mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 03:52:47 +00:00
1 line
69 KiB
Plaintext
1 line
69 KiB
Plaintext
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
|
||
"A Fistful of Datas"
|
||
#40276-234
|
||
|
||
Written by
|
||
Brannon Braga
|
||
|
||
Directed by
|
||
Patrick Stewart
|
||
|
||
|
||
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
||
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
||
WITH THE TELEVISION LEGAL DEPARTMENT.
|
||
|
||
Copyright 1992 Paramount Pictures Corporation. All Rights
|
||
Reserved. This script is not for publication or
|
||
reproduction. No one is authorized to dispose of same. If
|
||
lost or destroyed, please notify the Script Department.
|
||
|
||
FINAL DRAFT
|
||
|
||
SEPTEMBER 17, 1992
|
||
|
||
STAR TREK: "A Fistful of Datas" - 09/17/92 - CAST
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"A Fistful of Datas"
|
||
|
||
CAST
|
||
|
||
PICARD ELI HOLLANDER
|
||
RIKER
|
||
DATA BANDITO
|
||
BEVERLY ANNIE MEYERS
|
||
TROI
|
||
WORF
|
||
GEORDI
|
||
ALEXANDER
|
||
COMPUTER VOICE
|
||
|
||
Non-Speaking Non-Speaking
|
||
N.D. ENGINEERS HENCHMAN
|
||
CREWMEMBERS VARIOUS TOWNSFOLK
|
||
PIANO PLAYER
|
||
|
||
STAR TREK: "A Fistful of Datas" - 09/17/92 - SETS
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"A Fistful of Datas"
|
||
|
||
SETS
|
||
|
||
INTERIORS EXTERIORS
|
||
|
||
USS ENTERPRISE USS ENTERPRISE
|
||
ENGINEERING
|
||
READY ROOM WESTERN STREET
|
||
OBS. LOUNGE
|
||
CORRIDOR
|
||
|
||
HOLODECK
|
||
SALOON
|
||
SHERIFF'S OFFICE
|
||
MINE SHAFT
|
||
|
||
WORF'S QUARTERS
|
||
PICARD'S QUARTERS
|
||
DATA'S QUARTERS
|
||
REHEARSAL ROOM (OBS. LOUNGE)
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 1.
|
||
|
||
STAR TREK: THE NEXT GENERATION
|
||
"A Fistful of Datas"
|
||
TEASER
|
||
|
||
FADE IN:
|
||
|
||
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
orbiting a RED GIANT GASEOUS PLANET.
|
||
|
||
PICARD (V.O.)
|
||
Captain's Log, Stardate 46271.5.
|
||
The Enterprise has entered orbit
|
||
of Deinonychus Seven. But our
|
||
scheduled rendezvous with the
|
||
supply ship Biko has been delayed
|
||
for another forty-eight hours.
|
||
|
||
2 OMITTED
|
||
|
||
3 INT. PICARD'S QUARTERS
|
||
|
||
PICARD is sitting in a chair, playing a quiet MELODY
|
||
on his FLUTE (as seen in "The Inner Light"). Over the
|
||
com system, two other instruments can be heard -- a
|
||
CLARINET and a CELLO. Picard is playing along with
|
||
the music form a pleasant harmony.
|
||
|
||
PICARD (V.O.)
|
||
(continuing)
|
||
In the meantime, many members of
|
||
the crew are taking advantage of
|
||
the delay to pursue their own
|
||
projects... myself included.
|
||
|
||
After a few measures, Picard stops playing -- something
|
||
doesn't sound quite right.
|
||
|
||
PICARD
|
||
(to computer)
|
||
Computer -- stop playback.
|
||
|
||
The music STOPS.
|
||
|
||
PICARD
|
||
(continuing)
|
||
Change the clarinet to an oboe.
|
||
Continue recording.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 1A.
|
||
|
||
3 CONTINUED:
|
||
|
||
Picard listens as the music PLAYS BACK -- the same
|
||
melody, but now the CLARINET is an OBOE. He begins to
|
||
play the flute along with the music...
|
||
|
||
The door CHIMES.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 2.
|
||
|
||
3 CONTINUED: (2)
|
||
|
||
PICARD
|
||
(to computer)
|
||
Pause program.
|
||
|
||
The music STOPS. Picard sets his flute aside.
|
||
|
||
PICARD
|
||
Come.
|
||
|
||
GEORDI and DATA ENTER. Geordi is enthusiastic about
|
||
something.
|
||
|
||
GEORDI
|
||
Captain -- we'd like permission
|
||
to take the Engineering computer
|
||
off-line for a couple of hours.
|
||
(beat)
|
||
We've been working on a new
|
||
interface that'll allow Data to
|
||
act as an emergency back-up in
|
||
case of a ship-wide systems
|
||
failure.
|
||
|
||
DATA
|
||
In theory, my neural network
|
||
should be able to sustain key
|
||
systems until primary control is
|
||
restored.
|
||
|
||
Picard considers -- it sounds like an interesting
|
||
notion, but he's not really in the mood for talking
|
||
tech.
|
||
|
||
PICARD
|
||
It sounds like an intriguing
|
||
experiment. I'll be very
|
||
interested to see the results.
|
||
(beat)
|
||
Permission granted.
|
||
|
||
Excited by the prospects, Geordi continues...
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 3.
|
||
|
||
3 CONTINUED: (3)
|
||
|
||
GEORDI
|
||
It's possible we may even be able
|
||
to run secondary systems through
|
||
Data. Weapons control... sensor
|
||
arrays...
|
||
|
||
Picard nods, growing slightly impatient.
|
||
|
||
PICARD
|
||
Yes. I get the idea, Mister La
|
||
Forge. Thank you. Please
|
||
proceed.
|
||
|
||
Geordi nods and EXITS with Data. Picard takes a moment
|
||
to clear his thoughts... then picks up his flute.
|
||
|
||
PICARD
|
||
(to computer)
|
||
Computer -- record again from the
|
||
first measure.
|
||
|
||
The other two MUSIC tracks start to play. He takes a
|
||
breath... then begins to PLAY the tranquil flute melody
|
||
again... a few measures go by...
|
||
|
||
The door CHIMES. Picard stops playing, slightly
|
||
annoyed.
|
||
|
||
PICARD
|
||
Computer -- pause program.
|
||
|
||
The music STOPS.
|
||
|
||
PICARD
|
||
Come.
|
||
|
||
BEVERLY ENTERS. She looks determined about something.
|
||
|
||
BEVERLY
|
||
Jean-Luc, I need to talk with you
|
||
about "Something for Breakfast."
|
||
|
||
Picard looks her, at a loss.
|
||
|
||
BEVERLY
|
||
(prompting)
|
||
The play.
|
||
|
||
Picard nods, remembering -- tries to ease out of the
|
||
subject.
|
||
|
||
PICARD
|
||
Ah... yes... a very intriguing
|
||
drama. But I really don't have
|
||
the time it would take to learn
|
||
a part. And anyway, I'm not much
|
||
of an actor...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 4.
|
||
|
||
3 CONTINUED: (4)
|
||
|
||
BEVERLY
|
||
That's no problem. You wouldn't
|
||
be playing one of the leads.
|
||
|
||
Picard is surprised -- and just a little hurt.
|
||
|
||
PICARD
|
||
Oh.
|
||
|
||
BEVERLY
|
||
It's a very small part. Only two
|
||
lines in the whole play.
|
||
|
||
PICARD
|
||
Really.
|
||
|
||
BEVERLY
|
||
You play the butler.
|
||
|
||
A long beat.
|
||
|
||
PICARD
|
||
Let me read the play again...
|
||
and I'll let you know.
|
||
|
||
BEVERLY
|
||
You'll be wonderful, Jean-Luc.
|
||
Rehearsal's at one thirty this
|
||
afternoon.
|
||
|
||
Picard nods. Beverly turns and EXITS. Picard takes
|
||
a breath to recenter himself... then brings the flute
|
||
to his mouth...
|
||
|
||
PICARD
|
||
Computer -- continue recording.
|
||
|
||
The MUSIC plays. He begins to play the flute again...
|
||
the soft melody...
|
||
|
||
The door CHIMES. Picard reacts, annoyed.
|
||
|
||
PICARD
|
||
Enter.
|
||
|
||
WORF ENTERS, stops at the desk.
|
||
|
||
WORF
|
||
Captain, I am sorry to interrupt,
|
||
but I wanted to consult you
|
||
regarding the duty roster.
|
||
|
||
PICARD
|
||
Proceed.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 5.
|
||
|
||
3 CONTINUED: (5)
|
||
|
||
WORF
|
||
I was hoping we could take
|
||
advantage of the Biko's delay by
|
||
staging shipwide security drills.
|
||
I have planned a tentative
|
||
schedule...
|
||
|
||
Worf hands Picard a PADD. Picard looks it over.
|
||
|
||
PICARD
|
||
Very impressive, Mister Worf.
|
||
But we'll be taking on new
|
||
personnel at Starbase One-Eighteen
|
||
in a few weeks. Surely the drills
|
||
can wait until then.
|
||
|
||
A beat. Worf seems intent on having something to do.
|
||
|
||
WORF
|
||
In that case, I will use the time
|
||
to perform maintenance checks on
|
||
the forward phaser array.
|
||
|
||
Picard looks at Worf a moment.
|
||
|
||
PICARD
|
||
Mister Worf... is there some
|
||
reason you're trying to give
|
||
yourself more work?
|
||
|
||
Worf hesitates, awkward.
|
||
|
||
WORF
|
||
No sir. I simply wished to use
|
||
the extra time to...
|
||
|
||
PICARD
|
||
(cutting in)
|
||
... Enjoy yourself. You have some
|
||
free time. Use it.
|
||
|
||
Worf nods.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 6.
|
||
|
||
3 CONTINUED: (6)
|
||
|
||
WORF
|
||
Yes, sir. Thank you, sir.
|
||
|
||
Worf turns and EXITS. Picard breathes a sigh of
|
||
relief.
|
||
|
||
PICARD
|
||
(to computer)
|
||
Computer, once more from the top.
|
||
|
||
As the MUSIC starts to play...
|
||
|
||
4 INT. WORF'S QUARTERS
|
||
|
||
Worf ENTERS the room, where ALEXANDER is waiting for
|
||
him. Alexander rushes up to him, excited about
|
||
something.
|
||
|
||
ALEXANDER
|
||
What did he say?
|
||
|
||
WORF
|
||
The Captain saw fit to release
|
||
me from my duties.
|
||
|
||
ALEXANDER
|
||
You mean, you can go?
|
||
|
||
Worf settles into a nearby chair... resigned... but
|
||
he is not happy about what he's about to do...
|
||
|
||
WORF
|
||
I can go.
|
||
|
||
Alexander reaches offscreen and grabs a nearby COWBOY
|
||
HAT. As he places the hat on Worf's head...
|
||
|
||
ALEXANDER
|
||
Saddle up, Father!
|
||
|
||
OFF Worf's look of resignation...
|
||
|
||
FADE OUT.
|
||
|
||
END OF TEASER
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 7.
|
||
|
||
ACT ONE
|
||
|
||
FADE IN:
|
||
|
||
(NOTE: Episode credits fall over opening scenes.)
|
||
|
||
5 EXT. HOLODECK - WESTERN STREET - DAY
|
||
|
||
A street right out of the OLD WEST. DIRT ROAD, WOODEN
|
||
BUILDINGS, TOWNSFOLK, HORSES. There's a SALOON with a
|
||
sign out front that reads "The Gold Strike Saloon"...
|
||
and there's a SHERIFF'S OFFICE. The street is quiet on
|
||
this day... not a lot of activity... just a few
|
||
townsfolk mingling about... the wind curling up dust...
|
||
|
||
CUT TO VARIOUS ANGLES ON THE STREET:
|
||
|
||
6 AN OLD MAN
|
||
|
||
sitting in a rocking chair on a porch, rocking slowly
|
||
back and forth, making a continuous CREAKING sound.
|
||
The man puffs on his pipe, hat pulled down over his
|
||
eyes to block the sun...
|
||
|
||
7 A HORSE
|
||
|
||
attached to a hitching post.
|
||
|
||
8
|
||
thru OMITTED
|
||
9
|
||
|
||
10 THE OLD MAN
|
||
|
||
rocking in his chair... creaking... Suddenly he STOPS
|
||
rocking. Silence. The man tilts his head upward
|
||
slightly to look at the road. Gradually, the SOUND of
|
||
FOOTSTEPS can be heard... coming closer...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 8.
|
||
|
||
11 A PAIR OF BOOTS
|
||
|
||
A large pair of boots on large feet, taking large
|
||
steps, spurs jangling, stirring up dust...
|
||
|
||
12 THE HORSE
|
||
|
||
stomps and whinnies nervously, as if in response...
|
||
|
||
13 THE BOOTS
|
||
|
||
come to a stop. A second later, more FOOTSTEPS are
|
||
heard and a second PAIR OF BOOTS comes into view -- a
|
||
very small pair by comparison. Big boot, little boots.
|
||
|
||
14 THE OLD MAN
|
||
|
||
squinting into the sun to see who is there...
|
||
|
||
15 WIDE ANGLE - WORF AND ALEXANDER
|
||
|
||
wearing the boots, standing side by side -- lone
|
||
figures on the Western street. They are both dressed
|
||
in WESTERN ATTIRE, holsters and GUNS at their sides.
|
||
They each wear an old-style BADGE on their chest. They
|
||
are lawmen.
|
||
|
||
After a beat, they continue walking... surveying the
|
||
town. Alexander is excited to be here. Worf is wary
|
||
of the whole venture.
|
||
|
||
WORF
|
||
(to Alexander)
|
||
Where are we?
|
||
|
||
ALEXANDER
|
||
Deadwood, South Dakota...
|
||
nineteenth century Earth.
|
||
(beat)
|
||
The Ancient West.
|
||
|
||
Worf gazes at the surroundings.
|
||
|
||
WORF
|
||
What is our function here?
|
||
|
||
ALEXANDER
|
||
You're the Sheriff... and I'm your
|
||
deputy.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 9.
|
||
|
||
15 CONTINUED:
|
||
|
||
WORF
|
||
We are in charge of law
|
||
enforcement?
|
||
|
||
ALEXANDER
|
||
Right.
|
||
|
||
A WOMAN in bawdy apparel walks past -- clearly a "lady
|
||
of the night" -- and she throws Worf and Alexander a
|
||
come-hither look. Worf reacts -- quickly moves
|
||
Alexander away from the woman.
|
||
|
||
WORF
|
||
You wrote this Holodeck program
|
||
yourself?
|
||
|
||
ALEXANDER
|
||
Well... Mister Barclay helped a
|
||
little.
|
||
|
||
WORF
|
||
(to himself)
|
||
I must talk with Mister Barclay...
|
||
|
||
Suddenly, a GUNSHOT is heard somewhere offscreen. Worf
|
||
and Alexander react, then head in the direction of the
|
||
shot...
|
||
|
||
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the red giant planet.
|
||
|
||
17 INT. ENGINEERING
|
||
|
||
Data, Geordi and VARIOUS N.D.s. Data is sitting by an
|
||
opened console. A panel on his head is OPEN, revealing
|
||
various circuitry within. Fiber-optic cables connect
|
||
Data's circuits to the console circuits.
|
||
|
||
Geordi is making a connection on Data's head. Data
|
||
looks at Geordi's face for a second.
|
||
|
||
DATA
|
||
Geordi... I have noticed that you
|
||
have not shaved in several days.
|
||
Are you attempting to grow another
|
||
beard?
|
||
|
||
Geordi rubs a hand over his face.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT ONE 9A.
|
||
|
||
17 CONTINUED:
|
||
|
||
GEORDI
|
||
As a matter of fact, I am...
|
||
(re: beard)
|
||
What do you think?
|
||
|
||
Data eyes him.
|
||
|
||
DATA
|
||
As is the case with many natural
|
||
growth processes, it is difficult
|
||
to envision the end product based
|
||
on an intermediate stage.
|
||
|
||
Geordi smiles.
|
||
|
||
GEORDI
|
||
You're right -- give it a few more
|
||
days.
|
||
|
||
Geordi completes the connection on Data's head.
|
||
|
||
GEORDI
|
||
Okay... I'll need to access your
|
||
auxiliary inputs...
|
||
|
||
DATA
|
||
One moment.
|
||
|
||
Data reaches for his head, and REMOVES another panel in
|
||
his head, revealing the circuitry underneath.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 10.
|
||
|
||
17 CONTINUED: (2)
|
||
|
||
Geordi eyes him a moment, then begins to connect a
|
||
cable to the circuitry...
|
||
|
||
GEORDI
|
||
I have to admit, Data... I never
|
||
get used to seeing you like
|
||
this...
|
||
|
||
DATA
|
||
I do not understand. You are
|
||
constantly working on similar
|
||
electronic systems, yet their
|
||
appearances do not disturb you.
|
||
|
||
GEORDI
|
||
Yeah, well... you're not just
|
||
another electronic system.
|
||
|
||
Data thinks this over.
|
||
|
||
DATA
|
||
Thank you, Geordi. Nor are you
|
||
just another biological organism.
|
||
|
||
Geordi smiles, appreciating the sentiment. He
|
||
completes the adjustments to Data.
|
||
|
||
GEORDI
|
||
That should do it. Are you ready?
|
||
|
||
DATA
|
||
Yes.
|
||
(beat)
|
||
I am establishing computer
|
||
link-up...
|
||
|
||
The circuits on Data's head begin to BLINK faster.
|
||
|
||
DATA
|
||
Interface complete.
|
||
|
||
GEORDI
|
||
Alright... let's see what you can
|
||
do...
|
||
|
||
As Geordi works...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 11.
|
||
|
||
18 OMITTED
|
||
|
||
19 INT. GOLD STRIKE SALOON
|
||
|
||
20 CLOSE ANGLE - A WANTED POSTER
|
||
|
||
attached to a wall in the room. The poster shows a
|
||
drawing of a man's face and the words "WANTED: DEAD OR
|
||
ALIVE." There is a fresh bullet hole in the forehead
|
||
of the man. Two more GUNSHOTS ring out, and we see
|
||
two more BULLET HOLES RIP through the drawing of the
|
||
man's face...
|
||
|
||
21 REVEAL - ELI HOLLANDER
|
||
|
||
holding a smoking pistol, having just fired the shot.
|
||
Clearly, this is the same man as in the poster. He is
|
||
a young, cocky, dangerous gunslinger.
|
||
|
||
ELI
|
||
(re: poster)
|
||
If I ever find the varmint who
|
||
drew this... he'll be sorry he
|
||
ever put pen to paper.
|
||
(beat)
|
||
I'm ten times uglier than that,
|
||
ain't I?
|
||
|
||
We hear someone LAUGH from offscreen --
|
||
|
||
22 INCLUDE - THE ROOM (OPTICAL)
|
||
|
||
A smoky barroom occupied by several PEOPLE. A PIANO
|
||
PLAYER sits at the piano, picking out a jaunty tune.
|
||
The barkeep, a pretty woman named ANNIE MEYERS, stands
|
||
behind the bar, glaring at Eli.
|
||
|
||
Eli's henchman -- a MEXICAN BANDITO, complete with
|
||
sombrerro, etc. -- is sitting nearby, laughing.
|
||
|
||
ELI
|
||
(to Bandito)
|
||
Shut up.
|
||
|
||
The Bandito falls silent.
|
||
|
||
ELI
|
||
You laugh so much, it's a wonder
|
||
flies don't live in your mouth...
|
||
|
||
The Bandito laughs at the remark, missing the point.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 12.
|
||
|
||
22 CONTINUED:
|
||
|
||
BANDITO
|
||
(Mexican accent)
|
||
You are a very funny man, Senor
|
||
Eli...
|
||
|
||
The bandito stops laughing as he notices Worf and
|
||
Alexander ENTER the saloon. Eli follows his gaze, sees
|
||
Worf, and his eyes narrow. Everyone in the room turns
|
||
and looks. The room falls silent.
|
||
|
||
Alexander points to Eli, relishing every moment of the
|
||
program.
|
||
|
||
ALEXANDER
|
||
(quietly, to Worf)
|
||
That's the bad guy. His name's
|
||
Eli Hollander -- they call him
|
||
"The Butcher of Bozeman." He's
|
||
killed twenty-three men.
|
||
(beat)
|
||
He's the meanest, toughest
|
||
gunslinger in the West. You have
|
||
to watch him... He's fast...
|
||
|
||
Worf eyes Eli.
|
||
|
||
WORF
|
||
So I am here to apprehend him?
|
||
|
||
ALEXANDER
|
||
If you can.
|
||
|
||
Worf nods, now understanding his job -- confident.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 13.
|
||
|
||
22 CONTINUED: (2)
|
||
|
||
Worf walks across the saloon. Eli walks toward him
|
||
too. The jangle of spurs is heard in the silent room.
|
||
The onlookers watch nervously. Worf and Eli stop a
|
||
couple of feet away from each other... steely-eyed...
|
||
|
||
WORF
|
||
(to Eli)
|
||
You are under arrest.
|
||
|
||
Eli sneers.
|
||
|
||
ELI
|
||
Is that so --
|
||
|
||
Before Eli can finish, Worf quickly PUNCHES him,
|
||
knocking the man cold with one shot. Eli drops to the
|
||
floor. The bandito reacts, too shocked to make a move.
|
||
Worf bends down and grabs Eli by the collar, lifts him
|
||
up.
|
||
|
||
WORF
|
||
You will come with me.
|
||
|
||
Worf begins to drag Eli out of the saloon. Alexander
|
||
looks upset -- this isn't what he had in mind.
|
||
|
||
ALEXANDER
|
||
No, no, no...
|
||
(to computer)
|
||
Computer -- freeze program.
|
||
|
||
Everything in the saloon FREEZES.
|
||
|
||
WORF
|
||
What is wrong?
|
||
|
||
ALEXANDER
|
||
That was too easy. It's gotta
|
||
be harder to beat the bad guys.
|
||
Otherwise, it's no fun.
|
||
|
||
WORF
|
||
Oh.
|
||
|
||
ALEXANDER
|
||
(to computer)
|
||
Computer -- increase program
|
||
difficulty to Level Four. Go back
|
||
to where my father and I first
|
||
walked into the saloon.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 14.
|
||
|
||
22 CONTINUED: (3)
|
||
|
||
All of the people in the room DISAPPEAR.
|
||
|
||
ALEXANDER
|
||
Come on, Father...
|
||
|
||
Alexander and Worf move to the swinging doors and
|
||
EXIT...
|
||
|
||
CUT TO:
|
||
|
||
23 CLOSE ANGLE - A WANTED POSTER
|
||
|
||
attached to a wall. There is one fresh bullet hole
|
||
in the forehead of the drawing of Eli Hollander. Two
|
||
more GUNSHOTS ring out, and we see two BULLET HOLES
|
||
RIP through the poster...
|
||
|
||
24 INCLUDE - ELI HOLLANDER
|
||
|
||
holding a smoking pistol, having just fired the shot.
|
||
|
||
ELI
|
||
(re: poster)
|
||
If I ever find the varmint who
|
||
drew this... he'll be sorry he
|
||
ever put pen to paper.
|
||
(beat)
|
||
I'm ten times uglier than that,
|
||
ain't I?
|
||
|
||
Eli's henchman, the bandito, laughs.
|
||
|
||
ELI
|
||
Shut up.
|
||
|
||
The bandito falls silent.
|
||
|
||
ELI
|
||
You laugh so much, it's a wonder
|
||
flies don't take up residence in
|
||
your mouth...
|
||
|
||
The bandito laughs.
|
||
|
||
BANDITO
|
||
You are a very funny man, Senor
|
||
Eli...
|
||
|
||
The bandito falls silent as Worf and Alexander ENTER
|
||
the saloon.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 15.
|
||
|
||
24 CONTINUED:
|
||
|
||
Eli sees them too, and his eyes narrow. Everyone in
|
||
the room turns and looks. The room falls silent. The
|
||
patrons of the bar suddenly realize they are in the
|
||
line of fire -- and they scatter, many of them leaving
|
||
the saloon. An open space is left between the two men.
|
||
|
||
Worf watches the commotion in confusion.
|
||
|
||
WORF
|
||
(to Alexander)
|
||
Where are they going?
|
||
|
||
ALEXANDER
|
||
(quietly, to Worf)
|
||
They don't want to get hit by the
|
||
bullets.
|
||
|
||
Worf reacts... braces himself, then takes a step toward
|
||
Eli.
|
||
|
||
WORF
|
||
(to Eli)
|
||
You are under arrest --
|
||
|
||
Instantly, Eli's hand moves to the butt of his pistol.
|
||
Alexander stops Worf.
|
||
|
||
ALEXANDER
|
||
(whispers, urgent)
|
||
He's getting ready to draw.
|
||
|
||
Worf puts his hand to the butt of his own gun. A tense
|
||
moment as the two men stare at each other across the
|
||
room.
|
||
|
||
Eli breaks the moment by adopting a wide smile. His
|
||
hand hangs down by his gun at all times.
|
||
|
||
ELI
|
||
(to his henchmen)
|
||
Well... looks like Sheriff Worf
|
||
is here to arrest me. Don't sound
|
||
like a very bright idea... does
|
||
it?
|
||
|
||
The bandito shakes his head, stands and opens his coat
|
||
to reveal a SHOTGUN.
|
||
|
||
WORF
|
||
(to Eli)
|
||
You have been accused of
|
||
committing a homicide.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 15A.
|
||
|
||
24 CONTINUED: (2)
|
||
|
||
ELI
|
||
If you mean murder, then I guess
|
||
I'm guilty.
|
||
|
||
Eli slowly walks up to Worf, giving him a hard stare.
|
||
|
||
ELI
|
||
(continuing)
|
||
I've killed twenty-three men,
|
||
Sheriff... one more ain't gonna
|
||
make that much of a difference.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 16.
|
||
|
||
24 CONTINUED: (3)
|
||
|
||
Worf doesn't flinch. Eli continues to goad Worf.
|
||
|
||
ELI
|
||
(continuing)
|
||
'Course... shootin someone as ugly
|
||
as you... could hardly be
|
||
considered a crime.
|
||
|
||
The bandito laughs. Worf bristles, angry -- it's all
|
||
he can do to hold himself back.
|
||
|
||
ELI
|
||
Were you just born that way...
|
||
or did your momma marry an
|
||
armadillo?
|
||
|
||
More laughter. For the briefest instant, Eli's gaze
|
||
darts to one side, just behind Worf. Worf sees it,
|
||
realizes, and whirls around just in time to get a chair
|
||
BROKEN across his back by a SECOND HENCHMAN. (NOTE:
|
||
This being a Holodeck act of violence, Worf is
|
||
unfazed.) Worf SLUGS the henchman, who goes flying
|
||
backward onto the floor.
|
||
|
||
The bandito moves to grab Worf, but Worf blocks his
|
||
arms and lands a punch into his stomach -- then a hard
|
||
hook across his face. The bandito goes CRASHING
|
||
through a nearby table.
|
||
|
||
Eli grabs a nearby BOTTLE and breaks it against the
|
||
bar -- comes at Worf with the broken shards. Worf
|
||
overcomes Eli with a series of well-timed PUNCHES.
|
||
Eli falls to the floor, dazed.
|
||
|
||
Worf looks at Alexander -- he's starting to enjoy
|
||
himself.
|
||
|
||
WORF
|
||
I am beginning to see the appeal
|
||
of this program...
|
||
|
||
Alexander grins -- then sees something.
|
||
|
||
ALEXANDER
|
||
Sheriff, look out!
|
||
|
||
Eli is drawing his pistol. Worf tries to grab his own
|
||
gun -- but he's too late. Outdrawn.
|
||
|
||
ELI (O.S.)
|
||
Don't twitch a whisker, Sheriff...
|
||
(waves gun)
|
||
'Less you want a shave.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 16A.
|
||
|
||
24 CONTINUED: (4)
|
||
|
||
The bandito and the henchmen move to Worf and grab him
|
||
from behind. Worf struggles, but it's no use.
|
||
Alexander watches helplessly. Eli aims his gun at
|
||
Worf, smirking, triumphant... relishing the moment...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 17.
|
||
|
||
24 CONTINUED: (5)
|
||
|
||
ELI
|
||
(to henchmen)
|
||
Okay, boys... time to saddle up.
|
||
(beat)
|
||
But first... get their money and
|
||
jewelry.
|
||
|
||
WORF
|
||
You are a murderer... and a thief.
|
||
|
||
ELI
|
||
A man's gotta make a livin.
|
||
|
||
Eli cocks the pistol...
|
||
|
||
BLAM! Eli's hat is BLASTED OFF his head. Everyone
|
||
looks toward the door...
|
||
|
||
25 ANGLE ON - A MYSTERIOUS STRANGER
|
||
|
||
standing at the door, holding a Winchester RIFLE,
|
||
having just fired the shot. The figure re-cocks the
|
||
rifle, keeps it aimed. The figure wears a wide-brimmed
|
||
hat that obscures his face. A beat goes by, then the
|
||
stranger raises his head slightly...
|
||
|
||
It is TROI.
|
||
|
||
TROI
|
||
(to Eli, a threat)
|
||
I suggest you find a new line of
|
||
work.
|
||
|
||
Reactions. Worf is surprised by the sight. Eli sees
|
||
that he is defeated... scowls and de-cocks his pistol.
|
||
The bandito and the henchman release their grip on
|
||
Worf. Alexander smiles, leans toward Worf.
|
||
|
||
ALEXANDER
|
||
(whispers)
|
||
I asked Counselor Troi to join
|
||
us. She loves Western stories.
|
||
|
||
Eli stares at Troi, who stares right back at him,
|
||
clearly getting into her character.
|
||
|
||
ELI
|
||
(to Troi)
|
||
You'll regret this, stranger.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 18.
|
||
|
||
26 CLOSE ON ELI'S HAND
|
||
|
||
as he theatrically SPINS HIS PISTOL in the palm of his
|
||
hand, then holsters it.
|
||
|
||
27 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit.
|
||
|
||
28 INT. ENGINEERING
|
||
|
||
Data is still connected to the console -- his eyes are
|
||
open and he is conscious. Geordi is working at a
|
||
console; N.D.s work nearby. They've been at this
|
||
awhile.
|
||
|
||
DATA
|
||
I am now attempting to access the
|
||
long range sensor array...
|
||
|
||
Data's head-blinkies BLINK. Geordi reacts to the
|
||
console.
|
||
|
||
GEORDI
|
||
Forward sensor array coming
|
||
online... we're getting a clear
|
||
scan...
|
||
|
||
DATA
|
||
I will perform a routine
|
||
maintenance check on the starboard
|
||
inertial damping system...
|
||
|
||
A beat.
|
||
|
||
GEORDI
|
||
Dampers on-line... maintanence
|
||
check in progress... Data, I think
|
||
we're on to something here...
|
||
(beat)
|
||
Let's see what you can do with
|
||
secondary systems. Try
|
||
gravitational control...
|
||
|
||
DATA
|
||
Initiating gravitational --
|
||
|
||
Data stops in mid-sentence -- freezes up for a moment,
|
||
unable to speak.
|
||
|
||
GEORDI
|
||
Data, what's wrong?
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 19.
|
||
|
||
28 CONTINUED:
|
||
|
||
Data returns to normal -- tilts his head, analyzing.
|
||
|
||
DATA
|
||
There appears to be an energy
|
||
fluctuation in my neural net.
|
||
(beat)
|
||
I am disconnecting my interface
|
||
to the computer.
|
||
|
||
Data jerks his head and his blinkies SLOW DOWN.
|
||
|
||
DATA
|
||
Interface deactivated.
|
||
|
||
Geordi starts to remove the cables from Data's head.
|
||
|
||
GEORDI
|
||
You alright?
|
||
|
||
DATA
|
||
I have experienced a brief power
|
||
surge in my positronic
|
||
subprocessor.
|
||
(beat)
|
||
But I am fine.
|
||
|
||
GEORDI
|
||
Maybe the interface coding is less
|
||
stable than we thought...
|
||
(beat)
|
||
Looks like we've got a few hours
|
||
of systems analysis before we can
|
||
try this again.
|
||
|
||
Geordi finishes disconnecting Data.
|
||
|
||
GEORDI
|
||
Let's check the interface
|
||
programming...
|
||
|
||
Geordi crosses to another console. Data picks up the
|
||
tricorder and moves to go...
|
||
|
||
29 CLOSE ON DATA'S HAND
|
||
|
||
As he theatrically SPINS THE TRICORDER in the palm of
|
||
his hand, and replaces it in his belt holster, just
|
||
like Eli Hollander did.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 20.
|
||
|
||
30 RESUME SCENE
|
||
|
||
Data has not noticed his strange movement. He goes
|
||
about his work, as if nothing is wrong...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 21.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
31 EXT. HOLODECK - SHERIFF'S OFFICE - DAY
|
||
|
||
The building has a sign out front that reads "SHERIFF'S
|
||
OFFICE."
|
||
|
||
32 INT. SHERIFF'S OFFICE
|
||
|
||
Eli is in a small JAIL CELL off to one side -- he's
|
||
sitting on the cot, shuffling a deck of CARDS on a
|
||
small table. (NOTE: His card shuffling is unpracticed
|
||
and clumsy.)
|
||
|
||
Worf and Alexander are standing next to the cell. Troi
|
||
sits at the Sheriff's desk, legs propped up on the
|
||
desktop, hands behind her head. Worf speaks loud
|
||
enough for Eli to hear.
|
||
|
||
WORF
|
||
(to Alexander)
|
||
What are his rights in this
|
||
century? Will there be a trial...
|
||
or shall I execute him?
|
||
|
||
Eli reacts to the comment.
|
||
|
||
ALEXANDER
|
||
We're supposed to hold him until
|
||
the U.S. Marshal comes. Then
|
||
he'll take him to Rapid City for
|
||
a trial.
|
||
|
||
Eli starts to deal a game of solitare.
|
||
|
||
ELI
|
||
Frankly, I don't think I'll be
|
||
around that long. Not after my
|
||
old man hears about this.
|
||
|
||
They look at him.
|
||
|
||
WORF
|
||
To what "old man" do you refer?
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 22.
|
||
|
||
32 CONTINUED:
|
||
|
||
ELI
|
||
My pa. When he comes to break
|
||
me outta this tin can... the
|
||
gravedigger'll be working
|
||
overtime...
|
||
|
||
Alexander glares at Eli.
|
||
|
||
ALEXANDER
|
||
Your pa's no match for Sheriff
|
||
Worf.
|
||
|
||
WORF
|
||
If your father comes, we will be
|
||
ready for him.
|
||
|
||
Eli glances at Worf... looks him up and down... turns
|
||
back to his card game and starts to laugh. Worf
|
||
bristles.
|
||
|
||
TROI
|
||
He's right.
|
||
|
||
Worf looks at her. Troi is still playing her
|
||
character.
|
||
|
||
TROI
|
||
You're no match for the
|
||
Hollanders.
|
||
|
||
WORF
|
||
I am sure the three of us can
|
||
handle any problems.
|
||
|
||
TROI
|
||
Hold on. I was just passing
|
||
through town... saw a little
|
||
trouble... thought I'd lend a
|
||
hand...
|
||
(beat)
|
||
But I'm not one of your deputies,
|
||
Sheriff.
|
||
|
||
A beat. Worf crosses to Troi, speaks confidentially
|
||
to her.
|
||
|
||
WORF
|
||
Counselor... I would appreciate
|
||
your support in this matter.
|
||
|
||
Troi quietly breaks character...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 23.
|
||
|
||
32 CONTINUED: (2)
|
||
|
||
TROI
|
||
Durango...
|
||
(off his look)
|
||
I'm called Durango.
|
||
|
||
Worf tries to play along.
|
||
|
||
WORF
|
||
Oh... well... Counselor Durango...
|
||
perhaps you would consider
|
||
becoming a temporary deputy?
|
||
|
||
Troi considers.
|
||
|
||
TROI
|
||
For a price....
|
||
(beat)
|
||
Five hundred dollars.
|
||
|
||
Worf considers, turns to Alexander.
|
||
|
||
WORF
|
||
Alexander -- we require large
|
||
amounts of currency.
|
||
|
||
ALEXANDER
|
||
Yes sir. I'll go to the bank and
|
||
make a withdrawal.
|
||
|
||
Alexander quickly EXITS the room. Worf sits down on
|
||
the desktop, next to Troi. There's a quiet moment
|
||
between them...
|
||
|
||
WORF
|
||
Deanna... how do you know so much
|
||
about this period in Earth's
|
||
history?
|
||
|
||
Troi tips up her hat.
|
||
|
||
TROI
|
||
My father used to read me stories
|
||
about the Ancient West when I was
|
||
a little girl.
|
||
(beat)
|
||
I must admit... I've always wanted
|
||
to play the part of the
|
||
"Mysterious Stranger."
|
||
|
||
Worf considers.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT TWO 24.
|
||
|
||
33 ANGLE ON DOOR
|
||
|
||
as it bursts open and Annie Meyers ENTERS. She scans
|
||
the room, spots Worf and, flushed with excitement,
|
||
rushes to him. She grabs him by the collar and plants
|
||
a huge kiss on his lips. Worf reacts, stunned.
|
||
|
||
ANNIE
|
||
You are just so brave... facing
|
||
down that evil man like you did.
|
||
|
||
Worf isn't sure how to respond.
|
||
|
||
WORF
|
||
Thank you. Ms... ?
|
||
|
||
Annie swats him playfully.
|
||
|
||
ANNIE
|
||
Annie, you big galoot.
|
||
(beat)
|
||
You best not forget that
|
||
tonight...
|
||
(off his look)
|
||
I'm gonna cook you up a beef
|
||
steak... and gooseberry cobbler
|
||
for dessert.
|
||
|
||
Worf grows uncomfortable with the advance. Troi is
|
||
amused.
|
||
|
||
TROI
|
||
Sounds delicious.
|
||
|
||
Annie sidles up to Worf, romantic-like.
|
||
|
||
ANNIE
|
||
I bought special candles for the
|
||
table setting... pure beeswax.
|
||
|
||
Worf thinks of a way to get out of this.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 25.
|
||
|
||
33 CONTINUED:
|
||
|
||
WORF
|
||
I will not have time this evening.
|
||
I have a prisoner.
|
||
|
||
TROI
|
||
(jibing Worf)
|
||
I'll watch him for you, Sheriff.
|
||
You two go have a good time.
|
||
|
||
Worf shoots Troi a look.
|
||
|
||
WORF
|
||
That is very considerate of you.
|
||
But I would be negligent in my
|
||
duties if I did not stay.
|
||
(beat)
|
||
I am sorry... Ms. Annie.
|
||
|
||
Annie glares at him, temper flaring.
|
||
|
||
ANNIE
|
||
It's another woman, ain't it?
|
||
That floosie down at Miss
|
||
Langford's House of Pleasure...
|
||
|
||
WORF
|
||
(confused)
|
||
Who... where?
|
||
|
||
Annie SLAPS Worf in the face -- then EXITS. (NOTE: It
|
||
does not hurt Worf.) A stunned beat as Worf tries to
|
||
figure out what just happened. Eli glances up from
|
||
his game of solitare.
|
||
|
||
ELI
|
||
You sure got a way with women,
|
||
Sheriff.
|
||
|
||
OFF Worf's confused look...
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - ACT TWO 26.
|
||
|
||
34 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit.
|
||
|
||
35 INT. PICARD'S QUARTERS
|
||
|
||
Picard is holding a cup of tea. He sits down in his
|
||
chair... takes a relaxing sip of the tea...
|
||
|
||
PICARD
|
||
Computer -- activate Picard
|
||
Mozart trio, Program One.
|
||
(beat)
|
||
Play back tracks one, two and
|
||
three. Tempo allegro.
|
||
|
||
The instruments we heard before -- the cello, the oboe
|
||
and the flute -- begin to PLAY. Picard sits back and
|
||
enjoys the melody. Suddenly, a tiny note of dissonance
|
||
occurs in the music.
|
||
|
||
Picard hears it -- listens intently. The playback
|
||
warbles for a moment, getting worse -- then A LOUD
|
||
SYMPHONY BLARES OUT (NOTE: It is Dvorak's "The Slavonic
|
||
Dances".)
|
||
|
||
Picard is startled.
|
||
|
||
PICARD
|
||
(over the din)
|
||
Computer -- stop playback!
|
||
|
||
The symphony STOPS.
|
||
|
||
PICARD
|
||
(to computer)
|
||
Computer -- identify musical
|
||
composition.
|
||
|
||
COMPUTER VOICE
|
||
Picard Mozart trio, Program
|
||
One.
|
||
|
||
OFF Picard's puzzled look -- how can that be?
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 27.
|
||
|
||
36 INT. REHEARSAL ROOM
|
||
|
||
Beverly is using the space to rehearse the play.
|
||
RIKER and TWO CREWMEMBERS make up the cast. They are
|
||
sitting in a semi-circle, listening to Beverly's
|
||
direction. Everyone is holding a PADD.
|
||
|
||
BEVERLY
|
||
Let's read through Act Two. From
|
||
the beginning...
|
||
|
||
Riker looks at his PADD and begins to read...
|
||
|
||
RIKER
|
||
(reading)
|
||
"Felis catus is your taxonomic nomenclature
|
||
An endothermic quadraped, carnivorous... "
|
||
|
||
Over this, Beverly reacts to what she hears --
|
||
something doesn't sound right.
|
||
|
||
BEVERLY
|
||
Hold it... Wil, what are you
|
||
reading?
|
||
|
||
RIKER
|
||
My lines. Why?
|
||
|
||
BEVERLY
|
||
That's not the right dialogue...
|
||
|
||
Riker looks at the PADD, confused. Beverly crosses
|
||
to Riker and looks at his PADD. She reads aloud...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 28.
|
||
|
||
36 CONTINUED:
|
||
|
||
BEVERLY
|
||
(reading)
|
||
Your visual, olfactory, and auditory senses
|
||
Contribute to your hunting skill and... "
|
||
|
||
Riker starts to realize...
|
||
|
||
RIKER
|
||
Wait a second... I recognize
|
||
this... It's Data's poetry.
|
||
|
||
Beverly looks at her own PADD, hits a few commands into
|
||
it, reads the screen... hits a few more commands.
|
||
|
||
BEVERLY
|
||
The play's gone. I just keep
|
||
getting more poetry...
|
||
|
||
As they exchange a mystified look...
|
||
|
||
37 INT. ENGINEERING
|
||
|
||
Geordi and Data are examining opened PADDs. Several
|
||
other PADDs are sitting nearby. Beverly watches,
|
||
curious. Geordi sets aside the PADD.
|
||
|
||
GEORDI
|
||
Well.. the PADDs are functioning
|
||
normally...
|
||
(beat)
|
||
It seems to be a problem with the
|
||
information retrieval net. For
|
||
some reason, when you tried to
|
||
bring up your play, the computer
|
||
accessed Data's literary files.
|
||
|
||
Data thinks.
|
||
|
||
DATA
|
||
Geordi, perhaps this problem is
|
||
related to our interface
|
||
experiment.
|
||
|
||
Geordi nods.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 29.
|
||
|
||
37 CONTINUED:
|
||
|
||
GEORDI
|
||
We'd better run a Level Two
|
||
diagnostic on the computer. See
|
||
if the problem has spread to any
|
||
other systems...
|
||
|
||
DATA
|
||
And I will perform a
|
||
self-diagnostic.
|
||
|
||
GEORDI
|
||
Good idea.
|
||
|
||
Data EXITS. Geordi starts to work a console.
|
||
|
||
BEVERLY
|
||
You'll let me know if you find
|
||
the play?
|
||
|
||
GEORDI
|
||
Yeah... Don't worry, it's in here
|
||
somewhere.
|
||
|
||
Beverly nods. As Geordi works...
|
||
|
||
38 EXT. HOLODECK - WESTERN STREET - DAY
|
||
|
||
CLOSE ON Alexander walking along, holding a small
|
||
canvas BAG. He opens up the bag and peers inside,
|
||
shakes the bag a little, causing it to JANGLE -- it's
|
||
obviously full of money. He smiles and continues to
|
||
jangle the bag...
|
||
|
||
From offscreen, a HAND grabs Alexander by the shoulder.
|
||
Alexander stops, startled, and slowly looks up...
|
||
|
||
Standing over him are Eli's two henchmen seen earlier
|
||
-- the bandito and the henchmen. Alexander reacts --
|
||
but before he can say a word, one of the henchmen
|
||
clamps a giant hand over his mouth. Alexander
|
||
struggles as they carry him away...
|
||
|
||
38A INT. MINES
|
||
|
||
A short time later. The bandito and the henchmen are
|
||
leading Alexander through the dark, abandoned tunnel.
|
||
Alexander's hands are tied together with a rope, his
|
||
mouth gagged by a bandanna.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 30.
|
||
|
||
38A CONTINUED:
|
||
|
||
We hear FOOTSTEPS approach them. They look up to see
|
||
a SHADOWY FIGURE step into view, dressed in all black
|
||
-- this is FRANK HOLLANDER, Eli Hollander's father.
|
||
His face is obscured by shadow.
|
||
|
||
BANDITO
|
||
(re: Alexander)
|
||
We got him...
|
||
|
||
The henchman removes the bandanna from Alexander's
|
||
mouth. The shadowy figure speaks in a cold and
|
||
menacing voice...
|
||
|
||
DATA/FRANK
|
||
(to Alexander)
|
||
Where's my boy?
|
||
|
||
Alexander struggles to escape, confused by this turn
|
||
in the program.
|
||
|
||
ALEXANDER
|
||
I'm not supposed to be kidnapped
|
||
now...
|
||
(to computer)
|
||
Computer -- freeze program!
|
||
|
||
Nothing happens. Alexander grows alarmed.
|
||
|
||
ALEXANDER
|
||
Hey!
|
||
(to computer)
|
||
Computer -- freeze program!
|
||
|
||
No response. Alexander is restrained by the henchman.
|
||
He is scared now -- no longer a cowboy, but a little
|
||
boy in peril...
|
||
|
||
BANDITO
|
||
(to figure, re;
|
||
Alexander)
|
||
You want us to kill him, Senor
|
||
Frank?
|
||
|
||
DATA/FRANK
|
||
No...
|
||
|
||
The figure takes a step forward. As he comes into the
|
||
light, we see that HIS FACE LOOKS EXACTLY LIKE DATA'S
|
||
FACE. He stops and stares down at Alexander.
|
||
|
||
DATA/FRANK
|
||
He's more valuable to us alive.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 30A.
|
||
|
||
38A CONTINUED: (2)
|
||
|
||
OFF Alexander's startled reaction...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 31.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
orbiting the red giant planet.
|
||
|
||
40 INT. DATA'S QUARTERS
|
||
|
||
Data is standing at a replicator slot.
|
||
|
||
DATA
|
||
(to replicator)
|
||
Feline supplement, one hundred
|
||
twenty-seven.
|
||
|
||
Offscreen, a bowl of cat food MATERIALIZES. Data picks
|
||
up the bowl of food and sets it on the floor, in front
|
||
of his cat, SPOT.
|
||
|
||
DATA
|
||
Spot, I have formulated a new
|
||
mixture of foods specifically
|
||
tailored to your highly selective
|
||
tastes.
|
||
|
||
Spot sniffs at the food... doesn't seem to like it...
|
||
and walks away. Data reacts.
|
||
|
||
DATA
|
||
Puzzling. I find it extremely
|
||
difficult to predict what you will
|
||
find acceptable.
|
||
(beat)
|
||
Perhaps hunger will compel you
|
||
to try it again.
|
||
|
||
Data crosses to his desk and sits down. He begins to
|
||
work the console. Spot JUMPS UP onto the control
|
||
panel, making it impossible for Data to work. Data
|
||
watches him a moment.
|
||
|
||
DATA
|
||
Spot, you are disrupting my
|
||
ability to work.
|
||
|
||
Data gently nudges him aside. But Spot remains on the
|
||
desk. Data tries to keep working, but it is difficult.
|
||
|
||
Data gives Spot a more forceful push off the desk --
|
||
his face revealing the merest hint of annoyance.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT THREE 32.
|
||
|
||
40 CONTINUED:
|
||
|
||
When he speaks, he momentarily, inexplicably, slips
|
||
into a Texan accent --
|
||
|
||
DATA
|
||
(Texan accent)
|
||
You lil' varmint.
|
||
|
||
Spot scampers off. Data returns to work, not noticing
|
||
the strange slip. He continues to work as if nothing
|
||
has happened...
|
||
|
||
41 INT. HOLODECK - SHERIFF'S OFFICE - DAY
|
||
|
||
Troi and Worf are standing face to face, feet apart
|
||
in a ready stance. She is showing Worf how to draw
|
||
a. gun. Eli is in cell, clumsily shuffling his deck
|
||
of cards.
|
||
|
||
TROI
|
||
The most important thing about
|
||
the quick draw is, you've got to
|
||
hold your arm loose... like
|
||
this...
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT THREE 33.
|
||
|
||
41 CONTINUED:
|
||
|
||
Troi draws, cocks, aims. Fast and smooth. Reholsters.
|
||
|
||
TROI
|
||
Now... you try it.
|
||
|
||
Worf takes a beat, readies himself... then he draws,
|
||
cocks, and his GUN ACCIDENTALLY FIRES into the floor.
|
||
|
||
A beat. They stand and exchange a look -- safe but
|
||
shaken.
|
||
|
||
ELI
|
||
(chiding)
|
||
Hell to blazes... I better warn
|
||
my pa. We got a regular sharp
|
||
shooter here!
|
||
|
||
Worf glares at him.
|
||
|
||
WORF
|
||
Silence.
|
||
|
||
Troi moves to a window and glances outside, concerned
|
||
about something.
|
||
|
||
TROI
|
||
Worf... Alexander has been gone
|
||
for over half an hour. Shouldn't
|
||
he be back by now?
|
||
|
||
Worf considers. He's enjoying this program, and is
|
||
eager to get back into the story.
|
||
|
||
WORF
|
||
Yes... I will go find him.
|
||
(re: Eli)
|
||
Watch the prisoner.
|
||
|
||
Troi nods and picks up her rifle. Worf EXITS. Troi
|
||
sits down at the desk and looks at Eli. Eli starts
|
||
to deal solitare, ignoring her.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 34.
|
||
|
||
41 CONTINUED: (2)
|
||
|
||
Troi slips into her Counselor mode -- she can't resist
|
||
having a little fun...
|
||
|
||
TROI
|
||
So, Mister Hollander... I
|
||
understand you've lived a life
|
||
of violent crime.
|
||
(beat)
|
||
Would you like to discuss your
|
||
feelings about it?
|
||
|
||
As Eli throws Troi a suspicious look...
|
||
|
||
42 INT. GOLD STRIKE SALOON
|
||
|
||
Various townsfolk are present; the piano player is
|
||
playing a tune. Worf ENTERS the saloon, takes a look
|
||
around the room, and crosses to the bar.
|
||
|
||
43 ON BAR COUNTER
|
||
|
||
as Worf arrives.
|
||
|
||
ANNIE (O.S.)
|
||
(to Worf)
|
||
What'll it be?
|
||
|
||
Worf looks up, see Annie Meyers standing behind the
|
||
bar. Clearly, she is still bitter at Worf.
|
||
|
||
WORF
|
||
I am looking for my deputy.
|
||
Perhaps you have seen him.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 35.
|
||
|
||
43 CONTINUED:
|
||
|
||
ANNIE
|
||
Nope.
|
||
(beat)
|
||
What'll you have?
|
||
|
||
Worf hesitates, unsure what to order... makes an effort
|
||
anyway...
|
||
|
||
WORF
|
||
Klingon Firewine.
|
||
|
||
ANNIE
|
||
This ain't Kansas City. We don't
|
||
got none of that fancy European
|
||
stuff here.
|
||
(sarcastic)
|
||
Maybe I should bring you a sherry.
|
||
That is what they serve over at
|
||
Miss Langford's, ain't it?
|
||
|
||
Before Worf can respond, Annie walks off.
|
||
|
||
From offscreen, we HEAR the GALLOP OF SEVERAL HORSES
|
||
outside the saloon. People turn to look, curious at
|
||
the commotion. We hear the horses come to a stop,
|
||
whinnying... the sound of men dismounting the horses...
|
||
then FOOTSTEPS on the wooden porch of the saloon...
|
||
|
||
44 ON THE DOORS
|
||
|
||
as they swing open and Data/Frank Hollander ENTERS
|
||
along with the bandito and the henchman.
|
||
|
||
The room falls silent. An ominous beat as they scan
|
||
the room... and spot Worf at the bar. They take a few
|
||
steps toward the bar counter. Data/Frank's manner is
|
||
polite but menacing.
|
||
|
||
DATA/FRANK
|
||
(to Worf)
|
||
Howdy, Sheriff.
|
||
|
||
Worf reacts to the sight of Data -- surprised to see
|
||
him.
|
||
|
||
WORF
|
||
Commander ... what are you doing
|
||
here?
|
||
|
||
Data/Frank eyes him.
|
||
|
||
DATA/FRANK
|
||
The name is Frank Hollander.
|
||
|
||
|
||
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 36.
|
||
|
||
44 CONTINUED:
|
||
|
||
Worf reacts -- takes a moment to realize that Data is
|
||
simply having fun with his character...
|
||
|
||
WORF
|
||
(realizing)
|
||
Oh... I see...
|
||
|
||
Worf lets out a little smile.
|
||
|
||
DATA/FRANK
|
||
What are you smiling at?
|
||
|
||
Worf stops smiling -- decides to play along.
|
||
|
||
WORF
|
||
Nothing. Nothing at all...
|
||
"Mister Hollander."
|
||
(beat)
|
||
What is it you want?
|
||
|
||
Data/Frank eyes him.
|
||
|
||
DATA FRANK
|
||
My boy.
|
||
|
||
WORF
|
||
That is not possible. Your son
|
||
is to stand trial for murder.
|
||
|
||
DATA/FRANK
|
||
Well then... maybe we can work
|
||
it out. Is there something
|
||
you want... in exchange for
|
||
my boy?
|
||
|
||
WORF
|
||
You have nothing I want.
|
||
|
||
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 37.
|
||
|
||
44 CONTINUED: (2)
|
||
|
||
DATA/FRANK
|
||
What about... your deputy?
|
||
|
||
Worf reacts.
|
||
|
||
WORF
|
||
What about him?
|
||
|
||
Data/Frank smiles -- his look says it all. Worf
|
||
realizes.
|
||
|
||
WORF
|
||
Where is he?
|
||
|
||
Data/Frank just stares at him. Worf bristles, but stands
|
||
firm -- he's really enjoying this program.
|
||
|
||
WORF
|
||
I do not negotiate with criminals.
|
||
(beat)
|
||
Your son will stand trial.
|
||
|
||
Worf takes a step toward the door. From behind,
|
||
Data/Frank's hand clamps down hard on Worf's shoulder.
|
||
Worf stops, reacting to the grip. He turns around...
|
||
|
||
DATA/FRANK
|
||
Not so fast...
|
||
|
||
Data/Frank pushes him. Worf stumbles backward a step.
|
||
He looks at Data/Frank, surprised, and a little annoyed.
|
||
He quietly breaks character...
|
||
|
||
WORF
|
||
Commander... what are you doing?
|
||
|
||
Data/Frank reaches out and pushes him yet again,
|
||
taunting.
|
||
|
||
DATA/FRANK
|
||
I ain't in the mood for games,
|
||
Sheriff.
|
||
|
||
Worf reacts to the remark -- something doesn't seem
|
||
right about this...
|
||
|
||
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 38.
|
||
|
||
44 CONTINUED: (3)
|
||
|
||
WORF
|
||
(uncertain)
|
||
Data... ?
|
||
|
||
Data/Frank ignores him and pushes him again, harder,
|
||
with android strength. Worf hits up against the bar.
|
||
He senses it now -- something is not right.
|
||
|
||
WORF
|
||
(to computer)
|
||
Computer -- freeze program.
|
||
|
||
Nothing happens. Worf grows alarmed, looks at Data/Frank
|
||
and the others. They take Worf's look as a threatening
|
||
one -- and all of their hands drop to the butts of
|
||
their guns.
|
||
|
||
DATA/FRANK
|
||
Your move, Sheriff.
|
||
|
||
The scene takes on a whole new tension as Worf realizes
|
||
that something is terribly wrong. Play the suspense as
|
||
Worf slowly backs toward the door... having to pass the
|
||
two henchmen along the way...
|
||
|
||
DATA/FRANK
|
||
(a threat)
|
||
I wouldn't walk out that door,
|
||
Sheriff...
|
||
|
||
Worf hesitates... his patience wearing thin... he's
|
||
had it with this program. A tense beat... then Worf
|
||
intently takes a step toward the door...
|
||
|
||
Data/Frank DRAWS HIS GUN and FIRES at Worf --
|
||
|
||
Worf grabs his arm in pain -- pulls back his hand to
|
||
reveal that he's bleeding from a GUNSHOT WOUND in his
|
||
arm. He's been hit -- for real.
|
||
|
||
Worf glances at the men, alarmed -- something is
|
||
terribly wrong....
|
||
|
||
It happens all at once:
|
||
|
||
-- Worf DIVES through the swinging doors to get away...
|
||
|
||
-- The two henchmen draw their guns and all three men
|
||
OPEN FIRE on Worf...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 38A.
|
||
|
||
45 INT. SHERIFF'S OFFICE
|
||
|
||
Troi is on her feet, rifle in hand, having heard the
|
||
gunshots outside.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 39.
|
||
|
||
45 CONTINUED:
|
||
|
||
Worf barrels in the door, breathless and concerned. He
|
||
bolts and locks the doors.
|
||
|
||
TROI
|
||
Worf, what's going on?
|
||
|
||
WORF
|
||
The Holodeck safeguards are not
|
||
functioning. Alexander is in
|
||
danger.
|
||
|
||
Troi moves to him -- sees that Worf's arm is bleeding
|
||
from a GUNSHOT WOUND.
|
||
|
||
TROI
|
||
(re: wound)
|
||
My God -- you've been shot.
|
||
|
||
They exchange a worried look.
|
||
|
||
TROI
|
||
(to computer)
|
||
Computer -- end program.
|
||
(taps communicator)
|
||
Troi to Captain Picard.
|
||
(beat)
|
||
Troi to Security.
|
||
|
||
No response.
|
||
|
||
WORF
|
||
There is a new character in the
|
||
program -- Hollander's father.
|
||
He looks like Commander Data...
|
||
|
||
TROI
|
||
(reacts)
|
||
Data?
|
||
|
||
WORF
|
||
But it is not Data... I cannot
|
||
explain.
|
||
(beat)
|
||
I believe he has taken Alexander.
|
||
|
||
Troi removes a BANDANA from her pocket and uses it to
|
||
wrap Worf's arm. From offscreen:
|
||
|
||
DATA/ELI (O.S.)
|
||
Now ain't that a shame... the poor
|
||
Sheriff's been injured...
|
||
|
||
Worf and Troi look toward the cell -- and stop cold
|
||
at what they see...
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 40.
|
||
|
||
45A INCLUDE DATA/ELI
|
||
|
||
standing at the cell bars, looking out. ELI NOW LOOKS
|
||
EXACTLY LIKE DATA. Same Western clothes, same accent,
|
||
same personality -- but he has Data's face.
|
||
|
||
DATA/ELI
|
||
What's wrong... was my pa a little
|
||
too rough on you?
|
||
|
||
Data/Eli starts to laugh tauntingly. OFF Troi and
|
||
Worf's reaction...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 41.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
46 INT. HOLODECK - SHERIFF'S OFFICE
|
||
|
||
Continuous. Worf and Troi staring at Data/Eli,
|
||
surprised by the sight.
|
||
|
||
TROI
|
||
Data... ?
|
||
|
||
Data/Eli looks at her, uncertain.
|
||
|
||
DATA/ELI
|
||
What?
|
||
|
||
It's clear from Data/Eli's behavior that this is still
|
||
the gunslinger character of Eli. They watch him a
|
||
moment.
|
||
|
||
TROI
|
||
(quietly, to Worf)
|
||
Why would the computer create
|
||
Holodeck characters that look like
|
||
Data?
|
||
|
||
Worf shakes his head, doesn't know -- he glares at
|
||
Data/Eli, growing furious at the situation. There is
|
||
a sense of urgency in the air, now -- it's no longer
|
||
just a harmless Holodeck fantasy.
|
||
|
||
WORF
|
||
(to Data/Eli)
|
||
Where have they taken my son?
|
||
|
||
Data/Eli shrugs and smiles at Worf -- a taunt. Worf's
|
||
temper flares -- he quickly reaches out and grabs
|
||
Data/Eli through the cell bars, pulls him forward by
|
||
the collar.
|
||
|
||
WORF
|
||
(demands)
|
||
Where is he?
|
||
|
||
DATA/ELI
|
||
Temper, temper, Sheriff. Pa
|
||
wouldn't be too pleased if I came
|
||
back all bruised...
|
||
|
||
Worf tightens his grip, one step away from violence.
|
||
Troi tries to ease the situation.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 42-43.
|
||
|
||
46 CONTINUED:
|
||
|
||
TROI
|
||
Worf, wait...
|
||
|
||
A beat. Worf releases Data/Eli, seething. He joins
|
||
Troi and they speak privately.
|
||
|
||
TROI
|
||
We've got to remember... the
|
||
Holodeck safeguards may be off,
|
||
but this is still a program...
|
||
(beat)
|
||
If we can get to the end of this
|
||
story... the way it was designed
|
||
to play out... the program should
|
||
automatically terminate.
|
||
|
||
Worf sees her point and calms down.
|
||
|
||
WORF
|
||
You are right...
|
||
(beat)
|
||
I will begin by speaking to the
|
||
people of this town. Perhaps
|
||
someone witnessed Alexander's
|
||
abduction.
|
||
|
||
Troi nods -- good idea. Worf moves to the door,
|
||
unlocks it and carefully peers outside -- the coast
|
||
is clear. He EXITS. Troi glances at the jail cell,
|
||
where Data/Eli is sitting on the cot, quietly playing
|
||
solitaire...
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/24/92 - ACT FOUR 44-46.
|
||
|
||
47
|
||
thru OMITTED
|
||
48
|
||
|
||
49 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
in orbit around the red giant.
|
||
|
||
50 INT. OBSERVATION LOUNGE
|
||
|
||
Picard, Riker, Data, Geordi. Mid-conversation.
|
||
|
||
GEORDI
|
||
We think our interface experiment
|
||
may have caused one of the
|
||
computer's core subroutines to
|
||
be altered.
|
||
|
||
DATA
|
||
When the interface malfunction
|
||
occurred, subroutine C-forty-seven
|
||
was replaced by elements of my
|
||
personal programming.
|
||
|
||
RIKER
|
||
What does C-forty-seven control?
|
||
|
||
GEORDI
|
||
Library computer access...
|
||
replicator selection...
|
||
recreational programming... No
|
||
critical systems.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - ACT FOUR 47.
|
||
|
||
50 CONTINUED:
|
||
|
||
DATA
|
||
(to Picard)
|
||
That would explain why your music
|
||
composition program began playing
|
||
"The Slavonic Dances." I have
|
||
been analyzing the collected works
|
||
of Anton Dvorak.
|
||
|
||
GEORDI
|
||
(nods)
|
||
The same with Doctor Crusher's
|
||
play... and with the food
|
||
replicators...
|
||
|
||
Picard reacts -- he hasn't heard about this one yet.
|
||
|
||
RIKER
|
||
(explains)
|
||
The replicators on Decks Four
|
||
through Nine have started
|
||
producing nothing but cat food.
|
||
|
||
PICARD
|
||
Cat food?
|
||
|
||
DATA
|
||
I have been formulating
|
||
nutritional supplements for Spot.
|
||
|
||
Picard considers the situation.
|
||
|
||
PICARD
|
||
When can you have the problem
|
||
corrected?
|
||
|
||
DATA
|
||
We are currently attempting to
|
||
isolate the corrupted circuit
|
||
pathways.
|
||
(beat)
|
||
I reckon the process should take
|
||
less then two hours.
|
||
|
||
Reactions to Data's statement. Except for Data, who
|
||
has not noticed the slip.
|
||
|
||
PICARD
|
||
What did you say?
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 48.
|
||
|
||
50 CONTINUED: (2)
|
||
|
||
DATA
|
||
I said the process would take less
|
||
than two hours.
|
||
|
||
RIKER
|
||
No -- you said "I reckon... "
|
||
|
||
Data thinks.
|
||
|
||
DATA
|
||
According to my memory log, I did
|
||
not use those words.
|
||
(Texan accent)
|
||
Ya'll must be mistaken.
|
||
|
||
Reactions.
|
||
|
||
GEORDI
|
||
There, Data, You did it again.
|
||
|
||
DATA
|
||
(Texan accent)
|
||
Did whut?
|
||
|
||
Reactions -- what the hell's going on? Data looks at
|
||
them, puzzled.
|
||
|
||
PICARD
|
||
Mister La Forge -- perhaps you
|
||
should take Mister Data to
|
||
Engineering. See if you can find
|
||
the problem.
|
||
|
||
GEORDI
|
||
Aye sir.
|
||
|
||
Geordi and Data rise to go. As they walk toward the
|
||
door, Data hitches his thumbs into his waistband and,
|
||
with a slight bow-legged swagger, EXITS the room.
|
||
|
||
Picard and Riker exchange a glance. OFF their puzzled
|
||
reactions...
|
||
|
||
51 INT. HOLODECK - SHERIFF'S OFFICE
|
||
|
||
Troi is pacing nervously, rifle in-hand. She glances
|
||
out the window... moves back to the desk... waiting...
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 49.
|
||
|
||
51 CONTINUED:
|
||
|
||
From offscreen, Data/Eli can be heard SHUFFLING his
|
||
deck of cards. Troi ignores it at first,
|
||
preoccupied... then she takes note. The card shuffling
|
||
seems to be getting faster and faster... like it's
|
||
being done at increasingly high speeds...
|
||
|
||
Troi listens for a moment, curious. Then she crosses
|
||
to the jail cell and peers inside. She reacts to what
|
||
she sees --
|
||
|
||
52 ANGLE ON DATA/ELI (OPTICAL)
|
||
|
||
sitting on the cot, SHUFFLING the deck of cards at
|
||
HYPER SPEED -- android speed. He proceeds to deal a
|
||
hand of solitaire at hyper-speed... then plays out the
|
||
game at hyper-speed...
|
||
|
||
Troi stares at him, realizing. Data/Eli stops and
|
||
looks right at her.
|
||
|
||
DATA/ELI
|
||
Can I help you with somethin?
|
||
|
||
There's a knock at the door. Troi quickly moves to
|
||
the door... unlocks the bolt... opens the door a crack
|
||
to see who's there, then opens it. Worf ENTERS,
|
||
looking urgent.
|
||
|
||
WORF
|
||
I spoke to several witnesses.
|
||
One saw Alexander being abducted
|
||
as he was leaving the bank... by
|
||
Hollander's men.
|
||
|
||
Worf crosses to the desk, opens a drawer and starts
|
||
to look for something. This is a bizarre and
|
||
frightening situation, but Worf is intent on getting
|
||
out of it.
|
||
|
||
WORF
|
||
We will begin a systematic search
|
||
of the town...
|
||
|
||
Worf removes a boxful of BULLETS and sets them on the
|
||
desktop -- begins to shove bullets into his pocket.
|
||
Troi glances at the jail cell, troubled.
|
||
|
||
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 49A.
|
||
|
||
52 CONTINUED:
|
||
|
||
TROI
|
||
Worf... we've got another
|
||
problem. I saw Eli shuffling his
|
||
cards. He was doing it the way
|
||
Data does when he plays poker...
|
||
(beat)
|
||
He doesn't just look like Data...
|
||
he has Data's abilities. And
|
||
his father probably does, as
|
||
well...
|
||
|
||
Worf stops and looks at the cell, disturbed by the
|
||
news.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 50.
|
||
|
||
52 CONTINUED: (2)
|
||
|
||
A knock at the door. Worf and Troi exchange a look.
|
||
Troi raises her rifle and Worf draws his gun. Worf
|
||
moves to the door, unbolts it, and eases it open.
|
||
|
||
Data/Frank Hollander is standing in the doorway. Troi
|
||
reacts -- it's the first time she's seen him.
|
||
|
||
DATA/FRANK
|
||
Howdy, Sheriff.
|
||
(beat)
|
||
I came to see my boy.
|
||
|
||
Troi points her rifle in his general direction.
|
||
|
||
WORF
|
||
Remove your weapon.
|
||
|
||
Data/Frank smiles and takes his gun out of his holster
|
||
-- offers it handle-first to Worf.
|
||
|
||
DATA/FRANK
|
||
(re: gun)
|
||
Take a good look at that gun,
|
||
Sheriff... you might see it again
|
||
real soon.
|
||
|
||
Data/Frank enters the room. He walks toward the cell,
|
||
eager to see his son.
|
||
|
||
DATA/FRANK
|
||
Eli?
|
||
|
||
Inside the cell, Eli jumps to his feet and grips the
|
||
cell bars.
|
||
|
||
DATA/ELI
|
||
Pa!
|
||
|
||
53 ANGLE ON DATA/FRANK AND DATA/ELI (OPTICAL)
|
||
|
||
standing face to face, separated by the cell door.
|
||
|
||
DATA/FRANK
|
||
How have they been treating you,
|
||
son?
|
||
|
||
DATA/ELI
|
||
Real bad, Pa. They ain't fed me
|
||
since I got here... and the
|
||
Sheriff's been roughin me up
|
||
somethin fierce.
|
||
|
||
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 51.
|
||
|
||
53 CONTINUED:
|
||
|
||
DATA/FRANK
|
||
Don't you worry. The Sheriff will
|
||
pay for this.
|
||
|
||
Data/Frank throws a look at Worf and Troi.
|
||
|
||
DATA/FRANK
|
||
(re: Troi)
|
||
Who's the stranger?
|
||
|
||
DATA/ELI
|
||
Don't know... she ain't said her
|
||
name. But she's in cahoots with
|
||
the Sheriff... and she's mighty
|
||
mean with a Winchester.
|
||
|
||
Data/Frank nods.
|
||
|
||
DATA/FRANK
|
||
Sit tight, boy. I'll have you
|
||
home in time for supper.
|
||
|
||
54 RESUME SCENE
|
||
|
||
Data/Frank moves to Worf and Troi, adamant.
|
||
|
||
DATA/FRANK
|
||
I'll give you one more opportunity
|
||
to avoid an ugly situation,
|
||
Sheriff. Release my boy.
|
||
|
||
Worf bristles, but plays along.
|
||
|
||
WORF
|
||
I have... reconsidered your offer.
|
||
I will release your son... in
|
||
exchange for my deputy.
|
||
|
||
Data/Frank smiles -- clearly, he's a man who is used
|
||
to winning.
|
||
|
||
DATA/FRANK
|
||
I thought you might have a change
|
||
of heart...
|
||
(beat)
|
||
Meet me in two hours. You be
|
||
in front of the saloon... I'll
|
||
be in front of the livery station.
|
||
|
||
Worf nods.
|
||
|
||
|