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23 KiB
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<!-- saved from url=(0053)http://www.livesinabox.com/friends/season2/219ewg.htm -->
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<html><head><meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
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<title>The One Where Eddie Won't Go</title>
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<style id="holderjs-style" type="text/css"></style><link type="text/css" rel="stylesheet" href="chrome-extension://pioclpoplcdbaefihamjohnefbikjilc/content.css"></head>
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<body bgcolor="white" text="black" link="green" vlink="black" alink="yellow" class=" __plain_text_READY__">
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<h1 align="center">The One Where Eddie Won't Go</h1>
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<hr align="center">
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<font size="3"><i>
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</i></font><p><font size="3"><i></i>Originally written by .</font><br>
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<font size="3">Transcribed by: </font><a href="http://www.livesinabox.com/friends/season2/josh.html">Josh Hodge</a><br>
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</p>
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<hr>
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<font size="3"><b>
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</b></font><p align="left"><font size="3"><b>[Scene: Chandler's bedroom. Chandler is sleeping and Eddie is there
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watching him.]</b><br>
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<br>
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[Chandler wakes up]<br>
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<br>
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CHANDLER: Hey Eddie. Daahh!! What're you doin' here?<br>
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<br>
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EDDIE: Nothin' roomie, just watchin' you sleep.<br>
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<br>
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CHANDLER: Why?<br>
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<br>
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EDDIE: Makes me feel um, peaceful, heh-heh, please.<br>
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<br>
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CHANDLER: I can't sleep now.<br>
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<br>
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EDDIE: You want me to sing?<br>
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<br>
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CHANDLER: No, look, that's it, it's over, I want you out, I want you out of the apartment
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now.<br>
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<br>
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<a name="line01"></a> EDDIE: Woah, woah, woah, what're, what're you talkin' about man.<br>
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<br>
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CHANDLER: Hannibal Lecter...better roommate than you.<br>
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<br>
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<a name="line02"></a> EDDIE: No. See now I don't think you're being fair. I mean one night
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you see me and you get scared, I mean, what about all the other nights when you don't see
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me, huh? What about last night when you went and got a drink of water and I was nice
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enough to hide behind the door, what's that about, huh?<br>
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<br>
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CHANDLER: I didn't realize that.<br>
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<br>
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EDDIE: Yeah.<br>
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<br>
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CHANDLER: GET OUT NOW!!<br>
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<br>
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EDDIE: Ok, you really want me out?<br>
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<br>
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CHANDLER: Yes please.<br>
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<br>
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<a name="line03"></a> EDDIE: Ok, then I want to hear you say it, I, I want to hear you say
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you want me out.<br>
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<br>
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CHANDLER: I want you out.<br>
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<br>
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EDDIE: No no no, I wanna hear it from your lips.<br>
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<br>
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CHANDLER: Where did you hear it from before?<br>
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<br>
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EDDIE: Oh, right, all right, you know what pallie I understand, consider me gone, you know
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what, I'll be out by the time you get home from work tomorrow.<br>
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<br>
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[Eddie leaves the room and Chandler mouths "Thank you" to himself]<br>
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<br>
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EDDIE: I heard that.<br>
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<br>
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<font size="4"><b>OPENING TITLES</b></font> <br>
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<br>
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<b>[Scene: Central Perk. Monica and Rachel are there, Joey enters wearing an old looking
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hat.]</b><br>
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<br>
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JOEY: Hey.<br>
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<br>
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MONICA: Hey.<br>
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<br>
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<a name="line04"></a> RACHEL: Hey. Whe-ell, look at you, finally got that time machine
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workin' huh?<br>
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<br>
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<a name="line05"></a> JOEY: Seriously, you like it? This guy was sellin' them on 8th
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avenue and I looked at 'em and I though, you know what I don't have?<br>
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<br>
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MONICA: A mirror?<br>
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<br>
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JOEY: Fine, make fun. I think it's jaunty.<br>
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<br>
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MONICA: Wow, for a guy who's recently lost his job, you're in an awfully good mood.<br>
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<br>
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JOEY: Hey, I'll be alright. I mean it's not like I'm starting from sqare one. I was Dr.
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Drake Remoray on <i>Days of Our Lives</i>. Heh? I mean that's gotta have some kind of
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cache.<br>
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<br>
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<a name="line06"></a> MONICA: Cache? Jaunty?<br>
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<br>
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JOEY: Chandler gave me word of the day toilet paper. I'm gonna get some coffee.<br>
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<br>
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[Phoebe enters]<br>
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<br>
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PHOEBE: Hey.<br>
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<br>
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MONICA: Hey.<br>
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<br>
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RACHEL: Hey.<br>
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<br>
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PHOEBE: Oooh, so so so, did you read the book?<br>
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<br>
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MONICA: Oh my God, it was incredible.<br>
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<br>
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PHOEBE: Didn't it like totally speak to you?<br>
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<br>
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RACHEL: Woah, woah, woah, what book is this?<br>
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<br>
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MONICA: Rachel you have to read this book. It's called <i>Be Your Own Windkeeper</i>. It's
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about how women need to become more empowered.<br>
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<br>
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PHOEBE: Yeah and oh, and but there's, there's wind and the wind can make us Goddesses. But
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you know who takes out wind? Men, they just take it.<br>
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<br>
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RACHEL: Men just take out wind?<br>
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<br>
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PHOEBE: Ya-huh, all the time, cause they are the lightning bearers.<br>
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<br>
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RACHEL: Wow.<br>
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<br>
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PHOEBE: Yeah.<br>
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<br>
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RACHEL: Well that sounds kinda cool, kinda like <i>The Hobbit</i>.<br>
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<br>
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MONICA: It is nothing like the Hobbit. It's like reading about every relationship I've
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ever had, except for Richard.<br>
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<br>
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<a name="line07"></a> PHOEBE: Oh yes, no, Richard would never steal your wind.<br>
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<br>
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MONICA: No.<br>
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<br>
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PHOEBE: No, 'cause he's yummy.<br>
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<br>
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MONICA: Yes. But all the other ones.<br>
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<br>
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PHOEBE: Oh yes. Oh and, the part about how they're always like drinking from out pool of
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inner power, but God forbid we should take a sip.<br>
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<br>
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JOEY: Anybody want a croan.<br>
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<br>
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<a name="line08"></a> PHOEBE: Ok, this is a typical lightning-bearer thing. Right there,
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it's like, um, 'Hello, who wants one of my fallic shaped man cakes?'<br>
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<br>
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<b>[Scene: Estelle Leonard Talent Agency.Joey is there.]</b><br>
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<br>
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ESTELLE: Don't worry about it already. Things happen.<br>
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<br>
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JOEY: So, you're not mad at me for getting fired and everything?<br>
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<br>
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ESTELLE: Joey, look at me, look at me. Do I have lipstick on my teeth?<br>
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<br>
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JOEY: No, can we get back to me?<br>
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<br>
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ESTELLE: Look honey, people get fired left and right in this business. I already got you
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an audition for <i>Another World</i>.<br>
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<br>
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JOEY: Alright. Cab driver number two?<br>
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<br>
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ESTELLE: You're welcome.<br>
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<br>
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JOEY: But I was Dr. Drake Remoray. How can I go from bein' a neurosurgeon to drivin' a
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cab?<br>
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<br>
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ESTELLE: Things change, roll with em.<br>
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<br>
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JOEY: But this is a two line part, it's like takin' a step backwards. I'm not gonna do
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this.<br>
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<br>
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ESTELLE: Joey, I'm gonna tell you the same thing I told Al Minser and his pyramid of dogs.
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Take any job you can get and don't make on the floor.<br>
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<br>
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JOEY: I'm sorry. See ya.<br>
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<br>
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<b>[Scene: Central Perk. Monica, Phoebe, and Rachel are there. Rachel has just finished
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reading the book.]</b><br>
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<br>
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RACHEL: Oh, God, oh, God, I mean it's just so.<br>
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<br>
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MONICA: Isn't it.<br>
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<br>
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<a name="line09"></a> RACHEL: Uhh, I mean this is like reading about my own life. I mean
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this book could have been called 'Be Your Own Windkeeper Rachel'.<br>
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<br>
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PHOEBE: I don't think it would have sold a million copies but it would have made a nice
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gift for you.<br>
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<br>
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ROSS: Hey you guys.<br>
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<br>
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MONICA: Hey.<br>
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<br>
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ROSS: Uh, sweetie we've gotta go.<br>
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<br>
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RACHEL: NO!<br>
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<br>
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ROSS: No?<br>
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<br>
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<a name="line10"></a> RACHEL: No, why do we always have to do everything according to your
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time table?<br>
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<br>
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ROSS: Actually it's the movie theatre that has the time schedule. So you don't miss the
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beginning.<br>
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<br>
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RACHEL: No, see this isn't about the movie theatre, this is about you stealing my wind.<br>
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<br>
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<a name="line11"></a> MONICA: You go girl. I can't pull that off can I?<br>
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<br>
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ROSS: Excuse me, your, your, your wind?<br>
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<br>
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<a name="line12"></a> RACHEL: Yes, my wind. How do you expect me to grow if you won't let
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me blow?<br>
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<br>
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ROSS: You, you know I, I don't, have a- have a problem with that.<br>
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<br>
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RACHEL: Ok, I just, I just really need to be with myself right now. I'm sorry.<br>
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<br>
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PHOEBE: Um-um, um-um.<br>
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<br>
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RACHEL: You're right, I don't have to apologize. Sorry. Damnit!<br>
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<br>
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<b>[Scene: Joey's apartment. Joey and Ross enter.]</b><br>
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<br>
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JOEY: What is it?<br>
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<br>
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<a name="line13"></a> ROSS: I, I don't know, it's got all this stuff about wind and trees
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and there's some kind of sacred pool in it. I mean, I don't really get it but she's, she's
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pretty upset about it.<br>
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<br>
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JOEY: See, this is why I don't date women who read. Uh-oh.<br>
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<br>
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<a name="line14"></a> ROSS: What, what's that?<br>
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<br>
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JOEY: It's my VISA bill. Envelope one of two. That can't be good.<br>
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<br>
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ROSS: Open it, open in.<br>
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<br>
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JOEY: Oh my God.<br>
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<br>
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ROSS: Woah.<br>
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<br>
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JOEY: Look at this, how did I spend so much money?<br>
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<br>
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ROSS: Uh Joey, that's just the minumum amount due, that's your total due.<br>
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<br>
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JOEY: Ahh.<br>
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<br>
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<a name="line15"></a> ROSS: What, woah, woah, $3500 at porcelain safari?<br>
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<br>
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JOEY: My animals. Hey the guy said they suited me, he spoke with an accent, I was all
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confused. I don't know what I'm gonna do.<br>
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<br>
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ROSS: Well I guess you can start by drivin a cab on <i>Another World</i>.<br>
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<br>
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JOEY: What?<br>
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<br>
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ROSS: That audition.<br>
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<br>
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JOEY: That's a two line part.<br>
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<br>
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<a name="line16"></a> ROSS: Joey, you owe $1100 at I Love Lucite.<br>
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<br>
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JOEY: So what.<br>
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<br>
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ROSS: So suck it up man, it's a job, it's money.<br>
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<br>
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JOEY: Hey, look, I don't need you getting all judgemental and condescending and pedantic.<br>
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<br>
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ROSS: Toilet paper?<br>
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<br>
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JOEY: Yeah.<br>
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<br>
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ROSS: Look, I'm not being any of those things, ok, I'm just being realistic.<br>
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<br>
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JOEY: Well knock it off, you're supposed to be my friend.<br>
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<br>
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ROSS: I am your friend.<br>
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<br>
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<a name="line17"></a> JOEY: Well then tell me things like, 'Joey you'll be fine,' and,
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'Hang in there,' and, and, 'Somethin' big's fonna come along, I know it.'<br>
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<br>
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ROSS: But I don't know it. What I do know is that you owe $2300 at Isn't it Chromantic.<br>
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<br>
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JOEY: Hey Ross, I'm aware of what I owe.<br>
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<br>
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ROSS: Ok, well then get some sense. I mean it took you what, 10 years to get that job, who
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knows how long it's gonna be till you get another.<br>
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<br>
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JOEY: Look, I don't wanna hear this right now.<br>
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<br>
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ROSS: Huh, I'm just saying...<br>
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<br>
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JOEY: Well don't just say.<br>
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<br>
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ROSS: Ya know, maybe, maybe I should just go.<br>
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<br>
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JOEY: Ok.<br>
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<br>
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ROSS: Ok. I'll see ya later. Just think about it, ok.<br>
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<br>
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JOEY: I don't need to think about it. I was Dr. Drake Remoray. That was huge. Big things
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are gonna happen, you'll see. Ross, you still there?<br>
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<br>
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<b>[Scene: Chandler's apartment. Chandler peeks in the door. He doesn't see Eddie so he
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enters, breathing a sigh of relief. Eddie pops up from behind the bar.]</b><br>
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<br>
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EDDIE: Hey pal.<br>
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<br>
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CHANDLER: Ahhhh-gaaaahhh. Eddie what're you still doin' here?<br>
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<br>
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EDDIE: Ah, just some basic dehydrating of a few fruits and vegetables. MAN ALIVE this
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thing's fantastic!<br>
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<br>
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CHANDLER: Look Eddie, aren't you forgetting anything?<br>
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<br>
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<a name="line18"></a> EDDIE: Oh yeah, that's right, look I got us a new goldfish. He's a
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lot fiestier that the last one.<br>
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<br>
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CHANDLER: Maybe 'cause the last one was made by Pepperidge Farm. Look Eddie, isn't there
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something else you're supposed to be doing right now?<br>
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<br>
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EDDIE: Well, not unless it's got something to do with dehydrating my man because right now
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I'm a dehydrating maniac!<br>
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<br>
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CHANDLER: Look you have to help me out here. I thought we had a deal. I thought by the
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time...<br>
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<br>
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<a name="line19"></a> EDDIE: Ah-ah-ah, you know what that is?<br>
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<br>
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CHANDLER: Your last roommate's kidney?<br>
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<br>
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EDDIE: That's a tomato. This one definitely goes in the display.<br>
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<br>
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<b>[Scene: Central Perk. Joey goes up to the bar to order.]</b><br>
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<br>
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JOEY: Hey Gunther, let me get a lemonade to go.<br>
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<br>
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GUNTHER: Lemonade? You ok man?<br>
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<br>
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JOEY: Ah, it's career stuff. I don't know if you heard but they killed off my character on
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the show.<br>
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<br>
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GUNTHER: Oh, that's too bad. How'd they do it?<br>
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<br>
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JOEY: I fell down an elevator shaft.<br>
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<br>
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GUNTHER: That sucks. I was buried in an avalanche.<br>
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<br>
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JOEY: What?<br>
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<br>
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GUNTHER: I used to be Bryce on <i>All My Children</i>.<br>
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<br>
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<b>[Scene: Monica and Rachel's apartment. Chandler is sleeping on the couch. Monica walks
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by and starts watching him.]</b><br>
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<br>
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[Chandler wakes up]<br>
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<br>
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<a name="line20"></a> CHANDLER: Daaahhhh!<br>
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<br>
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MONICA: Aaahhhhhhh! Aaahhhh!<br>
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<br>
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CHANDLER: Why must everybody watch me sleep? There'll be no more watching me sleep, no
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more watching.<br>
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<br>
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MONICA: I wa-<br>
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<br>
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CHANDLER: Uuuh.<br>
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<br>
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<b>[Scene: Chandler's apartment. Chandler is returning from Monica and Rachel's with his
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bedding. Eddie is standing at the bar with his dehydrator and loads of fruit.]</b><br>
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<br>
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<a name="line21"></a> EDDIE: Hey man, check it out, I got some great stuff to dehydrate
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here. I got some grapes, got some apricots, I thought it would be really cool to see what
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happens with these water balloons.<br>
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<br>
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CHANDLER: Get out. Get out, get out, get out, get out, get out, get out.<br>
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<br>
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EDDIE: What?<br>
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<br>
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<a name="line22"></a> CHANDLER: You, move out. Take your fruit, your stupid small fruit
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and GET OUT!<br>
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<br>
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EDDIE: You, you want, you want me to move out?<br>
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<br>
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CHANDLER: Uh-huh.<br>
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<br>
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EDDIE: I uh, I gotta tell you man, I mean, that's uh, it's kinda out of the blue, I mean
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don't you think?<br>
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<br>
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CHANDLER: This is not out of the blue, this is smack dab in the middle of the blue.<br>
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<br>
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EDDIE: Ohhhh. Relax, take it easy buddy. Tell me twice, you want me to go? Alright,
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alright, guess I'll be back for my stuff. [walks out the door and after a pause comes back
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in] But if you think for one second I'm leaving you alone with my fish, you're insane
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Jack!<br>
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<br>
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CHANDLER: You want some help.<br>
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<br>
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EDDIE: No help required Chico. [reaches into the tank and grabs the fish and puts it in
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his pocket]<br>
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<br>
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<b>[Scene: Joey is at the cab driver interview.]</b><br>
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<br>
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JOEY: <i>All the way to the airport huh? You know that's over 30 miles, that's gonna cost
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you about so bucks.</i><br>
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<br>
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CASTING GUY: Excuse me, that's 50 bucks.<br>
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<br>
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JOEY: What?<br>
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<br>
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CASTING GUY: Five oh dollars.<br>
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<br>
|
|
JOEY: Ohh, you know what it is? It's smudgy 'cause they're fax pages. Now when I was on <i>Days
|
|
of Our Lives</i> as Dr. Drake Remoray, they'd send over the whole script on real paper and
|
|
everything. <br>
|
|
<br>
|
|
CASTING GUY: That's great.<br>
|
|
<br>
|
|
<a name="line23"></a> JOEY: And, and just so you know, if you wanted to expand this scene
|
|
like, like have the cab crash or somethin', I could attend to the victims 'cause I have a
|
|
background in medical acting.<br>
|
|
<br>
|
|
<a name="line24"></a> CASTING GUY: Ok, listen, thanks for coming in.<br>
|
|
<br>
|
|
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. <i>Uh, we could
|
|
take the expressway but uh, this time of day you're better off taking the budge.</i> You
|
|
were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and
|
|
leaves]<br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Monica, Rachel, and Phoebe are sitting around
|
|
the coffee table.]</b><br>
|
|
<br>
|
|
<a name="line25"></a> PHOEBE: Ok, question number 28, have you ever allowed a lighning
|
|
bearer to take your wind? I would have to say no.<br>
|
|
<br>
|
|
MONICA: And I would have to say pah-huh.<br>
|
|
<br>
|
|
PHOEBE: What?<br>
|
|
<br>
|
|
MONICA: Do you not remember the puppet guy?<br>
|
|
<br>
|
|
RACHEL: Yeah you like totally let him wash his feet in the pool of your inner power.<br>
|
|
<br>
|
|
MONICA: And his puppet too.<br>
|
|
<br>
|
|
<a name="line26"></a> PHOEBE: Yeah ok, well at least I didn't let some guy into the forest
|
|
of my righteous truth on the first date.<br>
|
|
<br>
|
|
MONICA: Who?<br>
|
|
<br>
|
|
PHOEBE: Paul.<br>
|
|
<br>
|
|
MONICA: Oh.<br>
|
|
<br>
|
|
<a name="line27"></a> RACHEL: Ok, ok, ok, moving on, moving on, next question. Ok number
|
|
29, have you ever betrayed another goddess for a lightning bearer? Ok, number 30.<br>
|
|
<br>
|
|
MONICA: Woah, woah, woah, let's go back to 29.<br>
|
|
<br>
|
|
RACHEL: Not uh, not to my recollection.<br>
|
|
<br>
|
|
MONICA: Huuh, alright, Danny Arshak, ninth grade. Oh, c'mon Rach, you know the bottle was
|
|
totally pointing at me.<br>
|
|
<br>
|
|
RACHEL: Only 'cause you took up half the circle.<br>
|
|
<br>
|
|
<a name="line28"></a> PHOEBE: Listen to you two. It's so sad. Looks like I'm gonna be
|
|
going to the goddess meetings alone.<br>
|
|
<br>
|
|
RACHEL: Well not when they find out you slept with Jason Hurley an hour after he broke up
|
|
with Monica.<br>
|
|
<br>
|
|
MONICA: One hour? You are such a leaf blower.<br>
|
|
<br>
|
|
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a
|
|
door to slam, opens a small chest and slams the lid.]<br>
|
|
<br>
|
|
<b>[Scene: Joey's apartment. Joey is watching movers take all his stuff away.]</b><br>
|
|
<br>
|
|
JOEY: Oh hey uh, be careful with that 3-D last supper, Judas is a little loose.<br>
|
|
<br>
|
|
ROSS: [enters] Oh my God, what's goin' on?<br>
|
|
<br>
|
|
JOEY: They're takin all my stuff back. I guess you were right.<br>
|
|
<br>
|
|
<a name="line29"></a> ROSS: No look I wasn''t right, that's what I came here to tell you.
|
|
I was totally hung up on, on my own stuff. Listen, I'm someone who needs the whole
|
|
security thing, ya know. To know exactly where my next paycheck is coming from buy you,
|
|
you don't need that and that's amazing to me. I could never do what you do Joey.<br>
|
|
<br>
|
|
JOEY: Thanks Ross.<br>
|
|
<br>
|
|
ROSS: Yeah. And you should hold out for something bigger. I can't tell you how much
|
|
respect I have for you not going to that stupid cab driver audition.<br>
|
|
<br>
|
|
JOEY: I went.<br>
|
|
<br>
|
|
ROSS: Great, how did it go?<br>
|
|
<br>
|
|
JOEY: I didn't get it.<br>
|
|
<br>
|
|
ROSS: Good for you.<br>
|
|
<br>
|
|
JOEY: What?<br>
|
|
<br>
|
|
ROSS: You're livin' the dream.<br>
|
|
<br>
|
|
JOEY: Huh?<br>
|
|
<br>
|
|
ROSS: All right then.<br>
|
|
<br>
|
|
JOEY: [movers removing a glass parrot] Oh, not my parrot.<br>
|
|
<br>
|
|
ROSS: What?<br>
|
|
<br>
|
|
JOEY: I can't watch this.<br>
|
|
<br>
|
|
ROSS: [approaching the mover holding the parrot] Hey hold on, hold on. How much for the
|
|
uh, how much to save the bird?<br>
|
|
<br>
|
|
MOVER: 1200.<br>
|
|
<br>
|
|
<a name="line39"></a> ROSS: Dollars? You spent $1200 dollars on a plastic bird?<br>
|
|
<br>
|
|
JOEY: Uhhh, I was an impulse buyer, near the register.<br>
|
|
<br>
|
|
ROSS: Go ahead, go ahead with the bird. Ok, do you have anything for around 200?<br>
|
|
<br>
|
|
MOVER: Uh, the dog. [points to a big poecelain greyhound]<br>
|
|
<br>
|
|
ROSS: Huh.<br>
|
|
<br>
|
|
MOVER: Yeah.<br>
|
|
<br>
|
|
ROSS: I'll take it. My gift to you man.<br>
|
|
<br>
|
|
JOEY: Thanks Ross. I really like that bird though...I'll take the dog though.<br>
|
|
<br>
|
|
<b>[Scene: Central Perk. Monica and Phoebe are sitting ignoring each other. Rachel walks
|
|
up with two pieces of cake.]</b><br>
|
|
<br>
|
|
RACHEL: Here are your cakes.<br>
|
|
<br>
|
|
MONICA: We didn't order cake.<br>
|
|
<br>
|
|
RACHEL: No, I know, they're from me. Look you guys this is not good. I mean we have enough
|
|
trouble with guys stealing our wind without taking it from each other.<br>
|
|
<br>
|
|
MONICA: You're right.<br>
|
|
<br>
|
|
RACHEL: You know.<br>
|
|
<br>
|
|
PHOEBE: I love you goddesses. I don't ever want to suck your wind again.<br>
|
|
<br>
|
|
RACHEL: Thank you. So are we good?<br>
|
|
<br>
|
|
MONICA: We're good.<br>
|
|
<br>
|
|
RACHEL: We're good?<br>
|
|
<br>
|
|
PHOEBE: Yeah.<br>
|
|
<br>
|
|
<a name="line30"></a> RACHEL: Ok, let me take these cakes back 'cause they're gonna take
|
|
that out of my paycheck.<br>
|
|
<br>
|
|
<a name="line31"></a> CHANDLER: [enters] Ding dong, the psycho's gone.<br>
|
|
<br>
|
|
MONICA: Are you sure this time?<br>
|
|
<br>
|
|
<a name="line32"></a> CHANDLER: Yes, yes I actually saw him leave. I mean that guy is
|
|
standing in the window holding a human head. He is STANDING IN THE WINDOW HOLDING A HUMAN
|
|
HEAD!<br>
|
|
<br>
|
|
<a name="line33"></a> EDDIE: [enters] Check it out man, I tore it off some mannaquin in
|
|
the alley behind Macy's.<br>
|
|
<br>
|
|
MONICA: There is no alley behind Macy's.<br>
|
|
<br>
|
|
EDDIE: So I got it in the junior miss department, big diff. Anyway check it out man, it's
|
|
gonna make a hell of a conversation piece at out next cocktail party, huh pal?<br>
|
|
<br>
|
|
CHANDLER: Our next cocktail party?<br>
|
|
<br>
|
|
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.<br>
|
|
<br>
|
|
CHANDLER: Eddie, do you remember yesterday?<br>
|
|
<br>
|
|
EDDIE: Uh yes, I think I vaguely recall it.<br>
|
|
<br>
|
|
CHANDLER: Do you remember talking to me yesterday?<br>
|
|
<br>
|
|
EDDIE: Uh, yes.<br>
|
|
<br>
|
|
<a name="line34"></a> CHANDLER: So what happened?<br>
|
|
<br>
|
|
EDDIE: We took a road trip to Las Vegas man.<br>
|
|
<br>
|
|
CHANDLER: Oh sweet Moses.<br>
|
|
<br>
|
|
MONICA: So on this road trip, did you guys win any money?<br>
|
|
<br>
|
|
EDDIE: Naah, I crapped out, but Mr. 21 over here he cleans up, 300 bucks, check it out he
|
|
buys me these new shoes, sweet huh?<br>
|
|
<br>
|
|
MONICA: Nice.<br>
|
|
<br>
|
|
EDDIE: Yeah. Well see ya upstairs. See ya pals.<br>
|
|
<br>
|
|
<a name="line35"></a> PHOEBE: Is anyone else starting to really like him?<br>
|
|
<br>
|
|
<b>[Scene: Hallway outside Chandler and Joey's apartment. Eddie walks up.]</b><br>
|
|
<br>
|
|
[Eddie tries his key and it won't work. He knocks and Chandler answers the door. He's got
|
|
the door chained.]<br>
|
|
<br>
|
|
CHANDLER: May I help you?<br>
|
|
<br>
|
|
EDDIE: Why doesn't my key work and what's all my stuff doin' downstairs?<br>
|
|
<br>
|
|
CHANDLER: Well, I'm, I'm sorry...[Eddie forces his head in the door] Ahhh. Have we met?<br>
|
|
<br>
|
|
EDDIE: It's Eddie you freak, your roommate.<br>
|
|
<br>
|
|
CHANDLER: I, I'm sorry, I uh [unchains the door and opens it all the way] I already have a
|
|
roommate. [Joey turns around in the leather recliner]<br>
|
|
<br>
|
|
JOEY: Hello.<br>
|
|
<br>
|
|
CHANDLER: Yeah, he's lived here for years, I don't, I don't know what you're talking about
|
|
man.<br>
|
|
<br>
|
|
EDDIE: No he, he moved out and I moved in.<br>
|
|
<br>
|
|
CHANDLER: Well I, I think we'd remember something like that.<br>
|
|
<br>
|
|
JOEY: I know I would.<br>
|
|
<br>
|
|
EDDIE: Well that's uh, that's a good point. Um ok, well, uh, I guess I got the wrong
|
|
apartment then. I, I'm, look, I'm, ya know, I'm sorry, I'm terriably sorry.<br>
|
|
<br>
|
|
JOEY: Hey no problem.<br>
|
|
<br>
|
|
<a name="line38"></a> CHANDLER: See ya. [shuts the door] Goodbuy you fruit drying
|
|
psychopath. So you want me to help you unpack your stuff?<br>
|
|
<br>
|
|
JOEY: Na, na I'm ok. Oh and uh, just so you know, I'm not movin' back in 'cause I have to.
|
|
Well, I mean, I do have to. It's just that that place wasn't really, I mean, this is...<br>
|
|
<br>
|
|
CHANDLER: Welcome home man. [they hug and jump around]<br>
|
|
<br>
|
|
JOEY: A little foos?<br>
|
|
<br>
|
|
CHANDLER: Absolutely.<br>
|
|
<br>
|
|
JOEY: What happened to the foosball?<br>
|
|
<br>
|
|
CHANDLER: Ah that's a cantelope.<br>
|
|
<br>
|
|
<font size="4"><b>CLOSING CREDITS</b></font> <br>
|
|
<br>
|
|
<b>[Scene: Chandler and Joey's apartment. They are hauling out the porcelain dog from
|
|
Joey's room. Chandler is holding the dog by the rear in a rather interesting position.]</b><br>
|
|
<br>
|
|
CHANDLER: Hey look, are we gonna have to bring this out every time Ross comes over?<br>
|
|
<br>
|
|
JOEY: He paid a lot of money for it.<br>
|
|
<br>
|
|
<a name="line36"></a> CHANDLER: I'm gonna hold him a different way. Look I don't
|
|
understand, if you hated it so much, why did you buy it in the first place?<br>
|
|
<br>
|
|
JOEY: Well, I had a whole ceramic zoo thing goin' over there but now, without the other
|
|
ones, it just looks tacky.<br>
|
|
<br>
|
|
<a name="line37"></a> CHANDLER: So is he housetrained or is he gonna leave little bathroom
|
|
tiles all over the place? Stay. Good, STAY! Good fake dog.</font></p>
|
|
|
|
<p align="center"><strong><font size="3">END</font></strong></p>
|
|
|
|
<hr>
|
|
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</body></html> |