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1 line
56 KiB
Plaintext
Executable File
1 line
56 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"The Arsenal Of Freedom"
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(fka "Among The Missing")
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#40271-121
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Story by
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Maurice Hurley
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and
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Robert Lewin
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Teleplay by
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Richard Manning
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&
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Hans Beimler
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Directed by
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Les Landau
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1988 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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2ND REV. FINAL DRAFT
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JANUARY 25, 1988
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STAR TREK: "The Arsenal Of Freedom" - 1/25/88 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Arsenal Of Freedom"
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CAST
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PICARD THE PEDDLER (A HUMANOID)
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RIKER CAPTAIN PAUL RICE
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BEVERLY
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DATA
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TROI
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TASHA
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WORF
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GEORDI
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ENSIGN LIAN T'SU
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CHIEF ENGINEER LOGAN
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LIEUTENANT (J. G.) ORFIL SOLIS
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Voice-Over
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TRANSPORTER CHIEF
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STAR TREK: "The Arsenal of Freedom" - 1/25/88 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Arsenal Of Freedom"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE SAUCER SECTION
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BATTLE BRIDGE BATTLE CRUISER
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IN SPACE
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IN ATMOSPHERE
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PLANET MINOS PLANET MINOS
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TUNNEL (OR LIMBO SET)
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CAVERN PLANET SURFACE
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RUINS
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JUNGLE
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"The Arsenal Of Freedom"
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TEASER
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FADE IN:
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1 EXT. SPACE - ENTERPRISE (OPTICAL)
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It's moving through sparkling, black velvet space -- a
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blue-green planet slowly enlarging in the distant
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background.
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PICARD (V. O.)
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Captain's log, stardate 41798.2.
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We are ordered by Starfleet, to
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proceed to the Lorenze Cluster
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and investigate the disappearance
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of the light cruiser USS Drake,
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which was in that system trying
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to unravel a mystery of its own.
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2 INT. MAIN BRIDGE
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EVERYONE's at station except Riker and Troi. Riker's
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at the Aft Station going over some computer readouts.
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PICARD (V.O.)
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(continuing)
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Recent long range probes indicate
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that all intelligent life on the
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planet Minos has disappeared.
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PICARD
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Number One?
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RIKER
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No help from their communications
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log. The Drake reported
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arriving at Minos and was never
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heard from again.
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PICARD
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Mister Data?
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DATA
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The citizens of Minos gained fame
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during the Ersalrope wars as
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arms merchants. They manufactured
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sophisticated and highly advanced
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weaponry.
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 2.
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2 CONTINUED:
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GEORDI
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For which side?
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DATA
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Both.
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GEORDI
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We are nearing the planet Minos.
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PICARD
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Standard orbit, Mister La Forge.
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GEORDI
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Aye, sir. Standard orbit.
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RIKER
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Whatever happened to the Drake,
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happened quickly, otherwise
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Captain Rice would have sent
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another message.
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PICARD
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You know Captain Rice?
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RIKER
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We were at the Academy together.
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PICARD
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Tell me about him.
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Troi listens intently.
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RIKER
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Able. A good officer.
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TROI
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How would he react under stress?
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Riker thinks for a beat, then:
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RIKER
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Paul Rice is confident almost to
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the point of arrogance, but
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carries it well because he usually
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makes the right choices. He's
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a risk taker.
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PICARD
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Oh.
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 3.
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2 CONTINUED: (2)
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RIKER
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I'll give you an example. One
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of the final tests in advance
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navigation at the Academy presents
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the student with three options.
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When Rice took the test, he
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rejected all of them and offered
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one of his own.
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PICARD
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I'd call that arrogant.
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RIKER
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But it paid off -- he received the
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top mark. And now that test has
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four options. The original
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three... plus his.
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TROI
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In a difficult situation a man
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like that would react aggressively.
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RIKER
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Agreed.
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PICARD
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Number One, weren't you offered
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the Drake?
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RIKER
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Yes.
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TASHA
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You turned down your own command
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to take this assignment?
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RIKER
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At the time, I thought it was
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more advantageous for me to do
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a tour on the Enterprise.
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DATA
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Captain -- readings correspond
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with the findings of the probe.
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No signs of intelligent life-forms.
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Vegetation and animal life only.
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PICARD
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None?
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DATA
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Correct.
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 4.
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2 CONTINUED: (3)
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TROI
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What happened to all those people?
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WORF
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War?
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DATA
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Disease?
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GEORDI
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A dissatisfied customer?
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TASHA
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In any war, natural disaster, or
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even the most virulent plague,
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there are always survivors.
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DATA
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Captain, we are being hailed.
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2A EVERYONE REACTS
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The question on their faces.
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RIKER
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How is that possible from a planet
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with no people?
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PICARD
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Your sensors indicated no
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intelligent life?
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DATA
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Correct.
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PICARD
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Put it on the Main Viewer.
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3 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
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A humanoid, THE PEDDLER, APPEARS on the Main Viewer.
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He has a ROLLING, LILTING VOICE, the confidence of a
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master salesman with a touch of the carny thrown in.
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 5.
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3 CONTINUED:
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THE PEDDLER'S COM VOICE
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Whoever you are -- wherever you're
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from -- greetings and welcome to
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Minos -- the Arsenal of Freedom...
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PICARD
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I am Captain Jean-Luc Picard of
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the USS Enterprise. To whom am
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I speaking?
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The Peddler ignores the question and continues with his
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pitch.
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THE PEDDLER'S COM VOICE
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... Where we live by the motto --
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peace through superior firepower.
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Come -- allow us to meet your
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needs. If you need a little
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something special, be it for one
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target -- or multiple targets -- we
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got it, you'll see it... here on
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the Arsenal of Freedom. Because
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we don't just provide weapons --
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we also offer complete weapon
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systems.
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DATA
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It is a recorded message.
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THE PEDDLER'S COM VOICE
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To be totally armed is to be
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totally secure...
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PICARD
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It must be left over from the time
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of the Romulan wars, when the
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business of selling arms was
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booming.
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THE PEDDLER'S COM VOICE
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... Remember, the early bird that
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hesitates gets wormed. Perfection
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in highly-advanced weaponry.
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Versatility... flexibility.
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And... everything one hundred
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percent guaranteed... So lock on
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to my signal and beam on down.
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PICARD
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Screen off.
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The screen GOES OFF.
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STAR TREK: "The Arsenal... " - 1/25/88 - TEASER 6.
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3 CONTINUED: (2)
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GEORDI
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It's a heck of a sales pitch.
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PICARD
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If an automated message system
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is still functioning -- other
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systems on the planet may also
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be operational.
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TASHA
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Weapons systems?
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PICARD
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Possibly.
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RIKER
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We are going to have to go down
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there to find it.
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PICARD
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Prepare your away team, Number
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One.
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RIKER
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Lieutenant Yar -- Commander Data.
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Data rises from his chair and is immediately replaced
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by LIEUTENANT (J. G.) ORFIL SOLIS.
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TASHA
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Commander, I recommend a minimum
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complement.
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RIKER
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Oh? I would have thought
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otherwise.
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TASHA
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We'll keep the first landing party
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small and mobile. Until I'm
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confident that whatever killed
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the inhabitants of this planet
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isn't still down there.
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Riker nods his agreement. And they head for the
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turbolift.
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4
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thru OMITTED
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5
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FADE OUT.
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END OF TEASER
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 7.
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ACT ONE
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FADE IN:
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6 EXT. PLANET SURFACE (OPTICAL)
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It's a small clearing in a verdant, overgrown area.
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Riker, Data and Tasha BEAM IN, and stand apprehensively
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looking around. The SOUNDS OF LIFE -- BIRDS, INSECTS --
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surround them. The away team stands quietly, looking
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around tensely, and then slowly turning on their
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tricorders and scanning the periphery, protecting each
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other with their backs together.
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RIKER
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Spooky.
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(touches com)
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Riker.
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PICARD'S COM VOICE
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Bridge. Captain speaking.
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RIKER
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We'll start a pattern search
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from this point.
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PICARD'S COM VOICE
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Keep this channel open.
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RIKER
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Aye, sir.
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DATA
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Commander, our communications are
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being monitored.
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RIKER
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By whom?
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DATA
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Sir, since there is no intelligent
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life, the question is "by what?"
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RIKER
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Captain.
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7 INT. MAIN BRIDGE
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Picard in his Command position listening to the away
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team.
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 8.
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7 CONTINUED:
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PICARD
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Yes, I heard, Number One. We'll
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try to track it down from here.
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Worf and the others strain over their instruments.
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8 EXT. PLANET SURFACE
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The team moves slowly down the clearing, very alert,
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and OUT OF SHOT.
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9 EXT. PLANET SURFACE - RUINS
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Crumbled high-tech ruins, aged and rusted in spots.
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The team ENTERS SHOT, Tasha leading. Near the base
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of a ruin she pulls away some foliage and a melted rod
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and plank of tritanium ARE SEEN.
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TASHA
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Tritanium. It's been melted.
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RIKER
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What could do that?
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TASHA
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Whatever it was, it's beyond our
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technology.
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DATA
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Over here.
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Data has found something. Its shape is clearly that
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of a weapon: a super-high-tech RIFLE, gimbal-mounted,
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with laser rheostats and sighting. Riker kneels,
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scans, and examines it.
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RIKER
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We've never even seen anything
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like this.
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TASHA
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It's undamaged.
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RIKER
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Maybe a demonstration model for
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some potential buyer.
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TASHA
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Maybe. Let's spread out a
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little.
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 9.
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10 INTERCUT
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The away team as it SPREADS OUT.
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11 INT. MAIN BRIDGE
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Picard listening to the SOUNDS OF THEM MOVING THROUGH
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THE UNDERBRUSH.
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SOLIS
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Commander Riker. This is
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Lieutenant Solis. I am
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monitoring a slight energy
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buildup near your position.
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I am not able to pinpoint the
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source.
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RIKER'S COM VOICE
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Give me a direction.
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SOLIS
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East of your position -- ten
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meters. I will continue
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monitoring.
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12 EXT. PLANET SURFACE
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ON Riker -- as he looks through the foliage.
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RIKER
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I can't see anything from here.
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The underbrush is very thick.
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He goes behind the ruin to examine the back side of
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it. Suddenly he tenses, sensing something.
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RICE (O.S.)
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Hello... Commander Riker.
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Riker turns at the sound of the voice. CAPTAIN PAUL
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RICE STEPS INTO SHOT. He is dressed in a Starfleet
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Captain's uniform, trim and neat, a man of Riker's age
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with a military bearing. He is businesslike and calm,
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and acts as if this kind of meeting, under these
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circumstances, is perfectly normal. Riker, on the
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other hand, is stunned.
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 10.
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12 CONTINUED:
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RIKER
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Rice! Where did you come from?
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RICE
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I was over there.
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RIKER
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You had us worried. But, I should
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have known you'd pop up.
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RICE
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How are you, Commander Riker?
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RIKER
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Me -- never mind me. How are you?
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No word, no message... nothing.
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RICE
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How many are with you?
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RIKER
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Two others. Where's the
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Drake? Where's your crew?
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13 INT. MAIN BRIDGE (INTERCUT WITH PLANET AS NEEDED)
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Picard is as surprised as Riker.
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PICARD
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What's going on Number One?
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Riker STEPS AWAY, so the following conversation is
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confidential.
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RIKER
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It's Paul Rice from the Drake.
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PICARD
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(confused by the apparent
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contradiction)
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Lieutenant Solis?
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SOLIS
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Sensors indicate low level energy
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readings, but the only life signs
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are the away team.
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PICARD
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Careful, Number One.
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 11.
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13 CONTINUED:
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RIKER
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Understood.
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13A EXT. PLANET SURFACE
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Riker MOVES BACK TO Rice.
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RIKER
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(to Rice)
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You look strange, Paul...
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RICE
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I was injured getting here.
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RIKER
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Do you need medical help?
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Riker is very suspicious and ready for anything. He
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knows this image in front of him is NOT Captain Paul
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Rice, but in order to find out the purpose of this
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replica he will play along.
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RICE
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No. What is your purpose here?
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Tasha and Data join Riker. They stare at Rice, who
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hardly notices them.
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RIKER
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This is Commander Data and
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Lieutenant Yar.
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Data looks down at his tricorder, then back to the
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figure.
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DATA
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Other than ourselves, sir, I am
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picking up no other life signs
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here.
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RIKER
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Yes. I know.
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RICE
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Riker, you didn't answer me. Who
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sent you here to look for me?
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RIKER
|
|
Your mother.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 12.
|
|
|
|
13A CONTINUED:
|
|
|
|
Both Tasha and Data REACT to this obvious lie.
|
|
|
|
RIKER
|
|
(continuing)
|
|
She's worried about you.
|
|
|
|
RICE
|
|
Tell me about your ship -- the
|
|
Enterprise, isn't it?
|
|
|
|
RIKER
|
|
No... The name of my ship is the
|
|
Lollipop.
|
|
|
|
RICE
|
|
I have no knowledge of that ship.
|
|
|
|
RIKER
|
|
It's just been commissioned. It's
|
|
a good ship.
|
|
|
|
RICE
|
|
Riker, refresh me, would you?
|
|
What's its size and complement?
|
|
|
|
RIKER
|
|
Who's here with you?
|
|
|
|
RICE
|
|
(puzzled)
|
|
What's the armament on the
|
|
Lollipop?
|
|
|
|
RIKER
|
|
Paul -- I will only answer your
|
|
questions if you answer mine.
|
|
Why do you want to know so much
|
|
about my ship?
|
|
|
|
RICE
|
|
We're friends, aren't we?
|
|
|
|
RIKER
|
|
Old friends.
|
|
|
|
RICE
|
|
Our top speed is warp three.
|
|
What's yours?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 13.
|
|
|
|
13A CONTINUED: (2)
|
|
|
|
RIKER
|
|
"Is?" Then the Drake has not
|
|
been destroyed.
|
|
|
|
RICE
|
|
The Drake?
|
|
|
|
RIKER
|
|
Yes, your ship?
|
|
|
|
RICE
|
|
Of course -- my ship is the
|
|
Drake.
|
|
|
|
RIKER
|
|
Where is it?
|
|
|
|
RICE
|
|
Classified.
|
|
|
|
RIKER
|
|
Classified?
|
|
|
|
RICE
|
|
Please -- it's important. Our
|
|
survival depends on knowing.
|
|
What's the armament on your ship?
|
|
|
|
RIKER
|
|
Ten.
|
|
|
|
RICE
|
|
Ten? I don't understand. Ten
|
|
what?
|
|
|
|
RIKER
|
|
Six.
|
|
|
|
RICE
|
|
Commander Riker, those answers
|
|
make no sense.
|
|
|
|
RIKER
|
|
You haven't used my first name
|
|
once, Paul.
|
|
|
|
There is a slight hesitation.
|
|
|
|
RIKER
|
|
(continuing)
|
|
You remember it, don't you?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 14.
|
|
|
|
13A CONTINUED: (3)
|
|
|
|
No response. Rice looks confused.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Because you don't even exist.
|
|
You're a fake -- an image of the
|
|
original! Aren't you?... Answer me!
|
|
|
|
Rice twitches -- a slight REACTION, then SUDDENLY:
|
|
|
|
14 NEW ANGLE (OPTICAL)
|
|
|
|
The Image of Captain Rice DISAPPEARS and is REPLACED
|
|
BY A WEAPON-LIKE OBJECT. IT QUICKLY MOVES several
|
|
meters away.
|
|
|
|
PICARD'S COM VOICE
|
|
Report, Number One.
|
|
|
|
RIKER
|
|
The image of Rice has been
|
|
replaced by something which
|
|
is hovering several meters away.
|
|
|
|
15 INT. MAIN BRIDGE
|
|
|
|
Picard is very concerned.
|
|
|
|
PICARD
|
|
Number One, get your team back
|
|
here.
|
|
|
|
16 EXT. PLANET SURFACE (OPTICAL)
|
|
|
|
Riker and the others set to beam up.
|
|
|
|
RIKER
|
|
Prepare to beam up.
|
|
|
|
TASHA
|
|
Commander.
|
|
|
|
He looks as she indicates a direction. The WEAPON IS
|
|
MOVING toward them. Before anyone can answer, THE
|
|
WEAPON FIRES.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 15.
|
|
|
|
17 CLOSE ON RIKER (OPTICAL)
|
|
|
|
The BEAM HITS HIM. He STIFFENS -- and BECOMES ENCASED
|
|
IN A clear, transparent CUBE of material.
|
|
|
|
18 INT. MAIN BRIDGE
|
|
|
|
They all HEAR, and REACT to, the SOUND OF THE PHASER
|
|
BLAST.
|
|
|
|
19 EXT. PLANET SURFACE - ANGLE ON TASHA (OPTICAL)
|
|
|
|
She FIRES ON THE WEAPON AND DESTROYS IT.
|
|
|
|
20 FULL SHOT - AWAY TEAM
|
|
|
|
Picard's VOICE is heard.
|
|
|
|
PICARD'S COM VOICE
|
|
(tense, tight)
|
|
What just happened down there?
|
|
Number One! Report!
|
|
|
|
21 OMITTED
|
|
|
|
22 EXT. PLANET SURFACE
|
|
|
|
Tasha and Data APPROACH him. They touch the cube.
|
|
|
|
PICARD'S COM VOICE
|
|
Report! Report!
|
|
|
|
Tasha and Data examine the cube.
|
|
|
|
TASHA
|
|
He can't answer you, Captain.
|
|
Commander Riker has been encased
|
|
is a cube of complex lucinium
|
|
compound.
|
|
|
|
PICARD'S COM VOICE
|
|
Is he alive?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT ONE 16.
|
|
|
|
22 CONTINUED:
|
|
|
|
Data and Tasha examine the cube containing the inert
|
|
form of Commander William T. Riker.
|
|
|
|
DATA
|
|
Unknown.
|
|
|
|
23
|
|
thru OMITTED
|
|
25
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
26 INT. MAIN BRIDGE
|
|
|
|
manned as before. The bridge crew is stunned by what
|
|
has happened to Riker. Picard is on his feet.
|
|
|
|
PICARD
|
|
Transporter Room Three - have you
|
|
locked on to the away team?
|
|
|
|
TRANSPORTER CHIEF'S COM VOICE
|
|
I am unable to lock on to
|
|
Commander Riker.
|
|
|
|
26A REACTIONS
|
|
|
|
From all those involved.
|
|
|
|
PICARD
|
|
(crisply)
|
|
Lieutenant Solis, situation
|
|
report.
|
|
|
|
SOLIS
|
|
The previous energy readings are
|
|
gone.
|
|
|
|
PICARD
|
|
Data, have you been able to
|
|
assess Commander Riker's
|
|
condition?
|
|
|
|
DATA
|
|
He appears to be in a kind of
|
|
stasis.
|
|
|
|
PICARD
|
|
Theorize. What's the purpose of
|
|
the encasement?
|
|
|
|
DATA
|
|
Typically, the purpose of such
|
|
an enclosure is for storage.
|
|
|
|
PICARD
|
|
Which would suggest what?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 18.
|
|
|
|
26A CONTINUED:
|
|
|
|
TASHA'S COM VOICE
|
|
That sooner or later someone or
|
|
something will be along to collect
|
|
him.
|
|
|
|
PICARD
|
|
Stand by. I'm coming down.
|
|
|
|
Eyebrows are raised.
|
|
|
|
TROI
|
|
You, sir?
|
|
|
|
PICARD
|
|
Yes.
|
|
(into Com)
|
|
Doctor Crusher, this is the
|
|
Captain. Meet me in Transporter
|
|
Room Three.
|
|
(to Geordi)
|
|
Mister La Forge, you have command
|
|
of the bridge.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
26B ANGLE ON GEORDI
|
|
|
|
He leaves his position and is immediately replaced by
|
|
ENSIGN LIAN T'SU.
|
|
|
|
26C MAIN BRIDGE
|
|
|
|
as Geordi takes the command position.
|
|
|
|
PICARD
|
|
Whatever happens below, your
|
|
prime responsibility is to the
|
|
ship.
|
|
|
|
GEORDI
|
|
Understood.
|
|
|
|
27 ANGLE ON PICARD
|
|
|
|
as he starts for the turbolift. Troi springs to her
|
|
feet, steps into his path.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 19.
|
|
|
|
27 CONTINUED:
|
|
|
|
TROI
|
|
Captain! I must take exception
|
|
to your decision to beam down.
|
|
|
|
PICARD
|
|
Noted.
|
|
|
|
Picard moves around her.
|
|
|
|
28 EXT. PLANET SURFACE (OPTICAL)
|
|
|
|
Picard and Beverly MATERIALIZE. Data is scanning Riker
|
|
and the material encasing him with his tricorder.
|
|
Tasha, ever security-conscious, keeps a lookout, her
|
|
phaser in hand. Picard and Beverly APPROACH the cube.
|
|
|
|
PICARD
|
|
What is it?
|
|
|
|
DATA
|
|
The encasing material appears to
|
|
be solid...
|
|
|
|
BEVERLY
|
|
I am getting no life signs.
|
|
|
|
PICARD
|
|
He's alive. What he ran into is
|
|
an intelligence gathering device
|
|
used during the Ersalrope Wars.
|
|
|
|
TASHA
|
|
Probably developed here.
|
|
|
|
PICARD
|
|
It projects an image of someone
|
|
the subject will trust -- gets as
|
|
much information as possible.
|
|
|
|
TASHA
|
|
If it's found out -- it encases
|
|
the subject to await a more
|
|
detailed interrogation later.
|
|
Clever.
|
|
|
|
PICARD
|
|
Can you remove it?
|
|
|
|
DATA
|
|
Yes -- but I cannot predict the
|
|
risk to Commander Riker.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 20.
|
|
|
|
28 CONTINUED:
|
|
|
|
PICARD
|
|
We have little choice. Whatever
|
|
has him is interrupting the
|
|
transporter beam. Remove it.
|
|
|
|
29 ANOTHER ANGLE
|
|
|
|
as Data examines the cube like a diamond cutter
|
|
looking for the place to make his cut.
|
|
|
|
30 INT. MAIN BRIDGE
|
|
|
|
Worf at the Aft station.
|
|
|
|
WORF
|
|
I am picking up energy readings.
|
|
|
|
GEORDI
|
|
Captain, this is Lieutenant La
|
|
Forge. Sensors indicate energy
|
|
readings in your area.
|
|
|
|
31 EXT. PLANET SURFACE (OPTICAL)
|
|
|
|
As Data continues working... Tasha scans the area.
|
|
SUDDENLY, MINOS WEAPON 2 BURSTS THROUGH the jungle
|
|
foliage. It makes a close pass. It comes closest to
|
|
Beverly who is startled. She stumbles backward. Data
|
|
calmly continues working. Tasha takes aim, as Picard
|
|
moves over next to Beverly. All this happens very
|
|
quickly -- the reaction instinctive. The team BECOMES
|
|
SEPARATED.
|
|
|
|
32 ANOTHER ANGLE (OPTICAL)
|
|
|
|
as MINOS WEAPON 2 STARTS FIRING. Picard pushes
|
|
Beverly out of the way.
|
|
|
|
33 ON PICARD AND BEVERLY
|
|
|
|
As THEY DIVE TO THE SIDE, the ground suddenly gives way
|
|
under her feet. Beverly FALLS, BEGINS TO SLIDE --
|
|
|
|
PICARD
|
|
Doctor!
|
|
|
|
Picard makes a grab for her, catches her hand, but only
|
|
succeeds in being pulled into the sinkhole -- the sandy
|
|
GROUND SWALLOWS THEM UP.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 21.
|
|
|
|
34 OMITTED
|
|
|
|
35 INT. CAVERN
|
|
|
|
Beverly and a half ton of sand FALL into a large
|
|
subterranean cavern. She LANDS HARD AND IS immediately
|
|
BURIED in rocks, sand, and dust.
|
|
|
|
36 NEW ANGLE
|
|
|
|
as Picard also FALLS through into the cavern, but
|
|
manages to land more or less on his feet atop a pile of
|
|
sand.
|
|
|
|
37 ON PICARD
|
|
|
|
rushing to Beverly's side and frantically digging sand
|
|
away with his hands to keep her from suffocating.
|
|
|
|
PICARD
|
|
Beverly!
|
|
|
|
38
|
|
thru OMITTED
|
|
39
|
|
|
|
40 EXT. PLANET SURFACE (OPTICAL)
|
|
|
|
The WEAPON darts through the heavy foliage. Tasha has
|
|
difficulty getting a clean shot. Everything is
|
|
happening so fast that neither she nor Data have
|
|
noticed the disappearance of Picard and Beverly.
|
|
|
|
TASHA
|
|
This one is different.
|
|
|
|
41 ANGLE ON TASHA (OPTICAL)
|
|
|
|
She FIRES.
|
|
|
|
42 ANGLE ON THE WEAPON (OPTICAL)
|
|
|
|
It anticipates and DODGES OUT OF THE WAY.
|
|
|
|
43 ANOTHER ANGLE
|
|
|
|
The area.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 22.
|
|
|
|
43 CONTINUED:
|
|
|
|
TASHA
|
|
It's evasive. Data -- I need you.
|
|
Set your phaser on kill. I'll
|
|
fire so that it will move left,
|
|
and you get it.
|
|
|
|
Data adjusts the setting on his phaser.
|
|
|
|
44 WIDER ANGLE (OPTICAL)
|
|
|
|
as the WEAPON STARTS FIRING from behind some trees.
|
|
|
|
45 ON DATA AND TASHA (OPTICAL)
|
|
|
|
She FIRES.
|
|
|
|
46 OMITTED
|
|
|
|
47 ANGLE ON WEAPON (OPTICAL)
|
|
|
|
As it DODGES TASHA'S BLAST, DATA GETS IT. The
|
|
combined effect works. The WEAPON EXPLODES.
|
|
|
|
48 DATA AND TASHA
|
|
|
|
Data calmly returns to his examination of the
|
|
casement.
|
|
|
|
TASHA
|
|
Captain!
|
|
|
|
No response.
|
|
|
|
TASHA
|
|
(continuing)
|
|
Doctor Crusher.
|
|
|
|
Still no response. Data has stopped cutting. He
|
|
touches his communicator.
|
|
|
|
DATA
|
|
Captain Picard.
|
|
|
|
He looks down at his chest.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 23.
|
|
|
|
48 CONTINUED:
|
|
|
|
DATA
|
|
(continuing)
|
|
I have a malfunction.
|
|
|
|
Tasha touches her communicator.
|
|
|
|
TASHA
|
|
Enterprise, this is Lieutenant
|
|
Yar.
|
|
|
|
Nothing.
|
|
|
|
TASHA
|
|
(continuing)
|
|
Mine's out too.
|
|
|
|
DATA
|
|
The close pass by the weapon must
|
|
have disrupted our communicators.
|
|
|
|
TASHA
|
|
Keep working. I'll look for
|
|
Captain Picard and Doctor Crusher.
|
|
|
|
Data nods and resumes working. Tasha MOVES OFF in the
|
|
direction she last saw Captain Picard.
|
|
|
|
48A INT. CAVERN (FORMERLY SCENE 38)
|
|
|
|
Picard is beside Beverly. She's nearly unconscious,
|
|
and in very bad shape, with multiple lacerations. She
|
|
fights to speak through the intense pain:
|
|
|
|
PICARD
|
|
How bad is it?
|
|
|
|
BEVERLY
|
|
Bad... It's my arm.
|
|
|
|
PICARD
|
|
Hold on. We'll get you out of
|
|
here.
|
|
(he touches his
|
|
communicator)
|
|
Enterprise, this is the Captain.
|
|
Two to beam up.
|
|
|
|
No response. He touches Beverly's communicator.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 24.
|
|
|
|
48A CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Enterprise.
|
|
|
|
Nothing.
|
|
|
|
PICARD
|
|
(continuing; he touches
|
|
it again)
|
|
Data... Lieutenant Yar.
|
|
|
|
BEVERLY
|
|
What's wrong? Why don't they
|
|
work?
|
|
|
|
PICARD
|
|
I don't know. But it's all right
|
|
because once they realize our
|
|
communicators are out, the
|
|
sensors will locate us and Geordi
|
|
will beam us up.
|
|
|
|
48B ON PICARD (FORMERLY SCENE 39)
|
|
|
|
He rips a piece from her smock, finds some sticks and
|
|
fashions a crude splint.
|
|
|
|
PICARD
|
|
(reassuring)
|
|
Hold on. It won't be long.
|
|
|
|
Beverly is hit by a wave of pain; her eyes close.
|
|
Picard fights his own sense of helplessness.
|
|
|
|
49 EXT. PLANET SURFACE
|
|
|
|
Tasha RETURNS.
|
|
|
|
TASHA
|
|
I can't find them.
|
|
|
|
DATA
|
|
Step back.
|
|
|
|
Data has solved the puzzle. He makes a slight adjustment
|
|
on his phaser, then holds it against a specific
|
|
point on the encasement. He points the muzzle up.
|
|
And FIRES. The vibration of the phaser against the
|
|
casement causes it to disintegrate in a SHOWER OF
|
|
LIGHT. Riker collapses in a heap.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 25.
|
|
|
|
49 CONTINUED:
|
|
|
|
RIKER
|
|
Data.
|
|
|
|
50 NEW ANGLE
|
|
|
|
Riker has been all but freed from his encasement. He
|
|
stirs. Data and Tasha are visibly relieved. Data
|
|
scans him with the tricorder.
|
|
|
|
DATA
|
|
All vital signs returning to
|
|
normal.
|
|
|
|
TASHA
|
|
Good. Now Geordi can get us out
|
|
of here.
|
|
|
|
51 INT. MAIN BRIDGE
|
|
|
|
Worf is at Tactical, using everything at his command to
|
|
scan the planet.
|
|
|
|
SOLIS
|
|
(to Geordi)
|
|
Sir, I'm reading life-forms on
|
|
the planet. All five members
|
|
of the away team.
|
|
|
|
GEORDI
|
|
Good. They have freed Riker.
|
|
(into com)
|
|
Transporter Room. Get a lock on
|
|
the away team, and beam them up.
|
|
|
|
The insistent SOUND OF a BRIDGE ALARM fills the room.
|
|
|
|
WORF
|
|
Shields just came on! Deflectors
|
|
also up --
|
|
(a beat)
|
|
I'm picking up an object off our
|
|
port bow -- It's firing!
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 26.
|
|
|
|
52 NEW ANGLE (OPTICAL)
|
|
|
|
as the ENTERPRISE IS HIT by something quite unlike a
|
|
phaser beam. The weapon -- call it an INTERRUPTER --
|
|
plays havoc with the ship: WE HEAR A SCREECH as LIGHTS
|
|
DIM, CONSOLES GO CRAZY, and the BRIDGE VIBRATES as if
|
|
the ship's shaking itself apart. After a beat, the
|
|
INTERRUPTER EFFECT ENDS, and bridge systems slowly
|
|
return to normal.
|
|
|
|
GEORDI
|
|
Red Alert! Battle stations!
|
|
|
|
More BRIDGE ALARMS as Red Alert is SOUNDED.
|
|
|
|
WORF
|
|
Shields holding.
|
|
|
|
GEORDI
|
|
(grimly)
|
|
But we can't beam up the away team
|
|
with our shields in place.
|
|
|
|
53 ANOTHER ANGLE (OPTICAL)
|
|
|
|
as more BRIDGE PERSONNEL ENTER and take up Battle
|
|
Stations.
|
|
|
|
WORF
|
|
Phasers ready. Photon torpedoes
|
|
standing by. Locking on target...
|
|
(then, surprised)
|
|
Correction: target has
|
|
disappeared!
|
|
|
|
GEORDI
|
|
Full scan!
|
|
|
|
WORF
|
|
Scanning...
|
|
(shakes head)
|
|
No readings. Wait -- something
|
|
dead astern --
|
|
|
|
GEORDI
|
|
Emergency power to shields!
|
|
|
|
WORF
|
|
Object is firing --
|
|
|
|
And again the INTERRUPTER EFFECT SHAKES THE BRIDGE,
|
|
more severely. Geordi SHOUTS over the DIN:
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT TWO 27.
|
|
|
|
53 CONTINUED:
|
|
|
|
GEORDI
|
|
Return fire!
|
|
|
|
The EFFECT ENDS.
|
|
|
|
SOLIS
|
|
Aft shields weakened.
|
|
(a beat)
|
|
Whatever they're using, our
|
|
shields can't stand up to it much
|
|
longer.
|
|
|
|
54 ON GEORDI
|
|
|
|
As he grimly ponders his options, WE:
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
55 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
still in orbit above Minos, performing an escape
|
|
maneuver.
|
|
|
|
GEORDI (V. O.)
|
|
Captain's log, stardate 41798.25.
|
|
Lieutenant J.G. Geordi La Forge
|
|
in temporary command.
|
|
|
|
56 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Geordi's in the Command Chair, Troi next to him, Worf
|
|
at Tactical, Lian at Conn, Solis at Ops.
|
|
|
|
GEORDI (V.O.)
|
|
(continuing)
|
|
Orbiting the planet Minos, we are
|
|
under attack.
|
|
|
|
The turbolift doors OPEN and CHIEF ENGINEER LOGAN
|
|
ENTERS. Logan is young, intelligent, competent, and
|
|
sure of himself.
|
|
|
|
LOGAN
|
|
Why are we still in orbit? We're
|
|
taking a beating!
|
|
|
|
GEORDI
|
|
We've got to hold out as long as
|
|
we can. If we can disable our
|
|
attacker, even for a few seconds,
|
|
we can drop our shields and beam
|
|
the away team back aboard.
|
|
|
|
LOGAN
|
|
If we follow that plan, we'll lose
|
|
the Enterprise! In view of the
|
|
present crisis... I believe you
|
|
should relinquish command to me.
|
|
|
|
GEORDI
|
|
No.
|
|
|
|
LOGAN
|
|
I outrank you.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 29.
|
|
|
|
56 CONTINUED:
|
|
|
|
GEORDI
|
|
Mister Logan -- Captain Picard put
|
|
me in command.
|
|
|
|
LOGAN
|
|
The Captain did not anticipate
|
|
that the Enterprise would come
|
|
under attack. If he had, would
|
|
he have left the bridge to you?
|
|
|
|
GEORDI
|
|
If he had, he would not have left
|
|
the ship.
|
|
|
|
57 OMITTED
|
|
|
|
58 WIDER ANGLE
|
|
|
|
Lian has picked up a reading:
|
|
|
|
LIAN
|
|
Picking up an object to starboard,
|
|
sir -- heading toward us.
|
|
|
|
GEORDI
|
|
Lock phasers and fire the moment
|
|
it's in range.
|
|
|
|
WORF
|
|
Aye, sir. Locking and --
|
|
(scanning)
|
|
Object has vanished.
|
|
|
|
59 NEW ANGLE (OPTICAL)
|
|
|
|
The INTERRUPTER EFFECT SHAKES THE BRIDGE as the ship
|
|
takes another hit.
|
|
|
|
WORF
|
|
Phaser lock lost.
|
|
|
|
The EFFECT ENDS.
|
|
|
|
LIAN
|
|
Starboard shields weakened.
|
|
|
|
WORF
|
|
It's cloaked itself.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 30.
|
|
|
|
59 CONTINUED:
|
|
|
|
LOGAN
|
|
You can't fight this thing and
|
|
win. We've got to break orbit --
|
|
now.
|
|
|
|
Geordi ignores Logan, ponders the problem.
|
|
|
|
GEORDI
|
|
Worf -- analyze its firing
|
|
pattern. Maybe we can anticipate
|
|
its location.
|
|
|
|
WORF
|
|
Aye.
|
|
(to Solis)
|
|
Correlate the trajectory of the
|
|
energy bolts with the attack path.
|
|
I'll compute the optimum spread
|
|
of phasers and photon torpedoes
|
|
to hit it.
|
|
|
|
Solis programs that into the computer as Worf sets up
|
|
the weaponry.
|
|
|
|
LOGAN
|
|
(protesting)
|
|
Lieutenant La Forge.
|
|
|
|
Logan stops himself, tries another tack.
|
|
|
|
LOGAN
|
|
(continuing; softer)
|
|
Geordi -- I know you want to do
|
|
what's best for the Enterprise.
|
|
So do I. Now... the best thing...
|
|
|
|
GEORDI
|
|
The best thing is for this
|
|
discussion to end and for you to
|
|
get on with your duties. I am
|
|
in charge until relieved by
|
|
Commander Riker or Captain Picard.
|
|
|
|
LOGAN
|
|
You are ignoring my greater rank
|
|
and experience.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 31.
|
|
|
|
59 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Not at all, I'm counting on it.
|
|
Get back to Engineering and find
|
|
me every scrap of extra power you
|
|
can. The more we can channel to
|
|
the shields, the longer we can
|
|
hold out.
|
|
|
|
LOGAN
|
|
All right.
|
|
|
|
Logan EXITS into a turbolift.
|
|
|
|
GEORDI
|
|
Have you got a lock on it?
|
|
|
|
WORF
|
|
Impossible to be sure.
|
|
|
|
60
|
|
thru OMITTED
|
|
68
|
|
|
|
69 EXT. PLANET SURFACE - JUNGLE (OPTICAL)
|
|
|
|
Tasha steps up to Riker.
|
|
|
|
TASHA
|
|
Maybe you should wait here while
|
|
Data and I search for Doctor
|
|
Crusher and Captain Picard.
|
|
|
|
RIKER
|
|
I'm a little groggy, but I'll
|
|
be all right.
|
|
|
|
DATA
|
|
I am getting energy readings.
|
|
|
|
Another WEAPON WHISTLES PASSED them. THEY SCATTER.
|
|
|
|
70 ANOTHER ANGLE (OPTICAL)
|
|
|
|
Tasha looks over at Data.
|
|
|
|
TASHA
|
|
We'll do it just like before.
|
|
|
|
They try their little "I-make-it-go-to-the-left-and-you-pick-it-off"
|
|
trick. Tasha FIRES - then Data FIRES.
|
|
This time the Weapon doesn't dodge out of the way.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 32.
|
|
|
|
70 CONTINUED:
|
|
|
|
TASHA
|
|
It's got a deflector shield.
|
|
|
|
DATA
|
|
The product continues to upgrade
|
|
and improve.
|
|
|
|
TASHA
|
|
Spread out. We'll concentrate
|
|
our fire and try to collapse its
|
|
shield.
|
|
|
|
Data, Tasha and Riker SPREAD OUT. Then as the WEAPON
|
|
MOVES toward Tasha, THEY all FIRE - HITTING THE WEAPON
|
|
from different angles and putting the most possible
|
|
drain on its deflectors. The combination works. The
|
|
WEAPON EXPLODES.
|
|
|
|
TASHA
|
|
(continuing)
|
|
You're right, they keep getting
|
|
better.
|
|
|
|
DATA
|
|
Commander, the weapons are
|
|
appearing at intervals of
|
|
precisely twelve minutes.
|
|
|
|
TASHA
|
|
That one took everything we had.
|
|
I don't know how we'll handle the
|
|
next one.
|
|
|
|
RIKER
|
|
Then let's try and not be here.
|
|
Come on, let's find the rest of
|
|
our team.
|
|
|
|
The Trio SPREADS OUT and MOVES into the dense jungle
|
|
foliage.
|
|
|
|
71 INT. CAVERN
|
|
|
|
Beverly is half buried under a ton of debris. Picard
|
|
tries to pull her out. He can't. But he clears away
|
|
more of the rubble.
|
|
|
|
72 ANGLE ON BEVERLY
|
|
|
|
drifting into unconsciousness; she's in very bad shape,
|
|
with multiple lacerations.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 33.
|
|
|
|
73 ON PICARD
|
|
|
|
shaking her and talking to her -- desperately to keep
|
|
her awake.
|
|
|
|
PICARD
|
|
Oh, no you don't -- no time to
|
|
sleep.
|
|
|
|
But Beverly is falling rapidly --
|
|
|
|
BEVERLY
|
|
(barely audible)
|
|
I'm tired. Very tired.
|
|
|
|
PICARD
|
|
Come on, stay with me, Doctor.
|
|
|
|
She's very weak, and though she tries -- she can't keep
|
|
her eyes open. Picard's frustration builds --
|
|
|
|
PICARD
|
|
(continuing)
|
|
Stay alert, Doctor! That's an
|
|
order, damn it!
|
|
|
|
BEVERLY
|
|
I must have lost a lot of blood.
|
|
|
|
PICARD
|
|
I've stopped the bleeding --
|
|
|
|
Beverly makes an effort to shake her head.
|
|
|
|
BEVERLY
|
|
There's another wound. My leg.
|
|
|
|
Picard frantically digs away the rubble and mush around
|
|
her legs -- the DIRT IS A DEEP RED MUD from the blood.
|
|
|
|
74 NEW ANGLE
|
|
|
|
Picard can't get to her wounds -- he must lift and pull
|
|
her legs from under the rubble.
|
|
|
|
PICARD
|
|
This is going to hurt a bit,
|
|
Doctor.
|
|
|
|
BEVERLY
|
|
(with the faintest of
|
|
smiles)
|
|
I heard that before.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 34.
|
|
|
|
74 CONTINUED:
|
|
|
|
Picard then lifts her legs -- and Beverly does
|
|
everything to hold in a scream. But her expression
|
|
tells us just how much pain she's going through. This
|
|
is a woman of great courage! Picard then rips a piece
|
|
her smock into a makeshift bandage and strap for a
|
|
tourniquet. When that's done, Picard turns to Beverly:
|
|
|
|
PICARD
|
|
Doctor -- you have to stay awake
|
|
-- you have to help me! Tell me
|
|
what to do.
|
|
|
|
Beverly nods -- she'll try.
|
|
|
|
PICARD
|
|
(continuing)
|
|
What else can I do?
|
|
|
|
Beverly makes an effort to point at something -- but
|
|
she is too weak to lift her hand.
|
|
|
|
BEVERLY
|
|
The wound needs a clotting agent.
|
|
|
|
PICARD
|
|
I can't find your medical kit.
|
|
|
|
She forces herself to look around.
|
|
|
|
BEVERLY
|
|
Those roots. What are they?
|
|
|
|
PICARD
|
|
These?
|
|
|
|
She nods. Picard pulls at a long root, breaking it off
|
|
and showing it to her.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I don't know.
|
|
|
|
BEVERLY
|
|
Break off a piece and taste it.
|
|
Don't swallow.
|
|
|
|
Picard breaks open the root and pops a piece into his
|
|
mouth, and spits it out.
|
|
|
|
PICARD
|
|
It's very bitter --
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 35.
|
|
|
|
74 CONTINUED: (2)
|
|
|
|
She nods.
|
|
|
|
BEVERLY
|
|
Good. Pound it into a paste and
|
|
spread in onto the wound.
|
|
|
|
PICARD
|
|
I understand.
|
|
|
|
75 ON PICARD
|
|
|
|
as he SQUEEZES THE ROOT, making a sort of ointment.
|
|
When he has enough, he smears it on her wounds. Again,
|
|
Beverly begins to drift away.
|
|
|
|
PICARD
|
|
What do we do next, Doctor?
|
|
|
|
But Beverly is so tired --
|
|
|
|
PICARD
|
|
(continuing)
|
|
Help me -- you've got to help me!
|
|
|
|
Beverly opens her eyes -- fighting the sleep with all
|
|
her fading strength. Picard gets an idea -- he appeals
|
|
to her professionalism:
|
|
|
|
PICARD
|
|
(continuing)
|
|
The patient has lost a great deal
|
|
of blood from multiple
|
|
lacerations. What's your
|
|
diagnosis, Doctor?
|
|
|
|
BEVERLY
|
|
Your patient is going into shock.
|
|
|
|
PICARD
|
|
What do I do?
|
|
|
|
BEVERLY
|
|
Elevate the legs and keep her
|
|
warm.
|
|
|
|
PICARD
|
|
All right. Stay with me, Doctor.
|
|
Keep talking...
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 36.
|
|
|
|
75 CONTINUED:
|
|
|
|
Picard gently lifts her legs -- resting them on top of
|
|
some rubble in an effort to keep the blood flowing to
|
|
her brain.
|
|
|
|
BEVERLY
|
|
Did you happen to bring a blanket?
|
|
|
|
Beverly is shivering and sweating profusely.
|
|
|
|
76 ON PICARD
|
|
|
|
anxiously looking at Beverly and then scanning the area
|
|
for something -- anything! -- to keep her warm.
|
|
|
|
PICARD
|
|
No, but I'll find something.
|
|
|
|
He gets up and begins looking around for something.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Keep up your end. Stay awake.
|
|
That's an order, Doctor.
|
|
|
|
77 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
still in orbit around the planet.
|
|
|
|
78 OMITTED
|
|
|
|
78A INT. MAIN BRIDGE (FORMERLY SCENE 60)
|
|
|
|
Everyone is very tense.
|
|
|
|
GEORDI
|
|
A shot in the dark is better than
|
|
nothing. Let's see if we can get
|
|
lucky.
|
|
|
|
SOLIS
|
|
I can't seem to pin down the
|
|
pattern...
|
|
|
|
Geordi STEPS TO Solis's position, looks over Solis'
|
|
shoulder, and makes an adjustment on the console.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 37.
|
|
|
|
78A CONTINUED:
|
|
|
|
SOLIS
|
|
Sorry, sir. I should have seen
|
|
that.
|
|
|
|
GEORDI
|
|
It's all right. You are doing
|
|
fine.
|
|
|
|
Worf completes his own adjustments.
|
|
|
|
WORF
|
|
Program laid in, sir. Phasers and
|
|
photon torpedoes ready.
|
|
|
|
78B ANOTHER ANGLE (FORMERLY SCENE 61)
|
|
|
|
Geordi RETURNS to the Command position.
|
|
|
|
GEORDI
|
|
Bring her about to two-three mark
|
|
one-eight-five.
|
|
|
|
LIAN
|
|
Aye, sir.
|
|
|
|
78C NEW ANGLE (OPTICAL) (FORMERLY SCENE 62)
|
|
|
|
as the INTERRUPTER EFFECT HITS them again. The moment
|
|
the EFFECT ENDS --
|
|
|
|
GEORDI
|
|
Fire!
|
|
|
|
WORF
|
|
Phasers and photons firing.
|
|
|
|
78D EXT. SPACE - ENTERPRISE (OPTICAL) (FORMERLY SC. 63)
|
|
|
|
FIRING main PHASERS and a spread of PHOTONS
|
|
simultaneously.
|
|
|
|
78E INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Worf SLAMS the console in frustration.
|
|
|
|
WORF
|
|
We missed.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 38.
|
|
|
|
79 ANOTHER ANGLE (OPTICAL)
|
|
|
|
as the BRIDGE IS SHAKEN BY another INTERRUPTER EFFECT,
|
|
taking the crew by surprise. The EFFECT ENDS.
|
|
|
|
SOLIS
|
|
Number four shield buckling.
|
|
|
|
80 ON GEORDI (OPTICAL)
|
|
|
|
as he sits back down in the Command Chair. He's
|
|
stunned. How do you fight this thing? What should he
|
|
do next?
|
|
|
|
The INTERRUPTER EFFECT HITS again. BRIDGE LIGHTS DIM
|
|
ALMOST TO BLACK -- power systems can no longer
|
|
compensate. The EFFECT ENDS.
|
|
|
|
SOLIS
|
|
Number three shield nearing
|
|
failure.
|
|
|
|
LOGAN'S COM VOICE
|
|
Bridge, this is Engineering. I
|
|
can't hold this power level much
|
|
longer.
|
|
|
|
SOLIS
|
|
Backup systems are overloaded.
|
|
|
|
Worf looks to Geordi.
|
|
|
|
81 OMITTED
|
|
|
|
82 WIDER ANGLE (OPTICAL)
|
|
|
|
Geordi is silent, desperately trying to come up with a
|
|
plan. The INTERRUPTER EFFECT HITS again, then ENDS.
|
|
|
|
SOLIS
|
|
Backup systems failing.
|
|
|
|
There's a touch of urgency in Solis's voice. Geordi
|
|
becomes aware that Worf, Lian, Troi, and the rest of
|
|
the bridge crew are looking at him. Nothing obvious,
|
|
not a cold stare -- just a simple expectation.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT THREE 39.
|
|
|
|
83 ON GEORDI
|
|
|
|
as it dawns on him: they're waiting for orders. The
|
|
entire crew is looking to him for their next move...
|
|
and he hasn't got one.
|
|
|
|
LOGAN'S COM VOICE
|
|
Bridge, this is Engineering. Tell
|
|
me something.
|
|
|
|
As we PUSH IN on his look of pain and indecision, we:
|
|
|
|
GEORDI
|
|
(into com)
|
|
Mister Logan, report to the bridge.
|
|
|
|
LOGAN'S COM VOICE
|
|
On my way.
|
|
|
|
83A REACTIONS
|
|
|
|
Everyone on the bridge believes Geordi is about to
|
|
relinquish his command.
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 40.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
84 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
It's BEING HAMMERED by something which we cannot see.
|
|
|
|
85 INT. MAIN BRIDGE
|
|
|
|
Geordi is in the Command position.
|
|
|
|
WORF
|
|
Deflectors are breaking down.
|
|
We have less than one minute of
|
|
reserve.
|
|
|
|
Logan STEPS ONTO the bridge and STRIDES OVER TO
|
|
Geordi.
|
|
|
|
GEORDI
|
|
We are getting out of here.
|
|
|
|
Worf REACTS to the thought of retreat.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Ensign T'su - set course. Three-one-five...
|
|
mark zero-seven.
|
|
|
|
LIAN
|
|
Course set.
|
|
|
|
LOGAN
|
|
You are leaving them on that
|
|
planet?
|
|
|
|
GEORDI
|
|
Speed warp five.
|
|
|
|
LIAN
|
|
Warp five - aye.
|
|
|
|
GEORDI
|
|
Engage.
|
|
|
|
86 EXT. SPACE - ENTERPRISE (OPTICAL)
|
|
|
|
as it WARPS AWAY from the planet.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 41.
|
|
|
|
87 INT. MAIN BRIDGE
|
|
|
|
Those around Geordi are surprised by this apparent
|
|
retreat.
|
|
|
|
GEORDI
|
|
Hold course and speed for twenty-eight
|
|
seconds, then come to a full
|
|
stop.
|
|
|
|
Geordi stands so that everyone on the bridge can see
|
|
him.
|
|
|
|
GEORDI
|
|
If we stay, we'll be destroyed.
|
|
There are over a thousand people
|
|
on the ship -- I have a
|
|
responsibility to them.
|
|
|
|
LOGAN
|
|
What about your responsibility
|
|
to Captain Picard and the members
|
|
of the away team?
|
|
|
|
GEORDI
|
|
We have a responsibility to them
|
|
as well. Mister Logan, you are
|
|
going to take command...
|
|
|
|
Logan REACTS.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
... of the Saucer Section. Bridge
|
|
crew - prepare to move to the
|
|
Battle Bridge.
|
|
|
|
LOGAN
|
|
You're going to separate?
|
|
|
|
GEORDI
|
|
Yes. I want you to take the
|
|
Saucer Section and proceed
|
|
immediately for Starbase
|
|
One-zero-three.
|
|
|
|
LOGAN
|
|
You still won't be able to see
|
|
that device.
|
|
|
|
GEORDI
|
|
There are ways.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 42.
|
|
|
|
87 CONTINUED:
|
|
|
|
LOGAN
|
|
(with a little envy)
|
|
Risky.
|
|
|
|
GEORDI
|
|
That's why we are going to
|
|
separate.
|
|
|
|
Geordi rises and moves toward the turbolift which goes
|
|
to the Battle Bridge.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Worf, Solis, T'su. You're with
|
|
me on the Battle Bridge. Good
|
|
luck, Mister Logan.
|
|
|
|
The key members of the bridge crew FOLLOW Geordi to
|
|
the turbolift.
|
|
|
|
88 INT. CAVERN
|
|
|
|
Picard is in the pit looking for something which will
|
|
provide warmth.
|
|
|
|
{Picard will continue talking to Beverly as he searches
|
|
the cavern. Pages to come.}
|
|
|
|
Roots have come in and tightened the passageway making
|
|
it difficult for him to move around. He sees something -
|
|
a little FLICKERING GLOW. He moves toward it.
|
|
|
|
89 ANOTHER ANGLE
|
|
|
|
He clears away roots and earthen debris from around the
|
|
GLOW. It's a viewscreen -- OFF Picard's REACTION.
|
|
|
|
90 EXT. PLANET SURFACE
|
|
|
|
Tasha, Data, and a more revived Riker are searching
|
|
close to the spot where Picard and Beverly disappeared.
|
|
|
|
DATA
|
|
Commander -- here. There seem
|
|
to be air shafts overgrown with
|
|
vegetation. Perhaps they somehow
|
|
fell through one of them.
|
|
|
|
RIKER
|
|
Clear some of that away.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 43.
|
|
|
|
90 CONTINUED:
|
|
|
|
TASHA
|
|
If Data's calculations are
|
|
correct, the next sphere should
|
|
show itself in two minutes.
|
|
|
|
They work faster.
|
|
|
|
91 INT. CAVERN (OPTICAL)
|
|
|
|
Picard moves closer to the viewscreen. SUDDENLY, a
|
|
figure MATERIALIZES beside him. Picard nearly jumps
|
|
out of his skin.
|
|
|
|
92 ON PICARD AND THE FIGURE
|
|
|
|
It's the Peddler from the opening.
|
|
|
|
THE PEDDLER
|
|
{He starts to give a sales pitch
|
|
to Picard. It tells Picard about
|
|
the machine. Picard realizes that
|
|
these people have created a nearly
|
|
perfect killing system. The spy
|
|
at the beginning, and all of these
|
|
devices which are capable of
|
|
learning and improving.}
|
|
|
|
PICARD
|
|
You poor fools. The first time
|
|
you tested it, or demonstrated
|
|
it... something went wrong and
|
|
your creation destroyed you.
|
|
|
|
Picard hears a NOISE... a GURGLING from somewhere
|
|
behind the screen.
|
|
|
|
PICARD
|
|
What was that noise?
|
|
|
|
THE PEDDLER
|
|
{Another (something from the model
|
|
number... ) is about to clear.
|
|
Something about the demonstration.
|
|
that it is another one of the
|
|
devices going to the surface.}
|
|
|
|
PICARD
|
|
Can you stop it?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 44.
|
|
|
|
92 CONTINUED:
|
|
|
|
THE PEDDLER
|
|
Why would I want to do that? It
|
|
can't demonstrate its abilities
|
|
unless it leaves the nest.
|
|
|
|
Picard looks at the Peddler. A VOICE calls out.
|
|
|
|
RIKER (O.S.)
|
|
Captain... can you hear me?
|
|
|
|
93 ON PICARD
|
|
|
|
He steps back and looks up.
|
|
|
|
PICARD
|
|
Yes -- we're here.
|
|
|
|
94 INTERCUT AS NEEDED
|
|
|
|
Riker YELLING down the hole and Picard YELLING back.
|
|
|
|
RIKER
|
|
Are you all right?
|
|
|
|
PICARD
|
|
Doctor Crusher has been seriously
|
|
injured. Our communicators are
|
|
out and I haven't been able to
|
|
contact the Enterprise.
|
|
|
|
RIKER
|
|
Yes, we are in the same fix. Is
|
|
there a way to get down to you?
|
|
|
|
PICARD
|
|
None that I know of. Number One,
|
|
those devices are part of a system
|
|
which is located down here.
|
|
Another is about to be released.
|
|
|
|
95 EXT. PLANET SURFACE
|
|
|
|
Riker, Data and Tasha as they look down the hole.
|
|
|
|
TASHA
|
|
We know, Captain.
|
|
|
|
Riker stares down into the cavern.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 45.
|
|
|
|
95 CONTINUED:
|
|
|
|
RIKER
|
|
It's too far. There is nothing
|
|
to hold onto... no way to climb
|
|
down.
|
|
|
|
TASHA
|
|
I'm surprised either of them
|
|
survived.
|
|
|
|
DATA
|
|
Commander, I can do it.
|
|
|
|
RIKER
|
|
How?
|
|
|
|
DATA
|
|
Jump.
|
|
|
|
RIKER
|
|
It's over ten meters.
|
|
|
|
DATA
|
|
Eleven point seven five.
|
|
|
|
TASHA
|
|
Data, you're sturdy, but you're
|
|
not indestructible.
|
|
|
|
DATA
|
|
I believe I can safely traverse
|
|
the distance.
|
|
|
|
RIKER
|
|
(yelling)
|
|
Captain -- Data is coming down to
|
|
join you.
|
|
|
|
With a little look, Riker takes a STEP BACKWARD.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Be my guest.
|
|
|
|
And without further discussion or hesitation, Data
|
|
STEPS FORWARD AND DISAPPEARS.
|
|
|
|
96 INT. CAVERN
|
|
|
|
as Data FALLS IN, lands on his feet with great force.
|
|
His android legs absorb the impact.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 46.
|
|
|
|
96 CONTINUED:
|
|
|
|
PICARD
|
|
(concerned)
|
|
Data!
|
|
|
|
DATA
|
|
At your service, Captain.
|
|
|
|
97 INT. BATTLE BRIDGE
|
|
|
|
Worf and other BRIDGE PERSONNEL take their stations
|
|
and fire up their consoles. After a beat, Geordi
|
|
takes the Command position.
|
|
|
|
GEORDI
|
|
Prepare to initiate separation
|
|
sequence.
|
|
|
|
SOLIS
|
|
All decks report ready.
|
|
|
|
GEORDI
|
|
(with a pause, because
|
|
it's such a big
|
|
decision)
|
|
Begin separation.
|
|
|
|
98 EXT. SPACE - ENTERPRISE (OPTICAL - STOCK)
|
|
|
|
VARIOUS ANGLES of the separation process, ending with
|
|
the TWO SECTIONS APART.
|
|
|
|
99 INT. BATTLE BRIDGE
|
|
|
|
WORF
|
|
Separation complete, sir.
|
|
|
|
GEORDI
|
|
Lian -- lay in a course for Minos --
|
|
warp five.
|
|
|
|
LIAN
|
|
Course set.
|
|
|
|
GEORDI
|
|
Engage.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FOUR 47.
|
|
|
|
100
|
|
thru OMITTED
|
|
102
|
|
|
|
103 EXT. SPACE - BATTLE CRUISER (OPTICAL - STOCK)
|
|
|
|
It BLASTS INTO WARP EIGHT AND VANISHES.
|
|
|
|
103A EXT. PLANET SURFACE
|
|
|
|
Tasha and Riker by the hole through which Data has
|
|
disappeared.
|
|
|
|
TASHA
|
|
We had better find a defensive
|
|
position. If Data's right --
|
|
|
|
RIKER
|
|
And he usually is.
|
|
|
|
TASHA
|
|
We're going to have company in
|
|
thirty seconds. And this time...
|
|
I don't know how we're going to
|
|
stop it.
|
|
|
|
OFF their REACTION, WE:
|
|
|
|
FADE OUT:
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 48.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
104 EXT. SPACE - THE ENTERPRISE BATTLE CRUISER (OPTICAL)) 104
|
|
|
|
as it COMES OUT OF WARP SPEED near the planet Minos.
|
|
|
|
105 INT. BATTLE BRIDGE
|
|
|
|
Everyone is tense.
|
|
|
|
SOLIS
|
|
Shields and deflectors are up.
|
|
|
|
GEORDI
|
|
(to Lian)
|
|
When I order the shields down,
|
|
you have one responsibility.
|
|
Locate the away team and get them
|
|
up here. You may only have a few
|
|
seconds.
|
|
|
|
LIAN
|
|
Approaching the planet, sir.
|
|
|
|
Geordi has picked up on Lian and Solis's look of
|
|
apprehension. He gets up from the Command chair,
|
|
CROSSES to them.
|
|
|
|
GEORDI
|
|
The ride's going to get a little
|
|
bumpy. Things are going to happen
|
|
fast.
|
|
|
|
Although he's looking at both of them, his concerns are
|
|
more for the younger Ensign T'su.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Just keep alert... stay calm...
|
|
and focus on the task at hand.
|
|
You know your jobs.
|
|
|
|
105A REACTIONS
|
|
|
|
as Lian and Solis listen and draw courage from Geordi's
|
|
words. Even Worf pays respectful attention.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 49.
|
|
|
|
105A CONTINUED:
|
|
|
|
GEORDI
|
|
You've been trained, you've been
|
|
tested, and you've earned the
|
|
right to sit in those chairs.
|
|
|
|
105B OMITTED
|
|
|
|
106 INT. CAVERN
|
|
|
|
Data is with Picard inspecting the computer. There is
|
|
a NOISE.
|
|
|
|
DATA
|
|
Another weapon has been launched.
|
|
|
|
PICARD
|
|
We have to find a way to stop this
|
|
system.
|
|
|
|
DATA
|
|
I need to see the program
|
|
schematic.
|
|
|
|
Data expects Picard to answer, but it's the Peddler who
|
|
says:
|
|
|
|
THE PEDDLER
|
|
You got it.
|
|
|
|
107 ON VIEWSCREEN (OPTICAL)
|
|
|
|
The DIAGRAM OF THE WORKINGS of the system.
|
|
|
|
107A BACK TO SHOT (OPTICAL)
|
|
|
|
PICARD
|
|
Is it possible to re-adjust the
|
|
targeting sequence?
|
|
|
|
THE PEDDLER
|
|
Absolutely. They wouldn't be
|
|
much good if you couldn't.
|
|
|
|
PICARD
|
|
Data, assign it a neutral target.
|
|
|
|
DATA
|
|
The target must be specific.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 50.
|
|
|
|
107A CONTINUED:
|
|
|
|
PICARD
|
|
Itself, then. Have it track
|
|
itself or the power source that
|
|
manufactures it.
|
|
|
|
DATA
|
|
The force of that explosion would
|
|
destroy this chamber and evervone
|
|
near by.
|
|
|
|
PEDDLER
|
|
Watch now - the Echo-Papa, Series
|
|
Six-oh-seven is about to complete
|
|
this phase of its mission.
|
|
|
|
ON the Screen, the DOTS representing Tasha and Riker
|
|
are ABOUT TO INTERSECT WITH THE DOT representing the
|
|
weapons.
|
|
|
|
107B EXT. PLANET SURFACE
|
|
|
|
Tasha and Riker SCRAMBLE to find cover in the foliage.
|
|
|
|
RIKER
|
|
Got any ideas?
|
|
|
|
TASHA
|
|
None.
|
|
|
|
107C INT. CAVERN
|
|
|
|
Picard knows the clock is running out.
|
|
|
|
PICARD
|
|
Give me some options, Data...
|
|
Quickly.
|
|
|
|
BEVERLY
|
|
Why don't you just shut it off?
|
|
|
|
Picard REACTS.
|
|
|
|
PICARD
|
|
(to Data)
|
|
Is that possible?
|
|
|
|
BEVERLY
|
|
Why not -- it's a machine, isn't
|
|
it?
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 51.
|
|
|
|
107C CONTINUED:
|
|
|
|
PICARD
|
|
(to the Peddler)
|
|
Shut it off.
|
|
|
|
THE PEDDLER
|
|
But, you haven't seen half of
|
|
what this beauty can do.
|
|
|
|
PICARD
|
|
We've seen enough.
|
|
|
|
THE PEDDLER
|
|
Does that mean you are going to
|
|
buy it?
|
|
|
|
PICARD
|
|
If that's what it takes to shut
|
|
it off. Yes... I've seen enough --
|
|
you've made a sale.
|
|
|
|
THE PEDDLER
|
|
You won't be sorry.
|
|
|
|
PICARD
|
|
Now... end the demonstration.
|
|
|
|
THE PEDDLER
|
|
Done.
|
|
|
|
And the Peddler DISAPPEARS, and the screen goes DARK.
|
|
There is the SOUND OF SERVOS SHUTTING DOWN.
|
|
|
|
108 EXT. PLANET SURFACE (FORMERLY "INTERCUT")
|
|
|
|
Riker and Tasha see the weapon MOVING through the
|
|
foliage and they know there's nothing they can do about
|
|
it. Riker gives Tasha a look, they both turn to face
|
|
the weapon. Suddenly, IT STOPS. Right where it is -
|
|
HANGS in the air for a moment, then DISSOLVES (or if
|
|
you like... just DROPS to the ground). Riker and Tasha
|
|
REACT with relief.
|
|
|
|
PICARD'S COM VOICE
|
|
Number One!
|
|
|
|
Riker is surprised to have his communicator working.
|
|
|
|
RIKER
|
|
Here, sir. That was close.
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 52.
|
|
|
|
108A INT. CAVERN
|
|
|
|
Picard and Data. The Peddler HAS GONE.
|
|
|
|
PICARD
|
|
(into com)
|
|
Lieutenant La Forge.
|
|
|
|
109 OMITTED
|
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110 INT. BATTLE BRIDGE (OPTICAL)
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|
manned as before.
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GEORDI
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It's great to hear your voice,
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Captain. We're a little busy
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right now. I'll get right back
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to you.
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WORF
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Phasers at full readiness.
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GEORDI
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Keep those shields at full power.
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It'll be on us any moment.
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And without warning, the INTERRUPTER EFFECT HITS,
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shaking the ship. The moment it ENDS:
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WORF
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Shields holding.
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GEORDI
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Ahead one-quarter, heading
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two-five mark three-zero-zero.
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LIAN
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That heading will take us further
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into the planet's atmosphere.
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GEORDI
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That's correct.
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(to Lian)
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We're going to lose some
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maneuverability, so keep a firm
|
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hand on the helm.
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LIAN
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(can do)
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Aye, sir.
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STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 53.
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110 CONTINUED:
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WORF
|
|
(catching on)
|
|
You want our attacker to follow
|
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us into the atmosphere...
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GEORDI
|
|
(nods)
|
|
That's what I'm hoping.
|
|
(to Solis)
|
|
Scan for any air disruption or
|
|
vortex -- cloak or no cloak,
|
|
we'll spot it by its turbulence.
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|
|
|
All around the Battle bridge, faces light up with
|
|
enthusiasm. Geordi's plan will work.
|
|
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|
GEORDI
|
|
(to Worf)
|
|
How fast will you be able to get
|
|
a phaser lock?
|
|
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|
WORF
|
|
Just watch me.
|
|
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|
SOLIS
|
|
Hull temperature one thousand
|
|
degrees and rising.
|
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|
|
GEORDI
|
|
Emergency power to deflectors.
|
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|
111 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
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|
|
Minos fills the Main Viewer. The image begins to
|
|
SHIMMER and BLUR as the atmospheric turbulence worsens.
|
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|
|
LIAN
|
|
Velocity increasing, sir.
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|
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|
GEORDI
|
|
Steady as she goes.
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|
112 EXT. SPACE - BATTLE CRUISER IN ATMOSPHERE (OPTICAL)
|
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|
|
The STARS ARE STILL VISIBLE, BUT THE BLACKNESS OF SPACE
|
|
IS DEFINITELY GRAYISH AND OBSCURED. A RED HALO
|
|
SURROUNDS THE BATTLE CRUISER, the result of air
|
|
friction upon the ship's shields.
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|
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|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 54.
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|
113 INT. BATTLE BRIDGE (OPTICAL)
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|
|
The Main Viewer shows nothing but a BLUR of motion.
|
|
The bridge itself is beginning to SHAKE from the
|
|
TURBULENCE. Geordi MOVES from station to station,
|
|
brimming with controlled energy.
|
|
|
|
SOLIS
|
|
Hull temperature twenty-five
|
|
hundred degrees.
|
|
|
|
WORF
|
|
Deflectors nearing overload.
|
|
|
|
LIAN
|
|
Helm is growing unresponsive, sir.
|
|
|
|
GEORDI
|
|
Can you compensate?
|
|
|
|
LIAN
|
|
Yes, sir, I can.
|
|
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|
SOLIS
|
|
Hull three thousand degrees.
|
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|
|
GEORDI
|
|
Maintain heading.
|
|
|
|
SOLIS
|
|
Thirty-three hundred degrees.
|
|
|
|
WORF
|
|
Number four deflector inoperative.
|
|
|
|
SOLIS
|
|
Turbulence to starboard!
|
|
|
|
113A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
WE SEE the OUTLINE OF THE CLAW.
|
|
|
|
113B INT. BATTLE BRIDGE
|
|
|
|
SOLIS
|
|
Scanners locked --
|
|
|
|
WORF
|
|
Weapons locked!
|
|
|
|
GEORDI
|
|
(overlapping)
|
|
Fire!
|
|
|
|
STAR TREK: "The Arsenal... " - 1/25/88 - ACT FIVE 55.
|
|
|
|
114 EXT. SPACE - BATTLE CRUISER IN ATMOSPHERE (OPTICAL)
|
|
|
|
FIRING FULL PHASERS to starboard.
|
|
|
|
115 INT. BATTLE BRIDGE (OPTICAL)
|
|
|
|
as a splendiferous TECHNICOLOR EXPLOSION fills the Main
|
|
Viewer.
|
|
|
|
WORF
|
|
Got him!
|
|
|
|
The bridge crew is jubilant.
|
|
|
|
GEORDI
|
|
Come to four-zero mark six-five,
|
|
ahead one-third, and assume
|
|
standard orbit.
|
|
|
|
LIAN
|
|
Locked onto life-forms and ready
|
|
to beam them up.
|
|
|
|
GEORDI
|
|
Excellent. Energize.
|
|
|
|
116
|
|
thru OMITTED
|
|
119
|
|
|
|
120 ANOTHER ANGLE - BATTLE BRIDGE (OPTICAL)
|
|
|
|
as Riker, Tasha, Data, Picard, and Beverly MATERIALIZE
|
|
on the bridge.
|
|
|
|
GEORDI
|
|
Ensign T'su -- lay in a course
|
|
to rendezvous with the Saucer
|
|
Section.
|
|
|
|
{There will be an exchange between Picard and Geordi.}
|
|
|
|
121 EXT. SPACE - THE ENTERPRISE BATTLE CRUISER (OPTICAL))
|
|
|
|
as it WARPS OFF.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
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|