE IN:
|
||
|
||
5 INT. TEN FORWARD
|
||
|
||
Worf and Helena ENTER. They head for a private table
|
||
near one of the windows.
|
||
|
||
HELENA
|
||
Did you see Alexander's face when
|
||
he saw the play area? He's going
|
||
to love it here.
|
||
|
||
That brings up a subject Worf would like to talk about.
|
||
They sit.
|
||
|
||
WORF
|
||
Mother, why does Alexander believe
|
||
he is remaining... ?
|
||
|
||
Worf trails off as a WAITER comes over to the table to
|
||
take their order.
|
||
|
||
HELENA
|
||
(to waiter)
|
||
Lapsang suchong tea, please.
|
||
|
||
The waiter looks at Worf, but he shakes his head no.
|
||
|
||
HELENA
|
||
Have you been eating? You look
|
||
thin.
|
||
|
||
WORF
|
||
Mother...
|
||
|
||
HELENA
|
||
When your father was in Starfleet,
|
||
I always had to make sure that---
|
||
|
||
WORF
|
||
(gentle but firm)
|
||
Mother. We need to talk about
|
||
Alexander.
|
||
|
||
Helena knows he's right. She reluctantly nods her head
|
||
as the Waiter returns and gives her the tea. Helena
|
||
sips some of the tea and pauses for a moment. She has
|
||
some difficult things to say to Worf and it's not going
|
||
to be easy for her. Worf waits respectfully for his
|
||
mother to lead the conversation.
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - ACT ONE 6A.
|
||
|
||
5 CONTINUED:
|
||
|
||
HELENA
|
||
Alexander's a fine boy, Worf.
|
||
Smart... high-spirited... a lot
|
||
like you at that age.
|
||
(smiles)
|
||
In fact, sometimes he comes
|
||
running through the house and
|
||
knocks over that big green lamp,
|
||
just like you used to do.
|
||
|
||
WORF
|
||
I don't recall you smiling when
|
||
I knocked over that lamp.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 7.
|
||
|
||
5 CONTINUED: (2)
|
||
|
||
HELENA
|
||
Well... maybe once when you
|
||
weren't looking.
|
||
(beat)
|
||
When we learned that Alexander
|
||
was coming to live with us, we
|
||
were very happy. The house had
|
||
been... empty since you left.
|
||
We thought, here is our chance
|
||
to fill it with the sounds of
|
||
children again.
|
||
|
||
Helena pauses. She looks at Worf and her tone becomes
|
||
more confidential...
|
||
|
||
HELENA
|
||
But... the truth is... your father
|
||
and I are getting old, Worf.
|
||
|
||
WORF
|
||
(protesting)
|
||
Mother, you both still have many
|
||
years---
|
||
|
||
HELENA
|
||
(smiles)
|
||
I don't mean we're ready for the
|
||
grave... not yet, anyway.
|
||
(beat)
|
||
But we are a little... less
|
||
active. It's hard for us to keep
|
||
up with Alexander. We're ready
|
||
to be... just grandparents.
|
||
(beat)
|
||
Alexander needs to be with his
|
||
father.
|
||
|
||
Worf's tone is regretful, but firm.
|
||
|
||
WORF
|
||
That is not possible. We will
|
||
have to find another option.
|
||
|
||
Helena considers Worf for a moment. She had hoped it
|
||
wouldn't be necessary to get into this, but Worf isn't
|
||
responding yet.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 8.
|
||
|
||
5 CONTINUED: (3)
|
||
|
||
HELENA
|
||
He needs his father, Worf.
|
||
Alexander's having...
|
||
difficulties.
|
||
|
||
WORF
|
||
Difficulties?
|
||
|
||
This is hard for Helena, they're talking about her
|
||
grandson, after all. But these things must be said.
|
||
|
||
HELENA
|
||
He is... disobedient.
|
||
|
||
Worf's natural instinct is to rise to his son's
|
||
defense.
|
||
|
||
WORF
|
||
Klingon children are often...
|
||
difficult to control...
|
||
|
||
HELENA
|
||
(wry)
|
||
I do know something about how
|
||
Klingon children behave.
|
||
|
||
Worf looks immediately abashed.
|
||
|
||
HELENA
|
||
But it's more than his willful
|
||
attitude. He... does not always
|
||
tell the truth.
|
||
|
||
WORF
|
||
(shocked)
|
||
My son is... a liar?
|
||
|
||
HELENA
|
||
(firm)
|
||
He is a boy. And boys can
|
||
sometimes take the wrong path.
|
||
They must have guidance.
|
||
(beat)
|
||
Alexander needs a father -- his
|
||
father to give him that guidance.
|
||
|
||
Worf is too shocked by this revelation about Alexander
|
||
to argue any further. Helena considers Worf for a few
|
||
moments then reluctantly ends the discussion.
|
||
|
||
HELENA
|
||
I have to go. The transport will
|
||
be returning to Earth shortly.
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - ACT ONE 9.
|
||
|
||
5 CONTINUED: (4)
|
||
|
||
Helena puts her arm around Worf.
|
||
|
||
HELENA
|
||
Do what you believe is best for
|
||
him, Worf. That's all that any
|
||
parent can hope to do.
|
||
|
||
A moment between mother and son. Worf still isn't sure
|
||
what to do... but he accepts his mother's words. As
|
||
they rise and head for the exit...
|
||
|
||
CUT TO:
|
||
|
||
6 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
In orbit around Bilana Three.
|
||
|
||
6A INT. CORRIDOR
|
||
|
||
As they walk down the corridor, Worf tries to talk to
|
||
Alexander in the easy, casual way he imagines other
|
||
fathers do with their sons. Alexander's responses are
|
||
not very engaging.
|
||
|
||
WORF
|
||
Did you enjoy going to school on
|
||
Earth?
|
||
|
||
ALEXANDER
|
||
Yes.
|
||
|
||
Beat.
|
||
|
||
WORF
|
||
Did you like your teachers?
|
||
|
||
STAR TREK: "New Ground" - REV. 10/8/91 - ACT ONE 10.
|
||
|
||
6A CONTINUED:
|
||
|
||
ALEXANDER
|
||
Yes.
|
||
|
||
Beat.
|
||
|
||
WORF
|
||
Good.
|
||
|
||
Another beat of silence as Worf searches for another
|
||
topic.
|
||
|
||
WORF
|
||
I understand that you lived in
|
||
my old room.
|
||
|
||
ALEXANDER
|
||
Uh-huh.
|
||
|
||
Beat.
|
||
|
||
WORF
|
||
Good.
|
||
|
||
An awkward silence follows as Worf discovers that they
|
||
don't have much to say to one another. They continue
|
||
to walk for a few beats... Worf is grateful when they
|
||
finally come to the door of the teacher's office. He
|
||
presses the panel outside the door.
|
||
|
||
6B INT. TEACHER'S OFFICE - CONTINUOUS
|
||
|
||
A small, comfortable office decorated with children's
|
||
drawings, toys, and games. The door CHIMES and MS.
|
||
KYLE looks up from her desk. She is a caring and warm
|
||
woman, yet her voice carries a ring of authority that
|
||
unruly children would be unwise to challenge.
|
||
|
||
KYLE
|
||
Come in.
|
||
|
||
Worf and Alexander ENTER. Kyle stands and smiles.
|
||
She moves to them and tries to immediately make them
|
||
both comfortable.
|
||
|
||
KYLE
|
||
Lieutenant Worf, it's good to see
|
||
you again.
|
||
(MORE)
|
||
|
||
STAR TREK: "New Ground" - REV. 10/8/91 - ACT ONE 11.
|
||
|
||
6B CONTINUED:
|
||
|
||
KYLE (cont'd)
|
||
(to Alexander)
|
||
And you must be Alexander. I hear
|
||
you'll be coming to school with
|
||
us for a while?
|
||
|
||
Alexander isn't responding to Kyle's friendly
|
||
attitude. He simply nods in response to her question
|
||
and his attention wanders around the room.
|
||
|
||
KYLE
|
||
(to Alexander)
|
||
Well, we're very excited to have
|
||
you with us... I know the other
|
||
boys and girls will be happy to
|
||
have a new classmate.
|
||
|
||
No response from Alexander. Kyle isn't fazed by his
|
||
attitude and she moves back to her desk as Worf and
|
||
Alexander sit in two nearby chairs. Kyle begins to
|
||
work the terminal on the desk.
|
||
|
||
KYLE
|
||
First, I need to get a little
|
||
information from you. Let's start
|
||
with...
|
||
(pretends to think)
|
||
... your name.
|
||
(works terminal)
|
||
Alexander Rozhenko... hmmmm...
|
||
that's a tough one... maybe you
|
||
can help me. Can you spell your
|
||
last name for me?
|
||
|
||
Alexander gives no indication that he's even heard the
|
||
question.
|
||
|
||
WORF
|
||
(prompting)
|
||
Alexander...
|
||
|
||
Alexander looks up.
|
||
|
||
WORF
|
||
(firmer)
|
||
The teacher asked you a question.
|
||
|
||
Kyle doesn't want to spark a confrontation and she
|
||
easily dismisses the issue.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 12.
|
||
|
||
6B CONTINUED: (2)
|
||
|
||
KYLE
|
||
It doesn't matter. I think I can
|
||
figure it out.
|
||
(works terminal, then
|
||
to Worf)
|
||
Date of birth?
|
||
|
||
Worf thinks for a beat... but he doesn't know the
|
||
answer. Alexander and the teacher both look at him...
|
||
there is a very awkward and embarassing moment as
|
||
everyone finally realizes that Worf doesn't even know
|
||
his own son's birthday. Alexander finally supplies
|
||
the information.
|
||
|
||
ALEXANDER
|
||
(hurt, to Worf)
|
||
The forty-third day of Maktag,
|
||
stardate 43205.
|
||
|
||
WORF
|
||
Yes... of course.
|
||
|
||
KYLE
|
||
(quickly moving on)
|
||
I'll get the rest of his personal
|
||
records from the school on Earth.
|
||
One last question... how long will
|
||
he be staying aboard ship?
|
||
|
||
Another uncomfortable question for Worf. This time
|
||
he's the only one who can supply the answer. Alexander
|
||
looks at his father in surprise... he thought he was
|
||
staying. After a long beat...
|
||
|
||
WORF
|
||
It has... not been decided.
|
||
|
||
Hold on the hurt look on Alexander's face and Worf's
|
||
reaction...
|
||
|
||
6C INT. READY ROOM
|
||
|
||
Picard is sitting at his desk looking over a PADD in
|
||
mild irritation. He sets it down... looks at the
|
||
door... nothing happens... he picks up the PADD again.
|
||
Finally the door CHIMES.
|
||
|
||
PICARD
|
||
Come.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 12A.
|
||
|
||
6C CONTINUED:
|
||
|
||
A somewhat harried Worf ENTERS. Picard fixes him with
|
||
a withering look.
|
||
|
||
PICARD
|
||
I thought our meeting was at
|
||
eleven hundred hours, Mister Worf.
|
||
|
||
WORF
|
||
I apologize for being late,
|
||
Captain. I was detained in...
|
||
school.
|
||
(off Picard's look)
|
||
I was enrolling my... son in
|
||
class.
|
||
|
||
PICARD
|
||
I see.
|
||
(beat, then back to
|
||
business)
|
||
Several officers will be
|
||
transferring aboard next week
|
||
and I'd like to discuss making
|
||
a few personnel changes---
|
||
|
||
KYLE'S COM VOICE
|
||
Kyle to Lieutenant Worf.
|
||
|
||
Worf is very uncomfortable. Picard's face is carefully
|
||
neutral.
|
||
|
||
WORF
|
||
(to Com)
|
||
Worf here.
|
||
|
||
KYLE'S COM VOICE
|
||
I'm sorry to bother you again,
|
||
Lieutenant, but I forgot to
|
||
mention that we need to arrange
|
||
for a series of placement
|
||
examinations for Alexander. If
|
||
you could tell me when---
|
||
|
||
WORF
|
||
(curt)
|
||
This is not a good time. I will
|
||
contact you shortly, Ms. Kyle.
|
||
Worf out.
|
||
(beat)
|
||
Sorry, Captain.
|
||
|
||
Picard gives no reaction and smoothly picks up where
|
||
he left off.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 12B.
|
||
|
||
6C CONTINUED: (2)
|
||
|
||
PICARD
|
||
Personnel changes. I'd like you
|
||
to consider transferring Ensign
|
||
Rocha to phaser control and
|
||
promoting Lieutenant---
|
||
|
||
BEVERLY'S COM VOICE
|
||
Sickbay to Worf.
|
||
|
||
Worf is really embarassed... Picard's silence speaks
|
||
volumes.
|
||
|
||
WORF
|
||
(to com)
|
||
Yes, Doctor?
|
||
|
||
BEVERLY'S COM VOICE
|
||
I need to schedule a physical
|
||
examination for Alexander. I
|
||
also need his complete medical
|
||
records from Earth and---
|
||
|
||
WORF
|
||
Doctor, I would rather discuss
|
||
this at a later time.
|
||
|
||
PICARD
|
||
(holds up a hand)
|
||
Mister Worf.
|
||
(gently, with a hint
|
||
of humor)
|
||
You are not the first officer on
|
||
this ship to have a new family
|
||
member. Take care of your son.
|
||
The personnel changes can wait.
|
||
|
||
Worf is still a little embarassed, but he's grateful
|
||
for the reprieve.
|
||
|
||
WORF
|
||
(stands)
|
||
Thank you, sir.
|
||
|
||
Worf EXITS. Picard watches him leave and then smiles
|
||
to himself for a moment.
|
||
|
||
6D EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
The ship is still in orbit.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 12C.
|
||
|
||
7 OMITTED
|
||
|
||
7A INT. OBSERVATION LOUNGE (OPTICAL)
|
||
|
||
PICARD, RIKER, Geordi, Data, and Worf are listening
|
||
to DOCTOR JA'DAR. Dr. Ja'Dar is a middle-aged,
|
||
humanoid alien who appears totally consumed by his
|
||
work. Ja'Dar is pointing to the wall monitor upon
|
||
which is a diagram of a SPACECRAFT in orbit around a
|
||
PLANET.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 13.
|
||
|
||
7A CONTINUED:
|
||
|
||
JA'DAR
|
||
Twenty-three field coils, working
|
||
in concert, will generate the
|
||
soliton wave from this point on
|
||
the planet surface.
|
||
|
||
Ja'Dar presses a button on the console.
|
||
|
||
8 ON MONITOR (OPTICAL)
|
||
|
||
The SOLITON WAVE rises up from the planet and heads
|
||
for the spacecraft. (The wave is represented by three
|
||
small arcs tightly moving in a straight line.)
|
||
|
||
JA'DAR (o.c.)
|
||
(over above action)
|
||
We will have the test ship towed
|
||
to a position approximately two
|
||
million kilometers from Bilana
|
||
Three.
|
||
|
||
The waves HIT the ship and the ship starts MOVING along
|
||
with the waves.
|
||
|
||
9 RESUME SCENE (OPTICAL)
|
||
|
||
JA'DAR
|
||
If our theories are correct, the
|
||
wave will envelop the ship and
|
||
push it into warp.
|
||
|
||
PICARD
|
||
(impressed)
|
||
Warp without warp drive...
|
||
|
||
RIKER
|
||
(with humor)
|
||
They're going to put you out of
|
||
a job, Geordi.
|
||
|
||
GEORDI
|
||
(grins)
|
||
I hope so, sir.
|
||
|
||
DATA
|
||
(to Ja'Dar)
|
||
Doctor Ja'Dar, how closely will
|
||
the Enterprise need to follow the
|
||
test vehicle?
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 14.
|
||
|
||
9 CONTINUED:
|
||
|
||
JA'DAR
|
||
The soliton emits a great deal
|
||
of subspace radio interference.
|
||
You'll need to be within twenty
|
||
kilometers in order to receive
|
||
telemetry.
|
||
|
||
PICARD
|
||
How will you end the experiment?
|
||
|
||
JA'DAR
|
||
The wave will be directed toward
|
||
Lemma Two, about three light years
|
||
distance. We have a sister
|
||
facility there which will
|
||
generate a scattering field to
|
||
dissipate the wave, and bring the
|
||
ship out of warp.
|
||
|
||
Ja'Dar turns OFF the monitor and turns back to them.
|
||
|
||
JA'DAR
|
||
I'll have more detailed
|
||
operational plans sent to you
|
||
within the hour.
|
||
|
||
Everyone seems comfortable with the mission.
|
||
|
||
STAR TREK: "New Ground" - REV. 10/9/91 - ACT ONE 15.
|
||
|
||
9 CONTINUED: (2)
|
||
|
||
PICARD
|
||
Very well, Doctor. We'll contact
|
||
you again once we've finished
|
||
studying the mission specs.
|
||
|
||
They all stand. Geordi and Ja'Dar head for the
|
||
corridor EXIT while everyone else EXITS to the
|
||
bridge.
|
||
|
||
10
|
||
thru OMITTED
|
||
10B
|
||
|
||
10C INT. MAIN BRIDGE - CONTINUOUS
|
||
|
||
Picard, Riker, Data, and Worf ENTER from the
|
||
observation lounge. TROI is at her station. She sees
|
||
Worf and stands.
|
||
|
||
TROI
|
||
Worf... I was just talking with
|
||
Ms. Kyle from the primary school.
|
||
She told me that you enrolled
|
||
Alexander in her class this
|
||
morning.
|
||
|
||
STAR TREK: "New Ground" - 10/4/91 - ACT ONE 16.
|
||
|
||
10C CONTINUED:
|
||
|
||
Worf is a little embarrassed. He feels uncomfortable
|
||
talking about this on the bridge. Troi moves up the
|
||
ramp to stand next to him.
|
||
|
||
WORF
|
||
Yes.
|
||
|
||
TROI
|
||
I'm sure he'll do well. She's
|
||
a wonderful teacher.
|
||
|
||
WORF
|
||
Good.
|
||
|
||
TROI
|
||
Did she tell you about the
|
||
father/son field trip this
|
||
afternoon?
|
||
|
||
WORF
|
||
Yes. We cannot attend.
|
||
|
||
TROI
|
||
Why not?
|
||
|
||
WORF
|
||
I have a personnel review
|
||
scheduled at thirteen hundred
|
||
hours.
|
||
|
||
Troi looks at him for a beat. Then, gently
|
||
prompting...
|
||
|
||
TROI
|
||
It might be a good opportunity
|
||
to meet some of the other students
|
||
and parents.
|
||
|
||
After a beat, Worf reconsiders.
|
||
|
||
WORF
|
||
I might be able to... reschedule
|
||
the review.
|
||
|
||
TROI
|
||
(smiles)
|
||
Good. I'll let them know you're
|
||
coming.
|
||
|
||
Troi EXITS. On Worf's reaction...
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "New Ground" - REV. 10/8/91 - ACT ONE 17.
|
||
|
||
INT. BIOLAB
|
||
|
||
A group of SEVERAL N.D. BOYS (roughly the same age as
|
||
Alexander) with their N.D. FATHERS are listening to
|
||
Ms. Kyle. She is holding a small MODEL of a
|
||
rhinoceros, and there are several TABLES with other
|
||
models of animals and plants in the b.g., including
|
||
replicas of a few Earth animals.
|
||
|
||
KYLE
|
||
... as the value of their horns
|
||
increased, the number of white
|
||
Rhinos in the wild kept falling
|
||
until they finally became extinct
|
||
about two centuries ago.
|
||
|
||
She puts the model of the animal back on the table and
|
||
begins to move to another part of the lab. The group
|
||
moves to follow her.
|
||
|
||
12 NEW ANGLE
|
||
|
||
As the group moves with Kyle, we find Worf and
|
||
Alexander bringing up the rear of the group.
|
||
|
||
KYLE
|
||
(over following action)
|
||
Now I want to show you a pair of
|
||
animals we're trying to save from
|
||
extinction. They're from Corvan
|
||
Two, where their homes in the
|
||
rainforests are being threatened
|
||
by industrial pollutants.
|
||
|
||
Worf is listening intently to the teacher, as if he
|
||
were going to be tested on this stuff. Alexander's
|
||
attention keeps wandering... he's bored. They have
|
||
all arrived at the large cargo container which has a
|
||
large WINDOW dominating one side of the container.
|
||
|
||
KYLE
|
||
(continuing)
|
||
They're called Corvan Gilvos.
|
||
|
||
She touches a panel and a LIGHT COMES ON inside the
|
||
container.
|
||
|
||
|