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60 KiB
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STAR TREK: THE NEXT GENERATION
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"Where Silence Has Lease"
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#40272-128
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Written by
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Jack B. Sowards
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Directed by
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Winrich Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1988 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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REVISED FINAL DRAFT
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SEPTEMBER 27, 1988
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STAR TREK: "Where Silence... " - 9/27/88 - CAST
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STAR TREK: THE NEXT GENERATION
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"Where Silence Has Lease"
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CAST
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PICARD NAGILUM
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RIKER
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DATA Non-Speaking
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PULASKI TWO ALIEN WARRIORS
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TROI
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GEORDI
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WORF
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WESLEY
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TRANSPORTER CHIEF
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HASKELL
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Voice-Over
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COMPUTER VOICE
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STAR TREK: "Where Silence... " - 9/27/88 - SETS
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STAR TREK: THE NEXT GENERATION
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"Where Silence Has Lease"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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HOLODECK USS YAMATO
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GEORDI'S OFFICE
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GEORDI'S AFT BRIDGE STATION ROMULAN VESSEL
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TRANSPORTER ROOM
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OBSERVATION LOUNGE
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CORRIDOR
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MAIN ENGINEERING -
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COMPUTER ROOM
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PICARD'S QUARTERS
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CAPTAIN'S READY ROOM
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USS YAMATO
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CORRIDOR
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MAIN BRIDGE
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SECOND BRIDGE
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STAR TREK: "Where Silence... " - 9/27/88 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Where Silence Has Lease"
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PRONUNCIATION GUIDE
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NAGILUM nah-GHEE-lum
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Where Silence Has Lease"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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It is moving gracefully at full impulse.
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2 INT. MAIN BRIDGE
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JEAN-LUC PICARD is in the command chair. TROI is
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beside him. DATA is at Ops; WESLEY at Conn. Neither
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Worf nor Riker is on the bridge. Picard appears to
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be on edge.
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TROI
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You're worried.
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PICARD
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With reason.
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TROI
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About Worf, or about Commander
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Riker?
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PICARD
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Both.
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(pauses)
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I think perhaps it is best to
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be ignorant of certain elements
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of the Klingon psyche.
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Off Troi's reaction.
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3 INT. HOLODECK - DEMOLISHED AREA
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Everywhere there is evidence of a desperate battle,
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fought on a very primitive level by creatures of
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consummate rage.
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4 CLOSE ON WORF
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His eyes blaze with controlled fury as he moves
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carefully around a semi-demolished wall and peers
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inside the battle-damaged room. He coils as he hears
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the eerie sound of a low moan, then cautiously steps
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forward.
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 2.
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5 RIKER
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is a few paces behind. He is very tense as he moves
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closer to the large Klingon warrior. Riker touches
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the tear in his uniform and massages the bruise on his
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shoulder.
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6 ANOTHER ANGLE - RIKER AND WORF
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WORF touches RIKER's shoulder, signals him to move to
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the right. Riker moves off. Worf pauses a beat, then
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slips away to the left.
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7 WIDER ANGLE
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carrying them to the edge of the rubble-cluttered room.
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Careful not to touch anything, Worf is moving like a
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panther. He freezes as the CLICKING SOUND OF METAL ON
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METAL is barely heard. He waves his arm to Riker,
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motioning him back, then slowly he also backs away
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painstakingly, trying to fit his toes back into his
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exact footsteps. We HOLD on these moves a beat and
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then suddenly:
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8 RIKER
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spins and looks upward, calls over to Worf.
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RIKER
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Above, look out!
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9 NEW ANGLE
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A man-sized boulder drops down from overhead. Worf
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dives to the side as the boulder smashes the ground in
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the place where he just stood.
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10 ON WORF
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As he rolls catlike to his feet, the massive form of an
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ALIEN WARRIOR leaps onto his back bringing him back to
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the ground. The alien raises a club-like weapon over
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his head and swings down at Worf's head.
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11 RIKER
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Catches the alien's arm just before the club makes
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contact and drives him off his feet. He kicks him and
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follows after him to the other side of the room as:
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 3.
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12 WORF
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turns to face the charge of ANOTHER ALIEN who wields
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a battle axe and swings it in a deadly arc. Worf ducks
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under the axe and gets a grip on the alien's arm and
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they press against each other's strength.
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13 CLOSER
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Worf, grunting in a half-roar, slowly forces the alien
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back, then with a bellow and a gargantuan heave, Worf
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throws the alien to the side.
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14 SCENE
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Worf leaps at the alien who is caught in half-stride.
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Worf drives his forearm into his opponent's throat and
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as he becomes limp, drives a double-handed blow to the
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back of the alien's head. Worf's enemy drops.
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15 RIKER
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ducks under the alien's club and drives a blow to the
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lower extremities of his opponent. The attacker
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doubles over and Riker hits him on the way down. But
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he no sooner hits the ground than he is back on his
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feet, charging Riker. Our first officer steps to his
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side and strikes at the alien as he goes by, heading
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straight at Worf.
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16 NEW ANGLE
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Worf turns to face the onrushing alien. He thunders
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out his challenge, picks up the club from the prone
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alien, swings it at the new rival.
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17 REVERSE
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The alien ducks the blow and swings back.
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18 RIKER
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about to enter into the fight, then he holds a beat,
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stops and watches somewhat in awe.
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 4.
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19 WORF / ALIEN
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The alien connects with a savage blow to Worf's body.
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Worf takes the blow and returns his own.
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They trade blows, one for one, taking the pain and
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returning it. Then slowly the alien sinks to his
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knees, then rolls over on his side.
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20 ON WORF
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as he steps over the alien warrior, roars out his
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victorious celebration chant, and lifts the club for
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the final fatal blow. His eyes are on fire. He
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smashes it down on his opponent, then spins around for
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a new battle.
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21 RIKER
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Suddenly a little unsure of Worf's intentions, he backs
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a step, waits.
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22 WORF
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Worf sounds out a new challenge. He scans the room for
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his next adversary -- he's still coiled and in need of
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action. Suddenly he swings his club at the wall.
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Pounding it with rage. Broken bricks and mortar fly.
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His fury is all consuming. He rips and slashes at
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everything standing.
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23 NEW ANGLE
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Riker watches -- still concerned. He thought he knew
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the power and fury of this Klingon. Worf continues to
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exercise his rage around the room. Anything that
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stands, hangs, bulges, protrudes, or is suspended, is
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demolished until there is nothing left to flatten.
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Nothing left upright except... Worf turns -- his eyes
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still blaze as they fall upon...
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24 RIKER
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The only thing left standing. Riker tenses.
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RIKER
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It's over.
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 5.
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25 WORF
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This seems to have no effect on Worf who seems almost
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out of control. A snarl -- low and vicious -- pushes
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out of his twisted mouth. He takes a step forward.
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RIKER
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The exercise is over.
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26 SCENE
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Riker calls more sternly.
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RIKER
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At ease, Lieutenant!
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Worf is almost upon Riker before beginning to regain
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control of himself. He takes a deep breath, forcing
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himself to become calmer. He flexes his muscles, then
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seems pleased.
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27 EMPHASIZING RIKER (OPTICAL)
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RIKER
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Exit Holodeck.
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The EXIT APPEARS as Riker turns to Worf.
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RIKER
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(continuing)
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You do this every day?
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WORF
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No -- usually my calisthenics are
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more...
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(he searches for the
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right word, then
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settles for)
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... intense, but those sessions
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are too personal to be shared.
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RIKER
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(dryly)
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I'll bet they are.
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28 RIKER (OPTICAL)
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takes a look around at the devastation on the Holodeck
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and is thankful that Worf is on his side.
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STAR TREK: "Where Silence... " - 9/27/88 - TEASER 6.
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28 CONTINUED:
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WORF (O.S.)
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Computer. Program complete --
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save.
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Before Riker's eyes, THE BATTLE SCENE FADES, and all
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that is left is the empty Holodeck. Worf pauses at the
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door.
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WORF
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(continuing)
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Coming Commander?
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RIKER
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Right behind you.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 7.
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ACT ONE
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FADE IN:
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29 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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is moving through deep space. No large planets or suns
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nearby... just a Milky Way of distant suns spread
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across space like a tightly woven blanket of lights.
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PICARD (V.O.)
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Captain's log, Stardate 42193.6.
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We are on a long reach toward the
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Morgana Quadrant, a section of
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the galaxy which has yet to be
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visited by a manned Federation
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vessel. We are using the time
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to further detail the charts of
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this region.
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30 INT. MAIN BRIDGE
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Jean-Luc Picard and Riker stand beside Data as he moves
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his fingers across the console. The SOUND VARIES,
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SLIDING UP AND DOWN ERRATICALLY IN PITCH AND INTENSITY.
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Troi stands nearby listening thoughtfully.
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DATA
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There it is again. An area of
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"blackness."
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RIKER
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It appears, then disappears, then
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reappears. There is no
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predictable pattern -- no sequence.
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Data moves his fingers across the console again.
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PICARD
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On screen.
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They all turn to look.
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31 FULL SHOT FAVORING THE MAIN VIEWER (OPTICAL)
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The picture on the Main Viewer shows a field of stars.
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RIKER
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There it is.
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STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 8.
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31 CONTINUED:
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PICARD
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I can't see anything. Magnify
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section two-eight-five.
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The viewscreen changes. Now we can see a slight "spot"
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on the Main Viewer.
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WESLEY
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There -- it looks like a "hole"
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in space.
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PICARD
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We're acquainted with the
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"wormhole" phenomenon. This
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appears quite different.
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32 ANOTHER ANGLE (OPTICAL)
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Picard studies the Main Viewer for a beat, then:
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PICARD
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What do sensors indicate?
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DATA
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Nothing.
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RIKER
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Nothing?
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PICARD
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I'm sure you must mean it's empty
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of matter, Mister Data. There
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is always some energy form at
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work...
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DATA
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Sir, our sensors are showing that
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to be an absence of everything.
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It is a void without matter or
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energy of any kind.
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RIKER
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Yet, this "hole" has a form, Data.
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It has height, width...
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DATA
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Perhaps. Perhaps not.
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STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 9.
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32 CONTINUED:
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PICARD
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(to Data)
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That is hardly a scientific
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observation, Commander.
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DATA
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Sir, the most elementary and
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valuable statement in science...
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the beginning of wisdom... is:
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"I do not know."
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(indicates viewscreen)
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I do not know what that is.
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WESLEY
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Captain, if this were any ordinary
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kind of hole in space...
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(indicates)
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... wouldn't we be able to see
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what's behind it?
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Obviously, this is a very good question. Picard turns
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to Troi.
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PICARD
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Counselor?
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TROI
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I can feel nothing from it, sir,
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if that's what you're asking.
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Picard eases himself down in his chair, and sits
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studying the viewscreen... puzzled.
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RIKER
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Data -- is there any record of any
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occurrence even vaguely similar
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to this?
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PICARD
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"Similar" in even the slightest
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way.
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DATA
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Accessing.
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(he pauses a moment)
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Negative. There is no record of
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any Federation vessel encountering
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anything remotely like this.
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PICARD
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I believe we have time for a
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closer look, Number One.
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STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 10.
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32 CONTINUED: (2)
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RIKER
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Concur.
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(to Wesley)
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Ensign, slow to one-half impulse.
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Adjust course to intercept this...
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this whatever it is.
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PICARD
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Scanning and recording as we go.
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WESLEY
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Changing course to intercept in...
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in twelve minutes, sir.
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33 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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moves slowly forward under impulse power toward the
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large black area in the field of stars.
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34 INT. MAIN BRIDGE (OPTICAL)
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Picard stands watching the viewscreen as the void on
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the screen grows larger. Riker is at the science
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consoles in the Aft Station. Data is busy at Ops.
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PICARD
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Let's send a probe into it.
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RIKER
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Worf, prepare a scanner probe.
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Let's see what's in there.
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PICARD
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(to Wesley)
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Close enough, Ensign. Hold this
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position.
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WESLEY
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Aye, sir. Holding this position.
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Picard gives Riker a slight nod.
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RIKER
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You may launch the probe when
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ready, Mister Worf.
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Worf makes the necessary moves on his console to launch
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the probe.
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STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 11.
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35 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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floats off the outer edge of the void. The probe is
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launched. It heads straight into the center of the
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great emptiness.
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36 INT. MAIN BRIDGE (OPTICAL)
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Picard, Riker and Worf stand watching the viewscreen as
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the fiery tail of the probe diminishes in the distance.
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Data monitors the instruments. We can HEAR THE FAINT
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HISS OF THE TELEMETRY as it is received.
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DATA
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All the probe's systems are
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functioning perfectly.
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Suddenly the probe just disappears. The SOUNDS OF
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TELEMETRY STOP.
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WORF
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It's gone.
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PICARD
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What happened, Data?
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DATA
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Unknown.
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WORF
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(to Picard)
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Recommend we go to a Yellow Alert,
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sir.
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PICARD
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(puzzled)
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Why?
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WORF
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(hesitates, then)
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Sorry, sir, it's...
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PICARD
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Explain.
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Worf is definitely uncomfortable now. Clearly, he
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would like to avoid this entire subject now. Picard
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continues gently:
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|
STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 12.
|
|
|
|
36 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
This starship operates best,
|
|
Mister Worf, when we all know what
|
|
is on each other's minds.
|
|
|
|
WORF
|
|
(uncomfortably)
|
|
My thoughts... were of an old
|
|
Klingon legend of... of a gigantic
|
|
black space creature which was
|
|
said to devour entire vessels...
|
|
|
|
RIKER
|
|
(genuinely surprised)
|
|
Devours vessels?
|
|
|
|
WORF
|
|
Sorry, Commander. I agree that
|
|
these are thoughts hardly worthy
|
|
of a trained and practical
|
|
security officer.
|
|
|
|
There is a round of silence. Worf is completely
|
|
miserable. Then to Worf, ignoring his previous
|
|
statement.
|
|
|
|
PICARD
|
|
Launch another probe, Mister Worf.
|
|
This time a Class One with full
|
|
sensor array.
|
|
|
|
Worf does something on his panel, then:
|
|
|
|
WORF
|
|
Launching, sir.
|
|
|
|
37 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the second probe is launched. It too disappears
|
|
even sooner after it enters the void.
|
|
|
|
38 INT. MAIN BRIDGE
|
|
|
|
All are still studying the viewscreen.
|
|
|
|
RIKER
|
|
Happened even more quickly.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 13.
|
|
|
|
38 CONTINUED:
|
|
|
|
WORF
|
|
Recommend we fire a photon
|
|
torpedo, Captain.
|
|
|
|
PICARD
|
|
(eyes Worf, then)
|
|
Negative.
|
|
|
|
WESLEY
|
|
Captain, based on where the probes
|
|
disappeared... I have been able
|
|
to plot the outer boundaries.
|
|
I could move in closer.
|
|
|
|
Picard thinks about it, then decides.
|
|
|
|
PICARD
|
|
Take us in, Mister Crusher.
|
|
Thrusters only.
|
|
|
|
39 OMITTED
|
|
|
|
40 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard stands looking at the viewscreen.
|
|
|
|
PICARD
|
|
Data?
|
|
|
|
DATA
|
|
Still no readings of any kind,
|
|
sir.
|
|
|
|
Picard paces to where Riker stands in the Aft Station.
|
|
The black void almost fills the screen of the Main
|
|
Viewer.
|
|
|
|
PICARD
|
|
Number One?
|
|
|
|
RIKER
|
|
I'll agree with Worf at this
|
|
point, sir. Let's be careful.
|
|
|
|
Worf looks grateful. Picard paces forward, studying
|
|
the viewscreen.
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
moves closer to the dark, dead, void.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT ONE 14.
|
|
|
|
42 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard stands looking at the dark screen, then around
|
|
the silent bridge.
|
|
|
|
The dark void filling the screen. The familiar SOUNDS
|
|
OF THE BRIDGE BEGIN TO FADE... RADIO SIGNALS,
|
|
TELEMETRY, EVERYTHING...
|
|
|
|
RIKER
|
|
What's happened?
|
|
|
|
PICARD
|
|
Data?
|
|
|
|
Data looks at his console for a moment, then...
|
|
|
|
DATA
|
|
Whatever it was... or whatever
|
|
it is... we seem to be inside of
|
|
it.
|
|
|
|
Picard returns to his Command Chair, as Riker takes
|
|
the chair beside him.
|
|
|
|
RIKER
|
|
Didn't that happen a bit suddenly,
|
|
sir?
|
|
|
|
PICARD
|
|
All stations, report!
|
|
|
|
43 ANGLE - THE COMPUTER MONITORS
|
|
|
|
Some of the screens fade and go blank. Reactions as:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
44 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
is isolated in a void, totally empty of stars.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
While exploring a strange area
|
|
in space without any form of
|
|
matter or energy...
|
|
|
|
45 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Data at Ops, somewhat puzzled by the feedback he is
|
|
receiving. Riker is busy at a panel while Picard
|
|
stands looking at the viewscreen.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
... a total void, we have
|
|
unexpectedly seemed to enter it.
|
|
Apparently we moved past its
|
|
mysterious outer boundary.
|
|
|
|
Riker looks up from the panel.
|
|
|
|
RIKER
|
|
All stations have reported,
|
|
Captain. There seems to be no
|
|
immediate threat to our ship or
|
|
crew.
|
|
|
|
As Riker stands looking at the dark viewscreen, Picard
|
|
moves up to stand beside him.
|
|
|
|
PICARD
|
|
In which case, let's hold position
|
|
for awhile, Number One. This is
|
|
worth studying.
|
|
|
|
RIKER
|
|
Incredible. It's like looking
|
|
off into... infinity, sir.
|
|
(turns to Picard)
|
|
Remember the course in ancient
|
|
history at Starfleet Academy?
|
|
Back to the time when men still
|
|
believed the Earth was flat?
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 16.
|
|
|
|
45 CONTINUED:
|
|
|
|
PICARD
|
|
(smiles)
|
|
And that the sun revolved around
|
|
the Earth...
|
|
|
|
RIKER
|
|
And if a ship sailed too far out
|
|
into the ocean it would fall off
|
|
the edge of the world...
|
|
|
|
Riker turns back to look at the empty void on the
|
|
viewscreen.
|
|
|
|
PICARD
|
|
"Beyond this place there be
|
|
dragons."
|
|
|
|
RIKER
|
|
Data -- how long to complete your
|
|
scans? Let's not stay any longer
|
|
than we have to.
|
|
|
|
Riker starts for Science One as PULASKI enters from the
|
|
turbolift and stands looking at the activity on the
|
|
bridge. Pulaski crosses to stand beside Picard.
|
|
|
|
WESLEY
|
|
Captain, we have no communications
|
|
outside of the void.
|
|
|
|
WORF
|
|
Confirm! We are now receiving
|
|
no signals of any kind.
|
|
|
|
PICARD
|
|
Hello, Doctor. You've been
|
|
briefed on what's happened?
|
|
|
|
PULASKI
|
|
I've heard, Captain. But I don't
|
|
understand it.
|
|
|
|
PICARD
|
|
I wish I could say I did.
|
|
(to Data)
|
|
Increase magnification by ten.
|
|
|
|
Data punches in the command. The viewscreen remains
|
|
dark.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 17.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(continuing)
|
|
By one hundred!
|
|
|
|
Nothing. The viewscreen remains dark.
|
|
|
|
PULASKI
|
|
I'm not a bridge officer, but
|
|
isn't this... "impossible," sir?
|
|
|
|
Picard gives Pulaski a "be my guest" gesture.
|
|
|
|
PULASKI
|
|
(continuing)
|
|
Increase by one thousand, Mister
|
|
Data.
|
|
(waits)
|
|
By ten thousand.
|
|
|
|
There's no change on the Main Viewer. Pulaski turns
|
|
to Picard.
|
|
|
|
PULASKI
|
|
(continuing; indicates
|
|
Data)
|
|
It does know how to do these
|
|
things, doesn't it?
|
|
|
|
PICARD
|
|
Commander Data knows precisely
|
|
what he is doing.
|
|
|
|
Pulaski looks up quickly at Data, then turns to see
|
|
that the Captain's expression is as cold.
|
|
|
|
PULASKI
|
|
Forgive me, Mister Data. I'm not
|
|
accustomed to working with... with
|
|
non-living devices that...
|
|
(stops, bites off her
|
|
words)
|
|
Forgive me again. Your service
|
|
record says that you are alive
|
|
and I must accept that.
|
|
|
|
PICARD
|
|
Engineering!
|
|
|
|
GEORDI'S COM VOICE
|
|
Engineering, aye.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 18.
|
|
|
|
46 INTERCUT - GEORDI'S OFFICE AS NECESSARY
|
|
|
|
PICARD
|
|
Lieutenant, are your systems
|
|
functioning?
|
|
|
|
GEORDI
|
|
Yes, sir. Wherever we are, sir,
|
|
it seems to have no effect on any
|
|
Engineering function.
|
|
|
|
PICARD
|
|
Thank you, Lieutenant.
|
|
|
|
47 INT. MAIN BRIDGE
|
|
|
|
Picard's interest in this occurrence is waning fast.
|
|
|
|
PICARD
|
|
Data?
|
|
|
|
DATA
|
|
Difficult to make a judgment based
|
|
on the absence of information.
|
|
|
|
PICARD
|
|
Speculate.
|
|
|
|
DATA
|
|
The obvious hypothesis is
|
|
equivocal. This void has a total
|
|
lack of dimension. Therefore by
|
|
any accepted standard it does not
|
|
exist, yet being within it denies
|
|
that conclusion.
|
|
|
|
Picard looks to Pulaski.
|
|
|
|
RIKER
|
|
Then maybe we've moved into
|
|
another dimension?
|
|
|
|
DATA
|
|
Could a lack of dimension be
|
|
another dimension in itself?
|
|
|
|
Pulaski gives Data a quick look of respect.
|
|
|
|
PULASKI
|
|
That's an interesting question.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 19.
|
|
|
|
47 CONTINUED:
|
|
|
|
PICARD
|
|
For a later discussion. It's
|
|
time we got on with our mission,
|
|
Number One. Starfleet can send
|
|
out a science vessel to
|
|
investigate further. Let's move
|
|
back out of this.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
(to Wesley)
|
|
Reverse our direction and set a
|
|
course for the Cornelian star
|
|
system. Warp two.
|
|
|
|
WESLEY
|
|
Reversing direction, sir.
|
|
(adjusts controls)
|
|
Course laid in.
|
|
|
|
RIKER
|
|
Engage.
|
|
|
|
Wesley punches in the command.
|
|
|
|
48 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
We can see only the ship and the darkness of space.
|
|
|
|
49 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard seems to relax a little, leaning back to watch
|
|
for the reappearance of the stars. Nothing happens
|
|
and he looks questioningly toward Riker.
|
|
|
|
RIKER
|
|
(to Wesley)
|
|
Our engines have engaged, haven't
|
|
they, Ensign?
|
|
|
|
WESLEY
|
|
Aye, sir.
|
|
|
|
50 INT. GEORDI'S OFFICE
|
|
|
|
Geordi, moving between the wall panel and the center
|
|
block computers. He waits as if expecting something.
|
|
Then he turns to his intercom:
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 20.
|
|
|
|
50 CONTINUED:
|
|
|
|
GEORDI
|
|
Everything all right up there,
|
|
Captain?
|
|
|
|
PICARD'S COM VOICE
|
|
Are the engines operating
|
|
normally, Engineer?
|
|
|
|
GEORDI
|
|
Everything looks fine here, sir.
|
|
|
|
PICARD'S COM VOICE
|
|
We're increasing to warp four,
|
|
Engineer.
|
|
|
|
We HEAR a slightly higher level of engine sound, then:
|
|
|
|
GEORDI
|
|
We now show warp four, Captain.
|
|
|
|
51 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
The situation is still the same. The viewscreen is
|
|
completely dark with Picard, Riker, and the others
|
|
looking toward it nervously, puzzled.
|
|
|
|
PICARD
|
|
We should be seeing stars by now,
|
|
Data. How far have we come?
|
|
|
|
DATA
|
|
Inertial guidance shows seven
|
|
parsecs traveled, Captain.
|
|
|
|
PICARD
|
|
Ensign Crusher?
|
|
|
|
WESLEY
|
|
Confirm, sir. Exactly what my
|
|
readings say.
|
|
|
|
52 ANGLE ACROSS MAIN BRIDGE
|
|
|
|
to include GEORDI entering, crosses to his bridge
|
|
Engineering Station.
|
|
|
|
GEORDI
|
|
Engineering, transfer to bridge.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 21.
|
|
|
|
52 CONTINUED:
|
|
|
|
The engineering console lights up. Geordi now looks up
|
|
to Main Viewer.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
What's happening, sir? I thought
|
|
we should have broken clear.
|
|
|
|
53 INT. MAIN BRIDGE
|
|
|
|
ON Picard.
|
|
|
|
RIKER
|
|
We should have. We're on a
|
|
reverse course.
|
|
|
|
PICARD
|
|
Full stop, helm.
|
|
|
|
WESLEY
|
|
Full stop, sir.
|
|
|
|
Picard rises and paces for a moment. Picard looks down
|
|
at Wesley's console.
|
|
|
|
PICARD
|
|
According to this we're well past
|
|
the point we entered the void.
|
|
|
|
DATA
|
|
Except that we are still in it,
|
|
sir.
|
|
|
|
54 WIDER ANGLE
|
|
|
|
Data works his console for a moment...
|
|
|
|
DATA
|
|
Captain... if we dropped a
|
|
stationary beacon and navigated
|
|
straight away from it, we would
|
|
have a fixed point of reference
|
|
to confirm speed and distance.
|
|
|
|
PICARD
|
|
Make it so, Data. Lock onto the
|
|
beacon, and keep it dead astern.
|
|
|
|
Data and Wesley punch in the instructions. A moment
|
|
later the SOUND OF THE ELECTRONIC SIGNAL is heard.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 22.
|
|
|
|
54 CONTINUED:
|
|
|
|
DATA
|
|
The beacon is in place, Captain.
|
|
|
|
PICARD
|
|
Dead ahead. Impulse power.
|
|
|
|
Picard settles back in his chair as Geordi punches in
|
|
the commands and the ship begins to move. The
|
|
ELECTRONIC SIGNAL FROM THE BEACON BEGINS TO DIMINISH
|
|
IN AMPLITUDE as the ship moves away from the beacon.
|
|
|
|
DATA
|
|
The beacon is falling astern.
|
|
|
|
PICARD
|
|
Engineering, report.
|
|
|
|
55 GEORDI'S AFT BRIDGE STATION (OPTICAL)
|
|
|
|
Geordi, at his instruments, taking readings.
|
|
|
|
GEORDI
|
|
All systems normal, sir.
|
|
|
|
Everyone looking to Picard.
|
|
|
|
PICARD
|
|
Prepare to increase to warp two.
|
|
|
|
WESLEY
|
|
Aye, sir.
|
|
|
|
A moment later we can HEAR THE SOUND OF ANOTHER
|
|
ELECTRONIC SIGNAL overlapping the beacon. It is a
|
|
different frequency. (Caused by the Doppler Effect.)
|
|
|
|
DATA
|
|
Captain, we are receiving a signal
|
|
from dead ahead.
|
|
|
|
PULASKI
|
|
Maybe you've found the door out
|
|
of this.
|
|
|
|
As the FIRST SIGNAL DIMINISHES, the SECOND SIGNAL
|
|
INCREASES in intensity.
|
|
|
|
DATA
|
|
We are closing on the new signal,
|
|
Captain.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 23.
|
|
|
|
55 CONTINUED:
|
|
|
|
PICARD
|
|
Identify.
|
|
|
|
Data does a check... and recheck of the signal.
|
|
|
|
DATA
|
|
Captain, it is the stationary
|
|
beacon we just released.
|
|
|
|
RIKER
|
|
We must have come full circle,
|
|
sir.
|
|
|
|
WESLEY
|
|
We couldn't have, sir. I've shown
|
|
us steadily moving away from that
|
|
beacon.
|
|
|
|
PICARD
|
|
All stop; hold position again.
|
|
|
|
RIKER
|
|
(indicating the
|
|
viewscreen)
|
|
Look.
|
|
|
|
Picard moves toward the Main Viewer. The nothingness
|
|
of the void has been replaced. The Enterprise is now
|
|
bathed in a soft ever-changing glow, which is beautiful
|
|
to look at and somehow very comforting.
|
|
|
|
56 WORF
|
|
|
|
His head comes up from his sensors.
|
|
|
|
WORF
|
|
Captain, sensors indicate a
|
|
disturbance in sector one-zero-
|
|
eight. Possibly a vessel.
|
|
|
|
Reactions from Picard and the others.
|
|
|
|
PICARD
|
|
Perhaps some answers at last.
|
|
On screen.
|
|
|
|
WORF
|
|
The ship is equipped with a
|
|
cloaking device.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 24.
|
|
|
|
56 CONTINUED:
|
|
|
|
RIKER
|
|
Romulan!
|
|
|
|
WORF
|
|
It's closing.
|
|
|
|
RIKER
|
|
Shields up. Go to Red Alert!
|
|
|
|
PULASKI
|
|
I'll be at my duty station in
|
|
Sickbay.
|
|
|
|
She exits.
|
|
|
|
57 FAVOR MAIN VIEWER (OPTICAL)
|
|
|
|
There is a distortion --
|
|
|
|
WORF
|
|
It's uncloaking.
|
|
|
|
RIKER
|
|
Arm your photon torpedoes, Mister
|
|
Worf.
|
|
|
|
PICARD
|
|
Hold for my orders.
|
|
|
|
WESLEY
|
|
There!
|
|
|
|
As the Romulan vessel becomes visible, IT FIRES --
|
|
without warning.
|
|
|
|
58 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
as the ship is rocked by the barrage.
|
|
|
|
WORF
|
|
Direct hits, sir. Our shields
|
|
are weakening.
|
|
|
|
PICARD
|
|
Warn them we'll return fire.
|
|
|
|
WORF
|
|
Transmitting.
|
|
|
|
Picard waits; Riker throws him a concerned look.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 25.
|
|
|
|
58 CONTINUED:
|
|
|
|
WORF
|
|
(continuing)
|
|
They've armed another full spread,
|
|
sir.
|
|
|
|
PICARD
|
|
Fire torpedoes.
|
|
|
|
59 OMITTED
|
|
|
|
60 INT. ENTERPRISE - MAIN BRIDGE (OPTICAL)
|
|
|
|
The PHOTON TORPEDOES streak toward the Romulan ship.
|
|
THEY HIT, as the Romulan ship explodes.
|
|
|
|
61 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
alone again in the void.
|
|
|
|
62 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
There is a moment of victory.
|
|
|
|
PICARD
|
|
That was too easy.
|
|
|
|
RIKER
|
|
Yes.
|
|
|
|
DATA
|
|
Captain, sensors can locate no
|
|
debris from the Romulan ship.
|
|
|
|
Before the captain can respond...
|
|
|
|
WORF
|
|
Captain, there is another vessel
|
|
approaching -- sector zero-nine-
|
|
one, mark, two-six.
|
|
|
|
PICARD
|
|
Specifics.
|
|
|
|
WORF
|
|
On screen.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 26.
|
|
|
|
63 ANGLE - INCLUDING MAIN VIEWER (OPTICAL)
|
|
|
|
The picture of a ship MATERIALIZES on the viewscreen.
|
|
|
|
PICARD
|
|
Magnify.
|
|
|
|
RIKER
|
|
It's a Federation ship.
|
|
(reading the number)
|
|
N-C-C... one-three-oh-five dash
|
|
E. It is the USS Yamato, our
|
|
sister ship.
|
|
|
|
WESLEY
|
|
The Yamato is nowhere near this
|
|
quadrant.
|
|
|
|
PICARD
|
|
Open a hailing frequency, Data....
|
|
|
|
Data punches in the information.
|
|
|
|
DATA
|
|
This is the USS Enterprise to...
|
|
USS Yamato. Respond, please...
|
|
|
|
Nothing.
|
|
|
|
DATA
|
|
(continuing)
|
|
This is the USS Enterprise calling
|
|
USS Yamato. Please respond on
|
|
this frequency.
|
|
|
|
They all watch the Main Viewer.
|
|
|
|
DATA
|
|
(continuing)
|
|
No response, Captain.
|
|
|
|
PICARD
|
|
Make a full scan.
|
|
|
|
DATA
|
|
Life support system -- engineering
|
|
and propulsion all seem
|
|
functional.
|
|
(turns; reacts at a
|
|
reading)
|
|
But there are no life signs over
|
|
there, sir.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT TWO 27.
|
|
|
|
63 CONTINUED:
|
|
|
|
PICARD
|
|
Can we be getting a false
|
|
reading, Data?
|
|
|
|
DATA
|
|
Since we know nothing at all about
|
|
these circumstances, that is...
|
|
at least, conceivable, sir.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
You look doubtful, sir.
|
|
|
|
PICARD
|
|
I'm not anything right now, Number
|
|
One. I'm just a man looking for
|
|
answers.
|
|
|
|
GEORDI
|
|
(to Data; quietly)
|
|
Like the rat said -- "Keep the
|
|
cheese, I just want out of the
|
|
trap."
|
|
|
|
Picard overhears and flashes Geordi a look that
|
|
silences him.
|
|
|
|
RIKER
|
|
Captain, request permission to
|
|
board the Yamato with an away
|
|
team. There might be something
|
|
onboard -- in the logs -- which will
|
|
at least tell us what happened.
|
|
|
|
PICARD
|
|
Granted. Minimum complement.
|
|
|
|
Riker stands, heads for the turbolift.
|
|
|
|
RIKER
|
|
Worf. You're with me.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
64 EXT. SPACE - THE ENTERPRISE AND THE USS YAMATO
|
|
(OPTICAL)
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. We
|
|
remain like a fly in amber trapped
|
|
in the void. We have encountered
|
|
a vessel which appears to be the
|
|
USS Yamato. All its systems are
|
|
shown as functioning, yet it seems
|
|
devoid of life. Commander Riker
|
|
is leading an away team --
|
|
hopefully the answer lies over
|
|
there.
|
|
|
|
65 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Worf steps onto the Transporter Pad. Riker, checking
|
|
the transporter console, speaks to the TRANSPORTER
|
|
CHIEF.
|
|
|
|
RIKER
|
|
Do you have a lock on that other
|
|
ship?
|
|
|
|
TRANSPORTER CHIEF
|
|
Aye, sir. No problems at all.
|
|
|
|
Riker crosses to the raised platform to join Worf.
|
|
|
|
RIKER
|
|
Can you put us on the bridge?
|
|
|
|
TRANSPORTER CHIEF
|
|
Anywhere you say, Commander.
|
|
|
|
WORF
|
|
I am acquainted with the Yamato,
|
|
Commander. Recommend the Aft
|
|
Station of their bridge. When
|
|
in doubt, surprise them.
|
|
|
|
RIKER
|
|
Them? Who's them?
|
|
|
|
WORF
|
|
Whoever may be there.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 29.
|
|
|
|
65 CONTINUED:
|
|
|
|
RIKER
|
|
Sensors show no life signs.
|
|
|
|
WORF
|
|
Still, the tactic is sound.
|
|
|
|
RIKER
|
|
Agreed.
|
|
(to Transporter Chief)
|
|
Aft Station.
|
|
|
|
TRANSPORTER CHIEF
|
|
Aye, sir.
|
|
|
|
RIKER
|
|
Phasers on stun, Lieutenant Worf.
|
|
|
|
Phasers are set.
|
|
|
|
RIKER
|
|
(continuing; to
|
|
Transporter Chief)
|
|
Energize.
|
|
|
|
Riker and Worf SPARKLE AWAY.
|
|
|
|
66 INT. USS YAMATO - CORRIDOR (OPTICAL)
|
|
|
|
as Riker -- without Worf -- STACKS UP. It looks like
|
|
the Enterprise, as it should because it is the sister
|
|
ship -- but the lighting is weird -- and:
|
|
|
|
RIKER
|
|
(the obvious)
|
|
This isn't the bridge.
|
|
|
|
He turns, expecting to see Worf -- but he's alone.
|
|
Almost before Riker can react he hears a sound down the
|
|
darkened corridor. A growl -- above which he hears
|
|
Worf's roar.
|
|
|
|
66A ANOTHER ANGLE
|
|
|
|
as Riker heads down the corridor -- the lighting here is
|
|
much darker. Very ominous -- in the shadows -- we see
|
|
FORMS. Threatening -- again WE HEAR WORF. This time
|
|
IN PAIN. Riker, without hesitation -- charges forward.
|
|
Ready to combat whatever attempts to block his path.
|
|
It looks like a gauntlet of terror.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 30.
|
|
|
|
66B RIKER
|
|
|
|
moves forward -- phaser ready. Suddenly, in the
|
|
darkness a large form appears. It's armed and moving
|
|
toward him. Riker hesitates -- then screams out:
|
|
|
|
RIKER
|
|
No -- don't fire.
|
|
|
|
The figure is on him -- the light hits the creature's
|
|
face. IT'S WORF!
|
|
|
|
WORF
|
|
I heard you screaming. I was
|
|
coming to help.
|
|
|
|
RIKER
|
|
Help me? But I heard you cry out.
|
|
|
|
Riker realizes something bizarre is going on.
|
|
|
|
RIKER
|
|
(touches his
|
|
communicator)
|
|
Transporter Chief, where do you
|
|
show us over here?
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
We show... as approximately...
|
|
|
|
The communication garbles and cuts out.
|
|
|
|
RIKER
|
|
Captain, do you read me?...
|
|
|
|
67 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
Picard becomes concerned, as:
|
|
|
|
RIKER'S COM VOICE
|
|
... having difficulties...
|
|
|
|
The communication garbles and cuts out.
|
|
|
|
PICARD
|
|
Number One, come in!
|
|
|
|
He pauses -- there is no response.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 31.
|
|
|
|
67 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Transporter Room, this is the
|
|
captain. We are out of contact
|
|
with the away team. Beam them
|
|
back, immediately.
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
I have lost the lock on them.
|
|
|
|
68 INT. USS YAMATO - CORRIDOR
|
|
|
|
Riker, inspecting the corridor walls closely with his
|
|
tricorder. Worf, touching his insignia.
|
|
|
|
WORF
|
|
Nothing on my communicator, sir.
|
|
|
|
Worf steps over to a com panel on the corridor wall.
|
|
|
|
WORF
|
|
(continuing)
|
|
Computer, on.
|
|
|
|
Nothing happens.
|
|
|
|
RIKER
|
|
(looks around)
|
|
Let's find a turbolift to the
|
|
bridge.
|
|
|
|
69 OMITTED
|
|
|
|
70 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
Picard is at his command station, very concerned.
|
|
|
|
PICARD
|
|
Transporter Room -- have you been
|
|
able to establish a lock?
|
|
|
|
Picard gets no answer. Then suddenly the bridge goes
|
|
DARK. Every system shuts off -- the emergency lights
|
|
come on. Everyone remains at their station -- tension
|
|
but no panic.
|
|
|
|
PICARD
|
|
Initiate full check -- all
|
|
systems.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 32.
|
|
|
|
71 ANGLE ON GEORDI
|
|
|
|
at bridge Engineering Station.
|
|
|
|
GEORDI
|
|
Engineering section, report. What
|
|
is our situation?
|
|
|
|
There is no response.
|
|
|
|
72
|
|
thru OMITTED
|
|
83
|
|
|
|
A84 INT. USS YAMATO - CORRIDOR
|
|
|
|
As Riker and Worf approach the turbolift, Riker scans
|
|
the corridor wall with his tricorder.
|
|
|
|
RIKER
|
|
This isn't a Federation ship.
|
|
The walls are not tritanium...
|
|
close, but it's a material beyond
|
|
our technology.
|
|
(he then leads the way
|
|
to the turbolift)
|
|
Let's get to the bridge.
|
|
Somewhere there must be an answer
|
|
to all of this.
|
|
|
|
As they approach, the turbolift doors open. Instead of
|
|
it being the turbolift, it's the bridge, weirdly
|
|
lighted. It's identical to the Enterprise, but devoid
|
|
of people.
|
|
|
|
Worf and Riker exchange looks. They cautiously enter.
|
|
|
|
B84 INT. USS YAMATO - MAIN BRIDGE
|
|
|
|
The turbolift doors close behind them. Riker then
|
|
turns as if to re-enter the turbolift. The doors open
|
|
-- but it's not the turbolift... it's a duplicate of
|
|
the bridge.
|
|
|
|
Riker and Worf again exchange looks.
|
|
|
|
RIKER
|
|
Wait -- if you go through there...
|
|
where will you be?
|
|
|
|
WORF
|
|
On the bridge.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 33.
|
|
|
|
B84 CONTINUED:
|
|
|
|
RIKER
|
|
But we are on the bridge.
|
|
|
|
WORF
|
|
Should I continue?
|
|
|
|
RIKER
|
|
Yes -- move out. Let's see what
|
|
happens.
|
|
|
|
They both step through the door.
|
|
|
|
C84 ANOTHER ANGLE - USS YAMATO SECOND BRIDGE
|
|
|
|
They have in effect:
|
|
|
|
WORF
|
|
Is it the same bridge?
|
|
|
|
RIKER
|
|
... Or did we just step from one
|
|
bridge to another bridge?
|
|
|
|
Worf crosses to another door, as Riker moves to the
|
|
center of the bridge.
|
|
|
|
C84A INT. ENTERPRISE - MAIN BRIDGE (OPTICAL)
|
|
|
|
Illuminated by the emergency lights, everyone's
|
|
remaining very calm, under control. Suddenly some of
|
|
the bridge stations return to normal.
|
|
|
|
DATA
|
|
Captain! I have a star fix.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
A small swarm of stars appears in the center of the
|
|
dark screen.
|
|
|
|
WESLEY
|
|
It's an opening, sir.
|
|
|
|
DATA
|
|
Confirm, navigation is possible.
|
|
|
|
WESLEY
|
|
Should I set a course?
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 34.
|
|
|
|
C84A CONTINUED:
|
|
|
|
PICARD
|
|
Transporter Room. Do you have
|
|
a fix on the away team?
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
Negative.
|
|
|
|
D84 INT. USS YAMATO BRIDGE - WORF
|
|
|
|
as he approaches the second set of doors. The doors
|
|
open -- and once again it's the bridge. Worf pauses.
|
|
Then steps through.
|
|
|
|
E84 RIKER
|
|
|
|
As he watches the door close behind Worf, he hears from
|
|
behind him:
|
|
|
|
WORF (O.S.)
|
|
Commander.
|
|
|
|
Riker turns. It's Worf, standing in front of the doors.
|
|
The frustration of this bizarre -- whatever it is -- can
|
|
be seen on Worf's face.
|
|
|
|
F84 IN A SERIES OF SHOTS - INTERCUT WITH RIKER'S
|
|
REACTION
|
|
|
|
Worf turns and exits - only to appear on the other side
|
|
of the bridge. He roars... rushes to another set of
|
|
doors. Exits, only to again reappear coming out of
|
|
another set of doors. Worf's emotions quickly escalate
|
|
to rage. He turns and throws himself at the doors --
|
|
hoping somehow by force to change the sequence. But
|
|
the doors open and he once again bursts out of the
|
|
doors on the opposite side of the bridge. Worf charges
|
|
for another set. He's on the verge of being out of
|
|
control. He is about to continue his manic charge,
|
|
when he catches himself.
|
|
|
|
WORF
|
|
(to himself)
|
|
At ease, Lieutenant! At EASE!
|
|
|
|
His own words calm him. He stops... but his
|
|
frustration is more difficult for him to control.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 35.
|
|
|
|
G84 INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
DATA
|
|
The star fix is fading.
|
|
|
|
PICARD
|
|
Haskell, lock on to the Yamato
|
|
with the tractor beam. We leave
|
|
together.
|
|
|
|
HASKELL manipulates some controls.
|
|
|
|
HASKELL
|
|
I can't make the lock.
|
|
|
|
DATA
|
|
Captain. The star fix is fading.
|
|
|
|
PICARD
|
|
Let it go, Data.
|
|
|
|
HASKELL
|
|
But, sir, we can get out.
|
|
|
|
PICARD
|
|
Let it go.
|
|
|
|
On the viewscreen, stars fade.
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
Bridge, I've re-established
|
|
contact with the away team.
|
|
|
|
WESLEY
|
|
(indicating Main Viewer)
|
|
The Yamato's beginning to fade
|
|
out, Captain.
|
|
|
|
On the Main Viewer, the USS Yamato is beginning to grow
|
|
HAZY.
|
|
|
|
85 INT. USS YAMATO - MAIN BRIDGE
|
|
|
|
Riker and Worf hurrying INTO SCENE. Riker is touching
|
|
his emblem for intercom use.
|
|
|
|
RIKER
|
|
Come in, come in Enterprise.
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
Hold position, away team. I've
|
|
got you. We are bringing you
|
|
home!
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT THREE 36.
|
|
|
|
86 INT. ENTERPRISE - MAIN BRIDGE (OPTICAL)
|
|
|
|
On the Main Viewer the image of the USS Yamato FADING
|
|
AWAY.
|
|
|
|
PICARD
|
|
Transporter Room, hurry!
|
|
|
|
WESLEY
|
|
Captain, it's almost gone.
|
|
|
|
Suddenly the Yamato FADES OUT.
|
|
|
|
87 OMITTED
|
|
|
|
87A INT. TRANSPORTER ROOM
|
|
|
|
as Riker and Worf STACK UP. Riker steps instantly off
|
|
the pad and heads for the exit.
|
|
|
|
87B INT. ENTERPRISE - MAIN BRIDGE
|
|
|
|
as Riker and Worf step off the turbolift.
|
|
|
|
RIKER
|
|
What the hell's going on?
|
|
|
|
PICARD
|
|
Are you all right, Number One?
|
|
|
|
RIKER
|
|
Yes, but I've had it. Let's put
|
|
all this technology and computers
|
|
to work -- figure out what's going
|
|
on -- and get the hell out of
|
|
here.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
88 INT. MAIN BRIDGE - WIDE ANGLE
|
|
|
|
Picard, Wesley and Troi seating themselves -- as Riker,
|
|
Data, Worf, and Pulaski seat themselves.
|
|
|
|
RIKER
|
|
(angry)
|
|
A ship that was almost the Yamato,
|
|
existing in a "hole in space,"
|
|
no crew aboard -- what's the
|
|
purpose?
|
|
|
|
DATA
|
|
Add to it an attack by a
|
|
nonexistent Romulan vessel, it
|
|
does suggest an interesting
|
|
question: "Was our away team even
|
|
over there?"
|
|
|
|
RIKER
|
|
If we weren't over there, where
|
|
the hell were we?
|
|
|
|
HASKELL
|
|
Captain, I have re-established
|
|
the star fix.
|
|
|
|
They look at the viewscreen which shows a cluster of
|
|
stars -- TWINKLING in the distance.
|
|
|
|
RIKER
|
|
Great.
|
|
|
|
Looks to Picard, who nods his approval.
|
|
|
|
RIKER
|
|
(to Wesley)
|
|
Set course -- velocity -- warp two.
|
|
|
|
WESLEY
|
|
Course and speed set.
|
|
|
|
PICARD
|
|
Engage.
|
|
|
|
There is a moment of relief as everyone feels that this
|
|
has at last come to an end.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 38.
|
|
|
|
88 CONTINUED:
|
|
|
|
DATA
|
|
I have lost contact.
|
|
|
|
PICARD
|
|
What?
|
|
|
|
HASKELL
|
|
The star fix is gone.
|
|
|
|
There is a pause as Data inputs on his computer.
|
|
|
|
DATA
|
|
Sir, it is not in the same sector.
|
|
But another opening has appeared.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
88A ANOTHER ANGLE (OPTICAL)
|
|
|
|
to favor the viewscreen. A patch of stars appears
|
|
in the swirl.
|
|
|
|
PICARD
|
|
Set a course for those stars.
|
|
Warp six.
|
|
|
|
WESLEY
|
|
Yes, sir -- warp six.
|
|
|
|
As they watch, the starfield -- which should be getting
|
|
larger -- begins to fade, and finally disappears.
|
|
|
|
DATA
|
|
I have lost the signal.
|
|
|
|
RIKER
|
|
Damn it.
|
|
|
|
PICARD
|
|
All stop.
|
|
|
|
As they watch the screen, a third and even larger field
|
|
of stars appears on the viewscreen.
|
|
|
|
DATA
|
|
Captain...
|
|
|
|
PICARD
|
|
I know Data, I can see it.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 39.
|
|
|
|
88A CONTINUED:
|
|
|
|
RIKER
|
|
This game is now wearing very
|
|
thin.
|
|
|
|
PICARD
|
|
Hold this position.
|
|
(to Troi)
|
|
Counselor, you have said you
|
|
sensed no intelligence behind all
|
|
of this. You haven't changed in
|
|
that belief?
|
|
|
|
89 OMITTED
|
|
|
|
90 EMPHASIZING TROI
|
|
|
|
She takes a moment, apparently considering Picard's
|
|
question at many levels. Then:
|
|
|
|
TROI
|
|
I'm not so certain of that now,
|
|
Captain. I do sense something
|
|
unusual about all this...
|
|
|
|
She is puzzled, troubled.
|
|
|
|
PICARD
|
|
Perhaps a different level of
|
|
consciousness?
|
|
|
|
TROI
|
|
An intelligence so vast it eluded
|
|
me? Yes, perhaps.
|
|
|
|
91
|
|
thru OMITTED
|
|
93
|
|
|
|
94 ANGLE - INCLUDING TROI AND PULASKI
|
|
|
|
both intent upon the Main Viewer image, where the star
|
|
window continues to twinkle.
|
|
|
|
PULASKI
|
|
(almost to herself)
|
|
Rats in a maze.
|
|
|
|
Troi looks over at the Doctor.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 40.
|
|
|
|
94 CONTINUED:
|
|
|
|
TROI
|
|
(quietly)
|
|
Exactly!
|
|
|
|
PICARD
|
|
Explain.
|
|
|
|
PULASKI
|
|
Everything we've been through
|
|
reminds me of a laboratory
|
|
experiment. As though something
|
|
were testing our responses to
|
|
stimuli.
|
|
|
|
PICARD
|
|
Are you suggesting we're in some
|
|
kind of laboratory?
|
|
|
|
PULASKI
|
|
Yes.
|
|
|
|
Reactions.
|
|
|
|
95 ANGLE - INCLUDING MAIN VIEWER (OPTICAL)
|
|
|
|
where the starfield grows larger.
|
|
|
|
WESLEY
|
|
The opening seems closer,
|
|
Captain.
|
|
|
|
PICARD
|
|
We're finished with being led
|
|
about this way.
|
|
|
|
RIKER
|
|
Agreed, Captain. Hold present
|
|
position.
|
|
|
|
96 OMITTED
|
|
|
|
97 COMMAND AREA
|
|
|
|
as the images try to tempt Picard away from his
|
|
decision. Troi nods.
|
|
|
|
TROI
|
|
Good. Don't satisfy its
|
|
curiosity.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 41.
|
|
|
|
98 EMPHASIZING MAIN VIEWER (OPTICAL)
|
|
|
|
Suddenly, a visage like the bridge crew has never
|
|
seen! A great human eye is peering in.
|
|
|
|
99 PANNING WORF (OPTICAL)
|
|
|
|
who has leapt down from his bridge level, major phaser
|
|
in hand as if to protect the rest of the bridge crew.
|
|
But now facing the strange IMAGE with phaser in hand,
|
|
Worf seems uncertain what to do next.
|
|
|
|
NAGILUM
|
|
Why are you so alarmed when I've
|
|
gone to such trouble to look just
|
|
like you?
|
|
|
|
100 ANOTHER ANGLE (OPTICAL)
|
|
|
|
Riker speaks calmly to the security lieutenant.
|
|
|
|
RIKER
|
|
Return to your position,
|
|
Lieutenant.
|
|
|
|
WORF
|
|
Sir... ?
|
|
|
|
DATA
|
|
Captain, sensors show nothing out
|
|
there. Absolutely nothing.
|
|
|
|
GEORDI
|
|
(half to self)
|
|
It's a damned ugly nothing.
|
|
|
|
PICARD
|
|
I am Captain Jean-Luc Picard of
|
|
the USS Enterprise.
|
|
(firmer now)
|
|
... representing a Federation of
|
|
planets in this part of the
|
|
galaxy.
|
|
(waits)
|
|
Can you identify whoever or
|
|
whatever you are?
|
|
|
|
NAGILUM
|
|
NAGILUM!
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 42.
|
|
|
|
100 CONTINUED:
|
|
|
|
GEORDI
|
|
(to Data; quietly)
|
|
Speaks right out for something
|
|
your sensors say isn't there,
|
|
Data.
|
|
|
|
PICARD
|
|
We've still no idea of what you
|
|
represent.
|
|
|
|
Nagilum's eyes have seemed to center on Data. Its
|
|
voice MODERATES.
|
|
|
|
NAGILUM
|
|
"Data."
|
|
|
|
DATA
|
|
Nagilum?
|
|
|
|
NAGILUM
|
|
You are of different construction
|
|
than the others. Interesting.
|
|
|
|
Worf has lowered his phaser, but stays very alert as
|
|
he returns to his security position. Meanwhile,
|
|
Nagilum's eyes seem to move from one bridge crewmember
|
|
to another.
|
|
|
|
NAGILUM
|
|
(continuing)
|
|
Picard... Riker... Geordi...
|
|
Wesley...
|
|
|
|
Pulaski is suddenly moved forward as if shoved by an
|
|
invisible hand. Whatever the nature of the force, it
|
|
twirls her around for inspection.
|
|
|
|
NAGILUM
|
|
(continuing)
|
|
What are you? Your construction
|
|
also differs.
|
|
|
|
PULASKI
|
|
My "construction"... ?
|
|
|
|
DATA
|
|
Perhaps referring to your gender.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 43.
|
|
|
|
100 CONTINUED: (2)
|
|
|
|
PULASKI
|
|
Yes, I see...
|
|
(toward the viewscreen)
|
|
There are minor differences. I
|
|
am what we call a "female."
|
|
|
|
Pulaski is "shoved" forward as suddenly, then turned
|
|
around for inspection.
|
|
|
|
NAGILUM
|
|
I understand. The masculine and
|
|
the feminine.
|
|
|
|
PICARD
|
|
It is the way in which we
|
|
propagate our species.
|
|
|
|
NAGILUM
|
|
Please demonstrate how this is
|
|
accomplished.
|
|
|
|
PULASKI
|
|
Not likely.
|
|
|
|
PICARD
|
|
Whatever you are, your actions
|
|
are not welcome.
|
|
|
|
WORF
|
|
Let me put up the shields, sir.
|
|
|
|
DATA
|
|
Our sensors do not show anything
|
|
there, Worf.
|
|
|
|
101
|
|
thru OMITTED
|
|
102
|
|
|
|
103 INCLUDING MAIN VIEWER (OPTICAL)
|
|
|
|
where Nagilum still seems to peer in through the Main
|
|
Viewer. Its eyes now move to Picard.
|
|
|
|
NAGILUM
|
|
Your life-form surprises me more
|
|
and more. Is it also true that
|
|
you have only a limited existence?
|
|
(waits, then)
|
|
Answer!
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 44.
|
|
|
|
103 CONTINUED:
|
|
|
|
PICARD
|
|
What information do you want?
|
|
I don't understand the question.
|
|
|
|
NAGILUM
|
|
You exist -- and then you cease
|
|
to exist. Your minds call it
|
|
"death."
|
|
|
|
At that moment, there is a CRY OF PAIN from the Aft
|
|
Section -- and they turn. Holding his head as though
|
|
it were about to explode, HASKELL staggers back from
|
|
the damaged console. He screams again.
|
|
|
|
NAGILUM
|
|
(continuing)
|
|
How interesting.
|
|
|
|
104 ANGLE - FAVORING HASKELL
|
|
|
|
Haskell sinks to his knees, moaning in agony... then
|
|
pitches forward and lies still. Doctor Pulaski has
|
|
been hurrying toward him, now kneels and checks his
|
|
vital signs. She uses a power-hypo on him once, twice.
|
|
Then she shakes her head to Picard.
|
|
|
|
105 ANOTHER ANGLE
|
|
|
|
Worf has moved in fast too, kneels.
|
|
|
|
WORF
|
|
Sickbay?
|
|
|
|
PULASKI
|
|
It won't help. The body is
|
|
already cold.
|
|
|
|
106 ANGLE - FAVORING PICARD AND NAGILUM (OPTICAL)
|
|
|
|
as Picard turns angrily toward the Main Viewer.
|
|
|
|
PICARD
|
|
We cannot allow you to do that!
|
|
We'll fight you...
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FOUR 45.
|
|
|
|
106 CONTINUED:
|
|
|
|
NAGILUM
|
|
(interrupting; VOICE
|
|
BOOMING)
|
|
To understand death, I must amass
|
|
information on every aspect of
|
|
it, every kind of dying. The
|
|
experiments shouldn't take more
|
|
than a third of your crew, maybe
|
|
half.
|
|
|
|
OFF reactions:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
107 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
with the same distant cluster of stars.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, Stardate 42194.7.
|
|
It is obvious that whatever we
|
|
have met sees no value in our kind
|
|
of life-form. How do we fight
|
|
something that both is...
|
|
|
|
108 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Data, Geordi, Troi, Pulaski, and Worf
|
|
are in conference.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
... and is not there?
|
|
|
|
TROI
|
|
I can sense this much. We are
|
|
unimportant to it.
|
|
|
|
WORF
|
|
In a battle for survival, Captain,
|
|
thirty to fifty percent
|
|
casualties...
|
|
|
|
PULASKI
|
|
... Would be appalling...
|
|
|
|
WORF
|
|
... But within acceptable limits.
|
|
|
|
RIKER
|
|
This is not a battle, Lieutenant.
|
|
|
|
TROI
|
|
A "laboratory experiment" would
|
|
be the closest comparison.
|
|
|
|
PICARD
|
|
Is there any reason for not
|
|
believing this Nagilum?
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 47.
|
|
|
|
108 CONTINUED:
|
|
|
|
TROI
|
|
No.
|
|
|
|
DATA
|
|
All evidence indicates he is
|
|
willing and able to do what he
|
|
proposes.
|
|
|
|
PICARD
|
|
Agreed. Under the circumstances
|
|
-- there is only one decision.
|
|
I will not stand by and watch
|
|
while half of my crew is
|
|
slaughtered.
|
|
|
|
DATA
|
|
Sir... I do not believe there is
|
|
anything you can do to prevent
|
|
it.
|
|
|
|
PICARD
|
|
No. But I can control it.
|
|
|
|
PULASKI
|
|
How?
|
|
|
|
PICARD
|
|
By destroying the Enterprise.
|
|
|
|
PULASKI
|
|
(to Picard)
|
|
Isn't that like curing the disease
|
|
by killing the patient?
|
|
|
|
RIKER
|
|
At least it's better than
|
|
standing by helplessly and dying.
|
|
|
|
PULASKI
|
|
Why do I feel this may not have
|
|
been the best time to join this
|
|
ship? I'll be in Sickbay if I'm
|
|
needed.
|
|
|
|
Pulaski exits. Data, Troi and Geordi rise and go out
|
|
after her. Wesley and Worf start out. Worf pauses at
|
|
the door:
|
|
|
|
WORF
|
|
I will be at my station, Captain.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 48.
|
|
|
|
108 CONTINUED: (2)
|
|
|
|
Picard and Riker remain at the table... each with his
|
|
own thoughts. Then they both rise and go out...
|
|
|
|
109 INT. CORRIDOR
|
|
|
|
The door to the turbolift opens. Picard and Riker step
|
|
out.
|
|
|
|
110 INT. MAIN ENGINEERING
|
|
|
|
Picard and Riker enter the Engineering Section and move
|
|
to either side of the console. After a beat, Picard
|
|
reaches out and places his hand on the panel.
|
|
|
|
COMPUTER VOICE
|
|
Recognize Picard... Jean-Luc...
|
|
|
|
Riker places his hand on the opposite panel.
|
|
|
|
COMPUTER VOICE)
|
|
(continuing)
|
|
Recognize Riker... William T.
|
|
|
|
PICARD
|
|
Initiate auto-destruct sequence.
|
|
|
|
COMPUTER VOICE
|
|
Does Riker... William T. concur?
|
|
|
|
RIKER
|
|
I do. Initiate auto-destruct
|
|
sequence.
|
|
|
|
COMPUTER VOICE
|
|
What is the desired time interval?
|
|
|
|
PICARD
|
|
Stand by.
|
|
(turns to Riker)
|
|
Interesting question. How long
|
|
to prepare to die?
|
|
|
|
RIKER
|
|
Which is the least painful to our
|
|
crew? Move to it quickly? Or
|
|
take time to prepare for it
|
|
thoroughly?
|
|
|
|
They sit silently for a moment.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 49.
|
|
|
|
110 CONTINUED:
|
|
|
|
RIKER)
|
|
(continuing)
|
|
Hell, twenty minutes sounds like
|
|
a nice round figure. Can we do
|
|
that?
|
|
|
|
PICARD
|
|
The latest program allows it.
|
|
|
|
They exchange a look. Picard turns to the computer.
|
|
|
|
PICARD)
|
|
(continuing)
|
|
Initiate auto-destruct in twenty
|
|
minutes.
|
|
|
|
Picard and Riker turn to leave as the clock begins its
|
|
electronic countdown to auto-destruct.
|
|
|
|
COMPUTER VOICE
|
|
Twenty minutes to auto-destruct,
|
|
mark.
|
|
|
|
They exit. Then, in the empty room:
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
Nineteen minutes, fifty seconds...
|
|
|
|
111 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
hovering in space with the still-distant star
|
|
patterns.
|
|
|
|
112 INT. PICARD'S QUARTERS
|
|
|
|
The captain is lying on his bunk, staring at the
|
|
ceiling as DEBUSSY'S "CLAIR DE LUNE" PLAYS. CAMERA
|
|
MOVES IN to examine the expressions passing over
|
|
Picard's features as he listens. After several moments
|
|
of this, his door CHIME SOUNDS.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 50.
|
|
|
|
113 TO INCLUDE TROI
|
|
|
|
entering as if hesitant to disturb the captain at this
|
|
time. Picard straightens into a sitting position,
|
|
looks questioningly at her.
|
|
|
|
TROI
|
|
Our destroying ourselves won't
|
|
change its mind. I could feel
|
|
that.
|
|
|
|
PICARD
|
|
(somewhat surprised)
|
|
You didn't mention you were that
|
|
certain.
|
|
|
|
TROI
|
|
I was wrong not to tell you,
|
|
Captain. And your decision may
|
|
also be wrong.
|
|
|
|
Picard starts to say something, but it's INTERRUPTED
|
|
BY ANOTHER SOUND from the door.
|
|
|
|
PICARD
|
|
Yes? Come in, please.
|
|
|
|
114 TO INCLUDE DATA
|
|
|
|
as he enters, hesitant too.
|
|
|
|
DATA
|
|
I have a question, sir.
|
|
(sits)
|
|
What is death?
|
|
|
|
PICARD
|
|
You've picked probably the most
|
|
difficult of all questions, Data.
|
|
|
|
There is the beginning of a twinkle in Picard's eyes
|
|
again. It is the sort of question that his mind loves.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 51.
|
|
|
|
114 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Some explain it by inventing
|
|
gods wearing their own form...
|
|
and argue that the purpose of the
|
|
entire universe is to maintain
|
|
themselves in their present form
|
|
in an Earth-like garden which
|
|
will give them pleasure through
|
|
all eternity. And at the other
|
|
extreme, assuming that is an
|
|
"extreme," are those who prefer
|
|
the idea of our blinking into
|
|
nothingness with all our
|
|
experiences, hopes and dreams only
|
|
an illusion.
|
|
|
|
DATA
|
|
Which do you believe?
|
|
|
|
114A CLOSE ON PICARD
|
|
|
|
considering the question.
|
|
|
|
PICARD
|
|
Considering the marvelous
|
|
complexity of our universe, its
|
|
clockwork perfection, its balances
|
|
of this against that... matter,
|
|
energy, gravitation, time,
|
|
dimension, pattern, I believe
|
|
our existence must mean more than
|
|
a meaningless illusion. I prefer
|
|
to believe that my and your
|
|
existence goes beyond Euclidian
|
|
and other "practical" measuring
|
|
systems... and that, in ways
|
|
we cannot yet fathom, our
|
|
existence is part of a reality
|
|
beyond what we understand now
|
|
as reality.
|
|
|
|
A moment of silence, then:
|
|
|
|
TROI
|
|
We should not let ourselves die,
|
|
Jean-Luc!
|
|
|
|
Picard is startled by the fact this statement comes
|
|
from Troi of all people. Geordi has ENTERED as:
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 52.
|
|
|
|
114A CONTINUED:
|
|
|
|
DATA
|
|
I agree with her, Captain.
|
|
|
|
TROI
|
|
If only half of us live, I prefer
|
|
to take my chances on being one
|
|
that does.
|
|
|
|
GEORDI
|
|
Yes. It's wrong of you to force
|
|
us into this...
|
|
|
|
DATA
|
|
It is wrong...
|
|
|
|
PICARD
|
|
(interrupting)
|
|
Yes, this is very wrong. None
|
|
of you should be reacting like
|
|
this.
|
|
|
|
115 PICARD
|
|
|
|
as he strides to the Companel on his cabin wall. CLOSE
|
|
ANGLE - as he touches it:
|
|
|
|
PICARD
|
|
Computer, locate Commander Data.
|
|
|
|
COMPUTER VOICE
|
|
Commander Data is on the bridge.
|
|
|
|
Picard turns.
|
|
|
|
116 WIDER ANGLE - PICARD AND ENTIRE CABIN
|
|
|
|
No one is there! There's a look of astonishment on
|
|
his face. Except for himself, the cabin is empty.
|
|
|
|
PICARD
|
|
It's not going to work, Nagilum.
|
|
|
|
Picard stands there, for a beat.
|
|
|
|
DATA'S COM VOICE
|
|
Captain, we are clear. We are
|
|
out of the void.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 53.
|
|
|
|
116 CONTINUED:
|
|
|
|
RIKER'S COM VOICE
|
|
It's gone, Captain -- we can abort
|
|
the auto-destruct.
|
|
|
|
PICARD
|
|
Hold, Number One.
|
|
|
|
RIKER
|
|
But...
|
|
|
|
PICARD
|
|
Hold.
|
|
|
|
As Picard exits.
|
|
|
|
COMPUTER VOICE
|
|
Fifty seconds to auto-destruct.
|
|
|
|
117 OMITTED
|
|
|
|
117A INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
There is the familiar starfield on the viewscreen as
|
|
Picard enters from the turbolift.
|
|
|
|
COMPUTER VOICE
|
|
Thirty seconds to auto-destruct.
|
|
|
|
DATA
|
|
Captain, we are clear of the
|
|
void. You may stop the
|
|
auto-destruct.
|
|
|
|
PICARD
|
|
Data, on any heading -- warp six
|
|
-- now!
|
|
|
|
117B
|
|
thru OMITTED
|
|
117C
|
|
|
|
117D EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
stretches into warp.
|
|
|
|
117E INT. MAIN BRIDGE
|
|
|
|
Picard's resolve is undiminished.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 54.
|
|
|
|
117E CONTINUED:
|
|
|
|
RIKER
|
|
Captain.
|
|
|
|
PICARD
|
|
I don't believe it, Number One.
|
|
It could still be part of the
|
|
illusion. Data, report.
|
|
|
|
DATA
|
|
All navigational systems confirm
|
|
-- we are at warp six -- on
|
|
course...
|
|
|
|
No one even breathes for a long moment...
|
|
|
|
COMPUTER VOICE
|
|
Ten seconds to auto-destruct.
|
|
Nine seconds. Eight seconds.
|
|
Seven seconds... Six seconds...
|
|
|
|
DATA
|
|
... to the Morgana Quadrant.
|
|
|
|
COMPUTER VOICE
|
|
Five seconds. Four seconds...
|
|
|
|
PICARD
|
|
Troi?
|
|
|
|
TROI
|
|
It's gone, Captain. I no longer
|
|
sense its presence.
|
|
|
|
PICARD
|
|
Abort auto-destruct sequence.
|
|
|
|
COMPUTER VOICE
|
|
Three seconds. Two seconds...
|
|
Riker, William T. Do you concur?
|
|
|
|
RIKER
|
|
(relieved)
|
|
Yes! Absolutely! I do indeed
|
|
concur! Wholeheartedly!
|
|
|
|
PICARD
|
|
A simple "yes" would have been
|
|
sufficient, Number One.
|
|
|
|
RIKER
|
|
I didn't want there to be any
|
|
chance of a misunderstanding.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 55.
|
|
|
|
117E CONTINUED: (2)
|
|
|
|
Picard nods, then calmly exits to his Ready Room.
|
|
|
|
GEORDI
|
|
He sure held that bluff to the
|
|
last second.
|
|
|
|
RIKER
|
|
(laughs)
|
|
What bluff?
|
|
|
|
117F INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard is at his desk.
|
|
|
|
PICARD
|
|
Well, Nagilum... I hope you got
|
|
what you needed.
|
|
|
|
A moment, then the Intruder MATERIALIZES on the small
|
|
viewscreen. The image is filled with static.
|
|
|
|
NAGILUM
|
|
You have provided me with much
|
|
more than I needed...
|
|
|
|
PICARD
|
|
Why did you release us? You
|
|
could have seen how we faced
|
|
death.
|
|
|
|
NAGILUM
|
|
It wasn't necessary. I have
|
|
learned all I needed to know.
|
|
Would you like me to share some
|
|
of my conclusions?
|
|
|
|
PICARD
|
|
I'm not interested.
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 56.
|
|
|
|
117F CONTINUED:
|
|
|
|
NAGILUM
|
|
Of course you are. You are too
|
|
inquisitive not to want to know.
|
|
(he pauses)
|
|
You seem to find no tranquility
|
|
in anything. You struggle against
|
|
the inevitable. You thrive on
|
|
conflict. You are selfish, yet
|
|
you value loyalty. You are rash,
|
|
quick to judge, slow to change.
|
|
It's amazing you've survived.
|
|
Be that as it may -- as species,
|
|
we have no common ground. You
|
|
are too aggressive. Too hostile.
|
|
Too militant.
|
|
|
|
PICARD
|
|
During this period, you too have
|
|
been evaluated. It would seem
|
|
we have at least one thing in
|
|
common.
|
|
|
|
NAGILUM
|
|
Oh?
|
|
|
|
PICARD
|
|
Curiosity.
|
|
|
|
NAGILUM
|
|
The point is well taken, Captain.
|
|
Perhaps that is a trait we share.
|
|
|
|
PICARD
|
|
Then perhaps we'll meet again.
|
|
But next time, it will be out
|
|
here among the stars.
|
|
|
|
The STATIC CRACKLES Nagilum off and Picard stands for
|
|
a beat at the blank screen.
|
|
|
|
117G INT. MAIN BRIDGE
|
|
|
|
Picard takes his command chair.
|
|
|
|
PICARD
|
|
Put us back on course, at warp
|
|
three.
|
|
|
|
WESLEY
|
|
Warp three, sir...
|
|
|
|
STAR TREK: "Where Silence... " - 9/27/88 - ACT FIVE 57.
|
|
|
|
117G CONTINUED:
|
|
|
|
RIKER
|
|
And Ensign -- let's give any holes
|
|
a wide berth.
|
|
|
|
118 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it accelerates to warp three and disappears in the
|
|
distance.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|