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1 line
69 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Manhunt"
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#40272-145
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Written by
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Tracy Torme
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Directed by
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Rob Bowman
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1989 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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2ND REVISED FINAL DRAFT
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MARCH 29, 1989
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STAR TREK: "Manhunt" - 3/29/89 - CAST
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STAR TREK: THE NEXT GENERATION
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"Manhunt"
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CAST
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PICARD ANTEDIAN DIGNITARY
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RIKER MRS. TROI
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DATA MR. HOMN
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PULASKI TRANSPORT PILOT
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TROI SECRETARY
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GEORDI SLADE BENDER
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WORF TOUGHGUY
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WESLEY REX
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O'BRIEN
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Non-speaking Non-Speaking
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SECURITY GUARD ANTEDIAN DIGNITARY
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BAR CROWD
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Voice-over SAILOR
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COMPUTER VOICE BLEACHED BLOND
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HARD DRINKERS
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CHINESE-AMERICAN
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MISC. PATRONS
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STAR TREK: "Manhunt" - 3/29/89 - SETS
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STAR TREK: THE NEXT GENERATION
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"Manhunt"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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TRANSPORTER ROOM ANTEDE THREE
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CORRIDORS
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CAPTAIN'S READY ROOM PACIFICA
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TURBOLIFT
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MRS. TROI'S QUARTERS
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HOLODECK THREE
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SICKBAY
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CHANDLERLAND (HOLODECK)
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HALLWAY
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DIXON HILL'S OFFICE
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OFFICE RECEPTION
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REX'S BAR
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STAR TREK: "Manhunt" - 3/29/89 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Manhunt"
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PRONUCIATION GUIDE
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ANTEDE THREE an-TEE-DEE
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ANTEDIANS an-TEE-DEE-ans
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TONY PALERMO pah-LAIR-mo
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HOMN hom
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STAR TREK: THE NEXT GENERATION
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"Manhunt"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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in orbit around a planet.
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PICARD (V.O.)
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Captain's log, Stardate 42881.5.
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We are in orbit around Antede
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Three, awaiting the arrival of
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two dignitaries from this world.
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2 INT. CORRIDOR - ON PICARD
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walking toward us, wearing a full-dress uniform.
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PICARD (V.O.)
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(continuing)
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Our mission is to carry them to
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a conference on planet Pacifica...
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3 TRANSPORTER ROOM - PICARD (OPTICAL)
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as he the Transporter Room with DOCTOR PULASKI, WESLEY
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and WORF, all of whom wear work uniforms.
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PICARD (V.O.)
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(continuing)
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... where their race will be given
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the opportunity to join the
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Federation.
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PICARD
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I thought you might find this
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interesting, Mister Crusher. Few
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humans have ever seen an Antedian
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in the flesh.
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Picard nods at TRANSPORTER CHIEF O'BRIEN who begins
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the energizing process. The two delegates begin to
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MATERIZLIZE on the platform...
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 2.
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4 REVERSE ANGLE ON ANTEDIANS
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as seen from behind. They are dressed in flowing, red
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robe-like garments with an attached hood which keeps
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us from seeing their heads from here.
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PICARD
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Welcome. I'm Jean-Luc Picard,
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captain of the Enterprise.
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WESLEY
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(hesitates, then)
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Are they alright, Captain?
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Doctor Pulaski moves toward them with a medical instrument
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in hand. She grimaces as she gets near their faces.
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PICARD
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No, this is their preferred way
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of space travel.
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5 ANGLE TO INCLUDE THE ANTEDIANS
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seen from the front for the first time. It is not a
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pretty sight. Each mottled face resembles an oversized
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catfish: huge gaping mouth, spindly whiskers, big fish
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eyes, and a skeletal structure that gives them a
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grotesque, unhealthy appearance. Their hooded, crimson
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robes only emphasize their eerie, menacing appearance.
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But what is really bizarre is that they're completely
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motionless -- catatonic. A medium-sized container
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arrives with them.
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Pulaski methodically runs her medical instruments along
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the Antedian's necks.
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PULASKI
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Their physical condition appears
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good enough, considering the
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circumstances.
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PICARD
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(to Welsey)
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It is a self-induced catatonic
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state. Their way of dealing with
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the trauma of spaceflight.
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WESLEY
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Will we try to revive them?
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 3.
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5 CONTINUED:
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PICARD
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Not until we reach the Pacifica
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conference. It's three days away.
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(to Pulaski)
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You've prepared Sickbay facilities
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for holding them, Doctor?
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PULASKI
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As soon as we make some
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adjustments. Their physiology
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is unusual.
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(to O'Brien)
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Can you store them for a few
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hours?
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O'BRIEN
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Aye. I'll have them kept out of
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the way here.
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WESLEY
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What's in this container?
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PULASKI
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Their food. When they come out
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of stasis, they will be very
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hungry.
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5A ANOTHER ANGLE
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Wesley steps over to the container and lifts the cover.
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It's filled with a writhing, squirming mass of
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worm-like creatures.
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WESLEY
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This is what they eat?
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PULASKI
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In great quantities.
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5B SCENE
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PICARD
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(to Worf)
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Provide security.
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WORF
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Understood, sir.
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Worf steps forward and looks at the Antedians
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admiringly.
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 3A.
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5B CONTINUED:
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WORF
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(continuing)
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What a handsome race.
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The others look at Worf, wondering if he could possibly
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be serious. And of course, he is.
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5C EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as she leaves orbit.
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6 INT. BRIDGE
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The normal bridge crew are in their positions. Troi
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is also there.
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RIKER
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What did you think of the
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Antedians, Wesley?
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WESLEY
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Well, they are rather
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strange-looking, Commander.
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Picard ENTERS and walks to his position.
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 4.
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6 CONTINUED:
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DATA
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Judging a being by its physical
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appearance is the last great human
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prejudice, Wesley.
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PICARD
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A point well taken. I'm sure
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that to the Antedians, we're
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equally unattractive.
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RIKER
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It is interesting to consider just
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how subjective "beauty" truly
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is...
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WORF
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Captain... we're being hailed by
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a small transport vessel just
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coming into range.
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7 ANGLE EMPHASIZING TROI
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As she suddenly stiffens.
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TROI
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Oh, my God!
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PICARD
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What is the problem?
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TROI
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What can she be doing here?
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WESLEY
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On the screen, Captain.
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8 ANGLE INCLUDING MAIN VIEWER (OPTICAL)
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where the pilot of the shuttle is seen. He appears
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to be a bit weary and nervous.
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TRANSPORT PILOT
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Starship Enterprise, come in!
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RIKER
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We have you on our viewer, Pilot.
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 5.
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8 CONTINUED:
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TRANSPORT PILOT
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Enterprise... I have a passenger
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-- a V.I.P. passenger -- who I'm
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ordered to --
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MRS. TROI (V.O.)
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Let me talk to them, Pilot. I'm
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much more articulate.
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The transport pilot seems relieved to step aside and
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let the woman speak for herself.
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9 MOVE IN ON THE VIEWSCREEN (OPTICAL)
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as MRS. TROI slides into the picture.
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TROI
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Mother!
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DATA
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Captain, we are now receiving
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Starfleet orders granting a
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Lwaxana....
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MRS. TROI
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(overlapping)
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Lwaxana Troi, daughter of the
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Fifth House, Holder of the Sacred
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Chalice of Riix, heir to the Holy
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Rings of Betazed.
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DATA
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... full ambassadorial status,
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sir.
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RIKER
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I'm afraid it's back into your
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formal uniform, Captain.
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DATA
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And yours too, Commander. She
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is listed as representing the
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Betazed government at the
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conference.
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TROI
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Mother, please don't do this to
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me.
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STAR TREK: "Manhunt" - 3/29/89 - TEASER 6.
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9 CONTINUED:
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MRS. TROI
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Do what to you, Little One?
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(to Picard)
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Oh, what naughty thoughts,
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Jean-Luc. How wonderful you still
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think of me in that way.
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10 ANGLE EMPHASIZING PICARD AND RIKER
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looking at one another resignedly, preparing for the
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worst.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 7.
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ACT ONE
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FADE IN:
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11 INT. TRANSPORTER ROOM - PICARD, RIKER AND TROI
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as they ENTER, Picard and Riker now in formal full
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dress. The Antedians, still catatonic, have been moved
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to the side where a SECURITY GUARD stands with them.
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TROI
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It's so like my mother to do the
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unexpected. She's famous for it.
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PICARD
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It will be nice to have her as
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a guest of the Enterprise again.
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Riker exchanges a look with Picard signifying some
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reservations. Picard turns to Transporter Chief
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O'Brien.
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PICARD
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Energize.
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12 ANGLE ON THE TRANSPORTER PLATFORM (OPTICAL)
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as Mrs. Troi beams in. She is apparently kneeling on
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the platform, hunched over and facing backwards...
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13 CLOSE ON MRS. TROI
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MRS. TROI
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(opening her eyes)
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Aaagh! Where are my legs?!
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TROI
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Where they belong, Mother, Right
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under you.
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Mrs. Troi begins standing up.
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MRS. TROI
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(offhand)
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Oh, wonderful. So they are!
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(turning to Picard)
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But I'll never completely trust
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this device, Jean-Luc...
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STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 8.
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13 CONTINUED:
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TROI
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He's "Captain Picard," Mother...
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Mrs. Troi has turned to where she suddenly sees the
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"frozen" Antedians.
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MRS. TROI
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Aaagh!
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PICARD
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(to Riker, resignedly)
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Explain.
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RIKER
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Sorry they startled you, Mrs.
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Troi. These are Antedian
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delegates... ah, temporarily being
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stored here, I believe...
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MRS. TROI
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"Delegates?" The last time I saw
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something like this, it was being
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served on a plate.
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Picard has to turn away to hide his smile at this. But
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Riker enjoys it openly, especially her next line.
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MRS. TROI
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(continuing)
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But you, Jean-Luc, I was not aware
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you had such handsome legs. My
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valet is waiting. You may beam
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him aboard now.
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Picard nods at the Chief O'Brien and in a second, a
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larger figure MATERIALIZES. MISTER HOMN arrives carrying
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Mrs. Troi's "suitcase". He breaks into that easy,
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enigmatic smile of his as he looks around the room.
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MRS. TROI
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You remember Mister Homn, of course.
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PICARD
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It would be hard to forget Mister
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Homn. Welcome back to the
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Enterprise.
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Homn nods toward Picard.
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STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 9.
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13 CONTINUED: (2)
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MRS. TROI
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I've retained his services despite
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the outlandishly lustful thoughts
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he spews in my direction. I
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suppose the poor fellow just can't
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help himself.
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It's hard to believe Homn would lust after anyone.
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MRS. TROI
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(continuing; to Picard)
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Perhaps you could show me to my
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suite now?
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PICARD
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Certainly.
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Mister Homn starts to pick up her luggage...
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MRS. TROI
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Put that down, Homn. We can't
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deny the captain the honor of
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carrying my belongings.
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Picard looks at the beehive-shaped carrying-case. He
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remembers the last time...
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PICARD
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I won't interfere with Homn's
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duties this time.
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MRS. TROI
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That's not the real reason,
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Jean-Luc. You forget I'm a
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telepath.
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Picard looks from Mrs. Troi to Deanna as Homn picks
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up the luggage...
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RIKER
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Look, since this apparently has
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some meaning to you, Mrs. Troi,
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I'll...
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Riker reaches in to take the luggage from Homn.
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RIKER
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(continuing)
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...carry...it.
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STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 10.
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13 CONTINUED: (3)
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Homn has released the luggage and the full weight of
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it (with a MUFFLED CLANKING SOUND) is taken by Riker,
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whose words have come out in a surprised GROAN.
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14 INT. ENTERPRISE CORRIDOR
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The others follow Riker who is trying his best to
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"casually" carry the heavy bag down the hallway.
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Picard, the Trois and Homn follow closely behind.
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RIKER
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(trying not to sound
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labored)
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It's... just down this hall.
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15 EMPHASIZING THE TROI WOMEN
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Deanna is glaring at her mother who is looking at
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Riker's legs.
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MRS. TROI
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(telepathic)
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He has nice legs too, Little One.
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Is he still yours?
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TROI
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(telepathic)
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Humans no longer own each other
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that way, Mother.
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MRS. TROI
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Oh really?
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(looks at Picard)
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That's a custom we may have to
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introduce again.
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16 INT. MRS. TROI'S QUARTERS - PICARD (OPTICAL)
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as the Group ENTERS and Riker puts down the baggage,
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SIGHS with relief.
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MRS. TROI
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Thank you.
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RIKER
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Glad I could help out.
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Riker and the others EXIT, leaving Picard to face Mrs.
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Troi alone.
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STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 11.
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16 CONTINUED:
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PICARD
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I trust you'll be comfortable
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here, Mrs. Troi. Now if you'll
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excuse me, I must get back to my
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duties.
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MRS. TROI
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Captain, I will be serving a
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Betazoid dinner of greeting
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tonight. It is an ambassadorial
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function.
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PICARD
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(after a hesitation)
|
|
Of course. It, uh, sounds
|
|
delightful.
|
|
|
|
Picard EXITS. Mrs. Troi speaks of him as she flutters
|
|
about, checking out the intricacies of her quarters...
|
|
|
|
MRS. TROI
|
|
He's a fine man. Solid. Earnest.
|
|
Reliable. Perhaps a little on
|
|
the dull side, but all in all he's
|
|
not bad.
|
|
|
|
TROI
|
|
I cannot believe you! You sound
|
|
like you're sizing up a commodity.
|
|
|
|
MRS. TROI
|
|
But that's exactly what men are,
|
|
darling. Especially human men.
|
|
(chuckles, strokes
|
|
Deanna's face)
|
|
Was your father ever unhappy with
|
|
me?
|
|
|
|
TROI
|
|
No, he worshipped you, Mother.
|
|
But I'll never learn to see men
|
|
the way you do.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 12.
|
|
|
|
16 CONTINUED: (2)
|
|
|
|
MRS. TROI
|
|
You will as you mature, darling.
|
|
And the males in your life will
|
|
bless you for it.
|
|
|
|
17 INT. MAIN BRIDGE - RIKER, WESLEY, WORF, DATA
|
|
|
|
Most of them are LAUGHING, except Data who is smiling
|
|
slightly. Even Worf seems almost amused.
|
|
|
|
WESLEY
|
|
... but it's true she complimented
|
|
Captain Picard on his legs?
|
|
|
|
Riker nods affirmative.
|
|
|
|
DATA
|
|
I would have thought a telepath
|
|
would be more discreet.
|
|
|
|
RIKER
|
|
No, it's just the opposite. She
|
|
knows what's in your mind and she
|
|
lets you know what's on hers.
|
|
|
|
More LAUGHTER -- which is suddenly stilled as they
|
|
realize that Picard ENTERED the bridge. Picard takes
|
|
his seat at command and speaks in a tone that's polite,
|
|
yet gets the point across -- enough of this
|
|
conversation.
|
|
|
|
PICARD
|
|
We must not lose sight of the fact
|
|
that we're talking about someone
|
|
who has been granted ambassadorial
|
|
rank. Even if she appears a bit
|
|
eccentric, Lwaxana Troi must be
|
|
treated with appropriate respect.
|
|
Is that understood?
|
|
|
|
The others make it clear that it is.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 13.
|
|
|
|
17 CONTINUED:
|
|
|
|
DATA
|
|
Our orders on her mentioned
|
|
nothing specific except...
|
|
|
|
PICARD
|
|
(waits)
|
|
Except what, Mister Data?
|
|
|
|
DATA
|
|
We are to cooperate with her as
|
|
fully as possible, deliver her
|
|
there untroubled, rested...
|
|
(seeing Picard's
|
|
expression)
|
|
I assume those were merely
|
|
courtesies due her rank, sir.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
See that every bridge officer and
|
|
supervisor has the full text of
|
|
that transmission.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
18 EXT. SPACE - ENTERPRISE IN WARP TRAVEL (OPTICAL)
|
|
|
|
19 INT. MAIN BRIDGE - FAVORING PICARD
|
|
|
|
PICARD
|
|
Picard to Pulaski. When was the
|
|
last time you looked in on our
|
|
Antedian guests?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 14.
|
|
|
|
20 INT. TRANSPORTER ROOM - CLOSE ON PULASKI
|
|
|
|
intently concentrating on reexamining the Antedians.
|
|
|
|
PULASKI
|
|
I'm doing so right now, Captain.
|
|
|
|
PICARD (V.O.)
|
|
Are they still catatonic?
|
|
|
|
PULASKI
|
|
Status of the beings is unchanged.
|
|
Pulse still steady -- respiration
|
|
normal for them.
|
|
|
|
21 INT. MAIN BRIDGE - SAME SETTING
|
|
|
|
PICARD
|
|
Understood. Keep me informed --
|
|
Picard out.
|
|
|
|
Picard leans back in his chair, takes a deep breath,
|
|
and then rises.
|
|
|
|
PICARD
|
|
I believe I'll get some rest.
|
|
(exiting; to Riker)
|
|
It will be a dress uniform dinner,
|
|
gentlemen.
|
|
|
|
RIKER
|
|
Sir?
|
|
|
|
But PICARD EXITS.
|
|
|
|
DATA
|
|
Inquiry, Commander: to which
|
|
dinner was the captain referring?
|
|
|
|
Riker ponders the question.
|
|
|
|
RIKER
|
|
Nothing I've been invited to.
|
|
Have any of you?
|
|
|
|
Apparently no one has.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Very interesting!
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 15.
|
|
|
|
22 EXT. THE ENTERPRISE - FLYING BY AT WARP SPEED (OPTICAL)
|
|
|
|
23 INT. ENTERPRISE CORRIDOR - PICARD
|
|
|
|
(back in formal dress) walks down the hallway with a
|
|
bottle of ice-blue Altairian brandy in his right hand.
|
|
As he rounds a corner he comes face to face with Doctor
|
|
Pulaski, going the other way.
|
|
|
|
PICARD
|
|
You're not attending the dinner
|
|
with us this evening, Doctor?
|
|
|
|
PULASKI
|
|
I've already eaten, Captain. But
|
|
thanks anyway.
|
|
|
|
We HEAR A CHIME.
|
|
|
|
MRS. TROI (V.O.)
|
|
(sing-song)
|
|
Come in!
|
|
|
|
The expression on Pulaski's face is interesting.
|
|
|
|
24 INT. MRS. TROI'S QUARTERS - PICARD
|
|
|
|
ENTERS to find romantic lighting, with candle-like
|
|
objects spread about the room, and a small table made
|
|
up for two. Mrs. Troi is out of sight in an adjoining
|
|
room; Mister Homn is filling expensive-looking glasses
|
|
with what looks like wine.
|
|
|
|
Picard holds out the bottle -- Homn accepts it... and
|
|
then to Picard's surprise, he unscrews the top and
|
|
begins to drink straight from the bottle. Picard
|
|
starts to say something, but thinks better of it. In
|
|
a matter of moments, Homn drains the entire bottle!
|
|
|
|
The giant smiles at Picard and bows regally -- his way
|
|
of saying thanks.
|
|
|
|
PICARD
|
|
Tell me Mister Homn, when will the
|
|
others be arriving?
|
|
|
|
Homn stares back blankly.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT ONE 16.
|
|
|
|
24 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
The other officers?
|
|
(pause)
|
|
Commander Riker? Deanna?
|
|
|
|
Homn shakes his head from side to side and smiles
|
|
mischievously. He points a long finger at Picard and
|
|
then points behind the Captain. Picard turns to see...
|
|
|
|
25 MRS. TROI
|
|
|
|
leaning against the wall, wearing a sexy dress and a
|
|
provocative look.
|
|
|
|
MRS. TROI
|
|
(purring)
|
|
Hello, Jean-Luc. So glad you
|
|
could come.
|
|
|
|
26 MOVE IN ON THE CAPTAIN
|
|
|
|
this is not what he expected...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
27 INT. MRS TROI'S QUARTERS (OPTICAL)
|
|
|
|
Mrs. Troi and the captain are seated at the little
|
|
table, about to begin their meal. Their glasses are
|
|
full and Homn is serving them a colorful Betazoid
|
|
salad.
|
|
|
|
MRS. TROI
|
|
(raising glass)
|
|
A toast: to Earthmen... who
|
|
despite their faults, have a
|
|
unique ability to charm women of
|
|
all races, in all corners of the
|
|
galaxy.
|
|
|
|
PICARD
|
|
(clinks glass)
|
|
Speaking for the men of Earth,
|
|
which is an awesome responsibility
|
|
indeed, I thank you.
|
|
|
|
Picard is attempting to be light and uncaring, but
|
|
underneath the surface, this candlelight dinner is
|
|
making him uncomfortable.
|
|
|
|
MRS. TROI
|
|
(teasing, flirting)
|
|
I know what you're thinking,
|
|
Captain.
|
|
|
|
PICARD
|
|
(a bit worried)
|
|
You do?
|
|
|
|
MRS. TROI
|
|
You're wondering if I've been
|
|
seeing any other man on a serious
|
|
basis.
|
|
|
|
PICARD
|
|
(shaking head)
|
|
Well actually I wasn't --
|
|
|
|
MRS. TROI
|
|
-- I wouldn't worry about it,
|
|
Jean-Luc.
|
|
(MORE)
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 18.
|
|
|
|
27 CONTINUED:
|
|
|
|
MRS. TROI (Cont'd)
|
|
(reaches out, touches
|
|
his hand)
|
|
Competition seems to bring out
|
|
the best in the human male.
|
|
|
|
Picard smiles weakly and subtly withdraws his hand to
|
|
lift his glass to his lips.
|
|
|
|
PICARD
|
|
I must admit, I wasn't expecting
|
|
this... setting. I assumed that
|
|
my high-ranking officers would
|
|
also be attending.
|
|
|
|
MRS. TROI
|
|
Never assume anything when it
|
|
comes to Lwaxana Troi. A Betazoid
|
|
woman is full of surprises.
|
|
|
|
Not knowing just what to say, Picard begins to pick at
|
|
his food, but Mrs. Troi seems to be waiting for
|
|
something. Behind her, Mister Homn, sipping a drink, has
|
|
just taken his place next to a big, circular chime near
|
|
the far wall.
|
|
|
|
MRS. TROI
|
|
(continuing)
|
|
Strange, I'm not that hungry
|
|
tonight.
|
|
(leans forward, coy)
|
|
I wonder what's making me lose
|
|
my appetite? Any ideas?
|
|
|
|
She smiles and extends a utensil toward her blue salad.
|
|
Homn downs his drink and makes ready. She takes a
|
|
bite, Homn STRIKES THE CHIME. Picard jumps at the
|
|
SOUND.
|
|
|
|
PICARD
|
|
Oh yes, you're giving thanks for
|
|
your food. I'd forgotten about
|
|
that.
|
|
(pause)
|
|
I wonder how many other cultures
|
|
have similar customs.
|
|
|
|
MRS. TROI
|
|
I don't know.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 19.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Let's find out.
|
|
(touches his
|
|
communicator)
|
|
Commander Data.
|
|
|
|
28
|
|
thru OMITTED
|
|
30
|
|
|
|
30A INT. BRIDGE - SCIENCE ONE - DATA (INTERCUT AS NEEEDED)
|
|
|
|
DATA
|
|
Yes, Captain.
|
|
|
|
PICARD
|
|
Mrs. Troi and I are having a very
|
|
interesting discussion about the
|
|
various ways by which societies
|
|
give thanks. For instance, the
|
|
Betazoids use of the chime.
|
|
|
|
DATA
|
|
The use of the chime is unique,
|
|
but not at all dissimilar to the
|
|
Ooolans of Marejaretus Six, who
|
|
use two large stones which are
|
|
continuously struck during the
|
|
meal. Those at the dinner must
|
|
eat until the stones are broken.
|
|
Or, the oligarchy on Atifs Four,
|
|
which require a young male to...
|
|
|
|
PICARD
|
|
(overlapping)
|
|
Commander, this is absolutely
|
|
fascinating, don't you agree, Mrs.
|
|
Troi? Data, if your duties
|
|
permit, why don't you join us for
|
|
dessert?
|
|
|
|
DATA
|
|
You are forgetting sir -- I do not
|
|
digest foodstuffs, therefore I
|
|
cannot participate in the
|
|
consumption of your post-main
|
|
course edibles.
|
|
|
|
MRS. TROI
|
|
What'd he just say?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 19A.
|
|
|
|
30A CONTINUED:
|
|
|
|
PICARD
|
|
You don't have to eat to join us,
|
|
Commander. I'm sure Mrs. Troi
|
|
would simply enjoy the pleasure
|
|
of your company.
|
|
|
|
Data is pleased to hear it...
|
|
|
|
DATA
|
|
Indeed, sir. I am on my way; Data
|
|
out.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 20.
|
|
|
|
30A CONTINUED: (2)
|
|
|
|
MRS. TROI
|
|
(annoyed)
|
|
How could you possibly think I'd
|
|
want to share our special time
|
|
together, with that robot of
|
|
yours?
|
|
|
|
PICARD
|
|
Because... because of his
|
|
wonderful after-dinner
|
|
conversation. His anecdotes are
|
|
the stuff of legends aboard this
|
|
ship.
|
|
|
|
CUT TO:
|
|
|
|
31 INT. MRS. TROI'S QUARTERS (OPTICAL)
|
|
|
|
CLOSE on Data, now sitting at their table, eagerly
|
|
concluding an "anecdote".
|
|
|
|
DATA
|
|
-- So by using the square root
|
|
of pi and then multiplying it by
|
|
nine to the third power, I was
|
|
able to accurately calculate the
|
|
distance between the Omicron
|
|
galaxy and the Crab Nebula.
|
|
|
|
32 PULL BACK TO INCLUDE PICARD AND MRS TROI (OPTICAL)
|
|
|
|
She is literally bored stiff by Data's stories. In
|
|
the b.g. we see Mister Homn break into a slow, cat-like
|
|
yawn.
|
|
|
|
PICARD
|
|
Fascinating, Data. I'm sure Mrs.
|
|
Troi would love to hear the one
|
|
about the, uh, anomalous chemical
|
|
composition of... say... brown
|
|
dwarf stars.
|
|
|
|
MRS. TROI
|
|
Well, not really --
|
|
|
|
DATA
|
|
(enthused)
|
|
-- Yes Captain, that is a
|
|
particularly spellbinding subject.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 21.
|
|
|
|
32 CONTINUED:
|
|
|
|
Data turns to Mrs. Troi with a pleased, eager look on
|
|
his face.
|
|
|
|
DATA
|
|
(continuing)
|
|
For most stars, the rare-Earth
|
|
element Europium is enriched
|
|
relative to samarium and
|
|
gadolinium...
|
|
|
|
MRS. TROI
|
|
(flat, bored)
|
|
Is that so?
|
|
|
|
DATA
|
|
It is! However in brown dwarf
|
|
stars, the element Europium is
|
|
anomalously depleted.
|
|
|
|
MRS. TROI
|
|
(sarcastic)
|
|
Fascinating.
|
|
|
|
DATA
|
|
But that is only the beginning.
|
|
If the abundances of the elements
|
|
terbium, dysprosium, holmium and
|
|
erbium are also factored into the
|
|
analysis...
|
|
|
|
33 INT. ENTERPRISE CORRIDOR - TROI AND PULASKI
|
|
|
|
are walking together.
|
|
|
|
PULASKI
|
|
Your mother seems quite an
|
|
interesting woman, Deanna.
|
|
|
|
TROI
|
|
Doctor, perhaps I should tell you
|
|
something about my mother's
|
|
condition at this time.
|
|
|
|
PULASKI
|
|
Condition at this time?!
|
|
|
|
TROI
|
|
Something that occurs to Betazoid
|
|
females at mid-life. We call it
|
|
the Phase.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 22.
|
|
|
|
33 CONTINUED:
|
|
|
|
PULASKI
|
|
At mid-life as in the human
|
|
female's menopause?
|
|
|
|
TROI
|
|
(laughing)
|
|
Almost the exact opposite. It
|
|
is only at mid-life that Betazed
|
|
females become... well, fully
|
|
sexual, if you know what I mean.
|
|
|
|
PULASKI
|
|
Yes, perhaps I do. I just heard
|
|
her voice fairly singing when she
|
|
called the captain into her room.
|
|
|
|
TROI
|
|
I wonder if I shouldn't warn the
|
|
captain?
|
|
|
|
Pulaski considers it. Is there a gleam of amusement
|
|
in her eyes?
|
|
|
|
PULASKI
|
|
Nooo. As ship's doctor I'd
|
|
consider it excellent exercise
|
|
for his reflexes and agility.
|
|
|
|
TROI
|
|
(somewhat shocked)
|
|
Doctor... !
|
|
|
|
PULASKI
|
|
In staying ahead of your mother.
|
|
|
|
Troi suddenly understands, smiling.
|
|
|
|
TROI
|
|
Yes. An animal is always at its
|
|
best when hunted...
|
|
|
|
PULASKI
|
|
Or when hunting.
|
|
|
|
34 STAY ON DEANNA
|
|
|
|
as she walks on, turns and ENTERS her mother's
|
|
quarters...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 23.
|
|
|
|
35 INT. MRS. TROI'S QUARTERS - DATA (OPTICAL)
|
|
|
|
has activated a computer screen and is now pointing
|
|
out various moving objects, as Deanna ENTERS...
|
|
|
|
DATA
|
|
... and at this point, the second
|
|
co-orbital satellite avoids a
|
|
collision with the first.
|
|
|
|
MRS TROI
|
|
(looking up)
|
|
-- Deanna, darling! Thank the
|
|
Four Dieties you're here.
|
|
|
|
TROI
|
|
I hope I'm not interrupting.
|
|
|
|
PICARD
|
|
(rising)
|
|
No, as a matter of fact, I need
|
|
to get back to the bridge myself.
|
|
|
|
DATA
|
|
Perhaps I should stay here and
|
|
further entertain our guest.
|
|
|
|
MRS. TROI
|
|
-- No! I mean, I think you're
|
|
needed on the bridge as well.
|
|
|
|
Data frowns... then nods, realizing she's probably
|
|
right.
|
|
|
|
PICARD
|
|
(a bit stiff)
|
|
Thank you for a delicious meal.
|
|
Let's uh, do it again sometime.
|
|
|
|
MRS. TROI
|
|
(purring)
|
|
Oh, I know we will.
|
|
|
|
Picard EXITS (followed by Data) a little embarrassed.
|
|
Deanna looks at her mother with hard, accusing eyes.
|
|
|
|
MRS. TROI
|
|
Little One, the captain is every
|
|
bit as charming as your father
|
|
was.
|
|
|
|
Mrs. Troi innocently takes a bite of her Betazoid
|
|
dessert and Homn RINGS THE CHIME...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 24.
|
|
|
|
36 INT. ENTERPRISE CORRIDOR, OUTSIDE MRS. TROI'S QUARTERS
|
|
|
|
Data and Picard walking together.
|
|
|
|
PICARD
|
|
(exhaling)
|
|
Data, you'll never know just how
|
|
much I owe you for that.
|
|
|
|
DATA
|
|
Indeed, Captain? I know many more
|
|
interesting anecdotes as well.
|
|
|
|
37 INT. MAIN BRIDGE - THE CAPTAIN AND DATA
|
|
|
|
EXIT the turbolift and ENTER the bridge. Riker swivels
|
|
from his position at Command, and addresses Picard,
|
|
still in dress uniform, who is moving toward the Ready
|
|
Room...
|
|
|
|
RIKER
|
|
Status of the Antedian delegates
|
|
unchanged, Captain.
|
|
|
|
PICARD
|
|
What's our e.t.a. to the
|
|
conference?
|
|
|
|
RIKER
|
|
Forty five point three hours, sir.
|
|
|
|
PICARD
|
|
Very good, Number One. I'll be
|
|
in my Ready Room.
|
|
|
|
Picard ENTERS his Ready Room while Data crosses to Ops.
|
|
|
|
38 INT. MRS. TROI'S QUARTERS - HOMN
|
|
|
|
bottle in hand, is cleaning up the table -- Mrs Troi
|
|
is HUMMING to herself as she throws on a Betazoid
|
|
shawl.
|
|
|
|
TROI
|
|
Why would you come aboard at a
|
|
time like this?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 24A.
|
|
|
|
38 CONTINUED:
|
|
|
|
MRS. TROI
|
|
(shrugging)
|
|
I had no choice. I was going
|
|
to Pacifica, you were going to
|
|
Pacifica, it seemed the
|
|
appropriate thing to do.
|
|
|
|
TROI
|
|
Don't be absurd -- you knew what
|
|
this would lead to...
|
|
|
|
Deanna trails off as she looks at Homn (she doesn't
|
|
want to continue this conversation in front of anyone).
|
|
She takes her mother by the arm and leads her out of
|
|
the room.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 25.
|
|
|
|
39 INT. ENTERPRISE CORRIDOR - ON THE TROIS
|
|
|
|
Deanna is animated and concerned while her mother is
|
|
smiling and relaxed, nodding hello to passers-by...
|
|
|
|
TROI
|
|
What stage is it in?
|
|
|
|
MRS. TROI
|
|
I have it completely under
|
|
control.
|
|
|
|
TROI
|
|
(demanding)
|
|
What stage is it in?
|
|
|
|
MRS. TROI
|
|
(smiles)
|
|
Well, far enough along for me to
|
|
enjoy it, Little One.
|
|
|
|
TROI
|
|
(worried)
|
|
Now I know why you wore that
|
|
dress.
|
|
|
|
MRS. TROI
|
|
(laughing)
|
|
Don't be ridiculous. It's just
|
|
a simple little dress -- there's
|
|
nothing provocative about it.
|
|
|
|
TROI
|
|
(more to herself)
|
|
What are we going to do?
|
|
|
|
MRS. TROI
|
|
I'm going to do the only honorable
|
|
thing there is to do.
|
|
(smiles)
|
|
And I'd say the captain has the
|
|
inside track.
|
|
|
|
TROI
|
|
Don't even think it!
|
|
|
|
MRS. TROI
|
|
Why not? He was thinking about
|
|
it all through dinner.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 26.
|
|
|
|
40 INT. CAPTAIN'S READY ROOM - TIGHT ON PICARD'S FACE
|
|
|
|
He's in his regular uniform.
|
|
|
|
PICARD
|
|
I was what?!
|
|
|
|
41 PULL BACK TO INCLUDE RIKER AND TROI (OPTICAL)
|
|
|
|
PICARD
|
|
(continuing)
|
|
I tell you Deanna, for a telepath,
|
|
your mother's accuracy leaves much
|
|
to be desired.
|
|
|
|
TROI
|
|
Actually, her telepathic prowess
|
|
is quite advanced. Except for
|
|
now.
|
|
|
|
RIKER
|
|
"Except for now?"
|
|
|
|
PICARD
|
|
Don't misunderstand me, Counselor.
|
|
Your mother is a beautiful
|
|
person...
|
|
|
|
TROI
|
|
(continuing)
|
|
My mother is just beginning a
|
|
physiological phase... one that
|
|
all Betazoid women must deal with
|
|
as they enter mid-life.
|
|
|
|
Troi stops talking and looks at the men. The men look
|
|
at each other...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 27.
|
|
|
|
41 CONTINUED:
|
|
|
|
RIKER
|
|
It's something Troi warned me
|
|
about when we were first seeing
|
|
each other.
|
|
(looks at Troi)
|
|
When a Betazoid female goes
|
|
through "the Phase," it quadruples
|
|
her sex drive.
|
|
|
|
TROI
|
|
Or more...
|
|
|
|
Picard looks worried, Riker WHISTLES.
|
|
|
|
RIKER
|
|
(to Troi)
|
|
... "or more?" I didn't know
|
|
that.
|
|
|
|
TROI
|
|
I didn't want to frighten you.
|
|
(to Picard)
|
|
My mother has opted for the only
|
|
dignified course of action open
|
|
to her.
|
|
|
|
RIKER
|
|
Isolation?
|
|
|
|
TROI
|
|
She has chosen to focus all of
|
|
her sexual energy on one male.
|
|
This man will eventually become
|
|
her husband, of course.
|
|
(with difficulty)
|
|
It seems Captain, that you are
|
|
the early favorite.
|
|
|
|
RIKER
|
|
Congratulations, sir!
|
|
|
|
PICARD
|
|
I am not amused, Number One.
|
|
(starts pacing again)
|
|
There must be a way to convince
|
|
her that it's quite impossible
|
|
-- without offending her.
|
|
|
|
TROI
|
|
You cannot apply human style logic
|
|
to this, Captain.
|
|
(MORE)
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT TWO 28-29.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
TROI (Cont'd)
|
|
Mother would be shocked and deeply
|
|
resentful, should you spurn her
|
|
advances. She would naturally
|
|
take it very personally.
|
|
|
|
PICARD
|
|
Well, considering Starfleet's
|
|
orders not to get her upset, I
|
|
think it might be prudent for me
|
|
to make myself less available for
|
|
the duration of this journey.
|
|
|
|
RIKER
|
|
Agreed.
|
|
|
|
Off this decision we GO TO:
|
|
|
|
42 INT. ENTRANCE TO HOLODECK - ANGLING ON THE COMPUTER
|
|
|
|
PICARD (V.O.)
|
|
Setting: San Francisco
|
|
California, United States Of
|
|
America, the year 1945 A.D.,
|
|
program to fit the novel, "The
|
|
Long Dark Tunnel".
|
|
|
|
COMPUTER VOICE
|
|
You may enter when ready.
|
|
|
|
43 PULL BACK TO SEE PICARD (OPTICAL)
|
|
|
|
decked out in trenchcoat and fedora, re-entering
|
|
Chandlerland as private-eye Dixon Hill...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 30.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
44 EXT. SPACE - ENTERPRISE IN FLYBY (OPTICAL)
|
|
|
|
PICARD (V.O.)
|
|
Dixon Hill's memoirs: date, the
|
|
1940's...
|
|
|
|
45 INT. HALLWAY LEADING TO DIXON HILL'S OFFICE - DAY
|
|
|
|
Picard walks toward the glass door with "his" name on
|
|
it. He moves slowly, relishing the detail in the
|
|
decrepit hallway.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
It was a grey day in the city by
|
|
the bay. My pockets were as empty
|
|
as a press agent's heart. I
|
|
needed a case, that's for sure,
|
|
but the private dick racket was
|
|
as slow as the horse I just blew
|
|
my last two bucks on.
|
|
|
|
46 INT. DIXON HILL'S RECEPTION ROOM - PICARD
|
|
|
|
ENTERS and finds his SECRETARY behind the desk...
|
|
|
|
PICARD
|
|
(pleased)
|
|
Hello, it's good to see you again.
|
|
|
|
SECRETARY
|
|
(chuckling)
|
|
You're too much, Dix. You make
|
|
it sound like you ain't seen me
|
|
in a year.
|
|
|
|
Picard smiles to himself, she's close to right. He
|
|
removes his hat and coat, as she pulls out a small
|
|
notepad...
|
|
|
|
SECRETARY
|
|
You got two calls...
|
|
|
|
PICARD
|
|
New cases?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 31.
|
|
|
|
46 CONTINUED:
|
|
|
|
SECRETARY
|
|
Are you kiddin'? The last time
|
|
we got a new case, Hitler wasn't
|
|
running Germany.
|
|
(checks pad)
|
|
Your tailor called -- he wants
|
|
his dough for cleaning your other
|
|
suit -- and your landlord called -- you
|
|
can guess what he wants.
|
|
|
|
PICARD
|
|
(thoughtful)
|
|
I see... Well, pay the tailor and
|
|
stall the landlord.
|
|
|
|
He walks into his office. The secretary swivels her
|
|
chair and picks up the phone...
|
|
|
|
SECRETARY
|
|
(to herself)
|
|
Pay the tailor...
|
|
(laughs, hangs up)
|
|
Pay the tailor? With what?
|
|
|
|
47 INT. HILL'S OFFICE - ON PICARD
|
|
|
|
MOVING AROUND THE ROOM, happy to be back in
|
|
Chandlerland.
|
|
|
|
48 INT. MRS. TROI'S QUARTERS (OPTICAL)
|
|
|
|
Close on Mrs. Troi.
|
|
|
|
MRS. TROI
|
|
Unavailable? Ship's business?
|
|
|
|
PULL BACK to reveal Deanna, standing across from her.
|
|
Mrs. Troi seems more surprised than angry...
|
|
|
|
MRS. TROI
|
|
(continuing)
|
|
Ship's business takes precedence
|
|
over me?
|
|
|
|
TROI
|
|
I'm afraid so.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 32.
|
|
|
|
48 CONTINUED:
|
|
|
|
MRS. TROI
|
|
Hmmm... Oh well, he was too old
|
|
for me anyway.
|
|
|
|
Still thinking, she moves over to where Homn is happily
|
|
sampling several tall glasses of multi-colored liquids.
|
|
|
|
MRS. TROI
|
|
(to Homn)
|
|
Homn, let's consider my alternate
|
|
plan.
|
|
|
|
Homn bows deeply -- his way of saying "good idea."
|
|
|
|
TROI
|
|
Alternate plan?
|
|
|
|
MRS. TROI
|
|
You worry too much, Little One.
|
|
Your mother has the situation well
|
|
in hand.
|
|
|
|
49 INT. DIXON HILL'S OFFICE - ON PICARD (OPTICAL)
|
|
|
|
sitting with his back to the door, hands clasped behind
|
|
his head, staring out the window at the San Francisco
|
|
street scene. He doesn't turn as WE HEAR THE DOOR OPEN
|
|
behind him...
|
|
|
|
SECRETARY (V.O.)
|
|
(a little nervous)
|
|
There's a gentleman here to see
|
|
you, Mister Hill.
|
|
|
|
PICARD
|
|
Thank you, Madeline.
|
|
|
|
The secretary steps aside and then EXITS as SLADE
|
|
BENDER, a huge, bull-necked, square-shouldered tough
|
|
guy in an expensive gangster suit ENTERS. Finally,
|
|
Picard swivels his chair around and faces his visitor.
|
|
He rises slowly, awkwardly lights a cigarette (chokes
|
|
on it), and deliberately sizes up Slade Bender...
|
|
|
|
PICARD
|
|
Yes, as the book said, everything
|
|
about you is big: big
|
|
shoulders... big neck... big
|
|
fists...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 33.
|
|
|
|
49 CONTINUED:
|
|
|
|
Slade interrpts, speaking with little emotion, slurring
|
|
his words in a half-whisper.
|
|
|
|
He's the dumb, silent type.
|
|
|
|
SLADE
|
|
You a private dick?
|
|
|
|
PICARD
|
|
Says so on my door, doesn't it?
|
|
|
|
SLADE
|
|
I want you should do a job for
|
|
me.
|
|
|
|
PICARD
|
|
Let me guess -- you want dance
|
|
lessons.
|
|
|
|
Slade grabs Picard by the arm.
|
|
|
|
SLADE
|
|
(sincere)
|
|
You're not trying to be funny are
|
|
you? I don't like funny things.
|
|
|
|
Picard is feeling some pain from Slade's crushing grip.
|
|
|
|
PICARD
|
|
Yes... yes, I understand that.
|
|
No funny things.
|
|
|
|
Slade releases Picard's arm and the captain flexes and
|
|
unflexes cramped muscles.
|
|
|
|
SLADE
|
|
I want you to find a missing
|
|
person.
|
|
|
|
PICARD
|
|
Alva? Let's see -- I'll bet she's
|
|
your sister...
|
|
|
|
Picard reacts to Slade's expression.
|
|
|
|
SLADE
|
|
Yes. She's my sister, and I want
|
|
you to find her!
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 34.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
Slade's gotten all worked up again -- he's grabbing
|
|
Picard by the shirt to get his point across.
|
|
|
|
PICARD
|
|
Take it easy, Mac! I can't take
|
|
the job of finding Alva if you
|
|
break me like a matchstick.
|
|
|
|
Slade seems to think that over and ultimately agrees.
|
|
He releases his vice-like grip.
|
|
|
|
PICARD
|
|
(continuing;
|
|
straightening tie)
|
|
As a matter of fact, I knew who
|
|
Alva was all along. I've read
|
|
the book.
|
|
|
|
Slade hovers over Picard again.
|
|
|
|
SLADE
|
|
Read what book? Are you being
|
|
funny again?
|
|
|
|
PICARD
|
|
(to Slade)
|
|
You got a picture?
|
|
|
|
SLADE
|
|
Of Alva?
|
|
|
|
PICARD
|
|
Of course of Alva! The novel
|
|
wasn't illustrated.
|
|
|
|
Slade is again puzzled but reaches into his shirt
|
|
pocket, and hands Picard a photograph.
|
|
|
|
50 CIRCLING PICARD
|
|
|
|
as he studies the photo
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 35.
|
|
|
|
50 CONTINUED:
|
|
|
|
PICARD
|
|
I believe the 1940 expression was
|
|
"hubbah, hubbah, hubbah."
|
|
|
|
SLADE
|
|
And I still say you talk funny.
|
|
I don't like funny talk.
|
|
|
|
PICARD
|
|
That's part of the cost of hiring
|
|
a private eye like me, Slade.
|
|
I'm very different from most you
|
|
could get.
|
|
|
|
Picard looks up at Slade, then back at the photo.
|
|
|
|
SLADE
|
|
I want you to find Alva. I'll
|
|
pay you.
|
|
|
|
PICARD
|
|
(nods)
|
|
Okay. I'll find Alva for you;
|
|
but you might not like what I
|
|
find.
|
|
|
|
Slade simply nods, and then turns and walks out the
|
|
door. Picard calls after him and follows. Slade
|
|
continues out the reception door and into the hallway.
|
|
As Picard passes his startled secretary, he comments to
|
|
her with a smile:
|
|
|
|
PICARD (CONT'D)
|
|
This is so much fun.
|
|
|
|
51 INT. TRANSPORTER ROOM - WESLEY AND WORF
|
|
|
|
are standing before the platform, looking up at the
|
|
still motionless Antedian delegates.
|
|
|
|
WORF
|
|
Even in this state, they possess
|
|
a certain dignity, a graceful
|
|
countenance.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 36.
|
|
|
|
51 CONTINUED:
|
|
|
|
Wes takes a good look at the scaly, grotesque faces
|
|
under the red hoods.
|
|
|
|
WESLEY
|
|
If you say so, Lieutenant.
|
|
|
|
WORF
|
|
(peers at him)
|
|
I see. Is this how you felt when
|
|
you first saw me?
|
|
|
|
WESLEY
|
|
(pause, guiltily)
|
|
Well... maybe at first.
|
|
(brightening)
|
|
But now that I've seen a few more
|
|
Klingons, I know that you're real
|
|
handsome, for... for a Klingon.
|
|
|
|
Worf GRUNTS, not sure he likes that compliment.
|
|
|
|
WESLEY
|
|
That uh, didn't come out quite
|
|
right.
|
|
|
|
The door opens and Mrs. Troi ENTERS, followed of course
|
|
by Mister Homn. She looks up at the Antedians and
|
|
shudders...
|
|
|
|
MRS. TROI
|
|
I still say they'd look better
|
|
in sauce.
|
|
(moves closer;
|
|
concentrating)
|
|
No, nothing.
|
|
(to Welsey)
|
|
When will the good captain revive
|
|
them?
|
|
|
|
WESLEY
|
|
Not until we reach Pacifica,
|
|
ma'am.
|
|
|
|
Mrs. Troi turns her attention from the Antedians to
|
|
Worf and Wesley. She walks around them in a slow
|
|
circle -- Homn follows, two steps behind.
|
|
|
|
MRS. TROI
|
|
You seem a fine boy. One day you
|
|
will grow up to be a big, strong
|
|
man.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 37.
|
|
|
|
51 CONTINUED: (2)
|
|
|
|
Wesley looks over at Worf, wondering what she's getting
|
|
at.
|
|
|
|
MRS. TROI
|
|
(continuing)
|
|
But even though humans age far
|
|
more rapidly than Betazoids, I
|
|
cannot afford to wait for you to
|
|
mature.
|
|
|
|
This confuses Wesley even more. Mrs. Troi eyes Worf...
|
|
|
|
MRS. TROI
|
|
(smiling)
|
|
But you... your innermost thoughts
|
|
are primal, savage. I like that
|
|
in a man.
|
|
|
|
WORF
|
|
I am not a man.
|
|
|
|
MRS. TROI
|
|
Which is in your favor, men so
|
|
often being irrational and
|
|
egotistical.
|
|
(eyes him, then sighs)
|
|
But I'm afraid I've grown
|
|
accustomed to human companionship.
|
|
It's nothing personal, you would
|
|
have made a fine choice.
|
|
|
|
Worf frowns -- he is about to ask her what she's
|
|
talking about when she turns to her valet...
|
|
|
|
MRS. TROI
|
|
Who's next, Mister Homn?
|
|
|
|
Homn puts his hands to his eyes and pantomimes the
|
|
structure of a VISOR.
|
|
|
|
MRS. TROI
|
|
Ah yes. Let's get to it, I'm not
|
|
getting any younger.
|
|
|
|
Mrs. Troi EXITS, Homn bows to Wesley and Worf, then
|
|
follows.
|
|
|
|
WESLEY
|
|
What was that all about?
|
|
|
|
Worf has no idea.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 38.
|
|
|
|
52 INT. ENGINEERING - GEORDI
|
|
|
|
is at his station. The matter/anti matter core is
|
|
throbbing as Mrs. Troi and Mister Homn approach...
|
|
|
|
MRS. TROI
|
|
Lieutenant La Forge, I wish to
|
|
be direct with you.
|
|
|
|
GEORDI
|
|
(turning to see her)
|
|
I prefer it that way. Now what
|
|
are you being direct about?
|
|
|
|
MRS. TROI
|
|
I have decided to give all the
|
|
bridge officers an equal
|
|
opportunity to gain my favor.
|
|
|
|
GEORDI
|
|
I see.
|
|
|
|
MRS. TROI
|
|
Ah, but you don't, and that's the
|
|
problem. I wonder whether a
|
|
sightless man could ever
|
|
appreciate great beauty.
|
|
|
|
GEORDI
|
|
That's funny... I've always had
|
|
the same doubts about the sighted.
|
|
|
|
MRS. TROI
|
|
Odd. How so?
|
|
|
|
GEORDI
|
|
Because my eyes don't seduce my
|
|
mind, I'm driven to find beauty
|
|
in other things -- things sighted
|
|
people tend to ignore. The lovely
|
|
temperature gradiations of bodies,
|
|
the moisture patterns, the
|
|
indications of inner peace and
|
|
harmony...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 39.
|
|
|
|
53 ANGLE ON HOMN
|
|
|
|
nodding slowly, agreeing completely.
|
|
|
|
54 BACK TO SHOT
|
|
|
|
MRS. TROI
|
|
(thoughtful)
|
|
Very interesting, Lieutenant. But
|
|
I'm not sure if that's good or
|
|
bad. A less perceptive man could
|
|
be easier to live with.
|
|
|
|
55 STAY ON A PUZZLED GEORDI
|
|
|
|
watching Mrs. Troi and Homn as they EXIT.
|
|
|
|
56 EXT. SPACE - ENTERPRISE FLYBY (OPTICAL)
|
|
|
|
57 INT. END OF HALLWAY OUTSIDE HILL'S OFFICE - PICARD
|
|
|
|
stands with Slade Bender before the door marked
|
|
"Exit."
|
|
|
|
PICARD
|
|
Twenty dollars a day, plus
|
|
expenses. Fifty when I find her.
|
|
|
|
Slade pulls out several crisp hundred dollar bills and
|
|
hands one to Picard. Picard runs the bill between his
|
|
fingers.
|
|
|
|
PICARD
|
|
You know it's wonderful to need
|
|
money.
|
|
|
|
SLADE
|
|
(poking Picard's chest)
|
|
You'll get more when you find
|
|
Alva.
|
|
|
|
He EXITS through the door -- WE CAN HEAR his heavy feet
|
|
thundering off. Picard pivots and starts to walk back
|
|
toward his office.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 40.
|
|
|
|
58 ANGLE TO REVEAL A MYSTERIOUS MAN IN A GREY SUIT
|
|
|
|
leaning against the wall between Picard and the office.
|
|
A fedora is tilted down over one eye making his face
|
|
hard to see. He's looking down, lighting a cigarette.
|
|
Picard pauses.
|
|
|
|
PICARD
|
|
Let's see... I must have been
|
|
skimming pages about here. What
|
|
part did you play?
|
|
|
|
The man doesn't look up. Picard shrugs, saunters
|
|
past; the man immediately moves up behind him, sticking
|
|
a concealed gun against his back.
|
|
|
|
TOUGHGUY
|
|
Freeze.
|
|
|
|
PICARD
|
|
Ah, yes, of course.
|
|
|
|
TOUGHGUY
|
|
I'm looking for Slade Bender,
|
|
Hill. I understand he was here
|
|
yesterday.
|
|
|
|
PICARD
|
|
My, my, time does fly in the
|
|
Holodeck.
|
|
|
|
Hands up, Picard turns slowly and gets a look at his
|
|
assailant. The Toughguy has olive skin, a jagged scar
|
|
on his cheek and oddly pale eyes...
|
|
|
|
PICARD
|
|
(continuing)
|
|
Even if I happen to know a Slade
|
|
Bender, why should I help you?
|
|
|
|
TOUGHGUY
|
|
Because he owes me money. And
|
|
because if you don't, I'll blow
|
|
your head off.
|
|
|
|
A slow, cool smile spreads across Picard's face...
|
|
|
|
PICARD
|
|
I knew you'd say something like
|
|
that. Marvelous.
|
|
|
|
The Toughguy is really ticked off by Picard's
|
|
unfathomable (to him) remark. He jams the gun against
|
|
Picard's ribs...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT THREE 41.
|
|
|
|
58 CONTINUED:
|
|
|
|
TOUGHGUY
|
|
Cut the crap, Hill! Tell me where
|
|
he is or so help me, I'll plug
|
|
ya!
|
|
|
|
PICARD
|
|
I don't think so.
|
|
|
|
With lightning quickness, Picard throws a classic
|
|
punch, knocking his adversary reeling.
|
|
|
|
The Toughguy swings about, shoves his gun into Picard's
|
|
belly, FIRES. On Picard's look of astonishment:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 42.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
59 INT. CHANDLERLAND HALLWAY - PICARD AND TOUGHGUY
|
|
|
|
The hood is staring in disbelief at Picard.
|
|
|
|
TOUGHGUY
|
|
Come on, drop! I shot ya.
|
|
|
|
PICARD
|
|
No, the gun misfired. Thankfully
|
|
the Holodeck is handling it
|
|
correctly and the mortality
|
|
failsafe is functional.
|
|
|
|
The Toughguy suddenly swings his gun, catches Picard on
|
|
the side of the head. It is a real blow which hurts.
|
|
But Picard pulls the hood up by his tie, and knocks
|
|
him out with a chopping overhand right.
|
|
|
|
60 CLOSER - PICARD
|
|
|
|
He rubs the side of his head, finds blood there.
|
|
|
|
PICARD
|
|
(continuing)
|
|
But in some ways, the program is
|
|
almost too accurate.
|
|
|
|
Dixon Hill's secretary has come running out, having
|
|
heard the shot. She immediately spots the blood on the
|
|
side of Picard's head.
|
|
|
|
SECRETARY
|
|
Dixon, you're hurt!
|
|
|
|
Picard grimaces in fine fashion...
|
|
|
|
PICARD
|
|
Don't worry about it.
|
|
(shrugs)
|
|
I'm going out for a drink.
|
|
|
|
Dixon Hill's secretary looks on admiringly as her boss
|
|
literally shrugs off his wound and EXITS the hallway.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 43.
|
|
|
|
61 INT. REX'S BAR - ON REX
|
|
|
|
the tough-eyed Bartender who owns this dark, moody bar.
|
|
The place is almost empty: a SAILOR sits next to a
|
|
BLEACHED BLOND at the bar, a COUPLE OF HARD DRINKERS
|
|
are at tables in the back. The jukebox is playing A
|
|
MOURNFUL FORTIES TORCH SONG, and Rex is pouring scotch
|
|
into the glass of a CHINESE-AMERICAN CUSTOMER...
|
|
|
|
62 ANGLE ON THE DOOR
|
|
|
|
as Picard ENTERS. He looks around, affection in his
|
|
eyes.
|
|
|
|
63 WIDE ANGLE
|
|
|
|
as Rex spots Picard at the door.
|
|
|
|
REX
|
|
Well hello, Dixon. Haven't seen
|
|
you in a while.
|
|
|
|
Picard approaches the bar...
|
|
|
|
REX
|
|
(continuing)
|
|
What's it been, four hours?
|
|
|
|
Picard sticks out his hand and smiles...
|
|
|
|
PICARD
|
|
You must be Rex. Am I right?
|
|
|
|
REX
|
|
If you gotta ask me that pal, you
|
|
need a drink.
|
|
|
|
PICARD
|
|
(sitting at bar)
|
|
You're right, I do need a drink.
|
|
|
|
REX
|
|
The usual?
|
|
|
|
PICARD
|
|
(smiling, nodding)
|
|
Let's see... Scotch, neat?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 44.
|
|
|
|
63 CONTINUED:
|
|
|
|
REX
|
|
(chuckling)
|
|
What else?
|
|
(pours, notices wound)
|
|
I hate to be the bearer of bad
|
|
news old buddy, but you're leakin'
|
|
blood.
|
|
|
|
PICARD
|
|
(macho)
|
|
So? I've got plenty more where
|
|
that came from.
|
|
|
|
REX
|
|
(sincere)
|
|
Geez, Dix. You're tough as
|
|
nails.
|
|
|
|
Picard belts down his drink and almost turns green.
|
|
|
|
PICARD
|
|
Uggh, I'm going to have to get
|
|
used to that.
|
|
|
|
REX
|
|
(dry)
|
|
Yeah, it's only your third one
|
|
today.
|
|
|
|
Picard is still reeling from the drink. He closes his
|
|
eyes and raps his fist on the bar.
|
|
|
|
PICARD
|
|
What the hell... make it four.
|
|
|
|
The stoic Bartender pours...
|
|
|
|
REX
|
|
I'll put it on your tab.
|
|
|
|
PICARD
|
|
(pulls out a bill)
|
|
Cash! I just took on a case.
|
|
|
|
64 INT. MAIN BRIDGE - RIKER
|
|
|
|
is at Command with Troi beside him. Wesley and Data
|
|
are at Conn and Ops.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 44A.
|
|
|
|
64 CONTINUED:
|
|
|
|
PULASKI COM VOICE
|
|
Bridge this is Doctor Pulaski.
|
|
We have completed the transfer.
|
|
The Antedians are now in Sickbay.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 45.
|
|
|
|
64 CONTINUED: (2)
|
|
|
|
RIKER
|
|
Acknowledged, Doctor.
|
|
(to Wesley)
|
|
E.t.a. to Pacifica, Mister Crusher?
|
|
|
|
WESLEY
|
|
(checking instruments)
|
|
Twelve point four hours, sir.
|
|
That will get us there
|
|
approximately two hours before
|
|
the conference begins.
|
|
|
|
The turbolift doors open and Mrs. Troi and Mister Homn
|
|
ENTER the bridge. Deanna immediately reacts, going to
|
|
her.
|
|
|
|
TROI
|
|
Mother, what are you doing here?
|
|
You can't just stroll up to the
|
|
bridge whenever you feel like it.
|
|
|
|
MRS. TROI
|
|
(looking around)
|
|
I didn't just stroll up, dear.
|
|
I took the turbotube, or whatever
|
|
you call it.
|
|
(to Riker)
|
|
The captain's not here?
|
|
|
|
RIKER
|
|
He's busy elsewhere, ma'am.
|
|
|
|
MRS. TROI
|
|
(beat; shrugs)
|
|
Well, no matter. I have other
|
|
interests as well.
|
|
|
|
Mrs. Troi has begun to slowly circle the bridge,
|
|
pausing briefly before the bridge officers she has been
|
|
considering...
|
|
|
|
TROI
|
|
(telepathic)
|
|
You're scheming something, Mother.
|
|
I can tell.
|
|
|
|
MRS. TROI
|
|
(telepathic)
|
|
You're always so melodramatic,
|
|
Little One. I'm not scheming,
|
|
I'm deciding.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 46.
|
|
|
|
64 CONTINUED: (3)
|
|
|
|
Mrs. Troi ends up in the command area, next to Riker.
|
|
|
|
MRS. TROI
|
|
Tell me Commander... what is your
|
|
opinion of Betazoid women?
|
|
|
|
RIKER
|
|
Well... I've only your daughter
|
|
and you. But judging from that,
|
|
I'd have to say they're the
|
|
fairest in the galaxy.
|
|
|
|
65 EMPHASIZING MRS. TROI AND TROI
|
|
|
|
MRS. TROI
|
|
(telepathic)
|
|
He has excellent taste, Little
|
|
One.
|
|
|
|
TROI
|
|
(telepathic)
|
|
That's enough! This is getting
|
|
embarrassing.
|
|
|
|
MRS. TROI
|
|
(to Riker)
|
|
My lovely daughter has always
|
|
found it difficult to accept
|
|
compliments from male admirers.
|
|
I however, long ago learned to
|
|
accept them.
|
|
|
|
66 REACTION SHOTS OF WESLEY AND DATA (OPTICAL)
|
|
|
|
MRS. TROI (O.S.)
|
|
(continuing)
|
|
The key is learning how to endure
|
|
constant flattery without letting
|
|
it go to your head. Don't you
|
|
agree, Commander?
|
|
|
|
67 WIDE ANGLE
|
|
|
|
RIKER
|
|
If you say so, ma'am.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 47.
|
|
|
|
67 CONTINUED:
|
|
|
|
MRS. TROI
|
|
(to all on bridge)
|
|
I like that answer! Now here's
|
|
a man who knows how to defer to
|
|
a lady. I only hope the rest of
|
|
you men are listening.
|
|
|
|
Deanna puts her hands to her head -- and for the first
|
|
time, Riker wonders if he made a mistake.
|
|
|
|
68 INT. REX'S BAR - PICARD
|
|
|
|
is making love to his scotch. Rex is straight across
|
|
from him, leaning against the bar; the classic
|
|
bartender/customer scene. The bar has a few more
|
|
PATRONS now...
|
|
|
|
REX
|
|
... So she says "Rex, when are
|
|
you gonna sell the bar and get
|
|
a real job? Make a shoe, mend
|
|
a fence, do something useful?"
|
|
Can you believe that, Dix?
|
|
|
|
PICARD
|
|
It's hard to believe, Rex.
|
|
|
|
REX
|
|
She just doesn't understand the
|
|
service I perform here. My
|
|
regulars depend on me to pour and
|
|
listen, listen and pour. I'm like
|
|
some kind'a psychologist to you
|
|
guys, am I right?
|
|
|
|
Both men are looking down now and shaking their heads.
|
|
Rex starts to pour again, but stops as he sees someone
|
|
coming up behind Picard. Soon the captain is also
|
|
aware of a presence behind him...
|
|
|
|
PICARD
|
|
I recognize the size of the
|
|
shadow.
|
|
(MORE)
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 48.
|
|
|
|
68 CONTINUED:
|
|
|
|
PICARD (Cont'd)
|
|
(speaking, without
|
|
turning around)
|
|
Hello Slade. Buy you a drink?
|
|
|
|
Slade violently spins Picard around and speaks to him,
|
|
nose to nose...
|
|
|
|
SLADE
|
|
Where's my Alva?
|
|
|
|
PICARD
|
|
I'm working on it.
|
|
|
|
SLADE
|
|
(grabbing Picard's
|
|
shoulders)
|
|
You're not working hard enough.
|
|
|
|
REX
|
|
Hey pal, that's my buddy you're
|
|
manhandling there! Maybe you
|
|
oughta --
|
|
|
|
Rex cuts off as Slade moves up to the bar and fixes
|
|
a murderous gaze upon him.
|
|
|
|
REX
|
|
-- Oughta go right ahead with what
|
|
you were saying.
|
|
|
|
Rex shoots Picard a look that says "sorry, you're on
|
|
your own", and busies himself with drying glasses.
|
|
Slade grabs Picard again...
|
|
|
|
SLADE
|
|
I paid you money, Hill. Where
|
|
is she?
|
|
|
|
69 INT. SICKBAY - DR. PULASKI (OPTICAL)
|
|
|
|
is examining the Antedians, who are laid out in beds
|
|
now. Worf stands alongside her, with one of his
|
|
security guards in the b.g....
|
|
|
|
PULASKI
|
|
The blood chemistry and brain
|
|
organization of these creatures
|
|
is completely outside of my
|
|
experience... But it seems their
|
|
metabolic rates are increasing.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 49.
|
|
|
|
69 CONTINUED:
|
|
|
|
WORF
|
|
Is that good or bad?
|
|
|
|
PULASKI
|
|
It's good, I think.
|
|
|
|
Pulaski moves right up to one of the creatures and runs
|
|
a tricorder alongside an unseeing eye... She stops
|
|
with a start, jerking backwards involuntarily. The
|
|
Antedian's eye just blinked.
|
|
|
|
70 INT. BRIDGE - FAVORING RIKER
|
|
|
|
PULASKI (V.O.)
|
|
Pulaski to bridge.
|
|
|
|
RIKER
|
|
Riker here.
|
|
|
|
PULASKI (V.O.)
|
|
The Antedians are coming around.
|
|
They're currently in the early
|
|
stages of post-hibernation.
|
|
|
|
RIKER
|
|
How long before they're fully
|
|
conscious?
|
|
|
|
PULASKI
|
|
I'd guess it to be a matter of
|
|
hours now.
|
|
|
|
RIKER
|
|
Very good, Doctor, I'll notify
|
|
the captain. Riker out.
|
|
(to Mrs. Troi)
|
|
If you'll excuse me, ma'am.
|
|
|
|
MRS. TROI
|
|
Are you going to see the captain?
|
|
I thought he was tied up on
|
|
ship's business.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 50.
|
|
|
|
70 CONTINUED:
|
|
|
|
RIKER
|
|
In a manner of speaking... he is.
|
|
I'm uh, not going to interrupt
|
|
him, I'm simply going to inform
|
|
him.
|
|
|
|
MRS. TROI
|
|
What excellent timing! You can
|
|
also inform him about us.
|
|
|
|
RIKER
|
|
Us?
|
|
|
|
Mrs. Troi affectionately strokes the bottom of Riker's
|
|
chin.
|
|
|
|
MRS. TROI
|
|
You don't mind if I let your
|
|
bridge crew know first, do you
|
|
William?
|
|
|
|
Riker is caught off-guard -- he doesn't know what to
|
|
say.
|
|
|
|
MRS. TROI
|
|
(continuing, to
|
|
everyone)
|
|
Dear friends... you're all invited
|
|
to a prestigious occasion on the
|
|
planet Pacifica.
|
|
|
|
TROI
|
|
(to herself)
|
|
Oh no.
|
|
|
|
MRS. TROI
|
|
(dabs her eyes)
|
|
There, on the shores of the
|
|
western sea... in a traditional
|
|
Betazoid ceremony... your
|
|
Commander Riker and I will be
|
|
joined in the union of holy
|
|
wedlock.
|
|
|
|
WESLEY
|
|
Married?
|
|
|
|
MRS. TROI
|
|
(smiling at Riker)
|
|
'Till death do us part.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FOUR 51.
|
|
|
|
71 SHOCKED REACTION SHOTS OF ALL
|
|
|
|
ending with a dazed William T. Riker, as we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 52.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
72 INT. MAIN BRIDGE - SAME SETTING
|
|
|
|
Mrs. Troi is beaming -- everyone else is speechless.
|
|
|
|
RIKER
|
|
Mrs. Troi... I don't know how to
|
|
put this --
|
|
|
|
MRS. TROI
|
|
-- I know just how you feel, dear.
|
|
(moves to turbolift)
|
|
Overwhelmed with excitement.
|
|
Believe me, I understand.
|
|
|
|
Mrs. Troi is about to enter the turbolift. Angry,
|
|
Deanna starts to go after her but Riker subtly stops
|
|
her.
|
|
|
|
MRS. TROI
|
|
(continued)
|
|
We'll talk about the details
|
|
later. Right now, there are
|
|
preparations to be made.
|
|
|
|
She EXITS into the turbolift.
|
|
|
|
TROI
|
|
Why did you stop me? Someone
|
|
needs to set her straight!
|
|
|
|
RIKER
|
|
I'd rather let the captain handle
|
|
that.
|
|
|
|
TROI
|
|
Coward!
|
|
|
|
RIKER
|
|
Simply following Starfleet's
|
|
orders. Keep her mind untroubled
|
|
until the conference.
|
|
|
|
DATA
|
|
Are you planing on going into the
|
|
Holodeck, Commander?
|
|
|
|
RIKER
|
|
Thought I might, Data. Want to
|
|
come along?
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 53.
|
|
|
|
73 CLOSE ON DATA
|
|
|
|
a trace of a smile spreading across his face
|
|
|
|
74 INT. HALLWAY LEADING TO HOLODECK - MATCHING CUT
|
|
|
|
on Data the same little smile on his face.
|
|
|
|
75 PULL BACK TO REVEAL
|
|
|
|
that he is now decked out in his pin-stripe suit and
|
|
fedora. Riker steps INTO FRAME beside him, still in
|
|
his uniform.
|
|
|
|
DATA
|
|
I have mastered the language, or
|
|
"lingo" of the period, sir. Also,
|
|
the mannerisms and body language.
|
|
|
|
Data stops for a moment and demonstrates a tough/cool
|
|
mannerism -- a classic "Cagney hitch".
|
|
|
|
DATA
|
|
For example, this is a gesture
|
|
denoting confidence and physical
|
|
prowess. It is effective in
|
|
attracting females and frightening
|
|
off would-be adversaries.
|
|
|
|
They have reached the Holodeck entrance.
|
|
|
|
DATA
|
|
Should anything in there confuse
|
|
you sir, do not hesitate to ask.
|
|
|
|
RIKER
|
|
It's comforting to know I'm with
|
|
an expert Data, but we're really
|
|
not going to be there that long.
|
|
(to computer)
|
|
Computer...
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 54.
|
|
|
|
76 INT. REX'S BAR - SAME SETTING AS BEFORE
|
|
|
|
only now, Slade Bender has taken a seat at the bar,
|
|
beside the captain. Rex stands bottle in hand,
|
|
directly in between them on the other side of the bar.
|
|
|
|
PICARD
|
|
She could be anywhere, Slade.
|
|
You can't expect me to find her
|
|
in one afternoon.
|
|
|
|
SLADE
|
|
It's been three days.
|
|
|
|
PICARD
|
|
(surprised)
|
|
Has it really? What I mean is
|
|
-- you gotta have patience. I'll
|
|
find her; I guarantee it.
|
|
|
|
SLADE
|
|
(earnest, almost
|
|
child-like)
|
|
She'd contact me if she knew I
|
|
was lookin' for her.
|
|
|
|
Rex breaks into A CACKLING LAUGH...
|
|
|
|
REX
|
|
Come on, pal! So she told you
|
|
that? So what? If I had a dime
|
|
for every time a dame's said that
|
|
to a guy --
|
|
|
|
Rex cuts off as Slade gets to his feet, steamed, and
|
|
looking at Rex like a bull about to charge. Rex
|
|
quickly changes course in mid-stream...
|
|
|
|
REX
|
|
(continuing)
|
|
-- I'd... probably have less than
|
|
a dollar. Cuz a girl never says
|
|
that unless she really means it.
|
|
|
|
The big fella buys it hook, line and sinker.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 55.
|
|
|
|
76 CONTINUED:
|
|
|
|
SLADE
|
|
(to Picard)
|
|
See? I want you to find my
|
|
sister!
|
|
|
|
Behind them, Riker and Data ENTER the bar.
|
|
|
|
As they walk inside, Data speaks to Riker in a hushed
|
|
voice...
|
|
|
|
DATA
|
|
In the last program here, we said
|
|
I was from South America. It
|
|
seemed to explain my unorthodox
|
|
appearance.
|
|
|
|
As they approach the bar, Picard spots them. Slade
|
|
instantly rises and reaches under his coat. Picard
|
|
grasps his arm...
|
|
|
|
PICARD
|
|
Easy Slade. They're friends of
|
|
mine.
|
|
|
|
Slade doesn't pull his gun, but he doesn't relax
|
|
either.
|
|
|
|
RIKER
|
|
Sorry to bother you, Captain.
|
|
|
|
PICARD
|
|
-- Call me Dixon.
|
|
|
|
RIKER
|
|
-- Sorry to bother you, Dixon,
|
|
but our two "passengers" are
|
|
awakening.
|
|
|
|
PICARD
|
|
Well then, it's time to go.
|
|
|
|
REX
|
|
Your friends've got time for one
|
|
drink, haven't they Dix?
|
|
|
|
Riker nods to Picard -- there is still some time.
|
|
Picard smiles and pushes his hat back.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 56.
|
|
|
|
76 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Sure, I can afford another round.
|
|
|
|
As Rex pours, Picard does the introductions. Data
|
|
reaches out, examines the money.
|
|
|
|
DATA
|
|
Very accurate. Fascinating.
|
|
|
|
PICARD
|
|
These are my associates...
|
|
(indicates Riker)
|
|
"Nails", from Chicago.
|
|
(indicates Data)
|
|
And --
|
|
|
|
DATA
|
|
Carlos, from South America.
|
|
|
|
Rex opens a new bottle...
|
|
|
|
REX
|
|
Sit right down fellas, and tell
|
|
me your troubles.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
Troubles I've got, sir. There's
|
|
a certain woman, a wealthy and
|
|
beautiful woman, who suddenly says
|
|
she's going to marry me.
|
|
|
|
Picard looks at Riker -- he gets the point.
|
|
|
|
REX
|
|
She's got looks and bucks? Sounds
|
|
like you've got yourself a heck
|
|
of a deal.
|
|
|
|
77 INT. MRS. TROI'S QUARTERS - MRS. TROI (OPTICAL)
|
|
|
|
is looking at her reflection in the mirror, making
|
|
final adjustments on a flowing, outlandish new dress.
|
|
|
|
MRS. TROI
|
|
(to Homn)
|
|
My fiance just has to see how I
|
|
look in this. Come along, Homn.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 57.
|
|
|
|
78 INT. ENTERPRISE CORRIDOR - MRS. TROI
|
|
|
|
and Mister Homn stop at a computer wall panel just outside
|
|
her quarters.
|
|
|
|
MRS. TROI
|
|
Tell me, computer, is Commander
|
|
Riker still on the bridge?
|
|
|
|
COMPUTER VOICE
|
|
Negative. Riker is currently in
|
|
Holodeck Three.
|
|
|
|
MRS. TROI
|
|
Holodeck? Where is that?
|
|
|
|
COMPUTER VOICE
|
|
Follow the com panel lights. They
|
|
will lead you there.
|
|
|
|
The panels begin to light up, pointing the way to the
|
|
Holodeck.
|
|
|
|
79 INT. REX'S BAR - SAME SETTING
|
|
|
|
Rex leans across the bar, a shocked look on his face...
|
|
|
|
REX
|
|
Good God, what's that?
|
|
|
|
All eyes turn to see the amazing sight he's referring
|
|
to:
|
|
|
|
80 ANGLE TO INCLUDE MRS. TROI AND MR. HOMN
|
|
|
|
who have just entered the bar. The wildly-dressed
|
|
Betazoid and her giant valet look incredibly out of
|
|
place in Chandlerland.
|
|
|
|
REX
|
|
I'll bet that's the broad with
|
|
the big bucks!
|
|
(to Mrs. Troi)
|
|
Come on over here, darlin'. I
|
|
got the best stool in the house
|
|
saved for ya.
|
|
|
|
Mrs. Troi saunters over and sits down -- still looking
|
|
around the room with clear distaste.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 58.
|
|
|
|
80 CONTINUED:
|
|
|
|
MRS. TROI
|
|
(to Picard)
|
|
I'm surprised you let this part
|
|
of the ship get this dirty.
|
|
|
|
PICARD
|
|
(indicating Riker)
|
|
Actually, that's the first
|
|
officer's job.
|
|
|
|
RIKER
|
|
(nodding)
|
|
Well, as a matter of fact...
|
|
|
|
MRS. TROI
|
|
Relax, Commander. You have begun
|
|
making your true feelings clear.
|
|
Obviously you feel unable to
|
|
handle me.
|
|
|
|
REX
|
|
Anyway, why would a beautiful
|
|
high-class lady like yourself...
|
|
(indicates Riker)
|
|
... want to hook up with a mug like
|
|
that? You're too good for him,
|
|
if you ask me.
|
|
|
|
She leans across the bar and smiles...
|
|
|
|
MRS. TROI
|
|
I couldn't agree more.
|
|
|
|
REX
|
|
So... what'llitbe, Doll?
|
|
|
|
Her attention is completely on the bartender.
|
|
Something about him interests, then fascinates her.
|
|
|
|
MRS. TROI
|
|
You are a most interesting person.
|
|
|
|
REX
|
|
You're not so bad yourself. In
|
|
fact, you're as much class as this
|
|
joint's ever seen.
|
|
|
|
He pulls out an opened bottle of house wine.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 59.
|
|
|
|
80 CONTINUED: (2)
|
|
|
|
REX
|
|
Here -- on the house. It's
|
|
French... well, almost.
|
|
|
|
She turns to Picard.
|
|
|
|
MRS. TROI
|
|
This is the most remarkable man.
|
|
I have never met anyone quite
|
|
like him.
|
|
|
|
PICARD
|
|
I don't suppose you have.
|
|
|
|
MRS. TROI
|
|
He's strong. I feel no thoughts
|
|
from him... nothing. I've never
|
|
known a man so able to keep his
|
|
true feelings completely hidden.
|
|
|
|
PICARD
|
|
That's because...
|
|
|
|
MRS. TROI
|
|
No man has ever been such a
|
|
mystery to me. I usually know
|
|
their thoughts before they do.
|
|
|
|
REX
|
|
But not me, huh?
|
|
|
|
MRS. TROI
|
|
No. And I never realized how
|
|
erotic that could be. Carry my
|
|
beverage to that table... we have
|
|
some things to talk about.
|
|
|
|
81 ANOTHER ANGLE
|
|
|
|
as they watch Mrs. Troi walk over to the table. Rex
|
|
picks up the glass of wine, gives Riker and Picard a
|
|
little knowing wink, and heads for the table.
|
|
|
|
82 RIKER AND PICARD
|
|
|
|
watch with amusement as Rex joins Mrs. Troi at the
|
|
table and they begin a very intimate conversation.
|
|
|
|
RIKER
|
|
Should we tell her?
|
|
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 60.
|
|
|
|
82 CONTINUED:
|
|
|
|
PICARD
|
|
I think it's only fair, but let's
|
|
allow her the moment.
|
|
|
|
Riker has to smile. As we GO TO:
|
|
|
|
83 INT. SICKBAY - PULASKI AND WORF
|
|
|
|
react with completely different expressions as
|
|
|
|
83A THE ANTEDIANS
|
|
|
|
awake, quite agitated, trembling as they squeak with:
|
|
|
|
ANTEDIANS
|
|
Food-food-food-food-food--
|
|
|
|
83B PULASKI
|
|
|
|
quickly realizes what must be done:
|
|
|
|
PULASKI
|
|
Worf! The vermicula!
|
|
|
|
Worf picks up the scoop net, and digs into the tank,
|
|
coming up with a load of writhing vermicula. The
|
|
Antedians see it, and tremble with joy as Worf holds
|
|
the net out for them and they gobble it up while...
|
|
|
|
PULASKI
|
|
(touching communicator)
|
|
Pulaski to Captain Picard.
|
|
|
|
84 INT. REX'S BAR
|
|
|
|
Picard is still with Riker
|
|
|
|
PICARD
|
|
Go ahead, Doctor.
|
|
|
|
PULASKI COM VOICE
|
|
Our passengers are on their feet.
|
|
|
|
PICARD
|
|
Understood.
|
|
|
|
RIKER
|
|
I had better get to the bridge.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 60A.
|
|
|
|
84 CONTINUED:
|
|
|
|
PICARD
|
|
What's their condition?
|
|
|
|
PULASKI COM VOICE
|
|
Hungry.
|
|
|
|
Picard acknowledges with a nod. Riker EXITS.
|
|
|
|
85 ANOTHER ANGLE BAR
|
|
|
|
Picard crosses to the table occupied by Rex and Mrs.
|
|
Troi.
|
|
|
|
PICARD
|
|
Coming, Mrs. Troi?
|
|
|
|
MRS. TROI
|
|
Not just yet. Tell William I'm
|
|
sorry... but Rex and I are
|
|
getting married.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 61.
|
|
|
|
85 CONTINUED:
|
|
|
|
PICARD
|
|
Mrs. Troi, your government expects
|
|
us to deliver you to the
|
|
conference and I intend to do
|
|
that!
|
|
|
|
Mrs. Troi considers it, nods and rises, patting Rex on
|
|
the cheek.
|
|
|
|
MRS. TROI
|
|
Duty calls, darling. I'll be back
|
|
for you later.
|
|
|
|
86 ANOTHER ANGLE
|
|
|
|
As Picard and Mrs. Troi walk toward the exit.
|
|
|
|
PICARD
|
|
There is something about Rex I
|
|
think you had better know...
|
|
|
|
The rest of the conversation is lost as the doors close
|
|
behind them.
|
|
|
|
87 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit around blue Pacifica.
|
|
|
|
88 INT. CORRIDOR AT THE TURBOLIFT
|
|
|
|
as it opens and Mrs. Troi EXITS, followed closely by
|
|
Deanna and Mister Homn (who is effortlessly carrying her
|
|
suitcase). Mrs. Troi leads the way down the corridor
|
|
at a brisk pace, in a bad mood.
|
|
|
|
MRS. TROI
|
|
Imagine -- allowing me to go on
|
|
like that with a simple bartender
|
|
who doesn't even exist!
|
|
|
|
TROI
|
|
(amused)
|
|
Mother, you always say you like
|
|
new experiences.
|
|
|
|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 62.
|
|
|
|
89 INT. TRANSPORTER ROOM - THE TROI ENTOURAGE (OPTICAL)
|
|
|
|
arrives to find the Antedians on the platform and
|
|
Picard, Riker, Data and Worf there to see them off.
|
|
She indicates the Antedians...
|
|
|
|
MRS. TROI
|
|
Why are they still here?
|
|
|
|
RIKER
|
|
We thought that since you're going
|
|
to the same conference, you might
|
|
like to beam down with the other
|
|
delegates.
|
|
|
|
MRS. TROI
|
|
(casually)
|
|
They're not delegates. Those two
|
|
are assassins.
|
|
|
|
ANTEDIAN FEMALE
|
|
That is... an outrage!... Lies!
|
|
We demand you... transport at
|
|
once!
|
|
|
|
MRS. TROI
|
|
Oh honey, don't bother to deny
|
|
it. Your minds are so
|
|
unsophisticated -- I can read your
|
|
thoughts in my sleep.
|
|
(to Picard, offhand)
|
|
The inside of their robes are
|
|
lined with ultritium. Highly
|
|
explosive and virtually
|
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undetectable by your transporter.
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Data is already aiming his tri-corder at their robes...
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DATA
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(surprised)
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|
She is correct, sir. I am
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detecting large amounts of
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ultritium.
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MRS. TROI
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|
Of course you are. They planned
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|
to blow up the entire conference.
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|
Worf has drawn his phaser.
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PICARD
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|
Take them to level five. Disarm
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them and hold for questioning.
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|
STAR TREK: "Manhunt" - 3/29/89 - ACT FIVE 63.
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|
89 CONTINUED:
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|
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|
Worf leads the angry Antedians away -- they hiss at
|
|
Mrs. Troi as they pass by. Mrs. Troi gives Deanna a
|
|
hug and steps onto the platform, followed of course by
|
|
Homn.
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|
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|
MRS. TROI
|
|
(sighing)
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|
Oh well, I didn't find a mate but
|
|
I saved the conference as well
|
|
as your reputations. All in a
|
|
day's work I suppose.
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|
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|
PICARD
|
|
Good-bye Mrs. Troi... and thank
|
|
you.
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|
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|
She closes her eyes and nods her head, showing she's
|
|
ready. Picard signals the transporter chief and Homn
|
|
and Mrs. Troi begin to DEMATERIALIZE. Suddenly she
|
|
opens her eyes and looks right at Picard.
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|
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|
MRS. TROI
|
|
(scolding, excited)
|
|
Jean-Luc! Shame on you for
|
|
thinking such a thing!
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|
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|
And they're gone. All eyes turn to Picard...
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|
FADE OUT.
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|
END OF ACT FIVE
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