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1 line
66 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Booby Trap"
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#40273-154
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Story by
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Ron Roman & Michael Wagner
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Teleplay by
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Ron Roman
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Directed by
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Gabrielle Beaumont
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1989 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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REVISED FINAL DRAFT
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AUGUST 31, 1989
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STAR TREK: "Booby Trap" - REV. 9/5/89 - CAST
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STAR TREK: THE NEXT GENERATION
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"Booby Trap"
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CAST
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PICARD GOLEK SAR
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RIKER
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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WESLEY
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O'BRIEN
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GUINAN
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CHRISTY
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LEAH BRAHMS
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COMPUTER VOICE
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Non-Speaking
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CREWMEMBERS
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GYPSY VIOLIN PLAYER
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STAR TREK: "Booby Trap" - REV. 9/1/89 - SETS
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STAR TREK: THE NEXT GENERATION
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"Booby Trap"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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TEN-FORWARD PROMELLIAN WARSHIP
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CORRIDOR
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TRANSPORTER ROOM
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ENGINEERING
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HOLODECK THREE
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OBSERVATION LOUNGE
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READY ROOM
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HOLODECK
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UTOPIA PLANITIA YARDS/
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DRAFTING ROOM
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TROPICAL BEACH
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PROMELLIAN WARSHIP
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CORRIDOR
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BRIDGE
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COMMUNICATIONS ROOM
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STAR TREK: "Booby Trap" - 8/31/89 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Booby Trap"
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PRONUNCIATION GUIDE
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ORELIOUS NINE Oar-LEE-us 9
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CLEPONJI Klep-ON-gee
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MENTHAR MEN-thar
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KAVIS TEKE KAY-vis Tee-Key
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ACETON ASS-ah-tawn
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STAR TREK: "Booby Trap" - REV. 9/7/89 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Booby Trap"
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TEASER
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FADE IN:
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1
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thru OMITTED
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3
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3A EXT. BEACH - NIGHT (OPTICAL)
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Pounding waves. A full amber moon. A tropical breeze.
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3B A PAIR OF HANDS (OPTICAL)
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pick up two half coconuts with two straws in them. As
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it moves... pull back to reveal GEORDI's the one
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holding them and he's sitting on a blanket on the sand
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with a very attractive young woman (CHRISTY) ... a
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decided tension in the air.
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GEORDI
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Another Coco-no-no?
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CHRISTY
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No thanks, I think I've had enough
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already.
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GEORDI
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Yeah, me too.
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And he has these two coconuts in his hand... looks
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around with what to do with them. Finally, just sort
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of drops them off to the side. He snaps his finger
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and a GYPSY VIOLIN PLAYER MATERIALIZES beside them...
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startling Christy. Geordi desperately wants to find
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the courage to make his move. The gypsy begins to play
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romantic music. Finally, awkwardly, attempting to be
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casual, he moves closer to her... raises...
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4 HIS ARM
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toward her shoulder... he hasn't touched her yet...
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5 GEORDI
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has the stiff smile of someone who wants to look
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comfortable but isn't. Slowly...
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STAR TREK: "Booby Trap" - REV. 9/1/89 - TEASER 1A.
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6 HIS HAND
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comes to rest on her shoulder... and now's the
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moment... and the instant he touches her...
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CHRISTY (O.S.)
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Geordi...
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STAR TREK: "Booby Trap" - REV. 9/5/89 - TEASER 2.
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7 GEORDI AND CHRISTY
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GEORDI
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(tense)
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What?
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CHRISTY
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I'm sorry. I think I better go
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back now.
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GEORDI
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You're chilly... ? I can turn down
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the breeze...
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CHRISTY
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No, it's been a lovely program,
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and you're a terrific guy...
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GEORDI
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(knows what's coming)
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Yeah...
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CHRISTY
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I just don't feel that way about
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you...
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GEORDI
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Yeah...
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The gypsy violinist plays his soul out... irritatingly
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loud.
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GEORDI
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Knock it off.
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The music continues.
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COMPUTER VOICE
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Do you require full termination
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of the Holodeck program or just
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the audio portion?
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On Geordi's frustrated sigh...
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8 INT. TEN-FORWARD (OPTICAL)
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WESLEY and DATA standing at the window looking out the
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windows at a field of immense flotsam and jetsam moving
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by, the remains of a planet destroyed in a battle long
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ago...
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STAR TREK: "Booby Trap" - REV. 8/31/89 - TEASER 2A.
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8 CONTINUED:
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WESLEY
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This was the final battle, wasn't
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it?
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STAR TREK: "Booby Trap" - 8/31/89 - TEASER 3.
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8 CONTINUED:
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DATA
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(acknowledges)
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Neither side intended Orelious
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Nine to be the decisive conflict.
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WESLEY
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Not much of it left, is there...
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DATA
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The destruction is remarkable
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considering the primitive weapons
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of the period.
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In the background, Geordi ENTERS looking forlorn, sits
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at the bar... GUINAN moves to him... Wesley reacts.
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WESLEY
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Uh oh...
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DATA
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I beg your pardon, Wesley?
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WESLEY
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(off his look)
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"Uh oh"... it's an expression,
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Data. It just means, you know,
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uh oh, something's wrong...
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DATA
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There is something wrong?
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WESLEY
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Commander La Forge had a big date
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with Christy tonight. He's been
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working on the perfect program
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for days. Looks like it ended
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kinda early.
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DATA
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Uh oh.
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RIKER'S COM VOICE
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Commander Data to the bridge
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immediately.
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DATA
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Acknowledged.
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STAR TREK: "Booby Trap" - REV. 8/31/89 - TEASER 4.
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9 INT. MAIN BRIDGE
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PICARD, RIKER, WORF are already at their stations as
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Data ENTERS. Riker fills them in...
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RIKER
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We're picking up a signal,
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coordinates two-one-one mark
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six-one.
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Data sits in his position, immediately engages his
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computer. The sound of the signal is on the main
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speaker... it is a series of rapid "blips" of sound.
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DATA
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(reacting to the signal)
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It is an ancient interplanetary
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code.
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RIKER
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Survivors on Orelious Nine after
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all this time... not possible.
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PICARD
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Not at all possible. Lay in a
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course to the source of the
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signal.
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10 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as the Enterprise alters course. The space debris
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speeds by -- some fragments dangerously close.
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11 INT. MAIN BRIDGE
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DATA
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Approaching the source, Captain...
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PICARD
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Put it on the viewer, Mister Data.
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12 MAIN VIEWER - CREW'S POV (OPTICAL)
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An ancient warship lying dead in space.
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13 REVERSE - ON THE CREW
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WORF
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A Promellian battle cruiser.
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STAR TREK: "Booby Trap" - REV. 9/5/89 - TEASER 5.
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13 CONTINUED:
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PICARD
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(enthusiastic)
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And with its Lang Cycle fusion
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engines intact.
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DATA
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Scanners indicate no life signs
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aboard.
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PICARD
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I should hope not. That ship
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belongs in a museum.
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(moving closer)
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Gentlemen, I'm afraid we're a
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little late. This call for help
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was very likely initiated over
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a thousand years ago.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT ONE 6.
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ACT ONE
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FADE IN:
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14 EXT. SPACE - THE ENTERPRISE AND THE ANCIENT WARSHIP
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(OPTICAL)
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PICARD (V.O.)
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Captain's log, Stardate 43799.1.
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We have arrived at Orelious Nine,
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to chart the battle in which the
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Menthars and Promellians fought
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to their mutual extinction. Among
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the ruins we have found a relic:
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a Promellian battle cruiser that
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has withstood the centuries.
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15 INT. CORRIDOR
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Picard and Riker walking toward the Transporter Room;
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Picard enthused with a spring in his step, Riker
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concerned...
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PICARD
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Indulge me, Number One...
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RIKER
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I'd prefer Lieutenant Worf and
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I did a security sweep of the
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vessel first...
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PICARD
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(frowns)
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No. Captain's prerogative, here.
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This one's mine. We've examined
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every conceivable risk...
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RIKER
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The risks aboard a vessel this
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old and fragile are inconceivable,
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Captain...
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PICARD
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Ghosts, perhaps?
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(beat)
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Haven't you ever dreamed of
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climbing inside the bottle... ?
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RIKER
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Sir... ?
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STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT ONE 7.
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15 CONTINUED:
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PICARD
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The ship in the bottle, Number
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One. Model air ships... I used
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to build them as a child. By God,
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I'll bet I even had a Promellian
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battle cruiser too.
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16 INT. TRANSPORTER ROOM (OPTICAL)
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As they arrive... Worf is already waiting along with
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Data.
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PICARD
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Ready to beam the away team to
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the vessel...
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O'BRIEN
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Locked on to the Main Bridge,
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Captain...
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RIKER
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You're certain about the
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atmospheric conditions, Data... ?
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DATA
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There is adequate oxygen for life
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support, Commander...
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PICARD
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It is exactly as they left it,
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Number One. In the bottle.
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(off their looks)
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Good Lord, didn't anyone else here
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build ships in bottles when they
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were boys?
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WORF
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I did not play with toys.
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DATA
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I was never a boy.
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O'BRIEN
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(speaking up, filling
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the breach)
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I did, sir.
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PICARD
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(to a compatriot)
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Thank you, Mister O'Brien.
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Proceed.
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STAR TREK: "Booby Trap" - REV. 9/14/89 - ACT ONE 8.
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16 CONTINUED:
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And the child in the man has taken over his face as
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his eyes shine with anticipation. The away team
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DEMATERIALIZES. Riker looks at O'Brien with a cocked
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eyebrow, suggesting he was stroking the captain for
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points.
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O'BRIEN
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I did. I really did. Ships in
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bottles. Great fun.
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Riker gives him a little smirk and as he starts to
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exit, there is a notable, brief dip in the power of the
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components -- a brown out. Neither Riker or O'Brien are
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overly alarmed.
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RIKER
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What's that?
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O'BRIEN
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Not sure. The secondary power
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bus may need adjusting.
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RIKER
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Let me know.
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Riker leaves the Transporter Room. O'Brien adjusts
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some switches on the console.
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17 INT. DARKENED ANCIENT WARSHIP BRIDGE
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Picard, Worf and Data move around a corner. It is
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eerily still and dark... Worf lights a powerful
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flashlamp.
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PICARD
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Extraordinary. You would expect
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the layout of a bridge from this
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era to be clumsy, awkward... but
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see this -- it is a model of
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simplicity. They built the same
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craft for generations. And it
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worked.
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Picard wants to see everything, looks around like a kid
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in a candy store. Something catches Worf's attention,
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he turns...
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STAR TREK: "Booby Trap" - REV. 9/13/89 - ACT ONE 8A.
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17 CONTINUED:
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WORF
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Admirable. They died at their
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posts.
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And Picard and Data look at Worf's discovery -- the
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skeletal remains of an ancient crewman still in his
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chair, head cocked to the side in the final throes of
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death.
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STAR TREK: "Booby Trap" - 8/31/89 - ACT ONE 9.
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18 INT. TEN-FORWARD
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His head cocked to the side, rather like the skeleton,
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Geordi downs another glass of synthehol. And he can't
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quite get drunk, no matter how hard he tries...
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GEORDI
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Don't you have anything stronger
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than this, Guinan?
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GUINAN
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Yes.
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GEORDI
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Would it help?
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GUINAN
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No.
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GEORDI
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Can you tell me something, Guinan?
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You're a woman, right?
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GUINAN
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Yes, I can tell you that.
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GEORDI
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What is it that... you want in
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a man?
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GUINAN
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Me personally?
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GEORDI
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As a woman. What's the first
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thing you look at?
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GUINAN
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His head.
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GEORDI
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Uh huh... his mind, of course.
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GUINAN
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No, his head. I'm attracted to
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bald men.
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GEORDI
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Seriously?
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GUINAN
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Seriously.
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STAR TREK: "Booby Trap" - REV. 9/8/89 - ACT ONE 10.
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18 CONTINUED:
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GEORDI
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Why?
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GUINAN
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Maybe because a bald man was very
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kind to me once... when I was
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hurting. Took care of me.
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GEORDI
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I'd like to do that.
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GUINAN
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(not serious)
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I'm taking care of myself these
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days.
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GEORDI
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I mean take care of somebody.
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(beat)
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Guinan, I just don't get it...
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I can field strip a fusion
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reactor... I can realign a power
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transfer tunnel... why can't I
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make anything work with a woman
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like Christy? I don't know what
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to do, what to say...
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GUINAN
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I never noticed... as a woman.
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GEORDI
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You're different.
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GUINAN
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No, you're different.
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GEORDI
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But I'm not trying now.
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GUINAN
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Exactly.
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Another customer signals Guinan and she moves away. A
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beat. He shakes his head sadly. He takes another
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drink.
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STAR TREK: "Booby Trap" - REV. 9/14/89 - ACT ONE 11.
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19 INT. ANCIENT WARSHIP
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Data is patching in a small power pack... takes a few
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calculations, then turns it on... dim emergency
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lighting comes on. They continue their exploration...
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the sound of the electronic distress signal is coming
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closer as they work their way down a corridor... Worf
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is recording images with a tricorder.
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DATA
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The source of the distress signal
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is twenty meters ahead...
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PICARD
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Mister Worf, be sure we get
|
|
tricorder images of their tactical
|
|
display...
|
|
|
|
WORF
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Look here, Worf... how well laid
|
|
out it is. We went through how
|
|
many different designs before
|
|
we reached this kind of
|
|
sophistication... ?
|
|
|
|
DATA
|
|
I believe it was four, sir. We
|
|
did not have a fully integrated
|
|
tactical command until the
|
|
twenty-third century. In fact,
|
|
several of the Promellian
|
|
innovations served as inspiration
|
|
for early Federation starship
|
|
design...
|
|
|
|
PICARD
|
|
As well they should have.
|
|
|
|
Moving along, observing the large ducts...
|
|
|
|
PICARD
|
|
Positron ducts. These channeled
|
|
power from one end of the ship
|
|
to the other.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/14/89 - ACT ONE 11A.
|
|
|
|
20 INT. ANCIENT WARSHIP COMMUNICATIONS ROOM
|
|
|
|
They ENTER. It is a room with several visual monitors
|
|
as well as radio and electronic equipment. The signal
|
|
beeps from a console where another skeleton has died...
|
|
Worf scans the room...
|
|
|
|
WORF
|
|
It is safe to enter.
|
|
|
|
PICARD
|
|
Let's put an end to their last
|
|
cry for help.
|
|
|
|
Worf moves to a switch on the console where a light
|
|
blinks and turns it off.
|
|
|
|
DATA
|
|
Captain...
|
|
|
|
Data has found a device that may vaguely suggest a
|
|
playback apparatus... he examines a round wire coil
|
|
that is in playback position...
|
|
|
|
DATA
|
|
I believe this is an information
|
|
storage device... a crude analogue
|
|
of our own iso-linear optical
|
|
chip.
|
|
|
|
PICARD
|
|
Crude by our standards today,
|
|
Data. When this ship was built,
|
|
humans on Earth had just perfected
|
|
the mechanical clock... and were
|
|
using steel crossbows in battle.
|
|
(examining it)
|
|
Is there any way to see what's
|
|
on this?
|
|
|
|
Data looks it over.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT ONE 12.
|
|
|
|
20 CONTINUED:
|
|
|
|
DATA
|
|
Questionable. I can supply power
|
|
to the playback unit, Captain...
|
|
but the components are quite
|
|
old... I will attempt to amplify
|
|
its image with a tricorder...
|
|
|
|
As he goes to work...
|
|
|
|
21 INT. MAIN BRIDGE
|
|
|
|
Riker at command. Wes reacts to something on his
|
|
console... tries to make adjustments...
|
|
|
|
RIKER
|
|
What is it, Wes?
|
|
|
|
WESLEY
|
|
The main power return is acting
|
|
a little weird...
|
|
|
|
RIKER
|
|
Define "weird".
|
|
|
|
WESLEY
|
|
I'm getting fluctuating waveguide
|
|
readings...
|
|
|
|
RIKER
|
|
Run a maintenance sweep.
|
|
|
|
WESLEY
|
|
Right.
|
|
|
|
22 INT. ANCIENT WARSHIP (OPTICAL)
|
|
|
|
Data has patched in the power. A monitor lights up...
|
|
and the wire coil begins to turn... the picture is poor
|
|
and the sound is distorted... but the image of a
|
|
Promellian commander fades in... he begins to speak....
|
|
|
|
GALEK SAR
|
|
I am Galek Sar, Captain of the
|
|
Promellian cruiser, Cleponji.
|
|
I wish anyone who finds this
|
|
record to know my crew has behaved
|
|
courageously.
|
|
(MORE)
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/14/89 - ACT ONE 13.
|
|
|
|
22 CONTINUED:
|
|
|
|
GALEK SAR (Cont'd)
|
|
I want it recorded for all time
|
|
that I, alone, am responsible for
|
|
the fate that befell us.
|
|
(a beat)
|
|
I have failed -- as a captain.
|
|
And as the man responsible for
|
|
all the souls aboard my ship.
|
|
|
|
PICARD
|
|
Indeed, sir.
|
|
(keys insignia)
|
|
Picard to Enterprise.
|
|
|
|
RIKER'S COM VOICE
|
|
Go ahead, Captain.
|
|
|
|
PICARD
|
|
I think we've seen just about all
|
|
there is to see here. At Mister
|
|
O'Brien's convenience... we are
|
|
ready to return...
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
On Picard's reaction...
|
|
|
|
23 INT. BRIDGE
|
|
|
|
As the away team ENTERS from the turbolift... Picard
|
|
is still enthused... Riker, Wesley and TROI are on the
|
|
bridge...
|
|
|
|
PICARD
|
|
You were absolutely right, Number
|
|
One. There were ghosts aboard
|
|
the old ship after all... one of
|
|
them even spoke to us.
|
|
|
|
RIKER
|
|
A friendly one, I hope.
|
|
|
|
PICARD
|
|
My own counterpart. The ship
|
|
captain's final message...
|
|
praising his crew.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/13/89 - ACT ONE 13A.
|
|
|
|
23 CONTINUED:
|
|
|
|
RIKER
|
|
I hope you'll be as thoughtful
|
|
when the time comes.
|
|
|
|
PICARD
|
|
Data, advise the Astral-Five annex
|
|
of the Smithsonian... This should
|
|
be catalogued and scheduled for
|
|
retrieval...
|
|
|
|
He catches Troi smiling at him... a look, what?
|
|
|
|
TROI
|
|
I'm sorry... it's just a rare
|
|
pleasure to meet this side of your
|
|
personality, Captain.
|
|
|
|
Picard grunts, doesn't like allowing his feelings to
|
|
show. Sits in his command post. Tries to pull it in.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT ONE 14.
|
|
|
|
23 CONTINUED:
|
|
|
|
PICARD
|
|
(gruff)
|
|
Mister Crusher, set our course
|
|
for the original coordinates.
|
|
|
|
WESLEY
|
|
Yessir.
|
|
|
|
People move quickly... there is a slight dip of energy
|
|
and a flutter in the light panels... they react...
|
|
|
|
DATA
|
|
Captain, we are experiencing a two
|
|
percent drop in our energy
|
|
reserves. Compensating.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
We were having a few problems
|
|
while...
|
|
|
|
An alarm goes off on Worf's panel.
|
|
|
|
WORF
|
|
(concerned)
|
|
Readouts indicate we are being
|
|
bombarded with a field of high
|
|
intensity radiation.
|
|
|
|
RIKER
|
|
Shields up.
|
|
|
|
Another dip in energy. Picard and Riker exchange a
|
|
curious look.
|
|
|
|
DATA
|
|
Captain, energy loss increasing
|
|
to five percent. I am unable to
|
|
correct.
|
|
|
|
PICARD
|
|
Yellow Alert.
|
|
|
|
24 INT. TEN-FORWARD
|
|
|
|
Geordi with Guinan...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT ONE 15.
|
|
|
|
24 CONTINUED:
|
|
|
|
GEORDI
|
|
Maybe I should've gone with the
|
|
Mardi Gras program... something
|
|
a little livelier...
|
|
|
|
GUINAN
|
|
You ever consider doing it
|
|
without a program?
|
|
|
|
Geordi lets that sink in a beat...
|
|
|
|
GUINAN
|
|
You're a pilot... Try flying
|
|
without instruments for a
|
|
change... you might surprise
|
|
yourself.
|
|
|
|
RIKER'S COM VOICE
|
|
Mister La Forge, report to
|
|
Engineering...
|
|
|
|
And Geordi sits up, focuses...
|
|
|
|
GEORDI
|
|
On my way, Commander.
|
|
|
|
He's on his feet, alive again, clears his head...
|
|
|
|
GEORDI
|
|
Save my seat, Guinan.
|
|
|
|
He's gone.
|
|
|
|
GUINAN
|
|
(to herself)
|
|
Always room at the bar for another
|
|
broken heart.
|
|
|
|
25 INT. MAIN BRIDGE
|
|
|
|
As before.
|
|
|
|
DATA
|
|
Energy loss increasing.
|
|
|
|
PICARD
|
|
Mister Crusher, reverse course.
|
|
Full impulse power.
|
|
|
|
WESLEY
|
|
Sir, there's no response.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT ONE 15A.
|
|
|
|
25 CONTINUED:
|
|
|
|
PICARD
|
|
Increase speed to warp one.
|
|
|
|
WESLEY
|
|
Engines are not responding, sir.
|
|
|
|
RIKER
|
|
Mister La Forge, I need warp power
|
|
now!
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT ONE 16.
|
|
|
|
26 INT. ENGINEERING
|
|
|
|
As Geordi arrives, taking stock of the situation...
|
|
on the move -- a sweeping track shot... here's a man
|
|
in charge, vast talent on display... moving from
|
|
console to console, monitoring the instruments, making
|
|
adjustments.
|
|
|
|
GEORDI
|
|
Matter/anti-matter mixture ratio
|
|
settings at optimum balance...
|
|
Reaction sequence corresponding
|
|
to specified norms... Magnetic
|
|
plasma transfer to warp field
|
|
generators per program specs.
|
|
Commander, we should be going
|
|
like a bat out of hell.
|
|
|
|
27 INT. BRIDGE - CONTINUOUS (OPTICAL)
|
|
|
|
DATA
|
|
Power loss now at twelve percent.
|
|
|
|
PICARD
|
|
Red Alert.
|
|
|
|
Red Alert sounds.
|
|
|
|
WORF
|
|
Radiation intensity increasing.
|
|
|
|
GEORDI'S COM VOICE
|
|
We better slow these engines down
|
|
before we burn out the reaction
|
|
chamber.
|
|
|
|
Riker looks to Picard who acknowledges...
|
|
|
|
RIKER
|
|
Slow to idle, Geordi.
|
|
|
|
CAMERA CLOSES IN on Picard's face as warning lights
|
|
continue to flash and klaxon continues blaring. Faced
|
|
with the image on the view screen of the dead battle
|
|
cruiser.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT ONE 16A.
|
|
|
|
27 CONTINUED:
|
|
|
|
PICARD
|
|
Is it possible... have we stumbled
|
|
into the same snare that killed
|
|
them? A thousand-year-old...
|
|
booby trap?
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
28 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
The two vessels lie motionless in close proximity to
|
|
one another.
|
|
|
|
29 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Picard, Riker, Data, Worf, BEVERLY and Geordi.
|
|
|
|
GEORDI
|
|
With the engines idling, the
|
|
energy loss has been limited.
|
|
But our reserves will be depleted
|
|
in less than three hours. We
|
|
won't be able to hold our shields
|
|
in place.
|
|
|
|
BEVERLY
|
|
If we lose shields, the radiation
|
|
will kill everyone on board,
|
|
Captain.
|
|
|
|
DATA
|
|
Not everyone, Doctor.
|
|
|
|
BEVERLY
|
|
I stand corrected.
|
|
|
|
PICARD
|
|
Have you identified the source
|
|
of the radiation, Mister Worf?
|
|
|
|
WORF
|
|
No, sir. The radiation field is
|
|
too strong -- it interferes with
|
|
our sensors.
|
|
|
|
PICARD
|
|
And no apparent explanation for
|
|
the loss of energy... ?
|
|
|
|
Geordi shakes his head, no.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT TWO 18.
|
|
|
|
29 CONTINUED:
|
|
|
|
RIKER
|
|
Anything in the history books,
|
|
Data that might give us a clue... ?
|
|
|
|
DATA
|
|
There are many fascinating records
|
|
of Menthar battle strategy...
|
|
they were exceptionally
|
|
innovative. In fact, they were
|
|
the first to devise the Kavis Teke
|
|
elusive maneuver as well as a
|
|
Passive Lure stratagem that is
|
|
comparable to Napoleon's...
|
|
|
|
RIKER
|
|
(interrupting)
|
|
Any mention of a situation like
|
|
this?
|
|
|
|
DATA
|
|
No.
|
|
|
|
RIKER
|
|
Recommend I lead an away team to
|
|
the cruiser.
|
|
|
|
GEORDI
|
|
They didn't have much success with
|
|
this problem, Commander...
|
|
|
|
RIKER
|
|
But at least they knew their enemy
|
|
better than we do. Maybe they
|
|
even knew how they got into
|
|
trouble... they just didn't know
|
|
how to get out.
|
|
|
|
PICARD
|
|
Agreed. Worf, what would be the
|
|
impact of lowering shields long
|
|
enough to get an away team out... ?
|
|
|
|
WORF
|
|
Negligible, sir.
|
|
|
|
GEORDI
|
|
It won't help our energy
|
|
conservation any, Captain.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT TWO 19.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
PICARD
|
|
That's your job, Commander La
|
|
Forge. Determine a way to keep
|
|
the Enterprise up and running.
|
|
Data, you will join Commander
|
|
Riker on the away team. Find out
|
|
what happened to that ship.
|
|
|
|
30 EXT. SPACE - ANCIENT WARSHIP (OPTICAL)
|
|
|
|
31 INT. ANCIENT WARSHIP (OPTICAL)
|
|
|
|
As Data MATERIALIZES on the bridge... takes a reading
|
|
with the tricorder. To his communicator --
|
|
|
|
DATA
|
|
(keys insignia)
|
|
Radiation factor is within safe
|
|
human limits, Commander.
|
|
|
|
Riker MATERIALIZES. They move to begin exploration.
|
|
|
|
RIKER
|
|
Why isn't this ship being hit with
|
|
radiation?
|
|
|
|
DATA
|
|
That is curious, Commander. The
|
|
radiation field must be
|
|
directional in nature... aimed
|
|
only at the Enterprise.
|
|
|
|
RIKER
|
|
Maybe our own engines triggered
|
|
it somehow...
|
|
(beat)
|
|
Data, see if you can determine
|
|
what kind of defenses the
|
|
Promellians tried to employ...
|
|
I don't want to waste time trying
|
|
them again...
|
|
|
|
DATA
|
|
Understood.
|
|
|
|
STAR TREK: "Booby Trap" - 8/31/89 - ACT TWO 20.
|
|
|
|
31 CONTINUED:
|
|
|
|
RIKER
|
|
What'd really help us is a ship's
|
|
log... any kind of record of their
|
|
last battle.
|
|
|
|
He moves off to look for one...
|
|
|
|
32 INT. ENGINEERING - A MONITOR
|
|
|
|
Circuits being tested one after another... a red line
|
|
signifies working condition...
|
|
|
|
33 GEORDI - CU
|
|
|
|
watches... enters another command...
|
|
|
|
34 HIS FINGERS
|
|
|
|
working a keyboard...
|
|
|
|
35 INT. ENGINEERING
|
|
|
|
Another test is completed successfully. Geordi
|
|
frowns...
|
|
|
|
GEORDI
|
|
(to himself)
|
|
So why can't we move?
|
|
|
|
A beat. Drums his fingers, mind working hard.
|
|
|
|
GEORDI
|
|
Computer, as we increased our
|
|
power levels, was there any
|
|
counter-reaction?
|
|
|
|
COMPUTER VOICE
|
|
Affirmative. The opposing force
|
|
grew in direct proportion to the
|
|
power output of the Enterprise.
|
|
|
|
GEORDI
|
|
So it kept us from forming a
|
|
subspace field for the warp drive?
|
|
|
|
COMPUTER VOICE
|
|
That is correct.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/12/89 - ACT TWO 21.
|
|
|
|
35 CONTINUED:
|
|
|
|
He is satisfied that he is at last making progress as
|
|
he gets down to work at the computer keypad.
|
|
|
|
INTERCUT:
|
|
|
|
36 COMPUTER SCREEN (OPTICAL)
|
|
|
|
Typing: "Access data bank. Enterprise. Galaxy class.
|
|
Subspace field."
|
|
|
|
Geordi watches as the screen fills up with a "Subspace
|
|
Field Menu"... revealing line by line a long list of
|
|
notes, entrees, chapters... your basic intimidating
|
|
owners manual index. What we want to notice... and
|
|
want Geordi to notice is next to each file -- the
|
|
stardate (ranging from 40000 to 41000) and name of
|
|
the person who entered it... and it is the same name
|
|
each time...
|
|
|
|
37 CLOSER (OPTICAL)
|
|
|
|
The name -- "L. Brahms... L. Brahms... L. Brahms... "
|
|
at the end of each line...
|
|
|
|
GEORDI
|
|
(reacts)
|
|
Computer, who is this L. Brahms?
|
|
|
|
The computer screen uses a digital insert to show a
|
|
Starfleet identification card with a photograph of an
|
|
attractive woman.
|
|
|
|
COMPUTER VOICE
|
|
Doctor Leah Brahms. Engineer.
|
|
Graduate of the Daystrom
|
|
Institute. Theoretical Propulsion
|
|
Group, Galaxy class starships.
|
|
Team seven, junior member.
|
|
|
|
GEORDI
|
|
Junior member, huh. Looks like
|
|
she wrote the book on propulsion.
|
|
(beat, considering)
|
|
Call up subspace design logs...
|
|
|
|
COMPUTER VOICE
|
|
Select menu, visual records or
|
|
L. Brahms' voice entries.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT TWO 22.
|
|
|
|
37 CONTINUED:
|
|
|
|
GEORDI
|
|
(a beat, why not?)
|
|
Voice entries.
|
|
|
|
A neutral, "dictating" tone of voice --
|
|
|
|
LEAH'S VOICE
|
|
Theoretical propulsion logs,
|
|
Federation Starship Enterprise,
|
|
Galaxy class. Heading: Subspace.
|
|
Author: Leah Brahms.
|
|
|
|
GEORDI
|
|
Geordi La Forge. How ya doin,
|
|
Doc...
|
|
|
|
There is no programmed response in this file, so there
|
|
is no answer. And Geordi knows this, it's just
|
|
tongue-in-cheek, understands he's just talking to
|
|
himself...
|
|
|
|
GEORDI
|
|
Yeah, down to work. You're
|
|
absolutely right.
|
|
|
|
38 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard, Beverly, Wesley, Worf. Somber mood.
|
|
|
|
BEVERLY
|
|
I recommend we evacuate and seal
|
|
off all non-operational areas and
|
|
group the families and crew on
|
|
odd-numbered decks.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
BEVERLY
|
|
I'd also like to set up an
|
|
assembly area for treating
|
|
radiation in case we need it.
|
|
|
|
A beat.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT TWO 22A.
|
|
|
|
38 CONTINUED:
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
After the shields fall, how long
|
|
for a fatal exposure?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT TWO 23.
|
|
|
|
38 CONTINUED:
|
|
|
|
BEVERLY
|
|
Thirty minutes. After that,
|
|
there's nothing that can be done.
|
|
|
|
Picard nods, stares at the ghost ship on the viewer.
|
|
|
|
RIKER'S COM VOICE
|
|
Away team to bridge. Captain, we
|
|
may have found something...
|
|
|
|
Picard's expression changes and...
|
|
|
|
INTERCUT:
|
|
|
|
39 INT. ANCIENT WARSHIP - A DIFFERENT AREA
|
|
|
|
Close on a filed collection of tightly coiled wire.
|
|
|
|
RIKER
|
|
(continuing)
|
|
We're in the Promellian
|
|
communications area...
|
|
|
|
PULL BACK to show Data examining the coils from a
|
|
small, isolated locker. Another skeleton's remains
|
|
nearby.
|
|
|
|
RIKER
|
|
There's a file of memory coils
|
|
here...
|
|
|
|
DATA
|
|
They are identical to the coil
|
|
we found earlier, Captain...
|
|
|
|
PICARD
|
|
Their captain's log, perhaps?
|
|
|
|
RIKER
|
|
That's what we were thinking.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT TWO 24.
|
|
|
|
39 CONTINUED:
|
|
|
|
PICARD
|
|
Data, are the coils in working
|
|
condition?
|
|
|
|
DATA
|
|
I believe so. We can enhance them
|
|
through the image processor in
|
|
the ship's computer.
|
|
|
|
PICARD
|
|
Good. Return at once.
|
|
|
|
40 INT. ENGINEERING (OPTICAL)
|
|
|
|
Geordi pacing, talking, thinking...
|
|
|
|
GEORDI
|
|
What about the dilithium crystal
|
|
control?
|
|
|
|
LEAH'S VOICE
|
|
It should be possible to fine tune
|
|
the frequency ranges...
|
|
|
|
GEORDI
|
|
(hopeful)
|
|
Yes?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT TWO 25.
|
|
|
|
40 CONTINUED:
|
|
|
|
LEAH'S VOICE
|
|
And the propulsion group is
|
|
investigating numerous theories
|
|
to determine how.
|
|
|
|
GEORDI
|
|
(frowns)
|
|
Great. Thanks a lot. Computer,
|
|
generate a cross section image
|
|
of the dilithium crystal chamber.
|
|
|
|
On the monitor -- a multi-colored wire-frame image of
|
|
the chamber. Geordi works the keyboard... the image
|
|
rotates and changes shape.
|
|
|
|
GEORDI
|
|
What about reorienting the
|
|
crystal?
|
|
|
|
LEAH'S VOICE
|
|
It is possible to reorient the
|
|
crystal. The key lies in
|
|
adjusting the lattice structure
|
|
direction. This modification will
|
|
be integrated into the next class
|
|
starship.
|
|
|
|
GEORDI
|
|
Sorry, can't wait. You and me,
|
|
Leah. We have two hours to figure
|
|
this out.
|
|
|
|
Silence. Studying it --
|
|
|
|
GEORDI
|
|
You know what I need to do -- I
|
|
need to get inside there. I need
|
|
to turn that thing inside out...
|
|
(standing)
|
|
Computer, is there a cross section
|
|
of the engines we can replicate
|
|
on a Holodeck?
|
|
|
|
COMPUTER VOICE
|
|
Select menu: design specifications
|
|
or prototype schematic.
|
|
|
|
GEORDI
|
|
Prototype? Elaborate...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/12/89 - ACT TWO 25A.
|
|
|
|
40 CONTINUED: (2)
|
|
|
|
COMPUTER VOICE
|
|
A development stage prototype
|
|
schematic at Utopia Planitia,
|
|
drafting room five, of the Mars
|
|
Station, Stardate 40174.
|
|
|
|
GEORDI
|
|
Perfect. Recreate it in Holodeck
|
|
Three. Stay with me, Doc.
|
|
|
|
He goes to the door.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/12/89 - ACT TWO 26.
|
|
|
|
41 INT. CORRIDOR
|
|
|
|
Geordi arrives, presses a panel outside Holodeck Three.
|
|
|
|
GEORDI
|
|
Ready computer?
|
|
|
|
COMPUTER VOICE
|
|
Holodeck Three program is ready.
|
|
|
|
Geordi ENTERS the Holodeck.
|
|
|
|
42 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
A recreation of drafting room five. Banks of computers
|
|
working, propulsion equipment in various modes of
|
|
completion. (Through a window can be seen other forms
|
|
of starship equipment). In the center of the room is
|
|
the schematic display of the engines. Geordi moves
|
|
to the display, circles it, greatly impressed by the
|
|
room, its contents and purposes. To him, it's
|
|
beautiful.
|
|
|
|
GEORDI
|
|
Damn. Right back where it all
|
|
started. This is incredible...
|
|
|
|
He moves to the cross section of the engine.
|
|
|
|
GEORDI
|
|
Leah, did you design this?
|
|
|
|
LEAH'S VOICE
|
|
The dilithium crystal chamber was
|
|
designed at outpost designated
|
|
Seran-T-one, Stardate 40052...
|
|
Some of the Federation's best
|
|
engineering minds participated
|
|
in its development.
|
|
|
|
GEORDI
|
|
Sure, that's visiting dignitary
|
|
talk, what's the inside story...
|
|
off-the-record?
|
|
|
|
COMPUTER
|
|
Access denied. Personal logs are
|
|
restricted.
|
|
|
|
GEORDI
|
|
Another woman who won't get
|
|
personal with me in the Holodeck.
|
|
|
|
STAR TREK: "Booby Trap" - 8/31/89 - ACT TWO 27.
|
|
|
|
42 CONTINUED:
|
|
|
|
GEORDI
|
|
Leah, I want to find a way to
|
|
supplement the energy supply to
|
|
the ship and to the engines.
|
|
Could we alter the matter/anti-matter
|
|
paths?
|
|
|
|
Close -- he studies a maze of systems...
|
|
|
|
LEAH'S VOICE
|
|
Theoretically, yes. The system
|
|
should be able to accept more
|
|
reactants at a faster rate of
|
|
injection.
|
|
|
|
GEORDI
|
|
Well, this is your baby, show me
|
|
which ones...
|
|
|
|
And, focused on the wall of connections, he may not
|
|
have realized exactly what he said... for over his
|
|
shoulder, a female hand reaches in and points to the
|
|
path configuration... and slowly Geordi reacts and
|
|
turns to see the image of Leah Brahms standing
|
|
there...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
43 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
As before.
|
|
|
|
44 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
Geordi still reacting to the image of Leah. (And he's
|
|
seen her face before on her ID card.)
|
|
|
|
GEORDI
|
|
Computer, did I ask for a
|
|
simulation?
|
|
|
|
COMPUTER VOICE
|
|
Affirmative. You asked Doctor
|
|
Brahms to show you which system
|
|
could accept reactants at a faster
|
|
rate. By accessing available
|
|
imagery, an adequate facsimile
|
|
was possible.
|
|
|
|
GEORDI
|
|
I did do that, didn't I?
|
|
|
|
He shakes his head, smiles at himself.
|
|
|
|
GEORDI
|
|
Okay... Leah... good to see you...
|
|
|
|
A beat as he realizes how attractive she is.
|
|
|
|
GEORDI
|
|
Real good.
|
|
|
|
There is no response from the image.
|
|
|
|
GEORDI
|
|
Continue your analysis.
|
|
|
|
LEAH
|
|
Systems L-452 through L-575 will
|
|
accept reactants, providing all
|
|
other systems are calibrated to
|
|
an equal factor.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT THREE 29.
|
|
|
|
44 CONTINUED:
|
|
|
|
Geordi puts it together in his head, senses a
|
|
breakthrough...
|
|
|
|
GEORDI
|
|
Then, if we use multiple injector
|
|
streams, hitting more than one
|
|
crystal facet, we could do it...
|
|
we could hold our own. Leah,
|
|
you're beautiful.
|
|
(keying insignia)
|
|
La Forge to Picard....
|
|
|
|
45 INT. MAIN BRIDGE - SCIENCE ONE AND TWO (OPTICAL))
|
|
|
|
The array of equipment, operated full bore by
|
|
SUPERNUMERARIES, glow in front of Picard and Riker.
|
|
The coils retrieved from the alien ship are being
|
|
analyzed and decoded... an operator opens a panel and
|
|
inserts a coil.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
GEORDI'S COM VOICE
|
|
Captain, we've found a way to
|
|
extend the matter/anti-matter
|
|
energy supplies.
|
|
|
|
PICARD
|
|
Well done, Mister La Forge.
|
|
|
|
RIKER
|
|
Geordi, can you give us enough
|
|
energy to get us out of here?
|
|
|
|
INTERCUT:
|
|
|
|
46 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
GEORDI
|
|
Sorry, Commander... we haven't
|
|
addressed that one yet. First
|
|
priority was to maintain shields.
|
|
|
|
RIKER
|
|
Acknowledged.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 30.
|
|
|
|
46 CONTINUED:
|
|
|
|
GEORDI
|
|
We'll get on it, right away,
|
|
though...
|
|
|
|
PICARD
|
|
Pass on my congratulations to your
|
|
team, Commander.
|
|
|
|
Geordi glances at the impassive face of the Leah
|
|
facsimile.
|
|
|
|
GEORDI
|
|
Thanks, Captain. We're... all
|
|
smiles down here.
|
|
|
|
47 INT. MAIN BRIDGE - SCIENCE ONE
|
|
|
|
PICARD
|
|
Picard out.
|
|
|
|
Data moves over with an update on their progress.
|
|
|
|
DATA
|
|
We have been able to verify that
|
|
these coils are logs of the
|
|
Promellian captain... but most
|
|
of them have decayed and cannot
|
|
be repaired...
|
|
|
|
RIKER
|
|
They're beyond any sort of
|
|
playback... ?
|
|
|
|
DATA
|
|
On most there are brief sections
|
|
that may yield some information.
|
|
|
|
RIKER
|
|
Do the best you can, Data. Let's
|
|
just hope we have the brief
|
|
section we need...
|
|
|
|
Data moves back to the supernumeraries...
|
|
|
|
PICARD
|
|
(to Riker)
|
|
He must have logged the cause of
|
|
his ship's death. What captain
|
|
wouldn't?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 31.
|
|
|
|
47 CONTINUED:
|
|
|
|
They stop to look at a console. On its screen the
|
|
image is fuzz and static. One of the supernumeraries
|
|
shakes his head, puts the coil into a pile of others...
|
|
|
|
RIKER
|
|
They were all in an open locker.
|
|
I don't think he was too concerned
|
|
with security.
|
|
|
|
48 INT. HOLODECK/DRAFTING ROOM
|
|
|
|
GEORDI
|
|
(to computer)
|
|
... 452 through system L-575.
|
|
|
|
COMPUTER VOICE
|
|
Adjustments to dilithium crystal
|
|
chamber complete.
|
|
|
|
GEORDI
|
|
Impact analysis, computer.
|
|
|
|
COMPUTER VOICE
|
|
Warp energy has increased fourteen
|
|
percent. Reactants per unit time
|
|
remaining steady.
|
|
|
|
GEORDI
|
|
All right.
|
|
|
|
It worked. Geordi turns to share the moment with Leah.
|
|
There is of course nothing to share with a blank wall.
|
|
He looks at her. Frowns.
|
|
|
|
GEORDI
|
|
Computer, do you have any... you
|
|
know... personality... on file
|
|
for Doctor Brahms?
|
|
|
|
COMPUTER VOICE
|
|
Starfleet personality profile
|
|
analysis, stardate 37650...
|
|
|
|
Moves to her, thinking, what else does he need...
|
|
|
|
GEORDI
|
|
Did she ever debate at the
|
|
intergalactic caucuses on
|
|
Chaya-seven?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT THREE 32.
|
|
|
|
48 CONTINUED:
|
|
|
|
COMPUTER VOICE
|
|
Doctor Brahms attended Chaya-seven
|
|
caucuses on the following
|
|
stardates...
|
|
|
|
GEORDI
|
|
Never mind the dates...
|
|
(beat)
|
|
Computer, if you add all data
|
|
from these sources, could you
|
|
synthesize a true representation
|
|
of Doctor Brahms?
|
|
|
|
COMPUTER VOICE
|
|
There would be a nine-point-three
|
|
percent margin of error in the
|
|
interactive responses from the
|
|
facsimile.
|
|
|
|
GEORDI
|
|
I can live with that. Make it
|
|
happen.
|
|
|
|
The image of Leah warms up, turns and smiles at Geordi.
|
|
There's a feisty spirit in her eyes.
|
|
|
|
GEORDI
|
|
Doctor Brahms?
|
|
|
|
LEAH
|
|
Geordi, it's me, Leah. Don't
|
|
start calling me "Doctor Brahms"
|
|
or I'll call you "Commander" La
|
|
Forge.
|
|
|
|
GEORDI
|
|
(smiles)
|
|
Right.
|
|
|
|
LEAH
|
|
Now, we've managed to maintain
|
|
energy but we can't leave it in
|
|
this realignment forever without
|
|
burning out components so we need
|
|
to move quickly...
|
|
|
|
He's a little slow on the uptake, still a bit
|
|
mesmerized with her... noticing, with a curl of a smile
|
|
--
|
|
|
|
LEAH
|
|
Are you with me?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT THREE 33.
|
|
|
|
48 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Right.
|
|
|
|
And back to work....
|
|
|
|
49 INT. MAIN BRIDGE - CLOSE ON MONITOR (OPTICAL)
|
|
|
|
On screen is the fuzzy, distorted image of the
|
|
Promellian captain, GALEK SAR. There is no audio at
|
|
first, just hiss and static and isolated words... when
|
|
it clears up --
|
|
|
|
GALEK SAR (MONITOR)
|
|
... have been stripped of all
|
|
propulsion, and our weapons are
|
|
useless. We can't move -- and
|
|
we can't fight. The ship is being
|
|
lashed with lethal radiation from
|
|
the Aceton assimilators concealed
|
|
in the rubble surrounding....
|
|
|
|
More hiss and static.... the image freezes.
|
|
|
|
50 NEW ANGLE
|
|
|
|
Picard, Riker standing behind Data who is seated.
|
|
|
|
PICARD
|
|
Aceton assimilators -- ?
|
|
|
|
DATA
|
|
An Aceton assimilator is a
|
|
primitive generator which can
|
|
drain power from distant sources.
|
|
|
|
RIKER
|
|
Generator...
|
|
|
|
DATA
|
|
It would not be difficult to
|
|
modify them to convert energy into
|
|
radiation.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 34.
|
|
|
|
50 CONTINUED:
|
|
|
|
RIKER
|
|
(theorizing)
|
|
The Menthars hide them in the
|
|
floating debris... and an
|
|
unsuspecting enemy ship flies
|
|
in... instant booby trap.
|
|
|
|
PICARD
|
|
And now we're supplying the
|
|
devices with the energy to kill
|
|
us.
|
|
|
|
51 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
Geordi with Leah... in an argument. Voice on top of
|
|
voice... they're working on the cross-section of the
|
|
crystal chamber...
|
|
|
|
GEORDI
|
|
No... no... no...
|
|
|
|
LEAH
|
|
Will you listen to me...
|
|
|
|
GEORDI
|
|
You can't boost the warp power
|
|
that way...
|
|
|
|
LEAH
|
|
If you can just increase the speed
|
|
of the parallel subspace field
|
|
processor to gain a quicker
|
|
response time...
|
|
|
|
GEORDI
|
|
I want to give us enough power
|
|
to strengthen the shields and
|
|
barrel out of here... not blow
|
|
us up...
|
|
|
|
LEAH
|
|
This is my design we're talking
|
|
about. I did all the calculations
|
|
myself.
|
|
|
|
GEORDI
|
|
I don't care if you built it with
|
|
your bare hands out of an old
|
|
Ferengi cargo ship, it's going
|
|
to go --
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT THREE 34A.
|
|
|
|
51 CONTINUED:
|
|
|
|
He whistles and makes a flying away gesture with his
|
|
hand.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 35.
|
|
|
|
51 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
-- and we're going with it.
|
|
|
|
LEAH
|
|
I'm not used to having people
|
|
question my judgment.
|
|
|
|
GEORDI
|
|
And I'm not used to dying.
|
|
(beat)
|
|
You worked in a lab on a static
|
|
model. This is a working machine,
|
|
it has tens of thousands of
|
|
light years on it.
|
|
|
|
Leah thinks about it.
|
|
|
|
LEAH
|
|
True.
|
|
|
|
GEORDI
|
|
Damn right.
|
|
(calmer)
|
|
We'd never be certain the circuit
|
|
paths are sealed.
|
|
|
|
She frowns, forced to agree, looks at him with
|
|
interest.
|
|
|
|
LEAH
|
|
You're good. Very good.
|
|
|
|
GEORDI
|
|
(shrugs)
|
|
I know my ship. Inside and out.
|
|
|
|
LEAH
|
|
(grins)
|
|
Then I guess you know me. Inside
|
|
and out. Cause a lot of me is
|
|
in here.
|
|
|
|
GEORDI
|
|
I always wished the chief engineer
|
|
could be present when a ship is
|
|
being built.
|
|
|
|
LEAH
|
|
And that's what's wrong with
|
|
designers -- we never get out in
|
|
space.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT THREE 36.
|
|
|
|
51 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
You're there now.
|
|
|
|
And it's a unique intimate moment between them... she
|
|
smiles at him.
|
|
|
|
RIKER'S COM VOICE
|
|
Commander La Forge to the bridge.
|
|
|
|
GEORDI
|
|
On my way, Commander.
|
|
(to Leah)
|
|
Don't go anywhere.
|
|
(beat, second thought)
|
|
I mean, computer -- save program.
|
|
|
|
He EXITS.
|
|
|
|
TIME CUT:
|
|
|
|
52 INT. MAIN BRIDGE
|
|
|
|
Picard, Riker, Worf, Data and Geordi.
|
|
|
|
PICARD
|
|
How many of these devices do we
|
|
think we're dealing with?
|
|
|
|
DATA
|
|
To create the radiation field we
|
|
are experiencing, it would take
|
|
several hundred thousand, Captain...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT THREE 37.
|
|
|
|
52 CONTINUED:
|
|
|
|
RIKER
|
|
They've been out there a long
|
|
time, Data... there must be some
|
|
deterioration....
|
|
|
|
DATA
|
|
There is no way to calculate that
|
|
precisely, Commander... but it
|
|
is likely...
|
|
|
|
PICARD
|
|
Is there any indication of a
|
|
weakness in a specific part of
|
|
the field...
|
|
|
|
Worf checks indications at his station.
|
|
|
|
WORF
|
|
Nothing substantial, Captain.
|
|
|
|
PICARD
|
|
Of any kind.
|
|
|
|
WORF
|
|
A point-one percent dip in the
|
|
strength of the radiation field
|
|
at two-one mark eight by
|
|
four-two mark zero...
|
|
|
|
PICARD
|
|
I'll take that point-one percent.
|
|
|
|
RIKER
|
|
Recommend we fire a directional
|
|
phaser pattern at those
|
|
coordinates...
|
|
|
|
GEORDI
|
|
We won't be able to maintain
|
|
energy reserves... we might even
|
|
lose some circuits in the new
|
|
configuration...
|
|
|
|
PICARD
|
|
How critical would the losses be?
|
|
|
|
GEORDI
|
|
Not enough to shut down our
|
|
engines... but if we don't make
|
|
it... I don't know if we could
|
|
hold shields.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT THREE 38.
|
|
|
|
52 CONTINUED: (2)
|
|
|
|
DATA
|
|
There is also the possibility the
|
|
phasers will supply the
|
|
assimilators with what they need
|
|
most -- energy.
|
|
|
|
PICARD
|
|
Mister La Forge, alternative
|
|
suggestions?
|
|
|
|
GEORDI
|
|
(shakes his head)
|
|
Maybe down the road, Captain...
|
|
But we can't overload the
|
|
dilithium crystals much longer.
|
|
|
|
The focus turns to Picard... who must make the
|
|
extraordinarily difficult decision. He agonizes over
|
|
it a moment.
|
|
|
|
PICARD
|
|
I imagine a discussion very much
|
|
like this took place on our
|
|
neighbor's ship a thousand years
|
|
ago. May our decisions meet with
|
|
more success than theirs.
|
|
(decides)
|
|
Mister La Forge, you will return
|
|
to Engineering and continue your
|
|
efforts without delay. Mister
|
|
Worf, prepare the phasers.
|
|
|
|
And Geordi EXITS... and as everyone else moves into
|
|
their positions...
|
|
|
|
WORF
|
|
Phasers locked on coordinates.
|
|
|
|
Picard nods to Riker
|
|
|
|
RIKER
|
|
Fire.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT THREE 39.
|
|
|
|
53 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
A multiple stream of phaser fire fans out in one
|
|
direction.
|
|
|
|
54 ANGLE ON MAIN VIEWER (OPTICAL)
|
|
|
|
Phaser fire strikes the debris. The debris absorbs
|
|
the fire.
|
|
|
|
55 INT. MAIN BRIDGE
|
|
|
|
Slow push in on Picard's face as he realizes the gamble
|
|
has failed.
|
|
|
|
RIKER (O.S.)
|
|
Nothing.
|
|
|
|
WORF (O.S.)
|
|
Radiation levels increasing,
|
|
Captain. Eight percent. Ten
|
|
percent.
|
|
|
|
DATA (O.S.)
|
|
Energy reserves on board dropping
|
|
rapidly...
|
|
|
|
Extreme close-up... to an enemy dead a thousand years,
|
|
he says, under his breath --
|
|
|
|
PICARD
|
|
Damn you.
|
|
|
|
56 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
Geordi and Leah huddle over a computer graphic.
|
|
|
|
GEORDI
|
|
Wouldn't that increase the output
|
|
of the parallel subspace
|
|
processors to gain a quicker
|
|
response time... ?
|
|
|
|
LEAH
|
|
The processors can handle the
|
|
extra input.
|
|
|
|
GEORDI
|
|
Yeah, but how do we
|
|
reconfigure... ?
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT THREE 40.
|
|
|
|
56 CONTINUED:
|
|
|
|
The drafting room begins to fade.
|
|
|
|
COMPUTER VOICE
|
|
Energy reserves reaching critical
|
|
stage. Standard procedure
|
|
requires termination of all
|
|
simulations.
|
|
|
|
GEORDI
|
|
Computer, override standard
|
|
procedure...
|
|
|
|
COMPUTER VOICE
|
|
Override authority restricted.
|
|
|
|
GEORDI
|
|
What? -- computer --
|
|
|
|
The drafting room and Leah disappear. Geordi is in
|
|
the empty Holodeck. A few lights pulsate on the
|
|
walls.
|
|
|
|
FADE OUT.
|
|
|
|
END ACT THREE
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FOUR 41.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In space. The Promellian cruiser lying dead near it.
|
|
|
|
58 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Picard, Riker, Data, Worf and Beverly. Faces are grim.
|
|
|
|
GEORDI'S COM VOICE
|
|
The crystal lattice is breaking
|
|
down...
|
|
|
|
INTERCUT:
|
|
|
|
59 INT. ENGINEERING
|
|
|
|
Geordi checking over readouts.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
We'll have to pick up repairs when
|
|
we can reach a starbase....
|
|
|
|
RIKER
|
|
The optimist in the group.
|
|
|
|
PICARD
|
|
How long do we have shields based
|
|
on current calculations... ?
|
|
|
|
WORF
|
|
Under two hours, Captain. And
|
|
the radiation field has
|
|
increased by seventeen percent.
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
Impact on fatal exposure?
|
|
|
|
BEVERLY
|
|
Down to twenty-six minutes.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FOUR 42.
|
|
|
|
59 CONTINUED:
|
|
|
|
RIKER
|
|
If we resist, we die. If we don't
|
|
resist, we die.
|
|
|
|
PICARD
|
|
Mister La Forge, have we shut down
|
|
all non-essential energy usage?
|
|
|
|
GEORDI
|
|
Yes, Captain. In fact, I need
|
|
to get some back... I'm running
|
|
a program on Holodeck Three...
|
|
|
|
PICARD
|
|
For what purpose?
|
|
|
|
GEORDI
|
|
I've gone back to the beginning...
|
|
to the earliest construction
|
|
entries of the Enterprise. I've
|
|
created... a... propulsion design
|
|
model to assist me. I believe
|
|
we're... making progress...
|
|
|
|
PICARD
|
|
Computer, reinstate Holodeck Three
|
|
program.
|
|
|
|
COMPUTER VOICE
|
|
Holodeck Three program is
|
|
reinstated.
|
|
|
|
PICARD
|
|
Your best suggestion in an hour,
|
|
Mister La Forge. Picard out.
|
|
|
|
59A INT. CORRIDOR
|
|
|
|
Geordi arrives at the Holodeck...
|
|
|
|
GEORDI
|
|
Computer, resume Holodeck Three
|
|
program.
|
|
|
|
COMPUTER
|
|
Enter when ready.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FOUR 42A.
|
|
|
|
60 INT. HOLODECK/DRAFTING ROOM
|
|
|
|
Geordi ENTERS. He and Leah share a look of concern.
|
|
|
|
LEAH
|
|
There isn't much time left.
|
|
|
|
Geordi acknowledges... his mind working.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 8/31/89 - ACT FOUR 43.
|
|
|
|
60 CONTINUED:
|
|
|
|
GEORDI
|
|
Somehow, we have to generate
|
|
enough energy to get out of
|
|
here... but we've got a
|
|
booby-trap that eats energy for
|
|
breakfast... how do we fool it,
|
|
block it, shut it down,
|
|
anything...
|
|
|
|
He moves to the computer terminal...
|
|
|
|
GEORDI
|
|
Okay, we know for every movement
|
|
the Enterprise makes, there's a
|
|
counter-movement from the energy
|
|
field... could we use that to our
|
|
advantage somehow...
|
|
|
|
LEAH
|
|
Maybe. There must be a time
|
|
differential between the force
|
|
and counter-force response...
|
|
|
|
He makes an entry into the terminal... feels Leah
|
|
moving up behind him, her body brushes against the back
|
|
of his neck as she looks over his shoulder...
|
|
|
|
LEAH
|
|
If we could make quick, continuing
|
|
adjustments in the linkups before
|
|
the counterforce reacts, we might
|
|
just be able to move this
|
|
bucket...
|
|
|
|
And he nods,
|
|
|
|
GEORDI
|
|
Yes...
|
|
|
|
He turns and looks at her with enthusiasm... and her
|
|
face is terribly close to his and it's that moment when
|
|
two people have been locked up together for hours on
|
|
end working toward a common goal and it moves into
|
|
personal, sexual feelings... he feels it inside, but
|
|
there's no time for this now... and her face
|
|
acknowledges it... he turns away, types furiously...
|
|
|
|
GEORDI
|
|
Leah, you like Italian food?
|
|
|
|
She looks at him and smiles at him from behind... lays
|
|
a hand on his shoulder...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FOUR 44.
|
|
|
|
60 CONTINUED: (2)
|
|
|
|
LEAH
|
|
Like it? Wait til I make you my
|
|
fungilli.
|
|
|
|
As they look at the computer display coming up...
|
|
|
|
GEORDI
|
|
(re: computer)
|
|
Okay, fusion reactor uplink to
|
|
navigation processor...
|
|
|
|
60A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Time transition.
|
|
|
|
61 INT. HOLODECK/DRAFTING ROOM - ON SCREEN DISPLAY
|
|
(OPTICAL)
|
|
|
|
Showing connections between the master computer and
|
|
other controls... changing rapidly...
|
|
|
|
GEORDI (O.S.)
|
|
But then we have to adjust the
|
|
drive coils... and the vector
|
|
processor... it's impossible..
|
|
|
|
Pulling back to see him tired in his chair, posture
|
|
suggests he's been sitting for awhile now... she's
|
|
massaging his shoulders...
|
|
|
|
GEORDI
|
|
Don't do that...
|
|
|
|
LEAH
|
|
Sorry... I thought it might feel
|
|
good.
|
|
|
|
GEORDI
|
|
I don't want to feel that good
|
|
right now. What time is it?
|
|
|
|
LEAH
|
|
Coming up on sixteen hundred
|
|
hours.
|
|
|
|
GEORDI
|
|
God, what am I supposed to tell
|
|
the Captain?
|
|
|
|
He stands, frustrated...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FOUR 45.
|
|
|
|
61 CONTINUED:
|
|
|
|
GEORDI
|
|
It's possible and yet it's
|
|
impossible... everything we've
|
|
done says we can't adjust fast
|
|
enough... but if we could, it
|
|
might work...
|
|
|
|
LEAH
|
|
(quietly)
|
|
I could do it.
|
|
|
|
GEORDI
|
|
Data couldn't even do it. It'll
|
|
take a hundred... maybe even a
|
|
thousand adjustments every
|
|
second... how are you gonna do
|
|
it? It's humanly impossible.
|
|
|
|
LEAH
|
|
I'm not human.
|
|
|
|
And that hits Geordi and after a beat he laughs at
|
|
himself for getting so caught up in his program... but
|
|
it is a little sad too...
|
|
|
|
GEORDI
|
|
You mean the computer could do
|
|
it.
|
|
|
|
She acknowledges. The door slides open and Picard
|
|
ENTERS, reacts to Leah...
|
|
|
|
GEORDI
|
|
(almost introducing)
|
|
Captain, this is... a holographic
|
|
simulation of one of the
|
|
propulsion experts who designed
|
|
the Enterprise engines... Leah
|
|
Brahms. Doctor Leah Brahms.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FOUR 46.
|
|
|
|
61 CONTINUED: (2)
|
|
|
|
Picard looks at her without acknowledging her...
|
|
there's an awkward beat. He turns and waits to hear
|
|
from Geordi...
|
|
|
|
GEORDI
|
|
We... I've been examining the
|
|
force and counter-force response
|
|
time... and trying to see if we
|
|
could create linkage at maximum
|
|
power...
|
|
|
|
PICARD
|
|
The bottom line, Commander.
|
|
|
|
GEORDI
|
|
There's a chance we could manuever
|
|
out of the trap... if we turn the
|
|
ship over to the computer.
|
|
|
|
And he feels awkward as he says it. And Picard's eyes
|
|
tell us he loathes the idea. But his feelings aren't
|
|
relevant right now.
|
|
|
|
PICARD
|
|
What kind of chance?
|
|
|
|
GEORDI
|
|
I don't know yet. But we can
|
|
program it and try it out on a
|
|
few simulated runs.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
He starts to exit... pauses.
|
|
|
|
PICARD
|
|
This is the only way...
|
|
|
|
GEORDI
|
|
I think so, Captain.
|
|
|
|
Picard acknowledges, leaves without glancing again at
|
|
Leah. Geordi exchanges a look with her.
|
|
|
|
62 INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard is sitting, staring into the middle distance.
|
|
There is a chime. He pauses before --
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FOUR 47.
|
|
|
|
62 CONTINUED:
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Riker ENTERS.
|
|
|
|
RIKER
|
|
Any word from La Forge?
|
|
|
|
PICARD
|
|
He's come up with something that
|
|
might give us a chance. If we
|
|
agree to stay out of it.
|
|
|
|
RIKER
|
|
Sir?
|
|
|
|
PICARD
|
|
He proposes to turn control of
|
|
the ship over to the computer
|
|
because it is capable of making
|
|
quicker adjustments than any human
|
|
being.
|
|
|
|
They exchange a look.
|
|
|
|
RIKER
|
|
Computers have always impressed
|
|
me by their ability to take
|
|
orders; I'm not at all as certain
|
|
about their ability to give them.
|
|
|
|
PICARD
|
|
Especially with a thousand lives
|
|
at stake.
|
|
(frowns)
|
|
What choice do I have?
|
|
(MORE)
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FOUR 48.
|
|
|
|
62 CONTINUED: (2)
|
|
|
|
PICARD (Cont'd)
|
|
(beat)
|
|
You missed something by not
|
|
playing with model ships. They
|
|
were the source of one boy's
|
|
imaginary voyages, each holding
|
|
a treasure of adventures. Manning
|
|
the earliest space craft. Or
|
|
flying a plane with only one
|
|
propeller to keep you in the sky.
|
|
Imagine that.
|
|
(beat)
|
|
Now, the machines are flying us.
|
|
|
|
Off Riker's reaction...
|
|
|
|
63 INT. HOLODECK/DRAFTING ROOM
|
|
|
|
Geordi and Leah watching a viewer...
|
|
|
|
INTERCUT:
|
|
|
|
64 CLOSER - THE VIEWER (OPTICAL)
|
|
|
|
seems like a super sophisticated graphic arcade game...
|
|
a ship moving through the asteroid field... when it
|
|
gets too close to one, there is a brilliant beam of
|
|
energy that covers the ship... the image freezes...
|
|
|
|
COMPUTER VOICE
|
|
Fatal radiation exposure.
|
|
|
|
GEORDI
|
|
Computer, reduce thrust levels
|
|
another four percent... adjust
|
|
trajectory angle to compensate...
|
|
begin simulation again...
|
|
|
|
The image of the ship moves cautiously through the
|
|
asteroid field... and this time it gets through.
|
|
|
|
LEAH
|
|
There you go. We got out.
|
|
|
|
Geordi isn't satisfied...
|
|
|
|
GEORDI
|
|
Repeat simulation, same levels.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT FOUR 49.
|
|
|
|
64 CONTINUED:
|
|
|
|
The image of the ship just begins to move when
|
|
radiation wipes it out.
|
|
|
|
COMPUTER VOICE
|
|
Fatal radiation exposure.
|
|
|
|
GEORDI
|
|
Swell. Same variables. Only
|
|
this time the computer didn't
|
|
quite make it...
|
|
|
|
The console screen goes to static. The Red Alert
|
|
sounds.
|
|
|
|
COMPUTER VOICE
|
|
(so calmly)
|
|
Deflector shield failure. Lethal
|
|
radiation levels. Fatal exposure
|
|
in twenty-six minutes.
|
|
|
|
Geordi exchanges a glance with Leah. The Red Alert
|
|
continues.
|
|
|
|
FADE OUT.
|
|
|
|
END ACT FOUR
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT FIVE 50.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
65 INT. HOLODECK/DRAFTING ROOM
|
|
|
|
As before.
|
|
|
|
COMPUTER VOICE
|
|
Deflector shield failure. Lethal
|
|
radiation levels. Fatal exposure
|
|
in twenty-three minutes.
|
|
|
|
Pushing in to Geordi's face... looking at the static
|
|
viewer.
|
|
|
|
GEORDI
|
|
I can't do it.
|
|
|
|
LEAH
|
|
It might work, Geordi.
|
|
|
|
GEORDI
|
|
And it might not. I can't
|
|
ask the captain to turn the ship
|
|
over to a computer.
|
|
|
|
LEAH
|
|
It's all we've got.
|
|
|
|
PICARD'S COM VOICE
|
|
Picard to La Forge.
|
|
|
|
GEORDI
|
|
Captain... two minutes... give
|
|
me just two minutes....
|
|
|
|
66 INT. MAIN BRIDGE
|
|
|
|
All hands in place except Geordi.
|
|
|
|
GEORDI'S COM VOICE
|
|
There is another way, Captain...
|
|
two minutes...
|
|
|
|
PICARD
|
|
Two minutes. Picard out.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/1/89 - ACT FIVE 51.
|
|
|
|
67 INT. HOLODECK/DRAFTING ROOM
|
|
|
|
LEAH
|
|
Geordi, there's no other way...
|
|
|
|
GEORDI
|
|
(interrupting)
|
|
No..no... wait, listen... turn
|
|
it upside down, literally... come
|
|
at it from the opposite
|
|
direction... God, it's so
|
|
simple... it might even work...
|
|
|
|
She shakes her head...
|
|
|
|
COMPUTER VOICE
|
|
Lethal levels of radiation...
|
|
|
|
GEORDI
|
|
Computer, shut up... at least in
|
|
Holodeck Three...
|
|
|
|
The computer shuts up... Geordi sits down at the
|
|
console...
|
|
|
|
GEORDI
|
|
Computer, new simulation...
|
|
|
|
Push into his face...
|
|
|
|
TIME CUT:
|
|
|
|
68 INT. MAIN BRIDGE
|
|
|
|
Full cast.
|
|
|
|
GEORDI
|
|
Everything we've been trying to
|
|
do is based on overpowering the
|
|
trap... more energy, faster
|
|
adjustments... but that's exactly
|
|
what we can't do, because that's
|
|
what we're supposed to do. That's
|
|
the booby trap.
|
|
(beat)
|
|
The answer is in our own
|
|
computer... the mind -- the best
|
|
piece of engineering we'll ever
|
|
need.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT FIVE 52.
|
|
|
|
68 CONTINUED:
|
|
|
|
PICARD
|
|
Didn't your research suggest
|
|
thousands of adjustments would
|
|
be required per second?
|
|
|
|
GEORDI
|
|
Not if we turn everything off.
|
|
|
|
Reactions. Turn everything off. Whoa, Geordi...
|
|
|
|
GEORDI
|
|
One blast of everything we've got
|
|
left for a microsecond to beat
|
|
the inertia and then we shut it
|
|
all down except minimal life
|
|
support and two thrusters. No
|
|
impulse engines. No computer.
|
|
|
|
Riker looks at Picard...
|
|
|
|
RIKER
|
|
One propeller, Captain...
|
|
|
|
COMPUTER VOICE
|
|
Deflector shield failure. Lethal
|
|
radiation levels. Fatal exposure
|
|
in twelve minutes.
|
|
|
|
PICARD
|
|
Have you analyzed the risk factor?
|
|
|
|
GEORDI
|
|
The numbers say it's even money.
|
|
No better than handing it over to
|
|
the computer. No worse either.
|
|
But I say forget the numbers.
|
|
There's no way for a computer to
|
|
compensate for the human factor...
|
|
the intuition, the experience...
|
|
|
|
Picard nods...
|
|
|
|
PICARD
|
|
Make it ready.
|
|
|
|
People move into positions...
|
|
|
|
GEORDI
|
|
I've run the simulations... If
|
|
you want me to take Conn...
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FIVE 52A.
|
|
|
|
68 CONTINUED: (2)
|
|
|
|
PICARD
|
|
No, Mister La Forge. You've done
|
|
your job. Now I must do mine.
|
|
|
|
Picard crosses to Conn.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/6/89 - ACT FIVE 53.
|
|
|
|
68 CONTINUED: (3)
|
|
|
|
PICARD
|
|
I relieve you, Mister Crusher.
|
|
|
|
Wesley yields his station to Picard.
|
|
|
|
WESLEY
|
|
Yes, sir.
|
|
|
|
Wesley moves to the command area, stands to Riker's
|
|
side.
|
|
|
|
69 ON PICARD
|
|
|
|
Picard sits down at Conn, looks over the controls.
|
|
|
|
RIKER
|
|
(to com)
|
|
All hands, this is Commander
|
|
Riker. We are about to engage
|
|
impulse engines for a short burst.
|
|
Inertial dampers are on manual.
|
|
They may not fully compensate for
|
|
acceleration. Brace yourselves.
|
|
|
|
COMPUTER VOICE
|
|
Deflector shield failure. Lethal
|
|
radiation levels. Fatal --
|
|
|
|
RIKER
|
|
Computer, discontinue radiation
|
|
warning till further notice.
|
|
|
|
Riker nods to Picard: "all yours, Captain."
|
|
|
|
PICARD
|
|
Firing impulse engines.
|
|
|
|
Picard makes it so.
|
|
|
|
70 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the impulse engines flare to life and almost
|
|
immediately shut down. The ship slowly starts to move.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/7/89 - ACT FIVE 54.
|
|
|
|
71 INT. MAIN BRIDGE
|
|
|
|
Crew reacting to the force of breaking free. Picard
|
|
touches the helm panel.
|
|
|
|
DATA
|
|
Impulse engines are now down.
|
|
|
|
GEORDI
|
|
Shutting down all systems.
|
|
|
|
The bridge lights go out.
|
|
|
|
DATA
|
|
Velocity is one hundred thirty
|
|
two meters per second.
|
|
|
|
WORF
|
|
We will enter the debris field
|
|
in eight seconds.
|
|
|
|
72 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
as Picard stares intently at the asteroid fragments and
|
|
other debris ahead, decides on the course he wishes to
|
|
take, and touches his panel.
|
|
|
|
DATA
|
|
Starboard thruster firing.
|
|
|
|
73 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as a tiny lateral thruster fires and the ship gently
|
|
shifts course. A large chunk of asteroid looms ahead.
|
|
|
|
74 INT. MAIN BRIDGE
|
|
|
|
RIKER
|
|
Coming to heading three-four-zero
|
|
mark one-zero.
|
|
|
|
Picard, intent on the viewscreen, kills the thruster.
|
|
|
|
RIKER
|
|
Captain, that large mass to port
|
|
may contain an assimilator.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/7/89 - ACT FIVE 55.
|
|
|
|
74 CONTINUED:
|
|
|
|
Picard fires another thruster -- a quick burst this
|
|
time.
|
|
|
|
DATA
|
|
Port thruster firing...
|
|
|
|
75 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
gradually adjusting course and gliding silently past
|
|
the asteroid.
|
|
|
|
76 INT. MAIN BRIDGE
|
|
|
|
WORF
|
|
No reaction from the assimilator.
|
|
|
|
RIKER
|
|
We're past the first hurdle.
|
|
|
|
Wesley shakes his head in wonder at Picard's coolness.
|
|
|
|
WORF
|
|
Sir! Object to port --
|
|
|
|
Picard, imperturbable, is already firing a thruster.
|
|
|
|
DATA
|
|
Starboard thruster.
|
|
|
|
Picard, watching the viewer, sees the object sail past
|
|
the ship... Reactions... Picard's eyes move on to the
|
|
next problem.
|
|
|
|
DATA
|
|
Sir, the gravitational attraction
|
|
of the various masses has reduced
|
|
our velocity by eight percent.
|
|
By my calculations, we no longer
|
|
possess sufficient momentum to
|
|
clear the debris field --
|
|
|
|
Picard quietly interrupts; he doesn't need to hear
|
|
this.
|
|
|
|
PICARD
|
|
Thank you, Mister Data.
|
|
|
|
Picard fires a thruster --
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/7/89 - ACT FIVE 55A.
|
|
|
|
76 CONTINUED:
|
|
|
|
DATA
|
|
Port thruster...
|
|
|
|
77 OMITTED
|
|
|
|
78 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
as a monstrous asteroid glides into view, dead ahead.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/7/89 - ACT FIVE 56.
|
|
|
|
79 ON WESLEY AND RIKER
|
|
|
|
Wesley's eyes widen. He looks to Riker.
|
|
|
|
80 ON PICARD AND DATA
|
|
|
|
Picard watches the viewscreen -- but makes no move to
|
|
fire a thruster.
|
|
|
|
DATA
|
|
The asteroid's gravity is drawing
|
|
us closer. Velocity increasing.
|
|
|
|
Picard doesn't react.
|
|
|
|
81 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
heading straight for the massive asteroid and picking
|
|
up speed.
|
|
|
|
82 INT. MAIN BRIDGE
|
|
|
|
Everyone's watching the viewscreen. Geordi and Worf
|
|
exchange a look -- "I hope he knows what he's doing."
|
|
|
|
Still Picard waits... and waits.
|
|
|
|
DATA
|
|
Velocity still increasing... now
|
|
two hundred and nineteen meters
|
|
per second.
|
|
|
|
Picard remains impassive.
|
|
|
|
83 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
|
|
|
|
as the bulk of the asteroid fills the screen. Picard
|
|
poises a hand over the helm, waits a beat, then fires a
|
|
thruster --
|
|
|
|
DATA
|
|
Starboard thruster.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/7/89 - ACT FIVE 57.
|
|
|
|
84 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as a thruster BLASTS to life. The ship, still gaining
|
|
speed, slowly changes course -- and instead of
|
|
colliding with the asteroid, it whips around it -- the
|
|
slingshot effect flinging the Enterprise on a new
|
|
course, completely out of the debris field.
|
|
|
|
85 INT. MAIN BRIDGE
|
|
|
|
Picard, as impassive as before, shuts down the
|
|
thruster.
|
|
|
|
DATA
|
|
(to Picard)
|
|
You have used the asteroid's
|
|
gravitational pull as a
|
|
slingshot. Excellent.
|
|
|
|
RIKER
|
|
We're out. We beat it.
|
|
|
|
Picard stands, the crew looks at him with awe.
|
|
|
|
PICARD
|
|
Mister Crusher, the conn is yours.
|
|
|
|
WESLEY
|
|
(with great respect)
|
|
Yes, sir!
|
|
|
|
Wesley takes his station. Picard returns to the
|
|
command chair.
|
|
|
|
PICARD
|
|
Initiate full restart. Bring all
|
|
systems back on-line.
|
|
|
|
GEORDI
|
|
With pleasure, sir.
|
|
|
|
And with a victorious jab, Geordi turns his Engineering
|
|
Station back on, starts to work.
|
|
|
|
BRIDGE LIGHTS come back on full.
|
|
|
|
PICARD
|
|
Number One... make sure the booby
|
|
trap won't bother anyone again.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/13/89 - ACT FIVE 58.
|
|
|
|
85 CONTINUED:
|
|
|
|
RIKER
|
|
Mister Worf, ready photon
|
|
torpedoes, all bays... set to
|
|
detonate upon impact with the
|
|
Promellian vessel.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
86 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
FIRING a spread of torpedoes that explodes at the
|
|
ancient vessel... and the entire area goes white with
|
|
the explosive force obliterating the entire asteroid
|
|
field.
|
|
|
|
TIME CUT:
|
|
|
|
87 INT. HOLODECK/DRAFTING ROOM (OPTICAL)
|
|
|
|
Geordi with Leah. A quiet moment.
|
|
|
|
GEORDI
|
|
I've always thought that
|
|
technology could solve any
|
|
problem. It enhances our quality
|
|
of life... It lets us travel
|
|
across the galaxy... It even gave
|
|
me my vision.
|
|
(beat)
|
|
But sometimes you just need to
|
|
trust yourself and turn it all
|
|
off. Even the gypsy violins.
|
|
|
|
LEAH
|
|
Violins?
|
|
|
|
GEORDI
|
|
Different program. Sorry.
|
|
|
|
They look at each other for a beat.
|
|
|
|
LEAH
|
|
We made a good team.
|
|
|
|
GEORDI
|
|
Maybe we could do it again some
|
|
time.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FIVE 58A.
|
|
|
|
87 CONTINUED:
|
|
|
|
LEAH
|
|
I'm with you every day, Geordi.
|
|
Every time you look at this
|
|
engine, you're looking at me.
|
|
Every time you touch it, it's me.
|
|
|
|
STAR TREK: "Booby Trap" - REV. 9/5/89 - ACT FIVE 59.
|
|
|
|
87 CONTINUED: (2)
|
|
|
|
He acknowledges. They smile at each other. He moves
|
|
to her and kisses her on the lips... a soft gentle,
|
|
goodbye kiss. A last look and...
|
|
|
|
GEORDI
|
|
Computer, exit Holodeck. Save
|
|
program.
|
|
|
|
The door opens. The program ends. He leaves.
|
|
|
|
88 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
As it moves off to explore other worlds...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|