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STAR TREK: THE NEXT GENERATION
"A Fistful of Datas"
#40276-234
Written by
Brannon Braga
Directed by
Patrick Stewart
THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
WITH THE TELEVISION LEGAL DEPARTMENT.
Copyright 1992 Paramount Pictures Corporation. All Rights
Reserved. This script is not for publication or
reproduction. No one is authorized to dispose of same. If
lost or destroyed, please notify the Script Department.
FINAL DRAFT
SEPTEMBER 17, 1992
STAR TREK: "A Fistful of Datas" - 09/17/92 - CAST
STAR TREK: THE NEXT GENERATION
"A Fistful of Datas"
CAST
PICARD ELI HOLLANDER
RIKER
DATA BANDITO
BEVERLY ANNIE MEYERS
TROI
WORF
GEORDI
ALEXANDER
COMPUTER VOICE
Non-Speaking Non-Speaking
N.D. ENGINEERS HENCHMAN
CREWMEMBERS VARIOUS TOWNSFOLK
PIANO PLAYER
STAR TREK: "A Fistful of Datas" - 09/17/92 - SETS
STAR TREK: THE NEXT GENERATION
"A Fistful of Datas"
SETS
INTERIORS EXTERIORS
USS ENTERPRISE USS ENTERPRISE
ENGINEERING
READY ROOM WESTERN STREET
OBS. LOUNGE
CORRIDOR
HOLODECK
SALOON
SHERIFF'S OFFICE
MINE SHAFT
WORF'S QUARTERS
PICARD'S QUARTERS
DATA'S QUARTERS
REHEARSAL ROOM (OBS. LOUNGE)
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 1.
STAR TREK: THE NEXT GENERATION
"A Fistful of Datas"
TEASER
FADE IN:
1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
orbiting a RED GIANT GASEOUS PLANET.
PICARD (V.O.)
Captain's Log, Stardate 46271.5.
The Enterprise has entered orbit
of Deinonychus Seven. But our
scheduled rendezvous with the
supply ship Biko has been delayed
for another forty-eight hours.
2 OMITTED
3 INT. PICARD'S QUARTERS
PICARD is sitting in a chair, playing a quiet MELODY
on his FLUTE (as seen in "The Inner Light"). Over the
com system, two other instruments can be heard -- a
CLARINET and a CELLO. Picard is playing along with
the music form a pleasant harmony.
PICARD (V.O.)
(continuing)
In the meantime, many members of
the crew are taking advantage of
the delay to pursue their own
projects... myself included.
After a few measures, Picard stops playing -- something
doesn't sound quite right.
PICARD
(to computer)
Computer -- stop playback.
The music STOPS.
PICARD
(continuing)
Change the clarinet to an oboe.
Continue recording.
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 1A.
3 CONTINUED:
Picard listens as the music PLAYS BACK -- the same
melody, but now the CLARINET is an OBOE. He begins to
play the flute along with the music...
The door CHIMES.
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 2.
3 CONTINUED: (2)
PICARD
(to computer)
Pause program.
The music STOPS. Picard sets his flute aside.
PICARD
Come.
GEORDI and DATA ENTER. Geordi is enthusiastic about
something.
GEORDI
Captain -- we'd like permission
to take the Engineering computer
off-line for a couple of hours.
(beat)
We've been working on a new
interface that'll allow Data to
act as an emergency back-up in
case of a ship-wide systems
failure.
DATA
In theory, my neural network
should be able to sustain key
systems until primary control is
restored.
Picard considers -- it sounds like an interesting
notion, but he's not really in the mood for talking
tech.
PICARD
It sounds like an intriguing
experiment. I'll be very
interested to see the results.
(beat)
Permission granted.
Excited by the prospects, Geordi continues...
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 3.
3 CONTINUED: (3)
GEORDI
It's possible we may even be able
to run secondary systems through
Data. Weapons control... sensor
arrays...
Picard nods, growing slightly impatient.
PICARD
Yes. I get the idea, Mister La
Forge. Thank you. Please
proceed.
Geordi nods and EXITS with Data. Picard takes a moment
to clear his thoughts... then picks up his flute.
PICARD
(to computer)
Computer -- record again from the
first measure.
The other two MUSIC tracks start to play. He takes a
breath... then begins to PLAY the tranquil flute melody
again... a few measures go by...
The door CHIMES. Picard stops playing, slightly
annoyed.
PICARD
Computer -- pause program.
The music STOPS.
PICARD
Come.
BEVERLY ENTERS. She looks determined about something.
BEVERLY
Jean-Luc, I need to talk with you
about "Something for Breakfast."
Picard looks her, at a loss.
BEVERLY
(prompting)
The play.
Picard nods, remembering -- tries to ease out of the
subject.
PICARD
Ah... yes... a very intriguing
drama. But I really don't have
the time it would take to learn
a part. And anyway, I'm not much
of an actor...
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 4.
3 CONTINUED: (4)
BEVERLY
That's no problem. You wouldn't
be playing one of the leads.
Picard is surprised -- and just a little hurt.
PICARD
Oh.
BEVERLY
It's a very small part. Only two
lines in the whole play.
PICARD
Really.
BEVERLY
You play the butler.
A long beat.
PICARD
Let me read the play again...
and I'll let you know.
BEVERLY
You'll be wonderful, Jean-Luc.
Rehearsal's at one thirty this
afternoon.
Picard nods. Beverly turns and EXITS. Picard takes
a breath to recenter himself... then brings the flute
to his mouth...
PICARD
Computer -- continue recording.
The MUSIC plays. He begins to play the flute again...
the soft melody...
The door CHIMES. Picard reacts, annoyed.
PICARD
Enter.
WORF ENTERS, stops at the desk.
WORF
Captain, I am sorry to interrupt,
but I wanted to consult you
regarding the duty roster.
PICARD
Proceed.
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - TEASER 5.
3 CONTINUED: (5)
WORF
I was hoping we could take
advantage of the Biko's delay by
staging shipwide security drills.
I have planned a tentative
schedule...
Worf hands Picard a PADD. Picard looks it over.
PICARD
Very impressive, Mister Worf.
But we'll be taking on new
personnel at Starbase One-Eighteen
in a few weeks. Surely the drills
can wait until then.
A beat. Worf seems intent on having something to do.
WORF
In that case, I will use the time
to perform maintenance checks on
the forward phaser array.
Picard looks at Worf a moment.
PICARD
Mister Worf... is there some
reason you're trying to give
yourself more work?
Worf hesitates, awkward.
WORF
No sir. I simply wished to use
the extra time to...
PICARD
(cutting in)
... Enjoy yourself. You have some
free time. Use it.
Worf nods.
STAR TREK: "A Fistful of Datas" - 9/17/92 - TEASER 6.
3 CONTINUED: (6)
WORF
Yes, sir. Thank you, sir.
Worf turns and EXITS. Picard breathes a sigh of
relief.
PICARD
(to computer)
Computer, once more from the top.
As the MUSIC starts to play...
4 INT. WORF'S QUARTERS
Worf ENTERS the room, where ALEXANDER is waiting for
him. Alexander rushes up to him, excited about
something.
ALEXANDER
What did he say?
WORF
The Captain saw fit to release
me from my duties.
ALEXANDER
You mean, you can go?
Worf settles into a nearby chair... resigned... but
he is not happy about what he's about to do...
WORF
I can go.
Alexander reaches offscreen and grabs a nearby COWBOY
HAT. As he places the hat on Worf's head...
ALEXANDER
Saddle up, Father!
OFF Worf's look of resignation...
FADE OUT.
END OF TEASER
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 7.
ACT ONE
FADE IN:
(NOTE: Episode credits fall over opening scenes.)
5 EXT. HOLODECK - WESTERN STREET - DAY
A street right out of the OLD WEST. DIRT ROAD, WOODEN
BUILDINGS, TOWNSFOLK, HORSES. There's a SALOON with a
sign out front that reads "The Gold Strike Saloon"...
and there's a SHERIFF'S OFFICE. The street is quiet on
this day... not a lot of activity... just a few
townsfolk mingling about... the wind curling up dust...
CUT TO VARIOUS ANGLES ON THE STREET:
6 AN OLD MAN
sitting in a rocking chair on a porch, rocking slowly
back and forth, making a continuous CREAKING sound.
The man puffs on his pipe, hat pulled down over his
eyes to block the sun...
7 A HORSE
attached to a hitching post.
8
thru OMITTED
9
10 THE OLD MAN
rocking in his chair... creaking... Suddenly he STOPS
rocking. Silence. The man tilts his head upward
slightly to look at the road. Gradually, the SOUND of
FOOTSTEPS can be heard... coming closer...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 8.
11 A PAIR OF BOOTS
A large pair of boots on large feet, taking large
steps, spurs jangling, stirring up dust...
12 THE HORSE
stomps and whinnies nervously, as if in response...
13 THE BOOTS
come to a stop. A second later, more FOOTSTEPS are
heard and a second PAIR OF BOOTS comes into view -- a
very small pair by comparison. Big boot, little boots.
14 THE OLD MAN
squinting into the sun to see who is there...
15 WIDE ANGLE - WORF AND ALEXANDER
wearing the boots, standing side by side -- lone
figures on the Western street. They are both dressed
in WESTERN ATTIRE, holsters and GUNS at their sides.
They each wear an old-style BADGE on their chest. They
are lawmen.
After a beat, they continue walking... surveying the
town. Alexander is excited to be here. Worf is wary
of the whole venture.
WORF
(to Alexander)
Where are we?
ALEXANDER
Deadwood, South Dakota...
nineteenth century Earth.
(beat)
The Ancient West.
Worf gazes at the surroundings.
WORF
What is our function here?
ALEXANDER
You're the Sheriff... and I'm your
deputy.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 9.
15 CONTINUED:
WORF
We are in charge of law
enforcement?
ALEXANDER
Right.
A WOMAN in bawdy apparel walks past -- clearly a "lady
of the night" -- and she throws Worf and Alexander a
come-hither look. Worf reacts -- quickly moves
Alexander away from the woman.
WORF
You wrote this Holodeck program
yourself?
ALEXANDER
Well... Mister Barclay helped a
little.
WORF
(to himself)
I must talk with Mister Barclay...
Suddenly, a GUNSHOT is heard somewhere offscreen. Worf
and Alexander react, then head in the direction of the
shot...
16 EXT. SPACE - THE ENTERPRISE (OPTICAL)
in orbit around the red giant planet.
17 INT. ENGINEERING
Data, Geordi and VARIOUS N.D.s. Data is sitting by an
opened console. A panel on his head is OPEN, revealing
various circuitry within. Fiber-optic cables connect
Data's circuits to the console circuits.
Geordi is making a connection on Data's head. Data
looks at Geordi's face for a second.
DATA
Geordi... I have noticed that you
have not shaved in several days.
Are you attempting to grow another
beard?
Geordi rubs a hand over his face.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT ONE 9A.
17 CONTINUED:
GEORDI
As a matter of fact, I am...
(re: beard)
What do you think?
Data eyes him.
DATA
As is the case with many natural
growth processes, it is difficult
to envision the end product based
on an intermediate stage.
Geordi smiles.
GEORDI
You're right -- give it a few more
days.
Geordi completes the connection on Data's head.
GEORDI
Okay... I'll need to access your
auxiliary inputs...
DATA
One moment.
Data reaches for his head, and REMOVES another panel in
his head, revealing the circuitry underneath.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 10.
17 CONTINUED: (2)
Geordi eyes him a moment, then begins to connect a
cable to the circuitry...
GEORDI
I have to admit, Data... I never
get used to seeing you like
this...
DATA
I do not understand. You are
constantly working on similar
electronic systems, yet their
appearances do not disturb you.
GEORDI
Yeah, well... you're not just
another electronic system.
Data thinks this over.
DATA
Thank you, Geordi. Nor are you
just another biological organism.
Geordi smiles, appreciating the sentiment. He
completes the adjustments to Data.
GEORDI
That should do it. Are you ready?
DATA
Yes.
(beat)
I am establishing computer
link-up...
The circuits on Data's head begin to BLINK faster.
DATA
Interface complete.
GEORDI
Alright... let's see what you can
do...
As Geordi works...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 11.
18 OMITTED
19 INT. GOLD STRIKE SALOON
20 CLOSE ANGLE - A WANTED POSTER
attached to a wall in the room. The poster shows a
drawing of a man's face and the words "WANTED: DEAD OR
ALIVE." There is a fresh bullet hole in the forehead
of the man. Two more GUNSHOTS ring out, and we see
two more BULLET HOLES RIP through the drawing of the
man's face...
21 REVEAL - ELI HOLLANDER
holding a smoking pistol, having just fired the shot.
Clearly, this is the same man as in the poster. He is
a young, cocky, dangerous gunslinger.
ELI
(re: poster)
If I ever find the varmint who
drew this... he'll be sorry he
ever put pen to paper.
(beat)
I'm ten times uglier than that,
ain't I?
We hear someone LAUGH from offscreen --
22 INCLUDE - THE ROOM (OPTICAL)
A smoky barroom occupied by several PEOPLE. A PIANO
PLAYER sits at the piano, picking out a jaunty tune.
The barkeep, a pretty woman named ANNIE MEYERS, stands
behind the bar, glaring at Eli.
Eli's henchman -- a MEXICAN BANDITO, complete with
sombrerro, etc. -- is sitting nearby, laughing.
ELI
(to Bandito)
Shut up.
The Bandito falls silent.
ELI
You laugh so much, it's a wonder
flies don't live in your mouth...
The Bandito laughs at the remark, missing the point.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 12.
22 CONTINUED:
BANDITO
(Mexican accent)
You are a very funny man, Senor
Eli...
The bandito stops laughing as he notices Worf and
Alexander ENTER the saloon. Eli follows his gaze, sees
Worf, and his eyes narrow. Everyone in the room turns
and looks. The room falls silent.
Alexander points to Eli, relishing every moment of the
program.
ALEXANDER
(quietly, to Worf)
That's the bad guy. His name's
Eli Hollander -- they call him
"The Butcher of Bozeman." He's
killed twenty-three men.
(beat)
He's the meanest, toughest
gunslinger in the West. You have
to watch him... He's fast...
Worf eyes Eli.
WORF
So I am here to apprehend him?
ALEXANDER
If you can.
Worf nods, now understanding his job -- confident.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 13.
22 CONTINUED: (2)
Worf walks across the saloon. Eli walks toward him
too. The jangle of spurs is heard in the silent room.
The onlookers watch nervously. Worf and Eli stop a
couple of feet away from each other... steely-eyed...
WORF
(to Eli)
You are under arrest.
Eli sneers.
ELI
Is that so --
Before Eli can finish, Worf quickly PUNCHES him,
knocking the man cold with one shot. Eli drops to the
floor. The bandito reacts, too shocked to make a move.
Worf bends down and grabs Eli by the collar, lifts him
up.
WORF
You will come with me.
Worf begins to drag Eli out of the saloon. Alexander
looks upset -- this isn't what he had in mind.
ALEXANDER
No, no, no...
(to computer)
Computer -- freeze program.
Everything in the saloon FREEZES.
WORF
What is wrong?
ALEXANDER
That was too easy. It's gotta
be harder to beat the bad guys.
Otherwise, it's no fun.
WORF
Oh.
ALEXANDER
(to computer)
Computer -- increase program
difficulty to Level Four. Go back
to where my father and I first
walked into the saloon.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 14.
22 CONTINUED: (3)
All of the people in the room DISAPPEAR.
ALEXANDER
Come on, Father...
Alexander and Worf move to the swinging doors and
EXIT...
CUT TO:
23 CLOSE ANGLE - A WANTED POSTER
attached to a wall. There is one fresh bullet hole
in the forehead of the drawing of Eli Hollander. Two
more GUNSHOTS ring out, and we see two BULLET HOLES
RIP through the poster...
24 INCLUDE - ELI HOLLANDER
holding a smoking pistol, having just fired the shot.
ELI
(re: poster)
If I ever find the varmint who
drew this... he'll be sorry he
ever put pen to paper.
(beat)
I'm ten times uglier than that,
ain't I?
Eli's henchman, the bandito, laughs.
ELI
Shut up.
The bandito falls silent.
ELI
You laugh so much, it's a wonder
flies don't take up residence in
your mouth...
The bandito laughs.
BANDITO
You are a very funny man, Senor
Eli...
The bandito falls silent as Worf and Alexander ENTER
the saloon.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 15.
24 CONTINUED:
Eli sees them too, and his eyes narrow. Everyone in
the room turns and looks. The room falls silent. The
patrons of the bar suddenly realize they are in the
line of fire -- and they scatter, many of them leaving
the saloon. An open space is left between the two men.
Worf watches the commotion in confusion.
WORF
(to Alexander)
Where are they going?
ALEXANDER
(quietly, to Worf)
They don't want to get hit by the
bullets.
Worf reacts... braces himself, then takes a step toward
Eli.
WORF
(to Eli)
You are under arrest --
Instantly, Eli's hand moves to the butt of his pistol.
Alexander stops Worf.
ALEXANDER
(whispers, urgent)
He's getting ready to draw.
Worf puts his hand to the butt of his own gun. A tense
moment as the two men stare at each other across the
room.
Eli breaks the moment by adopting a wide smile. His
hand hangs down by his gun at all times.
ELI
(to his henchmen)
Well... looks like Sheriff Worf
is here to arrest me. Don't sound
like a very bright idea... does
it?
The bandito shakes his head, stands and opens his coat
to reveal a SHOTGUN.
WORF
(to Eli)
You have been accused of
committing a homicide.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 15A.
24 CONTINUED: (2)
ELI
If you mean murder, then I guess
I'm guilty.
Eli slowly walks up to Worf, giving him a hard stare.
ELI
(continuing)
I've killed twenty-three men,
Sheriff... one more ain't gonna
make that much of a difference.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 16.
24 CONTINUED: (3)
Worf doesn't flinch. Eli continues to goad Worf.
ELI
(continuing)
'Course... shootin someone as ugly
as you... could hardly be
considered a crime.
The bandito laughs. Worf bristles, angry -- it's all
he can do to hold himself back.
ELI
Were you just born that way...
or did your momma marry an
armadillo?
More laughter. For the briefest instant, Eli's gaze
darts to one side, just behind Worf. Worf sees it,
realizes, and whirls around just in time to get a chair
BROKEN across his back by a SECOND HENCHMAN. (NOTE:
This being a Holodeck act of violence, Worf is
unfazed.) Worf SLUGS the henchman, who goes flying
backward onto the floor.
The bandito moves to grab Worf, but Worf blocks his
arms and lands a punch into his stomach -- then a hard
hook across his face. The bandito goes CRASHING
through a nearby table.
Eli grabs a nearby BOTTLE and breaks it against the
bar -- comes at Worf with the broken shards. Worf
overcomes Eli with a series of well-timed PUNCHES.
Eli falls to the floor, dazed.
Worf looks at Alexander -- he's starting to enjoy
himself.
WORF
I am beginning to see the appeal
of this program...
Alexander grins -- then sees something.
ALEXANDER
Sheriff, look out!
Eli is drawing his pistol. Worf tries to grab his own
gun -- but he's too late. Outdrawn.
ELI (O.S.)
Don't twitch a whisker, Sheriff...
(waves gun)
'Less you want a shave.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 16A.
24 CONTINUED: (4)
The bandito and the henchmen move to Worf and grab him
from behind. Worf struggles, but it's no use.
Alexander watches helplessly. Eli aims his gun at
Worf, smirking, triumphant... relishing the moment...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 17.
24 CONTINUED: (5)
ELI
(to henchmen)
Okay, boys... time to saddle up.
(beat)
But first... get their money and
jewelry.
WORF
You are a murderer... and a thief.
ELI
A man's gotta make a livin.
Eli cocks the pistol...
BLAM! Eli's hat is BLASTED OFF his head. Everyone
looks toward the door...
25 ANGLE ON - A MYSTERIOUS STRANGER
standing at the door, holding a Winchester RIFLE,
having just fired the shot. The figure re-cocks the
rifle, keeps it aimed. The figure wears a wide-brimmed
hat that obscures his face. A beat goes by, then the
stranger raises his head slightly...
It is TROI.
TROI
(to Eli, a threat)
I suggest you find a new line of
work.
Reactions. Worf is surprised by the sight. Eli sees
that he is defeated... scowls and de-cocks his pistol.
The bandito and the henchman release their grip on
Worf. Alexander smiles, leans toward Worf.
ALEXANDER
(whispers)
I asked Counselor Troi to join
us. She loves Western stories.
Eli stares at Troi, who stares right back at him,
clearly getting into her character.
ELI
(to Troi)
You'll regret this, stranger.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 18.
26 CLOSE ON ELI'S HAND
as he theatrically SPINS HIS PISTOL in the palm of his
hand, then holsters it.
27 EXT. SPACE - THE ENTERPRISE (OPTICAL)
in orbit.
28 INT. ENGINEERING
Data is still connected to the console -- his eyes are
open and he is conscious. Geordi is working at a
console; N.D.s work nearby. They've been at this
awhile.
DATA
I am now attempting to access the
long range sensor array...
Data's head-blinkies BLINK. Geordi reacts to the
console.
GEORDI
Forward sensor array coming
online... we're getting a clear
scan...
DATA
I will perform a routine
maintenance check on the starboard
inertial damping system...
A beat.
GEORDI
Dampers on-line... maintanence
check in progress... Data, I think
we're on to something here...
(beat)
Let's see what you can do with
secondary systems. Try
gravitational control...
DATA
Initiating gravitational --
Data stops in mid-sentence -- freezes up for a moment,
unable to speak.
GEORDI
Data, what's wrong?
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 19.
28 CONTINUED:
Data returns to normal -- tilts his head, analyzing.
DATA
There appears to be an energy
fluctuation in my neural net.
(beat)
I am disconnecting my interface
to the computer.
Data jerks his head and his blinkies SLOW DOWN.
DATA
Interface deactivated.
Geordi starts to remove the cables from Data's head.
GEORDI
You alright?
DATA
I have experienced a brief power
surge in my positronic
subprocessor.
(beat)
But I am fine.
GEORDI
Maybe the interface coding is less
stable than we thought...
(beat)
Looks like we've got a few hours
of systems analysis before we can
try this again.
Geordi finishes disconnecting Data.
GEORDI
Let's check the interface
programming...
Geordi crosses to another console. Data picks up the
tricorder and moves to go...
29 CLOSE ON DATA'S HAND
As he theatrically SPINS THE TRICORDER in the palm of
his hand, and replaces it in his belt holster, just
like Eli Hollander did.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT ONE 20.
30 RESUME SCENE
Data has not noticed his strange movement. He goes
about his work, as if nothing is wrong...
FADE OUT.
END OF ACT ONE
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 21.
ACT TWO
FADE IN:
31 EXT. HOLODECK - SHERIFF'S OFFICE - DAY
The building has a sign out front that reads "SHERIFF'S
OFFICE."
32 INT. SHERIFF'S OFFICE
Eli is in a small JAIL CELL off to one side -- he's
sitting on the cot, shuffling a deck of CARDS on a
small table. (NOTE: His card shuffling is unpracticed
and clumsy.)
Worf and Alexander are standing next to the cell. Troi
sits at the Sheriff's desk, legs propped up on the
desktop, hands behind her head. Worf speaks loud
enough for Eli to hear.
WORF
(to Alexander)
What are his rights in this
century? Will there be a trial...
or shall I execute him?
Eli reacts to the comment.
ALEXANDER
We're supposed to hold him until
the U.S. Marshal comes. Then
he'll take him to Rapid City for
a trial.
Eli starts to deal a game of solitare.
ELI
Frankly, I don't think I'll be
around that long. Not after my
old man hears about this.
They look at him.
WORF
To what "old man" do you refer?
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 22.
32 CONTINUED:
ELI
My pa. When he comes to break
me outta this tin can... the
gravedigger'll be working
overtime...
Alexander glares at Eli.
ALEXANDER
Your pa's no match for Sheriff
Worf.
WORF
If your father comes, we will be
ready for him.
Eli glances at Worf... looks him up and down... turns
back to his card game and starts to laugh. Worf
bristles.
TROI
He's right.
Worf looks at her. Troi is still playing her
character.
TROI
You're no match for the
Hollanders.
WORF
I am sure the three of us can
handle any problems.
TROI
Hold on. I was just passing
through town... saw a little
trouble... thought I'd lend a
hand...
(beat)
But I'm not one of your deputies,
Sheriff.
A beat. Worf crosses to Troi, speaks confidentially
to her.
WORF
Counselor... I would appreciate
your support in this matter.
Troi quietly breaks character...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 23.
32 CONTINUED: (2)
TROI
Durango...
(off his look)
I'm called Durango.
Worf tries to play along.
WORF
Oh... well... Counselor Durango...
perhaps you would consider
becoming a temporary deputy?
Troi considers.
TROI
For a price....
(beat)
Five hundred dollars.
Worf considers, turns to Alexander.
WORF
Alexander -- we require large
amounts of currency.
ALEXANDER
Yes sir. I'll go to the bank and
make a withdrawal.
Alexander quickly EXITS the room. Worf sits down on
the desktop, next to Troi. There's a quiet moment
between them...
WORF
Deanna... how do you know so much
about this period in Earth's
history?
Troi tips up her hat.
TROI
My father used to read me stories
about the Ancient West when I was
a little girl.
(beat)
I must admit... I've always wanted
to play the part of the
"Mysterious Stranger."
Worf considers.
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT TWO 24.
33 ANGLE ON DOOR
as it bursts open and Annie Meyers ENTERS. She scans
the room, spots Worf and, flushed with excitement,
rushes to him. She grabs him by the collar and plants
a huge kiss on his lips. Worf reacts, stunned.
ANNIE
You are just so brave... facing
down that evil man like you did.
Worf isn't sure how to respond.
WORF
Thank you. Ms... ?
Annie swats him playfully.
ANNIE
Annie, you big galoot.
(beat)
You best not forget that
tonight...
(off his look)
I'm gonna cook you up a beef
steak... and gooseberry cobbler
for dessert.
Worf grows uncomfortable with the advance. Troi is
amused.
TROI
Sounds delicious.
Annie sidles up to Worf, romantic-like.
ANNIE
I bought special candles for the
table setting... pure beeswax.
Worf thinks of a way to get out of this.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 25.
33 CONTINUED:
WORF
I will not have time this evening.
I have a prisoner.
TROI
(jibing Worf)
I'll watch him for you, Sheriff.
You two go have a good time.
Worf shoots Troi a look.
WORF
That is very considerate of you.
But I would be negligent in my
duties if I did not stay.
(beat)
I am sorry... Ms. Annie.
Annie glares at him, temper flaring.
ANNIE
It's another woman, ain't it?
That floosie down at Miss
Langford's House of Pleasure...
WORF
(confused)
Who... where?
Annie SLAPS Worf in the face -- then EXITS. (NOTE: It
does not hurt Worf.) A stunned beat as Worf tries to
figure out what just happened. Eli glances up from
his game of solitare.
ELI
You sure got a way with women,
Sheriff.
OFF Worf's confused look...
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - ACT TWO 26.
34 EXT. SPACE - THE ENTERPRISE (OPTICAL)
in orbit.
35 INT. PICARD'S QUARTERS
Picard is holding a cup of tea. He sits down in his
chair... takes a relaxing sip of the tea...
PICARD
Computer -- activate Picard
Mozart trio, Program One.
(beat)
Play back tracks one, two and
three. Tempo allegro.
The instruments we heard before -- the cello, the oboe
and the flute -- begin to PLAY. Picard sits back and
enjoys the melody. Suddenly, a tiny note of dissonance
occurs in the music.
Picard hears it -- listens intently. The playback
warbles for a moment, getting worse -- then A LOUD
SYMPHONY BLARES OUT (NOTE: It is Dvorak's "The Slavonic
Dances".)
Picard is startled.
PICARD
(over the din)
Computer -- stop playback!
The symphony STOPS.
PICARD
(to computer)
Computer -- identify musical
composition.
COMPUTER VOICE
Picard Mozart trio, Program
One.
OFF Picard's puzzled look -- how can that be?
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 27.
36 INT. REHEARSAL ROOM
Beverly is using the space to rehearse the play.
RIKER and TWO CREWMEMBERS make up the cast. They are
sitting in a semi-circle, listening to Beverly's
direction. Everyone is holding a PADD.
BEVERLY
Let's read through Act Two. From
the beginning...
Riker looks at his PADD and begins to read...
RIKER
(reading)
"Felis catus is your taxonomic nomenclature
An endothermic quadraped, carnivorous... "
Over this, Beverly reacts to what she hears --
something doesn't sound right.
BEVERLY
Hold it... Wil, what are you
reading?
RIKER
My lines. Why?
BEVERLY
That's not the right dialogue...
Riker looks at the PADD, confused. Beverly crosses
to Riker and looks at his PADD. She reads aloud...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 28.
36 CONTINUED:
BEVERLY
(reading)
Your visual, olfactory, and auditory senses
Contribute to your hunting skill and... "
Riker starts to realize...
RIKER
Wait a second... I recognize
this... It's Data's poetry.
Beverly looks at her own PADD, hits a few commands into
it, reads the screen... hits a few more commands.
BEVERLY
The play's gone. I just keep
getting more poetry...
As they exchange a mystified look...
37 INT. ENGINEERING
Geordi and Data are examining opened PADDs. Several
other PADDs are sitting nearby. Beverly watches,
curious. Geordi sets aside the PADD.
GEORDI
Well.. the PADDs are functioning
normally...
(beat)
It seems to be a problem with the
information retrieval net. For
some reason, when you tried to
bring up your play, the computer
accessed Data's literary files.
Data thinks.
DATA
Geordi, perhaps this problem is
related to our interface
experiment.
Geordi nods.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 29.
37 CONTINUED:
GEORDI
We'd better run a Level Two
diagnostic on the computer. See
if the problem has spread to any
other systems...
DATA
And I will perform a
self-diagnostic.
GEORDI
Good idea.
Data EXITS. Geordi starts to work a console.
BEVERLY
You'll let me know if you find
the play?
GEORDI
Yeah... Don't worry, it's in here
somewhere.
Beverly nods. As Geordi works...
38 EXT. HOLODECK - WESTERN STREET - DAY
CLOSE ON Alexander walking along, holding a small
canvas BAG. He opens up the bag and peers inside,
shakes the bag a little, causing it to JANGLE -- it's
obviously full of money. He smiles and continues to
jangle the bag...
From offscreen, a HAND grabs Alexander by the shoulder.
Alexander stops, startled, and slowly looks up...
Standing over him are Eli's two henchmen seen earlier
-- the bandito and the henchmen. Alexander reacts --
but before he can say a word, one of the henchmen
clamps a giant hand over his mouth. Alexander
struggles as they carry him away...
38A INT. MINES
A short time later. The bandito and the henchmen are
leading Alexander through the dark, abandoned tunnel.
Alexander's hands are tied together with a rope, his
mouth gagged by a bandanna.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 30.
38A CONTINUED:
We hear FOOTSTEPS approach them. They look up to see
a SHADOWY FIGURE step into view, dressed in all black
-- this is FRANK HOLLANDER, Eli Hollander's father.
His face is obscured by shadow.
BANDITO
(re: Alexander)
We got him...
The henchman removes the bandanna from Alexander's
mouth. The shadowy figure speaks in a cold and
menacing voice...
DATA/FRANK
(to Alexander)
Where's my boy?
Alexander struggles to escape, confused by this turn
in the program.
ALEXANDER
I'm not supposed to be kidnapped
now...
(to computer)
Computer -- freeze program!
Nothing happens. Alexander grows alarmed.
ALEXANDER
Hey!
(to computer)
Computer -- freeze program!
No response. Alexander is restrained by the henchman.
He is scared now -- no longer a cowboy, but a little
boy in peril...
BANDITO
(to figure, re;
Alexander)
You want us to kill him, Senor
Frank?
DATA/FRANK
No...
The figure takes a step forward. As he comes into the
light, we see that HIS FACE LOOKS EXACTLY LIKE DATA'S
FACE. He stops and stares down at Alexander.
DATA/FRANK
He's more valuable to us alive.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT TWO 30A.
38A CONTINUED: (2)
OFF Alexander's startled reaction...
FADE OUT.
END OF ACT TWO
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 31.
ACT THREE
FADE IN:
39 EXT. SPACE - THE ENTERPRISE (OPTICAL)
orbiting the red giant planet.
40 INT. DATA'S QUARTERS
Data is standing at a replicator slot.
DATA
(to replicator)
Feline supplement, one hundred
twenty-seven.
Offscreen, a bowl of cat food MATERIALIZES. Data picks
up the bowl of food and sets it on the floor, in front
of his cat, SPOT.
DATA
Spot, I have formulated a new
mixture of foods specifically
tailored to your highly selective
tastes.
Spot sniffs at the food... doesn't seem to like it...
and walks away. Data reacts.
DATA
Puzzling. I find it extremely
difficult to predict what you will
find acceptable.
(beat)
Perhaps hunger will compel you
to try it again.
Data crosses to his desk and sits down. He begins to
work the console. Spot JUMPS UP onto the control
panel, making it impossible for Data to work. Data
watches him a moment.
DATA
Spot, you are disrupting my
ability to work.
Data gently nudges him aside. But Spot remains on the
desk. Data tries to keep working, but it is difficult.
Data gives Spot a more forceful push off the desk --
his face revealing the merest hint of annoyance.
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT THREE 32.
40 CONTINUED:
When he speaks, he momentarily, inexplicably, slips
into a Texan accent --
DATA
(Texan accent)
You lil' varmint.
Spot scampers off. Data returns to work, not noticing
the strange slip. He continues to work as if nothing
has happened...
41 INT. HOLODECK - SHERIFF'S OFFICE - DAY
Troi and Worf are standing face to face, feet apart
in a ready stance. She is showing Worf how to draw
a. gun. Eli is in cell, clumsily shuffling his deck
of cards.
TROI
The most important thing about
the quick draw is, you've got to
hold your arm loose... like
this...
STAR TREK: "A Fistful of Datas" - REV. 9/23/92 - ACT THREE 33.
41 CONTINUED:
Troi draws, cocks, aims. Fast and smooth. Reholsters.
TROI
Now... you try it.
Worf takes a beat, readies himself... then he draws,
cocks, and his GUN ACCIDENTALLY FIRES into the floor.
A beat. They stand and exchange a look -- safe but
shaken.
ELI
(chiding)
Hell to blazes... I better warn
my pa. We got a regular sharp
shooter here!
Worf glares at him.
WORF
Silence.
Troi moves to a window and glances outside, concerned
about something.
TROI
Worf... Alexander has been gone
for over half an hour. Shouldn't
he be back by now?
Worf considers. He's enjoying this program, and is
eager to get back into the story.
WORF
Yes... I will go find him.
(re: Eli)
Watch the prisoner.
Troi nods and picks up her rifle. Worf EXITS. Troi
sits down at the desk and looks at Eli. Eli starts
to deal solitare, ignoring her.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 34.
41 CONTINUED: (2)
Troi slips into her Counselor mode -- she can't resist
having a little fun...
TROI
So, Mister Hollander... I
understand you've lived a life
of violent crime.
(beat)
Would you like to discuss your
feelings about it?
As Eli throws Troi a suspicious look...
42 INT. GOLD STRIKE SALOON
Various townsfolk are present; the piano player is
playing a tune. Worf ENTERS the saloon, takes a look
around the room, and crosses to the bar.
43 ON BAR COUNTER
as Worf arrives.
ANNIE (O.S.)
(to Worf)
What'll it be?
Worf looks up, see Annie Meyers standing behind the
bar. Clearly, she is still bitter at Worf.
WORF
I am looking for my deputy.
Perhaps you have seen him.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 35.
43 CONTINUED:
ANNIE
Nope.
(beat)
What'll you have?
Worf hesitates, unsure what to order... makes an effort
anyway...
WORF
Klingon Firewine.
ANNIE
This ain't Kansas City. We don't
got none of that fancy European
stuff here.
(sarcastic)
Maybe I should bring you a sherry.
That is what they serve over at
Miss Langford's, ain't it?
Before Worf can respond, Annie walks off.
From offscreen, we HEAR the GALLOP OF SEVERAL HORSES
outside the saloon. People turn to look, curious at
the commotion. We hear the horses come to a stop,
whinnying... the sound of men dismounting the horses...
then FOOTSTEPS on the wooden porch of the saloon...
44 ON THE DOORS
as they swing open and Data/Frank Hollander ENTERS
along with the bandito and the henchman.
The room falls silent. An ominous beat as they scan
the room... and spot Worf at the bar. They take a few
steps toward the bar counter. Data/Frank's manner is
polite but menacing.
DATA/FRANK
(to Worf)
Howdy, Sheriff.
Worf reacts to the sight of Data -- surprised to see
him.
WORF
Commander ... what are you doing
here?
Data/Frank eyes him.
DATA/FRANK
The name is Frank Hollander.
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 36.
44 CONTINUED:
Worf reacts -- takes a moment to realize that Data is
simply having fun with his character...
WORF
(realizing)
Oh... I see...
Worf lets out a little smile.
DATA/FRANK
What are you smiling at?
Worf stops smiling -- decides to play along.
WORF
Nothing. Nothing at all...
"Mister Hollander."
(beat)
What is it you want?
Data/Frank eyes him.
DATA FRANK
My boy.
WORF
That is not possible. Your son
is to stand trial for murder.
DATA/FRANK
Well then... maybe we can work
it out. Is there something
you want... in exchange for
my boy?
WORF
You have nothing I want.
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 37.
44 CONTINUED: (2)
DATA/FRANK
What about... your deputy?
Worf reacts.
WORF
What about him?
Data/Frank smiles -- his look says it all. Worf
realizes.
WORF
Where is he?
Data/Frank just stares at him. Worf bristles, but stands
firm -- he's really enjoying this program.
WORF
I do not negotiate with criminals.
(beat)
Your son will stand trial.
Worf takes a step toward the door. From behind,
Data/Frank's hand clamps down hard on Worf's shoulder.
Worf stops, reacting to the grip. He turns around...
DATA/FRANK
Not so fast...
Data/Frank pushes him. Worf stumbles backward a step.
He looks at Data/Frank, surprised, and a little annoyed.
He quietly breaks character...
WORF
Commander... what are you doing?
Data/Frank reaches out and pushes him yet again,
taunting.
DATA/FRANK
I ain't in the mood for games,
Sheriff.
Worf reacts to the remark -- something doesn't seem
right about this...
STAR TREK: "The Quality... " - REV. 9/25/92 - ACT FIVE 38.
44 CONTINUED: (3)
WORF
(uncertain)
Data... ?
Data/Frank ignores him and pushes him again, harder,
with android strength. Worf hits up against the bar.
He senses it now -- something is not right.
WORF
(to computer)
Computer -- freeze program.
Nothing happens. Worf grows alarmed, looks at Data/Frank
and the others. They take Worf's look as a threatening
one -- and all of their hands drop to the butts of
their guns.
DATA/FRANK
Your move, Sheriff.
The scene takes on a whole new tension as Worf realizes
that something is terribly wrong. Play the suspense as
Worf slowly backs toward the door... having to pass the
two henchmen along the way...
DATA/FRANK
(a threat)
I wouldn't walk out that door,
Sheriff...
Worf hesitates... his patience wearing thin... he's
had it with this program. A tense beat... then Worf
intently takes a step toward the door...
Data/Frank DRAWS HIS GUN and FIRES at Worf --
Worf grabs his arm in pain -- pulls back his hand to
reveal that he's bleeding from a GUNSHOT WOUND in his
arm. He's been hit -- for real.
Worf glances at the men, alarmed -- something is
terribly wrong....
It happens all at once:
-- Worf DIVES through the swinging doors to get away...
-- The two henchmen draw their guns and all three men
OPEN FIRE on Worf...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 38A.
45 INT. SHERIFF'S OFFICE
Troi is on her feet, rifle in hand, having heard the
gunshots outside.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 39.
45 CONTINUED:
Worf barrels in the door, breathless and concerned. He
bolts and locks the doors.
TROI
Worf, what's going on?
WORF
The Holodeck safeguards are not
functioning. Alexander is in
danger.
Troi moves to him -- sees that Worf's arm is bleeding
from a GUNSHOT WOUND.
TROI
(re: wound)
My God -- you've been shot.
They exchange a worried look.
TROI
(to computer)
Computer -- end program.
(taps communicator)
Troi to Captain Picard.
(beat)
Troi to Security.
No response.
WORF
There is a new character in the
program -- Hollander's father.
He looks like Commander Data...
TROI
(reacts)
Data?
WORF
But it is not Data... I cannot
explain.
(beat)
I believe he has taken Alexander.
Troi removes a BANDANA from her pocket and uses it to
wrap Worf's arm. From offscreen:
DATA/ELI (O.S.)
Now ain't that a shame... the poor
Sheriff's been injured...
Worf and Troi look toward the cell -- and stop cold
at what they see...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT THREE 40.
45A INCLUDE DATA/ELI
standing at the cell bars, looking out. ELI NOW LOOKS
EXACTLY LIKE DATA. Same Western clothes, same accent,
same personality -- but he has Data's face.
DATA/ELI
What's wrong... was my pa a little
too rough on you?
Data/Eli starts to laugh tauntingly. OFF Troi and
Worf's reaction...
FADE OUT.
END OF ACT THREE
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 41.
ACT FOUR
FADE IN:
46 INT. HOLODECK - SHERIFF'S OFFICE
Continuous. Worf and Troi staring at Data/Eli,
surprised by the sight.
TROI
Data... ?
Data/Eli looks at her, uncertain.
DATA/ELI
What?
It's clear from Data/Eli's behavior that this is still
the gunslinger character of Eli. They watch him a
moment.
TROI
(quietly, to Worf)
Why would the computer create
Holodeck characters that look like
Data?
Worf shakes his head, doesn't know -- he glares at
Data/Eli, growing furious at the situation. There is
a sense of urgency in the air, now -- it's no longer
just a harmless Holodeck fantasy.
WORF
(to Data/Eli)
Where have they taken my son?
Data/Eli shrugs and smiles at Worf -- a taunt. Worf's
temper flares -- he quickly reaches out and grabs
Data/Eli through the cell bars, pulls him forward by
the collar.
WORF
(demands)
Where is he?
DATA/ELI
Temper, temper, Sheriff. Pa
wouldn't be too pleased if I came
back all bruised...
Worf tightens his grip, one step away from violence.
Troi tries to ease the situation.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 42-43.
46 CONTINUED:
TROI
Worf, wait...
A beat. Worf releases Data/Eli, seething. He joins
Troi and they speak privately.
TROI
We've got to remember... the
Holodeck safeguards may be off,
but this is still a program...
(beat)
If we can get to the end of this
story... the way it was designed
to play out... the program should
automatically terminate.
Worf sees her point and calms down.
WORF
You are right...
(beat)
I will begin by speaking to the
people of this town. Perhaps
someone witnessed Alexander's
abduction.
Troi nods -- good idea. Worf moves to the door,
unlocks it and carefully peers outside -- the coast
is clear. He EXITS. Troi glances at the jail cell,
where Data/Eli is sitting on the cot, quietly playing
solitaire...
STAR TREK: "A Fistful of Datas" - REV. 9/24/92 - ACT FOUR 44-46.
47
thru OMITTED
48
49 EXT. SPACE - THE ENTERPRISE (OPTICAL)
in orbit around the red giant.
50 INT. OBSERVATION LOUNGE
Picard, Riker, Data, Geordi. Mid-conversation.
GEORDI
We think our interface experiment
may have caused one of the
computer's core subroutines to
be altered.
DATA
When the interface malfunction
occurred, subroutine C-forty-seven
was replaced by elements of my
personal programming.
RIKER
What does C-forty-seven control?
GEORDI
Library computer access...
replicator selection...
recreational programming... No
critical systems.
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - ACT FOUR 47.
50 CONTINUED:
DATA
(to Picard)
That would explain why your music
composition program began playing
"The Slavonic Dances." I have
been analyzing the collected works
of Anton Dvorak.
GEORDI
(nods)
The same with Doctor Crusher's
play... and with the food
replicators...
Picard reacts -- he hasn't heard about this one yet.
RIKER
(explains)
The replicators on Decks Four
through Nine have started
producing nothing but cat food.
PICARD
Cat food?
DATA
I have been formulating
nutritional supplements for Spot.
Picard considers the situation.
PICARD
When can you have the problem
corrected?
DATA
We are currently attempting to
isolate the corrupted circuit
pathways.
(beat)
I reckon the process should take
less then two hours.
Reactions to Data's statement. Except for Data, who
has not noticed the slip.
PICARD
What did you say?
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 48.
50 CONTINUED: (2)
DATA
I said the process would take less
than two hours.
RIKER
No -- you said "I reckon... "
Data thinks.
DATA
According to my memory log, I did
not use those words.
(Texan accent)
Ya'll must be mistaken.
Reactions.
GEORDI
There, Data, You did it again.
DATA
(Texan accent)
Did whut?
Reactions -- what the hell's going on? Data looks at
them, puzzled.
PICARD
Mister La Forge -- perhaps you
should take Mister Data to
Engineering. See if you can find
the problem.
GEORDI
Aye sir.
Geordi and Data rise to go. As they walk toward the
door, Data hitches his thumbs into his waistband and,
with a slight bow-legged swagger, EXITS the room.
Picard and Riker exchange a glance. OFF their puzzled
reactions...
51 INT. HOLODECK - SHERIFF'S OFFICE
Troi is pacing nervously, rifle in-hand. She glances
out the window... moves back to the desk... waiting...
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 49.
51 CONTINUED:
From offscreen, Data/Eli can be heard SHUFFLING his
deck of cards. Troi ignores it at first,
preoccupied... then she takes note. The card shuffling
seems to be getting faster and faster... like it's
being done at increasingly high speeds...
Troi listens for a moment, curious. Then she crosses
to the jail cell and peers inside. She reacts to what
she sees --
52 ANGLE ON DATA/ELI (OPTICAL)
sitting on the cot, SHUFFLING the deck of cards at
HYPER SPEED -- android speed. He proceeds to deal a
hand of solitaire at hyper-speed... then plays out the
game at hyper-speed...
Troi stares at him, realizing. Data/Eli stops and
looks right at her.
DATA/ELI
Can I help you with somethin?
There's a knock at the door. Troi quickly moves to
the door... unlocks the bolt... opens the door a crack
to see who's there, then opens it. Worf ENTERS,
looking urgent.
WORF
I spoke to several witnesses.
One saw Alexander being abducted
as he was leaving the bank... by
Hollander's men.
Worf crosses to the desk, opens a drawer and starts
to look for something. This is a bizarre and
frightening situation, but Worf is intent on getting
out of it.
WORF
We will begin a systematic search
of the town...
Worf removes a boxful of BULLETS and sets them on the
desktop -- begins to shove bullets into his pocket.
Troi glances at the jail cell, troubled.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FOUR 49A.
52 CONTINUED:
TROI
Worf... we've got another
problem. I saw Eli shuffling his
cards. He was doing it the way
Data does when he plays poker...
(beat)
He doesn't just look like Data...
he has Data's abilities. And
his father probably does, as
well...
Worf stops and looks at the cell, disturbed by the
news.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 50.
52 CONTINUED: (2)
A knock at the door. Worf and Troi exchange a look.
Troi raises her rifle and Worf draws his gun. Worf
moves to the door, unbolts it, and eases it open.
Data/Frank Hollander is standing in the doorway. Troi
reacts -- it's the first time she's seen him.
DATA/FRANK
Howdy, Sheriff.
(beat)
I came to see my boy.
Troi points her rifle in his general direction.
WORF
Remove your weapon.
Data/Frank smiles and takes his gun out of his holster
-- offers it handle-first to Worf.
DATA/FRANK
(re: gun)
Take a good look at that gun,
Sheriff... you might see it again
real soon.
Data/Frank enters the room. He walks toward the cell,
eager to see his son.
DATA/FRANK
Eli?
Inside the cell, Eli jumps to his feet and grips the
cell bars.
DATA/ELI
Pa!
53 ANGLE ON DATA/FRANK AND DATA/ELI (OPTICAL)
standing face to face, separated by the cell door.
DATA/FRANK
How have they been treating you,
son?
DATA/ELI
Real bad, Pa. They ain't fed me
since I got here... and the
Sheriff's been roughin me up
somethin fierce.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 51.
53 CONTINUED:
DATA/FRANK
Don't you worry. The Sheriff will
pay for this.
Data/Frank throws a look at Worf and Troi.
DATA/FRANK
(re: Troi)
Who's the stranger?
DATA/ELI
Don't know... she ain't said her
name. But she's in cahoots with
the Sheriff... and she's mighty
mean with a Winchester.
Data/Frank nods.
DATA/FRANK
Sit tight, boy. I'll have you
home in time for supper.
54 RESUME SCENE
Data/Frank moves to Worf and Troi, adamant.
DATA/FRANK
I'll give you one more opportunity
to avoid an ugly situation,
Sheriff. Release my boy.
Worf bristles, but plays along.
WORF
I have... reconsidered your offer.
I will release your son... in
exchange for my deputy.
Data/Frank smiles -- clearly, he's a man who is used
to winning.
DATA/FRANK
I thought you might have a change
of heart...
(beat)
Meet me in two hours. You be
in front of the saloon... I'll
be in front of the livery station.
Worf nods.
144:[4,#b]
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FOUR 52.
54 CONTINUED:
WORF
Agreed.
Data/Frank moves toward the door -- Worf hands him his
gun. Data/Eli stops at Troi and gives her a hard look.
DATA/FRANK
(to Worf, re; Troi)
Strangers ain't invited.
Troi narrows her eyes at him. Data/Frank EXITS. Worf
turns to Troi, relieved. But Troi looks concerned
about something...
TROI
In every Western I've ever read,
the villains break their word.
We can't trust him.
WORF
But we have made an honorable
agreement.
TROI
They're not concerned with honor,
Worf. This is the Ancient West.
There's a gunfighter out there
who can shoot with the speed and
accuracy of an android...
(beat)
And in two hours, he's going to
try to kill you.
OFF Worf and Troi's concern as the gravity of the
situation sinks in...
FADE OUT.
END OF ACT FOUR
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 53.
ACT FIVE
FADE IN:
55 EXT. SPACE - THE ENTERPRISE (OPTICAL)
orbiting the red giant.
56 INT. ENGINEERING
Data is sitting by a console, a panel in his head open,
being examined by Geordi. Riker ENTERS and crosses
to them. Data has gotten worse -- he slips in and out
of a Texan accent throughout the scene, completely
unaware of his bizarre behavior.
DATA
(to Riker, Texan accent)
Howdy, Commander.
An awkward beat.
RIKER
Mister La Forge... what have you
found?
DATA
(Texan accent)
Well... we figure parts of my
memory structure...
(normal voice)
... have been replaced with
information from the computer's
recreational data-base.
GEORDI
Specifically, files relating to
the nineteenth century American
West.
RIKER
That explains the accent...
DATA
(Texan accent)
That's right, partner.
Riker and Geordi exchange a look.
RIKER
Is this another result of the
interface experiment?
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FIVE 54.
56 CONTINUED:
GEORDI
I'm afraid so. But we've
initiated a progressive memory
purge to restore Data's programming
to its original state.
(beat)
He should be back to normal in
a few hours.
RIKER
What about the computer's
recreational data-base?
GEORDI
We've started a memory purge
there, as well. It'll take
another hour... maybe two.
Data tips an invisible hat to Riker.
DATA
(Texan accent)
You just sit tight, Commander.
We'll have it fixed up in time
for supper.
Riker nods.
RIKER
Good.
As Riker turns to go...
57 INT. HOLODECK - SHERIFF'S OFFICE
58 CLOSE ON A MAP
A hand-drawn map of the center of town, laid out on the
Sheriff's desk. Worf has made the map himself. He
is pointing to one end of town with a stylus -- an
inkwell is close at hand.
WORF (O.S.)
I will be positioned here, at the
Eastern end of the street...
He points to the West end.
WORF (O.S.)
Frank Hollander says he will
approach from this end...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 55.
59 INCLUDE THE SCENE
Worf and Troi are looking at the map, speaking softly,
so Data/Eli cannot hear. On the desktop, we can see
Worf and Troi's communicators laid out. They are
having a makeshift tactical conference. There is a
sense of urgency in the air as they plan a strategy.
Worf dips the stylus into the inkwell and draws an "X"
in the middle of the street.
WORF
(re: "x")
Once he gets to this point, he
will be within range.
Troi studies the map. She nods, anxious but
determined.
TROI
Understood.
(beat)
What about Alexander?
WORF
There is a rain barrel in front
of the saloon. It should be
enough to stop the bullets.
There's a KNOCK at the door. Troi grabs her rifle and
Worf moves to the door, unlocks it and opens it a
crack. Annie Meyers ENTERS, carrying a wooden BOX full
of various EQUIPMENT -- wire coils, transformer
batteries, etc. She speaks to Worf in an urgent
whisper.
ANNIE
(to Worf)
You wouldn't believe what I went
through to talk Old Man Newsome
out of his telegraph machine...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 56.
59 CONTINUED:
Worf looks pleased.
WORF
Excellent.
Worf takes the box and crosses to the desk... rummages
through the box and finds a small PEN KNIFE. He picks
up one of the communicator pins and OPENS it... then
grabs a coil of copper wire, breaks off a length, and
begins to connect the wire to the communicator circuits
with the pen knife...
ANNIE
(expecting a response)
Lord knows why I keep riskin my
life for you, Sheriff...
Worf ignores her. Troi nudges Worf to respond.
Begrudgingly, Worf tips his hat to Annie.
WORF
(to Annie)
Thank you, Ms. Annie. I am...
in your debt.
Annie brightens -- that's enough for her.
Worf glances up at a CLOCK on the wall.
60 ANGLE - THE CLOCK
It reads four o'clock...
DISSOLVE TO:
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 57.
61 THE CLOCK
It now reads five fifteen.
62 INCLUDE THE ROOM
Worf is making some last-minute adjustments to a DEVICE
attached to his holster -- it's a small metallic box,
fashioned from spare parts. Copper wiring connects
the device to a communicator pin on Worf's vest.
Troi walks over to him, eyeing the device (Annie is
gone).
TROI
How long will the field last?
WORF
It is highly unstable. No more
than fifteen seconds.
TROI
Let's hope that's enough.
Worf nods. OFF his look of concern...
CUT TO:
63 EXT. WESTERN STREET - DAY
WIDE ANGLE on the same street seen earlier. But it
is now empty, except for a couple of TOWNSPEOPLE who
are hurrying on their way. A sense of foreboding is
in the air...
Visible in the frame is a RAIN BARREL sitting on the
street in front of the Gold Strike saloon... as well
as a nearby COVERED WAGON...
64 NEW ANGLE - STREET
Data/Frank steps into view, holding Alexander by the
arm. He stops, waiting. Somewhere, A CHURCH BELL
starts to TOLL... six times total throughout the
scene...
Data/Frank pulls out a cigar and sticks it in his
mouth. He strikes a match... and stops in mid-motion
at what he sees...
INTERCUT:
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 58.
65 ANGLE - WORF
walking to his spot at the opposite end of the street.
He still wears the make-shift device on his holster,
and the communicator pin on his chest. Data/Eli is
at his side.
Data/Frank smiles, and lights up his cigar. A tense
beat goes by. Then Data/Frank gives Alexander a little
shove. Alexander stumbles forward... then begins a
tentative walk down the street toward Worf...
Worf nudges Data/Eli, sending him on his way toward
Data/Frank...
Play the suspense as the two prisoners make the long
walk down the empty street... At one point, as they
pass each other, and they exchange a look. Alexander
reacts to the sight of Data...
Alexander comes closer and closer to Worf, almost
within reach. As he approaches, Worf sends a
deliberate glance toward the nearby rain barrel.
Alexander glances at it too... understanding that Worf
wants him to see it...
Suddenly, Data/Frank lets out a loud WHISTLE --
66 DATA/HENCHMAN
emerges from behind a building. (The same henchman
seen earlier, but now he resembles Data.)
67 DATA/BANDITO
appears on the second story balcony of a building,
pistol drawn, and looks down at the scene.
68 DATA/FRANK
calls out to his son --
DATA/FRANK
Eli -- down!
It all happens at once:
69 DATA/ELI
drops to the ground...
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FIVE 58A.
70 DATA/FRANK
draws his pistol...
71 WORF AND ALEXANDER
WORF
(calls out)
Alexander!
Alexander quickly takes cover behind the rain barrel
as Worf hits a switch on the device attached to his
holster --
72 DATA/FRANK
OPENS FIRE on Worf with android proficiency --
73 WORF (OPTICAL)
As he is hit by the first TWO BULLETS, a FORCE FIELD
activates around his body, deflecting the bullets in
crazy ricochets. (NOTE: The force field should look
unstable and staticky.) Worf stumbles backward from
the impact of the hits... tries to keep his balance...
74 ALEXANDER
crawls out from behind the rain barrel and into the
safety of the saloon... stops just inside the door and
peers out so he can watch the gunfight...
75 DATA/ELI
gets to his feet and out of the line of fire...
75A DATA/FRANK
relentlessly takes aim again...
76 WORF (OPTICAL)
takes the impact of TWO MORE BULLETS, the FORCE FIELD
FLASHING AND FRITZING with every strike... looking more
unstable with every hit. Another BULLET hits... then
another BULLET and the FORCE FIELD FRITZES OUT
COMPLETELY. Worf reacts, realizing he's vulnerable --
hits the switch on the device but it won't work...
STAR TREK: "A Fistful of Datas" - REV. 9/18/92 - ACT FIVE 58B.
77 DATA/FRANK
takes aim and pulls the trigger -- but the gun has
run out of bullets. His six-shooter CLICKS
empty... click, click, click...
From offscreen --
DATA/BANDITO (O.S.)
Senor Frank!
The sequence plays out in SLOW MOTION:
78 THE BANDITO
throws his pistol down to Data/Frank...
78A WORF
drops his hand to his holster and tries to draw his gun
-- fumbles with the gun... can't get it out...
suspense builds...
78B THE BANDITO'S GUN
as it TUMBLES through the air...
78C WORF
manages to draw his gun... takes aim... awkwardly
starts to cock the hammer back...
79 DATA/FRANK
catches the gun with android skill and moves to shoot
Worf...
RESUME NORMAL MOTION:
80 WORF
FIRES his gun at Data/Frank...
81 DATA/FRANK
as the gun is BLOWN out of his hand. He reacts,
outdrawn.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FIVE 59.
82 ANGLE - DATA/ELI AND DATA/HENCHMAN
as they start to take a step toward Worf. Behind them,
the canvas flap on the covered wagon drops open to
reveal Troi. She aims her Winchester rifle in their
direction and COCKS it.
TROI
(to Datas)
Don't even think about it.
The two Datas stop, turn to look... they raise their
arms into the air, defeated...
83 DATA/BANDITO
sees the danger of the situation...
84 ANGLE - WORF AND DATA/FRANK
staring each other down. Data/Frank spreads his arms
wide and just stands there, staring at Worf defiantly.
DATA/FRANK
Go ahead and shoot me.
Worf glares at him, his Klingon instincts flaring to
the surface... he cocks his pistol... a tense beat goes
by... then he glances toward the saloon...
85 ALEXANDER
is peering out from the doorway, anxiously waiting to
see what Worf will do...
86 WORF AND DATA/FRANK
Worf thinks it over... keeps his pistol trained...
WORF
(to Data/Frank)
Do not show your face in this
town again.
A beat. Then Data/Frank scowls and turns to go...
Worf watches them go. Troi moves to his side, rifle
in-hand. They exchange a grim look, then head toward
the saloon...
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 59A.
87 INT. GOLD STRIKE SALOON
The room is empty, except for Alexander, who is
standing by the door, peering outside. Worf and Troi
ENTER.
ALEXANDER
Father!
Alexander embraces Worf, grateful to see him.
WORF
Are you alright?
Alexander looks at him and nods.
ALEXANDER
Yes.
Worf glances around the room, suddenly concerned.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FIVE 60.
87 CONTINUED:
WORF
(to computer)
Computer -- end program.
Nothing happens. A tense beat.
TROI
I don't understand this. The
story should be over... what's
left?
From offscreen --
DATA/ANNIE (O.S.)
Sheriff... Sheriff!
88 INCLUDE DATA/ANNIE (OPTICAL)
ENTERING the saloon -- she now LOOKS EXACTLY LIKE DATA.
DATA/ANNIE
You're as handy with a
shootin'-iron as you are with a
lady's heart!
Data/Annie rushes to Worf and wraps her arms around
him, giving him a big kiss. Worf reacts, disgusted.
WORF
(to computer)
Computer -- end program!
The saloon VANISHES and the familiar GRID appears. As
Worf, Troi and Alexander exchange a look of relief...
89 EXT. SPACE - THE ENTERPRISE (OPTICAL)
in orbit, facing another SHIP -- the Biko.
PICARD (V.O.)
Captain's Log, Stardate 46278.3.
Both Commander Data and the ship's
computer have been restored to
normal operation. Our rendezvous
with the supply ship Biko has
proceeded as planned.
STAR TREK: "A Fistful of Datas" - 9/17/92 - ACT FIVE 61.
90 INT. WORF'S QUARTERS
Alexander is lying in his bed, exhausted from his
adventure, fast asleep. Worf stops at the bed to
check in on him. Satisfied, he turns to go. Alexander
opens his eyes and looks at Worf.
ALEXANDER
Father...
Worf stops, turns. Alexander looks a little gloomy.
ALEXANDER
After what happened... I guess
you'll never want to go back to
the Ancient West...
A beat. Worf speaks gently.
STAR TREK: "A Fistful of Datas" - REV. 9/17/92 - ACT FIVE 62.
90 CONTINUED:
WORF
The town of Deadwood may face
danger again, Alexander. If they
do... they'll need a Sheriff...
and a deputy.
Alexander smiles at the words, and happily rolls over
to go back to sleep...
Worf walks into the main room, stops at a table, and
reaches down and picks up his cowboy hat -- the same
one he's been wearing all along. He eyes it a moment,
then glances toward a nearby MIRROR...
He puts on the hat and crosses to the mirror... strikes
a ready pose in front of it. Using his hand as an
imaginary gun, he draws and aims at his reflection.
Fast and smooth.
OFF his face as he smiles...
91 OMITTED
92 EXT. SPACE - THE ENTERPRISE (OPTICAL)
As the ship LEAVES ORBIT of the planet, a distant
ORANGE STAR comes into view. The Enterprise flies off
in the direction of the star, BACKLIT by the ORANGE
GLOW... like a sunset...
FADE OUT.
END OF ACT FIVE
THE END