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startrek-ml/Data/StarTrekTheNextGeneration/148.txt
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STAR TREK: THE NEXT GENERATION
"Shades of Gray"
#40272-148
Story by
Maurice Hurley
Teleplay by
Maurice Hurley
and
Richard Manning & Hans Beimler
Directed by
Rob Bowman
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
WITH THE TELEVISION LEGAL DEPARTMENT.
Copyright 1989 Paramount Pictures Corporation. All Rights
Reserved. This script is not for publication or
reproduction. No one is authorized to dispose of same. If
lost or destroyed, please notify the Script Department.
REVISED FINAL DRAFT
MAY 1, 1989
STAR TREK: "Shades of Gray" - 5/1/89 - CAST
STAR TREK: THE NEXT GENERATION
"Shades of Gray"
CAST
PICARD
RIKER
DATA
PULASKI
TROI
GEORDI
O'BRIEN
Non-Speaking
MEDICAL TEAM (2)
STAR TREK: "Shades of Gray" - 5/1/89 - SETS
STAR TREK: THE NEXT GENERATION
"Shades of Gray"
SETS
INTERIORS EXTERIORS
USS ENTERPRISE PLANET SURFACE
TRANSPORTER ROOM
SICKBAY
PULASKI'S OFFICE
STOCK OPTICALS
USS ENTERPRISE
PLANET
STAR TREK: "Shades of Gray" - REV. 5/2/89 - TEASER 1.
STAR TREK: THE NEXT GENERATION
"Shades of Gray"
TEASER
FADE IN:
1 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
in orbit around a planet.
2 EXT. PLANET SURFACE - DAY
GEORDI is moving through some underbrush.
GEORDI
Commander?
RIKER (O.S.)
I'm over here, Geordi.
3 ANOTHER ANGLE
As Geordi rounds a bend and comes upon RIKER who is
frowning.
GEORDI
What's wrong?
RIKER
Something jabbed me in the
calf...
Riker inspects his leg. There's a spot of blood.
GEORDI
(touches his
communicator)
O'Brien -- Commander Riker's been
injured -- lock on and bring him
up.
O'BRIEN'S COM VOICE
Stand by.
Riker protests:
RIKER
Geordi, it's just --
STAR TREK: "Shades of Gray" - REV. 5/1/89 - TEASER 2.
3 CONTINUED:
GEORDI
(finishes it)
A scratch. Right. Sorry,
Commander, but we can't take any
chances. We're the first survey
team to set foot on this planet...
we don't know what the risks are.
4 INT. TRANSPORTER ROOM
O'BRIEN inputs the coordinates but when he attempts to
beam them up, an ALARM SOUNDS on the console.
5 EXT. PLANET SURFACE - DAY
Geordi impatiently touches his communicator.
GEORDI
What's the hold up, O'Brien?
6 INT. TRANSPORTER ROOM
O'Brien is working on his control panel.
O'BRIEN
The transporter has detected
unidentified microbes in
Commander Riker's body.
GEORDI'S COM VOICE
Can't the biofilters screen them
out?
O'BRIEN
Apparently not.
7 EXT. PLANET SURFACE - DAY
As Geordi and Riker listen.
O'BRIEN'S COM VOICE
Doctor Pulaski has been notified.
GEORDI
Acknowledged.
Riker treats it lightly.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - TEASER 3.
7 CONTINUED:
RIKER
I didn't want to leave just yet,
anyway.
8 INT. TRANSPORTER ROOM
PULASKI is now present with full medical kit. O'Brien
is filling her in, showing her a readout on the
console.
O'BRIEN
Here's the biofilter's analysis
of the microbes.
PULASKI
Not much to go on...
O'BRIEN
I can override and beam Commander
Riker aboard...
Pulaski gives it thought, shakes her head.
PULASKI
No. I'd better go down and make
an evaluation there.
Pulaski strides to the transporter pad, steps onto it,
looks around at the transporter with distaste. O'Brien
picks up on this, feigns uncertainty as he sets the
coordinates:
O'BRIEN
Hmm... I hope these are the right
coordinates...
Pulaski gives him a sharp look. O'Brien grins.
O'BRIEN (cont'd)
Just kidding, Doctor. I know how
much you love the transporter...
PULASKI
About as much as I love comical
transporter chiefs...
9 OMITTED
STAR TREK: "Shades of Gray" - REV. 5/3/89 - TEASER 3A.
10 EXT. PLANET SURFACE - DAY (OPTICAL)
Riker and Geordi as before. Pulaski MATERIALIZES,
takes a beat to check that she's still in one piece,
takes out her medical tricorder, and steps over to
Riker.
PULASKI
Fill me in.
RIKER
I was walking along, minding my
own business, making a simple
geological sweep... and something
stuck me in the leg.
PULASKI
Any pain?
STAR TREK: "Shades of Gray" - 5/1/89 - TEASER 4.
10 CONTINUED:
RIKER
No -- a little numb, that's all.
PULASKI
Do you know what it was that stuck
you?
Riker shakes his head.
GEORDI
We've been looking for it, but
no luck.
Pulaski continues her scan.
PULASKI
Well, whatever it was, it left
something behind... I'm going
to bring you up to Sickbay.
11 OMITTED
12 NEW ANGLE
Pulaski rises and touches her communicator.
PULASKI
O'Brien, this is Doctor Pulaski.
Medical override is authorized.
Beam us directly to Sickbay.
O'BRIEN'S COM VOICE
Acknowledged.
13
thru OMITTED
15
15A INT. SICKBAY (OPTICAL)
Two MEDICAL CREWMEN are standing by. Geordi, Riker,
and Pulaski MATERIALIZE. The medical crewmen cross
to Riker's side to help him over to a medical table.
Riker waves them away.
RIKER
I can walk to the table, thank
you.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - TEASER 5.
15A CONTINUED:
PULASKI
Commander, don't start acting
heroic.
RIKER
Doctor, for personal reasons, I'll
walk.
PULASKI
May I ask why?
RIKER
I've always had the notion that
if I was ever so injured that I
couldn't make it on my own two
feet... it would be over.
PULASKI
Medically speaking, that's
ridiculous.
RIKER
You'll get no argument from me,
but... that's how I feel.
Riker takes a step toward the bed. His leg gives out
on him; he falls. Riker's more surprised than anything
else.
RIKER (cont'd)
Whoa --
The medical crewmen pick Riker up and put him on the
table.
RIKER (cont'd)
This is the strangest feeling.
My whole leg just went -- dead.
Off Pulaski's concerned reaction:
FADE OUT.
END OF TEASER
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT ONE 6.
ACT ONE
FADE IN:
16 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
The ship is still in orbit.
PICARD (V.O.)
Captain's log, Stardate 42976.1.
During a geological survey of
Surata Four, Commander Riker has
become infected by an unidentified
microbe.
17
thru OMITTED
19
20 INT. SICKBAY
Riker is on the center table. Pulaski is off to the
side studying her instruments. PICARD ENTERS.
Through all of this there is a great deal of tension
even though those in the room maintain a detached,
scientific demeanor. Picard approaches the center
examining table.
PICARD
Number One.
RIKER
Captain.
PICARD
Put your foot where it didn't
belong, did you?
RIKER
(nods)
The doctor's been getting bored
lately. I thought I'd find her
a challenge...
PULASKI
That you did.
21 ANOTHER ANGLE
Pulaski leaves a work station and steps over to the
wall panel.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT ONE 7.
21 CONTINUED:
PULASKI
The commander's nervous system
has been invaded by an unknown
microorganism. Not a bacteria,
not a virus -- but with elements
of both.
She activates the wall panel.
22 PULASKI AND WALL PANEL (OPTICAL)
Displayed on the wall panel is a rendering of Riker's
body. Pulaski touches the panel, and the injury to
Riker's leg becomes highlighted.
PULASKI
(indicates)
There's the point of entry...
23
thru OMITTED
24
25 SCENE (OPTICAL)
Pulaski turns back to the examination table. She holds
a sophisticated scanner.
PULASKI
The microbes have infected the
great sciatic nerve... they're
multiplying at an incredible
rate.
She moves the scanner near his leg.
PULASKI (cont'd)
(indicating the screen)
There.
The nerves in Riker's injured leg are now highlighted.
The highlighting extends up the major nerves into
Riker's thigh.
PICARD
Can you remove it?
PULASKI
Not surgically. The organisms
fuse to the nerve, intertwining
at the molecular level.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT ONE 8.
25 CONTINUED:
RIKER
That's why the transporter's
biofilters couldn't extract them.
PULASKI
There's no evidence of nerve
damage, but the organisms are
impeding nervous function.
RIKER
(nods)
My leg's still asleep.
PICARD
(to Pulaski)
Your prognosis?
PULASKI
The infection is spreading. It
will eventually reach the brain.
PICARD
And if it interfered with neural
activity there...
PULASKI
Commander Riker could die.
Riker takes it stoically.
PICARD
How can I help?
PULASKI
I need to know more about its
composition.
PICARD
And for that, you need a sample.
PULASKI
Exactly.
Picard touches a com panel:
STAR TREK: "Shades of Gray" - 5/1/89 - ACT ONE 9.
25 CONTINUED: (2)
PICARD
Mister Data, Mister La Forge -- prepare
to beam down to the planet.
26 OMITTED
27 INT. TRANSPORTER ROOM
DATA and Geordi are preparing to mount the platform.
Each carries a tricorder and a large phaser. O'Brien
is behind the console.
DATA
I must reiterate that it would
be better if I went alone.
GEORDI
Don't like my company?
DATA
Your company is not at issue.
Your vulnerability to this
microorganism is.
GEORDI
I'll watch where I step. Besides,
how do we know that this bug
doesn't like androids even more
than it likes humans?
DATA
Possible, but highly unlikely.
In any event, why risk both of
us?
GEORDI
Because I know exactly where
Commander Riker was when it
happened.
Data accepts the logic, and they climb onto the
transporter pad.
28 OMITTED
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 10.
28 OMITTED
29 EXT. PLANET SURFACE - DAY (OPTICAL)
Data and Geordi MATERIALIZE. Because of what happened
to Riker this place is ominous.
GEORDI
He was right over here.
Geordi is very careful where he steps as --
30 ANOTHER ANGLE
-- he and Data move to the spot and hunker down.
Geordi examines the area with his VISOR while Data
begins a meticulous scan with his tricorder.
DATA
I detect no animal life within
fifty kilometers. Merely
vegetation.
(a beat)
However, I am reading extensive
animal remains -- mostly
fossilized.
GEORDI
A graveyard?
DATA
I do not know.
They keep looking.
GEORDI
Look at this.
Geordi indicates an unusual-looking vine. Data turns
his attention to the vine.
DATA
The structure is rhizomatous.
Data reaches down to touch the vine.
GEORDI
Be careful.
DATA
I am always careful.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT ONE 10A.
31 ANOTHER ANGLE
As Data lifts the vine up off the ground. The vine
looks dead -- harmless.
DATA
It appears to be dead.
Geordi examines the vine with his VISOR.
GEORDI
I'm not so sure. I can see
thermal variations...
(gets an idea)
Data, set it down. Let's try
something.
Data does so.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT ONE 11.
31 CONTINUED:
GEORDI (cont'd)
Perhaps it likes humans more than
androids.
Geordi slowly extends his hand to the vine, inviting it
to "strike."
DATA
If you are correct, you are
placing yourself in grave danger.
GEORDI
I'm counting on those great
android reflexes of yours...
32 CLOSER ANGLE
as Geordi's hand nears the vine. All at once, the vine
moves -- springing toward Geordi's hand. But Data
moves faster, grabs the vine and holds it.
33 THE VINE
Data turns the vine over -- and we can now see a meanlooking
thorn protruding from the underside of the
vine.
34 DATA AND GEORDI
As they study it.
GEORDI
I'd say that's what we're looking
for.
DATA
I would tend to agree.
Geordi makes an adjustment to his phaser as Data holds
the vine.
35
thru OMITTED
36
36A CLOSE ON THE THORN (OPTICAL)
as Geordi fires up a pinpoint phaser beam to cut loose
the thorn. But the moment the beam touches the vine:
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 12.
36B WIDER
The area around Geordi and Data begins to move. Large
clumps of vines vibrate. It is as if they are standing
on a great living thing, which has just awoken, and
is very angry.
GEORDI
(touches communicator)
O'Brien! Stand by!
(to Data)
Hold it still.
Data has to make an effort to keep the vine in his
hands from moving as the vines around them continue
their frantic oscillation. Geordi finishes his task,
slaps his communicator:
GEORDI (cont'd)
Got it. Energize!
36C INT. TRANSPORTER ROOM (OPTICAL)
O'Brien is behind the console. Picard ENTERS as
O'Brien hits the button. Geordi and Data MATERIALIZE
on the platform.
36D NEW ANGLE
as Geordi looks himself over. No blood anywhere.
GEORDI
Thanks, O'Brien. Another minute,
and we'd've been fossils
ourselves.
DATA
Not precisely, Geordi. True
fossilization requires several
millennia.
Geordi strides off the platform, shows Picard the thorn
he's carefully holding.
GEORDI
Captain, here's your sample.
PICARD
Get it to Sickbay right away.
Geordi EXITS with the thorn. Picard crosses to Data.
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT ONE 13.
36D CONTINUED:
PICARD (cont'd)
Report.
DATA
Captain, the commander's injury
was not accidental. Certain vines
on the planet evidently seek out
warm-blooded beings and
deliberately infect them.
PICARD
To what end?
DATA
Unknown. It is conceivable that
there is a symbiotic relationship
involved...
Data hesitates. Picard prompts him:
PICARD
Go on.
DATA
There were numerous animal
remains in the area, leading me
to hypothesize that the vines
could be predatory.
PICARD
Then they infect animals in order
to kill them.
DATA
It is possible.
(a beat)
For Commander Riker's sake, I hope
my hypothesis is in error.
PICARD
Unfortunately, Mister Data, your
hypotheses rarely are.
Off Picard's concern:
37 OMITTED
FADE OUT.
END OF ACT ONE
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 14.
ACT TWO
FADE IN:
38 OMITTED
38A INT. PULASKI'S OFFICE
Pulaski is at a library console, entering data. Picard
is looking over her shoulder. One of the medical
crewmen enters, hands Pulaski a chip which she inserts
into the console. She's not pleased with what is
displayed.
PULASKI
All negative.
PICARD
There's nothing that will cure
this infection?
PULASKI
This microorganism is very
mysterious. I can't even figure
out what's keeping it alive.
PICARD
Or how to kill it.
PULASKI
Oh, I can kill it... but not
without destroying the nerves it's
inhabiting.
Pulaski takes a breath. Her frustration is evident.
PICARD
I know you're doing your best...
PULASKI
My best may not be good enough.
39 INT. SICKBAY
Riker, lying on the bed as before, flexes his right arm
by making a fist and then spreading his fingers wide.
His look of concern tells us the numbness is spreading.
Picard ENTERS from Pulaski's office. Riker relaxes his
hand and covers his anguish with a smile.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 15.
39 CONTINUED:
PICARD
Comfortable?
RIKER
How could I not be comfortable?
I'm being waited on hand and foot.
Riker puts his left hand behind his head -- a "kickback-and-relax"
gesture.
RIKER (cont'd)
My only worry is that they'll find
out I'm faking it.
But, of course, Picard knows this is no charade.
PICARD
I wish you were faking it. I've
seen the thorn, Number One.
RIKER
The doctor showed it to me, too.
Harmless-looking thing, isn't
it?
Picard can't help but feel pride at the stoic, almost
cheerful outlook of his subordinate.
PICARD
But deadly.
(a beat)
I'm sorry.
RIKER
These things happen.
PICARD
When you least expect them.
RIKER
I'm surprised they don't happen
more often. After all, we are
exploring the unknown.
Picard's frustration begins to show:
PICARD
And now and then we are humbled...
reminded that the universe
contains much that is beautiful...
and much that is malevolent.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 16.
39 CONTINUED: (2)
RIKER
Captain, I hardly think the vine
that struck me did so out of
malice.
(a beat)
If I've learned anything aboard
this ship... from our voyages...
from you... it's that most life
forms act out of an instinct for
survival -- not out of evil.
Picard smiles at his protege.
PICARD
A worthy lesson. I admire your
lack of rancor, Number One.
RIKER
Captain, if you drop a hammer on
your foot, it's rather useless
to get mad at the hammer.
Picard looks at his friend with admiration, then EXITS
into Pulaski's office.
39A INT. PULASKI'S OFFICE
Pulaski is still working away at her console as Picard
ENTERS.
PICARD
Anything?
PULASKI
Not yet.
PICARD
Doctor, we're running out of time.
STAR TREK: "Shades of Gray" - 5/1/89 - ACT TWO 17.
39A CONTINUED:
Pulaski turns, gives Picard a glare. Picard backs off.
PICARD (cont'd)
You're right. I don't need to
remind you of your duties. I
didn't mean to give offense.
PULASKI
(smiles)
None taken.
Pulaski turns back to her work.
PULASKI (cont'd)
Now get out of my hair.
PICARD
Aye aye, Doctor.
And Picard EXITS.
40 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
in orbit around the planet.
41 OMITTED
42 INT. SICKBAY
One of the medical crewmen is running the scanner over
Riker's body. Riker's weak; his arms and legs are so
much dead weight, and it's a bit of an effort for him
to speak. Still, he's at his most charming:
RIKER
This bug's persistent, I'll admit.
But I'm not worried. We Rikers
are ornery, too...
The crewman can't help cracking a smile. In b.g., TROI
ENTERS. Riker doesn't see her.
RIKER (cont'd)
In fact, my great-grandfather was
once bitten by a rattlesnake.
After three days of intense pain
-- the snake died.
The crewman's smile widens.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 18.
43 ANOTHER ANGLE
as Troi steps forward. Riker sees her, doesn't change
expression -- but falls silent. The crewman completes
the scan, puts away the scanner, EXITS... leaving Troi
and Riker alone in the room.
A long beat. Troi crosses to Riker's side.
TROI
You're a very entertaining
patient.
RIKER
I try.
TROI
Yes. You're making quite an
effort to be cheerful.
It's almost an accusation. Riker stares at her, drops
all pretense.
RIKER
You of all people should know...
TROI
You feel what anyone in your place
would feel.
RIKER
But I'm the first officer of this
ship. I have to set an example.
TROI
Even now?
RIKER
Now most of all. Deanna, facing
death is the ultimate test of
character. I don't want to die
-- but if I have to, I want to
do it with a little pride.
TROI
And a lot of impudence.
RIKER
(smiles)
You bet. Dying is bad enough --
but losing my sense of humor?
Forget it.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 19.
43 CONTINUED:
Troi looks at him with love and compassion, gently
reaches out, touches his face.
TROI
Imzadi...
43A NEW ANGLE
A shared moment. Then Riker's devil-may-care manner
returns:
RIKER
I haven't given up yet. The best
medical team in Starfleet is on
the case... I'm sure they'll...
And suddenly, Riker's voice trails off -- and he loses
consciousness. Alarmed, Troi looks at the diagnostic
readouts -- Riker's vital signs are falling fast.
44 PULASKI
ENTERS quickly and examines Riker.
45 ANGLE ON THE WALL PANEL (OPTICAL)
as Pulaski punches up the display of Riker's nervous
system. The highlighting has expanded and now reaches
the spinal column.
PULASKI
It's spread to the spinal column.
It's weakening his autonomic
nervous system.
45A ON PULASKI
as she picks up a hypospray, gives Riker a shot. Riker
doesn't respond, but his vital signs stabilize -- still
quite low.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT TWO 20.
45A CONTINUED:
PULASKI
Judging by its present rate of
growth and infiltration pattern,
the infection will reach his brain
within an hour.
On Troi's reaction:
CUT TO:
46
thru OMITTED
56
57 EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
Orbiting the planet.
PULASKI (V.O.)
Medical log, Stardate 42976.2.
I can't keep the alien infection
from spreading to Commander
Riker's brain.
58 INT. SICKBAY
Riker is unconscious. At the head of Riker's bed is a
strange device -- a tunnel-shaped apparatus designed to
encircle the patient. On one side is a binocular
eyepiece somewhat like an electron microscope's. Troi
looks on as Pulaski and the two medical crewmen
position the device. Over this:
PULASKI (V.O., cont'd)
Once there, it will kill him by
dampening neural impulses. The
only way I can keep him alive
is to force the neurons to stay
active -- by stimulating them
directly with electrical impulses.
59 NEW ANGLE
as the crewmen prepare the device.
PULASKI
Let's proceed.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT TWO 20A
60 ON RIKER
His head has been clamped to the table to keep it
perfectly motionless. The device slides slowly into
place, surrounding his head.
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 21.
61 ON PULASKI
as she puts her eyes to the eyepiece and operates the
controls of the device.
62 ON RIKER
as his head is bathed in light. Two thin, needletipped
probes extend from the device. The probes break
the skin of Riker's temple, keep moving until about
three inches of the needle tips have been inserted into
Riker's head.
63 ON PULASKI
keeping her eyes to the eyepiece and making fine
adjustments to the device.
64 OMITTED
65 ON RIKER
as two more probes appears, insert themselves into
Riker's forehead.
66 ON PULASKI
nodding with satisfaction.
PULASKI
Good...
She makes more adjustments.
67 ON RIKER
as two more probes insert themselves into Riker's head
from underneath, entering at a point underneath the
ear. Once those probes are in place, two more probes
appear and insert -- making a total of eight.
68 ON PULASKI
taking her eyes from the device's eyepiece, checking
Riker's vital signs monitor, and turning to one of the
medical crewmen:
STAR TREK: "Shades of Gray" - REV. 5/1/89 - ACT TWO 22.
68 CONTINUED:
PULASKI
Stand by with five milligrams of
tricordrazine in case of seizure.
(takes a breath)
Here goes...
She presses a panel on the device.
68A
thru OMITTED
70
71 A SLOW PUSH IN
on Riker's face as Pulaski activates the current.
Riker's face twitches involuntarily as current is
applied to the probes -- and then he is motionless.
Then a variation of the ripple dissolve...
DISSOLVE TO:
71A EXT. PLANET SURFACE (STOCK FROM #107 SCENES 34 TO 37)
Dimly lit, a twilight world of overcast, turbulent
skies hanging heavily over a strange landscape of
coral-like "trees." LIGHTNING explodes above, as a
dull THUNDER echoes through this eerie labyrinth.
In a relatively clear area, Riker suddenly
materializes... alone! He's woozy, but in one piece.
He looks around, perplexed, worried.
RIKER
Tasha? Data? Geordi? Worf?!
No answer. Riker scrambles toward a nearby rise,
through the "forest," and up the incline... reaching
the top.
He surveys the surrounding area, with no luck.
Landscape. No sign of anything lifelike.
More THUNDER o.s.
RIKER
Anybody?!
DISSOLVE BACK TO:
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT TWO 22A.
71B INT. SICKBAY (OPTICAL)
CLOSE on Riker's sweating, tormented face. WIDEN to
include Troi and Pulaski. Pulaski punches up the view
of Riker's nervous system. The highlighting now
includes part of the brain. Pulaski then examines the
vital signs monitor:
PULASKI
We've stimulated random wave
activity, but the patterns are
dangerously erratic.
TROI
(under her breath)
Hang on, Will...
On Troi's expression of concern, we --
FADE OUT.
END OF ACT TWO
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 23.
ACT THREE
FADE IN:
72
thru OMITTED
74
74A INT. SICKBAY
CLOSE on an unconscious but highly agitated Riker.
WIDEN to include Troi and Pulaski. Pulaski makes a
series of adjustments to the device.
PULASKI
The wave patterns are still too
irregular.
TROI
Why won't they stabilize?
PULASKI
Wait -- I've found the proper
amplitude --
Pulaski makes a small adjustment. After a beat:
PULASKI (cont'd)
There. The patterns are steadier.
TROI
Is the stimulation preventing the
infection from taking hold?
PULASKI
For now.
Pulaski studies the monitor.
PULASKI (cont'd)
The vertex waves indicate a K-complex
corresponding to an R.E.M.
state.
TROI
He's dreaming.
74B ON RIKER
his expression less agitated than before...
DISSOLVE TO:
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 23A.
74C INT. HOLODECK CORRIDOR (STOCK, #102 SC. 133-140)
The Parkland hidden at this moment by a WILD SECTION OF
CORRIDOR WALL AND HATCHWAY which, when the hatch is
opened, will REVEAL PARKLAND.
COMPUTER VOICE
(continuing; without
delay)
And if you care to enter,
Commander...
RIKER
(snaps; interrupting)
I do.
Immediately, the hatch slides open and WE SEE THE
PARKLAND (LOCATION). It looks (and is) real, including
land contours, trees, and even a small stream nearby.
Beyond that the Parkland stretches off for what appears
to be miles and miles away to the horizon.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 24.
74D ANGLE BACK TOWARD HATCHWAY
as Riker ENTERS through it and stands inspecting the
Parkland scene with genuine appreciation and then HEARS
SOMEONE WHISTLING A MELODY, but doing it rather badly
and laboriously.
74E ANGLE PAST RIKER INTO PARKLAND
as he MOVES AWAY, seeking the source of the WHISTLING
which will begin to grow LOUDER now.
74F ANGLE AT STREAM
as Riker crosses, stepping from rock to rock. He makes
a misstep, almost falls, then recovers and gets across.
He looks back at the stone which caused it.
74G CLOSER ON RIKER
As he walks, the WHISTLING is nearby now. He stops,
calls:
RIKER
Hello!
The WHISTLING has continued without pause. Riker cocks
his ear, corrects his direction slightly.
74H EXT. WOODLAND GLEN
Riker ENTERS SHOT through shrubbery, sees something
and stops.
74I ANGLE ON DATA
Lying there, cushioned by deep grass. He's totally
absorbed in certain melody notes he's attempting --
and keeps missing.
74J PANNING RIKER
Moving onto TWO SHOT where he stops, and WHISTLES the
same melody, hitting the correct notes. A startled
Data looks up blankly, then comes quickly to his feet,
but Riker waves him back down, sits beside him.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 25.
74J CONTINUED:
DATA
Marvelous how easily humans do
that, sir. I still need much
practice.
Riker hesitates, then:
RIKER
There are some puzzles down on
the planet that Captain Picard
wants answered. He suggests I
take you on the away team I'll
be leading.
DATA
I shall endeavor to function
adequately, sir.
Riker hesitates, wanting to say something but not sure
how to begin.
RIKER
Uh, yes. And when the captain
suggested you I, uh, looked up
your record...
(hesitates)
DATA
Yes sir, a wise procedure always.
RIKER
Then, your rank of lieutenant
commander is honorary.
DATA
No, sir. Starfleet Class of '78;
honors in probability mechanics
and exobiology.
RIKER
But your files... they say you're
a...
DATA
(waits; then)
Machine? Correct, sir. Does that
trouble you?
RIKER
(hesitates)
To be honest... yes, a little.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 26.
74J CONTINUED: (2)
DATA
Understood, sir. Prejudice is
very human.
RIKER
Now that troubles me. Do you
consider yourself superior to us?
DATA
I am superior in many ways. But
I would gladly give it up to be
human.
RIKER
(studies Data; then)
Nice to meet you, Pinocchio.
Data seems uncomprehending.
RIKER
(continuing; explains)
A joke.
DATA
(straight-faced)
Ah! Intriguing.
RIKER
(big grin)
You're going to be an interesting
companion, Mister Data.
75
thru OMITTED
78
79 INT. MAIN BRIDGE (STOCK FROM #128 SCENE 45)
Riker looks up from a panel.
RIKER
All stations have reported,
Captain. There seems to be no
immediate threat to our ship or
crew.
As Riker stands looking at the dark Viewscreen, Picard
moves up to stand beside him.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 27.
79 CONTINUED:
PICARD
In which case, let's hold position
for a while, Number One. This
is worth studying.
RIKER
Incredible. It's like looking
off into... infinity, sir.
(turns to Picard)
Remember the course in ancient
history at Starfleet Academy?
Back to the time when men still
believed the Earth was flat?
PICARD
(smiles)
And that the sun revolved around
the Earth...
RIKER
And if a ship sailed too far out
into the ocean it would fall off
the edge of the world...
Riker turns back to look at the empty void on the
viewscreen.
PICARD
"Beyond this place there be
dragons... " It was even said that
crews would threaten to hang their
captain from the yardarm if they
refused to turn back.
RIKER
I'm sure no one here has that in
mind, sir.
PICARD
How comforting, Number One.
79A
thru OMITTED
80
80A INT. TEN-FORWARD (STOCK FROM #136 SCENE 28)
Wesley sits with Riker at the bar. Guinan watches them
from behind the bar.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 28.
80A CONTINUED:
WESLEY
But what do I say? How should
I act? What do I do?
Riker turns to Guinan and motions toward a nearby empty
table.
RIKER
Guinan, I need your help. Could
you sit over there?
GUINAN
That seems simple enough.
Guinan walks around the bar and heads for a table.
Riker and Wesley follow. Guinan sits. Riker sits
beside her. Wesley stands off to one side.
RIKER
(to Wesley)
The first words out of your mouth
are the most important. You could
start by saying something like...
(turns to Guinan)
... "you're the most beautiful
woman in the galaxy."
Riker holds the look for a moment, then turns back to
Wesley.
RIKER
(continuing)
But that might not work.
GUINAN
Yes it would.
Riker is relieved and amused. This is going to be fun.
He turns to Guinan.
RIKER
If you only knew how much I wanted
to tell you that.
GUINAN
But you were afraid.
RIKER
Yes.
GUINAN
Of me?
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 29.
80A CONTINUED: (2)
RIKER
Of us. Of what we could become...
WESLEY
Commander Riker...
They ignore him.
RIKER
... and that you might have
thought it was a line.
GUINAN
Maybe I do think it's a line.
RIKER
Then you think I'm not sincere?
GUINAN
I didn't say that. There's
nothing wrong with a line. It's
like a knock on the door.
RIKER
Then you're inviting me in?
GUINAN
I'm not sending you away.
RIKER
That's more than I expected.
GUINAN
But is it more than you hoped?
RIKER
To hope is to recognize the
possibility. I had only dreams.
GUINAN
Dreams can be dangerous.
RIKER
Not these dreams.
He looks into her eyes.
RIKER
(continuing)
I dream of a galaxy where your
eyes are stars... And all the
universe worships night.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 30.
80A CONTINUED: (3)
GUINAN
Careful, if you place me too high
on a pedestal, you won't be able
to reach me.
RIKER
Then I'll learn to fly. You are
the heart in my day and the soul
in my night.
Wesley taps Guinan on the arm.
WESLEY
I don't think this is my style.
GUINAN
Shut up, kid.
(to Riker, dreamily)
Now, tell me more about my eyes.
DISSOLVE BACK TO:
81 INT. SICKBAY (OPTICAL)
Riker's face is calmer. WIDEN to reveal Pulaski and
Troi. Troi is concentrating.
TROI
He's relaxed... experiencing
feelings of warmth. Friendship.
PULASKI
He's reliving memories. That's
a natural side effect of the
neural stimulation.
Pulaski punches up the diagram of Riker's body with
the organism highlighted. To her surprise:
PULASKI (cont'd)
Look at this! The organisms'
metabolism has changed. I wonder
if the stimulation is affecting
them somehow...
Pulaski again adjusts the device.
PULASKI (cont'd)
I'm going to refocus the impulse
pattern on the interpretative
cortex.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 31.
81 CONTINUED:
TROI
Will that intensify the
commander's memories?
PULASKI
Exactly. And we'll see if that has
an effect on the microbes...
Pulaski activates the device --
81A ON RIKER
as we PUSH IN again and
DISSOLVE TO:
81B OMITTED
81C INT. COUNCIL CHAMBERS (STOCK FROM #109 SCENES 12-13))
The kind of place you'd like to visit. No particularly
formalized furnishing plan -- it includes just about
any way anyone would like to sit or loll. The same
sort of revealing but sensible garb here too -- along
with good humor. In fact, joy is what is mainly
present here. Lots of fruit, nuts, food and drink
selections. A MUSIC GROUP of harpists in sight --
admittedly strange looking harps on which they compose,
and now and then PLAY LILTING MUSIC which, like
everything else, is not taken too seriously here
either.
RIVAN
Everyone! We've brought the
visitors!
LIATOR
(gesturing to away team)
Please enjoy what we have!
81D EMPHASIZING ENTERPRISE PEOPLE
as they are taken charge of with great hospitality.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 32.
81E INT. COUNCIL CHAMBERS (STOCK FROM #109 SCENES 31-31A)
TRUCKING WITH RIKER as he passes through the Council
Chamber bemused at the sight of the Edo of all ages and
both sexes enjoying music, food, and each other. He
comes to three who are playing a game with what appear
to be marbles, each holding one to five of them hidden
in the hand, then all of them simultaneously revealing
how many each of them holds. We don't have to know
the rules -- they know them and two of them will LAUGH
delightedly at the total of marbles exposed. One will
HANG HIS/HER HEAD in mock despair. Then when they look
up to find Riker watching, they extend marbles to him,
an offer to let him play too.
EDO MARBLE PLAYER
This will please you. Join us!
RIKER
(grins; shakes head)
Another time. Thanks.
Riker moves on a couple of steps to where an Edo man
and woman, partially unclothed, are laying on a couch
locked in an embrace. If they're not actually making
love now, it is clear they will be doing it any moment
now. As Riker pauses a female EDO SPECTATOR passes
through, patting him on the backside.
EDO SPECTATOR
Joy and happiness!
RIKER
Certainly is.
Riker smiles again, moving on through the room.
81F ANGLE ON WORF
as Riker moves into TWO SHOT with him.
RIKER
The good life, Worf.
WORF
I am not concerned with pleasure,
Commander. I am a warrior.
RIKER
Even Klingons must need love now
and then.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT THREE 33.
81F CONTINUED:
WORF
For what we consider love, sir,
I would need a Klingon woman.
RIKER
(eyes Worf curiously)
How about plain old basic sex?
You must have some need for that.
WORF
Of course. But with the females
who are available to me... Earth
females... I must restrain myself
too much. They are quite fragile,
sir.
RIKER
(eyes him again)
Worf, if anyone else said that,
I'd suspect he was bragging.
WORF
(puzzled)
"Bragging," sir?
81G INT. HOLODECK (STOCK FROM #116 SCENES 21 THRU 27)
This three-dimensional, computer-generated image is
so beautiful it takes Riker's breath.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 34.
81G CONTINUED:
RIKER
(to the Bynars)
Gentlemen, if this is what you
call "enhancement" you have a gift
for understatement.
He CROSSES to the beautiful WOMAN.
81H ANGLE ON WOMAN'S TABLE
As Riker sits down, the IMAGES COME TO LIFE. The combo
BEGINS TO PLAY, the woman (Minuet) MOVES.
81I RIKER AND WOMAN
He looks at her with interest.
RIKER
What's your name, and tell me you
love jazz.
MINUET
My name is Minuet. I love all
jazz except Dixieland.
RIKER
Why not Dixieland?
MINUET
Because you can't dance to it.
RIKER
My girl.
81J ANGLE ON TABLE WITH RIKER AND MINUET (OPTICAL)
A slight change occurs in Minuet. The way she looks
at Riker is more personal.
RIKER
(slyly)
What's a knockout like you doing
in a computer-generated joint like
this?
MINUET
Waiting for you.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 35.
81J CONTINUED:
Her voice is deeper, sexier. Her eyes are warm,
liquid, inviting.
RIKER
Waiting for me?!! You can't be
serious?
MINUET
Oh yes, Will -- I've never been
more serious in my life.
Riker is knocked a little off balance by her look and
her directness.
DISSOLVE TO:
81K INT. HOLODECK (STOCK FROM #116 SCENES 41 THRU 42)
Riker APPROACHES the table. Minuet smiles a greeting.
RIKER
I am going to have to leave you
for a while and see to my duties.
MINUET
Your work is very important to
you.
RIKER
It is me -- it's what I am.
MINUET
Can we dance once before you
leave?
The invitation is so effortlessly offered -- and the
woman so appealing -- who could resist?
RIKER
Sure, why not.
She rises. He leads her to the little dance floor.
81L ON THE DANCE FLOOR
As they STEP ONTO the dance floor, Minuet turns and
folds herself into his arms. They dance. It's slow
and sexy.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 36.
81L CONTINUED:
RIKER
How did you learn to dance so
well?
MINUET
From following you.
Riker is puzzled and amused at the same time.
MINUET
I can anticipate your lead. Tell
me more about your work -- what
is it about it that consumes and
enthralls you?
RIKER
What an interesting choice of
words. That's exactly what it
does.
MINUET
You are very fortunate.
RIKER
I know that.
MINUET
At this point in your life to be
exactly where you want to be...
And it's wonderful that you
realize it.
RIKER
I'd be a fool not to know how
lucky I am to be on this ship
serving with this group of people.
It's a dream come true.
She snuggles in a little closer.
RIKER
(continuing)
Just like this.
MINUET
A dream? Is that what this is?
Is that what I am?
She fills up his senses. He holds her away, to look at
her. Her fragrance -- the lightness of her touch. Her
movement. Riker is becoming captivated by her.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 37.
81L CONTINUED: (2)
As a woman can, she senses what he's feeling and leans
back to look in his eyes.
RIKER
I know you are a computer-generated
image... but your smell,
the way you feel, your touch, even
the way you talk and think is so
real.
MINUET
Thank you.
RIKER
How far can this relationship go?
I mean, how real are you?
MINUET
As real as you need me to be.
Then a look. To underline her words, she molds herself
against him.
DISSOLVE BACK TO:
82
thru OMITTED
82A
82AA INT. SICKBAY
CLOSE on Riker's face. PAN up to Troi's face --
which is a bit flushed. Pulaski notices.
PULASKI
Something wrong?
TROI
No... it's just that... Commander
Riker's emotions are rather...
passionate.
PULASKI
As in -- erotic?
TROI
(nods)
Very much so.
Pulaski smiles. PAN back to Riker's face and
DISSOLVE TO:
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 38.
82B INT. RIKER'S QUARTERS (STOCK FROM #144 SCENE 24A)
BRENNA
William, is something wrong?
RIKER
What do you mean?
BRENNA
Do you not like girls?
RIKER
Of course I like... Oh... is there
a technique to this foot washing?
Brenna approaches him. Unhooks her skirt. It puddles
about her feet, and she steps out of it wearing a
pretty petticoat.
BRENNA
You generally start at the top...
and work your way down.
Riker reaches up and pulls the pins from her long hair.
It cascades over her shoulders.
RIKER
I think I can handle that.
They are in each other's arms now.
BRENNA
I was hoping you might.
They embrace...
83 INT. EXECUTIVE OFFICE (STOCK FROM #115 SCENE 42)
Beata touches his chest.
BEATA
I like the way your eyes pick up
the color of your tunic.
He shifts his body to avoid her hand.
RIKER
It's not our place to interfere
in the domestic affairs of other
societies.
She reaches across him to pick up the bottle of liquor
and freshen his drink.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 39.
83 CONTINUED:
BEATA
But you can interact, can't you?
RIKER
Of course. Otherwise, how can
we learn?
BEATA
And that's why you're here,
tonight, with me... to learn?
RIKER
Yes.
BEATA
... About our society.
RIKER
Yes.
BEATA
In our society, it's men who are
the fortunate ones, enjoying all
that life has to offer, while we
women devote ourselves to the
obligations of making life work.
RIKER
In our society we share the
responsibilities and the pleasures
equally.
BEATA
Don't be defensive. I'd be the
last to imply that men are
inferior.
RIKER
Or I, that women are. That's why
I can be here with you while the
women on the away team go to find
Ramsey.
BEATA
I must remember to thank them when
they return for giving us this
time.
She moves closer. She touches him and kisses him
softly on the cheek.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT THREE 40.
83 CONTINUED: (2)
BEATA
You resist... Why? Do you not
find me attractive?
RIKER
Oh... Yes I find you very
attractive.
BEATA
Don't you feel you know me well
enough?
Riker hesitates, bemused.
BEATA
You attract me like no man ever
has.
RIKER
I'm flattered. I don't know what
to say.
DISSOLVE BACK TO:
84
thru OMITTED
85
86 INT. SICKBAY (OPTICAL)
CLOSE on Riker. WIDEN to reveal Troi composing
herself as Pulaski punches up the highlighted view of
Riker's body and nervous system. To Pulaski and
Troi's dismay, the highlighting is stronger than ever.
PULASKI
The organisms responded, all right.
Their growth rate has doubled.
Troi's frustration surfaces as she looks from Riker
back to the wall panel.
TROI
Then all we've done is make things
worse...
On Pulaski's grim expression:
FADE OUT.
END OF ACT THREE
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 41.
ACT FOUR
FADE IN:
87 OMITTED
88 INT. SICKBAY
Pulaski moves from the monitor to Troi's side.
PULASKI
Now we know the organism's growth
rate is related to the memories
he's experiencing.
TROI
Or the emotions they produce.
PULASKI
Different mental processes
generate different chemicals.
Perhaps the organisms are
sensitive to brain endorphins.
TROI
And if some types of endorphins
attract them...
PULASKI
(nods)
... others will repel them.
Pulaski's fingers fly over the controls of the device.
PULASKI (cont'd)
I'm going to change the
differential current pattern and
see what happens.
The device is activated --
89 CLOSE ON RIKER - PUSH IN
DISSOLVE TO:
89A
thru OMITTED
89B
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 42.
89C EXT. PLANET SURFACE (STOCK FROM #122 SCENE C21-22)
Riker moves a STEP CLOSER to the slime creature.
RIKER
I am Commander William Riker of
the USS Enterprise.
ARMUS
I am ARMUS. You are in my space.
RIKER
We mean you no harm. We have an
injured crew in that shuttlecraft.
We need to get to them. May we
pass?
ARMUS
You haven't given me a good enough
reason yet.
RIKER
Preserving life -- all life --
is very important to us.
ARMUS
Why?
RIKER
We believe that everything in the
Universe has a right to exist.
ARMUS
An interesting notion which I do
not share. You may now leave if
you wish.
Riker and the crew are startled.
TASHA
We won't go without the shuttle
crew.
The Shroud REMAINS SILENT as Tasha makes a slight MOVE
TO GO AROUND IT.
ARMUS
I warn you. You will not like
it here.
TASHA
What are you saying -- that you
are going to deny us access to
our comrades?
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 43.
89C CONTINUED:
ARMUS
I told you what you can do. You
can leave. I have no interest
in any further discussion or
argument.
Tasha has had enough of this and starts to move toward
the narrowest strip of slime.
TASHA
Enough. We have people who need
attention. We will not harm you,
but we must help them.
ARMUS FLICKS HIS FINGER, sending an ENERGY FORCE
towards Tasha, JERKING HER BACK and SLAMMING HER DOWN
to the ground.
Everything from here on must happen in a blur of
action. Beverly jumps to Tasha's side. Riker and Data
MOVE BETWEEN the others and BLAST ARMUS with their
phasers.
89D EXT. PLANET SURFACE (STOCK FROM #122 SCENE 24C)
Angle on Tasha's body and the others around her.
Beverly quickly takes a reading. She can't believe
the instruments.
BEVERLY
She's dead.
89E INT. SICKBAY (STOCK FROM #122 SCENES 30 THRU 34)
The medical team is easing Tasha onto the operating
table as Picard ENTERS. Beverly barely glances up at
him. He MOVES OFF TO THE SIDE and watches silently,
with Data and Riker, as:
PICARD
Status, Doctor?
BEVERLY
Unchanged.
The diagnostic screen shows her bodily readings to be
totally askew. Beverly and the nurse work together
as if they'd done this a hundred times before,
attaching the clamshell device onto the bed, over
Tasha's body.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 44.
89E CONTINUED:
PICARD
Can you bring her back?
BEVERLY
I'm trying.
RIKER
(hopeful)
You've saved people before. You
can save her.
BEVERLY
Neural stimulator.
The nurse immediately helps her attach the device,
which clips onto the bed and slips over Tasha's head
like a loose headband.
As soon as both devices are activated, Beverly and the
Nurse anxiously watch the diagnostic screen. A FEW
KEY INDICATORS APPROACH NORMALITY. Picard is anxious
and impatient.
RIKER
There. You did it.
BEVERLY
No. I've got her on total
support. There's no independent
brain activity.
Beverly grimly and quickly works the neural stimulator.
She pushes programming keys furiously, then hits the
start button. No reaction.
NURSE
She's not responding, Doctor.
Her synaptic network is breaking
down.
BEVERLY
No! Inject norep.
The nurse complies as Beverly reprograms the
stimulator. Nothing happens.
BEVERLY
(continuing)
We're going for direct reticular
stimulation.
The nurse looks at her sharply. It's risky.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 45.
89E CONTINUED: (2)
BEVERLY
(continuing)
Doesn't matter! Do it!
The nurse punches it in, and Tasha's body TWITCHES
SLIGHTLY. Picard looks hopefully at Riker.
NURSE
Neurons are beginning to
depolarize.
Beverly is desperate, but calm.
BEVERLY
Increase to seventy microvolts.
The nurse complies. Beverly pushes the button. Tasha
MOVES SLIGHTLY -- VERY SLIGHTLY. Beverly checks the
readout. Data and Riker look at each other -- it's not
good.
RIKER
(urgently)
Doctor?
BEVERLY
Eighty-five microvolts.
They quickly try again. And again. Finally, there is
NO MOVEMENT in Tasha at all. Beverly slowly turns to
Picard.
BEVERLY
She's gone.
PICARD
Gone?
BEVERLY
There's too much synaptic damage.
That thing just sucked all the
life out of her. There's nothing
I can do...
Picard, Riker and Data seem rooted to the spot.
Beverly reluctantly pushes in a code on the overbed
life support clamshell. She and the others look up
at the big diagnostic wall screen and watch all the
LIFE FUNCTION INDICATORS FALL TO ZERO. They REACT to
the finality of this.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 46.
89F INT. PLANET DISASTER AREA (STOCK, #111 SC. 70 TO 84)
The away reserve team MATERIALIZES. They are in a
passageway which has been severely damaged by
explosions. Water SPRAYS from the ceiling and is
already ankle deep on the floor. Data scans the area
with his tricorder.
DATA
This way.
They push ahead.
89G ANOTHER ANGLE - CORRIDOR
as they ARRIVE at a doorway. The door has been jammed
by the explosion. Data steps over and with his great
strength -- rips the door off its hinges and clears the
opening.
The survivors are here. ABOUT A DOZEN of them, huddled
together on the far side. Beverly and her teams wade
through the water to them.
89H ANGLE ON BEVERLY AND SURVIVORS
As she kneels beside an injured WOMAN.
BEVERLY
You are going to be all right,
now.
RIKER
Where are the others?
The woman shakes her head.
WOMAN
Gone. It's just us.
GEORDI
(urgent)
Commander!
Riker turns.
89I ANGLE ON GEORDI
CAMERA MOVES IN TO E.C.U. Geordi is staring at a pile
of rubble.
GEORDI
There's someone there!
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 47.
89J ANGLE ON DATA
With great strength he moves huge rocks with remarkable
rapidity.
89K ANGLE ON GEORDI AND RIKER
They stand and look for a beat, then:
89L ANGLE ON DATA
as he lifts and carries the limp body of a child.
89M ANOTHER ANGLE
Beverly rushes over and while Data holds the child,
she quickly examines him.
89N ANGLE ON BEVERLY AND CHILD
From her expression it is clear the child is dead.
All of her skill will not help.
BEVERLY
She's dead. If we'd only gotten
here a little sooner... !
89O ANGLE ON RIKER
He steps closer. A dead child. A moment of truth.
DATA
Sir, if you indeed have "Q"'s
power...
89P ANGLE ON RIKER
He is fighting his emotions.
89Q ANGLE INCLUDING BEVERLY
Puzzled.
BEVERLY
(to Riker)
I don't understand. Certainly
you can't bring her back to life?
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 48.
89Q CONTINUED:
RIKER
(long beat)
I'm prevented from that by a
promise.
Beverly is surprised and puzzled; Riker is very
troubled.
89R INT. TROI'S QUARTERS (STOCK, #127 SC. 81 THRU 84)
as Pulaski leads the others to Troi's quarters.
TROI
It's Ian. Please... please hurry.
Pulaski moves quickly to the unconscious child, pulls
back the covers. She removes an instrument from her
smock and makes a scan of the child's body. In the
b.g., Picard enters with Riker and Data.
TROI
(continuing)
Save him, you must save him.
PULASKI
What happened? Did he eat
anything? Did he fall?
TROI
No.
Data, using his tricorder, confirms with a nod to
Riker.
DATA
The child is the source of the
unusual radiation.
TROI
He said he's the reason the ship
is in danger.
DATA
That analysis is correct.
Pulaski injects the child with hypospray.
PULASKI
I'm losing life signs.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 49.
89R CONTINUED:
Troi stands by helplessly. Like any mother in this
situation, she is beyond grief. Tears streak her face.
TROI
Oh, please. Please save him.
89S PULASKI
resets the injector and again she administers a dose
of hypospray. She waits for a reaction. There is
none.
89T ANOTHER ANGLE (OPTICAL)
The room is very quiet. Pulaski stands.
PULASKI
I'm sorry.
Troi moves next to the cot on which the child is lying.
She is beyond despair. Her heart has completely
broken. The others allow her a moment alone, then as
Riker is about to move to Troi's side, a LIGHT -- the
glowing energy which we saw at the beginning -- gathers
from within the child and slowly rises. As it does,
the body that was Ian fades away until there is only
the LIGHT.
89U INTERCUT REACTIONS (OPTICAL)
Troi reaches out and with cupped hands she collects
the LIGHT, cradles it gently and brings it to her.
As she holds it close, it makes her face all aglow.
Slowly the pain and despair drain away, and through
the tears she smiles. The joy she now feels shines
from her eyes. The Betazoid within her, embraces the
essence of the entity before her and she knows now why
he came and what he wanted. Then, in an act of pure
love, she releases the glowing energy as she would a
dove. For a beat the LIGHT seems reluctant to leave.
Then it does. It passes effortlessly through the wall
of the ship and away. Troi stares after it for a beat.
GEORDI'S COM VOICE
(excited -- relieved)
Captain. The containment field
has stabilized.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 50.
89U CONTINUED:
PICARD
Thank you, Lieutenant.
Troi turns and looks at her captain and shipmates.
TROI
Then Ian was right. He was the
cause.
PICARD
Apparently so.
Troi pauses, gathering her feelings and picking her
words carefully. She settles her emotions.
TROI
He is a life-force entity... as
we passed each other in space he
was curious and wanted to know
about us, and he thought the best
way to learn was to go through
the process. To be born, to live
as one of us and in that way to
understand us.
She pauses, then:
TROI
(continuing)
Captain, he never meant any harm.
Picard nods -- he knows that is true.
RIKER
There was a moment when you
smiled.
TROI
(she smiles again)
He said thank you.
(she pauses)
I told him we will miss him -- and
I will.
The others will also miss him.
DISSOLVE BACK TO:
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 51.
90
thru OMITTED
94
95 INT. SICKBAY (OPTICAL)
CLOSE on Riker; WIDEN to include Troi and Pulaski, who
are encouraged as they observe the panel showing
Riker's nervous system. The highlighting has dimmed
just a bit.
PULASKI
The growth rate has definitely
slowed. What is he feeling? Can
you tell?
TROI
Sadness.
PULASKI
Just the opposite of before --
and it's having the opposite
effect on the infection.
TROI
Then your theory is correct. The
organisms are sensitive to
different types of endorphins.
PULASKI
And negative emotions...
TROI
Such as sadness...
PULASKI
... produce endorphins that inhibit
the organisms' growth.
TROI
Then we've found a way to repel
the infection.
PULASKI
Assuming we're not already too
late.
TROI
How much time do we have?
PULASKI
I'm not sure. His vital signs
are getting weaker. I don't want
to risk another dose of
tricordrazine unless I have to...
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 51A.
95 CONTINUED:
Pulaski watches the vital signs for another beat, makes
a decision. She adjusts the device.
PULASKI (cont'd)
I'm refocusing the pattern again.
We need to isolate memories that
generate stronger negative
emotions.
95A ON RIKER
A quick, reflexive movement as the pattern of current
changes --
DISSOLVE TO:
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 52.
95B
thru OMITTED
95D
95E INT. PAGH - MAIN BRIDGE (STOCK, #134 SC. 33-33E)
Riker and his escort enter onto the bridge.
The same sparse but functional look. The bridge is
manned by FIVE CREWMEMBERS at varying stations.
Captain Kargan is seated in the Command Chair. SECOND
OFFICER KLAG stands next to him. They are businesslike
in their appraisal of Riker. Firm but not harsh.
Riker steps forward.
RIKER
I am Commander William Riker of
the Starship Enterprise.
KARGAN
That is incorrect.
RIKER
(beat)
I don't understand.
KARGAN
You are Commander Riker, first
officer of the Klingon Cruiser
Pagh, or do you intend to
disobey Federation orders?
RIKER
I have no such intentions,
Captain.
KARGAN
Exactly where are your loyalties,
Commander?
RIKER
I'm afraid I still don't
understand.
Kargan explains carefully in a low, calm voice.
KARGAN
This ship is equipped with our
best weapons and our finest
warriors. Although we are on a
peaceful mission we are prepared
to go into battle instantly.
(more)
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 53.
95E CONTINUED:
KARGAN (cont'd)
I know I can count on every
Klingon warrior in this crew to
serve and die in that battle.
So I ask again Commander Riker,
(beat)
where are your loyalties?
RIKER
I have been assigned here to serve
this ship and to obey your orders.
I will do exactly that.
KARGAN
Will you take an oath to that
effect?
RIKER
(meets his gaze)
I just did.
Klag interjects firmly to Captain Kargan.
KLAG
yI-Har-Qo! nep-we' ghaH! (Do
not believe him! He lies!)
KARGAN
(to Klag)
Hol-chaj yI-jatlh. (Speak in
their language.)
(to Riker)
This is your second officer,
Lieutenant Klag.
RIKER
Was there something you wanted
to say to me, Lieutenant?
KLAG
Yes sir.
(beat)
I don't believe you.
RIKER
Then I take it you challenge my
authority over you.
KLAG
Correct.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 54.
95E CONTINUED: (2)
RIKER
(to Kargan)
And your position in this,
Captain?
KARGAN
(with disdain)
I would call it your first command
decision.
Riker looks around the Main Bridge at the other
crewmembers.
95F RIKER'S POV
The Klingon crewmembers watch him, waiting to see his
reaction to this challenge.
95G SCENE
Riker eyes the arrogant stance and size of Klag who
gives him an insubordinate snort. Riker realizes he
has no choice. He deftly, with no advance warning or
aggressive motion, swings a two-handed blow with his
full strength and lands a monstrous blow across the
chest of Klag.
95H SERIES OF CUTS
The sound of the blow against Klag's chest armor echoes
through the bridge and is followed by the roar of his
breath leaving his body, and then his bulk smashing
against the bulkhead and slipping to the ground.
Riker calmly steps around the still-seated captain and
steps in front of Klag who is struggling to his feet.
Klag is almost to his feet when Riker swings again,
this time taking the legs out from under Klag who drops
to the ground again.
The crewmembers are animated and watch the fight with
relish, not caring who wins or loses but that there is
combat.
Riker looks over to the captain.
Captain Kargan simply sits back and allows it to
continue.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 55.
95H CONTINUED:
Riker turns back to the dazed but still active Klag who
is once more attempting to get to his feet.
Riker eyes the combatant with a calculated but
astonished eye. Klag can barely stand but bravely
fights for balance. Riker shrugs, and rams his fist
into Klag's stomach, then drops him with another
double-handed blow over the head.
95I SCENE
Kargan applauds with a grunt and a motion of his head.
Klag is awake but prone. He struggles to his feet,
manages to prop himself against the wall. Klag gives
Riker as much a look of respect as he is able...
95J ON RIKER
RIKER
My oath is between Captain Kargan
and myself. Your only concern
is how to obey my orders.
(beat)
Or do you prefer the rank of
prisoner over that of lieutenant?
Klag calculates Riker carefully, then:
KLAG
I will take your orders.
Riker nods his acceptance. Klag returns it. Kargan
interjects:
KARGAN
And you, Commander Riker, will
obey my orders.
RIKER
Agreed, Captain Kargan.
Riker turns away from the captain, and when no one can
see him he lets his breath out.
95K INT. QUINN'S GUEST QUARTERS (STOCK, #125 SC. 71)
Quinn is sitting on the sofa, blankly staring into his
slightly opened briefcase. Riker ENTERS, catching him
off guard...
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 56.
95K CONTINUED:
RIKER
Ready for your tour, Admiral?
Quinn quickly stands, but Riker has seen the
briefcase...
QUINN
Quite ready, Commander.
RIKER
What's in the case?
From where he stands, Riker can barely see a few
delicate-looking tendrils coming out of its opening...
He looks at the admiral somewhat suspiciously...
QUINN
(thoughtful)
Actually... I brought this for
Doctor Crusher. But perhaps you'd
like you to see it first?
RIKER
(slowly moving closer)
What is it?
QUINN
A form of life. Discovered quite
accidentally by a survey team on
a distant uncharted planet.
RIKER
Why haven't we heard anything
about that?
QUINN
Oh, you'll be hearing more about
it shortly. But first there is
much scientific study to be done.
After all, this is a superior
life-form.
RIKER
Superior?
QUINN
Totally.
(voice grows hard)
Now come, Riker. Take a good
look.
Riker stands where he is, uncertain of what to do.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 57.
95K CONTINUED: (2)
RIKER
I think I'll summon our science
officer --
QUINN
It won't like your science
officer. It likes you.
(rises, grabs Riker's
arm)
Now look!
Riker looks down at his arm and grimaces; Quinn is
squeezing it with tremendous force. Riker grasps the
old man's wrist and tries to pull it off him... he
can't.
QUINN
(dark smile)
Vitamins. They do wonders for
the body.
RIKER CRIES OUT -- it feels like Quinn is crushing his
arm. Unable to break free, HE RAISES HIS OTHER ARM TO
STRIKE the admiral. Riker's BLOW IS BLOCKED and QUINN
responds by effortlessly THROWING HIM backwards toward
the wall. The FIRST OFFICER hits it at breakneck speed
and CRUMPLES TO THE FLOOR, severely dazed...
QUINN
(dry -- evil smile)
Ahh, your life is so painful now.
But soon you'll be one of us.
Before Riker can clear his head, QUINN ATTACKS again
-- rapping him across the chin WITH A KARATE KICK.
Riker staggers to his feet -- Quinn swings from the
heels with a sure knockout blow... RIKER DUCKS under
it and puts all his weight behind a powerful PUNCH to
THE ADMIRAL'S solar plexus.
For a moment, Quinn seems effected, sucking in his
stomach and gasping for air... But it quickly passes
and he straightens and smiles at a disbelieving Riker,
before DEALING HIM A vicious double fisted BACKHAND.
Riker hits his communicator.
RIKER
(pained, weak)
Riker to security. Emergency --
QUINN'S final blow KNOCKS RIKER OUT before he can say
another word...
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FOUR 58.
95L EXT. PLANET SURFACE (STOCK FROM #122 SCENE 51C)
ARMUS HAS MOVED OFF THE SHUTTLE AND as it APPROACHES
THE GROUP, Riker suddenly feels a great force pull him.
He calls out. Data MOVES to help him.
ARMUS
(as slime)
Touch him and he dies.
As the away team watches, Riker -- fighting with all
his might -- is pulled inexorably toward the slime. From
the other direction, Armus also MOVES toward the hole.
As the creature's SHRIEK joins RIKER'S SCREAM, the two
SLIP INTO THE SLIME HOLE and DISAPPEAR.
For a beat there is nothing. Then: WE CAN SEE only
RIKER'S FACE PRESSED AGAINST THE SKIN.
DATA
Enterprise, ARMUS has enveloped
Commander Riker.
PICARD'S COM VOICE
I'm beaming you up!
ARMUS
If any of you leave now, he dies.
And so do the survivors of the
crash.
The team REACTS.
DISSOLVE BACK TO:
96
thru OMITTED
106
107 INT. SICKBAY
CLOSE on the unconscious Riker, under terrific stress
-- his muscles tensed, his face sweating.
108 WIDER (OPTICAL)
to include Pulaski and Troi. On the wall panel, the
highlighting showing the organism's presence has
remained the same.
PULASKI
We've reduced the growth rate
even further... but not enough.
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FOUR 59.
109 ON PULASKI
checking the monitor. She's concerned about Riker's
low and erratic vital signs.
PULASKI
And his vital signs are
deteriorating.
TROI
But we've isolated the specific
areas to stimulate. The feelings
were very primal... survival
emotions.
PULASKI
They must be producing a type of
endorphin that's poisonous to the
organisms.
TROI
Can you intensify those emotions?
PULASKI
(nods)
I can refocus the impulse pattern
even tighter.
She glances again at the vital signs monitor.
PULASKI (cont'd)
But I don't know if he can
withstand it. He's extremely
weak.
TROI
Do we have a choice?
Pulaski moves to the device, prepares to activate it
once again.
PULASKI
No. If we don't neutralize the
infection within half an hour,
he'll be dead.
FADE OUT.
END OF ACT FOUR
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 60.
ACT FIVE
FADE IN:
109A EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
In orbit.
PULASKI (V.O.)
Medical log, supplemental.
Commander Riker's condition is
still critical.
110 INT. SICKBAY
Pulaski is preparing to give Riker another zap from the
device.
PULASKI (V.O., cont'd)
I've discovered a way to reverse
the infection's growth rate --
but I may be too late.
Everything's ready. Pulaski glances at the monitor
as she works. Troi can see that Pulaski isn't pleased
with Riker's vital signs:
TROI
He's getting weaker, isn't he?
PULASKI
(nods)
Respiration shallow, heartbeat
extremely irregular.
She shakes her head.
PULASKI (cont'd)
But we can't delay any longer...
Troi nods agreement. Pulaski activates the device.
111 PUSH IN ON RIKER
unconscious, but growing rigid as the current is
applied.
DISSOLVE TO:
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 60A.
111A
thru OMITTED
111B
111C INT. GUEST QUARTERS (STOCK FROM #123 SCENE 56B)
T'Jon then turns and grabs Riker's shoulder in a death
grip. WE SEE Riker immobilized by an ELECTRICAL
CHARGE.
T'JON
Take us to our planet -- leave us
there with our medicine or this
person dies.
Picard takes a STEP FORWARD, then STOPS.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 61.
111C CONTINUED:
T'JON
(continuing)
Don't you see -- I have no choice.
We were sent to bring back the
Felicium. The suffering on my
planet is too great. People are
dying. It doesn't matter any more
whether we are entitled to the
Felicium... we have to have it.
PICARD
Let him go.
T'JON
Take us there now -- or give us
a shuttle -- but we must have the
medicine... if you refuse, this
person dies.
PICARD
I will not be coerced.
T'JON
I'll do it. I'll kill him.
The strain of the pressure is all over T'Jon.
PICARD
(calmly)
No you won't. You're not a
killer.
T'Jon releases Riker, who sags a little, then catches
his balance. Beverly goes to his assistance.
111D EXT. PLANET SURFACE (STOCK, #121 SC. 13A-22)
Riker and Captain Rice.
RICE
Commander Riker, those answers
make no sense.
RIKER
You haven't used my first name
once, Paul.
There is a slight hesitation.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 62.
111D CONTINUED:
RIKER
(continuing)
You remember it, don't you?
No response. Rice looks confused.
RIKER
(continuing)
You don't, because you don't even
exist. You're a fake -- an image
of the original! Aren't you?...
Answer me!
Rice twitches -- a slight REACTION, then SUDDENLY:
111E NEW ANGLE (OPTICAL)
The image of Captain Rice DISAPPEARS and is REPLACED BY
A WEAPON-LIKE OBJECT. IT QUICKLY MOVES several meters
away.
PICARD'S COM VOICE
Report, Number One.
RIKER
The image of Rice has been
replaced by something which is
hovering several meters away.
111F EXT. PLANET SURFACE (OPTICAL)
Riker and the others set to beam up.
RIKER
Prepare to beam up.
TASHA
Commander.
He looks as she indicates a direction. The WEAPON IS
MOVING toward them. Before anyone can answer, THE
WEAPON FIRES.
111G CLOSE ON RIKER (OPTICAL)
The BEAM HITS HIM. He STIFFENS -- and BECOMES ENCASED
IN AN ENERGY FIELD.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 63.
111H EXT. PLANET SURFACE - ANGLE ON TASHA (OPTICAL)
She FIRES ON THE WEAPON AND DESTROYS IT.
111I FULL SHOT - AWAY TEAM
Picard's VOICE is heard.
PICARD'S COM VOICE
(tense, tight)
What just happened down there?
Number One! Report!
111J EXT. PLANET SURFACE (OPTICAL)
Tasha and Data APPROACH him. They monitor the energy
field with their tricorders.
PICARD'S COM VOICE
Report! Report!
Tasha and Data examine the energy field.
TASHA
He can't answer you, Captain.
DATA
Commander Riker has been encased
in some kind of energy field.
PICARD'S COM VOICE
Is he alive?
Data and Tasha continue to examine the energy field
containing the inert form of Commander William T.
Riker.
DATA
Unknown.
111K POV (STOCK, #107 SC. 42-43)
Backlit by LIGHTNING, THREE SMALL, HAIRLESS HUMANOIDS
with protruding cupped ears, dressed in strange
clothing. They are armed with odd whip-like weapons.
RIKER (V.O.)
Who are you?
At that, the leader snaps his whip toward them,
unleashing a rippling electro-plasmic WAVE that races
TOWARD CAMERA (OPTICAL).
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 64.
111L CLOSE - OUR TEAM
Riker, Data and lucky-day Geordi are whacked with the
WAVE all together... putting Geordi back to sleep.
Data falls unconscious, too. Riker fights it but is
hit again, and falls, unconscious.
DISSOLVE BACK TO:
112
thru OMITTED
114
115 INT. SICKBAY - ON RIKER
his every muscle taut.
116 WIDER (OPTICAL)
Pulaski examines the wall panel. The highlighting
showing the organisms' progress hasn't changed.
PULASKI
The growth rate's down to seven
percent.
She checks the monitor. The vital signs are going
crazy.
PULASKI (cont'd)
But the organisms are still
impairing his neural functions.
Respiration is erratic, pulse
grossly irregular, blood pressure
almost nil.
She makes a decision, turns to a medical crewman:
PULASKI (cont'd)
Tricordrazine.
The medical crewman hands her the hypospray. Pulaski
injects Riker, looks at the monitor, shakes her head --
vital signs are better, but still not good.
TROI
Can we tighten the pattern
further?
Pulaski considers, nods, and makes an adjustment to
the device, intensifying the pattern of current.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 65.
117 ON RIKER
sweating more profusely.
DISSOLVE TO:
117A INT. ENGINEERING (STOCK FROM #116 SCENE 70)
The destruct computer is separate from the main
computer and is used for this type of emergency only.
COMPUTER
Recognize Picard, Jean-Luc,
Captain...
(pause)
Recognize Riker, William T.,
Commander.
PICARD
Set auto-destruct sequence.
COMPUTER
Does the first officer concur?
RIKER
... Yes. Set auto-destruct
sequence -- now!
A small sign ILLUMINATES "AUTO-DESTRUCT IN (TIME)."
COMPUTER
Auto-destruct will detonate in
four minutes and fifty-nine
seconds... four minutes and
fifty-eight seconds... four
minutes and fifty-seven seconds...
PICARD
Let's go. The only place we can
stop the count is from the bridge.
117B INT. MAIN BRIDGE (STOCK FROM #128 SCENE 117A)
There is the familiar starfield on the viewscreen as
Picard enters from the turbolift.
Geordi and Pulaski are not present. The AFT PANELS
FLASH that AUTO-DESTRUCT is ENGAGED.
COMPUTER VOICE
Thirty seconds to auto-destruct.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 66.
117B CONTINUED:
DATA
Captain, we are clear of the void.
You may stop the auto-destruct.
PICARD
Data, on any heading -- warp six
-- now!
117C EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
stretches into warp.
117D INT. MAIN BRIDGE (STOCK FROM #128 SCENE 117E)
Picard's resolve is undiminished.
RIKER
Captain.
PICARD
I don't believe it, Number One.
It could still be part of the
illusion. Data, report.
DATA
All navigational systems confirm
-- we are at warp six -- on
course...
No one even breathes for a long moment...
117E INT. MAIN BRIDGE - (STOCK FROM #143 SCENE 60B & 60D)
Riker stands before the viewscreen, Worf ready at his
station as they hear:
COMPUTER (V.O.)
Seventeen... sixteen...
fifteen... fourteen...
WORF
Firing sequence proceeding, sir.
RIKER
Hold fast.
COMPUTER (V.O.)
Eleven... ten... nine...
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 67.
117E CONTINUED:
Riker reacts to what he sees on the viewscreen, looks
to Worf as they listen to:
COMPUTER (V.O.)
six... five... four... three...
Tension mounts as:
QUICK CUT TO:
117F INT. BATRIS - ENGINEERING (STOCK, #120 SC. 47-56)
The Klingon, KORRIS, moves forward to begin formalized
greetings.
KORRIS
I am Korris.
RIKER
We'll handle the formalities later
-- right now we have to get off this
ship. Are there any others still
alive?
KORRIS
No.
Data APPEARS in the torn hatchway.
DATA
I believe there is a quicker way
out of here.
GEORDI
Let's go.
Riker indicates a third figure on the floor.
RIKER
Check him Data.
Data steps over and scans the figure with his
tricorder.
DATA
He is alive -- but just barely.
RIKER
Pick him up and let's get out of
here.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 68.
117F CONTINUED:
Data starts to lift the stricken man. Korris steps
up beside Data.
KORRIS
No. I will carry him.
DATA
As you wish.
INT. BATRIS - CORRIDOR
as the group hurries through the debris. There is
a BOILING, RUMBLING EFFECT on the ship.
GEORDI
We're out of time, Commander --
the ship's going to blow.
RIKER
Transporter Room, have you got
a lock on us?
TASHA'S COM VOICE
Not yet. Too much interference.
You have to get farther away from
the Engineering section.
Behind them there is an ominous change in the GAS
BUILDUP.
INT. BATRIS - CORRIDOR
They come to a bend in the corridor, turn the corner
and bump into a solid wall of debris.
RIKER
End of the line. Transporter
Room, we've gone as far as we can.
Get us off -- now!
The away team and the Klingons stand ready to beam.
INT. BATRIS - CORRIDOR (OPTICAL)
The BEAM OUT BEGINS, then STOPS, then TRIES TO START
again.
INT. TRANSPORTER ROOM
Tasha shakes her head in frustration, makes an attempt
to fine-tune her equipment and tries again.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 69.
117F CONTINUED: (2)
INT. BATRIS - CORRIDOR
A CLOUD BOILS up at the end of the corridor. There
is a CRACKLING SOUND, followed by a RUMBLE.
ANGLE ON THE AWAY TEAM
They REACT.
EXT. SPACE - THE BATRIS (OPTICAL)
As it BLOWS UP.
QUICK CUT TO:
117G EXT. SPACE (STOCK, #103 SC. 108-130)
The Enterprise and the Tsiolkovsky are still tied by
the tractor beam, motionless. Riker's voice reveals
the strain he is under.
RIKER'S VOICE
Ship's log, First Officer Riker.
The star has begun disintegrating.
Enterprise will be destroyed
unless it can be moved out of the
path of the star material
hurtling...
EXT. SPACE - EXPLODED MASS OF MATERIAL (OPTICAL)
It is large, irregularly shaped, moving very fast as it
was hurled off the star's surface with more power than
a hydrogen bomb. To gain a sense of size, it should
BLOCK OUT A WHOLE SECTION OF THE STARFIELD as it PASSES
CAMERA.
RIKER'S VOICE
(continuing)
... toward us. Our only hope is
for Lieutenant Commander Data in
the time we have left, to regain
his senses and reconnect engine
power to the bridge.
INT. ENGINEER'S OFFICE - ON MACDOUGAL
She is on her knees on the floor, vainly trying to sort
out which optical chips belong where.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 70.
117G CONTINUED:
ANGLE ON RIKER AND DATA
as they ENTER FAST. MacDougal looks up at Riker,
helplessly indicates the chip chaos. Data smiles at
Wesley, who grins back cheerfully. Both are still
smashed.
WESLEY
Hi, Mister Data.
DATA
Nice to see you, Wesley. What... ?
RIKER
(overlapping; urgently
indicating)
Data! We need the engines on-line
in a hurry, remember?
Meanwhile, Riker is now beginning to perspire like
others who have been "infected."
WESLEY
Oh yes, I remember too.
(to Data)
So, Data, if you don't mind...
RIKER
(fast; to Wesley)
We've no time for courtesy!
(fast; to Data)
Get those damned control chips
back in place, Data! In the
correct order!
Data hesitates, surprised at Riker shouting at him.
RIKER
(continuing)
NOW!
WESLEY
(to Data)
It's like a game of "how fast can
you do it?"
DATA
Ah, a game!
Data begins selecting chips, beginning to move more
and more rapidly. Wesley moves to the Engineering Room
viewer, adjusts the controls there.
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 71.
117G CONTINUED: (2)
WESLEY
I think I can switch this to the
Main Viewer, sir...
ANOTHER ANGLE - VIEWER (OPTICAL)
as it switches to a SHOT OF THE STAR MATERIAL IN
DISTANCE BUT RACING TOWARD THEM.
ANGLE EMPHASIZING RIKER
turning from viewer to Data.
RIKER
We've got eight or nine minutes,
at most, Data. Can you finish
by then?
ANGLE EMPHASIZING DATA
If necessary, UNDERCRANK CAMERA now to show Data's
hands are moving very fast. He seems to be calculating
Riker's questions, then shakes his head without looking
up:
DATA
No. This will take slightly more
time than we have, sir.
Riker becomes aware that his hand is wet, realizes he
is "infected" too.
RIKER
Dammit, NO! I can't afford to
get it!
He stands, sways, grabs for support.
EXT. SPACE - MASS OF MATERIAL FROM STAR (OPTICAL)
hurtling through space -- too fast.
CLOSE ON DATA AND HIS HANDS
UNDERCRANK CAMERA. His hands are flying -- almost a
blur. More and and more of the isolinear optical chips
are set in the command computer board.
DATA
If we had just a minute more,
sir...
STAR TREK: "Shades of Gray" - REV. 5/2/89 - ACT FIVE 72.
117G CONTINUED: (3)
ANGLE ON WESLEY
He looks up toward Engineering Room viewer.
CLOSE ON VIEWSCREEN (OPTICAL)
The mass of star material closer, hurtling toward them.
WIDER ANGLE
as Picard bursts in, presses his hypo against
MacDougal, then Riker, then another person, etc.
RIKER
We didn't make it, Captain. If
we had just a minute or so more...
EXT. SPACE - ENTERPRISE, TSIOLKOVSKY (OPTICAL)
with the star material looming large as it rushes down
upon them.
INT. ENGINEER'S OFFICE - ON WESLEY
His fingers begin to dance on the panel.
WESLEY
Yes, then reversing power leads,
back through the force
activator... repulser beam hard
against the Tsiolkovsky...
EXT. SPACE - ENTERPRISE, TSIOLKOVSKY (OPTICAL)
The Tsiolkovsky now begins drifting to one side,
beginning to spin clear with the Enterprise moving away
from it.
INT. ENGINEER'S OFFICE - WIDE ANGLE
Riker eyes the viewer in surprise.
RIKER
We're pushing away!
Data lifts his hands from the command computer board.
The isolinear optical chips GLOW on the board.
RIKER
(continuing; into
communicator)
Bridge, engage engines!
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 73.
117G CONTINUED: (4)
EXT. SPACE - TSIOLKOVSKY AND MASS OF MATERIAL
The mass of material crashes into the Tsiolkovsky.
Her warp and impulse engines EXPLODE SIMULTANEOUSLY
on impact in a mighty BLAZE OF LIGHT. But Enterprise
is accelerating out of trouble.
CUT TO:
117H EXT. SPACE (STOCK OPTICAL FROM #137 SCENES 5 & 6)
as a galaxy class starship (USS Yamato) explodes in
a blinding flash. When the flash subsides, we have a
forward view of space and a barrage of fiery objects
hurtling toward us. Suddenly the saucer section,
engulfed in flames and explosions, sails past us...
DISSOLVE BACK TO:
118
thru OMITTED
120
121 INT. SICKBAY (OPTICAL)
CLOSE on Riker, pale and deathly. WIDEN to reveal
Troi and Pulaski. Troi looks at the wall panel:
TROI
(optimistic)
The growth rate's almost zero.
Pulaski shakes her head with determination --
PULASKI
That's not good enough.
-- and makes one more adjustment to the device.
122 RIKER
He looks like a fighter after a series of hard jabs,
and the memories now rush at him.
DISSOLVE TO:
STAR TREK: "Shades of Gray" - REV. 5/3/89 - ACT FIVE 73A.
123 RIKER'S MENTAL POV
A BLINDING CACOPHONY of juxtaposed IMAGES -- VOICES --
PIECES OF SCENES. The tempo quickens, builds to a
climax, and --
SMASH CUT TO:
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 74.
124 INT. SICKBAY - CLOSE ON RIKER
as his body jerks in a massive convulsion --
125 WIDER ANGLE
as Riker's vital signs jump -- then slowly begin
returning to normal levels. Pulaski, surprised, turns
to the wall panel --
126 CLOSE ON THE WALL DISPLAY (OPTICAL)
The highlighting is gone.
127 ON PULASKI AND TROI
astounded. Pulaski runs the scanner over Riker's body
to confirm. She taps a com panel:
PULASKI
Sickbay to bridge.
PICARD'S COM VOICE
Go ahead, Doctor.
PULASKI
We've eradicated the infection.
PICARD'S COM VOICE
I'm on my way.
127A EXT. SPACE - THE ENTERPRISE (STOCK OPTICAL)
Yes, still in orbit.
128 INT. SICKBAY - CLOSE ON RIKER
as the device is rolled away. His eyes open. He's
exhausted, but aware.
129 OMITTED
130 WIDER
as Riker sees Troi looking at him with concern. He
smiles at her to reassure her.
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 74A.
130 CONTINUED:
RIKER
You still here?
TROI
(relieved)
I could ask you the same question.
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 75.
130 CONTINUED: (2)
Pulaski steps up.
PULASKI
How do you feel?
RIKER
Beat. You wouldn't believe the
dreams I've been having...
TROI
Yes, we would.
PULASKI
You'll be pleased to know that
we've terminated the infection.
RIKER
Great work, Doctor.
Riker tries to move, realizes his head is nailed down.
RIKER (cont'd)
Now, if you'll let me get out of
here and back to work...
PULASKI
Lie still. I have a few dozen
tests to run first.
In b.g., Picard and Data ENTER.
RIKER
Why? I feel fine.
PULASKI
There may be some residual memory
loss. I just want to make sure
you still know who you are.
RIKER
Of course I know who I am. I'm
Captain Jean-Luc Picard of the
USS Enterprise.
131 ON PICARD AND DATA
stepping up to Riker.
STAR TREK: "Shades of Gray" - REV. 5/4/89 - ACT FIVE 76.
131 CONTINUED:
PICARD
Delighted you're feeling better,
Captain.
(re: Data)
The admiral and I were worried
about you.
Data gives Picard a confused look.
DATA
Sir, I do not believe you have
the authority to promote me to
the rank of admiral.
As Picard and Riker exchange a smile, we --
FADE OUT.
END OF ACT FIVE
THE END
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