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1 line
76 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Journey's End"
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#40277-272
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Written by
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Ronald D. Moore
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Directed by
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Corey Allen
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1994 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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JANUARY 20, 1994
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STAR TREK: "Journey's End" - 01/20/94 - CAST
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STAR TREK: THE NEXT GENERATION
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"Journey's End"
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CAST
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PICARD WESLEY
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RIKER NECHEYEV
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DATA LAKANTA
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BEVERLY ANTHWARA
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TROI WAKASA
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WORF GUL EVEK
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GEORDI JACK CRUSHER
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TRAVELLER
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CARDASSIAN COM VOICE
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Non-Speaking Non-Speaking
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N.D. SUPERNUMERARIES N.D. INDIANS
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N.D. SECURITY N.D. CARDASSIANS
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STAR TREK: "Journey's End" - 01/20/94 - SETS
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STAR TREK: THE NEXT GENERATION
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"Journey's End"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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OBSERVATION LOUNGE
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ENGINEERING INDIAN VILLAGE
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TEN FORWARD
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READY ROOM
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TRANSPORTER ROOM
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PICARD'S QUARTERS
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WESLEY'S QUARTERS
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HABAK
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MEETING ROOM
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STAR TREK: "Journey's End" - 01/20/94 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Journey's End"
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PRONUNCIATION GUIDE
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ANTHWARA an-THWAH-rah
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BULARIAN boo-LAIR-ree-an
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CETI SET-tee
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DORVAN DOOR-van
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EVEK ee-VEK
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HABAK HA-bak
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LAKANTA la-KON-tuh
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MANSARA mahn-SAR-uh
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NECHEYEV neh-CHAY-ev
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TELAK tel-AK
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VASSBINDER VAS-bine-der
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VETAR VEE-tar
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WAKASA wuh-KA-suh
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STAR TREK: "Journey's End" 01/20/94 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Journey's End"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship in orbit around a planet.
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PICARD (V.O.)
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Captain's Log: Stardate 47751.2.
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The Enterprise has arrived at
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Starbase Three One Zero for a
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meeting with Fleet Admiral
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Necheyev. This visit will also
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give us the opportunity to pick up
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a... member of the family.
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2 INT. WESLEY'S QUARTERS
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BEVERLY and WESLEY ENTER from the Corridor. Wesley is
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wearing his cadet uniform and is carrying a suitcase.
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BEVERLY
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Here you go... your very own
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quarters.
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(with humor)
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And they're as far away from mine
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as possible, so you won't even
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have to see me if you don't want
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to.
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Wes rolls his eyes slightly as he starts to unpack.
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WESLEY
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Mom... you know that's not why I
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asked for my own quarters this --
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BEVERLY
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(teasing)
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No, no. You don't have to
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explain. There comes a time in a
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young man's life when he doesn't
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want to stay with his poor old
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mother... I understand.
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STAR TREK: "Journey's End" 01/20/94 - TEASER 2.
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2 CONTINUED:
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WESLEY
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(wry)
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I'll come visit you in the old
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Doctor's Home every Sunday.
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Beverly smiles... she's very happy, very up and Wes
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seems glad to be home... but throughout the scene, we
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should get the first subtle indications that all is not
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well with Wesley... he may be smiling and saying all
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the right things, but his smile is just a little
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forced... his good cheer a little hollow. The door
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CHIMES.
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WESLEY
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Come in.
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GEORDI and DATA ENTER.
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GEORDI
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Is there a runaway cadet in here?
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DATA
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If so, we may have to call
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security.
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GEORDI
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Welcome back, Wes.
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WESLEY
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Thanks.
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Wesley's response is perfunctory at best and he gives
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them a polite smile.
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DATA
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I was, of course, not serious
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about calling security. It was a
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joke.
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WESLEY
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I got it, Data.
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Geordi picks up on the distance Wesley is keeping them
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at and he struggles for meaningless small talk.
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GEORDI
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So... how's life at the Academy?
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WESLEY
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Great... just great.
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(beat)
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But it's... good to have a break.
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STAR TREK: "Journey's End" REV. 01/24/94 - TEASER 3.
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2 CONTINUED: (2)
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GEORDI
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So do you plan on just lounging
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around while we have work to do?
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WESLEY
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I'm... sure I can find some time
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to help, sir.
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Geordi laughs a little at the serious look on Wesley's
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face and then puts a friendly hand on his shoulder.
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GEORDI
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Enjoy your time off, you've earned
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it.
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WESLEY
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Thanks.
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BEVERLY
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Well... I think we better let him
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settle in.
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GEORDI
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Good idea. Don't sleep your whole
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vacation away, Wes.
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STAR TREK: "Journey's End" REV. 01/24/94 - TEASER 4.
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2 CONTINUED: (3)
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DATA
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Good-bye.
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WESLEY
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See you later.
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Data and Geordi EXIT. Beverly gives her son a long hug
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for a moment.
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BEVERLY
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It's really good to have you home,
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Wesley. Really.
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WESLEY
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Thanks, Mom.
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Beverly EXITS. Wes moves back to his suitcase and
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takes out a shirt... then pauses and sits down on the
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bed. He looks around the room for a moment... there is
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no joy in his face, no sense of warm nostalgia or
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relief at being home... just the look of young man
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who's profoundly unhappy... and doesn't even know why.
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OFF his expression...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Journey's End" 01/20/94 - ACT ONE 5.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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3 INT. OBSERVATION LOUNGE
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PICARD is setting a teapot on the table where a small
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tea service has been laid out. There is also a plate
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of small sandwiches, and a tray of odd-looking
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crackers. Riker ENTERS.
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RIKER
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Admiral Necheyev's just beamed
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aboard. Worf's escorting her up
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here now.
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PICARD
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Good.
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Picard makes a few adjustments to the tea service as
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Riker looks on.
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RIKER
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Earl Grey Tea... watercress
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sandwiches... Bularian canapes...
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Are you up for a promotion?
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PICARD
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I'm trying to establish a new
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relationship with the Admiral.
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There's been a certain amount
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of... tension between us in the
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past.
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RIKER
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Tension's not the word I would
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use...
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PICARD
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I'd like to get things started on
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a better note this time. I want
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to make her feel at ease... that
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she's welcome aboard the
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Enterprise...
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RIKER
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(innocent)
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I don't know why she wouldn't feel
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welcome here.
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Picard gives him a dry look.
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STAR TREK: "Journey's End" 01/20/94 - ACT ONE 6.
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3 CONTINUED:
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PICARD
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We don't have to like her Wil, we
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simply have to follow her orders.
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However, maintaining an atmosphere
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of confrontation serves no
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purpose.
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The doors now OPEN and WORF and ADMIRAL NECHEYEV ENTER.
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Necheyev is carrying a PADD.
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WORF
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Admiral Necheyev, sir.
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Picard smiles warmly and moves to shake her hand.
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PICARD
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(warm)
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Admiral, welcome aboard the
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Enterprise.
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But Necheyev is as brusque as ever.
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NECHEYEV
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Thank you.
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(to Worf & Riker)
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You two may leave.
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Worf bristles slightly, but Riker simply smiles at her.
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RIKER
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Thank you, Admiral.
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Riker gives Picard a big smile... "you've got your work
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cut out for you."
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RIKER
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Captain...
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Riker and Worf EXIT. Picard tries gamely to play the
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gracious host.
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PICARD
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Admiral, may I offer you some --
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But Necheyev is all business... she moves past Picard
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and heads for the table without even hearing him.
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NECHEYEV
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(brusque)
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I'll come right to the point,
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Captain. A situation has
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developed on the Cardassian border
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that...
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STAR TREK: "Journey's End" 01/20/94 - ACT ONE 7.
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3 CONTINUED: (2)
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She trails off as she catches sight of the food and
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drink on the table.
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NECHEYEV
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Are those... Bularian canapes?
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PICARD
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Yes, as a matter of fact. I took
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the liberty of speaking to your
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aide, Commander Wrightwell... he
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said you were quite fond of them.
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Necheyev suddenly realizes the effort that Picard has
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gone to here... she reins in her instinctive "cut to
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the chase" attitude with Picard... tries to match his
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gesture with a certain amount of graciousness. But it
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isn't easy -- for either of them, and there is still a
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trace of tension between these two officers as they try
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to remain civil to each other throughout the scene.
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NECHEYEV
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That was very... thoughtful,
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Captain. Thank you.
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She sits down and takes one of the canapes. Picard
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pours them both some tea.
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PICARD
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You were saying something about
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the Cardassians I believe...
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NECHEYEV
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Yes. The Federation has just
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completed a very long and
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difficult series of negotiations
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regarding the final status of our
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border with the Cardassians.
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Necheyev hands Picard the PADD she brought in.
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NECHEYEV
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(continuing)
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These will be the official
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boundaries... you'll notice that
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a demilitarized zone has also been
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created along the border. Neither
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side will be permitted to place
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military outposts, conduct fleet
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exercises, or station warships
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anywhere in the demilitarized
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area.
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STAR TREK: "Journey's End" 01/20/94 - ACT ONE 8.
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3 CONTINUED: (3)
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PICARD
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(off PADD)
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This border will put several
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Federation colonies in Cardassian
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territory... and some Cardassian
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colonies in ours.
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Necheyev sips some tea... she's not completely happy
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with this agreement.
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NECHEYEV
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The agreement is by no means
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perfect... neither side got
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everything they wanted... but
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everyone got something. And as
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someone once said, diplomacy is
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the art of the possible.
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(beat)
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Those colonies finding themselves
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on the wrong side of the border
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will have to be moved.
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Picard doesn't like the sound of that.
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PICARD
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The colonists are not going to be
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very happy about that... some of
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them have been there for decades.
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NECHEYEV
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It won't be easy... but it is a
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reasonable price to pay for peace.
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(beat)
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Your mission is to evacuate the
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colony on Dorvan Five.
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PICARD
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Dorvan Five... that's where the
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group of North American Indians
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has settled, isn't it?
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NECHEYEV
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Yes. They've been there for about
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twenty years... they've
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established a village in a small
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valley on the southern continent.
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STAR TREK: "Journey's End" 01/20/93 - ACT ONE 9.
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3 CONTINUED: (4)
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Picard sits back in his chair... very disturbed by
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this. Necheyev is vaguely irritated -- she doesn't
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respond well to resistance from her subordinates, but
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she holds her tongue and gives him a polite smile.
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NECHEYEV
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Is there something wrong?
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PICARD
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(continuing)
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Admiral... centuries ago, the
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North American Indians were
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forcibly displaced from their
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ancestral lands. This group on
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Dorvan Five originally left Earth
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two hundred years ago because they
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wanted to preserve their cultural
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identities.
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NECHEYEV
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(dry)
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I am aware of that Captain...
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PICARD
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There are certain... disturbing
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historical parallels here. Once
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again, these people are being
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asked to leave their homes because
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of political decisions made by a
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distant government.
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Necheyev nearly gives him a tart reply, but instead,
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she takes a sip of her tea... trying to maintain the
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civil atmosphere.
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NECHEYEV
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An Indian representative was
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included in the deliberations of
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the Federation Council. His
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objections were noted,
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discussed... but ultimately
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rejected.
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Necheyev leans forward, trying to make Picard see the
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validity of her position... trying to make him
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understand.
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STAR TREK: "Journey's End" 01/20/93 - ACT ONE 9A.
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3 CONTINUED: (5)
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NECHEYEV
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(continuing)
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Captain, the Indians colonized
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Dorvan only twenty years ago...
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and at that time they were warned
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the planet was hotly disputed by
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the Cardassians. The bottom line
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is... they never should have
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settled there in the first place.
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PICARD
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Then perhaps we should not have
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allowed them to settle the planet
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originally. But to go to them
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twenty years later and ask them to
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leave what is now their home...
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Necheyev sits back in her chair and regards him for a
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moment... her expression is weary... tired.
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NECHEYEV
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I made the same argument to the
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Federation Council. But it took
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three years to negotiate this
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treaty... some concessions had to
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be made... and this is one of
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them.
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Picard takes a moment... realizes the futility of
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further argument.
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PICARD
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What if the Indians should...
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refuse to evacuate?
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Necheyev sets down her tea... gives him a direct look.
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NECHEYEV
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(quiet)
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Then your orders are to remove
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them... by any means necessary.
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That grim order hangs in the air for a moment.
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STAR TREK: "Journey's End" 01/20/94 - ACT ONE 9B.
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3 CONTINUED: (6)
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NECHEYEV
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(continuing)
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I understand your... moral
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objections, Captain. If you
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wish... I can find someone else to
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command the Enterprise for this
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mission.
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PICARD
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No. That won't be necessary.
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Necheyev nods and then she stands. Picard stands as
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well.
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NECHEYEV
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I don't envy you this task... but
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I do believe it is for the greater
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good.
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PICARD
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I understand.
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Necheyev turns to go, then pauses at the door.
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NECHEYEV
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And... thank you for...
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(beat, looks down at the
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food & tea)
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... making me feel welcome.
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PICARD
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You are always welcome on this
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ship, Admiral.
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A look between two former adversaries possibly on the
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|
road to a new relationship... and then Necheyev EXITS.
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CUT TO:
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|
4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship goes into warp.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT ONE 10.
|
|
|
|
5 INT. WESLEY'S QUARTERS
|
|
|
|
Wesley is sound asleep in bed. His things are
|
|
scattered across the floor -- not the neat and tidy
|
|
room one would expect from a Starfleet Cadet. The door
|
|
CHIMES. Wes groans and rolls over, trying to ignore
|
|
it. The door CHIMES again. Wesley finally sits up in
|
|
irritation.
|
|
|
|
WESLEY
|
|
(annoyed)
|
|
Come in.
|
|
|
|
The doors OPEN and Picard ENTERS. He's surprised to
|
|
see Wesley still in bed.
|
|
|
|
PICARD
|
|
Oh. I'm sorry to disturb you,
|
|
Mister Crusher. I assumed you
|
|
would be up at this hour. I could
|
|
come back later.
|
|
|
|
Wesley drags himself out of bed and puts on a robe. He
|
|
makes a feeble effort to perk up for the Captain.
|
|
|
|
WESLEY
|
|
No... no, sir. I... must have
|
|
overslept. Come in.
|
|
|
|
Picard comes in as Wesley goes to the replicator.
|
|
|
|
WESLEY
|
|
(continuing, to
|
|
replicator)
|
|
Coffee, black.
|
|
|
|
We HEAR the sound of the replicator. Wesley seems to
|
|
remember something.
|
|
|
|
WESLEY
|
|
(continuing, to Picard)
|
|
Oh. Uh, can I get something for
|
|
you, sir?
|
|
|
|
PICARD
|
|
No, that's quite all right. This
|
|
was my first chance to welcome you
|
|
back.
|
|
|
|
Wesley takes a sip from the steaming mug.
|
|
|
|
WESLEY
|
|
Thank you. I appreciate that.
|
|
|
|
There is an awkward beat. The usual warm and familiar
|
|
dynamic between them is noticeably absent.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT ONE 11.
|
|
|
|
5 CONTINUED:
|
|
|
|
Wesley never quite meets Picard's gaze... he's
|
|
withdrawn and evasive. He really doesn't want to be
|
|
here and he doesn't particularly want to talk to the
|
|
Captain -- he just wants to be left alone. Picard
|
|
feels progressively more uncomfortable.
|
|
|
|
PICARD
|
|
So... how's Boothby?
|
|
|
|
Wesley shrugs.
|
|
|
|
WESLEY
|
|
Fine, I guess.
|
|
|
|
PICARD
|
|
You guess?
|
|
|
|
WESLEY
|
|
I haven't seen him in a while.
|
|
(beat)
|
|
To be honest, sir... Boothby was
|
|
starting to get on my nerves a
|
|
little bit.
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT ONE 12.
|
|
|
|
5 CONTINUED: (2)
|
|
|
|
WESLEY (Cont'd)
|
|
He always seemed to have an
|
|
opinion about everything.
|
|
(then tries to
|
|
backtrack)
|
|
I mean, I know he's a very...
|
|
insightful... intelligent man...
|
|
|
|
Picard's had about enough of this... he can see that
|
|
something's going on with Wesley and that continued
|
|
conversation will only make it worse.
|
|
|
|
PICARD
|
|
But you'd had enough of his
|
|
insights.
|
|
|
|
WESLEY
|
|
That's not quite what I meant,
|
|
sir.
|
|
|
|
Picard decides not to pursue this any longer.
|
|
|
|
PICARD
|
|
Well, as I said, welcome back,
|
|
Mister Crusher. I hope you enjoy
|
|
your vacation. That's really all
|
|
I came here to say.
|
|
|
|
Picard turns and EXITS. Wesley feels instantly bad...
|
|
he didn't mean to rude... and now it's too late. He
|
|
sits down in frustration.
|
|
|
|
CUT TO:
|
|
|
|
6 INT. MAIN ENGINEERING
|
|
|
|
Geordi is working at the pool table as Wesley ENTERS
|
|
wearing civilian clothes.
|
|
|
|
GEORDI
|
|
Wes -- there you are. You've got
|
|
to take a look at this.
|
|
|
|
Geordi moves over to the warp core chamber. He opens
|
|
a panel on the bulkhead.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT ONE 13.
|
|
|
|
6 CONTINUED:
|
|
|
|
GEORDI
|
|
Remember how we always talked
|
|
about improving the quantum
|
|
efficiency by creating a new
|
|
plasma-dyne relay? Well, feast
|
|
your eyes on this.
|
|
|
|
Wesley looks inside the panel -- there's a pulsing
|
|
conduit inside. Wesley looks unimpressed -- his
|
|
attitude is condescending, almost arrogant. The
|
|
subtext here is that Wesley is angry and frustrated
|
|
about something and he's taking those feelings out on
|
|
Geordi.
|
|
|
|
WESLEY
|
|
(dismissive)
|
|
You've only got one micro-fusion
|
|
inter-relay in here... the
|
|
converter interface will never
|
|
hold up.
|
|
|
|
GEORDI
|
|
Hey, I ran the diagnostics myself.
|
|
This little baby will withstand
|
|
over five hundred Cochranes of
|
|
warp field stress.
|
|
|
|
WESLEY
|
|
I don't think so. You better put
|
|
a secondary phase inverter in
|
|
there.
|
|
(beat, pokes around in
|
|
panel)
|
|
In fact, this entire subprocessor
|
|
matrix needs an overhaul.
|
|
|
|
Geordi shuts the panel... he's definitely getting
|
|
irritated at this point.
|
|
|
|
GEORDI
|
|
Well, I guess we can't have all
|
|
the fancy new equipment they give
|
|
you kids at the Academy. We have
|
|
to make do with what we've got.
|
|
|
|
Wesley reacts with irritation, as if talking to a slow
|
|
pupil who just doesn't get it.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT ONE 14.
|
|
|
|
6 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
Read the latest paper by Doctor
|
|
Vassbinder... he has some
|
|
brilliant new theories on warp
|
|
propulsion inter-relays.
|
|
(indicates console)
|
|
A lot of this stuff is almost
|
|
obsolete.
|
|
|
|
Wesley's tone and attitude are so obviously out of
|
|
character that Geordi gives him a surprised look.
|
|
|
|
GEORDI
|
|
What's wrong with you?
|
|
|
|
WESLEY
|
|
(hard)
|
|
Do you want my help or not?
|
|
|
|
GEORDI
|
|
(bristling)
|
|
I was doing this for you... I
|
|
thought you'd be interested in
|
|
this.
|
|
|
|
WESLEY
|
|
Well, I'm not.
|
|
|
|
Wesley EXITS. OFF Geordi's angry expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
7 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship is in orbit around a planet.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log: Supplemental. The
|
|
Enterprise has arrived at Dorvan
|
|
Five and I have spoken to the
|
|
Leader of the Tribal Council. He
|
|
has agreed to meet with us this
|
|
afternoon to discuss the
|
|
situation.
|
|
|
|
CUT TO:
|
|
|
|
8 OMITTED
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT TWO 16-17.
|
|
|
|
9 INT. MEETING ROOM
|
|
|
|
A large room, which in contrast to the rest of the
|
|
village is almost completely 24th century in design and
|
|
in building materials. There is a large, broad table
|
|
with chairs, but no other furniture. Seated on one
|
|
side of the table are five leaders of the Indian Tribal
|
|
Council -- each of them wearing distinctive
|
|
accoutrements which indicate their respective tribes,
|
|
but all in essentially modern dress. On the other side
|
|
of the table are seated Picard and Troi. The
|
|
atmosphere is cordial, but a little stiff. There are
|
|
several PADDS on the table.
|
|
|
|
Picard is speaking to ANTHWARA -- the Leader of the
|
|
Tribal Council.
|
|
|
|
PICARD
|
|
Anthwara... I am afraid there is
|
|
very little I can do. The
|
|
decision regarding this planet was
|
|
made at the highest levels of the
|
|
Federation.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT TWO 18.
|
|
|
|
9 CONTINUED:
|
|
|
|
WAKASA
|
|
A decision that was made over our
|
|
explicit objections.
|
|
|
|
PICARD
|
|
I must point out that when you
|
|
first came to this world, you were
|
|
warned that it was the subject of
|
|
a dispute between the Federation
|
|
and the Cardassians. You were
|
|
asked not to settle here.
|
|
|
|
WAKASA
|
|
(with an edge)
|
|
Do you know how long we have
|
|
searched for a home? Almost two
|
|
hundred years. Then we found this
|
|
world... Can you blame us for not
|
|
wanting to give it up?
|
|
|
|
PICARD
|
|
I understand and respect the long
|
|
journey of your people. But I
|
|
believe we can help you find a new
|
|
home.
|
|
|
|
Troi picks up the PADD in front of her and Picard.
|
|
|
|
TROI
|
|
As you can see, there are three
|
|
other planets in this sector that
|
|
have environmental conditions
|
|
similar to those here on Dorvan
|
|
Five. They are all uninhabited...
|
|
and could be colonized
|
|
immediately.
|
|
|
|
PICARD
|
|
And if those worlds don't meet
|
|
with your approval, then we'll
|
|
find you other choices.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 19.
|
|
|
|
9 CONTINUED: (2)
|
|
|
|
The Tribal leaders look over their PADDS for a moment,
|
|
then put them aside. Anthwara gets up... moves about
|
|
for a moment... this is not an easy conversation for
|
|
him either.
|
|
|
|
ANTHARWA
|
|
You don't understand... the choice
|
|
of this world was not limited
|
|
to... "environmental conditions."
|
|
There were other... more
|
|
intangible concerns as well.
|
|
(beat)
|
|
My people have always had an...
|
|
intimate bond with nature. We
|
|
think of ourselves as being a part
|
|
of it... and it being a part of
|
|
us. One of the reasons our
|
|
ancestors left Earth two hundred
|
|
years ago was because that bond
|
|
had been severed.
|
|
|
|
WAKASA
|
|
(with contempt)
|
|
They began to control the weather.
|
|
|
|
ANTHWARA
|
|
We believe -- very strongly --
|
|
that nature should not be "fixed"
|
|
or controlled. Droughts and
|
|
floods... tornadoes and
|
|
hurricanes... these are natural
|
|
events. By putting man above
|
|
nature... an imbalance was
|
|
created. We could no longer live
|
|
in harmony with our environment.
|
|
|
|
PICARD
|
|
I can assure you that we will not
|
|
impose a weather control system or
|
|
anything else on your people.
|
|
Whatever world you choose to
|
|
colonize will be completely yours
|
|
to do with as you please.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT TWO 19A
|
|
|
|
9 CONTINUED: (3)
|
|
|
|
ANTHWARA
|
|
Captain, once the bond between us
|
|
and Earth had been broken, we had
|
|
to find a planet where we could
|
|
establish a new bond... a planet
|
|
that would welcome us. When I
|
|
came here twenty years ago, I was
|
|
welcomed by the mountains... the
|
|
rivers... the sky.
|
|
|
|
WAKASA
|
|
(to Anthwara, re:
|
|
Picard)
|
|
He's laughing at you, Anthwara.
|
|
He thinks you're talking about old
|
|
superstition and nonsense.
|
|
|
|
PICARD
|
|
That's not true. I have a great
|
|
deal of respect for your beliefs
|
|
and the meaning they hold for your
|
|
people.
|
|
|
|
ANTHWARA
|
|
Then you should respect the fact
|
|
that this planet holds a deeply
|
|
spiritual significance for us. It
|
|
took us two centuries to find a
|
|
place where the mountains gave us
|
|
permission to use their stone for
|
|
our houses... where the rivers let
|
|
us drink from their waters... and
|
|
where the wind sang to us at
|
|
night.
|
|
(beat)
|
|
We don't want to spend another two
|
|
hundred years searching for what
|
|
we already have.
|
|
|
|
Picard sits back for a moment... this is going nowhere
|
|
fast. Troi senses that further discussion will not
|
|
help.
|
|
|
|
TROI
|
|
Captain, may I suggest that we
|
|
adjourn for now... allow us all
|
|
time to think about what's been
|
|
said.
|
|
|
|
Picard looks to Anthwara, who nods after a beat.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT TWO 19B-20
|
|
|
|
9 CONTINUED: (4)
|
|
|
|
ANTHWARA
|
|
Agreed. We will reconvene
|
|
tomorrow.
|
|
|
|
PICARD
|
|
In the meantime, I would like to
|
|
invite you all to the Enterprise
|
|
this evening as our guests.
|
|
|
|
ANTHWARA
|
|
(smiles)
|
|
Thank you, Captain. We look
|
|
forward to it.
|
|
|
|
The meeting breaks up.
|
|
|
|
CUT TO:
|
|
|
|
10 OMITTED
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 21-22.
|
|
|
|
11 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
12 INT. WESLEY'S QUARTERS
|
|
|
|
Wesley is sitting in a chair with a bored,
|
|
disinterested look on his face. Beverly is walking
|
|
around the room in obvious concern and frustration.
|
|
|
|
BEVERLY
|
|
Ever since you came aboard you've
|
|
been moody, sullen and rude. I
|
|
want to know what's going on.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 23.
|
|
|
|
12 CONTINUED:
|
|
|
|
WESLEY
|
|
Nothing's going on, Mom. I just
|
|
want to be left alone.
|
|
|
|
BEVERLY
|
|
No, that's not good enough. Your
|
|
behavior in Engineering was
|
|
inexcusable.
|
|
|
|
Wesley's voice rises a notch.
|
|
|
|
WESLEY
|
|
Well, then that's my business
|
|
isn't it? I don't need you
|
|
telling me how to behave.
|
|
|
|
BEVERLY
|
|
I shouldn't have to -- you're a
|
|
fourth year Starfleet cadet.
|
|
You're expected to have a certain
|
|
level of maturity.
|
|
|
|
Wesley gets up, his eyes flash in anger.
|
|
|
|
WESLEY
|
|
Maybe I'm sick of living up to
|
|
other people's expectations...
|
|
maybe I'm sick of following rules
|
|
and regulations... did you ever
|
|
think about that?
|
|
|
|
He storms out of the room, leaving Beverly unsure what
|
|
to do.
|
|
|
|
CUT TO:
|
|
|
|
13 OMITTED
|
|
|
|
14 INT. TEN FORWARD
|
|
|
|
A reception for the Indians is in progress. There is
|
|
a banquet of food and drink set out and there are
|
|
numerous N.D. Crewmembers mingling with N.D. Indians.
|
|
All six tribal leaders are here as well as Picard,
|
|
Riker, Troi, Data, Beverly.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 24.
|
|
|
|
15 PICARD AND ANTHWARA
|
|
|
|
Are carrying drinks over to the window. Picard is
|
|
using this social gathering as an opportunity to
|
|
explore other solutions with Anthwara. Midconversation.
|
|
|
|
PICARD
|
|
... so I've been trying to
|
|
familiarize myself with the
|
|
history and traditions of your
|
|
people. I was quite interested to
|
|
learn that it was your grandfather --
|
|
Katowa -- who led the group of
|
|
Indians who initially left Earth
|
|
two centuries ago.
|
|
|
|
ANTHWARA
|
|
(with affection)
|
|
He was a... great man. When I was
|
|
a little boy, I was so proud to
|
|
know that he was my grandfather.
|
|
In fact, I think I was a little
|
|
too proud of it... I remember the
|
|
other children getting tired of
|
|
hearing me talk about him.
|
|
|
|
PICARD
|
|
It must have been a very difficult
|
|
decision for your grandfather to
|
|
make... uprooting your people...
|
|
leading them into the unknown for
|
|
an undetermined amount of time...
|
|
not even knowing if you ever would
|
|
find a new home.
|
|
|
|
ANTHWARA
|
|
There was great deal of
|
|
opposition. Even my own father
|
|
was against it... but when Katowa
|
|
made his decision -- that was it.
|
|
My father never said another word.
|
|
|
|
Picard pauses for a moment, and they both sip their
|
|
drinks for a second.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 25.
|
|
|
|
15 CONTINUED:
|
|
|
|
PICARD
|
|
(quiet)
|
|
It's never easy to leave one's
|
|
home... to give up the safe and
|
|
familiar. But there are times
|
|
when the greater good demands that
|
|
sacrifices be made... I'm sure
|
|
your grandfather knew that.
|
|
|
|
Anthwara looks out at the stars for a moment.
|
|
|
|
ANTHWARA
|
|
(quiet)
|
|
His grandson does too. But there
|
|
are also times when a people have
|
|
sacrificed too much... when they
|
|
must hold on to what they have...
|
|
even if it means standing up
|
|
against overwhelming opposition.
|
|
|
|
A quiet beat and then Anthwara turns to Picard and
|
|
moves the conversation onto a new subject.
|
|
|
|
ANTHWARA
|
|
What do you know about your
|
|
family, Captain?
|
|
|
|
PICARD
|
|
A great deal actually. My father
|
|
was a strong believer in passing
|
|
along the family history and
|
|
traditions.
|
|
|
|
ANTHWARA
|
|
Tell me about your family. We
|
|
have very strong ties to our
|
|
ancestors... we believe their
|
|
actions guide us even now.
|
|
Knowing more about your family
|
|
might help me to better understand
|
|
you.
|
|
(smiles)
|
|
Besides, it's always a good idea
|
|
to understand your opponent in any
|
|
negotiation.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT TWO 25A.
|
|
|
|
15 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(smiles)
|
|
I hope that by the end of this
|
|
matter, you won't look at me as
|
|
your opponent.
|
|
(beat)
|
|
My family. Well... our roots in
|
|
Western Europe go back to the time
|
|
of Charlemagne.
|
|
|
|
16 OMITTED
|
|
|
|
17 ANGLE ON WESLEY
|
|
|
|
As he ENTERS the room. He's wearing his cadet uniform
|
|
again, but he doesn't look especially happy to be here.
|
|
Beverly catches his eye as she passes him on her way to
|
|
the bar.
|
|
|
|
WESLEY
|
|
(to Beverly, quiet)
|
|
Sorry I'm late.
|
|
|
|
BEVERLY
|
|
We'll talk about that later.
|
|
|
|
Beverly continues on her way and joins Troi and Lakanta
|
|
in a conversation at the bar. Wesley grabs a drink
|
|
from a waiter's tray and tries to find an out of the
|
|
way place by one of the windows. He manages to find a
|
|
quiet seat by himself and is about to sink into private
|
|
thoughts when an Indian named LAKANTA quietly
|
|
approaches him.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT TWO 26.
|
|
|
|
17 CONTINUED:
|
|
|
|
LAKANTA
|
|
Wesley Crusher?
|
|
|
|
Wes turns and looks up in surprise.
|
|
|
|
WESLEY
|
|
Yes?
|
|
|
|
LAKANTA
|
|
I am Lakanta.
|
|
|
|
Wesley waits... but Lakanta doesn't offer more
|
|
explanation.
|
|
|
|
WESLEY
|
|
I'm... glad to meet you... can I
|
|
get you a drink or --
|
|
|
|
LAKANTA
|
|
I have been waiting for you.
|
|
|
|
WESLEY
|
|
For... me?
|
|
|
|
LAKANTA
|
|
I have known you would come to us
|
|
for the past two years.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT TWO 27.
|
|
|
|
17 CONTINUED: (2)
|
|
|
|
Wesley is surprised... doesn't know what to say for a
|
|
moment.
|
|
|
|
WESLEY
|
|
I'm... not sure what you mean.
|
|
|
|
Lakanta sits down next to Wesley.
|
|
|
|
LAKANTA
|
|
Two years ago, I went into the
|
|
Habak and began a vision quest.
|
|
While I was there, I saw many
|
|
things... talked to many animals
|
|
and spirits... and I saw you.
|
|
|
|
Wesley isn't sure what he's dealing with here and he
|
|
tries to make sense of it all.
|
|
|
|
LAKANTA
|
|
(continuing)
|
|
There're many things you don't
|
|
understand yet... but you will.
|
|
|
|
WESLEY
|
|
I don't mean to be rude, but I
|
|
wish you'd stop talking about me
|
|
in the future tense.
|
|
|
|
But Lakanta is not fazed in the least by Wesley's
|
|
prickliness.
|
|
|
|
LAKANTA
|
|
I know your spirit's troubled,
|
|
Wesley. That's why you've come to
|
|
us. We can help you find the
|
|
answers you seek.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT TWO 28.
|
|
|
|
17 CONTINUED: (3)
|
|
|
|
Lakanta gets up and leaves. Wesley looks after him
|
|
with puzzlement. He tries to shake off the odd
|
|
encounter, but then he can't... Lakanta's words have
|
|
struck some chord within him... Wesley looks up and
|
|
watches as Lakanta EXITS the room. OFF Wesley's
|
|
thoughtful look...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT THREE 29.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
18 OMITTED
|
|
|
|
19 INT. PICARD'S QUARTERS
|
|
|
|
Beverly is on her feet, moving about the room,
|
|
obviously very upset and concerned. Picard listens
|
|
patiently, trying to help.
|
|
|
|
BEVERLY
|
|
I just don't know what to do, Jean-Luc.
|
|
It's as if someone took my
|
|
son away and left this stranger in
|
|
his place.
|
|
|
|
PICARD
|
|
In a sense, that's exactly what's
|
|
happened. Wesley left here three
|
|
years ago as a boy... but now he's
|
|
a young man. That can't be an
|
|
easy transition for a mother... or
|
|
a son.
|
|
|
|
BEVERLY
|
|
Well, it's gone beyond just the
|
|
two of us...
|
|
|
|
PICARD
|
|
I heard about the incident with
|
|
Geordi.
|
|
|
|
BEVERLY
|
|
Have you heard about the Academy?
|
|
(off his look)
|
|
I called Admiral Brand this
|
|
afternoon. She said his grades
|
|
are falling... he's becoming
|
|
remote, defensive... if he's not
|
|
careful, he'll wash out next term.
|
|
|
|
Beverly sits down with a sense of helplessness and
|
|
defeat. Picard moves to sit next to her.
|
|
|
|
PICARD
|
|
I don't mean to make light of that
|
|
by any means... but I must say
|
|
that I went through the same
|
|
thing.
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT THREE 30.
|
|
|
|
19 CONTINUED:
|
|
|
|
PICARD (CONT'D)
|
|
(off her look)
|
|
Oh, yes. I nearly washed out my
|
|
sophomore year... there were a lot
|
|
of different factors... my
|
|
father's death... a teenage love
|
|
affair with the wrong girl... the
|
|
point is, I realized what was
|
|
happening to me and I pulled
|
|
myself out of it. I'm sure Wesley
|
|
will do the same.
|
|
|
|
BEVERLY
|
|
Jean-Luc... will you have a talk
|
|
with him? Maybe this is the kind
|
|
of thing a boy -- a young man has
|
|
to discuss with another man.
|
|
|
|
Picard considers this for a moment.
|
|
|
|
PICARD
|
|
(gently)
|
|
I don't think he wants either of
|
|
us to talk to him right now.
|
|
|
|
BEVERLY
|
|
But he needs help.
|
|
|
|
PICARD
|
|
Perhaps. But he has to want that
|
|
help. If he doesn't, then any
|
|
effort on our part might only push
|
|
him further away.
|
|
|
|
Beverly looks like she wants to object, but Picard
|
|
presses on.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Let him work this out on his own,
|
|
Beverly.
|
|
|
|
Finally, Beverly realizes that Picard is right... she
|
|
nods in reluctant acceptance and leans against him for
|
|
support. He smiles and puts a comforting arm around
|
|
her.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT THREE 31.
|
|
|
|
20 EXT. INDIAN VILLAGE - DAY
|
|
|
|
Wesley is walking through the village in his uniform.
|
|
He looks a little uncomfortable here... unsure what he
|
|
should be doing or not doing among these people. He
|
|
looks around for Lakanta, but doesn't see him among the
|
|
Indians, who basically ignore him.
|
|
|
|
Wesley shakes his head after a beat... he must be crazy
|
|
to have come here... he turns around to leave and then
|
|
sees Lakanta standing calmly nearby, watching him.
|
|
|
|
WESLEY
|
|
How long have you been watching
|
|
me?
|
|
|
|
LAKANTA
|
|
Since you beamed down.
|
|
|
|
WESLEY
|
|
Well, I'm here. What am I
|
|
supposed to do now?
|
|
|
|
LAKANTA
|
|
I don't know.
|
|
|
|
Wesley's intrigue is starting to turn to annoyance.
|
|
|
|
WESLEY
|
|
I thought you were going to...
|
|
help me "find some answers".
|
|
|
|
LAKANTA
|
|
Yes. But the answers will be to
|
|
your questions.
|
|
|
|
WESLEY
|
|
(frustrated)
|
|
What questions? I don't even know
|
|
why I came here.
|
|
|
|
Wesley turns to go, but Lakanta's voice stops him.
|
|
|
|
LAKANTA
|
|
I told you before your spirit was
|
|
troubled. Was I wrong?
|
|
|
|
Wesley takes a long beat before he turns around.
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT THREE 32.
|
|
|
|
20 CONTINUED:
|
|
|
|
WESLEY
|
|
(quiet)
|
|
I don't know about my... spirit,
|
|
but I guess you could say I'm a
|
|
little... troubled.
|
|
|
|
LAKANTA
|
|
Then perhaps you do have questions
|
|
to be answered. Maybe your
|
|
answers are here... maybe they're
|
|
not. Will it hurt to look?
|
|
|
|
Wesley thinks about this for a moment... he takes a
|
|
deep breath... decides to put aside his frustrations
|
|
for the moment and see where this leads.
|
|
|
|
WESLEY
|
|
Tell me about this... Habak. You
|
|
said you had some kind of a vision
|
|
there?
|
|
|
|
Lakanta and Wesley begin to walk through the Village as
|
|
they talk.
|
|
|
|
LAKANTA
|
|
The Habak is a holy place... we
|
|
hold many of our rituals and
|
|
ceremonies there. It's sacred to
|
|
us.
|
|
|
|
Wesley nods and they walk for a moment.
|
|
|
|
LAKANTA
|
|
(continuing)
|
|
What's sacred to you, Wesley?
|
|
|
|
That definitely catches Wes off-guard.
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT THREE 33.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
To me? Uh... well, I consider a
|
|
lot of things... important... I
|
|
respect a lot of things... but I
|
|
don't know if I consider anything
|
|
sacred.
|
|
|
|
LAKANTA
|
|
Stop.
|
|
|
|
They stop.
|
|
|
|
LAKANTA
|
|
(continuing)
|
|
Look around us. What do you think
|
|
would be sacred to us here?
|
|
|
|
Wesley looks around for a moment... he hesitates.
|
|
|
|
WESLEY
|
|
Well... maybe some of the designs
|
|
on the walls... the necklace
|
|
you're wearing... ?
|
|
|
|
LAKANTA
|
|
Everything is sacred to us. The
|
|
buildings... the food... the
|
|
sky... the dirt under your
|
|
feet... and you. Whether you
|
|
believe in your own spirit or
|
|
not... we believe in it. So you
|
|
are a sacred person here, Wesley.
|
|
|
|
Wesley smiles after a beat... a little embarrassed, but
|
|
intrigued just the same.
|
|
|
|
WESLEY
|
|
I think that's the first time
|
|
anyone's used that particular word
|
|
to describe me.
|
|
|
|
LAKANTA
|
|
So if you're sacred... then you
|
|
have to treat yourself with
|
|
respect... to do otherwise is to
|
|
desecrate something holy.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT THREE 34.
|
|
|
|
20 CONTINUED: (3)
|
|
|
|
Wesley looks at him for a long moment... Lakanta is
|
|
touching on some very personal and intimate things
|
|
here... and Wesley is becoming more and more interested
|
|
in what this man has to say to him.
|
|
|
|
WESLEY
|
|
Is that... what you think I'm
|
|
doing?
|
|
|
|
LAKANTA
|
|
Only you can decide that.
|
|
|
|
Wesley looks away... thinks about what he's just
|
|
said... there's more than a grain of truth in what
|
|
Lakanta is saying.
|
|
|
|
WESLEY
|
|
(quiet)
|
|
Maybe I don't have... a lot of
|
|
respect for myself right now.
|
|
|
|
LAKANTA
|
|
Then perhaps it's time for your
|
|
own vision quest to begin.
|
|
|
|
Wesley turns and looks at him... and we can see that
|
|
Wesley is starting to take this a little more
|
|
seriously...
|
|
|
|
CUT TO:
|
|
|
|
21 INT. MEETING ROOM
|
|
|
|
Picard and Troi are meeting with the Tribal leaders
|
|
again. The mood is tense -- they've gotten nowhere.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT THREE 35.
|
|
|
|
21 CONTINUED:
|
|
|
|
Picard and Troi exchange an uncomfortable look. Picard
|
|
is very uncomfortable with the position that this puts
|
|
him in.
|
|
|
|
PICARD
|
|
Anthwara... I deeply regret that
|
|
we have not been able to reach an
|
|
agreement.
|
|
(beat)
|
|
But, to put it bluntly, I cannot
|
|
take no for an answer.
|
|
(beat)
|
|
This planet will be handed over to
|
|
the Cardassian government as per
|
|
the terms of the border agreement.
|
|
I am very sorry... but you will
|
|
have to leave.
|
|
|
|
A tense beat.
|
|
|
|
WAKASA
|
|
And if we do not?
|
|
|
|
Picard looks slowly from face to face, trying to
|
|
communicate the fact that he means exactly what he
|
|
says.
|
|
|
|
PICARD
|
|
Then I will be forced... to remove
|
|
you... by any means necessary.
|
|
|
|
The tension in the room rises another notch. Wakasa
|
|
looks at him with contempt.
|
|
|
|
WAKASA
|
|
A familiar threat... from a white
|
|
man.
|
|
|
|
PICARD
|
|
(firm)
|
|
This is not a racial issue... it
|
|
has nothing to do with ancient
|
|
hatreds... or with the fact that
|
|
we have different colored skin.
|
|
I might just as easily have been
|
|
a Vulcan or Andorian captain. The
|
|
orders from Starfleet would have
|
|
been the same.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT THREE 36.
|
|
|
|
21 CONTINUED: (2)
|
|
|
|
Picard waits to see what impact this will have on the
|
|
Tribal leaders, but they remain impassive and unmoved
|
|
by this. After a long pause, Anthwara stands and moves
|
|
around to Picard's side of the table. He seems relaxed
|
|
and utterly confident.
|
|
|
|
ANTHWARA
|
|
We know you won't take us from our
|
|
land, Captain.
|
|
|
|
PICARD
|
|
Anthwara... I may regret doing it,
|
|
but --
|
|
|
|
ANTHWARA
|
|
When you first came to us, we
|
|
didn't know why you were the one
|
|
sent here by the Federation... but
|
|
we knew there had to be a reason.
|
|
To us, nothing is truly random.
|
|
So we searched for the true reason
|
|
you were sent. We didn't find it
|
|
until last night.
|
|
|
|
Anthwara holds Picard's gaze for a long moment, as if
|
|
waiting for Picard to state the reason himself.
|
|
Finally, Anthwara breaks the moment.
|
|
|
|
ANTHWARA
|
|
(continuing)
|
|
Are you familiar with the Pueblo
|
|
Revolt of sixteen eighty?
|
|
|
|
Picard is surprised by this odd reference... he tries
|
|
to think for a moment, but it means nothing to him.
|
|
Troi speaks up.
|
|
|
|
TROI
|
|
I am. Several Indian tribes rose
|
|
up against their Spanish overlords
|
|
and drove them out of what is now
|
|
called New Mexico.
|
|
|
|
ANTHWARA
|
|
(nods)
|
|
Ten years later, the Spanish
|
|
returned to reconquer the area.
|
|
They were... brutal... I would
|
|
use the word savage. They killed
|
|
our people by the hundreds...
|
|
maimed thousands more.
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT THREE 37
|
|
|
|
21 CONTINUED: (3)
|
|
|
|
ANTHWARA (Cont'd)
|
|
(beat)
|
|
One of these killers was named
|
|
Javier Maribona-Picard. Your
|
|
ancestor.
|
|
|
|
Picard is clearly shocked... he takes a moment to let
|
|
this information sink in.
|
|
|
|
PICARD
|
|
I was... unaware of that
|
|
incident... or of the man you
|
|
named.
|
|
(beat)
|
|
But that was seven hundred years
|
|
ago and I don't see how it has any
|
|
bearing on --
|
|
|
|
ANTHWARA
|
|
That is why you have come to us:
|
|
to erase a stain of blood that
|
|
your family has worn for twenty-three
|
|
generations.
|
|
|
|
Anthwara now heads for the doors and the rest of the
|
|
clan leaders EXIT with him. Picard sits at the table
|
|
for a long moment... stunned by this revelation and
|
|
unsure exactly how to deal with it at the moment.
|
|
|
|
TROI
|
|
Captain... are you all right?
|
|
|
|
PICARD
|
|
(quiet)
|
|
We should return to the
|
|
Enterprise.
|
|
|
|
They both get up and head for the door.
|
|
|
|
CUT TO:
|
|
|
|
22 EXT. INDIAN VILLAGE - DAY
|
|
|
|
Picard and Troi come down an alley way and then Picard
|
|
stops short as he runs into Worf, who is standing in
|
|
the plaza with Two N.D. Security Guards.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT THREE 38.
|
|
|
|
22 CONTINUED:
|
|
|
|
The security detail is facing away from Picard, toward
|
|
something o.c.
|
|
|
|
PICARD
|
|
(surprised)
|
|
Mister Worf... what's going on?
|
|
|
|
WORF
|
|
We have... unwelcome visitors.
|
|
|
|
Picard follows his look and is surprised to see a group
|
|
of TWO CARDASSIAN TROOPS and ONE CARDASSIAN GUL
|
|
standing in the plaza facing the Enterprise group. OFF
|
|
Picard's concerned expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 39.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
23 EXT. INDIAN VILLAGE - DAY
|
|
|
|
Continuous from Act Three. Picard steps forward to
|
|
confront the Cardassians. A large group of Indians
|
|
watch the following.
|
|
|
|
PICARD
|
|
I'm Captain Jean-Luc Picard of the
|
|
Enterprise.
|
|
|
|
The Gul steps forward. His attitude is blunt and
|
|
hardnosed, but he is not arrogant or obnoxious -- he's
|
|
simply a Cardassian officer sent here to do a job and
|
|
he means to do it.
|
|
|
|
GUL EVEK
|
|
I am Gul Evek.
|
|
(re: Indians)
|
|
What are these people still doing
|
|
here? The evacuation should be
|
|
well underway by now.
|
|
|
|
Picard glances around at the Indians -- he doesn't want
|
|
to have this particular discussion out here in public.
|
|
|
|
PICARD
|
|
May I have a word with you...
|
|
alone?
|
|
|
|
GUL EVEK
|
|
(annoyed)
|
|
As you wish.
|
|
(to his men)
|
|
Wait here.
|
|
|
|
Picard and Gul Evek move off to one side for a private
|
|
conversation as the two sets of security people eye
|
|
each other suspiciously. Picard is eager to avoid a
|
|
confrontation with this man, but he wants to prevent
|
|
events from spiraling out of control.
|
|
|
|
PICARD
|
|
(quiet)
|
|
It was my understanding that there
|
|
would be no Cardassian presence on
|
|
this world for another six weeks.
|
|
Your arrival here may upset some
|
|
very... delicate negotiations.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 40.
|
|
|
|
23 CONTINUED:
|
|
|
|
GUL EVEK
|
|
Negotiations? The status of this
|
|
planet has been settled... what
|
|
are you negotiating?
|
|
|
|
PICARD
|
|
I would be happy to explain it to
|
|
you... but for now, I must ask
|
|
that you and your men leave...
|
|
immediately.
|
|
|
|
GUL EVEK
|
|
We were sent here to make a
|
|
preliminary survey of the
|
|
buildings and equipment being left
|
|
behind. I have no intention of
|
|
leaving until our mission is
|
|
complete.
|
|
|
|
Picard can see that Evek is unmovable on this point...
|
|
it's frustrating, but he has very little choice.
|
|
|
|
PICARD
|
|
Very well... complete your
|
|
mission...
|
|
(his voice hardens)
|
|
But, this is still Federation
|
|
territory, Gul Evek... until that
|
|
changes, this world is under my
|
|
jurisdiction... and I will
|
|
protect it.
|
|
|
|
GUL EVEK
|
|
Is that a threat?
|
|
|
|
PICARD
|
|
It is a fact... and I suggest you
|
|
keep it in mind as you conduct
|
|
your... survey.
|
|
|
|
Picard heads back toward Worf and Gul Evek is left with
|
|
something to think about.
|
|
|
|
CUT TO:
|
|
|
|
24 INT. HABAK - DAY
|
|
|
|
The Habak is a ceremonial chamber of great importance
|
|
to the Indians. The Habak is located in a high tower
|
|
and the only way in is through a ladder leading from a
|
|
hole in the floor. The room itself is rectangular.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 41.
|
|
|
|
24 CONTINUED:
|
|
|
|
Another ladder leads to a hole in the ceiling and
|
|
sunlight pours in from this hole.
|
|
|
|
There is a firepit in the center of the room and there
|
|
is a ledge to sit on running along one wall.
|
|
|
|
The walls have been decorated with colorful sacred wall
|
|
hangings -- again, the images should reflect the
|
|
mixture of old and new. These Indians readily
|
|
incorporate elements of their 24th century lives
|
|
alongside their reverence for the past. For instance,
|
|
there are traditional drawings of Earth animals that
|
|
fit comfortably alongside drawings of starships and
|
|
other planets.
|
|
|
|
Lakanta has just climbed up the ladder and Wesley is
|
|
following him. Wesley reaches the top and looks around
|
|
for a moment.
|
|
|
|
LAKANTA
|
|
This is the Habak... the focal
|
|
point of our lives.
|
|
|
|
Wesley is quiet... respectful... even a touch awed at
|
|
being here.
|
|
|
|
LAKANTA
|
|
(continuing)
|
|
Strangers are not welcome here...
|
|
|
|
WESLEY
|
|
(surprised)
|
|
Wait a minute. When I asked to
|
|
come here, you said it would be --
|
|
|
|
LAKANTA
|
|
You are not a stranger. I told
|
|
you, I've seen you here before.
|
|
|
|
Wesley moves around the Habak for a moment... curious
|
|
about the place and the symbology he sees.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 42.
|
|
|
|
24 CONTINUED: (2)
|
|
|
|
Wesley notices a ledge with several DOLLS sitting on
|
|
it.
|
|
|
|
WESLEY
|
|
What are those?
|
|
|
|
LAKANTA
|
|
They are Mansara... dolls
|
|
representing different spirits who
|
|
come to this place.
|
|
|
|
Wesley looks at them in curiosity... he is surprised to
|
|
see a doll which looks very familiar.
|
|
|
|
WESLEY
|
|
This one looks like... a Klingon.
|
|
|
|
LAKANTA
|
|
Yes. Our culture is rooted in the
|
|
past, but it is not limited to the
|
|
past. The spirits of Klingons,
|
|
Vulcans, Ferengi come to us just
|
|
as the bear, the coyote, the
|
|
parrot. There is no difference.
|
|
|
|
Lakanta now moves to a spot on the floor. He picks up
|
|
a basket of CORNMEAL and begins to pour it on the
|
|
ground in an intricate pattern. Wesley stands there
|
|
for a moment, unsure what to do.
|
|
|
|
WESLEY
|
|
What... should I do?
|
|
|
|
LAKANTA
|
|
Start the fire... then sit... and
|
|
wait.
|
|
|
|
WESLEY
|
|
What am I waiting for?
|
|
|
|
LAKANTA
|
|
This is your journey, Wesley. I
|
|
can open the door for you, but
|
|
only you can go through it.
|
|
|
|
STAR TREK: "Journey's End" 01/20/93 - ACT FOUR 43.
|
|
|
|
24 CONTINUED: (3)
|
|
|
|
Lakanta concentrates on the cornmeal again. Wesley
|
|
takes a deep breath, then moves to the firepit and
|
|
begins placing wood and coals in it.
|
|
|
|
CUT TO:
|
|
|
|
25 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard is talking to Necheyev on the monitor. Riker
|
|
sits nearby. Mid-conversation.
|
|
|
|
NECHEYEV
|
|
Is there any indication that the
|
|
Tribal Council will change their
|
|
position in the near future?
|
|
|
|
PICARD
|
|
No, sir.
|
|
|
|
Necheyev sits back in her chair... reluctant, but
|
|
knowing what she must do.
|
|
|
|
NECHEYEV
|
|
Then I see no other choice...
|
|
|
|
PICARD
|
|
Admiral, I have every reason to
|
|
believe that these people will
|
|
resist any attempt to remove them.
|
|
I strongly urge you to request an
|
|
emergency session of the
|
|
Federation Council. The issue of
|
|
Dorvan Five must be reopened.
|
|
|
|
NECHEYEV
|
|
(quiet)
|
|
Captain... I made that request two
|
|
days ago. The answer was no.
|
|
|
|
Riker and Picard exchange a glance... that was their
|
|
last hope.
|
|
|
|
NECHEYEV
|
|
(continuing)
|
|
I'm sorry... but you have your
|
|
orders. Starfleet out.
|
|
|
|
The transmission ENDS.
|
|
|
|
RIKER
|
|
So much for a reprieve from
|
|
Starfleet.
|
|
|
|
Picard gets to his feet and looks out the window for a
|
|
moment. A long quiet beat passes as Picard watches the
|
|
stars.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/26/94 - ACT FOUR 44.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Anthwara believes that I am
|
|
responsible for the crimes of one
|
|
of my ancestors against his
|
|
people...
|
|
|
|
RIKER
|
|
Do you believe that?
|
|
|
|
PICARD
|
|
No, of course not. I respect
|
|
their beliefs... but that can't
|
|
have any bearing on our mission.
|
|
(beat)
|
|
But at the same time... I wonder
|
|
if a dark chapter in my family
|
|
history is about to repeat itself.
|
|
(off Riker's look)
|
|
If these people take up arms
|
|
against us... there's no way to
|
|
foresee the consequences.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 45.
|
|
|
|
25 CONTINUED: (3)
|
|
|
|
A long quiet beat... then Picard seems to steel himself
|
|
and he hits his combadge.
|
|
|
|
PICARD
|
|
(to com)
|
|
Picard to Worf. Will you come in
|
|
here for a moment?
|
|
|
|
WORF'S COM VOICE
|
|
Aye, sir.
|
|
|
|
Picard moves back to sit behind his desk... a mask of
|
|
duty and obligation covering his feelings. Worf
|
|
ENTERS.
|
|
|
|
PICARD
|
|
Mister Worf... begin preparations
|
|
to remove the inhabitants from
|
|
Dorvan Five.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Riker stands... and then EXITS with Worf.
|
|
|
|
CUT TO:
|
|
|
|
26 INT. HABAK - DAY
|
|
|
|
Several hours later. The firepit is glowing with
|
|
embers which cast strange shadows on the walls and
|
|
ceiling... smoke is filling the room and there is a
|
|
moody feel to this place. Wesley is still sitting on
|
|
the floor across from Lakanta.
|
|
|
|
27 WESLEY
|
|
|
|
Is showing some signs of strain and fatigue... his
|
|
eyelids keep threatening to close... a layer of sweat
|
|
is covering his entire body... he's on the verge of
|
|
falling over from exhaustion. His eyes close for a
|
|
moment... he opens then with difficulty -- and then
|
|
they widen in surprise at something he sees.
|
|
|
|
28 NEW ANGLE (OPTICAL)
|
|
|
|
Revealing that Lakanta is gone. Suddenly Wesley HEARS
|
|
a man's voice calling to him as if from a great
|
|
distance...
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 45A.
|
|
|
|
28 CONTINUED:
|
|
|
|
JACK'S VOICE
|
|
Wesley... Wesley...
|
|
|
|
Wesley turns to look through the dense smoke...
|
|
|
|
STAR TREK: "Journey's End" REV. 01/26/94 - ACT FOUR 46.
|
|
|
|
29 EXT. INDIAN VILLAGE - NIGHT - CONTINUOUS
|
|
|
|
The smoke in the Habak suddenly dissipates and Wesley
|
|
finds himself standing in the Village... all trace of
|
|
sweat on his face now gone... his fatigue has vanished.
|
|
The Village now appears to be a strange, surreal
|
|
place... there are several Indians scattered throughout
|
|
the plaza... some on different levels... and all
|
|
wearing Mansara masks and costumes... no human faces to
|
|
be seen... a BONFIRE is burning brightly in the center
|
|
of the plaza and it throws weird shadows and light over
|
|
the scene.
|
|
|
|
Wesley walks through this bizarre scene as if in a
|
|
dream...
|
|
|
|
JACK'S VOICE
|
|
Wesley...
|
|
|
|
Wesley looks around to see where the voice is coming
|
|
from... he finally can see that there is a MAN standing
|
|
on the opposite side of the roaring fire, but we can't
|
|
make out his face. Wesley begins to walk around the
|
|
fire, and the man moves toward him as well. As they
|
|
both come around the blaze, we can now see that the man
|
|
is JACK CRUSHER -- Wesley's father. Wes stops in
|
|
shock.
|
|
|
|
WESLEY
|
|
Dad...
|
|
|
|
Jack looks at him with a calm and kind expression... as
|
|
if it were perfectly natural for him to appear in this
|
|
setting and talk to his son.
|
|
|
|
JACK
|
|
You've reached the end, Wesley.
|
|
|
|
WESLEY
|
|
The end... the end of what?
|
|
|
|
JACK
|
|
This journey. The one you started
|
|
a long time ago... when I left you
|
|
and your mother.
|
|
|
|
WESLEY
|
|
You mean... when you died.
|
|
|
|
JACK
|
|
You set out on a journey that
|
|
wasn't your own. Now it's time to
|
|
find the path that is truly yours.
|
|
Don't follow me any further.
|
|
|
|
WESLEY
|
|
I... don't understand.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 46A.
|
|
|
|
29 CONTINUED:
|
|
|
|
WESLEY
|
|
I... don't understand.
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FOUR 47.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
JACK
|
|
(smiles)
|
|
Yes, you do. It's just hard for
|
|
you to accept.
|
|
(beat)
|
|
Good-bye, Wesley. Good luck.
|
|
|
|
Jack turns as if to leave...
|
|
|
|
30 ON WESLEY
|
|
|
|
WESLEY
|
|
Dad -- wait!
|
|
|
|
31 NEW ANGLE
|
|
|
|
But it's too late -- Jack steps into the shadows and
|
|
he's gone. Wesley takes a step to follow him and
|
|
then...
|
|
|
|
32 INT. HABAK - DAY - CONTINUOUS
|
|
|
|
Wesley is sitting on the floor of the Habak again, his
|
|
eyes closed as he experiences his vision. He opens
|
|
them slowly to see Lakanta is gone and the fire is out.
|
|
How much time has passed? Wesley blinks a few times,
|
|
trying to readjust to the here and now. He pauses for
|
|
a moment... then gets up and moves to the ladder.
|
|
|
|
CUT TO:
|
|
|
|
33 EXT. INDIAN VILLAGE - DAY
|
|
|
|
Wesley walks through the village... his mind swirling
|
|
with images... sounds... the message from his dead
|
|
father.
|
|
|
|
He is in a very passionate... a very vulnerable state
|
|
when he nearly bumps into Worf, who is directing two
|
|
N.D. Security Guards and carrying a tricorder.
|
|
|
|
WORF
|
|
(concerned)
|
|
Mister Crusher... Are you all
|
|
right?
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FOUR 48.
|
|
|
|
33 CONTINUED:
|
|
|
|
WESLEY
|
|
Yeah... I'm fine, Worf...
|
|
|
|
Worf turns to one of the N.D.S.
|
|
|
|
WORF
|
|
(quiet, to N.D.)
|
|
Lay out a confinement beam trace
|
|
along the Southwestern edge of the
|
|
village. Be discreet -- we do not
|
|
wish to alarm the population.
|
|
|
|
The N.D. nods and moves off. Wesley frowns for a
|
|
moment.
|
|
|
|
WESLEY
|
|
What are you doing?
|
|
|
|
Worf glances around and then lowers his voice.
|
|
|
|
WORF
|
|
We are laying out Transporter
|
|
coordinates for a security
|
|
perimeter. It may become
|
|
necessary to remove these people
|
|
by force.
|
|
|
|
Wesley reacts with shock... this was the last thing on
|
|
his mind and it brings up a swirl of emotions. Wesley
|
|
suddenly sees something o.c.
|
|
|
|
33A WESLEY'S POV
|
|
|
|
A man is standing on one of the upper levels, wearing
|
|
a Mansara mask and costume as seen in Wesley's vision.
|
|
No one else notices him and the man stands stock still,
|
|
looking down at Wesley.
|
|
|
|
33B RESUME WESLEY
|
|
|
|
Who reacts.
|
|
|
|
33C WESLEY'S POV
|
|
|
|
The man is gone.
|
|
|
|
33D RESUME WESLEY
|
|
|
|
Who is starting to think about what Worf is doing and
|
|
the implications for these people.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FOUR 48A.
|
|
|
|
33E
|
|
thru OMITTED
|
|
33G
|
|
|
|
33H RESUME WESLEY
|
|
|
|
Wesley is coming to a decision as Worf works his
|
|
tricorder in the b.g. He's beginning to realize that
|
|
these people now mean a great deal to him... he has to
|
|
do something.
|
|
|
|
WESLEY
|
|
Worf... we can't do this. These
|
|
people deserve better than to be
|
|
taken from their homes...
|
|
|
|
33I WESLEY'S POV (FORMERLY SCENE 33E)
|
|
|
|
Lakanta is standing in the crowd, staring at him.
|
|
|
|
33J RESUME WESLEY (FORMERLY SCENE 33F)
|
|
|
|
Wesley looks at the apparition of Lakanta.
|
|
|
|
33K WESLEY'S POV (FORMERLY SCENE 33G)
|
|
|
|
Lakanta is gone.
|
|
|
|
33L RESUME WORF AND WESLEY
|
|
|
|
Worf looks up. They've caught the attention of a
|
|
couple of passing Indians.
|
|
|
|
WORF
|
|
I understand. But this is not the
|
|
time or the place to --
|
|
|
|
But Wesley isn't listening. He's made his choice. He
|
|
turns to the villagers and calls out in a loud and
|
|
outraged voice.
|
|
|
|
WESLEY
|
|
(to villagers)
|
|
Do you know what they're doing?
|
|
They're preparing to beam you away --
|
|
to take you to their ship! You're
|
|
not going to just let them do
|
|
that, are you?
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT FOUR 49.
|
|
|
|
33L CONTINUED: (2)
|
|
|
|
This causes a stir among the villagers. More Indians
|
|
begin to move in their direction, glaring at Worf and
|
|
the other Starfleet officers. Wakasa is among then,
|
|
and he pushes to the front of the crowd.
|
|
|
|
WAKASA
|
|
No, we won't.
|
|
(to Worf)
|
|
Leave. Now.
|
|
|
|
Worf and the other N.D.S. are confronted with a large,
|
|
hostile crowd. Wesley is standing with the Indians,
|
|
against his former shipmates. OFF Worf's tense
|
|
reaction...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Journey's End" 01/20/93 - ACT FIVE 50
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
34 INT. OBSERVATION LOUNGE
|
|
|
|
A fuming Picard is pacing back and forth in front of
|
|
Wesley who is seated at the table.
|
|
|
|
PICARD
|
|
(furious)
|
|
Inexcusable. You defied the
|
|
orders of the ranking officer on
|
|
the scene... put the entire Away
|
|
Team in jeopardy... and made an
|
|
already tense situation worse.
|
|
Your actions reflect poorly on
|
|
this ship and on that uniform. I
|
|
want an explanation Mister
|
|
Crusher, and I want it now.
|
|
|
|
But this time, there is no repentance from Wesley... no
|
|
sign of the boy feeling the wrath of his father figure.
|
|
He keeps his voice level and steady, he's not being a
|
|
petulant adolescent or a rebellious teenager. This is
|
|
a different Wesley Crusher -- he's confident of his
|
|
position and unafraid of the consequences.
|
|
|
|
WESLEY
|
|
(steady)
|
|
What you're doing down there is
|
|
wrong.
|
|
|
|
Picard is so surprised at both the statement and
|
|
Wesley's rock steady attitude, that for a moment he is
|
|
caught off-stride and speechless.
|
|
|
|
WESLEY
|
|
Captain, these people aren't just
|
|
some random group of colonists...
|
|
they're a unique culture... one
|
|
that predates the Federation and
|
|
Starfleet...
|
|
|
|
PICARD
|
|
(interrupting)
|
|
That does not change the fact that
|
|
my orders are to --
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FIVE 50A.
|
|
|
|
34 CONTINUED:
|
|
|
|
WESLEY
|
|
I know Admiral Necheyev gave you
|
|
an order and that she was given an
|
|
order from the Federation
|
|
Council... but it's still wrong.
|
|
|
|
PICARD
|
|
(hard)
|
|
That is not your decision to make,
|
|
Cadet.
|
|
(beat)
|
|
Now, I don't know what's gotten
|
|
into you lately, and right now I
|
|
don't care.
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" 01/20/94 - ACT FIVE 51.
|
|
|
|
34 CONTINUED: (2)
|
|
|
|
PICARD (Cont'd)
|
|
But I will tell you this -- while
|
|
you wear that uniform, you will
|
|
obey every order you're given and
|
|
you will conform to Starfleet
|
|
regulations and rules of conduct.
|
|
Is that clear?
|
|
|
|
Wesley stands up... looks at Picard calmly for a long
|
|
beat.
|
|
|
|
WESLEY
|
|
Yes, it is.
|
|
(beat)
|
|
But I'm not going to wear this
|
|
uniform anymore. I'm resigning
|
|
from the Academy.
|
|
|
|
Wes takes off his combadge and puts it on the table.
|
|
He holds Picard's surprised gaze for another moment,
|
|
and then EXITS. Picard looks after him for a moment...
|
|
then picks up the combadge and examines it for a beat.
|
|
|
|
RIKER'S COM VOICE
|
|
Riker to Captain.
|
|
|
|
PICARD
|
|
Go ahead, Number One.
|
|
|
|
RIKER'S COM VOICE
|
|
Gul Evek wants to meet with you to
|
|
discuss the... situation on the
|
|
surface.
|
|
|
|
Picard reacts... more and more good news.
|
|
|
|
PICARD
|
|
Let him come aboard. I'll meet
|
|
with him in here.
|
|
|
|
RIKER'S COM VOICE
|
|
Aye, sir.
|
|
|
|
CUT TO:
|
|
|
|
35 INT. WESLEY'S QUARTERS
|
|
|
|
Beverly is here and she's just as mad as Picard, but
|
|
it's layered with the personal pain and anguish that
|
|
only a parent can feel.
|
|
|
|
Wes is now in civilian clothes and he's packing his
|
|
bags... his back to Beverly.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FIVE 52.
|
|
|
|
35 CONTINUED:
|
|
|
|
BEVERLY
|
|
Why are you doing this?
|
|
|
|
WESLEY
|
|
I told you, Starfleet's not for
|
|
me.
|
|
|
|
BEVERLY
|
|
Dammit, Wesley.
|
|
|
|
She moves to the bed and slams down the lid on his
|
|
suitcase. Her eyes flash in anger -- this is probably
|
|
the angriest she's ever been with her son.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
I may not be able to stop you from
|
|
throwing your entire life away,
|
|
but you are going to stand here
|
|
and explain it to me first. You
|
|
owe me that much.
|
|
|
|
Mother and son glare at each other for a long moment...
|
|
Wesley takes a couple of steps away before answering.
|
|
He tries to take some of the confrontation out of his
|
|
voice, but it's not easy.
|
|
|
|
WESLEY
|
|
(quiet)
|
|
I saw Dad today. He told me not
|
|
to follow him.
|
|
|
|
Beverly looks at him blankly for a moment, not even
|
|
sure how to respond to that.
|
|
|
|
BEVERLY
|
|
You... what?
|
|
|
|
WESLEY
|
|
I... was participating in an
|
|
Indian ritual... I had a vision.
|
|
And in it... Dad came to me. He
|
|
told me not to follow him... that
|
|
I had to find my own path.
|
|
|
|
BEVERLY
|
|
(incredulous)
|
|
Is that what this is all about?
|
|
Some mystical vision told you to
|
|
leave the Academy and now you're
|
|
packing your bags?
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT FIVE 53.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
It's more than that... I think
|
|
I've known this was the right
|
|
thing to do for a long time... I
|
|
just couldn't admit it to myself.
|
|
|
|
Beverly thinks about this for a moment... she's trying
|
|
desperately to understand, but it's not easy. She sits
|
|
down on the bed.
|
|
|
|
BEVERLY
|
|
But you always said being at the
|
|
Academy was... the best thing that
|
|
ever happened to you.
|
|
|
|
These are difficult things for Wesley to admit... but
|
|
if there's anyone he can share them with, it's Beverly.
|
|
|
|
WESLEY
|
|
I know. And for a while it was.
|
|
But as time went on... and
|
|
graduation got closer... I started
|
|
feeling... depressed. I thought
|
|
it would go away... but it only
|
|
got worse.
|
|
|
|
BEVERLY
|
|
Why didn't you ever say anything?
|
|
|
|
WESLEY
|
|
I guess I didn't want to
|
|
disappoint you... or Captain
|
|
Picard... or my friends. You were
|
|
all so... proud of me.
|
|
|
|
BEVERLY
|
|
I'd be proud of you regardless of
|
|
what you were doing, Wes. I love
|
|
you no matter what.
|
|
|
|
The bond between the two of them is still there and for
|
|
the moment, the conflict drops away and they both
|
|
search for answers. Wesley moves to sit next to her.
|
|
|
|
STAR TREK: "Journey's End" - REV. 01/25/94 - ACT FIVE 54.
|
|
|
|
35 CONTINUED: (3)
|
|
|
|
WESLEY
|
|
I know that, Mom. Maybe the truth
|
|
is that I was afraid of
|
|
disappointing myself.
|
|
(beat)
|
|
I just never questioned the fact
|
|
that someday I'd be in Starfleet.
|
|
(beat)
|
|
But when Dad said not to follow
|
|
him, I just knew he was right. It
|
|
seems... so clear now.
|
|
|
|
Beverly takes moment to let this sink in.
|
|
|
|
BEVERLY
|
|
Maybe it's partly my fault... I
|
|
never realized the kind of
|
|
pressure we all must've put on
|
|
you... to be exactly what we
|
|
expected you to be...
|
|
|
|
WESLEY
|
|
I don't blame you, Mom. It was my
|
|
decision -- it always has been.
|
|
|
|
There is a moment between them as they look at each
|
|
other that re-establishes the bond they've always
|
|
had... and now maybe it's even a little stronger.
|
|
|
|
BEVERLY
|
|
You remember the alien from Tau
|
|
Ceti who could control warp fields
|
|
with his mind... ?
|
|
|
|
WESLEY
|
|
(nods)
|
|
The Traveller.
|
|
|
|
BEVERLY
|
|
He told Captain Picard a long time
|
|
ago that you were... special --
|
|
like Mozart. That you were
|
|
destined for something...
|
|
different from the rest of us...
|
|
Maybe... this is the first step...
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 55.
|
|
|
|
35 CONTINUED: (4)
|
|
|
|
She looks at the suitcase on the bed.
|
|
|
|
BEVERLY
|
|
What are you planning to do now?
|
|
|
|
WESLEY
|
|
Well, for the time being... I'm
|
|
going to stay with these Indians.
|
|
|
|
BEVERLY
|
|
Wes... you realize they won't be
|
|
down there much longer. The
|
|
Captain's orders are pretty
|
|
explicit on that point.
|
|
|
|
WESLEY
|
|
I know. But I have to go back...
|
|
even if it's just for a while.
|
|
|
|
Beverly nods her head... there is a beat and then they
|
|
hug... Beverly still unsure about the future, but very
|
|
sure about one thing...
|
|
|
|
BEVERLY
|
|
I love you, Wes.
|
|
|
|
WESLEY
|
|
I love you, too.
|
|
|
|
Hold the scene for a moment.
|
|
|
|
CUT TO:
|
|
|
|
36 EXT. INDIAN VILLAGE - DAY
|
|
|
|
Wesley walks into view, carrying his suitcase. He sees
|
|
Wakasa, whose attention is focused on something o.c.
|
|
|
|
WAKASA
|
|
You shouldn't be here, Wesley.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 56.
|
|
|
|
36 CONTINUED:
|
|
|
|
WESLEY
|
|
Why?
|
|
|
|
But Wasaka's attention is elsewhere and he silently
|
|
pulls a phaser out of his belt and walks away.
|
|
|
|
Revealing that there is a tense situation building in
|
|
the plaza: One of the Cardassian Troopers seen earlier
|
|
is being pulled from an alleyway by Two Indians. The
|
|
Indians have taken his disruptor from him.
|
|
|
|
37 ANGLE ON BUILDING
|
|
|
|
Wesley watches with concern as the other Cardassian
|
|
Trooper is brought out of a building under the guard of
|
|
Two other Indians. His weapon has also been taken.
|
|
Wakasa directs the Indians to bring the Cardassians
|
|
over to the front of one of the buildings.
|
|
|
|
WAKASA
|
|
(to Indians)
|
|
Bring them over here.
|
|
|
|
Now Worf and his Security Guards ENTER the plaza and
|
|
react to the sight of the Indians and the Cardassians.
|
|
The Indians have surrounded the Cardassians and they
|
|
are clearly in an ugly mood. Worf and his Guards move
|
|
to intercede. Wesley follows the Starfleet officers,
|
|
but hangs back a little... trying to size up the
|
|
situation and unsure what he can really do about it.
|
|
|
|
WORF
|
|
(to Wakasa)
|
|
Why have you taken these men
|
|
prisoner?
|
|
|
|
WAKASA
|
|
They were invading our homes...
|
|
violating our privacy... this is
|
|
not their world. They have no
|
|
right to be here.
|
|
|
|
WORF
|
|
The terms of the treaty do give
|
|
them the right to... survey this
|
|
planet.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 57.
|
|
|
|
37 CONTINUED:
|
|
|
|
WAKASA
|
|
We don't recognize that treaty.
|
|
We're not going to let the
|
|
Cardassians have Dorvan Five. No
|
|
matter what the cost.
|
|
|
|
The crowd mutters support for Wakasa's position and
|
|
they start to direct their anger back toward the
|
|
Federation officers.
|
|
|
|
INDIANS
|
|
That's right. We're not leaving.
|
|
Get out of here! Go back to the
|
|
Federation and leave us alone.
|
|
This is our home. You're not
|
|
wanted here. etc.
|
|
|
|
Worf can see that this situation is rapidly getting out
|
|
of hand. He takes a couple of steps away and hits his
|
|
combadge.
|
|
|
|
WORF
|
|
(sotto, to com)
|
|
Worf to Picard. An armed group of
|
|
Indians has taken two Cardassian
|
|
prisoners. The situation is
|
|
extremely volatile. Request
|
|
instructions.
|
|
|
|
38 INT. OBSERVATION LOUNGE
|
|
|
|
Where Picard and Gul Evek are listening to Worf's
|
|
report.
|
|
|
|
PICARD
|
|
Stand-by, Mister Worf.
|
|
(urgent, to Evek)
|
|
Have your ship lock-on to your
|
|
people and beam them out of there
|
|
now, before something happens.
|
|
|
|
GUL EVEK
|
|
(outraged)
|
|
My people? What about these
|
|
Indians of yours -- they've taken
|
|
hostages. This planet is ours,
|
|
Captain, and we will not be chased
|
|
away by some unruly crowd.
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 58.
|
|
|
|
38 CONTINUED:
|
|
|
|
GUL EVEK (Cont'd)
|
|
(hits combadge)
|
|
Gul Evek to the Vetar.
|
|
|
|
CARDASSIAN COM VOICE
|
|
This is Glin Telak aboard the
|
|
Vetar. Go Ahead.
|
|
|
|
GUL EVEK
|
|
Two of our men on the surface have
|
|
been taken prisoner. Prepare to
|
|
send an armed squad to rescue them
|
|
and to occupy the village.
|
|
|
|
Picard moves closer to him... events are quickly
|
|
escalating out of anyone's control.
|
|
|
|
PICARD
|
|
Gul Evek, those people down there
|
|
are Federation citizens and I am
|
|
sworn to protect them. If your
|
|
troops attack the village, my
|
|
security forces will respond...
|
|
|
|
GUL EVEK
|
|
I hope you realize the
|
|
consequences of Federation
|
|
officers firing on Cardassian
|
|
troops...
|
|
|
|
PICARD
|
|
I do. That's why we need to stop
|
|
this now, before it's too late.
|
|
|
|
39 EXT. INDIAN VILLAGE - DAY (OPTICAL)
|
|
|
|
As before. Worf is trying to reason with Wakasa, but
|
|
the tension level is steadily rising.
|
|
|
|
WORF
|
|
I cannot allow you to hold these
|
|
men as prisoners.
|
|
|
|
WAKASA
|
|
You have no authority here.
|
|
|
|
Suddenly, in the flash of an eye, one of the Cardassian
|
|
troopers takes advantage of the distraction of Worf and
|
|
Wakasa and GRABS a PHASER from one of the Indians. He
|
|
whips it up and FIRES at an Indian.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 59.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
WESLEY
|
|
I don't understand...
|
|
|
|
LAKANTA
|
|
You've found a new beginning for
|
|
yourself... the first steps on a
|
|
journey that few humans will ever
|
|
take.
|
|
|
|
WESLEY
|
|
Who are you?
|
|
|
|
Lakanta smiles and then suddenly TRANSFORMS into
|
|
another person -- the TRAVELLER.
|
|
|
|
WESLEY
|
|
(continuing, shocked)
|
|
The Traveller...
|
|
|
|
TRAVELLER
|
|
I've been waiting a long time for
|
|
this moment, Wesley.
|
|
|
|
WESLEY
|
|
So my experience in the Habak...
|
|
my vision of my father... the
|
|
things he said to me... those were
|
|
all your doing?
|
|
|
|
TRAVELLER
|
|
I merely opened the door for
|
|
you... what you experienced came
|
|
from your own mind... your own
|
|
spirit if you wish.
|
|
(beat)
|
|
I hoped that you would open your
|
|
mind to new possibilities...
|
|
(indicates scene around
|
|
them)
|
|
And you did. You pulled yourself
|
|
out of time... don't you see?
|
|
(MORE)
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FIVE 60.
|
|
|
|
39 CONTINUED: (3)
|
|
|
|
TRAVELLER (Cont'd)
|
|
You've evolved to a new level...
|
|
you're ready to explore places
|
|
where thought and energy combine
|
|
in ways you cannot even imagine.
|
|
I will be your guide... if you'd
|
|
like.
|
|
|
|
Wesley is tempted... then looks back at the strange
|
|
setting of the two groups caught in the moment of
|
|
conflict.
|
|
|
|
WESLEY
|
|
What about them? I can't just
|
|
leave them like this.
|
|
|
|
TRAVELLER
|
|
They must find their own
|
|
destinies, Wesley. It is not our
|
|
place to interfere.
|
|
|
|
WESLEY
|
|
(anguished)
|
|
But...
|
|
|
|
TRAVELLER
|
|
Have faith in their abilities to
|
|
solve their problems on their own.
|
|
|
|
Wesley is reluctant... but finally he nods. The
|
|
Traveller smiles and then they both walk away -- and as
|
|
they leave our view, TIME RESUMES. The crowd scatters
|
|
as phaser shots rip through the air.
|
|
|
|
40 INT. MAIN BRIDGE
|
|
|
|
Picard and Gul Evek have now moved to the Bridge and
|
|
are standing near the Tactical station. Riker is at
|
|
Tactical with an N.D. Officer, monitoring the situation
|
|
on the planet. The ship is at RED ALERT and there is
|
|
a sense of urgency in the air.
|
|
|
|
RIKER
|
|
The Cardassian ship is powering
|
|
its weapons and Transporters.
|
|
|
|
CARDASSIAN COM VOICE
|
|
This is the Vetar to Gul Evek.
|
|
Our troops are under attack. They
|
|
are requesting immediate
|
|
assistance. What are your orders?
|
|
|
|
Picard steps in to make a final appeal.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/24/94 - ACT FIVE 61.
|
|
|
|
40 CONTINUED:
|
|
|
|
PICARD
|
|
Evek, the last war caused massive
|
|
destruction... took millions of
|
|
lives. Don't send our two peoples
|
|
back down that path... not like
|
|
this. History is in your hands --
|
|
right now. Give us one last
|
|
chance for peace.
|
|
|
|
Evek looks at him... Picard holds his gaze and Evek
|
|
tries to fight the instinct building within him to
|
|
fight back.
|
|
|
|
CARDASSIAN COM VOICE
|
|
Gul Evek! What are your orders?
|
|
Can we open fire?
|
|
|
|
Evek finally hits the combadge.
|
|
|
|
GUL EVEK
|
|
Evek to the Vetar... lock on to
|
|
our troops on the surface... and
|
|
beam them aboard.
|
|
|
|
CARDASSIAN COM VOICE
|
|
But sir, they have been fired upon
|
|
and --
|
|
|
|
GUL EVEK
|
|
(harsh)
|
|
Those are my orders. Carry them
|
|
out.
|
|
|
|
CARDASSIAN COM VOICE
|
|
Yes, sir.
|
|
|
|
GUL EVEK
|
|
I had three sons, Captain. I lost
|
|
two of them in the war. I don't
|
|
want to lose the last one.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
Beam up our Away Team immediately,
|
|
Number One.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
OFF Picard's look of relief...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FIVE 62.
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
42 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Gul Evek, and Anthwara are seated at the table.
|
|
|
|
PICARD
|
|
Anthwara... I want to make
|
|
absolutely sure you understand the
|
|
implications of this agreement.
|
|
By giving up your status as
|
|
Federation citizens... any future
|
|
request you or your people make
|
|
for assistance from Starfleet will
|
|
go unanswered. You will be on
|
|
your own... and under Cardassian
|
|
jurisdiction.
|
|
|
|
ANTHWARA
|
|
I understand, Captain. And we are
|
|
prepared to take that risk.
|
|
(to Gul Evek)
|
|
Will the Cardassian government
|
|
honor the agreement you've made
|
|
here?
|
|
|
|
GUL EVEK
|
|
I believe that I can convince them
|
|
this is an... equitable solution.
|
|
I cannot speak for every
|
|
Cardassian you will encounter...
|
|
but if you leave us alone... I
|
|
suspect that we will do the same.
|
|
(to Picard)
|
|
Will this be acceptable to
|
|
Starfleet Command?
|
|
|
|
PICARD
|
|
It will take some doing... but
|
|
with Admiral Necheyev's support,
|
|
I think they'll go along with it
|
|
in the end.
|
|
|
|
GUL EVEK
|
|
(stands)
|
|
Then if there is nothing else, I
|
|
will return to my ship. I have a
|
|
rather... long report to write.
|
|
Captain... Anthwara...
|
|
|
|
Gul Evek EXITS. Anthwara stands to follow him, then
|
|
turns to Picard.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FIVE 63.
|
|
|
|
42 CONTINUED:
|
|
|
|
ANTHWARA
|
|
I was right, Captain... you didn't
|
|
take us from our land... and you
|
|
have wiped clean a very old stain
|
|
of blood.
|
|
|
|
Anthwara then EXITS. OFF Picard's reaction...
|
|
|
|
CUT TO:
|
|
|
|
43 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship in orbit.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log: Stardate 47755.3.
|
|
The Enterprise is preparing to
|
|
leave Dorvan Five. But former
|
|
cadet Wesley Crusher will be
|
|
staying behind. It seems that
|
|
during the crisis, he met... an
|
|
old friend.
|
|
|
|
44 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Wesley is saying good-bye to Beverly and Picard. There
|
|
is an N.D. Transporter Chief at the console.
|
|
|
|
PICARD
|
|
Where will you go?
|
|
|
|
WESLEY
|
|
The Traveller said that my...
|
|
studies will begin with these
|
|
people. He said they're... aware
|
|
of many things... and that I
|
|
could learn a lot from them.
|
|
(with humor)
|
|
Just what I needed... more
|
|
studying.
|
|
|
|
BEVERLY
|
|
Somehow I think you'll manage.
|
|
|
|
WESLEY
|
|
Me too.
|
|
|
|
Picard shakes his hand.
|
|
|
|
STAR TREK: "Journey's End" REV. 01/21/94 - ACT FIVE 64.
|
|
|
|
44 CONTINUED:
|
|
|
|
PICARD
|
|
Well... good luck, Mister...
|
|
(with affection)
|
|
... good luck Wesley.
|
|
|
|
WESLEY
|
|
Thank you, sir. For a lot of
|
|
things.
|
|
|
|
Picard smiles and then Wesley turns to his mother and
|
|
gives her a big, heartfelt hug. Beverly's eyes are
|
|
teary... and she gropes for something to say.
|
|
|
|
BEVERLY
|
|
(laughing and crying)
|
|
Remember to... dress warmly in
|
|
those... other planes of
|
|
existence.
|
|
|
|
WESLEY
|
|
(laughing)
|
|
I will.
|
|
(beat)
|
|
Good-bye, Mom.
|
|
|
|
Wesley steps away and he stands on the platform.
|
|
|
|
PICARD
|
|
(to N.D.)
|
|
Energize.
|
|
|
|
Wesley DEMATERIALIZES. A quiet beat between Picard and
|
|
Beverly. She smiles at him... grateful for him just
|
|
being here. He puts his arm in hers and they head for
|
|
the doors. As they EXIT...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
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|
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|