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1 line
62 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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Hide And "Q"
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#40271-111
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Story by
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C. J. Holland
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Teleplay by
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C. J. Holland
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and
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Gene Roddenberry
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Directed by
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Cliff Bole
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Copyright 1987 Paramount Pictures Corporation. All Rights
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Reserved.
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This script is not for publication or reproduction. No one
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is authorized to dispose of same. If lost or destroyed,
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please notify the Script Department.
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REVISED FINAL DRAFT
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SEPTEMBER 25, 1987
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STAR TREK: Hide And "Q" - 9/25/87 - CAST
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STAR TREK: THE NEXT GENERATION
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Hide And "Q"
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CAST
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PICARD "Q"
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RIKER WOMAN (SURVIVOR)
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BEVERLY BEVERLY
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DATA Non-Speaking Roles
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TROI CREWMEMBERS
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TASHA SICKBAY STAFF
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GEORDI TWO SENTRIES
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WORF ANIMAL-SOLDIERS
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WESLEY DOZEN SURVIVORS
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CHILD (FEMALE SURVIVOR)
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STAR TREK: Hide And "Q" - 9/25/87 - SETS
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STAR TREK: THE NEXT GENERATION
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Hide And "Q"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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CORRIDOR
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PLANET - QUADRA SIGMA III
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MAIN BRIDGE PLAIN
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CAPTAIN'S READY ROOM THIRD RIDGE
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TRANSPORTER ROOM BIVOUAC AREA
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PLANET DISASTER AREA
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STAR TREK: Hide And "Q" - 9/25/87 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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Hide And "Q"
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TEASER
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FADE IN:
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1 EXT. ENTERPRISE IN SPACE (OPTICAL)
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The great ship streaks through space at warp speed.
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2 INT. ND CORRIDOR
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Two crewmembers, their arms loaded with supplies, race
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along the corridor. They pass DOCTOR CRUSHER in the
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corridor.
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3 NEW ANGLE
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Beverly checks her Staff as they pass with emergency
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medical packets on way to turbolift.
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BEVERLY
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Include a burn unit with each
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kit. On arrival, identify the
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most critically injured and
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beam them up to Cargo Bay Six...
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PICARD'S COM VOICE
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(interrupting)
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Doctor Crusher, this is the
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Captain.
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BEVERLY
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(touching wall panel)
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Doctor Crusher here.
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PICARD'S COM VOICE
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Additional information. The
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number of colonists at the site
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is five hundred-four - including
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thirty-eight children.
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4 INT. ENTERPRISE - MAIN BRIDGE
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PICARD is in his Command chair, TROI to his left. WORF
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at the Aft Station. GEORDI has the Conn, DATA on Ops.
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TASHA at Tactical.
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STAR TREK: Hide And "Q" - 9/25/87 - TEASER 2.
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4 CONTINUED:
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The tension level is very high. The mission is urgent.
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As Picard answers, RIKER ENTERS from the turbolift,
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CROSSES the bridge and takes his position.
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PICARD
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So far nothing more than the
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initial message. Explosion -
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cause unknown - many injured.
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Are you prepared, Doctor?
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BEVERLY'S COM VOICE
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We believe so, sir.
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GEORDI
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Captain, we are now at warp nine
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point one.
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DATA
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Which will bring us into the
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Quadra Sigma System in three
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point two hours.
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Riker takes his position.
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RIKER
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Captain, I have a schematic of
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the explosion site. It suggests
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the cause as a methane-like gas
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seeping in underground...
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TROI
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(with alarm)
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Captain, I am...
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5 ANGLE ON TROI
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Her face is full of apprehension.
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TROI
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I am sensing what we encountered
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months ago...
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Interrupted by the SOUND of the BRIDGE ALARM.
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6 ANGLE ON PICARD
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He turns. KLAXON HONKING - LIGHTS FLASHING.
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STAR TREK: Hide And "Q" - 9/25/87 - TEASER 3.
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7 ANGLE INCLUDING MAIN VIEWER - PICARD'S POV (OPTICAL)
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The Main Viewer SHIMMERS as an unusual SHINING,
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SPARKLING GRID SHAPE APPEARS, seeming to stretch across
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the whole of the galaxy ahead of them.
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8 ANGLE ON PICARD (OPTICAL)
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He recognizes the shape - he has seen it before en
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route to Farpoint Station.
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DATA
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The "Q" Entity, sir? It is
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identical to the grid we
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encountered when...
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WORF
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It reads solid, sir. If we hit
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it... !
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PICARD
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Not now, damn it, "Q"...
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(to Helm)
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Emergency full stop!
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GEORDI
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Yes, sir.
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TASHA
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Shields and deflectors, up, sir.
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The familiar SHIMMERING GRID on the viewer is now very
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close to the Enterprise. Forward movement stops.
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8A EXT. SPACE - ENTERPRISE IN FRONT OF GRID (OPTICAL)
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8B INT. MAIN BRIDGE (OPTICAL)
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GEORDI
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Now reading full stop, sir.
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The words overlapped by something akin to ROLLING
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THUNDER, accompanied by a BRILLIANT and SUSTAINED FLASH
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which becomes RAPIDLY ROTATING, BLINDINGLY BRILLIANT,
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DIAMOND-BLUE LIGHT. While there is no hard-edged
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Shape, it is of about the same volume of a very large
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man.
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STAR TREK: Hide And "Q" - 9/25/87 - TEASER 4.
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8B CONTINUED:
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"Q" (V.O.)
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(amplified and powerful)
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Humans, I thought by now you
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would have scampered back to your
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own little star system.
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PICARD
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(waits, then)
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If this is "Q" I'm addressing,
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our vessel and crew are on a
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mission of rescue where a group
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of badly injured...
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"Q" (V.O.)
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(interrupting)
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We of the "Q" have studied our
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recent contact with you... and
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are impressed. We have much to
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discuss, including perhaps the
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realization of your most
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impossible dreams.
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The expressions of the bridge crew reveal they are
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intrigued by this statement... and in the potential
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of the "Q" entity to do remarkable things, however
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annoying its actions in the past. Even Picard takes
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a moment to absorb this.
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PICARD
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(sarcastically)
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However intriguing we may find
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that to be, we are now in the
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midst of an urgent journey. Once
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we have completed that...
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"Q" (V.O.)
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(louder; angrier)
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You will abandon that mission,
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Captain. My business with you
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takes precedence!
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9 INT. MAIN BRIDGE - ANGLE ON BRIDGE CREW
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Reflections of the BRILLIANT DIAMOND-BLUE LIGHT on
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their faces as they look ahead toward this newest Shape
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of "Q". They shield their eyes from it.
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STAR TREK: Hide And "Q" - 9/25/87 - TEASER 5.
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9 (CONTINUED:)
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"Q" (V.O.)
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If my magnificence blinds you,
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then perhaps something more
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familiar...
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An explosion of sudden HISSING SOUNDS startles the
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bridge crew into expressions of mixed surprise, fear
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and loathing.
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10 OMITTED
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11 ANGLE ON "Q" SERPENT
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A WRITHING SNAKE with snapping fangs, continuing mixed
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HISSING, DARTS toward them from whence came the "Q"
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light image.
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12 REVERSE ANGLE
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Both Worf and Tasha vaulting down onto the Command
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deck, instinctively drawing phasers as they try to
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position their own bodies between the frightening
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Snake-thing and the bridge Crew, as we:
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FADE OUT.
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END OF TEASER
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 6.
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ACT ONE
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FADE IN:
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13 INT. MAIN BRIDGE - ANGLE ON TASHA AND WORF
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First one, then the other, discover phasers
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inoperative. The snake head seems an instant away from
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fanging them...
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WORF
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Damn, the phasers are useless!
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PICARD (V.O.)
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"Q", STOP THIS!
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14 EMPHASIZING PICARD AND RIKER
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on their feet.
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PICARD
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Stop this and we agree to talk
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for a moment!
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At which WE SEE the reflection of a familiar BRILLIANT
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LIGHT FLASH, blinding Picard and Riker again. Then
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as they lower their protecting hands, they REACT at
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the sight of:
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15 ANGLE EMPHASIZING "Q"
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in the full-dress uniform of a Starfleet ADMIRAL.
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"Q" (ADMIRAL)
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Starfleet Admiral "Q" at your
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service!
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PICARD
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You are not a Starfleet admiral,
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"Q"...
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"Q" (ADMIRAL)
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Neither am I an Aldebaran serpent,
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Captain. But you accepted me as
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such.
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Riker nods, a hint of the irony of this on his
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features.
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 7.
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15 CONTINUED:
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RIKER
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He's got us there, Captain.
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"Q" (ADMIRAL)
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(nods)
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The redoubtable Commander Riker
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whom I noticed before. You seem
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to find this amusing.
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RIKER
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I might, if we weren't trying
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to rescue a group of suffering
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and dying humans who...
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"Q" (ADMIRAL)
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Your species is always suffering
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and dying...
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PICARD
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(interrupting)
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No, Lieutenant Worf... !
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16 ANGLE TO INCLUDE WORF
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trying to ease himself into a clear line of fire
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toward "Q". He freezes at Picard's order, eases his
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almost hidden small phaser back into his belt.
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PICARD
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You'll make no move against him
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unless I order it.
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"Q" smiles toward Worf.
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"Q" (ADMIRAL)
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Pity. You might have learned
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an interesting lesson. Tsk, a
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macro head, a micro brain.
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Worf is obviously unrepentant. Picard, thinking
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furiously, tries another direction.
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PICARD
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"Q", you said you had the
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realization of "some impossible
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dreams" to offer us. Once this
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rescue is complete, I'll listen
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seriously to whatever proposal
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you wish to make and then, subject
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to it being acceptable...
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 8.
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16 CONTINUED:
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"Q" bursts into what sounds like genuine LAUGHTER.
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"Q" (ADMIRAL)
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"... subject to" your foolish
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human values? Picard, why do
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you people distrust me so?
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Picard starts to open his mouth, shuts it.
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DATA
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Sir, if...
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Picard shakes his head, forcing Data into silence...
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also clearly including the rest of his bridge crew in
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this.
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"Q" (ADMIRAL)
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Yes, Captain, it is best they
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don't answer that. But you... you,
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Picard, I grant the freedom to
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answer me honestly. Why do you
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distrust me so?
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PICARD
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"Q", right now humans may be
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dying because you...
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"Q" (ADMIRAL)
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(angry now)
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SPEAK! Why do you distrust me?
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PICARD
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(beat)
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Why? On our first meeting, "Q",
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you seized my vessel, condemned
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all humans as savages and on that
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charge, you tried us in a
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post-atomic twenty-first century
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court of horrors where you
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attacked my people... then you
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again seized my vessel...
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"Q" (ADMIRAL)
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How that angers you: "Seized my
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vessel, seized my vessel... "
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 9.
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16 CONTINUED: (2)
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PICARD
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(without pause, ignoring
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this)
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... and then proceeded to interfere
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with our Farpoint mission,
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threatening to convict us as
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ignorant savages if, in dealing
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with complex and powerful
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life-forms, we made the slightest
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error... and when you failed even
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there...
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"Q" (ADMIRAL)
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(interrupting)
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At that point, the "Q" became
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interested in you.
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(turns to include bridge
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crew)
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Cannot some of you understand your
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incredible good fortune?!
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(to Picard, mimicking)
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"Seized my vessel, seized my
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vessel... " The complaint of a
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closed mind too accustomed to
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military privileges.
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(to Riker)
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But you, Riker, and I remember
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you well, what do you make of my
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offer?
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RIKER
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I stand with my Captain.
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"Q" (ADMIRAL)
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(smiles)
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Of course, you do. Commendable
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loyalty.
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(indicating bridge crew;
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to Riker)
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And what of these others? Since
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humanity now interests us, how
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shall we come to know them better?
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RIKER
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We don't have time for these
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games.
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"Q" (ADMIRAL)
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Ah, yes! A game... for interest's
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sake, a deadly game. To the game!
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And, at a wave of "Q"'s hand, the entire bridge crew
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except for Picard... DISAPPEARS, leaving Picard alone
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on the bridge.
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 10.
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17 EXT. PLANET PLAIN (OPTICAL)
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The bridge crew are standing in approximately their
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previous bridge positions on a treeless planet plain.
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They have just been snatched from their ship, their
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captain and they are understandably confused and
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uncertain except for Tasha and Worf whose security
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orientation have them immediately combat ready. This
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place is bright, hot.
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18 EMPHASIZING RIKER
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looking up.
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19 RIKER POV - TWIN SUNS (OPTICAL)
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close together (avoiding the necessity of
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twin-shadows), apparently rotating about each other.
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Both suns are brilliant but the smaller sun, about
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one-quarter the size of the larger, is not quite as
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brilliant as the large one.
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20 BACK TO EXT. PLAIN (OPTICAL)
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Data and Geordi, looking up too, move in next to Riker.
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DATA
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Obviously a Class-M world, gravity
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and oxygen within our limits...
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GEORDI
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... but a twin sun? Where are
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we?
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DATA
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Considering the power
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demonstrated by "Q" the last
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time... Anywhere! Assuming this
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place even exists.
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RIKER
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But this won't be boring. If
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"Q"'s anything, he's imaginative.
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(to the others)
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Apparently the captain wasn't
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meant to be with us here.
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TASHA
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(overlapping)
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Sir! Over here... !
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STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 11.
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21 ANGLE INCLUDING "Q"
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who stands where a rock formation has previously hidden
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him. He is now wearing a French MARSHAL'S uniform,
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circa the Napoleonic Wars. As Riker, very curious,
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moves toward "Q", CAMERA MOVES AND PANS TO REVEAL also
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a headquarters-type campaign tent of the same era,
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complete with shade canopy and transportable field
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furniture. "Q" indicates two such chairs with a small
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table which holds a pair of tall, cool drinks.
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"Q" (MARSHAL)
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Join me, Riker. A good game
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needs rules and planning...
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Riker hesitates.
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"Q" (MARSHAL)
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(continuing)
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Wasn't it your own Hartley who
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said "Nothing reveals humanity
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so well as the games it plays?"
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(smiles; nods)
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Almost right. Actually, you
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reveal yourselves best in how you
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play.
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Data has moved in next to Riker and speaks quietly.
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DATA
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Sir, what he has in mind could
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provide us with vital information.
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Riker nods, moves toward the campaign tent. "Q" sits,
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waves invitingly toward the empty seat. He also picks
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up one of the tall drinks and WE CAN HEAR ICE CLINKING
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in it.
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22 RIKER AND "Q"
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as Riker inspects the remaining drink without sitting
|
|
yet, picks it up and looks a question toward Troi.
|
|
|
|
TROI
|
|
(registering surprise)
|
|
What I sense is... pleasure, sir.
|
|
|
|
Riker sips the drink, registers surprise too.
|
|
|
|
RIKER
|
|
Incredible. I was just thinking
|
|
of an old-fashioned lemonade...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 12.
|
|
|
|
22 CONTINUED:
|
|
|
|
"Q" (MARSHAL)
|
|
... and so it became that. An
|
|
excellent thirst quencher; it
|
|
becomes quite hot out on this
|
|
plane.
|
|
|
|
RIKER
|
|
What about my people?
|
|
|
|
"Q" makes a waving gesture.
|
|
|
|
"Q" (MARSHAL)
|
|
Whatever they want, of course!
|
|
|
|
23 ANGLE INCLUDING OTHERS
|
|
|
|
REACTING to the fact they suddenly have tall drinks
|
|
of various colored liquids in their hands. Hesitantly,
|
|
a couple of them sip. Worf, however, tilts his glass
|
|
pouring the contents out onto the sand. Strangely,
|
|
this pleases "Q"'s sense of humor.
|
|
|
|
"Q" (MARSHAL)
|
|
The rigid Klingon code! Drink
|
|
not with thine enemy!
|
|
(to Riker)
|
|
Which explains something of why
|
|
you defeated them.
|
|
|
|
RIKER
|
|
Still arguing the human past?
|
|
Perhaps you're not that original.
|
|
|
|
"Q" (MARSHAL)
|
|
Au contraire! It is the human
|
|
future that now intrigues us... and
|
|
should concern you most. Of all
|
|
species, yours cannot abide
|
|
stagnation... change is at the
|
|
heart of what you are. But
|
|
change into what? That's the
|
|
question!
|
|
|
|
DATA
|
|
That is what humans call a truism.
|
|
|
|
"Q" (MARSHAL)
|
|
(annoyed)
|
|
Meaning "hardly original"...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 13.
|
|
|
|
23 CONTINUED:
|
|
|
|
RIKER
|
|
(hint of humor)
|
|
You're the one who said it. And
|
|
while we're at it...
|
|
(indicating "Q"'s
|
|
uniform, tent)
|
|
... this isn't part of any human
|
|
future...
|
|
|
|
"Q" (MARSHAL)
|
|
True, I borrowed this from your
|
|
stodgy captain's mind. It is
|
|
dressing for the game we will play
|
|
and games require boundaries,
|
|
dangers, rewards, familiar
|
|
settings, that sort of thing.
|
|
|
|
Riker looks over "Q"'s uniform, the tent, etc.
|
|
|
|
RIKER
|
|
It's not that familiar to me...
|
|
(calls)
|
|
Data?
|
|
|
|
DATA
|
|
(stepping in)
|
|
It is from Europe's Napoleonic
|
|
Era, sir, late eighteenth, early
|
|
nineteenth centuries. This is
|
|
a campaign headquarters tent, his
|
|
uniform is that of a French Army
|
|
marshal, the...
|
|
|
|
RIKER
|
|
(to "Q")
|
|
And a marshal outranks even an
|
|
admiral...
|
|
|
|
"Q" (MARSHAL)
|
|
Would I go from a Starfleet
|
|
admiral to anything less?
|
|
|
|
RIKER
|
|
(hint of a smile now)
|
|
Of course, you wouldn't.
|
|
(indicates)
|
|
But Napoleonic equipment on an
|
|
alien planet with dual suns... ?
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 14.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
"Q" (MARSHAL)
|
|
As you've said, I'm nothing if
|
|
not imaginative. And the game
|
|
should reflect that. Shall it
|
|
be a test of strength?
|
|
Meaningless, since you have none.
|
|
A test of intelligence? Equally
|
|
meaningless...
|
|
(eyeing Riker)
|
|
A game needs risk... Something
|
|
to win; something to lose.
|
|
|
|
RIKER
|
|
If we must play a game, what would
|
|
we win?
|
|
|
|
"Q" (MARSHAL)
|
|
The greatest possible future you
|
|
can imagine!
|
|
(beat; thinking)
|
|
Which, of course, requires
|
|
something totally disastrous if
|
|
you lose!
|
|
(thinking again)
|
|
The point of this game will be
|
|
whether any of you can stay
|
|
alive.
|
|
|
|
24 EMPHASIZING TASHA AND WORF (OPTICAL)
|
|
|
|
As the others react, Worf responds:
|
|
|
|
WORF
|
|
If your "game" is fair, we will.
|
|
|
|
"Q" (MARSHAL)
|
|
For shame, Lieutenant Worf.
|
|
Fairness is a human concept.
|
|
(to Riker)
|
|
Think imaginatively! It will,
|
|
in fact, be completely unfair...
|
|
|
|
TASHA
|
|
You've gone too far.
|
|
|
|
She is drawing her phaser but "Q" is pointing his
|
|
finger at her just as fast.
|
|
|
|
"Q" (MARSHAL)
|
|
Game penalty!
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT ONE 15.
|
|
|
|
24 CONTINUED:
|
|
|
|
Visible even in this bright desert setting, a FLASH
|
|
OF LIGHT in which Tasha DISAPPEARS. Reacting, Riker
|
|
turns angrily to "Q".
|
|
|
|
RIKER
|
|
Where is she, "Q"? You can forget
|
|
your game if...
|
|
|
|
"Q" (MARSHAL)
|
|
To use a twentieth century term,
|
|
Commander, she's in a... a "penalty
|
|
box." Where she can remain
|
|
unharmed unless one of you merits
|
|
a penalty.
|
|
(smiles)
|
|
Unfortunately, there is only one
|
|
penalty box. If any of you should
|
|
be sent there... dear Tasha must
|
|
give up the box to you.
|
|
|
|
GEORDI
|
|
And... where does she go?
|
|
|
|
"Q" (MARSHAL)
|
|
(to Geordi)
|
|
Into "nothingness."
|
|
(looking to the Others,
|
|
individually)
|
|
I entreat you to carefully obey
|
|
the rules of the game. The only
|
|
one who can destroy your Tasha
|
|
now... is you.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 16.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
25 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
but not in orbit of a planet. Instead, it seems to
|
|
be traveling somewhere at what we know as normal warp
|
|
speed. MUSIC only.
|
|
|
|
26 INT. MAIN BRIDGE
|
|
|
|
Picard at a turbolift, touches the door, without
|
|
effect. Then he tries to bang it.
|
|
|
|
PICARD
|
|
Turbolift Control, do you read?
|
|
This is the captain.
|
|
|
|
No response. Picard CROSSES to his bridge position,
|
|
touches his panel controls.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Engineering, this is the bridge.
|
|
|
|
No response.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Security -- this is the Captain.
|
|
|
|
Again -- nothing.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Computer?
|
|
(waits)
|
|
Computer on!
|
|
|
|
The computer still doesn't respond. He's cut off.
|
|
Isolated. Picard touches his insignia.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Captain's log...
|
|
|
|
The SOUND is wrong, indicating that:
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 17.
|
|
|
|
26 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Damn... I can't even make a log
|
|
entry.
|
|
|
|
TASHA (O.S.)
|
|
I wish I could help you, Captain.
|
|
|
|
27 WIDER ANGLE
|
|
|
|
as Picard, startled, whirls toward the VOICE. It is
|
|
Tasha who stands at her familiar position at security.
|
|
Unusually for Tasha, she is showing some strain over what
|
|
has been happening.
|
|
|
|
PICARD
|
|
What... what are you doing here?
|
|
|
|
TASHA
|
|
I... well, this sounds strange,
|
|
but... I'm in the penalty box.
|
|
|
|
PICARD
|
|
You're what?!
|
|
|
|
TASHA
|
|
(tightly)
|
|
In "Q"'s penalty box. As I said,
|
|
it sounds strange but it
|
|
definitely isn't. Somehow I know
|
|
that one more penalty... by me or
|
|
anyone... and I'm gone.
|
|
|
|
Curious and concerned, Picard moves toward her.
|
|
|
|
PICARD
|
|
Gone?
|
|
|
|
TASHA
|
|
(distraught)
|
|
Please do not keep reminding
|
|
me...
|
|
|
|
PICARD
|
|
I'm sorry...
|
|
|
|
TASHA
|
|
(instantly)
|
|
No, I'm sorry. It's so
|
|
frustrating to be controlled like
|
|
this...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 18.
|
|
|
|
27 CONTINUED:
|
|
|
|
There's a half-SOB in the ordinarily strong and
|
|
controlled VOICE and Picard REACTS to it.
|
|
|
|
PICARD
|
|
Lieutenant...Tasha... it's all
|
|
right...
|
|
|
|
TASHA
|
|
(astonished and angry)
|
|
What the hell am I doing? Crying?
|
|
|
|
PICARD
|
|
Don't worry. There's a new ship's
|
|
standing order.
|
|
(smiles)
|
|
When in a penalty box, some tears
|
|
are permitted.
|
|
|
|
Tasha looks up warmly, comforted by this.
|
|
|
|
TASHA
|
|
Captain... if you weren't a
|
|
captain...
|
|
|
|
"Q" (MARSHAL) (O.S.)
|
|
(interrupting)
|
|
Consorting with lower rank
|
|
females, Captain?
|
|
|
|
28 ANGLE TO INCLUDE "Q"
|
|
|
|
seated in the Captain's Command position. He smiles,
|
|
enjoys having startled Picard this way.
|
|
|
|
"Q" (MARSHAL)
|
|
Destructive to discipline, they
|
|
say. But you are, after all, only
|
|
human, eh?
|
|
|
|
Picard has made his way down to the Command level where
|
|
he now looks "Q" and the uniform over.
|
|
|
|
PICARD
|
|
A marshal of France? Ridiculous!
|
|
|
|
"Q" (MARSHAL)
|
|
One takes what jobs he can get.
|
|
For example, your log entries.
|
|
(MORE)
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 19.
|
|
|
|
28 CONTINUED:
|
|
|
|
"Q" (Cont'd)
|
|
(looks up)
|
|
Starship log, stardate today...
|
|
This is "Q", speaking for Captain
|
|
Jean-Luc Picard, who we consider
|
|
too bound by Starfleet custom and
|
|
tradition to be useful in this
|
|
activity.
|
|
|
|
PICARD
|
|
But who proved himself a
|
|
resourceful opponent when he
|
|
defeated you at Farpoint.
|
|
|
|
"Q" (MARSHAL)
|
|
(with "log" tone again)
|
|
The Enterprise is now helpless,
|
|
stuck like an Earth insect in
|
|
amber while its bridge crew plays
|
|
out a game whose real intent...
|
|
(aiming this at Picard)
|
|
... is to test if their first
|
|
officer is worthy of the greatest
|
|
gift the "Q" can offer.
|
|
|
|
Picard takes a long moment to absorb this, then he
|
|
nods.
|
|
|
|
PICARD
|
|
So, you're taking on Riker this
|
|
time.
|
|
(smiles)
|
|
Excellent! He'll defeat you just
|
|
as I did!
|
|
|
|
"Q" (MARSHAL)
|
|
A wager on that, Captain? Your
|
|
command of this starship
|
|
against... ?
|
|
|
|
PICARD
|
|
Against your staying out of
|
|
humanity's path... forever! Done?
|
|
|
|
"Q" (MARSHAL)
|
|
Done!
|
|
(smiles)
|
|
And you've already lost, Picard.
|
|
You see, Riker is to be offered
|
|
something impossible to reject.
|
|
|
|
"Q" storms toward the Ready Room.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 20.
|
|
|
|
29 EXT. THE PLANET
|
|
|
|
All but Worf are there, studying a point on the distant
|
|
terrain.
|
|
|
|
RIKER
|
|
Geordi, can you still see Worf?
|
|
|
|
GEORDI
|
|
(nods)
|
|
I'd see the freckles on his nose,
|
|
if he had them, sir. He's at the
|
|
third ridge now...
|
|
|
|
TROI
|
|
The third ridge... ?
|
|
|
|
GEORDI
|
|
Moving well.
|
|
(distracted)
|
|
Oh, oh!
|
|
(peers)
|
|
Good, he sees them. They look
|
|
like sentries, sir.
|
|
|
|
30 EXT. THIRD RIDGE
|
|
|
|
Worf -- the trained warrior -- approaches with caution.
|
|
It is indeed a bivouac area. Worf can hear the unseen
|
|
men SPEAKING IN FRENCH. He edges closer.
|
|
|
|
31 ANOTHER ANGLE
|
|
|
|
Worf pushes through the rocks, FREEZES.
|
|
|
|
32 ROCKS - WORF'S POV
|
|
|
|
Two sentries are walking a perimeter patrol. They are
|
|
dressed as Bonapartist soldiers, carrying muskets.
|
|
As they approach, WE SEE their uniforms look genuine
|
|
enough... but then we make out their faces! Humanoid
|
|
but with fearsome, fanged, unhuman features.
|
|
|
|
33 BIVOUAC AREA
|
|
|
|
Worf reacts at this. Then he moves as close as he
|
|
dares. Those in the camp appear to be preparing for
|
|
a battle. But where human troops would be yelling,
|
|
these soldiers are GROWLING, SNARLING. Over that, the
|
|
CLATTER of caissons -- equipment being assembled.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 21.
|
|
|
|
34 ANGLE ON WORF
|
|
|
|
He hears a squad approaching -- slips back among the
|
|
rocks and DISAPPEARS.
|
|
|
|
35 INT. CAPTAIN'S READY ROOM
|
|
Picard comes to the door. "Q" is sitting in the chair
|
|
with his back to Picard.
|
|
|
|
PICARD
|
|
"Q", listen to me. You seem to
|
|
have some need of humans...
|
|
|
|
"Q" (MARSHAL)
|
|
Or concern regarding them.
|
|
|
|
PICARD
|
|
Whichever it is, why try to solve
|
|
it through this confrontation
|
|
with us? Why not a simple direct
|
|
explanation, a statement of what
|
|
you seek? Why these games?
|
|
|
|
"Q" turns and WE SEE he is holding Picard's complete
|
|
works of William Shakespeare. He indicates the books.
|
|
|
|
"Q" (MARSHAL)
|
|
I'm surprised you have to ask when
|
|
your human Shakespeare has
|
|
already explained it so well.
|
|
|
|
PICARD
|
|
Indeed he did, "Q". But careful
|
|
you don't depend too much on any
|
|
single viewpoint he...
|
|
|
|
"Q" (MARSHAL)
|
|
(ignoring this;
|
|
interrupting)
|
|
Why these games I require of you?
|
|
A pity you're not familiar with
|
|
the contents of your own library.
|
|
Hear this, Picard, and reflect.
|
|
(lifts book, quotes from
|
|
it)
|
|
"All the galaxy's a stage, and... "
|
|
|
|
PICARD
|
|
(interrupts)
|
|
"All the galaxy?" "All the
|
|
world's a stage... "
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 22.
|
|
|
|
35 CONTINUED:
|
|
|
|
"Q". (MARSHAL)
|
|
Oh, you know that one? Then how
|
|
about, "... Life's but a walking
|
|
shadow, a poor player that struts
|
|
and frets his hour upon the stage,
|
|
and then is heard no more. It
|
|
is a tale told by an idiot, full
|
|
of sound and fury, signifying
|
|
nothing."
|
|
|
|
PICARD
|
|
And so you say, how we respond
|
|
to a game tells you more about
|
|
us than our real life, a "tale
|
|
told by an idiot."
|
|
(still amused)
|
|
Interesting, "Q".
|
|
|
|
"Q" (MARSHAL)
|
|
(lifts book)
|
|
Shall I quote from Hamlet?
|
|
|
|
PICARD
|
|
No. I know Hamlet. And what
|
|
he said with irony I prefer to
|
|
say with conviction.
|
|
(quoting)
|
|
"What a piece of work is man!
|
|
How noble in reason! How infinite
|
|
in faculty. In form, in moving,
|
|
how express and admirable. In
|
|
action, how like an angel. In
|
|
apprehension, how like a god... "
|
|
|
|
"Q" (MARSHAL)
|
|
(upset; interrupting)
|
|
You don't really see your species
|
|
like that?!
|
|
|
|
PICARD
|
|
I see us one day becoming that,
|
|
"Q". Is that what concerns you?
|
|
|
|
"Q" comes angrily to his feet, SLAMMING the volume down
|
|
and DISAPPEARING in a FLASH. A startled and puzzled
|
|
Picard watches him go, then turns to ponder the meaning
|
|
of "Q"'s anger.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 23.
|
|
|
|
36 EXT. PLANET
|
|
|
|
The same plain. Riker, Troi and Data watch as Geordi
|
|
scans the distant desert ridges.
|
|
|
|
RIKER
|
|
Can you still see Worf?
|
|
|
|
GEORDI
|
|
(shakes head)
|
|
It's hard to keep him in sight,
|
|
sir. But the soldiers there...
|
|
they've formed a "skirmishing
|
|
line," I think you'd call it... and
|
|
they're headed this way.
|
|
|
|
RIKER
|
|
Carrying ancient powder and ball
|
|
muskets?
|
|
|
|
GEORDI
|
|
That's what their weapons look
|
|
like, sir.
|
|
|
|
DATA
|
|
Muskets are appropriate to the
|
|
1790 - 1800 French army uniform.
|
|
(shakes head)
|
|
But it is hardly a "weapon" by our
|
|
standards, sir. A lead ball
|
|
propelled by gunpowder -- one-hundred
|
|
meters at most with any accuracy...
|
|
|
|
GEORDI
|
|
Against phasers? Just one of our
|
|
hand phasers could finish off
|
|
an entire regiment of them.
|
|
|
|
RIKER
|
|
Except for one thing...
|
|
(to Troi)
|
|
That hardly sounds like "Q",
|
|
giving us an advantage like that.
|
|
(puzzling; then
|
|
REACTING)
|
|
Unless...
|
|
|
|
37 SPECIAL EFFECT ANGLE (OPTICAL)
|
|
|
|
Suspecting some kind of trap, Riker draws his own hand
|
|
phaser. He checks its setting, aims it well away from
|
|
everybody else... touches the trigger lightly for just
|
|
an instant.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 24.
|
|
|
|
37 CONTINUED:
|
|
|
|
The PHASER SOUND precedes an EXPLOSION OF DUST AND DIRT
|
|
at a point where Riker was aiming the phaser. It
|
|
causes a hole at least the size of one caused by a
|
|
howitzer shell.
|
|
|
|
38 ANOTHER ANGLE
|
|
|
|
It also produces another effect -- the FORM of Worf,
|
|
large phaser in hand, propelling itself INTO SCENE,
|
|
rolling to a stop where the Klingon is aiming his
|
|
phaser, seeking the away team's "assailant" which fired
|
|
the phaser blast.
|
|
|
|
WORF
|
|
(growling it)
|
|
DROP YOUR WEAPONS!
|
|
|
|
He aims this way, then that, attempting quickly to spot
|
|
who or whatever is menacing his friends.
|
|
|
|
RIKER
|
|
(exhibits hand phaser)
|
|
I'm afraid it was me, Worf.
|
|
Making certain our phasers still
|
|
operate.
|
|
|
|
Worf returns his own phaser.
|
|
|
|
WORF
|
|
A warrior's reaction.
|
|
|
|
GEORDI
|
|
Incredible, Worf! You came out
|
|
of nowhere!
|
|
|
|
RIKER
|
|
(to Worf)
|
|
Report. What did you find?
|
|
|
|
WORF
|
|
Sir... what they're wearing may
|
|
be old Earth uniforms, but what's
|
|
inside those uniforms isn't human
|
|
at all. More like vicious animal
|
|
things.
|
|
|
|
GEORDI
|
|
Oh, oh! Good old "Q". But how
|
|
can even the most savage animal
|
|
forms threaten us if they're armed
|
|
with the equivalent of popguns?
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 25.
|
|
|
|
39 SPECIAL EFFECTS ANGLE (OPTICAL)
|
|
|
|
Geordi, who has been scanning the terrain, now turns
|
|
to Riker.
|
|
|
|
GEORDI
|
|
They're moving in fast, sir.
|
|
|
|
40 ANGLE EMPHASIZING RIKER
|
|
|
|
Data's back is to him.
|
|
|
|
RIKER
|
|
Data, if you've got a theory on
|
|
what's happening...
|
|
|
|
Data's FORM turns, REVEALING IT IS NOT DATA AT ALL,
|
|
BUT "Q" -- and using his own VOICE despite the Data
|
|
clothing.
|
|
|
|
"Q" (DATA)
|
|
Think fast, Commander Riker.
|
|
(REACTING; pointing)
|
|
And move fast... !
|
|
|
|
"Q" is pointing at two of the fierce-looking Animal
|
|
Things in French uniform that have moved INTO SIGHT,
|
|
aiming their "muskets" at Geordi who jumps behind a
|
|
rock. TWO PHASER BLASTS. The first hits a rock near
|
|
Geordi. The second BLASTS A BROAD FURROW in the
|
|
desert floor.
|
|
|
|
RIKER
|
|
That's no "musket!"
|
|
|
|
41 ANOTHER ANGLE (OPTICAL)
|
|
|
|
"Q" is REACTING to the uniformed Animal Things seeing
|
|
them now, swinging its weapon in their direction.
|
|
Riker spins, FIRES HIS PHASER, DEMATERIALIZING both
|
|
his opponents.
|
|
|
|
RIKER
|
|
(anxiously)
|
|
Troi, Geordi, Worf... !
|
|
|
|
"Q" pulls him down as:
|
|
|
|
"Q" (DATA)
|
|
You have only one chance to save
|
|
them, now. Send them to your
|
|
ship!
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT TWO 26.
|
|
|
|
41 CONTINUED:
|
|
|
|
RIKER
|
|
You'll let me beam them?
|
|
|
|
"Q" (DATA)
|
|
(shakes head)
|
|
Send them the same way as I do.
|
|
I've given you that power.
|
|
|
|
Geordi comes scrambling INTO VIEW.
|
|
|
|
"Q" (DATA)
|
|
(continuing)
|
|
Do you understand? I've given
|
|
you the power of the "Q".
|
|
(demonstrates with
|
|
sweeping gesture)
|
|
Use it!
|
|
|
|
Worf and Troi come INTO VIEW too.
|
|
|
|
42 ANOTHER ANGLE (OPTICAL)
|
|
|
|
Riker becomes aware of someone scrambling toward him.
|
|
It's Data, the real Data using his own body. "Q" has
|
|
gone. CAMERA JIGGLES WITH ANOTHER MAJOR PHASER HIT.
|
|
|
|
"Q" (V.O.)
|
|
(echo chamber)
|
|
Use your power!
|
|
|
|
With little other choice, Riker makes a hand gesture --
|
|
causing FLASHES OF BLINDING LIGHT in which
|
|
Data, Geordi, Troi and Worf DISAPPEAR. On Riker's
|
|
stunned expression:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
43 INT. MAIN BRIDGE
|
|
|
|
The bridge is empty -- the displays and readouts are
|
|
still frozen. The ambient noise is still absent. SLOW
|
|
PUSH IN to Tasha sitting on the bench beside Riker's
|
|
position. Head in hands, she stares at the floor.
|
|
Suddenly the room noise changes and on the SOUND her
|
|
head comes up.
|
|
|
|
44 WIDER ANGLE ON THE BRIDGE (OPTICAL)
|
|
|
|
The display screens are alive. All the bridge's
|
|
ambient SOUNDS are back. Tasha looks over to Picard's
|
|
Ready Room.
|
|
|
|
45 READY ROOM DOOR
|
|
|
|
Picard STEPS OUT. He too has heard the change. He
|
|
walks to his Command position.
|
|
|
|
PICARD
|
|
Take the Conn, Lieutenant.
|
|
|
|
Tasha rises.
|
|
|
|
46 ANGLE ON PICARD
|
|
|
|
He sits and touches his arm-panel.
|
|
|
|
PICARD
|
|
Engineering -- this is the bridge.
|
|
|
|
ENGINEER'S COM VOICE
|
|
Engineering here, sir.
|
|
|
|
PICARD
|
|
Are all systems back on line?
|
|
|
|
ENGINEER'S COM VOICE
|
|
Back on line, sir? They were
|
|
never off.
|
|
|
|
47 ANGLE ON TASHA
|
|
|
|
at the Conn position.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 28.
|
|
|
|
47 CONTINUED:
|
|
|
|
TASHA
|
|
Captain, you had better look at
|
|
this.
|
|
|
|
Picard walks over to Tasha.
|
|
|
|
48 ANGLE ON TASHA AND PICARD
|
|
|
|
He looks at the readout.
|
|
|
|
TASHA
|
|
There has been no interruption
|
|
in course or speed. Both have
|
|
remained constant. Captain -- it's
|
|
as though we never stopped.
|
|
|
|
Picard straightens up.
|
|
|
|
PICARD
|
|
We never did. "Q" suspended time.
|
|
|
|
49 WIDE ANGLE - MAIN BRIDGE
|
|
|
|
FLASHES OF LIGHT and the members of the bridge crew
|
|
REAPPEAR except for Riker. Alive and unharmed.
|
|
|
|
50 INTERCUT ANGLES OF CREW
|
|
|
|
All of them are naturally disoriented -- the shock of
|
|
the experience cannot be instantly thrown off.
|
|
|
|
TASHA
|
|
Where's Commander Riker?
|
|
|
|
They look around.
|
|
|
|
WORF
|
|
He was with us.
|
|
|
|
GEORDI
|
|
He must still be on the planet.
|
|
(to Picard)
|
|
We were under attack by... by
|
|
animal things...
|
|
|
|
PICARD
|
|
Animal things?
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 29.
|
|
|
|
50 CONTINUED:
|
|
|
|
GEORDI
|
|
Animal things in uniform, sir...
|
|
(quails at Picard's
|
|
expression)
|
|
Which I think Data could probably
|
|
explain better, sir.
|
|
|
|
As Picard turns to Data, the android decides he wants
|
|
no part of this.
|
|
|
|
DATA
|
|
You may find it aesthetically
|
|
displeasing, sir. I could just
|
|
file a computer report on that...
|
|
|
|
TROI
|
|
(interrupting)
|
|
Sir, the important thing right
|
|
now is why is Commander Riker
|
|
missing?
|
|
|
|
PICARD
|
|
Understood, Counselor, but Will
|
|
is almost certainly safe...
|
|
(troubled)
|
|
... at least "safe" in a physical
|
|
sense. "Q" has an interest in
|
|
him... in fact, "Q"'s entire visit
|
|
has something to do with our
|
|
first officer.
|
|
|
|
DATA
|
|
And the reason for that, sir... ?
|
|
|
|
PICARD
|
|
I wish I knew. "Q" became
|
|
interested in him at Farpoint.
|
|
(shakes head)
|
|
I've no idea what it means.
|
|
(to the others)
|
|
Meanwhile, we must proceed with our
|
|
rescue mission...
|
|
|
|
51
|
|
thru OMITTED
|
|
52
|
|
|
|
53 EXT. DESERT
|
|
|
|
Empty -- no Riker. But there are footprints in the sand
|
|
indicating a direction toward which is a jagged rock
|
|
formation on the otherwise unbroken sandscape.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 30.
|
|
|
|
54 ANGLE AT ROCK FORMATION
|
|
|
|
REVEALING Riker who has managed to find himself a
|
|
little shade. He sits, leans back against a rock.
|
|
Then, starts to laugh. It is a deep, satisfying laugh
|
|
from one who has just been let in on a cosmic joke.
|
|
|
|
"Q" (O.S.)
|
|
Something amuses you?
|
|
|
|
Riker looks up.
|
|
|
|
55 ANGLE UP ON "Q" - RIKER'S POV (OPTICAL)
|
|
|
|
Standing on a ledge above Riker, heavily back-lit by
|
|
the two suns. (If possible, formed here by two
|
|
brightly illuminated OUT-OF-FOCUS balls as described
|
|
earlier.) We'll see more clearly in a moment also that
|
|
"Q" wears rank and uniform identical to Riker's.
|
|
|
|
"Q" (COMMANDER)
|
|
Perhaps you would share the joke
|
|
with me?
|
|
|
|
56 ANGLE ON RIKER
|
|
|
|
as "Q" moves down into TWO SHOT. Riker eyes "Q" for
|
|
a long beat, then:
|
|
|
|
RIKER
|
|
The joke is you, you silly son
|
|
of a bitch.
|
|
|
|
"Q" glares at Riker who now seems confident and at ease
|
|
about something.
|
|
|
|
"Q" (COMMANDER)
|
|
Strange gratitude from one who
|
|
has been granted a gift beyond
|
|
any human dream. How can you not
|
|
appreciate being able to send your
|
|
friends back to their ship...
|
|
(the sweeping gesture)
|
|
... or sending the soldiers back to
|
|
the "nothingness" from which they
|
|
came?
|
|
|
|
"Q" takes a beat, sits on a piece of rock next to
|
|
Riker, leans toward him confidentially.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 31.
|
|
|
|
56 CONTINUED:
|
|
|
|
"Q" (COMMANDER)
|
|
(continuing)
|
|
Certainly, you understand that
|
|
at this moment you can send
|
|
yourself back to your ship... or
|
|
to Earth, or change your shape
|
|
and become anything else you
|
|
want to be...
|
|
|
|
RIKER
|
|
(interrupting;
|
|
strongly)
|
|
What do you need, "Q"?
|
|
|
|
"Q" (COMMANDER)
|
|
"Need?"
|
|
|
|
RIKER
|
|
You want something from us, "Q".
|
|
Desperately! What is it?
|
|
|
|
"Q" (COMMANDER)
|
|
Want something from you foolish,
|
|
fragile, non-entities? Careful,
|
|
Riker, you're beginning to sound
|
|
like your captain.
|
|
|
|
RIKER
|
|
(grins)
|
|
Now that's a compliment, "Q".
|
|
But it's not an answer.
|
|
|
|
Stung by this, "Q" comes to his feet, raising a hand
|
|
as if to make the gesture we've seen before... finds
|
|
Riker still smiling up at him. He turns, walks angrily
|
|
a few steps away, then a few back as if bringing his
|
|
anger under control.
|
|
|
|
"Q" (COMMANDER)
|
|
(clipped; angry)
|
|
Riker... we have tried to offer
|
|
you a gift beyond all other
|
|
gifts... !
|
|
|
|
RIKER
|
|
... Out of the "goodness" of your
|
|
heart?
|
|
|
|
They exchange looks for a long, long moment. Then "Q"
|
|
seats himself again, and finally:
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 32.
|
|
|
|
56 CONTINUED: (2)
|
|
|
|
"Q" (COMMANDER)
|
|
After Farpoint, I returned to
|
|
where we exist... the "Q
|
|
Continuum."
|
|
|
|
RIKER
|
|
Which means exactly what?
|
|
|
|
"Q" (COMMANDER)
|
|
(trace of annoyance)
|
|
The limitless dimensions of the
|
|
galaxy in which we exist. We
|
|
could hardly be capable of acting
|
|
in ways that seem so astonishing
|
|
to you... if we were limited to
|
|
the primitive dimensions in which
|
|
you live, dimensions which would
|
|
make us prisoners of time and
|
|
space.
|
|
|
|
RIKER
|
|
(beat; absorbing this)
|
|
What do you mean by we?
|
|
|
|
"Q" (COMMANDER)
|
|
(more annoyance)
|
|
In our Continuum the terms we
|
|
and I mean much the same.
|
|
|
|
RIKER
|
|
I don't understand...
|
|
|
|
"Q" (COMMANDER)
|
|
Of course you don't, and you never
|
|
will until you become one of us.
|
|
|
|
RIKER
|
|
(reacting)
|
|
Until?... Would you mind going
|
|
over that again?
|
|
|
|
"Q" (COMMANDER)
|
|
(nods)
|
|
If you'll stop interrupting me.
|
|
This really isn't the time to
|
|
teach you the true nature of the
|
|
universe.
|
|
(MORE)
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 33.
|
|
|
|
56 CONTINUED: (3)
|
|
|
|
"Q" (Cont'd)
|
|
(leans in again)
|
|
At Farpoint, we saw you as savages
|
|
only, and thought to frighten you
|
|
into scurrying back to your
|
|
system. We discovered instead,
|
|
that you are an unusual creature
|
|
in your own limited ways... ways
|
|
which in time may not be so
|
|
limited.
|
|
|
|
RIKER
|
|
(nods)
|
|
We're growing. Something about
|
|
us compels us to learn,
|
|
explore...
|
|
|
|
"Q" (COMMANDER)
|
|
(nods)
|
|
The human compulsion. And,
|
|
unfortunately, for us, a force
|
|
that will grow stronger century
|
|
after century, eon after eon...
|
|
|
|
RIKER
|
|
Eons! Have you any idea how far
|
|
we'll advance?
|
|
|
|
"Q" (COMMANDER)
|
|
Perhaps in a future you cannot
|
|
yet conceive... even beyond us.
|
|
And so, we must know more about
|
|
the human condition. We have
|
|
selected you, Riker, to become
|
|
part of the "Q"... to bring that
|
|
human need and hunger to us so
|
|
that we may understand it.
|
|
|
|
RIKER
|
|
(ponders, then)
|
|
I... suppose you mean that as a
|
|
compliment, "Q"... or maybe it's
|
|
my limited mind...
|
|
(stands)
|
|
... but... to become part of you?!
|
|
I don't even like you!
|
|
|
|
"Q" looks at Riker, seeming amused.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 34.
|
|
|
|
56 CONTINUED: (4)
|
|
|
|
"Q" (COMMANDER)
|
|
You're going to miss me!
|
|
|
|
"Q" makes the sweeping gesture and it produces the
|
|
familiar BLINDING LIGHT FLASH in which "Q" DISAPPEARS.
|
|
And almost immediately, the startled VOICES of the
|
|
bridge crew, with Riker whirling in that direction:
|
|
|
|
TROI
|
|
Oh, no!
|
|
|
|
GEORDI
|
|
Come on, not again!
|
|
|
|
57 OMITTED
|
|
|
|
58 GROUP SHOT
|
|
|
|
where the entire bridge crew, including Picard and
|
|
WESLEY, find themselves facing a line of the French
|
|
uniformed "animal soldiers," who menace the Enterprise
|
|
people, ATTACHING LONG AND DEADLY-LOOKING BAYONETS ONTO
|
|
THEIR MUSKETS, clearly intending to use them.
|
|
|
|
WESLEY
|
|
(totally confused)
|
|
What's happening, Commander Riker?
|
|
I was sitting in school...
|
|
|
|
TASHA
|
|
(interrupting)
|
|
My phaser's gone. Worf, are you
|
|
armed?
|
|
|
|
Worf checks, shakes his head, but nevertheless he and
|
|
Tasha move to place themselves between the bridge crew
|
|
and the danger. Picard has moved quickly to Riker.
|
|
|
|
PICARD
|
|
Where is "Q"? If you have any
|
|
answer to this, Number One...
|
|
|
|
Interrupted by an animal soldier lifting a bugle,
|
|
blowing the OLD FRENCH ATTACK CALL. A SNARL AND ROAR
|
|
from an animal soldier with sergeant's stripes and the
|
|
line of soldiers advance, bayonets leveled at the
|
|
bridge crew.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 35.
|
|
|
|
59 SPECIAL EFFECTS ANGLE ON WORF
|
|
|
|
moving forward to take on the entire attack line. He
|
|
moves fast, dodges a bayonet, trips, then a second
|
|
animal soldier slashes him in the back with a bayonet,
|
|
and Worf goes down in a SPURT OF RED BLOOD.
|
|
|
|
60 SPECIAL EFFECT ANGLE ON WESLEY
|
|
|
|
as he FREEZES, shocked.
|
|
|
|
WESLEY
|
|
Worf!
|
|
|
|
Then, the animal soldier who got Worf, pivots fast,
|
|
leaps at Wesley... and skewers the boy through the
|
|
middle.
|
|
|
|
61 ANGLE ON RIKER
|
|
|
|
Shocked, wildly angered!
|
|
|
|
RIKER
|
|
NO! DAMN IT, DAMN IT TO HELL... !
|
|
|
|
He makes the sweeping gesture he's learned.
|
|
|
|
62 WIDE ANGLE (OPTICAL)
|
|
|
|
as Riker's gesture creates a smaller version of the
|
|
METALLIC GRID. IT APPEARS between where the bridge
|
|
Crew has instinctively retreated and the advancing line
|
|
of animal soldiers, blocking them completely. Picard
|
|
REACTS strongly to what Riker just did.
|
|
|
|
PICARD
|
|
Riker, you... you did that?!
|
|
|
|
RIKER
|
|
And that's not all!!
|
|
|
|
Grimly, angrily, Riker makes the sweeping gesture even
|
|
more strongly, and the ENTIRE SCENE IS FILLED WITH
|
|
BLINDING LIGHT.
|
|
|
|
63 INT. MAIN BRIDGE - TIGHT ANGLE ON WESLEY (OPTICAL)
|
|
|
|
Wesley APPEARS, suddenly feeling at his torso where
|
|
he was just stabbed. He's no longer hurt. Worf ENTERS
|
|
SHOT, also whole in body.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT THREE 36.
|
|
|
|
64 ANOTHER ANGLE - INCLUDING PICARD AND OTHERS
|
|
|
|
Picard looking at Riker almost disbelievingly.
|
|
|
|
PICARD
|
|
That grid, their wounds... only
|
|
the "Q" could do that...
|
|
|
|
He cuts off his words, becoming aware of the formidable
|
|
expression Riker's face.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
65 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
with the Disaster Planet in far distance ahead of the
|
|
starship -- a small ball seen from here.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 41591.4.
|
|
Twelve minutes out from Quadra
|
|
Sigma III where the survivors of
|
|
an underground disaster
|
|
desperately need our help. Aboard
|
|
the Enterprise...
|
|
|
|
66 INT. MAIN BRIDGE
|
|
|
|
Riker, Troi, Data, Geordi, Tasha and Worf at their
|
|
positions. Riker's features showing the strain of
|
|
what has happened, he makes little eye-contact with
|
|
the bridge crew and they appear equally uncertain of
|
|
how to handle him.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
... First Officer William T. Riker
|
|
needs help nearly as badly. But
|
|
this is a subject so far out of
|
|
my experience... out of any human's
|
|
experience.
|
|
|
|
Riker has made for the captain's Ready Room, EXITS into
|
|
it.
|
|
|
|
67 INT. CAPTAIN'S READY ROOM
|
|
|
|
Riker CROSSING IN and coming to a halt in front of
|
|
Picard's desk. Picard waves him to a seat, almost
|
|
angrily.
|
|
|
|
PICARD
|
|
Will, how the hell do I advise
|
|
you what to do?!
|
|
|
|
Riker looks up sharply at the angry tone... then
|
|
understands it, nods.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 38.
|
|
|
|
67 CONTINUED:
|
|
|
|
RIKER
|
|
No one has ever offered to
|
|
turn you into "God?"
|
|
|
|
PICARD
|
|
(snaps)
|
|
Don't joke with me! What the
|
|
"Q" has offered you has got to
|
|
be close to "immortality," Will.
|
|
They're not lying about
|
|
controlling space and time; we've
|
|
seen it in what they can do.
|
|
But...
|
|
|
|
RIKER
|
|
You've also seen it in what I can
|
|
do.
|
|
|
|
Picard leans across his desk toward Riker, intent.
|
|
|
|
PICARD
|
|
Of all things, that troubles me
|
|
most, Will. Are you strong enough
|
|
to refuse to use that power?
|
|
|
|
RIKER
|
|
Certainly!
|
|
|
|
PICARD
|
|
No matter how tempted? No matter
|
|
how difficult "Q" makes it?
|
|
|
|
RIKER
|
|
(beat; then firmly)
|
|
You have my word.
|
|
|
|
DATA'S COM VOICE
|
|
In orbit of Quadra Sigma III, sir.
|
|
Ready to beam down rescue team
|
|
to underground emergency area.
|
|
|
|
Picard and Riker get quickly to their feet, EXIT.
|
|
|
|
68
|
|
thru OMITTED
|
|
69
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 39.
|
|
|
|
70 INT. PLANET DISASTER AREA
|
|
|
|
The Away Reserve Team MATERIALIZES. They are in a
|
|
passageway which has been severely damaged by
|
|
explosions. Water SPRAYS from the ceiling and is
|
|
already ankle deep on the floor. Data scans the area
|
|
with his tricorder.
|
|
|
|
DATA
|
|
This way.
|
|
|
|
They push ahead.
|
|
|
|
71 ANOTHER ANGLE - CORRIDOR
|
|
|
|
as they ARRIVE at a doorway. The door has been jammed
|
|
by the explosion. Data steps over and with his great
|
|
strength - rips the door off his hinges and clears the
|
|
opening.
|
|
|
|
The survivors are here. ABOUT A DOZEN of them, huddled
|
|
together on the far side. Beverly and her teams wade
|
|
through the water to them.
|
|
|
|
72 ANGLE ON BEVERLY AND SURVIVORS
|
|
|
|
As she kneels beside an injured WOMAN.
|
|
|
|
BEVERLY
|
|
You are going to be all right,
|
|
now.
|
|
|
|
RIKER
|
|
Where are the others?
|
|
|
|
The Woman shakes her head.
|
|
|
|
WOMAN
|
|
Gone. It's just us.
|
|
|
|
GEORDI
|
|
(urgent)
|
|
Commander!
|
|
|
|
Riker turns.
|
|
|
|
73 ANGLE ON GEORDI
|
|
|
|
CAMERA MOVES IN TO E.C.U. Geordi is staring at a pile
|
|
of rubble.
|
|
|
|
GEORDI
|
|
There's someone there!
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 40.
|
|
|
|
74
|
|
thru OMITTED
|
|
75
|
|
|
|
76 ANGLE ON DATA
|
|
|
|
With great strength he moves huge rocks with
|
|
remarkable rapidity.
|
|
|
|
77 ANGLE ON GEORDI AND RIKER
|
|
|
|
They stand and look for a beat, then:
|
|
|
|
78 ANGLE ON DATA
|
|
|
|
as he lifts and carries the limp body of a child.
|
|
|
|
79 ANOTHER ANGLE
|
|
|
|
Beverly rushes over and while Data holds the child,
|
|
she quickly examines him.
|
|
|
|
80 ANGLE ON BEVERLY AND CHILD
|
|
|
|
From her expression it is clear the child is dead.
|
|
All of her skill will not help.
|
|
|
|
BEVERLY
|
|
She's dead. If we'd only gotten
|
|
here a little sooner... !
|
|
|
|
81 ANGLE ON RIKER
|
|
|
|
He steps closer. A dead child. A moment of truth.
|
|
|
|
DATA
|
|
Sir, if you indeed have "Q"'s
|
|
power...
|
|
|
|
82 OMITTED
|
|
|
|
83 ANGLE ON RIKER
|
|
|
|
He is fighting his emotions.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 41.
|
|
|
|
84 ANGLE INCLUDING BEVERLY
|
|
|
|
Puzzled.
|
|
|
|
BEVERLY
|
|
I don't understand. Can you
|
|
bring her back to life?
|
|
|
|
RIKER
|
|
(long beat)
|
|
No!
|
|
|
|
84A EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
in orbit.
|
|
|
|
85
|
|
thru OMITTED
|
|
87
|
|
|
|
88 INT. MAIN BRIDGE
|
|
|
|
Riker, followed by Data and Geordi, EXIT the turbolift.
|
|
Riker CROSSES to Picard. Troi is watching Riker with
|
|
such intensity she doesn't seem to be breathing.
|
|
|
|
RIKER
|
|
As soon as it's convenient
|
|
Captain, I insist on a meeting
|
|
with you and your staff.
|
|
|
|
There is about Riker now a little of the force, the
|
|
power, the arrogance of "Q". Modified by the man
|
|
himself -- but he is definitely carrying himself with
|
|
more presence.
|
|
|
|
89 ANGLE ON PICARD
|
|
|
|
It's as though he's been expecting this since the
|
|
incident with "Q".
|
|
|
|
90 ANOTHER ANGLE RIKER AND PICARD
|
|
|
|
The others are watching this exchange, curious about
|
|
how Picard will respond.
|
|
|
|
PICARD
|
|
As soon as we are secure from the
|
|
rescue operation, we'll meet in
|
|
the Conference Room.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 42.
|
|
|
|
90 CONTINUED:
|
|
|
|
RIKER
|
|
Thank you.
|
|
|
|
Riker turns, stalks to the turbolift. Troi gives him
|
|
a look of apprehension.
|
|
|
|
PICARD
|
|
Counselor?
|
|
|
|
TROI
|
|
Power -- immense. Frightening.
|
|
I can't read the intent -- but
|
|
there is terrible anger in him.
|
|
|
|
Off Picard's reaction:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 43.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
91 INT. MAIN BRIDGE
|
|
|
|
Riker is already there, sits brooding. Picard ENTERS
|
|
with Data, Troi, Geordi, Tasha and Worf. As Picard
|
|
seats himself:
|
|
|
|
PICARD
|
|
We'll confer on the bridge here
|
|
if no one...
|
|
|
|
Without looking in that direction, Riker gestures
|
|
Picard to be silent and, surprised, Picard hesitates
|
|
during which Riker turns toward the others.
|
|
|
|
RIKER
|
|
The bridge is fine since I've
|
|
called the entire staff...
|
|
|
|
PICARD
|
|
(interrupting)
|
|
Correction, Number One; knowing
|
|
the decision you face, I've
|
|
permitted you this gathering.
|
|
|
|
Riker seems genuinely amused by Picard's correction,
|
|
as if yielding to a bright but headstrong child. Riker
|
|
nods, uses a gentle tone.
|
|
|
|
RIKER
|
|
Of course, Jean-Luc.
|
|
|
|
Riker looks up startled to see Beverly and Wesley ENTER
|
|
bridge from the turbolift.
|
|
|
|
RIKER
|
|
(continuing)
|
|
This meeting isn't for you,
|
|
Wesley!
|
|
|
|
WESLEY
|
|
Why not, sir? You helped make
|
|
me a bridge officer...
|
|
(corrects self)
|
|
... an acting ensign.
|
|
|
|
Looking from one to the other.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FOUR 44.
|
|
|
|
91 CONTINUED:
|
|
|
|
RIKER
|
|
All right, he stays. The first
|
|
thing he'll hear is... because I've
|
|
been given unusual powers, I'm
|
|
not suddenly a monster. Except
|
|
for those abilities, and I don't
|
|
yet know how far they go... I'm
|
|
the same William T. Riker you've
|
|
always known.
|
|
|
|
There's a long silence, no one speaking up.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Well? Everyone still looks
|
|
uncomfortable.
|
|
|
|
PICARD
|
|
Perhaps we're all remembering the
|
|
old saying... "power corrupts... "
|
|
|
|
RIKER
|
|
... "and absolute power corrupts
|
|
absolutely." Do you believe I
|
|
haven't thought of that, Jean-Luc?
|
|
|
|
PICARD
|
|
And have you noticed that you and
|
|
I are now on a first-name basis?
|
|
|
|
A flicker of surprise on Riker's features indicates
|
|
he really hasn't.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Will, something has happened to
|
|
you already...
|
|
|
|
RIKER
|
|
In what way? Haven't you seen
|
|
how much I've regretted not saving
|
|
that child? Captain, using the
|
|
"Q" power to save her might not
|
|
have been wrong!
|
|
(to bridge crew)
|
|
No more than it was wrong to save
|
|
the rest of you from those soldier
|
|
things.
|
|
|
|
PICARD
|
|
Let's keep in mind that particular
|
|
danger was invented by "Q".
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 45.
|
|
|
|
91 CONTINUED: (2)
|
|
|
|
TROI
|
|
What we represent to the "Q",
|
|
Will, are lowly animals, tormented
|
|
into performing for their
|
|
amusement...
|
|
|
|
RIKER
|
|
Actually, they think highly of
|
|
us, Troi. We have a quality
|
|
of... of growth which they
|
|
admire...
|
|
|
|
GEORDI
|
|
Or fear?
|
|
|
|
PICARD
|
|
Number One, we've learned that
|
|
the "Q" power does not admire
|
|
us... "Q" has muddled your mind
|
|
somehow.
|
|
|
|
RIKER
|
|
It's your mind that troubles me,
|
|
Captain. Don't you understand
|
|
his incredible gift to me?
|
|
|
|
"Q" (BROTHER) (O.S.)
|
|
Are these truly your "friends,"
|
|
Brother?
|
|
|
|
92 ANOTHER ANGLE
|
|
|
|
All whirl toward the VOICE. It comes from a far corner
|
|
of the bridge where a Figure stands with its back to
|
|
us. "Q" turns now, revealing himself draped in what
|
|
is recognizable even in this century as the somber
|
|
robes of something like the Franciscan Holy Order --
|
|
and "Q" is playing it to the hilt with gentle voice,
|
|
kindliness shining from his face, fingers pointed
|
|
together as in prayer. He CROSSES IN to stand with
|
|
Riker, head bowed in humility.
|
|
|
|
"Q" (BROTHER)
|
|
Let us pray for understanding,
|
|
for compassion, for...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 46.
|
|
|
|
92 CONTINUED:
|
|
|
|
PICARD
|
|
(moving to "Q")
|
|
Let us do no such damned thing!
|
|
(pulls at "Q"'s robes)
|
|
What is this need of yours for
|
|
costumes? Have you no identity
|
|
of your own?
|
|
|
|
"Q" (BROTHER)
|
|
(softly; gently)
|
|
I come in search of truth.
|
|
|
|
The expression on Riker's face reveals that he is
|
|
growing somewhat uncomfortable with this continuation
|
|
of masquerade.
|
|
|
|
PICARD
|
|
You come in search of what
|
|
humanity is!
|
|
|
|
"Q" has withdrawn a large cross symbol from his robes
|
|
as if warding off Picard's words.
|
|
|
|
"Q" (BROTHER)
|
|
I forgive your blasphemy...
|
|
|
|
PICARD
|
|
(indicates "Q" to Riker)
|
|
Can't you see it, Number One?
|
|
He's nothing but a flim-flam man!
|
|
That's what he's been since his
|
|
first appearance at Farpoint!
|
|
|
|
WORF
|
|
(to Data)
|
|
Flim-flam?
|
|
|
|
"Q" (BROTHER)
|
|
(to Picard)
|
|
You offer Riker jealousy! What
|
|
I offer him is clearly beyond your
|
|
comprehension!
|
|
(turning to the others
|
|
one by one)
|
|
How can you claim friendship for
|
|
Riker while obstructing his way
|
|
to the greatest adventure ever
|
|
offered a human?!
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 47.
|
|
|
|
92 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(alerted)
|
|
"Obstruct him?" Then it's not
|
|
yet certain? He's not yet
|
|
committed?
|
|
|
|
"Q" (BROTHER)
|
|
(quickly, loudly;
|
|
overlapping last line)
|
|
The truly evil part of this is
|
|
your jealousy, Captain.
|
|
(to Riker)
|
|
You love each one of your people!
|
|
Demonstrate it! You have the
|
|
power to leave each of them with
|
|
a gift proving your affection.
|
|
|
|
Riker isn't sure of this. He looks to Picard
|
|
inquiringly, but speaks a bit thickly at times.
|
|
|
|
RIKER
|
|
There'd be no... harm, would there,
|
|
if I, if I gave them something
|
|
I know they'd like?
|
|
|
|
Picard's next few expressions are a study in a change
|
|
of decision. His first instinct is to recommend
|
|
against it... and he almost voices it. But then, Picard
|
|
begins to suspect that this may, in fact, give Riker
|
|
a chance to understand the human effect of near-godlike
|
|
power.
|
|
|
|
"Q" (BROTHER)
|
|
How touching. A plea to his
|
|
former captain.
|
|
(watching Picard)
|
|
"May I please give some happiness
|
|
to my friends, sir? Please sir?"
|
|
|
|
PICARD
|
|
(beat)
|
|
In fact... I authorize and support
|
|
that idea, Riker.
|
|
(to the crew)
|
|
And please cooperate with him,
|
|
if you wish.
|
|
|
|
TROI
|
|
(troubled; cautioning)
|
|
Are you certain, sir? If...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 48.
|
|
|
|
92 CONTINUED: (3)
|
|
|
|
PICARD
|
|
I'm quite certain, Counselor.
|
|
(to Riker)
|
|
By all means, demonstrate your
|
|
gifts of affection.
|
|
|
|
Troi is clearly still nervous about this. Data too.
|
|
|
|
"Q" (BROTHER)
|
|
(eyeing Picard)
|
|
Remarkable! He rises now above
|
|
jealousy.
|
|
|
|
93 ANGLE EMPHASIZING RIKER
|
|
|
|
turning to his friends.
|
|
|
|
RIKER
|
|
Don't be frightened. There is
|
|
no way I could harm any one of
|
|
you. Shall I guess your dreams?
|
|
|
|
BEVERLY
|
|
(quickly)
|
|
Leave now, Wesley!
|
|
|
|
RIKER
|
|
No! Wesley, I may know best of
|
|
all.
|
|
(smiles at Wesley)
|
|
Our friendship, our long talks...
|
|
|
|
BEVERLY
|
|
No, please... !
|
|
|
|
94 EMPHASIZING WESLEY AND RIKER (OPTICAL)
|
|
|
|
RIKER
|
|
(to Wesley)
|
|
Have your favorite wish, my young
|
|
friend!
|
|
|
|
With a LIGHT FLASH, "WESLEY" becomes a handsome young
|
|
Starfleet officer of about 25 years.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 49.
|
|
|
|
95 INTERCUT OTHERS
|
|
|
|
Their REACTIONS. Their surprise is complete. On a
|
|
very intimate level that concerns themselves, this
|
|
seems godlike power they are witnessing. Picard, on
|
|
the other hand, seems to be analyzing, measuring, what
|
|
is happening.
|
|
|
|
GEORDI
|
|
Hey Wes, you've grown into a very
|
|
good looking guy!
|
|
|
|
Tasha gives a "definitely" to that sentiment. Troi
|
|
is concerned about Beverly who seems stunned as she
|
|
walks nearer her son, scrutinizing him closely. Data
|
|
gives Picard a puzzled "what are you up to" look.
|
|
Picard appears to be holding his breath as he
|
|
anticipates further developments.
|
|
|
|
96 ANOTHER ANGLE (OPTICAL)
|
|
|
|
Riker is eyeing Data now.
|
|
|
|
RIKER
|
|
Data...
|
|
|
|
DATA
|
|
(forcefully shaking
|
|
head)
|
|
No!
|
|
|
|
RIKER
|
|
It's what you've always wanted,
|
|
Data to become human!
|
|
|
|
Data almost says "yes," but then:
|
|
|
|
DATA
|
|
Yes, sir, that is true. But I
|
|
never wanted to compound one
|
|
illusion with another. It might
|
|
seem real to "Q" -- even you,
|
|
sir... but it would not be so to
|
|
me. Was it not one of the
|
|
Captain's favorite authors who
|
|
wrote, "This above all, to thine
|
|
own self be true?"
|
|
(beat)
|
|
Sorry, Commander, I must decline.
|
|
|
|
Riker turns to Geordi. As he moves to him and removes
|
|
the VISOR, unobtrusively handing it to Geordi:
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 50.
|
|
|
|
96 CONTINUED:
|
|
|
|
RIKER
|
|
Well, my friend, I know what you
|
|
want. Welcome to the wonderful
|
|
world of vision.
|
|
|
|
Geordi looks around in awe. His eyes come to rest on
|
|
Tasha.
|
|
|
|
GEORDI
|
|
You're as beautiful as I imagined,
|
|
and more.
|
|
|
|
RIKER
|
|
Then we can throw the VISOR away?
|
|
|
|
Geordi slowly replaces the VISOR over his eyes.
|
|
|
|
GEORDI
|
|
I think not, sir. The price is
|
|
a little high for me. I don't
|
|
like who I would have to thank.
|
|
I can still steer the ship with
|
|
this.
|
|
|
|
97 ANGLE EMPHASIZING WESLEY AND BEVERLY
|
|
|
|
as Beverly appraises the new form of her son.
|
|
|
|
BEVERLY
|
|
If you accept this new you,
|
|
Wesley, you'll lose wonderful
|
|
times, so many important
|
|
experiences...
|
|
|
|
98 EMPHASIZING WORF (OPTICAL)
|
|
|
|
as Riker moves to inspect him in turn.
|
|
|
|
RIKER
|
|
And Worf, who wants nothing...
|
|
|
|
WORF
|
|
Except honor and my duty
|
|
fulfilled.
|
|
|
|
RIKER
|
|
(interrupting)
|
|
Proud warrior Worf, without a
|
|
single tie to his own kind...
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 51.
|
|
|
|
98 CONTINUED:
|
|
|
|
In a LIGHT FLASH, it's not Worf who changes but someone
|
|
else who APPEARS at his feet -- a Klingon warrioress.
|
|
Her eyes flash as she looks up at her man Worf, an arm
|
|
encircles him at the knees -- her other arm holds a
|
|
Klingon weapon -- a kligat -- as she looks around, sees
|
|
nothing but sliens. Then moving with surprising speed,
|
|
she comes to her feet and lashes out with her weapon
|
|
at Troi, who is the person nearest. Worf moves quickly
|
|
too, takes the blow intended for Troi, SLAMS the
|
|
warrioress down. In Klingon tradition, she flattens
|
|
herself to the floor and crawls, SNARLING to embrace
|
|
Worf's feet.
|
|
|
|
WORF
|
|
(whirling to Riker)
|
|
No! She is from a world now alien
|
|
to me. I have no place in my life
|
|
for this now!
|
|
|
|
99 ANGLE ON WESLEY
|
|
|
|
moving to Riker. His voice is that of an adult male.
|
|
|
|
WESLEY
|
|
Mister Riker...
|
|
(shakes head)
|
|
... it's too soon for this...
|
|
|
|
RIKER
|
|
If it's because your mother
|
|
objects...
|
|
|
|
WESLEY
|
|
No, I'd just like to get there
|
|
on my own. Honest!
|
|
|
|
Picard is now looking very pleased... both with himself
|
|
for estimating this correctly, and with his people for
|
|
their common sense. Riker sees and understands.
|
|
|
|
RIKER
|
|
How did you know, sir? I feel
|
|
like such... such an idiot!
|
|
|
|
PICARD
|
|
Quite right, you should!
|
|
|
|
RIKER
|
|
But it was... such a pleasure to
|
|
have been able to do those things.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 52.
|
|
|
|
99 CONTINUED:
|
|
|
|
As "Q" PASSES, Picard blocks his path.
|
|
|
|
PICARD
|
|
It's all over "Q". You have no
|
|
further business here.
|
|
|
|
"Q" (BROTHER)
|
|
Human, you have just destroyed
|
|
yourself... !
|
|
|
|
PICARD
|
|
But only after you've paid off
|
|
your wager, "Q".
|
|
|
|
"Q" (BROTHER)
|
|
I recall no wager!
|
|
|
|
PICARD
|
|
I'm sure your fellow "Q" remember
|
|
you agreed to never trouble our
|
|
species again. Just as they're
|
|
aware you've failed to tempt a
|
|
human to join you. So, "Q", I
|
|
strongly suspect you have some
|
|
explaining of your own to do...
|
|
|
|
A sudden MAJOR FLASH OF BRILLIANT LIGHT... wiping out
|
|
the entire SCENE for a moment. Then WE SEE REVEALED
|
|
the bridge crew exactly as we saw them when this ACT
|
|
began. "Q" is no longer there -- Wesley is fifteen
|
|
again -- Worf is without his warrioress -- Tasha is
|
|
the familiar security chief. And all are at their duty
|
|
positions, with Wesley assisting Data at Ops, Beverly
|
|
standing near Picard.
|
|
|
|
100 ANOTHER ANGLE EMPHASIZING PICARD
|
|
|
|
Everyone is speechless. Then, Picard breaks the
|
|
silence.
|
|
|
|
PICARD
|
|
Extraordinary! "Q" sought to
|
|
discover the distinguishing
|
|
characteristic of humanity and
|
|
never learned what Coleridge
|
|
said: "It must be the possession
|
|
of a soul within us that makes
|
|
the difference."
|
|
|
|
GEORDI
|
|
Sir... we show the same "hole" in
|
|
time again. Our instruments say
|
|
we've just now beamed up from our
|
|
rescue mission.
|
|
|
|
STAR TREK: Hide And "Q" - 9/25/87 - ACT FIVE 53.
|
|
|
|
100 CONTINUED:
|
|
|
|
DATA
|
|
How can the "Q" handle time and
|
|
space so well, and us so badly?
|
|
|
|
PICARD
|
|
Perhaps we'll discover some day
|
|
that time and space are simpler
|
|
than the human equation.
|
|
(toward Riker)
|
|
No coordinates laid in, Number
|
|
One?
|
|
|
|
RIKER
|
|
Uh... yes, sir.
|
|
(toward Helm)
|
|
You have my coordinates, Mister
|
|
La Forge.
|
|
|
|
Geordi gives Wesley a look, and a nod. Wesley calls
|
|
it out eagerly.
|
|
|
|
WESLEY
|
|
Zero-zero-eight, Mark,
|
|
three-three-nine, sir.
|
|
|
|
PICARD
|
|
(nods)
|
|
Engage!
|
|
|
|
101 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
as it MOVES AWAY from us.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|