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1 line
71 KiB
Plaintext
Executable File
1 line
71 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"Data's Day"
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#40274-185
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Teleplay by
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Ronald D. Moore
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Directed by
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Robert Wiemer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1990 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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OCTOBER 10, 1990
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STAR TREK: "Data's Day" - REV. 10/17/90 - CAST
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STAR TREK: THE NEXT GENERATION
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"Data's Day"
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CAST
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PICARD T'PEL
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RIKER MENDAK
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DATA KEIKO ISHIKAWA
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BEVERLY V'SAL
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TROI
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GEORDI
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WORF
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Non-Speaking
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O'BRIEN ALFREDO JUAREZ
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TRANSPORTER TECHNICIAN FRANCISCA JUAREZ
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JUAREZ BABY
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Non-Speaking
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NURSE
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MEDICAL TECHNICIAN
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FEMALE DANCER
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SUPERNUMERARIES
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DATA'S CAT
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STAR TREK: "Data's Day" - REV. 10/11/90 - SETS
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STAR TREK: THE NEXT GENERATION
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"Data's Day"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM USS ZHUKOV
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OBSERVATION LOUNGE
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SICKBAY 2 ROMULAN WARBIRDS
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BEVERLY'S OFFICE
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TRANSPORTER ROOM
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CORRIDOR
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ARBORETUM
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BARBERSHOP
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TEN FORWARD
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DATA'S QUARTERS
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TURBOLIFT
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T'PEL'S QUARTERS
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KEIKO'S QUARTERS
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NURSERY
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DANCE STUDIO
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TROI'S OFFICE
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REPLICATING CENTER
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ROMULAN WARBIRD
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MENDAK'S READY ROOM
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(ON VIEWSCREEN ONLY)
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STAR TREK: "Data's Day" - REV. 10/17/90 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Data's Day"
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PRONUNCIATION GUIDE
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KEIKO ISHIKAWA KAY-co EE-she-cow-wa
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T'PEL TA-PELL
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STAR TREK: "Data's Day" - REV. 10/15/90 - TEASER 1.
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STAR TREK: The Next Generation
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"Data's Day"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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The ship stopped in space.
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DATA (V.O.)
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Second Officer's Personal Log:
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Stardate 44390.1 Record entry
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for transmission to Commander
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Bruce Maddox, Cybernetics
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Division, Daystrom Institute.
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Dear Commander Maddox,...
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2 INT. MAIN BRIDGE
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SUPERNUMERARIES at Con, Ops, and Tactical. Data is
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near the aft stations, making a visual check of the
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consoles. This is the "nightshift" and so lighting on
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the Bridge should be SLIGHTLY DARKER than we're used to
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seeing..
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DATA (V.O.)
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(continuing)
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In reference to your most recent
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letter, I agree that your study
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lacks sufficient primary source
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information on my programming.
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Therefore in response to your
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request, this correspondence will
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include a complete record of my
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activities during a normal day,
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focusing on my perceptions of
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friendship.
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Data moves to Command, sits down and checks a few
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readings on the small monitors on the command chair.
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STAR TREK: "Data's Day" - REV. 10/17/90 - TEASER 2.
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2 CONTINUED:
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RIKER, and THREE SUPERNUMERARIES ENTER from Turbolift.
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Data stands.
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DATA
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Good morning, Commander. You are
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fifteen minutes early.
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Riker smiles... he's in a very good mood.
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RIKER
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Well, it's a special day. I
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thought the... father of the bride
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would enjoy being relieved a
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little early on the wedding day.
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DATA
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Thank you, sir.
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RIKER
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Nervous?
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DATA
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I cannot become nervous. However,
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I do sense a certain...
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anticipation regarding my role
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in the wedding.
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(beat)
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All systems normal, sir. Sickbay
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reported that Lieutenant Juarez
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went into labor at zero four
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hundred hours. We remain on
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station awaiting the arrival of
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the starship Zhukov and guest
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quarters have been prepared for
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Ambassador T'Pel.
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RIKER
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Very well. I have the Bridge.
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DATA
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Aye, sir.
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RIKER
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(to com)
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Begin day watch.
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In response to his command, the LIGHTS begin to
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BRIGHTEN, signalling the beginning of "day" on the
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ship.
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STAR TREK: "Data's Day" - REV. 10/17/90 - TEASER 3.
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2 CONTINUED: (2)
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Data's people leave their positions and Riker's people
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take the vacant stations.
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DATA (V.O.)
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(over above action)
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Initially Commander Maddox, I
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found it difficult to maintain
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friendships since human emotions
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are often puzzling to me.
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CUT TO:
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2A INT. CORRIDOR
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Data ENTERS from Turbolift and moves to Keiko's
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Quarters.
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DATA (V.O.)
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(continuing over above
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action)
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Eventually, I developed a program
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enabling me to predict human
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emotional responses to specific
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actions.
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Data has arrived at the door.
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2B INT. KEIKO'S QUARTERS - CONTINUOUS
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KEIKO ISHIKAWA, a slender young woman of Japanese
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descent and wearing civilian clothes, is walking from
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the bedroom to the living area. She seems serene...
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calm. The door CHIMES.
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KEIKO
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Come in.
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Data ENTERS.
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DATA
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It is time for the wedding
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rehearsal.
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KEIKO
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(flat)
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I know...
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(beat)
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I've decided not to go through
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with it, Data.
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STAR TREK: "Data's Day" - REV. 10/17/90 - TEASER 3A.
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2B CONTINUED:
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Keiko says this with a detached air... she's
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intentionally distancing herself from her emotions
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right now. As a way of dealing with the pain of the
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situation, she's opted to take the 'super-rational'
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approach.
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STAR TREK: "Data's Day" - REV. 10/18/90 - TEASER 4.
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2B CONTINUED: (2)
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DATA
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You do not wish to rehearse?
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KEIKO
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No, I'm... calling off the
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wedding.
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DATA
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May I ask why?
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KEIKO
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It's just the right thing to do.
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DATA
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Have your feelings for Chief
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O'Brien changed?
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KEIKO
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(beat, calm)
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I'm supposed to be getting
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married, Data. I should be
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happy... but I'm not. I just feel
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this weight pressing down on me.
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DATA
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Will cancelling the wedding make
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you happy?
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She hesitates for a second... and although she tries
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to say it with conviction, she's not really sure...
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KEIKO
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Yes.
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(beat)
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He'll probably be just as relieved
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as I am.
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(beat)
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Data, you introduced us, you mean
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a lot to both of us... I'd really
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appreciate it if... you would tell
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Miles for me.
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DATA
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If you wish.
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Data turns to leave... on Keiko's expression...
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CUT TO:
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STAR TREK: "Data's Day" - REV. 10/17/90 - TEASER 5.
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3 OMITTED
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4 INT. CORRIDOR
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Data moving toward Ten Forward.
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DATA (V.O.)
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I have often heard my friend Chief
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O'Brien say that above all else,
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he wants to make Keiko happy.
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Since cancelling the wedding will
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make her happy, I must conclude
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the Chief will be pleased at her
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decision.
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He EXITS to Ten Forward.
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5 INT. TEN FORWARD - CONTINUOUS
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GEORDI, O'BRIEN, and SUPERNUMERARIES. The
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Supernumeraries are putting up Japanese lanterns,
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decorations, etc. Geordi and O'Brien are standing
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around, waiting for the rehearsal. (The lounge is
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closed, no regular patrons.) Data ENTERS and goes
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directly to O'Brien.
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DATA
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I have good news.
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O'BRIEN
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Oh?
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DATA
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Yes. Keiko has made a decision
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designed to increase her
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happiness.
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(beat)
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She has cancelled the wedding.
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It takes a moment for this to sink in, and O'Brien just
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stares at Data for a few seconds.
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O'BRIEN
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(shocked)
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She what?
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(beat, then getting
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angry)
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Cancelled the wedding? Today?
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Without even a word... of all the
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childish, selfish... !
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STAR TREK: "Data's Day" - REV. 10/15/90 - TEASER 6.
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5 CONTINUED:
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O'Brien EXITS. Everyone is shocked, no one more so
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than Data. Geordi comes over and gives him a look of
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reproach.
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GEORDI
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Next time, maybe I should break
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the... good news.
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Geordi moves away and we PUSH IN on Data.
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DATA (V.O.)
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Commander Maddox, it would appear
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that my program designed to
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predict emotional responses
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needs... adjustment.
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On Data's reaction...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Data's Day" - REV. 10/15/90 - ACT ONE 7.
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ACT ONE
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FADE IN:
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6 EXT. SPACE - THE ENTERPRISE & ZHUKOV (OPTICAL)
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The Enterprise and another starship running side by
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side.
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DATA (V.O.)
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Personal Log: Supplemental. This
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is the one thousand five hundred
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fiftieth day since the Enterprise
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was commissioned.
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7 INT. CORRIDOR
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Data moving toward Transporter Room. The Corridor
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should be filled with SUPERNUMERARIES in Starfleet
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uniforms, civilian clothes, sports wear... a feeling
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of many cultures, activities and traditions aboard our
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ship.
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DATA (V.O.)
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(continuing)
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Besides the arrival of Ambassador
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T'Pel, other events occurring
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today include four birthdays,
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two personnel transfers, a
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celebration of the Hindu Festival
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of Lights, two chess tournaments,
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one secondary school play, and
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four promotions.
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He has arrived at Transporter Room.
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8 INT. TRANSPORTER ROOM - CONTINUOUS (OPTICAL)
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Data ENTERS. TRANSPORTER TECHNICIAN at console.
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DATA (V.O.)
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Overall... an ordinary day.
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TECHNICIAN
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The Zhukov is ready for transport,
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sir.
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DATA
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Energize.
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STAR TREK: "Data's Day" - REV. 10/15/90 - ACT ONE 8.
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8 CONTINUED:
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AMBASSADOR T'PEL MATERIALIZES on the platform. She is
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Vulcan, middle-aged, and has the cool, regal bearing
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common to her species.
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DATA
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Welcome aboard the Enterprise,
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Ambassador.
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T'PEL
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I would meet with your Captain.
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Data gestures to the door and they EXIT together.
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CUT TO:
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9 INT. TURBOLIFT
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Data and T'Pel. Her face is impassive, unreadable...
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Data's shows the innate curiosity and innocence which
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is such an intrinsic part of his personality. The
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Turbolift is MOVING.
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DATA (V.O.)
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Unlike my human friends, I am not
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affected by feelings or emotional
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considerations. In that sense,
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I am closer to being Vulcan than
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human, but I am not attracted to
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Vulcan philosophy. Their devotion
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to logic does have a certain
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appeal in its simple purity...
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The Turbolift STOPS and they EXIT.
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9A INT. MAIN BRIDGE - CONTINUOUS
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Data and T'Pel ENTER from Turbolift and walk to Ready
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Room. Riker's shift is on duty (Riker not on Bridge).
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DATA (V.O.)
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(continuing)
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... but I find theirs to be a
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somewhat... stark philosophy,
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lacking beauty... and joy.
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10 INT. READY ROOM
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PICARD and Riker standing near the desk. T'Pel and
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Data ENTER.
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STAR TREK: "Data's Day" - REV. 10/15/90 - ACT ONE 8A.
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10 CONTINUED:
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Picard lifts his hand in the Vulcan salute.
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PICARD
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Ambassador T'Pel...
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T'PEL
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(returning salute)
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I come to serve.
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STAR TREK: "Data's Day" - REV. 10/18/90 - ACT ONE 9.
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10 CONTINUED: (2)
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PICARD
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Your service honors us.
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(gestures)
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My first officer, Commander
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William Riker.
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T'PEL
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(to Riker. Polite, yet
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curt)
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Leave us, please.
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Riker glances at Picard, plainly irritated at this
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peremptory dismissal. Picard gives a small nod of
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agreement and then Data and Riker EXIT.
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11 INT. MAIN BRIDGE - CONTINUOUS
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Data and Riker ENTER from Ready Room.
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RIKER
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(annoyed, to Data)
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Charming woman.
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Riker is still irritated as he moves to Command. Data
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studies him for a moment and then heads for Turbolift.
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DATA (V.O.)
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The tone of Commander Riker's
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voice makes me suspect that he
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is not serious about finding
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Ambassador T'Pel charming. My
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experience suggests that in fact
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he may mean the exact opposite
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of what he says. This is a form
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of expression I have not yet been
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able to master.
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Data EXITS.
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CUT TO:
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12 INT. BARBERSHOP (OPTICAL)
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Barbershops haven't changed much and there is still a
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mirror, two barberchairs, and a sink, along with 24th
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century combs, scissors, shaving cubes, etc. Geordi
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has just sat down in one of the chairs and an alien
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barber named V'SAL comes over to look at his hair.
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STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 9A.
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12 CONTINUED:
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A FEMALE ALIEN CREWMEMBER is sitting in the other chair
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while a HUMAN BARBER works on her large expanse of
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hair.
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STAR TREK: "Data's Day" - REV. 10/18/90 - ACT ONE 10.
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12 CONTINUED: (2)
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Geordi and V'Sal are joking around. Their verbal jabs
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at each other are definitely good-natured and they've
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thrust and parried this way many times before.
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V'SAL
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(looking at Geordi's
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hair)
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You don't need a haircut. You
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were just in here last week.
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GEORDI
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(joking)
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Hey, I wouldn't be back here so
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soon if you'd done it right the
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first time...
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Data ENTERS as V'Sal goes to the counter to get a
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sheet and some scissors. (V'Sal's action must be long
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enough for the following Data voice-over to be heard.)
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DATA (V.O.)
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(over above action)
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When I have difficulty
|
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understanding human behavior I
|
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often turn to Commander Geordi
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La Forge. I consider him to be...
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my best friend.
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V'Sal begins trimming Geordi's hair.
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V'SAL
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I know you want to be beautiful...
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I'm just a barber, not a miracle
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worker.
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GEORDI
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Just try to keep my ears on
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straight today, all right?
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They both chuckle a little and Data realizes they're
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joking.
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DATA (V.O.)
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Friendly insults and jibes...
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|
another form of human speech
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|
that I am attempting to master.
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|
STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 10A.
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|
12 CONTINUED: (3)
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|
|
GEORDI
|
|
(to Data)
|
|
Hi... here for a trim?
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|
DATA
|
|
My hair does not require
|
|
trimming... you peabrain.
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|
|
|
Geordi almost falls out of the chair in shock, but a
|
|
smile still forms on his face.
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|
GEORDI
|
|
What?
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|
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|
DATA
|
|
My hair...
|
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GEORDI
|
|
'Peabrain'?
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|
DATA
|
|
I am experimenting with friendly
|
|
insults and jibes. It was not
|
|
meant as a serious disparagement.
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|
GEORDI
|
|
(laughs)
|
|
Well... I wouldn't try it out on
|
|
the Captain.
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|
|
|
Data nods in understanding.
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|
DATA
|
|
Geordi, I am still confused about
|
|
Chief O'Brien's reaction this
|
|
morning.
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GEORDI
|
|
He was just surprised, Data. He
|
|
didn't mean to blow up like that.
|
|
He knows Keiko probably doesn't
|
|
want to call off the marriage.
|
|
(off Data's look)
|
|
She's just getting cold feet.
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|
|
|
Data processes this for a moment, then finds the
|
|
reference.
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|
DATA
|
|
Cold feet... jitters... a nervous
|
|
reaction to an impending event
|
|
of great importance.
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|
STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 11.
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|
12 CONTINUED: (4)
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|
GEORDI
|
|
Right. Don't worry,
|
|
everything'll be fine. She'll
|
|
change her mind again.
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DATA
|
|
(surprised)
|
|
She will?
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|
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GEORDI
|
|
Absolutely.
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DATA
|
|
Then you believe the wedding will
|
|
still proceed?
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|
|
|
GEORDI
|
|
Trust me, they'll get married...
|
|
so you better find a gift.
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|
|
|
On Data's expression...
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|
|
CUT TO:
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|
|
13 INT. REPLICATING CENTER (OPTICAL)
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|
|
The 24th century equivalent of a ship's store. There
|
|
are several computer terminals showing images of
|
|
objects ranging from clothing to furniture. Patrons
|
|
select the desired item from one of the displays, then
|
|
take an encoded padd to one of the large replicator
|
|
consoles in the b.g. TWO ADULTS are perusing one of
|
|
the displays with a CHILD.
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|
|
13A NEW ANGLE (OPTICAL)
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|
|
|
The parents are making a few final adjustments to the
|
|
image of a stuffed rabbit (or toy sailboat) on one of
|
|
the screens. The child seems happy with the choice.
|
|
They press a button, and the item MATERIALIZES on one
|
|
of the replicator stages. They take the toy.
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|
|
14 ON DATA (OPTICAL)
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|
|
The computer screen is showing a shovel and Data seems
|
|
unsure what to do. He taps a key and the display now
|
|
shows a chair.
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|
|
STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 12.
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|
|
15 NEW ANGLE
|
|
|
|
as Data sees WORF ENTER. Worf goes over to one of the
|
|
terminals and begins to tap in commands. Data goes
|
|
over to him.
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
I find Lieutenant Worf to be what
|
|
is called a kindred spirit. We
|
|
were both orphans and were both
|
|
rescued by Starfleet officers.
|
|
In many ways, we are both still
|
|
outsiders in Human society. I
|
|
do not fully understand why, but
|
|
I find it... comforting to think
|
|
that I am not alone in that
|
|
regard.
|
|
|
|
DATA
|
|
(to Worf)
|
|
Are you here to find a wedding
|
|
gift?
|
|
|
|
WORF
|
|
Yes.
|
|
|
|
DATA
|
|
I would appreciate your help in
|
|
selecting an appropriate item.
|
|
|
|
WORF
|
|
(a little proudly)
|
|
Of course. I have attended human
|
|
weddings before.
|
|
|
|
Worf taps in a couple commands on the display.
|
|
|
|
16 INSERT (OPTICAL)
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|
|
|
The terminal screen shows a set of crystal wine
|
|
glasses.
|
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|
|
17 RETURN TO SCENE - INTERCUT AS NEEDED (OPTICAL)
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|
|
|
DATA
|
|
This is a traditional gift?
|
|
|
|
WORF
|
|
My adoptive parents often give
|
|
these... things at family
|
|
weddings. A human custom.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 13.
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|
|
17 CONTINUED:
|
|
|
|
Worf works the display again and now the image of a
|
|
delicate glass swan is shown.
|
|
|
|
DATA
|
|
It was my understanding that the
|
|
item selected should reflect the
|
|
personality of whoever is giving
|
|
the gift.
|
|
(looks at screen)
|
|
This does not remind me of you.
|
|
|
|
Worf frowns a little... he's never thought of it quite
|
|
that way before.
|
|
|
|
DATA
|
|
Have you ever been an actual
|
|
participant in a human wedding?
|
|
|
|
WORF
|
|
(with distaste)
|
|
No.
|
|
|
|
DATA
|
|
You would not consider it to be
|
|
an honor?
|
|
|
|
WORF
|
|
An honor, perhaps. But human
|
|
bonding rituals involve a great
|
|
deal of talking, dancing, and
|
|
crying.
|
|
|
|
Worf is still concerned with the gift and now he taps
|
|
in another command and the display screen shows a
|
|
vicious-looking Klingon weapon. Worf smiles to
|
|
himself... that's more like it! However, Data is no
|
|
longer watching him.
|
|
|
|
DATA
|
|
(concerned)
|
|
Dancing...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT ONE 14.
|
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|
|
18 OMITTED
|
|
|
|
19 INT. SICKBAY
|
|
|
|
BEVERLY is talking to a NURSE. They are in the
|
|
'birthing area' of Sickbay, a semi-private area where
|
|
a very PREGNANT WOMAN is lying on one of the biobeds,
|
|
while her HUSBAND (non-Starfleet) sits next to her.
|
|
Data's V.O. can be heard over the following...
|
|
|
|
BEVERLY
|
|
Continue to monitor the
|
|
contractions. I'd say she still
|
|
has a couple hours to go.
|
|
|
|
The Nurse nods and Beverly moves over to the pregnant
|
|
woman.
|
|
|
|
BEVERLY
|
|
(to woman)
|
|
You're going to be just fine.
|
|
|
|
Beverly turns to go to her office.
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
I am rarely in need of Doctor
|
|
Beverly Crusher's professional
|
|
services as my biomechanical
|
|
maintenance program (tech) is
|
|
self-sufficient. But I often
|
|
observe as she practices medicine
|
|
on others and have learned a
|
|
great deal about the human
|
|
condition from her.
|
|
|
|
19A NEW ANGLE
|
|
|
|
Data is waiting for Beverly in the vestibule outside
|
|
her office.
|
|
|
|
DATA
|
|
Doctor, may I ask a favor of you?
|
|
|
|
BEVERLY
|
|
Of course.
|
|
|
|
DATA
|
|
Will you teach me how to dance?
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/17/90 - ACT ONE 14A.
|
|
|
|
19A CONTINUED:
|
|
|
|
A passing SECOND NURSE overhears this and looks at
|
|
Beverly with surprise. Beverly is embarrassed at the
|
|
mention of this subject and she pulls Data into her
|
|
office.
|
|
|
|
20 INT. BEVERLY'S OFFICE
|
|
|
|
BEVERLY
|
|
What?
|
|
|
|
DATA
|
|
I would like to learn how to
|
|
dance.
|
|
|
|
BEVERLY
|
|
Why me?
|
|
|
|
DATA
|
|
It is in your service record.
|
|
'Awarded first prize in tap and
|
|
jazz competition, Saint Louis
|
|
Academy---
|
|
|
|
BEVERLY
|
|
(trying to quiet him)
|
|
Okay, okay.
|
|
|
|
She glances out the windows to see if anyone heard him.
|
|
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT ONE 15.
|
|
|
|
20 CONTINUED: (2)
|
|
|
|
DATA
|
|
(puzzled)
|
|
Have I said something to upset
|
|
you?
|
|
|
|
BEVERLY
|
|
It's just... that was a long time
|
|
ago.
|
|
(off his look)
|
|
I'd rather not be known as... as
|
|
the dancing doctor. Again.
|
|
|
|
DATA
|
|
Then your answer is no?
|
|
|
|
Beverly struggles for a second... looks out into the
|
|
hall again to make sure no one's listening.
|
|
|
|
BEVERLY
|
|
(quietly)
|
|
All right. But let's keep this
|
|
between us.
|
|
|
|
DATA
|
|
Of course, Doctor.
|
|
|
|
PICARD'S COM VOICE
|
|
Commander Data, please report to
|
|
the Bridge.
|
|
|
|
DATA
|
|
(hits communicator)
|
|
Acknowledged.
|
|
|
|
CUT TO:
|
|
|
|
21 INT. MAIN BRIDGE
|
|
|
|
Picard and T'Pel are standing near aft science station.
|
|
Riker and his shift are still on duty. Data ENTERS.
|
|
|
|
PICARD
|
|
Mister Data... I need a tactical
|
|
projection of possible future
|
|
Romulan deployments along the
|
|
Neutral Zone. Access all
|
|
Federation records on the subject
|
|
and then report to my Ready Room.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT ONE 16.
|
|
|
|
21 CONTINUED:
|
|
|
|
DATA
|
|
That is a very general request,
|
|
Captain. Is there a more specific
|
|
area you wish me to study?
|
|
|
|
Picard glances at T'Pel and she shakes her head.
|
|
|
|
PICARD
|
|
No.
|
|
|
|
Data sits down at the station and begins to work.
|
|
Picard and T'Pel head for Ready Room.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
Set course one-three-zero mark
|
|
two-four-six. Warp seven.
|
|
|
|
Data turns around at this command and Riker is a little
|
|
surprised.
|
|
|
|
RIKER
|
|
That course will take us very
|
|
close to the Neutral Zone,
|
|
Captain.
|
|
|
|
PICARD
|
|
I'm aware of that. Proceed.
|
|
|
|
Picard and T'Pel EXIT to Ready Room. Riker is fairly
|
|
itching with questions, but he knows his duty.
|
|
|
|
RIKER
|
|
Lay in the course.
|
|
|
|
The Supernumerary at Con works the console. Data turns
|
|
back to the console and begins working.
|
|
|
|
DATA (V.O.)
|
|
It is fortunate that I am able
|
|
to perform my duties without
|
|
emotional distractions. If that
|
|
were not the case, a sudden course
|
|
correction toward the Neutral Zone
|
|
would make me very... nervous.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 17.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
22 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Moving at warp speed.
|
|
|
|
DATA (V.O.)
|
|
Personal Log: Supplemental.
|
|
Commander Maddox, there are still
|
|
many dynamics of social
|
|
interaction which I do not
|
|
understand.
|
|
|
|
22A INT. MAIN BRIDGE
|
|
|
|
Riker and his shift still on duty. Data is working at
|
|
the aft science station... after a few seconds, he
|
|
stands and goes over to the Ready Room door.
|
|
|
|
DATA (V.O.)
|
|
(continuing over above
|
|
action)
|
|
The belief among humans that a
|
|
captain must remain distant from
|
|
his crew is puzzling. Captain
|
|
Picard and I have worked together
|
|
closely for over three years...
|
|
|
|
Data has arrived at the Ready Room.
|
|
|
|
23 INT. READY ROOM (OPTICAL)
|
|
|
|
Picard and T'Pel are seated. The door CHIMES.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
Data ENTERS.
|
|
|
|
DATA (V.O.)
|
|
(continuing over above
|
|
action)
|
|
... and yet I cannot truthfully
|
|
refer to him as my friend. I find
|
|
that thought to be...
|
|
disappointing.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 18.
|
|
|
|
23 CONTINUED:
|
|
|
|
PICARD
|
|
Based on your analysis, what is
|
|
the current Romulan strategy
|
|
behind the deployment of their
|
|
ships in this sector?
|
|
|
|
DATA
|
|
Their ships are deployed to
|
|
support a policy of confrontation
|
|
designed to test Federation
|
|
defenses along the Neutral Zone.
|
|
|
|
PICARD
|
|
Do you predict any change in the
|
|
near future?
|
|
|
|
DATA
|
|
I project a ninety percent
|
|
probability that they will
|
|
continue to pursue this policy.
|
|
|
|
PICARD
|
|
Are there any indications of a
|
|
more conciliatory attitude on
|
|
their part?
|
|
|
|
DATA
|
|
(beat)
|
|
No, sir.
|
|
|
|
Picard looks at T'Pel. She is unperturbed by this
|
|
information.
|
|
|
|
T'PEL
|
|
Caution is clearly called for,
|
|
Captain. However, the mission
|
|
must proceed as planned.
|
|
|
|
PICARD
|
|
Starfleet Command agrees with you,
|
|
Ambassador. But I would feel
|
|
better if you would consent to
|
|
an escort or...
|
|
|
|
T'Pel pointedly looks away from Picard toward Data.
|
|
Picard understands her concern.
|
|
|
|
PICARD
|
|
(reluctant)
|
|
Thank you, Mister Data.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 19.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
Data EXITS.
|
|
|
|
CUT TO:
|
|
|
|
24 OMITTED
|
|
|
|
25 INT. DATA'S QUARTERS (OPTICAL)
|
|
|
|
Data ENTERS. He crosses to the food replicator.
|
|
|
|
DATA
|
|
Feline supplement seventy-four.
|
|
|
|
A small dish of food MATERIALIZES and Data takes it.
|
|
He sets the dish down near a wall and then goes over
|
|
to the desk unit.
|
|
|
|
26 NEW ANGLE
|
|
|
|
as a CAT walks over to the dish of food and begins
|
|
eating.
|
|
|
|
27 ON DATA
|
|
|
|
as he sits at the desk. He places his hand on the
|
|
console and a small series of LIGHTS COME ON in
|
|
response.
|
|
|
|
DATA
|
|
Computer, run fluidic sensor
|
|
diagnostic.
|
|
|
|
LIGHTS BLINK on the console and Data waits patiently.
|
|
His cat jumps up into his lap and Data automatically
|
|
begins to pet him.
|
|
|
|
COMPUTER VOICE
|
|
Diagnostic complete. All systems
|
|
functioning within normal
|
|
parameters.
|
|
|
|
The door CHIMES.
|
|
|
|
DATA
|
|
Come in.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT TWO 20.
|
|
|
|
28 NEW ANGLE
|
|
|
|
as O'Brien ENTERS. He's upset, but somewhat
|
|
apologetic.
|
|
|
|
O'BRIEN
|
|
Am I intruding, Commander?
|
|
|
|
DATA
|
|
No.
|
|
(beat)
|
|
Would you care to sit down?
|
|
|
|
O'Brien sits... he's very agitated, having trouble
|
|
saying what's on his mind... he gets up again...
|
|
starts to say something... changes his mind... moves
|
|
about uncomfortably.
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
When one of my friends is
|
|
distraught, I know that I should
|
|
attempt to make him more
|
|
comfortable.
|
|
|
|
Data stands and goes over to the food replicator.
|
|
|
|
DATA
|
|
May I offer you some refreshment,
|
|
chief?
|
|
|
|
O'BRIEN
|
|
No, thank you, sir. First of
|
|
all... I'd like to apologize for
|
|
this morning in Ten Forward...
|
|
|
|
DATA
|
|
There is no need to apologize.
|
|
I was not offended.
|
|
(beat)
|
|
Perhaps you would like a pillow
|
|
or a more comfortable chair to
|
|
sit upon.
|
|
|
|
O'BRIEN
|
|
Uh... no sir. Thank you, sir.
|
|
|
|
DATA
|
|
Would you care to listen to music?
|
|
Brahms? Aurelia? Mexler?
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 21.
|
|
|
|
28 CONTINUED:
|
|
|
|
O'BRIEN
|
|
No, sir... really... I'm fine.
|
|
I came here to... to ask for your
|
|
help.
|
|
(beat)
|
|
It's about Keiko... I'd like you
|
|
to talk to her... convince her
|
|
to go through with the wedding.
|
|
|
|
DATA
|
|
Would Counselor Troi not be a more
|
|
appropriate choice to speak with
|
|
Keiko?
|
|
|
|
O'BRIEN
|
|
She already has... it didn't
|
|
help.
|
|
(beat)
|
|
You've known her longer than I
|
|
have... I just thought she might
|
|
listen to you.
|
|
|
|
O'Brien's really having a hard time with this... a man
|
|
very much in love and feeling powerless to do anything.
|
|
|
|
O'BRIEN
|
|
(continuing)
|
|
She won't even talk to me...
|
|
|
|
DATA
|
|
I do not know what to say to her.
|
|
|
|
O'BRIEN
|
|
Just talk with her... try to make
|
|
her see reason. She's going off
|
|
half-cocked and not thinking this
|
|
through. You've worked with her
|
|
for a long time... she respects
|
|
your opinion.
|
|
|
|
Data thinks for a second... decides to do it.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT TWO 21A.
|
|
|
|
28 CONTINUED: (2)
|
|
|
|
DATA
|
|
Perhaps she has not fully analyzed
|
|
her decision.
|
|
|
|
O'BRIEN
|
|
(relieved)
|
|
Thank you, sir. I won't forget
|
|
this.
|
|
|
|
As O'Brien EXITS, Data thinks for a beat... then stands
|
|
and heads for the door.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 22.
|
|
|
|
28 CONTINUED: (3)
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
Commander Maddox, I noted that
|
|
Keiko was quite calm and rational
|
|
when she informed me of her
|
|
decision this morning.
|
|
|
|
CUT TO:
|
|
|
|
28A INT. CORRIDOR
|
|
|
|
Data walking to the Arboretum.
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
Therefore, I can predict that
|
|
she will respond to an objective
|
|
analysis of the situation based
|
|
on the available facts.
|
|
|
|
29 INT. ARBORETUM
|
|
|
|
Data ENTERS. The Arboretum is a large, well-kept
|
|
nursery... lots of trees, bushes, flowers, etc. Keiko
|
|
(in lab coat) is staring at a flowering plant, lost
|
|
in thought.
|
|
|
|
DATA (V.O.)
|
|
(continuing over above
|
|
action)
|
|
It is fortunate that she has not
|
|
let emotional considerations cloud
|
|
her judgement. It should make
|
|
my task much simpler.
|
|
|
|
Keiko notices Data. She's not as sure of herself as
|
|
earlier in the day. The decision is starting to weigh
|
|
heavily upon her and she's a little emotionally fragile
|
|
right now.
|
|
|
|
KEIKO
|
|
Hi.
|
|
|
|
DATA
|
|
Am I disturbing you?
|
|
|
|
KEIKO
|
|
No...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT TWO 22A.
|
|
|
|
29 CONTINUED:
|
|
|
|
DATA
|
|
There is a high likelihood that
|
|
your decision to cancel the
|
|
wedding was an error.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 23.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
KEIKO
|
|
(startled)
|
|
What?
|
|
|
|
DATA
|
|
I believe you made an incorrect
|
|
analysis of the facts at hand.
|
|
|
|
Keiko didn't expect this from Data and it takes her a
|
|
few seconds to get her bearings.
|
|
|
|
KEIKO
|
|
What do you mean?
|
|
|
|
DATA
|
|
You do not seem happy.
|
|
|
|
KEIKO
|
|
Well, no...
|
|
|
|
DATA
|
|
Your decision was based on the
|
|
assumption that cancelling the
|
|
wedding would bring you happiness.
|
|
That has proved to be incorrect.
|
|
|
|
KEIKO
|
|
Data... it's not that simple.
|
|
|
|
DATA
|
|
Since your action did not produce
|
|
the desired results, the most
|
|
advisable solution is to
|
|
re-examine the decision-making
|
|
process and look for errors.
|
|
|
|
Keiko feels pressured, boxed in... her feelings of pain
|
|
and guilt start to get closer to the surface... she's
|
|
defensive.
|
|
|
|
KEIKO
|
|
I knew what I was doing. It's
|
|
my decision.
|
|
|
|
DATA
|
|
That fact is not in dispute.
|
|
However, you may have acted with
|
|
undue haste... and in doing so,
|
|
you have unintentionally hurt
|
|
Chief O'Brien's feelings.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 24.
|
|
|
|
29 CONTINUED: (3)
|
|
|
|
KEIKO
|
|
(suddenly angry)
|
|
I did what I had to! Why are you
|
|
doing this? I thought you were
|
|
my friend.
|
|
|
|
DATA
|
|
I am your friend.
|
|
|
|
KEIKO
|
|
Then leave me alone.
|
|
|
|
DATA
|
|
If I have offended---
|
|
|
|
She backs away from him... tears mixing with the anger.
|
|
|
|
KEIKO
|
|
Just... leave me alone.
|
|
|
|
She EXITS. On Data's troubled reaction...
|
|
|
|
DATA (V.O.)
|
|
It is clear that I need guidance
|
|
to resolve this situation.
|
|
Counselor Troi's advice should
|
|
be useful.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 24A.
|
|
|
|
30
|
|
thru OMITTED
|
|
31
|
|
|
|
31A INT. TROI'S OFFICE
|
|
|
|
CLOSE ON a cup, as TROI pours tea into it. MOVE WITH
|
|
HER as she picks up the cup, crosses the room and sits
|
|
down on the couch with Data. (This action must be long
|
|
enough for Data's voice-over to be heard.)
|
|
|
|
DATA (V.O.)
|
|
(continuing over above
|
|
action)
|
|
In many ways, she is the friend
|
|
that I understand the least. Her
|
|
life and her duties are predicated
|
|
on her understanding and
|
|
perception of emotions. Since
|
|
I have none, no doubt she finds
|
|
me as much of a mystery as I find
|
|
her.
|
|
|
|
DATA
|
|
Chief O'Brien talks to me... Keiko
|
|
talks to you... why do they not
|
|
talk to each other?
|
|
|
|
TROI
|
|
(smiles)
|
|
That's a good question, Data.
|
|
I wish I had a good answer for
|
|
you. Perhaps when they're ready,
|
|
they will.
|
|
|
|
DATA
|
|
Many aspects of this situation
|
|
are puzzling. I have been
|
|
studying relevant texts on the
|
|
subject of marriage, but I have
|
|
not found a suitable guide.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 25.
|
|
|
|
31A CONTINUED: (2)
|
|
|
|
TROI
|
|
A suitable guide for what?
|
|
|
|
DATA
|
|
In an effort to be helpful, I
|
|
am trying to calculate the
|
|
variables involved in a successful
|
|
marriage.
|
|
|
|
TROI
|
|
Good luck.
|
|
|
|
DATA
|
|
There are many different
|
|
opinions. On Galvin Five, a
|
|
marriage is considered successful
|
|
only if children are produced
|
|
within a year of the wedding.
|
|
Andorian marriages require groups
|
|
of four people unless two---
|
|
|
|
TROI
|
|
Data... would you like my advice
|
|
on how to help them?
|
|
(off his nod)
|
|
Don't. This is something they
|
|
need to work out for themselves
|
|
now.
|
|
|
|
DATA
|
|
But I am their friend. Should
|
|
I not stand with them in a time
|
|
of difficulty?
|
|
|
|
TROI
|
|
There are many ways of helping
|
|
a friend... sometimes the best
|
|
way is to leave them alone.
|
|
|
|
Data thinks about that for a second.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 26.
|
|
|
|
31A CONTINUED: (2)
|
|
|
|
DATA
|
|
Do you believe marriage to be the
|
|
right decision for them?
|
|
|
|
TROI
|
|
I don't know. They are very much
|
|
in love, but sometimes that isn't
|
|
enough. Marriage is an agreement
|
|
to share who you are with someone
|
|
else... to spend your lives
|
|
together... to grow old together.
|
|
|
|
Beat as Data thinks about this.
|
|
|
|
DATA
|
|
(concerned)
|
|
'To grow old together?' Is that
|
|
an integral component of
|
|
marriage?
|
|
|
|
TROI
|
|
(cautious)
|
|
Why do you ask?
|
|
|
|
DATA
|
|
Although I am an android, I have
|
|
not excluded the possibility that
|
|
I too may someday marry.
|
|
|
|
TROI
|
|
There's nothing wrong with that.
|
|
|
|
DATA
|
|
I believe I have much to offer
|
|
a potential mate, however we
|
|
cannot grow old together,
|
|
Counselor, because I will not grow
|
|
old.
|
|
|
|
TROI
|
|
(smiles)
|
|
You do have a lot to offer,
|
|
Data...
|
|
|
|
T'PEL'S COM VOICE
|
|
Commander Data, this is Ambassador
|
|
T'Pel. Please report to my
|
|
quarters.
|
|
|
|
DATA
|
|
(hits communicator)
|
|
Acknowledged.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 26A.
|
|
|
|
32 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
33 INT. T'PEL'S QUARTERS
|
|
|
|
(No windows... similar to the quarters in "Sarek")
|
|
T'Pel is pacing, a little restless for a Vulcan, but
|
|
not nervous. The door CHIMES.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT TWO 27.
|
|
|
|
33 CONTINUED:
|
|
|
|
T'PEL
|
|
Enter.
|
|
|
|
Data ENTERS. T'Pel sits at the table... an impassive
|
|
look on her face.
|
|
|
|
T'PEL
|
|
You have a priority three
|
|
clearance aboard the Enterprise?
|
|
|
|
DATA
|
|
That is correct, Ambassador.
|
|
|
|
T'PEL
|
|
I require information on this
|
|
ship's defense and navigational
|
|
systems. Access code kappa alpha
|
|
four-six-zero-one-seven-zero-four.
|
|
|
|
DATA
|
|
(processes for a second)
|
|
That code is valid.
|
|
|
|
T'PEL
|
|
What is the field strength of the
|
|
ship's deflector shields at
|
|
maximum output?
|
|
|
|
DATA
|
|
May I ask what is the purpose for
|
|
this request?
|
|
|
|
T'PEL
|
|
I require the information.
|
|
|
|
DATA
|
|
I have the same safeguards as the
|
|
ship's computer. Therefore, I
|
|
must report any inquiry regarding
|
|
restricted information to the
|
|
Captain along with a report
|
|
stating the nature and purpose
|
|
of the inquiry.
|
|
|
|
T'Pel's eyes narrow a bit as she reconsiders for a
|
|
moment. Data frowns in puzzlement.
|
|
|
|
DATA
|
|
Your reaction suggests that you
|
|
do not wish the Captain to be
|
|
informed of your inquiry.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT TWO 28.
|
|
|
|
33 CONTINUED: (2)
|
|
|
|
T'PEL
|
|
(cool)
|
|
No. I was not interested in the
|
|
information. I was curious as
|
|
to your security safeguards.
|
|
They appear to be adequate.
|
|
(beat)
|
|
Cancel request. You may leave.
|
|
|
|
Data EXITS.
|
|
|
|
34 INT. CORRIDOR - CONTINUOUS
|
|
|
|
Data ENTERS from T'Pel's quarters. He heads for a
|
|
Turbolift.
|
|
|
|
DATA (V.O.)
|
|
Commander Maddox, I have often
|
|
wished for the sense that humans
|
|
call intuition or instinct.
|
|
Since Vulcans do not lie, I must
|
|
accept the Ambassador's
|
|
explanation... but I still wish
|
|
I could have a... gut feeling
|
|
to back up this conclusion.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 29.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
35 OMITTED
|
|
|
|
35A INT. CORRIDOR
|
|
|
|
Data steps up to the keypad outside the Holodeck doors
|
|
and presses a button.
|
|
|
|
COMPUTER VOICE
|
|
Program Crusher Four in progress.
|
|
|
|
Data EXITS to the Holodeck.
|
|
|
|
36 INT. HOLODECK/DANCE STUDIO
|
|
|
|
The Studio is plain: wood floor, mirror, practice beam.
|
|
Data ENTERS. Beverly is already here warming up. She
|
|
sees Data and comes over... she's excited to be
|
|
dancing again.
|
|
|
|
BEVERLY
|
|
Hi.
|
|
(re: the room)
|
|
Whatta ya think? It's a recreation
|
|
of the studio where I took my
|
|
first dance lesson.
|
|
|
|
She says it with affectionate nostalgia... Data can't
|
|
appreciate the emotional attachment.
|
|
|
|
DATA
|
|
It appears to be quite suitable,
|
|
Doctor.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 30.
|
|
|
|
36 CONTINUED:
|
|
|
|
BEVERLY
|
|
All right, then. Let's start with
|
|
something real simple.
|
|
|
|
She taps out a very rudimentary step.
|
|
|
|
BEVERLY
|
|
Go ahead, try it.
|
|
|
|
Data repeats the move smoothly.
|
|
|
|
BEVERLY
|
|
(surprised)
|
|
Good! Now try this...
|
|
|
|
A slightly more complex step... again Data picks it
|
|
up without trouble, but he keeps his arms stiffly at
|
|
his sides.
|
|
|
|
BEVERLY
|
|
Wait a minute...
|
|
(Data stops)
|
|
Try it again, but watch my
|
|
arms...
|
|
|
|
She repeats the step using her arms... Data tries
|
|
again... uses his arms in exact imitation of Beverly.
|
|
|
|
BEVERLY
|
|
(shocked at his skill)
|
|
And... you say you're never done
|
|
this... ?!
|
|
|
|
DATA
|
|
That is correct. Perhaps it would
|
|
be beneficial to show me the final
|
|
lesson.
|
|
|
|
BEVERLY
|
|
Okay...
|
|
|
|
She does a more complex dance routine. Data looks for
|
|
a moment... then joins her, matching her step for step.
|
|
As they finish with a quick flourish...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 30A.
|
|
|
|
36 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
That was the easiest lesson I've
|
|
ever given.
|
|
|
|
DATA
|
|
Then I have succeeded in learning
|
|
how to dance?
|
|
|
|
BEVERLY
|
|
You seem to have... picked up the
|
|
basics.
|
|
|
|
DATA
|
|
Thank you, Doctor. I am now ready
|
|
to dance at the wedding.
|
|
|
|
BEVERLY
|
|
(reacts)
|
|
Wedding?
|
|
|
|
DATA
|
|
Keiko's wedding.
|
|
|
|
BEVERLY
|
|
But you never... you didn't say
|
|
it was for the wedding.
|
|
|
|
DATA
|
|
Is that important?
|
|
|
|
BEVERLY
|
|
Well... yes. They don't do a
|
|
lot of tap dancing at weddings...
|
|
|
|
DATA
|
|
Why not?
|
|
|
|
BEVERLY
|
|
Because... well... actually I'm
|
|
not exactly sure, Data. But we'd
|
|
better try a style of dancing
|
|
they will do at the wedding...
|
|
Computer, run "Blue Moon".
|
|
|
|
The MUSIC STARTS. (Other songs: "My Romance," "Night
|
|
& Day," "Constantly," "Moon Glow," or "Dancing in the
|
|
Dark.")
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 31.
|
|
|
|
36 CONTINUED: (3)
|
|
|
|
Beverly positions his arms correctly and then starts to
|
|
dance...
|
|
|
|
BEVERLY
|
|
Compared to what we were just
|
|
doing, it's very simple. Just
|
|
follow me. One, two, three,
|
|
four---
|
|
|
|
Data doesn't get this at all... he quickly makes a
|
|
wrong move and steps on her foot.
|
|
|
|
BEVERLY
|
|
No, no... you're trying to---Ow!
|
|
Move more slowly... that's it...
|
|
no, now you're--Ow! Stop music.
|
|
|
|
MUSIC STOPS.
|
|
|
|
DATA
|
|
I am sorry.
|
|
|
|
BEVERLY
|
|
I don't get it... you picked up
|
|
tap dancing so quickly...
|
|
|
|
DATA
|
|
I cannot reproduce your
|
|
performance if I cannot see your
|
|
feet.
|
|
|
|
BEVERLY
|
|
(now she understands)
|
|
You need something to copy. You
|
|
can't just... dance?
|
|
|
|
DATA
|
|
No, Doctor.
|
|
|
|
She looks at him with wonder and compassion... amazed
|
|
at this simple inability by someone so incredibly
|
|
gifted. Her heart warms... she finally takes his arms
|
|
again.
|
|
|
|
BEVERLY
|
|
All right... this time, watch my
|
|
feet. Computer, start music.
|
|
(the music starts)
|
|
Don't try to imitate me. You
|
|
have to lead.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 31A.
|
|
|
|
36 CONTINUED: (4)
|
|
|
|
DATA
|
|
Lead where?
|
|
|
|
BEVERLY
|
|
Indicate to your partner where
|
|
you're going to step.
|
|
|
|
DATA
|
|
How is this accomplished... ?
|
|
|
|
BEVERLY
|
|
Watch me, I'll lead...
|
|
(they switch arms)
|
|
Notice I don't repeat the same
|
|
pattern over and over... I
|
|
improvise... Good... Now you
|
|
lead...
|
|
(they switch positions
|
|
again)
|
|
Look up... into my eyes...
|
|
Good... You're holding me too
|
|
tight, Data...
|
|
|
|
DATA
|
|
This is a very complex set of
|
|
variables to coordinate.
|
|
|
|
BEVERLY
|
|
You're doing fine... now smile,
|
|
like you're enjoying yourself...
|
|
|
|
He puts on a pleasant face...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 32.
|
|
|
|
36 CONTINUED: (5)
|
|
|
|
NURSE'S COM VOICE
|
|
Doctor Crusher please report to
|
|
Sickbay.
|
|
|
|
The interruption breaks their rhythm and Data steps on
|
|
her toes again.
|
|
|
|
BEVERLY
|
|
(wincing, hits
|
|
communicator)
|
|
Is it Lieutenant Juarez?
|
|
|
|
NURSE'S COM VOICE
|
|
Yes, Doctor. Her contractions
|
|
are now one minute apart.
|
|
|
|
BEVERLY
|
|
I'm on my way.
|
|
(to Data)
|
|
Why don't you try it with an...
|
|
artificial partner for a little
|
|
while? Don't be afraid to
|
|
experiment.
|
|
|
|
DATA
|
|
I will. Thank you, Doctor.
|
|
|
|
She EXITS with a slight limp.
|
|
|
|
37 NEW ANGLE (OPTICAL)
|
|
|
|
DATA
|
|
Computer, create dance partner,
|
|
female.
|
|
|
|
A FEMALE DANCER APPEARS. She smiles sweetly at Data
|
|
and he takes her in his arms.
|
|
|
|
DATA
|
|
Begin music.
|
|
|
|
The MUSIC STARTS and as Data tries to dance we...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 33.
|
|
|
|
38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 34.
|
|
|
|
39 OMITTED
|
|
|
|
40 INT. MAIN BRIDGE
|
|
|
|
Data ENTERS. Riker's shift still on duty. Riker is
|
|
telling a joke to the Supernumeraries at Tactical and
|
|
the Aft Science station. Data watches Riker as he
|
|
moves to Ops and takes his station. Data's V.O. can be
|
|
heard over Riker's joke.
|
|
|
|
RIKER
|
|
... he still won't talk... so they
|
|
put the Count's head on the
|
|
chopping block... 'one more
|
|
chance' says the Queen. 'No' says
|
|
the Count. The headsman swings
|
|
his axe and just as the blade
|
|
falls, the Count says 'Wait, wait,
|
|
I'll talk!' but it was too late.
|
|
And the moral to the story is
|
|
don't hatchet your counts before
|
|
they chicken.
|
|
|
|
DATA (V.O.)
|
|
(over the above)
|
|
Commander Riker's easy-going
|
|
manner and sense of humor is
|
|
fascinating. It is one reason
|
|
why he is so popular among the
|
|
crew. I believe it may also be
|
|
partly responsible for his success
|
|
in matters of love. There may
|
|
be a possible correlation between
|
|
humor and sex... the need for more
|
|
research is indicated.
|
|
|
|
The Supernumeraries groan at the joke, but Riker is
|
|
pleased with himself and moves back to Command. Data
|
|
notices something on his console.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 35.
|
|
|
|
40 CONTINUED:
|
|
|
|
DATA
|
|
Commander, we have reached the
|
|
designated coordinates.
|
|
|
|
RIKER
|
|
All stop.
|
|
(to com)
|
|
Captain Picard to the Bridge.
|
|
|
|
Picard and T'Pel ENTER from Ready Room. Picard is
|
|
grim.
|
|
|
|
PICARD
|
|
Hold position. Long range scan.
|
|
|
|
Picard looks at the viewscreen for a tense beat...
|
|
everyone waiting, unsure what's coming next.
|
|
|
|
DATA
|
|
I have detected a ship in the
|
|
Neutral Zone, Captain.
|
|
Configuration... Romulan Warbird.
|
|
|
|
Picard looks to T'Pel... she's pleased by the news.
|
|
Picard's grim expression doesn't alter and he does not
|
|
look away from her...
|
|
|
|
PICARD
|
|
Yellow Alert.
|
|
|
|
T'Pel disapproves, but neither of them say anything...
|
|
they stare at each other in a silent battle of wills as
|
|
the Bridge goes to condition yellow. Worf ENTERS and
|
|
goes to his station. Picard finally turns away from
|
|
T'Pel and back toward the viewer.
|
|
|
|
PICARD
|
|
Mister Worf, hail the Warbird.
|
|
|
|
WORF
|
|
(works console)
|
|
Aye, sir.
|
|
(beat)
|
|
They are responding... text only
|
|
Captain.
|
|
(reads message)
|
|
We are to proceed to the agreed
|
|
coordinates.
|
|
|
|
Picard takes another beat to think this over.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT THREE 36.
|
|
|
|
40 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Set course zero three seven mark
|
|
zero zero five, warp four. Take
|
|
us into the Neutral Zone, Ensign.
|
|
|
|
There are reactions around the Bridge the Supernumerary
|
|
at Con carries out the order.
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship goes into warp.
|
|
|
|
42 INT. MAIN BRIDGE
|
|
|
|
As before.
|
|
|
|
WORF
|
|
(reading console)
|
|
Captain, the Warbird is holding
|
|
position. In three minutes we
|
|
will be within phaser range.
|
|
|
|
PICARD
|
|
Red Alert.
|
|
|
|
T'Pel reacts... she gives Picard a warning look.
|
|
|
|
PICARD
|
|
My crew knows their duty,
|
|
Ambassador. They will take no
|
|
provocative action... without my
|
|
order.
|
|
|
|
There is something close to anger on T'Pel's face, but
|
|
she maintains her cool Vulcan reserve. She taps in
|
|
some numbers at one of the Command terminals.
|
|
|
|
T'PEL
|
|
Hold position at these
|
|
coordinates.
|
|
|
|
RIKER
|
|
(glances at his
|
|
terminal)
|
|
Slow to half impulse.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT THREE 37.
|
|
|
|
42 CONTINUED:
|
|
|
|
T'PEL
|
|
(to Worf)
|
|
Open a channel.
|
|
|
|
Worf looks to Picard and he nods agreement.
|
|
|
|
WORF
|
|
(works console)
|
|
Open.
|
|
|
|
T'PEL
|
|
This is Ambassador T'Pel. I have
|
|
arrived.
|
|
|
|
43
|
|
thru OMITTED
|
|
44
|
|
|
|
45 ON VIEWER (OPTICAL) - INTERCUT AS NEEDED
|
|
|
|
The image of MENDAK, a Romulan Admiral, comes on the
|
|
screen. His attitude is neutral... a shrewd negotiator
|
|
careful not to give anything away.
|
|
|
|
MENDAK
|
|
I am Admiral Mendak.
|
|
|
|
T'PEL
|
|
There is no established protocol
|
|
for a meeting of this nature.
|
|
The logical course is for me to
|
|
transport aboard your ship and
|
|
begin the negotiations.
|
|
|
|
MENDAK
|
|
(noncommittal)
|
|
Yes...
|
|
(looks at Picard)
|
|
Captain, I note your defensive
|
|
systems have been activated.
|
|
|
|
Picard glances at Worf and receives a quick nod in
|
|
return.
|
|
|
|
PICARD
|
|
As are yours, Admiral.
|
|
|
|
MENDAK
|
|
(smiles)
|
|
It was not meant as an
|
|
accusation...
|
|
(MORE)
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT THREE 38.
|
|
|
|
45 CONTINUED:
|
|
|
|
MENDAK (Cont'd)
|
|
(to T'Pel)
|
|
Indeed, I salute your show of
|
|
strength. Ambassador, we are
|
|
honored by your presence. You
|
|
may transport aboard at your
|
|
convenience.
|
|
|
|
T'PEL
|
|
The honor is mine.
|
|
|
|
The view screen returns to a shot of the Romulan ship.
|
|
T'Pel turns to Picard... more than a trace of arrogance
|
|
in her attitude.
|
|
|
|
T'PEL
|
|
Instruct your Transporter Room
|
|
to stand-by. I will beam to their
|
|
ship without further delay.
|
|
|
|
Picard is reluctant... he makes one last attempt.
|
|
|
|
PICARD
|
|
(quiet)
|
|
Ambassador, I must once again urge
|
|
you to reconsider. The Enterprise
|
|
can accommodate a Romulan
|
|
delegation without sacrificing
|
|
security or---
|
|
|
|
T'PEL
|
|
(withering)
|
|
Captain Picard, I find your
|
|
arguments illogical. Please carry
|
|
out my instructions.
|
|
|
|
She EXITS to Turbolift. Riker and Picard exchange a
|
|
look of exasperation with the Ambassador.
|
|
|
|
PICARD
|
|
(to com)
|
|
Bridge to Transporter Room Three.
|
|
|
|
O'BRIEN'S COM VOICE
|
|
O'Brien here.
|
|
|
|
PICARD
|
|
Prepare to beam Ambassador T'Pel
|
|
to the Romulan ship.
|
|
|
|
O'BRIEN'S COM VOICE
|
|
Aye, sir.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT THREE 39.
|
|
|
|
45 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Maintain a lock on her signal
|
|
once she's aboard their vessel.
|
|
At the first sign of trouble I
|
|
want to be able to bring her
|
|
back.
|
|
|
|
WORF
|
|
Understood.
|
|
|
|
46 NEW ANGLE
|
|
|
|
as Worf reads his console.
|
|
|
|
WORF
|
|
Transporter activated...
|
|
|
|
Worf reacts with alarm at something on the console just
|
|
as O'Brien's voice comes over the com...
|
|
|
|
WORF
|
|
Captain---!
|
|
|
|
O'BRIEN'S COM VOICE
|
|
Transporter emergency! I'm
|
|
losing her signal!
|
|
|
|
WORF
|
|
Boosting power to autosequencers.
|
|
|
|
DATA
|
|
Engaging computer override.
|
|
|
|
RIKER
|
|
(to com, urgent)
|
|
O'Brien what's happening down
|
|
there?
|
|
|
|
O'BRIEN'S COM VOICE
|
|
I'm losing the pattern... trying
|
|
to re-establish...
|
|
|
|
An ominous silence... everyone on the Bridge waits for
|
|
a long, tense beat...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT THREE 40.
|
|
|
|
46 CONTINUED:
|
|
|
|
O'BRIEN'S COM VOICE
|
|
(defeated)
|
|
I'm sorry, sir... I wasn't able
|
|
to retrieve the signal... the
|
|
Ambassador's dead.
|
|
|
|
On Picard's reaction...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FOUR 41.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
47 OMITTED
|
|
|
|
47A INT. TRANSPORTER ROOM
|
|
|
|
Picard, Data, and Riker are listening to O'Brien's
|
|
report. Geordi, Beverly and a MEDICAL TECHNICIAN are
|
|
examining the Transporter pad in the b.g. with a couple
|
|
of tricorders. The Technician has a carrying case into
|
|
which residual samples from the Transporter pad are
|
|
being placed. Data's V.O. can be heard over the
|
|
following...
|
|
|
|
O'BRIEN
|
|
The signal lock wasn't broken,
|
|
sir. I had just entered the
|
|
transfer sequence when the
|
|
Ambassador's pattern began to
|
|
break up. I tried to go to
|
|
emergency manual control, but the
|
|
pattern deteriorated too rapidly
|
|
and...
|
|
(shakes his head)
|
|
|
|
DATA (V.O.)
|
|
(over the above)
|
|
Personal Log: Supplemental. The
|
|
risks aboard a starship are
|
|
accepted by all who serve, but
|
|
I have never failed to observe
|
|
a deep emotional response to the
|
|
loss of a comrade. It is at times
|
|
like this that I greatly miss the
|
|
ability to share human feelings.
|
|
|
|
DATA
|
|
(to Picard)
|
|
Captain, there is no prior record
|
|
of this type of accident occurring
|
|
on a starship. Back-up systems
|
|
and safeguards are designed to
|
|
prevent just such an occurrence.
|
|
|
|
Geordi comes over from the Transporter pad.
|
|
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FOUR 42.
|
|
|
|
47A CONTINUED:
|
|
|
|
GEORDI
|
|
I can't find any system flaws in
|
|
the unit, sir. All the
|
|
Engineering status reports were
|
|
normal. None of the backups were
|
|
activated and the autosequencers
|
|
all functioned normally.
|
|
|
|
PICARD
|
|
Any prior malfunctions with this
|
|
Transporter unit?
|
|
|
|
O'BRIEN
|
|
No, sir. In fact, we replaced
|
|
the transition coils only a week
|
|
ago.
|
|
|
|
RIKER
|
|
Could there have been some kind
|
|
of interference from the Romulans?
|
|
|
|
O'BRIEN
|
|
Nothing that I could see... their
|
|
shields were down... there was
|
|
no power interruption... no
|
|
subspace bias.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
I want that unit pulled and its
|
|
systems checked again. I also
|
|
want a level one diagnostic
|
|
performed on all Transporters.
|
|
|
|
GEORDI
|
|
Aye, Captain.
|
|
|
|
Geordi EXITS. Beverly has finished her work. The
|
|
Technician EXITS carrying the medical case.
|
|
|
|
BEVERLY
|
|
Her molecular structure
|
|
dissipated instantly once the
|
|
pattern was lost. There were a
|
|
few organic compounds left on the
|
|
pad, but there's not enough
|
|
material for an autopsy.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FOUR 43.
|
|
|
|
47A CONTINUED: (2)
|
|
|
|
PICARD
|
|
To die in a Transporter
|
|
accident... Hardly a fitting end
|
|
for one of the Federation's most
|
|
honored diplomats.
|
|
|
|
A quiet moment as they contemplate the death of the
|
|
Ambassador.
|
|
|
|
WORF'S COM VOICE
|
|
Bridge to Captain. Admiral Mendak
|
|
wishes to speak with you.
|
|
|
|
Picard knows what's coming and he's not looking forward
|
|
to it. On Picard...
|
|
|
|
CUT TO:
|
|
|
|
48
|
|
thru OMITTED
|
|
49
|
|
|
|
49A INT. MAIN BRIDGE - INTERCUT WITH VIEWSCREEN (OPTICALL)
|
|
|
|
Picard, Data, Riker, and Worf. Mendak is on the
|
|
viewscreen.
|
|
|
|
MENDAK
|
|
We're still waiting, Captain.
|
|
Is there a problem?
|
|
|
|
Picard hesitates for only a moment... but there's no
|
|
way to hide this.
|
|
|
|
PICARD
|
|
There's been... an accident.
|
|
Ambassador T'Pel... was killed
|
|
in a Transporter malfunction.
|
|
|
|
Mendak is surprised... takes a second to digest this
|
|
information... then his eyes narrow and he looks at
|
|
Picard with suspicion.
|
|
|
|
MENDAK
|
|
What kind of malfunction?
|
|
|
|
PICARD
|
|
We're investigating that right
|
|
now. I'm sure that---
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FOUR 44.
|
|
|
|
49A CONTINUED:
|
|
|
|
MENDAK
|
|
I should have known the Federation
|
|
wasn't serious about this
|
|
conference.
|
|
|
|
PICARD
|
|
Admiral, I can assure you that
|
|
the Federation places the highest
|
|
priority on this mission and its
|
|
goal.
|
|
|
|
Mendak isn't buying this... but his attitude shows
|
|
grudging admiration.
|
|
|
|
MENDAK
|
|
Well played, Captain... well
|
|
played. Starfleet opposes
|
|
normalization of relations with
|
|
the Romulan Empire and so you are
|
|
ordered to create... an accident.
|
|
|
|
PICARD
|
|
You're mistaken. I am ready and
|
|
willing to discuss the
|
|
establishment of full diplomatic
|
|
relations under the same terms
|
|
as Ambassador T'Pel.
|
|
|
|
MENDAK
|
|
(derisive laugh)
|
|
A generous offer, since you know
|
|
that we were only willing to
|
|
negotiate with T'Pel.
|
|
(shakes head)
|
|
I salute you again, Captain. It
|
|
was a maneuver worthy of a
|
|
Romulan. I suggest we both leave
|
|
the Neutral Zone before there
|
|
is... another accident.
|
|
|
|
The image goes blank. Ominous silence fills the
|
|
Bridge. Finally...
|
|
|
|
PICARD
|
|
Set course for Federation
|
|
territory, warp two.
|
|
|
|
The Supernumerary at Con works the console.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FOUR 45.
|
|
|
|
49A CONTINUED: (2)
|
|
|
|
PICARD
|
|
(continuing)
|
|
Engage.
|
|
(to Data)
|
|
Mister Data, take charge of the
|
|
investigation. Study computer
|
|
logs, sensor information...
|
|
everything. I refuse to believe
|
|
this was a simple malfunction.
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
Data EXITS to Turbolift.
|
|
|
|
CUT TO:
|
|
|
|
50 INT. MAIN ENGINEERING
|
|
|
|
Data working at the pool table.
|
|
|
|
DATA (V.O.)
|
|
Captain Picard was the person who
|
|
first interested me in the works
|
|
of Sir Arthur Conan-Doyle.
|
|
|
|
51 INT. MAIN ENGINEERING
|
|
|
|
A short time later. Data and Geordi running some tests
|
|
on a console... Geordi getting frustrated.
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
I have subsequently become a great
|
|
admirer of the fictional detective
|
|
Sherlock Holmes and his ability
|
|
to solve mysteries by careful
|
|
examination of the available
|
|
evidence.
|
|
|
|
52 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Data and O'Brien running tests on the Transporter...
|
|
objects DEMATERIALIZE and REMATERIALIZE.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FOUR 46.
|
|
|
|
52 CONTINUED:
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
I have found Holmes' methodology
|
|
of deductive reasoning to be quite
|
|
useful in performing my duties.
|
|
One of his adages is that once
|
|
you have eliminated the
|
|
impossible...
|
|
|
|
53 INT. SICKBAY
|
|
|
|
Data ENTERS. Beverly is working at a lab table with
|
|
a large scanning/analysis device with a single computer
|
|
screen and keypad built into it.
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
... whatever remains, however
|
|
improbable, must be the truth.
|
|
|
|
BEVERLY
|
|
I'm afraid I can't give you
|
|
another lesson right now, Data.
|
|
|
|
DATA
|
|
That is not my purpose. I wish
|
|
to examine the remains of
|
|
Ambassador T'Pel found on the
|
|
Transporter pad.
|
|
|
|
BEVERLY
|
|
I'm working on my report right now.
|
|
|
|
DATA
|
|
Have you compared the genetic
|
|
code with the Ambassador's last
|
|
recorded Transporter ID trace?
|
|
|
|
BEVERLY
|
|
No... that's not part of the
|
|
standard procedure. Why?
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FOUR 47.
|
|
|
|
53 CONTINUED:
|
|
|
|
DATA
|
|
(hesitates)
|
|
I could be pursuing an untamed
|
|
ornithoid without cause.
|
|
|
|
She looks at him blankly for a moment.
|
|
|
|
BEVERLY
|
|
A wild goose chase?
|
|
|
|
Data nods.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/24/90 - ACT FOUR 48.
|
|
|
|
53 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
Okay... let's see what happens...
|
|
Computer, access Transporter ID
|
|
trace of Ambassador T'Pel.
|
|
|
|
53A INSERT (OPTICAL)
|
|
|
|
Transporter information comes up on the terminal
|
|
screen.
|
|
|
|
53B RETURN TO SCENE - INTERCUT AS NEEDED (OPTICAL)
|
|
|
|
BEVERLY
|
|
All right... there's the genetic
|
|
record of the Ambassador when she
|
|
beamed aboard the Enterprise.
|
|
|
|
Beverly takes a small disk containing some organic
|
|
material and sets it into a slot in the machine. She
|
|
begins to work the console and now genetic information
|
|
from the material comes up on the other side of the
|
|
screen. Beverly begins to run both sets of information
|
|
through a test... the information on both sides should
|
|
be virtually identical.
|
|
|
|
BEVERLY
|
|
Now, the breakdown of the
|
|
organic material found on the
|
|
Transporter pad should be
|
|
identical.
|
|
(beat as she reads
|
|
screen)
|
|
Mitochondrial structure fits all
|
|
general parameters... no change
|
|
in the nucleotide bases...
|
|
|
|
The test STOPS and the two screens highlight sections
|
|
of the genetic code that are DIFFERENT.
|
|
|
|
BEVERLY
|
|
(frowns)
|
|
There's a slight discrepancy in
|
|
the base pair sequence.
|
|
|
|
She runs another test... the screens then STOP on
|
|
another section of code that's DIFFERENT.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/24/90 - ACT FOUR 48A.
|
|
|
|
53B CONTINUED:
|
|
|
|
BEVERLY
|
|
(to Data)
|
|
Chemically, these are identical...
|
|
however, the organic sample from
|
|
the Transporter is showing
|
|
numerous single-bit errors... like
|
|
replicated material.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FOUR 49.
|
|
|
|
53B CONTINUED: (2)
|
|
|
|
DATA
|
|
Can you postulate an explanation
|
|
for the discrepancy?
|
|
|
|
BEVERLY
|
|
I'd say the DNA was either mutated
|
|
by the Transporter during the
|
|
rematerialization process...
|
|
|
|
DATA
|
|
(he expected this)
|
|
A supposition not supported by
|
|
the Transporter records.
|
|
|
|
BEVERLY
|
|
Or these aren't the remains of
|
|
the Ambassador.
|
|
|
|
On their reactions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 50.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
54 INT. READY ROOM
|
|
|
|
Data, Geordi, Riker, and Picard.
|
|
|
|
DATA
|
|
(to Picard)
|
|
The only abnormality found during
|
|
my investigation was a temporary
|
|
increase in the matter to energy
|
|
signal ratio. This fluctuation
|
|
was well within operating
|
|
parameters and would normally not
|
|
invite further consideration.
|
|
However, due to the circumstances,
|
|
I decided to investigate the
|
|
possibility that a second
|
|
Transporter signal had caused the
|
|
fluctuation. Although this was
|
|
highly improbable, it was the only
|
|
remaining theory.
|
|
|
|
RIKER
|
|
A second transporter signal?
|
|
From where?
|
|
|
|
DATA
|
|
From the Devoras.
|
|
|
|
GEORDI
|
|
Romulan transporters operate on
|
|
similar subspace frequencies to
|
|
our own. With minor adjustments
|
|
they could be made to simulate
|
|
our own transporter carrier wave.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 51.
|
|
|
|
54 CONTINUED:
|
|
|
|
PICARD
|
|
So they beamed the Ambassador off
|
|
our own pad.
|
|
|
|
DATA
|
|
While simultaneously a small
|
|
amount of genetically similar
|
|
material was left in the
|
|
Ambassador's place.
|
|
|
|
RIKER
|
|
To make us believe she died as
|
|
a result of the 'malfunction.'
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
(hits communicator)
|
|
Mister Worf, where is the Devoras?
|
|
|
|
WORF'S COM VOICE
|
|
The ship is still in the Neutral
|
|
Zone...
|
|
(BEGIN DATA V.O.)
|
|
... on course zero seven nine mark
|
|
one two five... speed warp two.
|
|
|
|
RIKER
|
|
Heading for home.
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
The safest and most logical
|
|
decision in this situation is to
|
|
contact Starfleet and await
|
|
further instructions. However,
|
|
based on past experience, I
|
|
project only a seventeen percent
|
|
chance Captain Picard will choose
|
|
that alternative.
|
|
|
|
Picard thinks for a few seconds... gets up, moves to
|
|
the window and looks out for a few moments before
|
|
making the decision. (His action must be long enough
|
|
to cover Data's voice-over.)
|
|
|
|
PICARD
|
|
Red Alert. All hands stand to
|
|
battlestations.
|
|
|
|
They all EXIT.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 51A.
|
|
|
|
55 INT. MAIN BRIDGE - CONTINUOUS
|
|
|
|
Riker, Geordi, Data, and Picard ENTER from Ready Room
|
|
and take their positions.
|
|
|
|
PICARD
|
|
Lay in an intercept course to the
|
|
Romulan ship.
|
|
|
|
RIKER
|
|
Shields up, load all torpedo bays,
|
|
stand-by phasers.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FIVE 52.
|
|
|
|
55 CONTINUED:
|
|
|
|
DATA
|
|
Course laid in, Captain.
|
|
|
|
PICARD
|
|
Warp factor eight. Engage.
|
|
|
|
56 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
57 INT. MAIN BRIDGE
|
|
|
|
As before.
|
|
|
|
PICARD
|
|
Open a channel to the Devoras.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
(works console)
|
|
No response.
|
|
|
|
DATA
|
|
The Devoras is dropping out of
|
|
warp... their weapon systems are
|
|
powering up.
|
|
|
|
PICARD
|
|
Go to impulse power.
|
|
|
|
DATA
|
|
Aye, sir.
|
|
|
|
Worf sees something on his console.
|
|
|
|
WORF
|
|
Message coming in, sir.
|
|
|
|
PICARD
|
|
On screen.
|
|
|
|
58 ON VIEWSCREEN (OPTICAL) - INTERCUT AS NEEDED
|
|
|
|
Mendak's image appears.
|
|
|
|
MENDAK
|
|
Captain Picard, you agreed to
|
|
leave the Neutral Zone without---
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FIVE 53.
|
|
|
|
58 CONTINUED:
|
|
|
|
PICARD
|
|
(firm)
|
|
Admiral Mendak, you are holding
|
|
our Ambassador captive.
|
|
|
|
A wisp of a smile plays about Mendak's lips... he seems
|
|
to enjoy this a little.
|
|
|
|
MENDAK
|
|
I can assure you... there is no
|
|
one being held captive aboard this
|
|
ship.
|
|
|
|
PICARD
|
|
We know about the Transporter
|
|
'malfunction' and that you are
|
|
holding Ambassador T'Pel.
|
|
|
|
Mendak waits for a beat... then nods to someone o.s.
|
|
|
|
WORF
|
|
Captain, Romulan Warbird
|
|
decloaking to starboard!
|
|
|
|
59 EXT. SPACE - THE ENTERPRISE & ROMULANS (OPTICAL)
|
|
|
|
Another Romulan ship DECLOAKS and now two Romulans are
|
|
facing the Enterprise.
|
|
|
|
60 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
As before. (Intercut with Viewscreen)
|
|
|
|
MENDAK
|
|
I suggest you leave... now.
|
|
|
|
Picard will not be moved.
|
|
|
|
PICARD
|
|
It is my responsibility to protect
|
|
the lives of Federation citizens.
|
|
I will not permit this abduction
|
|
to succeed..
|
|
|
|
Mendak isn't taking him seriously yet.
|
|
|
|
MENDAK
|
|
Captain, you're not going to start
|
|
an incident which might---
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 54.
|
|
|
|
60 CONTINUED:
|
|
|
|
PICARD
|
|
(final)
|
|
I am prepared to take whatever
|
|
action is necessary to obtain the
|
|
Ambassador's return.
|
|
|
|
Mendak takes Picard's measure for a moment... as we
|
|
CUT BETWEEN Picard and Mendak, we hear Data's V.O...
|
|
|
|
DATA (V.O.)
|
|
(over above action)
|
|
In poker, there is a moment when
|
|
a player must decide if an
|
|
opponent is being deceptive or
|
|
actually holds a winning hand.
|
|
This decision is based not only
|
|
on the odds, but also on an
|
|
appraisal of the man. Is he
|
|
bluffing or does he have the
|
|
cards?
|
|
|
|
Mendak finally sees that Picard means business.
|
|
|
|
MENDAK
|
|
Fortunately... I'm not ready to
|
|
start a war today...
|
|
|
|
Mendak gestures to someone o.s. and Ambassador T'Pel
|
|
moves into view, wearing a ROMULAN UNIFORM. There are
|
|
shocked reactions around the Bridge.
|
|
|
|
RIKER
|
|
T'Pel?
|
|
|
|
T'PEL
|
|
Sub-Commander Selok, actually.
|
|
|
|
It's all clear to Picard now.
|
|
|
|
PICARD
|
|
A spy.
|
|
|
|
MENDAK
|
|
A patriot, Captain... she has
|
|
performed her service to the
|
|
Empire with distinction.
|
|
|
|
T'PEL/SELOK
|
|
(smiles)
|
|
Thank you for your... help,
|
|
Captain.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FIVE 55.
|
|
|
|
60 CONTINUED: (2)
|
|
|
|
MENDAK
|
|
You can see now that we are not
|
|
holding one of your citizens...
|
|
and we thank you for returning
|
|
our sister to us.
|
|
(voice hardens)
|
|
But my patience has limits... the
|
|
game is over. I expect you to
|
|
leave peacefully. Now.
|
|
|
|
The transmission ENDS.
|
|
|
|
WORF
|
|
Sir, long-range scanners show
|
|
three more Romulan ships moving
|
|
into this sector.
|
|
|
|
Picard takes that in... looks at Riker.
|
|
|
|
RIKER
|
|
(quiet)
|
|
Some days you get the bear, some
|
|
days the bear gets you.
|
|
|
|
Picard sees the only rational course of action.
|
|
|
|
PICARD
|
|
Reverse course... take us back
|
|
to Federation territory, warp six.
|
|
Engage.
|
|
|
|
61 EXT. SPACE - THE ENTERPRISE & ROMULANS (OPTICAL)
|
|
|
|
The Enterprise turns and moves away.
|
|
|
|
62 INT. MAIN BRIDGE
|
|
|
|
As before... PUSH IN on Data.
|
|
|
|
DATA (V.O.)
|
|
Captain Picard once drew an
|
|
analogy between life and a chess
|
|
game... he said that the loss of
|
|
a single piece does not concede
|
|
the game itself.
|
|
|
|
Data glances over his shoulder at the others on the
|
|
Bridge. People are returning to normal business. The
|
|
Red Alert indicators turn OFF.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 56.
|
|
|
|
62 CONTINUED:
|
|
|
|
DATA (V.O.)
|
|
The Captain has also said that
|
|
out of the ashes of defeat rise
|
|
the victorious dreams of men.
|
|
I find that to be a worthy
|
|
philosophy and I have incorporated
|
|
it into my programming.
|
|
|
|
CUT TO:
|
|
|
|
63 INT. ARBORETUM
|
|
|
|
Keiko is scanning a tree with a tricorder. In contrast
|
|
to her earlier attitude, she is bright and cheerful.
|
|
Data ENTERS.
|
|
|
|
DATA
|
|
Keiko, I need your help.
|
|
(off her surprised look)
|
|
I have offended you and need to
|
|
find a way to rectify my mistake.
|
|
I am not sure what to do.
|
|
|
|
KEIKO
|
|
You didn't offend me.
|
|
|
|
DATA
|
|
I should not have interfered.
|
|
It would be best if I apologized.
|
|
|
|
KEIKO
|
|
It would be best if you got
|
|
dressed.
|
|
(off his reaction)
|
|
For the wedding?
|
|
|
|
DATA
|
|
But...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 57.
|
|
|
|
63 CONTINUED:
|
|
|
|
KEIKO
|
|
Oh, come here... I have a
|
|
beautiful carnation for the
|
|
father of the bride... don't be
|
|
nervous now...
|
|
|
|
As she goes off to get it...
|
|
|
|
DATA
|
|
(to Keiko, as she
|
|
leaves)
|
|
I am not nervous.
|
|
(beat, to himself)
|
|
I am just... confused.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 58.
|
|
|
|
64 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship stopped in space.
|
|
|
|
65 INT. TEN FORWARD - ON DATA
|
|
|
|
He is looking at something o.s.... Japanese wedding
|
|
MUSIC (called gagaku) is playing in the b.g. After
|
|
a few seconds, MOVE TO reveal Data (dress uniform, with
|
|
a boutonniere) standing in Ten Forward, which is
|
|
decorated for the wedding. This is a celebration of
|
|
two cultures (Japanese & Irish) and there should
|
|
fixtures from both.
|
|
|
|
66 NEW ANGLE
|
|
|
|
Picard is standing in front of the center window with
|
|
O'Brien before him and Geordi standing in place as best
|
|
man. (All three in dress uniforms) A white,
|
|
earthenware goblet sits on a table next to O'Brien.
|
|
Riker and Troi (in standard uniforms) are standing to
|
|
one side and there are SUPERNUMERARIES gathered around.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 59.
|
|
|
|
67 ON KEIKO
|
|
|
|
She is kneeling in prayer off to one side of the room.
|
|
She is wearing a semi-traditional Japanese wedding
|
|
kimono of black silk, with a few modern touches.
|
|
|
|
Data waits just behind her. Keiko finishes her silent
|
|
prayer to her ancestors and stands. Data takes her
|
|
arm and they walk toward O'Brien.
|
|
|
|
68 NEW ANGLE
|
|
|
|
as Data and Keiko move to O'Brien. Data hands the
|
|
bride to him and then he takes the goblet from the
|
|
table and hands it to Keiko. She drinks from it in
|
|
three quick sips and then hands it to O'Brien. He also
|
|
drinks in three sips. Data takes the goblet and sets
|
|
it back on the table. Everyone now looks to Picard
|
|
|
|
PICARD
|
|
Since the time of the first wooden
|
|
sailing ships, all captains have
|
|
enjoyed the happy privilege of
|
|
joining two people in the bonds
|
|
of matrimony. And so now it is
|
|
my honor to unite you Keiko
|
|
Ishikawa, and you Miles Edward
|
|
O'Brien together in marriage here
|
|
in the sight of your friends and
|
|
family.
|
|
|
|
MOVE TO Data as he watches the ceremony.
|
|
|
|
DATA (V.O.)
|
|
(over part of the above)
|
|
There are still many human
|
|
emotions I do not fully
|
|
comprehend... anger, hatred,
|
|
revenge...
|
|
|
|
69 ON O'BRIEN & KEIKO
|
|
|
|
as O'Brien kisses Keiko... and everyone CHEERS. The
|
|
Japanese music is replaced by a bright, lively, IRISH
|
|
TUNE and people gather round to congratulate the happy
|
|
couple.
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
But I am not mystified by the
|
|
desire to be loved...
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FIVE 60.
|
|
|
|
70 ON DATA & KEIKO
|
|
|
|
a short time later as Data dances gracefully with the
|
|
new bride.
|
|
|
|
DATA (V.O.)
|
|
(continuing)
|
|
... the need for friendship...
|
|
these are things I do understand.
|
|
|
|
As they dance...
|
|
|
|
CUT TO:
|
|
|
|
71 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship moving at warp speed.
|
|
|
|
72 INT. NURSERY
|
|
|
|
Data ENTERS (now in standard uniform). The room is
|
|
quiet and dark. Picard (still in dress uniform) and
|
|
the Nurse are near a small cradle... the Nurse gesture
|
|
to the cradle and then walks away from Picard as if she
|
|
had just showed him the way over there. Picard looks
|
|
down for a beat and then notices Data.
|
|
|
|
DATA
|
|
(quietly)
|
|
I was looking for Doctor Crusher.
|
|
I wished to thank her for my...
|
|
|
|
He trails off, not wanting to give away her secret.
|
|
|
|
PICARD
|
|
(softly)
|
|
She just left.
|
|
|
|
He looks back into the cradle and Data moves over for
|
|
a better view.
|
|
|
|
DATA
|
|
The Juarez child?
|
|
|
|
PICARD
|
|
(nods)
|
|
A boy.
|
|
(beat)
|
|
At the same time we were facing
|
|
destruction... this small miracle
|
|
was taking place.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/18/90 - ACT FIVE 61.
|
|
|
|
73 NEW ANGLE
|
|
|
|
now including the JUAREZ BABY sleeping in the cradle.
|
|
Picard leans forward.
|
|
|
|
PICARD
|
|
(softly)
|
|
Welcome aboard.
|
|
|
|
CUT TO:
|
|
|
|
74 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Worf in Command and SUPERNUMERARIES (different from
|
|
Riker's shift) at the other stations. Data and his
|
|
shift ENTER from Turbolifts. This is night again, so
|
|
the Bridge lighting is DARK.
|
|
|
|
WORF
|
|
(stands)
|
|
All systems normal, sir. We are
|
|
on course for Adelphous Four.
|
|
Engineering is realigning the main
|
|
deflector dish, Sickbay reports
|
|
Lieutenant Umbato broke two ribs
|
|
during a Holodeck exercise, and
|
|
sensors continue to gather long
|
|
range information on the Murasaki
|
|
Quasar.
|
|
|
|
DATA
|
|
Very well. I have the Bridge.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
DATA
|
|
(to com)
|
|
Begin night watch.
|
|
|
|
The LIGHTS DARKEN to signal the end of the 'day'.
|
|
Data's people smoothly take their positions and Worf
|
|
EXITS along with his shift. Data sits in Command and
|
|
contemplates the stars on the main viewer.
|
|
|
|
STAR TREK: "Data's Day" - REV. 10/15/90 - ACT FIVE 62.
|
|
|
|
74 CONTINUED:
|
|
|
|
DATA (V.O.)
|
|
If being human is not simply a
|
|
matter of being born flesh and
|
|
blood... if it is instead a way
|
|
of thinking, acting... and
|
|
feeling... then I am hopeful that
|
|
one day I will discover my own
|
|
humanity. Until then Commander
|
|
Maddox, I will continue...
|
|
learning, changing, growing...
|
|
and trying to become more than
|
|
what I am.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
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|