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1 line
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1 line
62 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"The Perfect Mate"
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#40275-221
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Story by
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Rene Echevarria and Rueben Leder
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Teleplay by
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Rueben Leder and Michael Piller
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Directed by
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Cliff Bole
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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FEBRUARY 10, 1992
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STAR TREK: "The Perfect Mate" - 2/10/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"The Perfect Mate"
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CAST
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PICARD BRIAM
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RIKER ALRIK
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DATA KAMALA
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BEVERLY QOL
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TROI PAR LENOR
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GEORDI MINER #1
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WORF MINER #2
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MINER #3
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TRANSPORTER OFFICER
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Non-Speaking Non-Speaking
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SUPERNUMERARIES HAROD IV MINERS
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MEDICAL TEAM
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NURSE
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STAR TREK: "The Perfect Mate" - 2/10/91 - SETS
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STAR TREK: THE NEXT GENERATION
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"The Perfect Mate"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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CAPTAIN'S READY ROOM
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OBSERVATION LOUNGE
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TRANSPORTER ROOM
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VARIOUS CORRIDORS
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CARGO BAY
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SICKBAY
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TURBOLIFT
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TEN FORWARD
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PICARD'S QUARTERS
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KAMALA'S QUARTERS
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FERENGI QUARTERS
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HOLODECK
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TEMPLE OF AKADAR CEREMONIAL CHAMBER
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STAR TREK: "The Perfect Mate" - 2/12/92 - PRONUNCIATION
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STAR TREK: THE NEXT GENERATION
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"The Perfect Mate"
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PRONUNCIATION GUIDE
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LES EYZIES lay-ZAY-zee
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ALRIK AWL-rik
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BRIAM BREE-um
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FINIIS'RAL fin-is-RAHL
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KAMALA kah-MAH-lah
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KRIOSIAN kree-OHSH-ee-an
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LAPEONGICAL lah-pee-ONJ-ih-kahl
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LUDUGIAL luhd-DOOG-ee-all
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PAR LENOR pahr lehn-OHR
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PALORIS pahl-OHR-is
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QOL KWOHL
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TARGHEE tar-JZEE
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TORZE-QUA TORHRZ-kwah
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VENTANAN ven-TAHN-un
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STAR TREK: "The Perfect Mate" - REV. 2/21/92 - TEASER 1-1A.
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STAR TREK: THE NEXT GENERATION
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"The Perfect Mate"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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leaving orbit around the planet Krios.
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PICARD (V.O.)
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Captain's log, stardate 45761.3.
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In an effort to bring an end to
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their centuries-long war, Krios
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and Valt Minor have agreed to
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a Ceremony of Reconciliation, to
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be held aboard the Enterprise at
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a point mid-way between their
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two systems.
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2 INT. READY ROOM
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PICARD and the Kriosian Ambassador, BRIAM. Briam is
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tall, almost frail-looking, and his people have dark skin
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and hair, much in the manner of those from Earth's
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Indian subcontinent. Picard hands him a cup of tea.
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PICARD
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I apologize for the delay in our
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arrival; we had to stop at Harod
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Four and pick up a group of
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stranded miners.
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BRIAM
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Please, Captain. We are grateful
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that the Federation has taken as
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much interest as it has in this
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matter.
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PICARD
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Was Mister La Forge able to
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provide the special cargo handling
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provisions you requested?
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BRIAM
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Indeed he was. However... until
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we reach our rendezvous with the
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Valtese, may I ask that the cargo
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bay be declared off-limits to all
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but the most essential personnel?
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STAR TREK: "The Perfect Mate" - REV. 2/21/92 - TEASER 2-2A.
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2 CONTINUED:
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PICARD
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I trust, Ambassador, that this
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cargo is not in any way dangerous?
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BRIAM
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Nothing of the sort. It is a
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gift... for Alrik, the Valtese
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leader. I am cautious only
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because it is quite fragile...
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and quite irreplaceable.
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RIKER's COM VOICE
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Bridge to Captain Picard...
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PICARD
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Go ahead.
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INTERCUT
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3 INT. MAIN BRIDGE
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RIKER
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(continuing)
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We've picked up a distress call
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from a Ferengi shuttle...
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Picard frowns.
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PICARD
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(rises)
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Set a course to intercept...
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RIKER
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Aye, sir...
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4 INT. CAPT. READY ROOM
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As they rise to EXIT...
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BRIAM
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Captain, the timing of our
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ceremony with Alrik is critical.
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It cannot be delayed...
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PICARD
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We'll be at the rendezvous on
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schedule, don't worry.
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5 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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coming out of warp...
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STAR TREK: "The Perfect Mate" - REV. 2/11/92 - TEASER 3.
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6 INT. BRIDGE (OPTICAL)
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Picard has joined RIKER, WORF and DATA on the bridge.
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DATA
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The Ferengi report their
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containment field is collapsing...
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WORF
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We are within visual range.
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PICARD
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On screen.
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The image on the VIEWSCREEN is magnified and the
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shuttle is revealed... a trail of some emissions can
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be seen, the ship seems to be drifting...
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DATA
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Their reactor core is unstable,
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Captain...
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PICARD
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How many on board?
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DATA
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Two, sir.
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RIKER
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(to com)
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Bridge to transporter room three.
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Boost your output and lock on
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to the two Ferengi on board the
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shuttle. We may have to attempt
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a long-range transport.
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TRANSPORTER OFFICER'S COM VOICE
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Standing by.
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On the VIEWER, a small explosion aboard the Ferengi
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ship...
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PICARD
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Energize!
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Suddenly the entire ship goes.
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7 INT. TRANSPORTER ROOM (OPTICAL)
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As the TRANSPORTER OFFICER works his controls. Two
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figures MATERIALIZE on the pads...
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TRANSPORTER OFFICER
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Got them, sir.
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8 ON TRANSPORTER CHAMBER
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where TWO FERENGI now stand, smiling their toothy
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grins.
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STAR TREK: "The Perfect Mate" - 2/10/92 - TEASER 4.
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9 INT. MAIN BRIDGE
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RIKER
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Mister Worf, escort our Ferengi
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guests to quarters...
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(afterthought)
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... not too close to mine.
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WORF
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Understood.
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He EXITS...
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10 INT. CORRIDOR
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As Worf comes around a corner leading the Ferengi...
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WORF
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Unless you can arrange for your
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own transport, you will have to
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remain on the Enterprise until
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we have completed our mission...
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QOL
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That will not be a problem.
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PAR LENOR
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We are in no hurry.
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QOL
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We look forward to enjoying the
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comforts of your fine ship.
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Worf leads them to a door which opens into...
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11 INT. FERENGI QUARTERS
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As they ENTER...
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QOL
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Quite acceptable. Not what we're
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used to, you understand... but
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it will do.
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PAR LENOR
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Perhaps your captain would care
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to invite us to join him for
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dinner this evening...
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WORF
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The captain dines alone.
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STAR TREK: "The Perfect Mate" - 2/10/92 - TEASER 5.
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11 CONTINUED:
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QOL
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A pity.
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Worf grunts an acknowledgement and leaves. As the
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doors close, the Ferengi exchange a glance and laugh.
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QOL
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That was too easy!
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And on their laughter...
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FADE OUT.
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END OF TEASER
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STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT ONE 6.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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12 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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At warp.
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13 INT. CORRIDOR
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Picard, Geordi and Briam arrive outside the holodeck...
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GEORDI
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We've been working from your
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drawings, Ambassador... I hope
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we're in the ballpark...
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BRIAM
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Ball - park... ?
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PICARD
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An old Human expression... Mister
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LaForge hopes we've come close
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to achieving what you wanted...
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GEORDI
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Computer, run holodeck program
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Krios One.
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COMPUTER VOICE
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Enter when ready.
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The door opens to reveal the interior of an opulent,
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golden ceremonial temple... Briam gasps an
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appreciation...
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BRIAM
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Astonishing. It is the ancient
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Temple of Akadar.
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As they ENTER, the door closes and pan down the
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corridor to find the two Ferengi peeking around the
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corner... seeing that the ambassador has disappeared
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into the holodeck... Par Lenor nods to Qol to get
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going... Qol moves away down the perpendicular corridor
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as Par Lenor stays...
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13A
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thru OMITTED
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13B
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STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT ONE 7.
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14 INT. HOLODECK - TEMPLE
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Still in awe, Briam inspects the setting...
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BRIAM
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It is this temple that bonds Krios
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and Valt, gentlemen... two
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brothers once ruled a vast empire
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from this site... until they were
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torn apart by their love for an
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extraordinary woman. This is
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where the wars began. And this
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is where they shall end.
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15 INT. CARGO BAY
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as Qol slips inside. The room is dimly lit, he looks
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around to make sure he is alone. His eyes widen as
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he gets his first look at the "gift" he has come to
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steal.
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16 REVERSE ANGLE (OPTICAL)
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Suspended several feet off the ground in a zero-gravity
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field is a pod about the same size as an Egyptian style
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sarcophagus; its decorations, though alien-looking, are
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every bit as elaborate. The gravity field casts a
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shimmering light on it, giving this floating jewel an
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almost magical look.
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17 QOL
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reacts, excited...
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18 INT. CORRIDOR
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As the door opens and Picard, Briam and Geordi emerge
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from the holodeck...
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BRIAM
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There are details of course to
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be added...
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PICARD
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Mister La Forge is entirely at
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your disposal, Ambassador...
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GEORDI
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Just let me know what you need...
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STAR TREK: "The Perfect Mate" - 2/10/92 - ACT ONE 8.
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18 CONTINUED:
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BRIAM
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Yes, of course... I must consult
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several of the historical volumes
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that I brought with me...
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perhaps we can reconvene later
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this...
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Par Lenor suddenly appears in front of them... delaying
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the Ambassador's exit...
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PAR LENOR
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Excuse me... excuse me... is it
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true? Is a Kriosian ambassador
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aboard this vessel?
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BRIAM
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Yes. Can I help you?
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Picard steps in, trying to help the ambassador avoid
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the headaches he knows a Ferengi invariably brings...
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PICARD
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The ambassador is very busy...
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PAR LENOR
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Ah, do you schedule his
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appointments?
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PICARD
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I am the captain of this ship.
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Picard moves the Ambassador down the corridor... the
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Ferengi follows...
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PICARD
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(continuing)
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What is it you want?
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PAR LENOR
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Allow me to present myself. Par
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Lenor of the Ferengi Trade
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Mission. We are pleased to hear
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that you have at last negotiated
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peace with the Valtese,
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Ambassador. Peace is good for
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trade... unless you happen to be
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an arms merchant!
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Par Lenor bursts into an exaggerated laugh.
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STAR TREK: "The Perfect Mate" - REV. 2/10/92 - ACT ONE 9.
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19 INT. CARGO BAY (OPTICAL)
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Qol stacks crates and canisters and climbs up to get
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a better look at the sarcophagus...
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19A INT. CARGO BAY - ANGLE ON FERENGI (OPTICAL)
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looking across sarcophagus.
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20 INT. CORRIDOR
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At the turbolift, Picard waits impatiently for the lift
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to arrive... shoots Geordi a look as the Ferengi
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continues to drill the Ambassador...
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PAR LENOR
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... in return for the exclusive
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rights to transport all Kriosian
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products to the Valt system...
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PICARD
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May I suggest that you arrange
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to meet at another time, after
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the ceremony?
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The turbolift doors finally open... as Picard ushers
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in Briam...
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BRIAM
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Perhaps that would be best.
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PAR LENOR
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But...
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GEORDI
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(takes his arm)
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Listen... have you been down to
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see the dolphins yet? You really
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shouldn't miss them...
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Picard gives Geordi a grateful look as he says...
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PICARD
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(to com)
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Deck seven.
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The door closes in the Ferengi's face.
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21 INT. TURBOLIFT
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Picard hits his combadge.
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PICARD
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Picard to Worf.
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WORF (V.O.)
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Worf, here.
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STAR TREK: "The Perfect Mate" - 2/10/92 - ACT ONE 10.
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21 CONTINUED:
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PICARD
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One of the Ferengi just waylaid
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Ambassador Briam. Keep a short
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leash on them, Lieutenant.
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22 INT. BRIDGE
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WORF at tactical.
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PICARD (V.O.)
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(continuing)
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I don't want them disrupting this
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conference.
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WORF
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Aye, sir.
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Worf begins calibrating the ship's internal sensors.
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Reacts as he sees something...
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WORF
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Security to cargo bay one.
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RIKER
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Lieutenant?
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WORF
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One of the Ferengi.
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Riker reacts as Worf EXITS into the turbolift...
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23 INT. CARGO BAY (OPTICAL)
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As Worf leads in his security team... sees Qol up on
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the makeshift ladder near the sarcophagus... taking
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readings with a Ferengi tricorder...
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WORF
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You! What are you doing?
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The sudden intrusion startles Qol and as he turns to
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their arrival, the support under him wobbles and falls
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backwards, kicking the crates he's standing on into the
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sarcophagus... the energy field crackles and shorts
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out... and the sarcophagus falls and as it hits the
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floor, it cracks open, causing bright shafts of light
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to shoot out... and slowly the shell dissolves
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(indicating that the casing is constructed from some
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sort of "solid" energy).
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STAR TREK: "The Perfect Mate" - 2/10/92 - ACT ONE 11.
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23 CONTINUED:
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QOL
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This is a misunderstanding... I
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was looking for the barbershop...
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Apparently I made an incorrect
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turn -- and...
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24 ANGLE
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he's interrupted by Picard, Riker and Briam's
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arrival... Briam reacts with horror...
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BRIAM
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No...
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RIKER
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(to Worf, re: the
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Ferengi)
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Get him out of here. Confine both
|
|
of them to their quarters and put
|
|
a guard on the door.
|
|
|
|
Worf acknowledges, EXITS with the Ferengi...
|
|
|
|
PICARD
|
|
What is happening?
|
|
|
|
BRIAM
|
|
Emergence...
|
|
|
|
25 ON POD (OPTICAL)
|
|
|
|
The outer shell is now completely gone, revealing a
|
|
cocoon-like structure underneath, as if a Human figure
|
|
were wrapped in some sort of organic matter. This, too,
|
|
begins to dissolve away. The figure underneath the
|
|
organic casing is now becoming visible.
|
|
|
|
26 ON PICARD AND THE OTHERS
|
|
|
|
They can only stare in amazement.
|
|
|
|
27 ON THE FIGURE (OPTICAL)
|
|
|
|
now revealed to be the most exotic and beautiful woman
|
|
we have ever seen. Her green eyes are set off by her
|
|
dark skin and hair; she wears a long, diaphanous gown.
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT ONE 12.
|
|
|
|
28 SCENE
|
|
|
|
She looks around the room, and though her features seem
|
|
to indicate that she was expecting to emerge into an
|
|
entirely different setting (the reconciliation
|
|
ceremony), she never loses her serene, almost regal
|
|
composure.
|
|
|
|
Picard steps forward, and she focuses her attention
|
|
on him.
|
|
|
|
She gives him a smile so radiant that he is momentarily
|
|
struck mute. She approaches him, her eyes locked on
|
|
his.
|
|
|
|
KAMALA
|
|
I am for you, Alrik of Valt.
|
|
|
|
Off Picard's reaction...
|
|
|
|
FADE OUT
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT TWO 13.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
29 INT. CARGO BAY
|
|
|
|
Continuous action.
|
|
|
|
BRIAM
|
|
No, Kamala... this is not Alrik.
|
|
This is Captain Jean-Luc Picard
|
|
of the Federation Starship
|
|
Enterprise.
|
|
|
|
Kamala takes a curious beat to study Picard and then
|
|
laughs charmingly, embarrassed... (NOTE: with Picard,
|
|
she is articulate, direct, thoughtful, wry, Marietta
|
|
Tree.)
|
|
|
|
KAMALA
|
|
(with humor)
|
|
That explains why you don't look
|
|
at all like your holographs. I
|
|
apologize, Captain. As an empath,
|
|
I could sense your authority.
|
|
I assumed that you were
|
|
Chancellor Alrik...
|
|
|
|
PICARD
|
|
I'm afraid I require an
|
|
explanation...
|
|
|
|
KAMALA
|
|
As do I, Ambassador. Why have
|
|
I been brought out of stasis
|
|
prematurely?
|
|
|
|
BRIAM
|
|
(to Kamala)
|
|
There was an accident...
|
|
(to Picard)
|
|
Captain, this is quite
|
|
complicated, perhaps we should...
|
|
|
|
As she senses that Picard wants straight answers...
|
|
|
|
KAMALA
|
|
It is not complicated at all,
|
|
Briam. And the Captain has no
|
|
tolerance for prevarication.
|
|
(to Picard)
|
|
I am a gift to Alrik of Valt.
|
|
|
|
Picard reacts... Briam knows that he has a diplomatic
|
|
problem on his hands...
|
|
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT TWO 14.
|
|
|
|
29 CONTINUED:
|
|
|
|
RIKER
|
|
(to Briam)
|
|
You've been using this ship to
|
|
transport a sentient being as
|
|
property?
|
|
|
|
During the following, Kamala looks Riker up and down...
|
|
measuring him, curious about him, almost as though she
|
|
is undressing him in her mind... he feels uncomfortable
|
|
with it... a sexual tension is present...
|
|
|
|
BRIAM
|
|
Not as property... as a gift...
|
|
I was concerned that you would
|
|
not entirely understand...
|
|
|
|
PICARD
|
|
Your concern was justified,
|
|
Ambassador...
|
|
|
|
Kamala turns back to Picard...
|
|
|
|
KAMALA
|
|
You're angry. Why?
|
|
|
|
And during the following, she does the same thing to
|
|
Picard as she did to Riker. Again there is a sexual
|
|
tension. Picard absolutely ignores it... which only
|
|
interests her more...
|
|
|
|
PICARD
|
|
There is a provision within the
|
|
Federation Constitution that
|
|
protects an individual's
|
|
fundamental rights... once you
|
|
were brought aboard this
|
|
starship...
|
|
|
|
KAMALA
|
|
(realizing, charmed)
|
|
You are coming to my rescue! What
|
|
a kind and generous purpose. But
|
|
Captain, I do not need to be
|
|
rescued...
|
|
|
|
BRIAM
|
|
Kamala is the key to peace between
|
|
our two worlds...
|
|
|
|
RIKER
|
|
Why?
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT TWO 15.
|
|
|
|
29 CONTINUED: (2)
|
|
|
|
KAMALA
|
|
In our history there was a woman
|
|
known as Garuth who was loved by
|
|
the brothers Krios and Valt with
|
|
such passion that an empire
|
|
fell...
|
|
|
|
BRIAM
|
|
The wars began when Krios
|
|
kidnapped Garuth and took her to
|
|
our planet...
|
|
|
|
KAMALA
|
|
Like her, I am an empathic
|
|
metamorph. The first female
|
|
metamorph born on my world for
|
|
over a hundred years.
|
|
|
|
PICARD
|
|
A "metamorph"?
|
|
|
|
KAMALA
|
|
A mutant. A biological curiosity,
|
|
if you will. With the ability
|
|
to sense what a potential mate
|
|
wants... what he needs... what
|
|
gives him the greatest pleasure...
|
|
and then to become that for him.
|
|
|
|
RIKER
|
|
(reacts)
|
|
You mean... you change according
|
|
to whatever man you're with...
|
|
|
|
KAMALA
|
|
Until I reach the stage of
|
|
bonding... When I must imprint
|
|
upon myself the requirements of
|
|
one man... to serve as his perfect
|
|
partner in life.
|
|
|
|
Her eyes remain fixed on Picard as...
|
|
|
|
BRIAM
|
|
Male metamorphs are somewhat
|
|
common but a female appears only
|
|
once in seven generations...
|
|
obviously, they are highly sought
|
|
after as mates...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT TWO 15A.
|
|
|
|
29 CONTINUED: (3)
|
|
|
|
RIKER
|
|
(to Picard)
|
|
Which explains our Ferengi's
|
|
interest...
|
|
|
|
BRIAM
|
|
This mating to Alrik was arranged
|
|
at her birth... by leaders of
|
|
both worlds; in the hopes of
|
|
restoring peace...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT TWO 16.
|
|
|
|
29 CONTINUED: (4)
|
|
|
|
Picard takes a breath, frowns, finding this all very
|
|
distasteful but...
|
|
|
|
PICARD
|
|
You do this of your own accord?
|
|
|
|
KAMALA
|
|
(nods)
|
|
It is my sole purpose in life.
|
|
|
|
PICARD
|
|
Commander Riker will show you to
|
|
quarters. You need not travel
|
|
in a cargo bay.
|
|
|
|
BRIAM
|
|
Kamala, remain in your room. I
|
|
will speak to you shortly.
|
|
|
|
She acknowledges and Riker leads her out.
|
|
|
|
30 INT. CORRIDOR
|
|
|
|
Kamala and Riker walk...
|
|
|
|
RIKER
|
|
Why were you in stasis?
|
|
|
|
KAMALA
|
|
Metamorphs have a long and complex
|
|
sexual maturing process. I am
|
|
in the Finiis'ral, the third and
|
|
final stage. It can be an
|
|
uncomfortable transition... Not
|
|
only for me, but for the men
|
|
around me...
|
|
|
|
RIKER
|
|
In what way?
|
|
|
|
KAMALA
|
|
My body is producing an unusually
|
|
elevated level of what you would
|
|
call pheromones. The effect can
|
|
be quite... provocative. Perhaps
|
|
you sense it...
|
|
|
|
RIKER
|
|
(resisting)
|
|
Ah, unfortunately, I'm not an
|
|
empath...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/13/92 - ACT TWO 17.
|
|
|
|
30 CONTINUED:
|
|
|
|
KAMALA
|
|
(flirtatious)
|
|
Oh, I think you are more empathic
|
|
than you admit... at least when
|
|
it comes to women...
|
|
|
|
RIKER
|
|
I think you have me at a
|
|
disadvantage...
|
|
|
|
They reach her quarters... (NOTE: with Riker, she's
|
|
open, flirtatious, tactile, available, Roxanne
|
|
Pulitzer... FURTHER NOTE: These are primarily internal
|
|
personality changes but subtle physical changes can
|
|
occur... in terms of eyes, hair, general makeup as well
|
|
as the way she walks and sounds and carries herself.
|
|
Instant Sybil.)
|
|
|
|
31 INT. KAMALA'S QUARTERS
|
|
|
|
As they enter...
|
|
|
|
RIKER
|
|
The replicator is here...
|
|
companel here... the sonic shower
|
|
is through there... you can adjust
|
|
the lights by verbal commands...
|
|
and if you have any questions,
|
|
just ask the...
|
|
|
|
As he turns, he finds her standing there... really
|
|
close...
|
|
|
|
RIKER
|
|
(beat)
|
|
...the... computer...
|
|
|
|
And she leans in to him and gives him a passionate
|
|
kiss... as their lips part...
|
|
|
|
RIKER
|
|
I'm beginning to sense those
|
|
elevated pheromones you were
|
|
talking about...
|
|
|
|
KAMALA
|
|
You were curious, weren't you?
|
|
|
|
RIKER
|
|
Curious isn't exactly the way I'd
|
|
describe it.
|
|
|
|
KAMALA
|
|
Do you know what is remarkable
|
|
about empathic metamorphs?
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT TWO 18.
|
|
|
|
31 CONTINUED:
|
|
|
|
RIKER
|
|
You mean, there's something even
|
|
more remarkable about you?
|
|
|
|
KAMALA
|
|
We learn so quickly what
|
|
stimulates a man... that the
|
|
second time is even better than
|
|
the first...
|
|
|
|
And if the first was passionate... send the affiliates
|
|
a message on this one... she bites his lower lip and
|
|
then goes in for the kill...
|
|
|
|
32 OMITTED
|
|
|
|
33 HIS FACE
|
|
|
|
RIKER
|
|
Listen... this has been...
|
|
educational... but I've made it
|
|
a policy never to open another
|
|
man's gift...
|
|
|
|
KAMALA
|
|
I know my role in history,
|
|
Commander... but it's going to
|
|
be a long voyage...
|
|
|
|
RIKER
|
|
(ironic)
|
|
It certainly is.
|
|
(beat, "get me out of
|
|
here")
|
|
We'll try to make you as
|
|
comfortable as possible.
|
|
|
|
And he exits.
|
|
|
|
34 INT. CORRIDOR
|
|
|
|
As the door slides closed behind Riker, he catches his
|
|
breath... beads of sweat on his brow, his collar
|
|
tight... he hits his combadge...
|
|
|
|
RIKER
|
|
Riker to bridge. If you need me,
|
|
I'll be in holodeck four.
|
|
|
|
He moves down the corridor...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT TWO 19.
|
|
|
|
35 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at warp.
|
|
|
|
36 INT. PICARD'S QUARTERS (OPTICAL)
|
|
|
|
Close on a teacup... The voices are sharp...
|
|
|
|
BEVERLY
|
|
How can you simply deliver her
|
|
like a courier into a life of
|
|
virtual prostitution...
|
|
|
|
PICARD
|
|
Beverly, arranged marriages have
|
|
been the basis of political
|
|
alliances in many cultures,
|
|
including our own...
|
|
|
|
BEVERLY
|
|
I'm surprised at you.
|
|
|
|
PICARD
|
|
She knows exactly what she's
|
|
doing.
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT TWO 20.
|
|
|
|
36 CONTINUED:
|
|
|
|
BEVERLY
|
|
She has been conditioned since
|
|
the day she was born to believe
|
|
that it is perfectly acceptable
|
|
to exist only to please men...
|
|
|
|
PICARD
|
|
Beverly, she was born this way...
|
|
|
|
BEVERLY
|
|
... and bred by those people to
|
|
seal a treaty with a seductive
|
|
coup de grace...
|
|
|
|
PICARD
|
|
(angry now, with
|
|
frustration and
|
|
sarcasm)
|
|
By all means, we should throw the
|
|
Prime Directive to the wind...
|
|
detain her against her will...
|
|
destroy any chance these worlds
|
|
have for peace... interefere with
|
|
their society, with their
|
|
customs...
|
|
|
|
BEVERLY
|
|
(interrupting)
|
|
That slave trader who calls
|
|
himself an ambassador has confined
|
|
her to her quarters... she's a
|
|
virtual prisoner in there...
|
|
|
|
PICARD
|
|
I didn't know that...
|
|
|
|
BEVERLY
|
|
It's your ship. Maybe there are
|
|
a few things you should find out
|
|
about.
|
|
|
|
PICARD
|
|
I'll speak with her.
|
|
|
|
BEVERLY
|
|
Good. ... Lovely breakfast.
|
|
|
|
PICARD
|
|
Indeed.
|
|
|
|
She exits and on his face...
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT TWO 21.
|
|
|
|
37 INT. KAMALA'S QUARTERS
|
|
|
|
As the door slides open to reveal Picard... Kamala
|
|
greeting him...
|
|
|
|
KAMALA
|
|
Captain Picard, what a delightful
|
|
surprise. Come in.
|
|
|
|
PICARD
|
|
Are you comfortable?
|
|
|
|
KAMALA
|
|
Reasonably. Under the
|
|
circumstances.
|
|
|
|
They sit.
|
|
|
|
PICARD
|
|
It has come to my attention that
|
|
you have been told to remain
|
|
here...
|
|
|
|
KAMALA
|
|
That's true, I'm afraid.
|
|
|
|
PICARD
|
|
Against your wishes.
|
|
|
|
KAMALA
|
|
(qualifying)
|
|
At the request of the ambassador
|
|
who believes I might be...
|
|
disruptive to your crew.
|
|
|
|
PICARD
|
|
My crew's performance is not the
|
|
business of the ambassador.
|
|
|
|
She studies him. She smiles with warm appreciation.
|
|
|
|
KAMALA
|
|
You care about my well-being.
|
|
Thank you, Captain.
|
|
|
|
PICARD
|
|
I care about what happens on board
|
|
my ship.
|
|
|
|
KAMALA
|
|
(studying him)
|
|
Yes, I know. This ship is very
|
|
important to you, isn't it... ?
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT TWO 22.
|
|
|
|
37 CONTINUED:
|
|
|
|
PICARD
|
|
(ready to change the
|
|
subject)
|
|
Yes...
|
|
|
|
KAMALA
|
|
Are all captains' lives so...
|
|
solitary? Or just yours?
|
|
|
|
PICARD
|
|
Don't.
|
|
|
|
KAMALA
|
|
What?
|
|
|
|
PICARD
|
|
Do this.
|
|
(off her look)
|
|
What you do... with men.
|
|
|
|
She smiles.
|
|
|
|
KAMALA
|
|
I'm afraid my premature emergence
|
|
from stasis has left me a
|
|
little... vulnerable to the
|
|
desires I sense from men.
|
|
Nevertheless, this is who I am,
|
|
Captain. You might as well ask
|
|
a Vulcan to forgo logic... or a
|
|
Klingon to be nonviolent. I
|
|
cannot change, and I don't want
|
|
to until it's time for me to
|
|
bond with my permanent mate.
|
|
(beat)
|
|
Why does it bother you?
|
|
|
|
A beat as he decides how to continue...
|
|
|
|
PICARD
|
|
Frankly, it is difficult for me...
|
|
for many of us... to easily accept
|
|
that a sentient being could live
|
|
only to be what someone else wants
|
|
them to be...
|
|
|
|
She reacts with curiosity... this is the first time the
|
|
issue's been raised with her...
|
|
|
|
KAMALA
|
|
But that's what gives a metamorph
|
|
pleasure...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT TWO 23.
|
|
|
|
37 CONTINUED: (2)
|
|
|
|
PICARD
|
|
What about your wishes? Your
|
|
needs?
|
|
|
|
KAMALA
|
|
They are fulfilled by what I give
|
|
to others.
|
|
|
|
PICARD
|
|
And what about when there are
|
|
no others, when you are
|
|
alone... ?
|
|
|
|
KAMALA
|
|
I am incomplete.
|
|
|
|
A beat.
|
|
|
|
KAMALA
|
|
What curious questions, Captain...
|
|
|
|
PICARD
|
|
(a beat)
|
|
I'm sorry. Under the
|
|
circumstances, I felt it would
|
|
help to learn more about you.
|
|
|
|
KAMALA
|
|
But you know me better than you
|
|
realize...
|
|
|
|
Off Picard's reaction...
|
|
|
|
KAMALA
|
|
I am independent, forceful,
|
|
brilliant, and adventurous.
|
|
(beat, casual)
|
|
Exactly as you would have me be.
|
|
|
|
A long look between them... Picard finally rises.
|
|
|
|
PICARD
|
|
I will speak with the ambassador
|
|
about easing your restrictions.
|
|
|
|
KAMALA
|
|
Thank you, Captain.
|
|
|
|
He exits. Hold a beat on her thoughtful musing...
|
|
|
|
FADE OUT
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT THREE 24.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
A38 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
coming out of warp.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, stardate 45780.3.
|
|
We have reached the designated
|
|
coordinates for the conference
|
|
and await the arrival of
|
|
Chancellor Alrik.
|
|
|
|
38 INT. HOLODECK - THE CEREMONIAL CHAMBER
|
|
|
|
Briam is sitting at a percussive instrument, striking
|
|
the chimes in a strict cadence, practicing a definite
|
|
order...
|
|
|
|
BRIAM
|
|
(imperious)
|
|
No, I forbid it.
|
|
|
|
PICARD
|
|
(displeased)
|
|
"Forbid" it... ?
|
|
|
|
BRIAM
|
|
It is too dangerous. She must
|
|
remain in her quarters.
|
|
|
|
PICARD
|
|
(controlled)
|
|
You cannot confine her against
|
|
her will, Ambassador... not on
|
|
board this ship...
|
|
|
|
Briam stops what he's doing, stands... moves across the
|
|
room to a torah-like scroll on an ornate table...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT THREE 25.
|
|
|
|
38 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(continuing)
|
|
She is requesting some freedom
|
|
of movement... and I intend to
|
|
give it to her...
|
|
|
|
Briam shakes his head, disapproving...
|
|
|
|
BRIAM
|
|
She is still in the Finiis'ral...
|
|
the height of her sexual allure,
|
|
Captain... every man on the ship
|
|
will be fighting over her...
|
|
|
|
Picard frowns, muses... a beat... getting an idea...
|
|
|
|
PICARD
|
|
Not every man...
|
|
|
|
39 INT. KAMALA'S QUARTERS
|
|
|
|
Close on Kamala...
|
|
|
|
KAMALA
|
|
A chaperone... ?
|
|
|
|
Moving to reveal Data and Picard...
|
|
|
|
DATA
|
|
I would be pleased to escort you
|
|
around the ship.
|
|
|
|
She measures him... senses nothing...
|
|
|
|
KAMALA
|
|
(almost to herself)
|
|
What sort of man is this?
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT THREE 26.
|
|
|
|
39 CONTINUED:
|
|
|
|
DATA
|
|
I am an artificial lifeform.
|
|
|
|
KAMALA
|
|
A blank page.
|
|
|
|
DATA
|
|
Your empathic powers do not
|
|
perceive anything because I have
|
|
no emotions.
|
|
|
|
KAMALA
|
|
(disappointed)
|
|
But I was hoping we might spend
|
|
more time together, Captain.
|
|
|
|
PICARD
|
|
Unfortunately, I'm quite busy with
|
|
the arrangements for the
|
|
conference.
|
|
|
|
KAMALA
|
|
I am very knowledgeable about
|
|
Valt. I could be helpful.
|
|
|
|
Determined to put a distance between them --
|
|
|
|
PICARD
|
|
I think you should enjoy the
|
|
hospitality of our ship. Mister
|
|
Data will see to your every
|
|
comfort... if you will excuse
|
|
me...
|
|
|
|
He exits... Kamala and Data look at each other... he
|
|
cocks his head a beat...
|
|
|
|
39 INT. CORRIDOR OUTSIDE TEN FORWARD
|
|
|
|
CLOSE on Data and Kamala as they walk toward Ten
|
|
Forward...
|
|
|
|
DATA
|
|
Your empathic powers do not
|
|
perceive anything because as an
|
|
android, I have no emotions...
|
|
|
|
KAMALA
|
|
I can understand why Captain
|
|
Picard chose you to be my
|
|
chaperone...
|
|
|
|
And they EXIT to...
|
|
|
|
40 INT. TEN FORWARD
|
|
|
|
As Data and Kamala enter... the bar is crowded... some
|
|
of those miners we picked up on the way are lined up at
|
|
the bar... they haven't seen a woman in seventeen
|
|
months, let alone a woman like this... and as Data and
|
|
she move slowly by, each male's head turns as those
|
|
pheromones wallop them...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT THREE 27.
|
|
|
|
40 CONTINUED:
|
|
|
|
She smiles as she looks across the room, sees --
|
|
|
|
41 ANGLE - RIKER
|
|
|
|
sitting with Worf, laughing, drinking an ale... makes
|
|
eye contact with Kamala across the room... reacts,
|
|
knows his duty... downs his drink... standing...
|
|
|
|
RIKER
|
|
(to Worf)
|
|
I'll... check in with you later.
|
|
|
|
And he runs from temptation in the opposite
|
|
direction...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT THREE 28.
|
|
|
|
42 RESUME DATA AND KAMALA
|
|
|
|
as her smiles fades... A miner walks up to Kamala...
|
|
|
|
MINER #1
|
|
Excuse me, but I'm absolutely
|
|
certain that we met once at
|
|
Paloris Colony...
|
|
|
|
KAMALA
|
|
(smiles)
|
|
I've never been to Paloris Colony.
|
|
|
|
MINER #1
|
|
Neither have I. Why don't we find
|
|
out what else we have in common.
|
|
|
|
He starts to move her away... Data simply takes her
|
|
arm and guides her down the bar...
|
|
|
|
DATA
|
|
Extremely rude behavior.
|
|
|
|
Looking back at him with a smile...
|
|
|
|
KAMALA
|
|
He's just being playful.
|
|
|
|
During the following, the whole bar lineup of men seems
|
|
to gravitate toward them... they admire her... she
|
|
smiles back... Data observes them curiously...
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT THREE 29.
|
|
|
|
42 CONTINUED:
|
|
|
|
DATA
|
|
May I order you a drink?
|
|
|
|
KAMALA
|
|
(to the group of
|
|
miners)
|
|
What are all of you having?
|
|
|
|
MINER #2
|
|
Aldorian Ale's our drink...
|
|
|
|
KAMALA
|
|
Then, it's mine too.
|
|
|
|
They mutter their approval... and she's a down-home
|
|
girl now... standing differently... flaunting her
|
|
sexuality... a bit coarse... Marlene Dietrich in
|
|
"Destry". Data looks around for a waiter...
|
|
|
|
DATA
|
|
There do not seem to be enough
|
|
waiters on duty.
|
|
|
|
MINER #3
|
|
They're having a minor problem
|
|
with the replicator...
|
|
|
|
MINER #2
|
|
They could use a hand,
|
|
Commander...
|
|
|
|
DATA
|
|
Certainly...
|
|
|
|
And he takes a few steps, then stops... realizing the
|
|
intent...
|
|
|
|
DATA
|
|
No, I think I shall remain here...
|
|
|
|
KAMALA
|
|
Mister Data's protecting me
|
|
tonight...
|
|
|
|
MINER #2
|
|
Protecting you from what?
|
|
|
|
KAMALA
|
|
From you, I guess.
|
|
|
|
Laughter...
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT THREE 30.
|
|
|
|
42 CONTINUED: (2)
|
|
|
|
KAMALA
|
|
(sexy)
|
|
I told the captain not to worry...
|
|
I just want to have a good time
|
|
like anybody else...
|
|
|
|
The crowd responds to her... with a roar of walla and
|
|
ad libs... crushing in closer... as Data reacts...
|
|
|
|
MINER #1 MINER #2 MINER #3
|
|
Come on down to Get rid of the Do you have any
|
|
deck seven, android and sisters... ? will
|
|
we'll show you we'll have fun... you marry me... ?
|
|
a good time...
|
|
|
|
Pushing his way through the crowd -- the booming voice
|
|
of...
|
|
|
|
WORF
|
|
Is there a problem here?
|
|
|
|
More ad lib walla:
|
|
|
|
MINER #1 MINER #2 MINER #3
|
|
Nossir... No problem... Tell him, lady...
|
|
|
|
WORF
|
|
Be quiet!
|
|
|
|
They shut up... she measures Worf with her eyes... Worf
|
|
looks to Data...
|
|
|
|
DATA
|
|
Thank you, Lieutenant Worf, I
|
|
believe the crowd has become a
|
|
little too ebullient for
|
|
comfort...
|
|
(to Kamala)
|
|
... perhaps you'd enjoy a quiet
|
|
visit to the arboretum...
|
|
|
|
And as Data starts to move, the miners move en masse...
|
|
along with them... Data and Worf react...
|
|
|
|
WORF
|
|
(to the miners)
|
|
Stay here.
|
|
|
|
And the disappointed miners go back to their original
|
|
positions...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT THREE 31.
|
|
|
|
43 AT THE DOOR
|
|
|
|
DATA
|
|
Thank you again, Lieutenant.
|
|
|
|
Worf grunts an acknowledgement. Nods to Kamala --
|
|
|
|
WORF
|
|
Ma'am.
|
|
|
|
She looks up him... and rising out of her throat comes
|
|
a Klingon hiss and guttural growl... Worf reacts,
|
|
surprised, delighted... exchanges a glance with Data
|
|
who pulls her out of the room.
|
|
|
|
44 INT. READY ROOM
|
|
|
|
Close on an entirely different Kamala... gentle,
|
|
conservative, thoughtful... moving to find Picard
|
|
sitting with her... frustrated...
|
|
|
|
KAMALA
|
|
Perhaps the ambassador is right.
|
|
Perhaps I should remain in my
|
|
quarters.
|
|
|
|
PICARD
|
|
I am confident of my crew's
|
|
self-control. But there are
|
|
civilians and guests on board...
|
|
|
|
KAMALA
|
|
I understand. I will volunteer
|
|
to stay in my quarters under one
|
|
condition.
|
|
(off his look)
|
|
That you will visit me.
|
|
|
|
He stares at her a beat. Rises.
|
|
|
|
KAMALA
|
|
There it is, again.
|
|
|
|
PICARD
|
|
What?
|
|
|
|
KAMALA
|
|
The wall you put between us.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/13/92 - ACT THREE 32.
|
|
|
|
44 CONTINUED:
|
|
|
|
PICARD
|
|
You are a day away from an
|
|
arranged mating. Why would you
|
|
want me to visit you in your
|
|
quarters?
|
|
|
|
KAMALA
|
|
I said a visit. I didn't ask you
|
|
to make love to me.
|
|
|
|
She lets that hang there for a moment... measures his
|
|
reaction... she rises, moves about the room, looking
|
|
at things... picks up an archaeological artifact that
|
|
is on Picard's desk, studies it...
|
|
|
|
KAMALA
|
|
A Ventanan thimble... early
|
|
Lapeongical period, isn't it?
|
|
|
|
PICARD
|
|
Yes...
|
|
|
|
KAMALA
|
|
Have you seen the Ventanan woven
|
|
art recovered from the fourth
|
|
colony dig... ?
|
|
|
|
PICARD
|
|
(reacts)
|
|
Woven art? Recovered intact?
|
|
|
|
KAMALA
|
|
They say the colors are remarkably
|
|
vibrant for their age...
|
|
|
|
PICARD
|
|
(enthusiastic)
|
|
I've read about them for years...
|
|
They were so delicate, no one
|
|
expected to find any preserved...
|
|
How did you hear about them?
|
|
|
|
She is examining Picard's Shakespeare volume...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT THREE 32A.
|
|
|
|
44 CONTINUED: (2)
|
|
|
|
KAMALA
|
|
I stay informed on a wide variety
|
|
of subjects... after all, one
|
|
never knows when the conversation
|
|
might turn to Ventanan
|
|
archeology... or to the "dark woman
|
|
of raven brows and mournful eyes"
|
|
in Shakespeare's sonnets... or
|
|
to the gardens of Les Eyries near
|
|
the village where you grew up...
|
|
|
|
PICARD
|
|
Your empathic powers can tell that
|
|
much about me?
|
|
|
|
KAMALA
|
|
Not quite that much. Mister Data
|
|
helped a little.
|
|
|
|
She rises, moves closer to him...
|
|
|
|
KAMALA
|
|
My empathic powers can only sense
|
|
a man of deep passion, and
|
|
conviction... so disciplined, so
|
|
controlled... I am simply curious
|
|
to know what lies beneath...
|
|
|
|
The power of her attraction hits Picard... and he
|
|
resists it valiantly...
|
|
|
|
PICARD
|
|
Nothing. Nothing lies beneath.
|
|
I'm really quite dull. I fall
|
|
asleep each night with an old book
|
|
in my hands...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT THREE 33.
|
|
|
|
44 CONTINUED: (3)
|
|
|
|
KAMALA
|
|
(intimate)
|
|
When a metamorph finds you
|
|
interesting... do not take
|
|
it lightly.
|
|
|
|
With great tension in the air...
|
|
|
|
PICARD
|
|
I don't take it lightly... I'm
|
|
only...
|
|
(struggling)
|
|
... trying to be as dull as
|
|
possible.
|
|
|
|
He moves away. A beat.
|
|
|
|
KAMALA
|
|
Will you visit me?
|
|
|
|
PICARD
|
|
It would be inappropriate.
|
|
|
|
KAMALA
|
|
Is that a yes or a no?
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT THREE 33A.
|
|
|
|
44 CONTINUED: (3)
|
|
|
|
PICARD
|
|
I'm sorry.
|
|
|
|
A beat. She studies him evenly, rises to leave... at
|
|
the door...
|
|
|
|
KAMALA
|
|
Even the walls of Jericho fell,
|
|
Captain.
|
|
|
|
PICARD
|
|
Why are you doing this?
|
|
|
|
KAMALA
|
|
There can be only one reason.
|
|
Because some part of you wants
|
|
me to.
|
|
|
|
She exits... as the door slides closed, Picard is left
|
|
alone with his own thoughts...
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT THREE 34.
|
|
|
|
45 INT. FERENGI QUARTERS
|
|
|
|
Par Lenor and Qor react as the door slides open and
|
|
Briam storms in, passing the guard...
|
|
|
|
BRIAM
|
|
What is the meaning of this?
|
|
|
|
He opens his hand and displays five opulent gold
|
|
coins...
|
|
|
|
PAR LENOR
|
|
Ah, I see you got our message...
|
|
|
|
BRIAM
|
|
If this is some sort of bribe,
|
|
I am not amused...
|
|
|
|
QOL
|
|
Oh no, Ambassador... your attitude
|
|
is quite understandable...
|
|
|
|
PAR LENOR
|
|
This is just a sample...
|
|
|
|
QOL
|
|
The bribe is ten thousand more...
|
|
|
|
PAR LENOR
|
|
Ludugial gold, the purest in the
|
|
galaxy...
|
|
|
|
QOL
|
|
We know the lifestyle of a
|
|
Kriosian Ambassador is barely
|
|
comfortable...
|
|
|
|
PAR LENOR
|
|
You deserve to live a life of
|
|
luxury...
|
|
|
|
BRIAM
|
|
I am insulted. How dare you
|
|
suggest...
|
|
|
|
QOL
|
|
You drive a hard bargain.
|
|
|
|
PAR LENOR
|
|
Twenty thousand, but not an ingot
|
|
more.
|
|
|
|
QOL
|
|
We must have the metamorph.
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT THREE 35.
|
|
|
|
45 CONTINUED:
|
|
|
|
PAR LENOR
|
|
She is the answer to a Ferengi
|
|
prayer.
|
|
|
|
QOL
|
|
A ship is waiting to rendezvous
|
|
with us in three hours... we can
|
|
all transport off together...
|
|
|
|
BRIAM
|
|
Thank you for that information.
|
|
I will pass it along to Captain
|
|
Picard.
|
|
|
|
PAR LENOR
|
|
You can't do that...
|
|
|
|
He grabs Briam by the lapels if he has lapels...
|
|
|
|
BRIAM
|
|
Let go of me...
|
|
|
|
QOL
|
|
No, wait... let us discuss...
|
|
|
|
But Briam pulls violently away and as Qol tries to push
|
|
him away from getting to the door, the Ambassador falls
|
|
and his head smashes heavily into a table that shatters
|
|
under the weight of the fall... immediately the guard
|
|
responding to the noise rushes in, phaser drawn... the
|
|
Ferengi look at each other and down at the unconscious
|
|
Ambassador, who appears seriously hurt and we...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT THREE
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/13/92 - ACT FOUR 36.
|
|
|
|
ACT FOUR
|
|
|
|
FADE IN:
|
|
|
|
0A EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
waiting at the rendezvous coordinates.
|
|
|
|
46 INT. SICKBAY
|
|
|
|
Beverly and a MEDICAL TEAM are working on the
|
|
unconscious Briam as Picard and an anxious Kamala stand
|
|
off to the side.
|
|
|
|
PICARD (V.O.)
|
|
Captain's log, supplemental.
|
|
The Ferengi have been dispatched
|
|
via shuttle to Starbase
|
|
One-one-seven; what charges will
|
|
be brought against them depends
|
|
on whether or not Ambassador
|
|
Briam recovers.
|
|
|
|
Beverly finishes a scan and approaches Picard.
|
|
|
|
BEVERLY
|
|
We've been able to stabilize his
|
|
condition... If we're lucky he'll
|
|
regain consciousness in a few
|
|
days.
|
|
|
|
Beverly moves off with the Nurse...
|
|
|
|
BEVERLY
|
|
(continuing, to the
|
|
nurse)
|
|
I want a level one craniosacral
|
|
display set up...
|
|
|
|
PICARD
|
|
I'll advise the Valtese delegation
|
|
that the conference must be
|
|
postponed...
|
|
|
|
KAMALA
|
|
That won't be possible.
|
|
(off his look)
|
|
My ability to imprint on a mate
|
|
will only last a matter of hours
|
|
after the completion of the
|
|
Finiis'ral.
|
|
(MORE)
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FOUR 36A.
|
|
|
|
46 CONTINUED:
|
|
|
|
KAMALA (cont'd)
|
|
If I had not been removed from
|
|
stasis prematurely, a delay might
|
|
have been possible. But now, I
|
|
will have to bond with Alrik
|
|
within two days.
|
|
|
|
PICARD
|
|
But there are several points in
|
|
the negotiations that Briam has
|
|
to address...
|
|
|
|
STAR TREK: "The Perfect Mate" - 2/10/92 - ACT FOUR 37.
|
|
|
|
46 CONTINUED: (2)
|
|
|
|
KAMALA
|
|
You are familiar with the
|
|
issues...
|
|
|
|
PICARD
|
|
Familiar, yes, but I cannot
|
|
represent your peoples'
|
|
interests...
|
|
|
|
KAMALA
|
|
You can represent the interests
|
|
of peace. My people will agree.
|
|
I'm certain of it.
|
|
|
|
Picard is not comfortable with it...
|
|
|
|
PICARD
|
|
There are customs and rituals with
|
|
which I have no experience at
|
|
all...
|
|
|
|
KAMALA
|
|
I told you that I am extremely
|
|
knowledgeable about Valt. I will
|
|
help you prepare.
|
|
|
|
Off Picard's reaction...
|
|
|
|
47 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as before.
|
|
|
|
48 INT. HOLODECK - CEREMONIAL ROOM
|
|
|
|
Close on the percussive instrument... as the small
|
|
hammer strikes the chimes... seven times... pull back
|
|
to see Picard holding it, concentrating... he
|
|
hesitates...
|
|
|
|
PICARD
|
|
This is impossible.
|
|
|
|
KAMALA
|
|
(directing him to a
|
|
note)
|
|
Torze-qua...
|
|
|
|
Picard takes the cue and moves the hammer to a specific
|
|
chime, hits it and then three more...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT FOUR 38.
|
|
|
|
48 CONTINUED:
|
|
|
|
KAMALA
|
|
That's right...
|
|
|
|
Picard begins to hit the instrument again... during
|
|
which --
|
|
|
|
PICARD
|
|
I am reminded of my piano lessons
|
|
as a child... preparing for some
|
|
dreaded recital...
|
|
|
|
KAMALA
|
|
Do you still play?
|
|
|
|
PICARD
|
|
No. I regret that I gave it up.
|
|
It used to please my mother...
|
|
|
|
He hits the chimes one by one in a strict cadence...
|
|
|
|
PICARD
|
|
(continuing)
|
|
I did not like to perform in front
|
|
of an audience.
|
|
|
|
KAMALA
|
|
Shy...
|
|
|
|
PICARD
|
|
No. Just not very good.
|
|
|
|
KAMALA
|
|
And shy.
|
|
|
|
He hesitates again.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT FOUR 39.
|
|
|
|
48 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Dammit.
|
|
|
|
He puts the hammer down.
|
|
|
|
PICARD
|
|
Can we come back to this later?
|
|
|
|
KAMALA
|
|
Of course.
|
|
(beat)
|
|
Thank you.
|
|
(off his look)
|
|
For letting down your guard.
|
|
If only for a moment.
|
|
|
|
Picard quickly cuts her off... and she feels that
|
|
empathically as a sharp rejection... he puts distance
|
|
between them... moves across the room to the torah on
|
|
the table...
|
|
|
|
PICARD
|
|
You are going to have to help me
|
|
with the pronuniciations in this
|
|
scroll...
|
|
|
|
Kamala moves to him...
|
|
|
|
KAMALA
|
|
What is it about me you fear?
|
|
|
|
PICARD
|
|
Kamala...
|
|
|
|
KAMALA
|
|
Do you find me unattractive?
|
|
|
|
PICARD
|
|
I find you unavailable.
|
|
|
|
A beat.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT FOUR 40.
|
|
|
|
48 CONTINUED: (3)
|
|
|
|
Kamala sighs... turns off the seductiveness...
|
|
|
|
KAMALA
|
|
I am being terribly selfish.
|
|
I apologize.
|
|
|
|
A beat. She moves away, thoughtful...
|
|
|
|
KAMALA
|
|
We have something in common,
|
|
Captain. When I was a child, I
|
|
took music lessons, too.
|
|
|
|
PICARD
|
|
Really, what instrument?
|
|
|
|
KAMALA
|
|
All of them.
|
|
|
|
PICARD
|
|
The entire orchestra?
|
|
|
|
KAMALA
|
|
(acknowledges)
|
|
Plus a few Valtese Horns that
|
|
sound like braying Targhee
|
|
Moonbeasts. They are said to
|
|
soothe the nerves of Valtese men.
|
|
(off his look)
|
|
My mother never even heard me
|
|
play. I was taken from her when
|
|
I was four... and sequestered
|
|
in a royal village... where I
|
|
was prepared to fulfill my
|
|
destiny.
|
|
|
|
PICARD
|
|
It sounds like it was a very
|
|
lonely time for you...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT FOUR 41.
|
|
|
|
48 CONTINUED: (4)
|
|
|
|
KAMALA
|
|
On the contrary, I had servants
|
|
and tutors at my side
|
|
constantly... you once wanted
|
|
to know what I am like when I
|
|
am alone... I have never been.
|
|
There was always someone there...
|
|
to educate me in literature,
|
|
history, art, sex...
|
|
(beat)
|
|
But I have been alone on this
|
|
journey and I've found myself
|
|
thinking about all the curious
|
|
questions you asked... you
|
|
wanted to know who I am. The
|
|
only answer that comes to me is,
|
|
"I am for you, Alrik of Valt".
|
|
Because that is the truth.
|
|
(beat, melancholy)
|
|
In a day, I will bond with a man
|
|
I've never met... and I will turn
|
|
myself into what he wants me to
|
|
be... for the rest of my life.
|
|
|
|
Picard is caught in a bind between political duties,
|
|
Prime Directive and personal feelings for this woman.
|
|
He cannot find it in himself to take an advocate's
|
|
role. The best he can do is...
|
|
|
|
PICARD
|
|
I also once asked you if you were
|
|
doing this of your own accord...
|
|
|
|
KAMALA
|
|
I am honored to be chosen to serve
|
|
my people as an emissary of
|
|
peace...
|
|
(beat)
|
|
But I find it ironic on the eve
|
|
of this ceremony... which I have
|
|
spent my entire life preparing
|
|
for... that I should meet a man
|
|
like you...
|
|
|
|
Off his look... And suddenly her cheeks flush... and
|
|
she turns away... He searches for the right thing to
|
|
say.
|
|
|
|
RIKER'S COM VOICE
|
|
Riker to Picard.
|
|
|
|
PICARD
|
|
Go ahead.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT FOUR 42.
|
|
|
|
48 CONTINUED: (5)
|
|
|
|
RIKER'S COM VOICE
|
|
The Valtese ship has arrived.
|
|
Chancellor Alrik is ready to beam
|
|
aboard...
|
|
|
|
She reacts...
|
|
|
|
49 INT. OBSERVATION LOUNGE
|
|
|
|
Close on the back of ALRIK, the man who will wed this
|
|
extraordinary woman... we hear the sound of the door
|
|
opening as Picard ENTERS (o.c.)... and he turns and
|
|
already we don't like him on first sight... he is drab,
|
|
a dull, dull man... he's colorless and stern... and
|
|
far shorter than Kamala... he is about Picard's age.
|
|
|
|
ALRIK
|
|
Captain Picard...
|
|
|
|
As we go wide...
|
|
|
|
PICARD
|
|
Chancellor Alrik, welcome aboard
|
|
the Enterprise...
|
|
|
|
Alrik sits at the head of the table... assuming the
|
|
power position.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FOUR 42A.
|
|
|
|
49 CONTINUED:
|
|
|
|
ALRIK
|
|
Your first officer has described
|
|
the details of the incident with
|
|
the Ferengi... how is the
|
|
Ambassador... ?
|
|
|
|
PICARD
|
|
He hasn't regained consciousness
|
|
yet.
|
|
|
|
ALRIK
|
|
A tragedy. Your willingness to
|
|
assist is appreciated by both
|
|
our peoples.
|
|
|
|
PICARD
|
|
I will do my best... although I
|
|
have found some of the rituals
|
|
quite demanding...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/21/92 - ACT FOUR 43.
|
|
|
|
49 CONTINUED: (2)
|
|
|
|
ALRIK
|
|
(shrugs)
|
|
Rituals. I am more concerned
|
|
about the remaining provisions
|
|
in the treaty... the proposed
|
|
trade agreements are not
|
|
acceptable... We still must review
|
|
the uncommitted territories...
|
|
as well as discuss the schedule
|
|
for exchange of technology...
|
|
|
|
PICARD
|
|
The Kriosians have authorized me
|
|
to make several compromises which
|
|
are favorable to your position...
|
|
|
|
ALRIK
|
|
Good.
|
|
(rising)
|
|
Tomorrow, then.
|
|
|
|
PICARD
|
|
Briam has supervised a
|
|
reproduction of the ancient Temple
|
|
of Akadar on our holodeck...
|
|
|
|
ALRIK
|
|
(grins, who cares)
|
|
Such a sentimental people, these
|
|
Kriosians... it is hard to believe
|
|
we have a common ancestry...
|
|
(sighs)
|
|
I suppose they've sent the
|
|
metamorph.
|
|
|
|
PICARD
|
|
Kamala? Yes. She is looking
|
|
forward to meeting you.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FOUR 44.
|
|
|
|
49 CONTINUED: (3)
|
|
|
|
ALRIK
|
|
(not very interested)
|
|
I'm sure she'll be satisfactory.
|
|
Between you and me, Captain, I'm
|
|
far more interested in the trade
|
|
agreements.
|
|
|
|
He EXITS and... and as we linger for a long beat on
|
|
Picard...
|
|
|
|
CUT TO:
|
|
|
|
50 INT. KAMALA'S QUARTERS - KAMALA'S FACE
|
|
|
|
KAMALA
|
|
(false cheeriness)
|
|
So, tell me quickly... what is
|
|
he like?
|
|
|
|
50A WIDE
|
|
|
|
PICARD
|
|
First impressions? A thoughtful
|
|
man... informed...
|
|
|
|
KAMALA
|
|
Did he ask about me?
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
KAMALA
|
|
What did you tell him?
|
|
|
|
PICARD
|
|
That you were looking forward to
|
|
meeting him.
|
|
|
|
KAMALA
|
|
When am I to be presented?
|
|
|
|
PICARD
|
|
It will be the first order of
|
|
business. Tomorrow. At ten.
|
|
|
|
She nods.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FOUR 45.
|
|
|
|
50A CONTINUED:
|
|
|
|
KAMALA
|
|
Would you like some tea?
|
|
|
|
PICARD
|
|
I should prepare for the ceremony.
|
|
|
|
KAMALA
|
|
Let me help you with
|
|
pronuniciations.
|
|
|
|
PICARD
|
|
I think I can muddle my way
|
|
through...
|
|
|
|
KAMALA
|
|
(extremely vulnerable)
|
|
Please. Don't leave.
|
|
|
|
A beat.
|
|
|
|
KAMALA
|
|
Talk to me. I love the sound of
|
|
your voice. I'll turn out the
|
|
lights and just listen.
|
|
(beat)
|
|
I don't want to be alone.
|
|
|
|
Picard reacts, nods, but...
|
|
|
|
PICARD
|
|
The lights stay on.
|
|
|
|
She smiles.
|
|
|
|
KAMALA
|
|
(to the replicator)
|
|
Earl Grey Tea. Hot.
|
|
|
|
We hear the replicator work.
|
|
|
|
PICARD
|
|
(re: the tea)
|
|
Did you learn that from Mister
|
|
Data as well?
|
|
|
|
She smiles, acknowledging.
|
|
|
|
PICARD
|
|
I shall have to have a talk with
|
|
him.
|
|
|
|
She brings the tea. They sit next to one another...
|
|
he sips his tea... in silence...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/18/92 - ACT FOUR 46.
|
|
|
|
50A CONTINUED: (2)
|
|
|
|
PICARD
|
|
Now that I know you're listening
|
|
to my voice... I can't seem to
|
|
think of a word to say...
|
|
|
|
KAMALA
|
|
A starship captain must encounter
|
|
all sorts of lifeforms... am I
|
|
one of the most unique you've ever
|
|
met? Please say yes.
|
|
|
|
PICARD
|
|
Yes.
|
|
|
|
KAMALA
|
|
What a nice thing to say.
|
|
|
|
She tentatively reaches out and gently runs the palm of
|
|
her hand from his brow across his scalp and it is one
|
|
of the most sensual strokes in the history of man...
|
|
|
|
PICARD
|
|
(softly)
|
|
Kamala, have I not done everything
|
|
possible to discourage this?
|
|
|
|
KAMALA
|
|
Maybe that's the perfect way to
|
|
attract a metamorph.
|
|
|
|
PICARD
|
|
I don't wish to use you as other
|
|
men have.
|
|
|
|
KAMALA
|
|
But you are not other men. You
|
|
could never use me. That is the
|
|
very reason why I am with you
|
|
tonight.
|
|
|
|
PICARD
|
|
I really ought to go. You do have
|
|
an early appointment in the
|
|
morning.
|
|
|
|
KAMALA
|
|
Light years away.
|
|
|
|
And as they look at each other for a long beat...
|
|
|
|
FADE OUT
|
|
|
|
END OF ACT FOUR
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FIVE 47.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
51 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
with the Valtese ship beside it.
|
|
|
|
52 INT. PICARD'S QUARTERS
|
|
|
|
Beverly and Picard again sharing morning tea. A
|
|
parallel scene to the one in Act Two. Picard is lost
|
|
in his own thoughts.
|
|
|
|
BEVERLY
|
|
Quiet this morning.
|
|
|
|
PICARD
|
|
Sorry.
|
|
|
|
BEVERLY
|
|
Penny?
|
|
|
|
PICARD
|
|
What?
|
|
|
|
BEVERLY
|
|
For your thoughts. Penny for your
|
|
thoughts.
|
|
|
|
PICARD
|
|
(smiles)
|
|
You have one?
|
|
|
|
BEVERLY
|
|
The replicator ought to have one
|
|
on file.
|
|
|
|
Picard would rather get himself lost in light banter
|
|
but it just isn't possible.
|
|
|
|
PICARD
|
|
Do you mind if I take off the
|
|
uniform for a moment?
|
|
|
|
BEVERLY
|
|
(smiles)
|
|
Captain... !
|
|
|
|
PICARD
|
|
I just need to talk to a friend.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT FIVE 48.
|
|
|
|
52 CONTINUED:
|
|
|
|
And Beverly studies him seriously.
|
|
|
|
BEVERLY
|
|
Of course.
|
|
|
|
He stands.
|
|
|
|
PICARD
|
|
(tongue in cheek)
|
|
Besides... it's all your fault.
|
|
|
|
BEVERLY
|
|
Mine?
|
|
|
|
PICARD
|
|
You insisted I look into her
|
|
situation...
|
|
|
|
BEVERLY
|
|
The metamorph?
|
|
|
|
PICARD
|
|
(sighs)
|
|
The metamorph. Kamala. We have
|
|
spent a lot of time together the
|
|
last few days... you were right
|
|
about several things, Beverly...
|
|
her entire life has been
|
|
orchestrated for this moment...
|
|
but she intends to see it
|
|
through... to help her people end
|
|
this war...
|
|
|
|
BEVERLY
|
|
(beat, perplexed by his
|
|
intensity)
|
|
Are you saying there's nothing
|
|
else that can be done... ?
|
|
|
|
PICARD
|
|
It's not that simple.
|
|
|
|
And he looks at Beverly and in a beat, she understands
|
|
and he understands she understands... he almost smiles,
|
|
embarrassed...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/19/92 - ACT FIVE 48A.
|
|
|
|
52 CONTINUED: (2)
|
|
|
|
She studies him, sorry she ever sent him down there
|
|
in the first place --
|
|
|
|
PICARD
|
|
I barely even know who she is
|
|
because who she is changes the
|
|
moment the next man walks in the
|
|
room.
|
|
(beat, softens)
|
|
But suddenly, I find myself
|
|
hoping... the next man doesn't
|
|
walk in.
|
|
|
|
A long beat.
|
|
|
|
PICARD
|
|
But he will, of course. In a few
|
|
hours, the ceremony will begin...
|
|
she will mate with a man who cares
|
|
far more about trade agreements
|
|
than about her. And I think of
|
|
how she will be with him... how
|
|
she will change to accomodate
|
|
him... and...
|
|
(beat, understatement)
|
|
... I don't like it.
|
|
|
|
She rises and surprises him with a hug. Picard is
|
|
uncomfortable having revealed his feelings...
|
|
|
|
PICARD
|
|
I'm sorry to be bothering you with
|
|
this...
|
|
|
|
BEVERLY
|
|
I wish I knew how to help you...
|
|
|
|
PICARD
|
|
(with warm appreciation)
|
|
Perhaps I just needed a
|
|
shoulder...
|
|
|
|
BEVERLY
|
|
It's there for you, Jean-Luc.
|
|
It always has been.
|
|
|
|
These two old friends share a long look and...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/11/92 - ACT FIVE 49.
|
|
|
|
53 INT. CORRIDOR
|
|
|
|
Picard arrives at Kamala's door... a beat... hits the
|
|
chime...
|
|
|
|
KAMALA'S VOICE
|
|
Come in...
|
|
|
|
And as he moves forward, the door opens and as he
|
|
ENTERS, he has to pause as his eyes are filled with...
|
|
|
|
54 INT. KAMALA'S QUARTERS
|
|
|
|
Kamala in front of a huge mirror... dressed in the most
|
|
incredible gown a woman has ever worn... she is a
|
|
goddess... she turns to Picard... a beat as he takes
|
|
this vision in... he will never forget how she looks
|
|
at this moment.
|
|
|
|
KAMALA
|
|
Is it time?
|
|
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT FIVE 50.
|
|
|
|
54 CONTINUED:
|
|
|
|
PICARD
|
|
Soon.
|
|
|
|
KAMALA
|
|
Do you have any questions about
|
|
the ceremony?
|
|
|
|
PICARD
|
|
Many.
|
|
|
|
They look at each other for a long beat... softly --
|
|
|
|
KAMALA
|
|
I will never truly love him.
|
|
|
|
PICARD
|
|
You've not even met him.
|
|
|
|
KAMALA
|
|
It no longer matters.
|
|
(off Picard's reaction)
|
|
I wish I could convey to you what
|
|
it's like to be a metamorph...
|
|
to feel the inner strength of
|
|
someone... to realize that being
|
|
with him is opening your mind and
|
|
heart to endless new
|
|
possibilities... to hear yourself
|
|
say: I like myself when I am with
|
|
him.
|
|
|
|
PICARD
|
|
Kamala...
|
|
|
|
KAMALA
|
|
For a metamorph, there is no
|
|
greater pleasure... and no greater
|
|
wish than to bond with that kind
|
|
of mate at the end of the
|
|
Finiis'ral...
|
|
(beat)
|
|
... as I have bonded with you.
|
|
|
|
PICARD
|
|
With me?
|
|
|
|
KAMALA
|
|
Who I am today, I will be forever.
|
|
|
|
DATA'S COM VOICE
|
|
Data to Captain Picard.
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/13/92 - ACT FIVE 51.
|
|
|
|
54 CONTINUED: (2)
|
|
|
|
PICARD
|
|
Not now, Data.
|
|
|
|
DATA'S COM VOICE
|
|
But sir, Chancellor Alrik is
|
|
waiting to receive you in holodeck
|
|
seven.
|
|
|
|
PICARD
|
|
Acknowledged.
|
|
(a beat)
|
|
You can't go through with the
|
|
ceremony.
|
|
|
|
KAMALA
|
|
Would you ask me to stay? And
|
|
ask two armies to keep fighting?
|
|
|
|
He doesn't need to answer...
|
|
|
|
KAMALA
|
|
(continuing)
|
|
Having bonded with you I've
|
|
learned the meaning of duty.
|
|
|
|
A long beat as they look at each other... for once
|
|
Picard is speechless.
|
|
|
|
KAMALA
|
|
He'll never know. I am still
|
|
empathic... I will be able to
|
|
please him.
|
|
(beat, smiling)
|
|
I only hope he likes Shakespeare.
|
|
|
|
And she moves toward the door and Picard follows...
|
|
|
|
55 INT. HOLODECK - CEREMONIAL CHAMBER
|
|
|
|
Starting on an ornate decoration on the wall... with a
|
|
cymbal crash... and exotic percussive music begins...
|
|
and tilt down to a high angle shot to see the figure of
|
|
Alrik in the center of the room... as the holodeck
|
|
doors open and...
|
|
|
|
56 ALRIK
|
|
|
|
turns to see --
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT FIVE 51A.
|
|
|
|
57 PICARD AND KAMALA
|
|
|
|
entering... Picard holds her arm... her face is
|
|
veiled...
|
|
|
|
58 MOVING WITH PICARD AND KAMALA
|
|
|
|
as they step forward slowly...
|
|
|
|
59 WIDE
|
|
|
|
as they move closer to Alrik...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/13/92 - ACT FIVE 52.
|
|
|
|
MOVING WITH PICARD'S EYES - EXTREME CLOSEUP
|
|
|
|
A music cue signals the beginning of a fantasy
|
|
sequence:
|
|
|
|
61 HER HAND ON HIS
|
|
|
|
He offers her hand to the hand of Alrik... as he does
|
|
the percussion stops.
|
|
|
|
62 HER FACE
|
|
|
|
as Alrik removes the veil.
|
|
|
|
KAMALA
|
|
I am for you Alrik of Valt.
|
|
|
|
And as Alrik leans forward to kiss her...
|
|
|
|
PICARD
|
|
I'm sorry. I cannot allow this
|
|
to proceed.
|
|
|
|
Alrik turns sharply to Picard...
|
|
|
|
ALRIK
|
|
What did you say?
|
|
|
|
PICARD
|
|
Kamala will be remaining aboard
|
|
the Enterprise... with me...
|
|
|
|
Kamala reacts, looks to Picard...
|
|
|
|
ALRIK
|
|
(flabbergasted)
|
|
With you?
|
|
|
|
PICARD
|
|
Chancellor, the trade agreements
|
|
will be satisfactory... you
|
|
yourself told me that was your
|
|
priority. She is mine. Let us
|
|
begin the real work here of
|
|
establishing a long and just
|
|
peace...
|
|
|
|
Alrik takes a moment to regain his composure...
|
|
|
|
ALRIK
|
|
Very well, let us begin...
|
|
|
|
As she smiles with an expression of love for her
|
|
captain...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/12/92 - ACT FIVE 53.
|
|
|
|
63 MOVING WITH PICARD'S EYES - THE SAME EXTREME
|
|
CLOSEUP AS BEFORE
|
|
|
|
The music cue ends. This is real... all fantasies are
|
|
over. Only the exotic percussive music program for
|
|
the ceremony.
|
|
|
|
64 MOVING WITH PICARD AND KAMALA
|
|
|
|
step forward slowly... still crossing the holodeck...
|
|
|
|
65 WIDE
|
|
|
|
as they move closer to Alrik...
|
|
|
|
66 HER HAND ON HIS
|
|
|
|
as he offers it to the hand of Alrik... as he does, the
|
|
percussion ends.
|
|
|
|
67 HER FACE
|
|
|
|
as Alrik removes the veil.
|
|
|
|
KAMALA
|
|
I am for you Alrik of Valt.
|
|
|
|
The colorless man kisses her on the lips...
|
|
|
|
68 PICARD
|
|
|
|
stands away, watches... silently... controlled...
|
|
|
|
69 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
moving at impulse.
|
|
|
|
70 INT. TRANSPORTER ROOM (OPTICAL)
|
|
|
|
Briam, still weak, head bruised... enters with
|
|
Picard... a Transporter Officer is on duty...
|
|
|
|
BRIAM
|
|
Your service to both our peoples
|
|
is greatly appreciated, Captain...
|
|
|
|
STAR TREK: "The Perfect Mate" - REV. 2/20/92 - ACT FIVE 54-56.
|
|
|
|
70 CONTINUED:
|
|
|
|
PICARD
|
|
Your preparation made the
|
|
negotiations simple, Ambassador...
|
|
and Kamala was able to guide me
|
|
through the rituals...
|
|
|
|
Picard helps Briam onto the transporter pad. A beat
|
|
as he hesitates to ask what has been on his mind...
|
|
|
|
BRIAM
|
|
I have to admit I'm curious...
|
|
|
|
PICARD
|
|
Curious?
|
|
|
|
BRIAM
|
|
I was chosen for this mission for
|
|
a simple reason... I am two
|
|
hundred years old. The
|
|
temptations of a beautiful
|
|
metamorph do not reach me so
|
|
easily... and yet I would be lying
|
|
if I were to claim, that even at
|
|
my age, they did not reach me at
|
|
all. But you... you had to work
|
|
side by side with her for days...
|
|
how could you resist her... ?
|
|
|
|
PICARD
|
|
(evenly)
|
|
Ambassador, have a safe trip home.
|
|
|
|
Briam reacts, all the more curious... frowns a
|
|
curmudgeony old frown... looks at the captain...
|
|
|
|
BRIAM
|
|
Energize.
|
|
|
|
He DEMATERIALIZES. Off Picard's acknowledgement...
|
|
|
|
71 INT. PICARD'S QUARTERS
|
|
|
|
Low lighting... as he enters... pauses once inside to
|
|
feel himself alone... won't allow himself to stay with
|
|
that... moves to the replicator...
|
|
|
|
PICARD
|
|
Earl Grey. Hot.
|
|
|
|
We hear the replicator... but stay on him as he moves
|
|
to a bookshelf... and picks out a long book that looks
|
|
interesting... studies it as he returns to the
|
|
replicator, and takes his tea... he moves to an easy
|
|
chair and places the tea on a side table... turns on
|
|
the light, sits, opens the book... and reads a few
|
|
words but his eyes leave the book and he leans back...
|
|
thinking and as the book closes in his hands...
|
|
|
|
72 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
Moves off into warp.
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT FIVE
|
|
|
|
THE END
|
|
|
|
|
|
|
|
|