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1 line
68 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Violations"
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#40275-212
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Story by
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Shari Goodhartz & T. Michael and Pamela Gray
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Teleplay by
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Pamela Gray and Jeri Taylor
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Directed by
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Robert Wiemer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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OCTOBER 25, 1991
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STAR TREK: "Violations" - REV. 10/28/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Violations"
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CAST
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PICARD TARMIN
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RIKER INAD
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DATA JEV
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BEVERLY
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TROI
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GEORDI
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WORF
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KEIKO
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DOCTOR MARTIN
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CREWPERSON DAVIS
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COMPUTER VOICE
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KELLER'S COM VOICE
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TECHNICIAN'S COM VOICE
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Non-Speaking
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SUPERNUMERARIES
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STAR TREK: "Violations" - 10/25/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Violations"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM
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OBSERVATION LOUNGE
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TEN FORWARD
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ENGINEERING
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CORRIDOR
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SICKBAY
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BEVERLY'S OFFICE
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TROI'S QUARTERS
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RIKER'S QUARTERS
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ULLIAN GUEST QUARTERS
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DINING ROOM
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STARBASE
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MORGUE
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CORRIDOR
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STAR TREK: "Violations" - REV. 10/28/91 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Violations"
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PRONUNCIATION GUIDE
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CHRYSIMITE KRISS-ih-mite
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DIENCEPHALON die-n-SEF-uh-lon
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DARDILION dar-DILL-ee-on
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FERRAZENE FAIR-uh-zeen
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GENTON GEN-tahn
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GENTONIAN gen-TONE-ee-n
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HISTAMINE HISS-tah-meen
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HYLANATINE high-LAN-uh-teen
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INAD EE-nid
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IRESINE EAR-uh-seen
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MANZENE MAN-zeen
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MELINA meh-LEEN-uh
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OBACHAN oh-BAH-chon
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(second syllable 2.8
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times longer than the others)
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TARMIN tahr-min
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THALAMUS THAL-muss
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ULLIAN YEW-lee-n
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STAR TREK: "Violations" - REV. 11/5/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Violations"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse.
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PICARD (V.O.)
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Captain's log, stardate 45429.3.
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While on a mapping survey of
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sector two-two-one-three-nine, we
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are conveying a delegation of
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Ullians to Kaldra Four. These
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telepathic historians conduct their
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research by retrieving long-forgotten
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memories.
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2 CLOSE ON KEIKO
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With her face fixed in concentration, she struggles to
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grab hold of an elusive memory.
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KEIKO
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It's a chipped cup, off-white...
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with a crack in it... I can see
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it... but I can't remember
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anything else about it...
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TARMIN (o.c.)
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When you see it... do you hear
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any sounds?
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The man's voice is gentle, coaxing. Keiko tries to
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concentrate.
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KEIKO
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No... I don't think so... wait,
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yes...
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She tilts her head slightly, as though trying to hear
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better.
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KEIKO
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Humming...
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(as if listening)
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Someone's humming...
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STAR TREK: "Violations" - REV. 10/28/91 - TEASER 2.
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2 CONTINUED:
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TARMIN (o.c.)
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A woman.
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KEIKO
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Yes... but I don't know who it
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is...
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CUT to reveal we are --
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3 INT. TEN FORWARD
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Keiko sits at a table opposite a large,
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powerfully-built alien named TARMIN, 50's, whose eyes
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are closed as he concentrates on the same images as
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Keiko. Tarmin's hand touches his head. A
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white-haired female alien, INAD, quite a bit older than
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Tarmin, sits beside him. A third alien, JEV,
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Tarmin's attractive son, 30's, stands and observes.
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Also observing are RIKER, GEORDI, and BEVERLY, who seem
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to be fascinated by this process.
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TARMIN
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Try to touch the cup.
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Keiko looks at him, unsure what he means, then closes
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her eyes and tentatively reaches out her hand.
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SUBLIMINAL CUT TO:
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4 A CHILD'S HAND - INSERT
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touching the side of the cup, then running a finger
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along its rim, reaching a sharp-edged chip and abruptly
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pulling back. (NOTE: These cuts are all inserts, very
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close-up, revealing nothing of the surrounding.)
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5 RESUME SCENE
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Keiko pulls her hand back as well, opens her eyes.
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KEIKO
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It has a sharp edge where it's
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chipped.
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TARMIN
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Is there anything inside the cup?
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Keiko concentrates, trying to see the image.
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STAR TREK: "Violations" - REV. 10/28/91 - TEASER 3.
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5 CONTINUED:
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KEIKO
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A liquid... dark...
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TARMIN
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Like tea...
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SUBLIMINAL CUT TO:
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6 A CHILD'S HAND - INSERT
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quickly dipping two fingers inside the cup.
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7 OMITTED
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8 RESUME SCENE
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KEIKO
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It's not hot...
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Keiko puts the same two fingers into her mouth, as if
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to taste the liquid, then scrunches up her nose.
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KEIKO
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Bitter...
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TARMIN
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There's something else in the
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cup...
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KEIKO
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Yes... with a wooden handle...
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TARMIN
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A spoon...
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KEIKO
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No... It's more delicate than
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that.
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TARMIN
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Reach for it.
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SUBLIMINAL CUT TO:
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9 A CHILD'S HAND - INSERT
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reaching for the wooden handle, pulling out a JAPANESE
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INK BRUSH.
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STAR TREK: "Violations" - REV. 10/28/91 - TEASER 4.
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10 RESUME SCENE
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KEIKO
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It's a brush! An ink brush.
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SUBLIMINAL CUT TO:
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11 THE INK BRUSH - INSERT
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in the child's hands, one holding the brush, the other
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touching the bristles.
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12 RESUME SCENE
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KEIKO
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I hear that humming again.
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TARMIN
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Keep listening to it, and hold
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out the brush. See if someone
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takes it from you.
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Keiko extends her hand, as if it held a brush in it.
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SUBLIMINAL CUT TO:
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13 AN OLD WOMAN'S HAND - INSERT
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reaching for the brush, taking it by the handle.
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14 RESUME KEIKO
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KEIKO
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It's Obachan! My grandmother.
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She's doing brush writing. I
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remember it now!
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Tarmin opens his eyes, pleased with himself.
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KEIKO
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She used that cup for cleaning
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the brush, and it was my job to
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fill it with water and bring it
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to the table.
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(remembering)
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I'd sit beside her and watch the
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most beautiful characters come
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from that brush. And the whole
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time, she'd be humming to herself.
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(MORE)
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STAR TREK: "Violations" - REV. 10/28/91 - TEASER 5.
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14 CONTINUED:
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KEIKO (cont'd)
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(smiles, amazed)
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It's like it was yesterday.
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BEVERLY
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You remember such vivid details...
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it's remarkable.
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KEIKO
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For years I've seen that old cup
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in my memory... but I could never
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recall what it was or why it was
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important.
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(to Tarmin)
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Thank you.
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TARMIN
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You're very welcome, young lady.
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He looks around at the group.
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TARMIN
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Perhaps someone else would care
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to try?
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Inad and Jev react to this, uncomfortable with Tarmin
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"soliciting" the group. Tarmin fixes his eyes on
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Beverly.
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TARMIN
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You, madam... you're thinking of
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that first childhood kiss.
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Wouldn't you like to remember
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more about it?
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Beverly is amazed by this, but Jev remonstrates his
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father.
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JEV
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Father, you know you're not
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supposed to probe someone's
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memories unless they've given you
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permission.
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TARMIN
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You're right... but sometimes with
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a beautiful woman -- I can't help
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myself.
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There is good-natured laughter at this.
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STAR TREK: "Violations" - 10/25/91 - TEASER 6.
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14 CONTINUED: (2)
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GEORDI
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(to Riker)
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What about you, Commander? Any
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memories you feel like digging
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up?
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RIKER
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(grinning)
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None that I'd want to share with
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an audience.
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Geordi and the others grin at this; Keiko stands.
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KEIKO
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I'd better be going... it's
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getting late.
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The group disperses, Riker and Geordi moving to the
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exit, some of the others moving off in little groups.
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CAMERA drops off on Jev, who stands alone, an enigmatic
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look on his face.
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FADE OUT.
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END OF TEASER
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STAR TREK: "Violations" - REV. 11/25/91 - ACT ONE 7.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse.
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PICARD (V.O.)
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Captain's log, supplemental.
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Reports of the Ullians' remarkable
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feats have piqued my interest.
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I have invited the senior staff
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to a Captain's Dinner in honor
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of our guests.
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INT. CORRIDOR
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Geordi and Data walking along a corridor.
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DATA
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It is perplexing to me that the
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Ullians' ability to retrieve
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memory is so sought after. If
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an event is important enough to
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be recovered... why would it have
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been forgotten?
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Geordi ponders how to explain this.
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GEORDI
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It's not quite the same for us
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as it is for you, Data. You
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record every second of every event
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in your life...
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DATA
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That is correct.
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GEORDI
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And if you want to recall any one
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of those seconds, you just access
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the proper memory circuit.
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DATA
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My understanding of the Human
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brain suggests that the process
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is the same for you.
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(MORE)
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STAR TREK: "Violations" - REV. 11/25/91 - ACT ONE 7A.
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CONTINUED:
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DATA (cont'd)
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Each memory is encoded in chains
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of molecules, and when you want
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to retrieve it, you simply access
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the proper RNA sequence.
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GEORDI
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Well, yeah, that's true...
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DATA
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Then in what way is it different?
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GEORDI
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Sometimes... There are memories
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we just can't tap into. For
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instance... I have no recollection
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of what I did on my last birthday.
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Birthdays are important
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occasions... you'd think I'd
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remember how I spent the day.
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But I can't even remember where
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I was.
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They reach a turbolift, and the doors open.
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INT. TURBOLIFT
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as they enter.
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GEORDI
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Deck two. On the other hand --
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I remember everything about the
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time I got my first pet... a
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Circassian cat. I was eight. I
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remember how funny he looked...
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how excited I was... it's as if
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it happened last week.
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DATA
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Perhaps you remember the pleasant
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memories and forget the unpleasant
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ones?
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GEORDI
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Well, not really. Sometimes the
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bad memories are the most intense
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of all.
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Data finds this all very difficult to follow.
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STAR TREK: "Violations" - REV. 11/25/91 - ACT ONE 7B.
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B14 CONTINUED:
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DATA
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It would seem there is no
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predictable pattern to Human
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memory.
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Geordi is grateful for this summation -- any summation
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-- of an inexplicable subject.
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GEORDI
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It would seem.
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The turbolift doors open and they EXIT.
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15 INT. DINING ROOM
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An elegant dinner is being served to the Enterprise's
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guests of honor: Tarmin, the delegation leader, Inad,
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and Jev. PICARD, Riker, WORF, DATA, Geordi, TROI, and
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Beverly are present.
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JEV
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This "library" of ours has been
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in the planning stages for years
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-- a collection of the retrieved
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memories of races from many
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different star systems --
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We sense that Jev is sincere and idealistic about this
|
||
dream; Tarmin, however, wants center stage, and
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interrupts him. Jev subsides, though he's annoyed.
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TARMIN
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What my son means to say is --
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we think of ourselves as
|
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"archaeologists of the mind." We
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believe that the history of a
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world is contained in the personal
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experiences of its people.
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PICARD
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Rather like the ancient oral
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historians of Earth.
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TARMIN
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Exactly. The library we propose
|
||
will be a vast storehouse of these
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individual memories.
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||
|
||
RIKER
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Sounds like quite a project...
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how long will it take to finish
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your studies on Kaldra?
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|
||
STAR TREK: "Violations" - REV. 11/25/91 - ACT ONE 7C.
|
||
|
||
15 CONTINUED:
|
||
|
||
INAD
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Many months. We have been working
|
||
for years, and have surveyed only
|
||
eleven planets in eight star
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systems.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 8.
|
||
|
||
15 CONTINUED:
|
||
|
||
JEV
|
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But it's our way of life. We
|
||
wouldn't want to do anything else.
|
||
|
||
BEVERLY
|
||
(with feigned innocence)
|
||
Captain, Mister Tarmin gave us
|
||
a demonstration of his abilities
|
||
this afternoon. It's fascinating.
|
||
Perhaps you'd like to resurrect
|
||
some memories...
|
||
|
||
She smiles sweetly as Picard gives her a piercing look.
|
||
Tarmin, oblivious to the teasing, leaps in, eager to
|
||
pick up on the opportunity.
|
||
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TARMIN
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I'd be happy to probe your
|
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recollections, Captain. Most
|
||
people find it an enjoyable
|
||
experience.
|
||
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PICARD
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I'm sure. However, I don't think
|
||
I'm a particularly good candidate
|
||
--
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||
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||
BEVERLY
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||
(gently twisting)
|
||
I'm sure you'd be ideal. And you
|
||
must have some intriguing
|
||
memories...
|
||
|
||
TARMIN
|
||
We won't be on your ship for long.
|
||
This might be your last
|
||
opportunity...
|
||
|
||
PICARD
|
||
Yes, well...
|
||
|
||
INAD
|
||
(gently admonishing)
|
||
Tarmin, you mustn't influence
|
||
people. They must come to you
|
||
willingly.
|
||
|
||
Tarmin shrugs. We sense that he enjoys his work,
|
||
likes to show off a little -- to the consternation of
|
||
the more serious, straight-laced Ullians.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 9.
|
||
|
||
15 CONTINUED: (2)
|
||
|
||
TARMIN
|
||
I have found... over the years...
|
||
that there are many who want the
|
||
experience of memory retrieval...
|
||
but who need some encouragement
|
||
in order to come forward.
|
||
|
||
He turns and looks around; his eye falls on Worf.
|
||
|
||
TARMIN
|
||
You, Mister Worf? I would love
|
||
to explore Klingon memories.
|
||
|
||
WORF
|
||
Klingons do not allow themselves
|
||
to be "probed."
|
||
|
||
TARMIN
|
||
There is nothing to fear...
|
||
|
||
JEV
|
||
(cautioning)
|
||
Father...
|
||
|
||
WORF
|
||
I am not fearful.
|
||
|
||
TARMIN
|
||
Commander La Forge... you?
|
||
|
||
GEORDI
|
||
I don't think so. Thanks anyway.
|
||
|
||
TARMIN
|
||
I have rarely encountered such
|
||
squeamish people! Doctor
|
||
Crusher... Commander Riker... ?
|
||
|
||
Tarmin's pushiness is becoming a bit much; Troi comes
|
||
in to smooth things over.
|
||
|
||
TROI
|
||
Mister Tarmin, are all Ullians
|
||
able to read memories?
|
||
|
||
TARMIN
|
||
No, my dear. The technique
|
||
requires special training. It
|
||
is a serious commitment.
|
||
|
||
STAR TREK: "Violations" - REV. 11/22/91 - ACT ONE 10-10B
|
||
|
||
15 CONTINUED: (3)
|
||
|
||
INAD
|
||
It takes years of study. Tarmin
|
||
is the most proficient of our
|
||
group.
|
||
|
||
TARMIN
|
||
Once Jev spent two days with a
|
||
contingent of elderly Gentons.
|
||
He couldn't get a thing from them.
|
||
I worked with them for one hour
|
||
and recovered a missing fragment
|
||
of the Gentonian trade wars.
|
||
|
||
Jev colors at this public put-down. He's had enough.
|
||
|
||
JEV
|
||
Excuse me.
|
||
|
||
He rises and heads for the exit. There's an awkward
|
||
pause.
|
||
|
||
INAD
|
||
(smoothly)
|
||
Exactly how long will it be before
|
||
we reach Kaldra, Captain?
|
||
|
||
Over the next, Troi rises and follows Jev.
|
||
|
||
PICARD
|
||
Mister Data?
|
||
|
||
DATA
|
||
Four days, eleven hours, sir.
|
||
|
||
16 INT. CORRIDOR
|
||
|
||
Jev is standing outside a turbolift as Troi rounds the
|
||
corner.
|
||
|
||
TROI
|
||
Jev...
|
||
|
||
He turns and sees her. Lets out an exasperated sigh.
|
||
|
||
JEV
|
||
I'm sorry. I'm being rude.
|
||
|
||
TROI
|
||
No, not at all...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 11.
|
||
|
||
16 CONTINUED:
|
||
|
||
JEV
|
||
My father finds it amusing to
|
||
demean me in public. I reach the
|
||
point where I don't want to hear
|
||
any more.
|
||
|
||
TROI
|
||
It's not easy having an
|
||
overbearing parent. Believe me,
|
||
I know how you feel.
|
||
|
||
He looks at her curiously.
|
||
|
||
JEV
|
||
Oh, yes... I was told you were
|
||
an empath.
|
||
|
||
TROI
|
||
I can't read Ullians. But, I
|
||
do know a certain Betazoid mother
|
||
who is a great deal like your
|
||
father.
|
||
|
||
Jev smiles at this, relaxing a bit in this sharing of
|
||
grievances. The turbolift doors open and they ENTER.
|
||
|
||
16A INT. TURBOLIFT
|
||
|
||
TROI
|
||
Deck eight. I've learned to
|
||
remind myself that my mother and
|
||
I are two separate individuals.
|
||
|
||
JEV
|
||
Deck sixteen. And have you had
|
||
much success with this approach,
|
||
Counselor?
|
||
|
||
She takes a breath as if to speak... stops herself,
|
||
ponders for a moment... then looks right at him.
|
||
|
||
TROI
|
||
No... but I keep reminding myself.
|
||
|
||
He laughs, she does, too... she's managed to ease his
|
||
overreaction to his father's self-aggrandizement. The
|
||
turbolift stops and the doors open.
|
||
|
||
TROI
|
||
Good night.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT ONE 12.
|
||
|
||
16A CONTINUED:
|
||
|
||
JEV
|
||
Good night, Counselor. And thank
|
||
you.
|
||
|
||
She smiles at him and EXITS the turbolift.
|
||
|
||
17 OMITTED
|
||
|
||
18 INT. TROI'S QUARTERS
|
||
|
||
Troi is getting ready for bed. She is wearing a
|
||
nightgown, and brushes her hair in front of the
|
||
mirror.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
19 INT. RIKER'S QUARTERS (FLASHBACK)
|
||
|
||
Riker's arms lowering her backward.
|
||
|
||
20 RESUME TROI (PRESENT)
|
||
|
||
who shakes off the memory, and continues brushing.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
21 INT RIKER'S QUARTERS (FLASHBACK)
|
||
|
||
Riker's hand stroking her hair.
|
||
|
||
RIKER'S VOICE
|
||
Have you stopped thinking about
|
||
us?
|
||
|
||
22 RESUME TROI (PRESENT)
|
||
|
||
who once again shakes off the memory, a bit jarred by
|
||
it. She walks to the replicator.
|
||
|
||
TROI
|
||
Hot chocolate.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT ONE 13.
|
||
|
||
23 INT. RIKER'S QUARTERS - FLASHBACK
|
||
|
||
Poker chips tumbling to the floor.
|
||
|
||
24 RESUME TROI (PRESENT)
|
||
|
||
who takes her cocoa, increasingly disturbed by the
|
||
intrusion of these memory flashes. She sits down to
|
||
sip her cocoa, then gasps slightly and falls back
|
||
against the cushions. Something overwhelming is
|
||
happening to her.
|
||
|
||
CUT TO:
|
||
|
||
25 INT. RIKER'S QUARTERS - MEMORY FLASHBACK
|
||
|
||
(NOTE: There should be some special visual treatment
|
||
of the flashback sequences in order to differentiate
|
||
them from the present... a filter... maybe sepia
|
||
tones... Linear versions of the flashback scenes are
|
||
included at the end of the script.)
|
||
|
||
Troi and Riker are cleaning up after a poker party.
|
||
The mood is easy, jocular. Troi has neither the
|
||
costume nor the hairdo she wears today. She is
|
||
collecting poker chips, trying to stack them into their
|
||
container. They tumble from her hands and onto the
|
||
floor. She laughs and kneels down; Riker does the
|
||
same.
|
||
|
||
JUMP CUT TO:
|
||
|
||
26 TROI AND RIKER
|
||
|
||
She's lying on the floor, he's bending over her, faces
|
||
close.
|
||
|
||
RIKER
|
||
Have you stopped thinking about
|
||
us?
|
||
|
||
JUMP CUT TO:
|
||
|
||
27 ANOTHER ANGLE
|
||
|
||
They reach for some poker chips... Riker covers her
|
||
hand with his. They freeze that way for a moment, then
|
||
Troi looks up and sees him looking at her intently.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT ONE 13A.
|
||
|
||
27 CONTINUED:
|
||
|
||
TROI
|
||
Will...
|
||
|
||
RIKER
|
||
We have to talk about this...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 14.
|
||
|
||
28 INT. TROI'S QUARTERS - IN THE PRESENT
|
||
|
||
She sits on her couch, eyes frozen, as though in a
|
||
trance, reliving this erratic memory.
|
||
|
||
29 INT. RIKER'S QUARTERS - MEMORY FLASHBACK
|
||
|
||
Troi and Riker are sitting on the floor; he strokes
|
||
her hair.
|
||
|
||
TROI
|
||
Imzadi... we can't... not when
|
||
we're serving on the same ship...
|
||
|
||
RIKER
|
||
Have you stopped thinking about
|
||
us? Just answer that...
|
||
|
||
JUMP CUT TO:
|
||
|
||
30 ANOTHER ANGLE (FLASHBACK)
|
||
|
||
as the poker chips fall to the floor; Troi laughs.
|
||
|
||
JUMP CUT TO:
|
||
|
||
31 ANOTHER ANGLE (FLASHBACK)
|
||
|
||
Riker lowers her backward onto the floor.
|
||
|
||
RIKER
|
||
I can't stop thinking about you...
|
||
|
||
Riker bends closer to her... their lips only inches
|
||
apart...
|
||
|
||
TROI
|
||
No... don't...
|
||
|
||
RIKER
|
||
Have you stopped thinking about
|
||
us?
|
||
|
||
There is no answer. Their lips meet, and all the
|
||
resistance in Troi is gone. They kiss tenderly but
|
||
with ardor...
|
||
|
||
Suddenly the grip of his hands on her arms tightens...
|
||
he's more forceful...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 15.
|
||
|
||
31 CONTINUED:
|
||
|
||
TROI
|
||
Will... we mustn't do this...
|
||
|
||
He is demanding, urgent. It's hard to resist...
|
||
|
||
TROI
|
||
No, Will --
|
||
|
||
She finally pushes him away, and stares at him -- but
|
||
instead of Will Riker, she sees ---
|
||
|
||
32 ANGLE - JEV (FLASHBACK)
|
||
|
||
staring down at her, smiling sadly. (He is wearing
|
||
Riker's outfit.)
|
||
|
||
JEV
|
||
Imzadi...
|
||
|
||
CUT TO:
|
||
|
||
33 INT. TROI'S QUARTERS - IN THE PRESENT
|
||
|
||
Troi has fallen back on the couch, staring at nothing.
|
||
|
||
34 INT. RIKER'S QUARTERS - MEMORY FLASHBACK
|
||
|
||
as Jev lowers her onto her back; she struggles against
|
||
him in horror.
|
||
|
||
TROI
|
||
No, don't...
|
||
|
||
JEV (o.c.)
|
||
I can't stop thinking about
|
||
you...
|
||
|
||
Troi turns to see --
|
||
|
||
35 JEV (FLASHBACK)
|
||
|
||
standing to the side, observing Troi with the other
|
||
image of himself, staring at them sadly as though
|
||
almost embarrassed to be viewing them. (He is in his
|
||
costume.)
|
||
|
||
Troi looks with horror from one to the other, still
|
||
struggling to escape. The first Jev holds her tight
|
||
and tries to kiss her.
|
||
|
||
JUMP CUT TO:
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT ONE 16.
|
||
|
||
36 TROI AND JEV
|
||
|
||
bending over the tricorder, his hand covers hers.
|
||
|
||
JEV (o.c.)
|
||
Imzadi...
|
||
|
||
Now Troi looks toward a different part of the room;
|
||
Jev has appeared there, still smiling his sad smile.
|
||
|
||
TROI
|
||
Don't do this... !
|
||
|
||
JUMP CUT TO:
|
||
|
||
37 JEV AND TROI
|
||
|
||
as he lowers her onto her back, then holds her wrists
|
||
roughly and bends down to kiss her.
|
||
|
||
JEV
|
||
Have you stopped thinking about
|
||
us?
|
||
|
||
TROI
|
||
(screaming)
|
||
No... no... no...
|
||
|
||
CUT TO:
|
||
|
||
38 INT. TROI'S QUARTERS - THE PRESENT
|
||
|
||
Troi has fallen to the floor, unconscious. The cup
|
||
of hot chocolate is spilled beside her, its dark brown
|
||
stain seeping into her nightgown.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 17.
|
||
|
||
ACT TWO
|
||
|
||
FADE IN:
|
||
|
||
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
at impulse.
|
||
|
||
PICARD (V.O.)
|
||
Captain's log, stardate 45430.9.
|
||
Counselor Troi has fallen into
|
||
a deep coma. After a thorough
|
||
examination, Doctor Crusher has
|
||
been unable to find any sign of
|
||
illness or infection.
|
||
|
||
40 INT. SICKBAY
|
||
|
||
Troi is unconscious, lying on a bio-bed. Picard and
|
||
Riker watch as DOCTOR MARTIN, an African-American
|
||
male, examines her with a tricorder. Beverly
|
||
approaches.
|
||
|
||
BEVERLY
|
||
Any change, Doctor?
|
||
|
||
MARTIN
|
||
No. I'm still getting unusual
|
||
neurotransmitter readings in the
|
||
diencephalon... but they might
|
||
be a result of the coma...
|
||
|
||
He shuts off the tricorder and moves away.
|
||
|
||
PICARD
|
||
(to Beverly)
|
||
Can you bring her out of it?
|
||
|
||
BEVERLY
|
||
I've tried standard revival
|
||
techniques... she doesn't
|
||
respond. Until I know what caused
|
||
this, I don't want to try anything
|
||
more extreme.
|
||
|
||
RIKER
|
||
Do we know what she was doing when
|
||
this happened?
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 17A.
|
||
|
||
40 CONTINUED:
|
||
|
||
BEVERLY
|
||
No. She was found in her quarters
|
||
this morning when she didn't show
|
||
up for an appointment.
|
||
(MORE)
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 18.
|
||
|
||
40 CONTINUED: (2)
|
||
|
||
BEVERLY (cont'd)
|
||
She was dressed for bed... but
|
||
the bed wasn't slept in.
|
||
|
||
PICARD
|
||
Who was the last person to speak
|
||
with her?
|
||
|
||
RIKER
|
||
She left the dinner last night
|
||
with one of the Ullians.
|
||
|
||
RIKER
|
||
I'll talk to him.
|
||
|
||
BEVERLY
|
||
I'll check the biofilter readings
|
||
from the Ullians' transporter logs.
|
||
It's possible they could still be
|
||
carrying some harmful organism.
|
||
|
||
PICARD
|
||
Commander, ask if they would
|
||
consent to examinations -- just
|
||
to be certain.
|
||
|
||
Riker heads for the door. Picard turns back to look
|
||
at Troi... CAMERA pushes in on her beautiful face,
|
||
composed and still.
|
||
|
||
41 INT. TEN FORWARD
|
||
|
||
Riker ENTERS, scans the room, and sees Jev sitting
|
||
alone at a table. He approaches.
|
||
|
||
RIKER
|
||
May I join you?
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 19.
|
||
|
||
41 CONTINUED:
|
||
|
||
JEV
|
||
Commander... of course...
|
||
|
||
He looks at Riker curiously.
|
||
|
||
JEV
|
||
Something's wrong...
|
||
|
||
RIKER
|
||
Counselor Troi is ill.
|
||
|
||
Jev feigns both surprise and concern.
|
||
|
||
JEV
|
||
I'm sorry to hear it...
|
||
|
||
RIKER
|
||
More than ill... she's in a coma.
|
||
Doctor Crusher doesn't know what's
|
||
causing it or how to treat her.
|
||
|
||
JEV
|
||
When did it happen?
|
||
|
||
RIKER
|
||
Apparently some time last night.
|
||
That's why I wanted to talk to
|
||
you... you may have been the last
|
||
person to see her. Did you go
|
||
with her into her quarters?
|
||
|
||
There is a hesitation as Jev eyes Riker.
|
||
|
||
JEV
|
||
Are you suggesting I behaved
|
||
improperly, Commander?
|
||
|
||
RIKER
|
||
Not at all... I'm just trying to
|
||
trace her steps.
|
||
|
||
JEV
|
||
(tersely)
|
||
We talked briefly -- in a
|
||
turbolift. She got off at deck
|
||
eight. I did not go with her.
|
||
|
||
RIKER
|
||
(surprised at the
|
||
defensiveness)
|
||
Jev -- I'm not accusing you of
|
||
anything.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 19A.
|
||
|
||
41 CONTINUED: (2)
|
||
|
||
An uncomfortable moment passes. Riker tries again.
|
||
|
||
RIKER
|
||
Did she mention feeling ill?
|
||
|
||
JEV
|
||
No. She seemed fine.
|
||
(beat)
|
||
She has a wonderful sense of
|
||
humor.
|
||
|
||
RIKER
|
||
(letting that pass)
|
||
If you have no objection, Doctor
|
||
Crusher would like to examine you
|
||
and your group...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT TWO 20.
|
||
|
||
41 CONTINUED: (3)
|
||
|
||
Jev is surprised at this.
|
||
|
||
JEV
|
||
To what end?
|
||
|
||
RIKER
|
||
She'd like to eliminate the
|
||
possibility that one of you might
|
||
be carrying some organism that
|
||
was harmful to Deanna.
|
||
|
||
Jev regards him coolly. There is no warmth between
|
||
these two.
|
||
|
||
RIKER
|
||
I'm not implying that you've done
|
||
anything intentional. I am just
|
||
trying to get to the bottom of
|
||
a mystery...
|
||
|
||
JEV
|
||
We have nothing to hide. If you
|
||
wish to spend time examining us...
|
||
|
||
He shrugs, as though the matter were of no import.
|
||
|
||
STAR TREK: "Violations" - REV. 11/25/91 - ACT TWO 21.
|
||
|
||
41 CONTINUED: (4)
|
||
|
||
RIKER
|
||
(after a beat)
|
||
Fine. Thank you.
|
||
|
||
He rises and heads for the door. As he leaves, Jev's
|
||
expression changes from benign condescension to a
|
||
controlled anger.
|
||
|
||
41A INT. SICKBAY
|
||
|
||
Riker approaches Troi's bed and sits on a stool. He
|
||
looks at her still, composed face for a moment.
|
||
|
||
RIKER
|
||
Deanna... I don't know if you can
|
||
hear me.
|
||
(beat)
|
||
I've heard doctors say that even
|
||
when someone's in a coma, they
|
||
may be able to hear when people
|
||
talk to them... that it might
|
||
even help stimulate the brain
|
||
and speed the healing...
|
||
(a beat, remembering)
|
||
In fact, I think you did that for
|
||
me once, when I was in pretty
|
||
bad shape...
|
||
|
||
He takes a breath, feeling a little foolish talking to
|
||
an unconscious person, but more driven by his concern
|
||
for her.
|
||
|
||
RIKER
|
||
So I just thought... maybe it
|
||
would help to hear a friendly
|
||
voice...
|
||
(with a wry smile)
|
||
... even if you don't know you're
|
||
hearing it.
|
||
|
||
He takes a breath, looking for something to talk about.
|
||
|
||
RIKER
|
||
We've been busy mapping the
|
||
sector... it's pretty routine.
|
||
So far the most unusual thing
|
||
we've seen is a binary star
|
||
system... I finished that
|
||
personnel review we were working
|
||
on... you can check it over when
|
||
you...
|
||
(a beat, as he realizes
|
||
it might not happen)
|
||
... wake up.
|
||
|
||
STAR TREK: "Violations" - REV. 11/25/91 - ACT TWO 21A.
|
||
|
||
41A CONTINUED:
|
||
|
||
He stops, afraid of losing control.
|
||
|
||
RIKER
|
||
I miss you. So don't stay away
|
||
too long, okay?
|
||
|
||
He half rises, putting his arms on the bed and leaning
|
||
over her (THE POSITION HE IS IN AT THE BEGINNING OF
|
||
SCENE 42). He stares down at her, as though willing
|
||
her to hear him.
|
||
|
||
BEVERLY (o.c.)
|
||
Will... ?
|
||
|
||
He does not look away from Deanna.
|
||
|
||
42 INT. SICKBAY
|
||
|
||
Troi is still deeply, peacefully in her coma. Riker
|
||
stands at the bed, staring down at her, concern etched
|
||
in his face. Beverly approaches.
|
||
|
||
BEVERLY
|
||
Will... I promise I'll let you
|
||
know the minute she regains
|
||
consciousness.
|
||
|
||
RIKER
|
||
I know...
|
||
|
||
BEVERLY
|
||
There's nothing you can do here.
|
||
You're going to wear yourself
|
||
out...
|
||
|
||
RIKER
|
||
Right...
|
||
|
||
BEVERLY
|
||
It's late... go to bed.
|
||
(beat)
|
||
That's an order.
|
||
|
||
He glances up at her, finally nods, and walks out.
|
||
She looks after him, worried.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT TWO 22.
|
||
|
||
43 INT. RIKER'S QUARTERS
|
||
|
||
He's sitting at a desk, working a PADD.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
44 INT. ENGINEERING - GEORDI (FLASHBACK)
|
||
|
||
at the pool table; he's obviously yelling something
|
||
but we don't hear it. (Red Alert is present here and
|
||
throughout.)
|
||
|
||
45 RESUME RIKER (PRESENT)
|
||
|
||
who tries to shake off the image and continue his work.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
46 INT. ENGINEERING (FLASHBACK)
|
||
|
||
The isolation door in the engine room coming down.
|
||
|
||
DAVIS'S VOICE
|
||
Keller is still in there!
|
||
|
||
47 RESUME RIKER (PRESENT)
|
||
|
||
sweating now, steeling himself against the encroaching
|
||
memory. But he can't stop it... he leans back in the
|
||
chair, overwhelmed.
|
||
|
||
48 INT. ENGINEERING - MEMORY FLASHBACK
|
||
|
||
(NOTE: Again, with a special visual treatment.)
|
||
|
||
Geordi is working frantically at a console; Riker is
|
||
waving people out of the engine room.
|
||
|
||
RIKER
|
||
Out, out, out! Let's go!
|
||
|
||
COMPUTER VOICE
|
||
Antimatter injection breach.
|
||
Evacuate immediately.
|
||
|
||
(Computer warning will repeat throughout.)
|
||
|
||
JUMP CUT TO:
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 23.
|
||
|
||
49 RIKER
|
||
|
||
tapping his communicator. The isolation door is down.
|
||
|
||
RIKER
|
||
Ensign Keller, can you hear me?
|
||
|
||
KELLER'S COM VOICE
|
||
(weakly)
|
||
Yes, sir...
|
||
|
||
JUMP CUT TO:
|
||
|
||
50 ANOTHER ANGLE
|
||
|
||
Riker waving people out of the engine room.
|
||
|
||
RIKER
|
||
Come on, move it!
|
||
|
||
GEORDI
|
||
Commander, I need to bring that
|
||
door down!
|
||
|
||
JUMP CUT TO:
|
||
|
||
51 ANOTHER ANGLE
|
||
|
||
The door is down now; DAVIS, a crewman, stands by
|
||
Riker, staring in.
|
||
|
||
RIKER
|
||
Keller, can you get to a Jeffries
|
||
Tube?
|
||
|
||
Silence.
|
||
|
||
RIKER
|
||
Ensign Keller, answer me.
|
||
|
||
DAVIS
|
||
You killed her.
|
||
|
||
JUMP CUT TO:
|
||
|
||
52 ANOTHER ANGLE
|
||
|
||
The door is up; Davis runs out.
|
||
|
||
DAVIS
|
||
Keller is still in there!
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 24.
|
||
|
||
52 CONTINUED:
|
||
|
||
Riker turns to the door, starts to go in.
|
||
|
||
GEORDI
|
||
Commander, radiation levels are
|
||
critical -- we've gotta seal it
|
||
off.
|
||
|
||
DAVIS
|
||
She was right behind me!
|
||
|
||
RIKER
|
||
(makes decision)
|
||
Bring down the door!
|
||
|
||
CUT TO:
|
||
|
||
53 INT. RIKER'S QUARTERS - IN THE PRESENT
|
||
|
||
Riker is staring down, unseeing, reliving the memory.
|
||
|
||
54 INT. ENGINEERING - MEMORY FLASHBACK
|
||
|
||
Before the door goes down.
|
||
|
||
RIKER
|
||
(waving people out)
|
||
Out, out out! Let's go!
|
||
|
||
Davis runs out.
|
||
|
||
DAVIS
|
||
Keller is still in there.
|
||
|
||
JUMP CUT TO:
|
||
|
||
55 ANOTHER ANGLE
|
||
|
||
The door now down. Jev has replaced Davis, standing
|
||
and looking with a quiet smile at Riker. (He is
|
||
wearing Davis' uniform.)
|
||
|
||
JEV
|
||
Keller is still in there.
|
||
|
||
RIKER
|
||
Riker to transporter room three.
|
||
Prepare to beam Ensign Keller out
|
||
of the engine room.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 25.
|
||
|
||
55 CONTINUED:
|
||
|
||
TECHNICIAN'S COM VOICE
|
||
I can't lock onto her signal,
|
||
Commander.
|
||
|
||
JEV
|
||
Keller is still in there.
|
||
|
||
JUMP CUT TO:
|
||
|
||
56 THE ISOLATION DOOR
|
||
|
||
coming down. Jev is in a different location now,
|
||
running out just under the door.
|
||
|
||
JEV
|
||
Keller is still in there.
|
||
|
||
JUMP CUT TO:
|
||
|
||
57 ANOTHER ANGLE
|
||
|
||
The door is down. Davis is there; Jev is in another
|
||
location. (He is in his own costume.)
|
||
|
||
DAVIS
|
||
You killed her.
|
||
|
||
RIKER
|
||
Ensign Keller, answer me.
|
||
|
||
JEV
|
||
You killed her.
|
||
|
||
JUMP CUT TO:
|
||
|
||
58 GEORDI
|
||
|
||
GEORDI
|
||
I've gotta get the isolation door
|
||
down!
|
||
|
||
59 JEV
|
||
|
||
JEV
|
||
Keller is still in there.
|
||
|
||
60 RIKER
|
||
|
||
RIKER
|
||
Bring down the door!
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 26.
|
||
|
||
61 JEV
|
||
|
||
JEV
|
||
You killed her.
|
||
|
||
62 ANGLE - RIKER (STILL FLASHBACK)
|
||
|
||
Riker is reeling as he is assaulted by a jumble of
|
||
sounds.
|
||
|
||
DAVIS (V.O.)
|
||
You killed her.
|
||
|
||
JEV (V.O.)
|
||
You killed her.
|
||
|
||
GEORDI (V.O.)
|
||
I need that door down!
|
||
|
||
DAVIS (V.O.)
|
||
Keller is still in there.
|
||
|
||
JEV (V.O.)
|
||
You killed her.
|
||
|
||
All these voices merge into a cacophony... repeating
|
||
their litany, reaching a crescendo pitch as Riker
|
||
desperately tries to block out the sounds.
|
||
|
||
CUT TO:
|
||
|
||
63 INT. RIKER'S QUARTERS - IN THE PRESENT
|
||
|
||
Riker is groggy, losing consciousness.
|
||
|
||
PICARD'S COM VOICE
|
||
Bridge to Commander Riker...
|
||
|
||
But Riker cannot answer.
|
||
|
||
64 INT. BRIDGE
|
||
|
||
A worried Picard at his chair, Worf at tactical.
|
||
Riker's chair is empty.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT TWO 27.
|
||
|
||
64 CONTINUED:
|
||
|
||
PICARD
|
||
Commander, do you read me?
|
||
(beat)
|
||
Picard to Commander Riker, answer
|
||
please.
|
||
|
||
Nothing.
|
||
|
||
PICARD
|
||
Computer, locate Commander Riker.
|
||
|
||
COMPUTER'S VOICE
|
||
Commander Riker is in his
|
||
quarters.
|
||
|
||
Picard looks at Worf, who heads immediately for the
|
||
turbolift.
|
||
|
||
WORF
|
||
On my way, sir.
|
||
|
||
65 INT. RIKER'S QUARTERS
|
||
|
||
Worf ENTERS. He scans the room quickly and sees --
|
||
|
||
RIKER
|
||
|
||
slumped onto his desk, unconscious.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 28.
|
||
|
||
ACT THREE
|
||
|
||
FADE IN:
|
||
|
||
66 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
||
|
||
at impulse.
|
||
|
||
BEVERLY (V.O.)
|
||
Medical log, stardate 45431.7.
|
||
Commander Riker is the second
|
||
officer who has fallen into an
|
||
unexplained coma. I have examined
|
||
the Ullians and ruled out the
|
||
possibility that they carry a
|
||
harmful organism.
|
||
|
||
67 INT. OBSERVATION LOUNGE
|
||
|
||
Picard, Beverly, and Worf.
|
||
|
||
BEVERLY
|
||
I compared Deanna's brain scan
|
||
to one I took during her last
|
||
physical. There is a
|
||
difference... this time there's
|
||
a trace of electropathic activity.
|
||
|
||
PICARD
|
||
And Commander Riker?
|
||
|
||
BEVERLY
|
||
I found the same pattern. If I
|
||
didn't know better, I'd think they
|
||
had Iresine Syndrome. It's the
|
||
only medical condition that would
|
||
produce that pattern.
|
||
|
||
WORF
|
||
What is Iresine Syndrome?
|
||
|
||
BEVERLY
|
||
A very rare neurological disorder
|
||
first diagnosed in the
|
||
twenty-third century. It's
|
||
characterized by an identical
|
||
electropathic residue.
|
||
|
||
PICARD
|
||
Then why discount the possibility
|
||
that it's responsible for their
|
||
comas?
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 29.
|
||
|
||
67 CONTINUED:
|
||
|
||
BEVERLY
|
||
Iresine is always accompanied by
|
||
a severely decreased histamine
|
||
count. Both Will and Deanna show
|
||
normal levels.
|
||
(beat)
|
||
I've asked Commander La Forge to
|
||
conduct a shipwide diagnostic
|
||
for any other agents which could
|
||
produce that electropathic
|
||
pattern.
|
||
|
||
WORF
|
||
Counselor Troi and Commander Riker
|
||
were in perfect health -- until
|
||
the Ullians got here.
|
||
|
||
A beat as they acknowledge this.
|
||
|
||
WORF
|
||
It would be wise to quarantine
|
||
the aliens.
|
||
|
||
PICARD
|
||
I believe it's premature to take
|
||
that kind of action. We have no
|
||
real evidence linking these comas
|
||
to the Ullians.
|
||
|
||
BEVERLY
|
||
That's true. But there is
|
||
something curious...
|
||
|
||
Picard turns to her, questioning.
|
||
|
||
BEVERLY
|
||
The electropathic residue I
|
||
discovered is located in the
|
||
thalamus. That's the area of the
|
||
cerebral cortex which involves
|
||
memory function.
|
||
|
||
There is a moment as this sinks in.
|
||
|
||
68 OMITTED
|
||
|
||
69 INT. ULLIAN QUARTERS
|
||
|
||
Picard and Beverly with Tarmin, Jev, and Inad.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 30.
|
||
|
||
69 CONTINUED:
|
||
|
||
TARMIN
|
||
(light, with a defensive
|
||
undertone)
|
||
I've been accused of putting
|
||
people to sleep with one too many
|
||
stories, Captain... but this is
|
||
the first time it's been suggested
|
||
that I might be responsible for
|
||
someone's coma.
|
||
|
||
PICARD
|
||
I mean no disrespect, sir. But
|
||
we are faced with an alarming
|
||
situation...
|
||
|
||
INAD
|
||
Why do you suspect us, Captain?
|
||
|
||
PICARD
|
||
Suspect is perhaps too strong a
|
||
word. I am simply trying to
|
||
determine what has caused two of
|
||
my officers to fall into comas.
|
||
|
||
JEV
|
||
You've already examined us...
|
||
we aren't carrying anything
|
||
harmful...
|
||
|
||
BEVERLY
|
||
But in further study of the
|
||
victims, I noticed some abnormal
|
||
patterns in the area of the brain
|
||
which involves memory.
|
||
|
||
PICARD
|
||
In light of your particular
|
||
telepathic abilities, it does
|
||
raise the question...
|
||
|
||
INAD
|
||
Captain... it's not our wish to
|
||
obstruct you. What would you
|
||
like?
|
||
|
||
BEVERLY
|
||
If I could do further examinations
|
||
tomorrow... perhaps monitor you
|
||
during a memory probe...
|
||
|
||
There is a silence. Then Tarmin steps forward.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 31.
|
||
|
||
69 CONTINUED: (2)
|
||
|
||
TARMIN
|
||
Scrutiny does not frighten us.
|
||
|
||
JEV
|
||
We will be happy to cooperate,
|
||
Doctor.
|
||
|
||
BEVERLY
|
||
Thank you. I'll contact you
|
||
tomorrow morning.
|
||
|
||
She and Picard turn to EXIT. Camera PUSHES IN to Jev's
|
||
face.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT THREE 32.
|
||
|
||
69A OMITTED
|
||
|
||
69B INT. SICKBAY
|
||
|
||
Keiko is sitting on a bio-bed, Beverly and Doctor
|
||
Martin are with her.
|
||
|
||
BEVERLY
|
||
You're the only person on board
|
||
who's undergone a memory probe
|
||
by the Ullians. I'd like to do
|
||
a neurological work-up... see
|
||
if I can detect any residual
|
||
effect.
|
||
|
||
KEIKO
|
||
I'm happy to help...
|
||
|
||
BEVERLY
|
||
Doctor Martin will monitor your
|
||
vital signs while I do the scan.
|
||
|
||
Beverly reaches for a special tricorder and begins
|
||
to use it.
|
||
|
||
BEVERLY
|
||
Have you had any unusual symptoms
|
||
since the probe? Headaches?
|
||
Dizziness?
|
||
|
||
KEIKO
|
||
No, nothing like that. It was
|
||
a wonderful experience...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 33.
|
||
|
||
69B CONTINUED:
|
||
|
||
BEVERLY
|
||
(reading tricorder)
|
||
Electrical activity is normal...
|
||
CPK levels are normal... the
|
||
hippocampus is stable... and the
|
||
thalamus...
|
||
(beat)
|
||
... the thalamus is normal.
|
||
(to Martin)
|
||
There's no indication at all of
|
||
the electropathic residue.
|
||
|
||
KEIKO
|
||
(bewildered)
|
||
Is that good?
|
||
|
||
Beverly smiles reassuringly at her.
|
||
|
||
BEVERLY
|
||
You're fine, Keiko. But we're
|
||
no closer to solving this mystery.
|
||
|
||
70 INT. ENGINEERING
|
||
|
||
Geordi at his monitors.
|
||
|
||
GEORDI
|
||
Computer, locate the electropathic
|
||
pattern described in medical
|
||
database four-delta-one.
|
||
|
||
COMPUTER VOICE
|
||
Electropathic pattern located.
|
||
|
||
GEORDI
|
||
Okay, we're gonna track down any
|
||
possible cause of that brain
|
||
pattern. First, what are the
|
||
medical conditions that might
|
||
account for it?
|
||
|
||
COMPUTER VOICE
|
||
Iresine Syndrome is a cause of
|
||
the electropathic pattern.
|
||
|
||
GEORDI
|
||
Right. And Doctor Crusher's
|
||
already eliminated that. How many
|
||
nonmedical forces or substances
|
||
might cause the pattern?
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 34.
|
||
|
||
70 CONTINUED:
|
||
|
||
COMPUTER VOICE
|
||
There are twenty-two nonmedical
|
||
agents.
|
||
|
||
GEORDI
|
||
Okay. And how many of those are
|
||
present on the Enterprise?
|
||
|
||
COMPUTER VOICE
|
||
None is present on the Enterprise.
|
||
|
||
GEORDI
|
||
Are the ship's sensors calibrated
|
||
to detect all those agents?
|
||
|
||
COMPUTER VOICE
|
||
All agents are scanned by the
|
||
sensors.
|
||
|
||
Another beat.
|
||
|
||
GEORDI
|
||
Okay. Let's start with the
|
||
chemical substances. Name them.
|
||
|
||
COMPUTER VOICE
|
||
Ferrazene, hylanatine, dardilion,
|
||
chrysimite, and manzene.
|
||
|
||
GEORDI
|
||
Ferrazene has a complex molecular
|
||
structure... it breaks down into
|
||
bilenium and tarrisite. Do the
|
||
sensors scan for those?
|
||
|
||
COMPUTER VOICE
|
||
Ship's sensors scan for both
|
||
compounds.
|
||
|
||
GEORDI
|
||
And are they present on the
|
||
Enterprise?
|
||
|
||
COMPUTER VOICE
|
||
Bilenium and tarrisite are not
|
||
present.
|
||
|
||
A pause while Geordi thinks harder.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 34A.
|
||
|
||
70 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
Do any of the substances break
|
||
down into by-products that are
|
||
not scanned for?
|
||
|
||
COMPUTER VOICE
|
||
Dardilion contains the byproduct
|
||
nilizene. Sensors do not
|
||
routinely scan for that substance.
|
||
|
||
GEORDI
|
||
Well, this isn't a routine
|
||
situation. Scan for nilizene.
|
||
|
||
COMPUTER VOICE
|
||
There is no nilizene on the
|
||
Enterprise.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 35.
|
||
|
||
71 CONTINUED: (3)
|
||
|
||
GEORDI
|
||
Why did I know you were going to
|
||
say that?
|
||
|
||
He leans back in his chair... settles in for the long
|
||
haul.
|
||
|
||
GEORDI
|
||
Okay. Let's move on to
|
||
nonchemical agents.
|
||
|
||
71 INT. BEVERLY'S OFFICE
|
||
|
||
Beverly is working at her monitor; Doctor Martin
|
||
ENTERS.
|
||
|
||
DOCTOR MARTIN
|
||
Anything more I can do for you?
|
||
|
||
She turns from the monitor, stretches her neck
|
||
slightly.
|
||
|
||
BEVERLY
|
||
No, thanks. I was just doing some
|
||
reading on Iresine Syndrome. If
|
||
a new strain has developed, that
|
||
might explain the normal histamine
|
||
count.
|
||
|
||
DOCTOR MARTIN
|
||
Any luck?
|
||
|
||
BEVERLY
|
||
Not so far.
|
||
|
||
He smiles at her, knowing she'll stick there until
|
||
she's exhausted the possibility.
|
||
|
||
DOCTOR MARTIN
|
||
Okay. I'll see you tomorrow.
|
||
|
||
STAR TREK: "Violations" - 10/25/91 - ACT THREE 36.
|
||
|
||
71 CONTINUED:
|
||
|
||
Martin EXITS and Beverly keeps working, engrossed in
|
||
the monitor.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
72 INT. STARBASE MORGUE (FLASHBACK)
|
||
|
||
Picard's face and head sports a bandage.
|
||
|
||
73 RESUME BEVERLY - PRESENT
|
||
|
||
jarred by the remembrance, trying to concentrate on
|
||
work once more.
|
||
|
||
SUBLIMINAL CUT TO:
|
||
|
||
74 INT. STARBASE MORGUE (FLASHBACK)
|
||
|
||
A body on a bio-bed, covered by a sheet (or 24th-
|
||
century equivalent).
|
||
|
||
PICARD'S VOICE
|
||
You shouldn't remember him like
|
||
this.
|
||
|
||
75 RESUME BEVERLY (PRESENT)
|
||
|
||
sitting upright in her chair, frozen with shock as the
|
||
overwhelming memory sweeps over her.
|
||
|
||
CUT TO:
|
||
|
||
76 INT. STARBASE MORGUE - MEMORY FLASHBACK
|
||
|
||
(With characteristic visual treatment.)
|
||
|
||
A younger Beverly -- with a different hairstyle --
|
||
and a younger Picard, she in civvies and he in
|
||
"Stargazer" uniform. His head sports a bandage.
|
||
The two walk toward a body on a gurney, covered by a
|
||
drape.
|
||
|
||
PICARD
|
||
You don't have to do this...
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 37.
|
||
|
||
76 CONTINUED:
|
||
|
||
BEVERLY
|
||
It's important to me. I have to
|
||
see him.
|
||
|
||
JUMP CUT TO:
|
||
|
||
77 INT. STARBASE CORRIDOR (FLASHBACK)
|
||
|
||
Picard and Beverly walk down the corridor.
|
||
|
||
BEVERLY
|
||
It's good of you to come with me.
|
||
|
||
PICARD
|
||
It's the least I can do...
|
||
|
||
They stop before a door.
|
||
|
||
JUMP CUT TO:
|
||
|
||
78 INT. MORGUE (FLASHBACK)
|
||
|
||
Beverly and Picard standing at the gurney.
|
||
|
||
PICARD
|
||
You shouldn't remember him like
|
||
this.
|
||
|
||
BEVERLY
|
||
I have to face the fact that he's
|
||
gone.
|
||
|
||
JUMP CUT TO:
|
||
|
||
79 INT. CORRIDOR - CLOSE ON DOORS (FLASHBACK)
|
||
|
||
The doors slide open, revealing an empty, sterile,
|
||
brightly lit room. On the far wall are large drawers
|
||
(for bodies). In the middle of the room, in horrific
|
||
isolation, is a gurney, on which lies a drape-covered
|
||
body.
|
||
|
||
JUMP CUT TO:
|
||
|
||
80 INT. BEVERLY'S OFFICE - IN THE PRESENT
|
||
|
||
Beverly slumps in her chair, eyes staring, numb with
|
||
the memory.
|
||
|
||
CUT TO:
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 38.
|
||
|
||
81 INT. MORGUE - MEMORY FLASHBACK
|
||
|
||
Beverly and Picard at the gurney.
|
||
|
||
BEVERLY
|
||
I have to see him.
|
||
|
||
PICARD
|
||
You shouldn't remember him like
|
||
this...
|
||
|
||
JUMP CUT TO:
|
||
|
||
82 INT. STARBASE CORRIDOR (FLASHBACK)
|
||
|
||
Beverly and Picard walking.
|
||
|
||
BEVERLY
|
||
It's good of you to come with me.
|
||
|
||
JUMP CUT TO:
|
||
|
||
83 INT. MORGUE - HANDS LIFTING THE SHEET (FLASHBACK)
|
||
|
||
from the body as Beverly stares down. Sheet is lifted
|
||
into camera; we do not see the body.
|
||
|
||
JUMP CUT TO:
|
||
|
||
84 INT. CORRIDOR (FLASHBACK)
|
||
|
||
PICARD
|
||
It's the least I can do...
|
||
|
||
JUMP CUT TO:
|
||
|
||
85 INT. MORGUE (FLASHBACK)
|
||
|
||
They approach the body.
|
||
|
||
PICARD
|
||
You don't have to do this...
|
||
|
||
STAR TREK: "Violations" - REV. 10/29/91 - ACT THREE 39.
|
||
|
||
85 CONTINUED:
|
||
|
||
BEVERLY
|
||
It's important to me.
|
||
|
||
JUMP CUT TO:
|
||
|
||
86
|
||
thru OMITTED
|
||
86C
|
||
|
||
87 ANOTHER ANGLE (FLASHBACK)
|
||
|
||
of Picard and Beverly -- only this time it's not
|
||
Picard, it's Jev, in his uniform, his head in the
|
||
bandage.
|
||
|
||
JEV
|
||
You shouldn't remember him like
|
||
this...
|
||
|
||
88 INT. CORRIDOR (FLASHBACK)
|
||
|
||
Picard and Beverly. Picard speaks -- but we hear Jev's
|
||
voice.
|
||
|
||
PICARD/JEV
|
||
It's the least I can do...
|
||
|
||
JUMP CUT TO:
|
||
|
||
88A JACK - THEIR POV
|
||
|
||
lying on the gurney, a wound on his face.
|
||
|
||
88B CLOSE UP ON JACK'S EYES
|
||
|
||
They snap open.
|
||
|
||
88C BEVERLY
|
||
|
||
screams.
|
||
|
||
88D CLOSE ON OPEN EYES
|
||
|
||
Pull back to reveal it's Jev, lying on the gurney, the
|
||
same wound on his face.
|
||
|
||
JUMP CUT TO:
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT THREE 39A.
|
||
|
||
89 BEVERLY (FLASHBACK)
|
||
|
||
gasps, turns... bumps into --
|
||
|
||
90 JEV (FLASHBACK)
|
||
|
||
in Picard's uniform and bandage, smiling sadly at her.
|
||
Beverly covers her eyes and screams in terror.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE
|
||
|
||
STAR TREK: "Violations" - REV. 11/22/91 - ACT FOUR 40.
|
||
|
||
ACT FOUR
|
||
|
||
FADE IN:
|
||
|
||
A91 INT. SICKBAY
|
||
|
||
Geordi and Data ENTER, walking toward Beverly's office.
|
||
|
||
GEORDI
|
||
I've spent two hours having a cozy
|
||
chat with the computer. I've
|
||
checked everything I can think
|
||
of -- any possible agent that
|
||
might cause that electropathic
|
||
pattern.
|
||
|
||
DATA
|
||
I would assume from the tone of
|
||
your voice that you were
|
||
unsuccessful.
|
||
|
||
GEORDI
|
||
Didn't find a thing.
|
||
|
||
They have reached Beverly's office. As they ENTER --
|
||
|
||
GEORDI
|
||
And the Doctor's not gonna like
|
||
hearing that --
|
||
|
||
They spot Beverly slumped over her desk. Geordi
|
||
quickly moves to her, checks her pulse while Data taps
|
||
his combadge.
|
||
|
||
DATA
|
||
Emergency medical team to Doctor
|
||
Crusher's office immediately.
|
||
|
||
91 INT. READY ROOM
|
||
|
||
Picard, Geordi, and Data.
|
||
|
||
GEORDI
|
||
Doctor Crusher had me working on
|
||
a shipwide diagnostic. I'd gone
|
||
to give her the results when I
|
||
found her.
|
||
|
||
PICARD
|
||
Did your scans provide any
|
||
insights into these comas?
|
||
|
||
STAR TREK: "Violations" - REV. 11/22/91 - ACT FOUR 40A.
|
||
|
||
91 CONTINUED:
|
||
|
||
GEORDI
|
||
None. I checked and
|
||
cross-checked... they were just
|
||
dead ends.
|
||
|
||
DATA
|
||
We seem to have eliminated all
|
||
known factors that could have
|
||
caused the comas -- except for
|
||
the Ullians.
|
||
|
||
Picard digests this, then --
|
||
|
||
PICARD
|
||
Mister Data, I want you to
|
||
investigate those eleven planets
|
||
the Ullians have visited. See
|
||
if there have been any reports
|
||
of unexplained comas.
|
||
|
||
DATA
|
||
Yes, Captain.
|
||
|
||
PICARD
|
||
In the meantime, we must consider
|
||
restricting them to their
|
||
quarters. As a precautionary
|
||
measure...
|
||
|
||
STAR TREK: "Violations" - REV. 11/22/91 - ACT FOUR 41-41A
|
||
|
||
91 CONTINUED: (2)
|
||
|
||
GEORDI
|
||
If one of them is behind this...
|
||
will keeping telepaths in their
|
||
quarters prevent it from happening
|
||
again?
|
||
|
||
Picard is well aware of the problem.
|
||
|
||
PICARD
|
||
What else can we do? Station a
|
||
guard? Set up a force field?
|
||
I don't know if those would be
|
||
any more effective...
|
||
|
||
MARTIN'S COM VOICE
|
||
Sickbay to Captain Picard.
|
||
|
||
PICARD
|
||
Picard here...
|
||
|
||
MARTIN'S COM VOICE
|
||
Sir... Counselor Troi has regained
|
||
consciousness.
|
||
|
||
Picard exchanges glances with the others -- this may
|
||
be a breakthrough.
|
||
|
||
PICARD
|
||
I'm on my way.
|
||
|
||
92 INT. SICKBAY
|
||
|
||
Troi sits in a bio-bed, talking with Martin and Picard.
|
||
She is struggling to recall what happened to her.
|
||
|
||
TROI
|
||
It's like waking up from a
|
||
nightmare... but not remembering
|
||
what it was about.
|
||
|
||
PICARD
|
||
What's the last thing you do
|
||
remember?
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT FOUR 42.
|
||
|
||
92 CONTINUED:
|
||
|
||
There's a long beat as Troi thinks...
|
||
|
||
TROI
|
||
My hair... I was brushing my hair.
|
||
|
||
There is a pause as she tries to go beyond that.
|
||
|
||
PICARD
|
||
And then... ?
|
||
|
||
Troi struggles to take the next step, but finally
|
||
shakes her head in frustration.
|
||
|
||
TROI
|
||
I don't know... just... waking
|
||
up here...
|
||
|
||
She looks up at them, fragile and vulnerable.
|
||
|
||
TROI
|
||
Why do I feel so frightened? What
|
||
happened to me?
|
||
|
||
PICARD
|
||
We were hoping you could tell us.
|
||
|
||
TROI
|
||
How long have I been here?
|
||
|
||
MARTIN
|
||
Three days.
|
||
|
||
TROI
|
||
(stunned)
|
||
Three days... ?
|
||
|
||
PICARD
|
||
You were the first. The next day
|
||
Commander Riker fell into a
|
||
similar coma... and last night
|
||
-- Doctor Crusher.
|
||
|
||
Troi is shocked and disturbed by this revelation.
|
||
|
||
TROI
|
||
(amazed)
|
||
What is going on here... ?
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT FOUR 43.
|
||
|
||
92 CONTINUED: (2)
|
||
|
||
PICARD
|
||
We aren't certain.
|
||
(beat)
|
||
It may be... that there is some
|
||
unusual effect produced by the
|
||
Ullians' telepathic activity.
|
||
|
||
Troi sinks back on the bed, trying to absorb all this
|
||
startling information.
|
||
|
||
PICARD
|
||
I'm going to talk to them. In
|
||
the meantime, you're to stay here
|
||
and recuperate. And if you
|
||
remember anything about what
|
||
happened to you... let me know
|
||
immediately.
|
||
|
||
He turns and EXITS. Troi is left with strange,
|
||
disturbing feelings that she can't even identify.
|
||
|
||
93 INT. ULLIAN QUARTERS
|
||
|
||
Picard with Tarmin, Inad, and Jev. Tarmin already
|
||
has a head of steam gathered; Picard is trying to
|
||
navigate these troubled diplomatic waters carefully.
|
||
|
||
TARMIN
|
||
What are you suggesting, Captain?
|
||
|
||
PICARD
|
||
That you voluntarily confine
|
||
yourself to quarters. At least
|
||
until we unravel this mystery.
|
||
|
||
TARMIN
|
||
(offended)
|
||
We're to be prisoners?
|
||
|
||
JEV
|
||
Father...
|
||
|
||
PICARD
|
||
Please don't think of it that way.
|
||
|
||
He moves toward them, making his case.
|
||
|
||
STAR TREK: "Violations" - REV. 10/28/91 - ACT FOUR 44.
|
||
|
||
93 CONTINUED:
|
||
|
||
PICARD
|
||
We have done everything we can
|
||
think of to explain these comas.
|
||
We've performed physical
|
||
examinations and neurological
|
||
scans... we have conducted a
|
||
shipwide diagnostic, looking for
|
||
viruses and parasites and
|
||
infestations...
|
||
|
||
He stands before the Ullians, at the end of his rope.
|
||
|
||
PICARD
|
||
We have investigated every
|
||
possible cause we can imagine.
|
||
And we have found nothing --
|
||
nothing -- to explain the comas.
|
||
|
||
He pauses a moment, eyeing them.
|
||
|
||
PICARD
|
||
The only variable we cannot
|
||
eliminate... is your presence
|
||
on this ship.
|
||
(beat)
|
||
In light of these efforts, I ask
|
||
you to understand my request.
|
||
And to honor it.
|
||
|
||
There is a silence in the room.
|
||
|
||
JEV
|
||
Captain... our history indicates
|
||
that we do not adversely affect
|
||
the people we contact.
|
||
|
||
PICARD
|
||
I know that.
|
||
|
||
JEV
|
||
Then... are you implying an
|
||
intentional assault?
|
||
|
||
PICARD
|
||
I am simply trying to consider
|
||
all possibilities.
|
||
|
||
Jev regards Picard, thinking.
|
||
|
||
JEV
|
||
Surely you would give us the
|
||
chance to prove that we are
|
||
innocent?
|
||
|
||
|