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1 line
72 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Ethics"
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#40275-216
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Teleplay by
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Ronald D. Moore
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Directed by
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Chip Chalmers
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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DECEMBER 9, 1991
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STAR TREK: "Ethics" - 12/9/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Ethics"
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CAST
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PICARD DOCTOR TOBY RUSSELL
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RIKER ALEXANDER
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DATA
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BEVERLY
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TROI
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GEORDI
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WORF
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Non-Speaking
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NURSE OGAWA INJURED CREW & CIVILIANS
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TRANSPORTER TECHICIAN AN INJURED MAN
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AN INJURED WOMAN
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Non-Speaking
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SUPERNUMERARIES
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DOCTORS
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NURSES
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CIVILIAN MEDICS
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STAR TREK: "Ethics" - 12/9/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Ethics"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM
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TRANSPORTER ROOM
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CORRIDOR
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CARGO BAY
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SHUTTLEBAY
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TROI'S QUARTERS
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RIKER'S QUARTERS
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SICKBAY
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BEVERLY'S OFFICE
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MEDICAL LAB
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WORF'S SICKBAY ROOM
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STAR TREK: "Ethics" - REV. 12/13/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Ethics"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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In orbit around a planet.
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PICARD (V.O.)
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Captain's log, stardate 45587.3.
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We are picking up a consignment
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of chlorinide from Starbase
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Twenty-seven for transportation
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to the Mylaira system. Once we
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have delivered this material, we
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will investigate reported subspace
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anomalies in the Kelnaria region.
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2 INT. CARGO BAY
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WORF and GEORDI are scanning some LARGE CARGO
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CONTAINERS with tricorders. There are other N.D.
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CREWMEMBERS in the b.g. checking the containers as
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well. The containers have been stacked in an intricate
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framework of metal support beams, pallettes, and
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lattices which reaches to the ceiling and almost
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completely fills the room.
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GEORDI
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(to Worf)
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No question. She was bluffing.
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WORF
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Bluffing is not one of Counselor
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Troi's strong suits.
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Geordi works his tricorder for a moment.
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GEORDI
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(off tricorder, to Worf)
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I'm still reading some chlorinide
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leakage, but I can't pin it down.
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Worf frowns at his tricorder.
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STAR TREK: "Ethics" - 12/09/91 - TEASER 2.
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2 CONTINUED:
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GEORDI
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(points to different
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section)
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Maybe over there...
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They move to another section of containers and Geordi
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crawls up in the lattice work to take some more
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readings.
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WORF
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It would have been unwise to
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call. My hand was not strong
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enough.
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GEORDI
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You had jacks and eights and
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she bluffed you with a pair of
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sixes.
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WORF
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(outraged)
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Sixes!
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Worf fumes for a moment as Geordi climbs down from the
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lattice. He suddenly looks at Geordi with suspicion.
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WORF
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How do you know what I had?
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Geordi slowly smiles and then deliberately adjusts his
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visor.
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GEORDI
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Let's just say... I had a special
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insight into your cards.
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Worf reacts and Geordi chuckles.
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GEORDI
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(off his look)
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Hey, next time bring a deck that's
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not transparent to infrared
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light.
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Worf shakes his head slightly in disgust.
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GEORDI
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(with humor)
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Don't worry, I only peek after
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the hand is over.
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Geordi checks his tricorder one more time.
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STAR TREK: "Ethics" - REV. 12/13/91 - TEASER 3.
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2 CONTINUED: (2)
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GEORDI
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(frustrated, off
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tricorder)
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Still nothing. Well... I'll get
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a dynoscanner and try again.
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Geordi moves to a different part of the bay.
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3 WORF
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scans the containers again. He moves closer to the
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container structure...
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4 A CARGO CONTAINER
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high above Worf. There is a thin wisp of GAS LEAKING
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from the container. The gas is MELTING part of the
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support upon which the container is sitting...
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5 WORF
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Continues to scan the structure. He moves closer...
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6 THE CARGO CONTAINER
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The structural support GIVES WAY and the cargo
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container starts to FALL.
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7 WORF
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hears the RUMBLE from above and starts to move out of
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the way, but it's too late.
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8 WIDER ANGLE
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as the heavy containers COLLAPSE on top of Worf.
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STAR TREK: "Ethics" - REV. 12/13/91 - TEASER 4.
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9 INCLUDE GEORDI
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who turned around just in time to see the collapse.
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GEORDI
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Worf!
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Geordi and the other crewmembers rush over to Worf and
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start to move the containers off of him. They lift one
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container and find Worf unconscious. As Geordi hits
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his communicator, PUSH IN on Worf's face.
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GEORDI
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(urgent, to
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communicator)
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La Forge to sickbay! Medical
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emergency in cargo bay three!
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Hold for a beat on Worf's face...
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CUT TO:
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10 INT. SICKBAY
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Worf is lying on his back with his eyes closed. He is
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dressed in a medical robe and is lying in one of the
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diagnostic beds. NURSE OGAWA is standing over Worf.
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After a beat, Worf moves slightly.
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Worf's eyes finally open and he looks around in
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confusion. BEVERLY moves to stand on the other
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side of him.
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WORF
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What... happened?
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BEVERLY
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The containers you were checking
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fell on you. You're lucky to be
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alive.
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Worf tries to sit up... then stops when he realizes
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that he can't move his lower body.
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STAR TREK: "Ethics" - REV. 12/12/91 - TEASER 5.
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10 CONTINUED:
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WORF
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I will not attempt to leave
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sickbay without your approval,
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Doctor. The restraining field
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is not necessary.
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Beverly and Ogawa exchange a look. Ogawa moves off to
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give them a little more privacy. Worf looks up at
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Beverly in confusion... what's going on here? Beverly
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puts on her best bedside manner.
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BEVERLY
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Worf... there is no restraining
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field.
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WORF
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(objecting)
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But I cannot move my legs.
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BEVERLY
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I know.
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(beat)
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You can't move because one of the
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containers shattered seven of your
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vertebrae... and crushed your
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spinal cord.
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Worf is shocked and this is very difficult for Beverly,
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but there's no way to sugar-coat it.
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BEVERLY
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I'm afraid... there's no way to
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repair this kind of injury.
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On Worf as he realizes the full impact of what she's
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saying...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Ethics" - REV. 12/17/91 - ACT ONE 6.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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11 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship still in orbit.
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12 INT. WORF'S SICKBAY ROOM
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Worf has been moved to a private room just off main
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sickbay. There are several monitors, some medical
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equipment, and a diagnostic bed. Worf is sitting up in
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bed and has swung his legs over the side. His face is
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a mask of determination as he carefully grips the side
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of the bed and moves his feet down to the floor.
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Worf manages to get to a standing position, but it's
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only by using his hands and arms to maintain an iron
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grip on the bedframe. His legs are useless. He
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struggles as he tries to will his legs to work.
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13 NEW ANGLE
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As the doors OPEN and Beverly ENTERS. Worf wrenches
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his body as he tries to move his legs, but the effort
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causes him to lose his grip on the bed. Both legs fold
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under his weight... Beverly rushes over to him and
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catches him just in time. She helps him back into bed.
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STAR TREK: "Ethics" - REV. 12/17/91 - ACT ONE 7.
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13 CONTINUED:
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BEVERLY
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I know what you're trying to do
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and I understand why. But it's
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important that you remain in bed.
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WORF
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Klingons do not... lie in bed.
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BEVERLY
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They do if they have extensive
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internal injuries which need time
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to heal.
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WORF
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The muscles in my legs will
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atrophy unless they are used.
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(MORE)
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STAR TREK: "Ethics" - REV. 12/17/91 - ACT ONE 8.
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13 CONTINUED: (2)
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WORF (cont'd)
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A vigorous program of exercise
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will be necessary for a full
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recovery.
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Beverly moves closer to him. Her tone is
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compassionate, yet firm as she lays out the simple
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truth to him.
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BEVERLY
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I understand that as a Klingon
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this is difficult for you... but
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you have to face your situation
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as it really is... not as you want
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it to be.
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(beat)
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I've sent for a neurogeneticist,
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but... you need to realize that
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you'll probably never regain total
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use of your legs.
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STAR TREK: "Ethics" - 12/09/91 - ACT ONE 9.
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13 CONTINUED: (3)
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Worf looks away, unable to deny the facts away any
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longer. A long beat passes.
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WORF
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(quiet)
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Leave me.
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Beverly moves toward the door... then stops.
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BEVERLY
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Your son has been asking to see
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you.
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WORF
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(forceful)
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No. I will not have him see me
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like this.
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Beverly almost argues with him... then decides against
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it.
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BEVERLY
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All right.
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She EXITS to...
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14 INT. SICKBAY - CONTINUOUS
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The doors CLOSE behind Beverly after she ENTERS. She
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pauses for a moment, depressed and anguished over
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Worf's situation. She tries to shake off the
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feeling... picks up a PADD and starts to work it.
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RIKER'S COM VOICE
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Bridge to Doctor Crusher. The
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Potemkin has arrived and Doctor
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Russell is ready to transport
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aboard.
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BEVERLY
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(to com)
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I'm on my way.
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She heads for the exit.
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CUT TO:
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15 EXT. SPACE - ENTERPRISE & POTEMKIN (OPTICAL)
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The Enterprise and the Potemkin running side by side
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while still in orbit. (STOCK)
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STAR TREK: "Ethics" - 12/09/91 - ACT ONE 10.
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16 INT. TRANSPORTER ROOM (OPTICAL)
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Beverly is waiting near the platform as the TRANSPORTER
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TECHNICIAN works the console. DR. TOBY RUSSELL
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MATERIALIZES. Doctor Russell is petite and her
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features are delicate, doll-like. She has an easy and
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friendly manner, but she tends to command a room and
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is used to being center stage at any gathering.
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Russell has a knack for settling instantly into her
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environment, and she already seems very much at home.
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BEVERLY
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Welcome aboard the Enterprise,
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Doctor Russell. I'm Beverly
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Crusher.
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They shake hands.
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RUSSELL
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A pleasure.
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(to Technician)
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I have some equipment aboard the
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Potemkin. Please have it sent
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to one of your medical labs.
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BEVERLY
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(to Technician)
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Send it to medlab four.
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The Technician nods and works the console. Russell
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turns to Beverly with a warm smile and then takes
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Beverly's arm as they begin to leave the transporter
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room.
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RUSSELL
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(on the move)
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Before we get down to business,
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I just wanted to say that I had
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the pleasure of reading your paper
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on cybernetic regeneration
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recently.
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They EXIT to...
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17 INT. CORRIDOR - CONTINUOUS
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Russell and Beverly walk down the corridor. Russell
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has definitely turned on the charm.
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BEVERLY
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(pleased)
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Really? You're the first person
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to mention it.
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STAR TREK: "Ethics" - REV. 12/10/91 - ACT ONE 11.
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17 CONTINUED:
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RUSSELL
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Oh, I thought it was brilliant.
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Your ideas on bioactive interfaces
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border on revolutionary. It's going
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to be a genuine pleasure working
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with you.
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BEVERLY
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Thank you.
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(beat)
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Have you had a chance to review
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Worf's case history yet?
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RUSSELL
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Only briefly. I must admit, I
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was a little shocked to find the
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state of Klingon neurological
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medicine to be so... primitive.
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BEVERLY
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It's a cultural bias. When I
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contacted the Klingon Medical
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Division, I was told they usually
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let the patient die in a case like
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this... as a result they've done
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almost no research on
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neurological trauma.
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RUSSELL
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(with relish)
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We'll be in uncharted waters.
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Beverly doesn't share Russell's anticipation, but she's
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not bothered by it either.
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BEVERLY
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Worf's been having a hard time
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dealing with his injuries. He's
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always been a difficult patient,
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but now...
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They have arrived outside of sickbay and Beverly moves
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to go inside. The doors OPEN.
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BEVERLY
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He's a little tough to get along
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with at first, but I think you'll
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get to like him after---
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RUSSELL
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Doctor.
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STAR TREK: "Ethics" - 12/09/91 - ACT ONE 12.
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17 CONTINUED: (2)
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Beverly stops in the doorway. Russell seems to
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hesitate for a moment... then speaks in a soft and
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understanding voice.
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RUSSELL
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I know that as a starship doctor,
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you have to maintain close ties
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with patients. But I think it
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would be best if I maintain a
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discreet distance. That way, I
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can give you a completely
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objective opinion regarding
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treatment.
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Beverly looks at her for a beat... decides that Russell
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is making sense.
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BEVERLY
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Yes... you're probably right.
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RUSSELL
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(warm smile)
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Good. Well... I believe you said
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I'll be working in medlab four?
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BEVERLY
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Yes. This way.
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Beverly leads Russell down the corridor.
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CUT TO:
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18 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship in orbit.
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19 INT. WORF'S SICKBAY ROOM
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Worf is propped up in bed as RIKER ENTERS. Riker
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forces himself to smile at his friend and try to put
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him at ease.
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RIKER
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You look pretty good for someone
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who's been eating sickbay food
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for three days.
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Worf makes a half-hearted attempt to return the smile,
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then indicates a chair.
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STAR TREK: "Ethics" - 12/09/91 - ACT ONE 13.
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19 CONTINUED:
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WORF
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Please sit down, Commander.
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Riker sits down. Worf is very uncomfortable and
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embarrassed. He tries to sit a little straighter...
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pulls the bedclothes up a little further on his chest.
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|
WORF
|
|
Thank you for agreeing to see me
|
|
in... this condition.
|
|
|
|
RIKER
|
|
Worf, I'm not Klingon... I don't
|
|
think there's any shame in being
|
|
injured.
|
|
|
|
WORF
|
|
I am not merely injured... Doctor
|
|
Crusher believes my... paralysis
|
|
will be permanent.
|
|
|
|
Riker takes a beat to take that in.
|
|
|
|
RIKER
|
|
I'm... sorry.
|
|
|
|
Worf looks away from Riker, not wanting to see any pity
|
|
in his face. This is very difficult for Worf, but he
|
|
tries to keep his voice as even and restrained as
|
|
possible.
|
|
|
|
WORF
|
|
I have a personal favor to ask.
|
|
|
|
RIKER
|
|
Name it.
|
|
|
|
Long beat.
|
|
|
|
WORF
|
|
I want you to assist me in
|
|
performing the... Hegh'bat
|
|
ceremony.
|
|
(beat)
|
|
I want you to help me die.
|
|
|
|
Riker recoils from the idea and looks at Worf with
|
|
shock.
|
|
|
|
RIKER
|
|
What?
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT ONE 14.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
WORF
|
|
When a Klingon can no longer stand
|
|
and face his enemies as a
|
|
warrior... when he becomes a
|
|
burden to his family and
|
|
friends... it is time for the
|
|
Hegh'bat... time for him to die.
|
|
|
|
RIKER
|
|
Worf, there have to be other
|
|
options.
|
|
|
|
Worf turns back and meets Riker's eyes.
|
|
|
|
WORF
|
|
(firm)
|
|
No, there are not.
|
|
(beat, then quieter)
|
|
I will not live as an object of...
|
|
pity... or shame. My life as a
|
|
Klingon is over.
|
|
|
|
RIKER
|
|
I won't help a friend commit
|
|
suicide.
|
|
|
|
Worf struggles... his voice drops down low as he makes
|
|
a direct appeal to Riker.
|
|
|
|
WORF
|
|
We have served together for many
|
|
years... fought side by side...
|
|
I know you to be a brave and
|
|
honorable man... if you truly
|
|
consider me your friend... help
|
|
me now... help me end my life as
|
|
I lived it... with dignity and
|
|
honor.
|
|
(beat)
|
|
Please.
|
|
|
|
Riker wasn't prepared for this personal appeal from
|
|
Worf. On Riker's reaction as he struggles with his
|
|
conflicting emotions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Ethics" - REV. 12/12/91 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
20 INT. MEDICAL LAB (OPTICAL)
|
|
|
|
A room filled with medical equipment of every size and
|
|
description. Beverly and Russell are standing near
|
|
a large unit which is projecting a HOLOGRAPHIC IMAGE
|
|
of Worf's back and spinal column in mid-air. Beverly
|
|
is pointing to the damaged vertebrae, which have been
|
|
highlighted.
|
|
|
|
BEVERLY
|
|
The cortico-spinal tract has
|
|
continued to deteriorate over the
|
|
past seventy-two hours despite
|
|
CPK enzymatic therapy.
|
|
|
|
Russell walks slowly around the hologram...
|
|
considering the injury from all angles.
|
|
|
|
RUSSELL
|
|
What about alkysine treatment?
|
|
|
|
BEVERLY
|
|
Ineffective.
|
|
|
|
RUSSELL
|
|
Overdesigned.
|
|
(off Beverly's look)
|
|
Klingon anatomy... twenty-three
|
|
ribs, two livers, eight-chambered
|
|
heart, double-lined neural pia
|
|
mater... I've never seen so many
|
|
unnecessary redundancies in one
|
|
body.
|
|
|
|
BEVERLY
|
|
Klingon medicine refers to it as
|
|
the brak'lul... almost every vital
|
|
function in their bodies has a
|
|
built-in redundancy in case the
|
|
primary organ or system fails.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT TWO 16.
|
|
|
|
20 CONTINUED:
|
|
|
|
RUSSELL
|
|
It's a good design in theory, but
|
|
in practice, all the extra organs
|
|
mean there's just that much more
|
|
that can go wrong.
|
|
|
|
Russell glares at the hologram for a moment, then
|
|
turns to Beverly.
|
|
|
|
RUSSELL
|
|
Let me show you something.
|
|
|
|
Russell leads Beverly over to a strange-looking piece
|
|
of medical equipment that has been moved into the lab
|
|
on a cart. It should be even more advanced than our
|
|
normal sickbay equipment.
|
|
|
|
RUSSELL
|
|
We've been experimenting with
|
|
DNA-based generators... this is
|
|
a genetronic replicator. It reads
|
|
the DNA coding of damaged organs,
|
|
translates that into a specific
|
|
set of replicant instructions and
|
|
then begins to "grow" a
|
|
replacement.
|
|
|
|
Beverly looks over the odd equipment with curiosity.
|
|
|
|
BEVERLY
|
|
I've read some of the preliminary
|
|
work you've done... I thought this
|
|
was still in the experimental
|
|
stage.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/12/91 - ACT TWO 17.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
Russell picks up a PADD and works it for a moment.
|
|
|
|
RUSSELL
|
|
(continuing)
|
|
The early results have been very
|
|
encouraging...
|
|
|
|
She hands the PADD to Beverly... who begins to glance
|
|
at it... Russell lets her read on for a moment... then
|
|
decides the time is right to push for her plan.
|
|
|
|
RUSSELL
|
|
Beverly, the genetronic replicator
|
|
can create a completely new neural
|
|
conduit for your Lieutenant Worf.
|
|
|
|
BEVERLY
|
|
(a little shocked)
|
|
Replace his entire spinal column?
|
|
|
|
RUSSELL
|
|
Exactly. Instead of splicing and
|
|
pasting together broken
|
|
connections like a couple of
|
|
glorified tailors, we create a
|
|
new, living system.
|
|
|
|
Beverly takes a beat to consider this... she glances
|
|
down at the PADD in her hand... presses some buttons
|
|
to move the text forward... she has some serious
|
|
doubts.
|
|
|
|
BEVERLY
|
|
(looking for the data)
|
|
I had no idea you were already
|
|
using this on humanoids...
|
|
|
|
RUSSELL
|
|
I haven't been. This'll be the
|
|
first time.
|
|
|
|
BEVERLY
|
|
(reacts)
|
|
First time?
|
|
|
|
RUSSELL
|
|
I've done dozens of holosimulations...
|
|
the success rate is up to
|
|
thirty-seven percent...
|
|
|
|
STAR TREK: "Ethics" - REV. 12/12/91 - ACT TWO 18.
|
|
|
|
20 CONTINUED: (3)
|
|
|
|
BEVERLY
|
|
Thirty-seven percent... even a
|
|
holographic patient would balk
|
|
at those odds.
|
|
|
|
RUSSELL
|
|
Sooner or later it has to be tried
|
|
on a living patient.
|
|
|
|
BEVERLY
|
|
We're talking about a spinal
|
|
column. Even to attempt it,
|
|
you'd have to remove his
|
|
existing spine. We don't know
|
|
enough about Klingon neurological
|
|
medicine to reattach it. If
|
|
something goes wrong, he'll die.
|
|
|
|
Beverly sets the PADD down and regards Russell
|
|
seriously.
|
|
|
|
BEVERLY
|
|
I agree it has remarkable
|
|
potential but it's still in the
|
|
most preliminary stages of research.
|
|
We can't possibly justify the risk
|
|
to Worf. I'm afraid we'll just
|
|
have to make do with the more
|
|
conventional approaches.
|
|
|
|
Russell almost continues to fight... then seems to
|
|
reconsider. She smiles slightly at Beverly.
|
|
|
|
RUSSELL
|
|
You're probably right. It's too
|
|
radical an approach.
|
|
|
|
Beverly is relieved that Russell isn't going to push
|
|
for this approach, but that doesn't solve their
|
|
problem.
|
|
|
|
PICARD'S COM VOICE
|
|
Doctor Crusher, please report to
|
|
the bridge.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT TWO 19.
|
|
|
|
20 CONTINUED: (4)
|
|
|
|
BEVERLY
|
|
(to com)
|
|
On my way.
|
|
|
|
Beverly EXITS.
|
|
|
|
CUT TO:
|
|
|
|
21 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship goes into warp.
|
|
|
|
22 INT. MAIN BRIDGE
|
|
|
|
PICARD, DATA, and Riker at their stations. Beverly
|
|
ENTERS from a turbolift.
|
|
|
|
PICARD
|
|
Doctor, the transport ship Denver
|
|
has struck a gravitic mine left
|
|
over from the Cardassian war.
|
|
They've sustained heavy damage.
|
|
|
|
RIKER
|
|
Their last message said they were
|
|
attempting to crash land on one
|
|
of the planets in the Mericor
|
|
system. We should arrive in just
|
|
under seven hours.
|
|
|
|
BEVERLY
|
|
How many people were aboard?
|
|
|
|
DATA
|
|
The Denver's standard crew
|
|
complement is twenty-three, but
|
|
they were transporting five
|
|
hundred seventeen colonists to
|
|
the Beloti sector.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT TWO 20.
|
|
|
|
22 CONTINUED:
|
|
|
|
BEVERLY
|
|
I'll need to convert all three
|
|
shuttlebays to emergency triage
|
|
centers. I also want all
|
|
civilians with medical training
|
|
to report for duty.
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
Beverly EXITS and Picard heads for the ready room.
|
|
|
|
RIKER
|
|
(to Picard)
|
|
Captain, may I speak with you in
|
|
private?
|
|
|
|
PICARD
|
|
Certainly, Number One. Mister
|
|
Data, you have the bridge.
|
|
|
|
DATA
|
|
Aye, sir.
|
|
|
|
Riker & Picard head for the ready room.
|
|
|
|
CUT TO:
|
|
|
|
23 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
24 INT. READY ROOM (OPTICAL)
|
|
|
|
Riker is moving about the room... restless, clearly
|
|
disturbed. Picard is calmly listening to his officer.
|
|
|
|
RIKER
|
|
I've always tried to keep an open
|
|
mind... not to judge someone
|
|
else's culture by my own... but
|
|
for me to be a part of this
|
|
"ceremony"...
|
|
|
|
Riker trails off and Picard waits for a beat before
|
|
speaking.
|
|
|
|
PICARD
|
|
I understand that Doctor Crusher
|
|
believes he will never regain the
|
|
use of his legs.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT TWO 21.
|
|
|
|
24 CONTINUED:
|
|
|
|
RIKER
|
|
That doesn't mean his life is
|
|
over.
|
|
|
|
PICARD
|
|
That's a very... Human
|
|
perspective, Will. But to any
|
|
Klingon in Worf's position...
|
|
life is over.
|
|
|
|
RIKER
|
|
I can't accept that.
|
|
|
|
Picard takes a beat... looks out the window for a
|
|
moment.
|
|
|
|
PICARD
|
|
If you were dying... terminally
|
|
ill from a disease for which there
|
|
was no cure... and the few
|
|
remaining days of your life would
|
|
be spent in pain. Don't you think
|
|
that you might come to see death
|
|
as... a release?
|
|
|
|
RIKER
|
|
Worf isn't dying and he's not in
|
|
pain... he can live a long life
|
|
without---
|
|
|
|
PICARD
|
|
(firm)
|
|
You or I could learn to live with
|
|
a disability of this kind. But
|
|
to Worf... his life ended when
|
|
those containers fell on him.
|
|
We don't have to agree with it...
|
|
we don't have to understand it...
|
|
but we do have to respect his
|
|
beliefs.
|
|
|
|
RIKER
|
|
(repeating for emphasis)
|
|
I can respect his beliefs, but
|
|
Worf wants me to take an active
|
|
role in ending his life.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT TWO 22.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
PICARD
|
|
He asked for your help because
|
|
you're his friend. That means
|
|
that you'll have to make your
|
|
decision based on that friendship.
|
|
|
|
RIKER
|
|
Which leaves me right back where
|
|
I started.
|
|
|
|
PICARD
|
|
I'm sorry, Will. I can't make this
|
|
decision for you... but I can tell
|
|
you that Klingons choose their
|
|
friends with great care. If Worf
|
|
didn't feel he could count on
|
|
you... he never would have asked.
|
|
|
|
On Riker's troubled expression...
|
|
|
|
CUT TO:
|
|
|
|
25 INT. TROI'S QUARTERS (OPTICAL)
|
|
|
|
TROI is trying to deal with a very angry ALEXANDER.
|
|
|
|
ALEXANDER
|
|
Why won't you let me see him?
|
|
|
|
TROI
|
|
Alexander, I told you it's not
|
|
my decision. Your father doesn't
|
|
want to---
|
|
|
|
ALEXANDER
|
|
I don't believe you. My father
|
|
wants to see me. You're the one
|
|
keeping me away from him!
|
|
|
|
Troi regards him coolly for a beat... refusing to get
|
|
into a shouting match with this kid. Her voice is calm
|
|
and assured.
|
|
|
|
TROI
|
|
I think you know that's not true.
|
|
|
|
Alexander's anger recedes a little in the face of
|
|
Troi's serene visage. His voice becomes somewhat less
|
|
strident.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT TWO 23.
|
|
|
|
25 CONTINUED:
|
|
|
|
ALEXANDER
|
|
Then why can't I see him?
|
|
|
|
TROI
|
|
Your father is going through a
|
|
very difficult time. He needs
|
|
to be alone for now.
|
|
|
|
ALEXANDER
|
|
But why?
|
|
|
|
Troi moves to a couch and motions to Alexander, who
|
|
sits with her after a beat. Troi keeps her voice calm
|
|
and soothing as she tries to reassure the boy.
|
|
|
|
TROI
|
|
He's been injured, Alexander, and
|
|
he's... embarrassed. To have
|
|
anyone see him now would make him
|
|
feel worse... even if it were
|
|
you.
|
|
|
|
Alexander thinks about this for a beat.
|
|
|
|
ALEXANDER
|
|
This is part of that Klingon
|
|
stuff, isn't it?
|
|
(MORE)
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT TWO 24.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
ALEXANDER (cont'd)
|
|
My mother always said that
|
|
Klingons had a lot of dumb ideas
|
|
about honor.
|
|
|
|
TROI
|
|
Alexander, that... "Klingon stuff"
|
|
is very important to your father.
|
|
|
|
ALEXANDER
|
|
(hurt)
|
|
Well, it isn't very important to
|
|
me. I don't care about being
|
|
Klingon, I just want to see my
|
|
father.
|
|
|
|
It's obvious that Alexander is exhausted... this whole
|
|
experience has been very draining for him. Troi moves
|
|
to him and her voice becomes softer, more soothing.
|
|
|
|
TROI
|
|
It's been a long day... why don't
|
|
you get ready for bed and we'll
|
|
talk about this again in the
|
|
morning.
|
|
|
|
Alexander nods glumly and then EXITS to the adjacent
|
|
room. Troi watches after him for a moment.
|
|
|
|
CUT TO:
|
|
|
|
26 INT. WORF'S SICKBAY ROOM
|
|
|
|
Worf is lying in bed as he listens to Troi.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT TWO 25.
|
|
|
|
26 CONTINUED:
|
|
|
|
TROI
|
|
Alexander is scared... confused...
|
|
hurt... and all because his father
|
|
is refusing to see him.
|
|
|
|
WORF
|
|
You know why I left those
|
|
instructions.
|
|
|
|
TROI
|
|
Yes I do. It's not the "Klingon"
|
|
way, right?
|
|
|
|
WORF
|
|
It is a question of honor, and
|
|
I would ask you to respect my
|
|
wishes in this matter, Counselor.
|
|
|
|
TROI
|
|
All I care about at this moment
|
|
is a little boy who's terrified
|
|
he's going to lose his father.
|
|
|
|
Beverly and Russell ENTER. Troi glances at them...
|
|
leans down and fixes Worf with a hard look.
|
|
|
|
TROI
|
|
(quiet, but firm)
|
|
Maybe it's time you stopped lying
|
|
around here worrying about your
|
|
honor... and began thinking about
|
|
someone else... like your son.
|
|
|
|
Troi turns and EXITS. Beverly and Russell exchange a
|
|
look... what was that all about?
|
|
|
|
BEVERLY
|
|
Would you like us to come back
|
|
later?
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT TWO 26.
|
|
|
|
26 CONTINUED: (2)
|
|
|
|
WORF
|
|
No. Come in, Doctor.
|
|
|
|
BEVERLY
|
|
This is Doctor Toby Russell from
|
|
the Adelman Neurological Institute.
|
|
She specializes in spinal injuries
|
|
like yours.
|
|
|
|
WORF
|
|
(to Russell)
|
|
Doctor.
|
|
|
|
RUSSELL
|
|
Lieutenant. Doctor Crusher has
|
|
been updating me on your case.
|
|
We'd like to talk to you about
|
|
some of your options.
|
|
|
|
WORF
|
|
Please proceed.
|
|
|
|
BEVERLY
|
|
We've discussed a variety of
|
|
surgical procedures... I'm afraid
|
|
none of them would be able to
|
|
repair the spinal cord. But we
|
|
do have a way for you to regain
|
|
most of your mobility.
|
|
|
|
27 INCLUDE MONITOR (OPTICAL)
|
|
|
|
Beverly moves to the monitor and activates the screen.
|
|
A diagram of Worf's body comes up with SEVERAL IMPLANTS
|
|
highlighted on the schematic.
|
|
|
|
BEVERLY
|
|
(indicating monitor)
|
|
We can implant a series of neural
|
|
transducers in your lower torso
|
|
and legs. They're designed to
|
|
pick up the electrical impulses
|
|
from your brain and then stimulate
|
|
the corresponding muscles. With
|
|
a little work, you'll eventually
|
|
regain sixty to seventy percent
|
|
of your motor control.
|
|
|
|
Russell picks up two motor assist bands (about the size
|
|
and shape of a dog collar and as seen in
|
|
"Transfigurations").
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT TWO 27.
|
|
|
|
27 CONTINUED:
|
|
|
|
RUSSELL
|
|
The first step would be to fit
|
|
your legs with motor assist units
|
|
like these.
|
|
|
|
Russell places the band around Worf's right leg.
|
|
|
|
RUSSELL
|
|
They're a training device... once
|
|
you've mastered using them, we
|
|
can move on to the implants. Now,
|
|
try to move your leg.
|
|
|
|
Worf looks down at his leg for a moment... then watches
|
|
in horror as it suddenly jerks and spasms. Neither
|
|
Beverly nor Russell seem at all concerned about this.
|
|
|
|
BEVERLY
|
|
That's good for a first try.
|
|
It'll take some time before you
|
|
get used to manipulating the---
|
|
|
|
WORF
|
|
(firm)
|
|
No.
|
|
|
|
Worf rips the band from his leg.
|
|
|
|
WORF
|
|
I will not live like that.
|
|
|
|
BEVERLY
|
|
These are very sophisticated
|
|
devices. With enough time, they
|
|
will give you--
|
|
|
|
WORF
|
|
Sixty percent of my mobility.
|
|
I will not be seen... lurching
|
|
through corridors like some
|
|
half-Klingon machine... an object
|
|
of ridicule and disgust.
|
|
|
|
Beverly takes a beat, then moves closer to Worf. She
|
|
lowers her voice and makes a personal connection and
|
|
plea with her patient.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT TWO 28.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I understand how you feel... and
|
|
I know that right now, this all
|
|
sounds a little frightening...
|
|
but I think it's important that
|
|
you take your time before making
|
|
a decision. All I ask is that
|
|
you give this some thought.
|
|
|
|
Worf keeps his expression neutral... but he doesn't
|
|
actually reject it. Beverly decides that's at least
|
|
something and she moves to leave. Russell makes no
|
|
move to follow her. Russell steps forward.
|
|
|
|
RUSSELL
|
|
There is one other option I'd like
|
|
you to consider... it's called
|
|
genetronic replication....
|
|
|
|
Worf looks up. Beverly is surprised.
|
|
|
|
RUSSELL
|
|
It's still in the experimental
|
|
stage... but if it works, it will
|
|
return virtually all of your
|
|
mobility... and without the need
|
|
for artificial implants.
|
|
|
|
On Beverly's expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT THREE 29.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
A28 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
28 INT. SICKBAY
|
|
|
|
Beverly and Russell ENTER from Worf's sickbay room.
|
|
Beverly turns and confronts Russell.
|
|
|
|
BEVERLY
|
|
I thought we had discussed
|
|
genetronics.
|
|
|
|
RUSSELL
|
|
We did.
|
|
|
|
BEVERLY
|
|
And I also thought we had decided
|
|
against recommending it.
|
|
|
|
RUSSELL
|
|
You heard him... he'd rather die
|
|
than live with the implants. I
|
|
just gave him a better option than
|
|
suicide.
|
|
|
|
BEVERLY
|
|
He's grasping at straws and you're
|
|
giving him one. Now, instead of
|
|
dealing with his paralysis, he's
|
|
going to be thinking about this
|
|
miracle cure of yours.
|
|
|
|
RUSSELL
|
|
There's a real chance this could
|
|
work. And if it does, it'll be
|
|
a major breakthrough in
|
|
neurogenetics that will change
|
|
a lot of people's lives.
|
|
|
|
BEVERLY
|
|
You're using the desperation of
|
|
an injured man as an excuse to
|
|
try a procedure you couldn't do
|
|
under normal circumstances. I
|
|
checked with Starfleet Medical
|
|
and they've refused your requests
|
|
to test genetronics on humanoids
|
|
three times already.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT THREE 29A.
|
|
|
|
28 CONTINUED:
|
|
|
|
RUSSELL
|
|
Are you really going to hide
|
|
behind the rules of some
|
|
bureaucracy? Your patient's life
|
|
is at stake here.
|
|
|
|
PICARD'S COM VOICE
|
|
Picard to Doctor Crusher.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/20/91 - ACT THREE 30.
|
|
|
|
28 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
(to com)
|
|
Go ahead, Captain.
|
|
|
|
INTERCUT:
|
|
|
|
29 INT. MAIN BRIDGE
|
|
|
|
Picard and Data are at the aft science station.
|
|
|
|
PICARD
|
|
We've located the survivors from
|
|
the Denver.
|
|
|
|
BEVERLY
|
|
We're ready down here. I have
|
|
triage teams standing by.
|
|
|
|
PICARD
|
|
Very well. We'll begin
|
|
transporting the casualties aboard
|
|
immediately. Bridge out.
|
|
|
|
Russell looks at Beverly and gives her a small smile.
|
|
|
|
RUSSELL
|
|
Could you use an extra pair of
|
|
hands?
|
|
|
|
Beverly returns her smile... a truce seems to have been
|
|
called.
|
|
|
|
BEVERLY
|
|
Absolutely.
|
|
|
|
CUT TO:
|
|
|
|
30
|
|
thru OMITTED
|
|
33A
|
|
|
|
34 INT. WORF'S SICKBAY ROOM
|
|
|
|
Troi and Alexander ENTER. The boy is surprised to see
|
|
Worf standing by the bed. Worf is wearing the motor
|
|
assist bands on his legs and is standing very still
|
|
with one hand clamped to a table for support.
|
|
|
|
ALEXANDER
|
|
Father?
|
|
|
|
WORF
|
|
Come in, Alexander.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/20/91 - ACT THREE 31-33.
|
|
|
|
34 CONTINUED:
|
|
|
|
ALEXANDER
|
|
(confused)
|
|
Deanna said you hurt your back...
|
|
that you couldn't walk.
|
|
|
|
WORF
|
|
I am... still struggling with my
|
|
injury.
|
|
|
|
ALEXANDER
|
|
I was worried about you.
|
|
|
|
WORF
|
|
We have much to talk about,
|
|
Alexander. There will be
|
|
difficult times ahead... you must
|
|
be strong.
|
|
|
|
ALEXANDER
|
|
I understand.
|
|
|
|
WORF
|
|
Good.
|
|
|
|
Worf pauses for a moment to gather his thoughts.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT THREE 33A.
|
|
|
|
34 CONTINUED:
|
|
|
|
WORF
|
|
As Klingons, we must always be
|
|
prepared for any---
|
|
|
|
Forgetting for a moment his precarious position, Worf
|
|
tries to shift his weight and suddenly FALLS to the
|
|
floor at Alexander's feet. The boy is horrified and
|
|
bends down to help his father along with Troi.
|
|
|
|
ALEXANDER
|
|
Father!
|
|
|
|
STAR TREK: "Ethics" - REV. 12/20/91 - ACT THREE 34.
|
|
|
|
35 WORF
|
|
|
|
Looks up at his son and feels humiliated.
|
|
|
|
WORF
|
|
(to Troi)
|
|
Take him away.
|
|
|
|
TROI
|
|
Worf, let me help you---
|
|
|
|
WORF
|
|
(harsh to Alexander)
|
|
Leave!
|
|
|
|
Alexander takes a step back and looks at Troi. She
|
|
realizes that it would be best for him to leave.
|
|
|
|
TROI
|
|
Go on, Alexander. It'll be all
|
|
right. I'll take care of your
|
|
father.
|
|
|
|
Alexander looks once more at his father and then runs
|
|
out of the room. Worf sags on the ground... he puts
|
|
his head down and his face burns with shame. Troi
|
|
knows that the best thing to do is to say nothing for
|
|
now, so she sits next to him in silence...
|
|
|
|
CUT TO:
|
|
|
|
36 INT. SHUTTLE BAY
|
|
|
|
The bay has been converted into an emergency
|
|
hospital/triage center. The room is filled with a
|
|
variety of medical equipment, diagnostic beds, gurneys,
|
|
etc.
|
|
|
|
There are MANY INJURED CREWMEMBERS & CIVILIANS lying
|
|
on the deck or in the beds and they are being tended
|
|
to by DOCTORS, NURSES, and CIVILIAN MEDICS. People
|
|
are moving about quickly and efficiently and there is
|
|
a sense of urgency in the room.
|
|
|
|
Beverly walks across the bay, pausing occasionally
|
|
to glance at this patient or that one. She's been
|
|
at this for a while.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/20/91 - ACT THREE 35.
|
|
|
|
37 NEW ANGLE
|
|
|
|
Where we see Russell looking at an injured MAN who
|
|
is lying on a diagnostic bed with a sheet over his
|
|
head. Russell is running a scanner over his arm and
|
|
then places the arm back on his chest. The man is
|
|
dead. Russell goes to a monitor and studies an
|
|
Okudagram.
|
|
|
|
Beverly comes over and sees the dead man. She picks
|
|
up a PADD sitting at the foot of the bed. Her attitude
|
|
is professional and there is no hint of recrimination
|
|
in her voice.
|
|
|
|
BEVERLY
|
|
What happened here?
|
|
|
|
RUSSELL
|
|
He went into neural metaphasic
|
|
shock.
|
|
|
|
BEVERLY
|
|
(puzzled)
|
|
From leporazine? That's unusual.
|
|
|
|
RUSSELL
|
|
He couldn't take leporazine, his
|
|
blood pressure was too low. So
|
|
I had to try a different treament.
|
|
|
|
BEVERLY
|
|
A morathial series?
|
|
|
|
RUSSELL
|
|
No. I tried a new rybotherapy
|
|
I've been working with. It's
|
|
called Borathium, and I've had
|
|
some very good results...
|
|
|
|
Beverly is more surprised than angry. She has trouble
|
|
believing that Russell would actually do this.
|
|
|
|
BEVERLY
|
|
You used this man for one of your
|
|
experiments?
|
|
|
|
RUSSELL
|
|
Borathium is decades ahead of
|
|
leporazine or morathial.
|
|
|
|
Beverly starts a slow burn.
|
|
|
|
BEVERLY
|
|
Morathial would have saved his
|
|
life.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT THREE 36.
|
|
|
|
37 CONTINUED:
|
|
|
|
RUSSELL
|
|
His injuries were so severe I
|
|
don't think any conventional
|
|
treatment could've saved him.
|
|
|
|
BEVERLY
|
|
The point is, you didn't even try
|
|
the standard treatments.
|
|
|
|
RUSSELL
|
|
I made the choice I thought gave
|
|
him the best chance of surviving.
|
|
(with a trace of
|
|
sarcasm)
|
|
Isn't that what you would have
|
|
done?
|
|
|
|
BEVERLY
|
|
I think you took advantage of the
|
|
situation in order to test one
|
|
of your theories -- just like
|
|
you're trying to do with Worf.
|
|
|
|
Russell eyes her briefly, moves a step closer.
|
|
|
|
RUSSELL
|
|
That's what this is really about,
|
|
isn't it? Lieutenant Worf. I'm
|
|
offering him the chance to recover
|
|
fully -- a chance you can't give
|
|
him.
|
|
|
|
BEVERLY
|
|
What this is about is the kind
|
|
of medicine you seem to practice.
|
|
|
|
RUSSELL
|
|
I make no excuses about my
|
|
approach to medicine. I don't like
|
|
losing a patient any more than you
|
|
do. But I'm looking down a long
|
|
road, Doctor... this man didn't
|
|
die for nothing -- the data I
|
|
gathered was invaluable... it will
|
|
eventually help save thousands
|
|
of lives.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT THREE 36A.
|
|
|
|
37 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I doubt that will comfort his
|
|
family.
|
|
|
|
RUSSELL
|
|
Let me ask you this: if, some
|
|
years from now, Borathium therapy
|
|
were to save the life of someone
|
|
you loved... would you still
|
|
condemn me?
|
|
|
|
BEVERLY
|
|
I won't get drawn into a
|
|
hypothetical argument, Doctor.
|
|
Your research on this ship is
|
|
over. You're relieved from all
|
|
medical duties until further
|
|
notice. Is that clear?
|
|
|
|
RUSSELL
|
|
(ice)
|
|
Perfectly.
|
|
|
|
The two doctors glare at each other for a moment, and
|
|
then Russell walks away. On Beverly's reaction...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Ethics" - REV. 12/13/91 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
39 INT. WORF'S SICKBAY ROOM
|
|
|
|
Worf is in bed as Beverly ENTERS. Her attitude is
|
|
warm, cheerful... this is Beverly at her best, caring
|
|
for a patient and trying to help him through a
|
|
difficult time, but Worf isn't going to make this easy
|
|
for her. His mind is obviously elsewhere.
|
|
|
|
BEVERLY
|
|
Good morning.
|
|
|
|
WORF
|
|
Doctor.
|
|
|
|
She checks the diagnostic monitor above the bed, then
|
|
checks his pulse herself and makes a couple of other
|
|
hands-on checks of his condition.
|
|
|
|
BEVERLY
|
|
I'd like to run a couple of tests
|
|
today... most of it is fairly
|
|
boring: blood work, molecular
|
|
studies, things like that.
|
|
|
|
Worf doesn't react to the humor or light tone in
|
|
Beverly's voice. His mind is obviously elsewhere.
|
|
|
|
WORF
|
|
Why do you wish to do these tests?
|
|
|
|
BEVERLY
|
|
I need the data for some
|
|
preparatory work I've been doing.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/13/91 - ACT FOUR 38.
|
|
|
|
39 CONTINUED:
|
|
|
|
WORF
|
|
Work... on the implants?
|
|
|
|
BEVERLY
|
|
Yes.
|
|
|
|
Worf looks away and his expression hardens.
|
|
|
|
WORF
|
|
I will not submit to the test.
|
|
|
|
Beat.
|
|
|
|
BEVERLY
|
|
I'm not trying to pressure you...
|
|
but we need to have some of this
|
|
work done in case you change your
|
|
mind.
|
|
|
|
WORF
|
|
I have made my decision. I wish
|
|
to die.
|
|
|
|
BEVERLY
|
|
There are alternatives other than
|
|
full recovery and ending your
|
|
life. The use of neural implants
|
|
is only one of them.
|
|
|
|
WORF
|
|
I am not interested.
|
|
|
|
BEVERLY
|
|
(frustrated)
|
|
You haven't even heard me out.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FOUR 39.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
WORF
|
|
No!
|
|
(beat, then quieter)
|
|
Leave me... please.
|
|
|
|
Beverly looks at him for a beat, but sees no point in
|
|
continuing this argument. She finally EXITS.
|
|
|
|
39A INT. BEVERLY'S OFFICE
|
|
|
|
Beverly ENTERS and sits down at her desk. She's had
|
|
a grueling couple of days and the previous scene with
|
|
Worf has only added to the strain. She picks up a PADD
|
|
and then tosses it back on the table in irritation.
|
|
|
|
PICARD
|
|
Doctor?
|
|
|
|
Beverly looks up in surprise to see Picard standing
|
|
in the doorway. Picard is quick to pick up on
|
|
Beverly's frustration and turmoil.
|
|
|
|
PICARD
|
|
I was on my way to look in on your
|
|
patient.
|
|
|
|
BEVERLY
|
|
Be my guest... but don't expect
|
|
a lot of conversation, he's in
|
|
full Klingon mode: honorable,
|
|
strong... and closed-minded.
|
|
|
|
Picard waits a beat... quietly changes the subject for
|
|
a moment.
|
|
|
|
PICARD
|
|
I understand you've relieved
|
|
Doctor Russell of duty.
|
|
|
|
BEVERLY
|
|
That's right. She's
|
|
irresponsible. I won't have her
|
|
practicing medicine on this ship.
|
|
|
|
Picard sits down... adopts a more personal and intimate
|
|
tone.
|
|
|
|
PICARD
|
|
Beverly... maybe you should
|
|
consider letting her go ahead with
|
|
the genetronic procedure.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FOUR 40.
|
|
|
|
39A CONTINUED:
|
|
|
|
Beverly looks at him with astonishment. She's been
|
|
under a lot of stress and her anger and frustration
|
|
are very near the surface.
|
|
|
|
BEVERLY
|
|
How can you say that? She has
|
|
a theory, based on a little
|
|
empirical data and a lot of
|
|
supposition...
|
|
|
|
PICARD
|
|
If he can't make a full
|
|
recovery... Worf's going to kill
|
|
himself.
|
|
|
|
BEVERLY
|
|
(firm)
|
|
Not in my sickbay, he's not. I'll
|
|
put him in a restraining field
|
|
and post security outside the door
|
|
before I let him commit suicide.
|
|
|
|
Picard keeps his voice low and reasonable, letting
|
|
Beverly vent her emotions.
|
|
|
|
PICARD
|
|
How long could you keep him like
|
|
that? A week... a month... a
|
|
year?
|
|
|
|
BEVERLY
|
|
If I have to. Suicide is not an
|
|
option.
|
|
(beat)
|
|
Setting aside for the moment the
|
|
fact that a paraplegic can live
|
|
a very full life, there is also
|
|
a conventional therapy that can
|
|
restore much of his mobility.
|
|
|
|
PICARD
|
|
But not all of it.
|
|
|
|
BEVERLY
|
|
(frustrated)
|
|
No, not all of it! There are some
|
|
things I can't fix. Klingon or
|
|
not, he's got to accept that his
|
|
condition---
|
|
|
|
STAR TREK: "Ethics" - REV. 12/12/91 - ACT FOUR 40A.
|
|
|
|
39A CONTINUED: (2)
|
|
|
|
Picard breaks in gently, but firmly.
|
|
|
|
PICARD
|
|
He can't make the journey you're
|
|
asking of him, Beverly.
|
|
(beat)
|
|
You want him to go from
|
|
contemplating suicide to accepting
|
|
his condition and living with the
|
|
disability. But that's too far...
|
|
the road in between covers a
|
|
lifetime of values and beliefs...
|
|
he can't do it.
|
|
|
|
Beverly leans back in the chair and rubs her eyes
|
|
briefly in fatigue and frustration... she's been having
|
|
the same argument with herself, and so far she hasn't
|
|
heard any good options. Picard continues after a beat.
|
|
|
|
PICARD
|
|
But perhaps he can come part of
|
|
the way... maybe he can be
|
|
persuaded to forgo the ritual...
|
|
in order to take a chance at
|
|
regaining the kind of life he
|
|
needs.
|
|
(beat)
|
|
A Klingon may not be able to
|
|
accept defeat... but he knows all
|
|
about taking risks.
|
|
|
|
Beverly thinks about this for a beat... she's starting
|
|
to waver a little. Her next argument is not nearly
|
|
so forceful as her last.
|
|
|
|
BEVERLY
|
|
Starfleet Medical has rejected
|
|
her proposals to use
|
|
genetronics on humanoids three
|
|
times.
|
|
|
|
PICARD
|
|
If they were aware of all the
|
|
circumstances in this case...
|
|
don't you think it might affect
|
|
their decision?
|
|
|
|
Beverly thinks for a long beat... she's not so sure
|
|
they wouldn't agree with Picard. She tries one last
|
|
argument.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FOUR 40B.
|
|
|
|
39A CONTINUED: (3)
|
|
|
|
BEVERLY
|
|
The first tenet of good medicine
|
|
is don't make the patient any
|
|
worse. Right now he's alive and
|
|
functioning... but if he goes
|
|
into this operation he'll probably
|
|
come away a corpse.
|
|
|
|
PICARD
|
|
It may not be good medicine...
|
|
but for Worf, it may be the only
|
|
choice.
|
|
|
|
Picard waits for another moment... then finally stands
|
|
and quietly EXITS, leaving Beverly with a great deal to
|
|
think about.
|
|
|
|
CUT TO:
|
|
|
|
39B INT. RIKER'S QUARTERS
|
|
|
|
Riker is carrying a cup of tea and sitting down at his
|
|
desk. He's been at this for a long time and he's
|
|
tired. He takes a sip and then turns back to the
|
|
computer terminal.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FOUR 41.
|
|
|
|
39B CONTINUED:
|
|
|
|
RIKER
|
|
(to computer)
|
|
Continue program.
|
|
|
|
39C ON TERMINAL (OPTICAL)
|
|
|
|
The screen comes to life and shows a great deal of
|
|
Klingon text.
|
|
|
|
39D RESUME SCENE
|
|
|
|
Riker continues reading the information on the
|
|
screen... suddenly he sees something unexpected... and
|
|
he begins to get an idea...
|
|
|
|
CUT TO:
|
|
|
|
39E
|
|
thru OMITTED
|
|
40
|
|
|
|
41 INT. WORF'S SICKBAY ROOM
|
|
|
|
Worf is lying in bed as Riker ENTERS. Riker is
|
|
carrying a Klingon ceremonial robe, a knife, and other
|
|
ceremonial objects. He puts them on the bed. Worf
|
|
reacts with surprise for a moment... he hadn't expected
|
|
Riker so soon. But he quickly composes himself and
|
|
then speaks with great formality.
|
|
|
|
WORF
|
|
I am ready, Commander.
|
|
|
|
Riker regards Worf for a moment. Riker's definitely
|
|
got a chip on his shoulder and a hardline attitude.
|
|
He's not here to meekly go along with this Klingon
|
|
business and it shows.
|
|
|
|
RIKER
|
|
I've been studying this ritual
|
|
of yours, and you know what I've
|
|
decided?
|
|
(beat)
|
|
I think it's despicable.
|
|
|
|
Worf is shocked by this blunt appraisal, but Riker
|
|
continues without waiting for some kind of response.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT FOUR 42.
|
|
|
|
41 CONTINUED:
|
|
|
|
RIKER
|
|
I hate everything about it... the
|
|
casual disregard for life...
|
|
the way it tries to cloak suicide
|
|
in some glorious notion of honor.
|
|
I may have to respect your
|
|
beliefs... but I don't have to
|
|
like them.
|
|
|
|
WORF
|
|
It is not something I expect you
|
|
to understand.
|
|
|
|
RIKER
|
|
No... All you really expect me
|
|
to do is bring you the knife and
|
|
then walk away, so you can kill
|
|
yourself in peace. Well, I'm not
|
|
going to make it that easy for
|
|
you.
|
|
|
|
WORF
|
|
It is not easy for me. But each
|
|
of us must die when his time
|
|
comes... and my time---
|
|
|
|
RIKER
|
|
Do you remember Sandoval?
|
|
|
|
Worf remembers, but does not acknowledge.
|
|
|
|
RIKER
|
|
Hit by a disruptor blast two years
|
|
ago. She lived for about a week.
|
|
How about Fang-lee... Marla
|
|
Aster... Tasha Yar... how many
|
|
good men and women -- how many
|
|
friends have we watched die? Even
|
|
I've lost count. But every one
|
|
of them -- every single one --
|
|
fought for life until the very
|
|
end.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FOUR 42A.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
WORF
|
|
I do not welcome death, Commander.
|
|
|
|
RIKER
|
|
Are you sure? I get the sense
|
|
you're feeling pretty noble about
|
|
the whole thing.
|
|
(mocking)
|
|
Look at Worf... isn't he
|
|
courageous? Isn't he an honorable
|
|
Klingon?
|
|
|
|
Worf glares at him but Riker keeps boring in.
|
|
|
|
RIKER
|
|
Well, let me remind you of
|
|
something... a Klingon does not
|
|
put his own desires above those
|
|
of his family and friends.
|
|
(beat)
|
|
How many people on this ship
|
|
consider you a friend? How many
|
|
owe you their lives? Have you given
|
|
any thought to how you have affected
|
|
the people around you? And how
|
|
they might feel about your dying?
|
|
|
|
Worf looks away, not wanting to hear this.
|
|
|
|
RIKER
|
|
And what about the Klingon Empire?
|
|
If you hadn't put yourself on the
|
|
line, the Empire would be ruled
|
|
by Duras and allied with the
|
|
Romulans. Maybe you should
|
|
think about what you still have
|
|
left to do instead of lying
|
|
around and --
|
|
|
|
WORF
|
|
(a shout)
|
|
Enough!
|
|
|
|
Riker pulls back and there is a tense beat between the
|
|
two men. Riker has touched a nerve and Worf takes a
|
|
moment to restrain his emotions.
|
|
|
|
WORF
|
|
(quieter)
|
|
Will you, or will you not, help
|
|
me with the Hegh'bat?
|
|
|
|
Riker picks up the knife and considers it for a moment.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FOUR 42B.
|
|
|
|
41 CONTINUED: (3)
|
|
|
|
RIKER
|
|
You're my friend... and in spite
|
|
of everything I've said... if it
|
|
were my place, I'd probably help
|
|
you.
|
|
(beat)
|
|
But I've been studying Klingon
|
|
law and ritual... and I discovered
|
|
that it's not my place to fill
|
|
that role.
|
|
(beat)
|
|
According to tradition, that honor
|
|
falls to a family member...
|
|
preferably the oldest son.
|
|
|
|
Worf is surprised -- and not happy -- that Riker has
|
|
discovered this.
|
|
|
|
WORF
|
|
That is not possible. He is a
|
|
child.
|
|
|
|
RIKER
|
|
"The son of a Klingon is a man
|
|
the day he can first hold a
|
|
blade." True?
|
|
|
|
WORF
|
|
Alexander is not fully Klingon...
|
|
he is part Human.
|
|
|
|
RIKER
|
|
That's an excuse. What you really
|
|
mean to say is that it would be
|
|
too hard for you to look at your
|
|
son and tell him that he must hand
|
|
you the knife... watch you stab
|
|
it into your heart... and then
|
|
pull the knife from your chest
|
|
and wipe the blood on his sleeve.
|
|
(beat)
|
|
That is the rite of death, isn't
|
|
it?
|
|
|
|
Worf maintains a stony silence. Riker tosses the knife
|
|
back on the bed.
|
|
|
|
RIKER
|
|
I'm sorry, Worf... but I can't
|
|
help you. There's only one
|
|
person on board who can do that.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FOUR 43.
|
|
|
|
41 CONTINUED: (4)
|
|
|
|
Riker EXITS, leaving Worf to make his decision.
|
|
|
|
41A OMITTED
|
|
|
|
42 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
CUT TO:
|
|
|
|
INT. WORF'S SICKBAY ROOM
|
|
|
|
Alexander ENTERS and goes to the bed. Worf is holding
|
|
the knife... he looks up at his son for a long silent
|
|
moment.
|
|
|
|
ALEXANDER
|
|
You... wanted to see me?
|
|
|
|
WORF
|
|
I need you to help me.
|
|
|
|
ALEXANDER
|
|
Anything, Father.
|
|
|
|
WORF
|
|
I've taught you about Klingon
|
|
customs... the beliefs which
|
|
we value.
|
|
(beat)
|
|
According to tradition, I must
|
|
take my life after suffering this
|
|
kind of injury.
|
|
|
|
Alexander looks shaken by this, but tries to be brave.
|
|
Worf looks at him for a long moment.
|
|
|
|
WORF
|
|
But I have decided to break with
|
|
tradition. I have decided to
|
|
live.
|
|
|
|
Alexander is flooded with relief.
|
|
|
|
ALEXANDER
|
|
I am glad, Father.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FOUR 44.
|
|
|
|
43 CONTINUED:
|
|
|
|
WORF
|
|
I must still undergo a dangerous
|
|
operation. I may still die. But
|
|
it will not be by my own hand.
|
|
|
|
He hands the knife to Alexander.
|
|
|
|
WORF
|
|
Return this to our quarters.
|
|
|
|
ALEXANDER
|
|
Yes, sir.
|
|
|
|
Alexander turns to go... hesitates... then turns back
|
|
and impulsively hugs his father. Worf warmly returns
|
|
the embrace as we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Ethics" - REV. 12/16/91 - ACT FIVE 45-46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
44 OMITTED
|
|
|
|
44A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
BEVERLY (V.O.)
|
|
Chief Medical Officer's log,
|
|
supplemental. After further
|
|
consultation with Starfleet
|
|
Medical, and a great deal of
|
|
soul-searching... I have
|
|
reluctantly granted Lieutenant
|
|
Worf's request to undergo the
|
|
genetronic procedure.
|
|
|
|
45 INT. WORF'S SICKBAY ROOM
|
|
|
|
Worf is lying in bed, listening to Alexander as Troi
|
|
looks on.
|
|
|
|
ALEXANDER
|
|
We started doing multiplications
|
|
today. The teacher said I'm
|
|
faster than anybody else in my
|
|
class.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FIVE 47.
|
|
|
|
45 CONTINUED:
|
|
|
|
Nurse Ogawa ENTERS and gives them a small smile... they
|
|
all know it's time to go. Worf looks at Alexander for
|
|
a moment.
|
|
|
|
WORF
|
|
We will speak again soon.
|
|
|
|
ALEXANDER
|
|
Yes, Father.
|
|
|
|
A brief beat and then Alexander gives his father a
|
|
tight hug. Worf hugs the boy back and then they
|
|
finally let go. Alexander backs away without another
|
|
word and EXITS. Worf looks up at Troi.
|
|
|
|
WORF
|
|
If I die... he must be cared
|
|
for...
|
|
|
|
TROI
|
|
I'll make sure he reaches your
|
|
parents' home safely.
|
|
|
|
WORF
|
|
No. My parents are elderly. They
|
|
cannot care for Alexander.
|
|
(beat)
|
|
Counselor, I have given this a
|
|
great deal of thought... I have
|
|
a serious request to make of you.
|
|
Would you consider...
|
|
|
|
Worf is more well, intimate, than we've ever seen
|
|
him... he is too embarrassed to continue... she
|
|
realizes what he was about to ask...
|
|
|
|
TROI
|
|
You want me to raise Alexander... ?
|
|
|
|
WORF
|
|
(softly, warm)
|
|
I have come to have a great...
|
|
(unsaid affection)
|
|
... respect for you, Deanna. You
|
|
have been most helpful in guiding
|
|
me since Alexander's arrival.
|
|
I cannot imagine anyone who would
|
|
make a better parent to my son.
|
|
(beat as they look at
|
|
each other)
|
|
If it is too much to ask...
|
|
|
|
STAR TREK: "Ethics" - REV. 12/18/91 - ACT FIVE 47A.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
Troi is surprised and deeply touched by this request.
|
|
She takes his hand in hers... they share a look for a
|
|
moment.
|
|
|
|
TROI
|
|
I'd be honored.
|
|
|
|
Worf nods in satisfaction... then Troi EXITS. Worf
|
|
watches after her for a beat, then turns to Ogawa.
|
|
|
|
WORF
|
|
I am ready.
|
|
|
|
CUT TO:
|
|
|
|
46 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship moving at warp speed.
|
|
|
|
47 INT. MEDICAL LAB (OPTICAL)
|
|
|
|
The scene is similar to the one we saw earlier in the
|
|
holodeck, but there is more tension present. Beverly
|
|
and Ogawa are assisting Russell in the procedure.
|
|
Everyone is wearing surgical gowns and masks. The
|
|
surgical clamshell is in place over Worf's back. All
|
|
the medical talk during surgery should be short and
|
|
clipped... no time for wasted words or actions here.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/18/91 - ACT FIVE 48-48A.
|
|
|
|
47 CONTINUED:
|
|
|
|
RUSSELL
|
|
Focus the drechtal beams on the
|
|
anterior and posterior spinal
|
|
roots.
|
|
|
|
Beverly works the clamshell for a moment.
|
|
|
|
BEVERLY
|
|
Focused.
|
|
|
|
RUSSELL
|
|
Initiate.
|
|
|
|
A THICK GREEN BEAM comes down from the overheard
|
|
doughnut and goes into the clamshell. A corresponding
|
|
GREEN GLOW can be seen underneath the clamshell as the
|
|
radiation works on Worf's back.
|
|
|
|
BEVERLY
|
|
(off monitor)
|
|
All neural connections below the
|
|
first cervical vertebrae have been
|
|
separated.
|
|
|
|
She works the clamshell again and the green BEAM STOPS.
|
|
|
|
RUSSELL
|
|
(to Ogawa)
|
|
Microtome.
|
|
|
|
Ogawa hands her the instrument.
|
|
|
|
RUSSELL
|
|
I'm severing the brain stem...
|
|
(uses instrument at base
|
|
of Worf's head)
|
|
Now.
|
|
|
|
Ogawa touches a control at one of the monitors. From
|
|
now on, the pace picks up even quicker as they now race
|
|
against the clock.
|
|
|
|
OGAWA
|
|
Cerebral cortex placed on life
|
|
support at zero eight thirty-one
|
|
hours. Three hours twenty-six
|
|
minutes remaining until onset of
|
|
primary brain dysfunction.
|
|
|
|
RUSSELL
|
|
(to Beverly)
|
|
Okay... let's remove the support
|
|
frame.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 49.
|
|
|
|
47 CONTINUED: (3)
|
|
|
|
They remove the surgical clamshell, exposing Worf's
|
|
back.
|
|
|
|
BEVERLY
|
|
(to Ogawa)
|
|
Exo-scalpel.
|
|
|
|
Ogawa hands her an instrument. Beverly activates the
|
|
device, producing a thin LASER beam. She uses it to
|
|
begin making an incision along Worf's back.
|
|
|
|
CUT TO:
|
|
|
|
48 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard and Riker are looking over some reports on a
|
|
couple of PADDs, but it's clear that there's something
|
|
else on both their minds.
|
|
|
|
RIKER
|
|
I've notified Starfleet that our
|
|
survey of sector
|
|
three-seven-six-two-eight will
|
|
have to be delayed at least a week
|
|
while we drop off survivors from
|
|
the Denver.
|
|
|
|
PICARD
|
|
Good.
|
|
(beat)
|
|
I understand Mister La Forge has
|
|
reported a minor fluctuation in
|
|
the starboard warp coil.
|
|
|
|
RIKER
|
|
(acknowledges)
|
|
I've scheduled a stress simulation
|
|
routine for this afternoon to
|
|
check it out.
|
|
|
|
There's a silent pause... neither of them is really
|
|
interested in these reports. Riker waits for a
|
|
moment... then in a very quiet voice...
|
|
|
|
RIKER
|
|
Has there been any word?
|
|
|
|
PICARD
|
|
No.
|
|
|
|
They both ponder that for a moment...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 50.
|
|
|
|
49 INT. MEDICAL LAB (OPTICAL)
|
|
|
|
Russell and Beverly are working at the genetronic
|
|
machine seen earlier. Worf's entire SPINAL COLUMN has
|
|
been placed on the genetronic device and the gleaming
|
|
white of the bone is in stark contrast to the dark
|
|
surfaces of the machine. Ogawa is standing near Worf's
|
|
unconscious form in the b.g., monitoring his signs.
|
|
|
|
RUSSELL
|
|
(to Beverly)
|
|
Initiate DNA sequencer.
|
|
|
|
As Beverly works the console, a LASER-LIKE BEAM scans
|
|
the bone and DNA coding information begins to scroll
|
|
across a monitor on the machine. They both watch the
|
|
screen for a moment...
|
|
|
|
BEVERLY
|
|
Reading initial sequences at ten
|
|
to the ninth base pairs
|
|
per second.
|
|
|
|
RUSSELL
|
|
Once we're past the first two
|
|
levels, we'll begin the encoding
|
|
sequence.
|
|
(turns to Ogawa)
|
|
Increase TCH levels to---
|
|
|
|
An ALARM sounds from gentronic device and the LASER
|
|
STOPS.
|
|
|
|
BEVERLY
|
|
(concerned)
|
|
What happened?
|
|
|
|
RUSSELL
|
|
(reading monitor)
|
|
The scanner is having trouble
|
|
reading the Klingon dorsal root
|
|
ganglia.
|
|
|
|
Russell works the machine for a moment... the LASER
|
|
APPEARS... then STOPS again. Russell frowns.
|
|
|
|
BEVERLY
|
|
(concerned)
|
|
Did this show up in your
|
|
simulations?
|
|
|
|
RUSSELL
|
|
Yes... but I thought we'd made
|
|
sufficient adjustments.
|
|
(MORE)
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FIVE 50A.
|
|
|
|
49 CONTINUED:
|
|
|
|
RUSSELL (cont'd)
|
|
(to Ogawa)
|
|
Bring me the detronal scanner.
|
|
|
|
Ogawa brings an instrument and Russell points it at the
|
|
spinal column.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FIVE 51.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
RUSSELL
|
|
I can scan the ganglia
|
|
manually... it'll just take
|
|
longer.
|
|
|
|
Beverly looks a question to Ogawa, who then checks a
|
|
monitor.
|
|
|
|
OGAWA
|
|
One hour forty-three minutes until
|
|
primary brain dysfunction.
|
|
|
|
Russell keeps working.
|
|
|
|
CUT TO:
|
|
|
|
50 OMITTED
|
|
|
|
51 INT. SICKBAY
|
|
|
|
Troi and Alexander are sitting on the couch. He's
|
|
halfheartedly playing with some game, but his mind is
|
|
clearly elsewhere. Troi puts her arm around him and
|
|
Alexander accepts the comforting gesture.
|
|
|
|
CUT TO:
|
|
|
|
51A INT. MEDICAL LAB
|
|
|
|
Russell is standing near the genetronic machine while
|
|
Beverly and Ogawa wait near Worf's body.
|
|
|
|
52 THE GENETRONIC MACHINE
|
|
|
|
which has a SMALL CLEAR BOX sitting on the machine next
|
|
to Worf's spinal column. We can see a long, thin piece
|
|
of tissue which looks like fettucini, floating in some
|
|
clear liquid in the box.
|
|
|
|
53 RESUME SCENE
|
|
|
|
Ogawa takes the clear box from the machine and
|
|
carefully takes it over to the table and sets it down
|
|
on a nearby cart.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 52.
|
|
|
|
53 CONTINUED:
|
|
|
|
RUSSELL
|
|
(to Ogawa)
|
|
Forceps.
|
|
|
|
Ogawa hands her two pairs of forceps and Russell uses
|
|
them to pick up the thin piece of tissue. She and
|
|
Beverly begin to place the tissue into Worf's back
|
|
(which is o.c.).
|
|
|
|
RUSSELL
|
|
(to Beverly)
|
|
Retract the paraspinal muscle.
|
|
|
|
BEVERLY
|
|
Got it.
|
|
(beat)
|
|
Watch the proximal nerve endings.
|
|
|
|
RUSSELL
|
|
I see them. Make sure that the
|
|
cranial segment is at least
|
|
fifteen centimeters from the brain
|
|
stem.
|
|
|
|
OGAWA
|
|
I'm reading a slight fluctuation
|
|
in the isocortex.
|
|
|
|
BEVERLY
|
|
Twenty cc's inoprovaline.
|
|
|
|
Ogawa uses the hypospray.
|
|
|
|
RUSSELL
|
|
(to Beverly)
|
|
Okay, release the retractors on
|
|
the paraspinal, please.
|
|
|
|
Beverly works.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 52A.
|
|
|
|
53 CONTINUED: (2)
|
|
|
|
RUSSELL
|
|
How much longer can we keep him
|
|
on life support?
|
|
|
|
OGAWA
|
|
Twenty-seven minutes.
|
|
|
|
Russell and Beverly exchange a quick glance. Russell
|
|
steps back and Ogawa slides the clamshell back into
|
|
place.
|
|
|
|
RUSSELL
|
|
(to Ogawa)
|
|
Close, please.
|
|
|
|
Ogawa works the clamshell for a moment as Russell moves
|
|
to the genetronic machine.
|
|
|
|
OGAWA
|
|
Ready.
|
|
|
|
Russell works the genetronic machine for a moment...
|
|
and LIGHTS flash on the machine in respose. Russell
|
|
crosses back to the operating table and the three of
|
|
them watch the screen on the clamshell.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FIVE 53.
|
|
|
|
54 ON CLAMSHELL (OPTICAL)
|
|
|
|
The monitor screen on the clamshell shows a schematic
|
|
view of Worf's back and torso. As they work, a new
|
|
spinal column and cord begins to GROW on the monitor.
|
|
The effect is similar to watching time-lapse
|
|
photography of plants or crystals being grown as the
|
|
bone and nerve endings begin to take form in Worf's
|
|
back.
|
|
|
|
55 RESUME SCENE (OPTICAL)
|
|
|
|
As they watch the screen.
|
|
|
|
RUSSELL
|
|
(pleased)
|
|
Tissue growth proceeding at the
|
|
anticipated rate... no initial
|
|
signs of rejection...
|
|
|
|
As they continue to watch the monitor...
|
|
|
|
CUT TO:
|
|
|
|
55A INT. SICKBAY
|
|
|
|
Troi is still on the couch... Alexander has fallen
|
|
asleep in her lap. She strokes the boy's hair for a
|
|
moment... now that she doesn't have to put up a brave
|
|
front, we can see the anxiety Troi is actually feeling.
|
|
|
|
55B INT. MEDICAL LAB (OPTICAL)
|
|
|
|
Beverly and Russell are still watching the clamshell
|
|
monitor. Ogawa's attention is focused on a monitor.
|
|
The atmosphere is tense and urgent.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 54.
|
|
|
|
55B CONTINUED:
|
|
|
|
RUSSELL
|
|
Okay. We're ready. Terminate
|
|
life support.
|
|
|
|
OGAWA
|
|
Life support disengaged.
|
|
|
|
They turn to watch a group of readouts which show
|
|
various vital medical information.
|
|
|
|
BEVERLY
|
|
Looking good so far...
|
|
|
|
For a moment, all seems fine... suddenly all hell seems
|
|
to break loose as various ALARMS start to go off. The
|
|
following dialog is overlapping and urgent as they try
|
|
to save Worf.
|
|
|
|
OGAWA
|
|
Fluctuations in the isocortex.
|
|
|
|
BEVERLY
|
|
Forty cc's inoprovaline.
|
|
|
|
Ogawa applies the hypospray.
|
|
|
|
RUSSELL
|
|
Synaptic response falling.
|
|
|
|
OGAWA
|
|
BP dropping... now sixty over
|
|
ten. VeK'tal response falling
|
|
rapidly.
|
|
|
|
BEVERLY
|
|
Increase oxygen mixture to
|
|
ninety-five percent.
|
|
|
|
RUSSELL
|
|
(working)
|
|
Beginning direct synaptic
|
|
stimulation.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 55.
|
|
|
|
55B CONTINUED: (2)
|
|
|
|
OGAWA
|
|
Respiration is shallow and rapid.
|
|
(beat)
|
|
No response in the isocortex!
|
|
|
|
BEVERLY
|
|
Seventy-five cc's inoprovaline.
|
|
|
|
OGAWA
|
|
Heart rate erratic.
|
|
|
|
RUSSELL
|
|
He's going into cardiac arrest.
|
|
|
|
BEVERLY
|
|
Okay... let's go to chlromydride.
|
|
Fifteen cc's.
|
|
|
|
Ogawa applies another hypospray.
|
|
|
|
RUSSELL
|
|
We're losing him.
|
|
|
|
OGAWA
|
|
(off monitor)
|
|
No BP, no pulse.
|
|
|
|
RUSSELL
|
|
Brain activity?
|
|
|
|
OGAWA
|
|
Showing no higher brain
|
|
functions.
|
|
|
|
BEVERLY
|
|
All right... twenty-five cc's of
|
|
cordrazine.
|
|
|
|
RUSSELL
|
|
That'll kill him.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 55A.
|
|
|
|
55B CONTINUED: (3)
|
|
|
|
BEVERLY
|
|
(bitter)
|
|
Looks like we've done a pretty
|
|
good job of that already, Doctor.
|
|
|
|
Ogawa hands Beverly another hypospray and Beverly
|
|
applies it. They watch the monitors... but there is no
|
|
sign of life.
|
|
|
|
OGAWA
|
|
No BP, no pulse... no activity
|
|
in the isocortex.
|
|
|
|
BEVERLY
|
|
Cortical stimulator.
|
|
|
|
Ogawa grabs a device and places it on Worf's head.
|
|
Beverly goes to a monitor showing Worf's brain activity
|
|
(which is null at this point).
|
|
|
|
BEVERLY
|
|
Now.
|
|
|
|
Ogawa activates the instrument and Worf's body JERKS
|
|
slightly. There is a corresponding BURST of activity
|
|
on the monitor screen... then nothing.
|
|
|
|
BEVERLY
|
|
Again.
|
|
|
|
RUSSELL
|
|
Doctor...
|
|
|
|
Again Worf twitches, there is a burst on the screen...
|
|
and then nothing.
|
|
|
|
BEVERLY
|
|
(insistent)
|
|
Again.
|
|
|
|
RUSSELL
|
|
Beverly.
|
|
|
|
Still nothing on the monitor. There is a very long,
|
|
quiet beat. Beverly finally takes off her gloves.
|
|
|
|
BEVERLY
|
|
All right...
|
|
(to Ogawa)
|
|
Make a note in the log.
|
|
(beat)
|
|
Death occurred at... twelve
|
|
hundred, forty hours.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 55B.
|
|
|
|
55B CONTINUED: (4)
|
|
|
|
They all wait for a moment... then Ogawa begins moving
|
|
equipment away from Worf and shutting off the monitors.
|
|
|
|
RUSSELL
|
|
It was all going so well... no
|
|
anomalies during replication...
|
|
no initial rejection...
|
|
|
|
Beverly looks up at Russell with bitterness and pain in
|
|
her eyes. She EXITS.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/10/91 - ACT FIVE 56.
|
|
|
|
55C INT. SICKBAY
|
|
|
|
Troi and Alexander are still on the couch as Beverly
|
|
ENTERS, exchanges a look with Troi.
|
|
|
|
TROI
|
|
(reacts)
|
|
No...
|
|
|
|
Alexander wakes up at the sound... looks at Beverly...
|
|
|
|
BEVERLY
|
|
Alexander... I'm so sorry...
|
|
|
|
ALEXANDER
|
|
I want to see him.
|
|
|
|
TROI
|
|
Alex...
|
|
|
|
ALEXANDER
|
|
No. I want to see him!
|
|
|
|
And as Beverly and Troi exchange a glance...
|
|
|
|
CUT TO:
|
|
|
|
56 OMITTED
|
|
|
|
56A INT. MEDICAL LAB
|
|
|
|
Beverly, Ogawa, Russell, and Troi watch as Alexander
|
|
bravely walks over to his father's body, which is still
|
|
lying on the surgical table. Russell watches,
|
|
helplessly, in a room where only moments ago she was
|
|
confident and clearly in charge. Alexander is trying
|
|
to hold back his tears... to behave like his father
|
|
would have wanted... he puts his hands on Worf's
|
|
head... manfully throws back his head and tries to
|
|
yell a Klingon howl at the ceiling... but his voice
|
|
breaks and the shout of defiance breaks into a sob and
|
|
the tears finally begin to roll down his face.
|
|
|
|
Troi quickly moves to him and takes the boy into her
|
|
arms to comfort him. Beverly, emotionally exhausted,
|
|
looks on for a moment... her eyes turn to Worf.
|
|
|
|
56B BEVERLY'S POV
|
|
|
|
Worf's still form on the table... suddenly his neck
|
|
stiffens, chin snaps back slightly and he takes in a
|
|
quick, shallow breath... holds it for a beat... then
|
|
releases it.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/11/91 - ACT FIVE 56A.
|
|
|
|
56C BEVERLY
|
|
|
|
takes a moment to realize what's happening, then she
|
|
reacts and races over to Worf.
|
|
|
|
BEVERLY
|
|
(to Ogawa)
|
|
Activate biomonitors. Twenty-five
|
|
cc's polyadrenaline.
|
|
|
|
Ogawa turns on a few of the monitors in the b.g. and
|
|
hands Beverly a hypospray. Troi and Alexander look up
|
|
with curiosity. Beverly moves to the monitors and
|
|
begins to scan them quickly... they all still show
|
|
nothing.
|
|
|
|
RUSSELL
|
|
What's going on?
|
|
|
|
BEVERLY
|
|
(still looking at
|
|
monitors)
|
|
I'm not sure...
|
|
(beat, realizing)
|
|
But, if I'm right, one of those
|
|
"unnecessary redundancies" might
|
|
be---
|
|
|
|
OGAWA
|
|
Doctor!
|
|
|
|
They all look at Ogawa's monitor, which is beginning to
|
|
show an irregular HEART BEAT.
|
|
|
|
BEVERLY
|
|
That's it! Begin cardio-aid and
|
|
ventilation.
|
|
|
|
More and more monitors begin to come to life and show a
|
|
living body once again.
|
|
|
|
BEVERLY
|
|
(amazed)
|
|
Look at that... he must have
|
|
a backup for his synaptic
|
|
functions as well.
|
|
|
|
OGAWA
|
|
Vital signs are stabilizing...
|
|
|
|
Alexander hugs Troi with joy as relief sweeps the room.
|
|
|
|
CUT TO:
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit around the planet seen in the Teaser.
|
|
|
|
STAR TREK: "Ethics" - REV. 12/12/91 - ACT FIVE 56B.
|
|
|
|
58 INT. BEVERLY'S OFFICE
|
|
|
|
Beverly is at her desk as Russell ENTERS from sickbay.
|
|
Russell's attitude is light and pleasant.
|
|
|
|
RUSSELL
|
|
Well, I'd say your patient's
|
|
recovery is going well. I've
|
|
never seen anyone up on their feet
|
|
so soon after this kind of
|
|
surgery.
|
|
|
|
Beverly doesn't answer, but turns to look at a PADD
|
|
sitting on her desk. Russell's light manner falls away
|
|
as she realizes that Beverly isn't going to let bygones
|
|
be bygones.
|
|
|
|
RUSSELL
|
|
You're not even going to
|
|
acknowledge what I did for him
|
|
are you? You just can't admit
|
|
that it was my research which made
|
|
this possible.
|
|
|
|
Beverly looks up and considers Russell for a moment.
|
|
|
|
BEVERLY
|
|
I'm delighted that Worf is going
|
|
to recover. You gambled. He won.
|
|
Most of your patients aren't so
|
|
lucky.
|
|
(beat)
|
|
You scare me, Doctor. You risk
|
|
peoples' lives and justify it in
|
|
the name of research. But genuine
|
|
research takes time... sometimes
|
|
a lifetime of painstaking,
|
|
detailed work to get results.
|
|
Not you -- you take shortcuts...
|
|
right through living tissue. You
|
|
put your "research" ahead of your
|
|
patients, and as far as I'm
|
|
concerned, that's a violation of
|
|
our most sacred trust.
|
|
(beat)
|
|
No one remembers the patients who
|
|
died unnecessarily... not in the
|
|
glow of a remarkable achievement
|
|
like this one, do they? I'm sure
|
|
the work you've done here will be
|
|
hailed as a stunning breakthrough.
|
|
Enjoy your laurels, Doctor. I'm not
|
|
sure I could.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FIVE 57.
|
|
|
|
58 CONTINUED:
|
|
|
|
Beverly turns away from Russell and picks up the PADD
|
|
again. Russell watches her for a moment... then EXITS.
|
|
|
|
CUT TO:
|
|
|
|
59 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship leaves orbit and goes into warp.
|
|
|
|
60 INT. WORF'S SICKBAY ROOM
|
|
|
|
Worf is standing between two parallel bars which are
|
|
at waist level. Some of his weight is on his arms,
|
|
which are tightly gripping the bars, but he is making
|
|
good progress as he tries to walk. Troi, Beverly,
|
|
and Alexander stand off to one side and watch.
|
|
|
|
BEVERLY
|
|
I told you this would take time,
|
|
Worf.
|
|
|
|
Worf struggles to lurch forward another step.
|
|
|
|
BEVERLY
|
|
Your muscles are still sorting
|
|
out the new neural inputs...
|
|
don't rush it.
|
|
|
|
STAR TREK: "Ethics" - 12/09/91 - ACT FIVE 58.
|
|
|
|
60 CONTINUED:
|
|
|
|
Worf moves forward another step and his leg falters...
|
|
he almost falls, but catches himself on the bars.
|
|
Alexander almost rushes over, but Troi gently puts a
|
|
hand on his shoulder.
|
|
|
|
TROI
|
|
(softly)
|
|
Alexander, remember what we talked
|
|
about. Your father wants to do
|
|
this by himself.
|
|
|
|
Alexander nods reluctantly and waits with Troi.
|
|
|
|
61 WORF
|
|
|
|
Steadies himself again... he looks at Alexander for
|
|
a moment... sees the look of concern and helplessness
|
|
on the boy's face. Worf thinks for a few seconds and
|
|
then turns to Troi.
|
|
|
|
WORF
|
|
It's all right, Counselor. I
|
|
would... appreciate some help
|
|
from my son.
|
|
|
|
Alexander's face lights up and he runs over to his
|
|
father and helps him to straighten out his leg.
|
|
|
|
WORF
|
|
(to Alexander)
|
|
We will... work together.
|
|
|
|
ALEXANDER
|
|
Yes, sir.
|
|
|
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They share a moment together and now with his son at
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his side, Worf resolutely begins to put one foot
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forward again.
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FADE OUT.
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END OF ACT FIVE
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THE END
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