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1 line
62 KiB
Plaintext
Executable File
1 line
62 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"Identity Crisis"
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#40274-192
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Teleplay by
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Brannon Braga
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Directed
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Rick Kolbe
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "Identity Crisis" - 1/11/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"Identity Crisis"
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CAST
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PICARD SUSANNA LEIJTEN
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RIKER HICKMAN
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DATA BREVELLE
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BEVERLY
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GEORDI Non-Speaking
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WORF TWO ALIENS
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MENDEZ
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TRANSPORTER CHIEF HEDRICK
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NURSE ALYSSA OGAWA
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ENSIGN GRAHAM
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COMPUTER VOICE
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Non-Speaking
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SUPERNUMERARIES
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SECURITY GUARDS
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STAR TREK: "Identity Crisis" - 1/11/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"Identity Crisis"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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OBSERVATION LOUNGE SHUTTLECRAFT
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SICKBAY
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BEVERLY'S OFFICE TARCHANNEN
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TEN FORWARD OUTPOST
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ENGINEERING CLEARING
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GEORDI'S OFFICE
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CORRIDORS
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TRANSPORTER ROOM
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HOLODECK
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TURBOLIFT
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HOLODECK
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TARCHANNEN SURFACE
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SHUTTLECRAFT
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STAR TREK: "Identity Crisis" - 1/11/91 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"Identity Crisis"
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PRONUNCIATION GUIDE
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CRECHE CRAY-sh
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LEIJTEN LIE-ten
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MICROPHAGE MICRO-foj
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TARCHANNEN tar-CHAN-in
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STAR TREK: "Identity Crisis" - 1/11/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Identity Crisis"
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TEASER
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FADE IN:
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1 EXT. TARCHANNEN - RECORDING DEVICE POV (OPTICAL)
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A VISUAL OVERLAY, complete with ticking stardate, is
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superimposed over a dark, desolate landscape of spindly
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black plants and shadowy dunes... a world of perpetual
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twilight.
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BREVELLE (O.S.)
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Tarchannen Three Investigation.
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Stardate 40164.7. Ensign Anthony
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Brevelle Recording. Lieutenant
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Susanna Leijten in command.
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Then the recording device pans to include a small,
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futuristic structure... and LIEUTENANT SUSANNA LEIJTEN.
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Late twenties, striking, dynamic. She faces the
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camera.
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SUSANNA
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You up and running, Brevelle?
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BREVELLE (O.S.)
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Yes, Lieutenant.
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GEORDI moves into view, holding a Tricorder. (Note:
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Geordi is younger here, wearing a slightly different,
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earlier version of his VISOR.)
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GEORDI
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(baffled)
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I've checked buildings Four and
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Five... they're like all the
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others... no phaser hits, no sign
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of a fight. Looks like the entire
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outpost just... vanished...
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HICKMAN (O.S.)
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(from a distance)
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Lieutenant Leijten...
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The recording device pans back out into that gloomy
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landscape to reveal two palm beacons in the distance.
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One is held by ENSIGN PAUL HICKMAN, the other by ENSIGN
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EMILITA MENDEZ.
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STAR TREK: "Identity Crisis" - REV. 1/15/91 - TEASER 2.
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1 CONTINUED:
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HICKMAN
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(continuing)
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You'd better come see this...
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2 FOLLOW SUSANNA AND GEORDI (OPTICAL)
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As they hurry toward Hickman and Mendez.
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HICKMAN
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No footprints... no vehicle
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tracks. The wind probably erased
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them... but look...
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Then as Hickman lifts a dirty, torn Starfleet uniform
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into view, a disembodied voice is heard...
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SUSANNA (O.S.)
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Freeze visual.
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Everything and everyone FREEZES as we REVEAL...
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3 INT. OBSERVATION LOUNGE (OPTICAL)
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This has all taken place on the wall MONITOR. A
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slightly older Susanna stands beside it, pointing to
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their images as she speaks...
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SUSANNA
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That's Hickman on the right...
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that's Mendez on the left...
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and as already noted, the
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recording was made by Ensign
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Brevelle... five years ago...
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As she turns to face PICARD, RIKER, and GEORDI...
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PICARD
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Commander Leijten, you said
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Brevelle was ill last week for
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several days before he...
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deserted. What about Mendez?
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SUSANNA
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Mendez was last seen aboard the
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Aries an hour before she
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disappeared. According to
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witnesses, she seemed completely
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normal.
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STAR TREK: "Identity Crisis" - 1/11/91 - TEASER 3.
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3 CONTINUED:
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RIKER
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And Hickman?
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Susanna shakes her head.
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SUSANNA
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He just passed a routine
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physical... with flying colors.
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GEORDI
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(skeptical)
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I know Paul Hickman. He's a
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family man... two kids. I can't
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believe he'd steal a shuttle and
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desert...
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Susanna sits down in the chair beside him.
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SUSANNA
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Believe it, Geordi. He was
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spotted by a Federation supply
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ship yesterday... on a course
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toward Tarchannen Three.
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Everyone ponders this for a moment. Then...
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PICARD
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The original Tarchannen
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disapperances were never solved,
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were they?
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SUSANNA
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No... we never learned what
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happened or why. Forty-nine
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people... gone...
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Riker contemplates the monitor...
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RIKER
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And now, five years later, members
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of the away team that investigated
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the disappearances... have started
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disappearing themselves.
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STAR TREK: "Identity Crisis" - 1/11/91 - TEASER 4.
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3 CONTINUED: (2)
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SUSANNA
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(acknowledges)
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Geordi and I are the only two
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left.
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And off this ominous statement...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 5.
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ACT ONE
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FADE IN:
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4 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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At warp speed.
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PICARD (V.O)
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Captain's log, Stardate 44664.5.
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We have set a course to intercept
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Lieutenant Hickman's stolen
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shuttlecraft... and, hopefully,
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to discover the whereabouts of
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the other missing officers...
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5 INT. TEN FORWARD (OPTICAL)
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Geordi and Susanna at a table, drinking drinks.
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There's a subtext here... both have to wonder if
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they're in some kind of danger... but they try to mask
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it with casual humor and small talk...
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SUSANNA
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And then I almost married Paul
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Bogrow...
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GEORDI
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Bogrow... which one was he?
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SUSANNA
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You remember... with the thin
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moustache...
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GEORDI
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(remembering)
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Not Bogrow...
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SUSANNA
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(laughs)
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I know.
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GEORDI
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The one who used to drive you
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crazy... you thought he was so
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full of himself...
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SUSANNA
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(acknowledges)
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Well, I decided I prejudged him
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unfairly...
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STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 6.
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5 CONTINUED:
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GEORDI
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Uh huh...
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SUSANNA
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And then I decided I'd been right
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in the first place.
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GEORDI
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(laughs, shakes his
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head)
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Bogrow...
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SUSANNA
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And what about you... how come
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you never found the right girl?
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GEORDI
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I enjoy the bachelor's life too
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much...
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SUSANNA
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That doesn't sound like my "little
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brother" who always wanted advice
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on women...
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GEORDI
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Well, you were obviously a great
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advisor...
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Susanna nods. Suddenly somber.
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GEORDI
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What do you think, Suz?
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SUSANNA
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I don't know. But I'm not ashamed
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to tell you...
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(beat)
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I'm a little scared, you know?
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STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 6A.
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5 CONTINUED: (2)
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GEORDI
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Yeah, I know.
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A beat as Susanna tries to lift their spirits out of
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the dip...
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SUSANNA
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Well, if anybody's gonna figure
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this out, it'll be the Leitjen
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and La Forge Show, right? We
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always made a good team...
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GEORDI
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A helluva team...
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RIKER'S COM VOICE
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Commander La Forge, Commander
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Leijten, report to the Bridge.
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We have a fix on the missing
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shuttle.
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Geordi and Susanna exchange a look as...
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GEORDI
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(keying insignia)
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On our way, Commander.
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STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT ONE 7.
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6 OMITTED
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7 INT. MAIN BRIDGE
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Picard, Riker, WORF, DATA at their positions; ENSIGN
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GRAHAM at the helm; SUPERNUMERARIES as needed.
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GRAHAM
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Entering the Tarchannen system,
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sir.
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PICARD
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Slow to impulse power. Mister
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Worf?
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WORF
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Long range sensors holding on the
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shuttlecraft... bearing zero one
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zero, mark two seven one.
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PICARD
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Hail the vessel.
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WORF
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Lieutenant Hickman is not
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responding, sir.
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PICARD
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Put a repeating message on all
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sub-space channels. Make it a
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Priority One communique -- order
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the Lieutenant to come about and
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stand to.
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As Geordi and Susanna ENTER from the turbolift...
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WORF
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Still no response, sir.
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GRAHAM
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The craft is now within visual
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range.
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PICARD
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On screen.
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8 ANGLE ON VIEW SCREEN (OPTICAL) (INTERCUT)
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A Federation shuttle speeding through space. Susanna
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watches the view screen, takes a nervous breath.
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STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT ONE 7A.
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8 CONTINUED:
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This is it -- the investigation is at a critical
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moment...
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DATA
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The shuttle's acceleration is
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increasing... its trajectory is
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moving directly into the
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planet's atmosphere.
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STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 8.
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9 EXT. SPACE - THE SHUTTLE (OPTICAL)
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Approaching TARCHANNEN THREE, a grey orb visible in
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the distance.
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10 INT. MAIN BRIDGE
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Riker's on his feet. Geordi stands by Data at Ops.
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DATA
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He will reach an atmospheric
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interface at an altitude of two
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hundred and ten kilometers.
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RIKER
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At his current speed, he'll
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self-destruct.
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DATA
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That is correct, Commander.
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PICARD
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How soon, Data?
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DATA
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(checking panels)
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Fifty-three seconds.
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PICARD
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Options?
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GRAHAM
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He's out of transporter range.
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GEORDI
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And he's too far away for a
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positive lock with the tractor
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beam.
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PICARD
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(quickly, to Worf)
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Open a channel.
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WORF
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Open.
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PICARD
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Lieutenant Hickman, listen
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carefully. I am Captain Picard
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of the Enterprise. You are in
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danger. You must slow your rate
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of approach.
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STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT ONE 9.
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10 CONTINUED:
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DATA
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(reacting to console)
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The shuttle is approaching the
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outer thermosphere, Captain.
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RIKER
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He's panicking...
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DATA
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At current rate of acceleration,
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the shuttlecraft will be destroyed
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in twenty-eight seconds.
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11 EXT. SPACE - THE SHUTTLE (OPTICAL)
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The shuttlecraft continues on toward Tarchannen at
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faster speed.
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12 INT. MAIN BRIDGE
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Data responds to his console...
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DATA
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Sixteen seconds to impact.
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PICARD
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(to com)
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Lieutenant Hickman, you must do
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as I tell you. Reduce your
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velocity and bring your craft to
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a positive pitch of twenty
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degrees... now.
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DATA
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The shuttle is entering the lower
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ionosphere...
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13 EXT. SPACE - THE SHUTTLE (OPTICAL)
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It flies toward the planet and burns into the
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atmosphere. A spectacular FLASH, some stray sparks...
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then nothing.
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14 INT. BRIDGE - CLOSE UPS - VARIOUS
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Riker, Worf, Picard, Geordi, and finally Susanna...
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shocked. Then...
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STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT ONE 10.
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14 CONTINUED:
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WORF
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Sir, sensors detect two more
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Federation shuttlecraft on the
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planet's surface... no life signs.
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Reactions...
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PICARD
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Ready an away team, Number One.
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RIKER
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Geordi, Data, Worf...
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Riker looks at Susanna, nods.
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RIKER
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(continuing)
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And Commander Leijten.
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Then as they all head for the turbolift...
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15 EXT. TARCHANNEN OUTPOST - ESTABLISHING
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After five years, sand dunes have begun to encroach
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upon the abandoned facility.
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16 EXT. TARCHANNEN SURFACE - NEARBY (OPTICAL)
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A dark and gloomy landscape... trapped in a perpetual
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twilight. Riker, Worf, Data, Geordi and Susanna
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MATERIALIZE in a clearing near a SHUTTLECRAFT. They
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flick on their palm beacons and move toward it, Susanna
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in the lead.
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RIKER
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Commander Leijten, La Forge, check
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the shuttle... Worf, Data, you've
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got the perimeter.
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17 SUSANNA
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Checks the side of the shuttle for identification...
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finds it.
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SUSANNA
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It's the shuttle pod Mendez stole
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from the Aries...
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Geordi pulls the shuttle's doors open and ENTERS it.
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STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 11.
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18 INT. SHUTTLECRAFT
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Geordi looks around the cramped interior, then
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glances down... and picks up a Starfleet uniform...
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torn to shreds.
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19 EXT. TARCHANNEN SURFACE
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Susanna inspects the ground in front of the shuttle,
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sees something, shines her light on it and discovers...
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20 FOOTPRINTS
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Scattered in the dirt... footprints which are clearly
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not human...
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Susanna's expression turns blank, as if something
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inside her has clicked on. She follows the prints out
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into the darkness.
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21 ON WORF
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Close by, examining the ground with his beacon. He
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looks up, suddenly wary. His eyes shift with a
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warrior's alertness as he slowly shines his light out
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into the darkness.
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22 ON RIKER AND DATA
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|
|
Data is scanning the area with his Tricorder.
|
|
|
|
DATA
|
|
No life signs, sir.
|
|
|
|
Worf approaches them, looking uncomfortable...
|
|
|
|
WORF
|
|
(low)
|
|
Sir... I am certain that we are
|
|
being watched.
|
|
|
|
Reactions. Riker sweeps his beacon through the
|
|
darkness. Data performs a quick scan with his
|
|
Tricorder. Nothing. They exchange a look -- this is
|
|
nothing short of creepy...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT ONE 12.
|
|
|
|
23 ANGLE - THE SHUTTLE DOORS
|
|
|
|
Geordi EXITS the shuttle to meet with the others. He
|
|
shows them the torn uniform.
|
|
|
|
GEORDI
|
|
Commander Riker...
|
|
|
|
A beat as they all react. Then...
|
|
|
|
GEORDI
|
|
Where's Commander Leijten?
|
|
|
|
They look about. No sign of her.
|
|
|
|
RIKER
|
|
(keys insignia)
|
|
Susanna, report.
|
|
|
|
Nothing. Riker exchanges a grim look with the others.
|
|
|
|
RIKER
|
|
Fan out. Let's find her.
|
|
|
|
They move off in different directions.
|
|
|
|
24 ANGLE - IN FRONT OF SHUTTLE
|
|
|
|
Geordi stops and looks around...
|
|
|
|
GEORDI
|
|
(calls out)
|
|
Susanna?
|
|
|
|
No response. He spots Susanna's footprints in the dirt
|
|
and follows them...
|
|
|
|
GEORDI
|
|
(keys communicator)
|
|
La Forge to Leijten...
|
|
|
|
Somewhere close in the darkness, a whisper --
|
|
|
|
SUSANNA (O.S.)
|
|
Over here...
|
|
|
|
Geordi whips around, startled, and discovers Susanna
|
|
nearby, her beacon turned off, standing stock still,
|
|
as if listening for something.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT ONE 13.
|
|
|
|
24 CONTINUED:
|
|
|
|
GEORDI
|
|
Where have you been?
|
|
|
|
SUSANNA
|
|
Mendez... Brevelle... they're
|
|
alive. You saw the footprints?
|
|
|
|
GEORDI
|
|
Yes... but they're not human...
|
|
|
|
SUSANNA
|
|
(interrupting)
|
|
They're here. Stand still...
|
|
listen... and you can feel it...
|
|
they're here...
|
|
|
|
A beat. He scans with his Tricorder. Then...
|
|
|
|
GEORDI
|
|
I'm not picking up anything...
|
|
|
|
Susanna ignores him, walks forward into the darkness.
|
|
Geordi moves for her, gently takes her arm...
|
|
|
|
GEORDI
|
|
Where are you going?
|
|
|
|
She jerks away from him. Geordi is taken aback. For
|
|
an instant, Susanna looks equally surprised... then
|
|
she starts backing away from him...
|
|
|
|
GEORDI
|
|
Susanna... ?
|
|
|
|
Geordi reaches for her, nice and slow... and she turns
|
|
to run. Geordi grabs her, holding her tight as she
|
|
thrashes in his arms like a trapped animal.
|
|
|
|
GEORDI
|
|
(hits communicator)
|
|
La Forge to Enterprise, medical
|
|
emergency, two to Sickbay.
|
|
|
|
And off Susanna's wildly panicked face...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
25 INT. SICKBAY
|
|
|
|
Susanna lies in the diagnostic bed, Geordi and Beverly
|
|
standing on either side of her. She opens her eyes,
|
|
dazed for a moment, then quips...
|
|
|
|
SUSANNA
|
|
Do I look as bad as I feel?
|
|
|
|
GEORDI
|
|
You look fine... now.
|
|
|
|
As Beverly scans her with an instrument, Susanna sits
|
|
up, manages a weak smile.
|
|
|
|
SUSANNA
|
|
What happened?
|
|
|
|
BEVERLY
|
|
Your blood chemistry is way off.
|
|
And you had a histamine response,
|
|
to what I don't know.
|
|
(a beat)
|
|
I'll run a complete blood and
|
|
tissue analysis.
|
|
|
|
Picard ENTERS... overhears...
|
|
|
|
SUSANNA
|
|
I need to get back to the surface.
|
|
|
|
BEVERLY
|
|
Uh uh... until we find some
|
|
answers, I don't want you to leave
|
|
the Enterprise.
|
|
|
|
SUSANNA
|
|
But I have work...
|
|
|
|
BEVERLY
|
|
(interrupting)
|
|
Look, Commander, you may simply
|
|
have had an anxiety reaction down
|
|
there. But we've got to make
|
|
sure.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT TWO 15.
|
|
|
|
25 CONTINUED:
|
|
|
|
GEORDI
|
|
(to Susanna's look)
|
|
Probably wouldn't hurt to take
|
|
it easy for a while...
|
|
|
|
SUSANNA
|
|
I'm not going to stay locked up
|
|
on this ship while the
|
|
investigation...
|
|
|
|
PICARD
|
|
Your devotion to duty is
|
|
admirable, Commander... but Doctor
|
|
Crusher is right. You will remain
|
|
on the Enterprise until we know
|
|
whether or not this is connected
|
|
to the disappearance of the
|
|
others.
|
|
|
|
SUSANNA
|
|
(protesting)
|
|
Captain...
|
|
|
|
PICARD
|
|
(firm)
|
|
We have completed our survey on
|
|
the surface. Analyzing that data
|
|
will keep all of us busy for some
|
|
time.
|
|
|
|
His tone is clear... and Susanna heeds it.
|
|
|
|
SUSANNA
|
|
Of course, sir. I understand.
|
|
|
|
GEORDI
|
|
(gently stepping in)
|
|
Data has a preliminary report...
|
|
if you feel up to it...
|
|
|
|
SUSANNA
|
|
Sure... what're we waiting for?
|
|
|
|
As Geordi and Susanna EXIT, Picard faces Beverly.
|
|
|
|
PICARD
|
|
Doctor... what about La Forge?
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT TWO 16.
|
|
|
|
25 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
I gave him a complete bioscan.
|
|
Everything says he's in perfect
|
|
shape.
|
|
|
|
PICARD
|
|
But according to all reports...
|
|
so were Mendez and Hickman before
|
|
they disappeared.
|
|
|
|
Beverly nods, acknowledging their shared concern.
|
|
They've lost one Starfleet officer today... and they
|
|
don't want to lose any more.
|
|
|
|
26 INT. CORRIDOR
|
|
|
|
Geordi and Susanna walk along. She is clearly
|
|
agitated, talking a little too fast...
|
|
|
|
SUSANNA
|
|
Captain Picard's wrong. The way
|
|
to handle this is to get back down
|
|
there with a dozen away teams...
|
|
fan out from the shuttle... We
|
|
can cover a lot of ground in a
|
|
hurry... use proximity detectors
|
|
and infrared sensors...
|
|
|
|
GEORDI
|
|
(a warning)
|
|
Susanna...
|
|
|
|
And then she notices it, too. Her hand is shaking.
|
|
Trembling badly. Almost palsied. After a beat...
|
|
|
|
SUSANNA
|
|
Geordi... it's started...
|
|
whatever happened to the others...
|
|
it's happening to me, too...
|
|
|
|
He takes her hand in his. Holds it tight.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 17.
|
|
|
|
26 CONTINUED:
|
|
|
|
GEORDI
|
|
Suz... I'm here...
|
|
(a beat, a smile)
|
|
I'm not going to let anything
|
|
happen to you.
|
|
|
|
Susanna manages a small grin in response. As they
|
|
ENTER the turbolift.
|
|
|
|
GEORDI
|
|
Main Bridge.
|
|
|
|
And as the doors close.
|
|
|
|
27 OMITTED
|
|
|
|
28 INT. MAIN BRIDGE (OPTICAL)
|
|
|
|
Data, Geordi, and Susanna are at an aft science
|
|
station, studying the greatly magnified image of a
|
|
single cell.
|
|
|
|
DATA
|
|
During microscopic examination
|
|
of the torn uniform, I discovered
|
|
these alien skin cells.
|
|
|
|
SUSANNA
|
|
Source?
|
|
|
|
DATA
|
|
Undetermined.
|
|
|
|
GEORDI
|
|
(shakes his head)
|
|
Without something else to
|
|
cross-reference, it would take
|
|
weeks to try and identify them...
|
|
|
|
DATA
|
|
Fortunately, there is more
|
|
evidence...
|
|
|
|
Data taps a control and the monitor displays a computer
|
|
graphic of a strange, alien footprint.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 18.
|
|
|
|
28 CONTINUED:
|
|
|
|
DATA
|
|
We have been able to determine
|
|
that the footprints we found by
|
|
the shuttle were not made by any
|
|
known Tarchannen life form.
|
|
|
|
SUSANNA
|
|
If we're pursuing a theory that
|
|
somehow unknown aliens are
|
|
involved... I should tell you we
|
|
didn't find tracks like that
|
|
during the original investigation.
|
|
|
|
DATA
|
|
The planet is subject to frequent
|
|
sandstorms. Footprints could have
|
|
been obliterated prior to your
|
|
arrival.
|
|
|
|
Geordi stares at the monitor... Data taps a control
|
|
and an image of the skin cell appears next to that of
|
|
the footprint.
|
|
|
|
DATA
|
|
Doctor Crusher and I will begin
|
|
to search the medical database...
|
|
and attempt to match these with
|
|
a known life form.
|
|
|
|
As Geordi and Susanna study the image...
|
|
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 19.
|
|
|
|
28A
|
|
thru OMITTED
|
|
28B
|
|
|
|
29 INT. TURBOLIFT
|
|
|
|
Geordi and Susanna riding in it. Thinking. Then...
|
|
|
|
SUSANNA
|
|
Aliens or no aliens... why would
|
|
our people start returning after
|
|
five years to be... abducted?
|
|
|
|
As they talk, Geordi and Susanna click back into an old
|
|
mode... an enthusiastic team searching for answers.
|
|
|
|
GEORDI
|
|
Some kind of compulsion... like
|
|
a post hypnotic command... ?
|
|
|
|
SUSANNA
|
|
(acknowledging)
|
|
Something that happened while we
|
|
were down there the first time...
|
|
|
|
GEORDI
|
|
We can go back to the mission
|
|
record... construct a log of
|
|
everyone's movements...
|
|
|
|
SUSANNA
|
|
And look for a commonalty.
|
|
Something we all touched... maybe
|
|
a plant... the sand...
|
|
|
|
GEORDI
|
|
Or something we ingested... could
|
|
be in the air itself...
|
|
|
|
And as the turbolift doors open and they EXIT...
|
|
|
|
30 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In a synchronous orbit over Tarchannen.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 20.
|
|
|
|
31 INT. BEVERLY'S OFFICE - TO INCLUDE WALL MONITOR
|
|
(OPTICAL)
|
|
|
|
Data and Beverly study the data on a monitor. Then
|
|
he taps it and a series of images begin flashing by.
|
|
|
|
BEVERLY
|
|
(not hopeful)
|
|
The parameters are pretty broad,
|
|
Data... any match we make is going
|
|
to be inconclusive at best.
|
|
|
|
DATA
|
|
I am aware of that. However, I
|
|
see no other reasonable course
|
|
of investigation available to us.
|
|
(beat)
|
|
And we may not have much time.
|
|
|
|
This last statement hangs in the air. Then...
|
|
|
|
BEVERLY
|
|
You're worried about Geordi,
|
|
aren't you?
|
|
|
|
DATA
|
|
(reminding her)
|
|
I am an android. It is not
|
|
possible for me to feel anxiety.
|
|
Starfleet personnel have
|
|
vanished... others may be at risk.
|
|
We must do the best we can to find
|
|
out why.
|
|
|
|
A beat.
|
|
|
|
DATA
|
|
However...
|
|
|
|
He pauses, seeming to search for the correct words.
|
|
|
|
DATA
|
|
I am strongly motivated to solve
|
|
this mystery.
|
|
|
|
Off her reaction...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/11/91 - ACT TWO 21.
|
|
|
|
32 INT. ENGINEERING - GEORDI'S OFFICE - ON WALL MONITOR
|
|
(OPTICAL)
|
|
|
|
Footage of Tarchannen from the Teaser... without audio.
|
|
The away team (including Susanna and Geordi) search
|
|
the area where the uniform was found.
|
|
|
|
GEORDI (O.S.)
|
|
Freeze visual.
|
|
|
|
Everything and everyone FREEZES as we reveal...
|
|
|
|
33 GEORDI (OPTICAL)
|
|
|
|
Watching the monitor. Susanna sits at a nearby
|
|
console, studying the image of a spindly Tarchannen
|
|
plant. It's been a long session... and Susanna's
|
|
clearly frayed at the edges. She frowns and nervously
|
|
rubs her hand.
|
|
|
|
SUSANNA
|
|
We're wasting our time.
|
|
|
|
GEORDI
|
|
(surprised)
|
|
You didn't feel that way before...
|
|
it was your idea to look for some
|
|
sort of commonality.
|
|
|
|
SUSANNA
|
|
Well... I was wrong.
|
|
|
|
Susanna stands, begins pacing. Restless.
|
|
|
|
SUSANNA
|
|
We're not going to find anything
|
|
this way. We should go back to
|
|
the planet... it's all down
|
|
there... everything we need to
|
|
know.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 22.
|
|
|
|
33 CONTINUED:
|
|
|
|
GEORDI
|
|
That's not an option... not until
|
|
the Captain says it is...
|
|
|
|
He turns back to the monitor...
|
|
|
|
GEORDI
|
|
Computer resume.
|
|
|
|
34 ON WALL MONITOR (OPTICAL) (INTERCUT)
|
|
|
|
Which begins playing the images from the opening of
|
|
the Teaser. As Geordi watches this...
|
|
|
|
35 SUSANNA (OPTICAL)
|
|
|
|
Crosses back to the console and stares at the image
|
|
of the plant... then abruptly switches the viewer off.
|
|
|
|
SUSANNA
|
|
I can't look at this anymore.
|
|
It hurts my eyes... I can't think.
|
|
My brain feels like it's wrapped
|
|
in a blanket.
|
|
|
|
GEORDI
|
|
Take a break. I'll work for a...
|
|
|
|
SUSANNA
|
|
I don't need a break... I...
|
|
(hushed)
|
|
... I need to get off this ship.
|
|
|
|
Geordi reacts... knowing what this could mean.
|
|
|
|
GEORDI
|
|
(gently)
|
|
I think... we should go see Doctor
|
|
Crusher...
|
|
|
|
SUSANNA
|
|
Forget Crusher... forget your
|
|
logs. Tarchannen's down there,
|
|
Geordi. It's waiting for us.
|
|
That's where we should go.
|
|
|
|
GEORDI
|
|
Susanna... you can't leave...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 23.
|
|
|
|
35 CONTINUED:
|
|
|
|
Susanna glares at him... whatever she's caught up in is
|
|
rapidly consuming her. Then she whips around and heads
|
|
toward the office door.
|
|
|
|
GEORDI
|
|
Susanna...
|
|
|
|
She ignores him, leaves the office. Geordi quickly
|
|
follows her out into Main Engineering. They draw the
|
|
attention of startled SUPERNUMARIES as...
|
|
|
|
GEORDI
|
|
SUSANNA!
|
|
|
|
She finally stops, faces him -- unable to speak -- her
|
|
body trembling uncontrollably... and then she
|
|
collapses.
|
|
|
|
Geordi rushes to her. The Supernumaries gather around
|
|
them as he takes her head in his hands...
|
|
|
|
And her hair brushes aside to reveal the dark BLOTCHES
|
|
peppered along the back of her neck. Susanna reaches
|
|
for him, clutches his shoulders, fighting back a sudden
|
|
jolt of pain. Geordi looks at her hand...
|
|
|
|
36 CLOSE ON SUSANNA'S HAND
|
|
|
|
Her two middle fingers are FUSED together...
|
|
|
|
37 ON GEORDI
|
|
|
|
As he reacts...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT THREE 24.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around Tarchannen Three.
|
|
|
|
39 INT. SICKBAY
|
|
|
|
The room is dimly lit. Susanna's shadowy form lies
|
|
in an emergency medical bed. As NURSE OGAWA stands
|
|
by, Beverly passes an instrument over the patient...
|
|
|
|
BEVERLY
|
|
(tense)
|
|
Her blood pressure's still
|
|
falling...
|
|
(to the Nurse)
|
|
Apply the T-cell stimulator.
|
|
We've got to stabilize her immune
|
|
system.
|
|
|
|
Picard and Geordi ENTER the dark room. As Geordi
|
|
reacts to the low light level, Beverly explains...
|
|
|
|
BEVERLY
|
|
She's developed an extreme
|
|
sensitivity to light... we're
|
|
trying to make her more
|
|
comfortable.
|
|
|
|
Geordi nods, approaches the bed.
|
|
|
|
40 ANGLE - FAVORING SUSANNA
|
|
|
|
The changes are startling... her skin is mottled with
|
|
intricately woven black patches and veins... her hair,
|
|
oily and black. Geordi stares at Susanna... shocked.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/11/91 - ACT THREE 25.
|
|
|
|
40 CONTINUED:
|
|
|
|
GEORDI
|
|
My God...
|
|
|
|
Susanna regains a hazy consciousness and looks up at
|
|
Geordi with eyes which are no longer human.
|
|
|
|
SUSANNA
|
|
(softly)
|
|
Geordi...
|
|
|
|
He gently takes her hand. Beverly catches Picard's
|
|
eye and nods toward her office. As they EXIT...
|
|
|
|
GEORDI
|
|
Hold on, Susanna. Doctor Crusher
|
|
will help you. Just... hold on.
|
|
|
|
SUSANNA
|
|
It's inside me, Geordi... I can't
|
|
fight it... it's winning...
|
|
|
|
GEORDI
|
|
Don't give up... do you hear me,
|
|
Suz? You can't give up...
|
|
|
|
But she's lost consciousness again...
|
|
|
|
41 INT. BEVERLY'S OFFICE (OPTICAL)
|
|
|
|
Picard and Beverly watch a wall monitor as a greatly
|
|
magnified image of a single cell appears on the screen.
|
|
|
|
BEVERLY
|
|
This is one of Susanna's altered
|
|
skin cells...
|
|
|
|
She presses a control and a second cell appears next
|
|
to the first.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT THREE 26.
|
|
|
|
41 CONTINUED:
|
|
|
|
BEVERLY
|
|
And this is one of the alien cells
|
|
Data found.
|
|
|
|
PICARD
|
|
Almost identical. How do you
|
|
explain it?
|
|
|
|
BEVERLY
|
|
Captain, I think the people who
|
|
disappeared from Tarchannen Three
|
|
weren't abducted... they were
|
|
transformed into another
|
|
species...
|
|
|
|
That's when they realize Geordi has quietly entered.
|
|
|
|
GEORDI
|
|
(even)
|
|
Can you stop it, Doctor?
|
|
|
|
BEVERLY
|
|
(not hopeful)
|
|
The T-cell stimulator will slow
|
|
the rate of change... but until I
|
|
find the cause...
|
|
|
|
She shakes her head. Then, after a pause...
|
|
|
|
PICARD
|
|
Doctor Crusher... is this a threat
|
|
to the Enterprise?
|
|
|
|
BEVERLY
|
|
No. I've tested the cell wall
|
|
integrity. It's viability is
|
|
extremely low. It's not possible
|
|
for Susanna to transmit it.
|
|
|
|
GEORDI
|
|
Then how did she get it?
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT THREE 27.
|
|
|
|
41 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
That's a good question. And it
|
|
would be a great help if I knew.
|
|
(turning to Geordi)
|
|
The only thing I do know,
|
|
Geordi... is that it's very
|
|
possible you'll be next.
|
|
|
|
Geordi is stunned, tries to deny the possibility.
|
|
|
|
GEORDI
|
|
I had two full bioscans today.
|
|
You said I was fine.
|
|
|
|
BEVERLY
|
|
I gave Susanna a bioscan, too.
|
|
I didn't find anything wrong with
|
|
her, either.
|
|
|
|
A beat. Geordi moves from denial... to acceptance.
|
|
|
|
GEORDI
|
|
How long?
|
|
|
|
BEVERLY
|
|
I don't know what we're dealing
|
|
with. Brevelle was sick for days
|
|
before he left... Mendez was
|
|
normal an hour before she
|
|
disappeared. You may have
|
|
weeks... or just a few hours.
|
|
|
|
GEORDI
|
|
(after a thoughtful
|
|
beat)
|
|
Then there's no time to waste.
|
|
I've got to get back to work.
|
|
|
|
BEVERLY
|
|
Geordi... until I know exactly
|
|
what we're dealing with, you're
|
|
staying here. In Sickbay.
|
|
|
|
GEORDI
|
|
Doctor, you said it would help
|
|
if you knew the source of this...
|
|
(MORE)
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT THREE 28.
|
|
|
|
41 CONTINUED: (3)
|
|
|
|
GEORDI (Cont'd)
|
|
If I could finish my analysis of
|
|
the mission records... I might
|
|
find an answer.
|
|
|
|
PICARD
|
|
(stepping in)
|
|
And what if you begin to change...
|
|
and feel compelled to return to
|
|
the planet like the others?
|
|
|
|
GEORDI
|
|
Program the computer to monitor
|
|
my movements... that way you can
|
|
be sure I don't leave the ship.
|
|
|
|
Geordi takes Picard's silence as a refusal... becomes
|
|
more impassioned in his argument.
|
|
|
|
GEORDI
|
|
What would you do, sir? Sit it
|
|
out in Sickbay... or try to learn
|
|
what it is that's got you... and
|
|
maybe stop it?
|
|
|
|
Picard thinks about this. Knowing exactly what he
|
|
would want to do if he were in Geordi's place. He
|
|
exchanges a look with Beverly... she understands.
|
|
|
|
PICARD
|
|
All right, Mister La Forge...
|
|
proceed with your investigation.
|
|
But report to Doctor Crusher for
|
|
another bioscan at the start of
|
|
day watch.
|
|
|
|
BEVERLY
|
|
In the meantime, if you have
|
|
symptoms of any kind -- I want
|
|
to know. Immediately.
|
|
|
|
Geordi smiles. Relieved and thankful.
|
|
|
|
GEORDI
|
|
Understood.
|
|
|
|
And as he rushes out of the room...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT THREE 29.
|
|
|
|
42 INT. ENGINEERING - GEORDI'S OFFICE - ON WALL MONITOR
|
|
- (OPTICAL)
|
|
|
|
And a scene from the visual record we haven't seen
|
|
before: Illuminated by the stark camera lights,
|
|
Susanna, Geordi, and Mendez stand outside Building One,
|
|
watching as Hickman lifts an evidence case.
|
|
|
|
HICKMAN
|
|
(keying insignia)
|
|
One to transport.
|
|
|
|
As Hickman DEMATERIALIZES, Susanna turns to the others.
|
|
|
|
SUSANNA
|
|
I want to make another sweep of
|
|
the perimeter. Mendez, Brevelle,
|
|
start at Building Two. La Forge,
|
|
you and I will begin at Four.
|
|
|
|
They move out of the scene, casting dark shadows across
|
|
the building behind them as they all head off in
|
|
different directions... then the record ends and the
|
|
screen is abruptly filled with static.
|
|
|
|
GEORDI (O.S.)
|
|
Okay, computer...
|
|
|
|
43 ANGLE TO INCLUDE GEORDI
|
|
|
|
Alone in his office... head aching from hours of
|
|
fruitless effort, pushing himself hard. As he stares
|
|
at the wall monitor...
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Analyze audio elements from time
|
|
index fourteen four seven to
|
|
fifteen five eight. List all
|
|
anomalies.
|
|
|
|
COMPUTER VOICE
|
|
No audio anomalies present.
|
|
|
|
GEORDI
|
|
Any subspace projections... z
|
|
particle emissions... or
|
|
interferometric frequencies?
|
|
|
|
COMPUTER VOICE
|
|
No subspace projections present.
|
|
No z particle emissions present.
|
|
(MORE)
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT THREE 30.
|
|
|
|
43 CONTINUED:
|
|
|
|
COMPUTER VOICE (Cont'd)
|
|
No interferometric patterns
|
|
present.
|
|
|
|
Another dead end. Geordi sighs with frustration as
|
|
Data ENTERS.
|
|
|
|
DATA
|
|
Geordi... may I inquire how your
|
|
investigation is proceeding?
|
|
|
|
GEORDI
|
|
It's not.
|
|
|
|
DATA
|
|
Have you done an audio analysis...
|
|
|
|
Geordi impatiently interrupts Data in mid-sentence --
|
|
a strong indication of how tired and frustrated he is.
|
|
|
|
GEORDI
|
|
And a spectrographic analysis and
|
|
a screen for ionizing radiation...
|
|
and I even ran an enhancement for
|
|
micro-seismic disturbances. I've
|
|
tried it all.
|
|
|
|
A beat. Geordi shakes his head.
|
|
|
|
GEORDI
|
|
I'm sorry, Data.
|
|
|
|
DATA
|
|
There is no need for an apology.
|
|
|
|
Geordi just nods. Data observes him for a moment.
|
|
|
|
DATA
|
|
Perhaps if you indulged in a short
|
|
rest period, you could approach
|
|
this problem with what humans
|
|
commonly refer to as a fresh point
|
|
of view...
|
|
|
|
This is as close to human concern as Data can
|
|
express... and Geordi knows it. He manages a smile.
|
|
|
|
GEORDI
|
|
You're probably right, Data. But
|
|
I've got to finish scanning these
|
|
records... while I can.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT THREE 31.
|
|
|
|
43 CONTINUED: (2)
|
|
|
|
DATA
|
|
Is there some way I can assist
|
|
you?
|
|
|
|
GEORDI
|
|
(shakes his head)
|
|
If I knew what I was looking
|
|
for...
|
|
(sighs)
|
|
I think it's just down to going
|
|
over it, Data... maybe find
|
|
something I forgot... I'll let
|
|
you know if I come up with
|
|
anything... anything at all.
|
|
|
|
Data acknowledges and as Geordi goes back to the wall
|
|
monitor, Data EXITS...
|
|
|
|
44 INT. SICKBAY
|
|
|
|
Beverly is met by Nurse Ogawa as she ENTERS.
|
|
|
|
OGAWA
|
|
Sorry to disturb you, Doctor...
|
|
|
|
BEVERLY
|
|
It's alright. What's happened?
|
|
|
|
OGAWA
|
|
I thought you should see this.
|
|
|
|
They approach the unconscious Susanna, who has changed
|
|
further. Her skin, slick with an oily coating, bears
|
|
an even more elaborate network of black swirls and
|
|
patterns.
|
|
|
|
Nurse Ogawa shines a penlight on Susanna's face...
|
|
|
|
45 ANGLE - FAVORING SUSANNA (OPTICAL)
|
|
|
|
As the beam glides across Susanna's cheek a quickly
|
|
fading phosphorous trail is left on the skin.
|
|
|
|
BEVERLY
|
|
(what the hell)
|
|
Her skin's simulating the light...
|
|
a radiant reaction...
|
|
(musing)
|
|
Some sort of mimetic ability?
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT THREE 32.
|
|
|
|
45 CONTINUED:
|
|
|
|
OGAWA
|
|
That's not all. Her body
|
|
temperature is dropping.
|
|
|
|
Beverly waves a Tricorder over Susanna...
|
|
|
|
BEVERLY
|
|
(puzzled)
|
|
It's as if she's generating a
|
|
disruptive field... I can barely
|
|
get readings off her now... What
|
|
about her rate of transformation?
|
|
|
|
OGAWA
|
|
It's increasing.
|
|
|
|
BEVERLY
|
|
That's not possible. It should
|
|
have been inhibited by the
|
|
T-cell stimulator... unless...
|
|
(thinking hard)
|
|
If there's a foreign body inside
|
|
her that's producing these
|
|
changes... something like a
|
|
viral creche...
|
|
|
|
OGAWA
|
|
A very small one if our scans
|
|
haven't found it.
|
|
|
|
BEVERLY
|
|
(let's get to it)
|
|
I want a full genetic analysis.
|
|
We're going to examine any
|
|
abnormality we find... no matter
|
|
how insignificant it seems.
|
|
|
|
And as they go to work...
|
|
|
|
46 INT. ENGINEERING - GEORDI'S OFFICE - MONITOR (OPTICAL)
|
|
|
|
The visual record PLAYS... beginning with the entire
|
|
team at Building One again.
|
|
|
|
HICKMAN
|
|
One to transport.
|
|
|
|
GEORDI (O.S.)
|
|
Computer, delete the audio.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT TWO 33.
|
|
|
|
47 INCLUDE GEORDI (OPTICAL)
|
|
|
|
As he watches, the record continues silently. Hickman
|
|
DEMATERIALIZES. Susanna and the others move out of
|
|
the scene, their shadows following after them. Then
|
|
Geordi suddenly frowns...
|
|
|
|
GEORDI
|
|
Wait a minute... freeze visual.
|
|
|
|
The image freezes. We see the bare wall of the outpost
|
|
building... and a single shadow.
|
|
|
|
GEORDI
|
|
(after a beat, puzzled)
|
|
Whose shadow is that?
|
|
|
|
COMPUTER
|
|
Please restate question.
|
|
|
|
He taps a console... a grid appears over the image
|
|
on the monitor.
|
|
|
|
GEORDI
|
|
Computer... the shadow currently
|
|
displayed in section B-eleven...
|
|
what is its source?
|
|
|
|
COMPUTER
|
|
Unknown.
|
|
|
|
Geordi sighs, shakes his head.
|
|
|
|
GEORDI
|
|
It's gotta belong to somebody...
|
|
(to viewer)
|
|
Computer... return to time index
|
|
fourteen five eight...
|
|
|
|
The image flashes backwards... and starts again.
|
|
Geordi watches as the away team moves off in different
|
|
directions, leaving that single shadow prominently
|
|
displayed on the wall...
|
|
|
|
GEORDI
|
|
Okay... Brevelle's behind the
|
|
camera... Susanna and I head off
|
|
in that direction. Mendez moves
|
|
off that way...
|
|
(softly)
|
|
... so whose shadow is it?
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT THREE 34.
|
|
|
|
47 CONTINUED:
|
|
|
|
Geordi thinks about it... a tired man with a very hard
|
|
question in front of him. He drums his fingers on his
|
|
desk nervously... a subtly uncharacteristic gesture.
|
|
|
|
GEORDI
|
|
Computer... replay visual from
|
|
last time index. No audio.
|
|
Slow to fifty percent.
|
|
|
|
On the monitor, the away team moves in SLOW MOTION,
|
|
their shadows close together on the wall behind them.
|
|
As they walk off...
|
|
|
|
GEORDI
|
|
Freeze visual.
|
|
|
|
48 CLOSE ON MONITOR (OPTICAL)
|
|
|
|
And that shadow remaining on the building wall.
|
|
|
|
GEORDI
|
|
Magnify four times... apply
|
|
spectral enhancement.
|
|
|
|
The visual MAGNIFIES, becoming fuzzy in a digital,
|
|
blocky false color manner... then resolves into a
|
|
sharp, normal color image... showing a close-up of the
|
|
mysterious, vaguely humanoid, shadow.
|
|
|
|
49 GEORDI (OPTICAL)
|
|
|
|
Stares hard at the screen... rubs his forehead.
|
|
Annoyed. Impatient. And then the idea hits him...
|
|
driving him on to an even greater effort... despite his
|
|
fatigue...
|
|
|
|
GEORDI
|
|
(urgent)
|
|
Computer, do you have sufficient
|
|
data to compile a Holographic
|
|
simulation of this Visual Record?
|
|
|
|
COMPUTER VOICE
|
|
A simulation would be limited to
|
|
areas scanned by the visual
|
|
recording device.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/11/91 - ACT THREE 35.
|
|
|
|
49 CONTINUED:
|
|
|
|
Geordi stands, paces excitedly, ever fiber of his being
|
|
convinced he is on the verge of a breakthrough.
|
|
|
|
GEORDI
|
|
Good. Fine. Scan the entire
|
|
record... then recreate it in
|
|
Holodeck Three.
|
|
|
|
Geordi EXITS, almost on the run.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/11/91 - ACT THREE 36.
|
|
|
|
50
|
|
thru OMITTED
|
|
54
|
|
|
|
55 INT. CORRIDOR - OUTSIDE HOLODECK THREE
|
|
|
|
Geordi hurries up and hits the companel.
|
|
|
|
GEORDI
|
|
Computer, is the Tarchannen
|
|
simulation ready?
|
|
|
|
COMPUTER VOICE
|
|
Affirmative. Program complete.
|
|
Enter when ready.
|
|
|
|
Geordi moves for the doors. Then stops and holds out
|
|
his hand. It's trembling... badly. Like Susanna's.
|
|
|
|
Geordi frowns, reaches for his insignia... then
|
|
hesitates. He knows he should contact Beverly, but
|
|
he's driven to solve this mystery... to save Susanna.
|
|
|
|
After a beat, he presses a series of buttons on the
|
|
control panel. The doors slide open and Geordi ENTERS
|
|
the holodeck...
|
|
|
|
56 INT. HOLODECK
|
|
|
|
Geordi stands near the door, studying...
|
|
|
|
57 ANGLE - HOLODECK/TARCHANNEN OUTPOST
|
|
|
|
A re-creation of Building One... complete down to
|
|
Tarchannen's perpetual twilight. Holograms of Susanna,
|
|
Mendez, and Geordi, frozen in place... their shadows
|
|
clearly visible on the wall behind them...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FOUR 37.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
58 INT. HOLODECK
|
|
|
|
As before. Geordi stares numbly at the facsimile of
|
|
a healthy, vibrant Susanna... then charges on...
|
|
|
|
GEORDI
|
|
Computer, scan Starfleet records
|
|
and create a simulation of
|
|
Brevelle... place him where he
|
|
stood while recording this...
|
|
|
|
59 ANGLE - FAVORING BREVELLE (OPTICAL)
|
|
|
|
A hologram of BREVELLE APPEARS between the real Geordi
|
|
and the holograms of the away team. Brevelle holds
|
|
a recording device with a bright light mounted on
|
|
it...
|
|
|
|
60 GEORDI
|
|
|
|
Steps up beside Brevelle... looks over at the holograms
|
|
of the away team standing by the wall... so intent on
|
|
his investigation that he is unaware of the increased
|
|
trembling of his hands... or the sweat beading on his
|
|
brow...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/15/91 - ACT FOUR 38.
|
|
|
|
60 CONTINUED:
|
|
|
|
GEORDI
|
|
Good. Computer, based on their
|
|
speed and direction, can you
|
|
extrapolate each officer's
|
|
movements as they walk out of
|
|
the recording device's field of
|
|
view?
|
|
|
|
COMPUTER
|
|
Affirmative. With an increasing
|
|
probability of error, reaching
|
|
ninety-five percent after ten
|
|
seconds.
|
|
|
|
GEORDI
|
|
Understood. Run simulation.
|
|
|
|
61 THE SIMULATION
|
|
|
|
Comes to "life." Susanna turns to Mendez and Geordi...
|
|
|
|
HOLO-SUSANNA
|
|
I want to make another sweep of
|
|
the perimeter. Mendez, Brevelle,
|
|
start at Building Two. La Forge,
|
|
you and I will begin at Four.
|
|
|
|
They walk off in different directions...
|
|
|
|
62 THE "REAL" GEORDI
|
|
|
|
Observes intently as...
|
|
|
|
63 ANGLE ON OUTPOST WALL
|
|
|
|
Geordi, Mendez and Susanna's shadows move off the
|
|
wall... leaving that one strange shadow in place.
|
|
|
|
But as Geordi moves closer to examine it...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FOUR 39.
|
|
|
|
64 THE HOLO-BREVELLE (OPTICAL)
|
|
|
|
Turns off his camera's light... and the shadow
|
|
abruptly DISAPPEARS.
|
|
|
|
Geordi shakes his head. Frustrated.
|
|
|
|
GEORDI
|
|
It's happening too fast.
|
|
(a beat)
|
|
Freeze program.
|
|
|
|
The holograms all freeze in place.
|
|
|
|
GEORDI
|
|
Computer, reverse simulation...
|
|
run it back to... time index
|
|
fourteen five eight.
|
|
|
|
65 OMITTED
|
|
|
|
65A BREVELLE (OPTICAL)
|
|
|
|
His camera light comes back on... and...
|
|
|
|
66 THE HOLOGRAMS OF SUSANNA, MENDEZ, AND GEORDI
|
|
(OPTICAL)
|
|
|
|
Walk in reverse back toward the building. Their
|
|
shadows reappear on the wall... moving backwards...
|
|
rejoining the mysterious shadow that was left behind.
|
|
|
|
67 THE "REAL" GEORDI (OPTICAL)
|
|
|
|
Reacts... interrupts...
|
|
|
|
GEORDI
|
|
Freeze.
|
|
|
|
The holograms all freeze in place. Geordi walks up
|
|
to the wall... stares at the jumble of shadows on it.
|
|
He nervously rubs his hand. Then...
|
|
|
|
GEORDI
|
|
Computer... remove Leijten...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FOUR 39A.
|
|
|
|
67 CONTINUED:
|
|
|
|
Susanna and her shadow VANISH. The unexplained shadow
|
|
remains.
|
|
|
|
GEORDI
|
|
Remove La Forge...
|
|
|
|
Holo-Geordi and his shadow VANISH... the unexplained
|
|
shadow remains...
|
|
|
|
GEORDI
|
|
... and now remove Mendez...
|
|
|
|
Mendez and her shadow DISAPPEAR, leaving Brevelle, his
|
|
camera, its light and that one, unexplained shadow
|
|
behind.
|
|
|
|
Geordi moves closer... studying the shadow's
|
|
indistinct, vaguely human shape.
|
|
|
|
He steps still closer... right between the camera and
|
|
the wall... the shadow falls over him.
|
|
|
|
67A ANOTHER ANGLE
|
|
|
|
Geordi turns and faces Brevelle's camera... squinting
|
|
at its bright light... there is clearly nothing between
|
|
him and the light which could be casting the shadow.
|
|
|
|
He steps to one side and the shadow falls on the wall
|
|
again.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 40.
|
|
|
|
67A CONTINUED:
|
|
|
|
GEORDI
|
|
Computer, using vector analysis,
|
|
identify the source of this
|
|
shadow.
|
|
|
|
COMPUTER VOICE
|
|
There is no object in the program
|
|
which could generate the shadow.
|
|
|
|
Geordi puts a hand to his head, feeling a wave of
|
|
dizziness. It subsides as quickly as it came.
|
|
|
|
GEORDI
|
|
There must be something else
|
|
here... something between the
|
|
camera lights and the wall.
|
|
|
|
Geordi paces back and forth. Thinking furiously.
|
|
|
|
GEORDI
|
|
Computer, given the distance from
|
|
the lights to the wall... can you
|
|
determine the most likely shape
|
|
and position of the object casting
|
|
this shadow?
|
|
|
|
COMPUTER VOICE
|
|
There is insufficient data to
|
|
reconstruct the requested object.
|
|
|
|
GEORDI
|
|
Okay... let's assume the height
|
|
of our friend here is about my
|
|
size... say one hundred seventy
|
|
centimeters... now can you
|
|
extrapolate its shape and
|
|
position?
|
|
|
|
COMPUTER VOICE
|
|
Affirmative.
|
|
|
|
GEORDI
|
|
Do it.
|
|
|
|
68 HOLODECK/SHADOW (OPTICAL)
|
|
|
|
A gray figure MATERIALIZES right in front of the
|
|
shadow... taking shape bit by bit until it becomes a
|
|
roughly defined humanoid CREATURE.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FOUR 41.
|
|
|
|
69 GEORDI (OPTICAL)
|
|
|
|
Reacts with astonishment as he approaches the humanoid
|
|
hologram and slowly circles it... there was
|
|
something there...
|
|
|
|
Then he is struck with a sudden, intense jab of
|
|
internal pain. Geordi drops to his knees... clutching
|
|
at the back of his neck.
|
|
|
|
70 HIS HAND
|
|
|
|
The middle fingers have fused together. As his hand
|
|
slides away, we see the first mottled blotches of the
|
|
transformation on his neck.
|
|
|
|
71 GEORDI
|
|
|
|
Stares at his hand... at the horror of it.
|
|
|
|
72 OMITTED
|
|
|
|
73 INT. SICKBAY (OPTICAL)
|
|
|
|
Susanna is still in bed, further transformed, and
|
|
barely conscious.
|
|
|
|
Beverly and Nurse Ogawa are at a wall monitor, studying
|
|
a diagram of Susanna's upper chest and throat. A small
|
|
light begins pulsing in the region of the thymus.
|
|
|
|
BEVERLY
|
|
(at last)
|
|
There... in the thymus...
|
|
|
|
Beverly taps on some panels... some data flashes on
|
|
the monitor.
|
|
|
|
BEVERLY
|
|
(studying the figures,
|
|
puzzled)
|
|
Some kind of parasite. It's using
|
|
Susanna's immune system to spread
|
|
genetic instructions...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 42.
|
|
|
|
73 CONTINUED:
|
|
|
|
OGAWA
|
|
How did it get there?
|
|
|
|
BEVERLY
|
|
She could have been infected
|
|
during the original mission. It's
|
|
small enough to have entered
|
|
through any of the mucous
|
|
membranes...
|
|
|
|
She taps the wall monitor again and a graphic display
|
|
of cells undergoing rapid transformation comes up.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
But it certainly isn't acting like
|
|
a typical parasite... it's not
|
|
feeding off her -- it's actually
|
|
transforming her DNA to match its
|
|
own...
|
|
|
|
Ogawa crosses to Susanna, scans her with an instrument.
|
|
|
|
OGAWA
|
|
There's not much of her original
|
|
DNA left.
|
|
|
|
BEVERLY
|
|
(acknowledges, urgent)
|
|
And we're going to need unaltered
|
|
genes... or we'll never get her
|
|
back. We've got to get that thing
|
|
out of her. Now.
|
|
|
|
And as they prepare for surgery...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 43.
|
|
|
|
73A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit over Tarchannen Three.
|
|
|
|
74 OMITTED
|
|
|
|
75 INT. MAIN BRIDGE - SCIENCE STATION
|
|
|
|
Data is working the panels... checking further
|
|
analysis... Picard is at command, Worf at Tactical,
|
|
and Riker stands near Graham at the helm. As Riker
|
|
crosses to Data...
|
|
|
|
RIKER
|
|
Any luck?
|
|
|
|
DATA
|
|
Negative, Commander. Nothing in
|
|
our survey suggests the source of
|
|
a parasitic infection...
|
|
|
|
He breaks off as...
|
|
|
|
BEVERLY'S COM VOICE
|
|
Crusher to Bridge.
|
|
|
|
75A NEW ANGLE
|
|
|
|
PICARD
|
|
Go ahead, Doctor.
|
|
|
|
BEVERLY'S COM VOICE
|
|
The surgery was successful...
|
|
|
|
INTERCUT:
|
|
|
|
76 INT. SICKBAY
|
|
|
|
Beverly "coming out" of surgery... the strain is
|
|
clearly showing.
|
|
|
|
BEVERLY
|
|
(continuing)
|
|
... but it will be a few hours
|
|
before we know how her
|
|
regenerative systems are
|
|
responding... In the meantime,
|
|
I'd better get Geordi in here.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 43A.
|
|
|
|
76 CONTINUED:
|
|
|
|
PICARD'S COM VOICE
|
|
Very good, Doctor. Keep us
|
|
advised.
|
|
|
|
BEVERLY
|
|
(keying insignia)
|
|
Crusher to La Forge...
|
|
|
|
No response.
|
|
|
|
BEVERLY
|
|
Computer, locate Commander La
|
|
Forge.
|
|
|
|
COMPUTER VOICE
|
|
Commander La Forge is not on board
|
|
the Enterprise.
|
|
|
|
A moment of stunned silence... then...
|
|
|
|
BEVERLY
|
|
Bridge, the Computer says Geordi
|
|
isn't on board... ? Is that
|
|
correct?
|
|
|
|
76A INT. BRIDGE
|
|
|
|
Reactions.
|
|
|
|
DATA
|
|
I show no transporter activity.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 44.
|
|
|
|
76A CONTINUED:
|
|
|
|
WORF
|
|
All shuttles are secure.
|
|
|
|
RIKER
|
|
Negative, Doctor. There is no
|
|
indication he left the ship.
|
|
|
|
PICARD
|
|
Computer, what was Commander La
|
|
Forge's last known location?
|
|
|
|
COMPUTER VOICE
|
|
Holodeck Three.
|
|
|
|
Riker and Picard exchange a quick look. Then as Riker
|
|
heads toward the turbolift...
|
|
|
|
RIKER
|
|
Worf...
|
|
|
|
As Riker and Worf EXIT...
|
|
|
|
76B INT. SICKBAY
|
|
|
|
BEVERLY
|
|
Captain, if Geordi has
|
|
transformed, he may be virtually
|
|
a chameleon -- the skin develops
|
|
mimetic capabilities... he could
|
|
still be onboard...
|
|
|
|
76C INT. MAIN BRIDGE
|
|
|
|
BEVERLY'S COM VOICE
|
|
... but undetectable to our
|
|
sensors...
|
|
|
|
Off Picard's reaction...
|
|
|
|
77 INT. CORRIDOR - OUTSIDE HOLODECK THREE
|
|
|
|
Riker and Worf rush up from one end of the corridor;
|
|
two N.D. SECURITY GUARDS from the other. Worf presses
|
|
a series of buttons on the control panel and the doors
|
|
slide open.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 45.
|
|
|
|
78 INT. HOLODECK (OPTICAL)
|
|
|
|
One Security Guard stays in the doorway as Riker, Worf,
|
|
and the other Guard ENTER. As they react to the
|
|
Tarchannen simulation...
|
|
|
|
WORF
|
|
(to guard)
|
|
Search the structure... I will
|
|
take the perimeter...
|
|
|
|
As Worf and the Guard move off, Riker approaches the
|
|
frozen, humanoid hologram. What the hell is this
|
|
thing... and what part does it play in this mystery?
|
|
|
|
WORF (O.S.)
|
|
Commander...
|
|
|
|
Riker turns toward...
|
|
|
|
79 WORF
|
|
|
|
Who holds up Geordi's abandoned VISOR and torn uniform.
|
|
|
|
Off Riker's reaction...
|
|
|
|
80 INT. TRANSPORTER ROOM SIX
|
|
|
|
TRANSPORTER CHIEF HEDRICK is at his station, running
|
|
a routine maintenance program. The door opens and he
|
|
reacts to...
|
|
|
|
81 A HUMANOID BLUR - AT THE DOOR (OPTICAL)
|
|
|
|
Shaped like the hologram Geordi created; almost
|
|
invisible thanks to its incredible chameleon-like skin.
|
|
|
|
HEDRICK
|
|
(keying insignia)
|
|
Security...
|
|
|
|
But before he can call for help, the humanoid form
|
|
lunges at Hedrick in a RIPPLING BLUR... knocking the
|
|
surprised man off his feet.
|
|
|
|
82 INT. MAIN BRIDGE
|
|
|
|
Data reacts to his console...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FOUR 46.
|
|
|
|
82 CONTINUED:
|
|
|
|
DATA
|
|
Captain... the security lockout
|
|
on Transporter Room Six has been
|
|
broken.
|
|
|
|
PICARD
|
|
Re-engage... now.
|
|
|
|
DATA
|
|
I cannot, sir... The transport
|
|
cycle has already begun.
|
|
|
|
83 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Hedrick sprawled on the floor; the humanoid blur on
|
|
the pad. As the DEMATERIALIZATION finishes, an energy
|
|
silhouette of the Alien/Geordi is briefly visible on
|
|
the pad. Then we...
|
|
|
|
84 OMITTED
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/17/91 - ACT FIVE 47.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
85
|
|
thru OMITTED
|
|
89
|
|
|
|
90 INT. MAIN BRIDGE
|
|
|
|
Worf and Data at their positions; Riker, and Picard in
|
|
the command area.
|
|
|
|
WORF
|
|
I do not read any life signs on
|
|
the surface.
|
|
|
|
A moment of worried silence... then...
|
|
|
|
PICARD
|
|
Our sensor array is useless...
|
|
we have to find another way of
|
|
locating him.
|
|
|
|
Data processes this for a moment, then turns toward
|
|
Picard and Riker.
|
|
|
|
DATA
|
|
Captain, if we can get close
|
|
enough to Geordi... we can read
|
|
his absorption spectrum with an
|
|
ultraviolet light.
|
|
|
|
RIKER
|
|
Can you modify an emergency beacon
|
|
to operate on UV?
|
|
|
|
DATA
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Make it so. Number One, as soon
|
|
as Data is ready, I want you to
|
|
lead an away team.
|
|
|
|
90A OMITTED
|
|
|
|
90B INT. ENGINEERING
|
|
|
|
Worf and Riker ENTER to discover Data at a work
|
|
station, the various components of an emergency beacon
|
|
laid out before him.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/17/91 - ACT FIVE 47A.
|
|
|
|
90B CONTINUED:
|
|
|
|
RIKER
|
|
How long, Mister Data?
|
|
|
|
DATA
|
|
(continuing to work as
|
|
he talks)
|
|
I still must replace the emitter
|
|
module and reconnect the power
|
|
supply. It will take
|
|
approximately two minutes to
|
|
complete the modification.
|
|
|
|
Then Riker reacts to the Transporter Chief's voice
|
|
as...
|
|
|
|
HEDRICK'S COM VOICE
|
|
Hedrick to Commander Riker.
|
|
|
|
RIKER
|
|
(keying insignia)
|
|
Go ahead.
|
|
|
|
90C INT. TRANSPORTER ROOM
|
|
|
|
Hedrick is back at his console... recovered from his
|
|
encounter with the transformed Geordi.
|
|
|
|
HEDRICK
|
|
I've been able to determine La
|
|
Forge's transport coordinates.
|
|
|
|
90D INT. ENGINEERING
|
|
|
|
HEDRICK'S COM VOICE
|
|
(continuing)
|
|
He beamed down next to the Aries
|
|
shuttle.
|
|
|
|
RIKER
|
|
Acknowledged.
|
|
|
|
Riker and Worf cross to the pool table. As Riker
|
|
punches up something on its monitor...
|
|
|
|
RIKER
|
|
He's on foot... couldn't have
|
|
gotten far by now. Let's assume
|
|
a radius of ten kilometers...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/17/91 - ACT FIVE 47B.
|
|
|
|
90D CONTINUED:
|
|
|
|
WORF
|
|
That is still a search area of
|
|
more than three hundred square
|
|
kilometers.
|
|
|
|
Riker hears this... knows what they're up against...
|
|
|
|
RIKER
|
|
We've got to narrow it down.
|
|
What's happening with the enhanced
|
|
sensor arrays?
|
|
|
|
Worf punches up something else on the pool table,
|
|
studies it... then shakes his head.
|
|
|
|
WORF
|
|
All scans are still negative.
|
|
|
|
Riker frowns with frustration.
|
|
|
|
RIKER
|
|
There has to be some way to track
|
|
him.
|
|
(new thought)
|
|
What about the high resolution
|
|
EM scans?
|
|
|
|
WORF
|
|
We are adjusting the sensors to
|
|
read Commander La Forge's
|
|
absorption spectrum... but it
|
|
will take several hours.
|
|
|
|
RIKER
|
|
(beat)
|
|
Geordi doesn't have several hours.
|
|
|
|
Data approaches... carrying the now assembled,
|
|
baton-like emergency beacon.
|
|
|
|
DATA
|
|
I have completed the
|
|
modifications, Commander.
|
|
|
|
On the move.
|
|
|
|
RIKER
|
|
(keying insignia)
|
|
Doctor Crusher... meet us in
|
|
Transporter Room Six.
|
|
Immediately.
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/17/91 - ACT FIVE 48.
|
|
|
|
90E INT. SICKBAY (FORMERLY 90A)
|
|
|
|
Beverly is readying her medical kit for the Away
|
|
Team...
|
|
|
|
BEVERLY
|
|
(to Ogawa)
|
|
... And I'm going to need a
|
|
sedative for him... Get me ten
|
|
cc's of kayolane...
|
|
|
|
Ogawa acknowledges, leaves as...
|
|
|
|
SUSANNA (O.S.)
|
|
Doctor Crusher...
|
|
|
|
91 ANGLE
|
|
|
|
To reveal Susanna who has regained consciousness...
|
|
still part alien but her eyes once again clear and
|
|
human.
|
|
|
|
BEVERLY
|
|
You look a lot better than you
|
|
did an hour ago...
|
|
|
|
SUSANNA
|
|
(weak)
|
|
What did you do?
|
|
|
|
BEVERLY
|
|
We removed some kind of parasite
|
|
from your thymus...
|
|
|
|
SUSANNA
|
|
(interrupts)
|
|
No.
|
|
(off Bev's look)
|
|
It wasn't a parasite, Doctor.
|
|
(with new found inner
|
|
knowledge)
|
|
It's their method of
|
|
reproduction... to plant a DNA
|
|
strand in a living host... that
|
|
causes a metamorphosis.
|
|
(beat)
|
|
... Geordi?
|
|
|
|
Beverly barely has time to react... when Susanna's
|
|
alien instincts tell her. Sitting up, alarmed...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FIVE 49.
|
|
|
|
91 CONTINUED:
|
|
|
|
SUSANNA
|
|
He's gone...
|
|
|
|
BEVERLY
|
|
Yes...
|
|
|
|
SUSANNA
|
|
He's on the planet...
|
|
|
|
BEVERLY
|
|
Don't try to get up yet...
|
|
|
|
SUSANNA
|
|
We have to find him...
|
|
|
|
BEVERLY
|
|
An away team is about to start
|
|
a search.
|
|
|
|
SUSANNA
|
|
You'll never be able to find
|
|
him...
|
|
(beat)
|
|
I'm the only one who can.
|
|
|
|
Off Beverly's reaction...
|
|
|
|
92 EXT. TARCHANNEN THREE - THE OUTPOST
|
|
|
|
The dark, gloomy landscape... the deserted buildings.
|
|
|
|
93 BY THE SHUTTLE (OPTICAL)
|
|
|
|
Riker, Beverly, Susanna, Worf, and Data MATERIALIZE
|
|
near the abandoned shuttle. Data holds a foot long,
|
|
baton-like emergency beacon. As they all turn on their
|
|
individual palm beacons... Susanna reacts to the light,
|
|
blinks, uncomfortable, turns away...
|
|
|
|
SUSANNA
|
|
No... you must turn them off...
|
|
the light frightens them...
|
|
|
|
Riker nods to the others, all turn off the beacons.
|
|
|
|
RIKER
|
|
(to Susanna; re: the
|
|
emergency beacon)
|
|
What about the ultraviolet?
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FIVE 50.
|
|
|
|
93 CONTINUED:
|
|
|
|
SUSANNA
|
|
That is beyond their visual
|
|
spectrum... they will not run from
|
|
it.
|
|
|
|
WORF
|
|
He could be several kilometers
|
|
away by now.
|
|
|
|
Susanna shakes her head.
|
|
|
|
SUSANNA
|
|
No... he's here... they're all
|
|
here...
|
|
|
|
Susanna moves into the underbrush. The others
|
|
follow...
|
|
|
|
93A FAVORING SUSANNA
|
|
|
|
As she slowly surveys the grey, spindly plants... the
|
|
deserted dunes.
|
|
|
|
SUSANNA
|
|
There.
|
|
|
|
Data raises the emergency beacon. Its filament GLOWS,
|
|
flooding the area with an intense BLUE RADIANCE.
|
|
|
|
94 OMITTED
|
|
|
|
95 WIDE (OPTICAL)
|
|
|
|
The bright light reveals TWO TARCHANNEN CREATURES.
|
|
Even in the fuzzy, fluorescent glow, their appearance
|
|
is more extreme than Geordi's was... more alien.
|
|
|
|
Susanna looks around, reacts as she sees...
|
|
|
|
96 THE ALIEN/GEORDI
|
|
|
|
Partially hidden in nearby underbrush; silhouetted by
|
|
the vivid blue light, barely recognizable. Reactions.
|
|
|
|
BEVERLY
|
|
Geordi...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FIVE 51.
|
|
|
|
THE TWO ALIENS (OPTICAL)
|
|
|
|
Suddenly rush off, shoving the underbrush aside as they
|
|
vanish into the darkness. Worf and Riker rush the
|
|
Alien/Geordi, but he darts past them.
|
|
|
|
SUSANNA
|
|
Geordi... stop...
|
|
|
|
98 DATA
|
|
|
|
Pursues Geordi, beacon held high, moving at top,
|
|
android speed as...
|
|
|
|
99 WORF AND RIKER
|
|
|
|
Move in pursuit... Beverly and Susanna following...
|
|
|
|
100
|
|
thru OMITTED
|
|
101
|
|
|
|
101A DATA - IN THE UNDERBRUSH
|
|
|
|
He runs into a secluded area... stops. Pans the
|
|
beacon... no Geordi. The others arrive.
|
|
|
|
SUSANNA
|
|
Wait here...
|
|
|
|
Susanna moves toward some rocks... looks past them...
|
|
seeing only indistinct shapes at first...
|
|
|
|
Then she steps closer... and discovers the three aliens
|
|
huddled in the shadows behind the rocks... vaguely
|
|
outlined by the beacon's blue light.
|
|
|
|
SUSANNA
|
|
(gently, quietly)
|
|
Geordi, my voice is familiar...
|
|
listen to it... you can feel that
|
|
we share this... you know I am
|
|
not a threat...
|
|
|
|
She slowly moves closer...
|
|
|
|
SUSANNA
|
|
The others... Mendez, Brevelle,
|
|
they no longer exist as humans...
|
|
but a part of you still does.
|
|
You are not one of them... not
|
|
yet. I can help you... if you'll
|
|
just trust me...
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FIVE 52.
|
|
|
|
101B ANGLE - THE AWAY TEAM
|
|
|
|
Watches when...
|
|
|
|
101C RESUME - SUSANNA AND ALIEN/GEORDI
|
|
|
|
She reaches out a hand... The other two scramble away
|
|
but Geordi stays...
|
|
|
|
SUSANNA
|
|
I know what's going on inside
|
|
you... the war you're fighting
|
|
with yourself... the humanity
|
|
slipping away... the instinct to
|
|
run... It's overpowering, but
|
|
they know how to beat it now...
|
|
|
|
Geordi shakes his head, moves as if to follow the
|
|
other two aliens. Susanna stops him with...
|
|
|
|
SUSANNA
|
|
Look at me... I've come back...
|
|
Let me take you back, too.
|
|
|
|
Slowly, Geordi emerges... bathed in the blue light...
|
|
|
|
SUSANNA
|
|
Just take my hand... please...
|
|
|
|
She continues to hold out her hand... and finally he
|
|
reaches out and takes it with his hand. A long beat.
|
|
|
|
101D ANGLE - THE AWAY TEAM
|
|
|
|
BEVERLY
|
|
(taps insignia)
|
|
Crusher to Enterprise. Lock on
|
|
to Commander Leitjen's signal...
|
|
prepare to transport two directly
|
|
to Sickbay.
|
|
|
|
101E RESUME - GEORDI AND SUSANNA (OPTICAL)
|
|
|
|
SUSANNA
|
|
We're going home, Geordi.
|
|
|
|
And they DEMATERIALIZE...
|
|
|
|
STAR TREK: "Identity Crisis" - REV. 1/14/91 - ACT FIVE 52A.
|
|
|
|
102
|
|
thru OMITTED
|
|
107
|
|
|
|
108 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Still in orbit over grey, murky Tarchannen Three.
|
|
|
|
108A INT. SICKBAY
|
|
|
|
Geordi, clearly on the road to recovery... though his
|
|
skin is still patterned with a few blotches.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FIVE 53.
|
|
|
|
108A ANGLE
|
|
|
|
Picard, Beverly and Susanna at his beside... Susanna
|
|
is completely back to normal.
|
|
|
|
PICARD
|
|
Is there no hope for the others?
|
|
Brevelle, Mendez...
|
|
|
|
SUSANNA
|
|
(shakes her head)
|
|
None.
|
|
|
|
Geordi moves and regains consciousness... he's without
|
|
his VISOR so he can't see...
|
|
|
|
GEORDI
|
|
(slight panic)
|
|
Susanna...
|
|
|
|
She takes his hand...
|
|
|
|
SUSANNA
|
|
I'm here, Geordi. So's Doctor
|
|
Crusher and Captain Picard.
|
|
|
|
Beverly puts on his VISOR... Geordi sighs, keeps his
|
|
head down on the pillow...
|
|
|
|
GEORDI
|
|
(weakly)
|
|
Lieutenant Commander La Forge
|
|
reporting for duty, Captain.
|
|
|
|
PICARD
|
|
Welcome back, Mister La Forge.
|
|
|
|
BEVERLY
|
|
(to Susanna)
|
|
This species... can we communicate
|
|
with them?
|
|
|
|
But Geordi answers...
|
|
|
|
GEORDI
|
|
No. They act on instinct alone.
|
|
(beat)
|
|
In another few minutes, I wouldn't
|
|
have responded to you at all,
|
|
Susanna.
|
|
|
|
STAR TREK: "Identity Crisis" - 1/11/91 - ACT FIVE 54.
|
|
|
|
108A CONTINUED:
|
|
|
|
PICARD
|
|
Then we shall leave them be. I'll
|
|
order warning beacons placed in
|
|
orbit and on the surface.
|
|
Hopefully, no one else will have
|
|
to go through what you did.
|
|
|
|
He exits. Beverly moves away with him, leaving Geordi
|
|
and Susanna alone.
|
|
|
|
GEORDI
|
|
Down there, I didn't know who you
|
|
were... and yet somehow I
|
|
believed you... trusted you...
|
|
|
|
SUSANNA
|
|
(grins)
|
|
Must've been all the good advice
|
|
I used to give you...
|
|
|
|
Geordi almost laughs... but a shudder rolls across his
|
|
body... he pulls her close to him and hugs her
|
|
tightly... he takes a deep unsteady breath and whispers
|
|
in her ear...
|
|
|
|
GEORDI
|
|
Thank you.
|
|
|
|
As she comforts him...
|
|
|
|
FADE OUT.
|
|
|
|
109 OMITTED
|
|
|
|
110 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
In orbit around Tarchannen Three.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|