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1 line
71 KiB
Plaintext
Executable File
1 line
71 KiB
Plaintext
Executable File
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STAR TREK: THE NEXT GENERATION
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"Chain of Command, Part I"
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#40276-236
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Story by
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Frank Abatemarco
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Teleplay by
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Ronald D. Moore
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Directed by
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Robert Scheerer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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OCTOBER 6, 1992
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STAR TREK: "Chain of Command, Part I" - 10/07/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"Chain of Command, Part I"
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CAST
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PICARD NECHAYEV
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RIKER JELLICO
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DATA GUL LEMEC
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BEVERLY MADRED
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TROI SOLOK
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WORF
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GEORDI
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COMPUTER VOICE
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Non-Speaking Non-Speaking
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N.D. CREWMEMBERS N.D. ALIENS
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GLIN CORAK
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GLIN TAJOR
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SIX CARDASSIANS
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STAR TREK: "Chain of Command, Part I" - 10/06/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"Chain of Command, Part I"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CORRIDOR CAIRO
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ENGINEERING
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OBS. LOUNGE CARDASSIAN SHIP
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PICARD'S QUARTERS
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READY ROOM SHUTTLECRAFT
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SHUTTLECRAFT
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TEN FORWARD CELTRIS THREE
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TRANSPORTER ROOM
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HOLODECK (CAVERNS)
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CAVERNS
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CAVE BOTTOM
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ENTRANCE
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INSTALLATION ENTRANCE
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LARGE CHAMBER
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LAVA TUBE
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PRECIPICE
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TORMAN BAR
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STAR TREK: "Chain of Command, Part, I" - 10/07/92 - PRONUNCIATION GUIDE
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STAR TREK: THE NEXT GENERATION
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"Chain of Command, Part I"
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PRONUNCIATION GUIDE
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ALYNNA al-EE-ah-na
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CELTRAN sell-TRAN
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CORAK KOR-ack
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LA BARRE la BAR
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LYNARS LIE-nars
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MADRED muh-DRED
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PITONS PEE-tons
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TAJOR TAY-jor
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TORMAN TOR-man
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NECHAYEV NEH-che-yev
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LEMEC leh-MEK
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SOLOK soh-LOK
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DAIMON DAY-mon
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Chain of Command"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE & CAIRO (OPTICAL)
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The Enterprise and the CAIRO, an Excelsior-class ship,
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are running side by side at impulse. (STOCK)
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PICARD (V.O.)
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Captain's Log: Stardate 46357.4
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We have rendezvoused with the
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starship Cairo near the Cardassian
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border for an urgent meeting with
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Vice-Admiral Nechayev.
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2 INT. READY ROOM
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PICARD is just removing a cup of tea from the
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replicator. The door CHIMES.
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PICARD
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Come.
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RIKER and ADMIRAL NECHAYEV ENTER. Nechayev is a tall
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graceful woman in her late fifties, with a dark
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complexion. She charges into the room, her every
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movement emphasizing urgency.
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RIKER
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(to Nechayev)
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Admiral, may I present Captain
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Picard.
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PICARD
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Welcome aboard, Admiral.
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NECHAYEV
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Thank you.
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(brusque, to Riker)
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That will be all, Commander.
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Riker EXITS.
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PICARD
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(warm, to Nechayev)
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May I offer you some tea or --
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - TEASER 1A.
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2 CONTINUED:
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NECHAYEV
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Thank you no, Captain. I'm afraid
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there's no time for the usual
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pleasantries.
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(quick beat)
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I'm here to relieve you of command
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of the Enterprise.
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Off Picard's stunned expression...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 2.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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3 INT. OBSERVATION LOUNGE
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Riker, DATA, and TROI are seated around the table,
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listening to Admiral Nechayev as she paces about the
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room. Nechayev's attitude is clipped and to the
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point... she has no time for niceties here. Riker and
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the others are a little off-balance as they play catch-up
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in this rapidly changing situation.
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NECHAYEV
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The Cardassian forces which were
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recently withdrawn from the
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Bajoran sector, have been
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redeployed along the Federation
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border. They've mobilized three
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divisions of ground troops... and
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their subspace communications have
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increased by fifty percent. We
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believe they're preparing for an
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incursion into Federation space.
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RIKER
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Are the Cardassians really ready
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for war?
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NECHAYEV
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I didn't say war, Commander. I
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said incursion. Our intelligence
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reports suggest they'll try to
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seize one of the disputed systems
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along the border. We think
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they're gambling that the
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Federation won't actually go to
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war over one system.
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TROI
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Will we?
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There's an ominous beat before Nechayev answers.
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NECHAYEV
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I hope we won't need to make that
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decision.
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(MORE)
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 3.
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3 CONTINUED:
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NECHAYEV (Cont'd)
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(beat)
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We've decided to send the
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Enterprise to meet with a
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Cardassian representative and open
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talks. We're hoping that the
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presence of the Federation
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flagship on the border will send
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a message to their leadership
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about how seriously we view this
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situation.
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RIKER
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Where is Captain Picard?
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Nechayev gives him a very direct look. Clearly this is
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not a subject she wishes to pursue.
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NECHAYEV
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The Captain, your Chief Medical
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Officer, and Security Chief have
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been... reassigned.
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(quickly shutting down
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questions)
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That's all I can tell you for now.
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All this is clearly unsettling to the Enterprise
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officers, but Nechayev simply continues.
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NECHAYEV
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Do any of you know Edward Jellico?
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They glance at each other.
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DATA
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He is the commanding officer of
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the Cairo.
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RIKER
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I've heard of him. But I don't
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think any of us have ever --
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NECHAYEV
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I'm giving him command of the
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Enterprise this afternoon.
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There are startled reactions from around the table.
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NECHAYEV
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Captain Jellico helped to
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negotiate the original armistice
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two years ago and I believe he is
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the most qualified person to lead
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this mission.
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 4.
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3 CONTINUED: (2)
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Nechayev's look and tone of voice leave little room for
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argument.
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NECHAYEV
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The change of command will take
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place at thirteen hundred hours.
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Thank you.
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There is a beat, then everyone begins to EXIT. Riker
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stops Nechayev.
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RIKER
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Admiral...
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Nechayev stops, but Riker waits until everyone else has
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left the room.
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RIKER
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With all due respect... it isn't
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necessary to give Captain Jellico
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command of the Enterprise in order
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to conduct a negotiation.
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NECHAYEV
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(flatly)
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I disagree. The Enterprise will
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be in a dangerous situation and I
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want someone on the Bridge who has
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a great deal of experience with
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the Cardassians. No offense
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Commander, but that's not you.
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Nechayev EXITS, leaving a very disturbed Riker alone in
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the room.
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CUT TO:
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4 INT. CAVES/HOLODECK (OPTICAL)
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BEVERLY and WORF are running down a dark tunnel. They
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are each wearing black jumpsuits, with backpacks and
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they're both smudged and dirty. They round a corner
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and stop. Worf looks back down the tunnel while
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Beverly quickly pulls a DEVICE out of her pack and sets
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it on the ground. Worf FIRES a blast down the tunnel
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into the darkness as Beverly activates the unit and a
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FORCEFIELD FLASHES into effect, covering the width of
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the tunnel.
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STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT ONE 5.
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5 NEW ANGLE (OPTICAL)
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They both glance down the tunnel and then turn to go...
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but they quickly stop as they run into CARDASSIAN #1,
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who is pointing a weapon at them both.
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Beverly and Worf react... they've been caught.
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PICARD'S VOICE
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(o.c.)
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Freeze program.
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The Cardassian FREEZES. Worf and Beverly relax, but
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they're clearly frustrated.
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6 INCLUDE PICARD
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who is standing off to one side, observing them. As
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Beverly and Worf catch their breath, Picard moves over
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to the tunnel where they just emerged. (The frozen
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Cardassian is now o.c.)
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PICARD
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You were at least five seconds
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slower this time.
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WORF
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You increased the difficulty
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level, sir.
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PICARD
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It'll be a lot more difficult
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where we're going.
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BEVERLY
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Which is where, exactly?
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PICARD
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I'm sorry, but I can't tell you
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that yet.
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Beverly sits down on a rock. She's extremely fatigued
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and frustrated.
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WORF
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Captain... it would be helpful to
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know something about our mission.
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PICARD
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Mister Worf... I have my orders.
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I'm sure you understand.
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Worf nods. Picard moves to the device Beverly attached
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to the rock face.
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STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT ONE 6.
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6 CONTINUED:
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PICARD
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(re: device)
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Now... this deflector isn't set
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properly. You have to position
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the emitter array so that it
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blocks the entire passageway or
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it's useless.
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Beverly's irritation is starting to show.
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BEVERLY
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Sorry. I guess I was paying too
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much attention to getting away
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from that last Cardassian. Or
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maybe it was the phaser blasts...
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or the falling rocks...
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Picard realizes he's pushing them pretty hard and he
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backs off for the moment. He moves in closer to
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them... trying to rally his tired troops.
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PICARD
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I know this is difficult. But for
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now, all I can do is ask you to
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trust me.
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Beverly wearily looks into Picard's eyes... and finds
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that she has no choice but to trust him.
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BEVERLY
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All right. Let's do it again.
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She gets to her feet as Picard smiles.
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PICARD
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Mister Worf, time Doctor Crusher
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and me through the first tunnel.
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(with a smile)
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We'll pick up those five seconds
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this time.
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Beverly and Picard start to run back down the tunnel.
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CUT TO:
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7 EXT. SPACE - THE ENTERPRISE & CAIRO (OPTICAL)
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The two ships side by side. (STOCK)
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STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT ONE 6A.
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8 INT. TRANSPORTER ROOM (OPTICAL)
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Riker is waiting near the platform. After a beat,
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CAPTAIN EDWARD JELLICO MATERIALIZES. He is a lean,
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trim man with rugged features and flashing eyes. He
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bounds off the platform and moves quickly to Riker, his
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every move suggesting a boundless supply of energy and
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enthusiasm.
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RIKER
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Welcome aboard the Enterprise,
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sir. I'm Commander --
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STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT ONE 7.
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8 CONTINUED:
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He shakes Riker's hand with genuine warmth.
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JELLICO
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William T. Riker. Class of 'fifty-seven,
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graduated eighth in the
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class. I'm looking forward to
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serving with you, Commander.
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RIKER
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(a little taken aback)
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Thank you, sir. So am I.
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Jellico moves toward the doors and Riker follows.
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JELLICO
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I'm sure this change in command
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has taken everyone a little by
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surprise.
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RIKER
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Well... yes, sir.
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They EXIT to the Corridor.
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9 INT. CORRIDOR - CONTINUOUS
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Jellico and Riker ENTER from the Transporter Room.
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Jellico sets a brisk pace.
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JELLICO
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It caught me by surprise too. I
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must admit, I miss the Cairo
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already. But a Galaxy-class
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ship... that's something special.
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I can understand why you've turned
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down a ship of your own to remain
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aboard.
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The issue is more complex than that, but Jellico
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doesn't seem to be interested in lengthy conversation.
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RIKER
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Yes, sir.
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JELLICO
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How many duty watches does the
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crew stand?
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RIKER
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We're on a standard three shift
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rotation.
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STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT ONE 8.
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9 CONTINUED:
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Jellico doesn't hesitate to take charge here and to
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make changes. He's a man who's used to making instant
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decisions.
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JELLICO
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I'd like to change that to four
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starting tonight. I'd also like
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to examine your duty roster and
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crew evaluations as soon as
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possible. I want readiness
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reports from each department head
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by fourteen hundred hours and a
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meeting of the senior staff at
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fifteen hundred. Do you prefer
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Wil or William?
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RIKER
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Uh... Wil, sir.
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Jellico ENTERS a Turbolift and turns around, clearly
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not inviting Riker to join him.
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JELLICO
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Where are my quarters, Wil?
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RIKER
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We've assigned you to cabin seven
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three five. That's up on deck --
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JELLICO
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(to com)
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Deck seven.
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(to Riker)
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I'll see you at thirteen hundred
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hours.
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The Turbolift doors CLOSE, leaving Riker in the
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Corridor. Riker takes a moment to react to the fast
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pace of his new Captain, then he heads off down the
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Corridor.
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CUT TO:
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10 EXT. SPACE - THE ENTERPRISE & CAIRO (OPTICAL)
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The Cairo peels off from the Enterprise and heads away.
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(STOCK)
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STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 9.
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11 INT. TEN FORWARD
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A large number of N.D. CREWMEMBERS are gathered here
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along with Data, Riker, GEORDI, Troi, Worf, and Beverly
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(now back in normal uniform).
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Everyone is standing together facing the windows where
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a small podium has been erected. Picard is standing at
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the podium, with Jellico at his side. They are both
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wearing dress uniforms.
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RIKER
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(to group)
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Attention to orders.
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Everyone snaps to attention. Picard reads from a PADD
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on the podium.
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PICARD
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(to group)
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To Captain Jean-Luc Picard,
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Commanding Officer, USS
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Enterprise. Stardate 46358. You
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are hereby requested and required
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to relinquish command of your
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vessel to Captain Edward Jellico,
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Commanding Officer, USS Cairo as
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of this date. Signed, Vice-Admiral
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Alynna Nechayev, Starfleet
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Command.
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Picard turns to face Jellico.
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PICARD
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(to com)
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Computer, transfer all command
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codes to Captain Edward Jellico.
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Voice authorization: Picard-delta-five.
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COMPUTER VOICE
|
|
Transfer complete. USS Enterprise
|
|
now under command of Captain
|
|
Edward Jellico.
|
|
|
|
A BOSUN'S whistle is HEARD.
|
|
|
|
JELLICO
|
|
(to Picard)
|
|
I relieve you, sir.
|
|
|
|
PICARD
|
|
I stand relieved.
|
|
|
|
Picard shakes Jellico's hand and the ceremony is over.
|
|
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT ONE 10.
|
|
|
|
11 CONTINUED:
|
|
|
|
JELLICO
|
|
(to group)
|
|
Dismissed.
|
|
|
|
People applaud and then begin mixing, talking and
|
|
helping themselves to food and drink.
|
|
|
|
12 GEORDI AND RIKER
|
|
|
|
As they stand off by themselves.
|
|
|
|
GEORDI
|
|
(to Riker)
|
|
I wonder how permanent this is
|
|
going to be.
|
|
|
|
RIKER
|
|
I don't know... but they don't
|
|
usually go through the ceremony if
|
|
it's just a temporary assignment.
|
|
|
|
13 TROI AND BEVERLY
|
|
|
|
Beverly sits down on one of the benches against the
|
|
wall. She stretches a couple of sore muscles. Troi
|
|
joins her.
|
|
|
|
TROI
|
|
Sore?
|
|
|
|
BEVERLY
|
|
Sore doesn't begin to describe it.
|
|
|
|
Troi wants to ask what she's been doing, but knows that
|
|
she can't. Beverly sees the curiosity in Troi's face.
|
|
|
|
BEVERLY
|
|
I know. I wish I could talk about
|
|
it.
|
|
|
|
Troi nods and they sit awkwardly together in silence.
|
|
|
|
14 PICARD AND JELLICO
|
|
|
|
As they walk through the crowd.
|
|
|
|
PICARD
|
|
Most of the secondary systems were
|
|
replaced during our last overhaul.
|
|
(MORE)
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 11.
|
|
|
|
14 CONTINUED:
|
|
|
|
PICARD (Cont'd)
|
|
I don't think they'll give you any
|
|
problems. But you might want to
|
|
check on the port lateral --
|
|
|
|
Jellico smiles and claps Picard on the shoulder in a
|
|
jovial way.
|
|
|
|
JELLICO
|
|
I'll take care of the Enterprise,
|
|
Jean-Luc. You don't have to
|
|
mother me.
|
|
|
|
Picard smiles, a little embarrassed. Jellico glances
|
|
around to make sure that no one is listening.
|
|
|
|
JELLICO
|
|
How's your team shaping up?
|
|
|
|
Picard glances around also, and then steers them even
|
|
farther away from the others. Although we're not sure
|
|
what they're talking about yet, it's clearly something
|
|
important.
|
|
|
|
PICARD
|
|
(quiet)
|
|
It's going well. But I would
|
|
prefer more current intelligence
|
|
on the exact lay-out of the
|
|
installation. The most recent
|
|
information is over two years old.
|
|
|
|
JELLICO
|
|
(quiet shock)
|
|
Two years... I don't know how
|
|
Nechayev ever talked you into
|
|
this.
|
|
|
|
PICARD
|
|
(wry)
|
|
She didn't give me a choice.
|
|
|
|
JELLICO
|
|
(gets an idea)
|
|
Well, maybe there's something we
|
|
can do to help you. We'll launch
|
|
a class five probe just before we
|
|
reach the border. You could pick
|
|
up the telemetry aboard the
|
|
shuttle.
|
|
|
|
PICARD
|
|
That would be extremely helpful.
|
|
|
|
Jellico smiles and then gestures for Riker to join
|
|
them.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT ONE 12.
|
|
|
|
14 CONTINUED: (2)
|
|
|
|
JELLICO
|
|
Wil...
|
|
|
|
Riker moves to them.
|
|
|
|
RIKER
|
|
(to each of them)
|
|
Captain... Captain...
|
|
|
|
JELLICO
|
|
I believe we'll be arriving at the
|
|
Cardassian border during delta
|
|
shift. Please inform the delta
|
|
tactical officer that I want to
|
|
launch a class five probe just
|
|
before we drop out of warp.
|
|
|
|
RIKER
|
|
I actually wanted to talk to you
|
|
about delta a little later, sir.
|
|
Right now, gamma shift is still
|
|
slated to be on duty when we
|
|
arrive and I'll be sure to tell
|
|
Lieutenant McDowell about the
|
|
probe.
|
|
|
|
The merest hint of a frown creases Jellico's forehead.
|
|
His smile seems to fade a little and he fastens Riker
|
|
with a slightly colder eye.
|
|
|
|
JELLICO
|
|
Is there a problem with delta
|
|
shift, Wil?
|
|
|
|
RIKER
|
|
Well, there is no delta shift yet,
|
|
sir. I spoke to the department
|
|
heads about changing from three to
|
|
four shifts, and it's going to
|
|
create some significant personnel
|
|
problems for us.
|
|
|
|
JELLICO
|
|
So you have not changed the watch
|
|
rotation.
|
|
|
|
RIKER
|
|
No, sir. I wanted to talk to you
|
|
about this when we had a chance so
|
|
that --
|
|
|
|
Jellico never raises his voice, but his tone becomes
|
|
far colder and harder.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT ONE 13.
|
|
|
|
14 CONTINUED: (3)
|
|
|
|
JELLICO
|
|
(slow and firm)
|
|
You will tell the department heads
|
|
that as of now, the Enterprise is
|
|
on a four shift rotation. I don't
|
|
want to talk about it. Get it
|
|
done.
|
|
|
|
Picard almost intercedes at this point, but restrains
|
|
himself.
|
|
|
|
JELLICO
|
|
Now that means delta shift will be
|
|
due to come on duty in two hours.
|
|
I expect you to have it fully
|
|
manned and ready when it does. Is
|
|
that clear?
|
|
|
|
There is a quiet beat as Riker notes the change in
|
|
attitude from his new captain. There is a great deal
|
|
of tension here, but there is only one answer Riker can
|
|
give.
|
|
|
|
RIKER
|
|
Yes, sir.
|
|
(beat)
|
|
If you'll excuse me, sir.
|
|
(to Picard)
|
|
Captain.
|
|
|
|
Riker EXITS. Jellico watches him for a moment.
|
|
|
|
JELLICO
|
|
He was your first officer for five
|
|
years...
|
|
|
|
PICARD
|
|
And one of the finest officers
|
|
I've ever served with.
|
|
|
|
Jellico turns to him and smiles.
|
|
|
|
JELLICO
|
|
Of course he is, Jean-Luc. I'm
|
|
sure he'll be fine.
|
|
|
|
But Jellico's voice lacks conviction and Picard is
|
|
disturbed by this sign of tension so early. Off
|
|
Picard's reaction as Jellico moves away...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
15 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
JELLICO (V.O.)
|
|
Captain's Log: Stardate 46358.2
|
|
The Enterprise is on course for a
|
|
rendezvous with the Cardassian
|
|
ship Reklar. Fortunately, I still
|
|
have time to prepare the ship and
|
|
crew for the task ahead.
|
|
|
|
16 INT. MAIN BRIDGE
|
|
|
|
Jellico is standing at the Tactical station with Riker
|
|
and Data. There is one N.D. CREWMEMBER at an aft
|
|
station and another CREWMEMBER standing by to take over
|
|
Tactical.
|
|
|
|
JELLICO
|
|
(to Riker)
|
|
I want you to install a bypass
|
|
between the main phaser array and
|
|
the secondary generators.
|
|
(taps something on
|
|
panel)
|
|
I also want to run the main
|
|
deflector pathway through the warp
|
|
power grid and the auxiliary
|
|
conduits through the lateral
|
|
relays. You may have to
|
|
reconfigure the transfer
|
|
interface.
|
|
|
|
DATA
|
|
The transfer interface is not
|
|
designed for that configuration.
|
|
It will take seven hours to make
|
|
the changes.
|
|
|
|
RIKER
|
|
Sir... you may not be aware that
|
|
our normal interface already
|
|
routes auxiliary power through
|
|
three separate relays.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 15.
|
|
|
|
16 CONTINUED:
|
|
|
|
JELLICO
|
|
(blunt)
|
|
I'm aware of your current systems
|
|
design. It's not good enough. If
|
|
these negotiations fail, we could
|
|
find ourselves in a war zone. If
|
|
that happens I want to be loaded
|
|
for bear.
|
|
|
|
RIKER
|
|
I'll get right on it, sir.
|
|
|
|
JELLICO
|
|
(smiles)
|
|
Good.
|
|
|
|
Jellico briskly moves to another science station with
|
|
Riker.
|
|
|
|
JELLICO
|
|
These stations should be devoted
|
|
to damage-control and weapons
|
|
status from now on. See that
|
|
they're manned on every shift.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
JELLICO
|
|
Mister Data, how long until we
|
|
reach the rendezvous point?
|
|
|
|
DATA
|
|
We will arrive in fifty-two hours,
|
|
thirty-one minutes, sir.
|
|
|
|
Jellico starts heading for the Turbolift.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT TWO 16.
|
|
|
|
16 CONTINUED: (2)
|
|
|
|
JELLICO
|
|
(to Riker)
|
|
Schedule four battle drills, one
|
|
for each shift. Run a series of
|
|
simulated attacks from a
|
|
Cardassian squadron. I want you
|
|
to conduct the exercises
|
|
personally, Wil. Get it done.
|
|
|
|
Jellico suddenly stops before entering the Turbolift.
|
|
|
|
JELLICO
|
|
(remembering)
|
|
And... get that fish out of the
|
|
Ready Room.
|
|
(to Data)
|
|
Data, you're with me.
|
|
|
|
Jellico and Data EXIT to the Turbolift, leaving a
|
|
frustrated Riker on the Bridge.
|
|
|
|
CUT TO:
|
|
|
|
16A INT. JEFFRIES TUBE
|
|
|
|
Jellico and Geordi are in the tube. Jellico is opening
|
|
a Mees panel and looking inside.
|
|
|
|
JELLICO
|
|
I understand you served on the
|
|
Victory.
|
|
|
|
GEORDI
|
|
Yes, sir.
|
|
|
|
JELLICO
|
|
(off panel)
|
|
I want you to increase the flow to
|
|
the deuterium fuel loader by a
|
|
third... we may need the extra
|
|
capacity.
|
|
|
|
Geordi notes Jellico's instruction on his PADD as
|
|
Jellico replaces the panel.
|
|
|
|
JELLICO
|
|
Captain Zimbata and I used to play
|
|
rugby together at the Academy.
|
|
|
|
GEORDI
|
|
Really?
|
|
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT TWO 16A.
|
|
|
|
16A CONTINUED:
|
|
|
|
JELLICO
|
|
Yeah. He was awful.
|
|
(beat)
|
|
But I was worse.
|
|
|
|
Jellico cocks his head to the side, listening for a
|
|
moment.
|
|
|
|
JELLICO
|
|
Check the EPS power distributor,
|
|
it sounds like you've got some
|
|
kind of fluctuation.
|
|
|
|
GEORDI
|
|
(listens)
|
|
I don't hear anything.
|
|
|
|
Jellico looks back at him.
|
|
|
|
GEORDI
|
|
I'll check it, sir.
|
|
|
|
They crawl out of the horizontal tube and then head up
|
|
the ladder.
|
|
|
|
17 INT. ENGINEERING
|
|
|
|
Jellico ENTERS by climbing up through the Jeffries
|
|
Tube, with Geordi close behind. Jellico, as usual, is
|
|
moving quickly and efficiently while Geordi struggles
|
|
to make notes on his PADD and answer Jellico's
|
|
questions. Data is also here.
|
|
|
|
JELLICO
|
|
The power transfer levels will
|
|
need to be upgraded by twenty
|
|
percent. The efficiency of your
|
|
warp coils is also unsatisfactory.
|
|
|
|
GEORDI
|
|
The coil efficiency is well within
|
|
specifications, Captain.
|
|
|
|
Jellico moves to the pool table and begins looking at
|
|
the monitors.
|
|
|
|
JELLICO
|
|
I'm not interested in the specs,
|
|
Geordi. The efficiency needs to
|
|
be at least fifteen percent
|
|
higher.
|
|
|
|
GEORDI
|
|
(shocked)
|
|
Fifteen percent?
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT TWO 17.
|
|
|
|
17 CONTINUED:
|
|
|
|
DATA
|
|
That is an attainable goal. But
|
|
it will require realigning the
|
|
warp coil and taking the secondary
|
|
distribution grid off-line.
|
|
|
|
JELLICO
|
|
Very good, Data.
|
|
(to Geordi)
|
|
That's exactly what I want you to
|
|
do.
|
|
|
|
GEORDI
|
|
Taking that grid off-line will
|
|
shut down the astrophysics lab,
|
|
exobiology, geological research --
|
|
|
|
JELLICO
|
|
We're not on a research mission.
|
|
Get it done in two days.
|
|
|
|
Geordi is too shocked to say anything at the moment.
|
|
Data offers what he thinks is helpful advice.
|
|
|
|
DATA
|
|
I believe that is also an
|
|
attainable goal. If we utilize
|
|
the entire Engineering department,
|
|
there should be sufficient
|
|
manpower available to complete the
|
|
task.
|
|
|
|
GEORDI
|
|
Sure, if they work around the
|
|
clock for the next two days.
|
|
|
|
JELLICO
|
|
Then you better get to it, Geordi.
|
|
It looks like you have some work
|
|
ahead of you.
|
|
|
|
GEORDI
|
|
(tight)
|
|
Yes, sir.
|
|
|
|
JELLICO
|
|
Data.
|
|
|
|
Jellico EXITS, with Data in tow. OFF Geordi's
|
|
reaction.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT TWO 18.
|
|
|
|
18 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship at warp.
|
|
|
|
19 INT. READY ROOM (OPTICAL)
|
|
|
|
Jellico is standing near the door, holding Picard's
|
|
book of Shakespeare and looking through the pages. An
|
|
intricate wood carving is sitting on the pedestal where
|
|
the book normally sits. In the b.g., the fish tank is
|
|
gone as well as the model of the Stargazer.
|
|
|
|
The door CHIMES.
|
|
|
|
JELLICO
|
|
Yes?
|
|
|
|
The doors OPEN, revealing Troi.
|
|
|
|
TROI
|
|
May I speak with you, Captain?
|
|
|
|
JELLICO
|
|
(smiles)
|
|
Deanna... come in, come in.
|
|
|
|
Troi ENTERS as Jellico sets the book down on the couch
|
|
and moves to the desk. Troi looks down at a stack of
|
|
crayon drawings sitting on the desk. Jellico notices
|
|
her gaze.
|
|
|
|
JELLICO
|
|
(re: drawings)
|
|
The latest masterpieces from my
|
|
son.
|
|
(picks up one)
|
|
It's an elephant.
|
|
(turns drawing)
|
|
I think.
|
|
|
|
TROI
|
|
(looks)
|
|
Definitely an elephant.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 19.
|
|
|
|
19 CONTINUED:
|
|
|
|
JELLICO
|
|
(beat, then back to
|
|
business)
|
|
I'm glad you're here. I'd like to
|
|
go over the duty roster with you.
|
|
|
|
TROI
|
|
I'd be happy to.
|
|
(beat)
|
|
But first, I'd like to talk about
|
|
the way the change in command is
|
|
affecting the crew.
|
|
|
|
JELLICO
|
|
(nods)
|
|
I've noticed some resistance.
|
|
|
|
TROI
|
|
I wouldn't call it resistance.
|
|
More like... uncertainty. Most of
|
|
them have served under Captain
|
|
Picard for several years. They
|
|
knew him, knew what he expected.
|
|
Now they're being asked to adjust
|
|
to a new captain and a new way of
|
|
doing things. They're uncertain
|
|
how to react.
|
|
|
|
JELLICO
|
|
I see your point. This all could
|
|
be very unsettling to them...
|
|
|
|
TROI
|
|
And to you. Perhaps everyone just
|
|
needs some time... time for you to
|
|
get to know and trust the crew...
|
|
and time for them to understand
|
|
how you want things done.
|
|
|
|
Jellico nods thoughtfully and thinks for a few seconds.
|
|
|
|
JELLICO
|
|
I'm glad you brought this to my
|
|
attention, Deanna.
|
|
(beat)
|
|
Unfortunately, I don't have time
|
|
for a honeymoon with the crew.
|
|
(MORE)
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT TWO 20.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
JELLICO (Cont'd)
|
|
You've clearly given this a lot of
|
|
thought, so I want you to take
|
|
charge of the morale situation.
|
|
Please see to it that they make
|
|
the adjustment to the new routine
|
|
quickly and easily.
|
|
|
|
That's not quite what Troi had in mind, but Jellico
|
|
doesn't give her much of a chance to disagree with him.
|
|
He glances at the computer terminal.
|
|
|
|
JELLICO
|
|
I have a meeting with the new
|
|
Security Chief in five minutes, so
|
|
the duty roster will have to wait.
|
|
Thank you, Counselor.
|
|
|
|
Jellico turns to his computer, but it takes a moment
|
|
for Troi to realize that she's just been dismissed.
|
|
She stands and heads for the door.
|
|
|
|
JELLICO
|
|
Oh, by the way...
|
|
(she stops)
|
|
I prefer a certain... formality on
|
|
the Bridge.
|
|
(beat, then with a
|
|
smile)
|
|
I would appreciate it if you wore
|
|
a standard uniform when you're on
|
|
duty.
|
|
|
|
Troi stiffens a little... but Jellico says it with only
|
|
a hint of reproach.
|
|
|
|
TROI
|
|
Of course, sir.
|
|
|
|
Jellico nods, satisfied. Troi EXITS after a beat.
|
|
|
|
CUT TO:
|
|
|
|
20 INT. CORRIDOR
|
|
|
|
Riker and Geordi are on the move. Geordi's pretty
|
|
irritated.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 21.
|
|
|
|
20 CONTINUED:
|
|
|
|
GEORDI
|
|
(frustrated)
|
|
Commander, he's asking me to
|
|
completely reroute half the power
|
|
systems on the ship, change every
|
|
duty roster, realign the warp
|
|
coils in two days, and now he's
|
|
transferred a third of my
|
|
department to Security.
|
|
|
|
RIKER
|
|
If it makes you feel any better,
|
|
you're not alone. Captain Jellico
|
|
is making major changes in every
|
|
department on the ship.
|
|
|
|
GEORDI
|
|
I don't mind making changes and I
|
|
don't mind hard work. But he's
|
|
not giving me the time to do the
|
|
work. Someone's got to make him
|
|
listen to reason.
|
|
|
|
RIKER
|
|
He's not going to listen to me.
|
|
I think he's made that abundantly
|
|
clear.
|
|
|
|
Geordi stops him.
|
|
|
|
GEORDI
|
|
Then can I make a suggestion?
|
|
Talk to Captain Picard. Maybe he
|
|
can do something.
|
|
|
|
Riker considers for a moment... he's not sure.
|
|
|
|
GEORDI
|
|
We just need a little time,
|
|
Commander, that's all.
|
|
|
|
RIKER
|
|
(beat)
|
|
All right.
|
|
|
|
Riker EXITS to the Turbolift and Geordi heads off down
|
|
the Corridor.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT TWO 21A.
|
|
|
|
21 INT. PICARD'S QUARTERS (OPTICAL)
|
|
|
|
Picard ENTERS. He is wearing the black jumpsuit and
|
|
backpack, but now he's splattered with mud, and he
|
|
looks totally exhausted. He wearily takes off the
|
|
backpack and collapses into a chair with an audible
|
|
sigh of relief. He closes his eyes for beat, and then
|
|
the door CHIMES. Picard manages to sit up.
|
|
|
|
PICARD
|
|
Come.
|
|
|
|
The doors OPEN and Riker ENTERS.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT TWO 22.
|
|
|
|
21 CONTINUED:
|
|
|
|
Riker notices the look of utter exhaustion on Picard's
|
|
face and his disheveled state.
|
|
|
|
RIKER
|
|
Are you all right, sir?
|
|
|
|
PICARD
|
|
Oh, yes.
|
|
(smiles)
|
|
The last time I had to train like
|
|
this was for the Academy marathon,
|
|
but I'm managing.
|
|
|
|
With effort, Picard stands -- not wanting to be seen as
|
|
weak or tired, but he's almost asleep on his feet.
|
|
|
|
PICARD
|
|
What can I do for you?
|
|
|
|
Riker looks into the exhausted face of his former
|
|
Captain and suddenly decides not to burden Picard with
|
|
his own problems right now.
|
|
|
|
RIKER
|
|
It's... nothing urgent. I'm sorry
|
|
to bother you. Good night, sir.
|
|
|
|
Riker EXITS. Off Picard's puzzled reaction...
|
|
|
|
CUT TO:
|
|
|
|
22 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship drops out of warp.
|
|
|
|
23 INT. READY ROOM
|
|
|
|
Jellico and Picard are seated at the desk looking over
|
|
some PADDS. Picard is back in his normal uniform and
|
|
seems much fresher.
|
|
|
|
PICARD
|
|
My orders are to maintain radio
|
|
silence until we've completed the
|
|
mission.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 23.
|
|
|
|
23 CONTINUED:
|
|
|
|
JELLICO
|
|
Well... the Enterprise will be
|
|
monitoring your channel just in
|
|
case you do need to transmit a
|
|
signal.
|
|
|
|
RIKER'S COM VOICE
|
|
Bridge to Captain Jellico. We've
|
|
arrived at the shuttle departure
|
|
coordinates.
|
|
|
|
JELLICO
|
|
(to com)
|
|
Did you launch the probe I
|
|
requested?
|
|
|
|
RIKER'S COM VOICE
|
|
Yes, sir. I wasn't aware that you
|
|
wanted to be informed...
|
|
|
|
JELLICO
|
|
(to com)
|
|
Thank you. Jellico out.
|
|
(to himself)
|
|
I can see why he's still only a
|
|
first officer.
|
|
|
|
Picard is clearly troubled by something. Jellico picks
|
|
up on it.
|
|
|
|
JELLICO
|
|
Something wrong?
|
|
|
|
A beat as Picard considers how to phrase this.
|
|
|
|
PICARD
|
|
Captain... I just want you to know
|
|
that Commander Riker is--
|
|
|
|
JELLICO
|
|
I've read your reports, Jean-Luc.
|
|
I know you think highly of him.
|
|
|
|
PICARD
|
|
It's not simply my opinion. He's
|
|
been decorated five times by
|
|
Starfleet Command and offered his
|
|
own ship on more than one
|
|
occasion. I think if you give him
|
|
a chance, you'll find he's an
|
|
outstanding officer.
|
|
|
|
Jellico considers him for a beat, then leans forward.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT TWO 24.
|
|
|
|
23 CONTINUED: (2)
|
|
|
|
JELLICO
|
|
Jean-Luc... let's be candid for a
|
|
moment. The Cardassians aren't
|
|
going to listen to reason, and the
|
|
Federation won't give in to their
|
|
demands. And the odds are, you
|
|
won't be coming back from this
|
|
mission of yours.
|
|
(beat)
|
|
I want this ship ready for action.
|
|
I don't have time to give Wil
|
|
Riker or anyone else a "chance."
|
|
And... forgive me for being blunt,
|
|
but the Enterprise is mine now.
|
|
|
|
There is a long, tense beat between the two men.
|
|
Jellico finally stands and tries to ease the tension
|
|
with a smile.
|
|
|
|
JELLICO
|
|
(smiles)
|
|
Well... here's hoping you beat the
|
|
odds.
|
|
(they shake hands)
|
|
Good hunting.
|
|
|
|
PICARD
|
|
Thank you.
|
|
|
|
Picard heads for the door, but Jellico stops him.
|
|
|
|
JELLICO
|
|
Jean-Luc...
|
|
(Picard turns)
|
|
I believe this is yours.
|
|
|
|
Jellico hands him the book of Shakespeare. Picard
|
|
takes it... they exchange a final look... and then
|
|
Picard EXITS.
|
|
|
|
Jellico settles into the chair that is now his alone
|
|
and picks up one of the drawings from his son...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 25.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
24 EXT. SPACE - THE ENTERPRISE & SHUTTLECRAFT (OPTICAL)
|
|
|
|
The shuttle moves away from the Enterprise. (STOCK)
|
|
|
|
25 INT. SHUTTLECRAFT
|
|
|
|
Picard, Beverly, and Worf are seated in the shuttle.
|
|
Worf is piloting. Behind them can be seen packs.
|
|
|
|
WORF
|
|
(to com)
|
|
Shuttlecraft Feynman to
|
|
Enterprise. We have cleared the
|
|
shuttlebay.
|
|
|
|
RIKER'S COM VOICE
|
|
Acknowledged, Feynman. Good luck.
|
|
|
|
PICARD
|
|
(to com)
|
|
Thank you, Enterprise.
|
|
|
|
26 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
The ship goes into warp. (STOCK)
|
|
|
|
27 INT. SHUTTLECRAFT
|
|
|
|
As before. Picard turns to the others.
|
|
|
|
PICARD
|
|
Now that we're on our way... I can
|
|
finally tell you about our
|
|
mission.
|
|
|
|
Beverly and Worf exchange looks. They've been waiting
|
|
for this.
|
|
|
|
PICARD
|
|
Starfleet Intelligence believes
|
|
the Cardassians are developing...
|
|
metagenic weapons.
|
|
|
|
BEVERLY
|
|
(quiet, grim)
|
|
Oh my God.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 26.
|
|
|
|
27 CONTINUED:
|
|
|
|
WORF
|
|
I am not familiar with...
|
|
metagenics.
|
|
|
|
BEVERLY
|
|
They're genetically engineered
|
|
viruses which are designed to
|
|
destroy entire eco-systems. The
|
|
metagenic toxins are released into
|
|
the atmosphere of a planet and
|
|
immediately begin mutating. They
|
|
seek out and destroy every form of
|
|
DNA they encounter.
|
|
(beat)
|
|
In a few days, everything is dead.
|
|
|
|
PICARD
|
|
Within a month, the metagenic
|
|
agent itself breaks down and
|
|
dissipates completely... leaving
|
|
every city, road, and piece of
|
|
equipment perfectly intact.
|
|
|
|
WORF
|
|
Leaving the planet safe to be
|
|
conquered.
|
|
(beat)
|
|
Wouldn't using such a weapon pose
|
|
as great a risk to the attacker as
|
|
it does to the target?
|
|
|
|
BEVERLY
|
|
That's why metagenics and other
|
|
biological weapons were outlawed
|
|
years ago. Even the Romulans
|
|
abide by those agreements.
|
|
|
|
PICARD
|
|
Starfleet Intelligence believes
|
|
that the Cardassians are
|
|
developing a new delivery system --
|
|
one which would protect them from
|
|
any accidental exposure to the
|
|
toxin.
|
|
(beat)
|
|
They believe the Cardassians are
|
|
testing a way of launching dormant
|
|
metagenic material on a subspace
|
|
carrier wave.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 27.
|
|
|
|
27 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
So they could activate the toxin
|
|
after launch... that would protect
|
|
them from accidental exposure.
|
|
|
|
PICARD
|
|
(nods)
|
|
And because the subspace wave
|
|
would appear to be simple
|
|
background radiation... no one
|
|
would realize what was happening
|
|
until it was too late.
|
|
|
|
Picard picks up a PADD and hands it to Worf and
|
|
Beverly, who examine it.
|
|
|
|
PICARD
|
|
For several weeks, bursts of thetaband
|
|
subspace emissions have been
|
|
detected coming from Celtris
|
|
Three. Those emissions may
|
|
indicate a metagenic delivery
|
|
system in operation.
|
|
|
|
WORF
|
|
What do we know about Celtris
|
|
Three?
|
|
|
|
PICARD
|
|
Very little. It was thought to be
|
|
uninhabited until these emissions
|
|
were detected. Starfleet believes
|
|
there is a secret research lab
|
|
located somewhere beneath the
|
|
surface.
|
|
(beat)
|
|
Our orders are to penetrate the
|
|
Celtris Three installation and
|
|
determine whether or not the
|
|
Cardassians are actually building
|
|
a metagenic weapon.
|
|
|
|
BEVERLY
|
|
And if they are?
|
|
|
|
PICARD
|
|
Then we destroy it. At all costs.
|
|
|
|
A long beat as he lets that sink in.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 27A.
|
|
|
|
27 CONTINUED: (3)
|
|
|
|
PICARD
|
|
When I was on the Stargazer, we
|
|
conducted extensive tests using
|
|
theta-band carrier waves. One of
|
|
the reasons I was selected for
|
|
this mission is my familiarity
|
|
with the methods used to generate
|
|
them. Mister Worf, you're along
|
|
for obvious reasons. Doctor, your
|
|
job will be to locate and destroy
|
|
any bio-toxins we find.
|
|
|
|
WORF
|
|
Celtris Three is in Cardassian
|
|
space. How will we get there
|
|
undetected?
|
|
|
|
PICARD
|
|
I know where we can arrange
|
|
some... discreet transportation.
|
|
(beat)
|
|
Set course for Torman Five.
|
|
|
|
Worf turns to work at the console.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Chain... , Pt. II" - REV. 10/13/92 - ACT THREE 28.
|
|
|
|
27A INT. TORMAN BAR (FORMERLY SCENE 32 & 33)
|
|
|
|
A small hole-in-the-wall bar (similar to the bar seen
|
|
in "Unification II"). There are a few N.D. ALIENS
|
|
hanging out doing deals or drinking themselves into
|
|
oblivion. Picard, Beverly, and Worf ENTER and look
|
|
around. They are all wearing civilian jackets over
|
|
their jumpsuits.
|
|
|
|
A Ferengi Daimon -- SOLOK -- is in deep conversation
|
|
with a N.D. ALIEN at a table. Solok is very
|
|
disreputable looking -- even for a Ferengi. His
|
|
clothes are rumpled and dirty... not a very successful
|
|
Daimon in terms of money.
|
|
|
|
SOLOK
|
|
(to Alien)
|
|
... if he doesn't pay up, I know
|
|
three large Ferengi who will not
|
|
be so forgiving.
|
|
|
|
Picard, Worf, and Beverly move to the table. Solok's
|
|
eyes widen and the Alien makes a hasty EXIT. Solok
|
|
senses trouble here.
|
|
|
|
SOLOK
|
|
I didn't do it.
|
|
|
|
PICARD
|
|
We're not accusing you of
|
|
anything.
|
|
|
|
SOLOK
|
|
Then what do you want?
|
|
|
|
PICARD
|
|
We're looking for Daimon Solok.
|
|
|
|
SOLOK
|
|
(suspicious)
|
|
Why?
|
|
|
|
PICARD
|
|
I have a... business proposition
|
|
to discuss.
|
|
|
|
Solok looks at them... he's getting more suspicious by
|
|
the moment.
|
|
|
|
SOLOK
|
|
Solok is a very busy -- a very
|
|
important man. He isn't here.
|
|
|
|
Solok stands to go, but Worf puts a firm hand on his
|
|
shoulder. Solok looks up at Worf's face and decides to
|
|
stay.
|
|
|
|
STAR TREK: "Chain... , Pt. II" - REV. 10/13/92 - ACT THREE28A.
|
|
|
|
27A CONTINUED:
|
|
|
|
SOLOK
|
|
But I could... relay a message.
|
|
|
|
Solok sits down again.
|
|
|
|
PICARD
|
|
Good. Please tell... Daimon Solok
|
|
that we're interested in arranging
|
|
some transportation... to Celtris
|
|
Three.
|
|
|
|
Solok reacts to the name.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT THREE 29.
|
|
|
|
27A CONTINUED: (2)
|
|
|
|
SOLOK
|
|
That's a Cardassian planet.
|
|
|
|
PICARD
|
|
Yes. I understand that Solok
|
|
runs... "cargo" there from time to
|
|
time.
|
|
|
|
SOLOK
|
|
(proudly)
|
|
Solok is no smuggler.
|
|
|
|
A nearby Bajoran snickers at that statement.
|
|
|
|
SOLOK
|
|
(outraged)
|
|
What are you laughing at? Get out
|
|
of here.
|
|
|
|
The Bajoran leaves.
|
|
|
|
PICARD
|
|
Well, if Solok were going to
|
|
Celtris for what I'm sure are...
|
|
legitimate reasons... we would be
|
|
interested in quietly booking
|
|
passage for the journey.
|
|
|
|
Solok considers them for a moment... finally decides
|
|
against it.
|
|
|
|
SOLOK
|
|
I don't think he would be
|
|
interested in dealing with
|
|
Federation spies.
|
|
|
|
Solok turns to go again, but now Beverly reaches out
|
|
and and stops him. She gives him a winning smile and
|
|
seductive look.
|
|
|
|
BEVERLY
|
|
(seductive)
|
|
You know... I've heard that Solok
|
|
is... quite a man...
|
|
|
|
Solok stops cold and looks her up and down. His
|
|
attitude starts to change.
|
|
|
|
SOLOK
|
|
Why, yes... he is... an
|
|
extraordinary man.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/13/92 - ACT THREE 29A.
|
|
|
|
27A CONTINUED: (3)
|
|
|
|
BEVERLY
|
|
That's why we came here... because
|
|
only Solok could help us... but I
|
|
guess there are some things even
|
|
Solok can't do.
|
|
|
|
Beverly moves a little closer to him... runs a hand
|
|
over his large ears.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 30.
|
|
|
|
27A CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
(softly)
|
|
It's too bad... if he had been
|
|
able to help, I would've been
|
|
very... very...
|
|
|
|
She trails off.
|
|
|
|
SOLOK
|
|
(eager)
|
|
Yes?
|
|
|
|
BEVERLY
|
|
(whispers in his ear)
|
|
Grateful.
|
|
|
|
Beverly moves away and sighs. Solok's hormones nearly
|
|
explode through his ears. Solok never takes his eyes
|
|
off Beverly.
|
|
|
|
SOLOK
|
|
(to Picard)
|
|
When do you want to leave?
|
|
|
|
Picard exchanges looks with the others. Off his
|
|
expression...
|
|
|
|
CUT TO:
|
|
|
|
28 EXT. SPACE - THE ENTERPRISE & CARDASSIAN SHIP
|
|
|
|
The two ships are facing each other in space. (STOCK)
|
|
|
|
RIKER (V.O.)
|
|
First Officer's Log: Supplemental.
|
|
We have rendezvoused with the
|
|
Cardassian ship Reklar to begin
|
|
diplomatic talks designed to ease
|
|
tensions along the border.
|
|
|
|
29 INT. MAIN BRIDGE
|
|
|
|
Jellico, Troi, and Data are at their stations. (Troi
|
|
is now in a standard blue uniform.) Riker ENTERS from
|
|
the Observation Lounge.
|
|
|
|
RIKER
|
|
Gul Lemec has arrived. He's
|
|
waiting for you in the Observation
|
|
Lounge.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT THREE31.
|
|
|
|
29 CONTINUED:
|
|
|
|
JELLICO
|
|
Very good.
|
|
(beat)
|
|
I'll be in my Ready Room.
|
|
|
|
Jellico EXITS to the Ready Room. Riker and Troi
|
|
exchange puzzled looks.
|
|
|
|
CUT TO:
|
|
|
|
30 INT. READY ROOM
|
|
|
|
Jellico is sitting at his desk. (In the b.g., the
|
|
crayon drawings seen earlier are now framed and are
|
|
hanging on the walls.) The door CHIMES.
|
|
|
|
JELLICO
|
|
Yes?
|
|
|
|
Troi ENTERS and Jellico looks at her expectantly.
|
|
|
|
TROI
|
|
Captain... I think there's been a
|
|
slight miscommunication.
|
|
(beat)
|
|
Did you want to meet with Gul
|
|
Lemec in here?
|
|
|
|
JELLICO
|
|
No. The Observation Lounge is
|
|
appropriate.
|
|
|
|
TROI
|
|
(puzzled)
|
|
I see...
|
|
|
|
There is a quiet beat before Jellico decides to
|
|
explain.
|
|
|
|
JELLICO
|
|
Lemec is a Cardassian... and
|
|
Cardassians are like... timber
|
|
wolves -- predators... bold in
|
|
large numbers... cautious by
|
|
themselves... and with an
|
|
instinctive need to establish a
|
|
dominant position in any social
|
|
gathering.
|
|
|
|
TROI
|
|
You're trying to establish a
|
|
dominant role for yourself by
|
|
making him wait for you.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 32.
|
|
|
|
30 CONTINUED:
|
|
|
|
Jellico nods.
|
|
|
|
TROI
|
|
I see.
|
|
(beat)
|
|
The trouble with wolves is that
|
|
sometimes the fight for dominance
|
|
ends with one of them dead.
|
|
|
|
Jellico smiles at her.
|
|
|
|
JELLICO
|
|
In that case the trick is... to be
|
|
the wolf that's still standing at
|
|
the end.
|
|
|
|
Off his look of determination...
|
|
|
|
CUT TO:
|
|
|
|
31
|
|
thru OMITTED
|
|
33
|
|
|
|
34 EXT. SPACE - CELTRIS THREE (OPTICAL)
|
|
|
|
A barren, rocky planet.
|
|
|
|
35 INT. CAVERNS - ENTRANCE (NIGHT)
|
|
|
|
The cavern is dark and moody, with dimly-seen forms and
|
|
shadows. There are also intermittent SOUNDS which
|
|
suggest there are living creatures scuttling about
|
|
somewhere in the gloom.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/14/92 - ACT THREE 33.
|
|
|
|
35 CONTINUED:
|
|
|
|
Picard, Beverly, and Worf ENTER from the exterior of
|
|
the cave. They are wearing the dark jumpsuits seen
|
|
earlier and carrying their backpacks. Beverly has a
|
|
tricorder out and Worf is holding a phaser.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Be certain your tricorder makes a
|
|
precise map of our route. It will
|
|
be easy to get lost in here.
|
|
|
|
WORF
|
|
Aye, sir.
|
|
|
|
Worf holsters his phaser and makes an adjustment to his
|
|
tricorder.
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
I'm picking up some type of
|
|
subspace signals, but I can't get
|
|
a lock on them.
|
|
|
|
Picard moves to look at the tricorder and she hands it
|
|
to him.
|
|
|
|
PICARD
|
|
That's characteristic of thetaband
|
|
emissions. You need to
|
|
compress the detection band-width
|
|
to get a directional fix.
|
|
|
|
He works the tricorder for a moment.
|
|
|
|
PICARD
|
|
The emission source is five
|
|
hundred meters east of here... and
|
|
about seven hundred meters below.
|
|
|
|
Picard starts to lead the way when suddenly a
|
|
SCREECHING SOUND is heard. Worf and Beverly freeze and
|
|
Worf points his phaser up at the unseen ceiling.
|
|
|
|
PICARD
|
|
It's all right.
|
|
(re: ceiling)
|
|
They're called lynars... a kind of
|
|
Celtran bat. They're harmless.
|
|
|
|
Worf doesn't like the sound of that.
|
|
|
|
WORF
|
|
(looking up)
|
|
Bats...
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/14/92 - ACT THREE 33A.
|
|
|
|
35 CONTINUED: (2)
|
|
|
|
BEVERLY
|
|
You're not afraid of bats, are
|
|
you, Worf?
|
|
|
|
WORF
|
|
Of course not.
|
|
|
|
Beverly smiles to herself as Picard leads them on.
|
|
Worf can't help glancing up at the ceiling again.
|
|
|
|
CUT TO:
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT THREE34.
|
|
|
|
36 INT. CAVERNS - PRECIPICE
|
|
|
|
They round a corner and come to a stop. The floor
|
|
drops off directly in front of them. Picard moves
|
|
cautiously to the edge and looks over.
|
|
|
|
37 POV PICARD - THE ABYSS (MATTE SHOT)
|
|
|
|
A yawning chasm opens up below the precipice. There
|
|
are distant walls and shapes dimly seen down the abyss,
|
|
but the bottom is far out of sight.
|
|
|
|
38 RESUME SCENE
|
|
|
|
Picard leans back as Beverly points her tricorder over
|
|
the edge.
|
|
|
|
BEVERLY
|
|
The bottom's a little over five
|
|
hundred meters.
|
|
|
|
Picard looks to either side of them.
|
|
|
|
PICARD
|
|
There doesn't appear to be any
|
|
other way down.
|
|
|
|
Picard examines the rock face more closely.
|
|
|
|
PICARD
|
|
This is sheer granite. We'll have
|
|
to use fusing pitons.
|
|
|
|
Picard takes off his backpack and begins removing rope
|
|
and 24th century pitons. Beverly looks over the edge
|
|
with some trepidation.
|
|
|
|
BEVERLY
|
|
We could try to find another way
|
|
down.
|
|
|
|
PICARD
|
|
Unfortunately, that could take
|
|
several hours.
|
|
|
|
They all take off their backpacks and begin removing
|
|
ropes, rapelling harnesses and pitons.
|
|
|
|
39 PICARD
|
|
|
|
Removes a piton from the pack and places it against the
|
|
ground. He touches a control and then there is a
|
|
WHOOSH SOUND.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT THREE 35.
|
|
|
|
39 CONTINUED:
|
|
|
|
Picard pulls experimentally on the piton... it's
|
|
definitely set into the rock.
|
|
|
|
40 WORF AND BEVERLY
|
|
|
|
As they put on their harnesses, Beverly can't help
|
|
glancing nervously over the edge. Worf notices.
|
|
|
|
WORF
|
|
(quiet)
|
|
You're not afraid of heights, are
|
|
you, Doctor?
|
|
|
|
She throws him a look... and then can't help but smile.
|
|
|
|
BEVERLY
|
|
(ironic)
|
|
Of course not.
|
|
|
|
Picard now attaches a line to the piton, clips the line
|
|
into his harness and then tosses the coil of rope over
|
|
the edge. Worf and Beverly secure their own pitons and
|
|
attach their own ropes.
|
|
|
|
PICARD
|
|
(over above action)
|
|
Now, remember to control your
|
|
descent... and don't tangle the
|
|
lines.
|
|
|
|
BEVERLY
|
|
Don't tangle the lines... I'll
|
|
remember.
|
|
|
|
They all put their backpacks back on. Picard tests his
|
|
weight on the line... it's firm.
|
|
|
|
PICARD
|
|
Ready?
|
|
|
|
They nod. Picard backs carefully to the edge... and
|
|
then eases himself backward and down the rock face.
|
|
|
|
41 NEW ANGLE (OPTICAL)
|
|
|
|
As the three of them begin rapelling down the deep
|
|
cavern...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT FOUR 36.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
42 EXT. SPACE - THE ENTERPRISE & CARDASSIAN SHIP
|
|
(OPTICAL)
|
|
|
|
The two ships sitting in space. (STOCK)
|
|
|
|
43 INT. OBSERVATION LOUNGE
|
|
|
|
GUL LEMEC is sitting at the table, quietly furious.
|
|
After a few beats, Jellico, Riker, and Troi ENTER.
|
|
Lemec stands up in anger, but Jellico strides into the
|
|
room and begins to take charge of the situation.
|
|
|
|
LEMEC
|
|
(angry)
|
|
What is going on? I have been
|
|
waiting here for --
|
|
|
|
JELLICO
|
|
(brisk)
|
|
I'm Captain Jellico. I believe
|
|
you know Commander Riker, and this
|
|
is Lieutenant Commander Troi.
|
|
Let's get to it, shall we?
|
|
|
|
Jellico, Riker, and Troi move toward the table, but
|
|
Lemec isn't willing to just let this go. He blocks
|
|
Jellico's path.
|
|
|
|
LEMEC
|
|
This treatment is a deliberate
|
|
insult to the Cardassian Union.
|
|
I have been kept waiting here for
|
|
over an hour.
|
|
|
|
JELLICO
|
|
Then I'm sure you're ready to
|
|
talk.
|
|
|
|
Jellico brushes past him and deliberately sits down in
|
|
the chair that Lemec just vacated. Riker and Troi move
|
|
to sit on either side of him. Lemec is forced to walk
|
|
around the table to the other side to find a chair, but
|
|
he doesn't sit down yet.
|
|
|
|
LEMEC
|
|
(to Jellico)
|
|
I did not agree to admitting
|
|
others to this meeting.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT FOUR 37.
|
|
|
|
43 CONTINUED:
|
|
|
|
JELLICO
|
|
If it alarms you, I can ask them
|
|
to leave.
|
|
|
|
LEMEC
|
|
I am not alarmed. But we did not --
|
|
|
|
JELLICO
|
|
A great many people are depending
|
|
on our efforts here, Gul Lemec.
|
|
We don't need to quibble over
|
|
minutiae.
|
|
|
|
LEMEC
|
|
(hard)
|
|
I have come to negotiate terms for
|
|
a Federation withdrawal from the
|
|
border, not to be dictated to by
|
|
some mere captain.
|
|
|
|
Jellico is on his feet instantly. His eyes flash and
|
|
his physical stance suggests imminent violence, but he
|
|
keeps his voice low as if through strenuous effort.
|
|
|
|
JELLICO
|
|
(hard)
|
|
I can see you're not serious about
|
|
these talks. If the Cardassian
|
|
Union truly wishes to discuss
|
|
peace they can send someone who
|
|
can negotiate in a civilized
|
|
manner.
|
|
|
|
Jellico indicates that Riker and Troi should follow him
|
|
and then he storms out. This has all happened so
|
|
quickly, that Lemec's only reaction is shock.
|
|
|
|
44 INT. MAIN BRIDGE - CONTINUOUS
|
|
|
|
Jellico, Riker and Troi emerge from the Observation
|
|
Lounge. Data is at Ops.
|
|
|
|
DATA
|
|
Captain on the Bridge.
|
|
|
|
Jellico turns to Riker and Troi. He has now dropped
|
|
all pretense at anger.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT FOUR 38.
|
|
|
|
44 CONTINUED:
|
|
|
|
JELLICO
|
|
(to Troi)
|
|
Let him stew for a few minutes.
|
|
Then go in and tell him you've
|
|
convinced me to meet with him one
|
|
more time. Tell him I'm a loose
|
|
cannon... that he needs to be more
|
|
reasonable because I'm such an
|
|
unreasonable man.
|
|
(to Riker)
|
|
Lemec will want to bring his own
|
|
aides on board. Pretend to be
|
|
worried that I'll object, but then
|
|
give grudging permission for two
|
|
aides, no more.
|
|
(to both)
|
|
Understood?
|
|
|
|
TROI
|
|
Yes, sir.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
Jellico EXITS to the Ready Room. Troi and Riker
|
|
exchange glances.
|
|
|
|
RIKER
|
|
Well, I'll say this for him...
|
|
he's very sure of himself.
|
|
|
|
Beat.
|
|
|
|
TROI
|
|
(quiet)
|
|
No... he's not.
|
|
|
|
Off her expression as she looks toward the Ready
|
|
Room...
|
|
|
|
CUT TO:
|
|
|
|
45 INT. CAVERNS - CAVE BOTTOM
|
|
|
|
Picard and Worf are standing at the bottom of the
|
|
abyss. It's a flat area, branching out into more
|
|
tunnels. Beverly is still on the rope, taking the last
|
|
few steps down the rock face. She jumps to the bottom
|
|
and Worf helps her unhook the line from her harness.
|
|
Picard scans the area with a tricorder.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 39.
|
|
|
|
45 CONTINUED:
|
|
|
|
PICARD
|
|
The installation should be
|
|
about... three hundred meters...
|
|
(points down one of the
|
|
tunnels)
|
|
This way.
|
|
|
|
Picard picks up his backpack. Beverly looks back up at
|
|
the towering rock face.
|
|
|
|
BEVERLY
|
|
I don't suppose we're going to
|
|
find another way to get back up
|
|
there...
|
|
|
|
WORF
|
|
Doubtful.
|
|
|
|
BEVERLY
|
|
That's what I thought.
|
|
|
|
Worf hands Beverly her pack and they both follow Picard
|
|
down a tunnel.
|
|
|
|
CUT TO:
|
|
|
|
46 INT. CAVERNS - ANOTHER SECTION
|
|
|
|
Picard, Worf, and Beverly come around a corner into
|
|
another section of the caverns where there is a dead
|
|
end. There is a SMALL HOLE, about one foot in diameter
|
|
in the wall which is directly in front of them. Picard
|
|
tracks his tricorder readings to the hole.
|
|
|
|
PICARD
|
|
We need to get through here. This
|
|
lava tube runs southwest for
|
|
seventy meters before running into
|
|
another chamber.
|
|
(looks inside)
|
|
The tube opens up a little more
|
|
beyond this entrance. If we can
|
|
widen the opening, we should be
|
|
able to crawl through.
|
|
|
|
Worf moves to the entrance and examines it.
|
|
|
|
WORF
|
|
A phaser set to level sixteen
|
|
should suffice.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 40.
|
|
|
|
46 CONTINUED:
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
47 ON WORF (OPTICAL)
|
|
|
|
As he pulls out his phaser and adjusts the setting. He
|
|
points it at the entrance and then FIRES. The phaser
|
|
is set on a WIDE BEAM which envelops the entire
|
|
entrance. When Worf stops firing, it is revealed that
|
|
the phaser has WIDENED the entrance to the lava tube by
|
|
about two feet. We can now see more of the tube, which
|
|
is just large enough for a person to crawl along on
|
|
their hands and knees. The tube is smooth on the
|
|
inside.
|
|
|
|
Picard moves to the entrance and peers inside.
|
|
|
|
PICARD
|
|
Very good, Mister Worf.
|
|
|
|
Picard removes his pack and puts it in the tube ahead
|
|
of him. He climbs in and then begins crawling through
|
|
the tube.
|
|
|
|
CUT TO:
|
|
|
|
48 EXT. SPACE - THE ENTERPRISE & CARDASSIAN SHIP
|
|
(OPTICAL)
|
|
|
|
The two ships hang in space.
|
|
|
|
49 INT. OBSERVATION LOUNGE
|
|
|
|
Gul Lemec is sitting in his chair, flanked by GLIN
|
|
CORAK and GLIN TAJOR, his aides. Jellico, Riker, and
|
|
Troi ENTER. The Cardassians stand. Jellico acts as
|
|
though the previous confrontation with Lemec never
|
|
happened.
|
|
|
|
JELLICO
|
|
(shakes his hand)
|
|
Gul Lemec, a pleasure.
|
|
|
|
LEMEC
|
|
May I present my aides, Glin Corak
|
|
and Glin Tajor.
|
|
|
|
JELLICO
|
|
Welcome aboard.
|
|
|
|
Everyone waits until Jellico sits down and then they
|
|
follow suit.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 41.
|
|
|
|
49 CONTINUED:
|
|
|
|
Lemec is much less confrontational than we saw
|
|
previously. Jellico's strategy is working.
|
|
|
|
Jellico looks over a PADD for a moment and everyone
|
|
again waits for him to set the pace. He pauses for a
|
|
moment, then plunges ahead -- his attitude is extremely
|
|
belligerent.
|
|
|
|
JELLICO
|
|
(blunt)
|
|
For the past three weeks you've
|
|
been massing troops in staging
|
|
areas, assembling strike forces,
|
|
and pulling ships from their
|
|
normal patrols. We will not stand
|
|
for this clearly provocative
|
|
behavior.
|
|
|
|
LEMEC
|
|
(cool)
|
|
I see the Federation spy network
|
|
has again provided you with faulty
|
|
information. We are conducting
|
|
routine training operations...
|
|
nothing more.
|
|
|
|
JELLICO
|
|
(contemptuous)
|
|
Then I'm sure you won't mind if we
|
|
send a few starships into this
|
|
sector for our own... training
|
|
operations.
|
|
|
|
LEMEC
|
|
Your fleet deployments do not
|
|
concern us. However, we are very
|
|
concerned about your refusal to
|
|
vacate those territories along the
|
|
border, which are clearly
|
|
Cardassian.
|
|
|
|
Jellico jumps to his feet and pounds the table.
|
|
|
|
JELLICO
|
|
(angry)
|
|
You gave up your claims on those
|
|
territories when you signed the
|
|
armistice. You couldn't take
|
|
those worlds by force, so now you
|
|
want us to give them to you at the
|
|
bargaining table.
|
|
|
|
Troi reaches out and pretends to calm him.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 42.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
TROI
|
|
Captain, please... we should
|
|
listen to them.
|
|
|
|
Jellico seems to swallow his anger for a moment.
|
|
Finally, with a great show of effort, he manages to sit
|
|
down again. Riker, playing the part of the
|
|
"reasonable" officer tries to sound conciliatory.
|
|
|
|
RIKER
|
|
Gul Lemec, I'm sure you know that
|
|
those systems are still subject to
|
|
negotiation by the terms of the
|
|
treaty.
|
|
|
|
LEMEC
|
|
Negotiations which we have pursued
|
|
in good faith. Unfortunately, the
|
|
Federation has not been as
|
|
forthcoming.
|
|
|
|
JELLICO
|
|
So to speed up the process, you're
|
|
preparing for war.
|
|
|
|
LEMEC
|
|
We are preparing to defend
|
|
ourselves.
|
|
|
|
RIKER
|
|
The Federation won't start a war.
|
|
|
|
Lemec pauses for a moment... then he gets up and moves
|
|
about the room. Clearly, he knows something.
|
|
|
|
LEMEC
|
|
That has always been your
|
|
position. However... I have heard
|
|
reports that a small team from the
|
|
Federation has already been sent
|
|
into our territory...
|
|
|
|
Jellico, Riker, and Troi keep their faces impassive...
|
|
trying not to give anything away. Lemec goes on after
|
|
a beat.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 43.
|
|
|
|
49 CONTINUED: (3)
|
|
|
|
LEMEC
|
|
(continuing)
|
|
Of course, I don't believe this...
|
|
such an attempt would almost
|
|
certainly fail... and even if it
|
|
succeeded, it would trigger a...
|
|
very serious response on our part.
|
|
|
|
Jellico takes a moment before responding. The tables
|
|
have just turned here... Jellico is now following
|
|
Lemec's lead.
|
|
|
|
JELLICO
|
|
I don't know what you're talking
|
|
about.
|
|
|
|
LEMEC
|
|
(smiles)
|
|
Then there's no need for worry.
|
|
|
|
A silent beat as the two men consider each other.
|
|
|
|
LEMEC
|
|
A short recess would seem to be in
|
|
order.
|
|
|
|
JELLICO
|
|
Very well.
|
|
|
|
Jellico, Riker and Troi stand to go... but Lemec stops
|
|
them with a question.
|
|
|
|
LEMEC
|
|
(quiet, casual)
|
|
Where is Captain Picard?
|
|
|
|
Jellico turns and faces him with a neutral expression.
|
|
|
|
JELLICO
|
|
Reassigned.
|
|
|
|
LEMEC
|
|
Ah.
|
|
(beat)
|
|
Well, I hope his new assignment is
|
|
not too dangerous... it would be
|
|
a shame if something happened to
|
|
such a... noted officer.
|
|
|
|
Jellico meets his eyes and there is a long moment
|
|
between the two of them.
|
|
|
|
STAR TREK: "Chain of Command, Pt. I" - 10/06/92 - ACT FOUR 44.
|
|
|
|
49 CONTINUED: (4)
|
|
|
|
JELLICO
|
|
Yes... it would.
|
|
|
|
Jellico turns and EXITS with Troi and Riker. Off
|
|
Lemec's expression of satisfaction...
|
|
|
|
CUT TO:
|
|
|
|
50 EXT. SPACE - CELTRIS THREE (OPTICAL)
|
|
|
|
The planet as seen before.
|
|
|
|
51 INT. CAVERNS - LAVA TUBE
|
|
|
|
Picard is crawling though the dark tube. Worf and
|
|
Beverly are following him single file.
|
|
|
|
PICARD
|
|
(to others)
|
|
Just a few more meters...
|
|
|
|
He keeps crawling... then comes to a narrow OPENING
|
|
which leads into another chamber. He has to push aside
|
|
some dirt and rocks, before he can scramble out of the
|
|
tube and into the chamber, which is large enough for
|
|
him to stand in.
|
|
|
|
52 WORF
|
|
|
|
is still moving though the tube. He gets to the end
|
|
and begins to crawl out.
|
|
|
|
53 BEVERLY
|
|
|
|
is struggling over some rocks and dirt behind Worf.
|
|
There is a sudden RUMBLING SOUND and she freezes.
|
|
|
|
54 PICARD AND WORF
|
|
|
|
They hear the sound.
|
|
|
|
PICARD
|
|
(urgent)
|
|
Beverly, get out of there!
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 45.
|
|
|
|
55 BEVERLY
|
|
|
|
She begins to hurry toward the entrance, but it's too
|
|
late. The tube CAVES IN on top of her.
|
|
|
|
56 PICARD AND WORF
|
|
|
|
The RUMBLING SOUND stops and dirt is blown out of the
|
|
tube.
|
|
|
|
PICARD
|
|
Beverly!
|
|
|
|
WORF
|
|
Doctor Crusher!
|
|
|
|
Silence. Picard moves to go back in after Beverly, but
|
|
Worf stops him.
|
|
|
|
WORF
|
|
No, sir.
|
|
|
|
Worf dives into the tube, leaving a worried Picard
|
|
behind.
|
|
|
|
57 WORF
|
|
|
|
inside the tube, reaches the point of the cave-in. He
|
|
begins to dig frantically.
|
|
|
|
58 PICARD
|
|
|
|
waits anxiously at the entrance to the tube. A few
|
|
beats pass.
|
|
|
|
WORF'S VOICE
|
|
(o.c.)
|
|
I have her.
|
|
|
|
Picard leans inside the tube and then re-emerges with
|
|
Worf's legs. He struggles to pull the Klingon from the
|
|
tube, but finally Worf's torso emerges. They both then
|
|
manage to pull out Beverly, who is covered with dirt
|
|
and is scratched up. She coughs and chokes for a
|
|
moment.
|
|
|
|
PICARD
|
|
Are you all right?
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 46.
|
|
|
|
58 CONTINUED:
|
|
|
|
BEVERLY
|
|
(coughing)
|
|
I think so.
|
|
(beat)
|
|
Next time, you bring up the rear.
|
|
|
|
Picard smiles at her, then picks up the tricorder.
|
|
|
|
PICARD
|
|
We're nearly there. Do you feel
|
|
like you can continue?
|
|
|
|
Beverly nods. Picard leads them down another
|
|
passageway.
|
|
|
|
CUT TO:
|
|
|
|
59 INT. CAVERNS - INSTALLATION ENTRANCE (OPTICAL)
|
|
|
|
Picard, Beverly and Worf come around a corner and see
|
|
a METAL HATCH set into the wall. There is no other
|
|
sign of an installation here except for the bare metal
|
|
door. They wait behind some rocks for a moment.
|
|
|
|
PICARD
|
|
(off tricorder, sotto)
|
|
This looks like a maintenance
|
|
hatch to the installation.
|
|
(beat)
|
|
I'm picking up three proximity
|
|
sensors around it.
|
|
|
|
Picard looks to Worf, who pulls a DEVICE about the size
|
|
and shape of a flashlight out of his pack. Worf
|
|
adjusts one of the controls and then sets the handle
|
|
into the ground so that it is standing up. Once it is
|
|
in place, he touches another control and THREE BEAMS
|
|
come out of the device and head towards three different
|
|
points around the periphery of the door. As soon as
|
|
they touch the rock, the beams DISAPPEAR.
|
|
|
|
Worf checks a reading on the side of the device.
|
|
|
|
WORF
|
|
The sensor echo has been
|
|
established. The false image will
|
|
only last a few minutes.
|
|
|
|
They pull their phasers and quickly move to the door.
|
|
Worf examines the door.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FOUR 47.
|
|
|
|
59 CONTINUED:
|
|
|
|
WORF
|
|
The hatch is magnetically sealed.
|
|
But I believe I can bypass it.
|
|
|
|
Picard nods and Worf pulls another DEVICE from his
|
|
pack. He attaches it to the door and begins to operate
|
|
the controls.
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
I can't scan the other side of the
|
|
hatch... it's been shielded.
|
|
|
|
PICARD
|
|
We have no choice.
|
|
(beat, then quiet, to
|
|
Beverly)
|
|
Remember: aim low and fire in
|
|
short, controlled bursts.
|
|
|
|
She nods understanding and takes a firmer grip on her
|
|
phaser. Worf finally finishes working on the hatch.
|
|
|
|
WORF
|
|
Ready.
|
|
|
|
They all move to defensive positions just outside the
|
|
door.
|
|
|
|
PICARD
|
|
(to Worf)
|
|
Now.
|
|
|
|
Worf activates the device and the hatch OPENS. The
|
|
three of them rush inside with phasers drawn.
|
|
|
|
60 OMITTED
|
|
|
|
61 INT. CAVERNS - LARGE CHAMBER - CONTINUOUS
|
|
|
|
They all rush inside and find... nothing. There is no
|
|
Cardassian installation... just a large empty chamber
|
|
in the caverns. The only thing in sight is a small
|
|
CONSOLE sitting in the middle of the chamber which is
|
|
quietly BEEPING.
|
|
|
|
Picard, Worf, and Beverly all come to a sudden halt as
|
|
they see there is nothing here. Off their astonished
|
|
reactions...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 48.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
62 INT. CAVERNS - LARGE CHAMBER
|
|
|
|
Continuous action from Act Four. Picard, Beverly, and
|
|
Worf are reacting to the empty room.
|
|
|
|
PICARD
|
|
(quick realization)
|
|
It's a trap. Come on.
|
|
|
|
But as he turns to head back for the door, all hell
|
|
suddenly breaks loose in the chamber.
|
|
|
|
The following happens very quickly:
|
|
|
|
62A WORF AND BEVERLY (OPTICAL)
|
|
|
|
react as TWO ARMED CARDASSIANS come at them from
|
|
behind. Worf throws himself at one and Beverly SHOOTS
|
|
the other.
|
|
|
|
62AA THE HATCH
|
|
|
|
begins to close behind them.
|
|
|
|
62B PICARD (OPTICAL)
|
|
|
|
Dives for cover as TWO MORE CARDASSIANS begin to FIRE
|
|
from hidden points in the shadows. Picard returns
|
|
FIRE, but then has to physically fight off a THIRD
|
|
CARDASSIAN who rushes him.
|
|
|
|
62C WORF (OPTICAL)
|
|
|
|
drops his phaser and dives into the closing hatch and
|
|
manages to force it open by wedging himself in it.
|
|
Beverly FIRES a couple of BLASTS which take out TWO
|
|
CARDASSIANS.
|
|
|
|
62D PICARD
|
|
|
|
is fighting off the Cardassian with a quick series of
|
|
karate moves.
|
|
|
|
62E CARDASSIANS
|
|
|
|
begin to pour out of yet another point in the chamber.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 49.
|
|
|
|
62F WORF (OPTICAL)
|
|
|
|
can barely hold open the hatch as Beverly scrambles
|
|
through it. Worf yells for Picard.
|
|
|
|
WORF
|
|
Captain!
|
|
|
|
But before Picard can do anything, Worf is wounded by
|
|
a DISRUPTOR BLAST and he is knocked out of the hatch
|
|
and into the outer chamber.
|
|
|
|
63 OMITTED
|
|
|
|
64 NEW ANGLE
|
|
|
|
as Picard turns to make a dash for the door... but it's
|
|
too late. The hatch CLOSES shut, trapping him inside.
|
|
He turns around and drops his phaser as the Cardassians
|
|
close in on him.
|
|
|
|
65 INT. CAVERNS - INSTALLATION ENTRANCE
|
|
|
|
Worf and Beverly have just emerged from the Large
|
|
Chamber. The door is shut.
|
|
|
|
WORF
|
|
The Captain...
|
|
|
|
Beverly shakes her head no, then whips out her
|
|
tricorder.
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
There are five more heading this
|
|
way from another tunnel. Come on.
|
|
|
|
She heads off back toward the way they came. Worf
|
|
glances once more at the closed hatch, then he follows
|
|
her.
|
|
|
|
CUT TO:
|
|
|
|
66
|
|
thru OMITTED
|
|
67
|
|
|
|
68 INT. CAVERNS - LARGE CHAMBER
|
|
|
|
Picard puts his hands on his head as an armed
|
|
Cardassian takes his pack and combadge from him as well
|
|
as his weapon.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 50.
|
|
|
|
68 CONTINUED:
|
|
|
|
One of the Cardassians goes over to the flashing
|
|
console and deactivates it. The flashing and beeping
|
|
STOP. The Cardassian smiles insidiously at Picard, and
|
|
then leads him away.
|
|
|
|
CUT TO:
|
|
|
|
69 EXT. SPACE - THE ENTERPRISE & CARDASSIAN SHIP
|
|
(OPTICAL)
|
|
|
|
The two ships in space.
|
|
|
|
70 INT. MAIN BRIDGE
|
|
|
|
Riker is looking at a monitor at the aft science
|
|
station as Jellico ENTERS from the Ready Room.
|
|
|
|
DATA
|
|
Captain on the Bridge.
|
|
|
|
JELLICO
|
|
(to Riker)
|
|
What do you have, Wil?
|
|
|
|
RIKER
|
|
(indicates monitor)
|
|
I'm not sure. We're picking up a
|
|
lot of coded messages from a
|
|
Cardassian planet near the border.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 51.
|
|
|
|
70 CONTINUED:
|
|
|
|
JELLICO
|
|
Which planet?
|
|
|
|
RIKER
|
|
Celtris Three.
|
|
|
|
A beat as Jellico thinks.
|
|
|
|
JELLICO
|
|
Can you detect any theta-band
|
|
subspace emissions coming from
|
|
Celtris?
|
|
|
|
Riker works for a moment.
|
|
|
|
RIKER
|
|
There're some residual traces...
|
|
it looks like there were emissions
|
|
up until a few minutes ago.
|
|
|
|
A long moment as Jellico looks at the monitors. He
|
|
doesn't want to give anything away.
|
|
|
|
JELLICO
|
|
Open a secure channel to Admiral
|
|
Nechayev. Priority two. Put it
|
|
through to my Ready Room.
|
|
|
|
RIKER
|
|
Aye, sir.
|
|
|
|
Jellico EXITS to the Ready Room and Riker looks after
|
|
him with a puzzled expression.
|
|
|
|
CUT TO:
|
|
|
|
70A INT. READY ROOM (OPTICAL)
|
|
|
|
Jellico moves to his desk and activates the terminal.
|
|
After a moment, the Starfleet logo is replaced by the
|
|
image of Admiral Nechayev.
|
|
|
|
NECHAYEV
|
|
Captain?
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 51A.
|
|
|
|
70A CONTINUED:
|
|
|
|
JELLICO
|
|
Those emissions you were so
|
|
concerned about... have just
|
|
stopped.
|
|
(beat)
|
|
I'd say that one way or the other,
|
|
our friends have finished their
|
|
task.
|
|
|
|
There is a beat as Nechayev takes note of this.
|
|
|
|
NECHAYEV
|
|
Have you heard from our friends?
|
|
|
|
JELLICO
|
|
No.
|
|
|
|
NECHAYEV
|
|
Let me know if you do. I'd very
|
|
much like to see them again.
|
|
|
|
JELLICO
|
|
So would I, Admiral.
|
|
|
|
The transmission ENDS. Off Jellico's face as he
|
|
contemplates the fate of Picard and the others.
|
|
|
|
CUT TO:
|
|
|
|
71 INT. INTERROGATION ROOM
|
|
|
|
The room is very large with a huge entry door.
|
|
(Footsteps tend to echo in here.) There are few
|
|
furnishings except for the center of the room where
|
|
there is a large DESK. Although not immediately
|
|
apparent, the desk has many hidden panels and drawers.
|
|
Next to the desk is the INTERVIEW CHAIR, an ominous
|
|
looking piece of furniture with the ability to manacle
|
|
the subject's wrists and ankles.
|
|
|
|
Picard is pushed into the room by a Cardassian. The
|
|
door SHUTS behind him. Picard looks around for a
|
|
moment... then a VOICE is heard coming out of the
|
|
darkness.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 52.
|
|
|
|
71 CONTINUED:
|
|
|
|
MADRED'S VOICE
|
|
(o.c.)
|
|
A challenge.
|
|
|
|
GUL MADRED steps out of the shadows and moves toward
|
|
the table.
|
|
|
|
MADRED
|
|
You should prove to be an
|
|
interesting challenge. Possibly
|
|
the most interesting to come
|
|
through that door in many years.
|
|
|
|
PICARD
|
|
What do you want?
|
|
|
|
MADRED
|
|
Why... you, of course.
|
|
(beat)
|
|
Picard. Jean-Luc. Serial number
|
|
SP dash nine three seven dash two
|
|
one five. Son of Maurice and
|
|
Yvette Picard, born in La Barre,
|
|
France. Former Captain of the
|
|
Stargazer... where you conducted
|
|
extensive studies on theta-band
|
|
subspace carrier waves.
|
|
|
|
Picard is shocked at this level of knowledge and what
|
|
it implies.
|
|
|
|
MADRED
|
|
Don't look so surprised. How
|
|
could we have designed a lure for
|
|
the Captain of the Federation
|
|
flagship unless we knew something
|
|
about his background.
|
|
|
|
Picard recovers quickly and his features harden.
|
|
|
|
PICARD
|
|
All right... so you concocted an
|
|
elaborate ruse to bring me here.
|
|
Why?
|
|
|
|
Madred's expression hardens.
|
|
|
|
MADRED
|
|
In this room, you do not ask
|
|
questions. I ask them, and you
|
|
answer. And if I'm not satisfied
|
|
with those answers... you will
|
|
die.
|
|
|
|
STAR TREK: "Chain... , Pt. I" - REV. 10/07/92 - ACT FIVE 53.
|
|
|
|
71 CONTINUED: (2)
|
|
|
|
Off Picard's reaction...
|
|
|
|
FADE OUT.
|
|
|
|
SUPER: "TO BE CONTINUED"
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|