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1 line
61 KiB
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1 line
61 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Coming Of Age"
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(fka "Starfleet Academy")
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#40271-119
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Written by
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Sandy Fries
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Directed by
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Mike Vejar
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1987 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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3RD REV. FINAL DRAFT
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DECEMBER 30, 1987
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STAR TREK: "Coming Of Age" - 12/30/87 - CAST
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STAR TREK: THE NEXT GENERATION
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"Coming Of Age"
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CAST
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PICARD JAKE KURLAND
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RIKER ADMIRAL GREGORY QUINN
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BEVERLY LT. COMMANDER DEXTER REMMICK
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DATA MORDOCK
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TROI OLIANA MIRREN
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TASHA T'SHANIK
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WORF TAC OFFICER CHANG
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GEORDI RONDON
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WESLEY TECHNICIAN #1
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TECHNICIAN #2
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Voice-Over
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STAR TREK: "Coming Of Age" - 12/30/87 - SETS
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STAR TREK: THE NEXT GENERATION
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"Coming Of Age"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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Deck 21 Forward Lounge
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Transporter Room RELVA 7 (PLANET)
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Corridor
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SHUTTLECRAFT
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Captain's Ready Room
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Main bridge
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Holodeck
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Admiral's Quarters
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Main Engineering
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RELVA 7
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Classroom
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Corridor
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Testing Room
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Long corridor
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Environmental Lab
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SHUTTLECRAFT
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Cockpit
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Coming Of Age"
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TEASER
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FADE IN:
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A1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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orbiting the planet Relva 7.
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B1 INT. ENTERPRISE - CORRIDOR
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WESLEY is running down the corridor after someone.
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WESLEY
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Hey, Jake! Wait a second!
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JAKE KURLAND, eighteen, dark-haired and intense, stops
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and waits for Wesley.
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WESLEY
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(continuing)
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How're you doing?
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JAKE
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(tries to smile)
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I'm fine. Really.
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WESLEY
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I'm real sorry...
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BEVERLY'S COM VOICE
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Acting Ensign Crusher, report to
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Deck Twenty-one Forward Lounge.
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Wesley ignores the request.
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JAKE
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It's not your fault.
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WESLEY
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Yes, I know, but I wish we were
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both going.
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JAKE
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(shrugging)
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Only thirty-two points...
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BEVERLY'S COM VOICE
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Acting Ensign Crusher, respond.
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 2.
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B1 CONTINUED:
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Wesley touches a com panel.
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WESLEY
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I'm on my way.
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Wesley looks at Jake.
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WESLEY
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(continuing)
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Gotta go.
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They shake hands.
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JAKE
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Do well for both of us.
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Wesley smiles at Jake and HURRIES BACK the other way.
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Jake stares dejectedly after him.
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C1 INT. CORRIDOR - OUTSIDE DECK 21 FORWARD LOUNGE
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Beverly waits for Wesley just outside the lounge.
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WESLEY
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Mom, I can't be late.
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BEVERLY
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Don't worry. You have time.
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1 INT. DECK 21 FORWARD LOUNGE
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A large cake with seventeen BURNING candles is in the
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center of the table. It says "HAPPY 16TH BIRTHDAY" and
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"GOOD LUCK, WESLEY." The whole BRIDGE CREW waits
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around the table as Wesley ENTERS with Beverly. He's
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touched, embarrassed and -- wants to get out of there.
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RIKER
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Happy Birthday, Wesley!
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Everyone ECHOES THE SENTIMENT.
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WESLEY
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Thanks everybody. But it's not
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until next month.
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RIKER
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Close enough.
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 3.
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1 CONTINUED:
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TROI
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You won't be here next month.
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After you pass the entrance exam,
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you'll be on your way to Starfleet
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Academy.
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BEVERLY
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Go on, make a wish.
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Wesley closes his eyes, thinks a moment, then blows out
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the candles. Everyone CLAPS as he makes the first cut.
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Troi takes over and cuts cake for everyone, handing
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pieces to Riker and Wesley.
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RIKER
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You'll breeze through those
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tests.
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WESLEY
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I hope so, sir.
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RIKER
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I know so. I remember how tough
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it was for me.
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He pauses, reliving the fear, then smiles at Wesley.
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RIKER
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(continuing)
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But you've got brains, and family
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tradition, and actual experience.
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WESLEY
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I wish I felt that sure.
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GEORDI
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I was scared to death the whole
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time. But it's good for you.
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Keeps your adrenaline going. Not
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that you'll need it, Wes.
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1A ANOTHER ANGLE
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Troi hands pieces of cake to Data and Worf.
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 4.
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1A CONTINUED:
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DATA
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Thank you... Humans are
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fascinating. They celebrate the
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passage of time with such joy
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until a certain age, and then it
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becomes a topic of some
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discomfort. I suppose it is
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because each birthday is another
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step towards inevitable death.
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Do Klingons observe birthdays,
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Worf?
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WORF
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Klingons are born, live as
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warriors, and die.
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DATA
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Then how do you know how old you
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are?
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WORF
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I don't. Do you know?
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DATA
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I have no age.
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Data stares at Beverly, who's standing next to Picard.
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BEVERLY
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Is there something wrong?
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DATA
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No. I am simply trying to
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understand the celebration of
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aging. And how old were you when
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Wesley was born, Doctor?
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Beverly shoves her piece of cake at him.
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BEVERLY
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Have some cake, Data.
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She LEAVES him standing there with Picard.
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DATA
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I do not understand, sir. Why...
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PICARD
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You never ask a woman her age,
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Mister Data.
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 5.
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1A CONTINUED: (2)
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DATA
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I am very confused, sir.
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PICARD
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Some customs will never change.
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TASHA'S COM VOICE
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Acting Ensign Crusher, this is
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the Transporter Room. We are
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ready to beam you down to Relva 7.
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WESLEY
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(to the party)
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Thanks for the party, everyone.
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And the good wishes.
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They all RESPOND with "Good luck;" "Go get 'em;"
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"You'll do great."
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TASHA'S COM VOICE
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Captain Picard.
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PICARD
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(touching his
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communicator)
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Picard here.
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TASHA'S COM VOICE
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We've received communication from
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Relva 7 that Admiral Gregory Quinn
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is about to beam aboard, sir.
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PICARD
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Admiral Gregory Quinn. Why wasn't
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I informed earlier, Lieutenant
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Yar?
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TASHA'S COM VOICE
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We just received the request, sir.
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Picard gestures to Riker.
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PICARD
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I'm on my way to the Transporter
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Room, Lieutenant. Number One!
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Picard and Riker FOLLOW Wesley and Beverly OUT the
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door.
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1B
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thru OMITTED
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1C
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 6.
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2 OMITTED
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3 INT. TRANSPORTER ROOM (OPTICAL)
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Riker, Picard and Beverly say good-bye to Wesley.
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Beverly reaches out to shake his hand, but Wesley leans
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over and kisses her. He nods and Tasha works the
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console and Wesley BEAMS DOWN to Relva 7. A beat, then
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almost immediately, ADMIRAL GREGORY QUINN and
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LIEUTENANT COMMANDER DEXTER REMMICK BEAM UP. Quinn is
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a rugged man in his early sixties. He is accompanied
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by Remmick, a young, blond, dedicated officer. They
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step off the platform.
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PICARD
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This is unexpected. Welcome
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aboard, Admiral.
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QUINN
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Thank you. Captain Jean-Luc
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Picard, Lieutenant Commander
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Dexter Remmick.
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REMMICK
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Sir.
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They shake hands, then Remmick steps back and watches.
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PICARD
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Allow me to present my staff:
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First Officer William Riker, Chief
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Medical Officer Beverly Crusher,
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chief of security, Lieutenant
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Tasha Yar.
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Quinn nods to them.
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PICARD
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(continuing)
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What can we do for you?
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QUINN
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I need to speak with you.
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PICARD
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Certainly. This way. Number One.
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They turn to leave, as:
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QUINN
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No. Alone.
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PICARD
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Is this personal?
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STAR TREK: "Coming Of Age" - 12/30/87 - TEASER 7.
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3 CONTINUED:
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QUINN
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Official business.
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PICARD
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Then my first officer...
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QUINN
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... Alone, Captain.
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This is unheard of. It's as if Riker's in big trouble
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and no one knows why, as WE:
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FADE OUT.
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END OF TEASER
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STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 8.
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ACT ONE
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FADE IN:
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4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as it orbits Relva 7.
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PICARD (V. O.)
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Captain's log, stardate 41416. 2.
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We are orbiting Relva 7, one of
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the testing sites where final
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examinations are taking place for
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entrance into Starfleet Academy.
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But with the appearance of my old
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colleague, Admiral Gregory Quinn,
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our stay has taken on another
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meaning.
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5 OMITTED
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5A INT. CAPTAIN'S READY ROOM
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Picard and Quinn ENTER. Remmick stands off to the
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side.
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QUINN
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Commander Remmick is with the
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Inspector General's office.
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PICARD
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Oh?
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QUINN
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He'll be conducting a complete
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investigation of the Enterprise.
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PICARD
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What are you looking for?
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Quinn turns to especially include Remmick. Remmick
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stands almost at attention.
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QUINN
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I have reason to believe there
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may be something very wrong on
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this ship... very wrong.
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PICARD
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Tell me what you suspect.
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STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 9.
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5A CONTINUED:
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QUINN
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No. It's... inappropriate to
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discuss it now. We'll go over
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it fully when Mister Remmick
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concludes his investigation.
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(turns to Remmick)
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You will find out what is wrong
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on this ship. Starfleet is
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depending on you.
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REMMICK
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Yes, sir.
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(glances at Picard)
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Nothing and no one will stand in
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my way.
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QUINN
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And you, Captain, are ordered to
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cooperate in every way necessary
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with the investigation. Clear?
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PICARD
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Yes, sir.
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QUINN
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Mister Remmick, unless there are
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further questions...
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REMMICK
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No questions, sir.
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QUINN
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Get on with your duties.
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REMMICK
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Yes, sir!
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Remmick purposefully EXITS. When the door CLOSES:
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PICARD
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Greg, we've known each other for
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years. If you weren't just
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motivating young Mister Remmick, tell
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me what you believe is wrong.
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Quinn dodges the question.
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QUINN
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Captain, it is vitally important
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that my orders are followed
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exactly. I'll be staying on the
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ship.
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STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 10.
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5A CONTINUED: (2)
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PICARD
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As you wish, Admiral.
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6 EXT. RELVA 7 (OPTICAL)
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ESTABLISHING the planet.
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7 INT. RELVA 7 - CLASSROOM
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Wesley is the first one to ARRIVE in the high-tech
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classroom. He looks around the room uncomfortably.
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There's an impressive array of DEVICES, including a
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special SENSOR UNIT. He reaches down to inspect it,
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but puts it back guiltily as OLIANA MIRREN ENTERS.
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She's a gorgeous eighteen-year-old human, a red-head
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with sparkle and probably a temper.
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OLIANA
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What is it?
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WESLEY
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What?
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OLIANA
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The unit you just put down. Don't
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worry. I won't tell anybody.
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WESLEY
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Oh. It's a flux coordinating
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sensor.
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Oliana puts out her hand. Wesley takes it and
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absentmindedly holds it. He's mesmerized by her.
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OLIANA
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I'm Oliana Mirren, one of the
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other finalists. You must be
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Wesley Crusher.
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She gently removes her hand from his.
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WESLEY
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Yeah! You know me?
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OLIANA
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I heard there was a very smart,
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very young man who'd be tough
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competition.
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STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 11.
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7 CONTINUED:
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WESLEY
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(embarrassed)
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Well, you wouldn't be here if...
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OLIANA
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... I weren't smart? I know. But
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there's a lot more to it than
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that. You're lucky - you've had
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practical experience on the
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Enterprise.
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As she speaks, the door OPENS and T'SHANIK, a dark
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young Vulcan woman, who looks as if she's surprised
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anyone else bothered to show up, ENTERS with MORDOCK,
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a powerfully built alien with a special suit using
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circulating gas tubes. Mordock hangs back a little,
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quietly.
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T'SHANIK
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Oliana.
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(to Wesley)
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T'Shanik of Vulcana Regar.
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WESLEY
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Wesley Crusher, from the
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Enterprise.
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T'SHANIK
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You don't look as if you meet the
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age requirements.
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WESLEY
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Uh, I'll be sixteen next month.
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OLIANA
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(pats him on the
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shoulder)
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Happy birthday. When this is all
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over, we'll celebrate.
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Wesley basks in the thought of celebrating anything
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with her, then realizes he's being rude. He turns to
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Mordock.
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WESLEY
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Hi. I'm Wesley Crusher.
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Mordock nods and moves forward.
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MORDOCK
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Mordock.
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STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 12.
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7 CONTINUED: (2)
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WESLEY
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Mordock? The Mordock? The
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Benzite who constructed the
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Mordock Strategy? I thought you
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already were in the Academy.
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|
MORDOCK
|
|
No. Only a hopeful, like you.
|
|
|
|
WESLEY
|
|
You're a legend in the Galactic
|
|
Computer Network...
|
|
|
|
TAC OFFICER CHANG ENTERS and walks to the head of the
|
|
classroom.
|
|
|
|
CHANG
|
|
Finalists, please take your
|
|
seats...
|
|
|
|
The Four take seats at individual computer stations, as
|
|
Chang continues.
|
|
|
|
CHANG
|
|
(continuing)
|
|
I'm TAC Officer Chang. Welcome.
|
|
You are here because you are all
|
|
top candidates. Although only
|
|
one student will be chosen for
|
|
the Academy, you have shown from
|
|
the preliminary testing that any
|
|
of you could easily qualify.
|
|
(makes eye contact with
|
|
each)
|
|
We are looking for the person who
|
|
combines all the important
|
|
qualities necessary to be part
|
|
of Starfleet's future. Integrity,
|
|
intelligence, courage,
|
|
imagination... and that
|
|
indefinable quality of leadership.
|
|
This may be the most difficult,
|
|
exhausting experience of your
|
|
life. And the most exciting
|
|
challenge. Expect the
|
|
unexpected... May you all do your
|
|
best... Now, we'll begin.
|
|
|
|
Chang LEAVES the room as the computers LIGHT UP. The
|
|
four students immediately start the test. And the
|
|
faster they answer the questions, the faster the
|
|
computer asks them.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT ONE 13.
|
|
|
|
7 CONTINUED: (3)
|
|
|
|
They're all pounding away at extreme high speeds, but
|
|
with different kinds of energy, and each time they take
|
|
a test they'll respond with the same kind of energy.
|
|
|
|
Wesley concentrates completely and works at an
|
|
incredibly fast, even pace.
|
|
|
|
T'Shanik works quickly, calmly and methodically.
|
|
|
|
Mordock, with great intensity.
|
|
|
|
Oliana, alternates bursts of energy with quiet. The
|
|
students continue with their answers.
|
|
|
|
8 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit.
|
|
|
|
8A INT. MAIN BRIDGE
|
|
|
|
Riker commands the bridge, with Data and Geordi, Tasha
|
|
and Worf at their regular stations. Remmick stands
|
|
over Data, just watching him sit there. Remmick HOLDS
|
|
A HAND DEVICE which he will carry with him everywhere
|
|
-- A MINIATURE PERSONAL COMPUTER where he punches in
|
|
every observation. Riker watches him without saying a
|
|
word.
|
|
|
|
DATA
|
|
May I help you, Mister Remmick?
|
|
|
|
REMMICK
|
|
Just keep on doing whatever it
|
|
is you're doing, Commander Data.
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
Data continues staring, as Remmick moves over to
|
|
Geordi.. and stands over him, making entries in his
|
|
computer.
|
|
|
|
GEORDI
|
|
There's nothing much to see here,
|
|
Commander. We're in standard
|
|
orbit. And, uh, the station has
|
|
to be manned, even if it's
|
|
routine...
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT ONE 14.
|
|
|
|
8A CONTINUED:
|
|
|
|
RIKER
|
|
Is there something I can help you
|
|
with, Mister Remmick?
|
|
|
|
Remmick whips around to Riker.
|
|
|
|
REMMICK
|
|
When I'm ready, Mister Riker, I'll
|
|
want to speak with you.
|
|
Privately.
|
|
|
|
Remmick moves aft, to stand next to Worf. Remmick
|
|
watches Worf work at his console and makes more notes.
|
|
Worf pretends he's not there. Geordi turns to Data.
|
|
|
|
GEORDI
|
|
Just having that guy around makes
|
|
me feel guilty.
|
|
(to Riker)
|
|
Commander, what's this guy after?
|
|
|
|
RIKER
|
|
I don't know, Geordi. But I'm
|
|
going to find out. Now.
|
|
|
|
He gets up and heads purposefully for the Captain's
|
|
Ready Room.
|
|
|
|
9
|
|
thru OMITTED
|
|
10
|
|
|
|
11 INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard is at his desk, star window at his shoulder.
|
|
The doorbell CHIMES.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Riker ENTERS, and sits down as the Captain motions him.
|
|
|
|
RIKER
|
|
Captain, may I speak frankly?
|
|
|
|
PICARD
|
|
Always, Number One.
|
|
|
|
RIKER
|
|
As executive officer, I should
|
|
be informed. I should know
|
|
everything you know.
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT ONE 15.
|
|
|
|
11 CONTINUED:
|
|
|
|
PICARD
|
|
I agree. You should.
|
|
|
|
RIKER
|
|
What's this about? Remmick is
|
|
going to turn this ship upside
|
|
down.
|
|
|
|
PICARD
|
|
That is his job.
|
|
|
|
RIKER
|
|
And mine is to make sure the ship
|
|
runs smoothly.
|
|
|
|
PICARD
|
|
Which you do very well.
|
|
|
|
RIKER
|
|
Sir, am I under investigation?
|
|
|
|
PICARD
|
|
I don't know.
|
|
|
|
RIKER
|
|
And if you did?
|
|
|
|
PICARD
|
|
I couldn't tell you.
|
|
|
|
RIKER
|
|
I don't understand, sir. This
|
|
is extremely frustrating.
|
|
|
|
PICARD
|
|
No less so for me. But I have
|
|
promised full cooperation. And
|
|
we shall give it.
|
|
|
|
Riker tries not to lose his temper.
|
|
|
|
RIKER
|
|
Sir.
|
|
|
|
He EXITS the Ready Room as Picard looks after him
|
|
unhappily.
|
|
|
|
12 INT. MAIN BRIDGE
|
|
|
|
Remmick is waiting for Riker outside the captain's
|
|
Ready Room.
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT ONE 16.
|
|
|
|
12 CONTINUED:
|
|
|
|
REMMICK
|
|
I want some answers from you now,
|
|
Commander Riker.
|
|
|
|
RIKER
|
|
Later.
|
|
|
|
REMMICK
|
|
You were ordered to cooperate...
|
|
|
|
RIKER
|
|
When it doesn't interfere with
|
|
my duty. Not now, Remmick!
|
|
|
|
The crew watches the furious Riker head for the
|
|
turbolift.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
13 EXT. RELVA 7 (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
14 INT. RELVA 7 - CLASSROOM
|
|
|
|
The four students sit in front of computer readout
|
|
screens set apart from each other. T'Shanik is the
|
|
only one who appears calm.
|
|
|
|
COMPUTER VOICE
|
|
Last question on the Hyper Space
|
|
Physics test: If the matter and
|
|
antimatter tanks on a Galaxy Class
|
|
starship are nine-tenths depleted,
|
|
calculate the intermix ratio
|
|
necessary to reach a starbase a
|
|
hundred light years away at warp
|
|
factor eight...
|
|
|
|
All the students begin to use the calculators attached
|
|
to the computer, except Wesley, who immediately punches
|
|
in the answer. T'Shanik reaches the answer almost
|
|
immediately. Mordock, driven and intense, is startled
|
|
at their speed, then pushes in his answer. Oliana
|
|
finishes last.
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
Thank you, students. You now have
|
|
one hour free before the next
|
|
test.
|
|
|
|
The computer shuts down, its lights FADE OUT. T'Shanik
|
|
EXITS the classroom immediately as Wesley, Oliana and
|
|
Mordock relax.
|
|
|
|
MORDOCK
|
|
I admit, Wesley, you have a very
|
|
fast mind.
|
|
|
|
WESLEY
|
|
As soon as I realized it was a
|
|
trick question, there was only
|
|
one answer.
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT TWO 18.
|
|
|
|
14 CONTINUED:
|
|
|
|
MORDOCK
|
|
Yes. There is only one "ratio"
|
|
with matter-antimatter. One to
|
|
one.
|
|
|
|
Wesley sneaks a look at Oliana. Her jaw is set, then
|
|
she shrugs and smiles her bright smile at the two of
|
|
the them.
|
|
|
|
OLIANA
|
|
You're both very lucky. I can't
|
|
imagine what it feels like to have
|
|
things come so easily. I have
|
|
to push every step of the way.
|
|
|
|
WESLEY
|
|
Oh, no, Oliana, it doesn't come
|
|
easily. I have to study all the
|
|
time. Mordock's the one who's
|
|
brilliant.
|
|
|
|
OLIANA
|
|
You really don't know, do you?
|
|
It's a good thing you're cute,
|
|
Wesley, or you could really be
|
|
obnoxious.
|
|
|
|
She pushes her chair back and gets up.
|
|
|
|
OLIANA
|
|
(continuing)
|
|
See you later.
|
|
|
|
She LEAVES the room.
|
|
|
|
WESLEY
|
|
Did you hear that Mordock? She
|
|
said I was cute!
|
|
|
|
MORDOCK
|
|
Is that good, Wesley?
|
|
|
|
WESLEY
|
|
I don't know. I think so. Maybe.
|
|
I don't know.
|
|
|
|
MORDOCK
|
|
Perhaps I was incorrect about the
|
|
speed of your thought processes,
|
|
Wesley.
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT TWO 19.
|
|
|
|
15 OMITTED
|
|
|
|
16 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
orbiting Relva 7. ESTABLISHING.
|
|
|
|
16A OMITTED
|
|
|
|
17 INT. MAIN BRIDGE
|
|
|
|
Riker STEPS OFF the turbolift and APPROACHES Picard.
|
|
|
|
RIKER
|
|
Captain, I think I should
|
|
apologize.
|
|
|
|
PICARD
|
|
No need, Number One. Mister
|
|
Remmick's presence is unnerving,
|
|
to say the least.
|
|
|
|
RIKER
|
|
Regardless, sir, I should realize
|
|
that whatever your reasons are,
|
|
they're valid. Whether or not
|
|
I understand them.
|
|
|
|
Remmick ENTERS the bridge.
|
|
|
|
REMMICK
|
|
Are you available now, Mister Riker?
|
|
Or do you still have duties to
|
|
perform?
|
|
|
|
RIKER
|
|
I'm available, Mister Remmick.
|
|
|
|
REMMICK
|
|
Any problem with using your Ready
|
|
Room, Captain?
|
|
|
|
The crew considers this an intrusion.
|
|
|
|
TASHA
|
|
I'll find him a comfortable place
|
|
on Deck Fifteen, sir.
|
|
|
|
REMMICK
|
|
It's more convenient here. Is
|
|
there a problem, Captain?
|
|
|
|
STAR TREK: "Coming of Age" - 12/30/87 - ACT TWO 20.
|
|
|
|
17 CONTINUED:
|
|
|
|
PICARD
|
|
No, Mister Remmick. Be my guest.
|
|
|
|
Remmick ENTERS the Ready Room and motions for Riker to
|
|
FOLLOW.
|
|
|
|
18 INT. CAPTAIN'S READY ROOM
|
|
|
|
Remmick sits at Picard's desk, Riker in front of him.
|
|
|
|
REMMICK
|
|
There are several seeming
|
|
discrepancies in the captain's
|
|
log. Let's go over them, one by
|
|
one, shall we?
|
|
|
|
Riker is surprised -- he thought he was the one on the
|
|
hot seat, but it's Picard.
|
|
|
|
RIKER
|
|
The captain's log?
|
|
|
|
REMMICK
|
|
Yes. To your knowledge, has the
|
|
captain ever falsified a log?
|
|
|
|
RIKER
|
|
Have you discussed this with him?
|
|
|
|
REMMICK
|
|
Right now, I'm asking you.
|
|
|
|
RIKER
|
|
If you want to discuss anything
|
|
about Captain Picard, bring him
|
|
in here and ask him face to face.
|
|
|
|
REMMICK
|
|
You are required to answer my
|
|
questions, Mister Riker. Unless
|
|
you're trying to cover something
|
|
up? Now, there are several
|
|
discrepancies in the captain's
|
|
log. Shall we go over them, one
|
|
by one?
|
|
|
|
RIKER
|
|
Proceed.
|
|
|
|
19 OMITTED
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 21.
|
|
|
|
19A INT. CAPTAIN'S READY ROOM (FORMERLY SCENE 16A)
|
|
|
|
Troi calmly faces Remmick.
|
|
|
|
REMMICK
|
|
Do you believe the captain is
|
|
emotionally and psychologically
|
|
fit for command of this starship?
|
|
There is nothing in his history
|
|
or his personality that might
|
|
suggest... mental lapses?
|
|
|
|
TROI
|
|
Nothing.
|
|
|
|
REMMICK
|
|
Not even the Ferengi incident with
|
|
his old ship, the Stargazer?
|
|
|
|
TROI
|
|
He was being controlled by a
|
|
mind-altering machine, Commander.
|
|
Without his knowledge.
|
|
|
|
REMMICK
|
|
I would say that was a mental
|
|
lapse.
|
|
|
|
20 INT. MAIN ENGINEERING
|
|
|
|
Geordi is working on a panel as Remmick questions him.
|
|
|
|
REMMICK
|
|
So, you are saying Captain Picard
|
|
had no control over this vessel.
|
|
He handed it over to Kosinski,
|
|
who took the entire crew to some
|
|
sort of "alternate" universe.
|
|
|
|
GEORDI
|
|
No, sir. That's not what I'm
|
|
saying. Kosinski was sent by
|
|
Starfleet to improve our warp
|
|
drive. The captain was ordered
|
|
to take him aboard.
|
|
|
|
REMMICK
|
|
According to his own logs, the
|
|
bridge crew didn't think highly
|
|
of Mister Kosinski's theories, yet
|
|
the captain allowed him access
|
|
to the engines anyway. Is that
|
|
true, La Forge?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 22.
|
|
|
|
20 CONTINUED:
|
|
|
|
GEORDI
|
|
Not exactly, sir.
|
|
|
|
REMMICK
|
|
One way or the other, La Forge,
|
|
Picard lost control of this ship.
|
|
Is that true?
|
|
|
|
GEORDI
|
|
Yes, but that's not how it
|
|
happened.
|
|
|
|
REMMICK
|
|
So, the answer is yes.
|
|
|
|
Geordi is completely frustrated as Remmick makes
|
|
notes.
|
|
|
|
21 OMITTED
|
|
|
|
22 INT. HOLODECK (OPTICAL)
|
|
|
|
It's empty and SILENT. Wesley stares off into the
|
|
distance, frowning. Worf ENTERS, startling Wesley.
|
|
|
|
WORF
|
|
Ensign Crusher... What are you
|
|
doing on the Holodeck? I thought
|
|
you were still on Relva 7.
|
|
|
|
WESLEY
|
|
I'm through testing for the day.
|
|
|
|
WORF
|
|
I'm sorry if I disturbed you.
|
|
I'll leave.
|
|
|
|
WESLEY
|
|
No! Stay. I thought I wanted
|
|
to be by myself, but I guess I
|
|
didn't really.
|
|
|
|
WORF
|
|
How is the testing?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 23.
|
|
|
|
22 CONTINUED:
|
|
|
|
WESLEY
|
|
Okay. So far. It's not the ones
|
|
I've studied for I'm worried
|
|
about. It's the Psych Test,
|
|
facing my deepest fear and living
|
|
through it. I don't even know
|
|
what it is. I'm trying to figure
|
|
out what images to bring up.
|
|
|
|
WORF
|
|
Why?
|
|
|
|
WESLEY
|
|
I wanna scare myself. What do
|
|
you think -- Bulgallian rats?
|
|
Lightning storm?
|
|
|
|
WORF
|
|
Do those things frighten you?
|
|
|
|
WESLEY
|
|
Kinda. But's it's exciting, too.
|
|
You know, that rolling feeling
|
|
in your stomach?
|
|
|
|
WORF
|
|
No. I don't know. Wesley... The
|
|
Psych Test is no more or less
|
|
important than the rest of the
|
|
process.
|
|
|
|
WESLEY
|
|
That's what they said, but it's
|
|
all I can think about.
|
|
|
|
WORF
|
|
Thinking about what you can't
|
|
control simply wastes your energy
|
|
and creates its own fear.
|
|
|
|
WESLEY
|
|
(angry)
|
|
How can they know what my deepest
|
|
fear is when I don't?
|
|
|
|
WORF
|
|
(shrugs)
|
|
By analyzing your psychological
|
|
profile. They were right about
|
|
everyone I tested with. Including
|
|
myself.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 24.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
You? I didn't think there was
|
|
anything that could frighten a
|
|
Klingon warrior.
|
|
|
|
WORF
|
|
Only fools have no fear.
|
|
|
|
WESLEY
|
|
I'm sorry, Lieutenant Worf. I
|
|
shouldn't ask so many personal
|
|
questions.
|
|
|
|
Worf stares at Wesley for a moment.
|
|
|
|
WORF
|
|
It is very... difficult for me
|
|
to depend on anyone else. For
|
|
anything. But especially for my
|
|
life.
|
|
|
|
WESLEY
|
|
But on the Enterprise you do that
|
|
every day. Everyone depends on
|
|
everyone else to protect them.
|
|
|
|
WORF
|
|
Yes.
|
|
|
|
WESLEY
|
|
Then you got over it.
|
|
|
|
WORF
|
|
No. It is still my enemy.
|
|
|
|
Wesley looks at Worf with intense admiration.
|
|
|
|
23 INT. MAIN BRIDGE
|
|
|
|
Picard and Riker are at the Aft Station reviewing
|
|
supply choices. Remmick stands, watching and making
|
|
entries.
|
|
|
|
RIKER
|
|
... With this new extricator, sir,
|
|
we could eliminate three other
|
|
bulky machines from cargo space.
|
|
|
|
PICARD
|
|
Excellent, Number One.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 25.
|
|
|
|
23 CONTINUED:
|
|
|
|
TASHA
|
|
Captain, there's an unauthorized
|
|
entry in Main Shuttlebay.
|
|
|
|
Remmick becomes intensely interested.
|
|
|
|
REMMICK
|
|
"Unauthorized?"
|
|
|
|
PICARD
|
|
Who is it, Lieutenant?
|
|
|
|
TASHA
|
|
The computer reads the I.D.
|
|
number of... Jake Kurland.
|
|
|
|
PICARD
|
|
Bridge to Main Shuttlebay.
|
|
Mister Kurland... This is Captain
|
|
Picard. Respond.
|
|
|
|
REMMICK
|
|
Isn't the area secured? I want
|
|
answers.
|
|
|
|
RIKER
|
|
Not now, Remmick... Captain, he's
|
|
going to take her out.
|
|
|
|
PICARD
|
|
Lock off the bay launch doors.
|
|
|
|
WORF
|
|
Too late, sir. He's using the
|
|
flight emergency override...
|
|
|
|
GEORDI
|
|
Smart kid.
|
|
|
|
Remmick's taking notes.
|
|
|
|
TASHA
|
|
... He's launching!
|
|
|
|
PICARD
|
|
Enterprise to shuttlecraft.
|
|
Mister Kurland.
|
|
|
|
23A EXT. SPACE - THE SHUTTLECRAFT (OPTICAL)
|
|
|
|
It LAUNCHES.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 26.
|
|
|
|
24 INT. SHUTTLECRAFT - COCKPIT
|
|
|
|
Jake's at the controls.
|
|
|
|
JAKE
|
|
Captain Picard. I'm going to
|
|
Beltane Nine to sign onto a
|
|
freighter. Tell my father I'm
|
|
sorry.
|
|
|
|
PICARD (V.O.)
|
|
Tell him in person. Bring the
|
|
ship back. Now.
|
|
|
|
Jake shakes his head and WHISPERS:
|
|
|
|
JAKE
|
|
No. I can't face him. I'm
|
|
leaving.
|
|
|
|
Jake works the controls, and the shuttle LURCHES, the
|
|
LIGHTS DIM, the ENGINE NOISE DIES. His face shows
|
|
panic as he frantically recomputes, and works the
|
|
controls again.
|
|
|
|
JAKE
|
|
(continuing)
|
|
I've lost power!
|
|
|
|
25 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The crew is shocked by Jake's mistake.
|
|
|
|
RIKER
|
|
All he's got left are his
|
|
maneuvering jets.
|
|
|
|
GEORDI
|
|
At that trajectory, he'll hit the
|
|
atmosphere and melt at two hundred
|
|
kilometers.
|
|
|
|
PICARD
|
|
Probable impact?
|
|
|
|
DATA
|
|
Atmospheric entry... seventy-eight
|
|
seconds.
|
|
|
|
PICARD
|
|
Options?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT TWO 27.
|
|
|
|
25 CONTINUED:
|
|
|
|
TASHA
|
|
He's out of transporter range.
|
|
|
|
WORF
|
|
Tractor beam?
|
|
|
|
RIKER
|
|
Won't work. He's too far away
|
|
for a positive lock.
|
|
|
|
REMMICK
|
|
You're completely responsible for
|
|
that boy's life, Captain.
|
|
|
|
PICARD
|
|
(to Remmick)
|
|
Either get out of my way and be
|
|
quiet, or I will have you escorted
|
|
from the bridge... Visual on
|
|
shuttle cockpit.
|
|
|
|
TASHA
|
|
Visual on Main Viewer.
|
|
|
|
Jake's face APPEARS on the Main Viewer. He's
|
|
terrified.
|
|
|
|
JAKE (V.O.)
|
|
The engine's dead. What am I
|
|
gonna do?
|
|
|
|
PICARD
|
|
Stay calm, Jake. We'll get you
|
|
back.
|
|
|
|
The crew looks anxiously at Jake on the Viewer, then
|
|
at Picard, who is grim.
|
|
|
|
25A INT. SHUTTLECRAFT - COCKPIT (HIS P.O.V.) (OPTICAL)
|
|
|
|
As Jake watches Relva 7 looming closer by the second.
|
|
|
|
JAKE
|
|
Please help me!
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
26 EXT. SPACE - SHUTTLECRAFT (OPTICAL)
|
|
|
|
as it hurtles towards Relva 7.
|
|
|
|
27 INT. SHUTTLECRAFT - COCKPIT (CONTINUOUS ACTION)
|
|
(OPTICAL)
|
|
|
|
Jake's futilely fighting the useless controls. Relva 7
|
|
looms even CLOSER on his Viewer.
|
|
|
|
PICARD (V.O.)
|
|
Jake!
|
|
|
|
JAKE
|
|
It's no use, Captain. I'm going
|
|
to die out here.
|
|
|
|
28 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
ON the Main Viewer, Jake is desolate.
|
|
|
|
PICARD
|
|
Mister Kurland! You are not going
|
|
to die out there. Do exactly
|
|
as I tell you. Take the nose of
|
|
the shuttle and aim it directly
|
|
at Relva 7.
|
|
|
|
Riker and the others REACT to this, startled.
|
|
|
|
29 OMITTED
|
|
|
|
30 INT. SHUTTLECRAFT - COCKPIT (OPTICAL)
|
|
|
|
The planet's COMING CLOSER.
|
|
|
|
JAKE
|
|
Aim it at Relva? I can't do
|
|
that. It's crazy.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 29.
|
|
|
|
31 INT. MAIN BRIDGE
|
|
|
|
The crew watches grimly.
|
|
|
|
DATA
|
|
Twenty-eight seconds to impact...
|
|
|
|
PICARD
|
|
Jake, listen carefully. I'm the
|
|
captain and I'm giving you an
|
|
order. Aim the shuttle at Relva.
|
|
Now.
|
|
|
|
32 INT. SHUTTLECRAFT - COCKPIT (OPTICAL)
|
|
|
|
Jake hesitates, then maneuvers the nose of the craft
|
|
directly at Relva.
|
|
|
|
JAKE
|
|
Okay. It's done.
|
|
|
|
33 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard is monitoring Data's console.
|
|
|
|
PICARD
|
|
Good. Monitor your speed
|
|
exactly. When it hits point zero-two-zero,
|
|
I want you to restart
|
|
the engine and pull up, hard!
|
|
|
|
33A INT. SHUTTLECRAFT - COCKPIT
|
|
|
|
ON Jake's face.
|
|
|
|
JAKE
|
|
Point zero-two-zero speed...
|
|
Captain, I sure hope you're right.
|
|
|
|
PICARD (V.O.)
|
|
You'll just have to trust me.
|
|
|
|
JAKE
|
|
(nodding)
|
|
Point zero-zero-three; zero-zero-nine;
|
|
zero-one-two...
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 30.
|
|
|
|
33B INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard, Riker and the others tensely watch Jake's face.
|
|
He's pouring sweat.
|
|
|
|
PICARD
|
|
Hang on tight. It's going to be
|
|
bumpy.
|
|
|
|
JAKE (V.O.)
|
|
Zero-one-five, zero-one-nine.
|
|
|
|
PICARD
|
|
Now! Start the engine!
|
|
|
|
33C INT. SHUTTLECRAFT - COCKPIT (OPTICAL)
|
|
|
|
Jake starts the engine. WE HEAR IT CATCH as he pulls
|
|
the shuttle up.
|
|
|
|
33D EXT. SPACE - SHUTTLECRAFT (OPTICAL)
|
|
|
|
WE SEE the shuttle angle off the planet's atmosphere.
|
|
|
|
34 OMITTED
|
|
|
|
35 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
CHEERS all around, including Remmick, who's standing
|
|
over the console.
|
|
|
|
RIKER
|
|
Incredible, Captain!
|
|
|
|
REMMICK
|
|
He bounced her off the atmosphere!
|
|
|
|
PICARD
|
|
Mister Kurland, can you maneuver the
|
|
shuttle home?
|
|
|
|
JAKE (V.O.)
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Do so. Then report to Mister Riker.
|
|
|
|
Jake is so relieved, he doesn't care he's in deep
|
|
trouble.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 31.
|
|
|
|
35 CONTINUED:
|
|
|
|
JAKE (V.O.)
|
|
Yes, sir!
|
|
|
|
RIKER
|
|
Main Shuttle Bay, prepare to
|
|
receive shuttle.
|
|
|
|
Remmick stops smiling.
|
|
|
|
REMMICK
|
|
Very... original, Captain. But
|
|
how did this child gain access
|
|
to a Shuttlecraft?
|
|
|
|
RIKER
|
|
Kurland is a highly qualified
|
|
Enterprise Academy candidate and
|
|
fully trained in many areas ...
|
|
including shuttles.
|
|
|
|
REMMICK
|
|
And did this "full" training
|
|
include discipline?
|
|
|
|
PICARD
|
|
Young men sometimes make rash
|
|
choices, Mister Remmick. Which is
|
|
why Mister Kurland will receive a
|
|
strong refresher specifically in
|
|
discipline...
|
|
|
|
REMMICK
|
|
I'll note that in my report.
|
|
|
|
Picard turns away from Remmick as Riker starts to
|
|
protest:
|
|
|
|
PICARD
|
|
Full cooperation, Number One.
|
|
|
|
36 EXT. RELVA 7 (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
37 INT. RELVA 7 - CORRIDOR
|
|
|
|
Wesley walks down the hall as Oliana is having an
|
|
intense M.O.S. discussion with Chang outside his
|
|
office. He's telling her what her point standing is
|
|
in relation to the other candidates. Chang ENTERS
|
|
his office, leaving her there looking dejected.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 32.
|
|
|
|
37 CONTINUED:
|
|
|
|
WESLEY
|
|
Oliana!
|
|
|
|
OLIANA
|
|
Oh. Hi, Wes.
|
|
|
|
WESLEY
|
|
I, um, thought you might want to
|
|
have lunch... together.
|
|
|
|
OLIANA
|
|
Thanks, but I'm not very hungry.
|
|
|
|
WESLEY
|
|
Oh... okay.
|
|
|
|
She pats him on the hand.
|
|
|
|
OLIANA
|
|
It's not you... it's just that
|
|
Mordock and you are so far ahead
|
|
in points, I'll never catch up.
|
|
|
|
WESLEY
|
|
Oh. Sorry.
|
|
(worried)
|
|
You're not leaving., are you?
|
|
|
|
OLIANA
|
|
And give up? Never. Besides,
|
|
it'll be good practice for next
|
|
year. See you later.
|
|
|
|
She's almost back to her cheerful self. Wesley stares
|
|
after her thoughtfully, then turns around, almost
|
|
bumping into Mordock.
|
|
|
|
MORDOCK
|
|
Ah, Wesley. Distracted by the
|
|
female human again. No matter.
|
|
It does not seem to diminish your
|
|
mental faculties. You do good
|
|
work.
|
|
|
|
WESLEY
|
|
Me? No, you're the one. I've
|
|
studied the Mordock Strategy...
|
|
|
|
MORDOCK
|
|
Are you a player of Benzite chess?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 33.
|
|
|
|
37 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
Sure!
|
|
|
|
MORDOCK
|
|
If you like, we can discuss this
|
|
at lunch... I am hungry.
|
|
|
|
Wesley cheers up.
|
|
|
|
WESLEY
|
|
Me too!
|
|
|
|
They start towards the Mess Hall. RONDON, an
|
|
irritable, powerful-looking Alien, WALKS TOWARDS them
|
|
with a package under his arm.
|
|
|
|
RONDON
|
|
(to Wesley)
|
|
You. I have a package for
|
|
Operations. Where is it?
|
|
|
|
WESLEY
|
|
End of the corridor on your right.
|
|
Room 406...
|
|
|
|
As Rondon walks away, he BUMPS right into Wesley.
|
|
|
|
RONDON
|
|
You blocked my path... you
|
|
Bulgallian sludge rat!
|
|
|
|
TAC Officer Chang LEAVES his office and HEADS their
|
|
way.
|
|
|
|
WESLEY
|
|
I apologize. An honest mistake,
|
|
okay? I'm sorry.
|
|
|
|
CHANG
|
|
Is there a problem here,
|
|
gentlemen?
|
|
|
|
WESLEY
|
|
No, sir... I, he...
|
|
|
|
RONDON
|
|
(shouting)
|
|
How dare you! I am Rondon, you
|
|
despicable Melanoid slimeworm!
|
|
(raises fist)
|
|
Liar!
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 34.
|
|
|
|
37 CONTINUED: (3)
|
|
|
|
Wesley sees the fist and suddenly becomes tough and
|
|
straightforward. He advances towards Rondon.
|
|
|
|
WESLEY
|
|
Who do you think you're bullying?
|
|
You bumped into me. It was your
|
|
mistake. You were rude.
|
|
(assuming defense
|
|
posture)
|
|
Do you want this to become
|
|
violent?
|
|
|
|
Mordock moves to separate them, but Chang motions him
|
|
back, as Wesley holds his ground. Abruptly, Rondon
|
|
warmly pats Wesley on the Back.
|
|
|
|
RONDON
|
|
Friend. I like you.
|
|
|
|
He turns and is GONE. Mordock is confused.
|
|
|
|
MORDOCK
|
|
A very strange reaction.
|
|
|
|
WESLEY
|
|
Not really. When he held up his
|
|
hand, I could see it was
|
|
webbed... the sign of a Zaldan.
|
|
|
|
CHANG
|
|
But you became hostile.
|
|
|
|
WESLEY
|
|
Zaldans are infuriated by
|
|
courtesy. They see it as a form
|
|
of phony social behavior, designed
|
|
to hide real feelings.
|
|
|
|
CHANG
|
|
Congratulations, Mister Crusher.
|
|
You handled that particular
|
|
incident very well.
|
|
|
|
Mordock is alerted.
|
|
|
|
MORDOCK
|
|
Was that "incident" deliberate?
|
|
|
|
CHANG
|
|
It's important to know how you
|
|
candidates deal with other
|
|
cultures, other species.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 35.
|
|
|
|
37 CONTINUED: (4)
|
|
|
|
MORDOCK
|
|
Then it was a test.
|
|
|
|
CHANG
|
|
Yes. Not all tests are
|
|
announced. Or what they appear
|
|
to be.
|
|
|
|
He smiles and LEAVES.
|
|
|
|
MORDOCK
|
|
Zaldans have webbed fingers?
|
|
I wouldn't have passed.
|
|
|
|
They share a look. They can't relax for a second.
|
|
|
|
38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
still in orbit.
|
|
|
|
39 INT. OBSERVATION LOUNGE - MONTAGE
|
|
|
|
Remmick holds court as he interviews the bridge
|
|
Officers, one by one. First is Data:
|
|
|
|
REMMICK
|
|
Commander Data, I'm getting very
|
|
little cooperation from the bridge
|
|
crew. You're an android, correct?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
REMMICK
|
|
And as an android, you are
|
|
programmed to tell the entire
|
|
truth?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
REMMICK
|
|
There is a problem with this ship,
|
|
Mister Data. It's in the records,
|
|
somewhere. I need your help to
|
|
find it.
|
|
|
|
DATA
|
|
All the ship's records are
|
|
available to you, sir.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 36.
|
|
|
|
39 CONTINUED:
|
|
|
|
REMMICK
|
|
This information is very cleverly
|
|
hidden. Your captain is not what
|
|
he appears to be. Do not forget
|
|
you have loyalty to Starfleet
|
|
above all else.
|
|
|
|
DATA
|
|
Loyalty is not the issue,
|
|
Commander. There is nothing wrong
|
|
with Captain Picard -- or the
|
|
ship's logs. Therefore there must
|
|
be something wrong with your
|
|
original assumption.
|
|
|
|
REMMICK
|
|
That is not acceptable, Mister Data.
|
|
|
|
DATA
|
|
Acceptable or not, sir, it is the
|
|
truth.
|
|
|
|
CUT TO:
|
|
|
|
Remmick interviewing Worf:
|
|
|
|
REMMICK
|
|
(looking at some notes)
|
|
Just how did this contaminant come
|
|
on board?
|
|
|
|
WORF
|
|
By accident, sir.
|
|
|
|
REMMICK
|
|
Meaning Captain Picard has no
|
|
standing procedure for this type
|
|
of situation?
|
|
|
|
WORF
|
|
No. Meaning "by accident" sir.
|
|
|
|
REMMICK
|
|
You don't like me very much, do
|
|
you?
|
|
|
|
WORF
|
|
Is it required, sir?
|
|
|
|
CUT TO:
|
|
|
|
Remmick interviewing Beverly:
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 37.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
REMMICK
|
|
How would you characterize your
|
|
relationship with Captain Picard?
|
|
|
|
BEVERLY
|
|
We're officers of Starfleet who
|
|
have known each other for many
|
|
years.
|
|
|
|
Remmick leans in towards her.
|
|
|
|
REMMICK
|
|
Everything said here is
|
|
confidential, Doctor. You can
|
|
be completely open with me.
|
|
|
|
BEVERLY
|
|
About what?
|
|
|
|
REMMICK
|
|
About how you feel serving with
|
|
a man who was responsible for the
|
|
death of your husband.
|
|
|
|
BEVERLY
|
|
My personal feelings about
|
|
Captain Picard are irrelevant
|
|
to this investigation. And none
|
|
of your business.
|
|
|
|
CUT TO:
|
|
|
|
Remmick with Picard.
|
|
|
|
REMMICK
|
|
Then you confirm the logs are
|
|
accurate: you violated the Prime
|
|
Directive with the Edo? You
|
|
deliberately interfered with their
|
|
laws?
|
|
|
|
PICARD
|
|
Yes. It's exactly as I explained
|
|
it in the log records.
|
|
|
|
REMMICK
|
|
All to save Doctor Crusher's son?
|
|
|
|
PICARD
|
|
One of my crew was held unjustly.
|
|
I stand by my decision.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT THREE 38.
|
|
|
|
39 CONTINUED: (3)
|
|
|
|
Remmick fumbles around, looking for something else to
|
|
ask.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Mister Remmick, you have talked to
|
|
everyone on this ship. I think
|
|
you've had enough time to find
|
|
out whatever it is you need to
|
|
know.
|
|
|
|
REMMICK
|
|
Are you worried that if I keep
|
|
looking I'll find what you're
|
|
guilty of?
|
|
|
|
PICARD
|
|
The only thing I'm guilty of is
|
|
allowing this charade to go on
|
|
too long.
|
|
|
|
He gets up, as WE:
|
|
|
|
40 OMITTED
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 39.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around Relva 7.
|
|
|
|
42 INT. ENTERPRISE - ADMIRAL'S QUARTERS
|
|
|
|
The admiral looks weary as Picard and he watch each
|
|
other carefully.
|
|
|
|
PICARD
|
|
If it's me you're after, Admiral,
|
|
ask me directly what you want to
|
|
know. Then tell me exactly what's
|
|
going on.
|
|
|
|
QUINN
|
|
I need a little more time,
|
|
Jean-Luc.
|
|
|
|
PICARD
|
|
How much time? I won't tolerate
|
|
my crew being harassed any longer.
|
|
|
|
QUINN
|
|
Remmick's full report is almost
|
|
ready.
|
|
|
|
PICARD
|
|
I want to be here when he presents
|
|
it.
|
|
|
|
QUINN
|
|
That has always been my intention.
|
|
|
|
Quinn pushes a com button near his hand.
|
|
|
|
QUINN
|
|
(continuing)
|
|
Commander Remmick, report to
|
|
Admiral Quinn.
|
|
|
|
REMMICK'S COM VOICE
|
|
On my way, sir.
|
|
|
|
Picard looks at Quinn sadly.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 40.
|
|
|
|
42 CONTINUED:
|
|
|
|
PICARD
|
|
This has been a strain on our
|
|
friendship.
|
|
|
|
QUINN
|
|
I know. Believe me, Jean-Luc,
|
|
I regret that, but it has been
|
|
necessary.
|
|
|
|
43 EXT. RELVA 7 (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
44 INT. RELVA 7 - CLASSROOM
|
|
|
|
The four finalists are again in front of their separate
|
|
computer screens. Chang is at the front of the room.
|
|
|
|
CHANG
|
|
This test will be graded as to
|
|
the number of problems you
|
|
complete within the allotted time.
|
|
|
|
As the computers LIGHT UP, he LEAVES the room.
|
|
|
|
COMPUTER VOICE
|
|
The Carlundrum I.Q. Test will now
|
|
appear. The task is to predict
|
|
the variable patterns of Platonic
|
|
Solids. Your responses will be
|
|
timed. Begin.
|
|
|
|
The four students stare at their separate screens as
|
|
images APPEAR. Wesley watches the screen as various
|
|
SHAPES (triangles, squares, etc.) APPEAR in various
|
|
COLORS and PATTERNS, SPINNING in a space, ROTATING
|
|
along their axes, and REAPPEARING with DIFFERENT
|
|
markings. The PICTURE CHANGES rapidly from one to
|
|
another in seemingly meaningless combinations. Wesley
|
|
watches, then begins his move.
|
|
|
|
45 ANGLE ON WESLEY AND MORDOCK
|
|
|
|
as they continue to predict the patterns and program
|
|
the shapes and colors onto the screen before the
|
|
computer does. Wesley is really having a good time.
|
|
Mordock, on the other hand, is tense and misses one
|
|
or two sequences, then has to go back.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 41.
|
|
|
|
46 ACROSS THE ROOM
|
|
|
|
T'Shanik moves methodically and calmly through the
|
|
problems. Oliana moves with great bursts of energy,
|
|
then pauses.
|
|
|
|
47 WESLEY
|
|
|
|
pushes the console with ease. The time is rapidly
|
|
diminishing. Mordock begins to struggle.
|
|
|
|
MORDOCK
|
|
I... I can't get... it.
|
|
|
|
WESLEY
|
|
Don't fight it. Relax into it
|
|
and just do it automatically.
|
|
|
|
MORDOCK
|
|
No... it's going too fast!
|
|
|
|
Mordock jabs at the controls, but his fingers trip over
|
|
one another. Wesley glances over to Mordock's screen.
|
|
|
|
WESLEY
|
|
You're doing all right...
|
|
|
|
Wesley looks back to his screen, and keeps up, but has
|
|
lost a few seconds.
|
|
|
|
MORDOCK
|
|
No... no. Wesley, I can't do it.
|
|
|
|
Wesley glances away again, points at Mordock's screen.
|
|
|
|
WESLEY
|
|
(DIALOGUE TO BE WRITTEN)
|
|
|
|
Mordock realizes he's right, and punches the
|
|
combination in, finishing the test. The last set of
|
|
SHAPES FLASH different COLORS. Wesley finishes his
|
|
test a beat later.
|
|
|
|
COMPUTER VOICE
|
|
Test completed.
|
|
|
|
Mordock is very upset as Chang COMES BACK INTO the
|
|
room.
|
|
|
|
MORDOCK
|
|
Mister Chang...
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 42.
|
|
|
|
47 CONTINUED:
|
|
|
|
CHANG
|
|
Congratulations, Mordock. That
|
|
was the second fastest time
|
|
recorded on this test. You all
|
|
did well.
|
|
|
|
MORDOCK
|
|
It should not have been that way.
|
|
Mister Crusher helped me.
|
|
|
|
CHANG
|
|
Yes. I know. An interesting
|
|
choice, Mister Crusher. Especially
|
|
considering how close you and Mister
|
|
Mordock are in overall score.
|
|
|
|
WESLEY
|
|
Yes, sir.
|
|
|
|
CHANG
|
|
You all have an hour to prepare
|
|
for your last test.
|
|
|
|
WESLEY
|
|
The Psych Test, sir?
|
|
|
|
CHANG
|
|
We prefer to think of it as a
|
|
psychological evaluation based
|
|
on reactions to various individual
|
|
problems.
|
|
(smiles)
|
|
But the Psych Test will do.
|
|
|
|
48 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
orbiting Relva 7.
|
|
|
|
49 INT. ENTERPRISE - ADMIRAL'S QUARTERS
|
|
|
|
Remmick ENTERS.
|
|
|
|
REMMICK
|
|
Sir.
|
|
|
|
QUINN
|
|
Please sit down, Mister Remmick.
|
|
Proceed with your report.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 43.
|
|
|
|
49 CONTINUED:
|
|
|
|
Picard is intent, ready and willing to hear Remmick's
|
|
findings. Remmick is very uncomfortable.
|
|
|
|
REMMICK
|
|
Admiral, I've done my best to be
|
|
objective during this
|
|
investigation. And yet, I feel
|
|
a sense of failure.
|
|
|
|
He hesitates.
|
|
|
|
QUINN
|
|
Continue.
|
|
|
|
REMMICK
|
|
I couldn't find what you asked,
|
|
sir. I spoke with officer after
|
|
officer, at length. I probed the
|
|
log reports. And I have found
|
|
nothing wrong. Except, perhaps,
|
|
a casual familiarity among the
|
|
bridge crew, but... mostly that
|
|
comes from a sense of teamwork.
|
|
(beat)
|
|
I'm sorry, sir. I did my best.
|
|
|
|
QUINN
|
|
Quite. You're dismissed,
|
|
Commander.
|
|
|
|
REMMICK
|
|
Yes, sir.
|
|
|
|
He gets up to leave, and pauses at the door.
|
|
|
|
REMMICK
|
|
(continuing)
|
|
Captain Picard, my tour in the
|
|
Inspector General's office will
|
|
be up in six months. When I'm
|
|
finished, this is where I'd like
|
|
to serve, sir.
|
|
|
|
He nods and LEAVES. Picard looks at Quinn.
|
|
|
|
QUINN
|
|
Don't judge the young man too
|
|
harshly. He's a good officer.
|
|
|
|
PICARD
|
|
It's not him I'm judging.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 44.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
QUINN
|
|
Don't judge me too harshly,
|
|
either. Not until I'm finished.
|
|
We had to be very sure about you.
|
|
(beat)
|
|
Some time ago, a few of us in
|
|
Starfleet Command became
|
|
suspicious of problems within
|
|
the Federation.
|
|
|
|
PICARD
|
|
What kind of problems?
|
|
|
|
QUINN
|
|
Something or someone is trying
|
|
to destroy the fabric of all we've
|
|
built over the last two hundred
|
|
years.
|
|
|
|
PICARD
|
|
What's your evidence?
|
|
|
|
QUINN
|
|
I can't go into that. Too many
|
|
other people are involved. But
|
|
if we're right, this is the most
|
|
critical time in the history of
|
|
the Federation.
|
|
|
|
PICARD
|
|
What do you want from me?
|
|
|
|
QUINN
|
|
I don't know if the threat is
|
|
coming from within or from the
|
|
outside. I need people I can trust
|
|
in strong positions throughout
|
|
the Federation.
|
|
|
|
PICARD
|
|
You have my complete support.
|
|
You know that.
|
|
|
|
QUINN
|
|
Not enough. I want to promote
|
|
you to admiral, Jean-Luc. I want
|
|
you to take over as Commandant
|
|
of Starfleet Academy.
|
|
|
|
PICARD
|
|
The Academy?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FOUR 45.
|
|
|
|
49 CONTINUED: (3)
|
|
|
|
QUINN
|
|
Yes. I need you close.
|
|
|
|
PICARD
|
|
Then there was never a problem
|
|
with the Enterprise.
|
|
|
|
QUINN
|
|
No. I had to be sure you hadn't
|
|
been co-opted.
|
|
|
|
PICARD
|
|
Greg, the real issue is politics.
|
|
I'm no good at politics. Surely
|
|
there are others more suited.
|
|
|
|
Picard isn't sure how to take all of this.
|
|
|
|
QUINN
|
|
I sense you're doubtful about
|
|
this. All right. Suppose it's
|
|
the rambling paranoia of an old
|
|
man. Even if I am wrong, and I
|
|
hope I am, you're still the best
|
|
man for the job.
|
|
|
|
PICARD
|
|
I appreciate the value of what
|
|
you're offering. It's not
|
|
something I can decide quickly.
|
|
|
|
Quinn pushes him.
|
|
|
|
QUINN
|
|
I need your answer soon, Captain.
|
|
|
|
PICARD
|
|
All right. You'll have it
|
|
tonight, Admiral.
|
|
|
|
As they shake hands, WE
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
50 EXT. RELVA 7 (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
51 INT. RELVA 7 - CORRIDOR
|
|
|
|
Wesley sits nervously waiting outside the Testing Room.
|
|
He closes his eyes and tries to do breathing exercises
|
|
to keep himself calm. Chang COMES OUT of the Testing
|
|
Room.
|
|
|
|
CHANG
|
|
Mister Mordock will be finished with
|
|
his Psych Test momentarily.
|
|
|
|
Wesley watches the door, waiting. It slides OPEN, but
|
|
no one is there. Then... Mordock EMERGES, badly
|
|
shaken, his face covered with sweat. He looks down
|
|
at his hands.
|
|
|
|
WESLEY
|
|
Mordock? Are you... all right?
|
|
|
|
Mordock tries not to scare Wesley.
|
|
|
|
MORDOCK
|
|
I will be...
|
|
|
|
CHANG
|
|
Mister Crusher... you're next. Good
|
|
luck.
|
|
|
|
Chang gestures for Wesley to enter. Wesley hesitates,
|
|
then STEPS THROUGH. The door slides SHUT behind him.
|
|
|
|
52 OMITTED
|
|
|
|
53 INT. RELVA 7 - TESTING ROOM
|
|
|
|
An ordinary room. White walls, two or three chairs, no
|
|
windows. Wesley looks around for some guidance as to
|
|
the next step. He waits a beat, then looks around and
|
|
decides to sit down. Still nothing.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 47.
|
|
|
|
53 CONTINUED:
|
|
|
|
WESLEY
|
|
Hello?
|
|
|
|
He gets up and starts to pace.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
I'm here. I'm, uh, ready.
|
|
|
|
Nothing. He sits down again.
|
|
|
|
WESLEY
|
|
(continuing; muttering)
|
|
Maybe they forgot.
|
|
|
|
Wesley jumps up again and resumes pacing.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
Breathe. Gotta remember to
|
|
breathe.
|
|
|
|
He's startled by something -- a sound, a sense of
|
|
something wrong. He becomes alert, checking out the
|
|
room. He takes another deep breath, then realizes he
|
|
hears something in the distance -- MUFFLED THUD. He
|
|
moves towards the door he entered. He listens intently
|
|
near the door, and hears a LOUDER NOISE. Wesley opens
|
|
the door manually and ENTERS the corridor.
|
|
|
|
54 INT. RELVA 7 - LONG CORRIDOR
|
|
|
|
Several more O.S. EXPLOSIONS. Wesley runs towards its
|
|
source. He reaches a door and hears ALARMS RINGING
|
|
and another EXPLOSION. The door says: "ENVIRONMENTAL
|
|
MAINTENANCE LABORATORY." He runs down the empty
|
|
corridor and YELLS.
|
|
|
|
WESLEY
|
|
Somebody help! Something's wrong
|
|
in the lab!
|
|
|
|
There is no response. Then he hears:
|
|
|
|
TECHNICIAN #1 (V.O.)
|
|
Help! We're trapped. Help!
|
|
We're gonna die.
|
|
|
|
COMPUTER VOICE (V.O.)
|
|
Evacuate immediately. Sixty-five
|
|
seconds to life-support seal-off.
|
|
|
|
Wesley presses the wallplate and the door GLIDES OPEN.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 48.
|
|
|
|
55 INT. RELVA 7 - ENVIRONMENTAL LAB
|
|
|
|
Wesley ENTERS cautiously. The door CLOSES behind him.
|
|
WIND HOWLS through the room, which has been partially
|
|
trashed by the explosions. It's FREEZING. A large
|
|
pipe has fractured, allowing fumes of liquid hydrogen
|
|
(or another gas) and a vortex of wind to act as a barrier
|
|
between Wesley and the TWO TECHNICIANS.
|
|
|
|
TECHNICIAN #1 is cowered in a corner, uninjured,
|
|
YELLING, on the other side of the wind tunnel. His
|
|
pathway out is partially blocked by debris, so he must
|
|
cross the vortex to get to the door.
|
|
|
|
TECHNICIAN #2, is trapped, under a piece of equipment
|
|
on the far side of the vortex, not far from Technician
|
|
#1.
|
|
|
|
Wesley hesitates, then makes his way ACROSS the HOWLING
|
|
WIND to the injured Technician. The WIND and COLD
|
|
continue to batter the two of them.
|
|
|
|
COMPUTER VOICE
|
|
Evacuate immediately. Forty-five
|
|
seconds to life-support seal-off.
|
|
|
|
Wesley tries to move the equipment off the trapped
|
|
man.
|
|
|
|
WESLEY
|
|
(to Technician #1)
|
|
Help me move this!
|
|
|
|
The Technician remains cowered in the corner, shaking
|
|
his head. Wesley keeps pushing the equipment.
|
|
|
|
WESLEY
|
|
(continuing)
|
|
You have to help me!
|
|
|
|
TECHNICIAN #1
|
|
I can't! It's too late. We're
|
|
going to die! The liquid
|
|
hydrogen's gonna blow!
|
|
|
|
TECHNICIAN #2
|
|
Please don't leave me! The
|
|
shut-off valve ruptured. If we
|
|
don't get out of here fast,
|
|
they'll seal us off to contain
|
|
the explosion!
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 49.
|
|
|
|
55 CONTINUED:
|
|
|
|
COMPUTER VOICE
|
|
Evacuate immediately. Twenty-five
|
|
seconds to seal-off.
|
|
|
|
Wesley finds something to use as a lever. The
|
|
equipment begins to move slightly. Beads of sweat pour
|
|
off Wesley's face as he makes a Herculean last effort.
|
|
Technician #2's leg is free. Wesley drags him out.
|
|
He turns to Technician #1.
|
|
|
|
WESLEY
|
|
Come on!
|
|
|
|
TECHNICIAN #1
|
|
There's no way out! I can't move
|
|
through that!
|
|
|
|
WESLEY
|
|
You have to. I can't carry you
|
|
both! You can walk. Come on.
|
|
|
|
COMPUTER VOICE
|
|
Evacuate immediately. Five
|
|
seconds to seal-off.
|
|
|
|
Technician #1 remains terrified in the corner. Wesley
|
|
hesitates a moment, then half-carries, half-drags
|
|
Technician #2 through the vortex towards the exit.
|
|
He looks back:
|
|
|
|
WESLEY
|
|
I'm sorry.
|
|
|
|
Wesley pulls Technician #2 THROUGH THE DOOR to the
|
|
corridor.
|
|
|
|
56 INT. RELVA 7 - CORRIDOR
|
|
|
|
Wesley pulls Technician #2 THROUGH THE DOOR INTO the
|
|
corridor. The door SNAPS SHUT behind him. Chang is
|
|
standing there, waiting. Wesley's heart is pounding,
|
|
his adrenaline up.
|
|
|
|
WESLEY
|
|
Officer Chang! There's been an...
|
|
|
|
CHANG
|
|
It's all right, Wesley.
|
|
|
|
The "injured" Technician gets up, brushes himself off,
|
|
and shakes Wesley's hand. Wesley's shocked.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 50.
|
|
|
|
56 CONTINUED:
|
|
|
|
TECHNICIAN #2
|
|
Thanks.
|
|
|
|
He WALKS down the corridor, leaving Wesley with Chang.
|
|
Wesley's still pale and breathing shallowly, when
|
|
Technician #1 EXITS the Lab, nods to them both, and
|
|
FOLLOWS the other Technician.
|
|
|
|
CHANG.
|
|
Excellent performance, Mister
|
|
Crusher.
|
|
|
|
WESLEY
|
|
Performance?!... That was the test.
|
|
|
|
CHANG
|
|
Yes.
|
|
|
|
WESLEY
|
|
But a man died!
|
|
|
|
CHANG
|
|
Theoretically, yes. You had to
|
|
make a choice. And you did.
|
|
There's no right or wrong about
|
|
it. Your greatest fear has been
|
|
that you couldn't make that
|
|
decision.
|
|
|
|
Wesley just looks at him, and nods his head slowly.
|
|
|
|
WESLEY
|
|
Because of my father? Because
|
|
Cap... someone made that choice
|
|
and my father died.
|
|
|
|
Chang smiles and pats Wesley on the shoulder.
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
orbiting Relva 7.
|
|
|
|
58 INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard is standing as Riker ENTERS.
|
|
|
|
RIKER
|
|
Sir?
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 51.
|
|
|
|
58 CONTINUED:
|
|
|
|
PICARD
|
|
Yes, Number One?
|
|
|
|
RIKER
|
|
Mister Remmick has left the ship.
|
|
|
|
PICARD
|
|
Yes. He found nothing wrong on
|
|
the Enterprise. You may inform
|
|
the crew that Admiral Quinn is
|
|
most impressed.
|
|
|
|
RIKER
|
|
Thank you. They'll be pleased...
|
|
Can you explain now what he was
|
|
after?
|
|
|
|
PICARD
|
|
They were after me, Number One.
|
|
They want me to take over as
|
|
Commandant of Starfleet Academy.
|
|
|
|
RIKER
|
|
Congratulations! What a wonderful
|
|
choice, sir! You'll be able to
|
|
shape the minds of the future
|
|
leaders of Starfleet.
|
|
|
|
He looks at Picard, realizes his ambivalence.
|
|
|
|
RIKER
|
|
(continuing)
|
|
You haven't decided what you're
|
|
going to do.
|
|
|
|
PICARD
|
|
Yes I have, Number One. I'm
|
|
going for a walk.
|
|
|
|
59 EXT. RELVA 7 (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
60 INT. RELVA 7 - CLASSROOM
|
|
|
|
Chang is at the front of the class as the four students
|
|
await his decision. Wesley, Oliana and Mordock are
|
|
nervous, T'Shanik impassive.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 52.
|
|
|
|
60 CONTINUED:
|
|
|
|
CHANG
|
|
I'm proud of all of you. You've
|
|
done a superb job. Each of you
|
|
would make a fine Starfleet
|
|
officer. It's unfair that only
|
|
one candidate from Relva will
|
|
attend the Academy this year --
|
|
and a loss to the Federation if
|
|
the rest of you do not return to
|
|
test again... Mister Mordock will
|
|
be the candidate. His results
|
|
were slightly higher than Mister
|
|
Crusher's. Congratulations, Mister
|
|
Mordock. You are the first
|
|
Benzite in Starfleet.
|
|
|
|
Wesley slumps in his seat. Mordock looks at all of
|
|
them, then turns to Chang.
|
|
|
|
MORDOCK
|
|
Thank you, sir, but it's not
|
|
right. It shouldn't be me.
|
|
Wesley lost points because he
|
|
helped me. He shouldn't be
|
|
punished for his generosity.
|
|
|
|
CHANG
|
|
He wasn't. He lost time, but
|
|
it wasn't only that...
|
|
Candidates, thank you and good
|
|
luck.
|
|
|
|
They all stand as Chang EXITS.
|
|
|
|
MORDOCK
|
|
I am sorry, Wesley.
|
|
|
|
WESLEY
|
|
It's okay. You deserved to win.
|
|
Besides, you would've done the
|
|
same thing for me.
|
|
|
|
They all look questioningly at Mordock, who hesitates.
|
|
Then he looks at his comrades:
|
|
|
|
MORDOCK
|
|
Yes. I believe I would.
|
|
|
|
T'Shanik APPROACHES Mordock.
|
|
|
|
T'SHANIK
|
|
Congratulations.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 53.
|
|
|
|
60 CONTINUED: (2)
|
|
|
|
She nods to the others and LEAVES the room as Oliana
|
|
and Wesley shake hands with Mordock.
|
|
|
|
OLIANA
|
|
Well, personally, I hate losing.
|
|
So you'd better be ready next
|
|
year, Wesley. I won't be easy
|
|
to beat.
|
|
|
|
Wesley smiles at the thought of seeing her again,
|
|
whatever the circumstances.
|
|
|
|
61 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
ESTABLISHING.
|
|
|
|
62
|
|
thru OMITTED
|
|
63
|
|
|
|
64 INT. CORRIDOR
|
|
|
|
Picard strides down the corridor when he runs into
|
|
Jake Kurland, who takes one look at him and would like
|
|
to be anywhere else on the Enterprise.
|
|
|
|
PICARD
|
|
Mister Kurland!
|
|
|
|
JAKE
|
|
Yes, sir.
|
|
|
|
Picard is uncomfortable around him.
|
|
|
|
PICARD
|
|
Are you... feeling better?
|
|
|
|
JAKE
|
|
Yes, sir... I'm sorry I damaged
|
|
the shuttle. But Mister Riker says
|
|
I can work on fixing it as part
|
|
of my "discipline" training.
|
|
|
|
PICARD
|
|
Good idea. I hope you learned
|
|
that running away doesn't solve
|
|
anything, young man.
|
|
|
|
JAKE
|
|
Yes, sir. I'm sorry I messed up.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 54.
|
|
|
|
64 CONTINUED:
|
|
|
|
PICARD
|
|
I know. But you did keep your
|
|
wits about you out there... don't
|
|
forget that.
|
|
|
|
JAKE
|
|
No, sir. And... thank you for
|
|
saving my life.
|
|
|
|
Now Picard would rather be anywhere else on the ship.
|
|
|
|
PICARD
|
|
You're welcome.
|
|
|
|
He turns and WALKS BACK the other way.
|
|
|
|
64A OMITTED
|
|
|
|
65 INT. OBSERVATION LOUNGE
|
|
|
|
Wesley stands there, alone and melancholy, staring at
|
|
the starfield outside the window. Picard ENTERS.
|
|
|
|
PICARD
|
|
Mister Crusher? Why aren't you in
|
|
your dress uniform for Admiral
|
|
Quinn's farewell dinner?
|
|
|
|
WESLEY
|
|
I... I didn't think it would be
|
|
appropriate.
|
|
|
|
PICARD
|
|
Why not?
|
|
|
|
WESLEY
|
|
I failed, Captain. I didn't get
|
|
into the Academy. I failed you...
|
|
and the Enterprise.
|
|
|
|
PICARD
|
|
Ridiculous. Did you do your best?
|
|
|
|
A beat. Wesley nods.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 55.
|
|
|
|
65 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
When you test next year -- and
|
|
you will test again -- do you
|
|
think your performance will
|
|
improve?
|
|
|
|
WESLEY
|
|
Well, yes...
|
|
|
|
PICARD
|
|
Good. The only person you're
|
|
truly competing against is
|
|
yourself.
|
|
|
|
WESLEY
|
|
Then you're not disappointed?
|
|
|
|
PICARD
|
|
Your failures and successes have
|
|
to be measured within, Wesley.
|
|
Not by me or anyone else... But
|
|
if it helps you to know this, I
|
|
failed my first time. And you
|
|
may not tell anyone!
|
|
|
|
WESLEY
|
|
You? You failed?
|
|
|
|
PICARD
|
|
Yes. But not the second time.
|
|
Now, do me the honor of sitting
|
|
next to me at dinner. I'm going
|
|
to have to disappoint an old
|
|
friend.
|
|
|
|
Picard smiles at Wesley as they walk to the door.
|
|
|
|
65A INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Picard and Quinn stand next to the platform. The only
|
|
other person in the room is Tasha, at the controls.
|
|
|
|
QUINN
|
|
I wish I could convince you to
|
|
change your mind.
|
|
|
|
PICARD
|
|
I'll serve you better here.
|
|
|
|
Quinn gives up.
|
|
|
|
STAR TREK: "Coming Of Age" - 12/30/87 - ACT FIVE 56.
|
|
|
|
65A CONTINUED:
|
|
|
|
QUINN
|
|
This is where you belong.
|
|
|
|
PICARD
|
|
If you need me...
|
|
|
|
Quinn brushes aside Picard's concern.
|
|
|
|
QUINN
|
|
I've been playing politics too
|
|
long. Perhaps I see conspiracy
|
|
everywhere. Don't worry.
|
|
|
|
Quinn shakes Picard's hand and then steps onto the
|
|
platform.
|
|
|
|
QUINN
|
|
(continuing)
|
|
Safe travels, my friend.
|
|
|
|
Quinn nods to Tasha, who works the console. Picard
|
|
stares at Quinn for a long time, as if memorizing what
|
|
he looks like. The admiral is BEAMED DOWN.
|
|
|
|
65B INT. MAIN BRIDGE
|
|
|
|
Picard STEPS OFF the turbolift. He walks to where
|
|
Wesley sits at the Conn, and stands between Wesley and
|
|
Data.
|
|
|
|
PICARD
|
|
Set course to Algeron 4, Mister
|
|
Crusher.
|
|
|
|
WESLEY
|
|
Course plotted and laid in, sir.
|
|
|
|
PICARD
|
|
You know, we're really alike, you
|
|
and I. Both explorers to the
|
|
core... Engage, Mister Crusher.
|
|
|
|
Wesley smiles happily at Picard's praise.
|
|
|
|
66 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
moves off to its next destination, as WE:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|