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1 line
69 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Bloodlines"
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#40277-274
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Written by
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Nick Sagan
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1994 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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FEBRUARY 9, 1994
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STAR TREK: "Bloodlines" - 02/10/94 - CAST
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STAR TREK: THE NEXT GENERATION
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"Bloodlines"
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CAST
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PICARD BOK
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RIKER JASON
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DATA BIRTA
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BEVERLY TOL
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TROI RHODES
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WORF COM VOICE
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GEORDI
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Non-Speaking Non-Speaking
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N.D. SUPERNUMERARIES N.D FERENGI
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STAR TREK: "Bloodlines" - 02/09/94 - SETS
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STAR TREK: THE NEXT GENERATION
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"Bloodlines"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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READY ROOM
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TRANSPORTER ROOM
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SICKBAY
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PICARD'S QUARTERS
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BEVERLY'S OFFICE
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ENGINEERING
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TEN FORWARD
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CORRIDOR
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HOLODECK/CAVES
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DANIEL'S QUARTERS
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FERENGI SHIP
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STAR TREK: "Bloodlines" - 02/09/94 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Bloodlines"
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PRONUNCIATION GUIDE
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VIGO VEE-go
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DAIMON DAY-mon
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CAMOR KAY-more
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GORLAN GORE-lun
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DICHROMIC die-KRO-mik
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BIRTA BERR-tuh
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DORIAS doe-RYE-us
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XENDI KABU zen-dee KA-boo
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B'ZAL buh-ZALL
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STAR TREK: "Bloodlines" - 02/09/94 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Bloodlines"
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TEASER
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FADE IN:
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A1 EXT. SPACE - THE ENTERPRISE
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at impulse.
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1 INT. MAIN BRIDGE (OPTICAL)
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RIKER, DATA and WORF are at their usual stations, along
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with assorted SUPERNUMERARIES. There's a feeling of
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urgency in the air. PICARD ENTERS from his Ready Room.
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PICARD
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Report.
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RIKER
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There's an object of some kind
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closing in on our position.
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PICARD
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On screen.
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The VIEWSCREEN magnifies to display a metallic PROBE.
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DATA
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(off console)
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It appears to be an unmanned probe --
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approximately half a meter in
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diameter. It has no identifiable
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armaments.
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WORF
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We are being hailed...
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Worf looks down at his console, makes a correction.
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WORF
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(to Picard)
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You are being hailed, sir -- by
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name.
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Picard and Riker exchange a glance -- what could this
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be all about?
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PICARD
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Open a channel.
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STAR TREK: "Bloodlines" - 02/09/94 - TEASER 1A.
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1 CONTINUED:
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Worf works his panel.
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PICARD
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This is Captain Jean-Luc Picard of
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the --
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STAR TREK: "Bloodlines" - REV. 02/10/94 - TEASER 2.
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1 CONTINUED: (2)
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Worf interrupts with urgency --
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WORF
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I am reading a power surge --
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RIKER
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Shields up.
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On the VIEWSCREEN we see a BEAM shoot out from the
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probe toward us -- everyone tenses for impact... but
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nothing happens. Data studies his console with
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interest.
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DATA
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The beam appears to contain
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holographic imaging information...
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RIKER
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It's trying to project
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something...
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PICARD
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Isolate the bandwidth and let the
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signal through the shields.
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Data works his console; after a moment a TRANSLUCENT
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HOLOGRAM shimmers into being near the door to Picard's
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Ready Room -- it is the Ferengi, DAIMON BOK, who once
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swore vengeance on Picard...
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PICARD
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Bok...
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BOK
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I trust you remember me, Picard,
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because I haven't forgotten you...
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or how you murdered my son...
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Bok's eyes are full of hate... since this is prerecorded,
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he should not appear to be interacting with
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our people.
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BOK
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For fifteen years I've thought
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about how to avenge his death...
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but nothing I could do to you
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could equal what you did to me...
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until now.
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Bok smiles, but there's no mirth in it.
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BOK
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You thought you could hide him
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from me, didn't you? But I found
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out about him... Jason Vigo is as
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good as dead.
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STAR TREK: "Bloodlines" - 02/09/94 - TEASER 3.
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1 CONTINUED: (3)
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Bok's eyes go cold with hatred.
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BOK
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I'm going to kill your son,
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Picard, just like you killed
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mine...
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Picard looks utterly baffled -- his son? With a
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taunting smile the hologram DISAPPEARS. Off Picard's
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reaction we...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 4.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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2 INT. BRIDGE -- CONTINUOUS
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All eyes are on Picard. He's said nothing to indicate
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what he thinks of Bok's claim... and no one's about to
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ask.
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PICARD
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(to Worf)
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Put a tractor beam on that probe
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and determine if it's safe to beam
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it aboard. I want to know where
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it came from.
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He turns to Data.
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PICARD
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Mister Data, see if there's any
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mention of a Jason Vigo in
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Federation records.
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(beat)
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You might start with Miranda Vigo --
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she was born on New Gaul about
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forty years ago...
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DATA
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Yes, sir.
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Data heads for aft science. Picard turns to Riker.
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PICARD
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Contact the Ferengi Government and
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find out what you can about Bok.
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He was wearing a Daimon's uniform --
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if he's regained his rank, I want
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to know why.
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And with that, Picard EXITS to his Ready Room, leaving
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everyone to wonder what's going through his mind.
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3 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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as it hangs in space.
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4 INT. READY ROOM
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where Picard is staring out his window, lost in
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thought. The door CHIMES.
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STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 5.
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4 CONTINUED:
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PICARD
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Come.
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Riker ENTERS carrying a PADD.
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RIKER
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The Ferengi Government is debating
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an amendment to the Rules of
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Acquisition...
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(wry)
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-- it might be a while before they
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get back to us...
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Picard nods vaguely. Riker indicates the PADD he's
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holding.
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RIKER
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Data found out that the woman you
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mentioned does have a son named
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Jason.
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Picard takes this in, but gives away nothing.
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RIKER
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This is the most recent picture we
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could find.
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He sets the PADD on Picard's desk, and the Captain
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turns from the window and studies it for a beat.
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5 INSERT - THE PADD
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showing the picture of a ten year old boy.
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6 RESUME SCENE
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Picard asks a question that could confirm or disprove
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Bok's assertion.
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PICARD
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How old is the boy now?
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RIKER
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Twenty three.
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Picard's mental calculation is internal; he gives away
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nothing.
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STAR TREK: "Bloodlines" - 02/09/94 - ACT ONE 6.
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6 CONTINUED:
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RIKER
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He and his mother left Earth about
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six years ago and settled on Camor
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Five. That's all we know, the
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planet's records are practically
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non-existent.
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Picard speaks to the com system.
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PICARD
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Picard to Bridge. Set course for
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the Camor system, warp five.
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COM VOICE
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Aye, sir.
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Thinking that Picard isn't going to say anything more,
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Riker turns to leave.
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PICARD
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Wil... I appreciate your not
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asking, but you have the right to
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know...
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He turns to face Riker.
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PICARD
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There is a possibility that the
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boy is my son... I was involved
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with his mother for a short time
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about twenty four years ago. I
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met her through a friend during
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shore-leave on Earth. It was all
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very romantic...
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(smiles)
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-- probably because we both knew
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I'd be leaving in two weeks... we
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kept in touch for a short while,
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but we never managed to get
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together again...
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RIKER
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And she never said anything about
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being pregnant... ?
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PICARD
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No... either Bok's got it wrong
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and I'm not the father, or Miranda
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decided she wanted to raise the
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child on her own. Quite frankly
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it wouldn't surprise me. She was
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very independent... very strong-willed...
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STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 7.
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6 CONTINUED: (2)
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RIKER
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You'd have to be to get by on
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Camor Five.
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PICARD
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Whether he's really my son or not,
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the fact is he's in danger. Bok
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tried to kill me six years ago...
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I have no doubt he intends to make
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good on his threat against the
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boy...
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Riker acknowledges this grim fact...
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7 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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entering orbit of Camor Five...
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8 INT. MAIN BRIDGE
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Picard and Riker now in the command area, Data at Aft
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Science, Worf at Tactical.
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RIKER
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Anything?
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WORF
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There are no Ferengi vessels
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within range of our scanners...
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Data turns from aft science.
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DATA
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Captain, I have been unable to
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find any information about Jason
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Vigo's current whereabouts...
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PICARD
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What about his mother's?
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DATA
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No, sir.
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Picard considers for a beat.
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PICARD
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Miranda was trained as a
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botanist... she used to talk
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about running a farm some day. We
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might start with the agricultural
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areas.
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STAR TREK: "Bloodlines" - 02/09/94 - ACT ONE 8.
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8 CONTINUED:
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DATA
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That would significantly narrow
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our search; the only cultivated
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land is on the southern continent,
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and there are relatively few
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people engaged in agricultural
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activities.
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PICARD
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There can't be too many non-Camorites
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among them. Try
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scanning for human life-signs.
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Data works his console, and uncovers the following
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little by little.
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DATA
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I am detecting seven humans...
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three are female... however they
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are all too young to be Miranda
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Vigo.
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PICARD
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What about males?
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Data works his console for a beat.
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DATA
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One is an infant... another is
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elderly... and two are middleaged.
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PICARD
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That's seven, you said there were
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eight humans.
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DATA
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(works)
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I am having difficulty getting a
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clear reading on the eighth...
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(works console)
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-- the individual appears to be
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located approximately two
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kilometers beneath the planet's
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surface.
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Picard and Riker exchange a glance over this odd
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information.
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PICARD
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Male or female?
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STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT ONE 8A.
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8 CONTINUED: (2)
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DATA
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(off console)
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Male... adult... between twenty
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and thirty years old.
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Picard reacts -- it could be Jason.
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RIKER
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No one in their right mind would
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go that far underground alone.
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PICARD
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Unless he was forced to.
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WORF
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(off console)
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Sir, I am reading seismic
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instability in the area. He is in
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danger.
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STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT ONE 9.
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8 CONTINUED: (3)
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PICARD
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Relay his coordinates to the
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Transporter Room and have them
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beam him aboard.
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Picard starts for the Turbolift.
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9 INT. TRANSPORTER ROOM (OPTICAL)
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Picard steps into the room, where JASON VIGO is in the
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process of MATERIALIZING. He is a handsome youth of
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about twenty-three, wearing high-tech rock climbing
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gear that's covered in dust. He's in the position of
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someone who was just scaling a rock face.
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When he fully materializes he whirls around --
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JASON
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What the... ?
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He stops, confused by the sudden change in locale. He
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locks eyes with Picard and frowns, realizing that he's
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been beamed aboard a Federation Starship.
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JASON
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This is a Federation ship...
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PICARD
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That's right. I'm Captain
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Picard... Jean-Luc Picard.
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Jason doesn't seem to recognize the name...
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JASON
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(with irony)
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I realize I wasn't supposed to be
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spelunking that cave, but don't
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you have something better to do?
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He says this with an easy and disarming smile.
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PICARD
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We thought you were in danger.
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STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 10.
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9 CONTINUED:
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JASON
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Oh... well... I wasn't. Maybe you
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should just beam me back where I
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was?
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PICARD
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Are you Jason Vigo?
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Jason is clearly taken by surprise; why are these
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people looking for him? He decides to dissemble.
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JASON
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I... know him. Is he in trouble?
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Picard isn't entirely sure whether he believes him or
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not.
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PICARD
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In a manner of speaking...
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someone's made a threat against
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his life.
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Jason's face blanches -- Picard's instincts tell him
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why...
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PICARD
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Jason... I'm an old friend of your
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Mother's. I came here because
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you're in danger.
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Jason isn't about to keep pretending... he's too
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worried for that.
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JASON
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Why would anyone want to kill me?
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Picard takes a breath and comes out with it.
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PICARD
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The person who made the threat is
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under the impression that... that
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you are my son...
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Jason reacts to this bombshell... after a moment of
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stunned silence...
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JASON
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Am I... ?
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PICARD
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I don't know...
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STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 11.
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9 CONTINUED: (2)
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JASON
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My mother never told me who my
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father was... just that he was in
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Starfleet.
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PICARD
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Perhaps we should contact her... ?
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Jason reacts, looks away...
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JASON
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She... died a few years ago...
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Picard take in this sad piece of news.
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PICARD
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I'm sorry...
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|
|
Jason nods, but says nothing.
|
|
|
|
PICARD
|
|
Jason... I think it's important
|
|
that we find out one way or
|
|
another. Would you be willing to
|
|
permit a genetic test?
|
|
|
|
Jason acknowledges with a nod.
|
|
|
|
JASON
|
|
If I'm not your son... is this
|
|
person still going to want to kill
|
|
me?
|
|
|
|
PICARD
|
|
Once he's made aware of the fact,
|
|
I expect he won't...
|
|
|
|
JASON
|
|
(wry)
|
|
In that case you won't mind my
|
|
saying that I hope you're not my
|
|
father...
|
|
|
|
Jason and Picard share a smile and start toward the
|
|
door...
|
|
|
|
INT. SICKBAY
|
|
|
|
BEVERLY draws blood from Jason's neck with a DEVICE
|
|
that looks like a hypospray. She takes the blood
|
|
sample over to the Sickbay computers, and while she
|
|
executes the genetic test, Picard and Jason continue to
|
|
talk.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT ONE 12-13.
|
|
|
|
10 CONTINUED:
|
|
|
|
PICARD
|
|
What were you doing down in that
|
|
cave? Are you a seismologist?
|
|
|
|
JASON
|
|
(shaking his head)
|
|
No, I just enjoy climbing.
|
|
|
|
PICARD
|
|
Without an antigrav harness... ?
|
|
|
|
JASON
|
|
They get in the way...
|
|
|
|
Picard keeps his reaction to himself.
|
|
|
|
PICARD
|
|
So... what do you do?
|
|
|
|
JASON
|
|
I'm... between jobs right now.
|
|
|
|
PICARD
|
|
I see...
|
|
|
|
Picard's at a loss as to what to talk about, and an
|
|
awkward silence settles between them. Mercifully,
|
|
Beverly calls them over to the MONITOR she's studying,
|
|
which shows a DNA DOUBLE-HELIX STRAND rotating in
|
|
place.
|
|
|
|
BEVERLY
|
|
Excuse me, gentlemen, but I have
|
|
the results if you want to hear
|
|
them.
|
|
|
|
They approach her, and she indicates the DNA on the
|
|
monitor.
|
|
|
|
BEVERLY
|
|
(to Jason)
|
|
Your genetic code is a cross
|
|
between the DNA of your mother,
|
|
Miranda Vigo, and your father --
|
|
Jean-Luc Picard.
|
|
|
|
OFF their reactions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
11 INT. PICARD'S QUARTERS
|
|
|
|
where Picard has brought Jason to talk privately.
|
|
Jason is walking around looking at Picard's things. He
|
|
stops when he sees Picard's archaeological collection.
|
|
|
|
JASON
|
|
What is all this... ?
|
|
|
|
PICARD
|
|
Archaeological fragments I've
|
|
collected over the years...
|
|
|
|
Picard crosses over and shows him a small stone with
|
|
hieroglyphics on it.
|
|
|
|
PICARD
|
|
(continuing)
|
|
This is a Silvan glyph stone...
|
|
|
|
He shows him a TBD artifact.
|
|
|
|
PICARD
|
|
(continuing)
|
|
And this is a Gorlan prayer
|
|
stick... it's extremely rare...
|
|
|
|
JASON
|
|
Is it valuable... ?
|
|
|
|
PICARD
|
|
Not really. Only to students of
|
|
archaeology like myself. Still,
|
|
I had to give up a very old bottle
|
|
of Saurian brandy for it.
|
|
|
|
JASON
|
|
I'd say you got taken.
|
|
|
|
PICARD
|
|
Perhaps... but I value it
|
|
nonetheless...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 15.
|
|
|
|
11 CONTINUED:
|
|
|
|
JASON
|
|
On Camor, something has value if
|
|
you can eat it or sell it...
|
|
everything else is a luxury.
|
|
|
|
Picard sets down the artifact, uncomfortable, not
|
|
knowing how to reach out to this defensive young man.
|
|
After a beat...
|
|
|
|
PICARD
|
|
Would you like some tea?
|
|
|
|
JASON
|
|
No. Thanks.
|
|
|
|
PICARD
|
|
Something else?
|
|
|
|
Jason shakes his head, unforthcoming. Picard goes to
|
|
the replicator.
|
|
|
|
PICARD
|
|
Tea, Earl Grey, hot.
|
|
|
|
Neither man talks until we hear the SOUND of the
|
|
replicator and Picard gets his tea. He turns back to
|
|
Jason, gamely tries to proceed.
|
|
|
|
PICARD
|
|
Well. I'm sure this whole thing
|
|
is as much a surprise to you as it
|
|
is to me...
|
|
|
|
Jason gives a small shrug.
|
|
|
|
PICARD
|
|
I'll be honest with you, Jason.
|
|
I was with your mother for only a
|
|
short time. I would like to have
|
|
known her better... but it didn't
|
|
work out that way.
|
|
|
|
This seems to have touched a chord. Jason looks down,
|
|
gives a small nod.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 16.
|
|
|
|
11 CONTINUED: (2)
|
|
|
|
PICARD
|
|
You look a lot like her -- it's
|
|
your eyes, I think...
|
|
|
|
Again, Jason doesn't reply, though we get the feeling
|
|
there are a lot of feelings churning inside him.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I want to be clear about one thing --
|
|
your mother didn't tell me about
|
|
you. If she had... I would have
|
|
been part of your life.
|
|
|
|
Jason turns and looks Picard in the eye for maybe the
|
|
first time in the scene.
|
|
|
|
JASON
|
|
I guess that's not what she
|
|
wanted.
|
|
|
|
There's a moment of awkward silence, then Jason stands.
|
|
|
|
JASON
|
|
I think I'd like to go back to the
|
|
surface.
|
|
|
|
PICARD
|
|
It would be best if you stayed
|
|
aboard the Enterprise... until we
|
|
can resolve the situation with
|
|
Bok.
|
|
|
|
JASON
|
|
What is the situation with Bok,
|
|
anyway? Why does he want me dead?
|
|
|
|
PICARD
|
|
Years ago, I was forced to destroy
|
|
a starship that was under his
|
|
son's command. Apparently Bok
|
|
feels it would be fitting
|
|
vengeance to kill my son.
|
|
|
|
Jason absorbs this.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 17.
|
|
|
|
11 CONTINUED: (3)
|
|
|
|
JASON
|
|
I can't hide forever.
|
|
|
|
PICARD
|
|
Of course not. We're trying to
|
|
locate Bok... I intend to confront
|
|
him, settle this matter.
|
|
|
|
JASON
|
|
How long will that take?
|
|
|
|
There's no real answer to the question.
|
|
|
|
PICARD
|
|
I assure you -- no one's more
|
|
eager to get this behind us than
|
|
I am.
|
|
|
|
Jason stares at him for a beat, then shrugs.
|
|
|
|
JASON
|
|
Where do I stay?
|
|
|
|
PICARD
|
|
We'll give you quarters.
|
|
|
|
Jason grabs his backpack, heads for the door.
|
|
|
|
JASON
|
|
Okay. Let's go.
|
|
|
|
PICARD
|
|
Jason... your being here... I hope
|
|
it will give us the chance to get
|
|
to know each other.
|
|
|
|
Jason looks away, doesn't respond to the offer of
|
|
friendship Picard has made. He EXITS, and Picard is
|
|
left with nothing to do but follow.
|
|
|
|
12 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Riker in the command area, Worf at Tactical. Picard is
|
|
with Data and GEORDI at aft science.
|
|
|
|
GEORDI
|
|
We managed to shut down the
|
|
probe's power systems so we could
|
|
beam it aboard, but it's not going
|
|
to be easy to figure out where it
|
|
came from.
|
|
|
|
STAR TREK: "Bloodlines" - 02/09/94 - ACT TWO 17A.
|
|
|
|
12 CONTINUED:
|
|
|
|
DATA
|
|
Bok took the precaution of
|
|
encrypting the probe's
|
|
navigational systems so that we
|
|
would be unable to decipher its
|
|
flight path.
|
|
|
|
GEORDI
|
|
We ran an analysis of the probe's
|
|
hull -- from the energy signatures
|
|
and particle deposits we found, it
|
|
looks like it travelled through a
|
|
Dichromic Nebula, was exposed to
|
|
an intensive gravimetric
|
|
distortion, and passed within a
|
|
light year of a class four pulsar.
|
|
|
|
DATA
|
|
Those phenomena are relatively
|
|
common -- we would need to
|
|
identify at least one of them
|
|
specifically in order to postulate
|
|
a flight path.
|
|
|
|
Picard gives a frustrated nod.
|
|
|
|
PICARD
|
|
Understood.
|
|
|
|
WORF
|
|
(off console)
|
|
Sir, incoming message from Daimon
|
|
Birta.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
STAR TREK: "Bloodlines" - 02/09/94 - ACT TWO 18.
|
|
|
|
12 CONTINUED: (2)
|
|
|
|
Worf works his controls and a grand looking Ferengi
|
|
APPEARS on the VIEWSCREEN -- DAIMON BIRTA. He's
|
|
speaking from a Ferengi ship's Bridge, and behind him
|
|
we see a BANNER that bears his personal crest.
|
|
|
|
PICARD
|
|
Thank you for taking the time to
|
|
talk to us, Daimon.
|
|
|
|
BIRTA
|
|
I understand you have a problem.
|
|
|
|
PICARD
|
|
Yes, it concerns Daimon Bok.
|
|
|
|
BIRTA
|
|
Bok is no Daimon. He was relieved
|
|
of command six years ago -- he was
|
|
unstable, dangerous. We had to
|
|
confine him to Rog Prison.
|
|
|
|
PICARD
|
|
But he's no longer there?
|
|
|
|
BIRTA
|
|
(matter of fact)
|
|
He was able to buy himself out
|
|
about two years ago.
|
|
|
|
PICARD
|
|
Buy himself out?
|
|
|
|
BIRTA
|
|
He paid his debt to society.
|
|
|
|
Picard decides not to get into this.
|
|
|
|
PICARD
|
|
Considering that he is dangerous
|
|
and unstable, I trust you've kept
|
|
track of him?
|
|
|
|
BIRTA
|
|
He's a private citizen. We take
|
|
no responsibility for him.
|
|
|
|
Picard feels himself growing frustrated.
|
|
|
|
PICARD
|
|
I see. Do you have any idea of
|
|
his present whereabouts?
|
|
|
|
STAR TREK: "Bloodlines" - 02/09/94 - ACT TWO 19.
|
|
|
|
12 CONTINUED: (3)
|
|
|
|
BIRTA
|
|
I understand he was seen in the
|
|
Dorias cluster not too long ago...
|
|
|
|
Picard can't help but frown at the vagueness of this
|
|
information (behind him, however, Data and Geordi take
|
|
this information and set to work).
|
|
|
|
PICARD
|
|
That cluster consists of over
|
|
twenty star systems...
|
|
|
|
Birta smiles as if it were nothing.
|
|
|
|
BIRTA
|
|
You don't have to thank me,
|
|
Captain.
|
|
|
|
And with that the VIEWSCREEN returns to a starfield.
|
|
Geordi turns from the console where he and Data are
|
|
working.
|
|
|
|
GEORDI
|
|
Believe it or not, sir -- that
|
|
might've given us the fix we
|
|
needed. There's a nebula in the
|
|
Dorias cluster that matches the
|
|
particle signature we found on the
|
|
probe.
|
|
|
|
DATA
|
|
(working)
|
|
There is a class four pulsar three
|
|
light years from the nebula -- my
|
|
calculations indicate that the
|
|
probe was launched in the Xendi
|
|
Kabu system.
|
|
|
|
PICARD
|
|
(to helm)
|
|
Plot a course and take us out of
|
|
orbit.
|
|
|
|
Off Picard's steely determination...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT TWO 20.
|
|
|
|
13 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at warp.
|
|
|
|
13A INT. BEVERLY'S OFFICE
|
|
|
|
where Beverly is working. After a moment, Picard
|
|
appears at the door. Beverly smiles and waves him in.
|
|
|
|
BEVERLY
|
|
Jean-Luc... come in.
|
|
|
|
As he takes a seat --
|
|
|
|
PICARD
|
|
I think I need to talk to a
|
|
parent.
|
|
|
|
Beverly understand immediately, smiles.
|
|
|
|
BEVERLY
|
|
What's he like?
|
|
|
|
Picard takes a moment, tries to assess the question.
|
|
|
|
PICARD
|
|
I'm not sure I can tell you. He's
|
|
put up so many barriers... I don't
|
|
really know what's underneath.
|
|
|
|
BEVERLY
|
|
It would certainly be
|
|
understandable if he couldn't
|
|
accept you right away...
|
|
|
|
PICARD
|
|
I can't imagine that he'll ever
|
|
accept me. He won't even talk to
|
|
me.
|
|
|
|
Beverly ponders this, wants to offer help.
|
|
|
|
BEVERLY
|
|
Keep in mind... he's had twenty
|
|
years to be angry that his father
|
|
wasn't there... it'll take time to
|
|
get over those feelings -- but I
|
|
think it's possible.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT TWO 20A.
|
|
|
|
13A CONTINUED:
|
|
|
|
PICARD
|
|
Perhaps. But surely it would be
|
|
wrong of me to force the issue.
|
|
|
|
Beverly senses a kind of relief in Picard as he says
|
|
this.
|
|
|
|
PICARD
|
|
(continuing)
|
|
He's made it clear he doesn't want
|
|
to pursue a relationship... I
|
|
believe I should respect his
|
|
feelings.
|
|
|
|
Beverly takes a beat... speaks carefully...
|
|
|
|
BEVERLY
|
|
Of course you want to take your
|
|
cues from him... move slowly...
|
|
but you might want to keep trying
|
|
to get through those barriers.
|
|
|
|
But Picard clings to his choice.
|
|
|
|
PICARD
|
|
What I sense about this young
|
|
man... is that he's very
|
|
independent.
|
|
(beat)
|
|
I think it's best if I leave him
|
|
alone. Let him come to me if he
|
|
wants.
|
|
|
|
Beverly regards him, smiles, shrugs, knowing him well
|
|
enough not to engage in an argument.
|
|
|
|
BEVERLY
|
|
Maybe you're right.
|
|
(beat)
|
|
I just think you should consider
|
|
one thing.
|
|
|
|
He gives her a questioning look.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
Are you really thinking about
|
|
what's best for Jason... or
|
|
easiest for you?
|
|
|
|
And for that insightful question, Picard has no answer.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 20B.
|
|
|
|
14 INT. JASON'S QUARTERS
|
|
|
|
where Jason is now in CIVILIAN CLOTHES. He's working
|
|
on his climbing gear, wrapping and knotting ropes, etc.
|
|
The door CHIMES.
|
|
|
|
JASON
|
|
Yeah...
|
|
|
|
The door opens, revealing TROI in the doorway. Jason
|
|
can't help but notice what an attractive woman she is.
|
|
|
|
TROI
|
|
Hello, Jason. I'm Deanna Troi...
|
|
the ship's Counselor.
|
|
|
|
JASON
|
|
Come in...
|
|
|
|
He steps aside so she can ENTER, giving her a subtle,
|
|
appreciative glance as she passes. He gestures for her
|
|
to take a seat.
|
|
|
|
JASON
|
|
Did Captain Picard ask you to come
|
|
talk to me?
|
|
|
|
TROI
|
|
No... I just came to see how you
|
|
were doing. A lot's happened in
|
|
the last few hours... I thought
|
|
you might want to talk about it.
|
|
|
|
JASON
|
|
I'll be all right...
|
|
(smiles)
|
|
People have wanted to kill me
|
|
before...
|
|
|
|
We're seeing another side of Jason -- while he was
|
|
taciturn with Picard, he's charming and roguish with
|
|
Troi.
|
|
|
|
TROI
|
|
But you've never met your father
|
|
before.
|
|
|
|
JASON
|
|
I have to admit I never thought I
|
|
would.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT TWO 21.
|
|
|
|
14 CONTINUED:
|
|
|
|
TROI
|
|
It must be somewhat
|
|
overwhelming...
|
|
|
|
Jason looks at her... he's playing her, gauging her
|
|
responses to him, adopting a vulnerability.
|
|
|
|
JASON
|
|
I am a little shaky.
|
|
|
|
TROI
|
|
Of course. That's only natural.
|
|
|
|
He gives her an endearing smile.
|
|
|
|
JASON
|
|
But you know what? Just talking
|
|
to you... I feel better already.
|
|
|
|
Troi's instincts are flagged... this doesn't have the
|
|
sound of sincerity.
|
|
|
|
TROI
|
|
How did you feel about the Captain --
|
|
about your father?
|
|
|
|
JASON
|
|
(shrugs)
|
|
He's okay. A little stiff.
|
|
(beat)
|
|
Where are you from?
|
|
|
|
TROI
|
|
I was born on Betazed...
|
|
|
|
JASON
|
|
Do all the women there have eyes
|
|
like yours?
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT TWO 22.
|
|
|
|
14 CONTINUED: (2)
|
|
|
|
Troi realizes she has to deal with the situation.
|
|
|
|
TROI
|
|
Jason... I came here to talk to
|
|
you because I'm the ship's
|
|
counselor... if you don't want to
|
|
talk to me in that way, I think I
|
|
should go.
|
|
|
|
He backs off immediately, tries to make it seem as if
|
|
she's over-reacting.
|
|
|
|
JASON
|
|
Fine...
|
|
|
|
She stands and crosses toward the door.
|
|
|
|
TROI
|
|
You're welcome to make an
|
|
appointment to come by my office.
|
|
|
|
He flashes her another smile.
|
|
|
|
JASON
|
|
Maybe I'll do just that.
|
|
|
|
She EXITS and the door closes... he smiles to himself,
|
|
enjoying the game.
|
|
|
|
15 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it drops out of warp.
|
|
|
|
16 INT. PICARD'S QUARTERS
|
|
|
|
where he's asleep in bed. After a moment, we hear the
|
|
sound of a man's voice... soft, taunting...
|
|
|
|
BOK
|
|
(off screen)
|
|
Picard... can you hear me?
|
|
|
|
Picard wakes... and finds himself staring into Daimon
|
|
Bok's eyes. The Ferengi stands at the foot of the bed,
|
|
ominous, menacing...
|
|
|
|
BOK
|
|
(continuing)
|
|
I will kill him, Picard. And
|
|
there's nothing you can do about
|
|
it.
|
|
|
|
STAR TREK: "Bloodlines" - 02/09/94 - ACT TWO 22A.
|
|
|
|
16 CONTINUED:
|
|
|
|
Picard quickly reaches over to activate the COMPAD by
|
|
his bed.
|
|
|
|
PICARD
|
|
Security to Captain's quarters.
|
|
|
|
When he turns back the Ferengi is gone. Picard only
|
|
took his eyes off him for a second and there was no
|
|
sound to indicate transport -- it's as if Bok vanished
|
|
into thin air.
|
|
|
|
Off Picard's expression we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 23.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
17 INT. ENGINEERING
|
|
|
|
Twenty minutes later. Picard and Worf watch Geordi as
|
|
he works a console.
|
|
|
|
WORF
|
|
Our shields were up; how could he
|
|
have beamed through them?
|
|
|
|
GEORDI
|
|
I don't think he did. Sensor logs
|
|
don't show any sign of an
|
|
intruder.
|
|
|
|
PICARD
|
|
Could it have been another
|
|
hologram?
|
|
|
|
GEORDI
|
|
I don't think so... something has
|
|
to generate a hologram -- we would
|
|
have detected it.
|
|
|
|
Picard considers for a moment.
|
|
|
|
PICARD
|
|
Bok once used a mind control
|
|
device to make me hallucinate.
|
|
|
|
GEORDI
|
|
That device gave off a very
|
|
specific energy signature... I'm
|
|
not reading anything like it.
|
|
|
|
WORF
|
|
Could he have modified the device
|
|
so he could use it without being
|
|
detected?
|
|
|
|
GEORDI
|
|
It's possible... I'll recalibrate
|
|
the sensors to scan for low
|
|
intensity transmissions. And just
|
|
to be sure, I'll sweep your
|
|
quarters with a resonance scanner.
|
|
|
|
PICARD
|
|
Good. Keep me posted.
|
|
|
|
Geordi moves off, and Picard turns to Worf.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 24.
|
|
|
|
17 CONTINUED:
|
|
|
|
PICARD
|
|
I want you to assign a security
|
|
detail to Jason.
|
|
|
|
WORF
|
|
What about yourself?
|
|
|
|
PICARD
|
|
I'm not the target of Bok's
|
|
threats. Jason is.
|
|
|
|
Picard heads for the door. But before he gets there,
|
|
Data intercepts him.
|
|
|
|
DATA
|
|
Captain, I have compiled all
|
|
available records pertaining to
|
|
Jason Vigo's criminal record, and --
|
|
|
|
PICARD
|
|
(cutting him off)
|
|
His criminal record?
|
|
|
|
DATA
|
|
Yes, sir. He has been charged
|
|
three times for petty theft, twice
|
|
for disorderly conduct, and
|
|
several dozen times for
|
|
trespassing.
|
|
|
|
PICARD
|
|
Trespassing?
|
|
|
|
DATA
|
|
I believe the charges were related
|
|
to his climbing activities in the
|
|
caves underneath the planet's
|
|
surface.
|
|
|
|
Picard looks dismayed. Data misinterprets the
|
|
Captain's reaction.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 25.
|
|
|
|
17 CONTINUED: (2)
|
|
|
|
DATA
|
|
(continuing)
|
|
This is the information you
|
|
requested, is it not?
|
|
|
|
PICARD
|
|
Yes, thank you.
|
|
|
|
Preoccupied by what he's just learned, Picard turns and
|
|
EXITS. Off Data's face as he watches him go...
|
|
|
|
18 INT. TEN FORWARD
|
|
|
|
It is morning. Jason is getting a GLASS of ORANGE
|
|
JUICE from the BARTENDER. When he crosses away, TWO
|
|
SECURITY OFFICERS follow him -- a male N.D. named
|
|
GARVEY, and female, LIEUTENANT RHODES.
|
|
|
|
He crosses up to look out the windows for a moment, but
|
|
finds that it's hard to relax with the guards so close.
|
|
|
|
JASON
|
|
What was your name again?
|
|
|
|
RHODES
|
|
Lieutenant Rhodes.
|
|
|
|
JASON
|
|
Actually, I meant your first name.
|
|
|
|
Jason asks this with a smile, and Rhodes momentarily
|
|
lets down her business-like demeanor.
|
|
|
|
RHODES
|
|
Sandra...
|
|
|
|
JASON
|
|
Well, Sandra... do you think you
|
|
could give me some room?
|
|
|
|
RHODES
|
|
We're supposed to be keeping an
|
|
eye on you.
|
|
|
|
JASON
|
|
Don't you think you can keep an
|
|
eye on me from over there?
|
|
|
|
Reluctantly, Rhodes and Garvey withdraw... Jason turns
|
|
back to the starscape, taking it in. He goes to take
|
|
a sip of his juice but strangely, his hand starts to
|
|
shake -- he tries to make it stop, but it only gets
|
|
worse.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 26.
|
|
|
|
18 CONTINUED:
|
|
|
|
Not wanting anyone to see, he hurriedly sets the glass
|
|
down on a nearby table.
|
|
|
|
Suddenly --
|
|
|
|
PICARD
|
|
(off-screen)
|
|
Good morning...
|
|
|
|
Jason turns to see that Picard has come up behind him.
|
|
|
|
JASON
|
|
I thought you said your ship was
|
|
the safest place I could be.
|
|
(off reaction)
|
|
Why the guards?
|
|
|
|
Picard isn't happy about having to divulge the reason.
|
|
|
|
PICARD
|
|
Because... Bok appeared in my
|
|
quarters last night.
|
|
|
|
Jason gives him a wary, surprised look.
|
|
|
|
PICARD
|
|
It may not have been Bok -- just
|
|
an image of him. We're
|
|
investigating.
|
|
|
|
JASON
|
|
Look, maybe you should just drop
|
|
me off somewhere and let me watch
|
|
out for myself.
|
|
|
|
PICARD
|
|
I don't think that's wise...
|
|
|
|
JASON
|
|
I've been doing it since I was
|
|
fifteen.
|
|
|
|
PICARD
|
|
I know you have. But Bok is
|
|
extremely dangerous. He has a
|
|
starship, technology --
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT THREE 27.
|
|
|
|
18 CONTINUED: (2)
|
|
|
|
JASON
|
|
All right, all right. I'll stay
|
|
here.
|
|
|
|
There is an uncomfortable moment as Jason stares out
|
|
the window, simmering. At his point, the easiest thing
|
|
for Picard would be to leave. But Beverly's question
|
|
nags him, and he tries to hang in there, keep drawing
|
|
Jason out.
|
|
|
|
PICARD
|
|
You seem to enjoy rock climbing.
|
|
Our Holodeck can create some very
|
|
challenging climbs.
|
|
|
|
Jason turns and looks at him.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Why don't I take you down there
|
|
and show you how to use the
|
|
programs?
|
|
|
|
JASON
|
|
Thanks. But I can figure it out
|
|
myself.
|
|
|
|
PICARD
|
|
Perhaps we could do a climb
|
|
together...
|
|
(off Jason's look)
|
|
I'm probably not as skilled as
|
|
you, but I'm not inexperienced.
|
|
|
|
JASON
|
|
I kind of prefer to climb alone.
|
|
|
|
PICARD
|
|
Of course.
|
|
(beat)
|
|
There are other sports programs...
|
|
fending, for example. Have you
|
|
ever fenced?
|
|
|
|
JASON
|
|
Hardly.
|
|
|
|
PICARD
|
|
I think it might appeal to you.
|
|
It's very physical... demanding --
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT THREE 28.
|
|
|
|
18 CONTINUED: (3)
|
|
|
|
Jason understands what Picard is trying to do... and
|
|
finds the whole situation unbearably awkward.
|
|
|
|
JASON
|
|
Look... I'm sorry...
|
|
(beat)
|
|
I appreciate what you're trying to
|
|
do. But Captain --
|
|
(shakes his head)
|
|
Captain, father, Jean-Luc -- I
|
|
don't even know what I'm supposed
|
|
to call you... after this thing
|
|
with Bok is over, I'm leaving. So
|
|
when you think about it, there's
|
|
really not much point in our
|
|
getting acquainted.
|
|
|
|
Picard is silent. The barriers are still erect.
|
|
|
|
JASON
|
|
(continuing)
|
|
Let me know when you catch him,
|
|
all right?
|
|
|
|
Jason turns and crosses away to EXIT Ten Forward,
|
|
followed by the guards. Off Picard's face as he
|
|
watches him go.
|
|
|
|
19 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it travels at impulse.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, Stardate 47829.1.
|
|
We've been in the Xendi Kabu
|
|
system for over three hours, and
|
|
still no sign of Bok.
|
|
|
|
20 INT. MAIN BRIDGE
|
|
|
|
Picard and Riker in the command area, Data at Ops, Worf
|
|
at tactical. Data complete an operation on his console
|
|
and turns to Riker.
|
|
|
|
DATA
|
|
I have completed a subspace
|
|
scan... there is an energy
|
|
residual that suggests that a
|
|
Ferengi vessel, possibly several,
|
|
was in this area within the last
|
|
eighteen hours.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 28A.
|
|
|
|
20 CONTINUED:
|
|
|
|
Picard takes this in. Geordi's com voice sounds.
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge to Bridge.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 29.
|
|
|
|
21 INT. PICARD'S QUARTERS
|
|
|
|
Geordi stands at the foot of Picard's bed, holding a
|
|
SCANNER like the one used in "Eye of the Beholder."
|
|
|
|
GEORDI
|
|
I've scanned your quarters, sir...
|
|
I haven't been able to find
|
|
anything that would explain Bok's
|
|
appearance.
|
|
|
|
PICARD'S COM VOICE
|
|
Understood.
|
|
|
|
22 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Picard lets out an exasperated breath, hating to feel
|
|
this powerless. At the same time, Worf spots something
|
|
on his console.
|
|
|
|
WORF
|
|
(with surprise)
|
|
Captain, I am detecting an object
|
|
five thousand kilometers off our
|
|
starboard bow -- it is another
|
|
probe.
|
|
|
|
PICARD
|
|
Why didn't we detect it before?
|
|
|
|
WORF
|
|
It must have been cloaked, sir --
|
|
it appeared out of nowhere.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
On the VIEWSCREEN we see a PROBE identical to the first
|
|
one Bok sent. Picard and Riker get to their feet and
|
|
gaze out at the rapidly approaching craft.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Another holographic device?
|
|
|
|
DATA
|
|
I do not believe so, sir.
|
|
|
|
Worf reacts to his console.
|
|
|
|
WORF
|
|
(urgent)
|
|
Captain, the probe's systems are
|
|
overloading.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 29A.
|
|
|
|
22 CONTINUED:
|
|
|
|
RIKER
|
|
Red alert. Shields up!
|
|
|
|
On the VIEWSCREEN the probe EXPLODES in a BURST OF
|
|
BLINDING LIGHT...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/09/94 - ACT THREE 30.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
After the initial burst, the light spasmodically
|
|
continues, FLASHING ON AND OFF RAPID FIRE in a
|
|
complicated pattern, like an erratic pulsar.
|
|
|
|
In a few seconds, it's over -- all we see on the
|
|
Viewscreen is an empty starfield.
|
|
|
|
RIKER
|
|
(to Worf)
|
|
Damage report.
|
|
|
|
WORF
|
|
No damage, sir.
|
|
|
|
DATA
|
|
Captain, I do not believe it was
|
|
meant as an attack, but rather as
|
|
a message.
|
|
|
|
Data studies his console as he speaks.
|
|
|
|
PICARD
|
|
A message?
|
|
|
|
DATA
|
|
In B'Zal, a Ferengi code which
|
|
uses an alternating pattern of
|
|
light and darkness.
|
|
|
|
PICARD
|
|
Can you translate it?
|
|
|
|
DATA
|
|
I am attempting to do so...
|
|
(works)
|
|
The message appears to read: "My
|
|
revenge is at hand."
|
|
|
|
Picard's frustration is etched in his face.
|
|
|
|
PICARD
|
|
He's proved he can get to us
|
|
whenever he wants. What's he
|
|
waiting for?
|
|
|
|
Off Riker's face as he watches Picard EXIT to his Ready
|
|
Room.
|
|
|
|
23 INT. READY ROOM (OPTICAL)
|
|
|
|
where Picard is sitting at his desk, studying his
|
|
computer screen. After a moment, he stands and crosses
|
|
to the Replicator.
|
|
|
|
PICARD
|
|
Tea, earl grey -- hot.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/09/94 - ACT THREE 31.
|
|
|
|
23 CONTINUED:
|
|
|
|
He takes the CUP from the slot and when he turns back
|
|
to his desk he sees that Bok is sitting in his chair.
|
|
It's as if he appeared out of thin air. He smiles at
|
|
Picard, mirthless.
|
|
|
|
BOK
|
|
If you want me to stay and talk
|
|
you'd better not call for security
|
|
this time...
|
|
|
|
Picard decides not to call Security and see if he can
|
|
get any information out of him.
|
|
|
|
BOK
|
|
How do you like your boy, Captain?
|
|
Is he everything you'd always
|
|
hoped for?
|
|
|
|
PICARD
|
|
It's a risky game you're playing,
|
|
coming here. Next time we'll be
|
|
ready for you. Why don't we
|
|
settle this now?
|
|
|
|
BOK
|
|
How do you propose to do that,
|
|
Picard? You murdered my son.
|
|
|
|
PICARD
|
|
It was self-defense. He fired on
|
|
my ship.
|
|
|
|
BOK
|
|
You were in Ferengi space!
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT THREE 32.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I didn't know that. If he'd told
|
|
me I would have withdrawn.
|
|
(beat)
|
|
I'm sorry, but there's nothing I
|
|
can do to bring him back.
|
|
|
|
BOK
|
|
How touching. But your apology is
|
|
worthless to me. And I demand
|
|
that you repay me for my loss.
|
|
|
|
PICARD
|
|
(firm)
|
|
You can't put a price on a life.
|
|
|
|
BOK
|
|
Oh, but you can, Picard. You can
|
|
pay me with your son's life.
|
|
|
|
PICARD
|
|
No...
|
|
|
|
That mirthless grin spreads back over Bok's face.
|
|
|
|
BOK
|
|
I'm afraid you don't have any
|
|
choice. I insist on being paid...
|
|
|
|
Bok spins the chair around a full revolution... when it
|
|
stops and he's facing Picard again he begins to
|
|
DEMATERIALIZE in a strange, new TRANSPORTER EFFECT --
|
|
it's silent, and a little faster than what we're used
|
|
to seeing.
|
|
|
|
He's gone... Off Picard's grim expression...
|
|
|
|
24 INT. SICKBAY
|
|
|
|
Beverly is studying a readout on the main console -- a
|
|
PATIENT is laid out on the center bio-bed. After a
|
|
beat Beverly turns to a nearby N.D. NURSE.
|
|
|
|
BEVERLY
|
|
That should do it, but let's run
|
|
a level-three bio-scan just to be
|
|
sure.
|
|
|
|
The Nurse acknowledges and starts to cross away.
|
|
Suddenly a COM VOICE interrupts.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT THREE 33.
|
|
|
|
24 CONTINUED:
|
|
|
|
LT. RHODES'S COM VOICE
|
|
Rhodes to Sickbay! Medical
|
|
emergency -- deck nine, section
|
|
four!
|
|
|
|
Beverly grabs a MEDKIT and heads for the door, the
|
|
nurse right behind her.
|
|
|
|
25 INT. JASON'S QUARTERS
|
|
|
|
The two security officers step out of the way as
|
|
Beverly and the nurse rush into the room. There, on
|
|
the floor, Jason is twisting and thrashing in some kind
|
|
of violent, convulsive fit.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT FOUR 34.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
26 INT. SICKBAY
|
|
|
|
Jason is sitting up now, recovered but still shaken by
|
|
what happened. Beverly is scanning him with a
|
|
TRICORDER; Picard stands nearby, the guards at a
|
|
distance.
|
|
|
|
BEVERLY
|
|
Have you ever had a seizure like
|
|
this before?
|
|
|
|
As Jason talks, Beverly starts to prepare a HYPOSPRAY.
|
|
|
|
JASON
|
|
Not really... sometimes my hands
|
|
shake... but it's never been that
|
|
bad.
|
|
|
|
Jason is shaken, concerned as to what it all might
|
|
mean.
|
|
|
|
BEVERLY
|
|
When did it first start to happen?
|
|
|
|
JASON
|
|
A few months ago... do you have
|
|
any idea what's wrong with me?
|
|
|
|
What's happened has made Jason more vulnerable than
|
|
we've ever seen him. Beverly is gentle but candid.
|
|
|
|
BEVERLY
|
|
You have a condition called
|
|
Forrester-Trent syndrome. It's a
|
|
degenerative neurological disorder --
|
|
very rare.
|
|
|
|
Jason's face blanches when he hears this --
|
|
|
|
PICARD
|
|
What do you mean degenerative?
|
|
|
|
BEVERLY
|
|
If it goes untreated, it can lead
|
|
to paralysis... even death. I'm
|
|
starting you on a neuro-stabilization
|
|
regimen. If we're
|
|
lucky, we should be able to halt
|
|
the degeneration, maybe even
|
|
reverse it.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 35.
|
|
|
|
26 CONTINUED:
|
|
|
|
Jason is silent as Beverly administers the hypo; he's
|
|
trying to get his mind around everything that's
|
|
happened.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
The disease is hereditary.
|
|
(glances at Picard)
|
|
I know your father doesn't have
|
|
it... was your mother prone to
|
|
seizures?
|
|
|
|
JASON
|
|
Not that I know of.
|
|
|
|
Beverly considers what this might mean.
|
|
|
|
BEVERLY
|
|
There have been a few reported
|
|
cases where the disease was
|
|
instigated by random mutation...
|
|
(to Picard)
|
|
I'll run a micro-cellular scan to
|
|
see if that's what happened.
|
|
|
|
Picard acknowledges with a nod.
|
|
|
|
BEVERLY
|
|
(continuing, to Jason)
|
|
In the meantime, I want you to
|
|
take it easy, get some rest.
|
|
|
|
Jason nods and soberly EXITS the room... Beverly turns
|
|
to Picard, who's face shows his deep concern.
|
|
|
|
PICARD
|
|
Is he going to be all right... ?
|
|
|
|
BEVERLY
|
|
I wish I could say for certain.
|
|
There's no way to know how he'll
|
|
respond to the treatment.
|
|
|
|
PICARD
|
|
Is there any... facility we can
|
|
take him to -- where they might
|
|
have special expertise?
|
|
|
|
BEVERLY
|
|
I'm afraid there isn't. But I'll
|
|
do everything I can.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT FOUR 36.
|
|
|
|
26 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I know you will... I'm sorry.
|
|
It's just hard for me to accept
|
|
that there's nothing I can do...
|
|
|
|
Beverly smiles gently.
|
|
|
|
BEVERLY
|
|
I understand...
|
|
|
|
PICARD
|
|
I've been thinking about what you
|
|
said the other day. You were
|
|
right, you know. I convinced
|
|
myself Jason didn't want me to
|
|
reach out to him...
|
|
(beat)
|
|
Because I don't have the faintest
|
|
idea how to do it.
|
|
|
|
Beverly regards him tenderly. Rarely does one see Jean-Luc
|
|
Picard at a loss.
|
|
|
|
BEVERLY
|
|
I don't think anyone is born
|
|
knowing how to be a parent. You
|
|
kind of figure it out as you go.
|
|
|
|
PICARD
|
|
But nothing I try seems to work.
|
|
|
|
BEVERLY
|
|
(a small smile)
|
|
I think anyone who's had a child
|
|
can relate to that.
|
|
(beat)
|
|
If there's one quality parenthood
|
|
tends to require -- it's patience.
|
|
|
|
PICARD
|
|
I'm just not sure that's going to
|
|
be enough in his case.
|
|
(beat)
|
|
I found out he has a criminal
|
|
record. Nothing terribly serious --
|
|
petty theft, that sort of thing --
|
|
but... he's a grown man. Is it
|
|
too late for him to turn around?
|
|
|
|
BEVERLY
|
|
That's really up to him.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 36A.
|
|
|
|
26 CONTINUED: (3)
|
|
|
|
BEVERLY
|
|
Maybe. But you can't blame
|
|
yourself for not having been
|
|
there. All you can do is be there
|
|
for him now.
|
|
|
|
He smiles back at her. Just talking to the voice of
|
|
experience is soothing.
|
|
|
|
PICARD
|
|
And be patient.
|
|
|
|
BEVERLY
|
|
And be patient.
|
|
|
|
27 INT. READY ROOM
|
|
|
|
Geordi and Data are scanning the room -- Data has a
|
|
TRICORDER, Geordi has the SCANNER that he used in
|
|
Picard's quarters. Picard ENTERS from the Bridge.
|
|
|
|
GEORDI
|
|
I think we've found something...
|
|
|
|
Data indicates the chair.
|
|
|
|
DATA
|
|
Bok was in direct contact with
|
|
this chair for an extended
|
|
period... it is showing a
|
|
distinctive subspace signature as
|
|
a result.
|
|
|
|
GEORDI
|
|
We think he's using some sort
|
|
of... subspace transporter to
|
|
beam aboard the Enterprise.
|
|
|
|
Picard reacts with surprise.
|
|
|
|
PICARD
|
|
My understanding is that such
|
|
devices were impractical.
|
|
|
|
DATA
|
|
The Federation abandoned its
|
|
research in the field because the
|
|
technology was found to be
|
|
unreliable... as well as extremely
|
|
energy intensive.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/09/94 - ACT FOUR 37.
|
|
|
|
27 CONTINUED:
|
|
|
|
GEORDI
|
|
In order to transport matter
|
|
through subspace, you have to put
|
|
it into a state of quantum flux --
|
|
it's very unstable.
|
|
|
|
DATA
|
|
The quantum effect would explain
|
|
why our sensors did not detect
|
|
Bok's presence.
|
|
|
|
GEORDI
|
|
It would also explain why he was
|
|
able to penetrate our shields.
|
|
|
|
PICARD
|
|
What range would this kind of
|
|
transporter have?
|
|
|
|
DATA
|
|
In theory it could operate over
|
|
several light years.
|
|
|
|
GEORDI
|
|
That means the probe that exploded
|
|
could have been beamed into
|
|
position from some point outside
|
|
sensor range.
|
|
|
|
DATA
|
|
If Bok uses his transporter again,
|
|
we may be able to trace the
|
|
subspace signature and locate his
|
|
ship.
|
|
|
|
Picard acknowledges, considers everything he's heard.
|
|
|
|
PICARD
|
|
Is there any way to keep him from
|
|
beaming aboard the Enterprise
|
|
again?
|
|
|
|
GEORDI
|
|
I don't think there is...
|
|
|
|
PICARD
|
|
If he has the ability to beam
|
|
aboard, he might be able to beam
|
|
someone away.
|
|
|
|
DATA
|
|
It is a possibility.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/09/94 - ACT FOUR 38.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I'm concerned that he's going to
|
|
try to take Daniel -- is there any
|
|
way we can protect him?
|
|
|
|
Data and Geordi consider for a beat.
|
|
|
|
GEORDI
|
|
We could keep a signal lock on him
|
|
at all times... if Bok tried to
|
|
beam him away, we might be able to
|
|
keep him from getting a pattern
|
|
lock.
|
|
|
|
DATA
|
|
In order to do so, we would have
|
|
to tie the ship's subspace field
|
|
coils into the transporter system.
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
They acknowledge, and Picard turns and EXITS.
|
|
|
|
28 INT. CORRIDOR
|
|
|
|
Picard approaches the entrance to the Holodeck.
|
|
|
|
PICARD
|
|
Open.
|
|
|
|
The doors open and Picard steps inside.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT FOUR 39.
|
|
|
|
29 INT. HOLODECK/CAVES
|
|
|
|
Picard finds himself standing at the base of a
|
|
rockface, which Jason is scaling free-hand -- that is,
|
|
without ropes or other gear.
|
|
|
|
Picard approaches Rhodes and Garvey.
|
|
|
|
PICARD
|
|
Would you mind waiting outside?
|
|
|
|
Rhodes and Garvey EXIT. We HEAR the sound of the door
|
|
opening and closing behind them. Picard sees that
|
|
Jason has reached a LEDGE of sorts and pulled himself
|
|
on to it in order to rest.
|
|
|
|
He walks over to the foot of the rock-face and starts
|
|
to climb -- Jason watches as Picard expertly scales the
|
|
rockface. He can't help but be impressed by his
|
|
skill...
|
|
|
|
30 THE LEDGE
|
|
|
|
as Picard pulls himself on to it and catches his
|
|
breath.
|
|
|
|
JASON
|
|
Not bad...
|
|
|
|
There are small crushed pebbles on the ledge that
|
|
Jason, being a little uncomfortable in Picard's
|
|
presence, might occasionally toss into the distance.
|
|
|
|
PICARD
|
|
I like climbing. There's
|
|
something about... literally
|
|
having your fate in your own
|
|
hands.
|
|
|
|
A small laugh from Jason.
|
|
|
|
JASON
|
|
I know.
|
|
|
|
PICARD
|
|
I came to tell you that we may
|
|
have found a way to locate Bok's
|
|
ship... this might be over soon.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 40.
|
|
|
|
30 CONTINUED:
|
|
|
|
Jason gives him a surprised look.
|
|
|
|
JASON
|
|
You came all the way up here just
|
|
to tell me that?
|
|
|
|
PICARD
|
|
I thought it might make you feel
|
|
better.
|
|
|
|
JASON
|
|
Thanks.
|
|
(beat)
|
|
That was nice of you.
|
|
|
|
There is a slight receptivity in Jason that hasn't been
|
|
present before. Picard decides to take advantage of
|
|
the thaw. Jason has steadfastly refused to talk about
|
|
himself... but maybe there's another way in.
|
|
|
|
PICARD
|
|
Jason... after your mother and I
|
|
parted... I lost track of her
|
|
completely.
|
|
(beat)
|
|
I'd like to know more about what
|
|
happened to her... if you don't
|
|
mind telling me.
|
|
|
|
The barriers reset themselves slightly.
|
|
|
|
JASON
|
|
Like what?
|
|
|
|
PICARD
|
|
Well... why did you go to Camor?
|
|
It seems an unlikely place for a
|
|
woman and a child...
|
|
|
|
There is a brief silence... as though Picard has
|
|
touched a nerve. After a beat --
|
|
|
|
JASON
|
|
You know what she was like...
|
|
|
|
There is a tone in Jason's voice that is new --
|
|
vulnerable.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 41.
|
|
|
|
30 CONTINUED: (2)
|
|
|
|
JASON
|
|
See a stray cat -- take it in.
|
|
See someone cold -- give them your
|
|
coat.
|
|
|
|
PICARD
|
|
(smiling)
|
|
That was Miranda, all right.
|
|
|
|
Jason takes a breath, hesitates for a moment, as though
|
|
he's not going on. But it's as though talking about
|
|
his mother provides an access to his feelings that
|
|
comes in no other way. --
|
|
|
|
JASON
|
|
She heard about the children on
|
|
Camor who'd been orphaned during
|
|
the Cardassian war.
|
|
|
|
PICARD
|
|
(understanding)
|
|
I see...
|
|
|
|
JASON
|
|
(beat)
|
|
I was only ten when we went there.
|
|
I remember her telling me about
|
|
all the boys and girls who didn't
|
|
have anybody to take care of
|
|
them...
|
|
|
|
This is as much talk as Picard has heard from Jason.
|
|
Picard is silent, listening carefully.
|
|
|
|
JASON
|
|
So she found this big house...
|
|
practically falling apart... and
|
|
started rounding up children.
|
|
(beat)
|
|
Eventually, there were over forty
|
|
of them...
|
|
(beat)
|
|
She called it a school. She got
|
|
up before dawn and she went to bed
|
|
after midnight and in between she
|
|
never stopped working. She taught
|
|
everyone to read... she grew
|
|
vegetables in hardpan to feed
|
|
us... and she made sure we knew
|
|
how to sing.
|
|
(wry laugh)
|
|
That was important in a place like
|
|
Camor...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 41A.
|
|
|
|
30 CONTINUED: (3)
|
|
|
|
He trails off. Picard waits.
|
|
|
|
JASON
|
|
Then one day... two men attacked
|
|
her... on the street in broad
|
|
daylight... for the food she was
|
|
carrying...
|
|
(beat)
|
|
If she'd just given it to them,
|
|
they probably wouldn't have hurt
|
|
her. But she knew we needed the
|
|
food...
|
|
(beat)
|
|
So they killed her.
|
|
|
|
Simple words that carry a big wallop.
|
|
|
|
PICARD
|
|
I'm sorry...
|
|
|
|
JASON
|
|
Don't be sorry for me. My mother
|
|
made sure we were all tough enough
|
|
to make it.
|
|
|
|
Picard realizes that sheer determination covers a
|
|
wellspring of pain.
|
|
|
|
PICARD
|
|
Jason... isn't there some way I
|
|
can be a father to you?
|
|
|
|
No answer.
|
|
|
|
PICARD
|
|
My father and I were estranged...
|
|
he thought I should stay home and
|
|
tend the vineyards and I wanted to
|
|
join Starfleet. He died before we
|
|
could come to terms about it...
|
|
and I've regretted that all my
|
|
life.
|
|
(beat)
|
|
I don't want the same thing to
|
|
happen to us.
|
|
|
|
Jason is touched by the gesture... but can't shake the
|
|
demons inside him. Anguished --
|
|
|
|
JASON
|
|
Don't you understand? I'm not
|
|
anyone you'd want for a son.
|
|
(MORE)
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 41B.
|
|
|
|
30 CONTINUED: (4)
|
|
|
|
JASON (Cont'd)
|
|
Trust me -- if you knew anything
|
|
about me, you wouldn't be trying
|
|
so hard.
|
|
|
|
PICARD
|
|
That's not so...
|
|
|
|
Jason can't withhold it any longer -- if Picard's going
|
|
to be so blind, so naive, he'll lay it out.
|
|
|
|
JASON
|
|
No? Well let me spell it out for
|
|
you. I've been in trouble since
|
|
I was a teenager... I steal, I
|
|
lie, I use people. I'm a
|
|
criminal. That's what your son
|
|
is.
|
|
|
|
PICARD
|
|
(beat)
|
|
I know.
|
|
|
|
Surprised, Jason turns to him.
|
|
|
|
PICARD
|
|
I'm aware of your trouble with the
|
|
Camor authorities.
|
|
|
|
JASON
|
|
You are?
|
|
|
|
PICARD
|
|
It doesn't change anything.
|
|
You're still my son. And, like it
|
|
or not, I'm your father. I don't
|
|
know what that means, but I know
|
|
it means something. That we're...
|
|
connected...
|
|
|
|
Picard senses that Jason is listening -- and that his
|
|
words have had an impact.
|
|
|
|
JASON
|
|
(very quietly)
|
|
Yes...
|
|
|
|
A brief silence. Where do they go from here?
|
|
|
|
PICARD
|
|
At the very least...
|
|
(smiles)
|
|
-- I know you'll never look at
|
|
your hairline the same way again.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/11/94 - ACT FOUR 42.
|
|
|
|
30 CONTINUED: (5)
|
|
|
|
Jason can't help but smile at this. They look at each
|
|
other for a moment... there's a connection between
|
|
them, nothing earth-shaking, but it's a first step...
|
|
|
|
PICARD
|
|
Come on -- let's get to the top of
|
|
this thing...
|
|
|
|
As they start to stand and turn to look at the rockface
|
|
above them...
|
|
|
|
31 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it moves at impulse.
|
|
|
|
32 INT. BEVERLY'S OFFICE
|
|
|
|
Beverly is working at her desk. After a beat, Picard
|
|
ENTERS -- he's in a great mood, full of energy...
|
|
|
|
PICARD
|
|
You wanted to see me?
|
|
|
|
BEVERLY
|
|
It's about Jason...
|
|
|
|
He sees the look on Beverly's face -- it's clear she
|
|
has major news for him. He sinks into a chair,
|
|
prepares himself for the worst.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
I finished the micro-cellular scan
|
|
I was running... there's something
|
|
you need to know...
|
|
|
|
Off this moment...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FOUR 43.
|
|
|
|
33 INT. BRIDGE
|
|
|
|
Riker has command, Data at Ops, Worf at tactical.
|
|
N.D.s as needed. Riker is handing a PADD back to an
|
|
N.D. after having checked something over... suddenly --
|
|
|
|
DATA
|
|
(off console)
|
|
Sir... sensors detect a subspace
|
|
carrier wave heading toward the
|
|
ship...
|
|
(works)
|
|
-- its signature is consistent
|
|
with Bok's transporter.
|
|
|
|
RIKER
|
|
Can you tell what part of the ship
|
|
it's headed toward?
|
|
|
|
DATA
|
|
(works)
|
|
Not yet, Commander.
|
|
|
|
RIKER
|
|
(to Worf)
|
|
See if you can track the signature
|
|
and locate Bok's ship.
|
|
(to Com)
|
|
Geordi, are you ready down there?
|
|
|
|
GEORDI'S COM VOICE
|
|
I've got a signal lock on Jason.
|
|
|
|
RIKER
|
|
Riker to Captain --
|
|
|
|
34 INT. BEVERLY'S OFFICE
|
|
|
|
where Picard and Beverly are still talking.
|
|
|
|
PICARD
|
|
Picard, here.
|
|
|
|
RIKER'S COM VOICE
|
|
Bok is trying to use his
|
|
transporter.
|
|
|
|
Picard stands and heads for the door --
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FOUR 43A.
|
|
|
|
35 INT. BRIDGE
|
|
|
|
DATA
|
|
(off console)
|
|
The transporter beam is focusing
|
|
on deck nine, section four.
|
|
|
|
RIKER
|
|
Jason's quarters...
|
|
|
|
35A INT. TRANSPORTER ROOM
|
|
|
|
where Geordi is working the console.
|
|
|
|
GEORDI
|
|
I'm on it, Commander.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FOUR 44.
|
|
|
|
36 INT. CORRIDOR
|
|
|
|
as Rhodes and Garvey EXIT to --
|
|
|
|
37 INT. JASON'S QUARTERS (OPTICAL)
|
|
|
|
as Rhodes and Garvey burst into the room. Jason turns
|
|
away from the replicator where he was standing --
|
|
|
|
JASON
|
|
What's wrong?
|
|
|
|
Suddenly Jason starts to DEMATERIALIZE via the same
|
|
TRANSPORTER EFFECT that Bok used earlier.
|
|
|
|
RHODES
|
|
(hits combadge)
|
|
Security to Bridge -- Bok is
|
|
beaming Jason off the ship!
|
|
|
|
Jason stares in horror at his hands as they fade...
|
|
|
|
38 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
where Geordi is urgently working the transporter
|
|
console.
|
|
|
|
GEORDI
|
|
Initiating transport, now --
|
|
|
|
On the platform, we see Jason's body PARTIALLY
|
|
MATERIALIZE (this should be the familiar Starfleet
|
|
effect).
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I'm losing his signal...
|
|
|
|
Jason's body starts to DEMATERIALIZE (this should be
|
|
Bok's transporter effect). Picard ENTERS the room and
|
|
sees what's happening --
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Bok's re-establishing his lock...
|
|
|
|
Without hesitation, Picard moves toward the transporter
|
|
pad -- if necessary, he intends to throw himself into
|
|
the beam and be transported away as well.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FOUR 45.
|
|
|
|
38 CONTINUED:
|
|
|
|
But it's too late -- Jason's body completely VANISHES
|
|
before he can get there. Off Picard's face as he
|
|
realizes Jason is in Bok's clutches...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
39 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Riker in the command area, Data at Ops, Worf at
|
|
Tactical. N.D's as needed. Picard ENTERS from the
|
|
Turbolift; his step is urgent.
|
|
|
|
PICARD
|
|
Have you been able to locate Bok's
|
|
ship?
|
|
|
|
DATA
|
|
(as he works)
|
|
No, sir. The subspace signature
|
|
left by his transporter is
|
|
decaying more rapidly than
|
|
predicted -- it may not be
|
|
possible to trace it.
|
|
|
|
Picard takes in this grim news. Worf reacts to
|
|
something on his console --
|
|
|
|
WORF
|
|
(urgent)
|
|
Sir, another probe has
|
|
materialized five hundred
|
|
kilometers to starboard...
|
|
(off console)
|
|
-- it is sending a transmission.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
The VIEWSCREEN fills with Bok's face, ugly with hate
|
|
and triumph. This is a pre-recorded message, not a
|
|
conversation.
|
|
|
|
BOK
|
|
This is a very special day,
|
|
Picard. Fifteen years ago you
|
|
took my son away from me... today,
|
|
I will take yours away from you.
|
|
It will be... our anniversary.
|
|
|
|
Bok steps aside and behind him we can see Jason in
|
|
shackles. Bok steps towards him and pulls out the
|
|
curved knife...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 47.
|
|
|
|
39 CONTINUED:
|
|
|
|
BOK
|
|
I wanted you to see him one last
|
|
time... so you could cherish his
|
|
memory forever...
|
|
|
|
And with that, the transmission ends and the VIEWSCREEN
|
|
reverts to a starfield. Bok's message is ominous, but
|
|
there's an opportunity in it.
|
|
|
|
DATA
|
|
I have traced the transporter beam
|
|
Bok used to send the probe -- His
|
|
ship is holding position
|
|
approximately three hundred
|
|
billion kilometers from here...
|
|
|
|
Picard reacts -- this is a long way away.
|
|
|
|
PICARD
|
|
Plot a course -- maximum warp.
|
|
|
|
When he gives this order it's with the knowledge that
|
|
it may be futile.
|
|
|
|
RIKER
|
|
(quiet)
|
|
Even at warp nine we won't get
|
|
there for almost twenty minutes...
|
|
|
|
Picard acknowledges with a grim nod...
|
|
|
|
PICARD
|
|
(to Data)
|
|
The modifications you made to our
|
|
Transporter... is there any way
|
|
you could try a subspace transport
|
|
from here and get me aboard Bok's
|
|
ship?
|
|
|
|
DATA
|
|
It may be possible, but it would
|
|
not be advisable.
|
|
|
|
That's good enough for Picard.
|
|
|
|
PICARD
|
|
(to Data)
|
|
You're with me.
|
|
|
|
And with that, Picard turns and heads for the Turbolift --
|
|
Data and Riker exchange a glance, then Data stands and
|
|
follows the Captain. Off this moment...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FIVE 48.
|
|
|
|
40 INT. FERENGI BRIDGE
|
|
|
|
TWO N.D. FERENGI operate the ship while Bok speaks
|
|
with his captive.
|
|
|
|
Jason is using his street skills, trying to figure a
|
|
way to survive.
|
|
|
|
JASON
|
|
You know... if you're trying to
|
|
make Captain Picard suffer,
|
|
killing me won't do it.
|
|
|
|
Bok looks at him questioningly.
|
|
|
|
JASON
|
|
We didn't exactly hit it off. I
|
|
think I'm something of an
|
|
embarrassment to him.
|
|
|
|
But Bok is no dummy.
|
|
|
|
BOK
|
|
You're lying. Picard would never
|
|
reject his own son.
|
|
|
|
JASON
|
|
I mean it -- he cares more about
|
|
his crew than he does about me.
|
|
|
|
BOK
|
|
You are a clever young man. But
|
|
I do not believe that Picard will
|
|
be unaffected by your death.
|
|
|
|
Hearing this, one of the Ferengi -- TOL -- steps
|
|
forward.
|
|
|
|
TOL
|
|
Daimon... if you kill him, the
|
|
human will not pay the ransom.
|
|
|
|
Bok twirls around to angrily face his crewman.
|
|
|
|
BOK
|
|
He will... Picard won't know the
|
|
boy is dead until it's too late...
|
|
|
|
Although he's not convinced of this, the Ferengi is
|
|
cowed by Bok's anger --
|
|
|
|
TOL
|
|
Yes, Daimon...
|
|
|
|
The Ferengi exchange uncertain glances... Bok turns
|
|
back to Jason...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 49.
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it hurtles by at warp.
|
|
|
|
42 INT. TRANSPORTER ROOM
|
|
|
|
Geordi is at the wall panel, Data at the main console --
|
|
both are working urgently. Picard is on the pad with
|
|
a PHASER in hand.
|
|
|
|
GEORDI
|
|
There... I've aligned the field
|
|
coils...
|
|
|
|
DATA
|
|
The phase dampers are in synch...
|
|
standing by to modulate the
|
|
transport pattern...
|
|
|
|
GEORDI
|
|
Sir, we might be able to get you
|
|
over there, but I don't see how
|
|
we're going to get you back.
|
|
|
|
PICARD
|
|
We'll deal with that when the time
|
|
comes.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FIVE 50.
|
|
|
|
42 CONTINUED:
|
|
|
|
Data and Geordi hear the resolve in his voice and don't
|
|
argue.
|
|
|
|
GEORDI
|
|
The transport is going to take
|
|
longer than normal... we're going
|
|
to have to shunt your pattern
|
|
through the subspace field
|
|
coils...
|
|
|
|
PICARD
|
|
Understood...
|
|
|
|
DATA
|
|
Initiating transport sequence...
|
|
now...
|
|
|
|
As Data and Geordi work...
|
|
|
|
43 INT. FERENGI BRIDGE (OPTICAL)
|
|
|
|
where Bok is standing near Jason with the knife.
|
|
|
|
JASON
|
|
Look... maybe we could make a
|
|
deal.
|
|
|
|
BOK
|
|
What kind of deal?
|
|
|
|
JASON
|
|
Tell my father you killed me...
|
|
Put a phaser burn on my shirt and
|
|
send it to him. He'll think I'm
|
|
dead. That's what's important,
|
|
isn't it?
|
|
(beat)
|
|
I have friends on Camor Five
|
|
who'll make it worth your while.
|
|
|
|
BOK
|
|
I understand your desire to live.
|
|
But I want Picard to see your body --
|
|
so there will be no doubt.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 51.
|
|
|
|
43 CONTINUED:
|
|
|
|
Suddenly Picard MATERIALIZES on the Ferengi Bridge in
|
|
an effect that is a cross between Bok's transporter and
|
|
ours.
|
|
|
|
It takes a moment for Picard to get his bearings... the
|
|
N.D Ferengi scramble for their weapons, and Bok raises
|
|
the knife and puts it to Jason's throat. Picard takes
|
|
aim at Bok just as the N.D Ferengi take aim at him...
|
|
|
|
PICARD
|
|
Lower your weapons or Bok is
|
|
dead...
|
|
|
|
It's a stand off -- the Ferengi look at Bok for
|
|
instructions...
|
|
|
|
BOK
|
|
Lower yours... or your son dies.
|
|
|
|
Picard fixes Bok with an even stare --
|
|
|
|
PICARD
|
|
You know as well as I do, Bok...
|
|
he's not my son.
|
|
|
|
Bok is stunned by Picard's words... as is Jason...
|
|
|
|
PICARD
|
|
I know what you did... Miranda
|
|
Vigo is Jason's mother... but, I
|
|
am not his father... it only
|
|
appeared as if I were because you
|
|
resequenced his DNA...
|
|
|
|
The Ferengi are as surprised to hear this as Jason is.
|
|
|
|
PICARD
|
|
But your technique was flawed...
|
|
Jason began to suffer from a
|
|
neurological disorder... when my
|
|
ship's Doctor investigated its
|
|
cause, she discovered what you'd
|
|
done...
|
|
|
|
Bok can't believe his plan is unraveling before his
|
|
eyes...
|
|
|
|
TOL
|
|
(despondent)
|
|
Now he'll never pay the ransom...
|
|
|
|
Picard realizes what Bok has been doing; he addresses
|
|
Bok's crew --
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 52.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
PICARD
|
|
There was never going to be any
|
|
ransom. All Bok has ever cared
|
|
about was vengeance.
|
|
|
|
TOL
|
|
Is this true, Daimon?
|
|
|
|
PICARD
|
|
He is no longer a Daimon -- he was
|
|
stripped of command.
|
|
|
|
Bok's anger flares.
|
|
|
|
BOK
|
|
They had no right to do that to
|
|
me.
|
|
|
|
Picard ignores him, keeps working on the others.
|
|
|
|
PICARD
|
|
He lied to you so you'd help him
|
|
carry out his plan.
|
|
|
|
The Ferengi are looking at each other, uncertain.
|
|
|
|
PICARD
|
|
(continuing)
|
|
The Enterprise is closing in on
|
|
your position... if you let us
|
|
both go now, you won't be
|
|
attacked.
|
|
|
|
BOK
|
|
Your crew won't attack -- not
|
|
while you're on board.
|
|
|
|
PICARD
|
|
They'll cripple your vessel and
|
|
keep you here until the Ferengi
|
|
authorities arrive.
|
|
|
|
Picard turns to the crew.
|
|
|
|
PICARD
|
|
(continuing)
|
|
You'll have a great deal of
|
|
explaining to do... your only hope
|
|
is to turn Bok over to them and
|
|
tell them that he deceived you.
|
|
|
|
Tol makes his decision -- he steps toward Bok and takes
|
|
the knife from him at gunpoint. Bok looks at him, he
|
|
can't believe they're turning on him...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 52A.
|
|
|
|
43 CONTINUED: (3)
|
|
|
|
Tol explains himself --
|
|
|
|
TOL
|
|
(it's nothing personal)
|
|
There is no profit in this for
|
|
us...
|
|
|
|
It's over. Picard and Jason exchange a look of
|
|
profound relief...
|
|
|
|
44 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it orbits Camor Five.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, Stardate 47831.8.
|
|
At Jason's request, the Enterprise
|
|
has returned to Camor Five.
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/10/94 - ACT FIVE 53.
|
|
|
|
45 INT. CORRIDOR
|
|
|
|
as Picard and Jason make their way toward the
|
|
Transporter room. Jason carries a SHOULDER PACK with
|
|
all his belongings in it.
|
|
|
|
JASON
|
|
Doctor Crusher said I'm responding
|
|
well to the treatment... she
|
|
thinks the damage is going to be
|
|
completely reversed...
|
|
|
|
PICARD
|
|
I'm glad to hear it...
|
|
|
|
Picard is quiet for a beat -- Jason is leaving and he
|
|
wishes he weren't.
|
|
|
|
PICARD
|
|
Are you sure you wouldn't like to
|
|
stay aboard the Enterprise for a
|
|
few more days?
|
|
|
|
JASON
|
|
I can't... I have a life on
|
|
Camor...
|
|
(smiles)
|
|
-- it's a bit of a mess, but I
|
|
want to go back and try to
|
|
straighten things out...
|
|
|
|
PICARD
|
|
I understand...
|
|
|
|
Although Picard is sincere, even pleased to hear that
|
|
Jason is planning to turn over a new leaf, Jason hears
|
|
disappointment in his voice as well...
|
|
|
|
They reach a door and EXIT to --
|
|
|
|
46 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Picard nods a greeting to the N.D manning the console
|
|
as he and Jason ENTER. Jason glances toward the
|
|
platform, then turns to Picard.
|
|
|
|
JASON
|
|
Well...
|
|
|
|
Picard manages a small nod... Jason is leaving and
|
|
everything feels unresolved to him...
|
|
|
|
STAR TREK: "Bloodlines" - REV. 02/14/94 - ACT FIVE 54.
|
|
|
|
46 CONTINUED:
|
|
|
|
JASON
|
|
Maybe... next time you come back
|
|
this way, you can look me up...
|
|
|
|
PICARD
|
|
I will...
|
|
|
|
Picard indicates Jason's shoulder pack.
|
|
|
|
PICARD
|
|
I slipped a little something into
|
|
your bag while you were packing...
|
|
|
|
Jason is a little taken off guard by this... he opens
|
|
the bag and is surprised to find the Gorlan Prayer
|
|
stick.
|
|
|
|
PICARD
|
|
(continuing, smiles)
|
|
I know you'd prefer a bottle of
|
|
Saurian brandy... but this is all
|
|
I could come up with.
|
|
|
|
Jason smiles at Picard's remark, but he knows how much
|
|
this artifact means to Picard.
|
|
|
|
JASON
|
|
I... I can't accept this...
|
|
|
|
PICARD
|
|
I want you to have it...
|
|
|
|
Jason nods, extends his hand to shake Picard's. Picard
|
|
takes it... They separate, take a last look at each
|
|
other, then Jason steps onto the platform. When he's
|
|
in position:
|
|
|
|
PICARD
|
|
Energize...
|
|
|
|
Picard watches as Jason DEMATERIALIZES... he stands
|
|
there for a long moment... off Picard's still features
|
|
we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
|
|
"Bloodlines"
|
|
#40277-274
|
|
|
|
Written by
|
|
Nick Sagan
|
|
|
|
Directed by
|
|
Les Landau
|
|
|
|
|
|
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
|
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
|
WITH THE TELEVISION LEGAL DEPARTMENT.
|
|
|
|
Copyright 1994 Paramount Pictures Corporation. All Rights
|
|
Reserved. This script is not for publication or
|
|
reproduction. No one is authorized to dispose of same. If
|
|
lost or destroyed, please notify the Script Department.
|
|
|
|
FINAL DRAFT
|
|
|
|
FEBRUARY 9, 1994
|