mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-28 19:42:50 +00:00
1 line
60 KiB
Plaintext
Executable File
1 line
60 KiB
Plaintext
Executable File
|
|
|
|
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
|
|
"The Measure of a Man"
|
|
#40272-135
|
|
|
|
Written by
|
|
Melinda Snodgrass
|
|
|
|
Directed by
|
|
Robert Scheerer
|
|
|
|
|
|
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
|
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
|
WITH THE TELEVISION LEGAL DEPARTMENT.
|
|
|
|
Copyright 1988 Paramount Pictures Corporation. All Rights
|
|
Reserved. This script is not for publication or
|
|
reproduction. No one is authorized to dispose of same. If
|
|
lost or destroyed, please notify the Script Department.
|
|
|
|
|
|
2ND REV. FINAL DRAFT
|
|
|
|
DECEMBER 14, 1988
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - CAST
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Measure of a Man"
|
|
|
|
CAST
|
|
|
|
PICARD CAPTAIN PHILLIPA LOUVOIS
|
|
RIKER ADMIRAL NAKAMURA (MALE)
|
|
DATA COMMANDER BRUCE MADDOX
|
|
PULASKI
|
|
TROI Voice-Over
|
|
GEORDI COMPUTER VOICE
|
|
WORF
|
|
WESLEY
|
|
GUINAN
|
|
O'BRIEN
|
|
|
|
Non-Speaking
|
|
CREWMEMBERS
|
|
|
|
Voice-Over
|
|
COMPUTER VOICE
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - SETS
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Measure of a Man"
|
|
|
|
SETS
|
|
|
|
INTERIORS EXTERIORS
|
|
|
|
USS ENTERPRISE USS ENTERPRISE
|
|
MAIN BRIDGE STARBASE 173
|
|
TRANSPORTER ROOM
|
|
CORRIDOR
|
|
TURBOLIFT
|
|
CAPTAIN'S READY ROOM
|
|
DATA'S QUARTERS
|
|
OBSERVATION LOUNGE
|
|
GYMNASIUM
|
|
COMPUTER ROOM
|
|
TEN-FORWARD
|
|
|
|
STARBASE 173
|
|
RESTAURANT
|
|
JUDGE ADVOCATE GENERAL'S OFFICE
|
|
COURTROOM
|
|
LOUNGE
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - TEASER 1.
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"The Measure of a Man"
|
|
|
|
TEASER
|
|
|
|
FADE IN:
|
|
|
|
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in route to Starbase one-seven-three.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 42523.7.
|
|
We are in route to newly
|
|
established Starbase one-seven-three for port
|
|
call. Crew rotation is scheduled,
|
|
and we will offload experiment
|
|
modules.
|
|
|
|
2
|
|
thru OMITTED
|
|
3
|
|
|
|
3A INT. ENTERPRISE - DATA'S QUARTERS
|
|
|
|
RIKER is seated shuffling cards. O'BRIEN, GEORDI and
|
|
DATA pulling out chairs. Data wears an eyeshade. Data
|
|
is almost into the chair when O'Brien stops him.
|
|
|
|
O'BRIEN
|
|
Hold it, that's my chair. My luck
|
|
is always lousy unless I start
|
|
on the dealer's left.
|
|
|
|
DATA
|
|
That would seem to be rank
|
|
superstition.
|
|
|
|
O'BRIEN
|
|
Bitter experience has taught me
|
|
it's a fundamental truth.
|
|
|
|
RIKER
|
|
(slapping the cards down
|
|
in front of O'Brien
|
|
who cuts them)
|
|
The game is five card stud,
|
|
nothing's wild.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - TEASER 2.
|
|
|
|
3A CONTINUED:
|
|
|
|
DATA
|
|
This game is exceedingly simple.
|
|
With only fifty-two cards,
|
|
seventeen of which I will see,
|
|
and four players there are a
|
|
limited number of possible winning
|
|
combinations.
|
|
|
|
GEORDI
|
|
There's more to it than just the
|
|
cards.
|
|
|
|
DATA
|
|
The bets will give an indication
|
|
of the relative strengths of each
|
|
hand.
|
|
|
|
O'BRIEN
|
|
(with a wink to Riker)
|
|
Time to pluck a pigeon.
|
|
|
|
Riker deals the cards. Betting begins with O'Brien,
|
|
and proceeds around the table. The third card is
|
|
dealt. O'Brien and Geordi pass, Data and Riker bid.
|
|
Fourth card, more bids and passes. Fifth card. Bets
|
|
are placed. Riker grins.
|
|
|
|
GEORDI
|
|
I think I'm in trouble.
|
|
|
|
He folds.
|
|
|
|
RIKER
|
|
I'll raise five.
|
|
|
|
O'BRIEN
|
|
Too rich for me.
|
|
|
|
He tosses his cards.
|
|
|
|
DATA
|
|
I will raise you three.
|
|
|
|
RIKER
|
|
Your three and five more.
|
|
|
|
Data is becoming increasingly puzzled. He considers
|
|
his cards, Riker's cards, considers the pot, studies
|
|
Riker's face.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - TEASER 3.
|
|
|
|
3A CONTINUED: (2)
|
|
|
|
DATA
|
|
Is this what is known as the poker
|
|
face?
|
|
|
|
RIKER
|
|
Are you playing or not?
|
|
|
|
DATA
|
|
I will fold.
|
|
|
|
Riker rakes in the chips, then turns over his cards
|
|
revealing a busted hand. Data turns his cards face
|
|
up. He held a winning hand.
|
|
|
|
DATA
|
|
(continuing)
|
|
You had nothing.
|
|
|
|
GEORDI
|
|
He bluffed you, Data.
|
|
|
|
DATA
|
|
It makes very little sense to bet
|
|
when you cannot win.
|
|
|
|
RIKER
|
|
But I did win. I was gambling
|
|
that you wouldn't call.
|
|
|
|
DATA
|
|
But how can you tell?
|
|
|
|
O'BRIEN
|
|
Instinct, Data, instinct.
|
|
(he shuffles the cards)
|
|
The game is seven card high/low
|
|
with a buy on the last card. And
|
|
just to make it interesting the
|
|
man with the axe takes all.
|
|
|
|
Data is looking completely bemused as the cards are
|
|
dealt.
|
|
|
|
3B OMITTED
|
|
|
|
3C EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
docking at Starbase one-seven-three.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - TEASER 4.
|
|
|
|
3D INT. STARBASE 173 - RESTAURANT
|
|
|
|
It's very high tech. PICARD sits alone at a table.
|
|
Before him is a cup. He suddenly straightens in his
|
|
chair as a beautiful WOMAN in her late forties enters.
|
|
She is in a Starfleet uniform which clearly is a
|
|
surprise to Picard. She is very poised, very
|
|
professional, and she scans the room as if searching
|
|
for someone. Her eyes light on Picard; and a funny,
|
|
ironic little smile curves her lips. Picard rises and
|
|
walks up to the passway to join her.
|
|
|
|
3E ANOTHER ANGLE
|
|
|
|
PICARD
|
|
(with a little edge on
|
|
the words)
|
|
My God, if it isn't Phillipa
|
|
Louvois, back in uniform.
|
|
|
|
PHILLIPA
|
|
Don't gloat, Picard. It's almost
|
|
more irritating then when you're
|
|
being self-righteous.
|
|
|
|
PICARD
|
|
Unbelievable, after all this time,
|
|
and we're picking up the threads
|
|
of old fights as if we'd never
|
|
been apart.
|
|
|
|
PHILLIPA
|
|
Ain't love wonderful.
|
|
|
|
FADE OUT.
|
|
|
|
END OF TEASER
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 5.
|
|
|
|
ACT ONE
|
|
|
|
FADE IN:
|
|
|
|
A4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in dock at Starbase one-seven-three.
|
|
|
|
4 INT. STARBASE 173 - LOUNGE
|
|
|
|
Phillipa and Picard standing on the pass-through.
|
|
|
|
PICARD
|
|
What are you doing out here?
|
|
|
|
PHILLIPA
|
|
I'm in charge of the Sector
|
|
twenty-three JAG office. I'll
|
|
be making some good law.
|
|
(a rueful smile)
|
|
And maybe do a little good along
|
|
the way, too. What do you think?
|
|
|
|
PICARD
|
|
Anything is possible. You
|
|
returned to Starfleet.
|
|
|
|
PHILLIPA
|
|
I had to, it's the most exciting
|
|
and worthwhile place to be.
|
|
|
|
PICARD
|
|
You didn't have to leave.
|
|
|
|
PHILLIPA
|
|
They forced me out.
|
|
|
|
PICARD
|
|
No. That was your own damn
|
|
stubborn pride.
|
|
|
|
PHILLIPA
|
|
(becoming heated)
|
|
When I prosecuted you in the
|
|
Stargazer court-martial I was
|
|
doing my job.
|
|
|
|
PICARD
|
|
No, you went way beyond doing the
|
|
job. You enjoyed it.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 6.
|
|
|
|
4 CONTINUED:
|
|
|
|
PHILLIPA
|
|
Not true! A court-martial is
|
|
standard when a ship has been
|
|
lost. I had a duty as an officer
|
|
in the Judge Advocate General.
|
|
|
|
PICARD
|
|
Flummery, you've always enjoyed
|
|
the adversarial process more than
|
|
arriving at the truth.
|
|
|
|
They both seem to realize that they are skating
|
|
dangerously close to very thin ice. They literally
|
|
physically turn away from each other while they recover
|
|
their tempers. Picard continues a little gruffly:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Well, I hope you've learned a
|
|
little wisdom.
|
|
|
|
PHILLIPA
|
|
(lightly)
|
|
Watch it, you're doing it again.
|
|
|
|
PICARD
|
|
(forcing a smile, and
|
|
we see the tension
|
|
leech from his body)
|
|
I'm not being self-righteous.
|
|
Merely right.
|
|
|
|
PHILLIPA
|
|
A distinction, I would submit,
|
|
without a difference.
|
|
|
|
PICARD
|
|
Come and sit down.
|
|
|
|
As they walk down off the pass-through and seat
|
|
themselves she says:
|
|
|
|
PHILLIPA
|
|
I can't stay long. I'm meeting
|
|
someone for dinner.
|
|
|
|
PICARD
|
|
But he hasn't arrived yet.
|
|
|
|
PHILLIPA
|
|
What makes you think it's a man?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 7.
|
|
|
|
4 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Past experience.
|
|
|
|
PHILLIPA
|
|
Cute. Try to remember that you're
|
|
an officer and a gentleman.
|
|
(she rises)
|
|
You know, I never thought I would
|
|
say this, but it is good to see
|
|
you again. You're still a damn
|
|
sexy man, Picard.
|
|
|
|
This rocks him back in his chair.
|
|
|
|
PHILLIPA
|
|
(continuing; very brisk)
|
|
So buy me dinner.
|
|
|
|
PICARD
|
|
I thought you were meeting
|
|
someone?
|
|
|
|
ADMIRAL NAKAMURA enters. With him is BRUCE MADDOX.
|
|
They cross to the table.
|
|
|
|
PHILLIPA
|
|
(struggling with
|
|
herself)
|
|
Once again you're always right,
|
|
Jean-Luc.
|
|
|
|
Phillipa whirls for a grand exit, and almost bumps
|
|
noses with Nakamura.
|
|
|
|
PHILLIPA
|
|
(continuing)
|
|
Admiral.
|
|
|
|
NAKAMURA
|
|
Captain Louvois. You're
|
|
acquainted with Captain Picard?
|
|
|
|
PHILLIPA
|
|
Yes, we're old... friends.
|
|
|
|
Phillipa exits.
|
|
|
|
NAKAMURA
|
|
Captain, good to see you again.
|
|
May I present Commander Bruce
|
|
Maddox. He has an interesting
|
|
proposal for you.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 8.
|
|
|
|
4 CONTINUED: (3)
|
|
|
|
Nakamura and Maddox exchange glances.
|
|
|
|
NAKAMURA
|
|
(continuing)
|
|
But that can wait until later.
|
|
I'm eager to see the Enterprise.
|
|
|
|
Picard looks from Nakamura to Maddox. Whatever this
|
|
"proposal" is, it is going to have import for himself
|
|
and his ship.
|
|
|
|
4A EXT. SPACE - THE ENTERPRISE
|
|
|
|
as before, docked at Starbase one-seven-three.
|
|
|
|
5 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Riker watches as Picard, Admiral Nakamura, and Maddox
|
|
BEAM ABOARD. SOUND EFFECT in the b.g. as Nakamura is
|
|
piped aboard.
|
|
|
|
PICARD
|
|
Admiral, Commander Maddox, allow
|
|
me to introduce my first officer,
|
|
Commander William Riker.
|
|
|
|
NAKAMURA
|
|
Pleasure, Commander.
|
|
|
|
They shake hands and begin walking toward the doors.
|
|
|
|
PICARD
|
|
How long has it been since we've
|
|
seen each other?
|
|
|
|
NAKAMURA
|
|
You'd just been assigned as an
|
|
ensign aboard the old Reliant.
|
|
|
|
PICARD
|
|
(lightly)
|
|
Oh yes, and I seem to remember
|
|
a certain young lieutenant who
|
|
had harsh words about snap
|
|
inspections, and the admirals who
|
|
pulled them.
|
|
|
|
NAKAMURA
|
|
The situation changes when you've
|
|
got the admiral's stripes.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 9.
|
|
|
|
5 CONTINUED:
|
|
|
|
The party steps through the doors and into the
|
|
Enterprise corridor.
|
|
|
|
6 INT. CORRIDOR
|
|
|
|
NAKAMURA
|
|
There isn't an officer in
|
|
Starfleet who wouldn't give his
|
|
right leg to be where you are -- Captain
|
|
of the Starship
|
|
Enterprise. I'm no different.
|
|
I just have the power to get
|
|
aboard.
|
|
|
|
PICARD
|
|
Happy to have you, Admiral.
|
|
|
|
They enter the turbolift.
|
|
|
|
7 INT. TURBOLIFT
|
|
|
|
PICARD
|
|
Bridge. Congratulations on your
|
|
appointment. Command of a
|
|
Starbase.
|
|
|
|
NAKAMURA
|
|
Thank you, but I miss a ship.
|
|
A bit of advice, Captain. Don't
|
|
ever become an admiral. They make
|
|
you an administrator.
|
|
|
|
They arrive, and step out onto the bridge.
|
|
|
|
8 INT. MAIN BRIDGE
|
|
|
|
RIKER
|
|
Admiral on the bridge.
|
|
|
|
On the bridge are Riker, WORF, Data, and WESLEY.
|
|
Everyone stiffens slightly, and looks around. Maddox
|
|
and Data lock eyes, and Data stands. Picard and
|
|
Nakamura converse as they tour the bridge. Riker
|
|
notices the by-play and frowns.
|
|
|
|
PICARD
|
|
I was a little surprised at the
|
|
decision to put a base in force
|
|
this close to the Neutral Zone.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 10.
|
|
|
|
8 CONTINUED:
|
|
|
|
NAKAMURA
|
|
As you know, we've had disturbing
|
|
news from both sides of the zone.
|
|
We're here to respond as needed.
|
|
And it won't hurt to have the
|
|
Romulans know we're nearby.
|
|
|
|
They complete their circuit of the bridge.
|
|
|
|
NAKAMURA
|
|
(continuing)
|
|
Well, Captain, I thank you for
|
|
this opportunity. For five
|
|
hundred years ships who've borne
|
|
the name Enterprise have been a
|
|
legend. This one is no different.
|
|
|
|
MADDOX
|
|
(impatiently)
|
|
Admiral.
|
|
|
|
NAKAMURA
|
|
Oh yes, Captain. Commander Maddox
|
|
is here to do some work on your
|
|
android. Please take care of him.
|
|
|
|
PICARD
|
|
Lieutenant Worf.
|
|
|
|
He indicates and Worf escorts the admiral off the
|
|
bridge.
|
|
|
|
MADDOX
|
|
How have you been, Data?
|
|
|
|
DATA
|
|
My condition does not alter with
|
|
the passage of time, Commander.
|
|
|
|
PICARD
|
|
The two of you are acquainted?
|
|
|
|
MADDOX
|
|
Yes, I evaluated Data when it
|
|
first applied to the Academy.
|
|
|
|
DATA
|
|
And were the sole member of the
|
|
committee to oppose my entrance
|
|
on the grounds that I was not a
|
|
sentient being.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 11.
|
|
|
|
8 CONTINUED: (2)
|
|
|
|
PICARD
|
|
What exactly will this work
|
|
entail?
|
|
|
|
MADDOX
|
|
I'm going to disassemble Data.
|
|
|
|
PICARD
|
|
(pausing for a beat to
|
|
assimilate this)
|
|
I think we will remove this
|
|
discussion to the lounge.
|
|
|
|
Riker, Maddox, Data, and Picard walk to the doors.
|
|
|
|
8A INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Everyone seated around the table.
|
|
|
|
PICARD
|
|
Explain this procedure.
|
|
|
|
MADDOX
|
|
Ever since I first saw Data at
|
|
its entrance evaluation at
|
|
Starfleet Academy, I've wanted
|
|
to understand it. I became a
|
|
student of the works of Doctor
|
|
Noonien Soong -- Data's creator.
|
|
I've tried to continue his work,
|
|
and I believe I am very close to
|
|
the breakthrough which will enable
|
|
me to duplicate Soong's work and
|
|
replicate this.
|
|
(Maddox points to Data)
|
|
But as a first step I must
|
|
disassemble and study it. Data
|
|
is going to be my guide.
|
|
|
|
PICARD
|
|
Data?
|
|
|
|
DATA
|
|
It sounds intriguing.
|
|
|
|
PICARD
|
|
How will you proceed?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 12.
|
|
|
|
8A CONTINUED:
|
|
|
|
MADDOX
|
|
I'll run a full diagnostic on
|
|
Data, evaluating the condition
|
|
of its software. I'll then dump
|
|
its core memory into the starbase
|
|
mainframe computer and begin a
|
|
detailed analysis of its
|
|
construction.
|
|
|
|
DATA
|
|
You have constructed a positronic
|
|
brain?
|
|
|
|
MADDOX
|
|
Yes.
|
|
|
|
DATA
|
|
Have you determined how the
|
|
electron resistance across the
|
|
neural filaments is to be
|
|
resolved?
|
|
|
|
MADDOX
|
|
Not precisely.
|
|
|
|
DATA
|
|
That would seem to be a necessary
|
|
first step.
|
|
|
|
MADDOX
|
|
I'm confident that I'll have the
|
|
answer once I've examine the
|
|
filament links in your anterior
|
|
cortex.
|
|
|
|
DATA
|
|
But if the answer is not
|
|
forthcoming, your model will not
|
|
function.
|
|
|
|
MADDOX
|
|
I don't anticipate a problem.
|
|
|
|
PICARD
|
|
You seem a little vague on the
|
|
specifics. What are the risks
|
|
to Commander Data?
|
|
|
|
MADDOX
|
|
Negligible.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT ONE 13.
|
|
|
|
8A CONTINUED: (2)
|
|
|
|
DATA
|
|
(to Picard)
|
|
His basic research lacks the
|
|
specifics necessary to support
|
|
an experiment of this magnitude.
|
|
|
|
PICARD
|
|
Data is a valued member of my
|
|
bridge crew. Based on what I've
|
|
heard I cannot allow him to submit
|
|
to your experiment.
|
|
|
|
MADDOX
|
|
I thought this might be your
|
|
attitude, Captain.
|
|
(he removes a message
|
|
disk from his pocket,
|
|
and extends it to
|
|
Picard)
|
|
Here are Starfleet's transfer
|
|
orders separating Commander Data
|
|
from the Enterprise, and
|
|
reassigning it to Starbase one-seven-three
|
|
under my command. Data, I'll
|
|
expect you in my office at nine
|
|
hundred hours tomorrow.
|
|
|
|
Focus on Picard as we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
9 INT. CAPTAIN'S READY ROOM - VIEWSCREEN (OPTICAL)
|
|
|
|
Admiral Nakamura on the screen. Picard eyes him with
|
|
some hostility.
|
|
|
|
NAKAMURA
|
|
Look, it's a transfer, like any
|
|
other transfer.
|
|
|
|
PICARD
|
|
No, it's not. This is one of my
|
|
key officers, and he's been
|
|
removed without consulting me.
|
|
|
|
NAKAMURA
|
|
I'm sorry about that, but
|
|
Commander Maddox's work in
|
|
robotics is considered critical
|
|
by Starfleet Command. Think
|
|
what's at stake here. If
|
|
Commander Maddox can succeed in
|
|
duplicating Noonien Soong's work
|
|
other captains on other ships
|
|
would have the advantage you now
|
|
enjoy: a Data on every bridge.
|
|
You don't want Data transferred,
|
|
fine. There's an easy solution.
|
|
Have him work with Commander
|
|
Maddox. Nakamura out.
|
|
|
|
Picard stares at the blank viewscreen, then rises and
|
|
paces the room. The DOOR CHIME SOUNDS arresting him in
|
|
his nervous preambulations.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Data enters.
|
|
|
|
DATA
|
|
You sent for me, sir?
|
|
|
|
Picard returns to his desk, seats himself, and regards
|
|
Data intently.
|
|
|
|
PICARD
|
|
Please, sit down. We've got a
|
|
problem.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 15.
|
|
|
|
9 CONTINUED:
|
|
|
|
DATA
|
|
I find myself in agreement with
|
|
that assessment of the situation,
|
|
sir.
|
|
|
|
PICARD
|
|
Your service to this ship has been
|
|
exemplary. I don't want to lose
|
|
you.
|
|
|
|
DATA
|
|
I am pleased to hear you say so.
|
|
Thank you.
|
|
|
|
PICARD
|
|
There is a solution which presents
|
|
itself.
|
|
|
|
DATA
|
|
Yes, sir?
|
|
|
|
PICARD
|
|
Undergo the procedure, then the
|
|
transfer order becomes moot.
|
|
|
|
DATA
|
|
I will not submit to this
|
|
procedure.
|
|
|
|
Picard rises, and seats himself on the corner of the
|
|
desk, closing the distance with Data.
|
|
|
|
PICARD
|
|
Data, I understand your objections
|
|
to this procedure, but I also have
|
|
to consider Starfleet's interests.
|
|
If Commander Maddox is correct
|
|
there is a possibility that many
|
|
more beings such as yourself could
|
|
be constructed.
|
|
|
|
DATA
|
|
True, but possibility is a word
|
|
which can encompass any number
|
|
of outcomes -- good and bad.
|
|
|
|
PICARD
|
|
But if he's right, Starfleet would
|
|
be immeasurably enriched.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 16.
|
|
|
|
9 CONTINUED: (2)
|
|
|
|
DATA
|
|
Captain, I am a Starfleet
|
|
officer. Can they force me to
|
|
do this?
|
|
|
|
PICARD
|
|
It's precisely because you are
|
|
a Starfleet officer that they can.
|
|
We take an oath to serve. In this
|
|
case this is the form your service
|
|
is taking.
|
|
|
|
DATA
|
|
Sir, Lieutenant La Forge's eyes
|
|
are far superior to human
|
|
biological eyes, true?
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
DATA
|
|
Then why are not all human
|
|
officers required to have their
|
|
eyes replaced with cybernetic
|
|
implants?
|
|
|
|
Picard is utterly at a loss for words. We can see the
|
|
confusion on his face as he struggles for an answer to
|
|
this unanswerable remark. Data rises with great
|
|
dignity.
|
|
|
|
DATA
|
|
(continuing)
|
|
I see. It is precisely because
|
|
I am not human.
|
|
|
|
PICARD
|
|
That will be all, Mister Data.
|
|
(jabs open the com
|
|
on his desk)
|
|
Computer. Pull all relevant
|
|
Starfleet regulations concerning
|
|
officer transfers.
|
|
|
|
COMPUTER VOICE
|
|
Working.
|
|
|
|
Page after page of regulations begin to scroll across
|
|
the screen. Picard, knuckling his chin, studies them
|
|
in frowning abstraction.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 17.
|
|
|
|
10 INT. JAG OFFICE
|
|
|
|
Phillipa at her desk working. Picard enters. She
|
|
looks up in surprise.
|
|
|
|
PHILLIPA
|
|
My God, twice in as many days.
|
|
|
|
PICARD
|
|
I need your help.
|
|
|
|
PHILLIPA
|
|
An historic moment.
|
|
|
|
PICARD
|
|
I've been trying to make heads
|
|
or tails of this gibberish, and
|
|
it's finally defeated me. My
|
|
android officer has been
|
|
transferred so he can undergo a
|
|
highly dangerous procedure. I
|
|
want to stop it.
|
|
|
|
PHILLIPA
|
|
He can refuse to undergo this
|
|
procedure, but we can't stop the
|
|
transfer.
|
|
|
|
PICARD
|
|
Once Maddox has Data under his
|
|
control anything could happen.
|
|
I don't trust that man.
|
|
|
|
PHILLIPA
|
|
We agree to certain risks when
|
|
we join Starfleet.
|
|
|
|
PICARD
|
|
(pacing)
|
|
Acceptable risks, justified risks,
|
|
yes, but I can't accept this.
|
|
It's unfair and unjust. What
|
|
about his rights...
|
|
|
|
PHILLIPA
|
|
All this passion over a machine.
|
|
|
|
PICARD
|
|
(raising a warning
|
|
finger)
|
|
Don't start. Is there an option?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 18.
|
|
|
|
10 CONTINUED:
|
|
|
|
PHILLIPA
|
|
There's always an option. He can
|
|
resign.
|
|
|
|
Phillipa suddenly rises and comes around the desk to
|
|
Picard. She is very close, her body language is one of
|
|
yearning, but her voice still has that flippant tone.
|
|
|
|
PHILLIPA
|
|
(continuing)
|
|
So you came to me for help.
|
|
|
|
PICARD
|
|
(stiff because he thinks
|
|
she's taunting him)
|
|
Yes, I came to you. You're the
|
|
JAG officer in this sector. I had
|
|
to come to you.
|
|
|
|
He starts to leave.
|
|
|
|
PHILLIPA
|
|
Wait! I didn't mean it that way.
|
|
I'm... I'm glad that you thought
|
|
you could... well, come to me.
|
|
|
|
PICARD
|
|
Trust is too painful a word.
|
|
|
|
PHILLIPA
|
|
I wish things were different for
|
|
us.
|
|
|
|
11 INT. DATA'S QUARTERS (OPTICAL)
|
|
|
|
Data is packing. A handgrip lies open on the desk top.
|
|
There is a holocube on the top to the clothing. Data
|
|
triggers it, and a miniature of Tasha Yar stands on the
|
|
desk. He regards the image for a few seconds, then
|
|
removes a box from a desk drawer. Opens it and studies
|
|
his medals. Places it in the case. Finally he lifts
|
|
an antique bound book. As he replaces the book,
|
|
Maddox enters. Maddox lifts out the book, finds a
|
|
marker at the sonnet, looks surprised.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 19.
|
|
|
|
11 CONTINUED:
|
|
|
|
MADDOX
|
|
"When in disgrace with fortune
|
|
and men's eyes,
|
|
I all alone beweep my outcast
|
|
state... "
|
|
Is it just words to you, or do
|
|
you fathom the meaning?
|
|
|
|
DATA
|
|
It is customary to request
|
|
permission before entering an
|
|
individual's quarters.
|
|
|
|
MADDOX
|
|
I thought we could talk this out,
|
|
that I could try to reassure you.
|
|
Your memories and knowledge will
|
|
remain intact.
|
|
|
|
DATA
|
|
Reduced to mere sterile facts
|
|
of the events. The substance,
|
|
the flavor of the moment could
|
|
be lost. Take games of chance...
|
|
|
|
MADDOX
|
|
Games of chance?
|
|
|
|
DATA
|
|
Yes, I had read and absorbed every
|
|
treatise and textbook upon the
|
|
subject, and felt myself tolerably
|
|
well prepared for the experience.
|
|
Yet, when I finally played poker,
|
|
I discovered that the reality bore
|
|
little resemblance to the rules.
|
|
|
|
MADDOX
|
|
The point being?
|
|
|
|
DATA
|
|
That while I believe that you can
|
|
download the information contained
|
|
in the positronic brain, I do not
|
|
think you have acquired the
|
|
expertise necessary to preserve
|
|
the heart of those experiences.
|
|
There is an ineffable quality to
|
|
memory that I do not believe can
|
|
survive the shutdown of my core.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT TWO 20.
|
|
|
|
11 CONTINUED: (2)
|
|
|
|
MADDOX
|
|
(looking at Data with
|
|
wonder)
|
|
Ineffable quality. I would
|
|
rather that we had done this
|
|
together, but one way or the other
|
|
we are doing it. You're under
|
|
my command.
|
|
|
|
DATA
|
|
No, sir, I am not under your nor
|
|
anyone else's command. I have
|
|
resigned from Starfleet.
|
|
|
|
MADDOX
|
|
Resigned. You can't.
|
|
|
|
DATA
|
|
I regret the decision, but I must.
|
|
I am the culmination of one man's
|
|
dream. This is not ego or vanity,
|
|
but when Doctor Soong created me
|
|
he added to the substance of the
|
|
universe. If by your experiments
|
|
I am destroyed, something unique
|
|
and wonderful will be lost. I
|
|
cannot permit that, I must protect
|
|
the dream.
|
|
|
|
MADDOX
|
|
And so must I. Keep packing,
|
|
you will be reporting.
|
|
|
|
He exits as we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 21.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
A12 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in parking orbit near Starbase one-seven-three.
|
|
|
|
12 INT. JAG OFFICE
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
Commander Bruce Maddox, having
|
|
been thwarted by Data's abrupt
|
|
resignation from Starfleet is now
|
|
seeking a legal remedy for his
|
|
woes. Captain Louvois has
|
|
requested my presence at those
|
|
discussions.
|
|
|
|
Phillipa seated watching Maddox preambulate. Picard,
|
|
rigid with fury stands nearby. Phillipa is
|
|
expressionless listening to the arguments.
|
|
|
|
MADDOX
|
|
(to Picard)
|
|
Your response is emotional and
|
|
irrational. You're endowing Data
|
|
with human characteristics because
|
|
it looks human. But it's not.
|
|
If it were a box on wheels I
|
|
wouldn't be facing this
|
|
opposition.
|
|
|
|
PHILLIPA
|
|
Overt sentimentalism is not one
|
|
of Captain Picard's failings.
|
|
Trust me, I know.
|
|
|
|
PICARD
|
|
Data is a valued member of my
|
|
crew, an outstanding bridge
|
|
officer, a --
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 22.
|
|
|
|
12 CONTINUED:
|
|
|
|
MADDOX
|
|
If I'm permitted to make this
|
|
experiment the horizons for human
|
|
achievement become boundless.
|
|
Consider, every ship in the
|
|
Federation with a Data on board.
|
|
Utilizing their tremendous
|
|
capabilities. Acting as our hands
|
|
and eyes in dangerous situations.
|
|
That is worth a little
|
|
inconvenience.
|
|
|
|
PHILLIPA
|
|
Look, you're preaching to the
|
|
choir here.
|
|
(touches her breast)
|
|
So why don't you get to the point?
|
|
|
|
MADDOX
|
|
(palms flat on the desk
|
|
he leans in on her)
|
|
Data must not be permitted to
|
|
resign.
|
|
|
|
PICARD
|
|
He's an officer in Starfleet.
|
|
He has certain rights...
|
|
|
|
MADDOX
|
|
Rights! Rights! I'm sick to
|
|
death of hearing about rights!
|
|
What about my right not to have
|
|
my life work subverted by blind
|
|
ignorance?
|
|
|
|
PHILLIPA
|
|
We have rule of law in this
|
|
Federation. You can't simply
|
|
seize people, and experiment with
|
|
them to prove your pet theories.
|
|
|
|
MADDOX
|
|
Now you're doing it. Data is an
|
|
extraordinary piece of
|
|
engineering, but it is a machine.
|
|
If you permit it to resign it will
|
|
destroy years of work in robotics.
|
|
Starfleet doesn't have to allow
|
|
the resignation --
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 23.
|
|
|
|
12 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Starfleet is not an organization
|
|
that ignores its own regulations
|
|
when they become inconvenient.
|
|
Whether you like it or not, Data
|
|
(separating and
|
|
punctuating each word)
|
|
does... have... rights.
|
|
|
|
MADDOX
|
|
(visibly calming himself
|
|
and ignoring Picard)
|
|
Let me put it another way. Would
|
|
you permit the computer on the
|
|
Enterprise to refuse a refit?
|
|
|
|
PHILLIPA
|
|
(nodding thoughtfully)
|
|
An interesting point, but the
|
|
Enterprise computer is property.
|
|
Is Data?
|
|
|
|
MADDOX
|
|
Of course.
|
|
|
|
PHILLIPA
|
|
There might be law to support that
|
|
position.
|
|
|
|
PICARD
|
|
A decision with such broad-ranging
|
|
implications must be supported
|
|
by an official ruling.
|
|
(to Phillipa, icy)
|
|
And I trust you will apply the
|
|
same zeal to your research that
|
|
you used during the Stargazer
|
|
court-martial.
|
|
|
|
13 INT. TEN-FORWARD
|
|
|
|
A farewell party is in full swing. Present are Riker,
|
|
Data, TROI, Wesley, PULASKI, Geordi and Worf. On a
|
|
table are piled some gaily wrapped gifts. Data is
|
|
carefully opening the wrapping on a present while
|
|
people watch.
|
|
|
|
WESLEY
|
|
You're supposed to rip the
|
|
wrapping off a present.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 24.
|
|
|
|
13 CONTINUED:
|
|
|
|
DATA
|
|
But with the application of a
|
|
little care, Wes, the paper can
|
|
be utilized again.
|
|
|
|
WESLEY
|
|
You're missing the point.
|
|
|
|
Data considers, then in an effort to accommodate Wesley
|
|
he rips the paper. The paper falls away revealing an
|
|
antique book. Data reads from the binding.
|
|
|
|
DATA
|
|
The Dream of the Fire, by K'Ratak.
|
|
Thank you, Worf.
|
|
|
|
WORF
|
|
It was in the hands of the
|
|
Klingons that the novel attained
|
|
its full stature.
|
|
|
|
PULASKI
|
|
I couldn't disagree more, but
|
|
we'll save that argument for
|
|
another day. Now listen
|
|
carefully. I didn't get you a
|
|
present --
|
|
|
|
DATA
|
|
That is quite all right. None
|
|
was expected...
|
|
|
|
PULASKI
|
|
(interrupting)
|
|
Instead I'm going to give you
|
|
something far more valuable -- my
|
|
advice. You've spent years
|
|
in the womb of Starfleet. Now
|
|
you're about to start a new life.
|
|
You'd be wise to consider the
|
|
experiences offered by
|
|
groundside living.
|
|
|
|
DATA
|
|
Thank you. I will take that under
|
|
advisement.
|
|
(noticing Geordi sitting
|
|
alone in a corner
|
|
nursing a drink)
|
|
Excuse me, please.
|
|
(to Geordi)
|
|
Is something wrong?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 25.
|
|
|
|
13 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Of course there is. You're going
|
|
away.
|
|
|
|
DATA
|
|
No one regrets the necessity more
|
|
than I, but you do understand my
|
|
reasons?
|
|
|
|
GEORDI
|
|
Oh yeah, I understand. I just
|
|
don't like your being forced out.
|
|
It's not fair.
|
|
|
|
DATA
|
|
Doctor Pulaski would, at this
|
|
juncture, no doubt remind us that
|
|
life is rarely fair.
|
|
|
|
GEORDI
|
|
Sorry, but that doesn't make it
|
|
any easier.
|
|
|
|
DATA
|
|
(slowly, a little
|
|
awkwardly)
|
|
I shall... miss you.
|
|
|
|
GEORDI
|
|
(rising)
|
|
Me too.
|
|
(he gives Data a fierce
|
|
hug)
|
|
You take care, Data.
|
|
|
|
In another part of the room Riker joins Troi.
|
|
|
|
RIKER
|
|
Deanna... does Data have...
|
|
do you feel anything from him?
|
|
|
|
TROI
|
|
I can't sense anything from Data.
|
|
But that proves nothing. There
|
|
are many minds from which I can
|
|
read no meaning.
|
|
|
|
RIKER
|
|
There's got to be more to him than
|
|
software, nets and chips.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 26.
|
|
|
|
13 CONTINUED: (3)
|
|
|
|
TROI
|
|
It is possible that Commander
|
|
Maddox is correct and we are
|
|
anthropomorphizing Data.
|
|
Assigning to him emotions and
|
|
responses which he may not have.
|
|
|
|
RIKER
|
|
I'm not sure I see that as a
|
|
problem.
|
|
|
|
Riker and Troi realize that a silence has fallen over
|
|
the room. They look to where Maddox stands framed in
|
|
the doorway.
|
|
|
|
MADDOX
|
|
(sarcastically)
|
|
A little farewell celebration?
|
|
|
|
RIKER
|
|
(stepping forward)
|
|
Yes, to which I don't recall
|
|
inviting you.
|
|
|
|
MADDOX
|
|
I couldn't miss this. I can't
|
|
wait to hear Data's plans.
|
|
|
|
DATA
|
|
They are currently somewhat
|
|
indefinite, but my programming
|
|
offers a number of alternatives.
|
|
(crossing to Wesley,
|
|
and dropping an arm
|
|
over the boy's
|
|
shoulders)
|
|
I am considering teaching. I have
|
|
had some success with my star
|
|
pupil.
|
|
|
|
The next speech is delivered by a man who really knows
|
|
better, but can't stop himself. His anger is fueled by
|
|
his sense of loss -- his life work is crumbling before
|
|
his eyes because he believes that without Data he
|
|
cannot succeed. Thus his reputation is also on the
|
|
line.
|
|
|
|
MADDOX
|
|
I have a better idea. Carnival
|
|
work. They could bill you as the
|
|
walking encyclopedia. Ask him
|
|
any question --
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 27.
|
|
|
|
13 CONTINUED: (4)
|
|
|
|
The WHISTLE of the com panel interrupts him. Riker
|
|
moves to answer.
|
|
|
|
PICARD'S COM VOICE
|
|
Number One, Captain Louvois has
|
|
called. We're expected in her
|
|
office. Meet me in Transporter
|
|
Room Five.
|
|
|
|
RIKER
|
|
(touches his insignia)
|
|
On my way.
|
|
(to Maddox)
|
|
I know you're just leaving. I'll
|
|
escort you.
|
|
|
|
They start toward the door.
|
|
|
|
13A EXT. SPACE - THE ENTERPRISE
|
|
|
|
as before.
|
|
|
|
14 INT. JAG OFFICE
|
|
|
|
Riker and Picard already there.
|
|
|
|
PHILLIPA
|
|
I have completed my research,
|
|
and based on the Acts of Gould
|
|
passed in the early twenty-first
|
|
century, Data is the property of
|
|
Starfleet. He cannot resign and
|
|
he cannot refuse to cooperate with
|
|
Commander Maddox.
|
|
|
|
PICARD
|
|
And if I challenge this ruling?
|
|
|
|
PHILLIPA
|
|
I will be required to hold a
|
|
hearing.
|
|
|
|
PICARD
|
|
Then I so challenge. Convene your
|
|
hearing.
|
|
|
|
Phillipa is taken aback. She was not prepared for
|
|
this.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 28.
|
|
|
|
14 CONTINUED:
|
|
|
|
PHILLIPA
|
|
Captain, that would be exceedingly
|
|
difficult. This is a new base.
|
|
I have no staff --
|
|
|
|
PICARD
|
|
Surely there are regulations to
|
|
cover this eventuality.
|
|
|
|
PHILLIPA
|
|
There are. I can use serving
|
|
officers as legal counsel. You
|
|
as senior officer would defend.
|
|
|
|
PICARD
|
|
Very well.
|
|
|
|
RIKER
|
|
And who gets the unenviable task
|
|
of prosecuting this case?
|
|
|
|
PHILLIPA
|
|
You do. The next most senior
|
|
officer aboard defendant's ship.
|
|
|
|
RIKER
|
|
I can't. I won't. Data's my
|
|
friend, my comrade. We've served
|
|
together and I not only respect
|
|
him, I have affection for him.
|
|
|
|
PHILLIPA
|
|
This isn't about friendship. This
|
|
is about duty, and how we search
|
|
for truth.
|
|
|
|
RIKER
|
|
A system that pits people against
|
|
each other can't be the answer.
|
|
|
|
PHILLIPA
|
|
When people of good conscience
|
|
have an honest dispute we
|
|
sometimes must resort to this kind
|
|
of adversarial system.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT THREE 29.
|
|
|
|
14 CONTINUED: (2)
|
|
|
|
RIKER
|
|
You want me to try and prove that
|
|
Data's a mere machine. I can't.
|
|
I don't believe it. I know he's
|
|
more than that. I'm neither
|
|
qualified nor willing to do this.
|
|
You're going to have to find
|
|
someone else.
|
|
|
|
PHILLIPA
|
|
Then I'll rule summarily based
|
|
upon my findings. Data's a
|
|
toaster. Have him report to
|
|
Commander Maddox immediately for
|
|
experimental refit.
|
|
|
|
Silence holds the room. Phillipa cold, implacable.
|
|
Riker stricken. Picard weighing, measuring, evaluating
|
|
his First Officer.
|
|
|
|
RIKER
|
|
(bitterly)
|
|
I see I have no choice but to
|
|
agree.
|
|
|
|
PHILLIPA
|
|
Good. But you better do your duty
|
|
in that courtroom. If I think
|
|
for one minute that you're not
|
|
giving me your best effort I'll
|
|
end this right then and there.
|
|
|
|
PICARD
|
|
You don't have to remind us of
|
|
our duty. Just remember yours.
|
|
|
|
PHILLIPA
|
|
(with a cold look)
|
|
I've never forgotten it. Not
|
|
then, and certainly not now.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 30.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
15 INT. MAIN BRIDGE
|
|
|
|
Riker, Wesley and Worf are at their accustomed
|
|
stations. Data is crossing from the turbolift to the
|
|
Ready Room.
|
|
|
|
16 INT. CAPTAIN'S READY ROOM
|
|
|
|
Picard at his desk with the reader on.
|
|
|
|
PICARD
|
|
(cutting straight to
|
|
the heart of the
|
|
matter, with no attempt
|
|
to soften the blow)
|
|
Captain Louvois has issued a
|
|
ruling that you are the property
|
|
of Starfleet Command. You can't
|
|
resign.
|
|
|
|
DATA
|
|
I see... from limitless options
|
|
I am reduced to none, or rather
|
|
one. I can only hope that
|
|
Commander Maddox is more capable
|
|
than it would appear.
|
|
|
|
PICARD
|
|
No, you're not going to submit.
|
|
We're going to fight this.
|
|
Captain Louvois may be overly
|
|
attached to the letter of the law,
|
|
but she has not forgotten its
|
|
spirit. She's convening a hearing
|
|
and we are going to lay the
|
|
question of your legal status to
|
|
rest once and for all.
|
|
(he rises, and paces
|
|
away, turns back, and
|
|
adds uncomfortably)
|
|
I have been asked to represent
|
|
you, but if there is some other
|
|
officer with whom you would feel
|
|
more comfortable --
|
|
|
|
DATA
|
|
Captain, I have complete
|
|
confidence in your ability to
|
|
represent my interests.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 31.
|
|
|
|
17 INT. ENTERPRISE GYMNASIUM
|
|
|
|
Picard is fencing with his usual opponent. Riker
|
|
enters. Picard continues fencing.
|
|
|
|
PICARD
|
|
Care to try your hand, Number
|
|
One?
|
|
|
|
RIKER
|
|
Another time. It's too close to
|
|
our real contest.
|
|
|
|
PICARD
|
|
(exchanging blows with
|
|
his opponent)
|
|
This isn't about you and me.
|
|
|
|
RIKER
|
|
Isn't it? Data may be the issue,
|
|
but our performances are what will
|
|
be judged.
|
|
|
|
PICARD
|
|
(exchanging several
|
|
lightning blows with
|
|
his opponent)
|
|
That's the nature of the
|
|
adversarial process.
|
|
|
|
RIKER
|
|
Which can only work when the
|
|
opponents are of equal ability.
|
|
|
|
PICARD
|
|
(turning very slowly,
|
|
leaning on his sword
|
|
and regarding Riker)
|
|
Are you suggesting that we are
|
|
not evenly matched?
|
|
|
|
RIKER
|
|
No, but for Data's sake it has
|
|
to be said. I've been forced into
|
|
this, and I have only one option.
|
|
To give this my best effort.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 32.
|
|
|
|
17 CONTINUED:
|
|
|
|
PICARD
|
|
I see.
|
|
(slash)
|
|
Then... you are here...
|
|
(slash)
|
|
to warn me...
|
|
(slash)
|
|
that you are going to do...
|
|
(slash)
|
|
Everything within your power and
|
|
within the boundaries of the
|
|
law...
|
|
(slash)
|
|
to win!
|
|
|
|
Picard drives his opponent completely across the room.
|
|
|
|
RIKER
|
|
Yes.
|
|
|
|
PICARD
|
|
So am I.
|
|
|
|
Riker exits.
|
|
|
|
18 INT. DATA'S QUARTERS
|
|
|
|
Picard seated. He has a PADD ready to take notes.
|
|
Data seated nearby. The travelcase still open on the
|
|
desk behind them.
|
|
|
|
PICARD
|
|
All right, I'm going to need to
|
|
know everything about you.
|
|
|
|
DATA
|
|
Sir, all of that information is
|
|
stored in the Enterprise computer
|
|
banks.
|
|
|
|
PICARD
|
|
I want to hear it from you.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 33.
|
|
|
|
18 CONTINUED:
|
|
|
|
DATA
|
|
(cocking his head like
|
|
a puzzled bird)
|
|
Very good, sir. Activation
|
|
occurred twenty-seven years ago
|
|
on Omicron Theta. I entered the
|
|
Academy in '44, and graduated in
|
|
'48 with honors in probability
|
|
mechanics and exobiology. First
|
|
posting...
|
|
|
|
PICARD
|
|
Data, Data, Data, whoa, stop.
|
|
I could get this from the
|
|
computer.
|
|
|
|
DATA
|
|
I believe I indicated that
|
|
earlier, sir.
|
|
|
|
Picard rises and takes a turn around the room. Returns
|
|
to the desk, and begins to play unconsciously with the
|
|
objects in the travelcase.
|
|
|
|
PICARD
|
|
I need to know how you think,
|
|
what you want, how you feel. What
|
|
drives you, motivates you.
|
|
|
|
DATA
|
|
Drives? Motivates? Sir, may I
|
|
inquire as to the purpose of this
|
|
line of questioning?
|
|
|
|
PICARD
|
|
We have to prove that you're a
|
|
sentient life-form.
|
|
|
|
DATA
|
|
(extremely puzzled)
|
|
But I am not. I am a machine.
|
|
|
|
PICARD
|
|
That's not what I need to hear.
|
|
|
|
DATA
|
|
How can we deny the obvious?
|
|
|
|
PICARD
|
|
We're searching for an argument
|
|
which will legally deny that
|
|
obvious fact.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 34.
|
|
|
|
18 CONTINUED: (2)
|
|
|
|
DATA
|
|
But if it is a fact how can
|
|
argument alter --
|
|
|
|
PICARD
|
|
Data!
|
|
|
|
DATA
|
|
Sir?
|
|
|
|
PICARD
|
|
Stop babbling.
|
|
(rewinding the threads
|
|
of his fast-tattering
|
|
patience)
|
|
The law recognizes many things
|
|
as people that aren't possessed
|
|
of flesh and blood. It's a little
|
|
legal fiction, you see.
|
|
|
|
DATA
|
|
I am beginning to understand why
|
|
Shakespeare wrote, let us kill
|
|
all the lawyers.
|
|
|
|
Picard reseats himself, but we can tell from his weary
|
|
expression that this is going to be a long session.
|
|
|
|
19 OMITTED
|
|
|
|
19A INT. COMPUTER ROOM (OPTICAL)
|
|
|
|
Multiple computers surround Riker. Some screens are
|
|
filled with legal decisions, others with technical
|
|
jargon. Riker calls up information on one. Makes a
|
|
notation on his PADD.
|
|
|
|
RIKER
|
|
Computer, identify Riker, William
|
|
T. Clearance level blue.
|
|
|
|
COMPUTER VOICE
|
|
Identified. Ready.
|
|
|
|
RIKER
|
|
Access all technical schematics
|
|
of Lieutenant Commander Data.
|
|
|
|
COMPUTER VOICE
|
|
Working.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 35.
|
|
|
|
19A CONTINUED:
|
|
|
|
A schematic appears flagged with Top Secret. Need to
|
|
Know.
|
|
|
|
RIKER (V.O.)
|
|
Personal log. Zero three hundred.
|
|
I should be resting. Instead I
|
|
continue to prepare for a duty
|
|
I do not wish to perform. Truth
|
|
should not be reduced to a prize
|
|
in a battle of wills and words.
|
|
|
|
Riker is suddenly arrested by something he sees on a
|
|
screen. His expression is first one of excitement as
|
|
he realizes he now has the means to win this case.
|
|
Then bleak sadness as he realizes the import of his
|
|
victory.
|
|
|
|
He punches off the recorder, his expression bleak and
|
|
exhausted.
|
|
|
|
20 INT. COURTROOM
|
|
|
|
High-tech room. An amphitheater-like arrangement where
|
|
spectators can sit. Picard with Data seated at their
|
|
table. Riker and Maddox to their right at another
|
|
table. Phillipa enters.
|
|
|
|
COMPUTER VOICE
|
|
All rise.
|
|
|
|
PHILLIPA
|
|
(seats herself behind
|
|
the bench)
|
|
Be seated. Counselors, are you
|
|
ready?
|
|
|
|
PICARD/RIKER
|
|
We are, your honor.
|
|
|
|
PHILLIPA
|
|
This hearing convened on stardate
|
|
42524.1 is to determine the legal
|
|
status of the android known as
|
|
Data. The office of the Judge
|
|
Advocate General has rendered a
|
|
finding of property, defense has
|
|
challenged. Commander Riker.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 36.
|
|
|
|
20 CONTINUED:
|
|
|
|
RIKER
|
|
Your honor, there is only one
|
|
issue in this case and one
|
|
relevant piece of evidence. I
|
|
call Lieutenant Commander Data.
|
|
|
|
Data seats himself in the witness chair, and places
|
|
his hand on the scanner.
|
|
|
|
COMPUTER VOICE
|
|
Verify, Lieutenant Commander Data.
|
|
Current assignment, USS
|
|
Enterprise. Starfleet Command
|
|
Decoration for...
|
|
|
|
RIKER
|
|
Your honor, we'll stipulate to
|
|
all of this.
|
|
|
|
PICARD
|
|
(leaping to his feet)
|
|
Objection, your honor, I want it
|
|
read. All of it.
|
|
|
|
PHILLIPA
|
|
Sustained.
|
|
|
|
COMPUTER VOICE
|
|
(resuming)
|
|
... Gallantry, Medal of Honor with
|
|
clusters, Legion of Honor, the
|
|
Star Cross.
|
|
|
|
RIKER
|
|
Commander Data, what are you?
|
|
|
|
DATA
|
|
(looking to Picard for
|
|
guidance, Picard nods
|
|
to him to answer)
|
|
An android.
|
|
|
|
RIKER
|
|
Which is?
|
|
|
|
DATA
|
|
Webster's Twenty-Third Century
|
|
Dictionary, Fifth Edition, defines
|
|
Android as an automaton made to
|
|
resemble a human being.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 37.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
RIKER
|
|
(musing)
|
|
An automaton. Made. Made by
|
|
whom?
|
|
|
|
DATA
|
|
Sir?
|
|
|
|
RIKER
|
|
Who built you, Data?
|
|
|
|
DATA
|
|
Doctor Noonien Soong.
|
|
|
|
RIKER
|
|
And he was?
|
|
|
|
DATA
|
|
The foremost authority in
|
|
cybernetics.
|
|
|
|
RIKER
|
|
More basic than that. What was
|
|
he?
|
|
|
|
DATA
|
|
(puzzled, but groping
|
|
for the right answer;
|
|
he says questioningly)
|
|
A human?
|
|
|
|
RIKER
|
|
Thank you. Data, what is the
|
|
capacity of your memory, and how
|
|
fast can you process information?
|
|
|
|
DATA
|
|
I have an ultimate storage
|
|
capacity of eight hundred
|
|
quadrillion bits. My total linear
|
|
computational speed has been rated
|
|
at sixty trillion operations per
|
|
second.
|
|
|
|
Riker moves to his table, and picks up a steel bar of
|
|
great thickness.
|
|
|
|
RIKER
|
|
Your honor, I offer into evidence
|
|
prosecution's exhibit A. A bar
|
|
of plasteel with a tensile
|
|
strength of forty kilo-bars.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 38.
|
|
|
|
20 CONTINUED: (3)
|
|
|
|
Phillipa inspects the exhibit, and hands it back to
|
|
Riker.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Commander Data, would you please
|
|
bend that.
|
|
|
|
PICARD
|
|
(again on his feet)
|
|
Objection, your honor. Many races
|
|
possess meta-human strength. It's
|
|
not relevant to the issue before
|
|
this court.
|
|
|
|
PHILLIPA
|
|
I'm afraid I can't agree, Captain.
|
|
Proceed with the demonstration,
|
|
Commander Riker.
|
|
|
|
Data easily bends the bar. Phillipa again inspects
|
|
it.
|
|
|
|
RIKER
|
|
(to Phillipa)
|
|
Drawing on the log record of the
|
|
construction of the prototype
|
|
android Lore, also constructed
|
|
by Noonien Soong, I request that
|
|
I be allowed to remove Commander
|
|
Data's hand for your inspection.
|
|
|
|
PICARD
|
|
Objection! What is the point of
|
|
all this?
|
|
|
|
PHILLIPA
|
|
The issue before this court is
|
|
whether Data is machine, and by
|
|
extension property. I'd say this
|
|
is pretty damn relevant.
|
|
|
|
Riker removes Data's hand.
|
|
|
|
RIKER
|
|
(sotto voce to Data)
|
|
I'm sorry.
|
|
|
|
Riker offers it to Phillipa who inspects it. Hands it
|
|
back to Riker.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FOUR 39.
|
|
|
|
20 CONTINUED: (4)
|
|
|
|
RIKER
|
|
(continuing)
|
|
Data is a physical representation
|
|
of a dream, an idea conceived of
|
|
by the mind of a man. His
|
|
purpose? To serve human needs
|
|
and interests. He is a collection
|
|
of neural nets and heuristic
|
|
algorithms. His responses are
|
|
dictated by an elaborate software
|
|
program written by a man. The
|
|
hardware
|
|
(slapping the hand
|
|
against his palm)
|
|
was built by a man.
|
|
|
|
Riker has been preambulating around the courtroom, each
|
|
step bringing him closer to Data. He is now at his
|
|
side, and without warning he leans down, presses the
|
|
switch, and turns him off. Data collapses like a
|
|
broken toy.
|
|
|
|
RIKER
|
|
(continuing)
|
|
And this man has turned him off.
|
|
Pinocchio is broken, the strings
|
|
are cut.
|
|
|
|
Riker lays the hand down next to Data. Shocked silence
|
|
fills the room. Picard's reaction -- shock and
|
|
certainty that he cannot win.
|
|
|
|
PICARD
|
|
I request a recess.
|
|
|
|
PHILLIPA
|
|
Granted.
|
|
|
|
Riker who, as he walks to his chair, is in agony. A
|
|
single tear runs down his cheek. He has destroyed a
|
|
friend.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 40.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
21 INT. TEN-FORWARD
|
|
|
|
The lounge is deserted, lights very low creating the
|
|
implication that it is very late. Picard is seated at
|
|
a table facing out the windows. An empty glass stands
|
|
before him. He is turning it, turning it, turning it.
|
|
His expression is death weary and very sad. GUINAN
|
|
is at the bar puttering, but never taking her eyes off
|
|
that solitary figure. Finally she can stand it no
|
|
longer. Drawing two drinks she slides from behind the
|
|
bar and crosses to him.
|
|
|
|
GUINAN
|
|
You should get some sleep.
|
|
|
|
PICARD
|
|
I've lost, and I'm not even sure
|
|
I mind. Data is a machine. But
|
|
there is something bothering me.
|
|
Something I'm missing. Or is it
|
|
just wounded pride that I've lost
|
|
and in front of her.
|
|
|
|
GUINAN
|
|
What is it that lies between you?
|
|
|
|
PICARD
|
|
(waving it aside)
|
|
Ancient history.
|
|
|
|
GUINAN
|
|
Unfortunately the past always
|
|
resonates in the present, and
|
|
decisions made today reach into
|
|
the future.
|
|
|
|
PICARD
|
|
(Drumming fingers on
|
|
the table, abruptly
|
|
he decides to tell her.
|
|
It emerges in sharp
|
|
staccato.)
|
|
The Stargazer court-martial. It
|
|
should have been a routine
|
|
hearing. Yes, I had lost my ship,
|
|
but my actions were entirely
|
|
justified.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 41.
|
|
|
|
21 CONTINUED:
|
|
|
|
PICARD (Cont'd)
|
|
Phillipa was assistant to the
|
|
prosecution. She dug up every
|
|
obscure case and citation and the
|
|
panel hammered at me for three
|
|
days. It damn near ended my
|
|
career. It did end us. She's
|
|
enjoying this situation. She
|
|
knows I disapprove of the
|
|
adversarial system. Now she's
|
|
forced me into active
|
|
participation, and she's both
|
|
pleased and angered to see me fail.
|
|
|
|
GUINAN
|
|
Emotions. They're such slippery,
|
|
contradictory things. It's a
|
|
wonder any of us ever crawled out
|
|
of the oceans, or swung down out
|
|
of the trees.
|
|
|
|
PICARD
|
|
(pushing back his chair)
|
|
Well, there's only one thing to
|
|
do. I go to her in the morning,
|
|
and we discuss a deal.
|
|
|
|
GUINAN
|
|
(thoughtfully studying
|
|
her hands)
|
|
I had heard a lot about you before
|
|
I joined the Enterprise. About
|
|
how Picard was a man who never
|
|
knew when to lie down and admit
|
|
he was beat.
|
|
|
|
PICARD
|
|
I have to salvage at least some
|
|
of Data's rights. If Data agrees
|
|
to undergo Commander Maddox's
|
|
procedure we can get out of this
|
|
hearing before he's declared the
|
|
property of Starfleet command.
|
|
|
|
GUINAN
|
|
If Commander Maddox is successful
|
|
in disassembling and reassembling
|
|
Data, what has he gained?
|
|
|
|
PICARD
|
|
The ability to build another.
|
|
A hundred others, a thousand.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 42.
|
|
|
|
21 CONTINUED: (2)
|
|
|
|
GUINAN
|
|
To do what?
|
|
|
|
PICARD
|
|
Explore for us. Enter the
|
|
dangerous situations.
|
|
|
|
GUINAN
|
|
All those future Datas risking
|
|
their lives for the people who
|
|
created them.
|
|
|
|
PICARD
|
|
(very intent)
|
|
You said something earlier about
|
|
decisions today.
|
|
|
|
GUINAN
|
|
Having implications for the
|
|
future.
|
|
|
|
PICARD
|
|
Precedent! This case will set
|
|
the precedent for all the future
|
|
Datas. It will determine their
|
|
status, and they'll all be
|
|
property.
|
|
|
|
GUINAN
|
|
There is an ancient word for it -- slavery.
|
|
|
|
PICARD
|
|
(very excited)
|
|
Not a word we want back in our
|
|
vocabulary.
|
|
|
|
They each lift a glass and toast each other.
|
|
|
|
GUINAN
|
|
Good luck, sir.
|
|
|
|
They drink.
|
|
|
|
22 INT. COURTROOM (OPTICAL)
|
|
|
|
Everyone in their original positions.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 43.
|
|
|
|
22 CONTINUED:
|
|
|
|
PICARD
|
|
(making his opening
|
|
statement)
|
|
Commander Riker has dramatically
|
|
demonstrated to this court that
|
|
Lieutenant Commander Data is a
|
|
machine. Do we deny that? No.
|
|
But how is this relevant? We too
|
|
are machines, just machines of
|
|
a different type. Commander Riker
|
|
has continually reminded us that
|
|
Data was built by a human. We
|
|
do not deny that fact. But again
|
|
how is it relevant? Does
|
|
construction imply ownership?
|
|
Children are created from the
|
|
building blocks of their parents'
|
|
DNA. Are they property? We have
|
|
a chance in this hearing to
|
|
severely limit the boundaries
|
|
of freedom. And I think we
|
|
better be pretty damn careful
|
|
before we take so arrogant a step.
|
|
I call Lieutenant Commander Data
|
|
to the stand.
|
|
|
|
Data returns to the witness stand. Picard pulls from
|
|
beneath the table the android's travelcase. Places it
|
|
on the table, opens it.
|
|
|
|
PICARD
|
|
(continuing; lifts out
|
|
the case of medals,
|
|
and displays the
|
|
contents)
|
|
What are these, please?
|
|
|
|
DATA
|
|
My medals.
|
|
|
|
PICARD
|
|
Why pack them? What logical
|
|
purpose do they serve?
|
|
|
|
DATA
|
|
I... I do not know, sir. None
|
|
I suppose. I just wanted them.
|
|
Is that vanity?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 44.
|
|
|
|
22 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(holding up the book
|
|
of sonnets)
|
|
And this?
|
|
|
|
DATA
|
|
It was a gift from you, sir.
|
|
|
|
PICARD
|
|
You value it?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Why?
|
|
|
|
DATA
|
|
It is a reminder of friendship
|
|
and service.
|
|
|
|
PICARD
|
|
(lifts out the holocube,
|
|
and triggers it; Tasha
|
|
stands before them)
|
|
And this? You have no portraits
|
|
of any other of your crewmates.
|
|
Why this person?
|
|
|
|
DATA
|
|
I would prefer not to answer that
|
|
question, sir. I gave my word.
|
|
|
|
PICARD
|
|
Mister Data, may I remind you, that
|
|
you are under oath.
|
|
(more gently now)
|
|
And under the circumstances, I
|
|
don't think Tasha would mind.
|
|
|
|
DATA
|
|
(swallowing convulsively
|
|
several times)
|
|
She was important to me... we
|
|
were... intimate.
|
|
|
|
Phillipa is literally rocked back in her chair.
|
|
|
|
PICARD
|
|
I have no further questions of
|
|
this witness.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 45.
|
|
|
|
22 CONTINUED: (3)
|
|
|
|
PHILLIPA
|
|
Commander Riker, do you wish to
|
|
cross?
|
|
|
|
RIKER
|
|
I have no questions, your honor.
|
|
|
|
PICARD
|
|
I call to the stand Commander
|
|
Bruce Maddox as a hostile witness.
|
|
|
|
Riker and Maddox confer, then with a shrug Maddox seats
|
|
himself in the witness chair.
|
|
|
|
COMPUTER VOICE
|
|
Verify, Maddox, Bruce, Commander.
|
|
Current assignment, Chair of
|
|
Robotics, Federation Institute
|
|
of Technology. Major papers...
|
|
|
|
PICARD
|
|
Enough. Suffice it to say, he's
|
|
an expert.
|
|
(right up in his face)
|
|
Commander Maddox, it is your
|
|
contention that Data is not a
|
|
sentient being and therefore not
|
|
entitled to those rights reserved
|
|
for all other life-forms in this
|
|
Federation?
|
|
|
|
MADDOX
|
|
Data is not sentient, no.
|
|
|
|
PICARD
|
|
Why, Commander?
|
|
|
|
MADDOX
|
|
Because Data is a piece of
|
|
outstanding engineering and
|
|
programming.
|
|
|
|
PICARD
|
|
What is required for sentience?
|
|
|
|
MADDOX
|
|
Intelligence, self awareness,
|
|
consciousness.
|
|
|
|
PICARD
|
|
Do you know what sentience is,
|
|
Commander?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 46.
|
|
|
|
22 CONTINUED: (4)
|
|
|
|
MADDOX
|
|
Of course.
|
|
|
|
PICARD
|
|
Excellent. Then you can enlighten
|
|
the rest of us.
|
|
|
|
All of Picard's delivery needs to be sharp and
|
|
staccato.
|
|
|
|
PICARD
|
|
(continuing; right in
|
|
Maddox's face)
|
|
Prove to this court that I'm
|
|
sentient.
|
|
|
|
MADDOX
|
|
(to Phillipa)
|
|
This is absurd!
|
|
|
|
PICARD
|
|
Why? Because you can't do it?
|
|
|
|
MADDOX
|
|
No, it's just pointless. We all
|
|
know you're sentient.
|
|
|
|
PICARD
|
|
So I'm sentient, but Data isn't?
|
|
|
|
MADDOX
|
|
That's right.
|
|
|
|
PICARD
|
|
Why?
|
|
|
|
MADDOX
|
|
Well... well, you're self aware.
|
|
|
|
PICARD
|
|
Ah, the second ingredient. But
|
|
let's deal with the first
|
|
requirement. Is Data
|
|
intelligent?
|
|
|
|
MADDOX
|
|
Yes.
|
|
|
|
PICARD
|
|
Why?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 47.
|
|
|
|
22 CONTINUED: (5)
|
|
|
|
MADDOX
|
|
It has the ability to learn and
|
|
understand, and to cope with new
|
|
situations.
|
|
|
|
PICARD
|
|
Like this hearing. What about
|
|
self awareness. What does that
|
|
mean? Why am I self aware?
|
|
|
|
MADDOX
|
|
Because you are conscious of your
|
|
existence and actions. You're
|
|
aware of yourself and your own
|
|
ego.
|
|
|
|
PICARD
|
|
Data, what are you doing now?
|
|
|
|
DATA
|
|
I am taking part in a legal
|
|
hearing to determine my rights
|
|
and status. Am I property or
|
|
person?
|
|
|
|
PICARD
|
|
And what's at stake?
|
|
|
|
DATA
|
|
My right to choose. Perhaps my
|
|
very life.
|
|
|
|
PICARD
|
|
My rights. My status. My right
|
|
to choose. My life. He seems
|
|
pretty damn self aware to me.
|
|
Well, Commander Maddox, I'm
|
|
waiting.
|
|
|
|
MADDOX
|
|
This is exceedingly difficult...
|
|
|
|
PICARD
|
|
Do you like Data?
|
|
|
|
MADDOX
|
|
(completely taken aback)
|
|
I don't know it well enough to
|
|
like or dislike it.
|
|
|
|
PICARD
|
|
But you admire him?
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 48.
|
|
|
|
22 CONTINUED: (6)
|
|
|
|
MADDOX
|
|
Oh yes, it's an outstanding --
|
|
|
|
PICARD
|
|
(interrupting)
|
|
Piece of engineering and
|
|
programming. Yes, you've said
|
|
that. You've devoted your life
|
|
to the study of cybernetics in
|
|
general?
|
|
|
|
MADDOX
|
|
Yes.
|
|
|
|
PICARD
|
|
And Data in particular?
|
|
|
|
MADDOX
|
|
Yes.
|
|
|
|
PICARD
|
|
And now you're proposing to
|
|
dismantle him.
|
|
|
|
MADDOX
|
|
So I can rebuild him and construct
|
|
more!
|
|
|
|
PICARD
|
|
How many more?
|
|
|
|
MADDOX
|
|
Hundreds, thousands. There's no
|
|
limit.
|
|
|
|
PICARD
|
|
And do what with them?
|
|
|
|
MADDOX
|
|
Use them.
|
|
|
|
PICARD
|
|
How?
|
|
|
|
MADDOX
|
|
As effective units on Federation
|
|
ships. As replacements for
|
|
humans in dangerous situations.
|
|
So much is closed to us because
|
|
of our fragility. But they...
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 49.
|
|
|
|
22 CONTINUED: (7)
|
|
|
|
PICARD
|
|
(interrupting; he picks
|
|
up an object and throws
|
|
it down a disposal
|
|
chute)
|
|
Are expendable.
|
|
|
|
MADDOX
|
|
It sounds harsh but to some
|
|
extent, yes.
|
|
|
|
PICARD
|
|
Are you expendable, Commander
|
|
Maddox? Never mind. A single
|
|
Data is a curiosity, a wonder,
|
|
but a thousand Datas, doesn't that
|
|
become a new race? And aren't
|
|
we going to be judged as a species
|
|
about how we treat these
|
|
creations? If they're expendable,
|
|
disposable, aren't we? What is
|
|
Data?
|
|
|
|
MADDOX
|
|
What? I don't understand.
|
|
|
|
PICARD
|
|
What... is... he?
|
|
|
|
MADDOX
|
|
(angry now and hostile)
|
|
A machine!
|
|
|
|
PICARD
|
|
Is he? Are you sure?
|
|
|
|
MADDOX
|
|
Yes!
|
|
|
|
PICARD
|
|
But he's met two of your three
|
|
criteria for sentience, and we
|
|
haven't addressed the third. So
|
|
we might find him meeting your
|
|
third criterion, and then what
|
|
is he?
|
|
|
|
MADDOX
|
|
(driven to his limit)
|
|
I don't know. I don't know!
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 50.
|
|
|
|
22A ANOTHER ANGLE
|
|
|
|
Reaction shot from Phillipa.
|
|
|
|
PICARD
|
|
He doesn't know.
|
|
(to Phillipa)
|
|
Do you? That's the decision
|
|
you're facing. Your honor, a
|
|
courtroom is a crucible. In it
|
|
we burn away the egos, the selfish
|
|
desires, the half-truths, until
|
|
we're left with the pure product
|
|
-- a truth -- for all time.
|
|
Sooner or later it's going to
|
|
happen. This man or others like
|
|
him are going to succeed in
|
|
replicating Data. And then we
|
|
have to decide -- what are they?
|
|
And how will we treat these
|
|
creations of our genius? The
|
|
decision you reach here today
|
|
stretches far beyond this android
|
|
and this courtroom. It will
|
|
reveal the kind of a people we
|
|
are. And what
|
|
(points to Data)
|
|
... they are going to be. Do you
|
|
condemn then to slavery?
|
|
Starfleet was founded to seek out
|
|
new life.
|
|
(indicating Data)
|
|
Well, there he sits, your honor,
|
|
waiting on our decision. You have
|
|
a chance to make law. Well, let's
|
|
make a good one. Let us be wise.
|
|
|
|
PHILLIPA
|
|
This case touches on metaphysics,
|
|
and that's the province of
|
|
philosophers and poets. Not
|
|
confused jurists who don't have
|
|
the answers. But sometimes we
|
|
have to make a stab in the dark,
|
|
and speak to the future. Is Data
|
|
a machine? Absolutely. Is he
|
|
our property? No... (this will
|
|
be rewritten with additions).
|
|
|
|
The courtroom erupts in joy. Phillipa starts to leave
|
|
then crosses to Picard.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 51.
|
|
|
|
22A CONTINUED:
|
|
|
|
PHILLIPA
|
|
(continuing)
|
|
You see, sometimes it works.
|
|
|
|
Picard watches her walk away, conflicting emotions
|
|
washing across his face.
|
|
|
|
22B ANOTHER ANGLE
|
|
|
|
Data walks to Maddox who is looking confused, guilty
|
|
and sad.
|
|
|
|
DATA
|
|
Continue your work, Commander,
|
|
and when you are ready I will
|
|
still be here.
|
|
|
|
MADDOX
|
|
You'd be willing after what I've
|
|
put you through?
|
|
|
|
DATA
|
|
Yes, it would be a less lonely
|
|
universe if there were more of
|
|
my kind.
|
|
|
|
Phillipa comes up unnoticed by Data and Maddox.
|
|
|
|
MADDOX
|
|
(watching Data walk
|
|
away)
|
|
He's remarkable.
|
|
|
|
PHILLIPA
|
|
You didn't call him "it."
|
|
|
|
Maddox looks startled, then smiles.
|
|
|
|
23 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Riker sitting alone in the darkness staring out the
|
|
windows as the stars rush past. Data enters. Riker
|
|
does not turn.
|
|
|
|
DATA
|
|
Sir, there is a celebration on
|
|
the Holodeck.
|
|
|
|
RIKER
|
|
I have no right to be there.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 52.
|
|
|
|
23 CONTINUED:
|
|
|
|
DATA
|
|
(edging closer)
|
|
Because you failed in your task?
|
|
|
|
RIKER
|
|
(slewing around in his
|
|
chair at that)
|
|
No, God, no. Data, I came this
|
|
close to winning.
|
|
|
|
Riker indicates a bare inch with thumb and forefinger.
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
RIKER
|
|
(in agony just
|
|
remembering)
|
|
I could have cost you your life!
|
|
|
|
DATA
|
|
(moving in, and seating
|
|
himself opposite Riker)
|
|
Yes, that is true, but
|
|
Commander... Will, I have learned
|
|
from your experience.
|
|
|
|
RIKER
|
|
What could you have possibly
|
|
learned from this kind of ordeal?
|
|
|
|
DATA
|
|
That at times one must deny their
|
|
nature, sacrifice their own
|
|
personal beliefs to protect
|
|
another. Is it not true that had
|
|
you refused to prosecute, Captain
|
|
Louvois would have ruled summarily
|
|
against me?
|
|
|
|
RIKER
|
|
Yes.
|
|
|
|
DATA
|
|
That action injured you, and saved
|
|
me. I will not forget.
|
|
|
|
RIKER
|
|
(taking his hand)
|
|
You're a wise man, my friend.
|
|
|
|
STAR TREK: "The Measure of a Man" - 12/14/88 - ACT FIVE 53.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
DATA
|
|
Not yet sir, but with your help
|
|
I am learning.
|
|
|
|
Riker clasps Data's shoulder, squeezes, as they shake
|
|
hands, and we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|