mirror of
https://github.com/bvanroll/startrek-ml.git
synced 2025-08-29 12:02:45 +00:00
665 lines
24 KiB
HTML
665 lines
24 KiB
HTML
|
|
<!-- saved from url=(0055)http://www.livesinabox.com/friends/season2/214towpv.htm -->
|
|
<html><head><meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
|
|
<title>The One With the Prom Video</title>
|
|
<style id="holderjs-style" type="text/css"></style><link type="text/css" rel="stylesheet" href="chrome-extension://pioclpoplcdbaefihamjohnefbikjilc/content.css"></head>
|
|
|
|
<body bgcolor="white" text="black" link="green" vlink="black" alink="yellow" class=" __plain_text_READY__">
|
|
|
|
<h1 align="center">The One With the Prom Video</h1>
|
|
|
|
<hr align="center">
|
|
<font size="3"><i>
|
|
|
|
</i></font><p><font size="3"><i></i>Written by: Alexa Junge<br>
|
|
Trascribed by: </font><a href="http://www.livesinabox.com/friends/season2/josh.html">Josh Hodge</a></p>
|
|
|
|
<hr>
|
|
<font size="3">
|
|
|
|
</font><p align="left"><font size="3">NOTE: For this episode, I'm using italics to signify portions contained in
|
|
the prom video.<br>
|
|
<br>
|
|
<b>[Scene: Chandler and Joey's apartment. Chandler is playing foosball by himself, Joey
|
|
enters]</b><br>
|
|
<br>
|
|
JOEY: Hey.<br>
|
|
<br>
|
|
CHANDLER: Hey. Hold on a second. [shoots a goal] Huh?<br>
|
|
<br>
|
|
JOEY: Nice, nice. Hey I got somethin' for you. [hands Chandler an envelope.<br>
|
|
<br>
|
|
<a name="line07"></a> CHANDLER: What's this?<br>
|
|
<br>
|
|
JOEY: Eight hundred and twelve bucks.<br>
|
|
<br>
|
|
CHANDLER: Well, I don't know what Big Leon told ya but it's an even thousand if you want
|
|
me for the whole night. What is this for?<br>
|
|
<br>
|
|
JOEY: Well, I'm makin money now and this is payin' you back for head shots, electric
|
|
bills, and so many slices of pizza I can't even count. I love ya man.<br>
|
|
<br>
|
|
<a name="line08"></a> CHANDLER: Well, thanks man. Now I can get my pony.<br>
|
|
<br>
|
|
JOEY: Hey, this is a little extra somethin' for uh, ya know, always bein' there for me.
|
|
[hands Chandler a jewelry box]<br>
|
|
<br>
|
|
<a name="line09"></a> CHANDLER: Wow, I don't know what to say. [opens the box and pulls
|
|
out an incredibly gaudy gold bracelet] Wow, I, I don't know what to say.<br>
|
|
<br>
|
|
JOEY: Heh, what d'ya say?<br>
|
|
<br>
|
|
CHANDLER: I don't know. It's a bracelet.<br>
|
|
<br>
|
|
JOEY: Isn't it? And it's engraved too, check it out.<br>
|
|
<br>
|
|
CHANDLER: [reads] To my best bud. [puts it back in the case] Thanks best bud.<br>
|
|
<br>
|
|
JOEY: Put it on.<br>
|
|
<br>
|
|
CHANDLER: Oh, now? [puts it in his desk drawer] No, no, I think something this nice should
|
|
be saved for a special occasion. [sets a chair in front of the drawer]<br>
|
|
<br>
|
|
<a name="line10"></a> JOEY: Oh, no no, that's the beauty part, it goes with everything.
|
|
[gets the bracelet from the drawer] You put this on, you're good to go. [puts the bracelet
|
|
on Chandler] Ohhh man, you are so wearin' that bracelet.<br>
|
|
<br>
|
|
CHANDLER: I so am.<br>
|
|
<br>
|
|
<a name="line11"></a> JOEY: You have any idea what this'll do for your sex life?<br>
|
|
<br>
|
|
CHANDLER: Well, it'll probably slow it down at first but, once I get used to the extra
|
|
weight, I'll be back on track.<br>
|
|
<br>
|
|
<font size="4"><b>OPENING TITLES</b></font> <br>
|
|
<br>
|
|
<b>[Scene: A kitchen somewhere. Monica is interviewing for a job]</b><br>
|
|
<br>
|
|
INTERVIEWER: Well, this all looks good.<br>
|
|
<br>
|
|
MONICA: Great.<br>
|
|
<br>
|
|
<a name="line01"></a> INTERVIEWER: And if I want to call for a reference on your last job?<br>
|
|
<br>
|
|
MONICA: Oh, that's there on the bottom, see the manager, Chandler Bing.<br>
|
|
<br>
|
|
INTERVIEWER: Alright, lets see if you're as good in person as you are on paper. Make me a
|
|
salad.<br>
|
|
<br>
|
|
MONICA: A salad? Really I, I could do something a little more complicated if you like.<br>
|
|
<br>
|
|
INTERVIEWER: No, just a salad will be fine.<br>
|
|
<br>
|
|
MONICA: You got it.<br>
|
|
<br>
|
|
INTERVIEWER: Now, I want you to tell me what you're doing while you're doing it.<br>
|
|
<br>
|
|
MONICA: Alright, well I'm tearing the lettuce.<br>
|
|
<br>
|
|
INTERVIEWER: Uh-huh. Is it dirty?<br>
|
|
<br>
|
|
MONICA: Oh-oh, no no don't worry, I'm gonna wash it.<br>
|
|
<br>
|
|
INTERVIEWER: Don't, I like it dirty.<br>
|
|
<br>
|
|
MONICA: That's your call.<br>
|
|
<br>
|
|
INTERVIEWER: So, uh, what are you going to do next?<br>
|
|
<br>
|
|
MONICA: Well, I thought that I would cut up the tomatos.<br>
|
|
<br>
|
|
INTERVIEWER: Are they, uh, firm?<br>
|
|
<br>
|
|
MONICA: They'r alright.<br>
|
|
<br>
|
|
INTERVIEWER: You sure they haven't gone bad? You're sure they're not very, very bad?<br>
|
|
<br>
|
|
MONICA: No really, they're OK.<br>
|
|
<br>
|
|
INTERVIEWER: You gonna slice them up real nice?<br>
|
|
<br>
|
|
MONICA: Actually, I was gonna do them jullienne.<br>
|
|
<br>
|
|
INTERVIEWER: Aaaahhhhhhh.<br>
|
|
<br>
|
|
MONICA: I'm outa here. [Monica leaves]<br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Chandler and Phoebe are sitting at the couch.
|
|
Ross is sitting at the table and answers the phone.]</b><br>
|
|
<br>
|
|
<a name="line25"></a> ROSS: Y-ello. No, Rachel's not here right now, can I take a message?
|
|
Alright, and how do we spell Casey, is it like at the bat or and the Sunshine Band? OK,
|
|
bye-bye. Hey, who's this uh, this Casey?<br>
|
|
<br>
|
|
PHOEBE: Oh, some guy she met at the movies.<br>
|
|
<br>
|
|
<a name="line12"></a> ROSS: Oh really? What uh, what does he want with her?<br>
|
|
<br>
|
|
CHANDLER: Well, I'm guessing he wants to do a little dance. . . ya know, make a little
|
|
love. . . well pretty much get down tonight.<br>
|
|
<br>
|
|
ROSS: [puts the message in the cupboard] I don't know, I don't get, I don't get it, I
|
|
mean, wh, wh, two months ago Rachel and I were like, this close. Right now, what, I'm
|
|
takin messages from guys she, she meets at the movies? I mean this, this Casey should be
|
|
takin' down my messages, ya know, or, or, Rachel and I should be together and, and we
|
|
should get some kind of me, message service.<br>
|
|
<br>
|
|
PHOEBE: Hang in there, it's gonna happen.<br>
|
|
<br>
|
|
<a name="line13"></a> ROSS: Wha, OK, now how do you know that?<br>
|
|
<br>
|
|
PHOEBE: Because she's your lobster.<br>
|
|
<br>
|
|
CHANDLER: Oh, she's goin' somewhere.<br>
|
|
<br>
|
|
PHOEBE: C'mon you guys. It's a known fact that lobsters fall in love and mate for life.
|
|
You know what, you can actually see old lobster couples walkin' around their tank, ya
|
|
know, holding claws like. . .<br>
|
|
<br>
|
|
[Monica enters from bathroom after taking a shower]<br>
|
|
<br>
|
|
<a name="line02"></a> CHANDLER: Hey, you feelin' better?<br>
|
|
<br>
|
|
MONICA: Yeah, I think that fifth shower actually got the interview off me.<br>
|
|
<br>
|
|
<a name="line03"></a> PHOEBE: So, do you have any other possibilities?<br>
|
|
<br>
|
|
MONICA: Oh yeah, well there's the possibility that I won't make rent.<br>
|
|
<br>
|
|
ROSS: Monica, if you want, I can lend you some money.<br>
|
|
<br>
|
|
MONICA: No no no, if I couldn't pay you back right away then I'd feel guilty and tense
|
|
every time I saw you.<br>
|
|
<br>
|
|
ROSS: Oh OK. Well then why don't you, uhh, why don't you borrow it from mom and dad? You
|
|
feel guilty and tense around them already. You might as well make some money off of them.<br>
|
|
<br>
|
|
CHANDLER: Ya know, the man's got a point. [gestures with his arm and the bracelet falls
|
|
off]<br>
|
|
<br>
|
|
<a name="line04"></a> PHOEBE: What is that sparkly thing?<br>
|
|
<br>
|
|
CHANDLER: That thing, it's a uhh. . . yeah it's, it's a little flashy.<br>
|
|
<br>
|
|
ROSS: No no, no no, it's not flashy, not for a Goodfella.<br>
|
|
<br>
|
|
MONICA: Man, man that is sharp. It must have cost you quite a few debloons.<br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Monica answers the door and lets her parents in.
|
|
They are carrying boxes.]</b><br>
|
|
<br>
|
|
MONICA: Hi.<br>
|
|
<br>
|
|
MR. GELLER: Hi.<br>
|
|
<br>
|
|
MRS. GELLER: Hi darling.<br>
|
|
<br>
|
|
MONICA: So, what's this.<br>
|
|
<br>
|
|
MR. GELLER: Some of your old stuff.<br>
|
|
<br>
|
|
MRS. GELLER: Well sweetie, we have a surprise for you. We're turning your room into a gym.<br>
|
|
<br>
|
|
MONICA: Wow, that is a surprise. Just one little question, uh, why not Ross's room?<br>
|
|
<br>
|
|
MR. GELLER: Gosh, we talked about that but your brother has so many science trophies and
|
|
plaques and merit badges, well we didn't want to disturb them.<br>
|
|
<br>
|
|
MONICA: Oh, God forbid.<br>
|
|
<br>
|
|
[Rachel enters with a laundry basket]<br>
|
|
<br>
|
|
MRS. GELLER: Oh, hi Rachel.<br>
|
|
<br>
|
|
RACHEL: Hi.<br>
|
|
<br>
|
|
MRS. GELLER: Oh, we were so sorry to hear about your parents splitting up, dear.<br>
|
|
<br>
|
|
RACHEL: Oh, well, you know, they're just separated so, you know, never know, we'll see.<br>
|
|
<br>
|
|
MR. GELLER: Well, I can't say any of us were surprised. Your parents have been unhappy
|
|
ever since we've known them. Especially after that incident in Hawaii.<br>
|
|
<br>
|
|
RACHEL: What, what incident?<br>
|
|
<br>
|
|
MR. GELLER: Uhh, naa, no no no, I, I must be thinking of someone else, uh, maybe me. Don't
|
|
you have some folding to do? Go fold dear. Fold. You fold. [shuffles her into her room]<br>
|
|
<br>
|
|
<b>[Scene: Central Perk. Chandler and Phoebe are sitting on couches. A beautiful woman is
|
|
looking at Chandler.]</b><br>
|
|
<br>
|
|
PHOEBE: Do you want a refill?<br>
|
|
<br>
|
|
CHANDLER: No, I'm alright, thanks.<br>
|
|
<br>
|
|
<a name="line06"></a> PHOEBE: OK. Ooh, OK, you gotta give me a second, I wanna get this
|
|
just right. [she sticks out her gut, clears her throat and sniffs her nose and then in her
|
|
best male voice. . .] Dude, 11 o'clock, totally hot babe checkin' you out. That was really
|
|
good, I think I'm ready for my penis now.<br>
|
|
<br>
|
|
CHANDLER: [walks over to the woman] I know what you're thinking, Dave Thomas, founder of
|
|
Wendy's.<br>
|
|
<br>
|
|
GAIL: I'm Gail.<br>
|
|
<br>
|
|
CHANDLER: Chandler. [waves his arm around, exposing the bracelet]<br>
|
|
<br>
|
|
GAIL: I, I really have to be somewhere but it was nice meeting you.<br>
|
|
<br>
|
|
<a name="line14"></a> CHANDLER: What? [realizes it was the bracelet] Oh this is excellent.
|
|
You know he coulda gotten me a VCR, he coulda gotten me a set of golf clubs, but no, he
|
|
has to get me the woman repeller, the eyesore from the Liberace house of crap.<br>
|
|
<br>
|
|
PHOEBE: It's not that bad.<br>
|
|
<br>
|
|
CHANDLER: Oh, yeah, easy for you to say, you don't have to walk around sporting some
|
|
reject from the Mr. T collection. [Joey walks in behind Chandler]<br>
|
|
<br>
|
|
PHOEBE: Chandler, Chandler.<br>
|
|
<br>
|
|
<a name="line15"></a> CHANDLER: I pity the fool who puts on my jewelry, I do, I do. I pity
|
|
the fool that. . . [turns around and sees Joey] Hi. Hey man, we were just doin' some uhh,
|
|
impressions over here. Do your Marcel Marceau. [Joey turns around and walks out without
|
|
saying anything] That's actually good.<br>
|
|
<br>
|
|
<b>[Scene: Central Perk. Rachel is talking to a man at the counter. Ross and Phoebe are
|
|
sitting at the couches.]</b><br>
|
|
<br>
|
|
ROSS: Would you look at that guy, I mean how long has he been talking to her. It's like,
|
|
back off buddy she's a waitress not a geisha.<br>
|
|
<br>
|
|
PHOEBE: I think she's OK.<br>
|
|
<br>
|
|
ROSS: [Rachel, laughing, puts a hand on the guy's shoulder] Look at that, look at that,
|
|
see how she's pushing him away and he won't budge. Alright, I'm gonna do something. [walks
|
|
up in the middle of their conversation] Excuse me, are you Rachel?<br>
|
|
<br>
|
|
RACHEL: What?<br>
|
|
<br>
|
|
ROSS: I'm Ross Geller. Wha, I'm, God in your add you said you were pretty but wow.<br>
|
|
<br>
|
|
RACHEL: What are you, what are you doin'?<br>
|
|
<br>
|
|
ROSS: Oh, oh my God, is this the wrong day? I don't believe it, uh, well, hey, I guess if
|
|
it works out we'll, we'll have something to tell the grandkids.<br>
|
|
<br>
|
|
MAN: Sure will. I've uh, gotta go. Take care.<br>
|
|
<br>
|
|
ROSS: OK, see ya later, nice meeting you. [man leaves] You're welcome.<br>
|
|
<br>
|
|
RACHEL: What?<br>
|
|
<br>
|
|
ROSS: I was saving you.<br>
|
|
<br>
|
|
RACHEL: Saving, saving, saving me from the pleasant conversation with the interesting man,
|
|
saving me?<br>
|
|
<br>
|
|
ROSS: Oh, see from where I was sitting I uh. . .<br>
|
|
<br>
|
|
RACHEL: OK, Ross, listen to me, I am not yours to save.<br>
|
|
<br>
|
|
ROSS: But, you are.<br>
|
|
<br>
|
|
RACHEL: What?<br>
|
|
<br>
|
|
ROSS: Uh, uh, well you're, umm, you're my lobster.<br>
|
|
<br>
|
|
RACHEL: OK, you know what, are, are you being like, the blind date guy again?<br>
|
|
<br>
|
|
ROSS: No no, you're uh, you're my lobster. See um, lobsters, uhh, in the tank when, when
|
|
they're old, uhh, they get with, uhh, they walk around holding the claws. In the tank, ya
|
|
know, with, with the holding and. . . Uhh, Phoebs you wanna help me out with the, the
|
|
whole lobster thing?<br>
|
|
<br>
|
|
PHOEBE: Do the claws again.<br>
|
|
<br>
|
|
ROSS: Rach. OK, forget, forget the lobsters OK. We're, let's talk, what about us?<br>
|
|
<br>
|
|
RACHEL: Ross, there is no us, OK.<br>
|
|
<br>
|
|
ROSS: No, but. . .<br>
|
|
<br>
|
|
RACHEL: No, listen to me. I fell for you and I get clobbered. You then fall for me and I
|
|
again, somehow, get clobbered. I'm tired of being clobbered, ya know, it's, it's just not
|
|
worth it.<br>
|
|
<br>
|
|
ROSS: Well, but, but. . .<br>
|
|
<br>
|
|
RACHEL: NO but Ross. We are never gonna happen, OK. Accept that.<br>
|
|
<br>
|
|
ROSS: E-except, except that what?<br>
|
|
<br>
|
|
RACHEL: No, no, ACC-cept that.<br>
|
|
<br>
|
|
ROSS: Oh.<br>
|
|
<br>
|
|
<b>[Scene: Chandler and Joey's apartment. Chandler is there. Joey enters.]</b><br>
|
|
<br>
|
|
<a name="line16"></a> CHANDLER: Hey man, look it's my best bud. How ya doin? [Joey doesn't
|
|
respond] Wow, you are really gettin' good at that Marcel Marceau thing. Hey, whaddya say
|
|
uh, we play some ball, you and me, huh, whaddya say? [Throws a basketball to Joey. Joey
|
|
doesn't move to catch it and the ball takes out a lamp] OK, that's my bad.<br>
|
|
<br>
|
|
JOEY: If you hated the bracelet so much, Chandler, you should have just said so.<br>
|
|
<br>
|
|
CHANDLER: Well, doesn't the fact that I wore the bracelet even though I hated it say
|
|
something about our friendship and how much it means to me?<br>
|
|
<br>
|
|
<a name="line17"></a> JOEY: Well, what about the fact that you insulted the bracelet and
|
|
you made fun of me?<br>
|
|
<br>
|
|
CHANDLER: OK, well that's the part where I'm a wank. But I was hoping we wouldn't focus on
|
|
that. [Joey goes to his room and shuts the door] Hey, c'mon man, I said I was sorry like a
|
|
hundred times, I promise I will never take it off my. . . [notices the bracelet is missing
|
|
from his wrist] wrist. But if, if you want to stay in there and be mad, you know, you just
|
|
uh, you stay in there. [he starts searching the room, lifting up the couch cushions]<br>
|
|
<br>
|
|
JOEY: You know what the. . . [sees Chandler on his knees, holding the couch cushions]<br>
|
|
<br>
|
|
<a name="line18"></a> CHANDLER: I am here, on my knees, holding up these couch cushions as
|
|
a symbol of my sorrow and regret, much like they did in biblical times. Though you may
|
|
haveth anger now. . . [Joey returns to his room]<br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Mr. and Mrs. Geller are watching tennis on TV,
|
|
Monica is sitting at the table]</b><br>
|
|
<br>
|
|
MR. GELLER: You know, that Steffi Graf has quite a tush. I'm just saying, it's right
|
|
there.<br>
|
|
<br>
|
|
ROSS: Hey guys.<br>
|
|
<br>
|
|
MRS. GELLER: Hi, darling. Where's my grandson, you didn't bring him?<br>
|
|
<br>
|
|
ROSS: No, he's at uh, Carol's and Susan's today.<br>
|
|
<br>
|
|
MR. GELLER: A woman in my office is a lesiban. I'm just saying.<br>
|
|
<br>
|
|
MRS. GELLER: Oh, Jack look, there's that house paint commercial that cracks you up. [the
|
|
Gellers return to watching TV and Ross goes over to Monica]<br>
|
|
<br>
|
|
<a name="line26"></a> MONICA: Where have you been?<br>
|
|
<br>
|
|
ROSS: Emotional hell. So, did they lend you the money yet?<br>
|
|
<br>
|
|
MONICA: No, but that's probably 'cause I haven't asked them yet.<br>
|
|
<br>
|
|
ROSS: C'mon Monica, do it. Hey, you guys, um, Monica has some news.<br>
|
|
<br>
|
|
<a name="line05"></a> MONICA: Um, yeah, so uh, uhh, listen, I'm sorry I didn't tell you
|
|
this before but umm, I, I'm no longer at my job, I, I had to leave it.<br>
|
|
<br>
|
|
MRS. GELLER: Why?<br>
|
|
<br>
|
|
MONICA: Because they made me.<br>
|
|
<br>
|
|
MRS. GELLER: You were fired? What're you gonna do?<br>
|
|
<br>
|
|
MR. GELLER: Judy, Judy, relax, this is our little harmonica we're talking about. We taught
|
|
her well. Ten percent of your paycheck, where does it go?<br>
|
|
<br>
|
|
MONICA and ROSS: In the bank.<br>
|
|
<br>
|
|
MR. GELLER: There you go. So she dips into her savings, that's what it's there for. She's
|
|
gonna be fine, and if you need a little extra, you know where to find it. [pulls a quarter
|
|
from behind her ear]<br>
|
|
<br>
|
|
MONICA: Anything larger back there?<br>
|
|
<br>
|
|
<b>[Scene: Central Perk. Chandler and Phoebe enter.]</b><br>
|
|
<br>
|
|
CHANDLER: I can't believe it.<br>
|
|
<br>
|
|
<a name="line27"></a> PHOEBE: Would you stop already? Get out of the bitter barn and play
|
|
in the hay.<br>
|
|
<br>
|
|
CHANDLER: Oh, you're right I, I should play in the hay. Forget about the fact that I just
|
|
dropped 400 dollars to replace a bracelet that I hated to begin with. Bring on the hay.
|
|
[sits down at the bar]<br>
|
|
<br>
|
|
RACHEL: [comes up from behind the bar and startles Chandler] Hey. I've got something
|
|
that's gonna make you happy. Guess what Gunther found? [holds up Chandler's bracelet]<br>
|
|
<br>
|
|
PHOEBE: Hey now you have two. [Chandler looks annoyed] Oh, now you have two.<br>
|
|
<br>
|
|
CHANDLER: What am I gonna do, huh? [Joey walks in behind him]<br>
|
|
<br>
|
|
JOEY: Hey.<br>
|
|
<br>
|
|
CHANDLER: Hey.<br>
|
|
<br>
|
|
JOEY: How come you have two?<br>
|
|
<br>
|
|
CHANDLER: Well this one's for you.<br>
|
|
<br>
|
|
<a name="line19"></a> JOEY: Get out.<br>
|
|
<br>
|
|
CHANDLER: No, I can't. No no, listen, I, I know how much this means to you and I also know
|
|
that this is about more than just jewelry, [puts bracelet on Joey] it's about you and me
|
|
and the fact that we're [reading bracelet] best buds.<br>
|
|
<br>
|
|
<a name="line20"></a> JOEY: Wow, is this friendship? I think so. Check it out, we're
|
|
bracelet buddies.<br>
|
|
<br>
|
|
CHANDLER: That's what they'll call us.<br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Monica and Ross are standing in the kitchen.
|
|
Ross is filling out a check]</b><br>
|
|
<br>
|
|
ROSS: Here you go, you can pay me back whenever you like.<br>
|
|
<br>
|
|
MONICA: You have dinosaur checks?<br>
|
|
<br>
|
|
ROSS: Yeah, yeah I mean, you get your money and you learn a little something, what's wrong
|
|
with that?<br>
|
|
<br>
|
|
MONICA: Nothin', nothin', hey you're a cheapasaurus. I'm kidding, I'm kidding, thank you,
|
|
I'm very greatful.<br>
|
|
<br>
|
|
PHOEBE: [Standing in living room with Chandler and Joey. She pulls a huge bathing suit out
|
|
of a box] Hey, Mon, what is this?<br>
|
|
<br>
|
|
<a name="line21"></a> MONICA: Oh, um, that was my bathing suit from high school. I was uh,
|
|
a little bigger then.<br>
|
|
<br>
|
|
CHANDLER: Oh, I thought that's what they used to cover Connecticut when it rained.<br>
|
|
<br>
|
|
JOEY: [pulls out a VCR tape] Hey Monica, what's on this video tape?<br>
|
|
<br>
|
|
MONICA: Hey, you got me, put it in.<br>
|
|
<br>
|
|
ROSS: [Rachel enters] Oh.<br>
|
|
<br>
|
|
RACHEL: Hi.<br>
|
|
<br>
|
|
ROSS: Hi.<br>
|
|
<br>
|
|
<i>MRS. GELLER: Over here Jack. OK. I see, Rachel's coming up the path. Oh doesn't she
|
|
look pretty. Jack, get this. [Rachel enters with a huge nose]</i><br>
|
|
<br>
|
|
<a name="line22"></a> RACHEL: Oh my God.<br>
|
|
<br>
|
|
JOEY: What is with your nose?<br>
|
|
<br>
|
|
RACHEL: They had to reduce it because of, of my deviated septum.<br>
|
|
<br>
|
|
CHANDLER: OK, I was wrong, that's what they used to cover Connecticut.<br>
|
|
<br>
|
|
MONICA: You know what this is, this is us getting ready for the prom.<br>
|
|
<br>
|
|
RACHEL: Oh.<br>
|
|
<br>
|
|
ROSS: You know what, you guys, we don't have to watch this.<br>
|
|
<br>
|
|
ALL: Oh yeah we do. C'mon.<br>
|
|
<br>
|
|
<i>MRS. GELLER: Get a shot of Monica. Where's Monica.<br>
|
|
<br>
|
|
MONICA: Over here dad. [he pans over and we see a torso taking up the whole screen]<br>
|
|
<br>
|
|
MR, GELLER: Wait, how do you zoom out? [zooms out and we see an extremely overweight
|
|
Monica eating a big sandwich] There she is.</i><br>
|
|
<br>
|
|
<a name="line23"></a> JOEY: Some girl ate Monica.<br>
|
|
<br>
|
|
MONICA: Shut up, the camera adds ten pounds.<br>
|
|
<br>
|
|
CHANDLER: Ahh, so how many cameras are actually on you?<br>
|
|
<br>
|
|
<i>MONICA: Oh, you look so great.<br>
|
|
<br>
|
|
RACHEL: Ahh, so do you, beautiful. [they hug]<br>
|
|
<br>
|
|
MONICA: Oops.<br>
|
|
<br>
|
|
RACHEL: What?<br>
|
|
<br>
|
|
MONICA: Shoot, I think I got mayonaise on you.<br>
|
|
<br>
|
|
RACHEL: Oh, that's OK, it's just the shoulder, it's not my dress.<br>
|
|
<br>
|
|
MR. GELLER: Everybody smile.<br>
|
|
<br>
|
|
MONICA: Oh, dad, turn it off.<br>
|
|
<br>
|
|
MR. GELLER: It is off.<br>
|
|
<br>
|
|
MONICA: Dad, it is not. What's with the red light?<br>
|
|
<br>
|
|
<a name="line29"></a> MR. GELLER: It's the off light. Right Ross? [pans over to see Ross
|
|
with an afro and moustache]</i><br>
|
|
<br>
|
|
JOEY: Lookin' good Mr. Cotter.<br>
|
|
<br>
|
|
<i>ROSS: You look pretty tonight.<br>
|
|
<br>
|
|
RACHEL: Oh, thanks. So, uh, what are you gonna do this summer?<br>
|
|
<br>
|
|
ROSS: Oh, you know, I'm just gonna, I'm gonna hang out, work on my music.<br>
|
|
<br>
|
|
RACHEL: [the shoulders of her dress keep falling off her shoulders] Is my hook unhooked?
|
|
These things keep falling down, I can't. . .<br>
|
|
<br>
|
|
ROSS: Uh, hold, let me see, I don't know. So what're you gonna do. . . [doorbell rings]<br>
|
|
<br>
|
|
RACHEL: Oh, the guys are here.<br>
|
|
<br>
|
|
ROSS: this summer?</i><br>
|
|
<br>
|
|
CHANDLER: Work on your music?<br>
|
|
<br>
|
|
<i>[Ross is sitting on the stairs with a laptop keyboard playing 'Axel-F']</i><br>
|
|
<br>
|
|
RACHEL: Oh my God, look there's Roy Gublik.<br>
|
|
<br>
|
|
MONICA: Ya know, Roy saw Star Wars 317 times. His name was in the paper.<br>
|
|
<br>
|
|
<i>RACHEL: Where's Chip, why isn't he here yet?<br>
|
|
<br>
|
|
ROY: He'll be here OK, take a chill pill. [Chip pins Monica's corsage on, Monica then
|
|
turns and whispers to Rachel]</i><br>
|
|
<br>
|
|
<a name="line24"></a> MONICA: I just told Rachel that Roy touched my boob.<br>
|
|
<br>
|
|
<i>RACHEL: I can't go to my own prom without a date, I can't, it's too late.<br>
|
|
<br>
|
|
MONICA: If you're not going then I don't want to go either.<br>
|
|
<br>
|
|
ROY: Oh, I'm gonna kick Chip's ass.<br>
|
|
<br>
|
|
MRS. GELLER: [to Ross on the stairs] I have a wonderful idea. You should take Rachel to
|
|
the prom.<br>
|
|
<br>
|
|
ROSS: Doubtful.<br>
|
|
<br>
|
|
MRS. GELLER: Jack, give me that. Talk to your son.<br>
|
|
<br>
|
|
MR. GELLER: Your mother's right. Take her, you can wear my tux.<br>
|
|
<br>
|
|
ROSS: Dad, she won't want to go with me.<br>
|
|
<br>
|
|
MR. GELLER: Of course she would, you're a college man.<br>
|
|
<br>
|
|
ROSS: I don't know.<br>
|
|
<br>
|
|
MR. GELLER: Well, c'mon. Don't ya want to find out?<br>
|
|
<br>
|
|
RACHEL: I can't believe I don't get to go to my own prom, this is so harsh.<br>
|
|
<br>
|
|
ROSS: OK. Hold my board.<br>
|
|
<br>
|
|
MR. GELLER: Atta boy. [Ross scrambles upstairs to change]</i><br>
|
|
<br>
|
|
ROSS: OK, you guys, ya know, I think we've seen enough, let's turn it off.<br>
|
|
<br>
|
|
ALL: No, no, no.<br>
|
|
<br>
|
|
ROSS: OK, fine, well I'm not gonna watch, alright.<br>
|
|
<br>
|
|
<i>MR. GELLER: C'mon kid, let's go.<br>
|
|
<br>
|
|
MRS. GELLER: Ahh, are you hadsome.<br>
|
|
<br>
|
|
MR. GELLER: Let's show 'em.<br>
|
|
<br>
|
|
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs
|
|
and grabs the flowers out of the vase on the endtable] OK dad.<br>
|
|
<br>
|
|
MR. GELLER: [going downstairs] Rachel, ready or not, here comes your knight in shining. .
|
|
. oh no. [Chip has shown up and the four are leaving]<br>
|
|
<br>
|
|
RACHEL, MONICA, ROY, and CHIP: Bye.<br>
|
|
<br>
|
|
MRS. GELLER: Oh, dear. Jack, how do I turn this off?<br>
|
|
<br>
|
|
MR. GELLER: Press the button.<br>
|
|
<br>
|
|
MRS. GELLER: Which one? Which button, Jack.<br>
|
|
<br>
|
|
MR. GELLER: The button, the button.</i><br>
|
|
<br>
|
|
<a name="line28"></a> MONICA: I can't believe you did that.<br>
|
|
<br>
|
|
ROSS: Yeah, well.<br>
|
|
<br>
|
|
[Rachel, seeing what he did for her, gets up, walks across the room, and kisses Ross]<br>
|
|
<br>
|
|
PHOEBE: See, he's her lobster.<br>
|
|
<br>
|
|
<font size="4"><b>CLOSING CREDITS</b></font> <br>
|
|
<br>
|
|
<b>[Scene: Monica and Rachel's apartment. Monica is watching the rest of the tape]</b><br>
|
|
<br>
|
|
<i>MRS. GELLER: Dance with him.<br>
|
|
<br>
|
|
MONICA: Mom, I'm hungry.<br>
|
|
<br>
|
|
MRS. GELLER: Dance with your father.<br>
|
|
<br>
|
|
MR. GELLER: I may not know any of your flash dances but I'm no slouch on the dance floor.<br>
|
|
<br>
|
|
MONICA: Alright.<br>
|
|
<br>
|
|
[the tape cuts to Monica's parents under the covers]<br>
|
|
<br>
|
|
MRS. GELLER: Oh, Jack.<br>
|
|
<br>
|
|
MR. GELLER: Oh, Judy. Oh, Judy.<br>
|
|
<br>
|
|
BOTH: Oh, ohhhhh.<br>
|
|
<br>
|
|
[Monica is visibly upset]</i></font></p><i>
|
|
</i>
|
|
|
|
<p align="center"><strong>END</strong></p>
|
|
|
|
<hr>
|
|
|
|
<p align="center"><!--webbot bot="ImageMap" startspan
|
|
rectangle=" (138,2) (197, 84) http://thecfsi.com/season2/215rryk.htm"
|
|
rectangle=" (71,2) (130, 84) http://thecfsi.com/season2.htm"
|
|
rectangle=" (0,3) (58, 80) http://thecfsi.com/season2/212toasb.htm" src="contrl08.gif"
|
|
width="194" height="60" alt="contrl08.gif (14783 bytes)" --><map name="FrontPageMap0"><area shape="RECT" coords="138, 2, 197, 84" href="http://thecfsi.com/season2/215rryk.htm"><area shape="RECT" coords="71, 2, 130, 84" href="http://thecfsi.com/season2.htm"><area shape="RECT" coords="0, 3, 58, 80" href="http://thecfsi.com/season2/212toasb.htm"></map><img src="file:///D:/Friends%20Script%20Index/Season2/contrl08.gif" width="194" height="60" alt="contrl08.gif (14783 bytes)" usemap="#FrontPageMap0"><!--webbot bot="ImageMap"
|
|
i-checksum="63876" endspan --></p>
|
|
|
|
|
|
</body></html> |