mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 12:02:45 +00:00
1 line
70 KiB
Plaintext
Executable File
1 line
70 KiB
Plaintext
Executable File
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
|
||
"Interface"
|
||
#40277-255
|
||
|
||
Written by
|
||
Joe Menosky
|
||
|
||
Directed by
|
||
Robert Wiemer
|
||
|
||
|
||
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
||
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
||
WITH THE TELEVISION LEGAL DEPARTMENT.
|
||
|
||
Copyright 1993 Paramount Pictures Corporation. All Rights
|
||
Reserved. This script is not for publication or
|
||
reproduction. No one is authorized to dispose of same. If
|
||
lost or destroyed, please notify the Script Department.
|
||
|
||
FINAL DRAFT
|
||
|
||
JULY 14, 1993
|
||
|
||
STAR TREK: "Interface" - 07/16/93 - CAST
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"Interface"
|
||
|
||
CAST
|
||
|
||
PICARD ADMIRAL HOLT
|
||
RIKER DOCTOR LA FORGE
|
||
DATA SILVA LA FORGE
|
||
BEVERLY
|
||
TROI
|
||
WORF
|
||
GEORDI
|
||
|
||
Non-Speaking
|
||
N.D. CREWMEMBERS
|
||
|
||
STAR TREK: "Interface" - 07/16/93 - SETS
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"Interface"
|
||
|
||
SETS
|
||
|
||
INTERIORS EXTERIORS
|
||
|
||
USS ENTERPRISE USS ENTERPRISE
|
||
JEFFERIES TUBE
|
||
LAB
|
||
BRIDGE
|
||
READY ROOM
|
||
GEORDI'S QUARTERS
|
||
BEVERLY'S OFFICE
|
||
DATA'S QUARTERS
|
||
SICKBAY
|
||
TROI'S OFFICE
|
||
OBS LOUNGE
|
||
|
||
SCIENCE SHIP
|
||
ENGINEERING
|
||
CORRIDOR
|
||
AUXILARY CONTROL
|
||
ENGINEERING
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - PRONUNCIATION GUIDE
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"Interface"
|
||
|
||
PRONUNCIATION GUIDE
|
||
|
||
DOOSODARIANS doo-so-DAIR-ee-nz
|
||
HERA HAIR-uh
|
||
LACUNAE luh-KOO-nye
|
||
MARINE muh-RAIN
|
||
PALIO PAL-ee-oh
|
||
RAMAN Ruh-MAHN
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - TEASER 1.
|
||
|
||
STAR TREK: The Next Generation
|
||
"Interface"
|
||
TEASER
|
||
|
||
FADE IN:
|
||
|
||
1 INT. JEFFERIES TUBE
|
||
|
||
GEORDI is rushing up a ladder in the tube. The RED
|
||
ALERT CLAXON is sounding around him -- this is clearly
|
||
an emergency. He is wearing his Starfleet uniform, but
|
||
not his VISOR; his eyes are not clouded and his temple
|
||
inputs aren't in place.
|
||
|
||
RIKER'S COM VOICE
|
||
(concerned)
|
||
Geordi... Have you found it yet?
|
||
|
||
GEORDI
|
||
Not yet...
|
||
|
||
He reaches a point where tendrils of SMOKE start to
|
||
appear from up ahead.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Starting to get fumes... Ammonia,
|
||
fluorine, potassium cyanide...
|
||
|
||
Geordi continues through the smoke -- starts COUGHING.
|
||
|
||
2 INT. LAB - CONTINUOUS
|
||
|
||
Close on Riker's face as he reacts with concern to
|
||
Geordi's cough.
|
||
|
||
3 INT. JEFFERIES TUBE - CONTINUOUS (OPTICAL)
|
||
|
||
Geordi stops coughing, continues climbing.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I can feel the heat from here.
|
||
|
||
He reaches a horizontal juncture and sees the fire down
|
||
the tube.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
There it is!
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - TEASER 1A.
|
||
|
||
3 CONTINUED:
|
||
|
||
He enters the horizontal tube and starts toward the
|
||
fire.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - TEASER 2.
|
||
|
||
3 CONTINUED: (2)
|
||
|
||
RIKER'S COM VOICE
|
||
How far?
|
||
|
||
GEORDI
|
||
About ten meters. Along the ODN
|
||
line. It's hot -- over two
|
||
thousand degrees.
|
||
(beat)
|
||
I'm going in.
|
||
|
||
RIKER'S COM VOICE
|
||
Geordi, wait.
|
||
|
||
Incredibly, Geordi goes RIGHT INTO THE BLAZE; he
|
||
crosses to a panel and works some controls. We watch
|
||
for several incredible seconds as Geordi works,
|
||
seemingly impervious to the violent flames...
|
||
|
||
He trips a control and a plume of gas erupts, putting
|
||
out the fire.
|
||
|
||
GEORDI
|
||
We're okay... I've activated the
|
||
emergency supression system.
|
||
|
||
The walls of the room are streaked with black.
|
||
|
||
4 INT. LAB - CONTINUOUS
|
||
|
||
GEORDI
|
||
(continuing)
|
||
It's under control.
|
||
|
||
Geordi is hooked up to a complex INTERFACE UNIT, a
|
||
sleek headpiece that connects to his VISOR terminals..
|
||
He is wearing a body-suit, with a half-dozen blinking
|
||
nodes at points that correspond to his meridians.
|
||
There is a complex control and monitoring console
|
||
several feet away.
|
||
|
||
DATA is monitoring the interface unit on Geordi's body;
|
||
BEVERLY is studying the console; RIKER is standing by,
|
||
watching Geordi.
|
||
|
||
BEVERLY
|
||
(off console)
|
||
All his vital functions are
|
||
completely normal.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - TEASER 3.
|
||
|
||
4 CONTINUED:
|
||
|
||
DATA
|
||
The interface unit is operating
|
||
within expected parameters.
|
||
|
||
RIKER
|
||
Why did he start coughing when he
|
||
went through the gasses?
|
||
|
||
BEVERLY
|
||
(shrugs)
|
||
Psychosomatic response.
|
||
|
||
When Geordi speaks, he obviously can't see his
|
||
colleagues, since his eyes are covered. So his voice
|
||
has a certain removed quality, as if talking to them
|
||
from a distance.
|
||
|
||
GEORDI
|
||
I feel like I'm actually here...
|
||
I mean there -- in the Jefferies
|
||
tube. I saw the smoke and I
|
||
couldn't help coughing.
|
||
|
||
DATA
|
||
No one else has reported so
|
||
complete a sensory experience.
|
||
|
||
BEVERLY
|
||
The interface is perfect for
|
||
Geordi because his VISOR inputs
|
||
allow the probe to transmit
|
||
information directly into his
|
||
cerebral cortex.
|
||
|
||
Riker nods his understanding.
|
||
|
||
RIKER
|
||
It looks like this is going to
|
||
work. Let's get the probe out of
|
||
the Jefferies tube and into the
|
||
launch bay before we reach Marijne
|
||
Seven.
|
||
|
||
GEORDI
|
||
Will do...
|
||
|
||
5 INT. JEFFERIES TUBE - CONTINUOUS
|
||
|
||
Geordi goes to start down the tube ladder, but he has
|
||
trouble placing his foot on the lower rung.
|
||
|
||
GEORDI
|
||
Something's wrong. I'm having
|
||
trouble controlling my left leg.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - TEASER 4.
|
||
|
||
6 INT. LAB - CONTINUOUS
|
||
|
||
Geordi's left thigh appears to be twitching slightly.
|
||
|
||
RIKER
|
||
(to Beverly)
|
||
What is it?
|
||
|
||
Beverly is studying the interface monitor.
|
||
|
||
BEVERLY
|
||
The probe is designed to respond
|
||
to the movements Geordi intends to
|
||
make -- when his brain sends a
|
||
message to move his leg, the
|
||
interface moves the probe instead.
|
||
|
||
DATA
|
||
Apparently the gain on the tactile
|
||
sensors is too low; I will
|
||
increase the input.
|
||
|
||
Data makes an adjustment and Geordi's leg stops
|
||
twitching.
|
||
|
||
GEORDI
|
||
There it goes.
|
||
|
||
7 INT. JEFFERIES TUBE - CONTINUOUS
|
||
|
||
Geordi successfully plants his left foot in the ladder
|
||
rung and starts down the tube.
|
||
|
||
GEORDI
|
||
I'm on my way down.
|
||
|
||
7A INT. LAB - CONTINUOUS
|
||
|
||
Riker is eyeing the apparatus.
|
||
|
||
RIKER
|
||
Why the body-suit?
|
||
|
||
DATA
|
||
It provides tactile sensations so
|
||
that Geordi will feel as if he is
|
||
in the same environment as the
|
||
probe.
|
||
|
||
Riker nods.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - TEASER 4A.
|
||
|
||
7B INT. ENGINEERING - CONTINUOUS
|
||
|
||
as Geordi leaves the Jefferies tube and crosses past
|
||
the pool table, he sees something offscreen that
|
||
startles him.
|
||
|
||
8 INT. LAB - CONTINUOUS
|
||
|
||
Geordi has the same startled look on his face.
|
||
|
||
BEVERLY
|
||
What's wrong?
|
||
|
||
Geordi smiles, relaxes.
|
||
|
||
GEORDI
|
||
Nothing...
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - TEASER 5.
|
||
|
||
9 INT. ENGINEERING - CONTINUOUS (OPTICAL)
|
||
|
||
Geordi is looking at "his" reflection in a glass panel --
|
||
only it's not him looking back. He sees THE PROBE --
|
||
a two-foot long metallic CYLINDER. Tiny force beams --
|
||
like pencil-thin needles of light -- project constantly
|
||
from its surface, sweeping over everything around it.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I just saw my reflection in a
|
||
panel.
|
||
(wry)
|
||
I forgot what a handsome guy I am.
|
||
|
||
Off Geordi's smile...
|
||
|
||
FADE OUT.
|
||
|
||
END OF TEASER
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT ONE 6.
|
||
|
||
ACT ONE
|
||
|
||
FADE IN:
|
||
|
||
(NOTE: Episode credits fall over opening scenes.)
|
||
|
||
10 EXT. ENTERPRISE (OPTICAL)
|
||
|
||
In orbit above a huge, greenish, Neptune-like planet.
|
||
The swirling, violent quality of its atmosphere can be
|
||
seen even from here.
|
||
|
||
PICARD (V.O.)
|
||
Captain's Log, Stardate 47215.5.
|
||
We are responding to a distress
|
||
call from the science vessel
|
||
Raman, which is apparently trapped
|
||
inside the turbulent atmosphere of
|
||
an unusual gas giant planet. We
|
||
will use an experimental interface
|
||
probe in our attempt to rescue it.
|
||
|
||
11 INT. BRIDGE
|
||
|
||
Worf and the CON officer are at their posts.
|
||
|
||
PICARD ENTERS from his Ready Room and heads for the aft
|
||
science station where Riker, Data and Geordi are
|
||
working.
|
||
|
||
They're looking at an OKUDAGRAM that shows a cross-section
|
||
of the atmospheric layers of the planet. The
|
||
science ship is marked in one of the middle layers.
|
||
|
||
DATA
|
||
I have reviewed the vessel's
|
||
mission plans. The Raman was to
|
||
descend to the lower atmosphere,
|
||
eleven thousand kilometers below
|
||
its current position...
|
||
|
||
Data indicates two atmospheric layers deeper.
|
||
|
||
DATA
|
||
(continuing)
|
||
The crew was to sample the
|
||
atmosphere at that level, and then
|
||
return to a safer orbit.
|
||
|
||
Data indicates a position much higher than the ship's
|
||
present location.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT ONE 7.
|
||
|
||
11 CONTINUED:
|
||
|
||
GEORDI
|
||
Something must have happened down
|
||
there. Maybe the shields failed,
|
||
or they had an inversion reaction
|
||
in the nacelles.
|
||
|
||
Picard nods.
|
||
|
||
PICARD
|
||
Any life signs?
|
||
|
||
GEORDI
|
||
Our bio-sensors are useless --
|
||
there's too much interference in
|
||
the atmosphere.
|
||
|
||
RIKER
|
||
The crew might still be alive.
|
||
But we'll never be able to tell
|
||
from up here.
|
||
|
||
PICARD
|
||
Will the probe be able to transmit
|
||
through the interference?
|
||
|
||
DATA
|
||
The probe sends information via a
|
||
focused particle beam that should
|
||
be able to cut through the
|
||
interference.
|
||
|
||
GEORDI
|
||
But we may have to operate the
|
||
interface at near tolerance
|
||
levels.
|
||
|
||
PICARD
|
||
Will your nervous system be able
|
||
to handle that much sensory input?
|
||
|
||
GEORDI
|
||
(nods)
|
||
We've tested the interface at up
|
||
to seventy percent of tolerance.
|
||
|
||
RIKER
|
||
There shouldn't be a problem going
|
||
higher -- the safety override will
|
||
kick in at ninety-eight percent
|
||
tolerance and disengage the
|
||
interface.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT ONE 8.
|
||
|
||
12 INCLUDE WORF
|
||
|
||
as he glances up from his console.
|
||
|
||
WORF
|
||
Captain, I am receiving a
|
||
transmission from Starfleet
|
||
Command -- Admiral Holt.
|
||
|
||
Picard looks up at Worf, a little surprised at the
|
||
message.
|
||
|
||
PICARD
|
||
In my Ready Room.
|
||
|
||
Picard stands, turns back to the others.
|
||
|
||
PICARD
|
||
(continuing)
|
||
The seven people on that ship are
|
||
our first priority. Is the probe
|
||
ready for launch?
|
||
|
||
DATA
|
||
Yes, Sir.
|
||
|
||
PICARD
|
||
Send it directly to the aft
|
||
section of the Raman, through the
|
||
secondary air lock. That'll put
|
||
it one bulkhead away from the
|
||
Bridge.
|
||
|
||
GEORDI
|
||
I'll interface with the probe as
|
||
soon as it's in place and take it
|
||
in the rest of the way.
|
||
|
||
PICARD
|
||
Make it so.
|
||
|
||
Riker stays at the console, Geordi and Data start for
|
||
the Turbolift.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT ONE 9.
|
||
|
||
13 FOLLOW PICARD
|
||
|
||
as he crosses the Bridge and goes into the Ready Room.
|
||
|
||
14 INT. READY ROOM - CONTINUOUS (OPTICAL)
|
||
|
||
Picard steps around to the monitor on his desk.
|
||
|
||
PICARD
|
||
Onscreen.
|
||
|
||
ADMIRAL HOLT appears on the small screen. Picard
|
||
smiles -- they are on familiar terms.
|
||
|
||
PICARD
|
||
(continuing)
|
||
Hello, Marcus.
|
||
|
||
ADMIRAL HOLT
|
||
Jean-Luc.
|
||
|
||
The Admiral returns the smile, but it's a little
|
||
forced.
|
||
|
||
PICARD
|
||
How's life on DS-Three?
|
||
|
||
ADMIRAL HOLT
|
||
We're hosting this year's palio.
|
||
The Ferengi have already been
|
||
accused of trying to bribe the
|
||
Breen pilot into throwing the
|
||
race...
|
||
|
||
Picard smiles.
|
||
|
||
PICARD
|
||
Nothing unusual about that.
|
||
|
||
ADMIRAL HOLT
|
||
(nodding)
|
||
Nothing at all...
|
||
|
||
A beat. The Admiral's face becomes serious.
|
||
|
||
ADMIRAL HOLT
|
||
(continuing)
|
||
I wish I could say I was just
|
||
calling to catch up on things.
|
||
(beat)
|
||
Nine days ago, the Hera left here
|
||
on a routine courier mission. We
|
||
were in contact with them for five
|
||
of those days. Then the ship
|
||
disappeared without a trace.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT ONE 10.
|
||
|
||
14 CONTINUED:
|
||
|
||
Picard reacts strongly.
|
||
|
||
PICARD
|
||
The Hera?
|
||
|
||
ADMIRAL HOLT
|
||
I'm afraid so.
|
||
|
||
A long silent beat.
|
||
|
||
ADMIRAL HOLT
|
||
The Excelsior and the Noble have
|
||
spent the last seventy-two hours
|
||
retracing its course. Nothing.
|
||
I'm going to keep them at it for
|
||
seventy-two more.
|
||
(beat)
|
||
But to be honest, I don't think
|
||
another week would make any
|
||
difference.
|
||
|
||
Picard nods. Another long beat.
|
||
|
||
PICARD
|
||
I'll tell Commander La Forge...
|
||
|
||
OFF Picard's grim face.
|
||
|
||
15 INT. LAB
|
||
|
||
Geordi is fiddling with the interface console as Data
|
||
is applying a pen-like instrument to the interface
|
||
unit, checking everything out.
|
||
|
||
The door opens and Picard steps over to where the pair
|
||
is working.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT ONE 11.
|
||
|
||
15 CONTINUED:
|
||
|
||
PICARD
|
||
Mister Data, I need a word with
|
||
Commander La Forge.
|
||
|
||
DATA
|
||
Yes, Sir.
|
||
(to Geordi)
|
||
I will be on the Bridge.
|
||
|
||
Picard waits for Data to go out the door, then turns
|
||
back to Geordi.
|
||
|
||
PICARD
|
||
I've just spoken to Starfleet.
|
||
(gently)
|
||
The Hera is missing.
|
||
|
||
Geordi is stunned.
|
||
|
||
GEORDI
|
||
Missing... ?
|
||
|
||
Picard nods. Geordi then asks the question to which he
|
||
already seems to know the answer.
|
||
|
||
GEORDI
|
||
What about my mother... ?
|
||
|
||
PICARD
|
||
Captain La Forge has disappeared
|
||
along with the rest of her crew...
|
||
|
||
Geordi nods. OFF his grave expression.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 12.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
16 INT. GEORDI'S QUARTERS (OPTICAL)
|
||
|
||
Geordi is watching a message on the monitor from
|
||
CAPTAIN SILVA LA FORGE, Geordi's mother. She is
|
||
dressed in a red Starfleet uniform.
|
||
|
||
SILVA LA FORGE
|
||
-- I saw your father last week and
|
||
your sister about ten days before
|
||
that. I decided I missed my
|
||
favorite son...
|
||
|
||
Geordi smiles sadly at the inside joke.
|
||
|
||
GEORDI
|
||
(quietly to himself)
|
||
Your only son, Mom...
|
||
|
||
SILVA LA FORGE
|
||
(continuing)
|
||
You're going to have to see the
|
||
Hera again. We've got a lot of
|
||
new faces on board. Including a
|
||
chief engineer who juices up the
|
||
nacelles every chance she gets.
|
||
I think she's the best technician
|
||
in the fleet.
|
||
(smiles)
|
||
Okay, second best.
|
||
|
||
Geordi smiles to himself. The door suddenly CHIMES.
|
||
Geordi touches a control and FREEZES the recording of
|
||
his mother.
|
||
|
||
GEORDI
|
||
Come in...
|
||
|
||
The door opens and Riker steps inside the room. He
|
||
pauses when he sees the still frame of Geordi's mother
|
||
on the monitor.
|
||
|
||
RIKER
|
||
I didn't mean to interrupt.
|
||
|
||
GEORDI
|
||
Don't worry about it.
|
||
|
||
Geordi touches the console and the message continues.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 13.
|
||
|
||
16 CONTINUED:
|
||
|
||
SILVA LA FORGE
|
||
Maybe you should meet her. We're
|
||
going to be in the same sector
|
||
next week. Take a shuttle over
|
||
and I'll introduce you.
|
||
|
||
GEORDI
|
||
(to Riker)
|
||
Mom's always trying to find me a
|
||
wife.
|
||
|
||
SILVA LA FORGE
|
||
But if you're too busy, I'll see
|
||
you at your father's birthday
|
||
party. Remember, if you talk to
|
||
him -- it's a surprise.
|
||
|
||
She puts her finger to her lips in the "shush"
|
||
position. The message ends with the insignia of
|
||
Starfleet across the screen.
|
||
|
||
GEORDI
|
||
(to Riker)
|
||
This came in about three weeks
|
||
ago.
|
||
(beat)
|
||
I never got back to her...
|
||
|
||
RIKER
|
||
(gently)
|
||
Geordi, the probe has entered the
|
||
planet's atmosphere. I'm ready to
|
||
move it inside the ship.
|
||
(beat)
|
||
If you want to take a couple of
|
||
days off, I'll run the interface.
|
||
|
||
GEORDI
|
||
The interface is calibrated
|
||
specifically for my VISOR inputs.
|
||
You'd need at least ten hours to
|
||
convert it. Those crewmen down
|
||
there can't wait...
|
||
|
||
RIKER
|
||
The interface doesn't have to be
|
||
fully compatible. I could use it
|
||
right now. I wouldn't have the
|
||
control you'd have, but it would
|
||
still work.
|
||
|
||
Geordi reacts a little too strongly.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 14.
|
||
|
||
16 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Forget it. I'm the best one for
|
||
the job, and there's no reason not
|
||
to go ahead as planned.
|
||
|
||
RIKER
|
||
(gently)
|
||
The Hera is reason enough.
|
||
|
||
GEORDI
|
||
The Hera is missing. That's all.
|
||
Until I hear something more, my
|
||
mother might just as well have
|
||
taken the crew on an unscheduled
|
||
holiday.
|
||
|
||
Geordi stands.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Let's go.
|
||
|
||
He heads for the door. OFF the concern on Riker's face
|
||
as he turns to follow.
|
||
|
||
17 INT. BRIDGE
|
||
|
||
Worf is at tactical, Riker is at aft science, Picard is
|
||
in his seat, and various N.D.s are at other posts.
|
||
Riker turns from his console.
|
||
|
||
RIKER
|
||
Sir, the probe is through the
|
||
airlock and in position aboard the
|
||
Raman.
|
||
|
||
Picard acknowledges with a nod.
|
||
|
||
PICARD
|
||
Picard to Commander Data. Report.
|
||
|
||
18 INT. LAB - CONTINUOUS
|
||
|
||
Geordi is wearing the interface helmet; Data is
|
||
adjusting it and Beverly is working at a nearby
|
||
monitor.
|
||
|
||
DATA
|
||
(to Com)
|
||
We are ready to bring the
|
||
interface on line.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 15.
|
||
|
||
18 CONTINUED:
|
||
|
||
PICARD'S COM VOICE
|
||
Proceed.
|
||
|
||
DATA
|
||
Activating the remote sensors...
|
||
|
||
Data works the controls.
|
||
|
||
DATA
|
||
(continuing)
|
||
Initiating interface... now.
|
||
|
||
Data turns to Geordi, whose face changes, as if he's
|
||
suddenly somewhere else.
|
||
|
||
BEVERLY
|
||
(off monitor)
|
||
Vital signs normal... How do you
|
||
feel, Geordi?
|
||
|
||
It takes Geordi a beat to answer.
|
||
|
||
GEORDI
|
||
Fine...
|
||
|
||
DATA
|
||
Do you have visual contact?
|
||
|
||
19 CLOSE IN ON GEORDI'S FACE
|
||
|
||
He answers as if from far away.
|
||
|
||
GEORDI
|
||
Not yet...
|
||
|
||
DISSOLVE TO:
|
||
|
||
20 INT. SCIENCE SHIP CORRIDOR - GEORDI'S POV (OPTICAL)
|
||
|
||
Everything is dark, murky.
|
||
|
||
GEORDI'S VOICE
|
||
Increase the input signal, Data.
|
||
I'm not seeing anything...
|
||
|
||
DATA
|
||
Acknowledged.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 16.
|
||
|
||
20 CONTINUED:
|
||
|
||
A beat. Suddenly, the darkness clears -- we see the
|
||
corridor, mysteriously lit and clouded with tendrils of
|
||
gas. But everything is in BLACK & WHITE.
|
||
|
||
21 INT. LAB
|
||
|
||
Geordi's face suddenly becomes animated.
|
||
|
||
GEORDI
|
||
I can see. But no colors.
|
||
|
||
DATA
|
||
Increasing signal strength of
|
||
seventy-five percent of tolerance.
|
||
|
||
Data works the controls on the console.
|
||
|
||
22 INT. SCIENCE SHIP CORRIDOR - GEORDI'S POV (OPTICAL)
|
||
|
||
As before in Black & White. Suddenly, the scene
|
||
becomes COLORED, and we can see the glare from the Red
|
||
Alert.
|
||
|
||
23 ON GEORDI
|
||
|
||
standing in the corridor, looking around (the same
|
||
convention we used when he was using the probe to fight
|
||
the fire in the Teaser).
|
||
|
||
GEORDI
|
||
That's better.
|
||
|
||
BEVERLY'S VOICE
|
||
Your pulse has gone up...
|
||
|
||
24 INT. LAB
|
||
|
||
Beverly is watching the monitor.
|
||
|
||
BEVERLY
|
||
It might take your nervous system
|
||
a little while to get used to this
|
||
input level.
|
||
|
||
GEORDI
|
||
I'm excited, that's all. This is
|
||
like being on a roller coaster.
|
||
|
||
INTERCUT:
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 17.
|
||
|
||
25 INT. SCIENCE SHIP CORRIDOR
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Or a first date... Everything's
|
||
okay.
|
||
|
||
BEVERLY'S VOICE
|
||
(lightly)
|
||
I'll be the judge of that, Geordi.
|
||
If your heart rate goes too high,
|
||
we'll disconnect you.
|
||
|
||
GEORDI
|
||
Understood. But don't pull the
|
||
plug yet...
|
||
|
||
A beat as he continues to look around.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
It's a mess in here. There must
|
||
be a hull breach somewhere. I'm
|
||
picking up atmospheric gasses
|
||
inside the corridor -- methane and
|
||
ammonia primarily.
|
||
|
||
Geordi starts slowly to walk up the corridor.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I'm heading toward the Bridge.
|
||
|
||
He continues for a few silent beats. As he goes, the
|
||
fumes increase.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
It's getting worse the closer I
|
||
get. The break in the hull might
|
||
be on the Bridge itself.
|
||
|
||
He rounds a corner, sees a collapsed piece of material --
|
||
and a body beneath it.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I found somebody!
|
||
|
||
DATA'S VOICE
|
||
What is your position?
|
||
|
||
Geordi hurries forward.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT TWO 18.
|
||
|
||
25 CONTINUED:
|
||
|
||
GEORDI
|
||
About twelve meters up the main
|
||
corridor! A section of the
|
||
bulkhead collapsed on top of him.
|
||
|
||
Geordi reaches the trapped crew member and puts both
|
||
hands underneath the bulkhead material.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I can't move it. I need more
|
||
power to the tractor beams.
|
||
|
||
26 INT. LAB - CONTINUOUS
|
||
|
||
Data looks over to Beverly to see if he should comply
|
||
with Geordi's request. She checks Geordi's vital signs
|
||
for a beat, then nods a cautious go ahead.
|
||
|
||
BEVERLY
|
||
Go to eighty percent of tolerance --
|
||
no higher.
|
||
|
||
Data nods and works the controls.
|
||
|
||
27 INT. SCIENCE SHIP CORRIDOR - CONTINUOUS (OPTICAL)
|
||
|
||
Suddenly, Geordi's hands move strongly upwards,
|
||
removing the fallen material and casting it aside. He
|
||
bends down to investigate the crew member.
|
||
|
||
GEORDI
|
||
He looks pretty bad.
|
||
|
||
Geordi places his hands on both sides of the man's
|
||
neck.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
He's dead.
|
||
|
||
He goes a couple of meters up the corridor to a heavy
|
||
door. He tries to open it but can't.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Data, the door halfway down the
|
||
left corridor... what's it lead
|
||
to?
|
||
|
||
DATA'S VOICE
|
||
A magnetic storage bay.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT TWO 19.
|
||
|
||
27 CONTINUED:
|
||
|
||
GEORDI
|
||
(nods)
|
||
If there was a breach on the
|
||
Bridge, that would be the safest
|
||
place to go.
|
||
|
||
He sees a control panel next to the door, gets an idea.
|
||
Geordi holds a hand out in front of him, palm up.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Data, I need a phaser burst. Wide
|
||
focus, level four intensity.
|
||
|
||
The control panel is hit by a sudden burst of phasers
|
||
from Geordi's hand -- it sparks and the door slides
|
||
open, revealing the storage bay behind it.
|
||
|
||
Geordi steps inside, sees six bodies.
|
||
|
||
GEORDI
|
||
I've found them!
|
||
|
||
Geordi gets closer, checks one of the bodies.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
They're dead... all of them.
|
||
|
||
Suddenly FLAMES flash up directly in front of Geordi.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
There's a fire in here...
|
||
|
||
The flames suddenly leap out at him... Geordi
|
||
instinctively raises his hands to shield his face, and
|
||
when the flames make contact with his palms he cries
|
||
out in pain. The flames seem to advance on him, and he
|
||
swats at them, again crying out on contact.
|
||
|
||
28 INT. LAB - CONTINUOUS
|
||
|
||
And again -- Geordi cries out in pain.
|
||
|
||
BEVERLY
|
||
Data! Disconnect him!
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT TWO 20.
|
||
|
||
28 CONTINUED:
|
||
|
||
Data quickly hits some controls and Geordi's face loses
|
||
its grimace.
|
||
|
||
BEVERLY
|
||
(continuing)
|
||
What happened?
|
||
|
||
GEORDI
|
||
(dazed)
|
||
I don't know... My hands...
|
||
|
||
Geordi slowly brings up his hands -- his palms are
|
||
burned.
|
||
|
||
BEVERLY
|
||
(stunned)
|
||
They're burned...
|
||
|
||
OFF everyone's reactions.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Interface" - REV. 07/20/93 - ACT THREE 21-21A
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
29 EXT. ENTERPRISE (OPTICAL)
|
||
|
||
In orbit above the huge, greenish planet.
|
||
|
||
30 INT. SICKBAY
|
||
|
||
Geordi has both hands inside a small clear BOX that is
|
||
bathing his burns in a blue light. His wounds are
|
||
partially healed and he's still wearing the interface
|
||
suit. Picard and Beverly are standing around him.
|
||
|
||
PICARD
|
||
How did this happen?
|
||
|
||
BEVERLY
|
||
There was some kind of energy
|
||
discharge in the interface suit.
|
||
|
||
PICARD
|
||
Shouldn't the safety over-rides
|
||
have prevented that?
|
||
|
||
BEVERLY
|
||
Yes... but I have a theory why
|
||
they didn't.
|
||
|
||
Picard nods that she continue.
|
||
|
||
BEVERLY
|
||
The tolerance levels on the
|
||
interface were set extremely high.
|
||
I think Geordi's neural response
|
||
to the input was so strong that it
|
||
created a feedback loop.
|
||
|
||
Geordi pulls a hand from the burn-box and looks at the
|
||
sensors that attach to his his hands.
|
||
|
||
GEORDI
|
||
The sensors that were transmitting
|
||
the sensation of heat to my hands
|
||
must've overloaded.
|
||
|
||
Picard considers for a moment.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 22.
|
||
|
||
30 CONTINUED:
|
||
|
||
BEVERLY
|
||
I know it seems hard to believe,
|
||
but the probe was sending huge
|
||
amounts of sensory data directly
|
||
into Geordi's brain. The
|
||
tolerance levels on the interface
|
||
were set extremely high.
|
||
|
||
Picard nods -- if his experts are telling him it's
|
||
possible, that's good enough for him.
|
||
|
||
PICARD
|
||
The Raman's crew is dead. I'd
|
||
like to retrieve their vessel, but
|
||
not if it means risking Geordi's
|
||
safety.
|
||
|
||
GEORDI
|
||
If we turn down the sensory input
|
||
from the probe, I should be fine.
|
||
|
||
Geordi sees that Picard is still unsure.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Seven people lost their lives down
|
||
there... we should at least
|
||
retrieve the data they were
|
||
collecting. Otherwise their
|
||
deaths won't have any meaning.
|
||
|
||
Geordi's response is a little too emphatic. Picard and
|
||
Beverly exchange glances -- clearly recent events are
|
||
making Geordi feel strongly about this.
|
||
|
||
PICARD
|
||
Doctor?
|
||
|
||
Beverly considers for a beat.
|
||
|
||
BEVERLY
|
||
If we operate the interface at
|
||
lower input levels, I'd say the
|
||
risk is acceptable.
|
||
|
||
PICARD
|
||
Alright.
|
||
(touches combadge)
|
||
Picard to Riker.
|
||
|
||
RIKER'S COM VOICE
|
||
Riker, here.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT THREE 22.
|
||
|
||
30 CONTINUED:
|
||
|
||
PICARD
|
||
The Raman's crew is dead. I'd
|
||
like to retrieve their vessel, but
|
||
not if it means risking Geordi's
|
||
safety.
|
||
|
||
GEORDI
|
||
If we turn down the sensory input
|
||
from the probe, I should be fine.
|
||
|
||
Geordi sees that Picard is still unsure.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
Seven people lost their lives down
|
||
there... we should at least
|
||
retrieve the data they were
|
||
collecting.
|
||
|
||
Geordi's response is a little too emphatic. Picard and
|
||
Beverly exchange glances -- clearly recent events are
|
||
making Geordi feel strongly about this.
|
||
|
||
PICARD
|
||
Doctor?
|
||
|
||
Beverly considers for a beat.
|
||
|
||
BEVERLY
|
||
If we operate the interface at
|
||
lower input levels, I'd say the
|
||
risk is acceptable.
|
||
|
||
PICARD
|
||
Alright.
|
||
(touches combadge)
|
||
Picard to Riker.
|
||
|
||
RIKER'S COM VOICE
|
||
Riker, here.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT THREE 22A.
|
||
|
||
31 INT. BRIDGE - AFT SCIENCE STATION
|
||
|
||
Riker is at the station.
|
||
|
||
PICARD'S COM VOICE
|
||
I've decided to proceed with the
|
||
probe.
|
||
|
||
RIKER
|
||
(to COM)
|
||
We'll have to take it into the
|
||
Raman's auxiliary control room --
|
||
the Bridge is too badly damaged.
|
||
|
||
PICARD'S COM VOICE
|
||
How long before you can get it
|
||
into position?
|
||
|
||
RIKER
|
||
A few hours -- we're going to have
|
||
to cut through a bulkhead.
|
||
|
||
32 INT. SICKBAY
|
||
|
||
As before.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT THREE 23.
|
||
|
||
32 CONTINUED:
|
||
|
||
PICARD
|
||
Acknowledged.
|
||
|
||
BEVERLY
|
||
(to Geordi)
|
||
Looks like you'll have some time
|
||
to recuperate.
|
||
|
||
Geordi nods.
|
||
|
||
GEORDI
|
||
There's something I need to do
|
||
anyway.
|
||
|
||
33 INT. GEORDI'S QUARTERS (OPTICAL)
|
||
|
||
Geordi is watching his father, DOCTOR LA FORGE, on the
|
||
small monitor. Doctor La Forge is wearing science
|
||
blue, and has three pips on his collar.
|
||
|
||
GEORDI
|
||
How are you, Dad?
|
||
|
||
DOCTOR LA FORGE
|
||
As well as expected, given the
|
||
circumstances. Are you okay?
|
||
|
||
GEORDI
|
||
Yeah...
|
||
|
||
His father nods. A beat.
|
||
|
||
DOCTOR LA FORGE
|
||
I talked to your sister this
|
||
morning. She said she'd get in
|
||
touch with you in a few days.
|
||
Right now she's pretty upset.
|
||
(beat)
|
||
The service for the Hera will
|
||
probably be on Vulcan -- most of
|
||
the crew was from there. But your
|
||
sister and I want to have a
|
||
private ceremony --
|
||
|
||
GEORDI
|
||
-- Dad. Don't you think
|
||
everybody's jumping the gun here?
|
||
(MORE)
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 24.
|
||
|
||
33 CONTINUED:
|
||
|
||
GEORDI (Cont'd)
|
||
Last I heard, two starships were
|
||
still out there looking. They've
|
||
found no debris, no residual warp
|
||
distortion --
|
||
|
||
DOCTOR LA FORGE
|
||
-- And no ship.
|
||
|
||
GEORDI
|
||
Not yet. That doesn't mean they
|
||
won't.
|
||
|
||
DOCTOR LA FORGE
|
||
Starfleet is considering the Hera
|
||
lost. The search isn't much more
|
||
than a formality at this point.
|
||
(beat; quietly)
|
||
Geordi, your mother's gone...
|
||
|
||
Geordi is harsh.
|
||
|
||
GEORDI
|
||
You can think that if you want.
|
||
But until I see some hard
|
||
evidence, I'm not going to give up
|
||
hope.
|
||
|
||
His father starts to say something, then changes his
|
||
mind.
|
||
|
||
DOCTOR LA FORGE
|
||
All right, Geordi. Call me if you
|
||
need anything...
|
||
|
||
Doctor La Forge touches a control and the screen goes
|
||
blank.
|
||
|
||
OFF Geordi's flat expression.
|
||
|
||
34 INT. DATA'S QUARTERS
|
||
|
||
Data is staring at a blank computer screen. The door
|
||
CHIMES.
|
||
|
||
DATA
|
||
Come in.
|
||
|
||
The door opens and Geordi ENTERS.
|
||
|
||
GEORDI
|
||
Hey, Data. Still working?
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 25.
|
||
|
||
34 CONTINUED:
|
||
|
||
Data continues staring at the blank screen, as if
|
||
riveted.
|
||
|
||
DATA
|
||
No. I have completed the
|
||
adjustments on the interface. I
|
||
am now waiting for Commander Riker
|
||
to finish moving the probe.
|
||
|
||
Geordi nods, crosses over toward Data. Data turns to
|
||
his friend.
|
||
|
||
DATA
|
||
(continuing)
|
||
Do you wish to be comforted?
|
||
|
||
Geordi reacts a bit negatively to Data's bluntness.
|
||
|
||
GEORDI
|
||
No... I was just passing by.
|
||
Wondered what you were up to.
|
||
|
||
DATA
|
||
(re: monitor)
|
||
I am using the time to catch up on
|
||
my study of poetry.
|
||
|
||
Geordi steps closer, stares at the blank monitor.
|
||
|
||
GEORDI
|
||
Data, there's nothing on the
|
||
screen.
|
||
|
||
DATA
|
||
That is not entirely correct.
|
||
While it is true the display is
|
||
currently blank, this emptiness
|
||
has a poetic meaning. So it
|
||
cannot be considered "nothing" as
|
||
such.
|
||
|
||
GEORDI
|
||
Says who?
|
||
|
||
DATA
|
||
The ancient Doosodarians. Much of
|
||
their poetry contained such
|
||
"lacunae" or empty spaces. Often
|
||
these pauses measured several days
|
||
in length, during which poet and
|
||
audience were encouraged to fully
|
||
acknowledge the emptiness of the
|
||
experience.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 26.
|
||
|
||
34 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
I remember some lectures at
|
||
Starfleet academy that seemed like
|
||
that.
|
||
|
||
A beat as Data considers his friend again.
|
||
|
||
DATA
|
||
Are you certain you do not wish to
|
||
talk about your mother?
|
||
|
||
Geordi again reacts to Data's overly direct manner.
|
||
|
||
GEORDI
|
||
Why do you ask that?
|
||
|
||
DATA
|
||
You are no doubt feeling emotional
|
||
distress as a result of her
|
||
disappearance. Though you claimed
|
||
to be "just passing by," that is
|
||
most likely an excuse to start a
|
||
conversation about this
|
||
uncomfortable subject. Am I
|
||
correct?
|
||
|
||
Geordi overreacts.
|
||
|
||
GEORDI
|
||
Well, no. Sometimes "just passing
|
||
by" means "just passing by."
|
||
|
||
Data thinks about this for a moment.
|
||
|
||
DATA
|
||
Then I apologize for my premature
|
||
assumption.
|
||
|
||
Data turns back to the monitor.
|
||
|
||
DATA
|
||
(continuing)
|
||
This particular poem has a lacuna
|
||
of forty-seven minutes. You may
|
||
experience the emptiness with me
|
||
if you wish.
|
||
|
||
GEORDI
|
||
(unsure)
|
||
Thanks...
|
||
|
||
Data and Geordi watch the blank screen for several
|
||
silent seconds. Geordi glances at Data who appears
|
||
perfectly content to stare at nothing. Geordi scowls.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 27.
|
||
|
||
34 CONTINUED: (3)
|
||
|
||
GEORDI
|
||
Data, maybe you gave up too fast.
|
||
|
||
Data turns from the screen -- with some hesitation, as
|
||
though very interested in what he was watching.
|
||
|
||
DATA
|
||
I do not understand.
|
||
|
||
GEORDI
|
||
When I said "just passing by"
|
||
means "just passing by" -- I
|
||
didn't really mean it.
|
||
|
||
Data cocks his head, realizing.
|
||
|
||
DATA
|
||
My initial assumption was correct.
|
||
You do wish to speak of your
|
||
mother.
|
||
|
||
GEORDI
|
||
Am I crazy to think she's still
|
||
alive?
|
||
|
||
DATA
|
||
Your sanity is not in question.
|
||
However, your evaluation of the
|
||
available information is...
|
||
biased.
|
||
|
||
GEORDI
|
||
She's the captain of a starship!
|
||
She's gotten herself into and out
|
||
of impossible situations before.
|
||
Why should this be any different?
|
||
|
||
DATA
|
||
Disappearances fitting the profile
|
||
of the Hera have rarely ended with
|
||
the safe recovery of ship and
|
||
crew.
|
||
|
||
GEORDI
|
||
(sharp)
|
||
That makes me feel better.
|
||
|
||
Data doesn't answer. Geordi feels a little guilty.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I'm sorry, Data. I didn't mean to
|
||
snap at you.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 28.
|
||
|
||
34 CONTINUED: (4)
|
||
|
||
DATA
|
||
I am not offended. You are upset
|
||
and your reactions are not
|
||
surprising.
|
||
|
||
Geordi quiets down.
|
||
|
||
GEORDI
|
||
I guess I am a little... on edge.
|
||
|
||
A long beat as Geordi looks away.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
It's just that... If she really is
|
||
dead...
|
||
(quietly)
|
||
I don't know what I'm going to
|
||
do...
|
||
|
||
Geordi puts a hand on Data's shoulder for a moment in
|
||
silent thanks for his support, then turns and goes out
|
||
the door.
|
||
|
||
Data turns again to his blank monitor for a beat, then
|
||
pauses and glances toward where Geordi disappeared, as
|
||
if still thinking of his friend...
|
||
|
||
35 EXT. ENTERPRISE (OPTICAL)
|
||
|
||
In orbit above Marijne Seven.
|
||
|
||
36 INT. LAB
|
||
|
||
Beverly is checking over the interface unit on Geordi's
|
||
head as Data works with the console.
|
||
|
||
BEVERLY
|
||
(to Geordi)
|
||
We're receiving the probe's
|
||
telemetry.
|
||
|
||
DATA
|
||
The input levels are currently at
|
||
fifty-three percent of tolerance.
|
||
|
||
GEORDI
|
||
That's too low, Data. I won't be
|
||
able to do anything down there.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT THREE 29.
|
||
|
||
36 CONTINUED:
|
||
|
||
BEVERLY
|
||
I want to start with as wide a
|
||
margin of safety as possible. We
|
||
can adjust upward as needed.
|
||
(beat)
|
||
Ready?
|
||
|
||
GEORDI
|
||
Go ahead.
|
||
|
||
Data works the console.
|
||
|
||
DATA
|
||
Initiating interface...
|
||
|
||
37 INT. AUXILIARY CONTROL - GEORDI'S POV (OPTICAL)
|
||
|
||
Everything is dark.
|
||
|
||
GEORDI'S VOICE
|
||
I can't see anything.
|
||
|
||
DATA'S VOICE
|
||
I am increasing input now...
|
||
|
||
The room beings to take form in the slowly increasing
|
||
light -- a spare interior with several banks of control
|
||
consoles.
|
||
|
||
38 INT. LAB - CONTINUOUS
|
||
|
||
Data works the controls.
|
||
|
||
GEORDI
|
||
That's better... but I need
|
||
more...
|
||
|
||
Data keeps going...
|
||
|
||
39 INT. AUXILIARY CONTROL - CONTINUOUS
|
||
|
||
Geordi is standing in the room, staring straight ahead,
|
||
with a dumbfounded look on his face.
|
||
|
||
40 INCLUDE - SILVA LA FORGE
|
||
|
||
standing directly in front of Geordi, facing him.
|
||
|
||
DATA'S VOICE
|
||
Is this level sufficient?
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT THREE 30.
|
||
|
||
40 CONTINUED:
|
||
|
||
Geordi is too stunned to answer. He continues to stare
|
||
at his mother.
|
||
|
||
DATA'S VOICE
|
||
(continuing)
|
||
Geordi?
|
||
|
||
No answer.
|
||
|
||
DATA'S VOICE
|
||
(continuing)
|
||
Geordi, can you hear me?
|
||
|
||
OFF mother and son staring at each other...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 31.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
41 INT. AUXILIARY CONTROL - CONTINUOUS
|
||
|
||
Geordi is staring at his mother standing in front of
|
||
him.
|
||
|
||
GEORDI
|
||
(barely)
|
||
Mom...
|
||
|
||
42 INT. LAB - CONTINUOUS
|
||
|
||
Data and Beverly react to Geordi as he says the words.
|
||
|
||
GEORDI
|
||
Mom, is it you?
|
||
|
||
INTERCUT:
|
||
|
||
43 INT. AUXILIARY CONTROL - CONTINUOUS (OPTICAL)
|
||
|
||
Silva La Forge stares at him for a moment -- there's a
|
||
confused look on her face.
|
||
|
||
SILVA LA FORGE
|
||
(hesitantly)
|
||
Is it you... ?
|
||
|
||
A beat, Geordi seems puzzled -- then suddenly
|
||
remembers.
|
||
|
||
GEORDI
|
||
I forgot! All you're seeing is a
|
||
probe. Yes, it's me. I'm on the
|
||
Enterprise. I'm interfaced with
|
||
this probe.
|
||
|
||
BEVERLY'S VOICE
|
||
Geordi. Who are you talking to?
|
||
(beat)
|
||
What are you seeing?
|
||
|
||
Geordi ignores her, too amazed by the woman before him.
|
||
|
||
GEORDI
|
||
But is it really you?
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 32.
|
||
|
||
43 CONTINUED:
|
||
|
||
SILVA LA FORGE
|
||
Yes, Geordi. It's me.
|
||
|
||
GEORDI
|
||
How can it be... ? How is it
|
||
possible --
|
||
|
||
SILVA LA FORGE
|
||
There's no time to explain. We
|
||
have to go down...
|
||
|
||
A beat as Geordi studies her.
|
||
|
||
GEORDI
|
||
Down where?
|
||
|
||
SILVA LA FORGE
|
||
The surface.
|
||
|
||
BEVERLY'S VOICE
|
||
Geordi. Report.
|
||
|
||
He seems to hear Beverly for the first time.
|
||
|
||
GEORDI
|
||
(to Beverly)
|
||
Hang on, Doctor...
|
||
|
||
He takes a careful step toward his mother.
|
||
|
||
GEORDI
|
||
Why? Why do we have to go to the
|
||
surface?
|
||
|
||
SILVA LA FORGE
|
||
We're dying.
|
||
|
||
Geordi is puzzled.
|
||
|
||
GEORDI
|
||
"We?" Your ship? The Hera is
|
||
down there?
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 33.
|
||
|
||
43 CONTINUED: (2)
|
||
|
||
BEVERLY'S VOICE
|
||
Geordi, we're disconnecting you
|
||
right now...
|
||
|
||
GEORDI
|
||
(to Beverly)
|
||
No. Wait...
|
||
|
||
Beverly and Data pause.
|
||
|
||
Geordi takes another step toward his mother.
|
||
|
||
SILVA LA FORGE
|
||
We need your help. I need your
|
||
help... Geordi...
|
||
|
||
Geordi reaches out with both hands, placing them on her
|
||
arms -- at the contact, there is a violent SHOCKING
|
||
ARC. He cries out in pain --
|
||
|
||
44 INT. LAB - CONTINUOUS
|
||
|
||
The safety cut-off has disengaged the interface but the
|
||
overload has caused Geordi to lose consciousness.
|
||
|
||
DATA
|
||
(to Beverly)
|
||
The cut-off has been automatically
|
||
activated.
|
||
|
||
Beverly rushes to Geordi's side.
|
||
|
||
BEVERLY
|
||
He's in neural shock --
|
||
|
||
She grabs a MEDICAL DEVICE and begins to work on
|
||
Geordi. Data tries to give her room to work by
|
||
removing the interface from Geordi's head...
|
||
|
||
TIME CUT TO:
|
||
|
||
45 INT. SICKBAY
|
||
|
||
Geordi is now sitting on the big diagnostic bed, as
|
||
Beverly runs various scans on him. He's wearing the
|
||
interface suit and his VISOR and seems a little shaken
|
||
up. Picard and Data are standing by.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 34.
|
||
|
||
45 CONTINUED:
|
||
|
||
BEVERLY
|
||
(to Picard)
|
||
The sensory overload didn't cause
|
||
any permanent damage -- but I
|
||
wouldn't want to expose his
|
||
nervous system to that much
|
||
stimulus again.
|
||
|
||
PICARD
|
||
Is there any indication of what
|
||
caused the hallucination?
|
||
|
||
Geordi reacts to this characterization of his
|
||
experience.
|
||
|
||
BEVERLY
|
||
His brain functions are normal --
|
||
|
||
Geordi interrupts:
|
||
|
||
GEORDI
|
||
I told you, I wasn't
|
||
hallucinating.
|
||
|
||
There is an uncomfortable moment -- Picard glances at
|
||
Data and nods that he should go ahead and report.
|
||
|
||
DATA
|
||
Geordi, I have analyzed the
|
||
probe's sensor logs -- there are
|
||
no readings that would indicate
|
||
the presence of a living human on
|
||
board the Raman.
|
||
|
||
GEORDI
|
||
She wasn't actually there. Her
|
||
ship is on the surface.
|
||
|
||
Picard tries to sort out what Geordi is saying.
|
||
|
||
PICARD
|
||
Then you believe you saw some kind
|
||
of... transmission?
|
||
|
||
GEORDI
|
||
(nodding)
|
||
Somehow she managed to contact me.
|
||
|
||
DATA
|
||
We have no indication of a
|
||
transmission of any kind.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 35.
|
||
|
||
45 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Maybe I'm the only one who could
|
||
detect it -- because I was
|
||
interfaced with the probe.
|
||
|
||
Data sees what he's getting at.
|
||
|
||
DATA
|
||
The probe does allow Geordi to
|
||
sense quantum fluctuations,
|
||
subspace anomalies, and other
|
||
phenomena not perceptible to other
|
||
kinds of sensors.
|
||
|
||
PICARD
|
||
Granted. But why would he
|
||
perceive his mother visually, as
|
||
if she were standing in the room?
|
||
|
||
BEVERLY
|
||
I'm not sure... I do know that our
|
||
brains aren't designed to process
|
||
the kind of sensory information
|
||
Geordi was getting. When the
|
||
brain receives something it can't
|
||
understand, it interprets the
|
||
input as best it can -- sometimes
|
||
as a sound or smell, sometimes
|
||
visually.
|
||
|
||
Geordi seizes on the validation he thinks he's getting.
|
||
|
||
GEORDI
|
||
(to Picard)
|
||
You see?
|
||
|
||
Beverly knows what Geordi is going through, and she
|
||
tries to be as gentle as she can.
|
||
|
||
BEVERLY
|
||
Geordi, that doesn't mean you're
|
||
mother was really communicating
|
||
with you. I'm just trying to
|
||
explain why you might've thought
|
||
she was.
|
||
|
||
Geordi can't hide his frustration.
|
||
|
||
GEORDI
|
||
I'm telling you, my mother's ship
|
||
is trapped down there -- they need
|
||
our help.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 36.
|
||
|
||
45 CONTINUED: (3)
|
||
|
||
PICARD
|
||
(gently)
|
||
The Hera's last reported location
|
||
was over three hundred light years
|
||
away. How could it have ended up
|
||
here?
|
||
|
||
Geordi has no answer.
|
||
|
||
DATA
|
||
If the Hera is on the surface, its
|
||
hull could not possibly withstand
|
||
the pressure of the atmosphere.
|
||
|
||
Geordi doesn't have an explanation but he knows what he
|
||
saw.
|
||
|
||
GEORDI
|
||
Just let me go back so we can be
|
||
sure.
|
||
|
||
It hurts our people to have to reject his plea.
|
||
|
||
BEVERLY
|
||
(to Picard)
|
||
I don't recommend he use the
|
||
interface again -- the sensory
|
||
overload nearly killed him.
|
||
|
||
GEORDI
|
||
I'll be all right.
|
||
|
||
PICARD
|
||
I'm sorry, Geordi. But I won't
|
||
risk your life.
|
||
|
||
Picard turns to Data.
|
||
|
||
PICARD
|
||
Mister Data, find another way to
|
||
salvage the Raman. I want to hear
|
||
an alternate plan in two hours.
|
||
|
||
DATA
|
||
Yes, Captain.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 37.
|
||
|
||
45 CONTINUED: (4)
|
||
|
||
Data heads for the door. Picard turns to Geordi.
|
||
|
||
PICARD
|
||
(gently)
|
||
In the meantime, I'd like you to
|
||
talk with Counselor Troi. She's
|
||
expecting you.
|
||
|
||
Geordi seems about to object -- then he catches
|
||
himself.
|
||
|
||
GEORDI
|
||
Aye, Sir...
|
||
|
||
OFF Geordi's frustrated look.
|
||
|
||
46 INT. TROI'S OFFICE
|
||
|
||
Troi is seated in a chair, watching as Geordi (now in
|
||
uniform) paces slowly in front of her. He's impatient --
|
||
he doesn't want to be here.
|
||
|
||
TROI
|
||
What's your mother like, Geordi?
|
||
|
||
GEORDI
|
||
Counselor, if you think I'm going
|
||
to start talking about my
|
||
childhood, you're way off.
|
||
|
||
TROI
|
||
That's not what I asked.
|
||
|
||
Geordi stops pacing.
|
||
|
||
GEORDI
|
||
No, I guess not.
|
||
(beat)
|
||
She was --
|
||
(catching himself)
|
||
She is... brilliant, funny...
|
||
really perceptive. She knows
|
||
people. Knows what they're all
|
||
about even before they open their
|
||
mouths. She's always been like
|
||
that. A good judge of character.
|
||
|
||
TROI
|
||
When did you see her last?
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 38.
|
||
|
||
46 CONTINUED:
|
||
|
||
GEORDI
|
||
Seven months ago, when she first
|
||
took command of the Hera. I went
|
||
to a party she had for her crew...
|
||
|
||
Geordi takes a deep breath.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
The Enterprise and the Hera were
|
||
in the same sector three weeks
|
||
ago. She wanted to see me. We
|
||
were both pretty busy though...
|
||
(quietly)
|
||
I guess I could have made the
|
||
time. But I didn't think... I
|
||
mean I just didn't think...
|
||
|
||
His voice trails off.
|
||
|
||
TROI
|
||
(gently)
|
||
You didn't think it would be your
|
||
last chance to see her...
|
||
|
||
Geordi is angered.
|
||
|
||
GEORDI
|
||
You don't know that! None of us
|
||
does!
|
||
|
||
A long silent beat.
|
||
|
||
TROI
|
||
I'm going to suggest something.
|
||
Call it a theory. Alright?
|
||
|
||
GEORDI
|
||
(calms down)
|
||
Alright...
|
||
|
||
Troi stands.
|
||
|
||
TROI
|
||
You're very worried about the
|
||
disappearance of your mother...
|
||
and guilty over not seeing her
|
||
when you had the chance. So
|
||
you're unwilling even to consider
|
||
that she might be dead. This need
|
||
to believe she's alive is so
|
||
strong, it manifested itself as a
|
||
physical image.
|
||
|
||
STAR TREK: "Interface" - REV. 07/19/93 - ACT FOUR 39.
|
||
|
||
46 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
But she told me she's trapped on
|
||
the planet! She's in danger! If
|
||
this was some kind of wish
|
||
fulfillment, don't you think I'd
|
||
fantasize her being safe and
|
||
sound?
|
||
|
||
TROI
|
||
No. Because that would end the
|
||
fantasy -- you'd know it wasn't
|
||
true. The more involved and
|
||
complicated and unending your
|
||
story is, the longer you can
|
||
believe your mother is still
|
||
alive.
|
||
|
||
Geordi stops pacing. He thinks for a moment, then
|
||
looks at her.
|
||
|
||
GEORDI
|
||
That's your theory, Counselor.
|
||
I've got a different one.
|
||
|
||
Geordi EXITS. OFF the concern on Troi's face.
|
||
|
||
47 INT. OBS LOUNGE
|
||
|
||
Picard, Riker and Geordi. Data is presenting his
|
||
report; Geordi looks impatient.
|
||
|
||
DATA
|
||
I have been exploring the
|
||
possibility of using a tractor
|
||
beam to pull the Raman from the
|
||
atmosphere. However, there is so
|
||
much interference that it prevents
|
||
a positive lock.
|
||
|
||
RIKER
|
||
If we could set up some sort of
|
||
relay system...
|
||
|
||
DATA
|
||
That is my conclusion as well,
|
||
Commander. Two shuttlecraft,
|
||
staggered between the Enterprise
|
||
and the Raman, with their shields
|
||
adjusted to refocus the tractor
|
||
beam.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 40.
|
||
|
||
47 CONTINUED:
|
||
|
||
PICARD
|
||
Can we get those shuttles close
|
||
enough without putting them in
|
||
danger?
|
||
(to Geordi)
|
||
Mister La Forge.
|
||
|
||
GEORDI
|
||
(shrugs)
|
||
I suppose so.
|
||
(beat)
|
||
Yes. As long as you keep them
|
||
above the troposphere, they'll be
|
||
alright.
|
||
|
||
Picard nods, turns to Data.
|
||
|
||
PICARD
|
||
In that case --
|
||
|
||
GEORDI
|
||
(interrupting)
|
||
What about the Hera?
|
||
|
||
Everyone turns to him.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
We'll be leaving my mother and her
|
||
crew stranded on the planet. We
|
||
have to save them.
|
||
|
||
Picard reacts, displeased but also concerned with
|
||
Geordi's insistence...
|
||
|
||
PICARD
|
||
Commander --
|
||
|
||
GEORDI
|
||
(interrupting)
|
||
-- I've been thinking about
|
||
this...
|
||
|
||
Geordi stands.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
A few weeks ago I got a message
|
||
from my mother. She said she had
|
||
a new chief engineer who was
|
||
always experimenting with the warp
|
||
drive.
|
||
(MORE)
|
||
|
||
STAR TREK: "Interface" - REV. 07/19/93 - ACT FOUR 41.
|
||
|
||
47 CONTINUED: (2)
|
||
|
||
GEORDI (Cont'd)
|
||
Well, I've seen the Hera -- it
|
||
uses trionic initiators in the
|
||
warp coil. They have a history of
|
||
strange side effects -- especially
|
||
if you start playing around with
|
||
them.
|
||
|
||
Picard glances at Data for confirmation.
|
||
|
||
DATA
|
||
There have been reports of warp
|
||
bubbles and other subspace
|
||
deformations.
|
||
|
||
GEORDI
|
||
(nodding)
|
||
So what if that's what happened?
|
||
Not a warp bubble, but a subspace
|
||
funnel.
|
||
|
||
DATA
|
||
Connecting two points through
|
||
subspace.
|
||
|
||
GEORDI
|
||
(nods)
|
||
The Hera could have accidentally
|
||
created a distortion that emptied
|
||
out right here, on Marijne Seven.
|
||
|
||
It seems unlikely to everyone but Geordi.
|
||
|
||
PICARD
|
||
Why here?
|
||
|
||
GEORDI
|
||
The Hera passed near this planet
|
||
just ten days ago. There's a lot
|
||
of subspace distortion in the
|
||
atmosphere -- the ship might've
|
||
picked up some residual traces
|
||
that directed the funnel back
|
||
here.
|
||
|
||
RIKER
|
||
(disbelieving)
|
||
And the Hera is still in one
|
||
piece, down on the surface?
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 41A.
|
||
|
||
47 CONTINUED: (3)
|
||
|
||
GEORDI
|
||
Maybe it's surrounded by some kind
|
||
of subspace field that's keeping
|
||
it together. But who knows for
|
||
how long?
|
||
|
||
Geordi looks absolutely convinced.
|
||
|
||
PICARD
|
||
Do you have any evidence to
|
||
support this... hypothesis?
|
||
|
||
GEORDI
|
||
I did get some strange subspace
|
||
readings when I was interfaced
|
||
with the probe.
|
||
|
||
RIKER
|
||
Geordi, that could be anything.
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 42.
|
||
|
||
47 CONTINUED: (4)
|
||
|
||
GEORDI
|
||
I talked to her. She asked me to
|
||
take the Raman closer to the
|
||
planet.
|
||
|
||
Picard turns to Data.
|
||
|
||
PICARD
|
||
Is any of this possible?
|
||
|
||
Data considers the fantastic story for a couple of
|
||
beats.
|
||
|
||
DATA
|
||
Yes.
|
||
|
||
Geordi smiles.
|
||
|
||
GEORDI
|
||
There.
|
||
|
||
Data seems conscious of not wanting to offend his
|
||
friend, but he still has to do his job.
|
||
|
||
DATA
|
||
However, I believe it is...
|
||
(hesitates)
|
||
unlikely.
|
||
|
||
PICARD
|
||
How unlikely?
|
||
|
||
DATA
|
||
Nearly impossible, Sir.
|
||
|
||
Picard nods, considers for a moment.
|
||
|
||
PICARD
|
||
Proceed with the shuttle plan.
|
||
|
||
GEORDI
|
||
Captain --
|
||
|
||
PICARD
|
||
-- Mister La Forge. Stay here for
|
||
a moment.
|
||
|
||
Picard nods to the rest of the staff in dismissal.
|
||
Everyone heads out the door, as Geordi sits back down.
|
||
When the door closes behind the last one --
|
||
|
||
STAR TREK: "Interface" - 07/14/93 - ACT FOUR 43.
|
||
|
||
47 CONTINUED: (5)
|
||
|
||
PICARD
|
||
(continuing)
|
||
Geordi, I'm not unsympathetic
|
||
about what you're going through.
|
||
But I want you to consider my
|
||
position as well.
|
||
|
||
A beat. Geordi reluctantly decides to listen.
|
||
|
||
GEORDI
|
||
Yes, Sir.
|
||
|
||
Picard looks at him for a moment.
|
||
|
||
PICARD
|
||
Your mother's disappearance...
|
||
It's... a tragic thing...
|
||
(beat)
|
||
But I can't risk your safety on
|
||
the basis of a dubious hypothesis.
|
||
|
||
A beat.
|
||
|
||
GEORDI
|
||
If there's even one chance in a
|
||
million I'm right and she's
|
||
alive...
|
||
|
||
Picard reacts -- this is a no-win situation for him.
|
||
|
||
PICARD
|
||
I'm sorry, Geordi. I've made my
|
||
decision.
|
||
|
||
A beat. Geordi appears to have given up.
|
||
|
||
GEORDI
|
||
I understand, Sir.
|
||
|
||
Picard heads for the door to the Bridge. Geordi stays
|
||
for a beat. Then with resolve, heads for the opposite
|
||
exit...
|
||
|
||
48 INT. LAB - ON THE INTERFACE CONSOLE
|
||
|
||
As all its readouts and monitors light up.
|
||
|
||
STAR TREK: "Interface" - REV. 07/16/93 - ACT FOUR 44.
|
||
|
||
49 INCLUDE GEORDI
|
||
|
||
readying the unit. He is wearing the interface suit.
|
||
Suddenly the door OPENS and reveals Data standing
|
||
there. Geordi reacts; he's been caught.
|
||
|
||
DATA
|
||
I suspected you would decide to
|
||
operate the interface alone.
|
||
|
||
GEORDI
|
||
(surprised)
|
||
You did?
|
||
|
||
DATA
|
||
I am familiar enough with your
|
||
behavior patterns to predict
|
||
certain... decisions.
|
||
|
||
GEORDI
|
||
I guess you know me pretty well...
|
||
|
||
DATA
|
||
You are disobeying the Captain.
|
||
|
||
GEORDI
|
||
I can't just sit back and do
|
||
nothing when my mother might be
|
||
down on that planet.
|
||
|
||
DATA
|
||
I can not allow you to endanger
|
||
your well being.
|
||
|
||
GEORDI
|
||
If we leave here without knowing
|
||
for sure...
|
||
|
||
He stops, all the pent up emotions inside him finally
|
||
come to a head. He's so overcome that he turns away.
|
||
|
||
GEORDI
|
||
(continuing)
|
||
I'll have to live with it for the
|
||
rest of my life... wondering... if
|
||
I left her to die... I couldn't
|
||
take that, Data... I couldn't...
|
||
|
||
There is an anguish in Geordi's voice that Data can't
|
||
ignore.
|
||
|
||
GEORDI
|
||
That's why I have to do this.
|
||
|
||
|