mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-28 19:42:50 +00:00
1 line
61 KiB
Plaintext
Executable File
1 line
61 KiB
Plaintext
Executable File
|
|
|
|
|
|
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
|
|
"Time Squared"
|
|
#40272-139
|
|
|
|
Story by
|
|
Kurt Michael Bensmiller
|
|
|
|
Teleplay by
|
|
Maurice Hurley
|
|
|
|
Directed by
|
|
Joseph L. Scanlan
|
|
|
|
|
|
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
|
|
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
|
|
WITH THE TELEVISION LEGAL DEPARTMENT.
|
|
|
|
Copyright 1989 Paramount Pictures Corporation. All Rights
|
|
Reserved. This script is not for publication or
|
|
reproduction. No one is authorized to dispose of same. If
|
|
lost or destroyed, please notify the Script Department.
|
|
|
|
|
|
REVISED FINAL DRAFT
|
|
|
|
JANUARY 25, 1989
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - CAST
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"Time Squared"
|
|
|
|
CAST
|
|
|
|
PICARD/P2
|
|
RIKER
|
|
DATA
|
|
PULASKI
|
|
TROI
|
|
GEORDI
|
|
WORF
|
|
O'BRIEN
|
|
|
|
Non-Speaking
|
|
CREWMEMBERS
|
|
|
|
Voice-Over
|
|
COMPUTER VOICE
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - SETS
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"Time Squared"
|
|
|
|
SETS
|
|
|
|
INTERIORS EXTERIORS
|
|
|
|
USS ENTERPRISE USS ENTERPRISE
|
|
RIKER'S QUARTERS
|
|
MAIN BRIDGE SHUTTLECRAFT
|
|
GEORDI'S ENGINEERING
|
|
STATION
|
|
SHUTTLE BAY TWO
|
|
CORRIDOR
|
|
OUTSIDE SICKBAY
|
|
SICKBAY
|
|
OBSERVATION LOUNGE
|
|
TURBOLIFT
|
|
CAPTAIN'S READY ROOM
|
|
MAIN ENGINEERING
|
|
|
|
SHUTTLECRAFT
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - TEASER 1.
|
|
|
|
STAR TREK: THE NEXT GENERATION
|
|
"Time Squared"
|
|
|
|
TEASER
|
|
|
|
FADE IN:
|
|
|
|
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
moves along at warp speed.
|
|
|
|
2 INT. RIKER'S QUARTERS (OPTICAL)
|
|
|
|
RIKER has cleared a space on his desk and set up a
|
|
little work station. He has a bowl and several
|
|
strange-looking eggs. Some smaller containers with
|
|
other ingredients and condiments for what appears to
|
|
be an omelet. He breaks the last egg into the bowl
|
|
and whips them with a jerry-rigged whisk. He is
|
|
obviously enjoying himself. The CHIME SOUNDS.
|
|
|
|
RIKER
|
|
Come in.
|
|
|
|
The door opens; it's DATA and GEORDI carrying what look
|
|
like a homemade Bunsen burner and a frying pan.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Excellent. Exactly what I need.
|
|
|
|
Before the door closes, PULASKI appears, carrying
|
|
something.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Well, Doctor, and bearing gifts?
|
|
|
|
PULASKI
|
|
Ale from Ennan Six... your omelets
|
|
deserve no less.
|
|
|
|
Again before the door can close, WORF appears and
|
|
follows them into the room.
|
|
|
|
3 THE TABLE
|
|
|
|
Riker sets up the "Bunsen-type burner," ignites it,
|
|
heats the pan and pours in the beaten eggs, while Data
|
|
watches.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - TEASER 2.
|
|
|
|
3 CONTINUED:
|
|
|
|
DATA
|
|
This is not an efficient method
|
|
for the preparation of sustenance.
|
|
|
|
RIKER
|
|
You're right, Data. The ship's
|
|
computer is much more efficient,
|
|
but it lacks the subtlety needed
|
|
for great cooking. It mixes the
|
|
ingredients to precise
|
|
measurements. There's no flair,
|
|
no individuality, and Data, as
|
|
we both know... inspiration and
|
|
flair are the difference between
|
|
artistry and mere competence.
|
|
|
|
PULASKI
|
|
For much of the history of
|
|
mankind, the breaking of bread
|
|
was a sign of friendship and
|
|
community. Something we have
|
|
gotten away from in the
|
|
twenty-fourth century.
|
|
(re: Riker and the
|
|
whisk)
|
|
You have a practiced hand,
|
|
Commander.
|
|
|
|
RIKER
|
|
I have my father to thank for
|
|
that.
|
|
|
|
PULASKI
|
|
Oh, your father liked to cook?
|
|
|
|
RIKER
|
|
No, he hated it. It was a chore
|
|
left to me.
|
|
|
|
WORF
|
|
It is my understanding that in
|
|
most human families, the woman
|
|
shares in the cooking.
|
|
|
|
RIKER
|
|
There were only the two of us.
|
|
I never knew my mother. She died
|
|
when I was very young.
|
|
|
|
4 PULASKI
|
|
|
|
as she pours the ale -
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - TEASER 3.
|
|
|
|
5 DATA
|
|
|
|
as he takes a sip.
|
|
|
|
GEORDI
|
|
Where did you get the eggs?
|
|
|
|
RIKER
|
|
During our last stop.
|
|
|
|
GEORDI
|
|
(with surprise)
|
|
At Starbase seventy-three?
|
|
|
|
RIKER
|
|
Yes.
|
|
|
|
6 SCENE
|
|
|
|
as Riker dishes up the food. And they all sit down
|
|
to eat, all eager to enjoy the meal. Geordi is the
|
|
first to taste it; it clearly does not suit his palate.
|
|
|
|
GEORDI
|
|
What kind of eggs did you say
|
|
these are?
|
|
|
|
As Riker takes a bite:
|
|
|
|
RIKER
|
|
'Owon.
|
|
|
|
From Geordi's expression it's apparent the eggs are
|
|
lacking. Riker and Pulaski both react to the uneatable
|
|
food.
|
|
|
|
RIKER
|
|
(continuing)
|
|
A cook's only as good as his
|
|
ingredients.
|
|
|
|
Then they look over at Worf, who is enjoying it
|
|
immensely.
|
|
|
|
WORF
|
|
Delicious.
|
|
|
|
Something to end the scene.
|
|
|
|
PICARD'S COM VOICE
|
|
Commander Riker...
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - TEASER 4.
|
|
|
|
6 CONTINUED:
|
|
|
|
RIKER
|
|
Yes, Captain.
|
|
|
|
PICARD'S COM VOICE
|
|
Would you join me on the bridge?
|
|
|
|
RIKER
|
|
On my way.
|
|
|
|
Without having to be told, Data and Worf leave with
|
|
him. Worf pausing to take one last forkful of omelet.
|
|
|
|
7 INT. MAIN BRIDGE
|
|
|
|
Riker, Data and Worf ENTER and take their positions.
|
|
|
|
PICARD
|
|
We have picked up an automated
|
|
signal from a Federation
|
|
shuttlecraft.
|
|
|
|
Riker looks surprised and confused.
|
|
|
|
RIKER
|
|
A shuttle? Out here?! How is
|
|
that possible? We're the first
|
|
manned Federation vessel to enter
|
|
this area.
|
|
|
|
PICARD
|
|
Apparently not.
|
|
|
|
RIKER
|
|
So what's a shuttle doing out this
|
|
far? And where's the mother ship?
|
|
|
|
PICARD
|
|
I don't know.
|
|
|
|
WORF
|
|
Sensors indicate there is at least
|
|
one life-form on board the
|
|
shuttle. Humanoid.
|
|
|
|
PICARD
|
|
Perhaps someone to answer your
|
|
questions, Number One. Open
|
|
hailing frequencies.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - TEASER 5.
|
|
|
|
7 CONTINUED:
|
|
|
|
WORF
|
|
Captain, the shuttle is without
|
|
power. Communication is not
|
|
possible.
|
|
|
|
RIKER
|
|
Set course to intercept.
|
|
|
|
DATA
|
|
Estimate intercept in three
|
|
minutes.
|
|
|
|
8 OMITTED
|
|
|
|
9 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
veers off course to intercept with the shuttlecraft.
|
|
|
|
FADE OUT.
|
|
|
|
END OF TEASER
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 6.
|
|
|
|
ACT ONE
|
|
|
|
FADE IN:
|
|
|
|
10 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
comes out of warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 42679.2.
|
|
While traversing an unexplored
|
|
section of the galaxy en route
|
|
to the Endicor system, a
|
|
Federation shuttlecraft has quite
|
|
suddenly appeared -- virtually out
|
|
of nowhere. There are no other
|
|
ships in the vicinity -- and no
|
|
indications whence it came nor
|
|
how it got out here.
|
|
|
|
11 INT. MAIN BRIDGE
|
|
|
|
The bridge is as before.
|
|
|
|
WORF
|
|
We are closing on shuttlecraft.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
12 ANGLE TO INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
as the image changes and the shuttle appears -- it is
|
|
out of control -- cartwheeling through space.
|
|
|
|
RIKER
|
|
Magnify.
|
|
|
|
The image changes again. The shuttle now appears in
|
|
close-up.
|
|
|
|
RIKER
|
|
(continuing)
|
|
Prepare to lock tractor beam.
|
|
|
|
13 OMITTED
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 7.
|
|
|
|
14 INT. MAIN BRIDGE
|
|
|
|
as before.
|
|
|
|
DATA
|
|
Target vehicle -- we will be within
|
|
tractor beam range in two zero
|
|
seconds.
|
|
|
|
RIKER
|
|
Set automatic locking device.
|
|
Alert Shuttle Bay Two.
|
|
|
|
15 INT. SHUTTLE BAY TWO (OPTICAL)
|
|
|
|
as the Enterprise closes with the violently spinning
|
|
shuttlecraft.
|
|
|
|
16 INT. MAIN BRIDGE
|
|
|
|
as before...
|
|
|
|
DATA
|
|
Locking tractor beam.
|
|
|
|
17 INT. SHUTTLE BAY TWO (OPTICAL)
|
|
|
|
as the tractor beam shoots out from the Enterprise and
|
|
grabs the shuttlecraft and stabilizes it.
|
|
|
|
18 INT. MAIN BRIDGE
|
|
|
|
as before...
|
|
|
|
DATA
|
|
The tractor beam has been locked.
|
|
|
|
PICARD
|
|
Number One.
|
|
|
|
Riker is out of his chair and heading for the
|
|
turbolift.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 8.
|
|
|
|
18 CONTINUED:
|
|
|
|
RIKER
|
|
Worf -- you're with me.
|
|
|
|
PICARD
|
|
Doctor Pulaski, you are needed
|
|
in Shuttle Bay Two.
|
|
|
|
PULASKI'S COM VOICE
|
|
I have been monitoring. I am
|
|
on my way.
|
|
|
|
19 INT. SHUTTLE BAY TWO (OPTICAL)
|
|
|
|
The doors have been opened. The shuttle, held firmly
|
|
by the tractor beam, is being pulled toward the
|
|
Enterprise, as Riker and Worf ENTER.
|
|
|
|
20 ANOTHER ANGLE (OPTICAL)
|
|
|
|
as the shuttle moves closer. An n.d. crewmember, at a
|
|
control panel near the door, attaches a second tractor
|
|
beam, which automatically releases the first -- stronger
|
|
one -- and transfers control to the n.d. operator.
|
|
|
|
21 RIKER AND WORF
|
|
|
|
They move closer as the shuttlecraft is pulled on
|
|
board.
|
|
|
|
22 SHUTTLECRAFT (OPTICAL)
|
|
|
|
as it settles on the floor.
|
|
|
|
The doors are closing as the tractor beam disengages.
|
|
|
|
23 SCENE
|
|
|
|
As Riker and Worf move closer, Doctor Pulaski ENTERS
|
|
the Shuttle Bay with an assistant.
|
|
|
|
RIKER
|
|
Well, it's a Federation shuttle
|
|
all right.
|
|
|
|
WORF
|
|
Yet, there are no Federation
|
|
vessels or bases in this area.
|
|
|
|
Riker steps closer.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 9.
|
|
|
|
24 RIKER AND SHUTTLE
|
|
|
|
He reads the registration number. On the other side
|
|
of the craft, Pulaski and two n.d. crewmembers are
|
|
working to open the shuttle door.
|
|
|
|
RIKER
|
|
(reading)
|
|
NCC one-seven-zero-one-D -- USS
|
|
Enterprise, shuttle number
|
|
five.
|
|
|
|
He turns in shock and stares at Worf. Riker looks back
|
|
at the registration number to be sure he read it
|
|
correctly. Riker then looks to the other side of the
|
|
Shuttle Bay...
|
|
|
|
25 SCENE (OPTICAL)
|
|
|
|
... to another shuttlecraft, identical in design to the
|
|
one which was just brought on board, and carrying the
|
|
exact same number.
|
|
|
|
RIKER
|
|
(reading)
|
|
NCC one-seven-zero-one-D -- USS
|
|
Enterprise shuttle number
|
|
five.
|
|
|
|
WORF
|
|
How is this possible?
|
|
|
|
26 OTHER SIDE OF SHUTTLE
|
|
|
|
The crewmembers get the door open. Pulaski starts to
|
|
enter, then freezes. Pulaski calls out:
|
|
|
|
PULASKI
|
|
Commander! Come here!
|
|
|
|
27 RIKER AND WORF
|
|
|
|
The urgency in her voice sends Riker and Worf quickly
|
|
around to the other side of the shuttle where:
|
|
|
|
28 ANOTHER ANGLE
|
|
|
|
Pulaski steps back to allow Riker to look in.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 10.
|
|
|
|
29 RIKER
|
|
|
|
Instantly he understands the reason for Pulaski's
|
|
reaction.
|
|
|
|
30 SHUTTLECRAFT
|
|
|
|
Slumped over the controls is CAPTAIN JEAN-LUC PICARD.
|
|
Unconscious, but otherwise exactly the same as the man
|
|
we just left on the bridge!
|
|
|
|
RIKER
|
|
(he touches his
|
|
communicator)
|
|
Captain?
|
|
|
|
PICARD'S COM VOICE
|
|
What is it, Number One?
|
|
|
|
RIKER
|
|
Captain, are you on the bridge?
|
|
|
|
PICARD'S COM VOICE
|
|
(irritated)
|
|
Where else would I be?
|
|
|
|
RIKER
|
|
Right now, I think you had better
|
|
be in Shuttle Bay Two.
|
|
|
|
PICARD'S COM VOICE
|
|
Why? What is it?
|
|
|
|
RIKER
|
|
This you had better see for
|
|
yourself and, Captain, bring
|
|
Commander Data.
|
|
|
|
31 ANOTHER ANGLE - SHUTTLE BAY TWO
|
|
|
|
Picard and Data ENTER. Pulaski is in the shuttle
|
|
checking P2's condition. The tension level in the
|
|
room is very high. Without being called, TROI
|
|
instinctively ENTERS the Shuttle Bay.
|
|
|
|
32 PICARD
|
|
|
|
as he moves closer he sees what has them all so
|
|
concerned.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 11.
|
|
|
|
33 INTERCUT
|
|
|
|
the others, all waiting to see how Picard is going to
|
|
react.
|
|
|
|
34 PICARD
|
|
|
|
moves closer, wanting to be certain his eyes are
|
|
telling him the truth. Riker moves up next to him.
|
|
For a beat they both watch Pulaski as she does her
|
|
medical checks.
|
|
|
|
35 SCENE
|
|
|
|
Data is nearby, waiting to enter the shuttle as soon as
|
|
Pulaski is clear.
|
|
|
|
RIKER
|
|
We have been in a lot of bizarre
|
|
situations, but nothing like this.
|
|
|
|
Picard's response comes out as a grunt. Seeing a
|
|
duplicate of himself, in a duplicate of an Enterprise
|
|
shuttlecraft, has put Picard and the others under
|
|
enormous strain, so much so that words come slowly. No
|
|
one knows what to say, and all are waiting for some
|
|
explanation about what's going on. This all plays off
|
|
Picard, who is the most involved. In a strange way the
|
|
crew avoids making eye contract with Picard.
|
|
|
|
PICARD
|
|
What's his condition?
|
|
|
|
36 SHUTTLE (OPTICAL)
|
|
|
|
Pulaski completes her scan.
|
|
|
|
PULASKI
|
|
The life signs are confusing.
|
|
I get a strong heartbeat, but the
|
|
rhythm is off.
|
|
|
|
PICARD
|
|
Has he been injured?
|
|
|
|
PULASKI
|
|
No signs of trauma.
|
|
|
|
PICARD
|
|
Then why is he unconscious? What
|
|
happened to him?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 12.
|
|
|
|
36 CONTINUED:
|
|
|
|
PULASKI
|
|
I can't say.
|
|
|
|
As she scans P2's head she gently touches his face, as
|
|
if double checking her readings.
|
|
|
|
PULASKI
|
|
(continuing)
|
|
The readings from his brain waves
|
|
are very... strange.
|
|
|
|
Little alarm bells go off for Picard.
|
|
|
|
PICARD
|
|
Strange? In what way? Non-human?
|
|
Artificial?
|
|
|
|
PULASKI
|
|
No -- neither. They are just out
|
|
of phase.
|
|
|
|
PICARD
|
|
Can you revive him?
|
|
|
|
PULASKI
|
|
I won't attempt it until he's in
|
|
Sickbay.
|
|
(she holds the look for
|
|
a beat, then:)
|
|
Let's get him there.
|
|
|
|
Pulaski and her medical team remove P2.
|
|
|
|
37 PICARD AND TROI (OPTICAL)
|
|
|
|
Both are confounded.
|
|
|
|
PICARD
|
|
Counselor.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 13.
|
|
|
|
37 CONTINUED:
|
|
|
|
TROI
|
|
I have never felt anything quite
|
|
like this so it is difficult to
|
|
put into words.
|
|
(she pauses to gather
|
|
her thoughts)
|
|
That person is you. What I mean,
|
|
the person we are looking at is
|
|
as much Jean-Luc Picard as the
|
|
person I am standing next to;
|
|
beyond that there's very little
|
|
of which I am sure. I will have
|
|
to wait until he is conscious
|
|
before knowing more.
|
|
|
|
38 SCENE
|
|
|
|
PICARD
|
|
Data, we have to know what is on
|
|
the shuttle's logs.
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
Data enters the damaged shuttle.
|
|
|
|
39 INT./EXT. SHUTTLE
|
|
|
|
Data takes the command position and attempts to
|
|
activate the system.
|
|
|
|
DATA
|
|
Both primary and reserve power
|
|
has been drained from the shuttle.
|
|
I am going to have to connect
|
|
to the Enterprise in order to
|
|
activate the shuttle's systems.
|
|
|
|
RIKER
|
|
Lieutenant La Forge -- report to
|
|
Shuttle Bay Two.
|
|
|
|
GEORDI'S COM VOICE
|
|
I'm on my way.
|
|
|
|
PICARD
|
|
Number One, I'll be in Sickbay.
|
|
Keep me informed.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 14.
|
|
|
|
39 CONTINUED:
|
|
|
|
RIKER
|
|
(indicating an unusual
|
|
burn on the skin of
|
|
the shuttle)
|
|
Did you see this, Captain?
|
|
|
|
Picard steps over to the shuttle and examines the burn.
|
|
|
|
PICARD
|
|
It looks like the kind of damage
|
|
caused by an antimatter explosion.
|
|
|
|
RIKER
|
|
Yes, the shuttle must have been
|
|
just out of range.
|
|
|
|
PICARD
|
|
(urgent)
|
|
Data, I need those logs.
|
|
(to Troi)
|
|
Counselor.
|
|
|
|
As Picard and Troi EXIT:
|
|
|
|
RIKER
|
|
We'll be on the bridge.
|
|
|
|
He and Worf EXIT as Geordi ARRIVES.
|
|
|
|
39A INT. MAIN BRIDGE
|
|
|
|
Riker and Worf ENTER and go to their stations.
|
|
|
|
RIKER
|
|
Resume course and speed.
|
|
(to Worf)
|
|
Scanners at maximum range.
|
|
|
|
WORF
|
|
Maximum range.
|
|
|
|
39B EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the Enterprise stretches to warp speed.
|
|
|
|
40 INT. SHUTTLE BAY TWO (OPTICAL)
|
|
|
|
Geordi comes around to the shuttle door. Data is
|
|
sitting at the controls.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 15.
|
|
|
|
40 CONTINUED:
|
|
|
|
GEORDI
|
|
You should have power now.
|
|
|
|
Data activates the shuttle's on-board computer.
|
|
|
|
There is a SUDDEN EXPLOSION. Filling the shuttle with
|
|
sparks.
|
|
|
|
41 DATA (OPTICAL)
|
|
|
|
neither affected nor distracted by the chaos around
|
|
him, calmly shuts down the unit.
|
|
|
|
GEORDI
|
|
What happened?
|
|
|
|
DATA
|
|
The polarity was not
|
|
compatible.
|
|
|
|
GEORDI
|
|
Not possible, the connection is
|
|
idiot proof.
|
|
|
|
DATA
|
|
The power requirements of the
|
|
shuttle do not match the
|
|
Enterprise. We are going to need
|
|
a variable phase inverter, to
|
|
align the power from the
|
|
Enterprise to the circuits of the
|
|
shuttle.
|
|
|
|
GEORDI
|
|
Data, what do you think is going
|
|
on? I don't just mean about the
|
|
shuttle, I mean about all of this?
|
|
|
|
DATA
|
|
I do not have enough information.
|
|
|
|
GEORDI
|
|
The captain here, the captain
|
|
there. This shuttle -- that
|
|
shuttle. Commander Riker is right -- this
|
|
is very strange.
|
|
|
|
42
|
|
thru OMITTED
|
|
43
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 16.
|
|
|
|
44 INT. CORRIDOR - OUTSIDE SICKBAY
|
|
|
|
Picard and Troi are approaching Sickbay.
|
|
|
|
PICARD
|
|
This smells like a set-up.
|
|
|
|
TROI
|
|
A trap?
|
|
|
|
PICARD
|
|
(nods, yes)
|
|
If it is me, me from where? And
|
|
why in a shuttle? There is
|
|
nothing about this which is random
|
|
or happenstance. Look beneath
|
|
the boards, Counselor; I expect
|
|
something foul and familiar to
|
|
crawl out.
|
|
|
|
Picard holds her look for a beat, then turns and ENTERS
|
|
Sickbay.
|
|
|
|
45 INT. SICKBAY (OPTICAL)
|
|
|
|
They have placed P2 in the center of Sickbay. Pulaski
|
|
is doing her medical work-ups.
|
|
|
|
PULASKI
|
|
We have just started doing a
|
|
complete work-up. The vital signs
|
|
are distorted. Some of the
|
|
indicators are totally depressed,
|
|
others are fluctuating wildly.
|
|
I can't explain any of it. But
|
|
he is alive, and I don't think
|
|
he's in any immediate danger.
|
|
|
|
She activates a forcefield, which briefly appears as
|
|
a restraining device.
|
|
|
|
PULASKI
|
|
(continuing)
|
|
The restraints are for his own
|
|
protection.
|
|
|
|
PICARD
|
|
Have you been able to determine
|
|
why he is still unconscious?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 16A.
|
|
|
|
45 CONTINUED:
|
|
|
|
PULASKI
|
|
I have been able to rule out head
|
|
injury -- otherwise there is no
|
|
apparent cause.
|
|
|
|
PICARD
|
|
Wake him.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 17.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
She touches the hypospray to his neck. Suddenly all of
|
|
the indicators fall to zero. Pulaski quickly adjusts
|
|
her hypospray and gives P2 another injection. While
|
|
they watch, the indicators return to their previous
|
|
readings.
|
|
|
|
PICARD
|
|
(continuing)
|
|
What happened?
|
|
|
|
PULASKI
|
|
Apparently a normal stimulant had
|
|
the opposite effect. I'll have
|
|
to try something else.
|
|
|
|
She steps over to a counter to prepare a different
|
|
injection. Picard moves slightly closer to himself.
|
|
|
|
46 INT. SHUTTLE BAY TWO
|
|
|
|
Geordi and Data are working together to synchronize the
|
|
power from the Enterprise with the circuits of the
|
|
shuttlecraft.
|
|
|
|
GEORDI
|
|
There... that should give you
|
|
something. Making this power
|
|
adjustment is very tricky. By
|
|
all rights, this connection should
|
|
overload all the shuttle's
|
|
circuits.
|
|
|
|
Data steps over to the shuttle control position.
|
|
|
|
DATA
|
|
Perhaps you had better step back
|
|
out of the way.
|
|
|
|
Geordi responds.
|
|
|
|
GEORDI
|
|
Remember you're not indestructible
|
|
yourself.
|
|
|
|
Data again attempts to activate the systems.
|
|
|
|
47 SHUTTLE
|
|
|
|
The lights on the control panel come on, then die out.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 17A.
|
|
|
|
47 CONTINUED:
|
|
|
|
DATA
|
|
Increase the power.
|
|
|
|
The lights come back.
|
|
|
|
DATA
|
|
(continuing)
|
|
Adjust the invert two percent
|
|
positive.
|
|
|
|
The lights dim.
|
|
|
|
GEORDI
|
|
That's the correct decision, but
|
|
it's having the opposite effect.
|
|
|
|
DATA
|
|
Yes.
|
|
|
|
GEORDI
|
|
There is nothing I can think of
|
|
which could cause such a radical
|
|
change in this circuit.
|
|
|
|
DATA
|
|
Adjust the invert two percent
|
|
negative.
|
|
|
|
The lights glow brighter and hold.
|
|
|
|
GEORDI
|
|
Got it. It shouldn't work, but
|
|
it does.
|
|
|
|
The lights glow brighter and hold. Geordi steps in
|
|
beside Data.
|
|
|
|
GEORDI
|
|
(continuing;
|
|
stunned)
|
|
Data, take a look at the stardate.
|
|
|
|
Data looks at the control panel.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT ONE 18.
|
|
|
|
47 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Four-two-six-seven-nine-point-five.
|
|
(he touches his
|
|
communicator)
|
|
Captain.
|
|
|
|
48 INT. SICKBAY
|
|
|
|
They are still gathered around P2.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
GEORDI'S COM VOICE
|
|
Captain, we have been able to
|
|
activate the shuttle; the on-board
|
|
clock indicates that the shuttle
|
|
is six hours ahead of us.
|
|
|
|
Picard moves a step closer to P2... up until this time
|
|
he has carefully kept his distance.
|
|
|
|
GEORDI'S COM VOICE
|
|
(continuing)
|
|
Captain, did you read me? If the
|
|
shuttle is from six hours into
|
|
the future, so is the other
|
|
Captain Picard.
|
|
|
|
49 PICARD
|
|
|
|
He studies P2. Off his reaction:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 19.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at warp speed.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. Part
|
|
of the mystery has been solved.
|
|
The reason there are two NCC
|
|
one-seven-zero-one-D-five
|
|
shuttlecrafts is because one of
|
|
them is from the future... six
|
|
hours to be exact. And, so
|
|
presumably is the facsimile of
|
|
me.
|
|
|
|
51 INT. SICKBAY
|
|
|
|
Picard is there with Pulaski and Troi.
|
|
|
|
PICARD
|
|
Try to wake him, again.
|
|
|
|
Pulaski gives Picard a little look, then adjusts her
|
|
hypospray and touches it to P2's neck.
|
|
|
|
52 P2
|
|
|
|
... he becomes conscious. His face is a mask of
|
|
terror, pain and fear. His head rolls back and he
|
|
tries to scream, but no sound comes. As he looks
|
|
around, his movements have a strange stuttering
|
|
quality.
|
|
|
|
53 PICARD
|
|
|
|
He reacts to seeing himself as he has never felt, nor
|
|
ever thought he would feel, out of control and
|
|
impotent.
|
|
|
|
54 PULASKI
|
|
|
|
She moves to comfort P2, but his flaying hands hold her
|
|
off. His movements come in a series of stutters. He's
|
|
here - in this Sickbay, on this ship, but if as though
|
|
he were in another dimension as well.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 20.
|
|
|
|
55 PICARD
|
|
|
|
Troi is close beside him. They watch as:
|
|
|
|
56 P2
|
|
|
|
He pushes in his herky-jerky way against an unseen wall
|
|
behind which he is imprisoned. His mouth is open --
|
|
but still there is no sound.
|
|
|
|
57 PICARD
|
|
|
|
The terror of seeing himself in such a condition. A
|
|
little sound comes from him... It's primal, in response
|
|
to what he sees and the anguish he feels from his
|
|
otherself's helpless condition.
|
|
|
|
58 SCENE
|
|
|
|
Pulaski responds to seeing a patient in this condition,
|
|
steps up to touch the hypospray to P2's neck.
|
|
|
|
PICARD
|
|
No!
|
|
|
|
The word explodes from him.
|
|
|
|
PULASKI
|
|
It's a only a sedative.
|
|
|
|
PICARD
|
|
I know what it is... don't sedate
|
|
him. Let him be!
|
|
(then, changing his
|
|
tone)
|
|
Please... allow him to remain
|
|
conscious.
|
|
|
|
59 P2
|
|
|
|
If P2 is aware of his surroundings, it would be
|
|
impossible to tell. But clearly he is in some kind of
|
|
horror chamber, from which he cannot escape.
|
|
|
|
PULASKI
|
|
I have never seen anything like
|
|
this.
|
|
|
|
Pulaski looks over at Picard. The color has been
|
|
drained from his face.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 21.
|
|
|
|
59 CONTINUED:
|
|
|
|
PULASKI
|
|
(continuing)
|
|
Captain, you had better sit down.
|
|
|
|
Picard waves her off.
|
|
|
|
PICARD
|
|
I'm fine, Doctor... Save your
|
|
ministrations for the patient.
|
|
I want a staff meeting in five
|
|
minutes. Doctor, I assume you
|
|
will want to remain here.
|
|
|
|
She acknowledges with a nod. Picard turns and heads
|
|
for the exit.
|
|
|
|
PULASKI
|
|
I will monitor the conference
|
|
from here.
|
|
|
|
PICARD
|
|
Keep me informed, Doctor -- of any
|
|
change no matter how small.
|
|
|
|
60 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Riker is there with Picard, Data, Geordi, Worf and
|
|
Troi. Pulaski is still in Sickbay with P2.
|
|
|
|
GEORDI
|
|
Captain, we have retrieved all
|
|
we are going to get from the
|
|
shuttle logs, including the last
|
|
visual records. Everything before
|
|
this is just a jumble.
|
|
|
|
61 ANOTHER ANGLE
|
|
|
|
Picard stands.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
62 DATA
|
|
|
|
He inputs the computer pad in front of him.
|
|
|
|
63 SCENE (OPTICAL)
|
|
|
|
An image appears on the viewscreen. It's slightly
|
|
distorted.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 22.
|
|
|
|
63 CONTINUED:
|
|
|
|
GEORDI
|
|
The distortion is because we had
|
|
to use a phase inverter to
|
|
retrieve the logs. It will
|
|
improve slightly.
|
|
|
|
The image changes, but the quality does not noticeably
|
|
improve.
|
|
|
|
64 PICARD
|
|
|
|
watches transfixed.
|
|
|
|
65 SCREEN (OPTICAL)
|
|
|
|
It's the shuttle's on-board camera. As the shuttle
|
|
doors open, we see that the Enterprise is surrounded by
|
|
a maelstrom of energy - a chaos of swirling, violent
|
|
colors.
|
|
|
|
The scene shifts, to a camera angle looking back at the
|
|
Shuttle Bay. Riker is standing there. His expression
|
|
is both pained and very concerned. He gives a little
|
|
motion with his hand. It's difficult to tell the
|
|
meaning of the motion.
|
|
|
|
66 RIKER
|
|
|
|
Here in the Observation Lounge, his face shows the same
|
|
concern.
|
|
|
|
67 THE SCREEN (OPTICAL)
|
|
|
|
as the shuttle slowly leaves -- then quickly accelerates
|
|
away until we see the Enterprise from the point of view
|
|
of the shuttlecraft. It is surrounded by a swirling
|
|
cacophony of energy and colors. It's like being on the
|
|
edge of a great whirlpool. There is a lot of buffeting -- both
|
|
the shuttle and the Enterprise are being thrown
|
|
about.
|
|
|
|
68 PICARD
|
|
|
|
He is very intent on the scene before him.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 23.
|
|
|
|
69 SCREEN (OPTICAL)
|
|
|
|
The turmoil around the Enterprise increases. Then,
|
|
without a sound... the Enterprise is literally torn
|
|
apart, by a great, yet unseen force. Right on the
|
|
screen -- before their eyes -- the ship is destroyed.
|
|
Then the screen goes blank.
|
|
|
|
70 REACTIONS FROM EVERYONE
|
|
|
|
Picard turns away from the screen.
|
|
|
|
DATA
|
|
According to the shuttle log, the
|
|
Enterprise was destroyed three
|
|
hours, nineteen minutes from now.
|
|
|
|
The room is silent for a beat, then:
|
|
|
|
GEORDI
|
|
Captain, we have a portion of your
|
|
last log entry.
|
|
|
|
PICARD
|
|
Proceed.
|
|
|
|
Data activates the control panel on the table in front
|
|
of him.
|
|
|
|
GEORDI
|
|
It's audio only.
|
|
|
|
There is a pause, then a strange phasing sound,
|
|
followed by the distorted but understandable voice of
|
|
Captain Picard. There is:
|
|
|
|
PICARD (V.O.)
|
|
Captain's personal log,
|
|
supplemental.
|
|
(there is a long pause)
|
|
For the record... I have just
|
|
witnessed the total destruction
|
|
of the USS Enterprise with a loss
|
|
of all hands, save one. Me.
|
|
|
|
The entry ends with a very strange sound.
|
|
|
|
DATA
|
|
That last sound apparently
|
|
occurred when the shuttle was
|
|
thrown back in time.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 24.
|
|
|
|
71 REACTIONS
|
|
|
|
There is a long pause as those in the room try to
|
|
absorb and comprehend what they have just seen.
|
|
|
|
GEORDI
|
|
All attempts to obtain additional
|
|
information from the shuttle's
|
|
logs have failed.
|
|
|
|
Picard nods an acknowledgement.
|
|
|
|
RIKER
|
|
At least now we have something
|
|
to go on.
|
|
|
|
GEORDI
|
|
I can't understand how you could
|
|
end up in a shuttlecraft while
|
|
the Enterprise is being destroyed.
|
|
|
|
WORF
|
|
Nor I, the last thing you would
|
|
do is leave the bridge of the
|
|
Enterprise during an emergency.
|
|
|
|
PICARD
|
|
Yes, but let's proceed on the
|
|
premise that what we have just
|
|
seen is factual and that somehow,
|
|
in less than four hours, the
|
|
Enterprise will be destroyed and
|
|
somehow -- although this is
|
|
unfathomable -- I, and I alone
|
|
escaped. Discussion.
|
|
|
|
RIKER
|
|
Our destination is the Endicor
|
|
system. We are not due to arrive
|
|
for three days. The charts
|
|
indicate nothing of consequence,
|
|
certainly nothing which could
|
|
threaten the Enterprise, between
|
|
here and there.
|
|
|
|
WORF
|
|
Sensors indicated no other vessels
|
|
-- Federation or otherwise -- in
|
|
this area.
|
|
|
|
PICARD
|
|
Data?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 24A.
|
|
|
|
71 CONTINUED:
|
|
|
|
DATA
|
|
I have nothing to offer. There
|
|
is not enough information upon
|
|
which I can base a hypothesis.
|
|
|
|
GEORDI
|
|
Well, the shuttle apparently came
|
|
from somewhere up ahead. Rather
|
|
than continuing on this course,
|
|
perhaps we should stop here and
|
|
let whatever is out there come
|
|
and find us.
|
|
|
|
RIKER
|
|
I think it's already too late for
|
|
that.
|
|
|
|
GEORDI
|
|
Are you saying that stopping,
|
|
turning left, or right, or even
|
|
reversing course, is pointless?
|
|
|
|
RIKER
|
|
When we brought the shuttle and
|
|
the other Picard on board, we
|
|
committed ourselves to a sequence
|
|
of events which may be
|
|
unalterable.
|
|
|
|
PICARD
|
|
Yes, this isn't a rock in the road
|
|
which once seen can be avoided.
|
|
It's much more complex.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 25.
|
|
|
|
71 CONTINUED: (2)
|
|
|
|
WORF
|
|
There is the theory of the
|
|
moebius, a twist in the fabric of
|
|
space where time becomes a loop
|
|
from which there is no escape.
|
|
|
|
GEORDI
|
|
So, when we reach that moment --
|
|
whatever happened will happen
|
|
again... The Enterprise will be
|
|
destroyed, the "other Picard" sent
|
|
back to meet with us and do it
|
|
all over again.
|
|
(he shudders)
|
|
That sounds like someone's
|
|
definition of hell.
|
|
|
|
RIKER
|
|
I know this much -- we can't avoid
|
|
the future.
|
|
|
|
PICARD
|
|
Agreed. So let's continue on
|
|
course. Everyone return to your
|
|
duty stations. Somewhere out
|
|
there something will happen...
|
|
a decision will be made which
|
|
will cause me to become separated
|
|
from the Enterprise -- at the time
|
|
that decision will seem correct,
|
|
but it won't be. We have to
|
|
anticipate and not make the same
|
|
mistake once. Something is
|
|
waiting for us out there -- let's
|
|
determine what it is as quickly
|
|
as possible.
|
|
|
|
Off their reactions:
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 26.
|
|
|
|
72 INT. MAIN BRIDGE
|
|
|
|
Riker, Worf ENTER and take their positions.
|
|
|
|
Riker sits in the Command Chair and stares at the Main
|
|
Viewer. Worf is intent upon his console. The tension
|
|
level on the bridge is very high.
|
|
|
|
73 INT. SHUTTLE BAY TWO
|
|
|
|
Data is there with Geordi.
|
|
|
|
GEORDI
|
|
(he studies the shuttle)
|
|
Data -- I think the molecular
|
|
structure of the shuttle has
|
|
changed!
|
|
|
|
Data takes a tricorder and makes a scan.
|
|
|
|
DATA
|
|
Your assessment is accurate.
|
|
|
|
GEORDI
|
|
Why now?
|
|
|
|
DATA
|
|
Perhaps it always was unstable
|
|
and it was only by leaving and
|
|
coming back that you were able
|
|
to see the change.
|
|
|
|
74 INT. SICKBAY
|
|
|
|
Pulaski is doing further tests on P2, as Picard ENTERS
|
|
with Troi.
|
|
|
|
PICARD
|
|
Doctor?
|
|
|
|
PULASKI
|
|
I am beginning to realize just
|
|
how much of the body is held
|
|
together by its own internal
|
|
clock. You -- he was thrown out
|
|
of time, which caused the body
|
|
systems to change their rhythms.
|
|
Slowly, as we move closer to the
|
|
time he left, the internal body
|
|
clocks are realigning.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT TWO 27.
|
|
|
|
74 CONTINUED:
|
|
|
|
PICARD
|
|
You're saying, when our time
|
|
intersects with the time he left,
|
|
at that instant he will be
|
|
functioning normally. And there
|
|
will be two of us.
|
|
|
|
PULASKI
|
|
Right now, that would be my guess.
|
|
|
|
PICARD
|
|
I don't believe that is possible.
|
|
|
|
Pulaski pauses as the thought hits her.
|
|
|
|
Troi has moved over closer to P2. She is watching him
|
|
intently.
|
|
|
|
TROI
|
|
Captain, I am able to feel more
|
|
from him now. Much of his
|
|
emotions are still a jumble,
|
|
but...
|
|
|
|
She steps even closer. Her eyes shut as she
|
|
concentrates. P2 flinches in the same stuttering way.
|
|
His body jerks back. His face contorts.
|
|
|
|
His hands reach out and grab Troi. For a moment
|
|
nothing -- then she screams, in agony. P2... throws
|
|
back his head but no sound comes out. Pulaski rushes
|
|
to Troi. As she touches her, Troi collapses.
|
|
|
|
PICARD
|
|
What did you feel?
|
|
|
|
TROI
|
|
Only that he wants desperately
|
|
to leave this ship.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
75 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
It continues on course.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. We
|
|
continue on course to Endicor.
|
|
We are now less than two hours
|
|
away from our rendezvous with
|
|
ourselves.
|
|
|
|
76 INT. MAIN BRIDGE
|
|
|
|
Everyone is at his station except for Data.
|
|
|
|
RIKER
|
|
Worf.
|
|
|
|
WORF
|
|
All sensors are on maximum scan.
|
|
There is nothing unusual to
|
|
report.
|
|
|
|
The tension level on the bridge is very high.
|
|
|
|
RIKER
|
|
If the timetable is correct, we
|
|
should get an indication of
|
|
something very soon.
|
|
|
|
PULASKI'S COM VOICE
|
|
Bridge, this is Sickbay.
|
|
|
|
PICARD
|
|
Yes, Doctor.
|
|
|
|
PULASKI'S COM VOICE
|
|
Captain, my patient is more
|
|
coherent.
|
|
|
|
PICARD
|
|
I'll be right there.
|
|
|
|
Picard rises and goes to the turbolift.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 29.
|
|
|
|
76 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
Number One, you have the bridge.
|
|
|
|
Off Riker's concerned reaction:
|
|
|
|
77
|
|
thru OMITTED
|
|
78
|
|
|
|
79 INT. SICKBAY (OPTICAL)
|
|
|
|
Picard ENTERS. (He pauses at the doorway and watches
|
|
Pulaski and P2).
|
|
|
|
PICARD
|
|
How is he?
|
|
|
|
PULASKI
|
|
His vital signs are more normal -- which
|
|
is to say, more like ours.
|
|
He is calmer.
|
|
|
|
Indeed as Picard approaches him, P2 becomes more
|
|
agitated.
|
|
|
|
PICARD
|
|
He is now aware of me.
|
|
|
|
PULASKI
|
|
In some fashion.
|
|
|
|
PICARD
|
|
(sotto, almost to
|
|
himself)
|
|
But, does he know where he is,
|
|
and who's here with him?
|
|
|
|
PULASKI
|
|
I doubt it.
|
|
|
|
PICARD
|
|
(then to P2)
|
|
What went wrong?
|
|
|
|
P2 turns away. Like a bizarre painting by Goya, a
|
|
face frozen in agony.
|
|
|
|
Picard moves a step closer.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 30.
|
|
|
|
79 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
You know... don't you?
|
|
|
|
P2 turns back and faces Picard -- but his eyes still do
|
|
not make contact. It's impossible to tell whether he
|
|
hears Picard or not.
|
|
|
|
PICARD
|
|
(continuing)
|
|
What did you do? What happened?
|
|
Why did you leave the ship?
|
|
|
|
P2 -- just trying to orient himself as much as anything -- turns
|
|
his head.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Don't turn away. Look at me.
|
|
|
|
Without being summoned, but somehow knowing that she is
|
|
needed, Troi appears in the doorway behind them and
|
|
slowly approaches as Picard continues to try and make
|
|
contact.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Picard!
|
|
|
|
He speaks the name as if it belongs to another, and at
|
|
this moment it does.
|
|
|
|
PICARD
|
|
(continuing)
|
|
LOOK AT ME!
|
|
|
|
TROI
|
|
He doesn't understand you.
|
|
|
|
PICARD
|
|
He knows I'm here.
|
|
|
|
TROI
|
|
Yes, as part of a nightmare of
|
|
disjointed images, half-heard
|
|
voices. He is in another
|
|
dimension -- seeing us across a
|
|
great chasm -- and he's filled with
|
|
remorse at what he has witnessed,
|
|
and he's afraid.
|
|
|
|
PICARD
|
|
What is he afraid of?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 31.
|
|
|
|
79 CONTINUED: (2)
|
|
|
|
Troi doesn't have that specific answer.
|
|
|
|
PICARD
|
|
(continuing; back to
|
|
P2)
|
|
Damn you -- help me! Why did you
|
|
leave the ship?
|
|
|
|
Now, for the first time, P2 turns and looks Picard full
|
|
in the face. Through what must be a blur of shifting
|
|
and nightmarish images, P2 tries to focus.
|
|
|
|
80 P2
|
|
|
|
He leans forward. Like a sailor straining against the
|
|
fog, then with a grimace made up of frustration and
|
|
rage, he turns away. For the first time we hear a
|
|
sound from his lips. It's strange -- otherworldish.
|
|
|
|
81 SCENE
|
|
|
|
Picard takes a step forward. For a second it looks as
|
|
if Picard is going to grab P2 and shake him. But he
|
|
only glares at him.
|
|
|
|
TROI
|
|
It's no use, Captain. He can't
|
|
answer.
|
|
|
|
PULASKI
|
|
As we get closer to the time he
|
|
left, he may be able to.
|
|
|
|
Picard steps back, frustration etched on his face.
|
|
|
|
PICARD
|
|
(to Troi)
|
|
Are you still convinced he is me?
|
|
|
|
TROI
|
|
Yes -- but you're not.
|
|
|
|
PICARD
|
|
Not in the slightest. Except for
|
|
his features there is nothing
|
|
about him which I find familiar.
|
|
|
|
He turns to leave.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 31A.
|
|
|
|
81 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
I want you to stay with him. He
|
|
will be able to communicate with
|
|
you before any of the rest of us.
|
|
|
|
Picard then turns and EXITS.
|
|
|
|
PULASKI
|
|
I don't know how long anyone can
|
|
take this kind of schizophrenia.
|
|
There has to be a breaking point.
|
|
|
|
TROI
|
|
He is handling it very well.
|
|
|
|
PULASKI
|
|
He has a lot of anger.
|
|
|
|
TROI
|
|
Yes. Because of what...
|
|
(indicating P2)
|
|
... he represents.
|
|
|
|
PULASKI
|
|
And what is that?
|
|
|
|
TROI
|
|
Doubt. Seeing him here and
|
|
knowing what happened to the
|
|
Enterprise could make him timid
|
|
or, worse, cause him to hesitate.
|
|
|
|
PULASKI
|
|
When he said -- that there is
|
|
nothing familiar about him...
|
|
(re P2)
|
|
... except his features. It
|
|
sounded like a form of denial.
|
|
|
|
TROI
|
|
It's his accurate feelings.
|
|
|
|
PULASKI
|
|
Part of my job is to anticipate
|
|
problems. I have a duty to the
|
|
captain, but first to the ship
|
|
and its crew.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 31B.
|
|
|
|
81 CONTINUED: (2)
|
|
|
|
TROI
|
|
Doctor, the captain is fully
|
|
capable of command decisions.
|
|
|
|
Pulaski is pensive for a beat.
|
|
|
|
PULASKI
|
|
Yes... for now. But... this
|
|
situation has put enormous
|
|
pressure -- of a unique and very
|
|
personal nature -- on Captain
|
|
Picard. And we both know that
|
|
pressure is going to increase.
|
|
You said he already has doubt.
|
|
|
|
TROI
|
|
Yes, which is necessary and
|
|
healthy.
|
|
|
|
PULASKI
|
|
But could potentially paralyze.
|
|
If we begin to see signs that he
|
|
is acting in an irrational manner,
|
|
then I have the authority and the
|
|
duty to relieve him.
|
|
|
|
Troi nods.
|
|
|
|
TROI
|
|
I do not think that will be
|
|
necessary.
|
|
|
|
PULASKI
|
|
I hope you're right.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 32.
|
|
|
|
82 OMITTED
|
|
|
|
83 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as it continues along -- without so much as a hint of
|
|
trouble.
|
|
|
|
84
|
|
thru OMITTED
|
|
87
|
|
|
|
88 INT. CAPTAIN'S READY ROOM (OPTICAL)
|
|
|
|
Picard is behind his desk -- Riker is sitting across
|
|
from him.
|
|
|
|
PICARD
|
|
What force or phenomenon could
|
|
cause a shuttle to be thrown back
|
|
in time?
|
|
|
|
RIKER
|
|
None that we have ever
|
|
encountered. In theory,
|
|
accelerating beyond warp ten.
|
|
|
|
PICARD
|
|
Using the gravitational pull of
|
|
a star to "slingshot" back in
|
|
time. Is that what happened here?
|
|
|
|
RIKER
|
|
The shuttle doesn't have warp
|
|
capability.
|
|
|
|
PICARD
|
|
No. Some external force was
|
|
needed.
|
|
|
|
RIKER
|
|
We have never encountered any
|
|
natural force that powerful. And
|
|
why only six hours? Why not a
|
|
day? A year?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 33.
|
|
|
|
88 CONTINUED:
|
|
|
|
PICARD
|
|
Are you suggesting there is a
|
|
conscious mind at work here?
|
|
|
|
RIKER
|
|
There is no evidence either way.
|
|
|
|
PICARD
|
|
The Traveler moved through time
|
|
with the power of his mind.
|
|
|
|
RIKER
|
|
I don't think that's the case
|
|
here.
|
|
|
|
PICARD
|
|
(frustrated)
|
|
No -- and Manheim's experiments
|
|
with gravity and time were
|
|
rudimentary, and uncontrollable.
|
|
|
|
RIKER
|
|
Captain, this is one instant
|
|
where you must suppress your
|
|
natural tendencies.
|
|
|
|
PICARD
|
|
Explain.
|
|
|
|
RIKER
|
|
(then more as a friend
|
|
than a subordinate,
|
|
or even a fellow
|
|
officer)
|
|
Your strength, Jean-Luc, is your
|
|
ability to evaluate the dynamics
|
|
of a situation, step in and make
|
|
the definitive, preemptive move.
|
|
You take charge. You're
|
|
frustrated now because, not only
|
|
can't you see the solution... you
|
|
can't even define the problem.
|
|
|
|
PICARD
|
|
Go on.
|
|
|
|
RIKER
|
|
This is not place or person we
|
|
are facing... at least not yet...
|
|
it's time.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 34.
|
|
|
|
88 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Are you telling me to just sit
|
|
down -- shut up and wait.
|
|
|
|
Riker smiles.
|
|
|
|
RIKER
|
|
I wouldn't have used those exact
|
|
words... but, yes.
|
|
|
|
PICARD
|
|
I don't do that well.
|
|
|
|
RIKER
|
|
It's your Persian Flaw.
|
|
|
|
PICARD
|
|
(thoughtfully)
|
|
Yes -- perhaps it is.
|
|
|
|
Sudden the Enterprise shudders. Both men are on their
|
|
feet and heading for the door.
|
|
|
|
WORF'S COM VOICE
|
|
Captain to the bridge.
|
|
|
|
89 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Riker and Picard EXIT the captain's Ready Room. On
|
|
the Main Viewer they see the swirling energy which they
|
|
saw in the shuttle's view log.
|
|
|
|
PICARD
|
|
Report.
|
|
|
|
WORF
|
|
This energy vortex appeared out
|
|
of nowhere. There was no warning.
|
|
|
|
RIKER
|
|
Well, now at least the waiting
|
|
is over.
|
|
|
|
90 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
is at the top of a great whirlpool of energy.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT THREE 35.
|
|
|
|
91 INT. MAIN BRIDGE
|
|
|
|
Off Picard's reaction -- almost relieved.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 36.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
92 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at the top of the whirlpool.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental. The
|
|
waiting is over. We have
|
|
apparently intersected with...
|
|
something.
|
|
|
|
93 INT. MAIN BRIDGE
|
|
|
|
Riker and Picard are back at Science One with Data.
|
|
|
|
DATA
|
|
It is similar to our tractor beam,
|
|
only much more powerful.
|
|
|
|
94 INTERCUT WITH MAIN ENGINEERING
|
|
|
|
GEORDI'S COM VOICE
|
|
Bridge, this is Engineering.
|
|
|
|
RIKER
|
|
This is the bridge.
|
|
|
|
GEORDI'S COM VOICE
|
|
The pull on the Enterprise is
|
|
steady. I am having to hold the
|
|
warp engines at thirty percent,
|
|
in order to maintain this
|
|
position.
|
|
|
|
PICARD
|
|
Transfer engine control to the
|
|
bridge.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
Everyone is watching Picard -- waiting for an indication
|
|
of what he wants to do next.
|
|
|
|
TROI
|
|
There is a consciousness here,
|
|
Captain. Not thought -- it is more
|
|
like instinct.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 37.
|
|
|
|
94 CONTINUED:
|
|
|
|
PICARD
|
|
What do you make of it, Number
|
|
One?
|
|
|
|
RIKER
|
|
I would say we're being probed.
|
|
|
|
DATA
|
|
The beam is coming directly from
|
|
the center of the vortex. Sensors
|
|
show only massive amounts of
|
|
energy.
|
|
|
|
PICARD
|
|
What is it trying to learn?
|
|
|
|
TROI
|
|
I think it is trying to determine
|
|
if we are a life force.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
We should stay and investigate.
|
|
|
|
RIKER
|
|
Agreed.
|
|
|
|
PICARD
|
|
But, was that the mistake?
|
|
|
|
Riker looks at him.
|
|
|
|
PICARD
|
|
(continuing)
|
|
... staying too long.
|
|
|
|
RIKER
|
|
Possibly.
|
|
|
|
PICARD
|
|
We should go now.
|
|
|
|
Riker is unsure of his response -- he has never seen
|
|
Picard so indecisive. While this is going on, Geordi
|
|
EXITS the turbolift and crosses to the bridge
|
|
Engineering Station.
|
|
|
|
RIKER
|
|
Well...
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 38.
|
|
|
|
94 CONTINUED: (2)
|
|
|
|
PICARD
|
|
It's the prudent move.
|
|
|
|
Picard pauses.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I never thought I would hear
|
|
myself say something like that.
|
|
|
|
RIKER
|
|
Under the circumstances -- I think
|
|
you may be right.
|
|
|
|
PICARD
|
|
But you'd rather stay and find
|
|
out what it is? What is its
|
|
intent?
|
|
|
|
Riker's silent hesitation is read as affirmation.
|
|
|
|
95 INT. BRIDGE ENGINEERING STATION
|
|
|
|
Geordi steps up to the position.
|
|
|
|
GEORDI
|
|
Engineering, transfer to bridge.
|
|
|
|
The panels light up in sequence.
|
|
|
|
96
|
|
thru OMITTED
|
|
99
|
|
|
|
100 INT. MAIN BRIDGE
|
|
|
|
Picard returns to his Command Chair.
|
|
|
|
PICARD
|
|
Lieutenant La Forge.
|
|
|
|
GEORDI
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
See if you can get us out of here,
|
|
Mister La Forge. Maximum warp.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 39.
|
|
|
|
101 GEORDI
|
|
|
|
as he inputs.
|
|
|
|
GEORDI
|
|
I have set velocity to warp nine.
|
|
|
|
PICARD
|
|
Engage.
|
|
|
|
Geordi complies.
|
|
|
|
102 SCENE
|
|
|
|
There is a surge of power as the Enterprise attempts
|
|
to pull free. Then nothing.
|
|
|
|
GEORDI
|
|
The warp engines are at ninety-one
|
|
percent.
|
|
|
|
PICARD
|
|
Put it to the wall.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
Geordi inputs. The ship shudders -- like a great
|
|
shackled animal fighting to break free.
|
|
|
|
SUDDENLY the Enterprise shakes -- those standing are
|
|
thrown to the deck. And AGAIN the ship shakes. The
|
|
computer automatically takes the ship to RED ALERT.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I can't hold it.
|
|
|
|
RIKER
|
|
Captain! The engines can't take
|
|
this strain.
|
|
|
|
PICARD
|
|
All stop.
|
|
|
|
103 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
But the Enterprise doesn't stop -- it instantly seems
|
|
to fall -- drawn along the beam of energy by an
|
|
irresistible force.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 40.
|
|
|
|
104 INT. MAIN BRIDGE
|
|
|
|
They have no control. Without having to be told,
|
|
Geordi instantly tries to stop the Enterprise. His
|
|
fingers fly over the controls.
|
|
|
|
105 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Warp engines re-engage. The Enterprise slows, then
|
|
stops.
|
|
|
|
106 INT. MAIN BRIDGE
|
|
|
|
It's a little calmer, but still very tense.
|
|
|
|
PICARD
|
|
Status.
|
|
|
|
WORF
|
|
All decks have reported... no
|
|
damage -- no injuries.
|
|
|
|
GEORDI
|
|
The pull on the Enterprise is
|
|
steady, but much stronger than
|
|
before. I am at warp seven just
|
|
to hold this position.
|
|
|
|
PICARD
|
|
Everything we do tightens its
|
|
grip. Let's see what we can
|
|
learn. Launch a Class One probe.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
106A OMITTED
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 40A.
|
|
|
|
107
|
|
thru OMITTED
|
|
108
|
|
|
|
109 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The probe leaves the Enterprise.
|
|
|
|
110 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
As they watch the Main Viewer -- as it reaches the
|
|
vortex -- it explodes. Nothing is left.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 41.
|
|
|
|
111 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
A little tongue of energy speeds up toward the
|
|
Enterprise. Then splits, with half going to separate
|
|
parts of the ship.
|
|
|
|
112 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
They see it racing toward them. The energy goes
|
|
directly at Captain Picard and knocks him down.
|
|
|
|
113 INT. SICKBAY (OPTICAL)
|
|
|
|
A similar piece of energy leaps into the room, directly
|
|
at P2... only it does not slap him to the deck. As
|
|
Pulaski watches it whirls around P2, like a wreath,
|
|
then disappears.
|
|
|
|
114 INT. MAIN BRIDGE
|
|
|
|
Riker helps Picard to his feet. There is fire in
|
|
Picard's eyes.
|
|
|
|
PICARD
|
|
That was personal.
|
|
|
|
GEORDI
|
|
Captain -- the power drain needed
|
|
to hold this position is enormous.
|
|
|
|
PICARD
|
|
How long can you maintain it?
|
|
|
|
GEORDI
|
|
A few minutes, then we are going
|
|
to have to shut down again.
|
|
|
|
PULASKI'S COM VOICE
|
|
Captain -- some kind of energy has
|
|
just surrounded my patient.
|
|
|
|
PICARD
|
|
Is he still alive?
|
|
|
|
PULASKI'S COM VOICE
|
|
Yes...
|
|
|
|
RIKER
|
|
Arm photons, Mister Worf, and lock
|
|
them on the center of the vortex.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 42.
|
|
|
|
114 CONTINUED:
|
|
|
|
WORF
|
|
Photon torpedoes locked on
|
|
target.
|
|
|
|
PICARD
|
|
Hold.
|
|
|
|
115 OMITTED
|
|
|
|
116 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Another sliver of energy slashes across the bridge and
|
|
slams Picard up against the bulkhead.
|
|
|
|
117 PICARD
|
|
|
|
... dazed he struggles to his feet.
|
|
|
|
RIKER
|
|
We're like a rag in a dog's mouth.
|
|
|
|
GEORDI
|
|
I am now at maximum warp.
|
|
|
|
The ship is hammered by another wave of energy.
|
|
|
|
TROI
|
|
It's you, Captain. It was the
|
|
entire ship, but now it has turned
|
|
its attention completely on you.
|
|
|
|
GEORDI
|
|
Captain, I can't hold it. If we
|
|
don't shut down, we are going to
|
|
explode.
|
|
|
|
PICARD
|
|
Counselor, what if I were to leave
|
|
the Enterprise? Would its
|
|
attention stay focused on me?
|
|
|
|
TROI
|
|
Yes. I think it would.
|
|
|
|
118 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
is being pulled into the vortex.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FOUR 43.
|
|
|
|
119 INT. MAIN BRIDGE
|
|
|
|
as before.
|
|
|
|
RIKER
|
|
You'd never survive.
|
|
|
|
PICARD
|
|
But, maybe in those few seconds -- the
|
|
Enterprise could break free.
|
|
In any case, that's what he...
|
|
the other Picard... must have
|
|
thought.
|
|
|
|
120
|
|
thru OMITTED
|
|
121
|
|
|
|
122 PICARD
|
|
|
|
He is on his feet and heading for the turbolift.
|
|
|
|
RIKER
|
|
Captain, where are you going?
|
|
|
|
PICARD
|
|
Prepare a shuttle, Number One.
|
|
|
|
RIKER
|
|
You're leaving the ship?!
|
|
|
|
PICARD
|
|
I have to make a stop in Sickbay.
|
|
We may be on a road which has no
|
|
turns.
|
|
|
|
Troi follows Picard to the turbolift.
|
|
|
|
Off Riker's reaction, we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 44.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
123 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
is slipping down into the energy whirlpool.
|
|
|
|
124 INT. SICKBAY (OPTICAL)
|
|
|
|
Picard ENTERS -- Pulaski is there with Troi and P2.
|
|
There is a moment of near recognition from P2, then he
|
|
avoids eye contact with Picard. P2 now appears to be
|
|
physically closer to normal. P2 is much closer to
|
|
being in sync.
|
|
|
|
PULASKI
|
|
He's very agitated.
|
|
|
|
P2's eyes dart around the room. Picard steps over in
|
|
front of P2 to make and hold eye contact. P2 looks
|
|
off.
|
|
|
|
125 ANOTHER ANGLE - P2
|
|
|
|
P2
|
|
I must get to the shuttle.
|
|
|
|
126 PICARD
|
|
|
|
watches himself.
|
|
|
|
PICARD
|
|
I know.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 45.
|
|
|
|
127 SCENE (OPTICAL)
|
|
|
|
PICARD
|
|
Do you know where you are?
|
|
|
|
P2
|
|
The Enterprise.
|
|
|
|
Picard is relieved -
|
|
|
|
PICARD
|
|
But you're only vaguely aware of
|
|
it. And me -- do you know who I
|
|
am?
|
|
|
|
P2 deflects the question. He's in a living nightmare.
|
|
He has no answer.
|
|
|
|
PICARD
|
|
(continuing)
|
|
No. You don't.
|
|
|
|
P2
|
|
I must go.
|
|
|
|
P2 tries to rise.
|
|
|
|
PICARD
|
|
Release him.
|
|
|
|
PULASKI
|
|
Do you know what you are doing?
|
|
|
|
PICARD
|
|
No -- release him!
|
|
|
|
Pulaski deactivates the forcefield, which again appears
|
|
briefly, and P2 is released.
|
|
|
|
PULASKI
|
|
(touching her
|
|
communicator)
|
|
Security to Sickbay.
|
|
|
|
PICARD
|
|
No. Security, this is the
|
|
captain -- disregard that order.
|
|
And clear all personnel -- repeat,
|
|
all personnel -- from Shuttle Bay
|
|
Two. I don't want any
|
|
distractions. You...
|
|
(meaning both Troi and
|
|
Pulaski)
|
|
... stay here.
|
|
|
|
P2 and Picard head for the door.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE A45A.
|
|
|
|
127A INT. CORRIDOR
|
|
|
|
Picard and P2 walk along.
|
|
|
|
PICARD
|
|
You have made the decision to
|
|
leave the ship?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 45A.
|
|
|
|
127A CONTINUED:
|
|
|
|
P2
|
|
I must.
|
|
|
|
PICARD
|
|
Why?
|
|
|
|
P2
|
|
The energy in the vortex wants
|
|
me.
|
|
|
|
PICARD
|
|
You're certain.
|
|
|
|
P2
|
|
Yes... it's an entity -- a
|
|
life-form which recognizes the
|
|
Enterprise as an entity with me
|
|
as the brain, and it wants me.
|
|
|
|
P2's level of anxiety is rising, as they turn...
|
|
|
|
127B INT. TURBOLIFT
|
|
|
|
... and enter the turbolift.
|
|
|
|
P2
|
|
Shuttle Bay Number Two.
|
|
|
|
PICARD
|
|
What's your other option?
|
|
|
|
P2
|
|
This is our only chance. If I
|
|
leave, it might be distracted long
|
|
enough for the Enterprise to
|
|
escape.
|
|
|
|
PICARD
|
|
You are wrong. Leaving won't save
|
|
your ship. Don't you remember?
|
|
It was destroyed -- you saw it
|
|
happen.
|
|
|
|
P2
|
|
If I don't leave the Enterprise,
|
|
the ship will be destroyed.
|
|
|
|
The turbolift comes to a stop and the doors open.
|
|
EXITS, with Picard right behind him.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 45B.
|
|
|
|
127BB INT. CORRIDOR
|
|
|
|
Picard and P2 continue heading toward Shuttle Bay Two.
|
|
|
|
PICARD
|
|
If that's true, then help me.
|
|
We want the same thing. We want
|
|
the Enterprise to be safe.
|
|
There has to be a piece of
|
|
information which I don't have.
|
|
What is it?
|
|
|
|
P2
|
|
It's me.
|
|
|
|
PICARD
|
|
You?
|
|
|
|
They are interrupted by Riker's COM VOICE.
|
|
|
|
RIKER
|
|
Captain.
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
RIKER
|
|
We are about to lose warp drive.
|
|
|
|
PICARD & P2
|
|
(in sync, they respond
|
|
to Riker)
|
|
Understood.
|
|
|
|
Only Picard reacts to this bizarre occurrence.
|
|
|
|
PICARD
|
|
(continuing)
|
|
When you say it's "you," do you
|
|
mean it's still you? And it's
|
|
not me -- just you. Has this
|
|
entity singled you out -- somehow
|
|
making a connection?
|
|
|
|
P2
|
|
You're confusing me. We're
|
|
almost out of time.
|
|
|
|
127C INT. SHUTTLE BAY TWO
|
|
|
|
The doors open and the two Picards ENTER. P2 is
|
|
heading directly for the shuttle.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 46.
|
|
|
|
127C CONTINUED:
|
|
|
|
P2
|
|
I must get to the shuttle.
|
|
|
|
PICARD
|
|
Wait. You can -- I'll let you,
|
|
hell, man, I'll go with you, but
|
|
first tell me. What is -- what
|
|
was, your other choice?
|
|
|
|
P2
|
|
Stand aside.
|
|
|
|
PICARD
|
|
You don't know what I'm talking
|
|
about. You're frozen with a
|
|
single thought -- unable to change -- unable
|
|
to alter any part of your
|
|
previous actions.
|
|
|
|
P2
|
|
I must leave -- there's no other
|
|
way.
|
|
|
|
PICARD
|
|
There must be.
|
|
|
|
P2
|
|
Only one -- but it would never
|
|
work.
|
|
|
|
PICARD
|
|
What is it? What would never
|
|
work?
|
|
|
|
P2
|
|
Better to sacrifice myself than
|
|
destroy the Enterprise.
|
|
|
|
PICARD
|
|
Destroy the Enterprise -- how?
|
|
|
|
P2
|
|
I have to leave.
|
|
|
|
PICARD
|
|
Tell me -- what was your other
|
|
choice? We can't escape it -- we
|
|
can't fight it, we can't go
|
|
forward.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 46A.
|
|
|
|
127C CONTINUED: (2)
|
|
|
|
P2
|
|
No -- no... We can't go forward,
|
|
it would destroy the Enterprise.
|
|
|
|
PICARD
|
|
(realizing)
|
|
Was that it... Was that the other
|
|
choice?
|
|
|
|
P2
|
|
I must leave.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 47.
|
|
|
|
127C CONTINUED: (3)
|
|
|
|
PICARD
|
|
No.
|
|
|
|
P2 is about to climb into the shuttle. Picard pulls
|
|
his phaser.
|
|
|
|
PICARD
|
|
(continuing)
|
|
I can't allow it. Before we have
|
|
any chance of moving forward, the
|
|
cycle must end.
|
|
|
|
Then, without further comment, he fires the phaser.
|
|
|
|
128 OMITTED
|
|
|
|
129 P2
|
|
|
|
falls back.
|
|
|
|
130 OMITTED
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 48.
|
|
|
|
130A INT. SHUTTLE BAY TWO
|
|
|
|
PICARD
|
|
(touching his
|
|
communicator)
|
|
Doctor Pulaski -- report to Shuttle
|
|
Bay Two.
|
|
|
|
Picard heads for the door.
|
|
|
|
131 INT. TURBOLIFT
|
|
|
|
Picard steps on.
|
|
|
|
PICARD
|
|
Bridge.
|
|
|
|
The doors close.
|
|
|
|
132 INT. MAIN BRIDGE
|
|
|
|
Picard steps off the turbolift.
|
|
|
|
PICARD
|
|
Number One, we have been wasting
|
|
our energy trying to escape. It
|
|
only weakens us.
|
|
(he moves to his Command
|
|
Chair)
|
|
Helm, set a course for the center
|
|
of the vortex. Lieutenant La
|
|
Forge, on my command -- I want all
|
|
the power you can muster.
|
|
|
|
GEORDI
|
|
Yes, sir.
|
|
|
|
RIKER
|
|
We are going into it?
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
DATA
|
|
Course set.
|
|
|
|
PICARD
|
|
Everyone hold your position -- no
|
|
matter what. ENGAGE!
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 49.
|
|
|
|
133 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the Enterprise turns and streaks toward the center
|
|
of the vortex.
|
|
|
|
133A INT. SHUTTLE BAY TWO
|
|
|
|
Pulaski, followed by TRANSPORTER CHIEF O'BRIEN, ENTERS
|
|
and reacts to the body.
|
|
|
|
134 INT. MAIN BRIDGE
|
|
|
|
They all tense for whatever is coming.
|
|
|
|
135 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
rushes down. The funnel narrows. The swirling energy
|
|
closes in on the ship.
|
|
|
|
136 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the Enterprise rips into the center of the
|
|
whirlpool. There is a SOUND -- almost like a SCREAM.
|
|
|
|
137 INT. MAIN BRIDGE
|
|
|
|
Everyone braces.
|
|
|
|
138 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
bursts through the core of pure energy, which triggers
|
|
an implosion.
|
|
|
|
139 OMITTED
|
|
|
|
139A INT. SHUTTLE BAY TWO (OPTICAL)
|
|
|
|
At this instant O'Brien watches as the body of P2 and
|
|
the shuttle disappear.
|
|
|
|
140 EXT. SPACE - THE WHIRLPOOL (OPTICAL)
|
|
|
|
collapses in upon itself. For a beat the Enterprise is
|
|
alone in a great emptiness.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 49A.
|
|
|
|
141 INT. MAIN BRIDGE
|
|
|
|
The reactions of everyone. Picard gets to his feet and
|
|
looks around.
|
|
|
|
PICARD
|
|
What's our position?
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 50.
|
|
|
|
141 CONTINUED:
|
|
|
|
DATA
|
|
We are back on course to Endicor.
|
|
|
|
RIKER
|
|
Stand down from Red Alert.
|
|
|
|
O'BRIEN'S COM VOICE
|
|
Bridge, this is Shuttle Bay Two.
|
|
The other Picard and the shuttle
|
|
are gone.
|
|
|
|
PICARD
|
|
Explain.
|
|
|
|
O'BRIEN'S COM VOICE
|
|
They just... vanished.
|
|
|
|
WORF
|
|
All decks have reported in. No
|
|
damage -- no casualties.
|
|
|
|
RIKER
|
|
I want a complete check -- all
|
|
systems.
|
|
|
|
WORF
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
You have the bridge, Number One.
|
|
|
|
Picard rises and heads for the Observation Lounge.
|
|
Riker watches him leave.
|
|
|
|
142 INT. OBSERVATION LOUNGE (OPTICAL)
|
|
|
|
Picard stares thoughtfully out at the stars streaking
|
|
by. After a beat, the door opens and Riker ENTERS.
|
|
|
|
For a long moment nothing is said.
|
|
|
|
PICARD
|
|
Lots of questions, Number One...
|
|
|
|
Riker nods in agreement.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 51.
|
|
|
|
142 CONTINUED:
|
|
|
|
PICARD
|
|
(continuing)
|
|
... and damn few answers.
|
|
|
|
There is a pause.
|
|
|
|
RIKER
|
|
Everything about it seemed a tick
|
|
off.
|
|
|
|
PICARD
|
|
He certainly did not act like me,
|
|
at least not the way I think I
|
|
act.
|
|
|
|
RIKER
|
|
Maybe none of it was real... we
|
|
could have just been part of a
|
|
shared illusion.
|
|
|
|
PICARD
|
|
Or maybe "he" was thrown back in
|
|
time so that we would be able to
|
|
take another road... make another
|
|
choice?
|
|
|
|
RIKER
|
|
That suggests a moral force,
|
|
giving us the opportunity... or
|
|
specifically giving you the
|
|
opportunity to right a wrong.
|
|
|
|
Picard is pensive for a moment.
|
|
|
|
PICARD
|
|
It's said... if you travel far
|
|
enough you will eventually meet
|
|
yourself.
|
|
|
|
Picard turns and stares off at the stars.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 51A.
|
|
|
|
142 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(continuing)
|
|
I will tell you this... it's a
|
|
very unnerving experience, one
|
|
I hope never to repeat.
|
|
|
|
Off Picard with:
|
|
|
|
142A INT. RIKER'S QUARTERS
|
|
|
|
Riker has his cooking equipment in place. He has
|
|
already placed all of the ingredients in a cooking
|
|
utensil on the hot plate. The CHIME SOUNDS.
|
|
|
|
RIKER
|
|
Come.
|
|
|
|
Worf ENTERS with Pulaski and Geordi.
|
|
|
|
RIKER
|
|
(continuing)
|
|
I know you were all disappointed
|
|
with my last culinary effort.
|
|
|
|
WORF
|
|
Not all.
|
|
|
|
RIKER
|
|
Thank you, Worf. Anyway,
|
|
considering the stress of the last
|
|
few days, I thought we could use
|
|
a little diversion and at the same
|
|
time I could make amends for the
|
|
'Owon omelet.
|
|
|
|
PULASKI
|
|
So what are you preparing?
|
|
|
|
RIKER
|
|
The specialty of the house,
|
|
Alaskan stew.
|
|
|
|
GEORDI
|
|
Not with ingredients you picked
|
|
up at Starbase seventy-three?
|
|
|
|
RIKER
|
|
No -- I had the computer fabricate
|
|
everything. The potatoes, the
|
|
onions, the flour, and the meat.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 51B.
|
|
|
|
142A CONTINUED:
|
|
|
|
WORF
|
|
Meat? What kind of meat?
|
|
|
|
RIKER
|
|
Ahh... Well, to be authentic I
|
|
needed moose. But, I couldn't
|
|
find the specific molecular
|
|
pattern for moose, so I had to
|
|
improvise. The computer came
|
|
close...
|
|
|
|
Riker fills their plates.
|
|
|
|
RIKER
|
|
(continuing)
|
|
... actually, it's somewhere
|
|
between venison -- musk ox -- and
|
|
Kobe beef.
|
|
|
|
WORF
|
|
I thought that humans had long ago
|
|
given up the practice of raising
|
|
animals for food.
|
|
|
|
RIKER
|
|
There were a couple of winters
|
|
when it was either starve or hunt.
|
|
|
|
WORF
|
|
How fortunate.
|
|
|
|
Pulaski looks down at her plate.
|
|
|
|
PULASKI
|
|
I'll give you this -- your stew
|
|
smells a lot better than the eggs.
|
|
|
|
They taste it. Reactions around.
|
|
|
|
PULASKI
|
|
(continuing)
|
|
This is quite good.
|
|
|
|
GEORDI
|
|
Agreed.
|
|
|
|
Worf's expression is one of revulsion.
|
|
|
|
RIKER
|
|
No good, Worf.
|
|
|
|
STAR TREK: "Time Squared" - REV. 2/7/89 - ACT FIVE 51C.
|
|
|
|
142A CONTINUED: (2)
|
|
|
|
WORF
|
|
I appreciate the effort, I would
|
|
have preferred another omelet.
|
|
|
|
RIKER
|
|
Sorry. I used the last of 'Owon
|
|
eggs.
|
|
|
|
GEORDI
|
|
Thank goodness.
|
|
|
|
Off their reactions:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|