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1 line
70 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Conundrum"
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#40275-214
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Teleplay by
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Joe Menosky
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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NOVEMBER 14, 1991
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STAR TREK: "Conundrum" - 11/14/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Conundrum"
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CAST
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PICARD KEIRAN MACDUFF
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RIKER KRISTIN
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DATA MALE CREWMEMBER
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BEVERLY
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TROI
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GEORDI
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WORF
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ENSIGN RO
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Non-Speaking
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FEMALE CREWMEMBER
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SUPERNUMERARIES
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STAR TREK: "Conundrum" - 11/14/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Conundrum"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM ALIEN (SATARRAN) SHIP
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OBSERVATION LOUNGE
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TEN FORWARD LYSIAN DESTROYER
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SICKBAY
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TURBOLIFT LYSIAN CENTRAL COMMAND
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ENGINEERING
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CORRIDORS LYSIAN SENTRY PODS
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TROI'S QUARTERS
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RIKER'S QUARTERS
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STAR TREK: "Conundrum" - 11/14/91 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Conundrum"
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PRONUNCIATION GUIDE
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KEIRAN KEER-in
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LYSIAN LISS-ee-n
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SATARRAN suh-TAHR-n
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Conundrum"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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Coming out of warp.
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PICARD (V.O.)
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Captain's log, stardate 45494.2.
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We are investigating a series of
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subspace signals that may indicate
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intelligent life in the Epsilon
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Silar System. We will be within
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sensor range in three hours...
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2 INT. TEN FORWARD
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DATA and TROI are sitting at the bar, immersed in a
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game of three-dimensional chess. Data is clearly
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winning. He moves a piece, then waits as Troi
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contemplates the board. Troi moves a piece. Data
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reacts, puzzled.
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DATA
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The characteristic response to
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the Kriskov Gambit is to counter
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with an el-Mitra Exchange --
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particularly since I have already
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taken both your rooks. By missing
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that opportunity, you have left
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your king vulnerable.
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TROI
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We'll see...
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DATA
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(shrugs)
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As you wish.
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Data makes a move that takes one of Troi's pieces.
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DATA
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(continuing)
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Check.
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STAR TREK: "Conundrum" - REV. 11/25/91 - TEASER 2.
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2 CONTINUED:
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Troi immediately makes a counter move. Data reacts,
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puzzled. Then studies the board for several seconds.
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DATA
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Intriguing. You have devised a
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completely unanticipated response
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to a classic attack.
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(beat)
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You will checkmate my king in
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seven moves.
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Troi starts putting the pieces back to their original
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starting positions.
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TROI
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Chess isn't just a game of gambits
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and ploys -- it's also a game of
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intuition.
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DATA
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You are a challenging opponent.
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TROI
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Thanks. But don't think a
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compliment's going to get you out
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of our bet.
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(beat)
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You owe me one Samarian Sunset.
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Served in the traditional style.
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As only you can make it, Data...
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DATA
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I will honor our agreement.
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Data stands and walks toward the bar. OFF Troi's
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smile...
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3 INT. SICKBAY (OPTICAL)
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BEVERLY is running a medical scanner over the shoulder
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and upper arm of a very athletic woman in her
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mid-twenties -- KRISTIN -- who is wearing a one-piece
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24th-century SWIMSUIT, and sitting on a bio-bed.
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Kristin is gritting her teeth in obvious pain.
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BEVERLY
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Raise your arm out to the side.
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Kristin does so -- but only comes up about halfway.
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STAR TREK: "Conundrum" - REV. 11/25/91 - TEASER 2A.
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3 CONTINUED:
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BEVERLY
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(re: the elevation)
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Is that it?
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KRISTIN
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I'm afraid so.
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A beat as Beverly takes another reading.
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BEVERLY
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You can put your arm down now.
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Kristin does so.
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KRISTIN
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(re: Beverly's readings)
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What do you think?
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BEVERLY
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(lightly)
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I think it looks like you tucked
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when you should have flattened
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out.
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STAR TREK: "Conundrum" - REV. 11/25/91 - TEASER 3.
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3 CONTINUED: (2)
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KRISTIN
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Something like that...
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BEVERLY
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Turn your head to the left.
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Kristin does so -- and winces. Beverly continues
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waving the instrument.
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BEVERLY
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Some tearing in the ligaments --
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nothing we can't take care of.
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KRISTIN
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Good.
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Beverly takes the instrument down.
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BEVERLY
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If I remember correctly, the last
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time you graced my sickbay, you
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were diving off the "Cliffs of
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Heaven" on Cirrus Four. Holodeck
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program 47-C.
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KRISTIN
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Same thing. Only that time, I
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flattened out when I should have
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tucked.
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BEVERLY
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As your Doctor, I'd like to
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recommend the Emerald Wading Pool
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on Sumiko Three. It's a lot
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safer.
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Kristin can't help but smile.
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4 OMITTED
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4A INT. TURBOLIFT
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As Riker and Ro enter in the middle of an
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argument... she's smiling at him as they go at it, she
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almost enjoys the exchange...
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RIKER
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Navigators on this ship have been
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doing flight handling assessments
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the same way for years, Ensign...
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STAR TREK: "Conundrum" - REV. 11/15/91 - TEASER 4.
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4A CONTINUED:
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RO
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And I've found a better way...
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RIKER
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(to com)
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Bridge.
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(beat)
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Do you mind if we discuss changes
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in procedure before you make them?
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RO
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If I had come to you in advance
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and asked you if I could do it
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my way...
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RIKER
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I would have said...
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RO
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"No".
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RIKER
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Or maybe "yes".
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His answer surprises her. She doesn't respond.
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RIKER
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(continuing)
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The point is -- I never got that
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chance.
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RO
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The point is... with all due
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respect... you're trying to turn
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me into your idea of a model
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officer.
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RIKER
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Ensign... the rules on this ship
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don't change because Ro Laren
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decides they do.
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The turbolift door opens. As they EXIT --
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 4A.
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5 INT. BRIDGE
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PICARD and WORF are at their stations; GEORDI at an aft
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console.
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WORF
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(off console)
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We are picking up a subspace
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signal, Captain. Sensors show
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a small space craft ahead.
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 5.
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5 CONTINUED:
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GEORDI
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The configuration is unfamiliar
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-- nothing in our database comes
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close.
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WORF
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Within visual range.
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PICARD
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On screen.
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INTERCUT:
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6 VIEWSCREEN (OPTICAL)
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A small ALIEN SHIP appears on the screen.
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PICARD
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Analysis, Mister Worf.
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WORF
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No discernable armament. Reading
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one life-form aboard.
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PICARD
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Hail the vessel.
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A beat of silence.
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WORF
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No response, Captain.
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GEORDI
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(off console)
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We're being scanned... but it's
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not like any sensor system I've
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ever seen... Should we raise
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shields?
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PICARD
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No. We'll start this off with
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a show of good faith.
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Geordi nods. A beat.
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WORF
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Sir, the scans are now matching
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the frequencies of our optical
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data network.
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(MORE)
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 6.
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6 CONTINUED:
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WORF (cont'd)
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(looks up)
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It could be an attempt to access
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our computer system.
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Geordi glances up from his console.
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GEORDI
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Scanning intensity has increased
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by fifteen hundred percent.
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PICARD
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Shields up.
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7 INT. TEN FORWARD
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Troi is at the bar. Data is BEHIND THE BAR, serving
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Troi a glass of gray liquid.
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DATA
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(re: drink)
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One Samarian Sunset, served in
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the traditional style.
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Data sets the drink down, then flicks the lip of the
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glass with his finger. The glass PINGS --
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8 THE DRINK (OPTICAL)
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instantly comes alive with exotic colors. A sunset in
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a glass.
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9 RESUME
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Troi is delighted.
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TROI
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It's beautiful.
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Data nods.
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DATA
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I hope you enjoy it.
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Troi reaches for the drink -- Data again nods. Exactly
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the same motion he performed before.
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 7.
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9 CONTINUED:
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DATA
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(continuing)
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I hope you enjoy it.
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His voice is exactly the same. Troi looks up to see
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Data now completely still, as if frozen.
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OFF her reaction.
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10 INT. BRIDGE (OPTICAL)
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As before. Worf is rapidly working his console,
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stunned at what he sees.
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WORF
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The scanning signal has penetrated
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our shields...
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GEORDI
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Our computers are going down!
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PICARD
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Take evasive action --
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As Ro tries to react --
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RO
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-- The helm's not responding!
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FLASH! A BRIGHT GREEN LIGHT fills the bridge,
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completely washing out the scene. A moment later, as
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the light slowly FADES...
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11 CLOSE ON PICARD
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In the same position as before, tense and ready for
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action. Except now, his expression is blank and
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movements uncertain. He looks disoriented, touches his
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head, squints as if it aches. Then suddenly he stops,
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looks around.
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PICARD
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What happened?
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12 REVEAL
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Everyone else on the bridge, behaving the same way.
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Disoriented, looking around, uncertain of their
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bearings.
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STAR TREK: "Conundrum" - 11/14/91 - TEASER 8.
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13 GEORDI AND WORF
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look at each other as if strangers meeting for the
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first time.
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GEORDI
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What the hell...
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14 RO
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stares dumbfounded at her hands still on the console --
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not knowing what they're doing there.
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15 PICARD AND RIKER
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look at each other. Riker glances at the others.
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RIKER
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I don't know who any of you are.
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Picard stares at him, his mind a blank.
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PICARD
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(to Riker)
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Neither do I... I don't even
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remember who I am...
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Picard exchanges a glance with the person standing next
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to him...
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16 REVEAL
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MACDUFF, a man in his late thirties, dressed in
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Starfleet Command uniform. We have never seen this man
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before now (he was not present before the flash of
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light), but he appears to be equally disoriented.
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OFF the crew's look of utter confusion...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 9.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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17 INT. ENTERPRISE BRIDGE
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Continuous action. Picard, Riker, Worf, Geordi, Ro and
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MacDuff are in a state of astonishment. They have all
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lost their memories (EXCEPT MACDUFF -- TO REVEAL
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LATER). It's a bizarre situation, the Enterprise crew
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suddenly strangers in a strange place. Everyone reacts
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to their obviously shared predicament.
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GEORDI
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It looks like we're all in the
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same boat.
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RIKER
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(re: viewscreen)
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Make that -- "on the same
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starship."
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18 INCLUDE VIEWSCREEN (OPTICAL)
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and the motionless stars.
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MACDUFF
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But who are we? What are we doing
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here?
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19 RO
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turns from her console.
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RO
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It looks like I'm the pilot.
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She quickly and automatically keys several controls on
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the console.
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RO
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(continuing)
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We're not going anywhere now.
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The helm's dead.
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STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 10.
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20 INCLUDE BRIDGE
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PICARD
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But you still know how to work
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it.
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RO
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(curious)
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Yes...
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Riker looks over Worf's shoulder at Worf's instruments.
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RIKER
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This console has a tactical
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configuration.
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WORF
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(nodding)
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Phaser power status, intruder
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scan, torpedo guidance...
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Worf attempts the controls.
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WORF
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(continuing)
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They do not appear to be operable.
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21 ANOTHER ANGLE
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Picard turns to the others in explanation.
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PICARD
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Clearly, we still possess certain
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skills -- we seem to know how to
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operate this vessel. But our
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identities have somehow been
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erased, or suppressed.
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STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 11.
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21 CONTINUED:
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RIKER
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We are on the bridge -- there's
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a good chance this is our ship.
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A beat at Riker notices the pips on Picard's uniform.
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RIKER
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(continuing; to Picard)
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And it looks like you're the
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leader.
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WORF
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We should not jump to conclusions.
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(indicating own sash)
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I am... decorated as well.
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PICARD
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Determining our command structure
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isn't crucial right now. Finding
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out who we are, and what we're
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doing out here is.
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A beat. Worf keeps silent. He might not agree, but he
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won't argue the point for now.
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MACDUFF
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But how did this happen? What
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did this to us?
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22 GEORDI
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glances up from his station.
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GEORDI
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More like -- who did this to us?
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23 RESUME
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as everyone looks over toward Geordi.
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|
GEORDI
|
|
(indicating monitor)
|
|
I've got some intermittent sensor
|
|
readings here... the scan keeps
|
|
repeating itself -- like it's
|
|
stuck. But it looks like there's
|
|
metallic debris right in front
|
|
of us. Distance: seventeen
|
|
kilometers.
|
|
|
|
RIKER
|
|
The remains of another ship?
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 12.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
That's a good possibility.
|
|
|
|
WORF
|
|
Perhaps we were engaged in battle.
|
|
|
|
MACDUFF
|
|
If they stunned us with some kind
|
|
of bioelectric field -- that might
|
|
have wiped out our memories.
|
|
|
|
RO
|
|
Then we fired back. Destroyed
|
|
them.
|
|
|
|
There is a moment as they reflect on these
|
|
possibilities.
|
|
|
|
PICARD
|
|
If this presumption is correct,
|
|
we may have sustained other
|
|
damage.
|
|
(to COM)
|
|
Computer... status report.
|
|
|
|
No answer.
|
|
|
|
RIKER
|
|
No voice interface...
|
|
|
|
24 GEORDI (OPTICAL)
|
|
|
|
still at his console and monitor, trying to work the
|
|
commands.
|
|
|
|
GEORDI
|
|
No interface, period.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 13.
|
|
|
|
24 CONTINUED:
|
|
|
|
His monitor suddenly comes alive with a rotating
|
|
graphic of the Enterprise.
|
|
|
|
GEORDI
|
|
Hey -- got something.
|
|
|
|
25
|
|
thru OMITTED
|
|
26
|
|
|
|
27 RESUME
|
|
|
|
as everyone reacts. A beat as Geordi works the
|
|
console.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I've accessed the basic system
|
|
directories.
|
|
|
|
PICARD
|
|
Can you give us a general status
|
|
report?
|
|
|
|
GEORDI
|
|
(nodding)
|
|
... Life-support systems are fully
|
|
operational throughout the ship.
|
|
Navigation and propulsion... Off
|
|
line.
|
|
|
|
RO
|
|
What about communications?
|
|
|
|
GEORDI
|
|
Completely disrupted.
|
|
|
|
RO
|
|
That rules out a distress signal.
|
|
|
|
RIKER
|
|
If we even knew where to send it.
|
|
|
|
Riker and Ro exchange a look. Ro is finding this
|
|
situation particularly difficult to handle -- but
|
|
there's a "we're in this together" kind of feel between
|
|
them, in contrast to what we saw before they lost their
|
|
memories.
|
|
|
|
PICARD
|
|
Do we have an onboard
|
|
communication system?
|
|
|
|
Geordi makes a quick pass on the console, which BEEPS
|
|
in response. He turns to Picard.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 14.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
We do now.
|
|
|
|
Picard looks at the others.
|
|
|
|
PICARD
|
|
I suggest we use it. Our ship
|
|
must have a crew. They may still
|
|
have their memories.
|
|
|
|
RO
|
|
We should be careful what we
|
|
say... there could be a boarding
|
|
party somewhere on the ship.
|
|
|
|
Worf nods.
|
|
|
|
WORF
|
|
(to com)
|
|
Bridge to all personnel. Select
|
|
a representative from your group
|
|
to contact the bridge and report
|
|
on your status.
|
|
|
|
28 INT. SICKBAY (OPTICAL)
|
|
|
|
Beverly and Kristin -- the latter still sitting on the
|
|
medical bed.
|
|
|
|
WORF'S COM VOICE
|
|
(continuing)
|
|
Remain where you are. Stay calm.
|
|
Bridge out.
|
|
|
|
Kristin looks at Beverly.
|
|
|
|
KRISTIN
|
|
(with irony)
|
|
Well, that helps a lot.
|
|
|
|
BEVERLY
|
|
Report on our "status"? I wonder
|
|
if every one else is in the same
|
|
condition we are.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT ONE 15.
|
|
|
|
28 CONTINUED:
|
|
|
|
Kristin shrugs, then winces -- still in pain from her
|
|
shoulder.
|
|
|
|
KRISTIN
|
|
It hurts...
|
|
|
|
Without thinking, Beverly picks up an instrument and
|
|
waves it over the shoulder, instantly relieving the
|
|
distress.
|
|
|
|
KRISTIN
|
|
(continuing)
|
|
Thanks...
|
|
|
|
Beverly looks down at the instrument.
|
|
|
|
BEVERLY
|
|
I didn't even think -- I just knew
|
|
how to use it.
|
|
|
|
She turns to Kristin.
|
|
|
|
BEVERLY
|
|
At least I've got an idea of what
|
|
I'm doing here.
|
|
|
|
KRISTIN
|
|
What about me? I'm a patient in
|
|
a bathing suit... That doesn't
|
|
say much.
|
|
|
|
BEVERLY
|
|
(gently)
|
|
No, it doesn't.
|
|
|
|
Kristin hops off the bio-bed, resilient in the face of
|
|
a difficult situation.
|
|
|
|
KRISTIN
|
|
Do you have any clothes around
|
|
here I could borrow? At least
|
|
until I figure out where the
|
|
swimming pool is?
|
|
|
|
She grins at Beverly, who returns it with a rueful
|
|
smile.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT ONE 15A-16
|
|
|
|
29
|
|
thru OMITTED
|
|
30
|
|
|
|
31 INT. BRIDGE - WIDE ANGLE
|
|
|
|
Picard and Geordi are working together at an aft
|
|
station nearest the turbolift.
|
|
|
|
Riker and Ro are together at the other station,
|
|
studying a diagram of the Enterprise.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT ONE 17.
|
|
|
|
31 CONTINUED:
|
|
|
|
Worf is sitting in the captain's chair, working the
|
|
arm console.
|
|
|
|
MacDuff is standing at tactical.
|
|
|
|
32 MACDUFF
|
|
|
|
takes last note of something on his console and heads
|
|
over toward Worf.
|
|
|
|
33 INCLUDE WORF
|
|
|
|
who glances up.
|
|
|
|
WORF
|
|
Yes?
|
|
|
|
MACDUFF
|
|
We've heard from all decks --
|
|
there are over a thousand people
|
|
on board. Everyone's had their
|
|
memories affected in the same way
|
|
we have.
|
|
|
|
Worf nods, indicates the console he's been working.
|
|
|
|
WORF
|
|
I have completed a survey of our
|
|
tactical systems. We are equipped
|
|
with ten phaser banks, two
|
|
hundred seventy five photon
|
|
torpedoes, and a high capacity
|
|
shield grid.
|
|
|
|
MACDUFF
|
|
We're a battleship.
|
|
|
|
WORF
|
|
It appears so...
|
|
|
|
33A OMITTED
|
|
|
|
34 RIKER AND RO
|
|
|
|
at the aft console. Ro indicates a series of
|
|
interconnecting lines. She has become increasingly
|
|
tense and agitated since the memory loss.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 17A.
|
|
|
|
34 CONTINUED:
|
|
|
|
RO
|
|
This turbolift system will give
|
|
us access to the rest of the
|
|
ship...
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/14/91 - ACT ONE 18.
|
|
|
|
34 CONTINUED: (2)
|
|
|
|
RIKER
|
|
That sounds like the next logical
|
|
step... we should start with the
|
|
most crucial area first...
|
|
|
|
RO
|
|
Main engineering. Deck
|
|
thirty-six. I'm on my way.
|
|
|
|
RIKER
|
|
Hey, hold on, we've gotta
|
|
coordinate our efforts here...
|
|
|
|
RO
|
|
I just need to do something...
|
|
|
|
RIKER
|
|
Look, I feel the same way... we
|
|
all do... but if anything's gonna
|
|
get done here...
|
|
|
|
RO
|
|
I know, I just...
|
|
(beat, controlled)
|
|
It's really an ugly feeling...
|
|
I don't like being so... out of
|
|
control.
|
|
|
|
He smiles warmly at her...
|
|
|
|
RIKER
|
|
Well, we're all gonna have to
|
|
depend on each other to get
|
|
through this, okay?
|
|
|
|
She smiles back.
|
|
|
|
RO
|
|
(softly)
|
|
Okay.
|
|
|
|
They move toward the turbolift... Riker passes Geordi
|
|
and Picard...
|
|
|
|
RIKER
|
|
We're going to search the ship.
|
|
|
|
Picard acknowledges silently as Worf at command, hears
|
|
and looks over at them...
|
|
|
|
WORF
|
|
Very well. Proceed.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT ONE 19.
|
|
|
|
34 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
I'll go with you. I want to get
|
|
my hands on the computer core.
|
|
See if we can reestablish control
|
|
from there.
|
|
|
|
They exit into the turbolift.
|
|
|
|
34A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
hanging motionless.
|
|
|
|
35
|
|
thru OMITTED
|
|
38
|
|
|
|
39 INT. ENGINEERING
|
|
|
|
Geordi is working at a console, Riker and Ro standing
|
|
by. Riker has a PADD.
|
|
|
|
GEORDI
|
|
I've accessed the optical data
|
|
network for the engineering core.
|
|
I can monitor every system that's
|
|
routed through here.
|
|
|
|
Ro glances over his shoulder as Geordi again works
|
|
the console.
|
|
|
|
RO
|
|
(off console)
|
|
Warp and impulse drive are reading
|
|
within tolerance levels. So are
|
|
all the tactical arrays...
|
|
defensive and offensive...
|
|
|
|
Geordi nods.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT ONE 20.
|
|
|
|
39 CONTINUED:
|
|
|
|
GEORDI
|
|
Everything looks functional...
|
|
now if we could just access the
|
|
control systems we could get them
|
|
up and running.
|
|
|
|
Riker indicates another area of engineering.
|
|
|
|
RIKER
|
|
According to the schematics, the
|
|
engineering computer core access
|
|
is down that corridor.
|
|
|
|
RO
|
|
Weapons, propulsion and shields
|
|
are the priorities. We might be
|
|
in danger of another attack.
|
|
|
|
GEORDI
|
|
(nodding)
|
|
That's where I'll start.
|
|
|
|
Riker glances at his PADD.
|
|
|
|
RIKER
|
|
(to Ro)
|
|
Let's begin our crew survey on
|
|
decks five through ten.
|
|
|
|
RIKER
|
|
Alright.
|
|
(to Geordi)
|
|
Good luck.
|
|
|
|
GEORDI
|
|
You too.
|
|
|
|
Geordi turns to go -- Riker stops him.
|
|
|
|
RIKER
|
|
When you've got those systems
|
|
going, try for the personnel
|
|
files. It would be nice if we
|
|
all had names...
|
|
|
|
Geordi nods and heads toward the core access. Riker
|
|
and Ro EXIT.
|
|
|
|
39A
|
|
thru OMITTED
|
|
40
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT ONE 20A.
|
|
|
|
41 INT. READY ROOM
|
|
|
|
Worf is in Picard's chair, watching a computer monitor
|
|
on the desk. He looks comfortable there. The door
|
|
opens and Picard and MacDuff ENTER. Worf glances up.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 21.
|
|
|
|
41 CONTINUED:
|
|
|
|
PICARD
|
|
So far, our survey team has found
|
|
no deaths or injuries among the
|
|
crew. The shuttlecraft are
|
|
operational, as are the
|
|
transporters.
|
|
|
|
MACDUFF
|
|
But no one they've talked to knows
|
|
any more about their identities
|
|
than we do.
|
|
|
|
Worf gestures toward the monitor he has been studying.
|
|
|
|
WORF
|
|
Engineering is working on
|
|
accessing the control systems.
|
|
As soon as the ship is
|
|
operational, we must make it
|
|
combat-ready.
|
|
|
|
Worf may be sitting in the captain's chair, but
|
|
Picard's natural sense of leadership cannot help but
|
|
assert itself.
|
|
|
|
PICARD
|
|
I would recommend that before we
|
|
prepare for combat, we try to
|
|
access the ship's logs. Discover
|
|
who we are and what our purpose
|
|
here might be.
|
|
|
|
However, having gained the territory, Worf is not about
|
|
to yield it easily.
|
|
|
|
WORF
|
|
I disagree. We must first make
|
|
ourselves ready for battle. That
|
|
is the highest priority.
|
|
|
|
Before Picard can reply --
|
|
|
|
GEORDI'S COM VOICE
|
|
Engineering to the bridge.
|
|
|
|
WORF
|
|
Go ahead, engineering.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT ONE 22.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
GEORDI'S COM VOICE
|
|
I've regained control of
|
|
propulsion, navigation, weapons,
|
|
and communications. We'll be able
|
|
to tie them into the bridge in
|
|
just a few minutes.
|
|
|
|
WORF
|
|
Well done.
|
|
|
|
He turns to the others, a warrior's gleam in his eyes.
|
|
|
|
WORF
|
|
We are ready.
|
|
|
|
PICARD
|
|
The question is -- for what?
|
|
|
|
And off their various reactions --
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT TWO 23-24
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
42
|
|
thru OMITTED
|
|
43
|
|
|
|
43A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The phaser banks suddenly fire into space.
|
|
|
|
44 OMITTED
|
|
|
|
45 INT. BRIDGE
|
|
|
|
Worf in captain's chair, Picard at the helm, MacDuff
|
|
at tactical.
|
|
|
|
MACDUFF
|
|
(off instruments)
|
|
The phasers are operational.
|
|
|
|
WORF
|
|
We now have full tactical control.
|
|
|
|
PICARD
|
|
We should run a complete
|
|
diagnostic of all command systems.
|
|
|
|
Worf reacts negatively.
|
|
|
|
WORF
|
|
A full diagnostic would require
|
|
us to take our systems off-line.
|
|
We would be defenseless.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT TWO 25.
|
|
|
|
45 CONTINUED:
|
|
|
|
PICARD
|
|
If we're going to trust our lives
|
|
to these systems, we should make
|
|
certain they aren't going to fail.
|
|
|
|
A beat. MacDuff steps in, smoothing things over.
|
|
|
|
MACDUFF
|
|
(to Worf)
|
|
The computer was damaged. Some
|
|
processors might still be down...
|
|
|
|
A beat.
|
|
|
|
WORF
|
|
Proceed with the diagnostic.
|
|
|
|
MacDuff and Picard start working their respective
|
|
consoles.
|
|
|
|
46 ON BEVERLY
|
|
|
|
Stepping off the turbolift, moving into the foreground.
|
|
|
|
WORF
|
|
What have you found, Doctor?
|
|
|
|
BEVERLY
|
|
Not much. The brain scans I've
|
|
run are unusual, but they show
|
|
no damage to the hippocampus.
|
|
That suggests we still have our
|
|
long-term memories... but somehow
|
|
they're being blocked.
|
|
|
|
PICARD
|
|
Is it possible to bypass the
|
|
normal pathways? To get at those
|
|
memories in some other way?
|
|
|
|
BEVERLY
|
|
That's what I'm hoping. What I
|
|
need now is to see some normal
|
|
brain scans for comparison. Is
|
|
there any chance I could get the
|
|
crew's medical files?
|
|
|
|
WORF
|
|
We are currently running a full
|
|
diagnostic. Computer resources
|
|
are limited.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 25A.
|
|
|
|
46 CONTINUED:
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
The medical records will be our
|
|
next priority.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 26.
|
|
|
|
46 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Thank you.
|
|
|
|
Beverly heads for the turbolift and Picard turns back
|
|
to his console. Worf settles back into his captain's
|
|
chair with a slight scowl -- uneasy lies the crown...
|
|
|
|
47 INT. CORRIDOR
|
|
|
|
Riker is at the door to someone's quarters, finishing
|
|
up an interview with a MALE CREWMEMBER. He holds a
|
|
PADD.
|
|
|
|
CREWMAN
|
|
I guess these are my quarters.
|
|
But I don't remember anything.
|
|
|
|
RIKER
|
|
If it's any comfort, everybody's
|
|
in the same situation. Stay put
|
|
for now... we'll be back in touch.
|
|
|
|
CREWMAN
|
|
Okay, sir. Thanks.
|
|
|
|
48 RO
|
|
|
|
is down and across the corridor, speaking with a FEMALE
|
|
CREWMEMBER, who is standing in the doorway to her
|
|
quarters.
|
|
|
|
RO
|
|
That's all I need for now.
|
|
|
|
The female crewmember nods and goes back into her
|
|
quarters.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT TWO 27.
|
|
|
|
49 INCLUDE RIKER
|
|
|
|
RO
|
|
Well, that's it for the living
|
|
quarters on this deck. What's
|
|
next?
|
|
|
|
RIKER
|
|
(checking his padd)
|
|
There's a large room up ahead.
|
|
On the diagram, it's called "Ten
|
|
Forward."
|
|
|
|
RO
|
|
Let's go.
|
|
|
|
They walk for a beat in silence, then --
|
|
|
|
RO
|
|
If everything was back the way
|
|
it was supposed to be -- what do
|
|
you think you'd be doing right
|
|
now... ?
|
|
|
|
RIKER
|
|
Having a lot more fun than
|
|
searching the ship, I'd imagine.
|
|
|
|
RO
|
|
Fun?
|
|
|
|
RIKER
|
|
With that holodeck we just saw,
|
|
I bet I could conjure up an
|
|
interesting program or two...
|
|
|
|
RO
|
|
Now, that's disappointing...
|
|
|
|
RIKER
|
|
Why?
|
|
|
|
RO
|
|
(flirtatious)
|
|
You don't strike me as a man who
|
|
needs a holodeck to have a good
|
|
time.
|
|
|
|
They share a grin... move OFFSCREEN...
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT TWO 28.
|
|
|
|
50 INT. TEN FORWARD
|
|
|
|
as Riker and Ro ENTER. Riker looks around the room.
|
|
|
|
RIKER
|
|
(to the group)
|
|
Who reported to the bridge from
|
|
this group?
|
|
|
|
Troi steps forward.
|
|
|
|
TROI
|
|
I did.
|
|
|
|
RIKER
|
|
Have you found anything that might
|
|
give us some insight into what
|
|
happened?
|
|
|
|
TROI
|
|
Not specifically. But there are
|
|
two things that seem unusual...
|
|
|
|
She gestures toward Data, who is standing behind the
|
|
bar.
|
|
|
|
TROI
|
|
The bartender is an
|
|
artificial lifeform.
|
|
|
|
Riker and Ro react with surprise as Data steps over to
|
|
them.
|
|
|
|
DATA
|
|
(to Riker and Ro)
|
|
Is there something I could get
|
|
you? A beverage of your choice?
|
|
|
|
Riker and Ro study Data curiously -- having, of
|
|
course, no memory of ever having seen anything like
|
|
him.
|
|
|
|
RIKER
|
|
No, thank you.
|
|
|
|
RO
|
|
I'm fine.
|
|
|
|
RIKER
|
|
Your memories are gone as well?
|
|
|
|
DATA
|
|
The databanks that would identify
|
|
who I am are not functioning.
|
|
|
|
They turn back to Troi.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT TWO 29.
|
|
|
|
50 CONTINUED:
|
|
|
|
RIKER
|
|
You were going to mention
|
|
something else?
|
|
|
|
TROI
|
|
(nodding)
|
|
I don't know if this means
|
|
anything... but I seem to have
|
|
an ability that the others don't.
|
|
I have a very strong sense of what
|
|
people are feeling... at times
|
|
it's almost --
|
|
|
|
Suddenly she stops speaking, looks deeply at Riker, as
|
|
though noticing something, for the moment completely
|
|
oblivious to Ro.
|
|
|
|
RIKER
|
|
Is something wrong?
|
|
|
|
TROI
|
|
No... it's just... for a moment...
|
|
you seemed familiar.
|
|
|
|
RIKER
|
|
You remember me?
|
|
|
|
TROI
|
|
Not exactly... I mean, I don't
|
|
know who you are... but there's
|
|
something about you...
|
|
|
|
Ro reacts quizzically as Riker and Troi gaze into each
|
|
other's eyes ---
|
|
|
|
WORF'S COM VOICE
|
|
Bridge to survey team.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 30.
|
|
|
|
50 CONTINUED: (3)
|
|
|
|
RIKER
|
|
(to com)
|
|
Survey team here.
|
|
|
|
WORF'S COM VOICE
|
|
We have accessed the personnel
|
|
files. Report to the bridge
|
|
immediately.
|
|
|
|
RO
|
|
(to com)
|
|
On our way.
|
|
|
|
As Riker and Ro turn to leave, Ro can't help but throw
|
|
a curious look back at Troi.
|
|
|
|
51
|
|
thru OMITTED
|
|
52
|
|
|
|
53 INT. BRIDGE
|
|
|
|
Worf, Picard, and MacDuff are gathered around a science
|
|
station, watching Geordi work the controls. Riker and
|
|
Ro EXIT the turbolift and approach.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 31.
|
|
|
|
53 CONTINUED:
|
|
|
|
GEORDI
|
|
Computer -- give me a biographical
|
|
listing of all personnel
|
|
responsible for primary operation
|
|
of the ship.
|
|
|
|
COMPUTER VOICE
|
|
A full biographical listing is
|
|
not available.
|
|
|
|
GEORDI
|
|
Is there any list of the ship's
|
|
senior officers?
|
|
|
|
COMPUTER VOICE
|
|
The crew manifest is available.
|
|
|
|
GEORDI
|
|
That's better than nothing. Give
|
|
me the crew manifest.
|
|
|
|
INTERCUT:
|
|
|
|
54 CONSOLE MONITOR (OPTICAL)
|
|
|
|
As the computer speaks, the MONITOR displays the
|
|
identities of our characters one by one. A PHOTOGRAPH,
|
|
name, rank, and brief biographical history all come up
|
|
on the screen. It's a tantalizing process. Our crew
|
|
watches with fascination as they each learn who they
|
|
are...
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
Commanding Officer, Captain
|
|
Jean-Luc Picard.
|
|
|
|
Picard and Worf react. They exchange a glance. Worf
|
|
appears awkward.
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
Executive Officer... Commander
|
|
Keiran MacDuff.
|
|
(MORE)
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 32.
|
|
|
|
54 CONTINUED:
|
|
|
|
COMPUTER VOICE (cont'd)
|
|
(beat)
|
|
Second Officer... Commander
|
|
William Riker.
|
|
(beat)
|
|
Operations Officer... Lieutenant
|
|
Commander Data.
|
|
(beat)
|
|
Chief Medical Officer... Doctor
|
|
Beverly Crusher.
|
|
(beat)
|
|
Ship's Counselor, Lieutenant
|
|
Commander Deanna Troi.
|
|
(beat)
|
|
Chief Engineer... Lieutenant
|
|
Commander Geordi La Forge.
|
|
(beat)
|
|
Security Chief... Lieutenant Worf.
|
|
(beat)
|
|
Helm Officer... Ensign Ro Laren.
|
|
|
|
The monitor goes blank. They all step back for a
|
|
moment, digesting the information. Picard turns to
|
|
MacDuff.
|
|
|
|
PICARD
|
|
Commander MacDuff... Please see
|
|
to it that all other officers who
|
|
were listed report to the bridge.
|
|
|
|
MACDUFF
|
|
Aye, sir.
|
|
|
|
MacDuff moves off. Picard turns to Geordi.
|
|
|
|
PICARD
|
|
Your next priority is to retrieve
|
|
any information you can regarding
|
|
this ship's mission.
|
|
|
|
Geordi nods, gets back to working the computer console.
|
|
|
|
PICARD
|
|
Contact the operations officer
|
|
to assist you.
|
|
|
|
RO
|
|
He's in Ten-Forward -- waiting
|
|
tables.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 33.
|
|
|
|
54 CONTINUED: (2)
|
|
|
|
CAMERA follows Worf, who moves toward Picard.
|
|
|
|
WORF
|
|
I regret my recent behavior. I
|
|
assumed an attitude of authority
|
|
that was... unwarranted.
|
|
|
|
Picard brushes it off.
|
|
|
|
PICARD
|
|
We're all doing the best we can
|
|
in a difficult situation. Think
|
|
nothing more of it.
|
|
|
|
WORF
|
|
Thank you... Captain.
|
|
|
|
Worf walks away. Picard considers the bridge for a
|
|
moment. OFF his face -- at least this is a place to
|
|
start.
|
|
|
|
55 EXT. SPACE -- THE ENTERPRISE (OPTICAL)
|
|
|
|
still motionless in space.
|
|
|
|
56 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Picard, MacDuff, Riker, Data, Worf, Geordi, Troi and Ro
|
|
seated around the table. Picard looks grave.
|
|
|
|
GEORDI
|
|
We haven't finished a full search
|
|
of the computer records. But
|
|
we've found out quite a bit.
|
|
|
|
DATA
|
|
This vessel is named the
|
|
Enterprise. We are part of an
|
|
organization called the United
|
|
Federation of Planets. The
|
|
Federation is currently in a state
|
|
of war.
|
|
|
|
TROI
|
|
(disturbed)
|
|
With whom?
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT TWO 34.
|
|
|
|
56 CONTINUED:
|
|
|
|
GEORDI
|
|
The Lysian Alliance. They're a
|
|
genocidal race determined to
|
|
destroy us. The war's been going
|
|
on for years.
|
|
|
|
Picard absorbs this information, listening intently as
|
|
his crew reports.
|
|
|
|
DATA
|
|
Starfleet Command believes
|
|
the Lysians have a new weapon that
|
|
has shifted the balance of power
|
|
in their favor.
|
|
|
|
GEORDI
|
|
Over the last two months, fourteen
|
|
Federation ships have been
|
|
captured -- apparently very easily
|
|
-- and the crews imprisoned on
|
|
Lysia.
|
|
|
|
PICARD
|
|
What do we know about this weapon?
|
|
|
|
DATA
|
|
Our scientists theorize that the
|
|
Lysians are using an energy wave
|
|
-- either plasma based or a
|
|
subspace interference pattern.
|
|
The weapon severly disrupts a
|
|
starship's computer systems and
|
|
the mental functioning of the
|
|
crew.
|
|
|
|
MACDUFF
|
|
(pretending an insight)
|
|
That's what happened to us...
|
|
|
|
PICARD
|
|
Commander, is there any record
|
|
of our current mission?
|
|
|
|
GEORDI
|
|
Yes, sir.
|
|
|
|
He rises and moves to the monitor, activates it. A
|
|
star map appears.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 35.
|
|
|
|
56 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
We're approximately here...
|
|
(points)
|
|
We've been ordered to cross into
|
|
Lysian territory...
|
|
(pointing)
|
|
... and destroy their Central
|
|
Command.
|
|
|
|
He pushes more controls, and a graphic of the Central
|
|
Command appears.
|
|
|
|
GEORDI
|
|
This is it -- the nerve-center
|
|
of the Lysian military
|
|
operation.
|
|
|
|
The space station looks huge. Troi has a strong
|
|
negative response.
|
|
|
|
TROI
|
|
Captain, there's been a great deal
|
|
of damage to our computer system.
|
|
Maybe we're not getting accurate
|
|
information.
|
|
|
|
PICARD
|
|
What are you suggesting?
|
|
|
|
TROI
|
|
That we get confirmation of this
|
|
mission from our headquarters.
|
|
|
|
WORF
|
|
If we use subspace radio we will
|
|
be detected --
|
|
|
|
TROI
|
|
But there may be thousands of
|
|
lives at stake --
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT TWO 36.
|
|
|
|
56 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
Our orders specifically require
|
|
us to maintain radio silence.
|
|
|
|
This brings the argument to a halt.
|
|
|
|
DATA
|
|
Our mission is part of a highly
|
|
coordinated effort to put an end
|
|
to the war. There are other
|
|
vessels on other fronts, all
|
|
working according to an intricate
|
|
plan.
|
|
|
|
GEORDI
|
|
We're the lynch pin to the
|
|
operation. If we don't destroy
|
|
the Central Command -- the entire
|
|
effort will fail.
|
|
|
|
WORF
|
|
Captain, our choice is clear.
|
|
|
|
Picard somberly looks around the room. There is a
|
|
long pause...
|
|
|
|
PICARD
|
|
Commander MacDuff -- set a course
|
|
for the Lysian Central Command.
|
|
|
|
OFF everyone's reactions.
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 37.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At warp speed.
|
|
|
|
58 INT. CORRIDOR
|
|
|
|
Riker and Troi are walking along. Riker glances down
|
|
at a PADD he's holding, then indicates a door -- they
|
|
reach it and stop.
|
|
|
|
RIKER
|
|
These are your quarters.
|
|
|
|
TROI
|
|
Thanks for the help.
|
|
|
|
Troi steps forward, touches the door's panel and the
|
|
doors slide open.
|
|
|
|
TROI
|
|
(continuing)
|
|
Come in for a minute.
|
|
|
|
Riker nods and follows her inside.
|
|
|
|
59 INT. TROI'S QUARTERS - CONTINUOUS (OPTICAL)
|
|
|
|
Troi and Riker ENTER. They glance around. Troi starts
|
|
to wander, taking in all the details. She runs a hand
|
|
across the dresser... the bed... over some personal
|
|
items on a table... as if by touching these things she
|
|
will recall their significance.
|
|
|
|
RIKER
|
|
Recognize anything?
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 38.
|
|
|
|
59 CONTINUED:
|
|
|
|
TROI
|
|
(re: room)
|
|
It might as well belong to someone
|
|
else.
|
|
|
|
She turns to him, troubled.
|
|
|
|
TROI
|
|
Nothing feels right... this room,
|
|
the ship... most of all this war
|
|
we're fighting...
|
|
|
|
RIKER
|
|
I don't imagine war ever feels
|
|
right.
|
|
|
|
Troi considers this.
|
|
|
|
TROI
|
|
I suppose that's true...
|
|
|
|
Troi looks at him for a moment, then appears puzzled.
|
|
Riker picks up on it.
|
|
|
|
RIKER
|
|
What is it?
|
|
|
|
TROI
|
|
That same feeling... you seem
|
|
familiar... you're the only thing
|
|
that does.
|
|
|
|
RIKER
|
|
Can you remember anything
|
|
specific?
|
|
|
|
TROI
|
|
I don't know...
|
|
|
|
She reaches up and runs a finger across his cheek, as
|
|
if by touching she'll draw out what's forgotten.
|
|
|
|
TROI
|
|
It's more like remembering an
|
|
emotional image... feelings that
|
|
are somehow associated with you...
|
|
|
|
The romantic tension is now undeniable.
|
|
|
|
RIKER
|
|
I hope they're good feelings...
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 39.
|
|
|
|
59 CONTINUED: (2)
|
|
|
|
TROI
|
|
Yes... they are...
|
|
|
|
They hold for a moment like that, and then Troi takes
|
|
down her hand, breaking the moment.
|
|
|
|
TROI
|
|
This entire situation is... a
|
|
little unnerving...
|
|
|
|
RIKER
|
|
(giving her the out)
|
|
It's been a long day. We've all
|
|
been through a lot.
|
|
|
|
She smiles, understanding the gesture.
|
|
|
|
TROI
|
|
Yes. We certainly have.
|
|
|
|
She regards him for a moment, then leans up and briefly
|
|
kisses his cheek.
|
|
|
|
RIKER
|
|
I'll see you tomorrow. Good
|
|
night.
|
|
|
|
They exchange a gentle smile, then Riker EXITS. OFF
|
|
Troi's pensive expression...
|
|
|
|
60 INT. CORRIDOR
|
|
|
|
Riker walks toward a door. He stops and double-checks
|
|
his PADD, then steps toward the door.
|
|
|
|
61 INT. RIKER'S QUARTERS - CONTINUOUS (OPTICAL)
|
|
|
|
Riker ENTERS, looks around. He walks further into the
|
|
room, and stops at what he sees...
|
|
|
|
62 REVEAL RO
|
|
|
|
comfortably sitting in a chair near the bed, one leg
|
|
slung over the arm, dressed in casual, sexy clothing,
|
|
browsing through a book. She looks up at Riker.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 39A.
|
|
|
|
62 CONTINUED:
|
|
|
|
RO
|
|
(matter of fact)
|
|
Hi.
|
|
|
|
Riker can't help but smile.
|
|
|
|
RIKER
|
|
(indicates PADD)
|
|
I know I didn't get the wrong
|
|
room.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 40.
|
|
|
|
62 CONTINUED: (2)
|
|
|
|
Ro shrugs and eases her way out of the chair.
|
|
|
|
RO
|
|
I didn't like the way mine was
|
|
decorated. Besides, I have a
|
|
funny feeling maybe I spend most
|
|
of my off hours here.
|
|
|
|
Riker tosses the PADD down, decides to take on her
|
|
bantering challenge.
|
|
|
|
RIKER
|
|
Really?
|
|
|
|
RO
|
|
For all we know, you and I could
|
|
be married.
|
|
|
|
RIKER
|
|
For all we know, you and I could
|
|
hate each other.
|
|
|
|
Ro smiles. She circles around him, maneuvering closer
|
|
to the bed.
|
|
|
|
RO
|
|
That's kind of exciting, isn't
|
|
it? Because we just don't know.
|
|
|
|
RIKER
|
|
We might regret this.
|
|
|
|
RO
|
|
Regret what? Aren't you being
|
|
a little presumptuous?
|
|
|
|
Ro gets very close to him, teasingly. The erotic
|
|
tension is high.
|
|
|
|
RO
|
|
(continuing)
|
|
Like I said -- I just didn't like
|
|
the way my quarters were
|
|
decorated.
|
|
|
|
She backs off, as if rejecting him -- but it's all
|
|
seductive. Riker takes a step toward her. She moves
|
|
closer to the bed.
|
|
|
|
RIKER
|
|
Maybe we should switch quarters.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 41.
|
|
|
|
62 CONTINUED: (3)
|
|
|
|
RO
|
|
Maybe we should stay right here
|
|
and see what happens.
|
|
|
|
Ro reaches up and kisses him teasingly -- quickly,
|
|
almost before he can respond. Then she backs away.
|
|
Riker closes the distance.
|
|
|
|
RIKER
|
|
What if I snore in my sleep?
|
|
|
|
Ro sits down on the bed in front of him, leans back
|
|
seductively.
|
|
|
|
RO
|
|
What makes you think you're going
|
|
to get any sleep?
|
|
|
|
OFF Riker's smile...
|
|
|
|
63 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Quick pass by at warp.
|
|
|
|
64 INT. BRIDGE
|
|
|
|
Picard, MacDuff and Riker at command. Worf at
|
|
tactical. Data at ops. Ro at the conn. Troi and
|
|
Geordi are also present. The tension is high.
|
|
|
|
WORF
|
|
Captain, we have crossed the
|
|
Lysian border.
|
|
|
|
PICARD
|
|
Ensign, take us out of warp.
|
|
Three-quarters impulse.
|
|
|
|
RO
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Mister Worf, maintain a continuous
|
|
sensor sweep.
|
|
|
|
WORF
|
|
Aye, Captain.
|
|
|
|
Worf works his console.
|
|
|
|
MACDUFF
|
|
(to Data)
|
|
How long till we reach their
|
|
central command?
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 42.
|
|
|
|
64 CONTINUED: (2)
|
|
|
|
DATA
|
|
At our current speed,
|
|
approximately thirty-seven hours.
|
|
|
|
WORF
|
|
Captain, I am picking up a vessel
|
|
directly ahead.
|
|
|
|
Picard and MacDuff exchange a glance.
|
|
|
|
PICARD
|
|
Can you identify?
|
|
|
|
DATA
|
|
(working console)
|
|
The ship matches the Starfleet
|
|
description of a Lysian Destroyer.
|
|
A short-range attack vessel...
|
|
with disruptor-style weapons, and
|
|
a standard crew of fifty-three.
|
|
|
|
Reactions all around. Troi is clearly troubled.
|
|
MacDuff stands and joins Worf at tactical.
|
|
|
|
WORF
|
|
Within visual range.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
INTERCUT:
|
|
|
|
65 VIEWSCREEN (OPTICAL)
|
|
|
|
A LYSIAN SHIP appears on the screen -- it's small but
|
|
menacing. Everyone reacts to the sight.
|
|
|
|
66 RESUME
|
|
|
|
WORF
|
|
(off instruments)
|
|
The destroyer is increasing its
|
|
speed.
|
|
(glances up)
|
|
They are moving to intercept.
|
|
|
|
PICARD
|
|
(to Ro)
|
|
Evasive maneuver sequence delta.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 43.
|
|
|
|
66 CONTINUED:
|
|
|
|
RO
|
|
Yes, Sir.
|
|
|
|
Ro works the controls. A beat.
|
|
|
|
WORF
|
|
They are matching our manuevers...
|
|
|
|
MacDuff quickly works the tactical controls.
|
|
|
|
MACDUFF
|
|
Activating phaser arrays...
|
|
(beat)
|
|
Ready to fire, Sir.
|
|
|
|
MacDuff's hand is over the controls.
|
|
|
|
PICARD
|
|
(gesturing to hold up)
|
|
Stand by.
|
|
|
|
MacDuff pauses -- it takes a strong act of will.
|
|
|
|
MACDUFF
|
|
Captain, our orders were to
|
|
destroy all Lysian warships.
|
|
|
|
PICARD
|
|
I'm aware of that, Commander.
|
|
(to Data)
|
|
Tactical analysis, Mister Data.
|
|
|
|
DATA
|
|
(off instruments)
|
|
The destroyer has minimal shields.
|
|
Their disruptor capacity appears
|
|
to be only two point one
|
|
megajoules.
|
|
|
|
Riker reacts.
|
|
|
|
RIKER
|
|
They're no match for the
|
|
Enterprise.
|
|
|
|
As everyone considers this...
|
|
|
|
DATA
|
|
Captain -- the destroyer is
|
|
hailing us.
|
|
|
|
Everyone is taken aback.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 43A.
|
|
|
|
66 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Open a channel --
|
|
|
|
MACDUFF
|
|
--No!
|
|
|
|
Data pauses. Everyone turns to MacDuff. MacDuff looks
|
|
at Picard.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 44.
|
|
|
|
66 CONTINUED: (3)
|
|
|
|
MACDUFF
|
|
Their new weapon. Whatever it
|
|
was that wiped out our computers
|
|
and our memories. Maybe this is
|
|
how they do it -- over
|
|
communication channels.
|
|
|
|
Picard turns to Data.
|
|
|
|
DATA
|
|
It is conceivable, sir.
|
|
|
|
TROI
|
|
It's also possible that they
|
|
simply want to talk to us. I
|
|
think we should respond.
|
|
|
|
WORF
|
|
They are hailing us again.
|
|
|
|
A beat. MacDuff turns to Troi.
|
|
|
|
MACDUFF
|
|
(to Troi)
|
|
If you're wrong, it could mean
|
|
our destruction.
|
|
(to Picard)
|
|
I don't think we can take that
|
|
risk.
|
|
|
|
DATA
|
|
Captain, The Lysians have stopped
|
|
transmitting. They are powering
|
|
up their disruptors.
|
|
(beat)
|
|
They have locked onto us, sir...
|
|
|
|
RIKER
|
|
Full shields.
|
|
|
|
WORF
|
|
Shields up.
|
|
|
|
WHAM. The ship shakes, hit by Lysian disruptors.
|
|
|
|
MACDUFF
|
|
Captain... ?
|
|
|
|
Picard has no choice.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 45.
|
|
|
|
66 CONTINUED: (4)
|
|
|
|
PICARD
|
|
(grimly)
|
|
Return fire.
|
|
|
|
Worf works the console.
|
|
|
|
67 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the phasers fire, making a direct hit on the Lysian
|
|
ship. The destroyer EXPLODES in a blast of fire and
|
|
metal. Then it's gone -- completely obliterated.
|
|
|
|
68 INT. BRIDGE
|
|
|
|
Worf analyses his controls.
|
|
|
|
WORF
|
|
The ship has been destroyed.
|
|
|
|
A beat.
|
|
|
|
PICARD
|
|
Maintain our course, Ensign.
|
|
Increase to three quarters
|
|
impulse.
|
|
|
|
RO
|
|
Yes, Sir.
|
|
|
|
As Ro works the controls a brooding silence falls over
|
|
the bridge. Troi appears distressed. MacDuff steps
|
|
toward Picard.
|
|
|
|
MACDUFF
|
|
Well done, Captain.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT THREE 46.
|
|
|
|
68 CONTINUED:
|
|
|
|
Picard doesn't respond. As he stares at the empty
|
|
viewscreen, his face unreadable...
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FOUR 47.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
69 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Moving at impulse.
|
|
|
|
70 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, MacDuff, Riker, Data, Troi, Worf, Ro, Geordi,
|
|
Beverly, seated around the table. The mood is grim --
|
|
for all intents and purposes they are at war.
|
|
|
|
WORF
|
|
The Lysian Central Command would
|
|
have received any transmission
|
|
from the destroyer by now.
|
|
|
|
MACDUFF
|
|
(nodding)
|
|
They're going to be on alert.
|
|
|
|
Ro nods, turns to Picard.
|
|
|
|
RO
|
|
(to Picard)
|
|
I recommend a randomly vectored
|
|
approach to our target. It would
|
|
be our best chance of avoiding
|
|
any pursuit.
|
|
|
|
PICARD
|
|
(nods)
|
|
Agreed.
|
|
|
|
Picard turns to Beverly.
|
|
|
|
PICARD
|
|
Doctor, the success of this
|
|
mission would be far more likely
|
|
if we had our memories back. Is
|
|
there anything you can do?
|
|
|
|
BEVERLY
|
|
I found several cases resembling
|
|
our condition in the medical
|
|
index. The causes are different,
|
|
but the cure is similar in each
|
|
case.
|
|
|
|
RIKER
|
|
Could the same treatment work for
|
|
us?
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FOUR 48.
|
|
|
|
70 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
(nods)
|
|
That's my hope. It involves
|
|
increasing the activity of the
|
|
medial temporal region of the
|
|
brain. Using short term memory
|
|
synapses to retrieve long term
|
|
memory.
|
|
|
|
PICARD
|
|
When can you start?
|
|
|
|
BEVERLY
|
|
As soon as our medical records
|
|
become available. It would be
|
|
too dangerous to attempt treatment
|
|
without them.
|
|
|
|
PICARD
|
|
Mister La Forge?
|
|
|
|
GEORDI
|
|
Data and I ran into some trouble
|
|
accessing the medical file areas
|
|
in the computer. But with a
|
|
little time, I'm pretty sure we
|
|
can get there.
|
|
(shrugs)
|
|
Three hours, maximum.
|
|
|
|
Picard nods.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
71 OMITTED
|
|
|
|
72 INT. ENGINEERING (OPTICAL)
|
|
|
|
Geordi and Data working at their respective monitors.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT FOUR 49.
|
|
|
|
72 CONTINUED:
|
|
|
|
GEORDI
|
|
(shakes his head)
|
|
I'm still hitting a file wall...
|
|
I don't get it.
|
|
|
|
DATA
|
|
There appears to be a command path
|
|
discontinuity. I shall attempt
|
|
to rewrite the locator subroutine.
|
|
|
|
Data starts entering codes at super-fast android speed.
|
|
Geordi watches him, amazed.
|
|
|
|
GEORDI
|
|
(joking re: speed)
|
|
You must have been one hell of
|
|
a bartender.
|
|
|
|
A beat. Data pauses, checks the monitor, then
|
|
continues working at normal speed. Geordi considers
|
|
him for a moment.
|
|
|
|
GEORDI
|
|
It's too bad there aren't any more
|
|
of you around. We could certainly
|
|
use the help.
|
|
|
|
DATA
|
|
Yes.
|
|
|
|
A beat. Geordi considers his light remark a little
|
|
more deeply.
|
|
|
|
GEORDI
|
|
I wonder why you're the only one
|
|
on board?
|
|
|
|
DATA
|
|
I have expended a great deal of
|
|
thought with respect to my
|
|
apparent uniqueness among the
|
|
crew.
|
|
|
|
Data finishes a sequence of keystrokes and considers
|
|
Geordi.
|
|
|
|
GEORDI
|
|
Any conclusions?
|
|
|
|
DATA
|
|
Several possibilities suggest
|
|
themselves.
|
|
(MORE)
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT FOUR 49A.
|
|
|
|
72 CONTINUED: (2)
|
|
|
|
DATA (cont'd)
|
|
I may represent an entire race
|
|
of artificial lifeforms. If so,
|
|
there may be a home planet for
|
|
others of my kind -- a shared
|
|
history and a culture of which
|
|
I am not presently aware.
|
|
|
|
GEORDI
|
|
Then again, you could've been
|
|
built just for this ship.
|
|
|
|
DATA
|
|
I have considered that possibility
|
|
as well. It may also be the case
|
|
that every starship in the
|
|
Federation is equipped with an
|
|
artificial lifeform such as myself.
|
|
|
|
GEORDI
|
|
(nodding)
|
|
It that's true, you might all even
|
|
look alike. A standard issue
|
|
android. Hard to construct --
|
|
so only one allowed per vessel.
|
|
(smiles)
|
|
Maybe you all get together for
|
|
android holidays...
|
|
|
|
Data appears to be musing for a moment.
|
|
|
|
DATA
|
|
There is another possibility.
|
|
Perhaps my origin was unique.
|
|
In that case... I am alone.
|
|
|
|
A silent beat as Geordi considers his words. The
|
|
console suddenly BEEPS with computer noises and both
|
|
Data and Geordi rivet their attention to the screen.
|
|
|
|
DATA
|
|
We have accessed the information
|
|
storage area. But considerable
|
|
damage has been done to the files
|
|
themselves.
|
|
|
|
Geordi reacts to this, then looks over Data's shoulder
|
|
-- reacts.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/25/91 - ACT FOUR 49B.
|
|
|
|
72 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
The mission reports are gone.
|
|
|
|
DATA
|
|
(works console)
|
|
As are the crew records, and the
|
|
personal logs.
|
|
|
|
He stares at the monitor, puzzling over the missing
|
|
information. A beat as Geordi reacts.
|
|
|
|
GEORDI
|
|
So are the medical records.
|
|
|
|
OFF the look between them.
|
|
|
|
73 INT. RIKER'S QUARTERS
|
|
|
|
Riker is at a desk, sorting through a collection of
|
|
personal belongings spread out on the desktop.
|
|
|
|
A trombone... a few books... some terra cotta
|
|
figurines. The door chimes.
|
|
|
|
RIKER
|
|
Come in.
|
|
|
|
Troi ENTERS.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 50.
|
|
|
|
73 CONTINUED:
|
|
|
|
TROI
|
|
I'm restless. Mind if I visit
|
|
for a while?
|
|
|
|
RIKER
|
|
Please...
|
|
|
|
Riker indicates his welcome, then sees that she appears
|
|
shaken. He stands and moves over to her.
|
|
|
|
RIKER
|
|
(continuing)
|
|
What's wrong?
|
|
|
|
TROI
|
|
Everything. Everytime I think
|
|
about this war, our mission...
|
|
I feel a sense of panic. Like
|
|
a hand is closing around my
|
|
throat.
|
|
|
|
Riker speaks gently... tries to console her.
|
|
|
|
RIKER
|
|
You're never gonna feel good about
|
|
this war. None of us will. But
|
|
we've got to finish our mission.
|
|
|
|
Troi considers this... then nods. His words make
|
|
sense, but still...
|
|
|
|
Riker smiles, trying to brighten the mood a little. He
|
|
indicates the nearby desk.
|
|
|
|
RIKER
|
|
(continuing)
|
|
I've been doing a little research.
|
|
Learning about someone named
|
|
William Riker.
|
|
|
|
TROI
|
|
(smiles)
|
|
And what have you discovered?
|
|
|
|
Riker leads her to the desk. He indicates the
|
|
trombone.
|
|
|
|
RIKER
|
|
He's a musician, for one thing.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 51-51A
|
|
|
|
73 CONTINUED: (2)
|
|
|
|
Troi reacts, pleasantly surprised. Riker picks up the
|
|
instrument, plays a few notes. Troi laughs.
|
|
|
|
TROI
|
|
Very impressive.
|
|
|
|
RIKER
|
|
Nobody could have been more
|
|
surprised than me.
|
|
|
|
TROI
|
|
(playfully)
|
|
What else has your research
|
|
uncovered about William Riker?
|
|
|
|
Riker eyes the various belongings.
|
|
|
|
RIKER
|
|
Let's see... He's athletically
|
|
inclined... loves to mountain
|
|
climb. He was born in a place
|
|
called Alaska. He likes exotic
|
|
foods... spends his vacation time
|
|
on a planet called Risa...
|
|
|
|
Riker picks up a very slender, but beautifully bound
|
|
BOOK and hands it to Troi. She looks at the title.
|
|
|
|
TROI
|
|
(reads)
|
|
"Ode to Psyche." John Keats.
|
|
|
|
RIKER
|
|
Open it.
|
|
|
|
Troi opens the book to the title page, reacts.
|
|
|
|
TROI
|
|
(reads)
|
|
"To Will... All My Love, Deanna."
|
|
|
|
A beat. She sets the book down. A quiet moment as
|
|
she considers the implication.
|
|
|
|
RIKER
|
|
(re: book)
|
|
It could explain the familiar
|
|
feeling you have...
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 52.
|
|
|
|
73 CONTINUED: (4)
|
|
They are close to each other. The feelings between
|
|
them are impossible to ignore.
|
|
|
|
TROI
|
|
I... don't know what to think.
|
|
|
|
The door chimes.
|
|
|
|
RIKER
|
|
Come in.
|
|
|
|
Ro ENTERS. She's energized from work -- a sharp
|
|
contrast to the quiet she's just shattered.
|
|
|
|
RO
|
|
Hello, Counselor.
|
|
|
|
She reacts to Troi's presence -- but it's with an
|
|
amused tolerance. Troi and Riker seem much more
|
|
uncomfortable than Ro does.
|
|
|
|
TROI
|
|
(nodding)
|
|
Ensign.
|
|
|
|
RO
|
|
I'm not interrupting anything?
|
|
|
|
RIKER TROI
|
|
No. No.
|
|
|
|
Troi smiles.
|
|
|
|
TROI
|
|
(to Ro)
|
|
I was just visiting.
|
|
(to Riker, more formal)
|
|
We'll talk again soon, Commander.
|
|
|
|
RIKER
|
|
Of course. Thank you, Counselor.
|
|
|
|
As Troi goes out the door...
|
|
|
|
RO
|
|
Bye...
|
|
|
|
When Troi disappears outside the door, Ro casually
|
|
eases into a chair, catching one of Riker's hands in
|
|
her own as she does so.
|
|
|
|
RO
|
|
(re: Troi)
|
|
What was that all about?
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 53.
|
|
|
|
73 CONTINUED: (6)
|
|
|
|
RIKER
|
|
(shrugs)
|
|
Just talking about the situation
|
|
we're all in...
|
|
|
|
Ro starts playing with his hand.
|
|
|
|
RO
|
|
Good...
|
|
|
|
She tightens her grip on his hand and pulls him closer.
|
|
|
|
RO
|
|
Because I have the feeling I used
|
|
to be the jealous type.
|
|
|
|
She leans upward and kisses him -- Riker responds.
|
|
As they get into it...
|
|
|
|
74 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At impulse.
|
|
|
|
75 OMITTED
|
|
|
|
75A INT. BRIDGE
|
|
|
|
Picard, MacDuff, Riker, Ro, Data and Beverly. Geordi
|
|
is finishing his report.
|
|
|
|
GEORDI
|
|
What bothers me, Captain, is how
|
|
specific the damage is. Any
|
|
records of a personal nature, any
|
|
files that could tell us more
|
|
about who we are -- those are the
|
|
ones that are gone.
|
|
|
|
RIKER
|
|
That's a little too selective for
|
|
coincidence.
|
|
|
|
BEVERLY
|
|
As selective as what was done to
|
|
our own memories. Our skills
|
|
still in place -- but personal
|
|
knowledge unavailable.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FOUR 54.
|
|
|
|
75A CONTINUED:
|
|
|
|
MACDUFF
|
|
It's consistent with what we know
|
|
about the new Lysian weapon.
|
|
|
|
Picard takes all this in, weighing it.
|
|
|
|
PICARD
|
|
Doctor, is it absolutely necessary
|
|
for you to see the medical files
|
|
before you attempt a treatment?
|
|
|
|
BEVERLY
|
|
No. But it would be dangerous
|
|
without them.
|
|
|
|
A beat.
|
|
|
|
RIKER
|
|
(volunteering)
|
|
I think that's a risk we have to
|
|
take --
|
|
|
|
MACDUFF
|
|
(beating him to the
|
|
punch)
|
|
-- Captain, I volunteer for the
|
|
procedure.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 55.
|
|
|
|
75A CONTINUED: (2)
|
|
|
|
Beverly looks to Picard... who nods his grim approval.
|
|
|
|
76 INT. SICKBAY
|
|
|
|
MacDuff is on his back in the half-shell bio-bed, his
|
|
head couched by a headpiece apparatus. His eyes are
|
|
closed -- as if he's unconscious. Beverly works the
|
|
console next to the bed, and the series of lights flash
|
|
on and off on the headpiece. A NURSE is working in the
|
|
background.
|
|
|
|
Beverly takes her hand off the console and picks up a
|
|
med device, waves it across his forehead. She seems
|
|
puzzled by the result.
|
|
|
|
BEVERLY
|
|
That's strange. The diencephalic
|
|
activity is exactly the same.
|
|
There should be some increase.
|
|
(to Nurse)
|
|
Let's try broadening the band
|
|
width.
|
|
|
|
She steps over to where the nurse is working -- MACDUFF
|
|
IS NOW OUT OF THEIR LINE OF SIGHT.
|
|
|
|
77 ON MACDUFF
|
|
|
|
BEVERLY
|
|
(continuing; to nurse)
|
|
Go to thirty point one.
|
|
|
|
MacDuff begins to convulse.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 56.
|
|
|
|
78 INCLUDE BEVERLY
|
|
|
|
BEVERLY
|
|
(to nurse)
|
|
Raise the frequency as well.
|
|
Increase by thirty-three
|
|
percent...
|
|
|
|
A few beats and Beverly turns back toward MacDuff --
|
|
and reacts with shock at his convulsions. She dives
|
|
for the console, punches in some commands --
|
|
|
|
BEVERLY
|
|
Something's wrong with the
|
|
sequencing program!
|
|
|
|
A few more commands and she glances up -- the headpiece
|
|
stops blinking. His body goes rigid. Beverly picks up
|
|
a device and runs it over his forehead.
|
|
|
|
His head stops moving and his eyes struggle open. He
|
|
looks straight at her, as if uncomprehending.
|
|
|
|
BEVERLY
|
|
(insistent)
|
|
Kieran. Kieran.
|
|
|
|
He looks at her, blinks, as if coming back to full
|
|
consciousness.
|
|
|
|
MACDUFF
|
|
(nods)
|
|
I'm alright.
|
|
|
|
Beverly lets out her breath in a long sigh. MacDuff
|
|
lets his head fall back, as if exhausted, then glances
|
|
at her.
|
|
|
|
MACDUFF
|
|
What happened?
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FOUR 57.
|
|
|
|
78 CONTINUED:
|
|
|
|
BEVERLY
|
|
I don't know. Something went
|
|
wrong with the sequence initiator.
|
|
We're lucky we didn't lose you.
|
|
(beat)
|
|
Did any of this work? Do you
|
|
remember anything about yourself?
|
|
|
|
MACDUFF
|
|
(shakes his head)
|
|
I'm sorry, Doctor.
|
|
|
|
Beverly looks greatly disappointed.
|
|
|
|
BEVERLY
|
|
It's back to square one.
|
|
|
|
MacDuff nods. Beverly turns away from him. OFF
|
|
MacDuff who smiles -- success...
|
|
|
|
79 INT. READY ROOM
|
|
|
|
Picard is staring out the window, lost in thought. The
|
|
door chimes.
|
|
|
|
PICARD
|
|
Enter.
|
|
|
|
MacDuff ENTERS. Picard turns to him.
|
|
|
|
MACDUFF
|
|
You wanted to see me, Captain?
|
|
|
|
PICARD
|
|
Yes, Commander. Sit down.
|
|
|
|
MacDuff sits and Picard rises, pacing, things on his
|
|
mind.
|
|
|
|
PICARD
|
|
I find myself with grave concerns
|
|
about our mission.
|
|
|
|
MACDUFF
|
|
Concerns... as to its success?
|
|
|
|
PICARD
|
|
No. I have more fundamental
|
|
doubts...
|
|
(MORE)
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT FOUR 58.
|
|
|
|
79 CONTINUED:
|
|
|
|
PICARD (cont'd)
|
|
(beat)
|
|
Whether or not this mission is
|
|
justified.
|
|
|
|
MACDUFF
|
|
I've been asking myself the same
|
|
thing. But I'm sure our superiors
|
|
feel their orders are justified.
|
|
|
|
PICARD
|
|
Orders which we cannot even
|
|
verify.
|
|
|
|
MACDUFF
|
|
(reluctantly
|
|
concluding)
|
|
Orders we cannot ignore.
|
|
|
|
PICARD
|
|
But I also can't ignore the fact
|
|
that we greatly outclassed the
|
|
only enemy vessel we've
|
|
encountered. And that every
|
|
possible shred of information
|
|
which could shed some light on
|
|
our situation has been
|
|
conveniently eliminated.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FOUR 59.
|
|
|
|
79 CONTINUED: (2)
|
|
|
|
A beat as Picard continues to pace.
|
|
|
|
PICARD
|
|
I feel as though I've been handed
|
|
a weapon, pushed into a room and
|
|
told to shoot a stranger.
|
|
|
|
He stops and looks squarely at MacDuff.
|
|
|
|
PICARD
|
|
I need a moral context to justify
|
|
that action. And I don't have
|
|
one. I'm not satisfied simply
|
|
following orders. I want to know
|
|
that what I am doing is right.
|
|
|
|
MACDUFF
|
|
So do I. I'd feel a lot better
|
|
about this if all the questions
|
|
were answered. And if you want
|
|
to abandon our mission until our
|
|
memories return -- it's your
|
|
choice.
|
|
|
|
MacDuff pauses, as if searching for the words.
|
|
|
|
MACDUFF
|
|
But I must ask you... is it right
|
|
to risk prolonging this war...
|
|
to allow the needless deaths of
|
|
thousands on both sides... solely
|
|
on the basis of our moral
|
|
discomfort?
|
|
|
|
A long beat. MacDuff nods his head deferentially,
|
|
taking his leave. He turns and exits the ready room.
|
|
|
|
79A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
OFF Picard as he stares out the window, MacDuff's words
|
|
still on his mind...
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FIVE 60.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
80 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship traveling at impulse.
|
|
|
|
81 INT. BRIDGE
|
|
|
|
Picard, MacDuff, Riker, Data, Worf, Ro, Troi at their
|
|
stations. Everyone looks grimly determined -- or in
|
|
Troi's case, resigned.
|
|
|
|
DATA
|
|
(off instruments)
|
|
Captain, we are approaching the
|
|
Lysian system.
|
|
|
|
PICARD
|
|
Decrease to one quarter impulse.
|
|
|
|
RO
|
|
Yes, sir.
|
|
|
|
MACDUFF
|
|
(off instruments)
|
|
The Central Command is directly
|
|
ahead. Still beyond weapon range.
|
|
|
|
PICARD
|
|
Red Alert. Battle stations.
|
|
Bring us to attack posture, Mister
|
|
Worf.
|
|
|
|
WORF
|
|
Aye, Captain.
|
|
|
|
Worf works the tactical console and the ship goes to
|
|
RED ALERT.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FIVE 61.
|
|
|
|
81 CONTINUED:
|
|
|
|
DATA
|
|
Sensors show several objects in
|
|
our path. They are twenty-nine
|
|
meters in length and are unmanned.
|
|
|
|
MacDuff works a console.
|
|
|
|
MACDUFF
|
|
According to Starfleet records,
|
|
they're sentry pods. Programmed
|
|
to defend their Central Command.
|
|
|
|
RIKER
|
|
(off instruments)
|
|
I'm reading forty-seven of them
|
|
around the perimeter.
|
|
|
|
PICARD
|
|
Tactical analysis, Mister Data.
|
|
|
|
DATA
|
|
(working console)
|
|
The pods are equipped with fusion
|
|
generated pulse lasers, and
|
|
minimal shielding.
|
|
|
|
RIKER
|
|
Not much power there...
|
|
|
|
PICARD
|
|
Forward shields on maximum. Lock
|
|
phasers on the sentry pods and
|
|
prepare to return fire.
|
|
|
|
WORF
|
|
Shields up, phasers locked on
|
|
targets.
|
|
|
|
A beat, then.
|
|
|
|
PICARD
|
|
Full impulse. Take us straight
|
|
through them.
|
|
|
|
As Ro works the helm...
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FIVE 62.
|
|
|
|
82 OMITTED
|
|
|
|
83 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it runs straight through the field of sentry pods.
|
|
We instantly draw A THIN LASER BEAM TYPE FIRE from the
|
|
pods that does nothing to the Enterprise. The
|
|
Enterprise returns with PHASER FIRE -- a series of
|
|
quick bursts, DESTROYING the pods with ease.
|
|
|
|
84 INT. BRIDGE
|
|
|
|
DATA
|
|
We are through the perimeter.
|
|
|
|
RIKER
|
|
This is too easy.
|
|
|
|
WORF
|
|
We have yet to encounter any
|
|
battleships. They may lie ahead.
|
|
|
|
PICARD
|
|
Load all torpedo bays. Ready
|
|
phasers.
|
|
|
|
But it's clear Picard's doubts are mounting.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Worf works the console.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FIVE 62A.
|
|
|
|
84 CONTINUED:
|
|
|
|
RIKER
|
|
Approaching the Central Command...
|
|
|
|
Picard reacts, puzzled at the ease with which they are
|
|
able to appoach.
|
|
|
|
PICARD
|
|
Mister Data, scan for defenses.
|
|
|
|
Data works the console.
|
|
|
|
DATA
|
|
I am picking up no vessels -- and
|
|
no additional sentry pods.
|
|
|
|
WORF
|
|
The station is in visual range.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
85 INCLUDE THE VIEWSCREEN (OPTICAL)
|
|
|
|
In the distance is the LYSIAN CENTRAL COMMAND -- a
|
|
huge, alien-looking space station.
|
|
|
|
Reactions to the sight.
|
|
|
|
RIKER
|
|
(off console)
|
|
Optimal firing range in fifty-five
|
|
seconds.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FIVE 63.
|
|
|
|
86 RESUME (OPTICAL)
|
|
|
|
MACDUFF
|
|
(works console)
|
|
Phaser banks ready. Loading
|
|
torpedoes.
|
|
|
|
PICARD
|
|
What are the defensive
|
|
capabilities of the Central
|
|
Command?
|
|
|
|
DATA
|
|
Armaments consist of four laser
|
|
cannons and thirty-nine cobalt
|
|
fusion warheads with magnetic
|
|
propulsion. Defensive shield
|
|
output is only... four point
|
|
three kilojoules.
|
|
|
|
Picard is deeply disturbed by this news. All the
|
|
doubts of this entire endeavor rise to inundate him.
|
|
|
|
RIKER
|
|
(amazed)
|
|
One photon torpedo ought to do
|
|
it.
|
|
|
|
TROI
|
|
Data... how many people are on
|
|
that station?
|
|
|
|
DATA
|
|
(off instruments)
|
|
Fifteen thousand, three hundred
|
|
eleven.
|
|
|
|
Again, this registers on Picard. His moment of
|
|
decision is nearing.
|
|
|
|
MACDUFF
|
|
Captain, we're in range.
|
|
|
|
PICARD
|
|
(gesturing to hold up)
|
|
Stand by.
|
|
|
|
A concerned reaction from MacDuff.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FIVE 64.
|
|
|
|
86 CONTINUED:
|
|
|
|
MACDUFF
|
|
Waiting for your order, sir.
|
|
|
|
TROI
|
|
Captain, this isn't right...
|
|
|
|
MACDUFF
|
|
The rest of our forces are
|
|
depending on us --
|
|
|
|
RIKER
|
|
How can our mortal enemy be over
|
|
a hundred years behind us in
|
|
weapons technology?
|
|
|
|
MACDUFF
|
|
Their battleships may be on the
|
|
way right now.
|
|
|
|
A beat. MacDuff keeps on pushing.
|
|
|
|
MACDUFF
|
|
(continuing)
|
|
We must attack.
|
|
|
|
A long moment -- it's all on Picard. From deep inside,
|
|
his conscience finds voice, and speaks clear as a bell
|
|
-- a simple statement confirming his fundamental
|
|
nature.
|
|
|
|
PICARD
|
|
I do not fire on defenseless
|
|
people.
|
|
|
|
Various reactions from the others.
|
|
|
|
PICARD
|
|
Mister Worf... open a channel to
|
|
the Lysians.
|
|
|
|
MacDuff is enraged -- losing control.
|
|
|
|
MACDUFF
|
|
Belay that order!
|
|
|
|
MacDuff is on the move toward tactical. Worf wavers.
|
|
MacDuff addresses everyone as he goes.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FIVE 65.
|
|
|
|
86 CONTINUED: (3)
|
|
|
|
MACDUFF
|
|
(continuing)
|
|
There's something wrong with the
|
|
Captain. I'm taking command of
|
|
this vessel.
|
|
(to Worf)
|
|
Fire all weapons!
|
|
|
|
Worf doesn't move. MacDuff, now wild-eyed with
|
|
desperation exchanges a look with Picard, who by
|
|
contrast is all cool control.
|
|
|
|
-- MacDuff lunges toward tactical, knocking Worf out
|
|
of the way like he wasn't even there. He reaches for
|
|
the weapons control...
|
|
|
|
-- and is suddenly hit by a PHASER BLAST, briefly
|
|
revealing beneath his Human self, in the area where
|
|
he was hit, a strange, alien, metallic body.
|
|
|
|
87 OMITTED
|
|
|
|
88 INCLUDE RIKER (OPTICAL)
|
|
|
|
holding the phaser. MacDuff again goes for the console
|
|
-- Riker again FIRES the phaser, and where it hits,
|
|
the strange metallic being underneath is revealed.
|
|
MacDuff stumbles back, but goes for it again --
|
|
unstoppable.
|
|
|
|
Worf has regained his footing, and FIRES his phaser
|
|
at MacDuff, again revealing a patch of the alien
|
|
corpus. Riker and Worf both continue FIRING to keep
|
|
MacDuff away from the controls. MacDuff finally throws
|
|
back his head and screams --
|
|
|
|
89 MACDUFF (OPTICAL)
|
|
|
|
falls to the floor, unconscious. The others stare
|
|
at him, relieved.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT FIVE 66.
|
|
|
|
90
|
|
thru OMITTED
|
|
91
|
|
|
|
92 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The Enterprise at warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. We
|
|
are on a course to Starbase Three-
|
|
zero-one. Doctor Crusher has been
|
|
working steadily, and has restored
|
|
the memories of most of the crew.
|
|
|
|
92A INT. READY ROOM (OPTICAL)
|
|
|
|
Picard and Riker. Picard is sitting behind his desk.
|
|
|
|
PICARD
|
|
The Lysians have identified
|
|
"Commander MacDuff" as a Satarran
|
|
-- an alien race that's been at
|
|
war with the Lysians for decades.
|
|
|
|
Picard stands, steps out from behind the desk.
|
|
|
|
PICARD
|
|
I've conveyed to the Lysians our
|
|
deepest regrets over the tragedy of
|
|
their lost ship and crew. They've
|
|
been extraordinarily understanding.
|
|
|
|
Riker thinks for a moment.
|
|
|
|
RIKER
|
|
With all the power that MacDuff
|
|
had... to alter our brain
|
|
chemistry, and manipulate the
|
|
computers... it's hard to believe
|
|
he needed the Enterprise.
|
|
|
|
PICARD
|
|
Satarran weapons technology is
|
|
no more advanced than the
|
|
Lysians'. One photon torpedo
|
|
would have ended their war.
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/15/91 - ACT FIVE 66A.
|
|
|
|
92A CONTINUED:
|
|
|
|
RIKER
|
|
It almost did...
|
|
|
|
OFF the look between them.
|
|
|
|
93 INT. TEN-FORWARD
|
|
|
|
Business as usual. Riker ENTERS, glances around the
|
|
room and sees something that makes him stop cold.
|
|
|
|
STAR TREK: "Conundrum" - 11/14/91 - ACT FIVE 67.
|
|
|
|
94 INCLUDE TROI AND RO
|
|
|
|
sitting together at a table, immersed in a private
|
|
conversation.
|
|
|
|
Riker reacts. He takes a deep breath to fortify
|
|
himself, then heads for the table.
|
|
|
|
Troi and Ro see him coming, and their conversation
|
|
stops just a little too quickly.
|
|
|
|
Riker arrives at the table. An awkward beat.
|
|
|
|
RIKER
|
|
I hope I'm not interrupting.
|
|
|
|
RO
|
|
Not at all. I was hoping to see
|
|
you.
|
|
|
|
TROI
|
|
Please -- sit down.
|
|
|
|
Uncomfortable, he sits. He never thought he'd have
|
|
to deal with them both at once. And what have they
|
|
been saying to each other?
|
|
|
|
RIKER
|
|
Well. I'm glad I ran into the
|
|
two of you...
|
|
|
|
They smile sweetly, waiting for him to talk his way
|
|
into trouble. He launches in.
|
|
|
|
RIKER
|
|
You know, when you have no memory
|
|
of who you are, or who anybody
|
|
else is...
|
|
|
|
STAR TREK: "Conundrum" - REV. 11/18/91 - ACT FIVE 68.
|
|
|
|
94 CONTINUED:
|
|
|
|
RO
|
|
(with feigned
|
|
sincerity)
|
|
The Counselor tells me... at
|
|
times like that, we might do things
|
|
we've always wanted to do.
|
|
|
|
RIKER
|
|
(taken aback)
|
|
She said that?
|
|
|
|
He glances uncomfortably at Troi, who gazes serenely at
|
|
him.
|
|
|
|
TROI
|
|
It's psychologically valid.
|
|
|
|
Riker is hard-pressed for a response. Ro extends the
|
|
uncomfortable moment, then stands.
|
|
|
|
RO
|
|
(feigned sincerity)
|
|
Don't worry about it, Commander.
|
|
As far as I'm concerned we've
|
|
shared something that you and I
|
|
will treasure forever.
|
|
|
|
Ro turns and walks off before Riker can respond.
|
|
Nonplussed, he looks at Troi. A beat, then Riker sits
|
|
down.
|
|
|
|
RIKER
|
|
(re: Ro)
|
|
I feel kind of... confused.
|
|
|
|
Troi can't suppress a smile.
|
|
|
|
TROI
|
|
If you still feel confused
|
|
tomorrow -- you know where my
|
|
office is.
|
|
|
|
Troi smiles, gets up, and leaves. Riker is suddenly
|
|
alone. He lets out a long breath -- he's off the hook
|
|
for now...
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|