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1 line
71 KiB
Plaintext
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STAR TREK: THE NEXT GENERATION
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"Schisms"
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#40276-231
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Written by
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Brannon Braga
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Directed by
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Robert Wiemer
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THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED
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FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING
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WITH THE TELEVISION LEGAL DEPARTMENT.
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Copyright 1992 Paramount Pictures Corporation. All Rights
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Reserved. This script is not for publication or
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reproduction. No one is authorized to dispose of same. If
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lost or destroyed, please notify the Script Department.
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FINAL DRAFT
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AUGUST 14, 1992
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STAR TREK:TNG ""Schisms" - FINAL - REV. 08/17/92 - CAST
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STAR TREK: THE NEXT GENERATION
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"Schisms"
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CAST
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PICARD MOT
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RIKER LIEUTENANT SHIPLEY
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DATA ENSIGN RAGER
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BEVERLY KAMINER (CIVILIAN)
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TROI CREWMEMBER
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WORF MEDICAL TECH.
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GEORDI
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COMPUTER VOICE
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Non-Speaking
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TWO CREWMEMBERS
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N.D ENGINEERS
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ONE N.D. MEDICAL
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ONE N.D. SECURITY
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STAR TREK: TNG - "Schisms" - FINAL 08/14/92 - SETS
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STAR TREK: THE NEXT GENERATION
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"Schisms"
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SETS
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INTERIORS EXTERIORS
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USS ENTERPRISE USS ENTERPRISE
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MAIN BRIDGE
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ENGINEERING
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SICKBAY
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OBS. LOUNGE
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TEN FORWARD
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CARGO BAY
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HOLODECK
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CORRIDOR
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BARBER SHOP
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RIKER'S QUARTERS
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ALIEN LAB
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STAR TREK: "Schisms" - 8/14/92 - TEASER 1.
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STAR TREK: THE NEXT GENERATION
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"Schisms"
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TEASER
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FADE IN:
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1 EXT. SPACE - THE ENTERPRISE (OPTICAL)
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at impulse in a vast and starry region.
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PICARD (V.O.)
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Captain's Log, Stardate 46154.2.
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The Enterprise has entered the
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Amargosa Diaspora, an unusually
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dense globular cluster. We are
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faced with the daunting task of
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charting this vast region.
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2 INT. RIKER'S QUARTERS
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RIKER is lying in bed, just starting to wake up. He
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lies there a moment, groggy, staring into middle
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distance... then finally sits up. Every move is a
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struggle. He swings his legs over the bed... rubs his
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hands over his face... yawns... he just can't get
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going...
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He stands up and stretches... slowly crosses the
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room...
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3 ANGLE ON SINK AREA (OPTICAL)
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Riker enters and activates the sink. He splashes cold
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water onto his face, then looks at his tired face in
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the mirror...
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And stops, remembering something. He reaches to a
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nearby panel and taps a button -- the TIME appears:
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it's ten thirty-seven.
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Riker reacts, realizing he's late for something. He
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rushes to a nearby dressing area and starts to get
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ready...
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STAR TREK: "Schisms" - 8/14/92 - TEASER 2.
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4 INT. ENGINEERING
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GEORDI and DATA are working at a console; LIEUTENANT
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SHIPLEY and VARIOUS ND'S also present. A console
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monitor displays a MAP of the AMARGOSA DIASPORA.
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GEORDI
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(re: map)
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Lieutenant Shipley -- let's get
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a triangulation on these sector
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points... (TECH)
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SHIPLEY
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Aye sir.
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Shipley works. Riker ENTERS, looking harried, like he
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just woke up. He crosses to Geordi.
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RIKER
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(to Geordi)
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Sorry I'm late... I overslept
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again...
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(beat)
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What have you got?
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Geordi indicates the map.
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GEORDI
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The cluster's a lot more dense
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than we thought. It's going
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to take three days just to map
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one tenth of it.
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RIKER
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Three days?
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GEORDI
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I think we've found a way to speed
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this up. We've been testing a
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method of channeling warp energy
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to the main deflector grid. It
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enhances the long-range sensors...
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DATA
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The modification would increase
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our sensor efficiency and imaging
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resolution by twenty-five percent
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or more.
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Riker considers.
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RIKER
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Sounds like that would take a
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lot of warp energy...
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STAR TREK: "Schisms" - 8/14/92 - TEASER 3.
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4 CONTINUED:
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GEORDI
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We'd channel it through the EPS
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mains on Deck Thirteen... near
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Cargo Bay Four.
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Riker is convinced.
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RIKER
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It's worth a try.
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GEORDI
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(to Data)
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Data, let's get those subspace
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field taps on-line...
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Data stands to go... stops by Riker.
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DATA
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(to Riker)
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Commander -- I would like to
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remind you about my poetry reading
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this afternoon.
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RIKER
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Wouldn't miss it for the world.
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Data EXITS. Riker and Geordi exchange a look...
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GEORDI
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I can hardly wait to see what he
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came up with...
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As they work...
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5 INT. TEN FORWARD
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Later. Data is giving his poetry reading to a small
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audience, including Riker, Geordi, PICARD, TROI, WORF
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and KAMINER (A FEMALE CIVILIAN).
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STAR TREK: "Schisms" - REV. 8/17/92 - TEASER 4.
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5 CONTINUED:
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Data sits perched on a stool, reading from a PADD. His
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voice is sonorous, measured, his timing utterly
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perfect:
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DATA
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(reading)
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"Then we sat on the sand for some time and
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observed
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How the oceans that cover this world were
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perturbed
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By the tides from the orbiting moon overhead
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'How relaxing the sound of the waves is,' you
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said.
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(beat)
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"I began to expound upon tidal effects
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When you told me to stop, looking somewhat
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perplexed
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So I did not explain why the sunset turned red
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And we watched the occurrence in silence
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instead."
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There is APPLAUSE from the audience. Data acknowledges
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the crowd. Riker lets out a huge yawn. Troi throws
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him a look.
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RIKER
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(softly, to Troi)
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I don't understand this... I can
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barely keep my eyes open...
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DATA
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(to audience)
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That poem was written in anapestic
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tetrameter. For my ninth poem,
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we move to the iambic septameter
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mode.
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(beat)
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Throughout the ages, from Keats
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to Jorkemo, poets have composed
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odes to the individuals who have
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had a profound effect on their
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lives. In keeping with that
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tradition, I have written my next
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poem in honor of my cat. I call
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it "Ode to Spot."
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Data looks at the page, takes in a breath...
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STAR TREK: "Schisms" - 8/14/92 - TEASER 4A.
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5 CONTINUED: (2)
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DATA
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(reading)
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"Felis catus is your taxonomic nomenclature
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An endothermic quadruped, carnivorous by nature
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Your visual, olfactory, and auditory senses
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Contribute to your hunting skill and natural
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defenses."
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It is evident from the audience's responses that Data
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has been reading for a long while -- too long. People
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are starting to shift uncomfortably. Riker looks like
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he might fall asleep at any moment. While Data's
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poetry is technically flawless, it is also dry and
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tedious, without passion.
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DATA
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(continuing)
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"I find myself intrigued by your sub-vocal
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oscillations
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A singular development of cat communication
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That obviates your basic hedonistic predilection
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For a rhythmic stroking of your fur to demonstrate
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affection... "
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STAR TREK: "Schisms" - 8/14/92 - TEASER 5.
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5 CONTINUED: (3)
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People try to look enthused as Data reads... but it's
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difficult. Many are fighting boredom. Geordi and Worf
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exchange a look... Picard crosses and uncrosses his
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legs... Riker is struggling to stay awake -- he can
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barely keep his eyes focused... he shifts in his seat,
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stifles a yawn...
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DATA
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(continuing)
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"A tail is quite essential for your acrobatic
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talents
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You would not be so agile if you lacked its
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counterbalance
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And when not being utilized to aid in locomotion
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It often serves to illustrate the state of your
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emotions."
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Suddenly, from somewhere in the audience, a SNORE is
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heard.
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6 ON RIKER
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who has fallen asleep. Troi nudges him. He wakes with
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a start, disoriented, and automatically starts to
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applaud. Data stops reading. People look over. Riker
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realizes what's happened...
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DATA
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(to Riker)
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You have prematurely anticipated
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my denouement, Commander.
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However, I appreciate the
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sentiment.
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(beat)
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I will continue.
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Data continues to read.
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DATA
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"Oh Spot, the complex level of behavior you display
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Connotes a fairly well-developed cognitive array
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And though you are not sentient, Spot, and do not
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comprehend
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I nonetheless consider you a true and valued
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friend... "
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Over this, Troi throws a look at Riker, who is
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disturbed by his overwhelming fatigue. OFF his face,
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as he stifles another yawn, wondering how he could be
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so exhausted...
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FADE OUT.
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END OF TEASER
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STAR TREK: "Schisms" - 8/14/92 - ACT ONE 6.
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ACT ONE
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FADE IN:
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(NOTE: Episode credits fall over opening scenes.)
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7 INT. SICKBAY
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Riker sitting on an examination table, looking
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fatigued. Beverly scans him with a medical tricorder.
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RIKER
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I don't have any problem getting
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to sleep... and I think I'm
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sleeping all night... but when
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I wake up, I feel exhausted...
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BEVERLY
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How long has this been going on?
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RIKER
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The last two, three nights...
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Riker eyes the tricorder, growing agitated as Beverly
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waves it near his head.
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RIKER
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(re: tricorder)
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Do you have to hold that thing
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so close?
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Beverly moves the tricorder away, surprised by the
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remark. Riker relaxes a little.
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RIKER
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I'm sorry... I've been on edge
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all day.
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Beverly completes her scan.
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BEVERLY
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Other than some muscle tension
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in your neck, I don't see anything
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wrong with you physically...
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(beat)
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Have you been having bad dreams?
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Riker thinks, rubs his sore neck.
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RIKER
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Not that I can remember...
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STAR TREK: "Schisms" - 8/14/92 - ACT ONE 7.
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7 CONTINUED:
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Beverly considers.
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BEVERLY
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This may be the result of a lack
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of REM sleep...
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RIKER
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What do you recommend?
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Beverly picks up a PADD, taps something into it --
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hands the PADD to Riker.
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BEVERLY
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(continuing)
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Drink this before you go to bed.
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RIKER
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(re: PADD)
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What is it?
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BEVERLY
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A recipe for a warm milk toddy.
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RIKER
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(playful)
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Warm milk toddy... you're kidding.
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BEVERLY
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(right back at him)
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The heat activates amino acids
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in the lactose -- which acts as
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a natural sedative.
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(beat)
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Besides, this is a recipe of the
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Captain's Aunt Adelle. It's
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delicious.
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Riker stands to go.
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RIKER
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At this point, I'll give anything
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a try.
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(beat)
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Thanks.
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Beverly smiles. Riker EXITS...
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STAR TREK: "Schisms" - REV. 8/17/92 - ACT ONE 8.
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8 INT. ENGINEERING (OPTICAL)
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Geordi and Data are working at a console; Lieutenant
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Shipley and N.D.s also present. Geordi looks excited
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by their work -- this is an important moment for him.
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GEORDI
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(off console)
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Everything's in place... deflector
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grid couplers... subspace field
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taps...
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(beat)
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Let's do it. Lieutenant Shipley
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-- initiate warp power transfer...
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SHIPLEY
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Aye sir...
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(works)
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Sensor array on-line...
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Geordi watches the console closely, eager for this to
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work.
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GEORDI
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Come on... work...
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Data monitors his console for a moment.
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DATA
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(to Geordi)
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Geordi -- active scanner output
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has increased by twenty-six
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percent.
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Geordi is pleased -- he turns to Shipley.
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GEORDI
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(to Shipley)
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Inform Astrophysics that the new
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La Forge sensor array is on-line
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and awaiting major scientific
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discoveries.
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SHIPLEY
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Yes sir.
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STAR TREK: "Schisms" - 8/14/92 - ACT ONE 9.
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8 CONTINUED:
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Shipley EXITS. Geordi moves to a console. A beat as
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they work. Data turns to Geordi, curious.
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DATA
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Geordi... may I make a personal
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inquiry? It concerns my poetry
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reading.
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Geordi looks uncomfortable at the mention of it...
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keeps working...
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GEORDI
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Sure, Data... what is it?
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DATA
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I noticed that many spectators
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seemed distracted during my
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presentation. Was my poetry
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uninteresting?
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Geordi hesitates, awkward.
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GEORDI
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Well... it was very well
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constructed... a real tribute
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to form...
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(beat)
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I especially liked your Haiku
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poem...
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Data looks puzzled.
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DATA
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My Haiku was only three lines
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long.
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GEORDI
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Yeah... it was great... very...
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brisk...
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DATA
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Brisk...
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(beat)
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Geordi, are you saying that the
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shorter my poems, the better?
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GEORDI
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No... well... sort of...
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(beat)
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To be honest, Data... some of your
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longer poems were a little dry.
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Data considers.
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STAR TREK: "Schisms" - REV. 8/17/92 - ACT ONE 9A.
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8 CONTINUED: (2)
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Geordi comes clean.
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GEORDI
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Maybe some of your poems were a
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little... formal.
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Data considers.
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DATA
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I have found poetry more
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challenging than other artistic
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endeavors. Unlike painting and
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musical composition, it demands
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a more articulated emotional
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content.
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GEORDI
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Next time, don't worry so much
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about rhyme and meter. Some of the
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world's greatests poets didn't pay
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attention to rules...
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Suddenly, a warning ALARM goes off. Geordi reacts,
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looks toward the large wall DISPLAY of the Enterprise.
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A section of the ship is FLASHING.
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STAR TREK: "Schisms" - 8/14/92 - ACT ONE 10.
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8 CONTINUED: (3)
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GEORDI
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(re: alarm)
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That's the power grid warning...
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They quickly move to the wall display, study it.
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DATA
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(off display)
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I am reading a massive EPS
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explosion.
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GEORDI
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Where?
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DATA
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I am attempting to localize it...
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(works)
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It is Cargo Bay Four.
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GEORDI
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(reacts)
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I've got three people down there!
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(taps communicator)
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Damage control, medical team, to
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Cargo Bay Four!
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(to Data)
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Let's go...
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As Geordi and Data run out...
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9 INT. CORRIDOR
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ON THE MOVE with Worf and ONE SECURITY N.D. running
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along, emergency gear in-tow. They converge outside
|
|
the CARGO BAY FOUR doors, where Geordi, Data and
|
|
Shipley are already taking tricorder scans. Beverly
|
|
and TWO MEDICAL N.D.s arrive a second later, with a
|
|
gurney and various medical gear.
|
|
|
|
DATA
|
|
(off tricorder)
|
|
The field imbalance has subsided.
|
|
I believe it is safe to enter.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT ONE 11.
|
|
|
|
9 CONTINUED:
|
|
|
|
Worf motions for everyone to move aside.
|
|
|
|
WORF
|
|
(to all)
|
|
There may still be a residual
|
|
discharge. Stand clear.
|
|
|
|
Worf and the security N.D.'s position themselves on
|
|
either side of the door, emergency gear at-the-ready.
|
|
Once they're in place, Worf works the control panel on
|
|
the wall and the doors OPEN...
|
|
|
|
A beat as nothing happens. Then Worf nods and the
|
|
security team quickly enters the bay...
|
|
|
|
10 INT. CARGO BAY
|
|
|
|
Continuous. Worf and the security N.D.'s rush in --
|
|
and stop at what they see. Geordi and the others
|
|
quickly follow, and also react to the sight --
|
|
|
|
11 ANGLE ON CARGO BAY
|
|
|
|
The THREE CREWMEMBERS are carrying a piece of
|
|
equipment, stopped in mid-stride, staring back at Worf
|
|
and the others with looks of utter surprise. They are
|
|
unharmed. The Cargo Bay is undamaged. There has been
|
|
no explosion. Nothing is wrong.
|
|
|
|
CREWMEMBER
|
|
(to Worf)
|
|
Is there something wrong, sir?
|
|
|
|
As Worf and the others exchange a mystified look...
|
|
|
|
12 INT. CORRIDOR
|
|
|
|
Later. Riker and Geordi walking along,
|
|
mid-conversation.
|
|
|
|
GEORDI
|
|
We analyzed the power conduits
|
|
-- there's no evidence of an EPS
|
|
explosion.
|
|
|
|
RIKER
|
|
Sensors seemed to think there
|
|
was...
|
|
|
|
Geordi hates to admit this, but...
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT ONE 12.
|
|
|
|
12 CONTINUED:
|
|
|
|
GEORDI
|
|
I think my modification to the
|
|
sensor array may have caused a
|
|
pattern recognition failure.
|
|
|
|
RIKER
|
|
Just a sensor glitch?
|
|
|
|
GEORDI
|
|
That's my guess.
|
|
|
|
They walk for a beat.
|
|
|
|
RIKER
|
|
Perform a level three diagnostic
|
|
on the internal sensor network.
|
|
Make sure we haven't overlooked
|
|
anything.
|
|
|
|
GEORDI
|
|
Aye sir.
|
|
|
|
Riker slows to stop -- it's been a long day and he's
|
|
clearly exhausted.
|
|
|
|
RIKER
|
|
Maybe we should pick this up
|
|
in the morning, Mister La Forge
|
|
-- get a fresh start.
|
|
(beat)
|
|
And would you do me a favor?
|
|
Stop by my quarters at oh-seven
|
|
hundred hours. I've been having
|
|
trouble waking up.
|
|
|
|
GEORDI
|
|
Sure. Goodnight.
|
|
|
|
RIKER
|
|
Goodnight.
|
|
|
|
As they part ways...
|
|
|
|
13 INT. RIKER'S QUARTERS
|
|
|
|
Riker dressed in his nightclothes, ready for bed,
|
|
standing at a replicator slot. Offscreen, we HEAR
|
|
a glass of warm milk MATERIALIZE. He picks up the
|
|
glass, takes a sip, winces at the taste.
|
|
|
|
He crosses to the bed and sits down.... takes a long
|
|
drink of the milk... sets the glass on a nearby table.
|
|
He touches a panel on the table and the lights DIM.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT ONE 13.
|
|
|
|
13 CONTINUED:
|
|
|
|
He crawls under the blankets, exhausted, settling in
|
|
for the night...
|
|
|
|
His head hits the pillow and he lets out a long sigh...
|
|
closes his eyes. His breathing starts to deepen...
|
|
|
|
HOLD on Riker for a few beats as he drifts off to
|
|
sleep...
|
|
|
|
14 NEW ANGLE ON RIKER
|
|
|
|
The door CHIMES. Riker opens his eyes, groggy. Did he
|
|
hear something? The door CHIMES again.
|
|
|
|
RIKER
|
|
(calls out)
|
|
Who is it?
|
|
|
|
GEORDI (O.S.)
|
|
Commander La Forge.
|
|
|
|
Riker reacts, curious and a little annoyed. He throws
|
|
off the covers and stands, crosses the room and taps a
|
|
panel by the door. The door slides open to REVEAL
|
|
Geordi, who is surprised to see Riker still dressed in
|
|
his nightclothes.
|
|
|
|
GEORDI
|
|
(to Riker)
|
|
Good morning, sir.
|
|
|
|
RIKER
|
|
(confused)
|
|
Morning? I just went to bed...
|
|
|
|
An awkward beat.
|
|
|
|
GEORDI
|
|
Sir -- it's oh seven hundred
|
|
hours.
|
|
|
|
Riker reacts -- how can that be? He glances at his
|
|
bed, then back at Geordi. OFF his confused
|
|
expression...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT ONE
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 14.
|
|
|
|
ACT TWO
|
|
|
|
FADE IN:
|
|
|
|
A15 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
15 INT. BARBER SHOP
|
|
|
|
MOT the Barber is with a colleague. Worf ENTERS. Mot
|
|
turns, sees Worf and his face drops -- he's not pleased
|
|
to see the intimidating Klingon. Worf fixes him with a
|
|
baleful look, as Mot nervously tries to make Worf
|
|
welcome.
|
|
|
|
MOT
|
|
Mister Worf! My good Klingon,
|
|
sir, welcome. It's a pleasure
|
|
to have you with us again... so...
|
|
soon.
|
|
|
|
Worf walks to a barber chair, sits down. Mot picks
|
|
up a smock and starts to drape it around Worf...
|
|
|
|
MOT
|
|
Haircut today, Lieutenant? Trim
|
|
your beard?
|
|
|
|
Worf glares him.
|
|
|
|
WORF
|
|
I would like my hair trimmed.
|
|
|
|
MOT
|
|
Ah. A trim, of course...
|
|
|
|
WORF
|
|
(ominous)
|
|
Not like last time.
|
|
|
|
MOT
|
|
(quickly)
|
|
Oh no -- just a little off the
|
|
top... took way too much off last
|
|
time...
|
|
|
|
Mot starts to adjust Worf's chair, lowering it...
|
|
|
|
16 FAVOR WORF
|
|
|
|
as he reacts to the adjustment -- for some reason, the
|
|
movement of the chair is making him uneasy.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 15.
|
|
|
|
16 CONTINUED:
|
|
|
|
MOT
|
|
(continuing)
|
|
I was just telling my colleague
|
|
Mister Setti how thick and
|
|
luxuriant Klingon hair is... it's
|
|
such a pleasure to cut, sometimes
|
|
I get carried away...
|
|
|
|
As he talks, Mot takes hold of Worf's head and moves
|
|
it forward a bit. Worf reacts again, not liking the
|
|
feeling... Mot picks up a comb and a pair of
|
|
hair-cutting SCISSORS...
|
|
|
|
MOT
|
|
(continuing)
|
|
All those Away Missions...
|
|
wind... dry air... the elements
|
|
are very harsh on the hair. I'd
|
|
like to suggest you start using
|
|
a conditioning agent...
|
|
|
|
Mot moves the scissors toward Worf's head...
|
|
|
|
17 CLOSE ANGLE ON SCISSORS
|
|
|
|
as they move toward Worf. The light glints off the
|
|
shiny metal blades...
|
|
|
|
18 WORF
|
|
|
|
grabs Mot's wrist, as if in self-defense. For some
|
|
reason, the scissors have struck a primal chord in
|
|
Worf.
|
|
|
|
Mot stops, startled. Worf stares intensely at the
|
|
scissors, trying to place his fear of them. Mot is
|
|
shaken, afraid Worf is going to kill him.
|
|
|
|
MOT
|
|
I promise -- not too much off
|
|
the top!
|
|
|
|
Worf glances at Mot... lets go of his wrist... throws
|
|
off the smock and stands. The feeling goes away just
|
|
as quickly as it came. At a loss, Worf EXITS.
|
|
|
|
Mot looks faint. OFF his reaction...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT TWO 16.
|
|
|
|
19 INT. CARGO BAY
|
|
|
|
Riker and Geordi are looking at an opened PANEL on the
|
|
bulkhead -- a cluster of circuitry is exposed. Geordi
|
|
is tracing the circuitry with a tricorder...
|
|
|
|
GEORDI
|
|
(re: circuitry)
|
|
Just before the grid alarm
|
|
sounded, we were running warp
|
|
power through this junction...
|
|
somehow, it must've tripped the
|
|
internal scanners...
|
|
|
|
RIKER
|
|
And they showed it as an EPS
|
|
explosion...
|
|
|
|
Geordi nods, steps away from the panel.
|
|
|
|
GEORDI
|
|
The question is, why? I've made
|
|
modifications to the sensors
|
|
before... and nothing like this
|
|
ever happened.
|
|
|
|
Riker considers.
|
|
|
|
RIKER
|
|
We can't waste time chasing down
|
|
sensor ghosts. Keep the array
|
|
off-line until you have a chance
|
|
to take a closer look.
|
|
|
|
Geordi nods, and lets out a yawn.
|
|
|
|
GEORDI
|
|
(yawning)
|
|
Aye sir...
|
|
|
|
RIKER
|
|
(re: his yawn)
|
|
I know the feeling... the past
|
|
few nights, it seems the second
|
|
my head hits the pillow, it's time
|
|
to get up again.
|
|
|
|
GEORDI
|
|
We could all use some shore leave
|
|
after this survey.
|
|
|
|
Riker nods.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 17.
|
|
|
|
19 CONTINUED:
|
|
|
|
RIKER
|
|
Definitely.
|
|
(beat)
|
|
Keep me informed.
|
|
|
|
Riker turns and EXITS. Geordi moves to a nearby
|
|
free-standing console, where Data is working.
|
|
|
|
GEORDI
|
|
(to Data)
|
|
Data, will you give me a hand?
|
|
I've got to run a structural
|
|
integrity scan. I want to make
|
|
sure the conduit wasn't weakened
|
|
by the --
|
|
|
|
Geordi stops, reacting to a sudden pain in his VISOR.
|
|
|
|
GEORDI
|
|
Ow...
|
|
|
|
Geordi adjusts his VISOR. Data looks at him, curious.
|
|
|
|
DATA
|
|
What is it?
|
|
|
|
GEORDI
|
|
(continuing)
|
|
This is the second time today my
|
|
VISOR's cut out...
|
|
|
|
Geordi reacts to something else -- a sudden feeling
|
|
of discomfort -- more than VISOR pain, a sense of
|
|
anxiety that he can't quite place...
|
|
|
|
DATA
|
|
Are you alright, Geordi?
|
|
|
|
Geordi takes a few uncertain steps around the room...
|
|
trying to place the feeling...
|
|
|
|
GEORDI
|
|
I don't know... I just had a weird
|
|
feeling...
|
|
(beat)
|
|
I think I'd better get to
|
|
Sickbay...
|
|
|
|
DATA
|
|
I will run the integrity scan.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 17A.
|
|
|
|
19 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
Thanks...
|
|
|
|
Geordi EXITS, leaving Data alone in the Cargo Bay.
|
|
As Data starts to work the console...
|
|
|
|
20 INT. SICKBAY
|
|
|
|
Geordi's VISOR is off. Beverly scans a medical
|
|
tricorder across the blinking terminal points on either
|
|
side of Geordi's head.
|
|
|
|
BEVERLY
|
|
This is curious...
|
|
(beat)
|
|
There's a slight bacterial
|
|
infection around your neural
|
|
inputs... it was probably
|
|
interrupting the data stream.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 18.
|
|
|
|
20 CONTINUED:
|
|
|
|
GEORDI
|
|
(reacts)
|
|
Infection... from what?
|
|
|
|
BEVERLY
|
|
(off tricorder)
|
|
It doesn't match any bacterial
|
|
strains on record...
|
|
|
|
Beverly picks up a small MEDICAL TOOL. She holds
|
|
Geordi's head steady and activates the tool -- sweeps
|
|
across both of his inputs.
|
|
|
|
BEVERLY
|
|
I'm going to sterilize the area...
|
|
but I'll need to run a resonance
|
|
tissue scan to look for signs of
|
|
additional infection...
|
|
|
|
Beverly indicates a nearby diagnostic INSTRUMENT (as
|
|
seen in "Cause and Effect).
|
|
|
|
BEVERLY
|
|
Come over here...
|
|
|
|
Geordi crosses to the instrument and sits down.
|
|
Beverly positions his head in the instrument...
|
|
|
|
BEVERLY
|
|
You'll need to hold still...
|
|
|
|
Beverly activates the instrument and begins to enter
|
|
commands...
|
|
|
|
21 INT. CARGO BAY
|
|
|
|
Geordi ENTERS. Data is working at the console, in the
|
|
same position as he was when Geordi left him in the
|
|
previous Cargo Bay scene.
|
|
|
|
GEORDI
|
|
How's the scan going, Data?
|
|
|
|
Data looks at Geordi.
|
|
|
|
DATA
|
|
I have just started the scan.
|
|
I thought you were going to
|
|
Sickbay.
|
|
|
|
Geordi is surprised.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 18A.
|
|
|
|
21 CONTINUED:
|
|
|
|
GEORDI
|
|
I've been there for the past hour
|
|
and a half.
|
|
|
|
Data looks puzzled.
|
|
|
|
DATA
|
|
That is not possible.
|
|
(thinks a beat)
|
|
My internal chronometer indicates
|
|
it has been exactly one minute,
|
|
fifteen seconds since you left
|
|
the room.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 19.
|
|
|
|
21 CONTINUED: (2)
|
|
|
|
GEORDI
|
|
I'm telling you, Data, I've been
|
|
gone for over an hour.
|
|
|
|
They look at each other a moment, confused.
|
|
|
|
DATA
|
|
(to computer)
|
|
Computer -- what time is it?
|
|
|
|
COMPUTER VOICE
|
|
The time is fourteen twenty-seven
|
|
hours.
|
|
|
|
Data thinks.
|
|
|
|
DATA
|
|
You are correct. Ninety-two
|
|
minutes, seventeen seconds have
|
|
passed since you left the room.
|
|
|
|
GEORDI
|
|
What have you been doing all this
|
|
time?
|
|
|
|
DATA
|
|
(thinks)
|
|
I have no memory of events during
|
|
that period.
|
|
(beat)
|
|
When we are finished here, I will
|
|
perform a self-diagnostic.
|
|
|
|
Geordi is getting suspicious...
|
|
|
|
GEORDI
|
|
First we pick up a false EPS
|
|
explosion... then my VISOR cuts
|
|
out twice... now you lose an
|
|
hour... all in the Cargo Bay...
|
|
(taps communicator)
|
|
La Forge to Engineering -- I want
|
|
a diagnostic team to Cargo Bay
|
|
Two immediately.
|
|
|
|
SHIPLEY'S COM VOICE
|
|
On our way, sir.
|
|
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT TWO 20.
|
|
|
|
21 CONTINUED: (3)
|
|
|
|
OFF Geordi's concern...
|
|
|
|
22 INT. BRIDGE
|
|
|
|
Riker, N.D.s, and ENSIGN RAGER at Conn. Riker is in
|
|
his chair, looking at his armchair console, still
|
|
fighting fatigue.
|
|
|
|
RIKER
|
|
(to Rager)
|
|
Ensign Rager -- cartography needs
|
|
a better position to study cluster
|
|
FGC-thirteen.
|
|
(beat)
|
|
Bring us about, heading one twenty
|
|
three mark four.
|
|
|
|
RAGER
|
|
Aye sir.
|
|
(works console)
|
|
Helm won't lock to those
|
|
coordinates, sir.
|
|
|
|
Riker moves to her -- sees the problem.
|
|
|
|
RIKER
|
|
First time navigating through a
|
|
globular cluster, Ensign?
|
|
|
|
Rager nods, a little embarrassed. Riker smiles and
|
|
motions that he wants to take over the Conn. Rager
|
|
stands to let Riker sit down...
|
|
|
|
23 FAVOR RIKER
|
|
|
|
as he sits down at the Conn behind the console...
|
|
|
|
RIKER
|
|
You've got to compensate for
|
|
gravimetric interference
|
|
before you...
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 21.
|
|
|
|
23 CONTINUED:
|
|
|
|
Riker stops -- struck by a feeling of discomfort. He
|
|
stares at the console... entranced by it... glides his
|
|
hand across the smooth, polished surface of the
|
|
display... as if remembering something...
|
|
|
|
Suddenly, panic overwhelms him -- he feels trapped.
|
|
Instinctively, he gets out of the chair...
|
|
|
|
Rager isn't sure how to react.
|
|
|
|
RAGER
|
|
Sir... is there something wrong?
|
|
|
|
Riker glances at her, shaken... realizes how this must
|
|
look, but cannot explain the feeling...
|
|
|
|
RIKER
|
|
No... I don't know...
|
|
(indicates chair)
|
|
Maintain your original course,
|
|
Ensign...
|
|
|
|
Rager takes over the Conn. Riker backs away and sits
|
|
down in his command chair... bewildered at what just
|
|
happened...
|
|
|
|
24 INT. CARGO BAY
|
|
|
|
VARIOUS ND ENGINEERS are scanning and inspecting the
|
|
large room. Geordi is working the console; Data and
|
|
Lieutenant Shipley are working nearby.
|
|
|
|
A small BEEP goes off on the console. Geordi hits a
|
|
few commands... The BEEP sounds in response. Geordi
|
|
looks frustrated.
|
|
|
|
GEORDI
|
|
(re: console)
|
|
Don't tell me...
|
|
|
|
Geordi works the controls. Again, the BEEP.
|
|
|
|
GEORDI
|
|
This can't be right...
|
|
(calls to Data)
|
|
Data, can you come take a look
|
|
at this?
|
|
|
|
Data joins him at the console.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT TWO 22.
|
|
|
|
24 CONTINUED:
|
|
|
|
GEORDI
|
|
(continuing)
|
|
I think we've got another sensor
|
|
glitch.
|
|
|
|
Curious, Data works the console.
|
|
|
|
DATA
|
|
The sensors are functioning
|
|
normally...
|
|
(beat)
|
|
They are detecting a subspace
|
|
particle emission originating from
|
|
within this room.
|
|
|
|
GEORDI
|
|
(reacts)
|
|
Within this room... that's not
|
|
possible...
|
|
|
|
Data flips open his tricorder, starts scanning the
|
|
room... starts walking toward the far wall...
|
|
|
|
DATA
|
|
(off tricorder)
|
|
The emission is emanating from
|
|
this direction...
|
|
|
|
Data walks toward the far wall... starts scanning the
|
|
bulkhead... and stops at a particular point on the wall
|
|
(the point where the panel was removed earlier). Data
|
|
reacts to what he sees...
|
|
|
|
DATA
|
|
Geordi...
|
|
|
|
Geordi crosses to Data, reacts to the sight --
|
|
|
|
25 INCLUDE BULKHEAD (OPTICAL)
|
|
|
|
A small section of the wall is PULSATING -- as if the
|
|
metal itself has come alive, and is undulating in
|
|
perpetual waves -- rippling.
|
|
|
|
OFF Geordi's astonishment...
|
|
|
|
FADE OUT.
|
|
|
|
END OF ACT TWO
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT THREE 23.
|
|
|
|
ACT THREE
|
|
|
|
FADE IN:
|
|
|
|
26 INT. CARGO BAY (OPTICAL)
|
|
|
|
Data and Geordi reporting to Picard. Shipley is
|
|
working nearby. They are standing near the altered
|
|
bulkhead, which continues to PULSATE.
|
|
|
|
DATA
|
|
(to Picard, re:
|
|
bulkhead)
|
|
The structure of the bulkhead is
|
|
being altered on a subatomic
|
|
level. The metal itself is in
|
|
a state of quasi-molecular flux.
|
|
|
|
Picard eyes the wall.
|
|
|
|
PICARD
|
|
What's causing it?
|
|
|
|
Geordi and Data exchange a look.
|
|
|
|
GEORDI
|
|
This is where it gets pretty wild,
|
|
Captain...
|
|
(beat)
|
|
Behind this panel, there's a
|
|
junction we were using to transfer
|
|
warp power to the sensor array.
|
|
We're picking up a subspace
|
|
particle stream emanating from
|
|
that junction...
|
|
|
|
DATA
|
|
It appears to be composed of
|
|
spatially-inverted tetryon
|
|
particles.
|
|
(beat)
|
|
We believe they are emanating
|
|
from a tertiary subspace manifold.
|
|
|
|
PICARD
|
|
(surprised)
|
|
I thought tetryons were unstable
|
|
in normal space...
|
|
|
|
GEORDI
|
|
We don't understand it either,
|
|
sir.
|
|
(MORE)
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT THREE 24.
|
|
|
|
26 CONTINUED:
|
|
|
|
GEORDI (Cont'd)
|
|
Something from that deep in
|
|
subspace shouldn't be able to
|
|
exist in our universe...
|
|
(indicates bulkhead)
|
|
But here it is.
|
|
|
|
They watch the rippling wall a moment.
|
|
|
|
PICARD
|
|
(re: wall)
|
|
Does this pose a danger to the
|
|
ship?
|
|
|
|
GEORDI
|
|
Not unless it spreads... if it
|
|
does, we could beam the bulkhead
|
|
into space and erect a forcefield
|
|
in its place.
|
|
|
|
PICARD
|
|
Keep that option ready. For now,
|
|
proceed with the analysis.
|
|
|
|
GEORDI
|
|
Aye sir.
|
|
|
|
Picard takes a final glance at the wall, then EXITS.
|
|
As Data and Geordi continue to work...
|
|
|
|
27 INT. TEN FORWARD
|
|
|
|
Riker and Troi sitting at a table, mid-conversation.
|
|
Riker is weary and frustrated, struggling to find the
|
|
right words...
|
|
|
|
RIKER
|
|
When I sat down at the console,
|
|
it triggered a response... like
|
|
I was trapped... I had to get out
|
|
of there...
|
|
|
|
TROI
|
|
Was it something about the console
|
|
itself?
|
|
|
|
Riker thinks.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT THREE 25.
|
|
|
|
27 CONTINUED:
|
|
|
|
RIKER
|
|
No... it seemed disconnected
|
|
somehow... maybe it's something
|
|
I dreamed...
|
|
|
|
Troi is troubled by what she's heard.
|
|
|
|
TROI
|
|
Wil... you're the third person
|
|
today who's come to me with
|
|
something like this... an intense
|
|
emotional response provoked by
|
|
an object...
|
|
|
|
Riker reacts.
|
|
|
|
RIKER
|
|
Did anyone know why they had that
|
|
reaction?
|
|
|
|
TROI
|
|
No... they couldn't explain it
|
|
any more than you could...
|
|
(beat)
|
|
At this point, I'm not willing
|
|
to say it's coincidence.
|
|
|
|
RIKER
|
|
Maybe we should all get together.
|
|
|
|
Troi nods.
|
|
|
|
TROI
|
|
Talking about it might help you
|
|
understand the response...
|
|
(beat)
|
|
I'm going to find out if anyone
|
|
else on the ship has been having
|
|
experiences like this...
|
|
|
|
Riker nods. OFF his anxious expression...
|
|
|
|
28 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT THREE 26.
|
|
|
|
29 INT. OBSERVATION LOUNGE
|
|
|
|
Troi, Riker, Worf, Geordi and Kaminer (the civilian
|
|
seen in the Teaser) sitting in a semi-circle. Troi is
|
|
leading the discussion. There is a sense of uneasiness
|
|
in the room.
|
|
|
|
TROI
|
|
(to Riker)
|
|
Wil... you said you had an unusual
|
|
reaction when you sat down at the
|
|
console. What was it like?
|
|
|
|
Riker concentrates, trying to grasp the feelings...
|
|
|
|
RIKER
|
|
It's hard to describe... it was
|
|
vague... like the way you recall
|
|
a dream...
|
|
(beat)
|
|
I remember the sensation of being
|
|
trapped... and something about
|
|
a smooth surface...
|
|
|
|
A pause. Everyone knows exactly the feeling Riker is
|
|
talking about -- they felt it too -- but what to make
|
|
of it?
|
|
|
|
TROI
|
|
(to all)
|
|
Can anyone else describe what they
|
|
felt?
|
|
|
|
Worf shifts, awkward -- is reluctant to admit this type
|
|
of vulnerable feeling, but it's nagging at him...
|
|
|
|
WORF
|
|
I had a similar response... to
|
|
a pair of scissors.
|
|
|
|
TROI
|
|
Have you had any dreams about
|
|
scissors recently?
|
|
|
|
Worf thinks, uncertain.
|
|
|
|
WORF
|
|
I may have... I do not have a
|
|
distinct memory of it...
|
|
|
|
A beat as they try to remember more... struggling...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT THREE 26A.
|
|
|
|
29 CONTINUED:
|
|
|
|
GEORDI
|
|
When my VISOR cut out in the Cargo
|
|
Bay, I had a weird feeling too...
|
|
something about a smooth
|
|
surface...
|
|
(beat)
|
|
Smooth... and cold... I think
|
|
it was cold...
|
|
|
|
This strikes a chord in Kaminer.
|
|
|
|
KAMINER
|
|
Yes, cold...
|
|
|
|
Worf is hit by a memory... gropes with it, barely able
|
|
to recall...
|
|
|
|
WORF
|
|
It was elevated... a platform...
|
|
|
|
Geordi wrestles with the image...
|
|
|
|
GEORDI
|
|
Right... a bench...
|
|
|
|
Geordi glides a hand over the Observation Lounge
|
|
table...
|
|
|
|
GEORDI
|
|
Or a table...
|
|
|
|
Everybody reacts to the word "table" -- they exchange
|
|
an uneasy look.
|
|
|
|
TROI
|
|
It sounds like you've all had a
|
|
similar experience...
|
|
(beat)
|
|
Do you remember anything more
|
|
about it besides the table?
|
|
|
|
They think... unsure...
|
|
|
|
RIKER
|
|
Maybe there's a way we can help
|
|
ourselves remember more...
|
|
|
|
OFF Riker's determination...
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT THREE 27.
|
|
|
|
30 INT. HOLODECK (OPTICAL)
|
|
|
|
The room is bare, except for the familiar GRID. Riker,
|
|
Worf, Geordi and Kaminer are there, standing around
|
|
the room... each of them looking inward, trying to
|
|
remember. Troi stands off to one side, lending
|
|
guidance to the others.
|
|
|
|
TROI
|
|
(to all)
|
|
You all remember a table...
|
|
let's start with that...
|
|
(to computer)
|
|
Computer -- show me a table...
|
|
|
|
COMPUTER VOICE
|
|
There are five thousand
|
|
forty-seven classifications of
|
|
tables on file. Specify design
|
|
parameters.
|
|
|
|
They all think a moment, trying to see the table in
|
|
their minds.
|
|
|
|
TROI
|
|
(to all)
|
|
Can you remember anything specific
|
|
about the table? You mentioned
|
|
it was cold, and smooth...
|
|
(beat)
|
|
Do you remember what shape it was?
|
|
|
|
Kaminer has an image...
|
|
|
|
KAMINER
|
|
Long... it was long...
|
|
|
|
GEORDI
|
|
Yeah... a rectangular shape...
|
|
|
|
TROI
|
|
(to computer)
|
|
Computer -- create a rectangular
|
|
conference table.
|
|
|
|
A TABLE APPEARS -- a rectangular conference table, made
|
|
of wood. They eye it carefully... trying to
|
|
distinguish their feelings and vague impressions...
|
|
|
|
Geordi walks up to the table and lays his hands on
|
|
it...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT THREE 28.
|
|
|
|
30 CONTINUED:
|
|
|
|
GEORDI
|
|
(to himself)
|
|
It's too high...
|
|
(to computer)
|
|
Computer... decrease table height
|
|
by... twenty-five percent...
|
|
|
|
The table LOWERS a notch. Geordi looks to the others.
|
|
Worf walks up to the table... takes a long look at
|
|
it... isn't satisfied with the way it looks...
|
|
|
|
WORF
|
|
(re: table)
|
|
No... the table was smaller...
|
|
and it was inclined...
|
|
|
|
Worf wrestles with the image in his mind...
|
|
|
|
WORF
|
|
(to computer)
|
|
Computer -- decrease the table's
|
|
surface area by... twenty
|
|
percent...
|
|
(beat)
|
|
And incline the top... fifteen
|
|
degrees...
|
|
|
|
The table is REPLACED by a table that fits Worf's
|
|
description -- smaller and inclined a few degrees --
|
|
now about the size of a person. They stare at the
|
|
table... struck by the familiarity of it...
|
|
|
|
RIKER
|
|
It wasn't made of wood... it was
|
|
smoother... more metallic...
|
|
|
|
TROI
|
|
(to computer)
|
|
Computer -- make this a metal
|
|
table.
|
|
|
|
The table CHANGES to a METAL TABLE. They look at it.
|
|
|
|
GEORDI
|
|
(re: table)
|
|
That's starting to look right...
|
|
|
|
There is a long pause. Troi tries to draw out more...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT THREE 29.
|
|
|
|
30 CONTINUED: (2)
|
|
|
|
TROI
|
|
Was there anything else in the
|
|
room? Furniture... chairs...
|
|
a door... other people...
|
|
|
|
They looks around the grid. Kaminer shakes her head,
|
|
not seeing any of it...
|
|
|
|
KAMINER
|
|
No... it was dark...
|
|
|
|
RIKER
|
|
Dark, right... you couldn't see
|
|
beyond the table...
|
|
|
|
TROI
|
|
(to computer)
|
|
Computer -- lower the surrounding
|
|
light level.
|
|
|
|
The room around the table DARKENS. Geordi looks above
|
|
the table, as if seeing something...
|
|
|
|
GEORDI
|
|
There was a light right in my
|
|
face... a bright light...
|
|
(beat)
|
|
Computer -- give me a bright
|
|
light... right above the table...
|
|
|
|
COMPUTER VOICE
|
|
Specify light source.
|
|
|
|
GEORDI
|
|
(struggles)
|
|
I couldn't tell.. it was above
|
|
me... an overhead lamp...
|
|
|
|
COMPUTER VOICE
|
|
Estimated distance of light
|
|
source.
|
|
|
|
GEORDI
|
|
(annoyed)
|
|
I don't know...
|
|
(beat)
|
|
It seemed like it was at least...
|
|
two, three meters above...
|
|
|
|
A bright LIGHT streams down onto the table.
|
|
|
|
STAR TREK: "Schisms" - 8/14/92 - ACT THREE 30.
|
|
|
|
30 CONTINUED: (3)
|
|
|
|
GEORDI
|
|
(to computer)
|
|
Brighter...
|
|
|
|
The light gets BRIGHTER.
|
|
|
|
GEORDI
|
|
(to computer)
|
|
Brighter.
|
|
|
|
The light INTENSIFIES, almost blinding. A beat as they
|
|
absorb the feel of the room... this is getting
|
|
creepy...
|
|
|
|
Troi turns to Riker.
|
|
|
|
TROI
|
|
(to Riker)
|
|
Wil... you said you were uneasy
|
|
when you sat down at the Conn
|
|
position...
|
|
|
|
Riker shakes his head, frustrated by his inability to
|
|
recall...
|
|
|
|
RIKER
|
|
Yeah... I felt trapped by the
|
|
console...
|
|
(beat)
|
|
But it wasn't like this... there
|
|
was something else here...
|
|
|
|
TROI
|
|
A restraint of some kind?
|
|
|
|
Riker reacts to the word "restraint" -- it's slowly
|
|
coming to him now...
|
|
|
|
RIKER
|
|
Yes... a restraint... it came
|
|
down over my legs...
|
|
(beat)
|
|
No, no... my chest... it came
|
|
across my chest...
|
|
|
|
Riker moves to the table, touches it, grasping for more
|
|
details...
|
|
|
|
TROI
|
|
It was holding you down...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT THREE 30A.
|
|
|
|
30 CONTINUED: (4)
|
|
|
|
RIKER
|
|
(nods)
|
|
Yes... it was part of the
|
|
table...
|
|
|
|
He runs his hands along the side of the table... trying
|
|
to "see" what it was like... stops his hand half-way
|
|
down the side of the table...
|
|
|
|
RIKER
|
|
Here... right here...
|
|
|
|
A beat.
|
|
|
|
TROI
|
|
(to computer)
|
|
Computer -- create a restraining
|
|
arm... attached to the right side
|
|
of the table, at the mid-point...
|
|
|
|
Something resembling a metallic BODY RESTRAINT
|
|
appears.
|
|
|
|
TROI
|
|
(re: restraint)
|
|
Was it like that?
|
|
|
|
Riker stares at it.
|
|
|
|
RIKER
|
|
(to computer)
|
|
Computer -- put controls on the
|
|
restraint... a control panel...
|
|
lights...
|
|
|
|
The restraining arm LIGHTS UP with blinkies. Riker
|
|
reacts, uncomfortable at the sight... They gaze at
|
|
the restraint, all standing around the table now...
|
|
hands upon it... striving to remember. Kaminer eyes
|
|
an area just above the table, mid-air... "sees"
|
|
something in her mind...
|
|
|
|
KAMINER
|
|
There was something else here...
|
|
above me... a metal swing arm...
|
|
(to computer)
|
|
Computer -- create a metal swing-arm,
|
|
double-jointed, total length
|
|
one meter...
|
|
(as she points to table)
|
|
Connect it to the head of the
|
|
table...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT THREE 30B.
|
|
|
|
30 CONTINUED: (5)
|
|
|
|
A METAL SWING-ARM APPEARS at the head of the table.
|
|
Worf walks up and studies it...
|
|
|
|
WORF
|
|
There was something attached to
|
|
it...
|
|
(beat)
|
|
A tool of some sort...
|
|
scissor-like...
|
|
|
|
Worf stares at the table.
|
|
|
|
WORF
|
|
(to computer)
|
|
Computer -- produce a pair of
|
|
scissors... attached to the
|
|
armature...
|
|
|
|
A pair of SCISSORS APPEAR on the end of the
|
|
swing-arm. Worf stares at them... groping for
|
|
details...
|
|
|
|
WORF
|
|
(re: scissors)
|
|
The handle is wrong...
|
|
(to himself)
|
|
... It wasn't scissors...
|
|
(to computer)
|
|
Computer -- make the handle a
|
|
single grip... ten centimeters
|
|
long... solid metal...
|
|
|
|
The scissor handle is REPLACED by a handle that fits
|
|
Worf's description -- a plain metal grip.
|
|
|
|
WORF
|
|
(to computer)
|
|
Make one blade longer... and
|
|
curved inward...
|
|
|
|
One blade of the scissors becomes LONGER and CURVED.
|
|
|
|
WORF
|
|
(continuing)
|
|
Give the second blade a...
|
|
jagged edge...
|
|
|
|
The second blade becomes JAGGED. Worf eyes the tool,
|
|
uneasy. Riker exchanges a look with Troi, who is
|
|
watching all of this with concern.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT FOUR 32.
|
|
|
|
32 CONTINUED:
|
|
|
|
PICARD
|
|
Tetryons... the same particles
|
|
in the Cargo Bay...
|
|
|
|
They consider the implications. Data ENTERS the room,
|
|
crosses to Picard and Beverly. They turn to him, eager
|
|
to hear what he has to say.
|
|
|
|
DATA
|
|
(to Picard)
|
|
I have completed my
|
|
self-diagnostic, and confirmed
|
|
that I was not aboard the
|
|
Enterprise for ninety minutes,
|
|
seventeen seconds yesterday
|
|
afternoon.
|
|
|
|
PICARD
|
|
Explanation?
|
|
|
|
DATA
|
|
Whenever I am on the ship, the
|
|
warp field leaves an
|
|
electromagnetic signature on my
|
|
internal servo fluid system.
|
|
Yesterday, between twelve
|
|
fifty-four and fourteen twenty-six
|
|
hours that signature is missing.
|
|
|
|
Reactions. Picard thinks of something, suddenly
|
|
concerned.
|
|
|
|
PICARD
|
|
(to computer)
|
|
Computer -- are there any
|
|
crewmembers missing from the
|
|
Enterprise?
|
|
|
|
A beat.
|
|
|
|
COMPUTER VOICE
|
|
There are two crewmembers
|
|
unaccounted for.
|
|
|
|
PICARD
|
|
Identify them.
|
|
|
|
COMPUTER VOICE
|
|
Lieutenant Edward Hagler and
|
|
Ensign Sariel Rager.
|
|
|
|
PICARD
|
|
When did they leave?
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT FOUR 32A.
|
|
|
|
32 CONTINUED: (2)
|
|
|
|
COMPUTER VOICE
|
|
They have not been present since
|
|
twenty-three thirty-two hours.
|
|
|
|
RIKER
|
|
How did they leave?
|
|
|
|
COMPUTER VOICE
|
|
Method of departure unknown.
|
|
|
|
Reactions. The reality and horror of the situation
|
|
hits them suddenly.
|
|
|
|
PICARD
|
|
(taps communicator)
|
|
Picard to Bridge.
|
|
|
|
N.D.'S COM VOICE
|
|
Bridge here.
|
|
|
|
PICARD
|
|
(to com)
|
|
Raise shields and maintain a Level
|
|
Four security alert -- I want to
|
|
know if anyone goes on or off this
|
|
ship.
|
|
|
|
N.D.'S COM VOICE
|
|
Aye sir.
|
|
|
|
Picard looks to the others, urgent.
|
|
|
|
PICARD
|
|
(to Data, Geordi)
|
|
Mister La Forge, Mister Data --
|
|
I believe if we find the source
|
|
of those tetryon emissions, we
|
|
may also find our missing
|
|
crewmembers.
|
|
|
|
GEORDI
|
|
We'll get on it, sir.
|
|
|
|
From offscreen, a medical N.D. calls to Beverly --
|
|
|
|
MEDICAL N.D. (O.S.)
|
|
Doctor Crusher -- you'd better
|
|
take a look at this...
|
|
|
|
Beverly, Picard and Data move to the N.D., who had been
|
|
examining Riker. Riker has his arm in a diagnostic
|
|
INSTRUMENT.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT FOUR 33.
|
|
|
|
32 CONTINUED: (3)
|
|
|
|
The N.D. looks shaken -- he indicates the instrument,
|
|
and Beverly reads some information off the screen --
|
|
reacts to what she sees, incredulous.
|
|
|
|
BEVERLY
|
|
My God...
|
|
|
|
RIKER
|
|
What is it?
|
|
|
|
Beverly turns to Riker, not sure how to put this...
|
|
|
|
BEVERLY
|
|
(to Riker)
|
|
Commander... it looks as though
|
|
your arm has been severed and
|
|
reattached.
|
|
|
|
Reactions.
|
|
|
|
RIKER
|
|
What?
|
|
|
|
Beverly hits a few commands into the instrument and
|
|
a nearby WALL MONITOR shows a GRAPHIC of Riker's ARM.
|
|
The graphic MAGNIFIES to highlight a series of
|
|
miniscule markings in the bone. Beverly indicates the
|
|
graphic...
|
|
|
|
BEVERLY
|
|
The skeletal structure in your
|
|
radius and ulna is offset by
|
|
point zero two microns...
|
|
(beat)
|
|
Your arm has been amputated...
|
|
then surgically reattached.
|
|
|
|
Riker looks down at his arm, dismayed. Off their
|
|
unsettled reactions...
|
|
|
|
33 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
34 INT. CARGO BAY
|
|
|
|
Geordi and Data ENTER. Lieutenant Shipley turns to
|
|
them, concerned.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT FOUR 34-35.
|
|
|
|
34 CONTINUED:
|
|
|
|
GEORDI
|
|
(to Shipley)
|
|
Any progress, Lieutenant?
|
|
|
|
SHIPLEY
|
|
Take a look at this...
|
|
|
|
Shipley motions to the center of the room --
|
|
|
|
35 ANGLE ON CARGO BAY (OPTICAL)
|
|
|
|
Visible in the middle of the room is a tiny TEAR IN
|
|
SPACE, swirling, distorting the area around it.
|
|
|
|
36 DATA AND GEORDI
|
|
|
|
react. Data flips open his tricorder and walks toward
|
|
the rupture to take readings...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/19/92 - ACT FOUR 36.
|
|
|
|
37 ANGLE ON GEORDI (OPTICAL)
|
|
|
|
as he opens his tricorder and moves to the same
|
|
PULSATING wall we saw in Act Three. The wall is worse
|
|
-- DISTORTING like crazy, in larger waves. Geordi
|
|
reacts to his tricorder, concerned.
|
|
|
|
GEORDI
|
|
(to Data, re: bulkhead)
|
|
Data -- the tetryon emissions have
|
|
intensified. They seem to be
|
|
focusing in this direction...
|
|
|
|
Geordi follows the readings with the tricorder --
|
|
tracing an invisible stream of particles through the
|
|
air, toward the rupture at the center of the Cargo
|
|
Bay...
|
|
|
|
37A ANGLE ON DATA (OPTICAL)
|
|
|
|
standing a few feet away from the tear in space,
|
|
scanning it. Geordi stops next to him -- he motions to
|
|
the spatial rupture.
|
|
|
|
GEORDI
|
|
(continuing, re:
|
|
rupture)
|
|
... coalescing here... they're
|
|
reading as a point of subspace
|
|
energy.
|
|
|
|
DATA
|
|
(re: rupture)
|
|
It appears to be the beginnings
|
|
of a spatial rupture.
|
|
|
|
Geordi reads his tricorder.
|
|
|
|
GEORDI
|
|
The way the tetryon emissions are
|
|
modulating... it's like somebody
|
|
is controlling the flow of
|
|
energy...
|
|
|
|
A beat as they watch the rupture. Geordi starts to
|
|
realize...
|
|
|
|
GEORDI
|
|
Data... some of the signals from
|
|
the modifications I made to the
|
|
sensor array dipped pretty deep
|
|
into subspace...
|
|
(MORE)
|
|
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 36A.
|
|
|
|
37A CONTINUED:
|
|
|
|
GEORDI (Cont'd)
|
|
(beat)
|
|
Maybe they caught somebody's
|
|
attention...
|
|
|
|
They consider. Data completes his readings of the
|
|
rupture.
|
|
|
|
DATA
|
|
At the rate the rupture is
|
|
expanding, we are in danger of
|
|
a hull breach.
|
|
|
|
GEORDI
|
|
Let's try surrounding it with
|
|
a subspace containment field...
|
|
|
|
As they move off to work...
|
|
|
|
37B INT. BRIDGE
|
|
|
|
Picard, Riker, Worf, N.D.s. Picard and Riker are at
|
|
the aft science station, studying a GRAPHIC of various
|
|
sensor logs.
|
|
|
|
RIKER
|
|
Other than the tetryon emissions
|
|
in Cargo Bay Four, none of the
|
|
internal sensors recorded
|
|
anything unusual over the past
|
|
three days.
|
|
|
|
Picard looks at the graphic.
|
|
|
|
PICARD
|
|
Initiate a metallurgical analysis
|
|
of the ship's hull -- subspace
|
|
field incursions might have left
|
|
a trace.
|
|
|
|
Riker nods. A warning ALARM sounds on Worf's console.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 37.
|
|
|
|
37B CONTINUED:
|
|
|
|
WORF
|
|
(off console)
|
|
Captain -- sensors indicate that
|
|
Lieutenant Hagler has returned
|
|
to the Enterprise. He is in his
|
|
quarters, Deck Seven, Section
|
|
Nineteen.
|
|
|
|
Reactions. As Picard and Riker EXIT...
|
|
|
|
38 INT. CORRIDOR
|
|
|
|
ON THE MOVE with Beverly, running down the hall. She
|
|
reaches a door and taps the control pad next to it.
|
|
No response.
|
|
|
|
BEVERLY
|
|
(to computer)
|
|
Computer -- emergency entry, Chief
|
|
Medical Officer Beverly Crusher.
|
|
|
|
The doors slide open -- from within the darkened
|
|
quarters, LIEUTENANT HAGLER comes stumbling out,
|
|
dressed in nightclothes, a blueish-gray cast to his
|
|
skin, arms groping at the air. Beverly grabs hold of
|
|
him -- he starts to convulse, delirious with pain.
|
|
Beverly lowers him to the floor... scans him with a
|
|
medical tricorder... reacts to what she sees,
|
|
amazed...
|
|
|
|
BEVERLY
|
|
(hits communicator,
|
|
urgent)
|
|
Crusher to Sickbay -- get a plasma
|
|
infusion unit to Deck Seven,
|
|
Section Nineteen!
|
|
|
|
Picard and Riker arrive a second later. Beverly
|
|
continues scanning...
|
|
|
|
BEVERLY
|
|
(re: Hagler)
|
|
His blood is transforming into
|
|
some sort of... liquid polymer...
|
|
|
|
A beat as she scans... then reacts as Hagler dies.
|
|
She closes the tricorder... stands... looks to Picard
|
|
and Riker, shaken. OFF their horrified reactions...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 38.
|
|
|
|
39 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Data, Troi, Geordi, Beverly, Worf.
|
|
Picard is pacing, restless -- he's unnerved by the
|
|
helplessness he feels at the situation.
|
|
|
|
GEORDI
|
|
We've set up a containment field
|
|
in Cargo Bay Four. But the
|
|
rupture just keeps expanding.
|
|
I'd say we've got another five
|
|
or six hours before it breaches
|
|
the hull.
|
|
|
|
PICARD
|
|
Can we still beam the affected
|
|
sections into space?
|
|
|
|
DATA
|
|
No sir. The spatial rupture is
|
|
creating severe nucleonic
|
|
interference. It is impossible
|
|
to obtain a positive lock on the
|
|
bulkheads.
|
|
|
|
They consider.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
Has your analysis suggested any
|
|
way to seal the rupture?
|
|
|
|
Geordi thinks.
|
|
|
|
GEORDI
|
|
We think we could close the
|
|
rupture by neutralizing the
|
|
tetryon emissions with a coherent
|
|
graviton pulse. But we'd have
|
|
to do it at the source.
|
|
|
|
RIKER
|
|
How do we find the source?
|
|
|
|
GEORDI
|
|
That's a good question. The
|
|
emissions are coming from a
|
|
tertiary subspace domain. But
|
|
subspace has an infinite number
|
|
of domains...
|
|
(beat)
|
|
It's like a huge honeycomb with
|
|
an endless number of cells. We
|
|
need to isolate the exact cell
|
|
the emissions are coming from...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 39.
|
|
|
|
39 CONTINUED:
|
|
|
|
A beat.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
If someone homed in on subspace
|
|
signals created by our modified
|
|
sensor array... can we do the same
|
|
thing to them -- track the tetryon
|
|
emissions to their universe?
|
|
|
|
DATA
|
|
Tetryon particles have a random
|
|
momentum. Our sensors are unable
|
|
to track them.
|
|
|
|
They think for a moment. Worf gets an idea...
|
|
|
|
WORF
|
|
Perhaps we could make a homing
|
|
device -- something our sensors
|
|
could track.
|
|
|
|
Geordi takes a beat, considers.
|
|
|
|
GEORDI
|
|
Good idea. But there's no way
|
|
to get that device to the source.
|
|
|
|
RIKER
|
|
Yes, there is.
|
|
(beat)
|
|
Give it to me.
|
|
|
|
They look at him.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 40.
|
|
|
|
39 CONTINUED: (2)
|
|
|
|
RIKER
|
|
It's pretty clear I've been taken
|
|
each of the past few nights...
|
|
if I'm right, there's every chance
|
|
it'll happen again tonight.
|
|
|
|
GEORDI
|
|
(onto the idea)
|
|
If you had a homing device, we
|
|
could track it to your location
|
|
in subspace... then, as soon as
|
|
they send you back to the ship...
|
|
we could transmit the graviton
|
|
pulse and neutralize the tetryon
|
|
emissions...
|
|
|
|
TROI
|
|
If they send him back. Ensign
|
|
Rager still hasn't been
|
|
returned...
|
|
|
|
RIKER
|
|
They're going to take me whether
|
|
I want to go or not.
|
|
|
|
A beat as Picard considers.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
We'll wait as long as we can for
|
|
you to be returned, Number One.
|
|
But as soon the spatial rupture
|
|
threatens the ship... we'll have
|
|
to transmit that graviton pulse.
|
|
|
|
RIKER
|
|
Understood.
|
|
|
|
A grim beat.
|
|
|
|
PICARD
|
|
(to Riker)
|
|
Perhaps we can give you an
|
|
advantage... a way of keeping you
|
|
conscious after they take you...
|
|
|
|
Picard looks to Beverly.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 40A.
|
|
|
|
39 CONTINUED: (3)
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
Doctor -- can you develop a
|
|
counter-agent to the
|
|
neuro-sedative they've been giving
|
|
the crew?
|
|
|
|
BEVERLY
|
|
I could try a neuro-stimulant
|
|
-- but the dosage would have to
|
|
be pretty high to counter the
|
|
effects. It might be risky.
|
|
|
|
RIKER
|
|
It's a risk I'm willing to take.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 41.
|
|
|
|
39 CONTINUED: (4)
|
|
|
|
PICARD
|
|
(to Beverly)
|
|
Make it so.
|
|
(to Geordi)
|
|
Mister La Forge -- begin work on
|
|
a homing device.
|
|
|
|
As they rise to go...
|
|
|
|
39A INT. SICKBAY
|
|
|
|
Geordi, Beverly, Riker. Geordi is making a few
|
|
adjustments to a tricorder. Beverly injects Riker with
|
|
a hypospray. Riker shakes his head, feeling
|
|
lightheaded.
|
|
|
|
BEVERLY
|
|
It should be enough to ward off
|
|
their neuro-sedative for about
|
|
twelve hours.
|
|
|
|
RIKER
|
|
I hope that's enough.
|
|
|
|
BEVERLY
|
|
It'll have to be. I can't risk
|
|
giving you a higher dosage.
|
|
|
|
Geordi completes his adjustments, hands Riker the
|
|
tricorder.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FOUR 42.
|
|
|
|
39A CONTINUED:
|
|
|
|
GEORDI
|
|
I've locked the tricorder into
|
|
continuous scan. That way, it'll
|
|
keep recording whether you open
|
|
it or not.
|
|
(beat)
|
|
Maybe you can bring back some
|
|
information about their universe.
|
|
|
|
Riker takes the tricorder. Geordi picks up an armband
|
|
DEVICE (as seen in "Cause and Effect") and shows it
|
|
to Riker. Geordi presses a button on the device and
|
|
a LIGHT comes on.
|
|
|
|
GEORDI
|
|
(re: device)
|
|
When you see this indicator light
|
|
up, it means we've locked onto
|
|
the signal.
|
|
|
|
Riker nods.
|
|
|
|
RIKER
|
|
Understood.
|
|
|
|
As Riker straps the device to his arm...
|
|
|
|
40 INT. RIKER'S QUARTERS
|
|
|
|
Later. Riker alone, on his back, lying in bed, eyes
|
|
open, unable to sleep. He's in uniform, a phaser
|
|
attached to his waist and a tricorder in his hand. The
|
|
homing device armband is strapped to his left arm.
|
|
(Note: the tricorder is active). A quiet moment passes
|
|
by as he lies there, waiting...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 43.
|
|
|
|
ACT FIVE
|
|
|
|
FADE IN:
|
|
|
|
42 INT. ALIEN LAB (OPTICAL)
|
|
|
|
CLOSE ON RIKER, who carefully opens his eyes,
|
|
disoriented -- where is he? He steals a look at the
|
|
strange surroundings, testing the situation... all the
|
|
while, trying to appear as though he is
|
|
semi-conscious...
|
|
|
|
The room resembles the Holodeck lab from Act Three -- a
|
|
pool of light shining down on a smooth operating table,
|
|
darkness all around -- except it is more detailed,
|
|
embellished with various alien gadgets and markings.
|
|
It has a DISTORTED quality -- surreal and dream-like,
|
|
as though our perceptions are being altered. SOUNDS
|
|
echo back and forth, disorienting. The CLICKING NOISES
|
|
can be heard -- suggestive of the Holodeck recreation,
|
|
but more strange and alien-sounding. We are in another
|
|
space -- tetryon space.
|
|
|
|
We see the examination table, which resembles the
|
|
Holodeck table, but is embellished with various alien
|
|
markings and appliances. Riker is trapped beneath an
|
|
alien CONSOLE on top of his arms and chest, holding him
|
|
down. Attached to the swing-arm on the table is the
|
|
familiar TOOL -- its jagged blades all the more vivid
|
|
and terrifying in real life.
|
|
|
|
Riker looks beside him. Ensign Rager is lying on a
|
|
nearby platform on the floor. Her eyes are open, but
|
|
her expression is blank. Clearly, she's been heavily
|
|
sedated and is semi-conscious. Riker sees it's
|
|
hopeless and looks elsewhere, into the surrounding
|
|
darkness...
|
|
|
|
Barely visible in the darkness, several shadowy FIGURES
|
|
are rustling about, making the clicking sounds. An
|
|
alien-looking CONSOLE is visible as well as an empty
|
|
PLATFORM. One of the figures approaches Riker. It is
|
|
clearly ALIEN. A dark, contorted body... jerky
|
|
movements... strange chattering, clicking noises...
|
|
always obscured by shadow, so we never get a clear view
|
|
of it, only terrifying glimpses...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 44.
|
|
|
|
42 CONTINUED:
|
|
|
|
Riker continues to feign semi-consciousness. The
|
|
clicking sounds intensify, and a bright light SHINES
|
|
into Riker's face. Riker watches as a small PEDESTAL
|
|
is moved next to the table, near his left hand. On top
|
|
of the pedestal there are several bizarre and
|
|
frightening ALIEN TOOLS.
|
|
|
|
An ALIEN HAND reaches into the light and removes the
|
|
phaser from Riker's waist, then takes the tricorder out
|
|
of his hand. (Note: Although closed, the tricorder
|
|
stays activated throughout the scene.) The alien then
|
|
removes the homing device from Riker's arm... and sets
|
|
all three instruments on the pedestal.
|
|
|
|
The alien moves back into the darkness. Riker steals
|
|
a look to make sure the alien has left... glances at
|
|
the alien tools on the pedestal, worried. OFF his face
|
|
as he furtively watches...
|
|
|
|
42A INT. ENGINEERING
|
|
|
|
Geordi is working in his office. Shipley and several
|
|
N.D. are working in the b.g. The situation is tense.
|
|
Picard ENTERS and crosses to Geordi.
|
|
|
|
PICARD
|
|
(to Geordi)
|
|
Report.
|
|
|
|
GEORDI
|
|
(off console)
|
|
I still can't locate the homing
|
|
signal...
|
|
(beat, working)
|
|
We've covered the entire
|
|
upper-subspace energy band. We're
|
|
extending the scan to adjacent
|
|
energy levels...
|
|
|
|
Geordi works.
|
|
|
|
PICARD
|
|
(taps communicator)
|
|
Picard to Data. Your status?
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 45.
|
|
|
|
43 OMITTED
|
|
|
|
44 INT. CARGO BAY (OPTICAL)
|
|
|
|
Data is working the freestanding console. Visible in
|
|
the middle of the room, the tear in space is LARGER...
|
|
swirling... distorting the space around it...
|
|
|
|
DATA
|
|
(to com)
|
|
The rupture has expanded another
|
|
four point two percent. Without
|
|
further reinforcement, containment
|
|
field integrity will fail in
|
|
approximately fourteen minutes.
|
|
|
|
44A INT. ENGINEERING
|
|
|
|
Picard turns to Geordi.
|
|
|
|
PICARD
|
|
Can you divert more power to the
|
|
containment field?
|
|
|
|
GEORDI
|
|
I can try to augment the field
|
|
with auxiliary power, but it won't
|
|
be much...
|
|
|
|
PICARD
|
|
Make it so.
|
|
|
|
GEORDI
|
|
Aye sir.
|
|
|
|
As Geordi works...
|
|
|
|
45 INT. ALIEN LAB (OPTICAL)
|
|
|
|
Riker watches furtively as an alien figure crosses the
|
|
room to Rager... stoops over her and begins to do
|
|
something to her that we cannot see. We HEAR Rager
|
|
moan, as though in pain...
|
|
|
|
Riker reacts slightly, his instincts compelling him to
|
|
help Rager -- but he's strapped down, helpless, and
|
|
must continue to feign semi-consciousness...
|
|
|
|
The alien figure finishes with Rager... approaches
|
|
Riker... stops at the table and SHINES the light into
|
|
his face...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 45A.
|
|
|
|
45 CONTINUED:
|
|
|
|
An alien hand takes one of the alien tools off of the
|
|
pedestal... moves the tool into the light and begins to
|
|
wave it around Riker's head. The tool sends out a
|
|
STRANGE NOISE, as if the alien is scanning him. The
|
|
alien pulls the tool away, as if to read it...
|
|
|
|
Riker is sweating now... it's all he can do to stay
|
|
calm and under control...
|
|
|
|
The alien hand moves the tool back into the light,
|
|
begins to wave it around Riker's head again. It sends
|
|
out the awful NOISE. After a beat, the alien figure
|
|
retreats into the darkness...
|
|
|
|
45A NEW ANGLE - THE PEDESTAL
|
|
|
|
Suddenly, the small LIGHT on the homing device starts
|
|
to FLASH. Riker takes note... the alien does not see
|
|
it...
|
|
|
|
45B OMITTED
|
|
|
|
45C INT. ENGINEERING
|
|
|
|
A small ALARM is sounding. Geordi reacts to his
|
|
console.
|
|
|
|
GEORDI
|
|
Captain -- I've located the homing
|
|
signal. Locking onto it now...
|
|
(beat)
|
|
It's coming from a subspace energy
|
|
level of sixteen point-two
|
|
K-E-V...
|
|
|
|
PICARD
|
|
Stand by to initiate the graviton
|
|
pulse.
|
|
|
|
They work.
|
|
|
|
SHIPLEY
|
|
Graviton emitters at full power,
|
|
sir. Standing by.
|
|
|
|
PICARD
|
|
(to com)
|
|
Picard to Data. How much time?
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 46.
|
|
|
|
45C CONTINUED:
|
|
|
|
DATA'S COM VOICE
|
|
At the present rate, containment
|
|
failure will occur in
|
|
approximately nine minutes.
|
|
|
|
Picard and Geordi exchange a tense look...
|
|
|
|
45D INT. ALIEN LAB (OPTICAL)
|
|
|
|
Riker still on the table, feigning semi-consciousness;
|
|
homing device still flashing. He watches as another
|
|
alien figure approaches and stops at the table. An
|
|
alien hand comes into the light and touches a control
|
|
on the console over Riker's chest. The console
|
|
automatically raises off of Riker's chest, freeing
|
|
him...
|
|
|
|
The alien turns its body away, begins to work at
|
|
something that Riker cannot see. Riker realizes he's
|
|
got an opportunity to get out of here... he glances
|
|
down at the pedestal... slowly starts to move his hand
|
|
toward the tools... while keeping an eye on the alien,
|
|
so as not to alert it...
|
|
|
|
Riker's hand is just closing around one of the alien
|
|
instruments, when suddenly the alien turns around -- we
|
|
see that it is holding the wicked scissor-like tool...
|
|
|
|
The alien is moving the scissor-tool toward Riker's
|
|
chest... the shiny blades coming closer and closer...
|
|
Riker wraps his fingers around an instrument, ready to
|
|
use it as a weapon... suspense builds...
|
|
|
|
45E INT. CARGO BAY
|
|
|
|
Data working. LIGHT from the rupture FLASHING.
|
|
|
|
DATA
|
|
(to com)
|
|
Captain -- the containment field
|
|
is beginning to fluctuate.
|
|
Failure anticipated in three
|
|
minutes, eleven seconds.
|
|
|
|
45F INT. ENGINEERING
|
|
|
|
As before. Tension building.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 47.
|
|
|
|
45F CONTINUED:
|
|
|
|
PICARD
|
|
We can't afford to wait any
|
|
longer...
|
|
(beat)
|
|
Begin the graviton pulse.
|
|
|
|
Geordi, realizing the gravity of what he's about to
|
|
do, moves to the controls.
|
|
|
|
GEORDI
|
|
(works)
|
|
Initiating pulse... now.
|
|
|
|
As Geordi hits a control:
|
|
|
|
45F INT. ALIEN LAB (OPTICAL)
|
|
|
|
Riker and the alien react to A FLASH OF LIGHT that
|
|
occurs offscreen. A strange ALARM starts to sound.
|
|
The alien starts clicking loudly, and quickly retreats
|
|
into the darkness.
|
|
|
|
The shadowy figures scurry about... clicking... clearly
|
|
reacting with concern to something that has happened.
|
|
They crowd around the alien console, working
|
|
frantically...
|
|
|
|
Riker waits a beat, hand still poised on the tool, and
|
|
watches with interest...
|
|
|
|
46 INT. CARGO BAY
|
|
|
|
Data is working.
|
|
|
|
DATA
|
|
(to com)
|
|
Data to Engineering. The graviton
|
|
pulse is having an effect. The
|
|
tetryon emissions have decreased
|
|
by nineteen percent...
|
|
|
|
From offscreen, the rupture sends out a FLASH OF LIGHT.
|
|
Data reacts to the console.
|
|
|
|
DATA
|
|
(to com)
|
|
Captain -- additional subharmonics
|
|
have appeared. They are
|
|
reinforcing the tetryon
|
|
emissions...
|
|
(MORE)
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 48.
|
|
|
|
46 CONTINUED:
|
|
|
|
DATA (Cont'd)
|
|
(reads console)
|
|
They appear to be counter-acting
|
|
the graviton pulse...
|
|
(beat)
|
|
The rupture is beginning to expand
|
|
again.
|
|
|
|
46A INT. ENGINEERING
|
|
|
|
Concern. Geordi reacting to various console
|
|
information.
|
|
|
|
GEORDI
|
|
Looks like somebody's fighting
|
|
back...
|
|
|
|
PICARD
|
|
Can you strengthen the graviton
|
|
pulse?
|
|
|
|
GEORDI
|
|
(nods)
|
|
I'll try setting up a random
|
|
frequency shift. If we can keep
|
|
them from guessing our pulse
|
|
modulation... they might not be
|
|
able to compensate...
|
|
|
|
As he works...
|
|
|
|
47 INT. ALIEN LAB (OPTICAL)
|
|
|
|
Riker watches from the table. The alien figures are
|
|
working the console, clicking and chattering, unhappy
|
|
about something. Clearly, they have more important
|
|
things to do than worry about Riker, who they believe
|
|
is sedated.
|
|
|
|
In a darkened corner, just above the alien PLATFORM, a
|
|
TEAR IN SPACE OPENS UP -- a large, distorted RUPTURE.
|
|
VISIBLE THROUGH THE VORTEX IS THE ENTERPRISE CARGO BAY.
|
|
|
|
Riker reacts to the sight, starts to realize...
|
|
|
|
48 INT. CARGO BAY (OPTICAL)
|
|
|
|
ANGLE ON SPATIAL RUPTURE as it starts to CHANGE COLOR
|
|
and ALTER SHAPE. It EXPANDS OUTWARD briefly. (NOTE:
|
|
The alien lab is not visible through the rupture.)
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 49.
|
|
|
|
49 OMITTED
|
|
|
|
50 DATA
|
|
|
|
is working.
|
|
|
|
DATA
|
|
(off console)
|
|
Tetryon emissions continue to
|
|
increase.
|
|
(beat)
|
|
The rupture is still expanding.
|
|
Hull breach is imminent.
|
|
|
|
50A INT. ENGINEERING
|
|
|
|
Tension building.
|
|
|
|
GEORDI
|
|
(off console,
|
|
frustrated)
|
|
They're reacting faster than we
|
|
can shift frequencies...
|
|
|
|
Geordi gets an idea.
|
|
|
|
GEORDI
|
|
(to Shipley)
|
|
Shipley -- program the emitters
|
|
for full spectrum pulse
|
|
compression. I want to channel
|
|
all of the graviton energy into
|
|
a single burst...
|
|
(beat)
|
|
Let's see if they can handle
|
|
that...
|
|
|
|
SHIPLEY
|
|
(works)
|
|
Ready, Commander.
|
|
|
|
Geordi hits a couple of controls, then moves to a
|
|
nearby wall panel. Determined, he hits a final
|
|
button...
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 50.
|
|
|
|
50B OMITTED
|
|
|
|
51 INT. ALIEN LAB (OPTICAL)
|
|
|
|
The rupture is still looking out into the Enterprise
|
|
Cargo Bay, like a window. Suddenly, the room SHAKES.
|
|
The rupture shudders, starts to get smaller -- closing
|
|
down. The alien figures react, unhappy with the
|
|
situation.
|
|
|
|
Riker reacts too -- he sees his window of opportunity
|
|
starting to close down...
|
|
|
|
51A OMITTED
|
|
|
|
51B INT. ENGINEERING
|
|
|
|
As before.
|
|
|
|
DATA'S COM VOICE
|
|
The rupture is beginning to close.
|
|
|
|
Picard and Geordi exchange an excited look.
|
|
|
|
GEORDI
|
|
(to Shipley)
|
|
Recharge the emitters! Let's hit
|
|
them again!
|
|
|
|
Shipley works, recharging the emitters. A long beat.
|
|
|
|
GEORDI
|
|
(impatient)
|
|
Come on...
|
|
|
|
SHIPLEY
|
|
Ready.
|
|
|
|
Geordi hits a button on the wall panel again...
|
|
|
|
52 INT. ALIEN LAB (OPTICAL)
|
|
|
|
The room SHAKES again. Riker decides to take the
|
|
opportunity while the Aliens are distracted. Slowly,
|
|
he steps off the table... pauses... glances at the
|
|
aliens...
|
|
|
|
He steadies himself, keeping his balance in this
|
|
distorted environment isn't easy.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 50A.
|
|
|
|
52 CONTINUED:
|
|
|
|
He makes a quiet move toward the smaller table...
|
|
gingerly picks up his phaser... then his tricorder,
|
|
which is still blinking, active.
|
|
|
|
The clicking noises intensify. Riker turns and sees
|
|
that two of the aliens are aware of his movements, and
|
|
are rushing toward him. Riker aims his phaser and
|
|
FIRES at the aliens, BLASTING them back into the
|
|
shadows. (NOTE: The phaser blasts should have an
|
|
unusual look in this universe). The clicking sounds
|
|
become panicky SCREECHES.
|
|
|
|
Riker quickly moves to Rager, kneels down to pick her
|
|
up, but stops at what he sees -- several TUBES are
|
|
connected to Rager's neck, like alien IV's -- the
|
|
tubes are attached to a small alien INSTRUMENT that is
|
|
next to the platform.
|
|
|
|
A beat as Riker decides what to do. In the background,
|
|
an alien figure is approaching Riker...
|
|
|
|
52A INT. ENGINEERING
|
|
|
|
DATA'S COM VOICE
|
|
The rupture is ninety-six percent
|
|
closed.
|
|
|
|
GEORDI
|
|
We're almost there. One more
|
|
burst should do it...
|
|
|
|
SHIPLEY
|
|
Emitters recharging...
|
|
|
|
They wait a beat...
|
|
|
|
SHIPLEY
|
|
Ready.
|
|
|
|
Geordi hits the button...
|
|
|
|
52B INT. ALIEN LAB (OPTICAL)
|
|
|
|
As before. The room SHAKES violently. Finally, Riker
|
|
picks up Rager and the alien instrument -- gathers them
|
|
over his shoulder and, with great effort, starts to
|
|
carry them across the room, in the direction of the
|
|
spatial rupture...
|
|
|
|
The alien figures are converging on Riker, who FIRES
|
|
several phaser BLASTS in their direction.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 50B.
|
|
|
|
52B CONTINUED:
|
|
|
|
Screeching, the alien figures scatter out of the way.
|
|
Still holding Rager, Riker bolts forward and JUMPS
|
|
THROUGH THE SPATIAL RUPTURE --
|
|
|
|
53 ANGLE ON RUPTURE (OPTICAL)
|
|
|
|
IN A FLASH OF LIGHT, Riker and Rager VANISH into the
|
|
rupture --
|
|
|
|
STAR TREK: "Schisms" - REV. 8/20/92 - ACT FIVE 51.
|
|
|
|
54 INT. CARGO BAY
|
|
|
|
Data reacts to a FLASH OF LIGHT that occurs offscreen
|
|
--
|
|
|
|
55 ANGLE ON RIKER AND RAGER (OPTICAL)
|
|
|
|
having just come through the rupture -- they slump to
|
|
the floor.
|
|
|
|
56 OMITTED
|
|
|
|
57 ANGLE ON SPATIAL RUPTURE (OPTICAL)
|
|
|
|
As the rupture starts to close down, an ALIEN SHAPE
|
|
EMERGES -- a huge COIL OF ENERGY which snakes out of
|
|
the rupture -- quick and violent -- then across the
|
|
Cargo Bay and through the wall out into space...
|
|
|
|
58 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
as the strange COIL OF ENERGY EMERGES through the hull
|
|
of the ship, and flies off into space.
|
|
|
|
59 INT. CARGO BAY
|
|
|
|
The spatial rupture is gone. Silence. Riker and Data
|
|
exchange a look. What the hell was that? As they
|
|
stare at the Cargo Bay wall, mystified...
|
|
|
|
60 EXT. SPACE - THE ENTERPRISE (OPTICAL)
|
|
|
|
at impulse.
|
|
|
|
PICARD (V.O.)
|
|
Captain's Log, Stardate 46119.2.
|
|
The tetryon emissions in Cargo
|
|
Bay Four have ceased, and there
|
|
have been no further indications
|
|
of alien intrusions. All
|
|
Enterprise crewmembers are safe
|
|
and accounted for. But we are
|
|
still left with some unanswered
|
|
questions...
|
|
|
|
61 INT. OBSERVATION LOUNGE
|
|
|
|
Picard, Riker, Data, Geordi.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FIVE 52.
|
|
|
|
61 CONTINUED:
|
|
|
|
DATA
|
|
Based on the information gathered
|
|
by Commander Riker's tricorder,
|
|
we have determined that the
|
|
molecular structure of the alien
|
|
life forms is solanogen-based.
|
|
|
|
GEORDI
|
|
We think that's why they couldn't
|
|
come through into our space, as
|
|
easily as they could take us into
|
|
theirs...
|
|
(beat)
|
|
They needed to learn how to
|
|
remodulate their cellular energy
|
|
states in order to survive in our
|
|
universe.
|
|
|
|
DATA
|
|
The tricorder readings indicate
|
|
they created a small pocket of
|
|
our universe in their lab to
|
|
keep those who were abducted
|
|
alive.
|
|
|
|
RIKER
|
|
Like putting a fish in a bucket
|
|
of water...
|
|
|
|
GEORDI
|
|
They were probably trying to do
|
|
the same thing in Cargo Bay Four
|
|
-- create a pocket of their
|
|
universe in ours.
|
|
|
|
A beat.
|
|
|
|
PICARD
|
|
What can we do to prevent this
|
|
from happening again?
|
|
|
|
GEORDI
|
|
It looks like they found us
|
|
initially by discovering my
|
|
modified sensor signal. We should
|
|
warn all Starfleet ships not
|
|
to make the same mistake.
|
|
|
|
A quiet beat as they contemplate.
|
|
|
|
STAR TREK: "Schisms" - REV. 8/18/92 - ACT FIVE 52A.
|
|
|
|
61 CONTINUED: (2)
|
|
|
|
PICARD
|
|
(to Data, Geordi)
|
|
Have you any idea what came
|
|
through the rupture, before you
|
|
were able to shut it down?
|
|
|
|
DATA
|
|
No sir. We were unable to track
|
|
it once it left the Cargo Bay.
|
|
|
|
GEORDI
|
|
Maybe it was a probe of some
|
|
kind...
|
|
|
|
DATA
|
|
Perhaps they are simply curious.
|
|
Explorers, like ourselves.
|
|
|
|
Riker is grim-faced.
|
|
|
|
RIKER
|
|
Ensign Rager and I were lucky to
|
|
escape... and Lieutenant
|
|
Hagler's dead...
|
|
(beat)
|
|
I have a feeling that whoever
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sent that thing... was more
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than simply curious.
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As they consider the foreboding prospects that lie
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ahead...
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FADE OUT.
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END OF ACT FIVE
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THE END
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