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1 line
67 KiB
Plaintext
Executable File
1 line
67 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"A Matter of Time"
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#40275-209
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Written by
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Rick Berman
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Directed by
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Paul Lynch
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1991 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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STAR TREK: "A Matter of Time" - REV. 9/25/91 - CAST
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STAR TREK: THE NEXT GENERATION
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"A Matter of Time"
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CAST
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PICARD BERLINGOFF RASMUSSEN
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RIKER HAL MOSELEY
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DATA FEMALE SCIENTIST
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BEVERLY
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TROI
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GEORDI
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WORF
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Non-Speaking
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N.D. SCIENTISTS
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AN ENSIGN
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Non-Speaking
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SUPERNUMERARIES
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AN ENGINEER
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ENGINEERING CREW
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SECURITY GUARD
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A NURSE
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A BOY IN SICKBAY
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A MALE PATIENT
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STAR TREK: "A Matter of Time" - 9/20/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"A Matter of Time"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM RASMUSSEN'S VESSEL
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ENGINEERING
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TURBOLIFT PENTHARA FOUR
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CORRIDOR CITY (MATTE)
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TEN-FORWARD
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SICKBAY
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RASMUSSEN'S GUEST QUARTERS
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SHUTTLEBAY
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PENTHARA FOUR
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SCIENCE LAB
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RASMUSSEN'S VESSEL
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STAR TREK: "A Matter of Time" - REV. 9/26/91 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"A Matter of Time"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at warp speed.
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PICARD (V.O.)
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Captain's log, stardate 45333.3.
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The Enterprise is on its way to
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Penthara Four where a type C
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asteroid has struck an unpopulated
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continent.
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2 INT. GEORDI'S OFFICE
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NUMEROUS ENGINEERING CREW are busily working with
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GEORDI and DATA.
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PICARD (V.O.)
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(continuing)
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The resulting dust cloud could
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very well create a phenomenon not
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unlike the nuclear winters of
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twenty-first-century Earth.
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Commander La Forge has begun work
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on a plan that would counteract
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the devastation.
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Geordi looks over as RIKER ENTERS.
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GEORDI
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I'm afraid the numbers coming in
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are already indicating climatic
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changes, sir.
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RIKER
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What kind of drop can we expect?
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DATA
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If the Pentharan spheral forecasts
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are correct, ten to twelve degrees
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Celsius within the first ten days.
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STAR TREK: "A Matter of Time" - REV. 9/25/91 - TEASER 2.
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2 CONTINUED:
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GEORDI
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If it continues like that, their
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entire ecosystem will be shot
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to hell.
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RIKER
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And I doubt they're prepared to
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cope with the kind of cold that's
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coming.
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PICARD'S COM VOICE
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Commander Riker.
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RIKER
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(keys combadge)
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Yes, Captain.
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PICARD'S COM VOICE
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Would you join me on the bridge,
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please.
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RIKER
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On my way.
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(to guys)
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Let me know if those forecast
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numbers change.
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Geordi and Data acknowledge as Riker EXITS.
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3 INT. BRIDGE
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PICARD, WORF, AN ENSIGN at theconn, and SUPERNUMERARIES
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at various stations.
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PICARD
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Are you certain, Worf?
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WORF
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There was a space/time
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distortion, sir. And there is
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something back there. We passed
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within three hundred kilometers
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of it.
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PICARD
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A bit close for coincidence.
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(to com)
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Mister La Forge?
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GEORDI'S COM VOICE
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Yes, sir.
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STAR TREK: "A Matter of Time" - 9/20/91 - TEASER 3.
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3 CONTINUED:
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PICARD
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Would a delay of an hour affect
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your plans?
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INTERCUT:
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4 INT. GEORDI'S OFFICE
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GEORDI
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Not unless another asteroid
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decides to pay a call on Penthara,
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sir.
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DATA
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The odds of that occurring,
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Captain, are extremely unlikely,
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given the time frame.
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5 INT. BRIDGE - CONTINUOUS
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as Riker ENTERS.
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PICARD
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Thank you, Mister Data.
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(to Ensign)
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Prepare to come about, Ensign.
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Let's take a look at Mister Worf's
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distortion.
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ENSIGN
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Aye, sir.
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RIKER
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Mister Worf's what?
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PICARD
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The Lieutenant's sensors detected
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a temporal distortion, Number One,
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almost directly on our current
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course. There seems to be a small
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object back there that wasn't
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there a few moments ago.
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On Riker and Picard's mutual curiosity...
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6 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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comes out of warp and makes a sweeping turn.
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STAR TREK: "A Matter of Time" - REV. 9/25/91 - TEASER 4.
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7 INT. BRIDGE (OPTICAL)
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As before.
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WORF
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The object is fifty kilometers
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ahead, sir.
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PICARD
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Full stop, Ensign.
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ENSIGN
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Aye, sir.
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PICARD
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On screen.
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A view of a tiny multifaceted spacecraft appears.
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RIKER
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Dimensions, Worf?
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WORF
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Approximately five meters in
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length, sir.
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PICARD
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Lifesigns?
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WORF
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No signs of any kind, sir.
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Sensors are not penetrating its
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hull.
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PICARD
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Try hailing it.
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WORF
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(pushes a series
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of buttons)
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That's odd.
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RIKER
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What's odd?
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WORF
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We've received a response, sir,
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but...
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PICARD
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(get on with it)
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Yes, Mister Worf?
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STAR TREK: "A Matter of Time" - REV. 9/25/91 - TEASER 5.
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7 CONTINUED:
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WORF
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They want you to... "Move over,"
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sir.
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PICARD
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(looks at Riker and then
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back at Worf)
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Reply that the Enterprise isn't
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going anywhere, Lieutenant.
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WORF
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Not the Enterprise, Captain. You.
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Picard turns and walks toward Worf.
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PICARD
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What are you trying to...
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Suddenly there's a bright flash where Picard had been
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standing. RASMUSSEN, a kindly-looking human male in
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his late forties, APPEARS. He is wearing a drab,
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nondescript jump suit and a baggy "lab" jacket. He
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carries a small valise.
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RASMUSSEN
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Excuse me, Captain, but you were
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standing right where I needed to
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be.
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PICARD
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Who are you?
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RASMUSSEN
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Rasmussen's the name, sir.
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Professor Berlinghoff Rasmussen.
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(looking around in
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amazement)
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Ah... this is wonderful.
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Actually, quite a bit larger than
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I thought.
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PICARD
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Really?
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RASMUSSEN
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Where I come from, every historian
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knows the bridge of old 1701-D.
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PICARD
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And where exactly is it you come
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from?
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STAR TREK: "A Matter of Time" - 9/20/91 - TEASER 6.
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7 CONTINUED: (2)
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RASMUSSEN
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Why Earth... late twenty-sixth
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century Earth, to be exact. You
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see, I've traveled back nearly
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three hundred years just to find
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you.
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Off their reactions we...
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FADE OUT.
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END OF TEASER
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STAR TREK: "A Matter of Time" - 9/20/91 - ACT ONE 7.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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8 INT. READY ROOM
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Picard sits behind his desk while Rasmussen paces,
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checking things out.
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PICARD
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Exactly what kind of historian
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are you?
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RASMUSSEN
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(as he continues to
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pace, picking things
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up, turning them over)
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My focus is on the twenty-second
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through the twenty-fourth centuries,
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early interstellar history.
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(picking up Picard's
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Shakespeare volume)
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You know, it was always believed
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this was on your desk, not here...
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Fascinating.
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(he turns to Picard,
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good naturedly)
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Now don't move it on my account.
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PICARD
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You can't expect me to believe
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that the layout of my ready room
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is of interest to future
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historians...
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RASMUSSEN
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No less so than your legendary
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modesty, Captain. I wish I could
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describe to you what a thrill it
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is to be here...
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(he stops at the
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painting over Picard's
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couch)
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This is the original, isn't it?
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STAR TREK: "A Matter of Time" - 9/20/91 - ACT ONE 8.
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8 CONTINUED:
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PICARD
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You flatter me Professor, but I
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can't help but wonder what could
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possibly have caused you to select
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me as the subject of your study.
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Even in this decade, there are
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far wiser and more experienced
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Humans both in and out of
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Starfleet.
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RASMUSSEN
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I'd love to tell you, Picard.
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I really would. But try and
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imagine what a young Caesar might
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have done differently if someone
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had given him a hint of what lay
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ahead. Or, if Lincoln had been
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coerced into changing his theater
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plans. I truly wish I could be
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more specific on why you were
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selected, but I'm afraid the
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exchange of information will have
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to flow in one direction only.
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As Rasmussen talks, he walks to the door and paces out
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the distance to the window.
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RASMUSSEN
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...four... five... six... seven
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meters. HA! I was right!
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Off Picard's look...
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9 INT. OBSERVATION LOUNGE
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Picard, Riker, Worf, BEVERLY, TROI, Data and Geordi.
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Rasmussen is sitting beside Picard.
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WORF
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Why now?
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GEORDI
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Right. If you came back to study
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us, to study the captain, why did
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you pick today? Why not a year
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ago... or a year from now?
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RASMUSSEN
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Oh, I picked the right day
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alright. Just wait, you'll see.
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(MORE)
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STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT ONE 9.
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9 CONTINUED:
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RASMUSSEN (cont'd)
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(to Worf)
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Do you always sit there, on that
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side of the table?
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WORF
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Usually. Why?
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RASMUSSEN
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(shakes his head and
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smiles)
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It's not important.
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Worf is starting to dislike this man.
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RIKER
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Tell me, Professor, at what point
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does time travel become a tool
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for historians?
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RASMUSSEN
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Now, now, Commander. You know
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better than that. I've studied
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a great deal about your century.
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Including the fact that you're
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all quite aware of the dangers
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of anyone altering the past. And
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that's exactly what I'd be doing
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if I were to divulge information
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like that.
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BEVERLY
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Telurian plague!
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RASMUSSEN
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I beg your pardon?
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BEVERLY
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Telurian plague... was it cured?
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I mean, has it been cured by your
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century? There can't be any harm
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in asking that.
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Rasmussen turns to Picard for help.
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PICARD
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I realize it will be difficult,
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but we must all keep our questions
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regarding the future to ourselves.
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Professor...
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Rasmussen stands.
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STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT ONE 10.
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9 CONTINUED: (2)
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RASMUSSEN
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I'll be preparing questionnaires
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for each of you. Please complete
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them at your convenience. If
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you're concerned about a possible
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breach of security, I'm sure your
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captain can make a
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determination... And, thank you
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in advance for curbing your
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curiosity.
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GEORDI
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(sarcastic)
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If I hand my assignment in on
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time, do I get a little glimpse
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into next week's poker game?
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Rasmussen laughs good heartedly.
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PICARD
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Mister Data, please show the
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Professor to his quarters.
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DATA
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(standing)
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This way, sir.
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Data leads Rasmussen to the door and they EXIT.
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RIKER
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What did he mean he picked the
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right day?
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PICARD
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You know everything I do, Will.
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RIKER
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Deanna?
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TROI
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It's hard to tell. But he is
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holding something back.
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BEVERLY
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(to Troi)
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Of course he is. Think of all
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the things he could tell us...
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all the things he'd like to tell
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us...
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STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT ONE 11.
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9 CONTINUED: (3)
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TROI
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(shaking her head)
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That might be it, I don't know.
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RIKER
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How can we be sure he's not an
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imposter? God knows we've run
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into enough of them.
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PICARD
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He is Human. Our medical scans
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have proved that. Haven't they,
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Doctor?
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BEVERLY
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He's Human, alright.
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PICARD
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And there was a temporal
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distortion back there, correct
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Mister Worf?
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WORF
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(begrudgingly)
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Yes, sir.
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PICARD
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And no one can deny that ship of
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his is unlike anything we've ever
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seen before.
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GEORDI
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The hull is composed of some kind
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of plasticized tritanium mesh.
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Nothing we have on record... at
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least not 'til the present.
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Worf grumbles skeptically.
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PICARD
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I appreciate your caution, Mister
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Worf. I share it. Have his
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vessel brought into a shuttlebay.
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Place it under guard.
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WORF
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Yes, sir.
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PICARD
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I realize this isn't going to
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be an easy visit for some of you.
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(MORE)
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STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT ONE 11A.
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9 CONTINUED: (4)
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PICARD (Cont'd)
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Nevertheless, I've reviewed the
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Professor's credentials, and
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they're in order. So, I'd like
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you all to extend him every
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courtesy.
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STAR TREK: "A Matter of Time" - 9/20/91 - ACT ONE 12.
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9 CONTINUED: (4)
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WORF
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(put upon)
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Including questionnaires?
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PICARD
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Including questionnaires.
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|
Dismissed.
|
|
|
|
As all stand to leave, we CUT TO...
|
|
|
|
10 INT. TURBOLIFT
|
|
|
|
Rasmussen and Data. The lift is in motion. Rasmussen
|
|
is inspecting Data like a car enthusiast would a
|
|
vintage Ferrari.
|
|
|
|
RASMUSSEN
|
|
This is really a thrill, Data.
|
|
Like running across a Redstone
|
|
missile or a Guttenberg bible.
|
|
To think... the Model T of
|
|
androids.
|
|
|
|
The lift stops and the doors open. Rasmussen and Data
|
|
EXIT into the corridor.
|
|
|
|
11 INT. CORRIDOR
|
|
|
|
as Rasmussen and Data head for Rasmussen's quarters.
|
|
|
|
DATA
|
|
If you're referring to the first
|
|
production model automobile of
|
|
the twentieth century, perhaps the
|
|
subsequent Model A might be a more
|
|
apt analogy since I am Noonian
|
|
Soong's revised prototype.
|
|
|
|
Rasmussen continues to check Data out as they reach his
|
|
quarters.
|
|
|
|
RASMUSSEN
|
|
I stand corrected.
|
|
|
|
The door opens and they go in...
|
|
|
|
12 INT. RASMUSSEN'S QUARTERS
|
|
|
|
Rasmussen looks around, disappointed.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT ONE 13.
|
|
|
|
12 CONTINUED:
|
|
|
|
DATA
|
|
Is there a problem, sir?
|
|
|
|
RASMUSSEN
|
|
I suppose it will have to do, for
|
|
now. I'll get you a list of
|
|
things I'll be needing. You're
|
|
dismissed.
|
|
|
|
Data starts to leave. Rasmussen walks to the sink and
|
|
begins to wash his hands.
|
|
|
|
DATA
|
|
(almost shy)
|
|
Would I be correct, Professor,
|
|
in assuming that you know whether
|
|
or not I am still... alive in
|
|
the twenty-sixth century?
|
|
|
|
Rasmussen ignores Data. He finishes washing and holds
|
|
out his hand, treating Data like a men's room
|
|
attendant. After a beat, Data catches on and hands him
|
|
a towel.
|
|
|
|
DATA
|
|
(continuing his line
|
|
of questioning)
|
|
Since you seemed to know so much
|
|
about Captain Picard and the
|
|
ship... I assumed that you
|
|
would...
|
|
|
|
Rasmussen sits at his desk.
|
|
|
|
RASMUSSEN
|
|
(patronizing)
|
|
It would be best if you kept your
|
|
assumptions to yourself, wouldn't
|
|
it?
|
|
|
|
DATA
|
|
Yes, sir. I am sorry, sir.
|
|
|
|
Data EXITS and Rasmussen looks after him, again
|
|
fascinated. He sits back, and smiles. Whatever his
|
|
plans, they are clearly going just as he'd hoped.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
13 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
comes out of warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45334.5.
|
|
We have arrived at Penthara
|
|
Four...
|
|
|
|
14 EXT. SPACE - ANOTHER ANGLE (OPTICAL)
|
|
|
|
As the Enterprise enters orbit of a planet partially
|
|
covered by huge dark clouds of dust.
|
|
|
|
PICARD (V.O.)
|
|
(continuing)
|
|
... and can see for ourselves the
|
|
atmospheric devastation caused
|
|
by the asteroid impact.
|
|
|
|
15 EXT. PENTHARA IV - MATTE PAINTING
|
|
|
|
A city with eerie dark clouds above. It is snowing
|
|
heavily.
|
|
|
|
16 INT. PENTHARA SCIENCE LAB
|
|
|
|
Meteorologist HAL MOSELEY's large cluttered office has
|
|
been temporarily transformed into a crisis center.
|
|
NUMEROUS N.D. SCIENTISTS move from one set of monitors
|
|
to another. Picard and Geordi are beside Moseley.
|
|
The snow can be seen through windows. Picard points
|
|
to a map on a monitor.
|
|
|
|
PICARD
|
|
We've located three underground
|
|
pockets of carbon dioxide...
|
|
here, here and here. Our drilling
|
|
phasers can release enough of the
|
|
gas to form an envelope which
|
|
would temporarily hold in the heat
|
|
from the sun.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 15.
|
|
|
|
16 CONTINUED:
|
|
|
|
MOSELEY
|
|
(laughing at the irony)
|
|
We spend years, decades trying
|
|
to avoid anything that would lead
|
|
to a greenhouse effect and here
|
|
we are about to create one on
|
|
purpose.
|
|
|
|
GEORDI
|
|
Less than twenty percent of your
|
|
normal sunlight is getting through
|
|
that dust, Doctor. If we can hold
|
|
enough heat in with the CO2, it
|
|
should give the planet time to
|
|
mend itself.
|
|
|
|
A worried FEMALE SCIENTIST approaches.
|
|
|
|
FEMALE
|
|
Doctor Moseley.
|
|
|
|
MOSELEY
|
|
(seeing her expression)
|
|
What now?
|
|
|
|
FEMALE
|
|
New Seattle is reporting a cloud
|
|
depth of twelve kilometers. Two
|
|
rivers, tropical rivers, are
|
|
beginning to freeze.
|
|
|
|
Moseley turns to Picard.
|
|
|
|
MOSELEY
|
|
We better get started before
|
|
there's nothing left to mend.
|
|
|
|
Off their reactions...
|
|
|
|
17 INT. TEN FORWARD
|
|
|
|
Rasmussen ENTERS holding a small pile of rectangular
|
|
chips and looks around gleefully. He sees Riker,
|
|
Worf, and Beverly at a table and heads over to join
|
|
them.
|
|
|
|
RIKER
|
|
(quietly)
|
|
Look who's here.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 16.
|
|
|
|
17 CONTINUED:
|
|
|
|
WORF
|
|
I hate questionnaires.
|
|
|
|
BEVERLY
|
|
(with enthusiasm, she's
|
|
quite taken with
|
|
Rasmussen)
|
|
Professor, please come join us.
|
|
|
|
Rasmussen goes to sit next to Worf, but thinks better
|
|
of it and sits near Beverly.
|
|
|
|
RASMUSSEN
|
|
I hope I'm not intruding.
|
|
|
|
BEVERLY
|
|
Not at all. You're probably the
|
|
topic of conversation at every
|
|
table in the room.
|
|
|
|
Rasmussen shuffles through the chips, finds the three
|
|
appropriate ones, and distributes them to those
|
|
present.
|
|
|
|
RASMUSSEN
|
|
As I promised, here are your
|
|
assignments. I'm sure they'll
|
|
be painless. Please try to
|
|
complete them by tomorrow.
|
|
|
|
WORF
|
|
(peeved)
|
|
Tomorrow!
|
|
|
|
Riker makes eye contact with Worf. Tells him to cool
|
|
it. However, he feels almost as put-upon as his
|
|
tactical officer.
|
|
|
|
RIKER
|
|
No problem, Professor.
|
|
|
|
Rasmussen looks from face to face, fascinated.
|
|
|
|
RASMUSSEN
|
|
(smiling)
|
|
You're all very calm.
|
|
|
|
RIKER
|
|
(puzzled)
|
|
Do we have reason not to be?
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 17.
|
|
|
|
17 CONTINUED: (2)
|
|
|
|
RASMUSSEN
|
|
History always records where
|
|
people were, what they were doing,
|
|
when important events took place.
|
|
But it rarely remembers their
|
|
activities -- say, a week before...
|
|
or a day... or even an hour.
|
|
|
|
WORF
|
|
Are you suggesting an important
|
|
event is imminent?
|
|
|
|
RASMUSSEN
|
|
I didn't say that, did I?
|
|
Please... go on doing what you
|
|
were doing, pretend I'm not here.
|
|
|
|
They are all a bit uncomfortable, unable to "go on
|
|
doing what they were doing."
|
|
|
|
RIKER
|
|
(after a long beat)
|
|
How come there's no record of
|
|
other future historians traveling
|
|
back to witness "important
|
|
events?"
|
|
|
|
RASMUSSEN
|
|
We're obviously very careful.
|
|
Matter of fact, a colleague and
|
|
I recently paid a call on a
|
|
twenty-second century vessel.
|
|
|
|
BEVERLY
|
|
(fascinated)
|
|
They hadn't even perfected
|
|
quarantine fields by then. You
|
|
must have seen surgical masks and
|
|
gloves.
|
|
|
|
RASMUSSEN
|
|
Isn't it fascinating how everyone
|
|
has different interests when it
|
|
comes to history... different
|
|
perspectives on progress.
|
|
|
|
Rasmussen opens a small finger ring, looks inside,
|
|
smiles, and closes it.
|
|
|
|
RIKER
|
|
Mind if I ask what that is?
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 18.
|
|
|
|
17 CONTINUED: (3)
|
|
|
|
RASMUSSEN
|
|
Just checking the time... No
|
|
problem.
|
|
|
|
RIKER
|
|
(getting a bit
|
|
frustrated)
|
|
Is something supposed to be
|
|
happening here?
|
|
|
|
Rasmussen waves his hand, dismissing the question.
|
|
|
|
RASMUSSEN
|
|
No, no, nothing.
|
|
(changing the subject)
|
|
What about you, Commander? What
|
|
do you see as the most important
|
|
example of progress over the
|
|
last two hundred years?
|
|
|
|
RIKER
|
|
(pauses)
|
|
I suppose the warp coil. Before
|
|
we had warp drive, Humans were
|
|
confined to a single sector of
|
|
the galaxy.
|
|
|
|
RASMUSSEN
|
|
Spoken like the consummate
|
|
explorer.
|
|
|
|
Rasmussen looks around the room, as if he were waiting
|
|
for something to happen.
|
|
|
|
RIKER
|
|
What's going on? You waiting for
|
|
someone?
|
|
|
|
WORF
|
|
(abruptly)
|
|
Phasers!
|
|
|
|
Riker and Rasmussen turn to Worf.
|
|
|
|
RIKER
|
|
Where?!
|
|
|
|
RASMUSSEN
|
|
Beg your pardon?
|
|
|
|
WORF
|
|
There were no phasers in the 22nd
|
|
century.
|
|
|
|
Riker sighs and sits back.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT TWO 19.
|
|
|
|
17 CONTINUED: (4)
|
|
|
|
RASMUSSEN
|
|
Ah, you see Doctor? Our Klingon
|
|
friend is a perfect example of
|
|
what I was trying to tell you.
|
|
He views history through the eyes
|
|
of a hunter, a warrior. His
|
|
passion lies in the perfection
|
|
of the tools of violence. How
|
|
delightfully primitive.
|
|
|
|
Off Worf's reaction we:
|
|
|
|
CUT TO:
|
|
|
|
18 INT. ENGINEERING (OPTICAL)
|
|
|
|
Geordi and an N.D. ENGINEER are at a console.
|
|
|
|
GEORDI
|
|
As soon as we input this
|
|
atmospheric data from Moseley,
|
|
the computer should tell us
|
|
how many holes we'll have to
|
|
punch.
|
|
|
|
He hands a chip to the engineer, who nods and EXITS as
|
|
Data ENTERS.
|
|
|
|
GEORDI
|
|
(continuing)
|
|
Ah, Data. Good.
|
|
|
|
DATA
|
|
What have you learned about the
|
|
tectonic stability around the
|
|
drilling sites?
|
|
|
|
Rasmussen ENTERS, unnoticed.
|
|
|
|
GEORDI
|
|
Couldn't be better. Our scans
|
|
were all clear and Moseley says
|
|
there hasn't been so much as a
|
|
quiver in over a century.
|
|
|
|
RASMUSSEN
|
|
Ah, just the two I'm looking for.
|
|
I've brought the forms I'd like
|
|
you to complete.
|
|
|
|
Rasmussen hands Geordi and Data a chip each.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 20.
|
|
|
|
18 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
It shouldn't take more than a
|
|
couple of hours.
|
|
|
|
GEORDI
|
|
We're kind of busy here,
|
|
Professor. Tomorrow might be
|
|
better.
|
|
(to Data, as he points
|
|
to a monitor)
|
|
We've got about twenty-three
|
|
thousand thermal simulations.
|
|
You think you could check them
|
|
through for anomalies?
|
|
|
|
DATA
|
|
Certainly.
|
|
|
|
Data sits down at the monitor and begins to punch keys
|
|
as the numbers scroll by at a great speed.
|
|
|
|
RASMUSSEN
|
|
(to Geordi)
|
|
Is that as fast as he can go?
|
|
|
|
GEORDI
|
|
Not fast enough for you,
|
|
Professor?
|
|
|
|
RASMUSSEN
|
|
There's very little known about
|
|
Data's efficiency... almost
|
|
nothing about his part in this
|
|
mission. It's a topic of great
|
|
conjecture.
|
|
|
|
DATA
|
|
(finishing his task)
|
|
Two hundred nine anomalies all
|
|
within acceptable parameters.
|
|
|
|
GEORDI
|
|
Thanks, Data.
|
|
(to Rasmussen)
|
|
You've come to witness this
|
|
mission... that's it, isn't it?
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 21.
|
|
|
|
18 CONTINUED: (2)
|
|
|
|
RASMUSSEN
|
|
(checking his ring)
|
|
It would be best if you just
|
|
thought of me as a fly on the
|
|
wall, and went about your
|
|
business.
|
|
|
|
Data stands.
|
|
|
|
DATA
|
|
(to Rasmussen, re:
|
|
the chip)
|
|
I will return the answered
|
|
questions to you as soon as
|
|
possible, sir.
|
|
|
|
As Data EXITS into Main Engineering...
|
|
|
|
RASMUSSEN
|
|
(as if he were saying
|
|
"Moses on the
|
|
Mountain")
|
|
Data... at Penthara Four!
|
|
|
|
Geordi doesn't have time for this, he heads to another
|
|
terminal.
|
|
|
|
GEORDI
|
|
If you'll excuse me.
|
|
|
|
RASMUSSEN
|
|
(following)
|
|
Your prosthesis...
|
|
(trying to remember)
|
|
What do you call it?
|
|
|
|
GEORDI
|
|
A VISOR.
|
|
|
|
RASMUSSEN
|
|
VISOR, right. I have a picture
|
|
of you in my office wearing that.
|
|
How do you like it?
|
|
|
|
GEORDI
|
|
("when's this guy gonna
|
|
shut up?")
|
|
It allows me to see... I like it
|
|
fine.
|
|
|
|
RASMUSSEN
|
|
You know, Homer was blind... and
|
|
Milton. Bach, Monet, Wonder...
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 22.
|
|
|
|
18 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
(walking into
|
|
engineering)
|
|
A fly on the wall, eh?
|
|
|
|
Rasmussen picks up a small PADD and innocently drops it
|
|
into his pocket. He follows Geordi.
|
|
|
|
RASMUSSEN
|
|
(amiably)
|
|
A fly on the wall.
|
|
|
|
Geordi has rejoined Data at the pool table.
|
|
|
|
DATA
|
|
The computer has configured the
|
|
drilling pattern and specified
|
|
depths.
|
|
|
|
GEORDI
|
|
(taps insignia)
|
|
Captain, we've got what we need.
|
|
I'm ready to transport to the
|
|
surface.
|
|
|
|
PICARD'S COM VOICE
|
|
We'll notify Doctor Moseley. Good
|
|
luck, Geordi.
|
|
|
|
GEORDI
|
|
(To Data and Rasmussen)
|
|
Gentlemen.
|
|
|
|
Geordi EXITS. Rasmussen looks as though the curtain is
|
|
about to go up.
|
|
|
|
RASMUSSEN
|
|
(to Data)
|
|
Who said these moments were any
|
|
less exciting when you know the
|
|
outcome?
|
|
|
|
DATA
|
|
(puzzled)
|
|
I know of no one who said that,
|
|
Professor.
|
|
|
|
Off Rasmussen's reaction we:
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 23.
|
|
|
|
19 EXT. PENTHARA IV - MATTE PAINTING (OPTICAL)
|
|
|
|
of the city. The dark clouds have worsened. It is
|
|
still snowing.
|
|
|
|
20 INT. SCIENCE LAB
|
|
|
|
Geordi and Doctor Moseley are at a large bank of
|
|
monitoring equipment. The shrouded sky is visible
|
|
through windows. The snow continues. Geordi points
|
|
to a diagram.
|
|
|
|
GEORDI
|
|
The Enterprise will monitor the
|
|
CO2 concentrations at six
|
|
different altitudes. If all goes
|
|
well, it won't take more than
|
|
twenty bore sites.
|
|
|
|
MOSELEY
|
|
Let's hope all goes well.
|
|
|
|
GEORDI
|
|
(hits his com button)
|
|
La Forge to Commander Riker. How
|
|
are you doing?
|
|
|
|
INTERCUT:
|
|
|
|
21 INT. MAIN BRIDGE
|
|
|
|
Picard, Riker, Worf, the Ensign and SUPERNUMERARIES
|
|
at their stations.
|
|
|
|
RIKER
|
|
We're ready when you are, Geordi.
|
|
|
|
GEORDI'S COM VOICE
|
|
All we need's an open channel
|
|
with Data.
|
|
|
|
Riker stands up, begins to pace.
|
|
|
|
RIKER
|
|
Open the channel, Mister Worf,
|
|
and prepare to fire at target one.
|
|
|
|
WORF
|
|
The computer has locked in phaser
|
|
depth calculations.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 24.
|
|
|
|
21 CONTINUED:
|
|
|
|
RIKER
|
|
Mister Data?
|
|
|
|
DATA'S COM VOICE
|
|
Ready, sir.
|
|
|
|
Riker looks to Picard, who nods.
|
|
|
|
RIKER
|
|
Fire.
|
|
|
|
22 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the beam leaves the ship.
|
|
|
|
23 EXT. PENTHARA IV - MATTE PAINTING (OPTICAL)
|
|
|
|
as the beam bores into tundra. It is still snowing.
|
|
The beam stops and is immediately followed by another,
|
|
which hits a distance away.
|
|
|
|
24 INT. ENGINEERING
|
|
|
|
Data at a console. Other supernumeraries working at
|
|
various stations.
|
|
|
|
DATA
|
|
Target one is emitting two
|
|
thousand cubic meters per second.
|
|
Target two, one thousand six
|
|
hundred.
|
|
|
|
INTERCUT:
|
|
|
|
25 INT. SCIENCE LAB
|
|
|
|
as before.
|
|
|
|
MOSELEY
|
|
Surface wind patterns over targets
|
|
are stable.
|
|
|
|
GEORDI
|
|
You picking up anything at
|
|
altitude, Data?
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 25.
|
|
|
|
25 CONTINUED:
|
|
|
|
DATA'S COM VOICE
|
|
CO2 concentrations remain
|
|
unchanged at upper elevations.
|
|
|
|
26 EXT. PENTHARA IV - MATTE PAINTING (OPTICAL)
|
|
|
|
It is snowing. In the distance, a hole is being
|
|
drilled by the phaser. Then another. It ends and
|
|
suddenly a third hits very close to CAMERA.
|
|
|
|
27 INT. MAIN BRIDGE
|
|
|
|
as before. Riker continues to pace. Rasmussen ENTERS.
|
|
|
|
RASMUSSEN
|
|
Have I missed much?
|
|
|
|
He walks into the command area and sits in Riker's
|
|
chair.
|
|
|
|
WORF
|
|
Target fourteen complete, sir.
|
|
|
|
RIKER
|
|
Data?
|
|
|
|
DATA'S COM VOICE
|
|
No change, Commander.
|
|
|
|
Riker turns, notices Rasmussen in his chair. He's not
|
|
pleased, but continues monitoring the situation at
|
|
hand.
|
|
|
|
RIKER
|
|
Winds, Geordi?
|
|
|
|
GEORDI'S COM VOICE
|
|
Holding steady, sir.
|
|
|
|
An alarm is heard.
|
|
|
|
WORF
|
|
The computer has stopped the
|
|
drilling.
|
|
|
|
RIKER
|
|
You should be getting something,
|
|
Data.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT TWO 26.
|
|
|
|
28 INT. ENGINEERING
|
|
|
|
as before. A beep is heard from his console.
|
|
|
|
DATA
|
|
(pleased)
|
|
Elevated CO2 levels at twenty
|
|
kilometers.
|
|
|
|
GEORDI'S COM VOICE
|
|
Now you're talking. And we've
|
|
got some new temperatures coming in.
|
|
|
|
29 INT. SCIENCE LAB
|
|
|
|
as before.
|
|
|
|
MOSELEY
|
|
(excited; reading his
|
|
monitor)
|
|
All thermal monitoring stations
|
|
are reporting no further
|
|
temperature drops.
|
|
|
|
GEORDI
|
|
(equally excited)
|
|
Correction, Doctor. Two
|
|
equatorial stations are showing
|
|
slight increases.
|
|
|
|
Moseley sees it's working and turns to Geordi.
|
|
|
|
MOSELEY
|
|
Thank you.
|
|
(to com)
|
|
Thank you all. You've given us
|
|
what we need... time.
|
|
|
|
30 INT. MAIN BRIDGE
|
|
|
|
as before. Rasmussen is still in Riker's chair.
|
|
|
|
PICARD
|
|
Glad we could help, Doctor. The
|
|
Enterprise will remain in orbit
|
|
and continue to monitor your
|
|
progress. Picard out.
|
|
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT TWO 27.
|
|
|
|
30 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
(quoting historically)
|
|
"You've given us what we need...
|
|
Time."
|
|
|
|
PICARD
|
|
Mister Worf, return to a
|
|
synchronous orbit.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
RASMUSSEN
|
|
Very clever, Picard. And, well
|
|
done. We've always known how you
|
|
did it, but to experience the
|
|
moment, to witness the nuances...
|
|
it's indescribable.
|
|
|
|
Picard reacts. Rasmussen sits back and smiles.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT THREE 28.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
31 INT. SICKBAY
|
|
|
|
Beverly is running an instrument along A MALE PATIENT's
|
|
injured leg. At another station A BOY is being treated
|
|
by an N.D. NURSE. Troi stands with Beverly.
|
|
|
|
TROI
|
|
He's after more than a history
|
|
lesson. I can tell you that.
|
|
|
|
BEVERLY
|
|
What is it? What are you getting
|
|
from him?
|
|
|
|
TROI
|
|
I don't know. But it's like he's
|
|
trying to confuse us... misdirect
|
|
us somehow.
|
|
|
|
Rasmussen ENTERS.
|
|
|
|
RASMUSSEN
|
|
Well that certainly was exciting,
|
|
wasn't it?
|
|
|
|
BEVERLY
|
|
Professor. Is everything alright?
|
|
Are you well?
|
|
|
|
RASMUSSEN
|
|
Couldn't be better, thank you.
|
|
I just thought we might chat about
|
|
your questionnaire.
|
|
(to the prone patient)
|
|
Buck up, crewman, you're a credit
|
|
to that uniform.
|
|
|
|
TROI
|
|
I've got some things to take care
|
|
of.
|
|
|
|
RASMUSSEN
|
|
No, please Counselor. I would
|
|
very much appreciate your
|
|
remaining.
|
|
|
|
Troi remains. She obviously doesn't like this guy.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT THREE 29.
|
|
|
|
31 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
Doctor, in response to my sixth
|
|
question, you spoke of a neural
|
|
stimulator. May I see one?
|
|
|
|
BEVERLY
|
|
I don't see why not.
|
|
(she finishes her
|
|
treatment)
|
|
Give me a minute.
|
|
|
|
Beverly EXITS. Rasmussen and Troi walk slowly away
|
|
from the male patient.
|
|
|
|
RASMUSSEN
|
|
(to Troi)
|
|
You don't like me very much, do
|
|
you?
|
|
|
|
TROI
|
|
I don't dislike you, Professor.
|
|
|
|
They pass the nurse and child.
|
|
|
|
RASMUSSEN
|
|
(to child)
|
|
Keep your eyes wide, soldier.
|
|
You'll be telling your
|
|
grandchildren how you were there
|
|
at Penthara Four.
|
|
(back to Troi)
|
|
But you don't trust me. You
|
|
should, you know.
|
|
|
|
TROI
|
|
Should I?
|
|
|
|
RASMUSSEN
|
|
"Picard's empath won't trust you."
|
|
That's what they all said.
|
|
|
|
TROI
|
|
Picard's empath?
|
|
|
|
RASMUSSEN
|
|
We're not that unalike, you and
|
|
I. You possess a sense that is
|
|
foreign to the others. My
|
|
knowledge of the future is
|
|
similar. You know, some of my
|
|
best friends are empaths... they
|
|
trust me.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT THREE 30.
|
|
|
|
31 CONTINUED: (2)
|
|
|
|
TROI
|
|
Why would you care whether I trust
|
|
you or not?
|
|
|
|
RASMUSSEN
|
|
We're birds of a feather...
|
|
colleagues. We could learn a lot
|
|
from each other.
|
|
|
|
TROI
|
|
You're right... I don't trust you.
|
|
|
|
Beverly returns carrying a neural stimulator.
|
|
|
|
RASMUSSEN
|
|
(to Troi; a syrupy
|
|
smile)
|
|
I knew you'd say that.
|
|
|
|
TROI
|
|
(returning the smile)
|
|
I'm sure you did.
|
|
|
|
BEVERLY
|
|
(handing the neural
|
|
simulator to Rasmussen)
|
|
Well, it's nice to see you two
|
|
are finally getting along.
|
|
|
|
TROI
|
|
(holding back her
|
|
sarcasm)
|
|
I really must be going.
|
|
|
|
As Troi EXITS, Beverly turns back to Rasmussen with a
|
|
warm smile. He returns the smile but seems a bit shy.
|
|
There's an awkward beat which ends when a NURSE hands
|
|
Beverly a PADD. Beverly punches something in and hands
|
|
it back to the nurse.
|
|
|
|
BEVERLY
|
|
Why don't you try a Berylite scan?
|
|
I'd be interested to see where
|
|
his micro-levels are.
|
|
|
|
The nurse nods and EXITS. Beverly turns back to
|
|
Rasmussen.
|
|
|
|
BEVERLY
|
|
So... what else can I show you?
|
|
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT THREE 31.
|
|
|
|
31 CONTINUED: (3)
|
|
|
|
RASMUSSEN
|
|
You're a very curious woman.
|
|
|
|
Beverly reacts.
|
|
|
|
RASMUSSEN
|
|
No, no. I don't mean curious like
|
|
that. I mean you're curious...
|
|
curious about things. About
|
|
Berylite levels... about the
|
|
future.
|
|
|
|
They begin to walk back toward Beverly's office.
|
|
|
|
BEVERLY
|
|
(smiling)
|
|
Curiosity is why most of us are
|
|
out here, professor.
|
|
|
|
RASMUSSEN
|
|
I understand. But you're
|
|
different. More... vibrant.
|
|
More...
|
|
|
|
Rasmussen is fishing for a word.
|
|
|
|
BEVERLY
|
|
More vibrant. That's nice, I like
|
|
that.
|
|
|
|
They enter the vestibule outside Beverly's office.
|
|
|
|
RASMUSSEN
|
|
You know, whenever I... travel
|
|
back, I meet very interesting
|
|
people... men and women. But
|
|
never anyone who gave me thoughts
|
|
about not going home.
|
|
|
|
Beverly is genuinely flattered, a bit turned-on.
|
|
|
|
BEVERLY
|
|
You're not supposed to be
|
|
influencing the past, remember?
|
|
And I'm beginning to feel a
|
|
little... influenced. Anyway,
|
|
I'm old enough to be your great,
|
|
great, great, great, grandmother!
|
|
|
|
Rasmussen smiles warmly...
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT THREE 32.
|
|
|
|
32 INT. MAIN BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, the Ensign and other
|
|
supernumeraries at their stations.
|
|
|
|
PICARD
|
|
What kind of questions did he have
|
|
for you, Number One?
|
|
|
|
RIKER
|
|
All he wanted to know about was
|
|
previous starships. What I
|
|
thought was innovative on the
|
|
last Enterprise or the one before
|
|
that. He said he wanted to see
|
|
how well we "grasped the
|
|
fundamentals."
|
|
|
|
DATA
|
|
His queries to me primarily
|
|
focused on Doctor Soong's...
|
|
|
|
An ALARM is heard.
|
|
|
|
WORF
|
|
Captain, I am detecting a massive
|
|
earthquake on the surface.
|
|
|
|
Another ALARM is heard. Riker moves to an aft station.
|
|
|
|
WORF
|
|
(continuing)
|
|
Two earthquakes, sir.
|
|
|
|
PICARD
|
|
Location?
|
|
|
|
DATA
|
|
Both epicenters are beneath the
|
|
two southernmost drill sites,
|
|
Captain.
|
|
|
|
PICARD
|
|
Is La Forge still down there?
|
|
|
|
WORF
|
|
Yes, sir.
|
|
|
|
PICARD
|
|
Find him.
|
|
|
|
Worf starts pushing buttons on his panel. Another
|
|
alarm is heard.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT THREE 33.
|
|
|
|
32 CONTINUED:
|
|
|
|
RIKER
|
|
We've also got some volcanic
|
|
activity... pretty severe.
|
|
|
|
PICARD
|
|
Magnify.
|
|
|
|
33 ANGLE ON VIEWSCREEN (OPTICAL)
|
|
|
|
as the screen changes from a wider view of the planet
|
|
to a closer view, we see huge volcanic plumes rising
|
|
through the dense dust clouds.
|
|
|
|
GEORDI'S COM VOICE
|
|
La Forge here, Captain. Moseley
|
|
and I are on our way back to his
|
|
lab.
|
|
|
|
PICARD
|
|
Are you alright?
|
|
|
|
GEORDI'S COM VOICE
|
|
We're okay, but those were pretty
|
|
big, sir. If this was Earth, I'd
|
|
say around an eight or an eight
|
|
five on the Richter Scale. We're
|
|
starting to see some volcanic
|
|
plumes, Captain.
|
|
|
|
More alarms are heard.
|
|
|
|
34 ANOTHER ANGLE
|
|
|
|
WORF
|
|
Two more eruptions, sir.
|
|
|
|
DATA
|
|
It is most likely that we
|
|
overestimated the geologic
|
|
stability around the CO2 pockets.
|
|
|
|
GEORDI'S COM VOICE
|
|
We're in the lab, sir.
|
|
|
|
Picard motions to Worf to put Geordi on the viewscreen.
|
|
|
|
35 ANGLE TO INCLUDE VIEWSCREEN (OPTICAL)
|
|
|
|
and we see the interior of the lab. Everyone is busy
|
|
dealing with the emergency.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT THREE 34.
|
|
|
|
35 CONTINUED:
|
|
|
|
MOSELEY
|
|
We're fairly well quake-proofed
|
|
down here, Picard. It's the
|
|
volcanic dust I'm worried about.
|
|
|
|
Another jolt hits the lab.
|
|
|
|
PICARD
|
|
(to Moseley)
|
|
What about the dust?
|
|
|
|
Another jolt hits the lab.
|
|
|
|
GEORDI
|
|
The ash the volcanos are throwing
|
|
into the atmosphere is going to
|
|
compound the existing problem.
|
|
In a matter of days, there'll be
|
|
no sunlight getting through those
|
|
clouds.
|
|
|
|
MOSELEY
|
|
And no amount of CO2 is going to
|
|
help us then.
|
|
|
|
RIKER
|
|
Captain, look at this.
|
|
|
|
Picard walks quickly to the aft station. Riker points
|
|
to one of two maps on a monitor.
|
|
|
|
RIKER
|
|
(continuing)
|
|
These are the coordinates of the
|
|
eruptions, and these...
|
|
|
|
Riker points to the other map.
|
|
|
|
RIKER
|
|
(continuing)
|
|
... are the phaser drilling sites.
|
|
|
|
Riker presses a button and the two drawings overlap.
|
|
The points are nearly identical. Picard looks up at
|
|
Riker. Both men are aware of what has happened.
|
|
|
|
PICARD
|
|
The mantle is collapsing where
|
|
the pressure was released.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT THREE 35.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Captain, Doctor Moseley and I have
|
|
a couple of ideas, but they're
|
|
going to take some time to sort
|
|
out.
|
|
|
|
PICARD
|
|
Sort them out, Commander.
|
|
|
|
GEORDI
|
|
Aye, sir.
|
|
|
|
The view of the lab is replaced by the shrouded planet
|
|
with multiple volcanic plumes now visible. Lightning
|
|
can be seen at the cloud tops.
|
|
|
|
RIKER
|
|
(looking at the screen)
|
|
We came here to help these people.
|
|
|
|
PICARD
|
|
And look what we've done.
|
|
|
|
Off Picard's reaction we:
|
|
|
|
CUT TO:
|
|
|
|
36 EXT SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit.
|
|
|
|
37 INT. CORRIDOR
|
|
|
|
Rasmussen walks by some crewmen and cheerfully nods.
|
|
He goes to Data's door, rings the bell. The door opens
|
|
and a bizarre cacophony of sounds almost overpowers
|
|
him.
|
|
|
|
38 INT. DATA'S QUARTERS (OPTICAL)
|
|
|
|
Data is busy at his console.
|
|
|
|
RASMUSSEN
|
|
(shouting)
|
|
What in God's name is that?!
|
|
|
|
DATA
|
|
(shouting)
|
|
Music, Professor.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT THREE 36.
|
|
|
|
38 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
(shouting)
|
|
Music?
|
|
|
|
DATA
|
|
(shouting)
|
|
Yes, sir. Mozart's "Jupiter
|
|
symphony in G minor"; Bach's "Third
|
|
Brandenberg Concerto"; Beethoven's
|
|
"Symphony Number Nine, Second
|
|
Movement 'Molto Vivace'"; and "La
|
|
Donna e Mobile", from Verdi's
|
|
"Rigoletto".
|
|
|
|
RASMUSSEN
|
|
(shouting)
|
|
Could you thin it out a bit?
|
|
|
|
DATA
|
|
Computer, eliminate Program One.
|
|
|
|
One of the four compositions is silenced. Rasmussen
|
|
shakes his head.
|
|
|
|
DATA
|
|
Computer, eliminate Program Two.
|
|
|
|
Another program stops. Rasmussen shakes his head
|
|
again.
|
|
|
|
DATA
|
|
Computer, eliminate Program Three.
|
|
|
|
Only one is still playing. Rasmussen uses his finger
|
|
to suggest Data turn it down.
|
|
|
|
DATA
|
|
Computer, half volume.
|
|
|
|
The sound gets quieter and Rasmussen nods approval.
|
|
|
|
RASMUSSEN
|
|
How the hell can you listen to
|
|
four pieces of music at the same
|
|
time?
|
|
|
|
DATA
|
|
Actually, I am capable of
|
|
distinguishing over one hundred
|
|
fifty simultaneous compositions.
|
|
(MORE)
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT THREE 36A.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
DATA (cont'd)
|
|
But in order to analyze the
|
|
aesthetics, I try to limit myself
|
|
to ten or less.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT THREE 37.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
RASMUSSEN
|
|
(sarcastic)
|
|
Only four today?
|
|
|
|
DATA
|
|
I am assisting Commander La Forge
|
|
in the analysis of an extremely
|
|
complex calculation. It demands
|
|
a great deal of my concentration.
|
|
|
|
RASMUSSEN
|
|
I came to thank you for answering
|
|
my questions, though I probably
|
|
should have asked you to limit
|
|
yourself to fifty thousand words.
|
|
|
|
DATA
|
|
You did ask me to be thorough.
|
|
|
|
RASMUSSEN
|
|
I realize it's hard to believe,
|
|
Data, but very few records of
|
|
Doctor Soong's work survived to
|
|
the twenty-sixth century. It
|
|
would be invaluable to myself and
|
|
other historians if you could
|
|
provide us with some schematics.
|
|
|
|
DATA
|
|
Certainly, as soon as my work here
|
|
is completed.
|
|
|
|
RASMUSSEN
|
|
Just as long as it's before
|
|
oh-nine-hundred tomorrow. That's
|
|
when I'll be... heading back.
|
|
|
|
WORF'S COM VOICE
|
|
Bridge to Commander Data.
|
|
|
|
DATA
|
|
Yes, Worf.
|
|
|
|
WORF
|
|
Commander La Forge is hailing you
|
|
from the surface, sir.
|
|
|
|
DATA
|
|
Patch it through, please.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT THREE 38.
|
|
|
|
38 CONTINUED: (3)
|
|
|
|
Geordi appears on Data's MONITOR. As soon as Data
|
|
turns, Rasmussen takes a tricorder from the desk and,
|
|
almost inadvertantly, pockets it.
|
|
|
|
GEORDI
|
|
Have you rerun the phase reversal
|
|
figures, Data?
|
|
|
|
DATA
|
|
There were no errors, Geordi.
|
|
The variance must be no more than
|
|
point zero six terawatts.
|
|
|
|
GEORDI
|
|
I don't see any other choice.
|
|
We'll keep running the numbers
|
|
down here. You better inform the
|
|
captain... of the good news and
|
|
the bad news. La Forge out.
|
|
|
|
The monitor goes to black.
|
|
|
|
RASMUSSEN
|
|
(amused)
|
|
Which do you suppose he's going
|
|
to want to hear first?
|
|
|
|
Off Data's reaction we CUT TO:
|
|
|
|
39 INT. READY ROOM
|
|
|
|
We open on CU of Picard. Data is there.
|
|
|
|
PICARD
|
|
The good news.
|
|
|
|
DATA
|
|
The motion of the dust has created
|
|
a great deal of electrostatic
|
|
energy in the upper atmosphere.
|
|
With a modified phaser blast, we
|
|
could create a shock-front that
|
|
would encircle the planet and
|
|
ionize the particles.
|
|
|
|
PICARD
|
|
That would be like striking a
|
|
spark in a room filled with gas.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT THREE 39.
|
|
|
|
39 CONTINUED:
|
|
|
|
DATA
|
|
With one exception, sir. The
|
|
particles would be converted
|
|
into a high-energy plasma which
|
|
our shields could absorb and
|
|
redirect harmlessly into space.
|
|
|
|
PICARD
|
|
Turn the Enterprise into a
|
|
lightning rod.
|
|
|
|
DATA
|
|
Precisely, sir.
|
|
|
|
PICARD
|
|
And what about the bad news, Data?
|
|
|
|
DATA
|
|
If our phaser discharge is off
|
|
by as little as point-zero-six
|
|
terawatts, it would cause a
|
|
cascading exothermal inversion.
|
|
|
|
PICARD
|
|
Meaning?
|
|
|
|
DATA
|
|
We would completely burn off the
|
|
planet's atmosphere.
|
|
|
|
Off Picard's reaction we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FOUR 40.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
41 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit over the shrouded planet. The lightning
|
|
continues.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
While Doctor Moseley takes La
|
|
Forge's plan to the leaders of
|
|
the colony, I find myself weighing
|
|
the potential consequences of a
|
|
more philosophical issue.
|
|
|
|
42 INT. READY ROOM
|
|
|
|
Picard is staring out the window deep in thought. The
|
|
door chimes.
|
|
|
|
PICARD
|
|
(not turning)
|
|
Come.
|
|
|
|
Rasmussen ENTERS. Picard continues to stare out the
|
|
window.
|
|
|
|
PICARD
|
|
I would imagine you know why I've
|
|
asked you here.
|
|
|
|
RASMUSSEN
|
|
I have a fairly good idea.
|
|
|
|
PICARD
|
|
I'm faced with a dilemma. There's
|
|
a planet beneath us that is slowly
|
|
turning to ice. If we don't do
|
|
something about it, I'm told that
|
|
within weeks, thousands, perhaps
|
|
tens of thousands, will die.
|
|
|
|
RASMUSSEN
|
|
That would be a shame.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT FOUR 41.
|
|
|
|
42 CONTINUED:
|
|
|
|
PICARD
|
|
(turning to Rasmussen)
|
|
Yes, it would. It would be quite
|
|
a shame.
|
|
|
|
RASMUSSEN
|
|
So what's your dilemma?
|
|
|
|
PICARD
|
|
Mister La Forge has a possible
|
|
solution. The margin of error
|
|
is extremely critical, but if it's
|
|
successful, there's no more
|
|
threat.
|
|
|
|
RASMUSSEN
|
|
And if it's not successful?
|
|
|
|
PICARD
|
|
Every living thing on the planet
|
|
will perish.
|
|
|
|
RASMUSSEN
|
|
So... do nothing and thousands
|
|
will die. Do something and
|
|
millions could die. Tough choice.
|
|
|
|
PICARD
|
|
(speaking hypothetically
|
|
-- he's not asking)
|
|
Not if you were to help me.
|
|
|
|
RASMUSSEN
|
|
You're not suggesting I tell you
|
|
the outcome of your efforts?
|
|
|
|
PICARD
|
|
No, I'm not. Everything Starfleet
|
|
stands for, everything I've ever
|
|
believed in, tells me I can't
|
|
ask you that.
|
|
(pause)
|
|
But at the same time, there are
|
|
twenty million lives down there,
|
|
and you know what happened to
|
|
them... what will happen to them.
|
|
|
|
RASMUSSEN
|
|
So, it seems you have another
|
|
dilemma. One that questions your
|
|
convictions.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT FOUR 42.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
PICARD
|
|
I have never been afraid to
|
|
reevaluate my convictions,
|
|
Professor. Right now, I have
|
|
twenty million reasons to do so.
|
|
|
|
RASMUSSEN
|
|
And why did you ask to see me?
|
|
|
|
PICARD
|
|
Your presence potentially gives
|
|
me access to a kind of information
|
|
that was never available to me
|
|
before. An additional tool, a
|
|
new weapon in my armory... you,
|
|
Professor. If I'm going to
|
|
reexamine my beliefs, I must
|
|
take advantage of every possible
|
|
asset. It would be irresponsible
|
|
of me not to have you here.
|
|
|
|
RASMUSSEN
|
|
However you come to terms with
|
|
your beliefs, Captain, I must
|
|
tell you I'm quite comfortable
|
|
with mine.
|
|
|
|
PICARD
|
|
How can you be? How can you be
|
|
"comfortable" watching people die?
|
|
|
|
RASMUSSEN
|
|
(patronizing)
|
|
Let me put it this way. If I were
|
|
to tell you that none of those
|
|
people died, you'd easily conclude
|
|
that you tried your "solution"
|
|
and it succeeded. So, you'd
|
|
confidently try again. No harm
|
|
in that. But what if I were to
|
|
tell you they all died? What
|
|
then? Obviously, you'd decide not
|
|
to make the same mistake twice.
|
|
Now, what if one of those...
|
|
|
|
PICARD
|
|
(interrupting)
|
|
I know, Professor, "What if one
|
|
of those lives I save down there
|
|
is a child who grows up to be the
|
|
next Adolf Hitler or Khan Singh?"
|
|
(MORE)
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT FOUR 43.
|
|
|
|
42 CONTINUED: (3)
|
|
|
|
PICARD (cont'd)
|
|
First year philosophy students
|
|
have been asked that question ever
|
|
since the earliest wormholes were
|
|
discovered. But this is not a
|
|
class in temporal logic... It's
|
|
not hypothetical, it's real.
|
|
Can't you see that?
|
|
|
|
RASMUSSEN
|
|
I see it all too well. But you
|
|
must see that if I were to
|
|
influence you, everything in this
|
|
sector, in this quadrant of the
|
|
galaxy could change. History, my
|
|
history, would unfold in a way
|
|
other than it already has. Now
|
|
what possible incentive could
|
|
anyone offer me to allow that to
|
|
happen?
|
|
|
|
PICARD
|
|
I have two choices. Either way,
|
|
one version or another of history
|
|
will wend its way forward. The
|
|
history you know or another one.
|
|
Who's to say which is better?
|
|
All I know here, today, is that
|
|
one way, millions of lives could
|
|
be saved. Isn't that incentive
|
|
enough?
|
|
|
|
RASMUSSEN
|
|
Everyone dies, Captain. It's just
|
|
a question of when. All of those
|
|
people down there died years
|
|
before I was born. All of you
|
|
up here, as well. So you see,
|
|
I can't get quite as worked up
|
|
as you over the fate of some
|
|
colonists who, for me, have been
|
|
dead a long time.
|
|
|
|
PICARD
|
|
We have a Prime Directive,
|
|
Professor, which tells us we have
|
|
no right to interfere with the
|
|
natural evolution of alien worlds.
|
|
(MORE)
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT FOUR 44.
|
|
|
|
42 CONTINUED: (4)
|
|
|
|
PICARD (cont'd)
|
|
But even though I am sworn to
|
|
uphold it, I have disregarded that
|
|
directive on more than one
|
|
occasion... When I knew it was
|
|
the right thing to do. If you
|
|
are holding true to some
|
|
"temporal" equivalent of that
|
|
directive, isn't there a
|
|
possibility that this is an
|
|
occasion for you to make an
|
|
exception, to help me choose...
|
|
because it's the right thing to
|
|
do?
|
|
|
|
RASMUSSEN
|
|
Are we just talking about a
|
|
choice? It sounds to me like
|
|
you're trying to manipulate the
|
|
future.
|
|
|
|
PICARD
|
|
Every choice we make allows us
|
|
to manipulate the future. Do I
|
|
ask Marie or Suzanne to the spring
|
|
dance? Do I take my holiday on
|
|
Tahiti or on Risa? A man's life,
|
|
his future, hinges on each of a
|
|
thousand choices. Living is
|
|
making choices.
|
|
(MORE)
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/26/91 - ACT FOUR 45.
|
|
|
|
42 CONTINUED: (5)
|
|
|
|
PICARD (cont'd)
|
|
Now you ask me to believe that
|
|
if I make a choice other than the
|
|
one found in your history books,
|
|
it could irreparably alter your
|
|
past! Well, perhaps I don't give
|
|
a damn about your past, Professor
|
|
Rasmussen. Because your past is
|
|
my future and as far as I'm
|
|
concerned, it hasn't been written
|
|
yet.
|
|
|
|
RIKER'S COM VOICE
|
|
Captain, the electrostatic
|
|
conditions are about as good as
|
|
they're going to get. If we're
|
|
going to try this, now's the time.
|
|
|
|
Picard turns to Rasmussen. A beat.
|
|
|
|
For a brief instant Rasmussen's guard drops. His
|
|
cockiness now has a trace of remorse.
|
|
|
|
RASMUSSEN
|
|
Please don't ask me, Captain.
|
|
I can't help you. I'm sorry.
|
|
|
|
After a long stare, Picard almost seems to smile. He
|
|
turns and EXITS. Rasmussen innocently returns the
|
|
smile and follows Picard onto the bridge. On his way
|
|
out, Rasmussen takes a small pile of isolinear chips
|
|
from a table. They disappear into his pocket.
|
|
|
|
43 INT. MAIN BRIDGE
|
|
|
|
Picard ENTERS with Rasmussen following. Riker, Data,
|
|
Worf, the Ensign and supernumeraries at their stations.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
How long will it take them to
|
|
program the phasers, Number One?
|
|
|
|
RIKER
|
|
(seeing Picard means
|
|
business)
|
|
We just need to tie in Geordi's
|
|
atmospheric sensors.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/30/91 - ACT FOUR 45A.
|
|
|
|
43 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
So you've made your choice after
|
|
all... and without my help.
|
|
|
|
PICARD
|
|
Quite the contrary, Professor.
|
|
You've been quite helpful.
|
|
|
|
RASMUSSEN
|
|
How's that?
|
|
|
|
PICARD
|
|
By your refusing to assist me,
|
|
I'm left with the same choice I
|
|
began with; to try or not to
|
|
try... to run the risk or to play
|
|
it safe. But your arguments have
|
|
reminded me how precious the right
|
|
to choose can be... that right
|
|
or wrong, the choice is mine.
|
|
And since I've never been much
|
|
for playing it safe... I choose
|
|
to try.
|
|
|
|
Rasmussen smiles. Picard turns his back on him.
|
|
|
|
PICARD
|
|
Program the firing sequence,
|
|
Mister Data.
|
|
|
|
DATA
|
|
Aye, sir.
|
|
|
|
Off their reactions we:
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 46.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
44 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit over the shrouded planet. The ship is
|
|
oriented so the deflector dish is facing the surface.
|
|
The lightning has increased.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45335.0.
|
|
Doctor Moseley has met with the
|
|
colony leaders, who all agree
|
|
they are willing to take the
|
|
risk.
|
|
|
|
45 INT. MAIN BRIDGE
|
|
|
|
Picard, Riker, Data, Worf, the Ensign and other
|
|
supernumeraries, as before. Rasmussen sits in Troi's
|
|
chair.
|
|
|
|
WORF
|
|
(to Geordi on
|
|
viewscreen)
|
|
Warp power is being rerouted to
|
|
the main deflector dish,
|
|
Commander.
|
|
|
|
46 ANGLE ON VIEWSCREEN (OPTICAL)
|
|
|
|
where we see Geordi and Moseley working in the lab.
|
|
The snow is still falling heavily.
|
|
|
|
GEORDI
|
|
Keep the phasers on active surge
|
|
control, Worf. We're only going
|
|
to have one shot at this.
|
|
|
|
47 RESUME SCENE (INTERCUT BRIDGE AND LAB AS NEEDED) -
|
|
(OPTICAL)
|
|
|
|
Rasmussen almost can't control himself.
|
|
|
|
RASMUSSEN
|
|
Well, this is it!
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 47.
|
|
|
|
47 CONTINUED:
|
|
|
|
RIKER
|
|
(ignoring Rasmussen)
|
|
You have the sequence locked in,
|
|
Data?
|
|
|
|
DATA
|
|
Yes, sir. After an eight point
|
|
three second burst from the dish,
|
|
we will discharge all EPS taps
|
|
through the phasers.
|
|
|
|
PICARD
|
|
Geordi, it's time you return to
|
|
the ship.
|
|
(to com)
|
|
Mister O'Brien, prepare to
|
|
transport...
|
|
|
|
GEORDI
|
|
Excuse me, sir, but I can be a
|
|
lot more help down here. We've
|
|
got to compensate for the density
|
|
variations right up to the last
|
|
second.
|
|
|
|
Picard looks questioningly at Data.
|
|
|
|
DATA
|
|
Doctor Moseley's computers can
|
|
accomplish the same task, sir.
|
|
But Commander La Forge would be
|
|
better able to anticipate
|
|
unexpected variances.
|
|
|
|
PICARD
|
|
(looking at the screen)
|
|
Geordi, you know better than
|
|
anyone that there's no guarantee
|
|
this is going to work. And if
|
|
it fails...
|
|
|
|
GEORDI
|
|
There's no guarantee it's going
|
|
to fail, Captain. I'd like your
|
|
permission to remain on the
|
|
surface.
|
|
|
|
Picard looks at Riker. A beat.
|
|
|
|
PICARD
|
|
Permission granted.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 48.
|
|
|
|
47 CONTINUED: (2)
|
|
|
|
RASMUSSEN
|
|
(like a well-known fact)
|
|
La Forge remained below.
|
|
|
|
PICARD
|
|
Good luck, Commander.
|
|
|
|
GEORDI
|
|
Thank you, sir.
|
|
|
|
The viewscreen switches to an image of the planet.
|
|
Continuous lightning flashes through the dark clouds
|
|
and volcanic plumes.
|
|
|
|
48 OMITTED
|
|
|
|
49 ANOTHER ANGLE
|
|
|
|
we hear a few beeps coming from Data's console.
|
|
|
|
DATA
|
|
The deflector dish has been
|
|
reconfigured, Captain.
|
|
|
|
Picard realizes the time has come. After a beat he
|
|
nods to Riker, who takes over.
|
|
|
|
RIKER
|
|
Proceed, Mister Data.
|
|
|
|
DATA
|
|
Stand by for auto-phaser interlock.
|
|
Activating deflector beam.
|
|
|
|
Data pushes a button.
|
|
|
|
50 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Five parallel white beams shoot out from the deflector
|
|
dish.
|
|
|
|
51 EXT. SPACE - PENTHARA IV (OPTICAL)
|
|
|
|
as the beams partially disperse when they reach the
|
|
upper dust clouds.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT FIVE 49.
|
|
|
|
52 INT. MAIN BRIDGE
|
|
|
|
as before.
|
|
|
|
WORF
|
|
EPS taps are on-line.
|
|
(a beat)
|
|
Phasers firing.
|
|
|
|
53 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
(NOTE: The following sequence of opticals will take
|
|
only ten-twelve seconds.) A thin orange beam fires
|
|
parallel to the others.
|
|
|
|
54 EXT. SPACE - PENTHARA IV (OPTICAL)
|
|
|
|
The phaser beam hits the spot where the other beams
|
|
meet the cloud tops. A beat.
|
|
|
|
An enormous EXPLOSION far below us. The orange glow
|
|
spreads in all directions and quickly begins to envelop
|
|
the clouded atmosphere.
|
|
|
|
A few seconds later, as soon as the fiery orange
|
|
curtain has encapsulated the planet, a series of
|
|
glowing blue "fingers" spread from the far side toward
|
|
the point where the phaser originally hit. The blue
|
|
explosions are replacing the orange ones.
|
|
|
|
As the final streak of blue "glow" replaces the last
|
|
visible area of orange, a pillar of blue light forms
|
|
and streaks toward the Enterprise.
|
|
|
|
55 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the blue energy beam makes contact, enveloping the
|
|
ship.
|
|
|
|
56 INT. MAIN BRIDGE
|
|
|
|
The bridge is vibrating and a huge roar is heard.
|
|
Everyone is understandably tense.
|
|
|
|
DATA
|
|
Activating shield invertors...
|
|
now!
|
|
|
|
Data hits a button.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 50.
|
|
|
|
57 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The blue light, which continues to envelop the planet
|
|
below, is still being drawn to the Enterprise in the
|
|
form of a thin beam, enveloping the ship, as well.
|
|
|
|
The glowing ship rotates 180 degrees and an even
|
|
brighter blue beam appears from the deflector dish.
|
|
As it discharges out into space we see the glow on the
|
|
planet begin to dissipate as if it were being sucked
|
|
up through the beam reaching toward the ship, and then
|
|
off into deep space.
|
|
|
|
It's over in seconds. The pillar of light from the
|
|
planet vanishes as the last of the energy is deflected
|
|
through the dish.
|
|
|
|
58 INT. MAIN BRIDGE
|
|
|
|
The last reminders of the huge vibrations and noise
|
|
echo into silence. All is still.
|
|
|
|
59 ANGLE ON VIEWSCREEN (OPTICAL)
|
|
|
|
the now cloudless planet is visible. A few smaller
|
|
volcanic plumes can be seen.
|
|
|
|
60 RESUME
|
|
|
|
Picard looks to Riker and then to Data.
|
|
|
|
PICARD
|
|
(tentatively)
|
|
Mister La Forge?
|
|
|
|
A beat.
|
|
|
|
61 BACK TO VIEWSCREEN (OPTICAL)
|
|
|
|
as it switches to the science lab, where there's a
|
|
guarded optimism reflected in all the faces. The snow
|
|
has stopped.
|
|
|
|
GEORDI
|
|
La Forge here. Still breathing,
|
|
Captain.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 51.
|
|
|
|
61 CONTINUED:
|
|
|
|
MOSELEY
|
|
Particulate levels are right where
|
|
they're supposed to be... and the
|
|
sun is shining!
|
|
|
|
GEORDI
|
|
You see, sir, I told you there
|
|
was nothing to worry about.
|
|
|
|
PICARD
|
|
Report back to the ship when
|
|
you're ready, Commander.
|
|
(to Moseley)
|
|
Doctor, we'll stay in orbit to
|
|
analyze the remaining volcanic
|
|
disturbances.
|
|
(smiling)
|
|
I think the best advice might be
|
|
to let them cool down on their
|
|
own.
|
|
|
|
MOSELEY
|
|
I'm getting in the habit of
|
|
thanking you, Picard.
|
|
|
|
Moseley touches a button and the screen returns to
|
|
the view of the cloudless planet.
|
|
|
|
Rasmussen stands and approaches Picard.
|
|
|
|
RASMUSSEN
|
|
Well, I'd love to see more, but
|
|
it's nearly time for me to go.
|
|
I'm tickled pink to have had the
|
|
opportunity of witnessing this,
|
|
Picard.
|
|
(patronizing)
|
|
And you did it all without any
|
|
help.
|
|
|
|
Rasmussen opens a ring on one of his fingers and looks
|
|
inside.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
I must run. I've got some packing
|
|
to do.
|
|
(as he passes Riker)
|
|
You know, you're taller in person.
|
|
|
|
As Rasmussen EXITS, Picard turns to Worf and nods.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 52.
|
|
|
|
62
|
|
thru OMITTED
|
|
63
|
|
|
|
64 EXT. SPACE - THE ENTERPRISE - OPTICAL
|
|
|
|
in orbit around the planet.
|
|
|
|
65 INT. SHUTTLEBAY (OPTICAL)
|
|
|
|
Rasmussen, his valise over a shoulder, ENTERS to find
|
|
Picard, Beverly, Riker, Worf, and Data by his vessel.
|
|
An N.D. SECURITY GUARD stands nearby.
|
|
|
|
RASMUSSEN
|
|
Would you look at this. Who would
|
|
have suspected a teary farewell?
|
|
|
|
PICARD
|
|
I'm afraid we're going to have
|
|
to take a look in your vessel,
|
|
Professor.
|
|
|
|
RASMUSSEN
|
|
(they just don't get
|
|
it)
|
|
Curious till the end, eh, Captain?
|
|
|
|
Picard remains stern-faced.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
You can't be serious, Picard.
|
|
We've been through this more than
|
|
once and I...
|
|
|
|
PICARD
|
|
A number of objects have turned
|
|
up missing in the last few days.
|
|
If they are in your possession,
|
|
I would like them returned.
|
|
|
|
RASMUSSEN
|
|
I'm not here in search of relics.
|
|
|
|
Rasmussen opens his ring again, looks in and starts
|
|
toward his ship.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
I'm sure they'll turn up.
|
|
|
|
Worf blocks his way.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 53.
|
|
|
|
65 CONTINUED:
|
|
|
|
WORF
|
|
If you will not open the vessel,
|
|
I will... with explosives, if
|
|
necessary.
|
|
|
|
RASMUSSEN
|
|
(defiant)
|
|
I doubt you have the means.
|
|
|
|
RIKER
|
|
If we don't get in that thing,
|
|
I guarantee you won't either.
|
|
|
|
Rasmussen shows the first signs of panic. But it
|
|
vanishes and he smiles.
|
|
|
|
RASMUSSEN
|
|
(to Picard)
|
|
Considering the sensitive nature
|
|
of my equipment, I think you'll
|
|
understand if I request that only
|
|
Mister Data be allowed to see it.
|
|
|
|
RIKER
|
|
Why Data?
|
|
|
|
PICARD
|
|
(understanding)
|
|
Because if I order Data never to
|
|
divulge what he sees in there,
|
|
he won't.
|
|
(to Data)
|
|
With the exception of anything
|
|
that might belong to us.
|
|
|
|
DATA
|
|
Understood, sir.
|
|
|
|
Rasmussen smiles and leads Data toward the craft.
|
|
|
|
RASMUSSEN
|
|
Back in a minute.
|
|
|
|
Rasmussen presses the back of his hand and then his
|
|
palm against a specific point on the vessel and a door
|
|
APPEARS and OPENS. He enters followed by Data, who
|
|
glances back at Picard a beat before the door REAPPEARS
|
|
and CLOSES. Worf, Beverly, Picard and Riker look at
|
|
each other.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT FIVE 54.
|
|
|
|
66 INT. VESSEL
|
|
|
|
The vessel's interior, similar to its exterior, is
|
|
truly futuristic, with multifaceted panels containing
|
|
minimal blinkies. As Data ENTERS, he immediately
|
|
notices two large collector trays.
|
|
|
|
Normally slid into a rack, the trays are exposed and
|
|
filled with objects stolen from the Enterprise: two
|
|
tricorders, a neural stimulator, a hypospray and
|
|
bioscanner, one of Geordi's visors, PADDS, a small desk
|
|
top viewer, a Klingon knife, piles of isolinear chips
|
|
and other computer chips, palm beacons, even bar
|
|
glasses and silverware from Ten Forward, and various
|
|
other whatsits from here and there. Data examines the
|
|
loot and turns to Rasmussen.
|
|
|
|
DATA
|
|
I do not believe any of these
|
|
items belong to you, Professor.
|
|
|
|
Rasmussen raises a phaser at Data.
|
|
|
|
RASMUSSEN
|
|
Nor does this!
|
|
|
|
Data stands very still.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
This phaser is set at the highest
|
|
stun setting. If I'm correct,
|
|
that is sufficient to immobilize
|
|
even you.
|
|
|
|
DATA
|
|
Do you plan to put these objects
|
|
into a museum?
|
|
|
|
RASMUSSEN
|
|
They're far too valuable for that.
|
|
You see, in the century I come
|
|
from, they haven't even been
|
|
invented yet.
|
|
|
|
Data looks at the ship's futuristic design.
|
|
|
|
DATA
|
|
But this vessel... ? And the
|
|
temporal distortion that coincided
|
|
with your arrival?
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 55.
|
|
|
|
66 CONTINUED:
|
|
|
|
RASMUSSEN
|
|
Oh, this is a time-pod. And it
|
|
is from the twenty-sixth
|
|
century... at least that's what
|
|
the poor fellow said. You see,
|
|
he decided to travel back to the
|
|
twenty-second century... that's
|
|
my time, and he had the misfortune
|
|
of meeting me... His clothes
|
|
fit quite well, don't you think?
|
|
(gesturing to the pod)
|
|
Took me weeks to figure out how
|
|
to work this thing.
|
|
|
|
DATA
|
|
You are not an historian?
|
|
|
|
RASMUSSEN
|
|
More of an inventor. Up till a
|
|
few weeks ago, a dismally
|
|
unsuccessful one.
|
|
|
|
DATA
|
|
What are your intentions, now?
|
|
|
|
RASMUSSEN
|
|
Well, thanks to your captain, it
|
|
seems my intentions have changed
|
|
slightly.
|
|
|
|
He points to the trays.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
I was quite content with the
|
|
notion of returning with those
|
|
trinkets. I'd "invent" about one
|
|
a year. But now, look what
|
|
fortune has graced me with...
|
|
(pointing toward Data)
|
|
You will take a little longer to
|
|
figure out than a tricorder, but
|
|
it should be well worth the
|
|
effort.
|
|
|
|
He checks his ring.
|
|
|
|
RASMUSSEN
|
|
(continuing)
|
|
If the auto-timer is programmed
|
|
the way I think it is...
|
|
(MORE)
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 56.
|
|
|
|
66 CONTINUED: (2)
|
|
|
|
RASMUSSEN (cont'd)
|
|
in about two minutes we'll be on
|
|
our way back to a place called
|
|
New Jersey... I'm afraid you
|
|
won't be awake for the ride.
|
|
|
|
Rasmussen aims the phaser at Data and tries to fire,
|
|
but it only makes a lame noise. Panicked, he readjusts
|
|
and fires again... nothing.
|
|
|
|
DATA
|
|
I assume your hand print will open
|
|
the door whether you are conscious
|
|
or not.
|
|
|
|
Off Rasmussen's look, we CUT TO:
|
|
|
|
67 INT. SHUTTLEBAY - (OPTICAL)
|
|
|
|
Picard, Beverly, Riker, Worf, and an N.D. Security
|
|
guard, as before. The vessel door opens and Rasmussen
|
|
exits, closely followed by Data, who now carries the
|
|
phaser.
|
|
|
|
RASMUSSEN
|
|
(disgusted)
|
|
That weapon was working yesterday.
|
|
|
|
DATA
|
|
(to Picard, handing him
|
|
the phaser)
|
|
You were correct to suspect him,
|
|
sir. But he is from the past,
|
|
not the future.
|
|
|
|
Picard reacts to what Data says and turns to Rasmussen.
|
|
|
|
PICARD
|
|
(mimicking Rasmussen
|
|
in Act Four)
|
|
Trying to make my history unfold
|
|
in a way other than it already
|
|
has, Professor?
|
|
|
|
RASMUSSEN
|
|
This was all a misunderstanding,
|
|
Picard. Just let me back in there
|
|
and we'll forget the whole thing.
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT FIVE 57.
|
|
|
|
67 CONTINUED:
|
|
|
|
PICARD
|
|
(still mimicking)
|
|
Now what possible incentive could
|
|
anyone offer me to allow that?
|
|
|
|
DATA
|
|
(to Riker)
|
|
I believe you will find all the
|
|
missing items in the vessel, sir.
|
|
|
|
Riker nods to Worf who acknowledges and heads into the
|
|
vessel. Rasmussen turns to Beverly with a desperate,
|
|
pleading look.
|
|
|
|
RASMUSSEN
|
|
Doctor...
|
|
|
|
BEVERLY
|
|
(ice)
|
|
A very nice performance.
|
|
|
|
RASMUSSEN
|
|
(a touch of remorse)
|
|
Not all of it. Some of it was
|
|
real.
|
|
|
|
Beverly's cold stare tells him he's wasting his time.
|
|
He checks his ring and turns toward Picard, panicky.
|
|
|
|
RASMUSSEN
|
|
Captain...
|
|
|
|
DATA
|
|
He claims to be a twenty-second
|
|
century inventor, sir.
|
|
|
|
PICARD
|
|
(it's all coming into
|
|
focus)
|
|
Well, it's too bad you weren't
|
|
a bit more inventive. If fewer
|
|
things had disappeared, we might
|
|
not have suspected you. As it
|
|
was, our only stumbling block was
|
|
your vessel. Our sensors couldn't
|
|
penetrate it.
|
|
|
|
Worf climbs out of the pod carrying the two trays.
|
|
|
|
STAR TREK: "A Matter of Time" - REV. 9/25/91 - ACT FIVE 58.
|
|
|
|
67 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(continuing)
|
|
But as soon as the door opened,
|
|
our computer was able to detect
|
|
and deactivate everything you'd
|
|
stolen...
|
|
(holding up the phaser)
|
|
... including this.
|
|
|
|
Picard drops it onto the top tray as Worf passes him.
|
|
Worf hands the trays to the N.D. security guard.
|
|
|
|
RASMUSSEN
|
|
I'd love to hear more, Picard,
|
|
but I really must get back in that
|
|
pod.
|
|
|
|
Rasmussen heads for the vessel, but is stopped by Worf.
|
|
Picard looks to Riker.
|
|
|
|
RIKER
|
|
Take him to a detention cell,
|
|
Mister Worf. And notify Starfleet
|
|
that we'll be dropping him off
|
|
at Starbase Two-one-four.
|
|
|
|
RASMUSSEN
|
|
(panicking, struggling)
|
|
You can't do this... I've got
|
|
to get back... I don't belong
|
|
here.
|
|
|
|
The tiny ship suddenly GLOWS, SHIMMERS, and DISAPPEARS.
|
|
Rasmussen can't believe it.
|
|
|
|
RASMUSSEN
|
|
No!
|
|
|
|
Worf walks him toward the exit.
|
|
|
|
PICARD
|
|
I'm sure there are more than a
|
|
few legitimate historians at
|
|
Starfleet who will be quite eager
|
|
to meet a Human from your era.
|
|
|
|
Worf and Rasmussen reach the exit.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Oh, and Professor...
|
|
|
|
STAR TREK: "A Matter of Time" - 9/20/91 - ACT FIVE 59.
|
|
|
|
67 CONTINUED: (3)
|
|
|
|
Rasmussen stops and turns.
|
|
|
|
PICARD
|
|
(continuing)
|
|
Welcome to the twenty-fourth
|
|
century.
|
|
|
|
Worf and Rasmussen EXIT. Off reactions, we CUT TO:
|
|
|
|
68 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
in orbit of Penthara IV.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|