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1 line
63 KiB
Plaintext
Executable File
1 line
63 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"The Most Toys"
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#40273-170
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Written by
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Shari Goodhartz
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Directed by
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Timothy Bond
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1990 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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FEBRUARY 25, 1990
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STAR TREK: "The Most Toys" - 2/26/90 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Most Toys"
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CAST
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PICARD Zibalians
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RIKER KIVAS FAJO
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DATA VARRIA
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BEVERLY PALOR TOFF
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TROI
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GEORDI Non-Speaking
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WORF TECHNICIANS
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WESLEY
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TRANSPORTER CHIEF CELESIA
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Non-Speaking
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SUPERNUMERARIES
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Voice Over
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ENTERPRISE COMPUTER VOICE
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STAR TREK: "The Most Toys" 2/25/90 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Most Toys"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM THE JOVIS
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OBSERVATION LOUNGE
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TRANSPORTER ROOM
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DATA'S QUARTERS
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GEORDI'S QUARTERS
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CORRIDORS
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TURBOLIFT
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MAIN ENGINEERING
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DETENTION CELL
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BETA AGNI TWO
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CAVE
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THE JOVIS
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CARGO BAY
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FAJO'S DEN
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STAR TREK: "The Most Toys" - 2/25/90 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"The Most Toys"
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PRONUNCIATION GUIDE
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ANDORIAN an-DOHR-ree-an
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BASOTILE BASS-oh-tile
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CAYVIS FIVE KAY-vus 5
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DENKIRS DEHN-kers
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FINOPLAK FIN-no-plack
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HYTRITIUM hi-TRI-tee-um
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IRAATAN eye-RAY-tan
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JOVIS JOE-vis
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KIVAS FAJO KEE-vas FAH-zho
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LAWMIN GALACTOPEDIA LAW-men ga-lack-toe-PEE-dee-uh
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MOLYBDENUM-COBALT mah-LIB-den-um CO-balt
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PALOR TOFF PAY-lor TOFF
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REJAC RE-jack
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RODULANS ROD-u-lans
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SIGMA ERANI SIGMA eh-RAN-ee
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STACIUS STAY-cee-us
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TELLURIAN tell-OORR-ee-an
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TRICYANATE try-SIGH-a-nate
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VARRIA var (rhymes with far)-REE-a
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VELTAN VEL-tan
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ZIBALIAN zih-BAY-lee-on
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STAR TREK: "The Most Toys" - REV. 2/25/90 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"The Most Toys"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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hangs motionless near a small spacecraft, the Jovis.
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PICARD (V.O.)
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Captain's log, Stardate 43872.2.
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In order to neutralize a sudden
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contamination of the water supply
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at the Federation colony on Beta
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Agni Two, we are procuring one
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hundred and eight kilos of
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hytritium from the Zibalian
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trader, Kivas Fajo.
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Move in closer on the smaller vessel.
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2 INT. JOVIS CARGO BAY
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The Enterprise shuttlepod has docked and DATA emerges
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from the pilot seat.
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PICARD (V.O.)
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Because pure hytritium is too
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unstable for our transporters,
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Lieutenant Commander Data has been
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shuttling the material to the
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Enterprise.
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VARRIA, a female humanoid, supervises THREE TECHNICIANS
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who are moving a shipping case. The care and precision
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with which they handle the case underlines the danger
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involved.
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Data opens the cargo door of the shuttlepod. The
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technicians proceed to load the case onto the pod --
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again with utmost care.
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DATA
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(touching his
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communicator)
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Data to Enterprise.
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PICARD (V.O.)
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Go ahead, Mister Data.
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STAR TREK: "The Most Toys" - REV. 2/25/90 - TEASER 2.
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2 CONTINUED:
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DATA
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This will be the last trip... the
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remaining cases of hytritium are
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now being loaded.
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3 INT. MAIN BRIDGE
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GEORDI is monitoring the situation from the Engineering
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Station. PICARD, RIKER, WORF, and WESLEY are at their
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stations.
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PICARD
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Acknowledged. Mister Worf,
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advise Beta Agni Two that our
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departure is imminent.
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WORF
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Aye, Captain.
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RIKER
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(to Picard)
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At warp six, we should be there
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in just over sixteen hours.
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Picard acknowledges.
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4 OMITTED
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4A INT. JOVIS CARGO BAY
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The Technicians have completed loading the shuttlepod
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and closed the hatch. Through the window, we can see a
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containment field (F/X -- nitrogen) promptly fill the
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trunk. Data heads for the pilot seat.
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DATA
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(to comm)
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Loading is complete. I am
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proceeding with departure.
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(protocol)
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Enterprise Shuttlebay Two, prepare
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for docking, level one
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precautions for incoming material
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remain in effect.
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5 ANGLE ON DATA (OPTICAL)
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Varria approaches Data and hands him a padd.
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STAR TREK: "The Most Toys" - REV. 2/25/90 - TEASER 3.
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5 CONTINUED:
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VARRIA
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If you'll just acknowledge this
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last load, Commander...
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Data takes the Padd and presses his thumb on an ID
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panel... and BLUE SPARKS spring from the padd and dance
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over Data. Data stiffens, goes limp, and falls.
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6 ON VARRIA
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taking out a tricorder-like device and scanning Data's
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body. She reads the information to one of the
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technicians, who enters it into a padd. The other
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technicians are hurrying about in the b.g.
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VARRIA
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Twenty-four point six kilos of
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tripolymer composites... eleven
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point eight kilos of molybdenumcobalt
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alloys... one point three
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kilos Bioplast sheeting...
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7 OMITTED
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8 EXT. SPACE - THE ENTERPRISE AND THE JOVIS (OPTICAL)
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A brief passage of time.
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9 INT. MAIN BRIDGE (OPTICAL)
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As before. Geordi reads his console:
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GEORDI
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Shuttle twelve containment field
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reads nominal... Now leaving the
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Jovis.
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Picard steps forward.
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PICARD
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On viewer.
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The shuttlepod moves away from the Jovis... moves
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slowly through space on the Viewscreen.
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STAR TREK: "The Most Toys" - REV. 2/25/90 - TEASER 4.
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9 CONTINUED:
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GEORDI
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(reading his console)
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Containment field stable...
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gravitational fluctuations within
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acceptable parameters... flight
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pattern...
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Before Geordi can finish, the shuttlepod on the
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viewscreen EXPLODES in a BALL OF FIRE.
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10 CLOSE UPS - VARIOUS
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Riker, Worf, Wesley, Geordi and finally Picard...
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shocked expressions accented by the light from the
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viewscreen.
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FADE OUT.
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END OF TEASER
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STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 5.
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ACT ONE
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FADE IN:
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11 INT. MAIN BRIDGE (OPTICAL)
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Picard, Riker, Worf, Geordi, Wesley; moments later.
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The debris from the destroyed shuttle is still visible
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on the viewscreen.
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RIKER
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Why didn't the containment field
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hold?
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GEORDI
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(checking readings)
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Unknown, Commander.
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PICARD
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(to Worf)
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Hail the Jovis -- I want to speak
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with Kivas Fajo.
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Geordi and Worf work their consoles.
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WORF
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Sir, Mister Fajo is hailing us.
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PICARD
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On screen.
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12 ANGLE TO INCLUDE MAIN VIEWER (OPTICAL)
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as the image of KIVAS FAJO fills the screen. Fajo is a
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male Zibalian with a commanding presence; a man of the
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world -- or rather the galaxy -- with undeniable
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personal charm and grace and yet someone not to be
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trifled with.
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FAJO
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Captain Picard -- what happened?
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PICARD
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It is unclear at this time; we're
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running a full analysis.
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FAJO
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We detected no malfunctions before
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the explosion. Everything seemed
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to be proceeding as smoothly as
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the other flights. Were you able
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to save the pilot?
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STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 6.
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12 CONTINUED:
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PICARD
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No.
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Fajo looks as if he lost his best friend.
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FAJO
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I'm sorry.
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Picard nods his thanks but, having a mission, cannot
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dwell on the moment.
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PICARD
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Mister Fajo, I would like to
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analyze your sensor readings of
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the explosion.
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FAJO
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Compared to the Enterprise's, our
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sensors are rather primitive --
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I doubt they contain any
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information yours have overlooked.
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PICARD
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Perhaps, but I want to leave no
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avenue unexplored.
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FAJO
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I understand. We'll transmit the
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information.
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Fajo nods to someone off screen.
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WORF
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Link established... Receiving.
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FAJO
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Can we be of any further
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assistance?
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PICARD
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(to Riker)
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How much hytritium did we manage
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to bring on board?
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RIKER
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Eighty-one kilos.
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GEORDI
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That might be barely enough to
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complete our mission, Captain...
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but it's not leaving us any margin
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for error.
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STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 7.
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12 CONTINUED: (2)
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Picard considers this, then:
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PICARD
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(to Fajo)
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I realize we have acquired your
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complete supply of hytritium.
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Do you know where we could obtain
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more?
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FAJO
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That may be difficult. The only
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source I know is in the Sigma
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Erani System.
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RIKER
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(to Picard)
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Three weeks away.
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FAJO
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And I can't guarantee they'll have
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any -- for obvious reasons, no
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one wants to keep it around. In
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fact, even I may stop selling
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it -- it's just too dangerous.
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RIKER
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I guess we're fortunate you had
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any at all, sir.
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WORF
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(to Picard)
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Transfer of information is
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complete, Captain.
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PICARD
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Mister Fajo, thank you for your
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help.
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Fajo nods as his image disappears, replaced by the
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Jovis and starfield and wreckage of the shuttlecraft.
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13 NEW ANGLE
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as Picard considers his options.
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PICARD
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Mister Crusher, lay in a course
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for Beta Agni Two, warp six.
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WESLEY
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Aye, sir.
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STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT ONE 8.
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13 CONTINUED:
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RIKER
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(to Picard)
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The Grissom is currently near
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the Sigma Erani system... I'll
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have them stand by in case we need
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more hytritium.
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PICARD
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Very good, Number One.
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WESLEY
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Course laid in, sir.
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A beat as Picard looks out to his lost comrade.
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PICARD
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Engage.
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14 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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As the Enterprise BLASTS into warp, we hold on the
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Jovis.
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15 INT. FAJO'S DEN
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Data is "unconscious" on the floor. With a jolt, he
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snaps back to functional status, sits up, runs a quick
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re-calibration.
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DATA
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(ad lib)
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Gibberish...
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(self-adjusting)
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...Starfleet... gibberish...
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Enterprise.
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That accomplished, he attempts to contact the
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Enterprise -- but his insignia's missing.
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Data gets to his feet, examines his environment. He's
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in a windowless room filled with rare and beautiful
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objects: paintings, sculpture, books, alien artifacts
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and devices, perhaps even an exotic animal in a cage.
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In the middle of the room is a large sofa -- a
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comfortable place to sit and appreciate these
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treasures.
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STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT ONE 8A.
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16 ON DATA
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as he studies the collection. Right in its center --
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the focal point of the room -- is a piece of simple,
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unobtrusive framework in the rough shape of a chair.
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Functional rather than comfortable, it's what you'd set
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up if you had a seated statue you wanted to display.
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But there's no statue there.
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Data turns at the SOUND of a door opening --
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STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT ONE 9.
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17 NEW ANGLE
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as the massive, vault-like door opens and Fajo and
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Varria ENTER. The door immediately shuts and locks
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behind them. Varria stays in the b.g. as Fajo crosses
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to Data, looks him over with great interest and
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delight. (Note: Fajo and Varria are wearing a small
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device on their belts... and they never get closer
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to Data than one meter.)
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FAJO
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Wondrous. The detail... the
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balance. A remarkable piece of
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work.
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DATA
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Why have I been brought here?
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FAJO
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(ignores the question)
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The voice simulation is perfect.
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Inflections, timing...
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Fajo shakes his head in admiration, speaks "to" Data
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for the first time:
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FAJO (cont'd)
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It took a lot of effort to get
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you here... but I was sure it
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would be worth it. I was right.
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DATA
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(patiently tries again)
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I have been delivered here against
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my wishes. I would like to know
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the reason.
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FAJO
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Certainly. You're here for my
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enjoyment and appreciation.
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DATA
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Am I to infer that you intend to
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keep me captive?
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FAJO
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Captive? A most inappropriate
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description, my good android.
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May I call you Data?
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DATA
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It is my name.
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STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 10.
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17 CONTINUED:
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FAJO
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I know.
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(beat, confident)
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Data, you will be catered to,
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fawned over... you will be cared
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for as never before... every wish
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will be fulfilled...
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DATA
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I wish to leave.
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FAJO
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Almost every wish.
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Data's puzzled.
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DATA
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This is unacceptable. I have no
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desire to remain here... and even
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if I did, my Starfleet duties
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would not permit it.
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Fajo grins at Varria, like an amused parent whose child
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has said something precious.
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FAJO
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Single-minded, isn't it?
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VARRIA
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(nods)
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Very persistent...
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FAJO
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But polite. A nice touch.
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(to Data)
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I decline to allow you to leave.
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DATA
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Then I am forced to attempt
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escape.
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Fajo indicates the door -- "go ahead." Data crosses to
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the door, inspects it. It's solid. Data braces
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himself against the frame, gives the door a shove.
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It doesn't budge.
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FAJO
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Ten androids like you might be
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able to force it open.
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(shrugs)
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But there aren't any other
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androids like you, are there?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT ONE 11.
|
|
|
|
17 CONTINUED: (2)
|
|
|
|
Data keeps inspecting the door, looking for access.
|
|
There's no visible keypad or opening device.
|
|
|
|
FAJO (cont'd)
|
|
It's keyed to the touch... reads
|
|
galvanic skin response, DNA
|
|
patterns, and two or three other
|
|
things. Trust me... you can't
|
|
open it.
|
|
|
|
DATA
|
|
Then you will have to open it for
|
|
me.
|
|
|
|
18 ON FAJO (OPTICAL)
|
|
|
|
Fajo doesn't move a muscle as Data advances toward him.
|
|
The instant Data comes within two meters of Fajo, a
|
|
GLOWING AURA appears around Fajo's body... Data
|
|
stiffens, nearly loses control of his movements. It's
|
|
all Data can do to stagger back from Fajo.
|
|
|
|
Once Data's backed off, the AURA DISAPPEARS, and Data
|
|
slowly recovers. Fajo smiles at him.
|
|
|
|
Data starts to turn away -- then with all his android
|
|
speed makes a leap-and-grab for Fajo. No good -- the
|
|
AURA appears again, knocking Data backwards. As he
|
|
does, the AURA DISAPPEARS. It takes several beats
|
|
for Data to recuperate.
|
|
|
|
FAJO
|
|
I wouldn't try that again.
|
|
(indicates belt device)
|
|
It's a proximity-actuated field
|
|
that impedes positron flow. Not
|
|
good for your brainpaths in the
|
|
long term.
|
|
|
|
19 ON DATA
|
|
|
|
trying another tack with Fajo.
|
|
|
|
DATA
|
|
I fail to understand the value
|
|
you place upon my presence.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT ONE 12.
|
|
|
|
19 CONTINUED:
|
|
|
|
FAJO
|
|
Do you? Look around. This room
|
|
contains items gathered from half
|
|
the galaxy.
|
|
|
|
And he handles them with great fastidiousness...
|
|
carefully arranging a display when he replaces it.
|
|
|
|
FAJO
|
|
The very first Basotile ever
|
|
created by the Rodulans...
|
|
centuries old. Priceless. A vase
|
|
carved by the late Mark Off-Zel
|
|
on Sirrie Four. The only known
|
|
Roger Maris trading card from
|
|
Earth circa 1962... smell it...
|
|
|
|
Data does, reacts...
|
|
|
|
FAJO (cont'd)
|
|
Bubblegum... I've preserved the
|
|
scent...
|
|
(the animal)
|
|
A Lapling...
|
|
|
|
DATA
|
|
(reacts)
|
|
But I thought they were extinct...
|
|
|
|
FAJO
|
|
Yes, that is the general belief.
|
|
She's the last surviving member
|
|
of her species... defenseless
|
|
little creature, pity.
|
|
(beat)
|
|
Everything you see -- the only
|
|
one of its kind. Unique. An
|
|
original. Just as you are.
|
|
(at the chair)
|
|
Here, this is for you... your
|
|
place of honor... sit... if it
|
|
is not comfortable... but of
|
|
course, you have no thought of
|
|
comfort, do you...
|
|
|
|
Data does not sit and Fajo does not press the point
|
|
for now.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 13.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
FAJO
|
|
(to Varria)
|
|
When Palor Toff learns of this,
|
|
he will swallow his tongue with
|
|
envy... I cannot wait to see his
|
|
face...
|
|
(to Data)
|
|
You are the crown jewel of my
|
|
collection. A treasure beyond
|
|
comparison.
|
|
|
|
Data stares at him. In b.g., a wall com panel BEEPS;
|
|
Varria answers it, speaking in a voice too low for us
|
|
to hear. Fajo continues:
|
|
|
|
FAJO
|
|
(a smile)
|
|
You should be flattered.
|
|
|
|
DATA
|
|
I am not. Most intelligent
|
|
lifeforms find involuntary
|
|
confinement offensive and
|
|
inequitable. Moreover, you have
|
|
violated Federation law --
|
|
|
|
FAJO
|
|
(waves it off)
|
|
Yes, I know. What I've done is
|
|
evil, selfish, immoral, illegal,
|
|
and unprincipled.
|
|
(a grin)
|
|
I've learned to live with it.
|
|
|
|
Data's mystified by Fajo's lack of concern. Fajo turns
|
|
to Varria.
|
|
|
|
VARRIA
|
|
The Andorians wish to bid for the
|
|
shipment of Tellurian spices you
|
|
offered.
|
|
|
|
FAJO
|
|
They've had four days... they
|
|
would have to make up their minds
|
|
now. Ah, well...
|
|
|
|
Fajo and Varria start for the door. Data makes one
|
|
more attempt to reason with Fajo:
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT ONE 14.
|
|
|
|
19 CONTINUED: (3)
|
|
|
|
DATA
|
|
I must emphasize, Mister Fajo,
|
|
that I consider this captivity
|
|
a hostile act on your part.
|
|
|
|
FAJO
|
|
(shrugs)
|
|
You'll get used to it.
|
|
|
|
And Fajo and Varria EXIT, leaving Data to ponder his
|
|
situation.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT TWO 15.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
19A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At warp.
|
|
|
|
20 INT. DATA'S QUARTERS
|
|
|
|
Geordi and Wesley ENTER. A silent beat as they look
|
|
over the room. The violin on a shelf. The covered
|
|
easel.
|
|
|
|
WESLEY
|
|
I can't believe he's gone.
|
|
|
|
GEORDI
|
|
I always thought he'd outlive us
|
|
-- by centuries.
|
|
|
|
Wesley and Geordi are uncomfortable with the task they
|
|
must perform. They move to the easel and Wes uncovers
|
|
Data's last painting...
|
|
|
|
WESLEY
|
|
He'd been working on this for
|
|
months... never felt it was quite
|
|
finished...
|
|
|
|
GEORDI
|
|
You know what a critic Data was...
|
|
especially about his own work.
|
|
|
|
Geordi steps up to the desk, opens the top drawer.
|
|
|
|
21 INSERT - DATA'S DESK DRAWER
|
|
|
|
Everything is neatly arranged: an old leather-bound
|
|
book, a pack of playing cards, a set of poker chips,
|
|
the hologram base of Tasha Yar, and Data's medal case.
|
|
|
|
22 WIDER (OPTICAL)
|
|
|
|
as Geordi takes out the leather-bound book.
|
|
|
|
WESLEY
|
|
It was a gift from the captain.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT TWO 16.
|
|
|
|
22 CONTINUED:
|
|
|
|
GEORDI
|
|
Then he should have it back.
|
|
|
|
Geordi takes out the pack of cards and poker chips.
|
|
|
|
WESLEY
|
|
Those should go to Commander
|
|
Riker.
|
|
|
|
Geordi smiles, recollecting.
|
|
|
|
GEORDI
|
|
Data always fell for Riker's
|
|
bluffs...
|
|
|
|
Wesley extracts the medal case from the drawer, examining
|
|
it reverently.
|
|
|
|
WESLEY
|
|
These are some of Starfleet's
|
|
highest honors.
|
|
|
|
GEORDI
|
|
Not bad for a walking pile of
|
|
circuitry and memory cells.
|
|
|
|
Geordi takes the hologram of Tasha from the drawer.
|
|
Sits. Turns it on. He looks at it silently, then puts
|
|
it down on the desk... turns it off... shakes his head,
|
|
softly --
|
|
|
|
GEORDI
|
|
I keep going over and over the
|
|
accident in my mind. Trying to
|
|
figure out what went wrong. I
|
|
can see him in the shuttle...
|
|
almost like I'm sitting next to
|
|
him... going through the
|
|
departure sequence... What the
|
|
hell happened? Why didn't I see
|
|
it coming? Did I miss something...
|
|
|
|
As we push into him...
|
|
|
|
22A EXT. SPACE - THE JOVIS (OPTICAL)
|
|
|
|
Moving through space at low warp.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT TWO 17.
|
|
|
|
23 OMITTED
|
|
|
|
24 INT. FAJO'S DEN - DAY
|
|
|
|
Data is examining Fajo's collection, looking for
|
|
something which might be of use to him. SOUND of door
|
|
opening. Data whirls, braces himself -- this may be a
|
|
chance to escape.
|
|
|
|
25 ANGLE ON THE DOOR
|
|
|
|
as Varria ENTERS. She's wearing the same proximity field
|
|
device on her belt that she and Fajo wore
|
|
earlier.
|
|
|
|
26 WIDER
|
|
|
|
as Data realizes it's futile to make a break for it.
|
|
Varria closes the door behind her. She's carrying a
|
|
set of "civilian" clothes for Data.
|
|
|
|
VARRIA
|
|
Kivas wishes you to wear this set
|
|
of clothes. And sit in your
|
|
chair.
|
|
|
|
DATA
|
|
I have no reason to accede to
|
|
Mister Fajo's wishes.
|
|
|
|
VARRIA
|
|
He will give you reasons if you
|
|
force him to.
|
|
|
|
DATA
|
|
He is deluding himself if he
|
|
believes he can keep me here.
|
|
The Enterprise is certain to find
|
|
me --
|
|
|
|
VARRIA
|
|
They're not even looking for
|
|
you... they believe you're
|
|
destroyed. Your shuttle blew
|
|
up... a hytritium explosion.
|
|
|
|
DATA
|
|
They will scan the debris and
|
|
discover I was not aboard...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT TWO 18.
|
|
|
|
26 CONTINUED:
|
|
|
|
VARRIA
|
|
They'll find exactly what they
|
|
expect to find: traces of your
|
|
component elements. We placed
|
|
them aboard the shuttle in just
|
|
the right proportions.
|
|
|
|
Data studies her.
|
|
|
|
DATA
|
|
Plainly Mister Fajo has no moral
|
|
difficulties with my imprisonment
|
|
here.
|
|
|
|
VARRIA
|
|
"Mister Fajo" has no moral
|
|
difficulties. At all.
|
|
|
|
And it is said with the barest trace of her own
|
|
personal regret...
|
|
|
|
DATA
|
|
Do you?
|
|
|
|
VARRIA
|
|
Clever, android... Is it part
|
|
of your program to seek out
|
|
vulnerabilities in your enemies?
|
|
|
|
DATA
|
|
Yes.
|
|
(beat)
|
|
Are you my enemy?
|
|
|
|
And his simple, straightforward attitude kind of throws
|
|
her off balance.
|
|
|
|
VARRIA
|
|
I obey Fajo. And so does everyone
|
|
on this ship.
|
|
|
|
DATA
|
|
Why?
|
|
|
|
VARRIA
|
|
You are a curious... thing...
|
|
aren't you... ?
|
|
|
|
DATA
|
|
Do you object to the question?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT TWO 19.
|
|
|
|
26 CONTINUED: (2)
|
|
|
|
VARRIA
|
|
Kivas finds a way to get what he
|
|
wants from his people. His
|
|
rewards for loyalty are lavish.
|
|
His punishments for disloyalty
|
|
are equally lavish. You won't
|
|
find anyone here who'll help you
|
|
escape.
|
|
(shakes head)
|
|
Face it, android. He has you.
|
|
|
|
DATA
|
|
It appears he has us both.
|
|
|
|
That hits Varria close to home. She cooly pushes the
|
|
clothes into Data's arms and exits.
|
|
|
|
26A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At warp.
|
|
|
|
26B INT. ENGINEERING (OPTICAL)
|
|
|
|
Geordi is alone studying a monitor... he's tired, back
|
|
hurts, been working for a long time... stands,
|
|
stretches...
|
|
|
|
GEORDI
|
|
Computer, did the containment
|
|
power supply or the backups fail
|
|
prior to the explosion?
|
|
|
|
COMPUTER VOICE
|
|
Telemetry indicates no
|
|
interruption in containment field
|
|
power supply. Backup safety field
|
|
and reserve power was available
|
|
up until the instant of
|
|
explosion.
|
|
|
|
GEORDI
|
|
Analyze telemetry from gravity
|
|
generator, impulse vents, fuel
|
|
cells, inertial dampers, and
|
|
related subsystems.
|
|
|
|
COMPUTER VOICE
|
|
All readings negative.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT TWO 20.
|
|
|
|
26B CONTINUED:
|
|
|
|
GEORDI
|
|
What about external factors?
|
|
Local stellar phenomena?
|
|
|
|
COMPUTER VOICE
|
|
Negative. Interstellar radiation
|
|
and EM spikes all within normal
|
|
tolerances.
|
|
|
|
GEORDI
|
|
Was the shuttle close enough to
|
|
the Enterprise to have been
|
|
affected by our warp fields?
|
|
|
|
COMPUTER VOICE
|
|
Negative. Warp systems were
|
|
operating at twelve percent idle,
|
|
insufficient to disrupt
|
|
containment fields.
|
|
|
|
Geordi frowns... drops his head in frustration, then
|
|
picks it up again...
|
|
|
|
GEORDI
|
|
Return file to start... Let's
|
|
go through it all again...
|
|
|
|
And he resumes his position at the monitor as the
|
|
screen changes to suggest a return to the start of the
|
|
file... we push into the monitor full of Okudagram
|
|
readings, complex beyond our vaguest understanding...
|
|
|
|
27 INT. CAPT. READY ROOM (OPTICAL)
|
|
|
|
Picard, Riker listen to Geordi...
|
|
|
|
GEORDI
|
|
The reason I can't find anything
|
|
is there's nothing there to find.
|
|
I've run the analysis a dozen
|
|
times over... there's no
|
|
indication of a malfunction...
|
|
|
|
RIKER
|
|
No possible explanation at all... ?
|
|
|
|
GEORDI
|
|
Well, yeah, there's one, but I
|
|
don't believe it. Pilot error.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT TWO 21.
|
|
|
|
27 CONTINUED:
|
|
|
|
PICARD
|
|
(a beat, sighs)
|
|
I know it's hard to accept, but
|
|
even the best...
|
|
|
|
And Geordi interrupts the captain in mid-sentence,
|
|
which he would never normally do -- an indication of
|
|
how tired he is, how consumed he is, how frustrated he
|
|
is.
|
|
|
|
GEORDI
|
|
Captain, it's not hard to
|
|
accept... with Data, it's almost
|
|
impossible. I can't even begin
|
|
to calculate the odds. If Data
|
|
were here, we could ask him...
|
|
|
|
PICARD
|
|
What are you suggesting,
|
|
Commander?
|
|
|
|
GEORDI
|
|
I don't really know, sir. It just
|
|
doesn't make sense. I like things
|
|
to make sense... that's all.
|
|
|
|
Geordi stops, frowns. Picard and Riker exchange a
|
|
look.
|
|
|
|
RIKER
|
|
Geordi, if you got a little rest,
|
|
came at it with a fresh mind...
|
|
|
|
GEORDI
|
|
A little rest isn't going to
|
|
change the computer analysis,
|
|
Commander.
|
|
|
|
PICARD
|
|
(stands)
|
|
I'm sure you've done a complete
|
|
investigation. If you wish to
|
|
continue it, you have my support
|
|
of course. But we'll be reaching
|
|
the Beta Agni system shortly.
|
|
I expect you to be rested.
|
|
|
|
GEORDI
|
|
I understand, Captain.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT TWO 22.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Dismissed.
|
|
|
|
Geordi begins to leave... as the door slides open,
|
|
Picard has a second thought --
|
|
|
|
PICARD
|
|
Geordi... I understand how much
|
|
we want... even need to explain
|
|
an accident like this. Sometimes
|
|
there just aren't any
|
|
explanations.
|
|
|
|
Geordi acknowledges and exits. Riker looks at Picard.
|
|
|
|
RIKER
|
|
For an android without feelings...
|
|
he sure managed to evoke them in
|
|
others.
|
|
|
|
And Picard looks down, picks up the leather-bound book
|
|
Geordi found in Data's room... and has feelings of his
|
|
own which he will not share.
|
|
|
|
PICARD
|
|
We must select an officer to
|
|
replace Data at Ops.
|
|
Recommendations?
|
|
|
|
RIKER
|
|
My first choice would be
|
|
Lieutenant Worf, sir.
|
|
|
|
PICARD
|
|
Mine as well. Make it so.
|
|
|
|
Riker EXITS... a beat on Picard as he opens the book,
|
|
closes it and says softly to himself...
|
|
|
|
PICARD
|
|
(One line of Shakespeare that
|
|
provides the perfect epitaph to
|
|
Data.)
|
|
|
|
28 OMITTED
|
|
|
|
29 INT. FAJO'S DEN - DAY
|
|
|
|
Fajo ENTERS. Fajo looks to his collection:
|
|
|
|
STAR TREK: "The Most Toys" - REV. 3/7/90 - ACT TWO 23.
|
|
|
|
30 ANGLE ON DATA
|
|
|
|
Data's studying one of the recognizable artworks.
|
|
He's wearing his Starfleet uniform; the clothes Varria
|
|
provided are still folded upon the display chair,
|
|
untouched. Fajo moves to him.
|
|
|
|
FAJO
|
|
You're still wearing your uniform.
|
|
Why?
|
|
|
|
DATA
|
|
I am a Starfleet officer.
|
|
|
|
FAJO
|
|
You're not in Starfleet any
|
|
longer. It's time you adjusted
|
|
your program to accept reality.
|
|
|
|
DATA
|
|
Even if I chose to do so, it is
|
|
doubtful whether my programming
|
|
could be sufficiently altered to
|
|
accede to your wishes.
|
|
|
|
FAJO
|
|
Oh?
|
|
|
|
DATA
|
|
I have been designed with a
|
|
fundamental respect for life in
|
|
all its forms... and a strong
|
|
inhibition against causing harm
|
|
to living beings.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 3/7/90 - ACT TWO 24.
|
|
|
|
30 CONTINUED:
|
|
|
|
FAJO
|
|
A military pacifist. What a
|
|
marvelous paradox. Tell me --
|
|
whose dreadful decision was it
|
|
to enlist you in Starfleet?
|
|
|
|
DATA
|
|
It was ultimately my own decision.
|
|
My skills seemed appropriate...
|
|
|
|
FAJO
|
|
My dear Data, it was a mistake.
|
|
A grievous error. You no more
|
|
belong in Starfleet than I belong
|
|
in a verbal contract. Have you
|
|
killed yet, Data?
|
|
|
|
DATA
|
|
No, but I am programmed with the
|
|
ability to use deadly force in
|
|
a cause of defense.
|
|
|
|
FAJO
|
|
Shame on you.
|
|
|
|
A beat as Data reacts.
|
|
|
|
FAJO
|
|
Shame on you. How neatly you
|
|
rationalize your capabilities.
|
|
How can you casually accept your
|
|
role in murder?
|
|
|
|
DATA
|
|
I would not participate in murder.
|
|
Perhaps you misunderstand...
|
|
|
|
FAJO
|
|
Can't you see how much better it
|
|
will be for you here... the
|
|
intellectual rewards, our own
|
|
personal exploration of the
|
|
galaxy... I am at war with no
|
|
one... I have liberated you.
|
|
|
|
A beat.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 3/7/90 - ACT TWO 25.
|
|
|
|
30 CONTINUED: (2)
|
|
|
|
DATA
|
|
You are a fine debater, sir. It
|
|
is a shame you have used your
|
|
verbal gifts for mere hucksterism
|
|
and the advancement of your own
|
|
greed.
|
|
|
|
FAJO
|
|
(smiles)
|
|
You're going to be more of a
|
|
challenge than I thought. Put
|
|
on the new clothes and sit in your
|
|
chair.
|
|
|
|
DATA
|
|
I must decline.
|
|
|
|
Fajo shakes his head, moves to a replicator unit on the
|
|
wall.
|
|
|
|
30A ANGLE - CLOSER (OPTICAL)
|
|
|
|
As he pushes a panel...
|
|
|
|
FAJO
|
|
(to com)
|
|
Finoplak. One hundred denkirs.
|
|
|
|
The replicator produces a container of a clear liquid.
|
|
He takes it out moves to Data...
|
|
|
|
FAJO
|
|
Here's something for your logic
|
|
circuits to analyze.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/28/90 - ACT TWO 26.
|
|
|
|
30A CONTINUED:
|
|
|
|
And Fajo dashes the contents of the container onto
|
|
Data's chest. Where the liquid touches it, Data's
|
|
uniform starts to dissolve. Data's surprised -- what
|
|
was the point of that?
|
|
|
|
FAJO (cont'd)
|
|
Don't worry -- the solvent won't
|
|
damage your skin. But in minutes
|
|
it will completely dissolve your
|
|
uniform.
|
|
(shrugs)
|
|
I'd be delighted to have you go
|
|
naked... I assume you have no
|
|
vanity. But I would guess that
|
|
decency is the rule of your
|
|
Starfleet training.
|
|
|
|
Fajo indicates the clothes on the display chair.
|
|
|
|
FAJO
|
|
So, decide which alternative you
|
|
dislike the least.
|
|
|
|
He moves toward the door... pauses, looks back...
|
|
|
|
FAJO
|
|
Decide by dinnertime tonight.
|
|
I have invited a guest to meet
|
|
you. I expect you to be as
|
|
entertaining with him as you have
|
|
been with me.
|
|
|
|
And Fajo casually EXITS. Data looks at his chest --
|
|
his uniform is now a sticky mess and getting worse by
|
|
the second...
|
|
|
|
31
|
|
thru OMITTED
|
|
33
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 27.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
34 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Cruising at warp.
|
|
|
|
34A OMITTED
|
|
|
|
34B INT. GEORDI'S CABIN
|
|
|
|
Tight shot... he's asleep (napping in uniform) on his
|
|
bunk... the lights are out. Slow push in... as we hear
|
|
from the past --
|
|
|
|
DATA'S VOICE (V.O.)
|
|
Proceeding with departure.
|
|
Enterprise Shuttlebay Two, prepare
|
|
for docking, level one
|
|
precautions remain in effect.
|
|
|
|
A beat. Then, suddenly Geordi sits up, eyes open,
|
|
blinking in the dark.
|
|
|
|
GEORDI
|
|
I did miss something.
|
|
|
|
As he gets up, puts on his VISOR and quickly EXITS...
|
|
|
|
35 INT. CORRIDOR
|
|
|
|
Troi catches up to Worf, who's walking towards a
|
|
turbolift.
|
|
|
|
TROI
|
|
Your first watch on Ops?
|
|
|
|
WORF
|
|
I've served at the position
|
|
before.
|
|
|
|
They stop at a turbolift door.
|
|
|
|
TROI
|
|
I've been concerned about you.
|
|
|
|
Worf is uncomfortable with the counselor whenever she
|
|
starts to talk about his feelings.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 28.
|
|
|
|
35 CONTINUED:
|
|
|
|
WORF
|
|
About me? Why?
|
|
|
|
TROI
|
|
Because I know how I'd feel if
|
|
I were asked to replace Data at
|
|
his station.
|
|
|
|
Worf gives her a look. The turbolift arrives. They
|
|
ENTER.
|
|
|
|
36 INT. TURBOLIFT
|
|
|
|
WORF
|
|
(to lift)
|
|
Bridge.
|
|
(to Troi)
|
|
Promotion due to the death of a
|
|
crewmate is commonplace on Klingon
|
|
ships.
|
|
|
|
TROI
|
|
I know... but this isn't a Klingon
|
|
ship... and Data was your friend.
|
|
(beat)
|
|
And it is the second time you've
|
|
replaced a crewmate who's died.
|
|
|
|
WORF
|
|
I honor Data's memory as I did
|
|
Lieutenant Yar's by attempting
|
|
to perform their duties as well
|
|
as they did.
|
|
|
|
Troi accepts that he's okay.
|
|
|
|
TROI
|
|
(with respect)
|
|
In true Klingon fashion.
|
|
|
|
The turbolift arrives at the bridge and the door OPENS.
|
|
|
|
WORF
|
|
(softly)
|
|
I appreciate your... concern.
|
|
|
|
Worf then EXITS the lift and moves past the counselor
|
|
as if he's admitted nothing. Troi smiles to herself,
|
|
follows.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 29.
|
|
|
|
36A INT. MAIN ENGINEERING
|
|
|
|
Geordi and Wesley working at a console.
|
|
|
|
GEORDI
|
|
Okay, computer, now replay shuttle
|
|
audio transmission... time index
|
|
zero-four-two-three...
|
|
(to Wesley)
|
|
Data's second trip...
|
|
|
|
They listen as --
|
|
|
|
DATA'S VOICE (RECORDED)
|
|
Proceeding with departure.
|
|
Enterprise Shuttlebay Two, prepare
|
|
for docking, level one precautions
|
|
remain in effect.
|
|
(a long beat)
|
|
Shuttle has cleared Jovis cargo
|
|
bay.
|
|
|
|
Wesley reacts, puzzled at what Geordi's going for...
|
|
|
|
WESLEY
|
|
It sounds the same as the first
|
|
trip...
|
|
|
|
GEORDI
|
|
Exactly the same. That's
|
|
protocol. And that's Data.
|
|
Following protocol to the letter.
|
|
Computer, replay shuttle audio
|
|
transmission, time index
|
|
zero-four-three-nine...
|
|
(to Wes)
|
|
Third and final trip.
|
|
|
|
DATA'S VOICE (RECORDED)
|
|
Loading is complete. I am
|
|
proceeding with departure.
|
|
Enterprise Shuttlebay Two, prepare
|
|
for docking, level one precautions
|
|
remain in effect.
|
|
|
|
Silence.
|
|
|
|
GEORDI
|
|
That's it. The last
|
|
communication.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 29A.
|
|
|
|
36A CONTINUED:
|
|
|
|
WESLEY
|
|
He didn't report when the shuttle
|
|
had cleared the cargo bay of the
|
|
Jovis.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 30.
|
|
|
|
36A CONTINUED:
|
|
|
|
GEORDI
|
|
(devil's advocate)
|
|
Of course, there really wasn't
|
|
any reason for him to make voice
|
|
contact. He knew we'd be
|
|
monitoring his position... and
|
|
any other pilot might not bother.
|
|
But Data... not following standard
|
|
procedures?
|
|
|
|
WESLEY
|
|
What do you think it means?
|
|
|
|
GEORDI
|
|
I'm not sure, Wes. I suppose he
|
|
could've been too busy... maybe
|
|
he saw something was wrong...
|
|
|
|
WESLEY
|
|
Without communicating it? That
|
|
doesn't sound like Data either.
|
|
|
|
GEORDI
|
|
(acknowledges)
|
|
Which means maybe something was
|
|
wrong with him. But there's no
|
|
other indication of that. In
|
|
anything he said or did during
|
|
the mission. None.
|
|
(beat)
|
|
I'd sure like to talk to the last
|
|
people who saw him alive.
|
|
|
|
36B EXT. SPACE - THE JOVIS (OPTICAL)
|
|
|
|
In orbit around a planet.
|
|
|
|
36C INT. FAJO'S DEN
|
|
|
|
Data is now wearing the clothes that Fajo provided. He
|
|
reacts as he hears the door begin to slide open
|
|
laughter and voices...
|
|
|
|
TOFF (O.S.)
|
|
Did I mention that I've added a
|
|
Veltan sex idol to my
|
|
collection...
|
|
|
|
FAJO (O.S.)
|
|
(casual)
|
|
I have four of them.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT FIVE 31.
|
|
|
|
36D NEW ANGLE
|
|
|
|
on the door, losing Data, as they ENTER. Toff is
|
|
patrician, well-tailored.
|
|
|
|
TOFF
|
|
With the pearls intact?
|
|
|
|
FAJO
|
|
(scoffs)
|
|
The pearls were added by the
|
|
Ferengi agents to increase the
|
|
value. Veltans would never
|
|
dishonor their gods with garish
|
|
jewelry.
|
|
|
|
Toff grunts... at just about the same time he sees
|
|
Data... who is not looking at them... standing across
|
|
the room rather stiffly by a wall.
|
|
|
|
TOFF
|
|
What... is that?
|
|
(glances at Fajo)
|
|
Something new? And you didn't
|
|
tell me...
|
|
|
|
Fajo suppresses his glee, moves toward Data...
|
|
|
|
FAJO
|
|
Mister Data, I'm delighted to see
|
|
you have dressed for the occasion.
|
|
Say hello to my very good friend
|
|
Palor Toff...
|
|
|
|
Data does not respond or even move a muscle. Eyes are
|
|
frozen open. Varria reacts, what's he doing? Fajo
|
|
has the barest first sign of irritation in his eyes...
|
|
|
|
FAJO
|
|
Come now, don't be shy... as if
|
|
you could be shy...
|
|
|
|
Nothing from Data.
|
|
|
|
TOFF
|
|
A mannequin of some sort?
|
|
|
|
FAJO
|
|
It is not a mannequin. It is
|
|
Data... formerly Lieutenant
|
|
Commander Data of the Federation
|
|
Starfleet. The only sentient
|
|
android in existence.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT THREE 32.
|
|
|
|
36D CONTINUED:
|
|
|
|
TOFF
|
|
It doesn't look particularly
|
|
sentient right now...
|
|
|
|
FAJO
|
|
I fear he's playing a little game
|
|
with us...
|
|
|
|
TOFF
|
|
Well, someone certainly has
|
|
played a game on you, Fajo.
|
|
|
|
FAJO
|
|
I assure you it is the real thing.
|
|
(to Varria)
|
|
Tell him.
|
|
|
|
Varria cannot help but be impressed with Data's passive
|
|
resistance. She covers.
|
|
|
|
VARRIA
|
|
It is an android.
|
|
(with a respectful
|
|
subtext)
|
|
A most unusual one.
|
|
|
|
TOFF
|
|
Perhaps its batteries have run
|
|
down. Did it come with a
|
|
guarantee? I hope.
|
|
|
|
36DA ANGLE (OPTICAL)
|
|
|
|
FAJO
|
|
(to Data)
|
|
I am not amused. I demand you
|
|
behave normally.
|
|
(beat)
|
|
Dammit, I know you can hear me!
|
|
|
|
As he gets too close in his anger, the aura is briefly
|
|
activated and from the impact, Data tips over and
|
|
falls with a hard clank to the floor, like a suit of
|
|
armor.
|
|
|
|
TOFF
|
|
He falls well.
|
|
|
|
FAJO
|
|
I apologize for this.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 33.
|
|
|
|
36DA CONTINUED:
|
|
|
|
TOFF
|
|
Don't be silly, my friend. I'm
|
|
having a delightful visit.
|
|
|
|
He takes Varria's arm and moves toward the door.
|
|
|
|
TOFF
|
|
(sexual innuendo)
|
|
Come along, Varria. You're much
|
|
more fun to play with than Fajo's
|
|
new toy.
|
|
|
|
36E ANGLE - DATA'S FACE IN THE FOREGROUND
|
|
|
|
Fajo leans down to Data.
|
|
|
|
FAJO
|
|
You will regret it.
|
|
|
|
As they EXIT... and the door slides shut... and Data
|
|
raises an eyebrow...
|
|
|
|
37 INT. MAIN BRIDGE
|
|
|
|
Riker, Wesley at Conn, Worf at Ops, supernumerary at
|
|
tactical.
|
|
|
|
WESLEY
|
|
Entering the Beta Agni system,
|
|
Commander.
|
|
|
|
RIKER
|
|
Slow to impulse, Mister Crusher.
|
|
|
|
Picard ENTERS from his Ready Room.
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge to bridge.
|
|
|
|
PICARD
|
|
Go ahead, Commander.
|
|
|
|
INTERCUT:
|
|
|
|
37A INT. MAIN ENGINEERING
|
|
|
|
Geordi working at one of the consoles.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 34.
|
|
|
|
37A CONTINUED:
|
|
|
|
GEORDI
|
|
Captain, a class two probe has
|
|
been loaded with the hytritium
|
|
compound and is ready to launch.
|
|
|
|
PICARD
|
|
Acknowledged.
|
|
|
|
WESLEY
|
|
Approaching Beta Agni Two.
|
|
|
|
PICARD
|
|
Mister Crusher, take us into a
|
|
close orbit. Mister Data, scan
|
|
the --
|
|
|
|
A hush falls over the bridge as everyone reacts to
|
|
this.
|
|
|
|
PICARD
|
|
My apologies, Mister Worf. Scan
|
|
the colony's subsurface water.
|
|
|
|
WORF
|
|
Scanning... Tricyanate
|
|
contamination is confirmed.
|
|
Levels approaching forty-two parts
|
|
per million.
|
|
|
|
RIKER
|
|
Area affected?
|
|
|
|
WORF
|
|
Thirty square kilometers.
|
|
|
|
PICARD
|
|
Any indication of the source?
|
|
|
|
WORF
|
|
Highest concentration is eight
|
|
kilometers west of the colony.
|
|
|
|
RIKER
|
|
Adjust target coordinates.
|
|
|
|
WESLEY
|
|
Aye, Commander.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 35.
|
|
|
|
37A CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Captain, based on these figures,
|
|
the eighty kilos of hytritium we
|
|
have should be enough to
|
|
neutralize the contamination.
|
|
|
|
WESLEY
|
|
We're approaching the target
|
|
coordinates.
|
|
|
|
PICARD
|
|
Launch probe.
|
|
|
|
38 OMITTED
|
|
|
|
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
orbiting a blue-green planet.
|
|
|
|
The HYTRITIUM PROBE is jettisoned from the aft launcher
|
|
like a photon torpedo. It arcs to the surface and is
|
|
lost in the clouds.
|
|
|
|
40 INT. MAIN BRIDGE
|
|
|
|
Worf checks his console.
|
|
|
|
WORF
|
|
Probe on target. Hytritium
|
|
entering water table...
|
|
disbursement slightly faster than
|
|
expected.
|
|
(frowning)
|
|
Sir... something unusual.
|
|
|
|
PICARD
|
|
Specify.
|
|
|
|
WORF
|
|
I'm getting concentrated
|
|
tricyanate readings of seventy
|
|
grams per cubic centimeter at the
|
|
source coordinates. Much higher
|
|
than would normally occur.
|
|
|
|
RIKER
|
|
Any theories, Mister Worf... ?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT THREE 36.
|
|
|
|
40 CONTINUED:
|
|
|
|
WORF
|
|
Possibly the result of seismic
|
|
activity.
|
|
|
|
PICARD
|
|
Computer, report on geologic
|
|
instability on Beta Agni Two.
|
|
|
|
COMPUTER VOICE
|
|
No significant geological activity
|
|
has been recorded on Beta Agni Two
|
|
since the settlement of the
|
|
Federation colony.
|
|
|
|
RIKER
|
|
Another theory, Mister Worf?
|
|
|
|
Worf shakes his head.
|
|
|
|
PICARD
|
|
Number One, perhaps you should
|
|
take an away team down and have
|
|
a closer look.
|
|
|
|
RIKER
|
|
Yes, sir.
|
|
(to Com)
|
|
Doctor Crusher, report to
|
|
Transporter Room Three.
|
|
|
|
BEVERLY'S COM VOICE
|
|
On my way.
|
|
|
|
RIKER
|
|
Mister Worf... ?
|
|
|
|
Riker and Worf EXIT.
|
|
|
|
41 INT. FAJO'S DEN
|
|
|
|
Fajo ENTERS, controlled seething. Data is standing,
|
|
sees that Fajo is alone, resumes his animation.
|
|
|
|
FAJO
|
|
Our relationship is about to
|
|
change.
|
|
|
|
DATA
|
|
You may expect me to use every
|
|
means at my disposal to resist
|
|
your wishes.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT THREE 36A.
|
|
|
|
41 CONTINUED:
|
|
|
|
FAJO
|
|
No, from now on, you will comply.
|
|
You will not argue. You will
|
|
begin by sitting in your chair.
|
|
|
|
Data does not move.
|
|
|
|
FAJO
|
|
Sit!
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 37.
|
|
|
|
41 CONTINUED:
|
|
|
|
DATA
|
|
I do not intend to sit in the
|
|
chair.
|
|
|
|
FAJO
|
|
You will. You don't believe it
|
|
yet. But you will.
|
|
|
|
He goes to a wall safe with a combination lock... and
|
|
opens it... takes out a nasty looking hand weapon which
|
|
we will call a disruptor.
|
|
|
|
FAJO
|
|
Have you ever seen one of these,
|
|
Data?
|
|
|
|
DATA
|
|
I do not recognize it.
|
|
|
|
FAJO
|
|
I'm not surprised. This is the
|
|
prototype of the Varon-T
|
|
disruptor.
|
|
|
|
DATA
|
|
(reacts)
|
|
The Varon-T disruptor is banned
|
|
in the Federation.
|
|
|
|
FAJO
|
|
Yes. Only five were ever
|
|
manufactured. I own four. I
|
|
sleep with one under my pillow.
|
|
I sleep very well knowing it's
|
|
there.
|
|
|
|
DATA
|
|
It is a most lethal weapon.
|
|
|
|
FAJO
|
|
Oh, it's much more than lethal,
|
|
Data. It's vicious. It tears
|
|
a body from the inside out, quite
|
|
slowly by phaser standards, a
|
|
tortuous, painful death.
|
|
(beat, pointed)
|
|
I've always wanted to try it.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 38.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
DATA
|
|
I am prepared to die. However,
|
|
I doubt very much that you would
|
|
destroy me since you assign so
|
|
much value to possessing me.
|
|
|
|
FAJO
|
|
That goes without saying.
|
|
|
|
He walks to the com panel.
|
|
|
|
FAJO
|
|
(to com)
|
|
Please. Come in.
|
|
|
|
The door opens and Varria ENTERS, awaits her orders.
|
|
|
|
FAJO
|
|
Sit down, my dear. Right here
|
|
on the sofa.
|
|
|
|
She does.
|
|
|
|
FAJO
|
|
How long have you been with me,
|
|
Varria?
|
|
|
|
VARRIA
|
|
Fourteen years.
|
|
|
|
FAJO
|
|
Fourteen wonderful years. She
|
|
was barely an adult when I found
|
|
her. Idealistic. Naive. Full
|
|
of dreams. And I made all her
|
|
dreams come true. Didn't I? At
|
|
a slight cost of course. She had
|
|
to lose all those pesky ideals.
|
|
But then maybe that was what made
|
|
these years so wonderful, watching
|
|
her lose them one by one until
|
|
none were left.
|
|
|
|
She stares at Fajo. Why are you doing this?
|
|
|
|
FAJO
|
|
I'm going to miss you.
|
|
|
|
He raises the disruptor and aims it at her. Fear fills
|
|
her face.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT THREE 39.
|
|
|
|
42 OMITTED
|
|
|
|
42A DATA
|
|
|
|
reacts.
|
|
|
|
43 FAJO
|
|
|
|
determined.
|
|
|
|
DATA (O.S.)
|
|
Fajo...
|
|
|
|
Fajo turns to see --
|
|
|
|
44
|
|
thru OMITTED
|
|
45
|
|
|
|
46 ANGLE - DATA
|
|
|
|
for the first time is sitting in his chair. Fajo drops
|
|
his aim. On his pleased look at Data...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FOUR 40.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
47 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
orbiting Beta Agni Two.
|
|
|
|
47A INT. BETA AGNI TWO CAVE (OPTICAL)
|
|
|
|
The walls shimmer slightly from reflective mineral
|
|
deposits... there are purple crystals scattered around
|
|
the cave (golf ball size) ... a stream of water runs
|
|
through. Riker, Beverly and Worf MATERIALIZE. Worf
|
|
and Beverly take out their tricorders and scan the
|
|
water.
|
|
|
|
BEVERLY
|
|
The contamination has been
|
|
neutralized. Water's clean.
|
|
|
|
WORF
|
|
Most curious.
|
|
(off Riker's look)
|
|
The process of neutralization
|
|
should have taken several hours.
|
|
Naturally occuring tricyanate
|
|
doesn't respond this quickly.
|
|
|
|
RIKER
|
|
Are you saying this was not
|
|
naturally occuring?
|
|
|
|
WORF
|
|
(adjusts tricorder)
|
|
There are no natural trace
|
|
elements present in these
|
|
tricyanate crystals.
|
|
|
|
They react.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 41.
|
|
|
|
47A CONTINUED:
|
|
|
|
RIKER
|
|
If it's artificial, then we're
|
|
talking about sabotage.
|
|
|
|
BEVERLY
|
|
With tricyanate? That's hard to
|
|
believe.
|
|
(off Riker's look)
|
|
It's slow to assimilate,
|
|
difficult to replicate, and hard
|
|
to transport. There are a lot
|
|
easier ways to poison a water
|
|
supply. A lot more effective ways
|
|
too. Toxins that can't be
|
|
neutralized. Bacteriologic agents
|
|
with no cures at all.
|
|
|
|
RIKER
|
|
Can you think of any reason why
|
|
a saboteur might choose
|
|
tricyanate?
|
|
|
|
BEVERLY
|
|
Not really.
|
|
(beat; well, maybe... )
|
|
It might pass for a natural
|
|
disaster. And since there's only
|
|
one way to treat it... with
|
|
hytritium, maybe someone figured
|
|
we wouldn't locate any... it is
|
|
hard to come by.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 41A.
|
|
|
|
47A CONTINUED: (2)
|
|
|
|
A long pause.
|
|
|
|
RIKER
|
|
You know it really was lucky,
|
|
wasn't it... ?
|
|
(off their look)
|
|
That we were able to find
|
|
hytritium when we did. Just
|
|
enough hytritium for this crisis.
|
|
|
|
Off their reactions...
|
|
|
|
48 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Worf, Beverly and Geordi.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FOUR 42.
|
|
|
|
48 CONTINUED:
|
|
|
|
RIKER
|
|
Fajo showed up in the right place
|
|
at the right time... just when
|
|
we needed him the most...
|
|
|
|
PICARD
|
|
You're suggesting he created the
|
|
problem just to solve it?
|
|
|
|
RIKER
|
|
Possibly.
|
|
|
|
GEORDI
|
|
To make a profit from his sale
|
|
of hytritium... ?
|
|
|
|
BEVERLY
|
|
That doesn't add up. The cost
|
|
of producing tricyanate is too
|
|
expensive. He wouldn't make a
|
|
profit... quite the contrary.
|
|
|
|
WORF
|
|
Then, why would he do it?
|
|
|
|
RIKER
|
|
What could he want?
|
|
|
|
Geordi is the first to suspect... he looks at Riker...
|
|
the silent communication passes through the room.
|
|
|
|
PICARD
|
|
Computer, biographical file on
|
|
trader Kivas Fajo.
|
|
|
|
COMPUTER VOICE
|
|
Accessing file... Kivas Fajo: A
|
|
Zibalian trader of the Stacius
|
|
trade guild... a noted
|
|
collector...
|
|
|
|
48A FACES - REACTIONS
|
|
|
|
COMPUTER VOICE
|
|
(continuing)
|
|
... of rare and valuable objects
|
|
including the Rejac Crystal, The
|
|
Starry Night by Van Gogh and
|
|
the Lawmim Galactopedia...
|
|
educated on Iraatan Five...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FOUR 43.
|
|
|
|
48A CONTINUED:
|
|
|
|
And Picard is calmly furious...
|
|
|
|
PICARD
|
|
Computer, that will suffice.
|
|
|
|
RIKER
|
|
A rare and valuable object...
|
|
|
|
GEORDI
|
|
If Data wasn't on the shuttle...
|
|
|
|
PICARD
|
|
(keys insignia)
|
|
Mister Crusher...
|
|
|
|
WESLEY'S COM VOICE
|
|
Aye, sir...
|
|
|
|
PICARD
|
|
Set course for the site of the
|
|
shuttlepod explosion. Warp eight.
|
|
|
|
Reactions around the table and...
|
|
|
|
49 INT. FAJO'S DEN - NIGHT
|
|
|
|
Data sits on the framework chair in the center of the
|
|
collection. Varria ENTERS alone. She pauses at the
|
|
door, looks at Data.
|
|
|
|
VARRIA
|
|
He would have killed me.
|
|
|
|
DATA
|
|
It seemed a distinct possibility.
|
|
|
|
VARRIA
|
|
I'm sorry I did this to you.
|
|
|
|
And it's awkward for her, because she is here on an
|
|
assignment... a beat as she crosses to him.
|
|
|
|
VARRIA
|
|
You can stand up if you want to.
|
|
|
|
He doesn't.
|
|
|
|
VARRIA
|
|
You're... you're not what I
|
|
thought you'd be...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 44.
|
|
|
|
49 CONTINUED:
|
|
|
|
DATA
|
|
What did you expect?
|
|
|
|
VARRIA
|
|
A machine. A robot, I guess.
|
|
Not anything so... well almost
|
|
human.
|
|
|
|
DATA
|
|
Thank you.
|
|
|
|
She moves closer to him, attempts to smile... and
|
|
there's a beginning of sexual tension here... She
|
|
looks down at the floor... looks back up like she's
|
|
having hard time with this.
|
|
|
|
DATA
|
|
Is something troubling you,
|
|
Varria?
|
|
|
|
A beat as she switches off the belt protector, leans
|
|
over and kisses Data on the lips. Data never closes
|
|
his eyes of course. Her lip trembles.
|
|
|
|
VARRIA
|
|
Your lips. They're warm.
|
|
|
|
DATA
|
|
Thirty-seven degrees Celsius.
|
|
Adjustable. I chose this
|
|
temperature to approximate human
|
|
skin texture.
|
|
|
|
VARRIA
|
|
How human are you?
|
|
|
|
DATA
|
|
Physically, I am capable of
|
|
performing many human functions.
|
|
However, I have no emotional
|
|
responses.
|
|
|
|
VARRIA
|
|
You're not the first man I've
|
|
known like that.
|
|
|
|
A beat.
|
|
|
|
VARRIA
|
|
Have you ever made love, Data?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/25/90 - ACT FOUR 45.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
DATA
|
|
I have had one sexual encounter.
|
|
But I am incapable of making love
|
|
as you describe it since I cannot
|
|
feel love.
|
|
|
|
She looks hard at him... with a dramatic motion, she
|
|
removes her safety belt. It drops to the floor.
|
|
|
|
VARRIA
|
|
Would you... do it with me?
|
|
|
|
Another beat.
|
|
|
|
DATA
|
|
Why?
|
|
|
|
VARRIA
|
|
(embarrassed)
|
|
Why not?
|
|
|
|
DATA
|
|
It is an act that symbolizes the
|
|
highest level of intimacy between
|
|
beings. I have told you that I
|
|
am unable to feel intimacy. I
|
|
find it difficult to accept that
|
|
you could have intimate feelings
|
|
toward me under these conditions.
|
|
Therefore you are either simply
|
|
curious. Or you have been sent
|
|
by Kivas Fajo to test my sexual
|
|
abilities.
|
|
|
|
FAJO'S COM VOICE
|
|
You are just too smart for your
|
|
own good, android.
|
|
|
|
They react.
|
|
|
|
FAJO'S COM VOICE
|
|
I was hoping to see a little
|
|
spontaneity but obviously neither
|
|
one of you is capable of it. This
|
|
mating dance is really quite dull.
|
|
We'll try it again tomorrow. You
|
|
may leave, Varria.
|
|
|
|
Varria is completely humiliated. She exchanges a look
|
|
with Data. A tear rolls down her cheek. She EXITS.
|
|
On Data's reaction...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 46.
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At warp.
|
|
|
|
51 INT. MAIN BRIDGE - SCIENCE STATION (OPTICAL)
|
|
|
|
Wesley, Picard, Riker at a monitor with an Okudagram
|
|
graphic of the sector...
|
|
|
|
WESLEY
|
|
The Jovis has a maximum speed of
|
|
warp three. He's had twenty-three
|
|
hours... so we can define a
|
|
perimeter of point-one-oh-two
|
|
light years as his possible
|
|
range...
|
|
|
|
RIKER
|
|
And Fajo doesn't know we're onto
|
|
him, so he probably isn't taxing
|
|
his engines by going at top speed.
|
|
|
|
WESLEY
|
|
He could have made it to the Nel
|
|
Bato system... maybe even the
|
|
Giles Belt...
|
|
|
|
PICARD
|
|
He's a trader... he doesn't
|
|
attract customers by being hard
|
|
to find...
|
|
|
|
RIKER
|
|
We could put out a coded level
|
|
two query to all Federation
|
|
ouposts within the perimeter...
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
51A EXT. SPACE - THE JOVIS (OPTICAL)
|
|
|
|
Moving through space at impulse.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 46A.
|
|
|
|
52
|
|
thru OMITTED
|
|
56
|
|
|
|
57 INT. FAJO'S DEN
|
|
|
|
Data is at the safe... his fingers moving beyond
|
|
belief through varied combination attempts... reacts
|
|
as the door slides open...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FOUR 47.
|
|
|
|
57 CONTINUED: (2)
|
|
|
|
Varria ENTERS... not wearing the belt... checks behind
|
|
her, makes sure she hasn't been seen. She moves to
|
|
Data... a beat.
|
|
|
|
VARRIA
|
|
If I help you escape... will you
|
|
take me with you?
|
|
|
|
Data hesitates, studies her...
|
|
|
|
VARRIA
|
|
(continuing)
|
|
This is not another test. He's
|
|
asleep. And there isn't much
|
|
time...
|
|
|
|
Data stands.
|
|
|
|
DATA
|
|
The consequences to you if we're
|
|
caught...
|
|
|
|
VARRIA
|
|
I know the consequences.
|
|
|
|
She moves purposefully to the safe... opening the
|
|
combination --
|
|
|
|
VARRIA
|
|
(continuing; re: the
|
|
combination)
|
|
Fourteen years... you learn a few
|
|
things...
|
|
|
|
She takes out the disruptor.
|
|
|
|
VARRIA
|
|
(continuing)
|
|
There's an escape pod in the aft
|
|
cargo bay...
|
|
|
|
And as she leads him out...
|
|
|
|
58
|
|
thru OMITTED
|
|
59
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 48.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
59A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
At warp.
|
|
|
|
59B INT. MAIN BRIDGE
|
|
|
|
Picard, Riker, Worf, Wesley at their stations...
|
|
supernumerary at tactical.
|
|
|
|
WORF
|
|
Sir, affirmative response from
|
|
station Lya Four...
|
|
|
|
Riker and Picard move to a console... Riker punches
|
|
up a monitor... a message prints out quickly on the
|
|
monitor...
|
|
|
|
RIKER
|
|
Fajo spent almost half a day in
|
|
orbit... departed just over seven
|
|
hours ago.
|
|
|
|
PICARD
|
|
Mister Crusher, new
|
|
coordinates... set a course for
|
|
Lya Four...
|
|
|
|
WESLEY
|
|
Coordinates already laid in,
|
|
sir...
|
|
|
|
PICARD
|
|
Engage.
|
|
|
|
59C EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Changing course.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 49.
|
|
|
|
60 INT. JOVIS CARGO BAY
|
|
|
|
Deserted... the door slides open and Varria and Data
|
|
enter... cross quickly across the bay...
|
|
|
|
DATA
|
|
Perhaps if I attempted to
|
|
communicate with the Enterprise...
|
|
|
|
VARRIA
|
|
You can't... Fajo has
|
|
communications access restricted
|
|
to the bridge. Once we're out,
|
|
the shuttlepod will emit an
|
|
emergency beacon. We'll have to
|
|
hope somebody responds before
|
|
Fajo is able to destroy us.
|
|
|
|
DATA
|
|
I have been trained in evasive
|
|
maneuvers...
|
|
|
|
VARRIA
|
|
We'll need a few.
|
|
(points to the shuttle)
|
|
Get ready... As soon as I
|
|
initiate the escape sequence, an
|
|
alarm will sound... we won't have
|
|
much time...
|
|
|
|
Data acknowledges... and they split up. He goes to the
|
|
pod and gets in the pilot seat... we move with her to
|
|
the computer-control terminal... punches in a series of
|
|
commands... saves one for last, looks at Data --
|
|
|
|
He nods he's ready. She punches in the last command
|
|
and all hell breaks loose... alarms sound, lights
|
|
flash... she barely moves away from the computer port
|
|
when the door slides open and TECH #1 runs in... she
|
|
raises the disruptor, points it at him... he reacts,
|
|
freezes in his tracks. She moves quickly toward the
|
|
pod... keeping an eye on him as she does...
|
|
|
|
61 ANGLE
|
|
|
|
to see a SECOND TECHNICIAN entering from her blind
|
|
side... he reacts...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 50.
|
|
|
|
61A DATA
|
|
|
|
sees him...
|
|
|
|
DATA
|
|
(warning)
|
|
Varria...
|
|
|
|
But before he can say anything else...
|
|
|
|
62 VARRIA
|
|
|
|
is blind-sided by the technician... She struggles with
|
|
him... he easily disarms her...
|
|
|
|
62A THE DISRUPTOR
|
|
|
|
falls to the floor...
|
|
|
|
62B DATA
|
|
|
|
jumps out of the pod...
|
|
|
|
63 TECHNICIAN #1
|
|
|
|
runs to the computer bay to stop the launch
|
|
sequence...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 51.
|
|
|
|
64
|
|
thru OMITTED
|
|
64B
|
|
|
|
65 DATA
|
|
|
|
moves swiftly to aide Varria... grabs Technician #2,
|
|
separating him from Varria, picks him up in the air
|
|
easily... tosses him aside.
|
|
|
|
66 OMITTED
|
|
|
|
66A TECH #1
|
|
|
|
at the computer, reacts, picks up a heavy tool, rushes
|
|
Data... swings the tool which Data simply catches in
|
|
one hand, pulls it free, tosses it away... pushes him
|
|
out of the way.
|
|
|
|
66B ANGLE
|
|
|
|
Tech #1 slides way across the floor from Data's push.
|
|
|
|
66C VARRIA
|
|
|
|
runs back toward the computer to reset the escape
|
|
sequence, but as she does...
|
|
|
|
67 FAJO
|
|
|
|
appears... and it all happens so quickly:
|
|
|
|
67A VARRIA - QUICK CUT
|
|
|
|
reacts as she sees Fajo... looks over to see --
|
|
|
|
67B THE DISRUPTOR - QUICK CUT
|
|
|
|
she dropped on the floor... several yards away... and
|
|
maybe she has one chance at it...
|
|
|
|
67C HER EYES - QUICK CUT
|
|
|
|
dart back at Fajo.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 51A.
|
|
|
|
67D FAJO'S EYES - QUICK CUT
|
|
|
|
narrow.
|
|
|
|
67E HIS HAND - QUICK CUT
|
|
|
|
holding another disruptor, starting to raise...
|
|
|
|
68 DATA - QUICK CUT
|
|
|
|
reaching out to...
|
|
|
|
68A VARRIA
|
|
|
|
who's already beyond his grasp... diving to the floor
|
|
for her disruptor... and she comes up short...
|
|
scrambles to get to it... but with each move realizes
|
|
she's too late... and finally stops, looks back at
|
|
Fajo... almost a resigned smile on her face... and then
|
|
oddly everything just seems to stop for a long beat...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 52.
|
|
|
|
69 WIDE (OPTICAL)
|
|
|
|
Fajo holds the disruptor on Varria... they look at each
|
|
other... he sighs, shrugs, fires. She screams a
|
|
horrible scream... slowly DEMATERIALIZES... the scream
|
|
echoes after she's gone. Data is stunned. Stares at
|
|
Fajo. Fajo himself is a little shaken by what he's
|
|
done.
|
|
|
|
FAJO
|
|
This is your fault. You knew the
|
|
price for disobedience. And so
|
|
did she.
|
|
|
|
Fajo tosses his weapon away, repulsed by the violence
|
|
he has committed... trying to walk away from it.
|
|
Calming himself down. Nods to himself. Yes, it was
|
|
the right thing to do.
|
|
|
|
FAJO
|
|
Well, there's always another
|
|
Varria.
|
|
|
|
70 ANGLE ON DATA (OPTICAL)
|
|
|
|
looking at Fajo for a beat. Then, Data moves to the
|
|
disruptor and picks it up. The trader is surprised
|
|
for a moment... perhaps there is even an instant of
|
|
fear, but then he smiles.
|
|
|
|
FAJO (cont'd)
|
|
You can't hurt me.
|
|
|
|
Data aims the disruptor at Fajo.
|
|
|
|
FAJO (cont'd)
|
|
A fundamental respect for all
|
|
living beings. That is what you
|
|
said. I'm a living being...
|
|
therefore you cannot harm me.
|
|
|
|
Data moves toward Fajo.
|
|
|
|
DATA
|
|
You will surrender yourself to
|
|
the authorities.
|
|
|
|
Fajo laughs.
|
|
|
|
FAJO
|
|
Or what? You'll fire?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 53.
|
|
|
|
70 CONTINUED:
|
|
|
|
Data continues to approach Fajo.
|
|
|
|
FAJO (cont'd)
|
|
An empty threat and we both know
|
|
it.
|
|
|
|
Data holds his aim true.
|
|
|
|
FAJO (cont'd)
|
|
Accept your fate. You will return
|
|
to your chair and you will sit
|
|
there. You will entertain me and
|
|
you will entertain my guests.
|
|
And if you do not, I will simply
|
|
kill somebody else...
|
|
(re: the dazed techs,
|
|
watching)
|
|
Him or him maybe... anyone, it
|
|
does not matter... and their blood
|
|
will be on your hands too... just
|
|
like poor Varria's.
|
|
|
|
Data continues to move toward Fajo. Who smiles
|
|
confidently.
|
|
|
|
FAJO (cont'd)
|
|
Your only alternative, Data, is
|
|
to fire. Murder me. That's all
|
|
you have to do. Go ahead. All
|
|
your troubles are over. Fire.
|
|
Are you searching through your
|
|
program for a loophole, perhaps?
|
|
Is there one? If only you could
|
|
feel rage over Varria's death...
|
|
feel the need for revenge... then
|
|
maybe you could fire. But you're
|
|
only an android. You don't feel
|
|
anything, do you? It's just
|
|
another interesting intellectual
|
|
puzzle for you. Another of life's
|
|
curiosities.
|
|
|
|
Data stops before him...
|
|
|
|
DATA
|
|
I cannot permit this to continue.
|
|
|
|
He raises the weapon. Fajo's eyes open with unexpected
|
|
fear... He suddenly realizes he's about to die.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 53A.
|
|
|
|
70 CONTINUED: (2)
|
|
|
|
FAJO
|
|
You can't. Your program won't
|
|
allow it. You cannot fire. You
|
|
will not...
|
|
|
|
Suddenly Data DEMATERIALIZES.
|
|
|
|
70A
|
|
thru OMITTED
|
|
70B
|
|
|
|
71 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Riker and O'Brien await Data's arrival. O'Brien frowns
|
|
at his console; it's reading something odd.
|
|
|
|
O'BRIEN
|
|
I'm reading a weapon in transit
|
|
with Commander Data. It seems
|
|
to have discharged, sir.
|
|
|
|
RIKER
|
|
Discharged... ?
|
|
|
|
O'BRIEN
|
|
I'm deactivating the weapon.
|
|
|
|
His hands play over the controls. Finally Data
|
|
MATERIALIZES, holding the disruptor. He looks at it.
|
|
|
|
RIKER
|
|
Welcome back, Mister Data. Are
|
|
you all right?
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/27/90 - ACT FIVE 54.
|
|
|
|
71 CONTINUED:
|
|
|
|
Walks off the transporter pad.
|
|
|
|
DATA
|
|
Yes, Commander. Please arrange
|
|
to take Kivas Fajo into custody
|
|
for murder, kidnapping, theft...
|
|
|
|
RIKER
|
|
(interrupting)
|
|
Arrangements have already been
|
|
made.
|
|
|
|
Data hands the disruptor to Riker...
|
|
|
|
DATA
|
|
A Varon-T disruptor. It belongs
|
|
to Fajo.
|
|
|
|
RIKER
|
|
(curious)
|
|
Mister O'Brien says the weapon
|
|
was in a state of discharge...
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 54A.
|
|
|
|
71 CONTINUED:
|
|
|
|
DATA
|
|
(beat)
|
|
Perhaps something happened during
|
|
transport, Commander.
|
|
|
|
Riker gives Data a look -- during transport? Data
|
|
gives Riker a look right back... that's all I'm going
|
|
to say.
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 55.
|
|
|
|
72 OMITTED
|
|
|
|
73 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
by the Jovis.
|
|
|
|
74 INT. ENTERPRISE DETENTION CELL (OPTICAL)
|
|
|
|
Kivas Fajo, in the cell, paces the floor. He seems
|
|
more annoyed than angry.
|
|
|
|
Data ENTERS, once again in uniform.
|
|
|
|
FAJO
|
|
So. Have you come for your final
|
|
satisfaction? You wish me to
|
|
repent? Beg for mercy? You'll
|
|
have none of it from me.
|
|
|
|
DATA
|
|
I expected none.
|
|
|
|
FAJO
|
|
It seems our roles are reversed...
|
|
aren't they, Data... you are now
|
|
the collector... and I...
|
|
|
|
He puts his hand to the forcefield and activates it.
|
|
|
|
FAJO
|
|
... am in your cage.
|
|
|
|
DATA
|
|
So it seems.
|
|
|
|
FAJO
|
|
Do not count me out so quickly.
|
|
I had you once. I may have you
|
|
back in my collection again.
|
|
|
|
DATA
|
|
Unlikely. Your collection has
|
|
been confiscated pending your
|
|
trial. All of your stolen
|
|
possessions are being returned
|
|
to their rightful owners.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Most Toys" - REV. 2/26/90 - ACT FIVE 56-57.
|
|
|
|
74 CONTINUED:
|
|
|
|
DATA (Cont'd)
|
|
You have lost everything you
|
|
value.
|
|
|
|
And, as Data said, as a man who defines himself by what
|
|
he can possess, this news is hard to endure.
|
|
|
|
FAJO
|
|
(bitterly)
|
|
I'm sure that gives you great
|
|
pleasure.
|
|
|
|
DATA
|
|
No, sir, it does not. I do not
|
|
feel pleasure. I am only an
|
|
android.
|
|
|
|
Data EXITS. On Fajo's expression...
|
|
|
|
75
|
|
thru OMITTED
|
|
80
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|